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#may no harm come to the child
goji-pilled · 2 years
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Oh my god, the new kid is so precious!
Hell yeah he's a little sunshine that offers people flowers, just a happy little dude and I care him
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magnusmodig · 1 month
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rough childhood headcanon qs / anonymous / accepting !
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╰┈➤ 1 . does your muse blame themselves for their trauma?
||. As is ever the case with Thor Odinson, the short answer is still, in itself, complicated. Ultimately the answer is, in my personal opinion, yes , though Thor is an incredibly introspective person, and so he can be self-aware enough of himself and his family situation to see it plainly for what it was. Thor is not a doormat. But whether or not he fully commits to acting on what he's feeling, and thinking based that awareness is its own issue. One mostly steeped in how Thor views himself and partly how he views his own family (specifically: he views them all with blinding rose-colored glasses ESPECIALLY once they've died, regardless of the damage they've caused him).
For some context on what I mean, by "how Thor views himself", I mean that he is shown to have something of an atlas complex (also known as: superman complex, savior/hero syndrome, codependency). Everything comes down to him. He's the strongest, so he'll do it. He can outlive and outlast, so he'll endure. He's the eldest, so it's his responsibility. So on and so forth very often times coming out as "I will solve this problem for you" statements most notably with Jane Foster. He takes failure personally, especially when other people are at stake, or the collateral. And he will hold himself accountable for tragedies beyond his control at length. In "The Avengers" and a deleted scene in "Thor: Ragnarok" he actively and repeatedly lumps himself in with his family (aka his father and siblings, mostly), and their catastrophic, destructive actions and pasts — both of which are things that thor himself actually hasn't partaken to any large degree (unless we count the failed Jotunheim heist and even that he WAS going to bail on before his temper got the best of his judgement.) He proceeds to call them (his family) "bilge snipe", while using the terms "we" (denotating himself as part of the issue) and proceeds to call the metaphorical bilge snipe "repulsive". He does this again in Ragnarok while telling Banner that "we're cursed to fight amongst ourselves while everyone else suffers for it"), meaning his opinions on the matter have not changed since 2012.
And by "blinding rose colored glasses" I mean that Thor has another tendency to see the good in people, partly in nature and partly deliberately, especially when seeking it out. And he does this especially when it comes to his family, and he will justify their actions by trying to step into their shoes even when it may not always be appropriate. (//gestures at literally all of thor: ragnarok and how he still idolizes his father to an obscene degree thankstaika re: "i'm not as strong as you", and even further back to the way thor speaks to odin in thor 2011 at the end of his banishment re: "there will never be a wiser king than you or a better father". He also idolizes Loki in "The Dark World" with the line "loki, for all of his grave imbalance, understood rule as i know i never will" and to a lesser degree does this with Frigga in the same film "she saved us all, a thousand times.")
From a slightly more psychological perspective:
The long and short of it is that it is much easier to blame yourself for things that hurt you that were beyond yourself. Especially when you can't understand it, or didn't deserve it. Especially when they come from someone you hold in high esteem, and hold a lot of love for. Like caregivers and family. In a twisted way, it grants the guilt-bearer some level of CONTROL over their emotions and their situation that they did not have in the moment the hurt occurred. If you're can blame yourself, then you're at fault. If you're at fault, then you can feel guilty, and if you're guilty, then you can atone. You can actively work to make up for it. ( "By blaming ourselves, we maintain the perception that we’re still in control of the situation and ultimately safe -even when we’re not." - rosscenter.com) This is especially critical in children who go through this sort of parental dysfunction and neglect. And the reason why I think this is not a development saved for his young adult -> adult years is because of exactly what we see on screen.
Thor comes from a family that is just as loving as it is toxic. His father was so good at being a wise king that he completely failed at being a good father. It's something Thor even calls out in "The Dark World" ("I'd rather be a good man than a great king") after speaking on how being king is losing who you are to politics and mind games and war. Odin as a parent, and Odin's overbearing, all-encompassing shadow of a legacy is what Thor's entire character arc was always about overcoming. His mother, Frigga, is by far the most decent of the bunch, but she is far from perfect. To pull from a previous meta on the subject, my opinion on frigga/thor is as follows: " [...] an unfortunate cycle in which [Frigga] spent SO MUCH ENERGY [...] making sure [Loki] felt seen/heard and had “some sun for himself” that she COMPLETELY neglected to see that her other son was in just as much pain as the youngest was [...] And only realized how estranged they had become when it was too late, and she couldn’t reach Thor anymore. (She also died before she could make it right.)"
His brother is arguably the person he was ever closest to (even among his friend group), up until his brother manipulated and betrayed his trust, killed him, attempted suicide in front of him, tried to take over earth as payback, tried to kill him again, rejected him outright, and then got put into jail.
Suffice it to say that while I think that Thor's issues stem from deep childhood trauma (and only ever further reenforced by the fact he ages so slowly), my dude's got some issues, and blaming himself for past trauma is definitely one of them. (When he can't get away with internalizing it and avoiding it any longer, anyways.) I do also think to a lesser degree this behavior does also count towards friends, just to a less extreme degree. With the main difference being: Thor adores his family. He wants to keep them close to him. He's incredibly protective of all of them. Which isn't to say he doesn't love his friends, because that would be the biggest lie. But friends come and go. Thor will always want to be a good friend, but he wants to be a good son even more than that. And so in cases of conflict with a friend and a peer, Thor will gladly and readily call out his friends for their bad behavior just as readily as he would also dismiss and justify their bad behavior towards himself. (you know like not checking in on him for five years in "endgame", apparently...)
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solarisgod · 1 year
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Y'know, if Micah's canon series ever comes to be well known, I can easily imagine that Phobos would be labelled as the " evil alter " or the alter who is " the most flawed " of the Starwake System by majority of the fandom, when, in fact, Philos and Phoebus are not that great either, but their flaws aren't just as obvious as Phobos'.
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Given that Phobos is known to be a lot more rough and reactive while it tends to rely on violence than Phoebus and Philos, this fact paints Phobos as it having flaws that are " more prominent " than the two mentioned alters to an individual's eyes, though this is only due to most of its flaws being what can be perceived easier, whereas what Phoebus and Philos have are less noticeable when their flaws are generally more psyche and verbal based than physical. Phobos is an alter with traits prominently taken after various of abusers who Micah had met in their childhood when they moved between foster homes across America, as well as most memories it carry have to do with violence and experiences made by other people that could have gotten Micah harmed or rarely killed.
While DID is generally considered to be a covert condition when most alters would blend with the Host in order to not stand out and place the system in potential dangers, along with Philos in a smaller degree, Phobos is not as overt as the other alters to those outside of the system because it firmly believes that if it keeps its words and actions to itself instead of bringing them to their threats, then the system would most likely be harmed or killed, so, Phobos wants to stand out in order to make people fear it and the system. Of course, going back to what it can recall and the traits it carry from Micah's abusers, being ill-tempered and violent are what it can at least be because it doesn't really know what kindness is supposed to mean and also its belief that the world is so full of cruel people who the system can not trust. Being kind and considerate to alters and those outside the system isn't part of Phobos' responsibilities, nor is it something that it is familiar with.
When it comes to Philos, even though Philos is usually seen to be highly friendly, cheerful, and understanding; they are also extremely pretentious and manipulative while they lie a lot. It's quite difficult to be able to tell if Philos is being genuine or not when they are highly skilled at going along with the flow and coming up with ideas or evidence in sudden / unexpected cases. Created as a social alter, she has to be the one to be proficient at communication in order to get through social events and common settings that emphasize on social interactions, such as a school or a workplace, especially during a long period of time when Micah can not. With this role, she is an expert at reading people and keeping tabs of them with everything from their attributes, skills, background, so forth. She knows best with what can make her the most compatible with the individual she interacts with and how she should say and act to get by a variety of situations, including the uncomfortable and / or dangerous ones.
Though because Philos have to change himself constantly, making from biggest to smallest details, in order to fit in or help him / the system pass a particular incident, he ends up heavily relying on the acts of lying and manipulating. While Philos are RARELY like this to his system associates, doing so mainly because either he doesn't want to be in trouble with any of the alters ( especially Phoebus ) when he hates being scolded at and being (in)directly told he is at the fault, or he's doing it with a genuine intention to try protecting them, he still manipulate and lie a lot more to individuals outside of the system and it's something he will never admit unless he's forced by the other alter(s) to or he's being excessively confronted about it by the individual(s) he manipulate / lie to.
Now with Phoebus, their flaws are a bit more complicated than Philos' and Phobos'. Of course, keep in mind, what ALL of these alters have that may appear fully wrong to the eyes of an individual outside the system when in their own beliefs + mindsets and based on their own experiences + memories, they heavily rely on these unhealthy methods to guide / strengthen / protect the system; a lot of Phoebus' flaws most emphasize on the idea of helping the system. Their overly strictness and protectiveness in the system are what bring harm to not just those outside of the system, but also their system mates as well. Remember, Phoebus was the first alter to be formed a week after Micah became five years ago in order to pull Micah away from their rebellious and self-destructive attitude while helping bear most negative experiences from their abusive foster families, so, while Phoebus would learn and witness so much about the world and people in it by being constantly co-conscious with Micah, they have been with Micah in the majority of their life and they know how life itself goes, more longer and much more than the other alters.
Therefore, Phoebus believe what they do and say for Micah and their system is the most efficient, comparing with Philos' and Phobos'. A therapist would say that Phoebus being the one to front when they are least needed or Phoebus being the one to place their goals and intentions over the other alters', including Micah's, are a few ways of showing that Phoebus holds very little to no trust towards their system mates, which is damaging to the system as a whole when there is lack of trust and communication between the alters. Phoebus is more reserved than and, surprisingly, the most unpredictable comparing with Philos and Phobos. While Philos fight with words and Phobos fight with actions, Phoebus can do so with both just as efficiently, but while they seem more knowledgable and wise, they are not any more stable or " right " than the other two.
Of course, while the original canon timeline proceeds, along with Micah, all of the other system members, especially the three alters in question, will go through their character developments. They will get the professional support they all need and have to get in order to build and strengthen solid and meaningful connections between them; and they will help and love each other through healthier methods and mindsets. With Micah getting the official diagnosis and confirmation that they have DID in the beginning of the original canon, after being misdiagnosed three times and they were harshly told at the final time that DID wasn't real, they will be in denial and attempt to push the other alters away, but they will eventually come to terms with what they have and accept their system mates. This system would go through a lot of hardships from each other, but everyone in the system would make their meaningful personal growths and find better ways of living with each other through harmony in the end.
#CHILD ABUSE CW#MISDIAGNOSIS CW#VIOLENCE CW#𓁹 ༑ ࿐ྂ ⩇⩇ : ⩇⩇ ⚠︎ [ 𝙴𝚇𝙸(𝚂)𝚃 : 𝙶𝙾𝙳 ] * ‹ PHOBOS . ›#𓁹 ༑ ࿐ྂ ⩇⩇ : ⩇⩇ ⚠︎ [ 𝙴𝚇𝙸(𝚂)𝚃 : 𝙶𝙾𝙳 ] * ‹ PHILOS . ›#𓁹 ༑ ࿐ྂ ⩇⩇ : ⩇⩇ ⚠︎ [ 𝙴𝚇𝙸(𝚂)𝚃 : 𝙶𝙾𝙳 ] * ‹ PHOEBUS . ›#𓁹 ༑ ࿐ྂ ⩇⩇ : ⩇⩇ ⚠︎ [ 𝙴𝚇𝙸(𝚂)𝚃 : 𝙶𝙾𝙳 ] * ‹ STUDY . ›#𓁹 ༑ ࿐ྂ ⩇⩇ : ⩇⩇ ⚠︎ [ 𝙴𝚇𝙸(𝚂)𝚃 : 𝙶𝙾𝙳 ] * ‹ METAS . ›#[ I want and need people to understand that a violent and / or destructive alter doesnt ever make them ' evil ' or the ' worst alter ' ]#[ when every alters have their own flaws that can be just as severe as involving the production of fear and use of violence ]#[ as every alters should get the love and support ; including those who identify themself as a persecutor / perseprotector / etcetera ]#[ perse-alters often come into being with memories that had traumas and + or they were formed after what / who had hurt the host ]#[ so they may harm themself and the system by subjecting the themselves to what they believe could benefit them ]#[ when in reality it doesn't ]#[ such as improving their resilience or the idea if the system would get hurt by this alter first ; they can't by those outside the sys. ]#[ perse-alters need just as much love and support as everyone else in the system and in Phobos' case it would improve on itself over time ]#[ for sure ]#[ we had a persecutor who had handled an incident that I couldn't at all because I was so scared to function and deal with it ]#[ even though it was done poorly ; they did what they thought was best based on their memories + capabilities and what they know about me ]#[ and I will always appreciate them for trying to help me with that incident ]#[ anyways. Phobos and all of the perse-alters are great ; we love them! <333 ]
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xxsabitoxx · 7 months
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Breed | Kinktober
Satoru x AFAB Reader + Higher Up Suguru
Warnings: Mild dub-con, fucking with the intent of getting pregnant, creampies, pussy eating, voyeurism, drunk sex, use of pet name "princess", Satoru talking you through it, Satoru having a big ass cock ngl hehe, biting
A/N: Day 4... I got really carried away. Lordy lordy... enjoy
WORD COUNT: 6.2K
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You swore you didn’t hear him right, your eyebrow cocking upwards as you opened your mouth to say something but Satoru beat you to it. “You want us to do what?” he sounded just as lost as you, face twisted in a grimace as he hoped his best friend would say it was nothing more than a sick joke. “I want the two of you to breed.” Suguru repeated with his easy going smile, eyes shifting between the two very concerned faces before him. 
Ever since becoming a higher up in the Jujutsu world, Suguru had started to change. 
“You… you’re joking, right?” You laughed a bit, eyes shifting to the white-haired man beside you to try and see how he was taking it. Sure enough, Satoru looked completely confused, blue eyes scanning his best friend’s face for some kind of inkling that this was all a prank. “I’m not joking, quite the contrary, I’m dead serious.” Still though, he was smiling, completely unphased. “Yeah, bull shit… I don’t know why you’d think it’s okay to make such a–”
“The higher ups and I have been discussing things. Since the two of you are undoubtedly the strongest of our generation, we want you two to produce children. We want to know if you’ll create sorcerers just as strong, if not stronger than the two of you.” You felt yourself stiffen, immediately off put that he had totally interrupted you to spout the most foul shit you’d ever heard. “We aren’t some fucking experiment.” Satoru stated blandly, arms coming up to splay across the back of the couch you two were sitting on. Suguru still seemed unphased. 
“I don’t see why you two wouldn’t accept the offer.” You gasped, feeling Satoru stiffen beside you as Suguru said such blatantly ignorant shit. “Why wouldn't we accept? We aren’t even a couple! Never mind the fact that you want him to breed me like I’m some bitch in heat?!” you practically screeched, still partially believing this was a sick joke. Suguru’s smile faltered a little now, a crack in his facade that sent a shiver straight down your spine. “You two would be wise to accept the offer. I’m giving you a choice. The rest of the higher ups would not.” 
“You’re not giving us a choice.” You immediately countered, mildly aware that Satoru’s arm was lowering a bit, as if to wrap around you protectively. “Oh but I am, dear y/n.” His hands clasped in front of him, that smile creeping back up his face as his eyes shut. You both shared a glance, eyes returning to Suguru as he exhaled and opened his eyes again. “Either the two of you fuck and let me watch, or the higher ups will sit in and watch you instead. I’m giving you the choice to do this comfortably or do this in front of many watching eyes.”
“I decline both options.” Satoru said with an air of annoyance, not willing to subject you to anything you didn’t want. “That is not an option, Satoru.” Suguru immediately countered, eyes shifting over to you. “Really what is the harm in this? You two can have some fun and then go on with your lives.” Suguru tried again, not grasping how this was a huge deal. “You want me to get her pregnant, Suguru. That is not something you can just move on from.” You remained quiet, still reeling from the fact that Suguru was dead serious. “Not only that but you are looking me dead in the eye and telling me this hypothetical child would be at the whim of the higher ups.”
Suguru knew how strongly Satoru felt about this matter, he had since their high school days. For the man across from you to be so blindly devoted to this inhumane experiment, he must have been brainwashed. “Suguru… did they threaten you or something?” Your voice was a little weaker now, Suguru may think the two of you only have two options, but you knew Satoru well enough to know a third. If it came down to life or death, Satoru would choose death. Not of you or himself, but of the hierarchy in the Jujutsu world. You were both strong enough to do it. 
“Not at all, dear y/n. I just think this would be highly beneficial for not only the two of you but the rest of the jujutsu society. The Gojo clan needs an heir, if you two were to produce a child, it would bind both the Y/L/N clan and Gojo clan together. It would be utterly unstoppable with the two of you at their heads, a perfect child to take the reins when that time comes…” Satoru made a fake gagging sound, lifting his blindfold with one finger to look at Suguru. “Don’t tell me you really believe all that bull shit they’ve been feeding you.” Suguru’s calm aura faded completely at that, smile dropping from his face as his eyes became cold. 
“Either we do it the easy way or the hard way. You fuck each other, or they’ll force it upon you. I, as your friend, implore you two to take the easy route. I mean really, even if she doesn’t get pregnant, at least you’ll have had a good time, no?” That clicked something in your mind, body straightening a bit as you mulled his words over in your mind. “I’m not going to fuck someone who isn’t willing, Suguru.” Satoru sounded completely uninterested now, letting the blindfold snap back into place as you sat up a little more. “Satoru…” you started, turning your body to face him. His head snapped in your direction, the tone of your voice was different. 
Knowing he could still see you with the blindfold on, you turned your body and pressed yourself a little closer. Carefully, you brought your lips to his ear, using one hand to hide your mouth so Suguru couldn’t read your lips. “Why don’t we just play along, Satoru?” You swallowed, face feeling a bit warm as you settled again so he could reply. Much to your surprise, he turned his body so he could lean and whisper against your ear. You half expected him to just blurt his answer out. You held your breath as Satoru’s breath ghosted your ear, large hand easily blocking his face from Suguru’s view. “I don’t want to do anything you aren’t comfortable with.” 
You sigh, letting him move away so you can press your lips to his ear again. “I’m fine with it, we can have fun with each other, can’t we?” you pulled away, shrugging your shoulders to say the decision was his. Satoru huffed out a laugh, one arm still draped over the back of the couch as he used the other to pull at his blindfold again. “Suguru, name a time and a place. We’ll entertain your request.” Your heart skipped, trying to remain composed as Suguru gave the two of you a sly smirk. “I’m glad you’ve made the right choice, we have a few things to discuss before we decide those main factors I’m afraid.” Still, he seemed thrilled at the thought. 
“Then discuss them now, Suguru. If we are doing this, you need to act fast before we change our mind.” you appreciated that Satoru was now speaking for the both of you. It was giving you time to properly sort out your thoughts. “No need for such hostility, Satoru. I just want to figure out when the best time is for dear y/n. After all, she needs to be ovulating when you do this.” You stifled your shudder, you weren’t fond of being discussed like some dog that was about to be bred for his own personal gain. “I’m due to get my period in about two weeks time.” 
You were lying, your cycle had just passed. But you knew if you told him you were currently in your ovulation period, the sooner this could be done and over with. “Well would you look at that, I came to you at the right time.” Suguru smiled, clearly he had done a little research beforehand. Beside you, Satoru was visibly confused, clearly having no understanding of a woman’s cycle. Not that you really expected him to in the first place, but you had to admit it was a bit amusing. “If that is the case, Suguru. Why don’t we get this over with, here and now?” you drawled, falling back into the couch and subsequently, Satoru’s arm. 
“That works for me, does it work for you, Satoru?” You and Suguru were both looking at him now, a sigh leaving his plump lips before speaking. “Yeah, works for me.” Somewhere in the back of his mind he couldn’t quite believe you were willing to do this, especially after being so adamant about not wanting to. Something Suguru had said clearly convinced you, though he couldn’t be quite sure. “That settles it then, I’ll treat the two of you to drinks for accepting my offer.” You snorted, pushing yourself up and off the couch. “I expect a lot more than drinks, Suguru.” you patted your skirt, flattening any wrinkles that had formed while sitting. 
“Dinner and sweets!” Satoru added, standing to his full height and stretching dramatically. “What he said, Suguru. You owe us big time.” You crossed your arms, watching your long time friend look between the two of you before heaving a sigh. “Alright, fine. Dinner, drinks and sweets.” Satoru cheered triumphantly, slinging an arm over your shoulder as you headed out the door. “Only one drink for Satoru though, he’s a lightweight and needs to perform.” you couldn’t help but snicker, Satoru’s face turning a shade of red as he yelled at Suguru for saying such things. 
“It’s the truth and you know it, Satoru.” was all you managed, trying your best to keep up with the pace his lengthy legs set. “Who’s side are you on?!” he pulled you a little closer, nearly crushing you to his side. “I guess I should be on yours, shouldn’t I?” you teased, trying to ignore the new found flurry in your heart when you talked to him. But part of you couldn’t help but wonder, did he feel it too. Of course you would let your emotions start to toy with your mind, knowing full and well what would happen within a few hours time. 
“S-shit… oh fuck…” Satoru choked out, blindfold pushed back and sitting on his head like a headband. Your teeth were sinking into the junction between his neck and shoulder, making his hips jerk up against yours. Suguru had cut Satoru off after one drink, the white-hair man getting more than tipsy off of it because of his low tolerance. You, on the other hand, had been three drinks in when Suguru cut you off. Having a better tolerance than Satoru did not equate to you being any less sloppy. Suguru was quickly learning that, eyes wide as he watched the two of you make out on the couch within the hotel room he had rented for the night. 
You hadn’t even made it to the bed, your hands all over each other the moment he swiped the card and the door unlocked. Needless to say, Suguru didn’t think he would be in for such a ride. “E-easy! Fuck… y/n please!” Satoru whimpered, fingers digging into the flesh on your hips as you bit a little harder. You wanted to taste blood, desperate to leave a permanent mark on the man below you. Though, even in your intoxicated state you still had a heart. You eased up, lapping at the indents on his skin to try and soothe the damage. Satoru’s hips were restless, bucking into yours every few seconds. Each time your clothed cunt met his covered erection, a wave of molten heat spread through your already too hot body. 
Behind the two of you, Suguru was getting comfortable in the plush chair that sat in the corner of the room. He had only consumed one drink, a buzz settling under his skin but not impairing him enough to let you two have free reign. “Don’t you dare waste a drop of his cum, if you’re going to grind on each other like horny teenagers, at least strip.” You audibly whined, looking over your shoulder to glare at Suguru. Though it wasn’t threatening at all, you looked like a child trying to intimidate an adult. “You heard me.” was all Suguru responded with, his tone demeaning as your face flushed. Satoru took your distraction as the perfect opportunity
You gasped, body falling forward against his as his fingers dug into your thighs. Hauling you up, Satoru made quick work of tossing you on the queen size bed, the white sheets quickly crumpling as you fell onto it. “You heard him, strip.” Satoru’s voice was mocking, and yet he was quickly undoing the top half of his uniform. You rolled your eyes, clearly disgruntled by your dominance being stripped from you. But you couldn’t complain, your skin was prickling with sweat, your own uniform sticking to you uncomfortably. Your fingers fumbled a bit as you undid your top, shouldering it off after a moment with Satoru’s eyes glued to you. 
“You need help?” he breathed out, looking at the fabric of your bra hugging your breasts perfectly. “No, I’m fine…” always stubborn, you undid the button on your wrist and yanked your arm out, repeating the motion on your other arm with a little struggle. “Done yet?” Satoru’s knee sunk into the mattress, hands coming down to press into the linen as he waited for your “okay” to crawl on top of you. “Yeah, done.” you groaned, tossing the white button up at Suguru who managed to catch it. Maybe your reflexes really were slowing down from the booze. Satoru sighed, crawling fully onto the mattress and connecting his lips with yours. 
Your hands came up to wrap around the back of his neck, legs spreading to accommodate him as you slowly laid back. You had to groan into the kiss, Satoru’s teeth grazing your lower lip for entrance only made you feel more defiant. You were slightly pissed he had moved so fast, you hadn’t even gotten the change to admire his toned torso. Which was something you had been most looking forward to, you knew the man was built but he was always hiding it under his uniform or baggy clothing. One of Satoru’s hands was splayed by your head, supporting him so he didn’t crush you under his weight. The other hand was cupping your cheek, trying to coax your stubborn jaw open for him. Still, you were managing to resist. 
“Such a tease, y/n.” Suguru cooed from his spot, hand shamelessly adjusting his half-hard cock. Of course he’d enjoy this, how could he not? Satoru pulled away, gasping as you stared up at him. “She is, won’t open that pretty mouth for me… so cruel.” he whined, cheeks flushed pink as he dipped his head lower to return the favor you had paid him earlier. This time, it was your turn to gasp, fingers digging into the back of his neck since there was no hair to grab… curse him and his undercut. Satoru’s teeth were sinking into the same point on your body, making a mark that would match the already bruising bite you left behind on him. “F-fuck! Satoru!” 
Your eyes shut, the warm pain blooming on your neck was only making the throb between your legs worsen. “I didn’t think it was possible for someone to be a masochist and a sadist at the same time.” Suguru mused, watching your eyes open slowly, head turning to glare at him. Still, he only smirked, fist pressed into his cheek as his other hand now began palming himself. You looked away, skin vibrating with the realization that Suguru was also getting off on this. “Satoru… ease up!” you whined after a moment, the feeling nearly dizzying as he finally released the skin he had clamped down on. Perfect teeth indents were left behind, the slight swell of blood appearing in some of them. He swallowed, throat dry at the sight. 
“So pretty…” he murmured, head lowering to lap at the mark before trailing his lips up your neck and jaw. “Let me taste you this time, please?” you nodded, dazed as he slotted his lips over yours once more. You were a little easier on him now, mouth opening to accommodate his eager tongue. You shivered as you tasted the slight metallic blood mixing with the fruity cocktail he had consumed earlier. You were envious, he had managed to break your skin but you hadn’t been able to break his. No fair! Your fingers scratched at his skin the more you thought about it, pressing your head into the mattress to create a little distance so you could catch your breath.
“Please…” you gasped out, unsure of what you were asking him for. Yet, he seemed to understand perfectly. Satoru placed one last kiss to your slightly swollen lips before his head dipped lower. Carefully, he kissed down your neck to your chest, burying his face in your sternum, cradled by your breasts. “Can I take this off of you?” He asked even though he knew the answer was yes, still you nodded. Satoru’s hand slipped around your back, the other still supporting himself. You helped by rolling over a bit, allowing him to nimbly undo the clasp of your bra. He tugged it off of you, holding in a shaky breath as he admired your bare skin. Your nipples were pebbling under the cool air of the room, making your cheeks feel warm as Satoru clearly observed them. 
No words were spoken as his head lowered again, tongue running along the valley between your breasts before making the decision to go left. You tried to suppress your noises as his nose dragged along your skin, his tongue leaving a wet trail as he lapped around the pliant skin. He made a point to avoid your nipple, wanting to tease you until you were squirming. You sunk your teeth into the side of your cheek, not willing to give in so easily, still annoyed you were being dominated. “C’mon sweetheart, let me hear that pretty voice.” Satoru pulled away enough to speak, chlorine blue eyes shining even in the dim hotel light. You held his gaze for only a moment before looking away, lips wobbling as he returned to sucking bruises on your breast. 
A quiet, barely audible sigh left your lips, and that seemed to be enough for Satoru. A loud gasp slipped out of you as his lips wrapped around your nipple, tongue flicking across the sensitive bud before he sucked. It was a dizzying feeling, each movement sending a shockwave of pleasure straight down to your cunt. You wanted to feel him, every single inch, that realization tore a moan from your lips as your fingers moved from his neck to thread in his hair. “Satoru… I don’t want to be teased…” You could feel your panties sticking to your cunt as you squirmed, the feeling mildly uncomfortable until you found the right angle. If you moved just right, you could brush against his erection. 
This earned a low groan from Satoru, his teeth grazing your nipple in retaliation. Suguru was still watching, amused as the two of you toyed with one another. “Satoru please!” you cried out again as his teeth actually sunk into the tender flesh, making your eyes water as you tugged on his hair hard enough to pull his head away. The only issue was that he didn't let go, you tugging him away from your chest only caused him to pull at your nipple. A shrill cry left your lips this time, hands immediately letting his hair go as his head lowered to a more tolerable distance. You were panting, your heartbeat racing as Satoru’s free hand moved to cup your other breast. 
He was putting all of his weight on his knees, but that didn’t stop you from feeling the brunt of his weight. “Satoru…” you tried again as he finally let go of your nipple. Still, he didn’t answer you, slim fingers tugging on your other nipple as his eyes focused on yours. You looked completely fucked out already, pupils blown and eyelids heavy as you stared up at him. “Gonna fuck you real good, princess.” Your lips parted at the nickname, not expecting it to have such an effect on you. “Then get to it.” you whined, missing his warmth the moment he straightened. He was towering over you know, giving you a full shot of his muscular torso. 
“Can I take your skirt off?” he asked for your permission yet again, eyes shifting to where his blindfold sat by the pillows. It had slipped off his head when he took his uniform off, but he had the intention of using it for something else later on. “You can, please…” breathless, your hips lifted so he could hook his fingers in the waistband and tug them off of you. Satoru did just as you wanted, pulling your skirt and panties off in one go. You sighed in relief, not at all embarrassed this time when Satoru shamelessly admired your bare cunt. “Pretty.” It was more to himself than you, either way it made you whine. 
“I want to see you, Satoru.” You whined, arms reaching out to try and grab for his waistband. Your hands missed, making you burst into a fit of giggles as you tried to push yourself up. Satoru smirked, undoing his pants with leisure as he looked you over. “You were doing so good at hiding the fact you’re not sober.” He comments, watching you give up and flop back onto the bed with your legs spread around him. He had managed to get his pants off without making a fool of himself. As for his briefs, they were still hugging his hips, straining tightly as his hard-on pressed into the soft material. Behind you, Suguru was chuckling at Satoru’s comment. 
“Yeah, you’re just as bad as she is if you think she was hiding her intoxication.” Still, he was mildly impressed that Satoru had stripped as far as he had without falling over. “Hurry up and pull your cock out.” you groaned, tired of the men’s banter. There was a time and place and it wasn’t now, when your cunt was aching with the desire to be filled up. “Fuck…” Satoru hissed at your words, reaching down to push his briefs, ignoring the way Suguru groaned at your desperation. You swallowed the moment his cock sprang free, slapping up against his abdomen and nearly pulling the air from your lungs. He was big to say the least. Not only that, he was girthy, the kind of girth that would hurt no matter how prepared you were. 
“Damn…” was all you managed to croak, lip trembling a bit as he got his briefs off the rest of the way. Satoru smirked, your reaction stroking his ego in perfect time with his fist stroking his cock. You met his gaze, silently begging him to do something. Satoru took the initiative, grabbing under your knees and pushing you further up into the mattress. “Don’t work, I’ll make sure it doesn’t hurt…” You wanted to ask what he was about to do, but your answer came seconds later as he lowered himself onto his stomach, half of his body hanging off the bed as he settled between your spread thighs. You tried to suppress the strangled noise that left your throat as Satoru’s nose dragged along your inner thighs, shamelessly inhaling the smell of your arousal. 
“S-satoru!” you squealed, hands coming up to cover your face as he groaned. “You smell so fucking good.” You whined, thighs twitching to close around his head but his hands managed to stop you before you could successfully do it. Your head tilted back, too embarrassed to look down at your body and see Satoru start kissing your inner thighs. Suguru watched with dilated pupils, adjusting himself yet again in order to properly monitor the two of you. If he gave into his desires, who knows what the two of you would do. So instead, he sunk his teeth into the side of his cheek and watched you diligently. “Satoru~” you whined as his tongue licked up your folds, not going any further, just covering them in the slick shine of his saliva. 
Your back arched off the mattress the moment his teeth sunk into the underside of your thigh, pain blossoming under the pressure and earning a shrill cry from your lips. It was so sudden that it was nearly dizzying, earning breathless whimpers as he lapped at the now bruising skin. “Sorry…” though you could tell he wasn’t “… you’re just so biteable.” You wanted to scold him but you were too lost in the sensation of his mouth returning to your cunt, letting them fall open for him with ease to give him the access he desired.  The first time Satoru’s tongue passed over your clit, you were certain stars were dotting your vision. He knew better than to poke and prod anywhere else, focusing every ounce of his attention on the pulsing bud below his tongue. 
You felt your thighs tremble, hands twisting in the sheets as you tried to suppress the surplus of whiny moans that slipped out of you. Satoru’s tongue was just as nimble as his fingers, swiping across the sensitive flesh in rapid succession before his lips wrapped around it. You tugged a little harder, the sheets going taut under your fingers as Satoru sucked on your clit just as he had with your nipple. “Fuck… oh fuck… please… just like that… suck it like t-that…” Somewhere in the back of your mind you were mortified for uttering such things, but you couldn’t help but notice the coil in your abdomen tightening with each syllable you spoke. 
It seemed to have a similar effect on Satoru, the man groaning audibly against your bare cunt as his teeth grazed the tender flesh. “S-satoru!” you stuttered out, stomach tightening as his teeth sent a bolt of electricity straight up your spine. The only give away that he heard you was the way his fingers dug into the soft skin of your thighs. You were already close, too overwhelmed by the sensations Satoru bestowed on you. Satoru could tell by the way your sticky arousal was coating his chin each time he grinded his own face into your cunt. He wanted to suffocate on you, dying by your pussy would easily be the best way to go. 
The thought made his hips buck into nothing, mind drowning in the thoughts of shoving his cock into you and doing just as he so boldly refused only a few hours earlier… pumping you full of his cum so you would bear his child. He wanted to utter the filthiest things to you but he knew if he paused for even a moment, that sweet relief you were clearly craving would fizzle away and you’d be back at square one. And at this point, anything that further delayed him delving into your warm cunt felt like pure torture. One of your hands managed to uncurl itself from the hotel sheets, reaching down to instead thread through Satoru’s silky soft white strands. 
You tugged, albeit a little harder than you probably intended, and smothered his face even harder into your cunt. Satoru audibly whimpered at the pain of your tugging, only sending your stomach into a summersault as your orgasm dangled dangerously in front of you. “Satoru please!” you wailed, head tossing back again to make contact with a clearly turned on Suguru. “Go on, Satoru, you heard her, make her cum.” he encouraged with a shaky voice, his tone a lot more wobbly than it had been all night. That made you moan even louder, knowing how visibly turned on he was by this whole thing… and to think you had been so against it at first. 
Satoru grumbled something but it was muffled by your cunt, sending vibrations straight through your core. It didn’t take much more than that, his tongue licking so eagerly at your clit had you spilling all over his face. Your ears ring with the force of your orgasm, Satoru’s touches turning light enough to work you through it without overstimulating you. As much as Satoru wanted to lap up every ounce of your release, he knew he needed you to be sloppy to be able to take him. So, reluctantly, after a few chaste kisses to your now puffy clit, he pulled away. “Do you need a break?” he spoke with a slight pant, face flushed and shiny from his own sweat and your arousal. 
“No… fuck no. Please, Satoru, I want you inside of me.” He couldn’t deny that request, judging by the groan Suguru let out, he wouldn’t deny it either. “Alright.. Fuck alright…” Satoru was getting back on the bed fully, grabbing your ankles and lifting them. You had no time to even squeal in protest before Satoru was folding you into a mating press. “Y-you haven’t even entered me yet…” you wheezed, your knees nearly touching your breasts as the over six foot man settled more of his weight onto you. “Shh don’t worry princess, this will be worth it.” any protest died on your lips, the nickname of his choosing made your body feel warm all over. 
Satoru got himself as comfortable as he could, knowing that he wouldn’t be able to truly settle until he pushed his way inside of you. Ever aware of his size, Satoru ran the slightly swollen head of his cock between your puffy folds, letting your arousal cover him. He held his breath, too enthralled by the way yours caught in your throat each time he bumped your clit. “It’ll hurt a bit at first but it’ll ease up pretty quick, okay?” His alcohol was wearing off but it was no match for his pussy drunk daze. Still, he was going to walk you through each thing he did, blue eyes sparkling with tender reassurance. You nodded, chewing on your lower lip as he positioned his head at your entrance. “Just relax, princess…” 
You nodded, inhaling deeply before slowly letting it out. Satoru timed your breathing with his movements, pressing into you as you exhaled. Your breathing stuttered just a bit as the bulbous head of his cock split you open, stretching you wide and making you flinch. Satoru stopped, whispering soft praises before he kept his hips moving. “It’ll be more uncomfortable if I just stay in place, let me bottom out.” You nodded, your hands holding onto the backs of your thighs as Satoru kept pushing his length into you. When he noticed tears starting to shine in your eyes, he cooed soft reassurance to you, ignoring how his cock was pulsating between your fluttering walls. “I’m almost all the way in, the worst part is almost over.” He smiled a bit, thumb brushing your knee where he held it. You couldn’t recall ever being with a man that had a dick this big. 
“Rub her clit, Satoru. That will help ease any of her discomfort.” Suguru chimed, hand blatantly palming his erection as he greedily observed. “Good thinking.” Satoru hummed, the hand he had been using to guide himself into you now moved to rub gentle circles on your clit. Stars exploded in your vision as the uncomfortable stretch turned into blinding pleasure. Your walls clamped down around him, earning a barely audible whimper between his endless praises. “Yo-you’re taking me so well, I’m sorry it’s so big… oh fuck you’re doing so good f’me princess.” Satoru whined, bottoming out as he tried to regain his bearing before fucking into you. It was nearly impossible to stay still, but the last thing he wanted was to hurt you in this way. He would later argue that the bite marks you bestowed on one another were different from this. 
“Are you okay?” He breathed out, looking at you with lidded eyes and parted lips, making your heart stutter in your chest as you nodded on autopilot. Satoru smiled, settling his body onto you better and really solidifying the mating press he had maneuvered you into. “I’m gonna start moving, princess. Just tell me if I get too rough…” his arms hooked under your knees, forcing your legs wider and further up as he found himself a good position to roll his hips into you. Your hands shakily reached up to rest on his shoulders, shivering as Satoru’s head came to bury in the crook of your neck. Even from Suguru’s perspective, he couldn’t tell where you started and Satoru ended, completely engulfed in one another as Satoru began to find his rhythm. 
Your hands quickly turned from resting to grabbing, breathless whines leaving your lips as Satoru’s cock dragged in and out of your already sensitive cunt. He felt heavy and warm despite being enveloped in your suffocating heat. You could feel the slight upward curve every time he passed over one particular spot, it wasn’t long before a slick squelch emitted from where your bodies connected. “Oh fuck… oh fuck…” Satoru whimpered against your neck, losing himself in the slipper embrace of your cunt. “So good.. Fuck you feel so good… you’re so wet…” he nearly sobbed into your neck, drunk off of your body as his hips relentlessly fucked into you. “Gonna fill you up so good, princess. Fuck so–so fucking good.” he continued to blabber, tears threatening to spill from his eyes as pleasure racked his body over and over. 
You were too far gone to respond to anything, loud moans falling from your lips as you tried to convey how he was making you feel. Each connection had Satoru’s balls slapping against your ass, earning a low whimper into the crook of your neck, right over where he had bitten you. “Make sure you tell me when you’re cumming, Satoru.” Suguru spoke in a slightly raised tone, between the noises you were both making and the noises your bodies made each time he slammed into you, Suguru needed to be sure he was heard. Satoru only lifted his head a bit to mumble a “sure”, vision blurry as he sloppily slotted his lips over yours. The kiss was nothing short of a mess, tongues and breathless pants colliding as drool seeped down the sides of your mouth. Your abdomen was tightening again, an orgasm prickling in your gut as Satoru’s pubic bone managed to rub your cunt with each messy thrust. 
“Gonna cum… ‘toru…” You slurred, this time your impending orgasm felt a little more relaxed,  a warmth spreading through you as Satoru hovered over you. He was studying your face intently, lips a pretty shade of pink and slightly swollen from your kisses. He was close too, but his ability to speak seemed to be robbed by the way your cunt clenched around him. No words could get past his lips, nevermind form in his brain. Satoru’s hips bucked into you a little harder, your whole body shaking with the force of his blows before finally, he was stuttering into you with a loud groan. Your own orgasm hit you shortly after, making your body quiver as Satoru spilled his seed into you. His hips were rocking still, fucking his load deep into your awaiting womb. “So… fuck take it all… take every last drop, Princess…” he had given up on making sense, half of his words stumbling over the other as you tried to remember how to breathe. 
The room finally fell silent, Satoru’s body was still mildly restless as his hips slowly grinded into you. “Well done, you two.” Suguru’s voice earned a groan from the two of you, in your post-orgasm haze, you had forgotten he was there. “You can relax for a few minutes but you’ll have to start round two soon… oh, and Satoru? Don’t you dare pull out of her, keep every drop inside.” Satoru’s body nearly collapsed on you fully at that. “Round two?” He rasped out, limbs feeling like pure jello. “Yes, round two. We have to be thorough. If this doesn't work, we’ll have to keep trying until it's successful.” Suguru was once again displaying a nonchalant behavior regarding the whole thing. “Fine by me.” you slurred out before Satoru could even complain, clarity hitting him like a freight train until you uttered your approval. 
If you were okay with it, then so was Satoru. He didn’t think he’d be able to give up a cunt like yours after tonight, whether it was part of Suguru’s breeding plan or not. “Alright then, whatever you want, you get.” Satoru murmured, lowering again to kiss you tenderly.
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irisintheafterglow · 7 months
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kid megumi starts a fight. you and satoru finish it.
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being fresh out of high school while simultaneously taking care of a second grader was an interesting experience, to say the least. today was no different.
"oh my god; he what? i'll be there in a second, fucking hell," you sputter as you all but shoot upward from your desk, sweeping the post-mission paperwork to the side and grabbing your car keys from the bedside table. the car makes strained vrooms while you impatiently pump the gas pedal, accelerating down the street like a bat out of hell. swerving into the nearest parking space you could find, you forcefully swing open the door to the front office to find satoru waiting in a plastic chair. he mutters an exasperated oh, thank god under his breath before standing and taking your hand, leading you down the hall to the principal's office.
"is he okay?"
"he's fine, i promise." you look at him skeptically, remembering all the times megumi was "fine" yet had scrapes that satoru didn't know how to clean up. "i'm serious. i saw it myself. the nurse cleaned up his nose and iced the hit on his face."
"he got hit in the fucking face?" your jaw drops in shock and you quiet your voice to a hushed whisper outside the principal's office door. "what the fuck happened that he got punched in the-"
"fushiguro's guardians, please come in. we're ready for you," an irritatingly nasally voice calls from inside and it takes all of your willpower not to blast the door open until it's shredded to pieces. megumi's principal sits behind an obtrusively large wooden desk, with the boy sitting by one end and two empty chairs at the other. you immediately drag one of the chairs over to sit by his side, but a wrinkled hand stops you. "please sit across from him, not beside him. he must receive proper punishment and that begins with accounting for his own actions," the principal instructs you and you catch satoru's jaw clench in restrained anger. he wanted to tear the principal's head off for telling you what to do, especially since it was regarding megumi.
"i'll decide where i want to sit, thank you," you reply with forced politeness, sliding the chair next to a defeated megumi. he scoots as close to you as he can and links his pinky finger in yours. it's small, but you know he's trying to manage his anxiety along with yours. satoru shrugs indifferently at the principal but shoots you a proud wink when no one is looking. "they cleaned you up, yeah?" you ask megumi softly and he nods, wincing slightly when your knuckles lightly brush the bruise on his cheek. "i'm sorry, baby-"
"fushiguro instigated a fight with three sixth grade students, all of them older than him. we believe he may have developed issues dealing with his emotions, specifically anger," the principal informs you and you make a great deal of effort to wipe the glower from your face. "student witnesses say that he struck first, and-"
"do you know why he started the fight in the first place?" your eyes narrow on the scrawny, shriveled man behind the oversized desk and he shrinks away slightly.
"no, b-but we believe that violence should not be-"
"violence or not, shouldn't you be responsible for understanding why this occurred outright?" your voice is strained and tense, slightly shaky with repressed anger. you stare daggers into the old man's sunken eyes and catch satoru watching the whole scene with pride. here was a man who knew nothing about a child you considered your own, trying to argue that he started a fight for no reason when you knew megumi would never harm a bee, even if it stung him. before you're able to start a physical fight with the idiot school official that probably saw more board meetings than actual students, satoru's voice cuts in.
"forgive me, but i don't appreciate your tone-"
"we'll be sure to properly discipline him at home, sir," he states emotionlessly, and you wordlessly thank him for wrapping the meeting up quickly. after a few more glares and aggressive signatures on paperwork waiving the school of any responsibility for megumi's injuries, you walk out of the office with satoru's arm around your shoulders and megumi's hand grasping yours. "alright, firecracker. you fizzled out yet or do we need to take you to a kickboxing class real quick?" he presses a tender kiss to the side of your head, clearly unbothered by the way you barreled through that ridiculous meeting.
"put me in an empty field away from people, and i'll make a kickboxing class look like a fucking knitting circle," you mutter vengefully as satoru chuckles under his breath.
"alright, megs. you gonna tell us what happened or are we actually going to need to get you a therapist?" megumi glances off to the side, irritated, but you squeeze his hand once in reassurance that, no matter what happened, you'd figure it out together.
"they were hurting tsumiki," he says quietly and both you and satoru freeze, looking at each other in careful understanding. "she was saying it was just a joke, but i caught her crying while we were walking home."
"so, you decided the best option was to fight them," you say slowly. satoru's hand rubs loving circles on your shoulder and you ask the question you've been holding onto since he called. "well, did you beat them?"
"i did, and that's why everyone is so angry," the boy shrugs and you huff a tired exhale. "are you mad at me?"
"no, megs. i'm glad you defended your sister, but i wish you'd told us what was going on before acting on your own."
"yeah, we could have helped you," your boyfriend whispers and you elbow his stomach lightly. not yet, you mouth to him. let's drop him off first.
"the kids said they were going to get my parents involved. is that why you're here?"
"yes and no," satoru says, opening the car door for you as you slide into the passenger seat. he could have warped back to the school, but he'd silently indicated that he wanted to drive all three of you back. "yeah, we're here to come get you; but, unfortunately for those shithead kids-" you turn to face him in the backseat, a conniving smile creeping onto your face.
"we're not your parents, and we're gonna need those kids' names."
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marvelandponder · 1 year
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one amazing thing about the Owl House finale is that it finally contextualized for me one of the central metaphors of the show. Spoilers for the series finale Watching and Dreaming ahead.
we good? no one spoiling themselves? beauty
for a long time now, I thought we had a pretty standard coming-of-age metaphor dichotomized by the show's central antagonists. you've got your protestant witch hunter Belos who introduces a maturity and ugliness to Luz's narrative; he clearly represents a particular, restricting form of adulthood, and just when Belos becomes his most threatening, boom, enter the Collector, Luz's dangerously naïve inner child to ruin all her development on the Boiling Isles. Seems simple enough
what I didn't anticipate was just how specific and personal their roles in the story actually are to Luz once you have the full context from the series finale
look again
this story - this whole series - is about the grief that a neurodivergent kid experienced at a young age, introducing the cruelty of loss and adulthood before she was ready to handle it. and, how to reclaim a more whole understanding of herself as she rebuilds her life with people who get her
Belos is designed to infect the titan carcass like a disease. a cancer. it's super goddamn significant that the titan is King's dad (King, who became Luz's younger brother). they set up Belos not just to be another fascist kids' cartoon villain (although yeah, he do be doing some of that), but to specifically become a force that oppressed the weirdness from the one place that understood Luz. the Iles. the dad. And by the end of the story, Belos's goopy body-horror isn't just for show, he's just like the cancer or other terminal disease that took Luz's dad from her
he's the thing Luz hasn't processed in season 1 that comes in at the end like a warning. he's the threat that forces Luz to grapple with her own humanity, feeling somehow (often completely unjustifiably) harmful to those around her, through the grief she doesn't want to be a burden or the weirdness (neurodivergence) others don't understand. he's the force that says there is something wrong with you, Luz, give in to your grief, this is what you can't face. this is the lie you've been telling to those closest to you: that you're okay
then you have the Collector. (notable that he's a collector, and we see Luz's mom and dad had quite the collection of nerdy memorabilia)
the Collector is the child too young to understand death. Too young to understand consequences, or why their playmates don't feel like playing anymore with someone so weird and maybe a bit too involved in their own world. The Collector is Luz's inner child, that kid we see right before the "worst week ever" — the one who didn't and couldn't understand what was about to happen even as it was going down. unapologetically weird, a bit destructive and short-sighted, but wholly colourful, wholly themselves. that's why the Collector wants to live out Luz's adventures, but without all the depth. just the fun escapist fantasy
but don't think I forgot the internal conflict! :D
because Camila's role also gets an added depth too: Camila was framed at the outset of the series as someone who loved Luz, but wanted her to fit inside a box that she just didn't. later, Luz completely misconstrued her mom's breakdown when she learned that Luz chose to run away. as many people have pointed out by now, Luz misremembers the actual dialogue that Camila says: Camila only wanted her daughter safe, not to lose her. Luz meanwhile felt like she had to choose to destroy this part of herself, or give up her connection with her mom altogether
but we know now Camila actually deeply relates to Luz. she may not understand Luz's fascination with horrific things like on the boiling isles (very akin to a kid getting more grim hobbies in the wake of a death, like Luz's taxidermy), but she loves Luz for who she is. all of her. she never wanted Luz to change
Luz was the one framing the central conflict of the show as go back to her mom or stay in the boiling isles. Luz was the one who felt like she had to punish herself by rejecting the one place where she felt like herself. once Camila realizes what's been going on, and how deeply connected it is to the loss of Luz's dad, she knows Luz is trying to make a "very bad choice for herself." And she won't let that happen (what a great mom!!)
But Luz does have one real choice ahead of her
because of the inner child who once again has to confront death (this time, Luz's own), Luz is able to connect with a father figure, the titan, the one place she feels understood. in the form of a power-up that makes her into a fantasy witch straight out of the Good Witch Azura, the one place she got joy after that huge loss, the titan gives her the strength to face the cancer—a force draining everything good in her life from her and making her question she deserves it in the first place—but only if she can choose herself
and that means choosing happiness, choosing found family, choosing love and friendship and self-discovery in the place she feels most at home! every bond she's forged, everything she's worked for, it all comes down to choosing to face grief and move on in life with weirdos who stick together.
hoot hoot, that's some good metaphor
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rboooks · 11 months
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DP x DC: Child Support
John Constantine has done a lot in his life. Some good, some bad but most have been dangerous.
He sold his soul to as many powerful beings as he could so that they could fight each other over it and keep him in a safe-ish stalemate. It was a risk, one where he had to sweet talk, maneuver, and sometimes seduce his way through, but he's always come on top.
Waking to his wards broken as easily as someone walking through a still river meant he had finally met his match. John woke to the Time looming over him in its adult form.
Clockwork, the physical concept of Time, smashed into a body and consciousness. It's so rare to see the god outside his tower; to even be in his presence was such a high honor that families would keep proof of the encounter for generations to brag about.
"Hello, Johnny," Clockwork said in his specialized adult form. The nickname curved with fondness. This form is an even rarer sight to behold. Clockwork looked about to be in his late twenties, dressed in a Victorian-era suit with dark black hair, he would look human were it not for his pure red eyes and time staff.
He looks gorgeous.
John smiled nervously. "Clockwork. What do I owe the pleasure?"
The ghost hums. "I have come to make a deal with you."
See, that's not something John would like to hear from the second-strongest being in the multiverse. He was second to the Ghost King. Some would even argue that Clockwork was stronger were it not for his desire to remain neutral in conflicts for the sake of different timelines.
"What kind of deal?" John asks with a lustful grin, running his eyes up and down Clockworks form. It looks like he may have to seduce his way out of this again and hopefully could convince the god of Time that he was a great time in bed instead of dead once more
The Master of Time appears amused but unwilling to climb under the sheets with him. Bollocks, if he wasn't back for another month of pleasure then the deal would likely be unpleasant.
Even if Clockwork could be considered a past fling, there was no guarantee that he wouldn't ask for something harmful. John had less powerful exes who would gladly have him killed just as likely as they would key his car.
To make thinga worst, Clockwork reached into his gentleman jacket to pull out a small jar. John's heart leaped in horror at what was inside.
"I have collected every piece of your soul through challenges, purchases, or even offerings. I own you entirely, John Constantine," Clockwork said, his warm tan skin rippling into blue as the Ghost turned the jar this way and that. "I wish to return it to you, with my added protection, should the old contracts which you swindled will not seek out revenge in exchange, you must take responsibility."
John can barely breath "Responsibility of what?"
Clockwork gestures behind him, and out of the shadows step a human boy. A human boy that looks precisely like human-Clockwork as a teenager but with John's eyes and the shape of John's nose.
No.
He knows that despite how similar they look, Humans and the citizens of the Infinite Realms aren't biologically the same. He just didn't think that meant this.
That he could be so careless it resulted in this.
Clockwork waves a hand between them. "Jonny meet your son, Danny."
John choked as Danny awkwardly waved at him. He even stuffs his hands into his pockets the same way John would stuff his hands into his trench coat.
This can't be happening.
"Our son is half human, and it's unhealthy for humans to remain in the Infinite Releams for long periods. I now require you to raise him on Earth until his core is ready. The day our son is of age, you will have your soul back with my Infinite protection. Danny will take the throne of the Infinite Realms upon his marriage so do help him find a good suitor."
Clockwork considers the rapidly paling human with large amounts of glee. "I trust this would be acceptable? I must warn you, I have raised him outside of time, so he is a bit behind with modern technologies and references. He also has a ghost form he must use for his health. Oh, and, Danny has a peanut allergy, so keep that in mind for his meals. If anything were to happen to Danny while he lives with you, I would erase this entire place and not through time manipulation. I will simply kill everything. Keep you alive so I can kill every version of those you love across the multiverse in front of you. Try not to slip away from your child support to prevent that, yes?"
John faints.
Danny Fenton had to be removed from his dimension to erase Dan from existence. His future self had nearly escaped the Clock tower they couldn't risk a second time. Clockwork had told him removing him from his dimension, his timeline, would never allow Dan to exist. It broke his heart but to save the many lives that Dan took Danny had agree.
His friends and family were devastated even if Clockwork told them Danny would be allowed visits. Just nothing longer than a week and six months between visits. He had moved into Clockwork's haunt, becoming an assistant to the master of time. He helped weave timeliness, and suggested possible choices for various creatures of various situations across the multiverse.
Danny helped Clockwork control fate, if that wasn't ridiculous. He even tried his ghost powers, to the point he felt he could truelt match his mentor in a fight.
He spent two years like this- or two years in his home dimension. Time didn't move in Clockwork's tower so despite the amount of time he lived there Danny didn't look a day over fourteen still. It irked him like nothing else to see Tucker and Sam as sixteen year Olds while he still looked like he was a freshman.
(It also hurt to see them move on without him.)
However, due to his halfa status, his human side was starting to fall apart. He needed sun, food, sleep, and other humans. He would go mad otherwise, and none of this would matter if it resulted in Dan.
Clockwork couldn't put him back home. He couldn't even put Danny in an alternate timeline, for he could not be close to people he knew.
He had to go to one that had no various of anyone Danny knew. Thankfully the Infinite Releams is connected to plenty of places that fit the bill. All Clockwork had to do was twist a few small events, and boom, Danny Fenton would have a perfectly legal background with everything he need for survive.
If only his mentor wasn't such a michivious prankster.
" You want me to pretend to be your love child with some random magic guy?"
"Yes."
"Why?"
"Trust me Danny, it's going to be hilarious."
(Part 2)
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serialunaliver · 1 month
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you know how my post about how people see misogyny and say it's just sociopathy or narcissism? example A here.
please tell me what mental health condition has the symptom of "hates women", because last time I checked it's none of them. now, how could he do such things without guilt? dehumanization. if you view women with the same value as, say, a mosquito, you won't be drowning in guilt when you cause harm to one.
we don't know enough about the background of the abusive son discussed in this post to know exactly how he developed the mindset he has, but it's not something he was born with. and op may not even know the full story because you can't possibly know every single thing your child has engaged with; so it may indeed come across as something that popped up out of nowhere.
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vanillawurld · 7 months
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༊*·˚ Worth The Wait
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✧.* Request- @vampiric-tempt
"Saw that you were taking MK1 requests! May I requests head canons of how the Lin Kuei brothers treat a reader they’re secretly in love with? How would they react when reader finds out?
Thank you and have a lovely day 🫶🏼"
✧.* Pair - Bi-Han x Fem! Reader, Kuai Liang x Fem! Reader, Tomas Vrbada x Fem! Reader (separately)
✧.* Tags & Warnings - Fluff, love, and confessions
✧.* Extra - Headcanons yesssss also to the requester, I hope its okay if I changed things up just a bit :)
✧.* Word Count - 1,790
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Bi-han
: ̗̀➛ Seeing how much of an aggressive and wrathful person Bi-han is, everyone would assume he had no time for "crushes." Bi-han had that assumption of himself as well, but he was extremely wrong.
: ̗̀➛ When Bi-han laid his eyes on Y/N, deep down he knew he needed to be her man. This wasn't a "crush" this was "love" which were the same exact words Madam Bo said to him.
: ̗̀➛ Even when Bi-han is madly in love with Y/N, he still tries to compose the same aggressive attitude he always has. But his emotions won't even let him raise his voice at his Y/N. Bi-han was more gentle around Y/N, but still managed to have his "scary" frame of mind. Deep down he wants to protect her and make sure no one is causing harm towards or around her. He doesn't treat her like how he treats the others, he's actually very cautious around her. Some may even call him "delicate" when he's close to her. (which angers him and makes his angry self come out)
: ̗̀➛ Of course, he doesn't treat her like a child. Far from that actually because he knows that she dislikes it when she is treated that way. But, he would do anything for her. He would win a thousand wars for her. He would travel across every realm for her. He loves her.
: ̗̀➛ When Y/N found out that she had herself an admirer, it felt like Bi-han's world was destroyed. He felt embarrassed and angry at the same time. Mainly anger because he felt like he was betrayed. He didn't even tell anyone about his feelings towards Y/N, but he still felt like someone betrayed him.
: ̗̀➛ When Y/N confronted Bi-han about his feelings, Bi-han pretended to act like she was delusional;
"You have no idea what you're talking about, go make yourself useful and-" Y/N cut him off by raising her finger up to his lip.
"Your attitude and body language towards me give it all away." she simply said to him. Bi-han didn't have a response to that. He felt like if he kept denying his feelings any further, he would for sure give himself away. But, staying silent would also make things worse.
"You are good at detecting ... I am pacified by your presence. Not like the others, you cause no trouble. When compared to other people, I would much rather be around you." Bi-han said to Y/N. He himself couldn't believe what came out of his mouth. Madam Bo was right when she said love makes you do crazy things.
Y/N smiled. A confession was all she needed from him. It pained her to see his obvious signs but not a confession. She came close to his face and placed a rather light kiss on the corner of his lips. Confirming that she felt the same way about him. Bi-han was star-struck. His mind couldn't process what just happened. He stood there and watched as his now lover walked away from him. From that day forward, Bi-han made an oath to himself to always protect her and their love from any evil.
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Kuai Liang
: ̗̀➛ Kuai has known (his lovely) Y/N his whole life. He's developed his feelings over time and has no shame about it. At least, for now. Every day he would hope for Y/N to show a glimpse of her feelings towards him. One part of him called himself desperate but the other part didn't care. He would do anything in the world for Y/N to hold him close.
: ̗̀➛ He was a lot more softer on Y/N. Even if she was mad at him, he would still hold that soft attitude towards her because he couldn't see himself getting mad at her. She was his beautiful moon. The moon he would look at and worship every time he would look at her. She was his but she didn't know it yet.
: ̗̀➛ Kuai took his role of serving Earthrealm seriously. He took that serious composure everywhere he went, but when he was around Y/N, it was like he could relieve himself and back away from that heavy-weight role. He treated her like a delicate flower, but he didn't take it too far. He was afraid of his feelings being revealed because of his treatment.
: ̗̀➛ Kuai loves to admire Y/N. He loves to admire her skills, her looks, her personality, how she treats others, and how she treats him. He tries to compliment her every chance he gets. Doesn't matter if it's a small one, he just loves to see her smile. That's one of the ways Kuai loves to treat her. He remembers her telling him "Treat others how you would want to be treated."
: ̗̀➛ Kaui would give up his life for his precious girl. But of course, he needed to pull back on those thoughts because she wasn't officially his (YET). The more he hid his feelings, the more it ate him up. And the more it ate him up, the more his feelings got worse. He knew he had to do something about his feelings.
: ̗̀➛ Kuai had no fear of confrontation but for some reason, his body was trying to hold him back from finding Y/N to tell her how he felt. His palms were sweaty and his heart racing when he finally found her;
"Kuai! I was looking for- wait, are you okay?" Y/N asked as she saw how out of place Kuai looked. She got closer to him and realized his face looked flushed. She could even hear his heart pounding like it was about to jump out of his chest.
Kuai's brain couldn't even form the words that needed to be formed. All he could do was stare at her beautiful face that stared back at him with a concerned look all over her face. Kuai hated the fact that he couldn't even form a sentence. He knew he needed to say something and not just stare at her like an idiot.
Kuai took both of Y/N's hands into his and took a deep breath and started spilling his guts. He told her everything that he needed to say about how he felt about her, how much he loved her, and how she made him feel like the only man on earth whenever he was around her. "Y/N, for many years I have had strong feelings of love for you. I admire you in every way. I had hoped that me treating you nicely would give you a hint, but that has failed. I'm sorry for hiding my feelings for a long time, but I am telling you this now in fear that I would have to hide forever." He said to her.
Y/N smiled like she was watching a fireworks show. She gently caressed his cheek, "Oh Kuai Liang, I always dreamed you would tell me this. I hated waiting for you to confess, but I knew that I had to. But the wait was worth it. I have always loved you as you have always loved me."
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Tomas Vrbada
: ̗̀➛ Even though Tomans is a skilled man in kombat who has taken many lives in order to protect Earthrealm, he can't help but feel nervous when he's around a certain woman. That woman being Y/N of course. Y/N has Tomas wrapped around her fingers. Whenever he looks in Y/N's direction, Kuai Liang swears he sees heart eyes forming in Tomas's eyes.
: ̗̀➛ Tomas wanted to be around Y/N every day. She made him feel like a complete man. Y/N was the only person that made Tomas weak in the knees. He truly was in love with her. Not only that, Tomas treated Y/N with lots of kindness that no one had ever shown her before. At least, that's what he hoped, but nevertheless, he wanted to be the only man Y/N looked at.
: ̗̀➛ Tomas gets a lot of anxiety from Y/N, but she's unaware of it. When Tomas becomes overly talkative and fidgety, she occasionally becomes suspicious. Tomas is embarrassed to be around Y/N when he notices that he is occasionally acting quite strangely. Despite Tomas showing Y/N the highest respect and care, he still feels very nervous in her presence.
: ̗̀➛ Tomas likes to do very childish "secretive" things for Y/N. Sometimes he'll leave a couple of flowers lying around her presence, or he'll bring her her favorite meal from Madam Bo's but have Kuai Liang deliver it for him. Whenever Tomas does small adorable things for her, Y/N smiles because it's so obvious that Tomas is doing all of this for her.
: ̗̀➛Tomas is not a master at hiding his feelings. In fact, both of his brothers are aware that his feelings for Y/N run deep, but only one of them supports and encourages him to speak on his feelings. The other always tells him that feelings like those are childish and can interfere with important Lin Kuei business (I bet you tell which is which).
: ̗̀➛ Tomas gathered his confidence on confornting Y/N and telling her how he really felt, until Y/N confronted him first;
"W-Wait, so you're telling me you knew this whole time?" Tomas said with a hint of sadness in his tone. He felt defeated for some reason. He wanted to tell Y/N himself, but his little antics beat him to it.
"Well yeah. You're not that good at leaving secret messages, Tomas. The food, the flowers, all of it. And maybe Kuai Liang might've left a huge hint about your feelings towards me." Y/N couldn't help but giggle at Tomas's reaction when she mentioned his brother spoiling most of the surprise. She slowly walked closer to Tomas and placed both hands on his shoulder and slowly raised them up to the sides of his face, "When I first laid eyes on you, I knew you were the one for me. No one else, only you."
Tomas gently smiled, "I am content that you share the same feelings." He felt Y/N wrap her arms around his neck, holding him in a loving embrace. He wrapped his arms around her waist and held her closer. "I am still upset over the fact that Kuai Liang betrayed my trust, he will pay." He said before slowly pulling away from Y/N embrace.
"Oh come on, even you yourself knew it was obvious." Y/N grabbed his hand and held it. She placed a small kiss on the back of his hand, which made Tomas's heart jump. He finally had the girl he wanted and wasn't ever planning to let her go.
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˖◛. *. ⋆ Vanilla Speaks
This was lowkey trash but ugh
guys i swear I'm gonna write more its just i get so tired easilyyyyyy
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ceruleancattail · 8 days
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Malleus but like in Miss Kobayashi’s Dragon Maid- Ramshackle’s prefect’s Dragon maid.
Hear me out HEAR ME OUT
Maybe it’s the stress, maybe it’s the few drinks you may or may not had. But one night you end up wandering into a pitch-black forest, only to come across a beast. Scales the ebony of the night sky, sparkling in the faint moonlight. Eyes of emerald, narrowed as you approach, nostrils flaring.
A dragon, straight from the tales of old.
Anyone sane would have long ran away by now, fear striking their hearts as the imposing shadow loomed over them. However, fueled by delirium and not enough sleep, you sit right down, striking up a conversation with this queer beast. At first, he was momentarily stunned, surprised by your reaction.
Oh, you’re not afraid, child of man? How strange.
You talk about many things with this old dragon. You shared what you had for dinner, instant food straight from the microwave. How your life has been, so far. You complain about your day, talking about how you’re worked to the bone all day every day.
Lowering its head, the dragon makes a simple remark about you being akin to someone’s maid/butler/servant. This seems to rile you greatly, as you rise to your feet. Yelling about how those uniformed servants were the epitome of elegance. How sharply they had to look in their uniforms, and how skilled they were in all crafts. They had to appeal to their masters in every way, from preparing dishes to cleaning, they were truly jacks of all trades, the master of none.
The dragon was yet again stunned in silence, but a faint smile seemed to gloss across his lips. You speak with such passion about these individuals from a time long gone. Sharing their noble tales, speaking of their skills, their endeavours…
Perhaps if he had known you before… would you speak of his kind as fondly? Would the dragons not have faded from mankind’s memory? He doesn’t know.
The dragon laughs all the same. A deep, gravelly sound that slips into your ears like a thick, savoury broth. He’ll keep you company as long as you need him to. The dragon listens for hour after hour, until your head starts to dip.
At the very end, before you drop into the land of slumber, the dragon scoops you up in his claws, muttering his name into your ears.
Malleus Draconia.
Don’t forget him.
The rest of the night is a blur. The next thing you know, you’re waking up in your bed with no memory of how you even got there.
Until you turn around and see a pair of silted pupils staring back at you. A man, dressed head to toe in formal wear. Black suit and tie, leather shoes shined to perfection. A mane of luxurious black hair spills down his back, glossy as a dragon’s hide of scales.
You back away, holding up a pillow as your only Defense. The man blinks in confusion, before he chuckles. A low, gravely sound. A sound you instantly recognise from the conversation you had yesterday… with a dragon.
Malleus smiles at you gently, as he reaches towards you. Cupping your cheek with his palm. Feeling your warmth, bleed into his cold skin. Goodness, you humans are rather soft, are you not? Without a body of scales, it’s no wonder you lot were so easy to defeat.
Rest easy, child of man. He has no desire to harm you. He was intrigued… by the concept of butlers and maids, and the passion you spoke of their duties with. So he shall play in their role for a while, just for the experience. Besides, you’re a lovely little human. Malleus has grown fond of you and your personality. Permit him to accompany you, for as long as you wish for it.
You’ll gladly allow him to be of service to you, will you not?
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heartcereql · 9 months
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tommy shelby x finn's teacher!reader
when you first read his name on the class list, you freezed, a shiver running down your spine. of course you weren't oblivious as to who the shelbys were or what they did. but he was so young. twelve. you actually had a tiny bit of hope that finn shelby would be different than his brothers were. you were soon proven wrong.
finn and what he called "his boys" soon started doing their business around the school, and, before you knew it, inside the school as well. bringing cigarettes, picking on younger students, terrorizing girls...
you had had enough. it was one thing for adults to get their hands dirty doing whatever businesses. but a kid? hell no. and while you couldn’t do anything about what they did outside school, you could try to correct their behaviour in school.
so that's how you found yourself one grey and cloudy evening in front of the shelbys' door, mustering the courage to knock.
you knocked three times. nothing. as you were about to knock again, you heard the lock and then the door opened, revealing a man with the same ocean eyes as finn.
thomas shelby.
you knew him, naturally, but this was the first time he was so close, let alone about to talk to you.
“good afternoon” you greeted as you tried to ignore the way your chest was tightening.
“afternoon. may i help you?” he asked, hand resting on the doorknob.
“yes, actually. i’m y/n y/l/n. i’m finn’s teacher, and i wanted to discuss certain behaviours of his with you" you explained firmly. “if that’s okay” you added in a mumble.
he just stared at you for an instant. an instant that felt like eternity to you. then he nodded, letting you come into the house.
he led you through the betting house to his office.
he sat on his chair; you took your place on the other side of the desk.
“so” he said, pulling out a cigarette, “is he getting in a lot of trouble, eh?”
you smiled timidly, admiring his sharp features.
"more like he's the one creating the trouble." you watched as tommy lit his cigarette and exhaled a cloud of smoke before resuming. "he and his presumed gang sometimes drink beers or smoke cigarettes, torment some younger kids maybe. mr shelby, i understand that he spends a lot of time at the cut, and that ... um, that..." you were suddenly at a loss of words. you didn't want to say it, but that's how you felt it: he had grown up in a similar environment.
thomas smirked, knowing your thoughts. he knew what your mind instinctively told you. but he didn't feel enraged. quite the opposite, your concern seemed genuine, and you looked like a lovely young woman; even if your thoughts were a bit tainted by the reputation that preceeded him, he knew you meant no harm.
he also took a moment to admire how off place you looked there. your clothes were rose golden, which seemed to accentuate the soft aura that surrounded you. even with the dim lights and the greyish ambience of the office, your skin appeared to glimmer.
"i guess i'm okay with whatever he does outside school, that's what i'm trying to say. but as of late, finn and his boys have been taking their businesses around the school area. and that is of my concern. we can not afford to have children intimidated, girls harassed; hell, if a child were to try substances because of your brother and his friends, and the parents found out, we could be- the school could be sued and-"
"miss y/l/n" tommy interrupted your ramble.
"y/n." you corrected, offering a smile. "please, no one calls me miss y/n/l; it would feel weird"
"i see then. y/n" you tried not to feel butterflies tingling on your stomach as your name rolled off his tongue. he smiled as well, more to himself than to you.
"finn is his own man now" tommy continued. "i will talk to him about this, but i can not guarantee that he will do as he is told. truth is, i don't have much power over him now."
he took another drag of the cigarette, eyes finding yours through the smoke.
"what do you mean? i'm sure there's something you can do"
"not really, much to my displeasure. i assure you, y/n, that i will do what i can to correct finn's behaviour at school. he used to want to be like me, y'know? but now he's... he's him. "
"i don't think that's entirely true. you know, one of the only assignments finn turned in this semester was an essay about the person they admired most. not only finn excelled in the task, handing a beautiful composition, well structured and showing a wide range of vocabulary; but the essay was about you, mr shelby. it professed how he wanted nothing but to be like 'his brother tommy'. he truly looks up to you. he still does, mr shelby. so, i think you will succeed at getting him to change his mind."
now it was tommy who seemed to have run out of words, only inhaling from his cigarette. his eyes studied you meticulously. how your eyes fluttered around the room, unable to settle, refusing to meet his; how you clutched your hands in your lap; how your chest rose and fell as you breathed.
“i’ll give it a try, eh?” he finally spoke.
a smile lit your face.
"wonderful. well, thank you for your time, mr shelby", you showed him your appreciation to him listening to you as you stood up.
"tommy"
"what?" you asked, genuinely confused; you thought you hadn't heard correctly.
"if i am to call you y/n, it is only fair for you to call me tommy. i suppose" he stated. though he refused to look directly at you, a smile was tugging at his lips.
"very well, then. thank you for having me this evening, tommy" you offered a tight-lipped smile.
he just gave you a curt nod, taking another drag of the cigarette. you smoothed some wrinkles on your clothes and, after giving him one last grin, you made your way to the door, ready to leave.
"wait" he uttered, his voice low, as if he was rethinking his decision.
you turned to him, hand resting on the frame of the door.
"would you- maybe, consider going for a drink with me?" he hadn't looked at you as he posed the question; but his gaze locked with yours when he was expecting your answer.
you felt heat creep up your neck and cheeks, praying to whoever was listening that he didn't notice.
"only if you stay true to your word, tommy" you responded before heading out, smiling like a fool when you were finally out of sight.
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© heartcereql, 2023 || thank you for reading ! 𓆩 ♱ 𓆪
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solarisfortuneia · 1 month
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— 𝐟𝐨𝐫 𝐲𝐨𝐮, 𝐦𝐲 𝐥𝐨𝐯𝐞…
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(or, in other words, promises of their dedication to you.)
✦ featuring: childe, kaeya, xiao, zhongli, kazuha.
✦ warnings: none, just the smallest smidgens of angst in some places.
✦ notes: so, this is a really old work i posted on my first blog that i'm proud of sjhhjs i found it a while ago and decided to rework it a little!! (i haven't changed too much of the original though, just tweaked some sentences and added and subtracted.)
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…i’d pull hell and heaven to their knees at your feet, and i’d kneel alongside them (if I could. oh, if only i could).
childe wants to give you the world and more.
he’s almost reverent in his devotion to those he loves, seeking to please beyond all else, and what he holds toward you is no different. at merely a blink of your eyes, he’d bring you the sun and the stars, weave moonlight into fabric and find a chunk of the most beautiful emerald you’ve ever laid eyes on, and he does it all with a wink and a smile and a ‘you need only ask, dear,’
and it is true, you need only ask for him to lay out the world for you.
but alas, there is only so much fate will allow him to do. his heart and soul may rest in your palms, but he is duty bound to the tsaritsa.
ajax can promise you everything in the world, just not himself.
he cannot promise you himself in his entirety, he cannot promise you an ajax without his secrets, without an always existing barrier in between you.
no matter how desperately he wants to.
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…i’d stand bare in your light, arms asunder, abandoning my secrets and shedding the shadows i once called home.
kaeya alberich fears trust.
he’s scared of what it could lead to, what it could do to him, what it has done to him. he’s a man who lives under a cloak of secrets and inside a cocoon of fear and mysteries, and for him to allow himself to expose everything he hides is no small feat.
but it is the surest mark of his trust in you, that some hopeful part of him believes that you’ll stay against all odds.
he thinks you shouldn’t, though, that it’ll cause you more harm than good— he won’t let himself want you. but you’ll know he is truly yours when he hesitates no longer to tell you the deepest desires of his heart, to bare his whole soul and lay it before your eyes.
patience, and you'll find him the most beautiful butterfly of them all.
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…i’d cross the deepest of chasms, weather the harshest of storms, and brave the most treacherous of paths to return to your arms.
not a soul can say that adeptus alatus has no home to go back to. (and if they did, how utterly wrong they’d be.)
his home is the warmth of your embrace, the love in every gentle caress, and the soft cadence of your voice. it's the smile in your eyes, and the spring in your step, and the softness of your heart. he’d call it almost dream-like, but xiao knows what dreams are like, far better than anyone. he also knows that every dream— no matter how intense, no matter how vivid— always disappears.
but you’re still here, day after day,
does that not mean you’re as real as the air he breathes and the sun that sets over liyue?
xiao’s loyalty is hard won, but it is steadfast. he cannot promise that he’ll live forever, nor can he promise you happiness every single minute of the day. but what he can promise you, is that at the end of the day, he’ll fight his hardest to return to you, no matter how far away he might be.
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…i’d etch your memory— from the most mellifluous laugh to every tiny victory— onto my very soul, so that not even the flow of time can wash it away.
morax has prospered for centuries.
he’s witnessed dynasties fall to dust; paupers rise to prominence. he’s come across many he was fond of and cherishes the memory of everyone he has ever cared for. 
he’s also aware that forgetting some people in the vast expanse time is inevitable. the withering of the blooms of thought spare none, not even a god, and the tree of the psyche grows ancient. after all, even the mind is not permanent in a world of transience, is it?
but zhongli would be damned if he ever let you fade.
his promise, no, his contract— one he made to himself the day the realization that you'd one day no longer be by his side fully set in— is to preserve even the last wisps that linger, encasing the thought of you in shimmering gold, so that after you are long gone, you’ll live on as part of his soul.
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…i’d whisper the softest of tales into the night breeze, tales of you and i, so that even when we’re long gone, the wind will carry our stories for aeons to come.
kazuha is no stranger to the whispers of the wind.
he’s intimately familiar with them, a rare blessing he knows he is lucky to have. but his most divine blessing is the privilege of being part of a story with you. life is short, unpredictable; one never knows what their fate might be, but he's beyond glad that this part of his destiny has you.
he has no desire to be a legend, and he knows you don’t either. but he is sentimental in the regard that he wants the whispers of the two of you to stick around. he’s lost so much, and reciting stories of the two of you is his way of preservation, for nothing spoken into the wind vanishes.
the world knows only a fraction of this wanderer, but he hopes that if they remember anything about him, they remember how much he loved you.
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villainousauthor · 2 months
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Hero continues to rock the wailing infant, trying to shush her. It's been hours, and still they haven't been able to get her to calm down. Nothing has worked, not a bottle, a diaper change, nothing.
Hero places their hand against her small forehead, checking for a fever, maybe. They feel so beyond their depth right now. Hero's barely slept the past day, and they're dead on their feet, eyes barely staying open.
"I wish you could just tell me what's wrong. This is so frustrating." Hero whines, still bouncing the crying infant.
"It's unfortunate, most babies can't talk." The familiar voice comes from behind, and Hero whirls around defensively to see Villain standing in the doorway of the nursery.
"What are you doing here?" Hero demands, clutching their child closer.
"You haven't come to fight me in months. I've sent out clear messages-"
"You mean constantly blowing up buildings and taking people hostage?" Hero interrupts, still holding their baby close to their chest.
"-but you never came. I was starting to think you died," Villain finishes eloquently. "I can see now that you've been a bit busy." They take a step closer, and Hero takes another step back, trying to keep distance.
This was bad. Hero very much intended that no one would know about their child, enemies especially. They could feel anxiety rising in their chest, clawing at their throat.
Villain eyes their movement before speaking again. "Shame, I would have sent a gift if I'd known. Who's the other parent?" Their eyes shoot back up to Hero's as they ask.
"No one. She's mine, her other parent is irrelevant." Hero says defensively. The baby continues to cry, face red.
Villain looks over the both of them, humming as they consider this. "So you're doing this alone. How long have you been up for?"
The question seems harmless, and yet Hero hesitates, still not trusting Villain. The way they ask though, seems simply curious.
"...A few hours now. I can't get her to sleep." Hero finally says quietly.
Villain steps closer again, this time slowly, as if to not worry Hero. "I can tell," They snort, but the words are soft, "You look completely exhausted."
"Jeez thanks-"
"May I try?" Villain asks, voice gentle. Hero looks at them like they've grown three heads. The very idea that Hero would hand their child over to Villain is so beyond ridiculous, that they can't believe they asked.
Vilain sees their expression and rolls their eyes. "I'm not going to do anything to harm her. I know you'd kick my ass if I even tried. I'm good with kids, and you look like you're going to fall over any minute."
They step even closer and lift a finger to the small baby, which she grabs with her chubby little hand. Villain chuckles at the sight.
Hero watches, eyes fighting to stay open. Villain is right, they do feel like they're on the verge of collapse any moment. Arms are heavy from continuously rocking the baby, legs feel like jello.
"Okay, you can hold her for a moment. But I swear to everything that if you do anything to harm her, your body will end scattered in tiny pieces across the country." Hero warns, their voice more deadly than it's ever been with Villain.
Villain simply smiles as they reach out for the baby. "I wouldn't expect anything less." They take her in their arms, holding her comfortably. Hero immediately collapses down into the nearby rocking chair.
They rock her in their arms like it's the most natural thing in the world. Hero watches on in surprise as she starts to calm down somewhat, though she's still fussy. The lack of wailing level crying is a godsend though.
"How in the world.." Hero asks, amazed at the sight.
Villain grabs a pacifier off the near by changing table, giving it to the infant. She accepts it easily and finally settles down.
"I told you I'm really good with kids. Plus babies just like me," They say as they look down at the infant in their arms with the most genuine smile Hero has ever seen, "Also have you considered that she might be teething?"
Hero raises an eyebrow before yawning suddenly. "Ah..no I haven't. I'm new to this, and I feel like I'm learning as I go along..."
"It probably doesn't help that you don't have any help either. Why don't you rest for a bit while I hold her?" Villain suggests, noticing how on the verge of falling asleep they are. "I promise I'll stay right here, and she'll be okay. You should get some sleep."
"I'm not so sure about that..." Hero replies, though their head is already starting to sag. "How'd you get so good with kids anyways?" They ask, their eyes beginning to flutter.
Villain chuckles quietly. "You don't get to unlock my tragic back story that easily." But Hero is already asleep, passed out over in the chair. Villain continues to hold the baby as they drap a small blanket over Hero.
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ventingv · 8 months
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how would zhongli and neuvillette react to readers body changing as the egg grows?
Zhongli
When the first signs of the egg start appearing Zhongli would feel a deep satisfaction at the sight that he was the one to do that to you, that you are the one carrying his child.
When it becomes more obvious of the pregnancy you were having the people of Liyue would almost always see Zhongli walking besides you when you were out doing errands.
During the final months he would use all his sick, vacation, and maternity leave to make sure that you wouldn’t have to worry about giving birth while he wasn’t there.
Neuvillette
I’m sorry to say but he would be basically a helicopter parent as soon as he learns of your pregnancy.
It’s not out of something malicious or that he doesn’t trust you but with him being the Chief Justice and the hydro dragon he’s worried that people may try to harm you or the eggs you are carrying to get back at him. So expect to be constantly under someone that he trusts watch when it’s not him.
During the final months it would be even worse due to him asking constantly if you need anything, if you feel any pain, or if you think the eggs may be come. The only time of pease you would get from him is when you send him out to get something from the house, such as take out. Which he does almost instantly, not wanting to make you sad or unhappy.
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johannestevans · 2 months
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Addressing Common Arguments Against “Consuming Harmful Content”
Challenging purity culture in online spaces and their fears of “problematic media”.
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Photo by Ethan Will via Pexels.
Constant and continuous arguments endure on social media about the dreaded and frightening spectre of problematic media — from television shows that supposedly “glorify” unhealthy relationships or “sexualise” and “excuse” abusive relationships; to erotica, adult books, and 18+ fanfiction that supposedly teach teenagers bad life lessons and impact their ethics; to anime and manga that surely must be the cause of child abuse the world over. 
I wrote an in-depth essay about the intellectual flaws in these reactionary assumptions, delving into their roots in lacking media literacy and rising anti-sex attitudes here: 
The above essay discusses at length many of the fears and anxieties that lead to this reactionary thinking, but does not challenge or explore the echo chambers that can arise in online spaces, particularly in aggressive environments such as Twitter/X, and for young or isolated individuals who are particularly vulnerable to peer pressure and fears of ostracisation if they admit to the “wrong” opinions.
Many of these arguments are used by “anti-shippers” within fandom and online spaces, the term commonly shortened as “antis” — if you’re unfamiliar with the term, these are people who define themselves as opposing one or more specific ships, fandoms, tropes, or kinks, often due to what they perceive to be their “problematic” or inherently “harmful” elements when engaged with or portrayed in various forms of media and art. Because of the virulent and highly aggressive nature of these online communities, these people — many of them young or isolated, often marginalised and disenfranchised from in-person, supportive environments — can become radicalised, and can experience great fear and anxiety at the premise of others holding different opinions or perspectives from the ones these online communities have impressed upon them should be held immutably by all.
In this piece I’m going to be addressing common arguments and assumptions seen on social media one by one — it is not really intended to convert the above, often radicalised individuals, but to provide support and guidance in understanding why their perspectives can be flawed, and how to engage with and deconstruct those arguments. 
It is also intended to provide support and structure to begin to engage with and potentially challenge or affirm your own beliefs and ideas about fiction, art, and other forms of media, and the extent of the impact it can have on you or others — this piece is me addressing these arguments with my own perspective, but I would encourage people to disagree with and critique my rebuttals!
The goal here is always more critical thought, analysis, and understanding, and that doesn’t come from automatically following another person’s line of thought or argument just because it’s well-poised or you particularly respect or like them — no matter who that person or people may be. 
--
“Depicting [a theme] in media is the same as glorifying it!”
Let’s first engage with what people might be discussing when they panic about “harmful content” and “problematic” ships or pieces of fiction.
They might worry about people reading or watching works that discuss or depict anything from violence, incest, sexual assault, age gaps, BDSM, kinky sex, child sexual abuse, trauma recovery, rape, rape recovery, drug use, bestiality, to abusive relationships or anything else, will encourage people to think positively about those acts, those traumas, and those experiences. 
You might look at the list of things I just wrote there and go, “Um, there are big differences between some of those things and the others!”
And yet the same consideration still applies. 
Just because a theme or idea is present in a work, or is depicted in it implicitly or explicitly, doesn’t mean it’s being “glorified” and portrayed as overwhelmingly positive — and even if a theme or aspect is being glorified, this does not mean we shall simply unthinkingly absorb that perspective.
Reading a story that contains something doesn’t mean I’ll automatically think that thing is good or bad, regardless of how it’s portrayed in fiction — the media and art we engage with doesn’t wholly change and adjust our own ethics and morals as soon as we’ve interacted with it. 
We might play a videogame and disagree with the way some themes are presented, have criticisms of them, whilst enjoying and appreciating others; we might read a piece of erotica and find some parts about it very hot, but find others disturbing and a little uncomfortable; we might watch a TV show and just think it’s in very poor taste, despite theoretically being up for the premise. 
Engaging with media does not turn off and on switches in our brains that make us completely “pro” or completely “anti” one premise or other. 
People are more complicated than that. 
We have complex and layered feelings about every argument and perspective there is, every experience there is, because human beings are social animals, and we experience very few things through an uncomplicated, binary lens. 
For me personally, I often seek out works that cover the same traumas and harms I’ve experienced — why? Because seeking out those themes helps me process and better understand what has happened to me, and how I’ve felt about it, how I’ve responded. 
“I don’t have a problem with people writing about certain harmful topics to show them as bad, but some people sexualise or fetishise them!”
I’m sure you’re right. 
Some people might write about rape to work out a complex trauma recovery narrative — others might write about rape in a work as kink. An author might well write with both goals in mind in the same work. 
A traumatic event doesn’t become less traumatic because it sexually aroused us or brought us physical pleasure — in fact, those feelings can add to the impact of a trauma and the inner conflict we experience in the aftermath. 
Some people undercut victims of sexual abuse by saying they “enjoyed” it, pointing out that they orgasmed or showed signs of arousal as signs they “secretly” wanted it, and these feelings can contribute heavily to shame and fear as a victim. 
Sexual arousal is a bodily response. It is not consent, and it’s not an excuse for assault or abuse. Moreover, some people might feel arousal or pleasure but not be fit to consent — for example, if someone is underage, or if someone is drugged or insensible with drink. 
These people cannot give knowledgeable consent, but abusers might still say after an assault that they “enjoyed” it. 
This is purity culture at work — anti-sex attitudes use people’s “enjoyment” of something to undercut their autonomy and right to consent, by implying they “deserve” that abuse — abuse is abuse whether it’s sexualised or not. 
But the thing is, the obverse applies. 
Just as someone’s mixed feelings or sensations of pleasure during a sexual assault does not mean they consented to the assault, or because someone’s feelings of happiness and love for their abuser does not mean they deserved the abusive treatment they experienced from them, a person writing sexually or erotically about a topic, or engaging with art and narratives about that topic, does not mean they actually want that thing to happen in real life, to real people, or to themselves. 
Fiction is not real life. 
We watch a horror film, and it doesn’t mean we want serial killers or demons to run amok, killing teenagers or possessing their victims — similarly, just because we engage with porn or erotica that sexualises certain topics doesn’t mean we’re pro- or in favour of those topics for real people. 
Rape fantasies are incredibly common, despite being highly stigmatised, and just because someone fantasises about this sort of control fantasy does not mean they actually want to abuse someone or be abused. 
“It’s harmful to depict abusive or immoral characters as sexy or desirable.”
If you have never experienced abuse, manipulation, or otherwise poor treatment from someone you thought was attractive, charming, or admirable, if you’ve never been groomed by someone with whom you were enamoured, I’m very glad. 
I’m happy for you, honestly. 
But many of us have. 
People want to believe that all abusers are evil, are ugly, are obvious from a distance, are blatant from the out. People want to believe they can “tell” someone is abusive just from a glance, and write them off — and that anyone who would or might spend time with that person is therefore “asking for it”, or “letting themselves” be abused. 
In actual fact, many abusers aren’t. 
Many abusers are beautiful and charming — some of them draw you in, slowly bring you closer and closer until it’s very difficult to untangle yourself from your need and craving for their approval. They ruin lives, ruin psyches, and they cause unspeakable damage to their victims. 
And yes, victims often feel conflicted in the aftermath of their abuse.
Many of us hero worship or greatly respect our abusers, love them very deeply, crave their good opinion, because we are carefully groomed and manipulated, over time, into relying on their praise and their attention. For victims isolated from other sources of care and support, and especially for young children and teenagers, it can be very difficult to recognise what is happening and has happened to us. 
Even after we know and understand exactly what has happened to us, and also internalised that it was wrong, we can still feel conflicted. 
We are not retroactively deserving of our abuse because we crave our abusers’ good opinion, or their love, still. This instinct does not excuse or justify the abuse we’ve experienced. Victims of abuse are still victims of abuse even if we go back to our abusers, even if we “accept” or attempt to justify our abuse to others, if we try to excuse it, if we don’t ask for help. 
Abuse is never the victim’s fault, no matter how imperfect we are as victims. 
“Writing queer characters as abusive is bad representation!”
If we exclusively write queer characters who are perfect and unimpeachable, we’re not letting ourselves write queer characters who are fully human, with all the flaws and complexities humanity comes with. 
Queer people are not less deserving of this complex representation than cishet people are — and in any case, the purpose of art and media is not exclusively to provide good representation, or to show good moral examples for others.
We create to express ourselves, to reflect the world, to critique it, laugh at it, commiserate over it, to feel our feelings, to connect and communicate with others through shared stories. 
If we only let ourselves do things that might be seen as “good rep”, we rob ourselves of the ability to express ourselves as completely as we might wish to. 
“If you write abusive queer characters, you’re just contributing to homophobia and bigotry in art and media!”
Queer people writing queer stories with queer villains is not the same as cishet people including queer people or queer-coded characters just to be villains. The power dynamic is completely different. 
Queer writers’ writing of queer villainy is often inspired by their own experiences, including of bigotry, and the harm they might do reflects harm by society, the ways harms might be felt more keenly by their victims. 
Writing queer villains as villainous because their queerness makes them (or is used as a shorthand for them being) predatory, cruel, or callous, is homophobic and is often shitty, whether people intend that or not. 
But just having queer villains, having queer characters do bad or abusive things, or just have flaws? 
That’s as much a part of queer humanity as having queer heroes and having queer characters do good and helpful things.
Why would you read about rape when you could read consensual non-consent?
[Consensual non-consent being a kink wherein partners agree to roleplay a non-consensual situation.]
Rape in fiction is a form of consensual non-consent. 
The fictional characters, who are not real and do not have real feelings, are not consenting, but the reader choosing to read is. 
In the same way that two people playing a CNC roleplay game in the bedroom might be a safe and fun way of experiencing or re-experiencing the fear and trauma of assault with an escape clause (a safeword), a reader can do the same — they can stop reading. 
If a television show, film, or videogame becomes upsetting, again, one can stop watching, stop playing. It is a person’s own responsibility to set safe boundaries for themselves and protect their own mental health. 
“Why would someone write about trauma and abuse when they could write fluff?”
Why would someone watch a horror movie when they could watch a romcom? Why would someone eat cheese when chocolate is an option?
People do not have to choose one or the other — many people like both horror films and romcoms, cheese and chocolate, and reading about both horrible shit and positive things. 
“You mentioned that people might engage with media about dark topics to work through their feelings from their own abuse. How do I know if someone’s actually been abused?”
Why do you think it’s your right to ask that? 
Why are you prioritising your personal comfort and curiosity over that person’s privacy? If your instinct is to try to license who is and isn’t allowed to engage with a piece of art or media, why? 
You are never entitled to the details of someone else’s abuse. Your validation is not important enough to potentially trade for someone’s private traumas and experiences. 
“If you write or create about certain topics as a survivor, you’re just perpetuating abuse and you are as bad as your abuser!”
Creating works of art or fiction about people who are not real experiencing fictional harm that is also not real, is not in any way equivalent to real people doing real harm to others. 
If your support of abuse survivors hinges on how palatable their reaction to their abuse is, and you believe that some abuse survivors “deserve” their abuse for depicting their abuse in art and fiction, you’re not actually supporting survivors. 
If you believe that all abuse survivors do or should act the same way, or respond the same way, to their abuses, you are mistaken. 
If you are effectively angry at someone for not looking enough like a victim, for being “impure”, and therefore the same as their abuser, that is a form of victim blaming. 
Do you hold artists who create media about non-sexual trauma or violence to a different standard than those who write about sexual trauma or violence? 
Why? What is the difference to you?
If someone writing about sexual abuse in media is equivalent to real life abuse, is a fictional murder?
“People shouldn’t write or engage with media about traumatic things, they should just go to therapy!”
Therapy is not a moral machine where bad people with bad thoughts go in and good people with good thoughts go in. 
Good therapy and counselling provides us with the tools to manage our own mental health, our own emotional and psychological needs, heal from our traumas, and so forth. 
Many therapists will actually recommend safe re-exposure to frightening or upsetting topics, and also encourage self-expression on the subject of one’s most impactful experiences, which might include creating art and media to explore and discuss their feelings. 
With that said, therapy is as flawed as any other tools for emotional catharsis and healing — therapy and mental healthcare can be very expensive or inaccessible because of one’s working schedule; some therapists and mental health professionals are abusive or bigoted; some people may not be in the right place for MH care or therapy at this time, et cetera. 
Therapy isn’t a catch-all for anything you disapprove of in someone else, and it’s also not a punishment to force someone to repent for their sins. 
“It’s okay to write a story to cope, but you shouldn’t publish it in case it upsets others!”
So long as the work has appropriate content warnings and/or is published or screened in an appropriate space, it is not inherently harmful. In fact, reading narratives and engaging with those narratives can be valuable for us. 
Engaging with media that bears similarity to our own lives, reflects our own experiences, written by other people who we know understand the complicated emotions of survivors — whilst still condemning the actions of abusers or not — can be extremely validating and offer a lot of assurance. 
This is especially useful in regards to media that shows victims having a codependent relationship with or still loving their abusers, or where their abusers are shown as sympathetic, whilst the narrative still shows the toxicity and pain caused by the relationship. 
Moreover, there can be a sense of reclamation and security in exploring stories about similar harm as we’ve experienced whilst knowing we are now in a place of safety and are free from those past experiences, or that other survivors have escaped and we can too. 
“If children read this work or watch this show or play this game, they might think that the things depicted in it are okay!”
Is the work rated G or PG? 
Is it shown on a children’s TV channel, or appear in a section that is marked for children? Is it put on a children’s website, where the primary audience is children? 
In short, is the work aimed at kids?
If no, then it’s not for kids. 
Particularly if a work is marked for adult audiences only, if it’s labelled erotica, if it’s marked M or E or NC-17, if it says it’s for adults or asks people to check a box agreeing that they’re an adult, then the work in question is most definitely not for children. 
Everything in the world doesn’t have to be child-safe just because children exist.
It is the responsibility of parents and guardians to appropriately supervise their children’s online use, and to teach children and teenagers internet safety, some of which includes setting appropriate boundaries for themselves and not seeking out content that might distress them, or to know what to do if they stumble across content that does distress them — namely, to speak with a trusted adult about their feelings and what they can do to manage them and look after themselves, and be looked after.
It’s not the responsibility of random other adults in the world not to make horror movies or watch porn or play adult videogames or anything else, just because a child could potentially learn of their existence. 
“But someone else engaging with that work might think the things depicted in it are okay!”
You’re right, they might do. 
They might also engage with the work and think things depicted in it are bad. Fiction does not exclusively exist for our moral education. 
“It makes me feel uncomfortable or unsafe that people are writing about [a topic] with a tone or in a manner that seems wrong to me!”
Yes, many of us feel uncomfortable with some topics being depicted in fiction, and might find them viscerally disgusting or triggering, consider them to be in poor taste, badly considered, or similar. 
This is normal and okay. 
It’s perfectly natural to have limits on what one can handle in fiction, or to find your ethical considerations don’t match up with the things other people make. 
But it’s our job, as responsible adults who look after our own mental health and consider our own boundaries, to avoid that content. 
You cannot control what other people think about, feel about certain topics, or how they portray them in fiction. You cannot control other people. 
You can only control your environment, your boundaries, and the works you choose to engage with. 
You can limit your time on social media, mute tags or keywords, block particular users or sites, or simply look away or leave the room / close the tab. 
“What about rampant problematic works on Ao3!?”
Works on Ao3 are not a real issue. 
They are not representation. Fanworks and original works on Ao3 are not the mainstream. They are being read exclusively by members of various internet subcultures who read fanfiction in those specific fandoms, after reading the tags. 
This doesn’t mean we can’t or shouldn’t discuss certain tropes and norms in various fandoms — we might address our own biases around race, sexuality, religion, disability, and other characteristics, and how these biases and bigotries can come across in people’s approaches to fandom, the characters and ships they concentrate on, their headcanons, et cetera. 
The same can be said of people’s original creations. 
Ao3 has a robust tagging system, and allows people to mute and block tags they might be upset or triggered by — and in the event one clicks on an explicit work, a window will come up asking people to consent explicitly to moving through to read the work. 
It is people’s own responsibility to set their own limits as to what they can handle in reading fiction — and not to obsess over what other people might or might not be reading, which we cannot control, and is also none of our business. 
“What about loli and shotacon? Isn’t that the same as child pornography?”
“Child pornography” is generally not in use as a term — many people who have been victimised find that terms like “child porn” and CP grate, because “pornography” is work made with willing, adult participants. 
Videos and images produced of children are instead referred to either as CSAM — child sexual abuse materials — or CSEM — child sexual exploitation materials. CSEM is evil because it involves the unspeakable and agonising victimisation of a real life child or children, being abused and manipulated by adults around them, and worse than that initial victimisation, the recording their abuse is another victimisation in itself.
With every share of a piece of this material, that child or children are victimised another time, made vulnerable to more people, and the creation of this material can create more market desire, meaning that other abusers will encourage further abuse and recording of these children’s victimisation, or for the recording abusers to seek out other children to abuse. 
Victims of this sort of exploitation live in terror of the pictures or videos of their worst moments being shared to those they know, of being found by their loved ones, shared to workplaces, disseminated in any community they try to live in and be happy with — it is difficult enough to recover from one’s own abuse without the spectre of it constantly hanging over one’s head. 
People’s cartoons or art of fictional children is not equivalent to CSEM, because there are no real children depicted in it. 
It’s understandable to find these works disgusting or upsetting, triggering, unsettling — but to say that underage art or fiction is the same as or counts as CSEM is patently untrue. As a victim of CSA, it is galling to be told that choices my abuser made to harm and exploit me are equivalent to an abuser choosing to draw or read a comic about a victim that doesn’t actually exist. 
Some final questions to ask yourself: 
None of the above rebuttals are intended to imply people shouldn’t critique or criticise different media or their depictions. 
As well as the initial essay I linked, I actually wrote a big guide on how to approach close reading of text, and I’m working on another about analysing television and film.
In my opinion, it’s really important to be aware of different tropes and themes that you feel are harmful in fiction and art — racist tropes, sexist ones, homophobic ones, and all the rest.
It’s worth considering how works are harmful, and what you actually want to be done about it. 
I personally have criticisms of various tropes in media — I have particular dislike, for example, for the ways in which teacher/student relationships in TV shows and films are portrayed as “forbidden love”, with issue of their positions of power being depicted as one of bureaucracy or technical rules rather than a real power imbalance — I don’t care for the “sexy schoolgirl” trope, and the “barely legal” porn genre unsettles me.
All of the above three tropes often coincide with people’s thinking of teenage girls, especially those in school uniforms, as sex objects, and portraying school uniforms themselves as sexual or deserving of this sort of sexual attention. 
Not all depictions are the same — some works subvert the sexy schoolgirl trope by having those schoolgirls be secret monsters than punish abusers, and some works exist that critique teacher/student dynamics. 
It’s also important to note audience and outreach — a work that’s put on mainstream television channels or put in movie theatres by huge studios have a very different range of impact than an indie published novella, or one person’s fanfic on Ao3. 
Note where you’re holding individual or small studio creators — especially those who are in some way marginalised and are already facing adversity in their work — to higher account than large studios, or fixating on imagined harm their work could potentially cause. 
Is a work harmful, or is it just uncomfortable? Is it harmful, or is it just personally triggering to you? 
Can the work you’re concerned about do as much harm as you’re envisaging? Is it actually reaching the individuals you are worried might be vulnerable to harm as a result of it? Does the work intend to do that harm or hold those harmful views, and are the authors or creators working to address or apologise for that harm?
Is the work discussing, critiquing, or exploring the emotional impact of the dark themes within it? Does it have warnings or disclaimers before the work begins?
If you’re worried about a work “normalising” or “glorifying” a troubling subject — does the work actually do that? What is your evidence for this, having engaged with the text? Is that thing discussed in the text, argued, explored in-depth, or merely mentioned? Do characters show inner conflict and interpersonal conflict over it? Is it actually portrayed as good or normal? Is your concern the characters’ perspectives within the text, or the authors or creators’ opinions? 
Does the work carry ideas that are bigoted or feel like it includes apologism for some shitty ideas or ideology? Is the work a piece of propaganda, or function as propaganda? Do you feel the work is being advertised or pushed to an inappropriate audience for its subject matter?
If you do consider the work to be either likely to be personally distressing or upsetting to you, or potentially harmful because of its troubling or bigoted or just shitty ideas, how do you want to respond? 
If it’s the former, you should set your own boundaries — you should use your mute and block functions, you should avoid the work, you should seek out things that will comfort you, and perhaps discuss the distressing topics with someone you trust, whether that’s a friend or partner, a loved one, or a counsellor or therapist. 
If it’s the latter, you should absolutely deconstruct the piece in question and analyse the ways in which it’s shitty or harmful, or read essays by those who’ve done that work. You can maybe warn your friends about it, or if it’s a work of political concern — if the harm is being done because the work provides financial support to a hate group or a bigoted public persona, for example, you might perform a boycott, or involve yourself in acts of protest in response to the work or its creators. 
If it’s important enough to you and your beliefs that you feel urged to do those things, perhaps you should — if all you feel urged to do is to harass or shout at people online, though, it might be better for your own mental health to take a step back and do something more positive for yourself. 
Sometimes, a piece of work or media will be shitty, and shitty people will love it, and that will kinda suck — God knows I’ll see work that’s really transphobic or homophobic or antisemitic, and it’ll upset me that people I otherwise love and respect seem to be enjoying it so much. 
I can talk to my friends and my family about it, and I’ll do that — and I can mute and block the topic, and critique it in the right circles, or write essays if I’m really inspired to, responding to the work and what I feel its impact is…
But if my instinct becomes to just snipe at people for enjoying it when they really don’t know what the problem is, or have a go at them when they’re doing so unthinkingly, that’s not really helpful to them or to myself. It’s not addressing the harm I feel is being done, and nor is it really constructive. 
I’m an adult, after all — as I’ve said a few times already, it’s our own responsibility to set our own boundaries and consider what we’re doing to safeguard ourselves, and if in setting those boundaries and personal safeguarding limits, whether they’re in line with our own ethics and morality. 
We cannot control other people and their feelings, or the works they create, but we can take care of ourselves, including breaking ourselves out of obsessive moral spirals or anxieties about other people’s thoughts — and personally, I think that’s actually a very revolutionary thing to do given that we exist in a world that constantly tries to encourage (and monetise) that sort of aimless outrage. 
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aphroditelovesu · 4 months
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Yan!Parents Daemon/Rhaenyra Targaryen Headcanons (Platonic)
❝ 🐉 — lady l: Are these headcanons good? I don't know, but I hope you like it!! Forgive me for any mistakes ;) 🩵🤍
❝tw: obsessive and possessive behavior, overprotection, mention of death and murder, unhealthy platonic relationships and messy writing.
❝🐉pairing: platonic yandere!daemyra x gender neutral!reader.
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Rhaenyra and Daemon were looking forward to the arrival of their first child. Daemon already had two daughters and Rhaenyra her three precious boys, but they were very eager for the first fruit of their marriage to be born.
The day Rhaenyra gave birth to you was one of the happiest memories of her life. The pain of childbirth was excruciating, but when she could hold you in her arms, it was all worth it.
Daemon actually sobbed when he held you for the first time. You were so small, so innocent and so perfect. He swore to himself that he would do anything to be good to you. You would be loved and adored forever.
They are both extremely overprotective and possessive over you. You are their child, you belong to them, so you should not associate with anyone they do not approve of.
Any friends you may have will be investigated by Daemon and if he finds anything that displeases him, that friend will disappear from your life. He is not objective, if that person's great-grandfather was an bastard, for example, that means they will never be good to you. And you deserve only the best.
Rhaenyra not only agrees with this, but encourages her uncle-husband's actions. You are her baby, the most precious person in her life and she only wants the best for you. She will give you the best, she knows what is good for you. After all, mom always knows best, right?
Your older siblings would also have developed their own obsession with you, encouraged by their parents. It didn't take long for the Velaryon brothers and Daemon's daughters to become completely attached to you.
You were not only your parents' obsession, but also your siblings, meaning you can bet no harm would be done to you. You were spoiled and protected, the apple of everyone's eye in Dragonstone.
Whatever you want, you will have. Rhaenyra and Daemon are completely soft when it comes to disciplining you, just one puppy look and they will forget everything. You are their child, you could do no wrong in their eyes.
Everyone is instructed to spoil and protect you, the servants, the guards and your brothers will do so willingly too.
Daemon is very possessive, he feels entitled to you because you are his child. He will kill anyone who looks, says, or even breathes wrong at you. There's no way he's going to let anything happen to you.
Rhaenyra is more controlled, but she is still a dragon and you should never mess with a dragon's offspring. She loses all her senses, her reason when something happens to you. Even if it's a paper cut, she will go into a frenzy of rage.
Any love interests or suitors will also be dealt with quickly. They won't allow you to get married, no one will ever be good enough for you.
If something were to happen to you, gods be good, for the true fury of the Targaryens would be revealed. They will burn, kill and destroy everything in their path for you. All that matters is you, the war will be forgotten by you.
And when it was just ashes and the smell of blood and death was in the air, they would be satisfied. Daemon and Rhaenyra will go to extremes for you. You are their baby and no one, absolutely no one, can change that.
Daemon and Rhaenyra will not lose anyone else, not their child. And when the war for the Iron Throne begins, you would be locked in and protected the entire time. Your parents love you and would do anything, but they don't know boundaries or privacy. It doesn't matter, after all, they are your parents.
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