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#meta issues
violetlunette · 2 years
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you know I feel like you're the only person i have ever seen who likes Aizawa but actively dislikes Shinsou, cause if someone likes Aizawa you always assume it's a given that yes they must also like Shinsou because they both have so many charcter traits that they're basically Dr Evil and Mini-Me, they're both insomniacs, they're both assholes, they both have non offensive quirks that are incredibly overpowered given the circumstance, they're both arrogant and they have the same mindset of how heroing goes on hating the flashy heroes who are literally keeping society stable and thinking haha yes underground the best
Sorry, this took so long! I’ve been busy with a lot. ^^; Anyway, I’m going to use this to address some stuff that’s been on my mind.
Any! Long-ish post below. Oh, and this was written in a rush as I’m busy during this time, so forgive any grammar mistakes, repeats, and inconsistencies.
Oh, and if you feel I made a mistake anywhere, please be polite in your corrections.
Notes:
*A bit of Shinsou-Critical which may come off as anti-Shinsou (it’s not, but some people are sensitive.)
*Small bits of Aizawa Defense
*Spoilers for Vigilantes and the Main Series
*Bakagou critical (Yeah, somehow he slipped in.)
*Take it with a grain of salt
*Bad language
*images
*Again, very hurried so not as detailed as I would like
Basically, this is just me explaining why Shinsou doesn’t appeal to me. I’m not trashing Shinsou or anyone that likes him, these are just my thoughts. The gist is that he’s not a bad flavor, just not one I care for.
I’ll go into another post about why I love canon Aizawa later when I have the time, but this one is about my issues with Shinsou currently.
Before we dive in, a few things I think you might have misunderstood;
1: Neither are insomniacs. Insomnia means you have trouble falling asleep, staying asleep, or getting good-quality sleep, but that’s not the case here.
Aizawa has zero issues falling asleep. In fact, if SB is canon he can do so very well and instantly. In the same chapter, he was able to stay asleep despite Mic shaking him. He only woke up when his boss came in. The only reason he doesn’t get “quality sleep” is that he’s always working, either as a hero or as a teacher. He only sleeps out of necessity as his eyes need to rest work (along with the rest of him).
Shinsou just has bags under his eyes which could just be from iron deficiency. (I have permanent bags under my eyes and I have a decent sleep schedule.) We have never seen anything to hint that he can’t sleep or is even tired.
2: I think any quirk can be overpowered depending on circumstances but whatever.
3: I disagree. Shinsou is definitely arrogant in his own way, but Aizawa isn’t. He comes off as being so at times but is more than willing to humble himself. One of the reasons that I like Aizawa so much is that he is more than willing to admit his mistakes and flaws and then works on his own to overcome them. Aizawa has even admitted that he admires people like All Might a few times. Speaking of which;
4: Aizawa doesn’t hate flashy heroes, nor has he once stated that being an underground hero is better. He respects All Might as a hero he just doesn’t agree with his teaching methods. At most he doesn’t understand the idea of needing to bother with interviews and such, but not seeing eye to eye and looking down are two different things.
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5: Never once has he stated that being underground is better.
6: When he insults people with flashy quirks, he’s not insulting the quirk, but the person. All he’s ever said on the subject was that UA’s entrance exam was unfair, which EVERYONE online has agreed with.
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And Shinsou doesn’t look down on flashy quirks. HIS quirk is flashy. The only issue is that it’s non-combative and it’s associated with villains. Shinsou’s only bitter that it’s non-combative and tries to tear others down because of his insecurities. That’s not looking down, it’s being jealous. If you want to see how it looks to look down on non-flashy quirks, look to Bakagou who looked down on everyone except Todoroki.
Okay with all that out of the way, let’s get to why we’re here; I like Aizawa and not Shinsou for a few reasons.
First, is that Aizawa, even when he was disadvantaged, never blamed the world for his weaknesses or shortcomings.
He actively worked hard and trained, even before Oboro died. He knew he had weaknesses and while he would bemoan them, Aizawa always did his best to improve. (Actually, Aizawa is a lot more like Tamaki than Shinsou, in that respect, but I digress.) Again, Aizawa trained himself AND he got himself a weapon that worked six years to master.
Shinsou is willing to humble himself later in the manga, however, he did very little on his own. He wanted to get into UA, so submitted a form to general studies and waited for the sports festival. That’s it. He didn’t train, he didn’t study combat or anything to overcome a weakness the entrance exams would have made very clear to him. And even at the sports festival, he relied on the strength of others to get him through it, then complained that the world was against him (we’ll get to that).
That’s not a failing as Izuku was the same before he met All Might. I’m not saying that it’s a flaw that Shinsou did nothing himself.
However, I am saying this is a point for why I like Aizawa over him as I like people who recognize their weaknesses and try to overcome them. He has low self-esteem but he tries. When he was a teen he saw that he had a disadvantage in combat and became a decent brawler and even taught himself to use a very complicated weapon. He saw a flaw in himself and works to overcome it (except for the smiling thing, but oh well).
The next Aizawa never tries to tear people down to make himself look better. He doesn’t actively look to cause a fight or hurt others.
Aizawa was kind even to people who tried to tear him down. (I’m not calling Laser eyes a bully as there’s a big difference between being a bully and being a jerk.) Even after laser eyes insults him and calls him useless--
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--Aizawa acts like the bigger person and extends his hand twice by letting him keep the sunglasses he liked--
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and then by offering advice on how he could improve.
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At first, Shinsou reminded me of Bakagou, in that he looked down on everyone around him. (Again, he got better later on, but for nearly a hundred chapters this was my main impression of him.) True, he didn't insult them, but it came off that he was looking down on them as he had people carry him like slaves.
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(Here, he may be thanking them, but that smirk makes it clear it's not sincere.)
Yes, Aizawa’s rude as well and can come off as a jerk but that’s because he’s blunt. He’s not purposely being an ass to stomp over others. And on the occasions, he is an “asshole” it’s with the intent of helping others (or in the case of Hizashi, playful fun).
The worst thing he does is put a black mark of expulsion on student records and yes. It is VERY extreme but at the same time, we’re kinda forgetting something. See, here’s the thing;
Aizawa is training these kids to fight villains.
They can’t afford to fool around as one single mistake can and will cost lives, either theirs or others. The black mark makes it clear that they’ve got no choice but to improve. And Aizawa doesn’t throw them to the wolves. He does what he can to help them become better (when plot armor doesn’t get in the way). Hell, he remained loyal to the traitor despite that latter setting up Class 1-A to get killed twice. It’s very clear that the expulsion and the black marks are scare tactics. We have seen any evidence of his actions ruining anyone’s life. In fact, we see that the scare tactic actually worked a few times.
In chapter 6 we see that scaring Izuku with the thought of expulsion forced him to figure out how to use his quirk without wrecking his entire body at once like he did the first time using his quirk. And even then, Aizawa wasn’t an ass for the sake of bullying his student like Snape would. He explained to Midoriya why what he was doing was stupid and why that wouldn’t fly in the future.
“But threatened to expel Izuku for not controlling a quirk he only had for two months!” Aizawa was locked out of the loop and didn’t know that. As far as he knew, Izuku had his quirk his whole life. Everyone likes to point out that because of the law there’s no way to properly train quirks but students like Bakagou, Todoroki, and Ochako have full control of their quirks along with the rest of the students. Later in the series—in Tamaki’s flashback—we see that students do get training for their training. Further evidence is that we’ve never seen one person in the world not know how to properly use their quirk. (Morally is another story.) Therefore, from his POV, there was no excuse that Izuku shouldn’t have control either.
 Moving on, all of that was to show that his most jackass actions are not for the sake of being an asshole, it’s actually to help. And you know what? The expel threat and the black marks do help.
It made the rest of the students of Class-A put their best foot forward on the quirk assessment so he could see where everyone’s starting point is. Then there’s a scene where a student states that it scared his previous class into doing better and helped them to grow. So, again, while it’s extreme, we’ve seen that it works.
The bottom line, when Aizawa is an asshole, it’s with the intent to help others. When Shinsou does it, it’s to help himself.
And I do understand that Shinsou does this because a) that’s the best way to use his quirk and b) he has severe low self-esteem in himself.
He truly seems to believe that everyone thinks of him as a villain because of his quirk. (They don’t. They just don’t like it when he uses their quirk on them, something Shinsou very much enjoys doing.)
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And I do sympathize with him on that, believe it or not, but that doesn’t mean I like his attitude. Maybe if he was called out and forced to grow out of this I would be more endeared but still.
But to be fair, we do see him act better after the sports festival as he is grateful to work with the others. He’s even mostly polite. Shinsou even admits that he does want to help others and we see that when he helps Izuku, who has lost control of his quirk.
We also see that Aizawa cares for his students and fellow teachers. We see him make friends with former criminals.
We only get a glimpse of this with Shinsou in School briefs, which I’m not sure how much to take as canon as it’s written by Anri Yoshi and not Kohei Horikoshi, but let’s assume it has the Star Wars canon logic (before Disney got a hold of it) and say that it’s canon because it got his stamp of approval.
In School Briefs, Shinsou is kind, thoughtful, and considerate towards his classmates. He even admits guilt for the effect his actions had on Ojiro, whom he brainwashed without consent.
What annoys me about him though, is his writing.
He is always going on and on about how everyone looks down on him and his quirk but we see the opposite.
Shinsou is overly praised for everything he does and no one has ever said anything bad about him or his quirk. They’ve only said that the quirk is usually associated with villains and not to use it on them. Oh, and that Shinsou could force people to do things for him. It’s thoughtless and insensitive but no malice was intended.
And I’ll throw him a bone and say that Shinsou internalized these comments to the point where he cannot believe people’s compliments. It’s still annoying.
To me, it’s like a woman bemoaning she’s ugly when she looks like a model and has everyone telling her, “Wow! You’re gorgeous.”
And you know what? From a storytelling point, it’s a waste! Shinsou could have been used to explore how people can be prejudiced against quirks. And it’s really simple to do this;
1: At the sports festival have some of the heroes make comments about how questionable his quirk is.
2: In his flashbacks actually have people say bad things about him and call him a villain, or have him overhear conversations.
3: Or—if you want to have an arc where Shinsou just internalized ill-thought words—have him come to realize that he was mistaken.
It really was that easy for the bare minimum. As is, we just have Shinsou’s perception which, when you look at the evidence, shows that he’s wrong about what people think.
He could also be shown struggling with the moral implications of his quirk; true it’s cool and powerful, but it involves taking away someone’s free will and at times affects their memory. Even if he doesn’t see it as a big deal, others obviously do. Why not explore it? See how he handles this, how he comes to terms? Maybe use it to develop Ojiro as well, as he was the one most affected by Shinsou. Have them debate and explain their sides where Ojiro points out the shittiness of using others without their consent and forcing them to do things against their will while Shinsou states that’s how his quirk works, then find a middle ground.
As is, we’re told that Shinsou was told that he couldn’t be a hero with his quirk, but we constantly see otherwise. Again, the only person who gets more narrative dick-sucking is Bakagou. And even with Bakagou, we see him get humbled here and there. (For two seconds, but I digress.)
Plus, Shinny’s personality is basically just copied and pasted. He’s a mini-zawa with a slightly different backstory and a bit more arrogance. And yes. Despite his low self-esteem, Shinsou is arrogant and prideful. (True, this is mostly at the sports festival where his arc starts.)
Look how he uses his quirk; he has others carry him around like a king. This isn’t bad and I like that he is one of the few to stand up to Bakagou. (I wanted them to fight and have Shinsou win, which would have been good for both arcs, but I digress.)
I just prefer Aizawa’s personality with Aizawa, who I see more of and whose backstory and character I like. He’s also not a one-note character, Shinsou is.
Aizawa is a strict teacher but he loves his students and wants to help them in his own way. He’s also a tsundere friend to Mic and Midnight. His relationship with Shirakumo is heartbreaking as he was the one who always inspired him and now he’s a brainwashed corpse.
Aizawa is a hero who stops to help people even on his days off and uses villain fights to get out of events he doesn’t care about. He made friends with low-collar criminals and had them make him so much coffee, he inspired them to open a cat cafe. The list goes on.
Shinsou is just a one-note character. He wants to be a hero but struggles because externally he’s no good at combat and internally he’s got the idea that everyone thinks his quirk is villainous to the point he can’t believe anyone who tells him otherwise (even when it’s LITERALLY everybody). Which is compelling I grant you, but what else? Who's his best friend? What food does he like? Why does he have bags under his eyes and what's up with his hair? Shouta looks like a hobo because he doesn’t think it's rational to waste energy on personal upkeep, what’s Shinsou’s excuse?
This is why Shinsou is a favorite for fanfiction. He has a setup for a tragic backstory that people can have fun with, he has a canon connection to a fan favorite, his past is mostly blank, and family is never mentioned, and his personality is basic enough that writers can add whatever they want to fit the story. But for me, why go for the bland diet version when I can have the more rounded original?
And finally, here are a few very pretty reasons;
1: I don’t like his design. The color of his hair is nice but that’s it.
2: He has angsty teen vibes where he acts “oh, no one likes me!” when everyone is praising him more than Narcissist did his own reflection and people are literally throwing themselves at him to sing praises. And no. The fact he’s literally a teen doesn’t help.
3: And the pettiest reason I don’t like him; he is always shoved in my face. (I told you it was petty, but this is an opinion piece so fuck it! :p)
Everyone and their mother has decided that Shinsou is Aizawa’s son which is annoying. I already don’t like the character, so having him forced in my face is grating. But he’s everywhere because people like the potential of his character. And to be fair, there is a lot of potential. Like Ari, he is good fanfic material. I just don’t like him enough to explore it.
I mean it, I filter every tag I can with them and these fuckers will still show up. I can’t tell you how annoying it is to really get into a fanfic only to have these guys suddenly thrown in. It’s like eating a really good meal only to find a fly in it. Maybe it won’t ruin the meal but it’s not as enjoyable as it was before. (Sorry, small rant.)
It didn’t help that I was getting the face full of Shinny when I was doing the first read and still had the SF impression of him where he reminded me of an Emo version of Bakagou who I REALLY dislike.
His relationship with Shouta doesn’t appeal to me either. Again, there’s nothing wrong with it, it’s just we didn’t get to see too much of them interacting and the scenes where they did weren’t much different than the ones with his other students. And there’s not enough contrast in their personalities to set up potential interesting interactions if that makes sense. They’re too much alike to be fun for me and the things that separate them aren’t enough. Yet, in 90% of fanfics, there he is, written as a poor woobie child who needs daddy Aizawa to love him (shut up internet, you know what I mean). I just can’t stand him anymore mostly because of that. (Fanon Shinsou is the worst for me because I know what he’s actually like in the manga.)
Bottom line;
Aizawa is a well-rounded character with virtues and flaws. He struggles with having a non-combative quirk but instead of just blaming the world for being unfair, he works to overcome his weaknesses, earning the admiration of his friends. He’s blunt and rude, but he’s also kind. As a teacher, he’s super strict and merciless, but also forgiving as sin. Why hasn’t he expelled Bakagou or Mineta? He wants to help them get better (not that he takes action to do so but I digress). He’s also more than a one-note character.
Shinsou is very one noted and—mostly due to lack of screen time—relies on exposition for character development. He’s rude and arrogant, and because of his low self-esteem wants to drag others down. He uses his quirk on others without consent even though his quirk requires taking away someone’s free will, then treats them like slaves under his control. Then when they mention that the quirk made them uncomfortable, he blows it off. He also comes off as someone with a victim mentality. He’s always claiming that everyone thinks his quirk is evil but the majority of the scenes show the opposite. People overpraise his quirk. Now, I’m sure he doesn’t have this but it comes off that way.
Shinsou’s writing annoys me and he just doesn’t appeal to me as a character.
I have Shouta who’s a lot better and more fulfilling emotionally. Why do I need his less-developed clone? It didn’t help that due to his lack of screen time, his first impression of the sports festival is what stuck in my mind for the longest time before we got to see him grow up a little and we didn’t even see that development.
Again, it all comes down to personal tastes and I hope I explained this well. I did this all in a rush and luckily I had some images on standby for other characters.
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Tim: So, and for what reason was I 17 years old for the last 15 years?
Damian: That's what you're complaining about? They couldn't even bother to give me a proper characterization until much later on. And then it is one that does not align with my upbringing!
Stephanie: At least you weren't killed just because of misogyny
Dick: Yeah, I wonder how anyone let that through. But then again, I shouldn't expect anything else from writers who made me stuck as Ric for two years and all the, you know, Tarantula stuff
Jason: It's honestly like they just spin a wheel every day to figure out if I'm a villain, hero or anti-hero
Duke: Forget about the writers, the fans also have some... wild assumptions
Stephanie: Yeah, like that you're the normal one!
Cass: Or that I'm mute. Just there to give emotional support
Barbara: Or that the most traumatic thing to ever happen to me is framed as something good just because I became Oracle. I barely had one page of dialogue in that entire story!
Tim: At least they get one thing right.
Dick: And that is?
Tim: Bruce.
Jason: Yeah, what is up with that?! It feels like I've become his punching bag! Why is he considered a hero again when he is just plain abusive at this point?
Duke: Patriarchy
Barbara: And male power fantasy
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lenaellsi · 6 months
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“Crowley is still an angel deep down” “Crowley is more of an angel than any of the archangels” “Crowley was only cast out because he needed to play his part in Armageddon, he's not a real demon” “Aziraphale wants to rebuild Heaven to be more like Crowley because he’s what an angel should be” no. Stop it. This is exactly where Aziraphale went wrong.
Crowley is 100% a demon. He's not actually a bit of an angel, and he's not cosmically better than any of the other demons we see in the series. He's much less vicious than most of them, yeah, but he's also much less vicious than most of the angels, because how “nice” a celestial being is has nothing to do with which side they're technically on. Crowley's kindness comes from him doing his best to help people despite the hurt he's suffered himself, not any sort of inherent residual or earned holiness. He was cast out just like the rest of the demons, and that's an important part of his history that shouldn't be minimized, excused, or, critically, 'corrected.'
Being angelic is not a positive or negative trait in the Good Omens universe. It's a species descriptor. Saying that Crowley is still an angel deep down because he helps people is an in-character thing for Aziraphale to think, certainly--Job and the final fifteen showed that in the worst possible way--but it's not something Crowley would ever react well to, and it's the main source of conflict in the entire "appoint you to be an angel" fiasco.
We know that Aziraphale thinks Crowley's fall was an injustice, but why? Well, because Crowley is actually Good, which means his fall was a mistake, or a test, or a regrettable error in judgment, or…something. Ineffable. Etc. The point is, he’s special, much better than those other demons, and if they can fix him and make him an angel again, everything will be fine! (So once Job's trials are over, everything will be restored to him? Praise be!) Aziraphale has to believe that Crowley's better traits come from traces of the angel he used to know and not the demon he's known for 6,000 years, because that’s how he can rationalize his incorrect view of Heaven as The Source Of Truth And Light And Good with his complicated feelings about Crowley's fall.
But Crowley's fall was not an injustice because he's actually a Good Person who didn't deserve it. Crowley's fall was an injustice because the entire system of dividing people into Good (obedient) and Bad (rebellious) is bullshit. Crowley is not an unfortunate exception to God's benevolence, he is a particularly sympathetic example of God's cruelty.
And really, Crowley doesn't behave at all like an angel, especially when he's at his best. All of the things that he's done that we as the audience consider Good are things that Heaven has directly opposed. (See: saving the goats and children in defiance of God in S2E2, convincing Aziraphale to give money to Elspeth despite Heaven's views on the "virtues of poverty" in S2E3, speaking out against the flood and the crucifixion in S1E3, tempting Aziraphale to enjoy earthly pleasures because he thinks they'll make him happy, stopping Armageddon.)
Heaven as an institution has never been about helping humanity. And that's not an issue of leadership, as Aziraphale seems to think--it's by design. Aziraphale's first official act as an angel toward humanity was to literally throw them to the lions. Giving them the sword wasn't him acting like an angel, it was just him being himself. Heaven doesn't care about humans. It's not supposed to. It's supposed to win the war against Hell, with humans as chess pieces at best and collateral damage at worst.
Yes, it's easier to think that there are forces that are supposed to be fundamentally good. It's easier to think that Aziraphale is going to show those mean archangels and the Metatron what’s coming to them and reform Heaven into what it "should" be, and that God is actually super chill and watching all of this while shipping ineffable husbands and cheering for them the whole way. And of course it's easier to take Crowley, who Aziraphale (and the audience) adores, and say that he deserves to be on the Good team much more than all those angels and demons that we don’t like. But that's not how it works. People are more complicated than that, even celestial beings.
Crowley is a demon, and the tragedy of his character is not that he's secretly a good guy who is being forced to be evil; the tragedy is that he's lived his whole life stuck between two institutional forces that are both equally hostile to the love he feels for the universe and the beings in it. There are no good and bad guys. There are no "right people." Every angel, demon, and human is capable of hurting or helping others based on their choices. That is, in fact, the entire fucking point.
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lilyginnyblackv2 · 1 year
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Social Issues that Help with Understanding Buddy Daddies
Here are some political, social, and cultural aspects of Japanese culture that I think is important to keep in mind when watching Buddy Daddies. Please note: this is a super long post, with lots of pictures. 
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1. Human Trafficking - Slave Labor
In Episode One, we learn that Miri’s birth father was involved in labor based human trafficking involving Southeast Asian individuals. This is currently a very big issue in Japan, since Southeast Asian immigrants (among others) are viewed as a cheap labor option and usually experience slave labor like conditions.
From The United States Department of State website:
Men, women, and children from Northeast Asia, Southeast Asia, South Asia, Latin America, and Africa travel to Japan for employment or fraudulent marriage and are subjected to sex trafficking. Traffickers use fraudulent marriages between foreign women and Japanese men to facilitate the entry of women into Japan for sex trafficking in bars, clubs, brothels, and massage parlors. Traffickers keep victims in forced labor or commercial sex using debt-based coercion, threats of violence or deportation, blackmail, confiscation of passports and other documents, and other psychologically coercive methods.
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2. Drugs in Japan
When I was living and working as an ALT in Japan, two ALTs (in a different district, but within the same company of my own), got caught with drugs. It was a big deal and ended up in the newspapers. The company I worked for had to do a lot of PR work with the elementary and junior high schools that they had contracts with, to ensure that the contracts would remain. As for me and the other ALTs? We had to sit through like five separate meetings within like two months about drugs and drug laws in Japan. 
The barebones takeaway is that, in Japan, weed is viewed as being on the same level as hardcore drugs. Charges can be steep and strict. Even just knowing that someone has drugs, and you don’t say anything to law enforcement about it, can get you in trouble. There is a grey area with drugs, which is stuff like bath salts and the like. Since the selling of things like that cannot be prohibited, so they are easily accessible to the public. 
Japan still has a very “90′s D.A.R.E.” approach to drugs. It’s catchphrase is 「ダメ。ゼッタイ。」or “No! Never.”
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(Image from a Web Magazine called Nagasaki Press.)
When celebrities are caught with (what’s usually) weed, it can basically be the end of their careers, since recreational drug use of any kind (excluding alcohol, of course), is still negatively looked down upon in Japanese society. This is why it is still heavily left in the hands of the yakuza and drug kingpins, etc. Though there has been a recent increase in protests and ideology surrounding the idea of legalizing weed. Still, not much acceptance for recreational use is likely to come yet. However...
There may soon be some revision to the laws, which will allow for medical use:
Legislation changes scheduled for 2023
In 2021, the MHLW established an expert committee to review the Cannabis Control Act, and it is expected revisions will be proposed in a bill to be submitted in 2023. This will most likely allow for the use of medical cannabis. 2022/12/02
From: Euromonitor
So, something to keep in mind when Kazuki talks about a drug kingpin here is that this drug kingpin is likely not just dealing with super, hardcore drugs, but also softer ones too, like weed.
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3. Child Protection Squad
There is this misconception in Japan that really young kids, like Miri’s age, can just roam free all around Japan and no one will find it odd. In Episode 1, we do see Miri roaming around the city without anyone really taking notice, but she also wasn’t in an area where there would be people that are trained to take notice.
In the above image she is at a park, which is likely close to a school somewhere. The man that approaches her here has a band around his jacket sleeve that says こども見守り隊 (kodomo mimamori-tai), which gets translated to “Child Protection Squad.” Basically, these are like crossing guards, in a way, because they do play a similar role to that, but they also do more than that as well:
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(Image from the Japanese website: Nice Senior).
This people basically ensure that kids stay on the right paths on their way to school. Most of the time, when elementary school children head off to school, they will go in groups (with the 5th or 6th graders being the leaders) and there will often be older people outside their houses on their way in, keeping an eye on the children to make sure they get to school okay. 
And that’s talking about elementary school aged kids. For ones that are around Miri’s age, usually the parents (mostly mothers) will bring them by bike:
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Or they will get picked up by a bus:
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This one looks pretty boring in comparison to some others you might see though, like these:
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(Image from the Hiyoshidai School Website)
Sometimes the daycare workers will also take them on little excursions outside using big strollers for the kids to travel around in:
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(The image is obviously from a stock photo site called fotostock, but yeah, I’ve seen these before when I lived in Japan).
But a little toddler just sitting on her own at a mostly empty park with just a guy sitting at a park bench nearby watching her? That would raise attention and an eyebrow from someone who is essentially a crossing guard and whose job is to ensure the safety of kids as they travel to and from school. 
The rest is under a Read More.
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4. Police in Japan
I saw a comment somewhere (maybe it was over on Youtube) about how the cops are portrayed here in Buddy Daddies. The comment was basically that Japanese cops wouldn’t be that aggressive with a child. But, well, cops in Japan have issues like everywhere. Though, the main issue with cops recently has more so been with racial profiling:
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(Excerpt is from a Japan Times article entitled:  60% of people with foreign roots questioned by Japanese police, survey finds).
Of course, this situation is different from the one we see happening with Miri, but the Japanese police have issues with corruption too. So this happening wouldn’t seem too out of the realm of possibilities to me. The anime Tiger & Bunny 2 Part 2 also recently had some moments in the season where there was some anti-cop (ACAB-type) sentiments expressed by a character (though that series is also meant to take place in a city based on NYC).
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5. Issues Surrounding Reproductive Rights, Contraception, and Abortion
“Took advantage of me” is fairly vague wording, but considering the type of guy he was, and the fact that Miri’s mother is caught in another abusive relationship, it wouldn’t surprise me if Miri’s conception wasn’t fully consensual one. People like to talk about how safe Japan is, but Japan has a lot of sexual violence that goes unreported: 
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(From an article entitled:  Many sexual violence victims in Japan do not report assaults to police, support groups: survey - The article was posted on November 24, 2020 over on The Mainichi news website).
There is a lot of societal pressure in Japan, that can cause a lot of judgement as well. Especially around issues of reproductive rights. From a Japan Times articles entitled:  Pandemic provides an opportunity to improve access to contraception, posted on January 30th, 2022, we can get a little insight into the issues surrounding contraceptives:
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The article also talked about the judgement that can come with contraceptives. The last line also talks about abortion, which comes with its own set of issues in Japan:
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(From The Japan Times article: Abortion legal and apolitical in Japan, but cost and consent present barriers)
So abortion was likely an option that Miri’s mother didn’t think was really viable, especially in her situation.
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7. Being a Single Mother in Japan, Adoption
In Ep.3 we hear Kazuki parroting a lot of the stuff you usually hear when it comes to women in children, like it is meant to be a natural and innate thing. There is a societal pressure for a woman to give birth and care for the child, even when they aren’t in the best situations to do so. Miri’s mother was, for all intents and purposes, a single mother. Since I doubt the abusive man she is currently with had any hand in helping Miri.
Being a single mother anywhere can be a big challenge, but especially so in Japan. Some issues that single mother’s face in Japan, according to the article “Why Most Families with Single Mothers in Japan are Living in Poverty” from a site called The Borgen Project: 
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From that same article, we learn that joint-custody and child support doesn’t exist in Japan. So Miri’s mother was likely under a lot of societal and financial stress, along with possible Post-Partum Depression, and (also probable) burnout. This doesn’t mean that her behavior or attitudes are okay, but that they are likely a result of a failed system. 
I’ve seen some people bring up adoption, but adoption doesn’t automatically mean that a child will have a better life either. My grandfather’s mother was force to give her children up to the state, so my grandfather spent a good chunk of his life in an orphanage. It wasn’t a pleasant experience. And the probability that Miri would have been adopted had her mother gone through the actual system is, sadly, extremely low. From an article entitled: “The state of orphans in Japan and how to help” found on the site Zenbird.Media is this bit of information:
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And even if Miri had been in an orphanage, Misaki (Miri’s mother) would still be her legal guardian. 
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So an option like that would be unappealing for Misaki, because she doesn’t want anything to do with Miri. 
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7. LGBT+ Individuals Being Viewed as “Not Productive”
Finally, we have the last thing I briefly want to talk about. The main backbone of Buddy Daddies, which is these two hitmen taking care of a child. Last year, a Japanese politician was in the news because she retracted some previous statements she made in 2016 and 2018. We are going to focus on her 2018 statements, which were:
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Her comment received a lot of backlash and was big news. Her retracting her statements also brought a lot of news and talk too. The above information comes from The Japan Times article: “ Japanese lawmaker retracts past remarks on LGBTQ and other minorities.” Her other comments are awful too, but it should be noted that her one about sexual-minority couples stems from the issue of Japan’s declining birthrate. Even though many people in Japan are supportive of LGBT+ rights, there are people that hold a similar viewpoint as this. 
Buddy Daddies is pretty directly challenging this ideology, especially with how they have been handling things. So that’s pretty cool and revolutionary in its own way. It makes me interested in seeing how this continued topic as well as any future social issue topics will be handled or touched upon in Buddy Daddies.
If you read this all until the end: thank you so much! I put a lot of work into this write up and I hope it can help (I learned some things too while researching!).
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ah, you know what my first thought was when i got to this scene?
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when logan started off as the side who tried to approach problems as fairly and open-mindedly as possible, and encouraged thomas to not jump to conclusions or assume ill intent.
but he gets ignored, underestimated and sidelined so often that he himself started giving in to the cognitive distortions.
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everysongineverykey · 2 years
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dhmis is great because imagine a series centered around three roommates living in a small incredibly isolated house in a story run by a strange omnipotent woman with unclear motivations who amuses herself by tormenting the roommates over and over again in various awful ways by dangling something new and exciting in front of their faces and then making it backfire horribly thus traumatizing them all and often maiming and killing them and they can't escape because they're nothing but puppets in her little show and they're chained to a narrative that will not let them go and one roommate is a naive kid with a sadistic father who traumatizes him horribly when he isn't neglecting him and also eats people and another roommate is almost aware of his situation but will never be able to save himself or his friends and is constantly rejected by his own kind and only wants to leave the tiny house but nothing, no one, will play along and the third roommate is caught in the middle, not a naive child but not quite meta aware, and thus is doomed to fall victim to the same traps over and over and also they're literally the only three people in their entire world besides the evil things that keep intruding in their home and terrorizing them and they can't call for help. ok and now imagine they look like this
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alicentsgf · 1 year
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nothing is more subtle or more heartbreaking to me than alicent in the wedding feast scene. and half these shots dont even follow her, they follow viserys shes just in the background, (which just perfectly sums up the way alicent and her desires are stifled by viserys/his wants just btw)
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so shes just watched whatever it was that was happening between daemon and rhaenyra. salt in a very fresh wound. and as far as i can work out was literally tearing up over it (if we look at the screenshot above). but then people are screaming and pushing and shoving and alicent instinctively gets up before anyone else at the table even does, still looking like shes about to cry the whole time, right up until the moment she realises its not just pushing and shoving - theres a fight happening exactly where rhaenyra was just a moment before, and suddenly her expression changes to this shot of her blatantly worrying about rhaenyra:
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"but lydia, how do you know shes worried about rhaenyra? she could just be in shock at seeing the fight and concerned in general."
because its spelled out for us the next time we see her:
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this shows us pretty obviously alicents only really interested in where rhaenyra is. this is a tv show, they don't show someone's reaction to something just for the sake of it and alicent is the only person we see react to rhaenyra being safe. she even appears to relax at the end, as if relieved.
this very clearly sets the stage for alicent's refusal to accept any physical harm to rhaenyra - so we can understand why she feels so much guilt and self-loathing over slicing open rhaenyra's arm, and why she is so adamant about protecting rhaenyra in episode 9 even after everything she and rhaenyra have put each other through. just as rhaenyra has a desire to reconcile with alicent she cant shake, reaching out for her even in moments when shes been given no reason to hope (like at the council in episode 6 and dinner in episode 8), alicent has this desperate need to make sure rhaenyra's safe, even at times when she has no intention of reconciling with her. even when shes at her most hostile, harbouring enough resentment to show up to rhaenyras wedding wearing a declaration of war, alicent still cant stomach the thought of rhaenyra being physically harmed. and it doesn't seem to be an aspect of her characterisation thats going anywhere anytime soon.
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heavenpierceher · 11 months
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something so funny about these panels that literally never leaves my head. optimus being like hello here is my pet War Crimes look he can do Lobotomy Tricks and cd who just got dragged out of his Dead Wife Cave to be here standing there slumped over consumed with Wife Depression just kinda letting optimus pick him up by the shoulders and carry him around like a prop. he doesn’t say a single word for the entire exchange. doesn’t even react to megatron freaking out he’s just like Otay :( and then leaves also without saying anything. obsessed
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mon-mothmas-collar · 4 months
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the Reason Clarisse is so mad about her spear being broken is NOT because some shit head little kid on his second day broke it it’s because some shit head little kid on his second day broke something her dad gave her
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starry-bi-sky · 29 days
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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little-pondhead · 5 days
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Your Ancient History, Written In Wax
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Danny knew he should have put better security around the Sarcophagus of Eternal Sleep. It wasn’t even Vlad who opened it this time! The fruitloop was too busy doing his actual mayor duties because for some godforsaken reason, the man got re-elected.
No, it wasn’t Vlad. And it wasn’t Fright Knight, either. Nor the Observants. Who opened the Sarcophagus, then? Danny didn’t have time to find out as Pariah Dark promptly tore open a hole in reality and hunting Danny down.
The battle was longer this time. He didn’t have the Ecto-Skeleton, as that was the first thing Pariah had destroyed. The halfa had grown a lot over the past few years, and learned some new tricks, but apparently sleeping in a magic ghost box meant that Pariah had absorbed a lot of power. The bigger ghost acted like a one-man army!
Amity Park was caught in the middle of the battle, but the residents made sure it went no further than that. Vlad and the Fentons made a barrier around the town to keep the destruction from leaking. Sam, Tucker, and Dani did crowd control while Danny faced the king head-on.
Their battle shook the Zone and pulled them wildly between the mortal plane and the afterlife. Sometimes, residents noticed a blow from Pariah transported them to the age of the dinosaurs, and Phantom’s Wail brought them to an unknown future. Then they were in a desert. Then a blazing forest. Then underwater. It went on like that, but no one dared step foot outside of Amity. They couldn’t risk being left behind.
It took ages to beat him, but eventually, Danny stood above the old ghost king, encasing his symbols of power in ice so they couldn’t be used again. He refused to claim the title for himself. Tired as he was, Danny handed the objects off to Clockwork for safe keeping and started repairing the damage Pariah had done to the town. The tear he’d made was too big to fix, for now, so no one bothered. They just welcomed their new ghostly neighbors with open arms and worked together to restore Amity Park.
Finally, the day came to bring down the barrier. People were gathered around the giant device the Fentons had built to sustain it. Danny had brought Clockwork to Amity, to double check that they had returned to the right time and dimension.
Clockwork assured everyone that they were in the right spot, and only a small amount of time had passed, so the Fentons gave the signal to drop the shield.
Very quickly did they discover that something was wrong. The air smelled different. The noise of the nearby city, Elmerton, was louder and more chaotic. Something was there that wasn’t before, and it put everyone on edge.
Clockwork smiled, made a remark about the town fitting in better than before, and disappearing before Danny could catch him.
Frantic, Danny had a few of his ghost buds stay behind to protect the town while he investigated.
He flew far and wide, steadily growing horrified at the changes the world had undergone. Heroes, villains, rampant crime and alien invasions. The Earth was unrecognizable. There were people moving around the stars like it was second nature and others raising dead gods like the apocalypse was coming. Magic and ectoplasm was everywhere, rather than following the ley lines like they were supposed to.
Danny returned to Amity.
The fight with Pariah had taken them through space and time. Somewhere along the way, they had changed the course of history so badly that this now felt like an alien world.
How was he supposed to fix this?
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In the Watchtower, The Flash was wrapping up monitor duty while Impulse buzzed around him, a little more jittery than usual. The boy was talking a mile a minute, when alarms started blaring an alarming green. Flash had never seen this alarm before, and its crackling whine was grating on his ears.
Flash returned to the monitor, frantically clicking around to find the issue, but nothing was popping up. No major disasters, no invasions, no declarations of war. Nothing! What was causing the alarm?
Impulse swore and zipped to a window, pressing his face against it and staring down at Earth. “Fuck! It’s today isn’t it? I forgot!”
“What’s today?” Flash asked. He shot off a text to Batman, asking if it was an error. The big Bat said it wasn’t, and that he would be there soon.
“The arrival of Amity Park. I learned about this in school; the alarm always gives me headaches.”
Flash turned to his grandson, getting his attention. “Bart,” he stressed. “What are you talking about?”
Impulse barely glanced over his shoulder. Now that Flash was facing him, he could see a strong glow coming from Earth. “The first villain, first anti-villain, and the first hero,” he said anxiously. “They all protect the town of the original metas. They’re all here.”
“Here? Now??”
“Yeah? They weren’t before, but they are now. The first hero said there was time stuff involved, which was what inspired me to start practicing time travel in the first place.”
“I’m not following.”
“It’s okay. We should probably go welcome them before they tear apart Illinois, though. The history I remember says that some of them freaked and destroyed a chunk of the Midwest during a fight with each other.”
“WHAT?”
#dpxdc#pondhead blurbs#liminal amity park#I’ve seen stuff like this in the mhaxdp fandom and I eat it up every time#basically the fight with Pariah caused the town to jump through time a little#and while they THOUGHT they were keeping everything in#shit leaked out and tainted those points in time#so technically#historically and genetically speaking#Amity Park is the origin point for the meta gene and Danny made history as the first hero#because Clockwork is a little shit#everyone embodies a basic ability and it has grown from there#the flash family are direct descendants of Dani (speed force Dani for the win)#Dash is the reason super strength exists#so on and so forth#go buck wild#bart learned about it briefly in history class in the 30th century#practically hero worships them#booster gold knows about them too but in contrast to Bart’s excitement#booster is fucking terrified because there was a period where Amity Park rebelled against the US government#and he’s from that specific time#he learned to fear phantom because he lived during that part while Bart is from farther in the future when those issues got resolved#guess who’s chosen to welcome the town? >:)#if you’re wondering what happened to the GIW#they turned into the branch Amanda Waller runs#Danny is the first hero#Vlad the first villain#and Dani the first anti hero#there’s an arc where Danny is trying to fix things but clockwork won’t let him into the timestream and all the heroes are horrified#because yeah Danny is the OG but if he goes back in time to fix his ‘mistake’ what will happen to them?
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asterlark · 5 months
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me and den @unloneliest were just talking about murderbot and ART's relationship and i want to discuss how they quite literally complete each other's sensory and emotional experience of the world!!
there's a few great posts on here such as this one about how murderbot uses drones to fully and properly experience the world around it (it also accesses security cameras/other systems for this same purpose). but i haven't seen anyone so far talk about how once MB stops working for the company and consequently doesn't have a hubsystem/secsystem to connect to anymore (which for its entire existence up to that point had been how it was used to interacting with its environment/doing its job), after it meets ART, ART starts to fill that gap.
ART gives MB access to more cameras, systems, and information archives than it would normally be able to connect with while MB is on its own outside of ART's... body(? lol), but also directly gives MB access to its own cameras, drones, archives, facilities, and processing space. additionally, so much of ART's function is dedicated to analysis, lateral thinking, and logical reasoning, and it not only uses those skills in service of reaching murderbot's goals, it teaches murderbot how to use those same skills. (ART might be a bit of an asshole about how it does this, but that doesn't negate just how much it does for murderbot for no reason other than it's bored/interested in MB as an individual.)
we all love goofing about how artificial condition can basically be boiled down to "two robots in a trench coat trying to get through a job interview" (which is entirely accurate tbh) but that's also such a great example of ART fulfilling the role of both murderbot's "hubsystem" and "secsystem", allowing it to fully experience its environment/ succeed in its goals. ART provides MB with crucial information, context, and constructive criticism, and uses its significant processing power to act as MB's backup and support system while they work together.
from ART's side of things, we get a very explicit explanation of how it needs the context of murderbot's emotional reactions to media in order to fully understand and experience the media as intended. it tried to watch media with its humans, and it didn't completely understand just by studying their reactions. but when it's in a feed connection with murderbot, who isn't human but has human neural tissue, ART is finally able to thoroughly process the emotional aspects of media (side note, once it actually understands the emotional stakes in a way that makes sense for it, it's so frightened by the possibility of the fictional ship/crew in worldhoppers being catastrophically injured or killed that it makes murderbot pause for a significant amount of time before it feels prepared to go on. like!! ART really fucking loves its crew, that is all).
looking at things further from ART's perspective: its relationship with murderbot is ostensibly the very first relationship it's been able to establish with not only someone outside of its crew, but also with any construct at all. while ART loves its crew very much (see previous point re: being so so scared for the fate of the fictional crew of worldhoppers), it never had a choice in forming relationships with them. it was quite literally programmed to build those relationships with its crew and students. ART loves its function, its job, and nearly all of the humans that spend time inside of it, but its relationship with murderbot is the first time it's able to choose to make a new friend. that new friend is also someone who, due to its partial machine intelligence, is able to understand and know ART on a whole other level of intimacy that humans simply aren't capable of. (that part goes for murderbot, too, obviously; ART is its first actual friend outside of the presaux team, and its first bot friend ever.)
and because murderbot is murderbot, and not a "nice/polite to ART most of the time" human, this is also one of the first times that ART gets real feedback from a friend about the ways that its actions impact others. after the whole situation in network effect, when the truth of the kidnapping comes to light and murderbot hides in the bathroom refusing to talk to ART (and admittedly ART doesn't handle this well lol) - ART is forced to confront that despite it making the only call it felt able to make in that horrifying situation, despite it thinking that that was the right call, its actions hurt murderbot, and several other humans were caught in the crossfire. what's most scary to ART in that moment is the idea that murderbot might never forgive it, might never want to talk to it again. it's already so attached to this friendship, so concerned with murderbot's wellbeing, that the thought of that friendship being over because of its own behavior is terrifying. (to me, this almost mirrors murderbot's complete emotional collapse when it thinks that ART has been killed. the other more overt mirror is ART fully intending on bombing the colony to get murderbot back.)
in den's words, they both increase the other's capacity to feel: ART by acting as a part of murderbot's sensory system, and murderbot by acting as a means by which ART can access emotion. they love one another so much they would do pretty much anything to keep each other safe/avenge each other, but what's more, they unequivocally make each other more whole.
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lenaellsi · 1 month
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after my latest rewatch I am even more convinced that crowley really doesn't have the intense self-loathing issues he's commonly depicted with. like he has some regrets and bad memories and insecurities like everyone does, and he's under an insane amount of stress basically always, but he's very confident in who he is. he's not particularly happy about being a demon, but that isn't the same thing as hating himself for it. he hates hell, not himself.
like. he’s not upset about being called one of “the bad guys” because he agrees, he’s upset because he knows aziraphale is wrong, and because this is evidence that aziraphale still believes in a philosophy that has divided them since even before his fall. he has never once considered himself less than aziraphale or any other angel. I think it's clear that he's pretty offended by that implication, actually!
“crawly” as a name is too squirming-at-your-feet-ish for him because he knows who he is, and he sees value in that person. his depression and his worrying relationship with his own life and safety come from his feelings on god and predestination, not from self-loathing. crowley does not believe in the system. he doesn’t believe in the idea that people are purely good or evil, and he’s sure enough of himself to know that he's not either. that's why he's able to make the choices he does. he's able to act in the gray spaces between heaven and hell (see: job, the flood, the "virtues of poverty," armageddon, etc etc) because he is confident enough to make those decisions without worrying about what the powers that be say about what's "right" and "wrong."
that doesn’t mean that he’s not self-conscious. he’s very concerned with what humans think of him, what aziraphale thinks of him, and (out of self-preservation) what hell thinks of him. he hides his eyes and puts on a cool, flashy persona to hide the more vulnerable parts of himself. I think everyone does that, to a degree, but it's especially obvious in crowley because of how it manifests in his glasses. he's been burned (literally) before, and he knows better than to show weakness when he could be hurt like that again.
and re: the "I never meant to fall" thing--he's upset about being a demon, yeah, because the fall sounds like it sucked, and his job tortures him when he's Good or just Bad in the wrong way, and he's deeply lonely, and the love of his life has a complex about their relationship, and he's trapped in a system where he has to blindly follow one of two nearly-identical sets of bullshit morality rules or be executed. but again, he's mad at god, heaven, and hell for all of that. I'm sure he's angry at himself for all sorts of reasons often enough, because crowley is generally a pretty angry person, but he doesn't hate himself in any sort of existential "I am an unlovable monster" way.
maybe sometimes he regrets falling. maybe sometimes he thinks it would be easier if he never did. maybe sometimes he hates his fucking line manager and wishes he could do any other job for a while. but no part of crowley thinks that he is any worse of a person after the fall, or any less worthy of aziraphale's company. he just thinks aziraphale thinks that, because of the amount of times aziraphale has told him so.
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theotterpenguin · 14 days
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the performative accusation that shipping zutara (and occasionally this criticism is levied at jinko/zukka) is colonialist apologism has been addressed in some excellent posts, explaining the inaccuracies and problematic implications of this logic far better than i ever could - like this post and this one and this one and this one and this one.
and i know this topic has been talked about to death, but if you could indulge my contribution for a moment, i just find it interesting how this sentiment results from the cognitive dissonance of atla fans being unable to reconcile with the idea of their favorite show's political beliefs not lining up with their own.
atla is a largely philosophical children's show that at its core deals with themes of love, redemption, and destiny vs. free-will. atla examines these themes through an anti-colonalist, anti-imperalist lens that deconstructs the idea of racial divisiveness and the idea that people of different ethnicities are inherently different. this is message is pretty explicitly stated by guru pathik:
Guru Pathik: "The greatest illusion of this world is the illusion of separation. Things you think are separate and different are actually one and the same." Aang: "Like the four nations?" Guru Pathik: "Yes. We are all one people. But we live as if divided."
and also by uncle iroh:
"It is important to draw wisdom from many different places. If you take it from only one place, it becomes rigid and stale. Understanding others, the other elements and the other nations will help you become whole."
this theme is developed across three full seasons, with the crux of this message culminating in zuko's friendships with the gaang - despite coming from different nationalities and different backgrounds, they have all had their own experiences being hurt by the fire nation and work together to take down the oppressive fire nation government. the question of destiny vs. free will is also explored through zuko's character - despite starting off as an antagonist, he develops into a symbolic representation of how the fire nation's oppression hurts its own citizens. he unlearns the fire nation's imperialist propaganda while simultaneously unlearning his father's abuse. rather than following misguided beliefs of what he thought his destiny was as the heir to the throne, instead he forges his own path.
thus, to claim that zuko can never form a deep and meaningful relationship with any of the gaang because of his nationality goes unequivocally against the themes of the show. and a major part of this is because these are fictional characters being used to analyze different theoretical questions within the show and in some cases, are used as symbolic representations of different philosophical ideas - their friendships and their character arcs serve a purpose within the text that cannot be easily transcribed onto real-life dynamics between people.
it's illogical to criticize fans who are choosing to understand atla at the level of the themes that are presented by the text - who are interested in exploring similar philosophical questions brought up by the show through the context of relationships.
if you don't like the themes of forgiveness and redemption that atla explores, your criticism should be aimed at the writing of the show itself rather than other fans. because you are giving far more thought to the "implications" of a close friendship or romantic relationship between someone from an imperalist nation and someone from an oppressed nation than the writers ever did. (and if you fall in this camp of people, i would hope you wouldn't be reblogging fanart of zuko and the gaang together while simultaneously claiming zuko could can never escape the sins of his ancestors and can never form a deep relationship based on trust and intimacy with katara or sokka or jin - because that would just be hypocritical).
and as a side note, people seem to apply this flawed logic to zutara far more than other ships solely because the show spends the most time exploring the complicated nature of fire nation imperalism in the interactions between zuko and katara in the latter half of b3. this is because they've been juxtapositioned against each other and paralleled with aang since the beginning of the show in ways that toph, sokka, and suki are not, who have mostly been used to examine different themes. there simply isn't enough time to explore these complicated themes with all the other characters, even if they theoretically exist in zuko’s dynamics with these characters, so the writers focus the most on zuko's relationships with katara and aang, and these relationships are given far more narrative weight, so have more content to criticize. but zuko and katara also canonically become friends by the end of the show. if you want to discount the existence of their friendship, claiming that it will always be tainted by the fire nation's oppression regardless of what is shown in the text, then you also have to discount zuko's friendships with aang, suki, toph, and sokka - because even if this isn't shown as a permanent barrier to their friendships in the show, it’s also not shown as a permanent barrier to his friendship with katara. if your logic is solely based on the idea that a person's identity in a relationship as a colonizer or a victim is fixed and unchanging regardless of character development, this would apply to zuko's friendships with everyone else as well.
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ineffectualbookseller · 8 months
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The way Azirphale is underestimated and practically infantalized by heaven is so closely tied to his femininity and I think we should talk about it more because I just want to shout about how relatable the way he's treated in his workplace is as a woman working in a traditionally male field
It's in all the little niggling comments from your boss about personal things that hold no bearing on your work
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and the assumption that what you're doing must be simple if it was assigned to you
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your work is trivialized
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and you get these the placating smiles when you're told plans and proposals are rejected and passed over
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or when your complaints are dismissed
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and you get more of the same from upper management
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it all feels so frustrating and draining but you're at work so all you can do is take a breathe put on that mask and move on with your day
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It is all so deteimental to your emotional well being and textually, so much of this is tied to Aziraphale's softness, his gayness - his femininity
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The thing about working in an environment and gives you this feeling - of being simultaneously destrought watching your belief in yourself get chipped away but also just so irate becuase you know you don't deserve it - is how it builds. It sinks under your skin and feeds into this indignant dejection until you can have a moment of release - but Azirphale doesn't get to bitch about it over drinks with friends, he doesn't get a lunch break where he can go for a walk and listen to an angry scandi death metal playlist, he doesn't even get the chance to cry about it in the bathroom for 5 minutes before confronting it again
(And I talked a little bit about it in the tags of this beautiful photoset but this all comes into play whenever Crowley dismisses his plans or calls him an idiot. These are purely emotional reactions; I really don't think Crowley means much by it - he respects Aziraphale's opinion and genuinely thinks he's brilliant - but Crowley is so quick to use this terminology when Aziraphale is making a decision Crowley thinks is wrong and he doesn't know how much this hurts Aziraphale. Just like Aziraphale doesn't understand the true impact the Fall had on Crowley, Crowley doesn't understand the ways heaven has been tearing away at Aziraphale's self worth)
Aziraphale has been facing this constant drip of denigration since before the beginning of time and has never released the pressure valve. At this point, he's a bomb waiting to go off
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levitatingbiscuits · 6 months
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something so fucked up about shauna shipman is that she is still so obsessed with jackie taylor that she will recreate that toxic, one-sided jealousy and resentment with her own daughter. our introduction to shauna is a scene of her masturbating in callie's bed while staring at a picture of callie's boyfriend. the immediate parallels are unmistakable, because we also see her teen self fuck jeff later that episode. we both know that it was always more about taking something from jackie than any real love for jeff; now she's lusting after her daughter's underage boyfriend and secretly resenting callie in much the same way she secretly resented jackie and lusted after her boyfriend. she even mistook callie for jackie when she wore the same uniform a few episodes later.
as the first season progressed, we saw a lot of shauna's pretty chilling dislike of her own child. sure, callie's a little shit, but she's also a teen girl with deep-seated mommy issues. shauna is a woman in her 40s acting like the catty mean girl she never had the courage to be in high school. she talks shit about how much she doesn't like callie, she relishes in holding one over on her, she shows off the affair she's having with a hot younger man, she threatens callie's future, she manipulates her, and so on and so forth. she treats callie like she might have treated jackie, if the power dynamic were reversed.
and what's really heartbreaking is that callie, much like jackie, had no idea about this deep-seated jealousy and resentment. neither of them have the callousness nor the mean streak that shauna does. for jackie, shauna always mattered most; and we see how callie blooms under the attention and approval her mother gives her when she helps cover up her crimes in season two.
then shauna had the goat breakdown, and i realized that this is the closest thing to love she can give callie. she can't love her daughter the way she loved wilderness baby, can't open herself up to that kind of pain again. but she also can't help but love her child, so she recreated the only other comparable form of love she'd ever felt: her love for jackie, which is much more complicated and messy and cruel than a mother's love for her child.
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