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#more shallow than i remember it being
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i feel like i get like. 2011 supernatural fandom crazy about the magicians but the thing is. the difference is. the difference is, see, that the magicians is good
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frogsare-friends · 3 months
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shoutout to all my aros and arospecs not celebrating valentine's day!! and shoutout to all my aros and arospecs celebrating valentine's day!! and shoutout to all the aspecs that aren't celebrating valentine's day!! and all the aspecs that are!!
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i want to live in the world where dragon age inquisition got to have the in-depth strategy / political organization sim elements bioware obviously wanted it to have where your decisions in managing the inquisition actually meant anything for how it operates and had effects on the game world. sadly we live in the universe where art needs to make profit
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vimeo
The Ultimate Sterek Supercut - on vimeo
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angellurgy · 18 days
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i dont fucking need money or reminders of my old blog to be rbed when you guys are just fucking killing me anyway. it doesnt fucking matter cause im not gonna fucking live long enough to see any of that have use when you're just digging me into the fucking dirt. god do fucking ANYTHING else you status-quo loving fake fucks fuck fuck fuck fuck fuck fuck fuck fuck fuck fuck fuck fuck
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butchhansolo · 1 year
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mild malding because i LIKE the idea of phee/tech but imo it's being poorly set up... like headscratch theres potential for a really great dynamic here that's just not being explored in their interactions because the interactions are kinda just flirting to the point that since we have so little of them interacting without that that it feels a little. forced? like i can seeeeeee the concept and i DO like it i just agh please take more time with it
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malewifehenrycooldown · 10 months
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the first thing I did after completing my assessments was to dig out and set up my old xbox360 which has been gathering dust in the cupboard, and then started playing mvc3. And finally took the time to get used to all of the character's moves and stuff - and also finally started doing the arcade mode, which is very rewarding <3
I would be playing this game again today, but after yesterday and the night before, I can't because my left hand hurts :/
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amysosamybeloved · 2 years
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honestly even if tua s2 is not as good as s1 in terms of writing or whatever i think i'll always prefer it more because (if my memory serves right) it fleshed out the characters of colour way more because even if it wasn't perfect (people have talked about the race politics of this show way more coherently than me) i did like that characters like diego and allison got more depth (also s2 is where lila my overhated unlikable beloved shows up so i'm not complaining)
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unproduciblesmackdown · 10 months
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meanwhile, some quotes about the material:
The "musical within a musical" is about a ramshackle theater troupe haphazardly putting on a show destined for Broadway in exchange for doing chores around the farm. People fall in and out of love throughout the process, all while the city folk comically struggle with the country life. Emmy-winning writer Cheri Steinkellner was given one mandate, however: "No tractor," she laughed on the phone just weeks before the show was set to begin previews. "They were adamant about that. And there's a tractor in the movie. There's a tractor in almost every scene. It's in many ways about a tractor. But I was told absolutely no tractor." [...] "We're all working on this like we're on an actual summer stock schedule. Art imitates life imitates art. It's just go, go, go. And I couldn't be prouder of our cast, and our Jane and Joe," Steinkellner, who is also a Golden Globe winner, said. Her writing partner also happens to be her husband Bill. "Our 'Summer Stock' is more 'inspired by' than adaptation. There are four songs included from the original film that you can't not do. But the new songs are the best of the old songs. The secret sauce was the great American Songbook." She said "It Had To Be You" is one of the classics audiences can expect.  
[source: ‘High School Musical’s’ Corbin Bleu makes his Goodspeed debut in ‘Summer Stock’]
So, how different is the musical Summer Stock from the movie? It feels like a whole new animal, even though we’ve borrowed some elements from the movie. It is still, first and foremost, a love letter to the theater; it’s about this group of players who come to a farm to put on a show. So many numbers are how they get into farming through performance! We also still focus on how Joe and his partner Phil [played by Gilbert L. Bailey II] fight to get the show on its feet, and how Joe helps his eventual love interest Jane [played by Danielle Wade] find her inner performer. But a lot has changed from the film, including some of the relationships. We have a brilliant new writer, Cheri Steinkellner, who has dropped in a lot of nods to why we love musical theater. We have Veanne Cox as Orville’s mother, who is the new “villain” of the piece. And we’ve added a lot of music, such as “It Had to Be You” and “It’s Only a Paper Moon,” and we’ve switched around who’s singing some of the film’s songs, such as “Dig, Dig, Dig” and “Happy Harvest.” But the most important thing is that while we’re still in the late 1940s, there are two Black actors playing the male leads – me and Gilbert Bailey as Phil – and it is definitely not color-blind casting; it’s color-conscious. That means we’re dealing with an interracial love affair, for instance. The racial element is an additional driving force, which I think is necessary, but the main story isn’t about the struggle for racial equality. In the end, it’s still a feel-good MGM-like affair. You’ve previously stepped into the figurative shoes of Gene Kelly, who originated the role of Joe in the movie, as well as Fred Astaire. How does that feel? I am always aware these golden age icons from MGM have such a specific style and that they make what they do look easy. Of course, I want to bring that to Joe. But in the tap dance sequence, for instance, we also have a bit of Gregory Hines, even though I’m no Gregory Hines. And at the end of the day, it’s me on stage, and I work hardest on finding my own characterization of these roles. This is your first time working with Donna Feore, who is one of Canada’s leading directors and choreographers. Tell me about your experience with her? Donna is wonderful to work with, both as director and choreographer. I think the best thing about her handling both roles is we don’t have to get everyone on the same page, because she is the same page. She’s also really hands-on with the music; she fought to have a drummer in the room during rehearsals so we could find those beats while we created the choreography, not just insert them later. As she directs, she considers the movement of every scene, but also the story that we’re telling through that movement! It’s not movement for movement’s sake, and I appreciate that! Goodspeed isn’t the easiest place to do a dance-oriented show, is it? Yes, we’re dealing with the confines of a very small stage, it’s like dancing on a Chiclet. I am so impressed how vibrantly our cast can move on this stage. We’re on top of each other!  I think we’d look great on a bigger stage, which is just one reason why everyone is focused on moving this show to New York.
[source: Interview: Corbin Bleu Talks About the New Musical Summer Stock and the Fourth Season of HSMTMTS]
“Summer Stock” is right in Corbin Bleu’s wheelhouse. “I feel at home on the stage,” he said. An actor, singer and dancer his whole life, Bleu is appearing in the upcoming stage adaptation of the Hollywood musical beginning July 7 at the Goodspeed Opera House. “I established myself in this particular genre, doing shows associated with Gene Kelly or Fred Astaire,” he said. “I am a bit of an old soul. This is what my voice naturally goes to.” The “High School Musical” star is playing Joe Ross, one of a troupe of actors that descends on a small farming town to turn an old barn into a theater. It appears he was born to play the role originated by Kelly on the big screen. “I grew up as a theater kid,” Bleu said. “I grew up watching old MGM movies. I was a theater nerd and a musical theater fan. My dad kept a storage unit of stuff from our childhood, and he found an old school paper from when I was in elementary school where I’m dreaming of performing in musicals.” [...] Of the four shows, “Holiday Inn” is most similar to “Summer Stock,” which was also adapted from a movie . “Holiday Inn” was a fairly close reworking of the film, but “Summer Stock” takes a few more liberties. “It’s not the exact same story,” Bleu said. “When I watch the movie, I think it could definitely use some updates.” Those updates include a multi-racial cast. “Let’s not skirt the obvious,” Bleu said. “I’m a Black guy doing characters traditionally played by white men, doing things Black men weren’t traditionally able to do easily at the time these shows take place.” [...] “Some parts of the book are still in process,” Bleu said. “Cheri is in the room with us at rehearsals. We want this to feel modern, but we don’t want to shoehorn anything in. “I was also part of the workshop we did in New York a month and a half ago,” he added. “I’m loving seeing it and I’m loving being a part of it. We know this genre. It’s a feel-good musical comedy, a big song and dance show.” Though there is a lot that has been rethought when reshaping “Summer Stock” for the 21st-century stage, those who know it as a Gene Kelly movie will have plenty to latch onto. “We are completely paying our homage to Gene,” Bleu said. “I am not Gene, but I do have a natural tendency to lean into that style. Gregory Hines is also a big inspiration. There’s tap dancing in this. There’s a whole Lindy Hop number. There are a lot of very large dance numbers.”
[source: ‘High School Musical’ star Corbin Bleu is rethinking ‘Summer Stock’ at the Goodspeed Opera House]
#already able to guess abt the ''inspired by'' more than [trying for a peak one to one adaptation] and gilbert as phil (as herb in the film)#and vienna as margaret wingate as orville's mother....#doing the like look up & kinda combine nodding and a head tilt abt [moving the show to new york] didn't occur to me but like oh yeah ig#hand on my shoulder like even in looking through one actor's relatively recent oeuvre you See the productions' iterations travel....#hand back on my own shoulder like counterpoint i don't know or much notice or extrapolate shit lol. unless? when i do#you gotta love the meta show bound for nyc within a show about what it takes putting on a show etc etc what all & have you#summer stock#implicitly:#will roland#explicitly a lot re:#corbin bleu#for everyone keeping up with the corbinews / corbin bleuws. got htm:tm:ts in that lol didn't know he was Fictional Corbin in there...#this is just like when corbin bleu went to see the show ft. will roland on bway with a show within its show mentioning going to bway fr...#oh i'd also thought about the tractor issue and figured that truly might be a bit much for a stage production#there's a lot you can move around / evolve / excise / add in the film's material. including the parts about the tractor i'm very sure#even though that's the main character's big Actually Nice moment lmao. i assume an inspired change is that he's Overall actually nice#remembering that fun fact of bmc's bway stage actually being shallower than its off-bway dimensions
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churipu · 2 months
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STRAIGHT TO VOICEMAIL 𓆝 ⋆。𖦹°‧
ִ ࣪𖤐 featuring. gojo satoru
ִ ࣪𖤐 warnings. cursing, mentions of death, gojo being sad and angry, 2006 gojo geto shoko.
note. for some reason i feel angsty today and i just saw this prompt on pin, just had to write it lol.
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gojo has never loathed himself more than when he missed your call — your very last call.
"i could've fuckin' saved them, suguru." gojo blankly stared at the ceiling, his head thrown back onto the couch's rest; he was conflicted, he didn't know what to do. it was as if his motoric abilities had just stopped all of a sudden.
"satoru . . ."
"i could've fuckin' saved y/n." the white haired male mumbled out, his face scrunching in frustration.
gojo has dealt with death. a lot. the concept of death isn't a stranger to him anymore, not in this world — and to think that he'd actually be alive to experience deaths of his loved ones, thinking he could have done so much more made him hate himself.
god, gojo hated crying in front of other people. the aura in the room was palpable. nobody spoke —nobody dared to speak— and the only sound resounding was the vague ticking belonging to the clock hanging on the wall.
"i could've fuckin' saved them," the male repeated for the third time, his voice breaking that he had to inhale sharply to stop himself from breaking down right there.
gojo pushed himself up, placing his palms above his eyes, pressing down on them harshly; he lets out a loud sigh, "where the fuck did it all go wrong?"
"y/n was killed in action . . ." god, gojo wanted to rip his hair out when yaga called him in privately to say that. the male had lost count of how many times the statement repeated in his mind.
frankly, it's haunting.
out of all the news he could have received today, he never expected to hear your death lulling into his eardrums. so soon. so many things swirling in his mind all at once that even he, deemed the strongest, felt the sensation of losing. he felt weak.
"hi, 'toru — you're probably busy since my call went straight to voice mail, but 'm just saying . . . i love you, and i miss you. so much." there was a slight pause and your breathing shallowed into the mic, every single detail in your last moments were graved in that file, "'m not sure if . . . i'll be back as soon as i promised, but, i just want you to know that whatever happens. happens."
there was a slight static before your soft voice recoiled back into the mic, "i've never broken any promises to you, but this might be the very first time — and just know that i've never wanted to do this, i fucking hate myself for this," your voice broke slightly, "'m bleeding. a lot. but 'm trying to stop it just like how ieiri taught me. and i think 'm doing shit at it . . . i don't know what happened, and how it happened; but 'm not doing okay."
"i don't want to die, 'toru." you whispered into the mic, hoarse and weak — feeling the life drain out, "i really don't want to die . . . i have so many things i want to do with you, and suguru, and ieiri . . ." you murmur out, inhaling sharply but it all ended up with you coughing out in pain.
"remember that time i said i wanted to open a pet hotel . . ? i don't know if you think i was joking, but i was really serious about opening one," you began to mumble out, all in random directions — none of your words make any sense anymore, and you could barely keep yourself awake.
"i don't want to die, please," you pleaded, desperate for life. no matter what you did at this point — the light inside of you was almost out, and you can't do anything about it, "fuck. i hate this. so much, 'toru."
"i want to see you again. i miss you. i miss you so so much," you softly murmur out, " . . . i love you. i love you so much, satoru."
and everything ended right after. including you.
gojo has never loathed himself more than when he missed your call. your. very. last. call.
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© CHURIPU 2024 , DO NOT COPY OR REPOST ANYWHERE
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allfearstofallto · 26 days
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Make Me Your God, I Can Give You Everything
Yandere! Scaramouche x Broken! Reader
Part of {Mai Playlist}
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“Do you love me?”
“Yes, my lord Scaramouche,”
“How much?”
“More than anything, my lord Scaramouche,”
“Would you kill for me?”
“Happily, my lord Scaramouche,”
“Would you die for me?”
“If it would please you, my lord Scaramouche,”
Like a broken record repeating the same phrase over and over, you spoke your words with little emotion, hardly even a change in cadence. You looked at him, but your eyes had lost that familiar glimmer, that light that he'd come to rather enjoy, even if it was annoying. That light was perseverance, it was hope, it was your drive and will, but now it was gone and you often just looked more like a doll than he did.
“What’s something that would bring you joy?” He asked. Typically, he wasn't one to spoil you, but the last few weeks of you just being so docile and…empty. It had him worried. He wanted that spark back, that light in your eyes. He wanted you back.
“You, my lord Scaramouche,”
“No,” he spat back angrily, “What will really bring you joy? What will make you happy?”
“Anything you offer me is a gift enough, my lord Scaramouche,”
Annoyance caused him to stand swiftly from his chair and march over to where you sat, still as a board and posture straight, just like he'd drilled into you many times before. When he raised his hand to strike you, you didn't even flinch, making him lower it in surrender. You were still as beautiful as the day he got you, still as soft and your voice still as sweet. But you were hollow. Had he truly broken you down so?
He slumped back in his seat and sighed out longingly and you still barely moved. He made a motion with his hand for you to come closer and without a word, you did, “Sit. Join me,” he ordered. Promptly, you sat on his lap, the weight of your body comforting him. You were still in there, somewhere.
“I didn't want this,” he mumbled, his face pressed into you back, arms wrapped around your waist.
“You didn't wish for me to sit here?” You questioned, preparing to stand, but he pulled you back down with little resistance.
“No. I didn't want you to end up like this,” he squeezed your waist a bit tighter, making you let out a shallow breath, “Why couldn't you just love me as you were before. Why did it have to come to this?”
“I do love you, my lord,”
He pushed you from his lap and you crumbled to the floor, still, with little resistance. You didn't look scared or shocked, you didn't even look hurt from the way you'd fallen. Just there. He remembers the last time he'd done something similar to you. You spat at his feet in defiance. Mentally, he cringed at how hard he'd punished you that day. One of the many days of punishment that led to you becoming what you are now. Empty.
“I'm…I'm sorry,” he struggled to get the words out. Eyeing your face he saw something different, the slight raise of your eyebrows, before they fell again. But it was something. It was you, even for just a second, “Is that what you want? An apology?”
He kneeled before you and took one of your feet into his hands, his cold hands traced the soft skin of it. Scaramouche hadn't taken a knee for anyone in years. No one except his creator and the Tsaritsa herself. Both archons, but he put you on a similar pedestal. A kiss was pressed right against the toe of your foot and he felt your body jolt.
“Come back to me,” he pressed another kiss to your foot, “You'll be worshiped, not broken again.”
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ceilidho · 1 month
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take me home, country road
[ao3]
You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (part 8)
part 1, part 2, part 3, part 4, part 5, part 6, part 7
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Now a nocturnal animal emerges into the daylight hours.
A week becomes two and your shoulders untense. It’s not something you notice at first because you’re used to an ever present strain between your shoulder blades and an ache in your jaw from grinding your teeth at night. Then a fortnight goes by without so much as a missive with your name on it floating across John’s desk or a stranger appearing in town after tracking you down, and you wonder if maybe the world really is big enough to hide in. 
It sure feels that way at times. The woods beyond the bounds of John’s property stretch out farther than the eye can see and even walking it feels like you could disappear into another realm. Old spruces shoot up high into the clouds, and deeper into the woods, huge rock formations grow more and more prominent as you near the mountains. John takes you through the woods on horseback, following the rough trails carved into the dirt by a century of wagons and carts using the same path. The footprints of a different time. 
Up in the trees, birds warble and chirp, talking to one another in songs that you’ve never heard before. A woodpecker drills into the side of a tree. Pinecones snap out of the upper branches and drop to the forest floor. 
There is only a single trail and it’s easy to lose. You grow a bit nervous when John takes you off the trail and deeper into the woods, but he does so with the confidence of a man that knows these woods like the back of his hand. You go quiet when he stops Buttercup to let a herd of deer wander by, the stragglers hurrying to catch up with the group, throwing the two of you nervous glances before they disappear into the thicket. 
“Should we be out this far?” you ask in a whisper, reluctant to disturb the silence. Though the woods are full of animals that bleat, chirp, chatter, and hoot, the sound of your own voice feels preternaturally loud and shrill. 
“We won’t get lost, darlin’. I know my way around,” John reassures you, curling an arm around your waist to hold you to him. These days, you hardly worry about tumbling off the horse. Not with him at your back anyway. 
“That wasn’t really my worry,” you mumble, trailing off.
“Then what’re you getting all worked up about?”
“Aren’t there wolves out here? Or bears?”
He snorts, the sound making you jolt. You don’t topple over because he has such a firm hold around your waist. “They don’t usually come this close to town. They’re more scared of you than you are of them.”
“That sounds like something mothers tell their children to stop them crying,” you say flatly. You draw your legs up automatically when John directs Buttercup through a shallow basin, a shortcut back home. It makes you anxious for a moment, but the water barely goes up to her ankles, so you relax when you realize that you’re in no danger of being swept away by the current.
“That doesn’t mean a bear or wolf can’t wander by, but it’s rare.”
“And there it is.”
You can feel the heat of his glower on the back of your head. “We could spend the night out here if you want to see for yourself.”
At that, you shut your mouth. Even if he were to prove his point, you have no interest in camping out in the woods now that you’ve become accustomed to the luxury of a soft bed. Granted that you’re forced to share that same bed, still you’ve never slept half as well as you do these days. You wake up rested after nine hours of blissful shut eye, a sleep so deep that your dreams only come in half-remembered flashes. Often they involve the man you wake up wrapped around, and for that you’re grateful that they remain submerged. 
A new desire has started to burrow its way into the back of your mind in recent days. It starts out as a thought so brief that you hardly notice it before it skitters away. 
And then it lingers. 
You wake up in the middle of the night hot, sweat dripping down the nape of your neck and a fire burning in your loins, a red-hot coil wound around itself, fit to burst. Pulsating. At some point throughout the night, you must have thrown a leg around John’s waist because it rests there now, your hand planted in the middle of his chest and your sex all but rubbing up against his thigh. Under your hand, you can feel his heart pump strong and steady.
You hold very, very still, waiting for him to wake. But John sleeps on, his palm loose where it rests along the curve of your hip, fingers curling into the flesh of your backside. 
You can hardly look at him these days without shaking. You’ve come to fixate on the sway of his hips when he walks and the flecks of silver in his beard. The grooves in his weathered hands. The way your head fits in the palm of his hand when he cradles it to his chest. The fond glimmer in his eyes that shines the brightest when he puts his hat on your head and it slips past your eyes, too big for your head. 
When you tip it up in order to see, the folds around his eyes become more pronounced with the force of his smile.
“There you are, bug,” he says, taking the hat off your head to set it back on his and reeling you in for a kiss. 
Bug, love, honey, darling. The constant flux of endearments makes your head spin. John never calls you by the name on your marriage license. It’s like that name means nothing to him, cast away at the first opportunity and replaced by an endless stream of pet names.  
He hasn’t touched your sex since making you come on the porch swing the week before. He pulls you into a chaste embrace at night, the only evidence of his own desire being the stiff shaft nestled against the small of your back in the early morning hours, which he takes care of on his own in the bathroom downstairs after pressing a kiss to your cheek. You feel robbed of something, though you don’t know quite what. 
You’re tempted to offer your help, but you don’t know exactly what that would entail. Inexperience and fear of rejection hold you back, stay your tongue. In the two weeks you’ve been married, he hasn’t once tried to pin you down and rut between your thighs like you expected and dreaded that very first night. 
Now that that time has passed, you don’t know how to initiate that moment again. 
John promises to teach you how to ride a horse. You can’t see a reason to protest, much to your chagrin. Despite your apprehensions, even you can’t deny that it would be a helpful skill. A train only goes one way after all, confined to a single track. A horse has no such laws to obey.
The thought stays nestled at the back of your mind as the days continue on.
You flounder around in the kitchen on the day that John invites his deputies over for supper. You’ve met the big one—Simon—now a small handful of times, each encounter marked by a silence that sucks the air out of the room when he turns his gaze on you and holds it. Perhaps you’ve simply ascribed too much importance to his person, given that every time you’ve seen him, your life has changed irrevocably. His presence is always followed by revelation it seems. The archangel of vicissitude. A harbinger of uncertain times.
The other two are new. John introduces you to them when you bring out the cutlery and crockery to set the table, and you nearly go cross-eyed when they reach across the table at the same time to offer their hands. You go to meet them halfway, but flinch when John brings his hand down on the table with enough force to make the silverware jump.
“Sorry, darlin’,” he apologizes to you first before turning his glare on the other two. “That ain’t proper, boys. You wait for the lady to offer her hand first—you don’t treat a woman like she’s a mutt you’re teaching to shake.”
“Ah, sorry, hen,” the one on the left says, his voice a thick Scottish brogue like a purr. He’s possibly the handsomest man you’ve ever met, but there’s something dangerous and wild in his eyes. When he smiles, it curls up in a roguish sort of way that makes you falter, like he’s in on a joke that you aren’t. “Dinnae mean to offend. No’ often we get ta meet such a pretty lady.” 
“Sorry—” the one on the right apologizes in a voice far more earnest than his counterpart’s. “And sorry for him. We think he was raised by wolves.”
“What’s yer excuse then?” the Scot sneers, knocking his knee into the other man’s under the table. “Dinnae see ye waitin’ for her fuckin’ hand like a gentleman—apologies, hen.”
“Christ,” John sighs, leaning back in his chair and staring up at the ceiling. 
Simon stays silent at the other end of the table, but the whole table jumps when he aims a kick at the Scott’s leg. He hisses and blurts out a word in a language you’ve never heard before, the word unmistakably vitriolic. He clutches at his shin and shoots a nasty look at Simon, though he doesn’t make a move to retaliate. 
“Name’s Kyle. Kyle Garrick,” the other introduces himself, and you finally reach across the table to offer your hand. His hand is warm against yours when he takes it, dark skin burnished in the candlelight. There’s something inviting about him; something about his eyes, so dark that you almost fall into them. Thick lips curl up into a smile. “And this here is Soap.”
You frown. “Soap?”
The man in question runs a hand down his front, emphasizing the cut of his shirt and the way it clings to the muscle of his chest. “‘Cause of how well I clean up.”
Simon barks out a laugh at that. The sound comes so sudden and sharp that it startles you. “You got it ‘cause your mum had to wash out your mouth with soap.”
It’s the most you’ve ever heard out of him and you can only stare wide-eyed at the lot of them as they dissolve into bickering and squabbling after that. It’s almost a relief to head back into the kitchen to finish cooking. 
Dinner is a similar messy affair, punctuated by the sound of Soap practically gnawing the meat off the bone. He only apologizes when John barks at him for making a mess, more food on the floor around him than on his plate, but his table manners don’t last very long. John doesn’t seem so much embarrassed on their behalf as annoyed, but it’s an annoyance that comes with an aftertaste of warmth. You can tell without asking that they’ve known each other for years. 
There’s room enough in you for food and envy. Back home you had friends. Never close friends, but acquaintances at least. Maids you could recognize by face. Small talk while ascending single-file up the servants’ staircase. Perhaps little more than that. You’d never been particularly close to any of them, but how could you? You worked from morning ‘till night, up and down the stairs, moving in the shadows. Never making too much noise lest your employers take notice of you. 
Like he did.
You shake it off. That’s no matter now. You’re hundreds of miles away and living under a new name. A married woman, to the county sheriff no less. It only sometimes hurts your heart to think of how lonely you’d been. 
When they leave, you stand at the window and watch as they disappear into the black of the night, Simon at the front of the pack, his torchlight leading the way. The sound of horse hooves beating against the dirt recedes the farther they get. 
His hands warm your shoulders. You don’t know how long he’s been there, standing behind you while you stared out the window after the boys. All you know is that his hands are warm, and the kiss he presses to the back of your head makes you arch back into him, unconsciously gravitating closer to him. Needing to be near. 
In bed, you curl your fingers against his chest. On a rough exhale, you wake. You dream still of something terrible that happens somewhere else, in another city, in an old life. His heartbeat lulls you back to sleep.
John takes you to the local seamstress to have you fitted for a pair of pants and suddenly you’re out of excuses. They fit you comfortably, like a second skin, and you find yourself pulling at the legs at your final fitting as if to stretch out the material. The seamstress nearly jabs you with a pin and glares up at you until you stop fidgeting. 
You come to terms with it when he brings you into the stables and makes you fetch the saddle from where it rests on its stand. It’s heavier than you expected. You stumble back over to where John now has Buttercup standing in the middle of the stable, holding her by the lead fixed to her bridle. 
“I don’t know if—” you start, trepidation climbing up your chest until it grips you by the throat. For as many times as you’ve ridden her, you’ve never done it alone. 
John fixes her lead to a post and walks over to you, taking the saddle from your hands and letting it drop to the ground. He cups your face in both hands to tilt your head up. “Hey, honey. We’re not doing much of anything today, alright? Just a walk around the paddock so you get used to sitting on Buttercup on your own. I’m not gonna smack her ass and send you down the trail at full tilt..”
That gets a laugh out of you. “You promise?”
He smiles. “Promise, darlin’.”
And he keeps it. The only thing you do that day is learn how to tack a horse and how to properly mount and dismount her. The latter part of the lesson is devoted to you trying to find your balance while John leads the two of you around the pen at a leisurely pace. He calms you down when he sees you grow too stiff, stopping to coo and rub your thigh until you gradually relax. It’s heartwarming until Buttercup begins to tense up too for a reason unbeknownst to you and you watch in righteous fury as John calms her down the same way.
John gets you a hat to keep the sun from beating down on you, but there’s little he can do about the soreness between your thighs and the stiffness in your legs the next day. All you can do is hiss and moan in pain, hobbling around the house until he forces you down into a chair and hikes up your dress in order to apply an arnica salve to your inner thighs. 
It’s a relief and an affront at the same time. The duality of man. The salve soothes much of the ache, but you twitch nervously around John for the rest of the day, the memory of him pinning you to the chair and forcibly spreading your thighs haunting you. The lingering ache in your core is just the salt in the wound. 
It rains another day. A light drizzle while the sun is still out.
Every day you sit and you think, will it be today? And then the wash basins are emptied out in the field, the horses are taken out to the paddock, you pin the laundry up on the line to dry, and John presses a farewell kiss to your forehead when he leaves you with Kate and nothing happens. Every inch of you waits for more, anticipates more. Throbs when he leaves you wanting, only a chaste kiss and a squeeze around your waist before he’s off. 
You can feel it coming to a head. An itch you can’t shake. 
That day comes with another ache you can’t shake. 
“Please,” you beg, clasping your hands in front of you. “One day of rest. That’s all I’m asking. I can’t do this anymore, John.”
John snaps the lead in his hands. “Let’s get a move on. We’re burning daylight.”
You hang your head low on the march over to the stables, John taking up the rear like he expects you to bolt. An executioner’s walk. The thought of escape has never seemed further away—not even because of its feasibility, but because all you want to do is lie down and rest.
“You can quit your moping,” he says as you tack up Buttercup, a pout on your lips. “Got something special for you today.”
That makes you perk up, regardless of the fact that he doesn’t specify what that is. Anticipation mounts in you when he helps you up onto Buttercup and then climbs up behind you himself. He steers her away from the paddock and towards the trail leading into the woods, the sun at its zenith now, illuminating everything as far as the eye can see.
You’ve ridden this trail before. A week ago, with John at your back as he is now. Through the fields and over the hills until the trees start to number in the tens and then the hundreds, no clear delineation between plain and forest. Simply there and then everywhere.
By now, after hours of sun beating down on the path, the trail is mostly dry, yesterday’s rain long since having sunk into the earth. You think it’d still be a tough hike on foot, but on horseback you cover acres of land at a brisk pace, Buttercup hardly breaking a sweat. You cross paths with a small group traveling by horse and wagon, but John breaks off from the path not too long after that, steering Buttercup deeper into the wilderness, where the only gullies are the ones carved out by years and years of rainfall. 
You only see it when the land begins to dip and you’re forced to hold onto the horn and tighten your thighs around the fenders to keep steady. At the bottom of a hill, a small stream opens up into a larger river, narrowing out at the other end where the land rises again and the water can only trickle over the pebbly riverbed. On the other side, a rocky outcropping cuts the stream off from view.
“Is this where you used to come to bathe?” you ask, recalling an earlier conversation.
John sighs. “Thought I’d take you for a swim as a treat, but if you’d rather just tease me—”
“Well now, let’s not be hasty,” you say, already trying to dismount on your own, eyes glued on the stream glimmering in the sunlight. John chuckles, keeping you pressed to him until he guides Buttercup under a tree for shade and dismounts first, helping you down after him. 
All you want to do is wade in the stream up to your ankles, so that’s what you do. Boots kicked off, Buttercup relaxing in the shade of a tree, John standing by the water’s edge with his hands on his hips and watching you tiptoe over the smooth rocks below. You roll up your pant legs, but eventually you feel the ends grow damp as you venture farther out. At its deepest, you would probably sink up to your waist.
“Don’t you want to swim?” John asks from somewhere behind you.
You splash around a bit, kicking your feet through the water. “Hard to do that with clothes—”
When you turn back around to face him, your eyes dart down momentarily at the sight of skin before you squeak and whirl back around, sending up an arc of water. Twice now you’ve seen him naked. 
“You’ve no clothes on,” you state, bluntly enough that it almost sounds stupid. 
You hear the water splash and ripple when he takes his first step in. “Right—you better think about doing the same if you don’t want to ride home soaking wet.”
“I was perfectly fine just getting my feet wet,” you say indignantly.  
“We came out here to swim, not get your feet wet,” John laughs. You stiffen when his hand comes down on your shoulder, conscious of the fact that your husband is standing right behind you, entirely divested of his clothes. “So best get to steppin’.”
“You can’t make me.”
“Oh, honey,” he says pityingly. “Yes, I can.”
You squeeze your eyes shut as you make your way back to shore, careful not to allow yourself a glimpse of him. Your boots are stacked beneath the shade of another tree, John’s clothes folded neatly beside them. You strip slowly, attentive to the world around you; though unlikely, it’s not impossible that someone might wander by. Your only consolation is that John is still within sight, though you keep your back to him because in recent days, you’ve developed a hunger for him that even now makes your stomach hurt.  
Though the air is warm, you shiver. When you turn around with your arms crossed over your breasts to hide them from sight, you find John wading in the river up to his waist. You’ve seen him like this once before, the hearty body of a man in his prime. Sturdy and strong. The hair on his chest is darker than that on his head, wet too from the dip he must have taken when your back was turned. His hair is slicked back too, a wet hand combing it back. 
“Come on, darlin’,” he calls, beckoning you forward with his hand.
The water is a cold shock when you step in past your ankles. Ice cold tendrils wrap up your legs, sucking the warmth from you. 
You suck in a soft breath when he pulls you into his arms and heaves you up, big hands gripping under your thighs. Your breasts press against the wet skin of his chest, nipples already pebbled. The river is deeper than you assumed; John pulls you deeper in until it pools around your waist and then your chest. Cold enough that you shiver until John dips his head down and the kiss he presses to your lips melts you from the inside out. 
You can’t escape the intimacy of water-slick skin. When John drags you up his chest, your nipples brush over his and the shudder that passes through you is violent, toe-curling. You know that he can feel the heat of your core even underwater. With your legs wound around his waist, every inch of you is plastered to his front. Even your fingers play with the ends of his hair, arms draped over his shoulders. You can’t look away.
“C’mon,” he murmurs, breath hot on your face. “Eyes on me.”
As if you could look anywhere else. 
He reaches down under the water to readjust himself and you gasp when his shaft is suddenly right there, trapped between his belly and your heat. It’s the closest you’ve ever gotten to coitus, his glans nestled between your folds. You’d only have to shift slightly for him to slip right in. The thought makes your breath quicken. 
He doesn’t make a move to take you though, even knowing that he could. How easy it would be. How it’s due to him. Your husband that’s waited a fortnight to take you as his own. John kisses you until each slick pass of his lips grows sloppier, clumsier—his lips barely parting from yours before they’re on you again, rendering you a creature of base needs. 
But his hands don’t shift from your backside where he holds you in place. His fingers dig into the flesh hard enough to bruise, but they don’t move to part your folds to make room for his manhood. You expect him to—practically yearn for it and squeeze him around the neck all the harder when he subverts your expectations, doing no more than letting you grind your heat against the base of his shaft. 
“John—John, please,” you beg, mindless for what. You don’t know what you’re asking for. 
“What d’ya need, darlin’?” he asks into your mouth, stealing your answer with another kiss. 
You fall under the swell of another wave. When the root of his cock glides over your clit, your core clenches on nothing, a sob half-bitten off in your mouth, ripped from your chest. 
It doesn’t matter how close to him you get—he gives you nothing. The heat could very well burn you from the inside out. Cold water caresses your skin as it flows past, but the center of you runs so hot that you hardly notice it. 
When he hikes you higher up against his chest, you clench your fingers in his hair, whining when he takes your nipple into his mouth. Your gasp comes out sharp and hurt when the coarse bristles of his beard rub rough against your breast. He sucks at your breast tender at first, gentle, eyes half-lidded like his mind has gone somewhere else, but there’s a glint in his eye that grows wild and dark, that turns him rough. You don’t know what to do except shake and let him use you how he wants. 
Desperation nips at your heels, urging you up the length of him. If you had more nerve, you’d reach down and grasp him under the water, notch the head of his member against your sex and sink right down on him. You need him like you've never needed anything before. Every part of you aflame, searing hot under the sun at its highest point; right overhead, right on top of you. 
His teeth sink delicately into your areola, tongue lapping over your nipple to soothe the hurt, and suddenly, you break.
“Please—” you gasp, wrenching his mouth away from your breast and whimpering when he resists at first, glaring up at you like he might bite. “Please, John—I can’t take it. I need you.”
His eyes darken, the pupil swallowing everything up. “Need me where, wife? Here?”
A hand dips between your thighs, pointer finger gliding over your sex, plump with blood. So tender that your mouth hangs open on a whine when he touches you. 
“Y-yes,” you whimper, gaze swimming. 
John’s breath comes out in a harsh, ragged pant. Completely undone in a way you’ve never seen before. “Get out, darlin’. I’m taking you home. Gonna give you what you need.”
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anantaru · 6 months
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DAY 31 — drunk sex
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kinktober 2023. — masterlist | ao3
a/n. hello loves! this concludes the last day of my kinktober, thank you so much to everyone who read along and supported my stuff <3 it means a lot to me and I had so much fun!! after taking a day off, i will post three bonus kinks that will be posted from the 2nd-4th november, that's all and i love you all — yoru <3
𖧡 — including — kazuha, venti
𖧡 — warnings — fem! reader, drunk syx, teasing venti & dom venti, wall syx, touch starved, both parties are consenting
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𖧡 — KAZUHA
sometimes you forget that even kazuha can be defenseless against alcohol and it's negative reactions on the body, let alone make yourself join him in order to watch out for your boyfriend which wasn't originally that big of a deal— despite both of you now, being batshit drunk, randomly lost outside a dark alleyway and essentially starved for each others touch.
"so cute," kazuha coos and hiccups against your lips, "please, voice your pleasure out to me, i yearn to hear you."
to your surprise, it was a miracle that you both were even able to stand tall with all the alcohol you had consumed earlier running through your veins, and well, the truth was— you haven't seen each other for a while, and what better way was there to catch up on your lives with a couple glasses of dandelion wine accompanying adventurous stories and daily activities.
kazuha eagerly pulls at your bottom lip between his teeth as he whines when you suddenly pull yourself away, "come back," he pouts, "one more, heh, ’please," attempting to kiss you again as you dodge him flawlessly.
yet, he wouldn't be sad for too long— because you see, you could barely wait to feel him as well, not just those small, hasty kisses he would plant on you, but the real thing, the one you missed dearly as you turn your body around so your back could face him, your plush ass greedily wiggling over his rigid erection and drawing a low grumble out of his chest.
oh my, you're just so desperate, and kazuha doesn't even try to conceal his excitement when he flips your skirt up, followed by dragging your slicked panties down so they could clumsily dangle around your knees. so now, as he fists his erection in his palm, gathering his pre cum over his shaft so he wouldn't hurt you upon entering your warmth, you bite back a whimper when he nudges his cockhead against your hole before slowly entering you.
"baby," you pant, "hurry, please more," his painfully red and swollen cock gradually filling you up as your own body grows on hotness, almost feeling as if set on fire when the cold wall you were being pressed against served as an easy way to cool yourself off.
kazuha sighs blissfully as he can finally, finally feel you again, he just missed you so much it practically burned his heart to be apart from you for such a long period of time, his head although ringing, the lingering scent of wine hovering between your bodies when everything appears as if trapped in a blur.
one hand, wraps around your waist while the other presses close to the cold wall to keep his stability, or well, both of your stabilities.
if anything, both of you would die of embarrassment tomorrow that you even had the audacity to fuck outside, shamelessly yearning for those shallow thrusts of his hips smacking against your plush ass that would drive you into absolute madness with unfaltering greed and begs to feel him even quicker, better and finer, his cock rolling in and out of your wet cunt and sending tingles down your spine, your legs wobbly and your erected nipples harshly brushing against the cold wall.
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𖧡 — VENTI
there was a sonata playing in your head on repeat, and at first— you wonder where it came from, then remember that you must've picked it up during the past hours of drowning yourself in booze together with venti happily joining you— and everything started out pretty innocent, in fact, you never really seemed to have looked at him for much longer than two seconds, aside from joyfully listening and humming along to his songs whenever he performed at the angels share.
groaning deeply, venti sloppily kisses your lips while fisting his semi hard erection into the little tunnel of his palm— and again, you curse yourself that you have never admired him from up close, despite the fact that your own vision was blurry, your head slightly spinning as you watch every curve and ridge of venti's solid abs tense and let go in tune with his cock rutting into his hand.
although he too, lets his eyes follow down your body and looks at your glossed up folds drenched in your own slick, your legs parted so he could settle himself in between, "I bet you're so soft," venti slurrs happily, moving forward to roll the leaking tip of his cock across your folds as you flinch at the feeling, pulling out a strangled sound that scratched over the back of your throat.
"you know," he starts, shamelessly nudging his tip over your fluttering hole— so shameless, in fact that you're wondering if it was just the alcohol making him exceptionally confident right now or if he's always like that, taking into consideration that the bard was treating himself to quite the amount of liquor day by day.
"i will admit... i never had the guts to speak to you," he cackles, practically admitting that he was harboring at least something for you, which, truthfully made you let out a surprised gasp— although you haven't thought about venti in such ways before, you were finding yourself drawn to him for whatever reason, it's almost like something divine would pull you to him whenever he performed songs that you considered your favorites.
"you— uh, really?" you breathe and swallow hard, and next thing you know he slides himself in without warning, huffing out a strangled groan as your wet warmth instantly envelopes around his shaft, rolling his hips all the way inside so he could grind against your neglected clit.
"venti!" you whine, "don't just— do that!" bucking your hips as he drapes his body on top of yours, your slick oozing out and wrapping around his shaft. but he grins slyly at you, slamming his dripping length into you as your wet heat clung onto him, your arms folded around his chest so you could whine and sob into his neck.
"me? do what?" feigning innocence, he reaches up to squeeze one breast, and the sight of you enjoying how he pumps his thickness into you was intoxicating, so erotic that he violently twitches inside your tight hole.
"oh, silly!" he continues, "you're so cute, with your mouth open, looking all desperate!" and before you can even answer to that, he pulls you in for a sloppy kiss, his harsh thrusts making you moan into his mouth as he skillfully inches back and forth your tight cunt.
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©2023 anantaru's kinktober do not repost, copy, translate, modify
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sagesskies · 4 months
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been reading a lot of qt bl recently, and this idea struck me:
imagine you've just transmigrated into a world where you're the second male lead's best friend, when him and the fl enter a rough patch in their relationship because seriously, that guy flirts with way too many girls despite being in a committed relationship, and this time the fl has had enough and breaks up with him.
the 2nd male lead just has a downward spiral, because he was super dependent on the fl, and you, doing your job as his best friend, give him words of encouragement, as you were instructed by the system. but when he, unexpectedly, asks you to do more than give him advice, and instead help him in the direct process of fixing their relationship, you can't exactly say no when he's asking you so pitifully with tears in his eyes.
so, you help him, concocting schemes to win the fl over, sabotage the 1st male lead, and the like. this is way more than the original best friend did, where he just said some encouraging words and then proceeded to dip out of the plot till the emotional climax where he gets hit by a car and the female lead and 2nd male lead supposedly "make up" and "date again" at least, till the 1st male lead wins her back over.
you're able to actually get closer to him as well, past the shallow mask that all humans don, and get to know him as more than just 'a playboy with unhealthy attachment issues'
you learn that he likes to play the guitar and sing, that he cries when watching romance movies, that his favorite color is purple, that he dreams of making a career out of his music, and that nobody ever believes he can.
but when you place your arm around his shoulder, and look deep into eyes and tell him that you do, you believe in him, you see the way that his eyes widen in surprise, and how tears start to well up in his eyes, but completely miss the way his cheeks start to redden.
you actually miss a lot of things. how he always remembers your coffee order, how he knows the way you like your eggs made, how he remembers your favorite show and movie, and knows your handwriting by how you write your m's.
you also miss how he wraps his arm around your waist, drapes his jacket over you when you get cold, and likes to loop his arms around your shoulders and cling to you like a koala does to a tree.
what you do notice is how he's stopped talking about the female lead as much, how he only asks you how you're doing, invites you out not to plan something but to instead just hang like friends would, and when you bring up how the female lead has started dating the 1st ml he just blinks, and then says "Okay, good for them," like he wasn't bemoaning how close they were only three months ago.
and what you are forced to see is that the only person he's feeling possessive over is you. he's always texting you, asking where you are, who you're with, and what you're doing. he's glaring at anybody who even breathes in your direction, and one time your friends told you he threatened them to leave you alone.
slowly, you start to distance yourself from him. you decline his offers to hang out, you avoid him on campus, and have even gone so far as to mute his notifications because he's been sending you so many messages.
the system is alerting you of his unnatural behavior, and you tell it that you're very aware, and trying your best to get the story back on track. but by god, is he making this so hard.
it all comes to a head when you hear pounding at your front door, the sound muffled by the heavy downpour of rain, and when you open it you're, sadly, not surprised to see that it's the 2nd male lead, clothes soaked and sobbing, he's telling you he misses you. that he doesn't know why you're avoiding him, but whatever he did he's sorry for it.
"Just don't ignore me, please [Name]," he whines, "If you do, I might die!"
how will you get yourself out of this mess now?
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worldlxvlys · 7 days
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I HAVE A IDEA (MR CRABS I HAVE AN IDEA)
yk the new song ari came out with (we can't be friends) Chris fic were the reader and him are best friends that always flirt and they made out drunk at a party and have not been talking for a week untill Chris shows up at her house and they makeout and maybe some smut? Idrk
Anyways that's all 💋
we can’t be friends
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chris sturniolo x reader
warnings: angst, mentions of drinking/being drunk, smut, fingering, oral (fem receiving), squirting, cursing
a/n: i’ve been absolutely OBSESSED with this song and itching to write about ittt
i hope you enjoy
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i let out a heavy sigh at his last text, before throwing my phone onto my bed.
of course i wanted to fight for us, but this was about more than just our friendship . this was about what was best for us individually.
for as long as i could remember, i always put chris’ feelings before my own. i spent so long chasing after him, just to end up heartbroken.
i watched him constantly pick other people over me, blissfully unaware of how deeply he was wounding me.
but no matter how much i wanted to, i couldn’t blame him. it was easier to point fingers at him than to accept the fact that this was partially my own fault.
i let him continue to hurt me, over and over again, never telling him what he was doing to me. and if i didn’t tell him, how would he know any better ?
so, even though it killed me to act so cold and distant toward him, it was time to look out for myself for once.
i needed to take the time to love and take care of myself before expecting someone else to do so.
sure, he’d be upset for a short while, but once he got over me he would easily move on to the next girl. that’s all i was to him, after all. just another girl.
i was pulled from my thoughts when i heard my front door open and close suddenly, followed by quick footsteps toward my room.
i waited behind my bedroom door, quick to swing my arm out in front of me when the person made it to the doorway.
i was met with chris, who immediately caught my wrist in his hand.
we stared at each other with wide eyes, neither one of us speaking. i blinked up at him, watching his eyes trail down to my lips.
“don’t do that” the words flew out of my mouth before i could stop them.
his eyes immediately shot back up to mine, a curious expression taking over his features.
“don’t do what?” he asked, loosening his grip on my wrist to let it slide down, intertwining our fingers.
“chris, we aren’t doing this. i meant what i said earlier, we’re better off not being friends”
“you keep saying that, but you won’t tell me why. you gotta talk to me baby” he spoke.
“i don’t want to” i spoke back, shaking my head as i backed up slightly to create more distance between us.
“how am i supposed to know what i did wrong if you don’t talk to me?”
he was right, of course he was. it was unfair of me to just cut him off with no reasoning. but the second we start talking about it is the second it becomes real. i didn’t want to come to terms with the fact that i was trying to end one of the most important friendships i’d ever had in my life.
“you didn’t do anything, chris” i answered. he wasn’t having it. “no, tell me. i’m not letting you just end our friendship like this, not without a reason”
“i just can’t be friends with you”
“why? what is so wrong with me that you don’t want me in your life? and completely out of nowhere” he spoke, his voice rising slightly.
“see, that’s the problem. i don’t want you out of my life, i want you in it forever. but you clearly don’t want that, and it’s ok.”
“who the hell said i didn’t want that?” chris asked, his brows furrowing.
“chris, it’s fine. you don’t have to try to make me feel better-”
“so you don’t believe me?” he cut me off.
“i mean, i don’t know, i just…” my babbling trailed off as i tried to find the right words.
“let me prove it to you” he whispered as he toyed with the strap of my tank top.
my breathing grew shallow as he moved the fabric down my arm slightly, pressing his lips to my shoulder.
“chris….we shouldn’t” i whispered, but tilted my head to the side, allowing him more access as his lips moved up my neck.
“really? you weren’t complaining a week ago” he spoke against my skin.
i slapped his chest lightly at that. “yeah, well we were also drunk”
he bit down on my neck, harshly enough to leave a bruise and elicit a moan from me. “so, you don’t want this?” he asked.
i let out a deep sigh, “of course i do, chris. but do you?”
he looked as though he was going to say something, but i stopped him “don’t tell me yes just because you want sex. i don’t want you to just want somebody, i want you to want me. if you’re just gonna fuck me and move onto the next girl, then forget it” i spoke.
the more i thought about it, the more i convinced myself that he didn’t really want me.
“hey” he spoke softly, cupping my jaw. “this isn’t about the sex, this isn’t even about me wanting you. this is about me needing you. this is about me not being able to live without you. yes, i’ve been with other girls. but there’s a reason that you’re the only one that’s always been there”
“i was so sure you didn’t feel the same, so i tried to move on. but i couldn’t, because none of those girls are you. and i’m so sorry that i hurt you, i’ll spend the rest of my life making it up to you if i have to”
chris looked at me as though he could cry. his blue eyes shot back and forth between my own, his thumb caressing my jaw gently.
“so make it up to me” i whispered, pulling his lips to my own.
one of his arms smoothly slid behind my back, supporting my weight as i found it hard to keep my balance.
he kissed me like he had waited his whole life for this moment. his lips felt so soft against mine, unlike our last kiss.
this kiss made our drunken one feel sloppy and desperate, like two people who were just horny, but this was more than that. it was eye-opening, sweet, gentle, it was everything i didn’t know i needed.
but chris did, he always knew what to say or do to make me happy. i couldn’t stay mad at him even if i wanted to.
“let me make you feel good?” he asked when we pulled away. “yeah” i let out breathlessly, nodding my head.
“lay down for me” he said, leaving another kiss to my neck. i did as he said, getting onto my bed and laying on my back.
he wasted no time in crawling over me, his hands placed on either side of my waist. “can i?” he asked, lightly tugging at the hem of my top.
i nodded at him, lifting my upper body up as he pulled off my top. without a word, he attached his lips to my nipple while caressing the other with his hand.
i let out a loud moan at the feeling, beginning to squirm underneath him.
“shit, chris” i sighed out, his eyes immediately looking up at mine.
he swirled his tongue around the hardened bud, watching as my body melted into his touch.
he sucked on my tit until the skin turned dark, moving to the other to give it the same treatment.
“god, chris. feels so good” i moaned out while he continued to work my sensitive nipple with his tongue.
“you look so pretty like this” he rasped as he soothed my boobs with his hands, “can’t believe i have you all to myself” he mumbled to himself.
he moved his face downwards, leaving gentle kisses to my rib cage and abdomen. he paid special attention to every birthmark and scar he found, pressing a kiss to each one.
his fingers rubbed small circles into my skin as he ventured further and further down my body.
he stopped at the waistband of my shorts, leaving a kiss to my crotch area. due to the thin material or the shorts and my lack of underwear, my hips shot up involuntarily at the feeling.
“no underwear? such a dirty fucking girl” he spoke, smacking his tongue against the roof of his mouth.
he licked a long stripe up my pussy through the shorts, eliciting a long whine from me. “chris, stop teasing me” i spoke as i squirmed under him.
“you just make it so easy, baby” he spoke, before continuing to leave kisses down my thighs and calves.
“lift up” he spoke as he hooked his fingers into the waistband of my shorts. i raised my hips, allowing chris to pull them off.
i let out a sigh at the feeling of my heat being exposed to the cold air of the room.
chris stared down at my glistening pussy, mouth hung open slightly as he pulled my folds apart, spreading me open.
“my god, you’re so gorgeous” he spoke, blowing cool air onto my heat.
“hold your legs apart for me, beautiful” he spoke, his lips inches away from my core.
“so wet” he mumbled before running his tongue along my thighs, just missing where i needed him.
“chris, please. i need your mouth so fucking bad” i whined. “where, baby?” he asked, teasing me some more.
finally having enough, i wrapped my legs around his head, pulling his face into my heat.
he let out a long moan into me, his eyes rolling back as he licked up every drop of my slick.
my head fell back at the feeling, legs loosening around him to let him pull back if needed, however he stayed right where he was.
the words that fell out of my mouth sounded like gibberish, but i didn’t care about that. all i could focus on was chris.
the way he groaned into me, his needy tongue lapping me up like i was his last meal. his piercing eyes never left mine, only making the tight feeling in my stomach grow.
my arousal covered his flushed cheeks, making me even wetter.
there was something that i found so incredibly hot about how messily he was eating me out. it was like all he cared about was me finishing.
he moved his face from my legs, making me let out a whine at the loss of contact.
he stuck his tongue out, his spit dripping down onto my pussy.
“what do you think about when you touch yourself? ” he asked suddenly while he brought his finger down to my core to rub me.
“i- oh” i cried out in surprise at the feeling of his finger entering me.
“holy fuck, you’re so tight” he whispered as he pushed his pointer finger in and out of my tight walls.
“oh my god” i whimpered when he pushed another finger in.
“if you don’t answer me, i’m stopping” he spoke.
“this! i think about this!” i rushed out, eyes screwing shut at the feeling of his rough fingers inside of me.
“i think about how perfect your hands are. fuck- how long your fingers are” i struggled out between moans, “i think about you” i finished.
“yeah? what about my cock?” he asked as his fingers sped up.
“you think about what it would feel like for me to fuck you into oblivion? ” he asked as he curled his fingers, hitting my g-spot.
“fuck, yes! i’m so close chris” i cried out as he continued to plunge his fingers in and out of me.
“c’mon, you got it. doing so well for me, want you to make a mess all over me” he rasped out, fingers moving rapidly inside of me.
“chris, wait! i’m gonna-” i tried to warn him, but i was too far gone as my juices shot out of me.
the liquid dripped down his face, onto the saturated sheets underneath us.
“yes, yes, fuck yes” chris groaned as his mouth hung open. i leaned up slightly, watching the way his hips stuttered and his body shook.
“fuck” he let out breathlessly, as he began to shudder.
“did you just come untouched?” i asked, eyes widening slightly.
“if that doesn’t prove how much i want you, nothing will”
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wait why’d i kinda eat ??? 🤭
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mochinomnoms · 3 months
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Thinking about how scary people find the "non-traditional" looking merfolk like the tweels and Azul only to remember the mermaids in Peter Pan were straight up trying to kill Wendy and now I'm chewing on the walls thinking about Azul or the Tweels saving Yuu from some mermaids who "were only trying to drown her <3". Just the idea of the "traditionally beautiful" mermaids actually being a lot more fucked up, despite the reputation they got from The Little Mermaid/Mermaid Princess. Or something, I'm rambling.
Imagine going to the beach with the octotrio, the twins specifically wanting to swim with you in the water. But they get distracted trying to drag a still human Azul into the water, pleading for him to turn into his merform too!
Eventually, they manage to drag a screaming Azul into the water, bubbles slowly dissipating as they take him further in. Imagine your surprise when a lovely, blonde mermaid and purple haired merman pop out almost immediately after.
They look harmless, especially compared to the twins and Azul. They look like an average reef merperson, like the Mermaid Princess. Their tails match their eyes, pink and violet, as they playfully splash you. It seems pretty harmless at first, they look pretty young after all, but then the merman starts pulling at your leg, asking you to join him in the water with a smile and lead-eye stare.
The mermaid swiped your sandals, swimming further into the water where you can't reach as she beckons you to come after her. Don't you want your shoes back? They get visibly annoyed when you don't follow into their whims, trying to hop away from the stone you're at and back to shore. That's when the mermaid starts to tug you by your bottoms, asking why you won't play with her. The merman starts to do the same, giggling at your panic-stricken face.
They're tearing the hem of your bottom as you struggle to get out of their grasp. Up until you slip on the slick rock and fall into the water. The two start to swim circles around you, now full on laughing, as they drag you further into the water by your feet.
“Relax, I just wanna see if humans really do get red when they drown, huh?”
The merman giggled as he replied to his companion, “Yeah! We only want to drown you a little bit, why so scared? Is it cause you might die? How funny!”
“Ha!” The mermaid cackled as she swam up to curl her tail around you, grabbing your face to stare you in the eyes as you started to lose consciousness.
“Yeah! Don't worry, I hear that dead humans float back up, so you'll get to go back home…soon…”
Horror fell over her pretty face as she looked behind your drowning form. The surrounding turned darker, colder, as a large black and purple tentacle slowly reached from behind you to pull you from her grasp. She and her friend both shrieked at the sight of a giant octomer curling his arms around you protectively, an inhuman hiss, followed by a growl, reverberating through Azul's chest. From behind him, two glowing teal morays giggled as Jade and Floyd both chased after the two merfolk who were now begging for mercy. After all, the twins were a good 3 feet larger than them.
Azul is cooing at you as he brings you back up to the surface, though you can hear the crunch of what sounds like ribs breaking, a shriek, and Floyd's unique cackle. You leave that knowledge behind you as you gasp for air upon breaching the surface. You're clutching at Azul like he's your lifeline, murmuring for him to not leave you. Which Azul agrees to.
The twins come back up a few minutes later, Jade digging something fleshy from his teeth while Floyd offers you a lock of purple hair, which still had a bit of scalp on it. You thanked him, but refused the hair, to which Floyd shrugged and tossed it behind him. The three of you spent the rest of your time in the shallow end of the water, three mermen curled protectively over you.
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