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owliellder · 8 months

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The Finer Details

Post DI! Leon Kennedy x Painter f! Reader

MDNI 18+

(Session 1, Session 2, Session 3, Session 4, Session 5, The Reveal)

Description: Leon realizes that retirement is in his best interest now that he's getting older. All of his accomplishments as an agent mean he's truly earned a painting to commemorate..

Warnings: Not Proofread, Age gap! (reader is anywhere between mid-late 20's and Leon is 40), Porn w/ Plot, Use of she/her pronouns, Angst, Hurt/Comfort, Alcoholism, mentions of trauma/PTSD/depression, P in V smut (wrap it NEOW), Leon cries during sex 💔

Tags: Older Leon Kennedy, Younger afab!Reader, Leon is SAD but he is your muse, Crying, mentions of Leon masturbating, starts off with Dom! Leon and Sub! Reader, falls into switch territory because that man needs some serious TLC, Praise kink, Hickeys, Handjob, Nipple play, Oral sex (m! and f! receiving), and a heavy dose of Aftercare

Author Note: You know how each president of the U.S. gets a painting at the end of their term? I'm thinking like that. Plus, my favorite hobby is recreating renaissance art, so I figured this was a good fit (hopefully).

Cross posted onto AO3

Session 1: The Sketches

It was late at night when Leon made his decision to retire fully.

He had gotten home over an hour ago from reviewing mountains of paperwork, most of which pertained to missions that other agents have gone on or will be going on.

Younger agents. More energized agents.

The fact that he hadn't gone on a full mission since San Francisco was driving him up the wall. But that's what he wanted. He requested to hang back the last two years.

Both Chris and Claire had fully retired themselves right after San Fran, Claire being the first to retire to focus on her growing family with Chris following suit only a few months later. Jill was still around, but she was doing similar work that Leon was, only she was in a completely different department which was states away.

Of course Leon still talked with them all as regularly as possible, he'd go insane if he didn't, especially with Claire having a couple kids now. He wasn't the greatest with children, but it was refreshing seeing his friends achieve such normalcy. He wanted them to have the best life they could away from everything.

Having turned 40 a few some months ago, Leon was having a bit of a mid-life crisis. The mission to San Francisco a couple years ago had made him realize just how much toll the job itself had taken on his body. After being assessed and allowed home a few nights after returning from the mission, his body ached; joints creaking, back nearly thrown, just... tired.

Don't get him wrong, he was always tired after missions, but this was different. This wasn't just the regular aches and pains he dealt with after being tossed around like a rag doll, this was age.

Deep in his mind, Leon was still that 21 year old boy in Raccoon City. He never got the chance to properly grieve and move on, his mind forever changed by that event. Mentally, he was stuck there and had been this entire time.

It had taken the man this long to truly recognize the fact that he's older now. He's not that boy from Raccoon City anymore. He hadn't been in a long time.

What was he do to now? Leon had wanted so badly to serve and protect the people, but not like this. Not like he has for the past 29 years.

He spent his most formative years fighting unimaginable horrors, watching people suffer, watching people die. You don't just come back from something like that.

And unlike the friends he's managed to keep close, Leon didn't have someone he trusted. Hell, he barely trusted himself most days.

So now here he was, sitting drunk in his shower with his legs pulled up to his chest, his arms resting atop his knees while the water pelted down on him, silently mulling over everything he's ever seen and done during his time as an agent.

The water had grown cold at this point, Leon having quickly lost track of how long he was sitting spaced out like that for. Thankfully, he'd already cleaned himself before he ended up sitting down, so the hardest part now was just standing back up to get himself back out.

It took him a couple more minutes before he finally hoisted himself up with a tired groan, both his knees popping from being stuck in position for such a lengthy amount of time.

Once out of the shower, towel loosely wrapped around his waist, Leon stared at himself in the mirror; busy studying the crow's feet on both outer corners of his eyes as well as the prominent bags sitting under them, the smile line around his mouth, his now brown hair, the stubble on his face and neck that's he's neglected to shave, and just how exhausted he looked.

How has he never noticed any of this before? Why's he look so different now?

Settling into bed after this brutal realization was a tough task. The man followed his nightly routine of taking four Tylenol and two of his prescription sleep meds before setting his a/c 65 degrees Fahrenheit. He learned quickly many years ago that tossing and turning at night would make him overheat and sweat.

But tonight, nothing Leon did could ease that sinking feeling in his chest, that feeling of unfulfillmemt and shame weighing on him more than ever before.

The poor man barely slept at all last night, hangover evident by the way he was still slightly uneven on his feet as he leaned over the center island in his kitchen, head between his forearms while his hands sat clasped together.

Leon knew what he had to do. He's been feeling it ever since Chris and Claire made their departure, but it was so easy to deny. How was he suppose to give up the one thing that made him important? Sure the stress of his work was heavily tasking on the mind and body, but it's what gave him purpose. He felt useful doing what he did.

The man showed up for work late that day, barely having managed to dress himself. He didn't know exactly who to go to in this scenario, but everyone seemed surprised that the Leon Kennedy would show up for work in some ratty t-shirt and grey sweatpants. The stares were making him incredibly uncomfortable and he was quickly regretting showing up at all.

After sitting in his own office for awhile to avoid the looks and whispers, Leon eventually sauntered over to his superior's office, an almost solemn look on his face as he let himself in after knocking.

Needless to say, Leon was relieved his superior knew this was coming. Slightly offended, but relieved nonetheless.

It had been a long time coming, and it was only a matter of time before Leon threw in the towel, especially since he was now just working behind the scenes instead of on the frontline.

He was allowed to return home for the rest of the day if he wanted to, which Leon quickly took. He really didn't want to be in that building for much longer.

As soon as he returned home he went right back to drinking. And as ashamed as he is to admit, he even cried a little, half empty whiskey bottle in one hand while the other was clenched tightly into a fist as he gripped the pant leg of his sweats.

There wasn't anyone Leon could talk to about this. Chris and Claire had their own respective partners to come home to after retirement, but Leon? Leon had nothing besides a dingy and cold two bedroom house with only the basics inside, including his alcohol cabinet.

The man didn't even give himself time to date, only the occasional one night stand with randoms from the bar. He was too afraid that he would endanger anyone he allowed into his life like that, not to mention he'd been betrayed one too many times to trust in someone that way again. It was his way of keeping himself and everyone else safe.

The therapists he was assigned throughout the years all had the same concern regarding his love life, and deep down Leon was just as concerned, but he rationalized it with that hero complex he developed.

But he just couldn't rationalize it anymore. Leon was alone. He was alone, sad, and afraid.

About a month after Leon's retirement was processed and announced, word spread quickly throughout numerous government branches. There was a celebration set up at the White House to honor his service as a field agent.

The President had separated him and Leon from the party to slowly walk through the many hallways in the building. The old man could tell just how bothered the now ex-agent was by his retirement, so he figured now would be the best time to talk to him about his final task.

"You know," The President spoke up after a couple minutes of the two walking in silence, prompting Leon to slowly turn his head to listen. "I'm sure you've heard it so many times tonight, but you truly were one of the best agents I've ever seen."

Leon chuckled quietly, shaking his head a bit at the compliment. He had heard it a lot tonight, but obviously it was different coming from him.

"I'm serious. This county, probably the entire world, would've been in shambles if not for your hours spent." The President continued, slowing his walking to a stop.

"It means more than you know." Leon responded simply, voice a bit gravelly from the few drinks he's had. He took a couple steps more before stopping as well, turning around to face the prominent old man.

The President sighed, giving him a sympathetic smile while nodding. They stood in silence for a brief moment before the old man spoke up again, pointing lazily down the hall. "Follow me, I've got something I want to show you."

From there, the two wandered further down the halls until eventually reaching one hall that had lights more centered towards the walls, highlighting the picture frames that sat evenly spaced out amongst them.

Leon seemed a tad confused until he was able to focus on the first painting they walked by. He knew each president got a portrait painted after their full term was served, but the man in this painting wasn't a past president.

He stopped walking to stand in front of the painting, admiring the details it had before glancing down at the bottom of the elegant frame, a placard reading a name he didn't recognize. What he did recognize, though, was the word Agent that sat in front of the man's name.

While zoned into the placard, Leon didn't register the gentle hand that had been clasped on his shoulder, the President's voice breaking through his trance. "For as long as there's been bioweapons, we've had agents fighting to stop them. But only a few agents have truly outdone themselves. Agents like you."

Leon blinked a couple times before turning his head to look at the hand on his shoulder, eyebrows furrowed. He wasn't quite understanding what he was saying.

The President took his silence as a cue to continue, his sympathetic smile turning into a happier one as he gently tugged Leon's shoulder to get him to start walking again. "The D.S.O. has produced some of the greatest agents since Benford created it back in 2011. You were amazing before, but you've outdone yourself time and time again."

Leon still wasn't quite understanding, really only half listening as he kept his eyes trained to the numerous portraits of agents as he slowly passed them.

The two stopped in front of the last painting in the hallway, only a few spots away from leading into another hallway. It was Chris and Claire in this painting. Chris was sitting down in a chair while Claire stood next to him, hand resting on back of it, both of them smiling.

He studied the painting for a minute longer before whipping his head around to face the President, who was still smiling, as the realization slowly settling in.

"I-" Leon struggling to speak, glancing back at the painting before quickly looking back at the old man standing next to him.

The President simply nodded his head, smile widening with a gentle laugh. "Right. The painting process takes a bit of time, but I think you've more than earned this."

The ex-agent had so many questions. Firstly, why hadn't Chris or Claire mentioned this? But more importantly, he gets to have his own portrait painted?

"The painter knows all about you. She's excited to meet you." The President started down the hall again, Leon not far behind, still stuttering out nonsense as he attempted to form even a sentence. "I'll give you the information you need to get started with her. I have it written down back in my office."

A painting?

A painting. A painting for him. A painting to honor him. What?

Leon was once again sat on his couch, blankly staring at the small business card with a date and time written on it in pen. He'd read the info on the card so many times already, wanting to make sure he got absolutely nothing wrong.

Apparently he didn't have to call and confirm, all he had to do was show up to this random address at a specific date and time, which was soon. In a couple days kind of soon. Also, he thought he was reading the time wrong, but no, it was four in the morning, not four in the afternoon. What an odd and rather inconvenient time.

Even after memorizing the business card front to back, Leon would be lying if he said he didn't forget about meeting up with this mystery painter. He'd been rather aloof the past couple months, it was hard to pull himself out of that funk. He'd been staying up late and sleeping in even later, so hitting snooze on his alarm a good few times was just muscle memory at this point.

It was almost 5am when he realized where he was suppose to be, eyes shooting open as he yanked himself out of bed, desperately trying to clean himself up enough to be at least presentable.

The man was mentally chastising himself the entire drive. It was a short drive, which he was surprised by, and the building seemed quaint; red brick with large windows that sat on what looked like either a second or third floor.

He parked his bike right near what he assumed was the main door, pulling off his motorcycle helmet before knocking and waiting.

The last thing Leon was expecting was you to unlock and open that door; young and pretty, so pretty...

"Mr. Kennedy?" You asked, eyebrows raised slightly with a small smile. He nodded, just barely noticeable, reaching a gloved hand up to wipe at his eyes as he caught himself staring.

Your smile only widened at his nod, stepping aside to allow him into walk in. It took him a minute to realize you were still talking, shaking his head out to refocus himself.

"-again, really, no need to worry about being late. I was trying to work with your schedule but I should've known it's changed up a bit by now, right?" You lead him up a set of narrow stairs, though he was mostly following the smell of your perfume. It was such a light smell but he definitely picked up on it.

You opened a door immediately to the left of the stairs, letting Leon follow you inside. The sun was just starting to rise, shining through the large windows in the open room.

The place was cluttered, yet organized. Crowded, but that just made it all the cozier to Leon. His house was bare and lacked any sort of personality, but this... this place was covered in you.

"I'm glad you like it in here." You said in a quiet voice, looking up at him as he took in your workspace. He was smiling ever so slightly, which you mimicked with a smile of your own. "I try to make it welcoming in here, my apartment is the same way.."

Your voice trailed off as you walked over to a mostly put together set up near the back of the room where the only wall without windows sat. There was a chair sitting close to the wall, the same chair Chris was sitting in for his portrait with Claire, along with your easel sitting empty a few feet away.

Leon stood frozen, only moving his head around as he took everything in. He followed you with his eyes as you fumbled around with something, eventually producing a blank 24" x 36" canvas that was still wrapped in thin plastic.

His mouth made an 'o' shape as he pulled himself from his small trance once again, beginning to slowly make his way over to the set up you've made. He placed his helmet down on the floor beside the chair.

After placing the canvas on the easel, you walked back over to where you'd gotten the canvas from before grabbing a heavily used sketchbook. It was a large one, the paper a light brown instead of white.

Leon had only just realized that there was a faint sound of some form of classical music playing from somewhere in the room, glancing around for speakers before looking back over at you.

"I'm not getting started today, we're a couple steps away from that, so don't worry about appearance just yet." You said softly with a breathy laugh, quickly making your way back over to where he stood next to the plush chair in your setup, his hand feeling over the worn maroon fabric.

Leon nodded silently, moving to sit down once you requested he did, furrowing his eyebrows as he watched you drag over a small table. You worked fast, that's for sure.

Eventually, you'd set up a little tabletop easel to sit on the table you'd dragged in front of him, grabbing your swivel chair to sit in as you placed your sketchbook on the easel, open to a blank page.

"I just need to get some basic ideas of your facial structure since that's most important when it comes to these kinds of paintings. You're gonna be wearing a nice tuxedo when I do the second- no, third sketch for the final painting, but this is just for me to get a feel for you and vise versa." You rambled quickly, pulling out a pencil from one of your pockets before fully sitting down on the chair, bringing your legs up to sit criss cross.

"Uh.. Alright..." Leon responded, clearing his throat a bit. He didn't really understand what you'd said, you spoke a little too fast for his tired brain to keep up, but it seemed like whatever you were doing was necessary so he just rolled with it.

He was left a little speechless again at how you just began sketching, glancing up to his face and down to the page you were working on over and over. "...do you need me to, I don't know, pose or something?"

The way you kept looking at him was making feel a little uneasy. Granted he's never been in this sort of situation before, this whole process was very unfamiliar to him.

"No, no. You can move your head around and stuff. Get comfortable." You waved off, eyes wrinkling as you smiled at him. Leon nodded again, deciding to take the opportunity to look around your workspace again.

It really was a cozy space. Full of color and life, even the curtains you had lining the windows offered so much pattern and detail to the room. The back of the room where the two of you sat was more cluttered with less decor, but the front of the room was a whole different story with those massive floor pillows, blankets of all sorts strewn about, that big fluffy looking area rug, it was all so... homey. It was even inspiring him to decorate his own house a bit.

The sound of your pencil scribbling on paper and the faint sound of the classical music playing was all Leon could hear for awhile, eventually letting out an anxious sigh before beginning to talk. "So... a painter, huh..?"

"Oh yeah, I've been doing this since I was little. Obviously I wasn't that good back then, but I really improved after high school." You immediately responded, voice a little louder than his. Clearly the topic excites you. "If you want, I can hand you one of my other sketchbooks to look at while I do my thing over here?"

Leon patted his hands against the arms of the chair before nodding to the side, pursing his lips slightly. "Mm, sure. Let's see what ya got.."

As soon as he agreed, you stood up and shuffled over to the corner of the room where some desks sat arranged in a makeshift cubicle. You opened a drawer and pulled out a couple sketchbooks, still as raggedy as the one you were using now.

Walking back over, you carefully handed them to him, which he slowly took after meeting your eyes for a brief moment.

Once you made your way back to your chair, he placed both sketchbooks into his lap, opening up the one on top first. The man flipped through them silently as you began to sketch him out again.

You'd zoned into your work, adding just a bit of shading to your sketches to help emphasis some features when Leon cleared his throat again. You leaned to the side to look at him, your smile quickly returning when you saw his baffled expression.

"These are... wow, okay, how old are you?" Leon asked, head jerking upwards to meet your gaze once more. You just giggled in response, using the pencil as a fidget before returning to sketching.

"Sorry-uh, I don't mean to come off as rude or anything, but to be honest, I was expecting you to be some old lady when I saw the portraits you've done." Leon was quick to try and explain, probably misinterpreting your lack of response for unease.

Your giggle turned to a small laugh, leaning to the side once more to look at the man. "Well, I'm glad I could surprise you a bit. Hopefully I don't look old."

Leon groaned and wiped his hand down his face. "Again, sorry. Didn't mean to imply." He shook his head and looked back down at the two sketchbooks sitting in his lap, continuing to flip through them.

It was only a couple hours until you decided you got a good enough feel for drawing his face. Grabbing the sketchbook, you stood up, pencil still in hand, looking down at the sketches you made as you slowly walked over to him.

The man noticed you standing up, quickly moving to close the sketchbooks you'd given him in favor of seeing your new sketches.

"I... I think this'll be enough today. I don't want to keep you too long." You said, handing him the sketchbook. Leon took it from you, careful not to smudge anything as he finally got to see what you've been doing for the past two hours.

He furrowed his eyebrows as he studied the sketches you'd made of his face, seeing all the different angles, even the smile, how'd you get his smile?

You seemed to grow nervous the longer he stared at your sketchbook in silence, his intense look making it seem as if he didn't really like them. "Are they... Are they okay?"

Leon jostled the sketchbook a bit in his hands before standing up, now towering over you as he kept his eyes on the paper. "Just okay? These are beyond amazing."

You let out a small breath you didn't notice you were holding, heat rushing to your cheeks as you smiled at his compliment. "Oh, thank you.. I'm sorry, normally sketches don't take this long but it was stressed to me that your portrait was very important so I wanted to get everything as perfect as I could.."

"Seriously, you're a mad woman if you think these wouldn't be good." Leon chuckled, handing the sketchbook back to you. He kept his eyes trained on you, even after you turned to look down and close the sketchbook. Only a fool would miss that blush on your cheeks, it looked good on you.

"Anyways, when should I come back for the next.. uh..." Leon paused, crossing his arms loosely as he struggled to think of the word.

Luckily, you finished the sentence for him. "Session. Again, this painting's importance was stressed to me a lot, so probably the next time you're available?" You talked while you shifted the small table back to where it had originally sat under one of the numerous windows, tossing the sketchbook down on the chair cushion.

"Alright, since it's importance has now been stressed to me as well, I can probably clear up some stuff in my schedule. How's tomorrow sound?" Obviously, Leon had a completely free schedule, but you didn't need to know that.

"Tomorrow works great! The sooner the better!" You laughed, placing a gentle hand on his bicep as you walked past him to grab a sticky note. "I'll give you my personal number, just let me know when you're thinking of coming over and I'll meet you here, okay?"

Leon looked at your number before pocketing the note, nodding his head with a smile of his own. "Sounds good. Same way out?" He pointed to the door that you brought him in through, bending down to pick up his motorcycle helmet right after.

You confirmed with a thumbs up, now drinking water from your water bottle as you'd forgotten too while focused on drawing. You felt bad for not offering him any water while he was here, but you won't forget next time.

The man gave you a curt wave before leaving the room, quietly shutting the door behind himself.

You had to admit, you've worked with a very small handful of agents since it takes a lot for them to earn their own portrait, but Leon Kennedy had to be the one of the most handsome men you've ever worked with. Maybe even one of the most handsome men you've ever seen.

Lucky you pay attention to detail, cause you definitely didn't see a ring on his finger.

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gffa · 8 months

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Something I really, really liked about the first two Ahsoka episodes is just how prickly Ahsoka is when she doesn’t want to deal with something. She’s not handling everything with Sabine all that well, she’s still hung up on her guilt about Anakin even almost three decades later, to the point that it’s spilling over onto her relationship with Sabine, she still feels distant from Hera, she’s downright almost mean to Sabine after she loses the map, there’s very little sense of whimsy or fun to her, she’s calm on the surface, but very much still a hot mess underneath. Felony gets a lot of shit for the way he talks about his favorite character (and not undeservedly so) but the way he writes her here, is not actually a perfect character but instead a complicated and thorny character who is legitimately really, really engaging to me and is allowed the room to make mistakes and be messy. She is not the most True Jedi Who Ever Was. She’s still ignoring her feelings! She’s still afraid to let go of Anakin! She’s still holding herself at arm’s length because she’s scared of losing people and being hurt again! These are all things that are foundational to being a Jedi to deal with! And she doesn’t! Because she tells herself she’s not a Jedi and so she doesn’t have to do the things a Jedi needs to do, doesn’t have to confront and let go of her feelings, and she just leaves things where they lie! And it makes her relationships prickly and clouded and messy, all while being completely understadable, she was dealt a hand that’s an impossible mountain to climb, with leaving the Jedi Order, with the genocide of her people, with the death of her entire extended family, with the Force being darkened by the Sith, with the devastating truth about Anakin, with never being able to go back to the Jedi Order like she wanted because the Jedi Order was stolen from her--all of that is a deep level of trauma that haunts her and she hasn’t pulled it out of her heart yet, and it makes me love her all the more. This show said, “Let Ahsoka be a living, breathing character who has a story worth telling because it’s not easy and it’s not perfect, but it’s heartfelt and deeply caring.” and then gave it to us.

#lumi.txt #star wars #ahsoka series #ahsoka spoilers #ahsoka tano #rosario dawson #meta

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s3thwrit3sstuff · 4 months

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❝ YOU ALREADY HAVE A PIECE OF MY HEART (WHICH I HAVE NEVER GIVEN TO YOU) ❞

warnings: burn scars, battle scars, grief, derealization, trauma (so much trauma), major character deaths (Satoru, Suguru, Tsumiki, Nanako, Mimiko, Principal Yaga, (Y/N)'s mom), Fushiguro Megumi angst, Junpei mentioned (surprisingly without angst), Itadori Yuji angst (minor), NSFW content for Sukuna's section, implied cannibalism

masterlist; part 1; part 2; part 3; alternate ending; playlist; au's and what if's

authors note: NOT PROOFREAD AT ALL! The formatting is a bit all over the place but these are straight-up taken from Discord chats I had with Elias, pls. I hope they're not too hard to understand. These are all basically "what ifs" and alternate universes + one section for Heian Period Ryomen Sukuna with a (L/N)'s ancestor! " " = means straight-up copy-pasted so I guess they kinda act as a foreword for each drabble

starting off with some HCs of (Y/N)’s high school years!

(Y/N) thinks Satoru must understand the pain of being the next head of the clan, get trained vigorously, and deal with aching bones and sores. Nope! Satoru’s never dealt with that much less dealt with (Y/N)’s father.

Shoko has a dark sense of humour so she laughs at his dark jokes but (Y/N) does notice the three of them end up pampering him more often.

Satoru buys him food most of the time. Drinks and snacks and ice cream, if (Y/N) gazes at something too long Satoru just tosses it into his cart.

Suguru tends to help him stretch or massage him. He’d even fix (Y/N)’s hair, almost motherly in his actions. He makes sure (Y/N) is presentable, makes sure he doesn’t have to worry because; “Su-Su will fix it~”.

Shoko makes sure (Y/N) is always wound-free. From buying antiseptics to burn relief gels (they all have a travel-sized bottle on their person to be fair). She buys him cigarettes when he needs them and always pokes him in his sides or the back of his head, she made it a habit to use RCT on him just in case he’s in pain but can’t feel it.

"You'd come back to me"

"What if Nanami Kento and (Y/N) survived the Shibuya arc?"

Kento stroked your bangs away and then pressed kisses with every compliment he gave. Your chuckles give him this feeling that if you ever told him "please" he'd give up everything just to hear it again. Kento lightly pushes you away but slips a hand underneath you, tugging his (Y/N) closer. “Kennnnnny."

Usually, Kento doesn’t enjoy nicknames but every time you say it, the world seems bright and sweet. So he noses at your jaw and relishes in the giggles.

“You’re beautiful,” he says with so much sincerity.

“You’re not too bad yourself.” Kento grins and presses a searing kiss to your lips.

You are both covered in scars. Nanami’s still pinkish and healing even with the help of socerery and yours still aching and bruised. But nothing about you could be wrong. Because that wasn’t possible. The ring on your hand is cool on his neck as you tilt his head to deepen the kiss. Kento turns and chuckles as you yelp, straddling him now.

“Kento!”

“Yes, my (Y/N)?”

Your eyes soften, and he kisses you again.

"The beach will be more cloudy. We can sit on the porch and I'll make you that milky tea again." He thinks it's a shame the two of you are stuck inside the house. It cannot be helped; his skin was far too sensitive for Malaysia's unapologetic sunny rays and dry heat and although you comfort him by saying your scars are still healing too, he wants nothing more than to pick you up and wash away all the remnants of Shibuya in seawater. "I can make it," he says. "Kento," you press your finger onto his lips, tracing it until you're cupping his face and stroking over his cheekbones. "Let me take care of you." Kento frowns and places his hand over yours, tracing the shape of your healing knuckles and raised scars. "Only if you'll let me do the same, my (Y/N)."

Kento who survived the Shibuya arc is left with a very sensitive wound all over the left side of his body. His hearing is unbalanced and his depth perception is fucked but (Y/N) helps him through all the transitions he goes through.

(Y/N) feels guilty for using his curse technique when it’d been fire that hurt Kento. Who doesn’t use it around Kento or if he does use it, he makes sure the smell is gone and washes his hands, and makes sure Kento can hold him without fear. But Kento doesn’t fear him! Kento figured it out and he just tells (Y/N); “My love, you never need to hide yourself from me…”

Yuji helps Kento with physical therapy. Kento grunts but allows Yuji to hug him when he regains consciousness. Kento who asks Yuji if he’d like to be his ringbearer during their wedding.

(Y/N) who is so nervous to meet Kento’s parents. He knows non-sorcerers and sorcerers don’t have many differences in their daily lives outside of exorcising curses but worries nonetheless. Kento’s mom is bright and jovial, and his father is even more so! (Y/N) is honestly taken aback by how soft-hearted they are and how they thank him for saving Kento. He finds himself loving them so much because they remind him of his mother and how gentle and kind she was.

When he asks for their blessing? He bows but is surprised when Kento’s father blocks his forehead from meeting the floor, blinking away tears when his mother holds his face.

“We’ll gladly take you in as your son, (Y/N),” and they all start crying because (Y/N) is crying, LMAO.

Kento tells (Y/N) he asked for his parent's blessing and he's confused because Kento should never do that - he doesn’t need to ask his father for his blessing but Kento simply says:

“I visited your mom’s grave. I asked for her blessing. I talked to her about how much I love you.”

At their wedding, there are empty seats in the crowd. Seats for their fallen comrades, their loved ones, seats for Tsumiki, Principal Yaga, Yū, Satoru, Suguru, (Y/N)'s mom… (blame Elias for this one)

In regards to (Y/N) seeing Geto Suguru's "body" as he descended into madness: Kento who spots him muttering to himself or staring into space. (Y/N), who after surviving the Shibuya arc, still sees Suguru and now Satoru as well. At times, he even sees Yū, Kento, Megumi, Tsumiki, Yuji, Nobara, Maki, or -His brain constantly makes it hard for him to decipher reality or fiction.

A HC based on Katniss and Peeta: (Y/N) asking Kento, “Real or not real?” when he can't tell reality from fiction.

“You’re alive, real or not real?” “Real.”

“Megumi is still breathing. Real or not real?” “Real, my love. He’s just healing. He’ll wake up soon.”

"...You love me, real or not real?" "Real, my love."

When Fushiguro Megumi wakes up:

When Megumi recovers he cries. Openly cries, sobs, and wails as he begs for forgiveness from everyone around him. (Y/N) literally rushed into the room which made Megumi flinch, yelling at him to stay away because he killed his father (Satoru), his sister, and everyone else Ryomen Sukuna had killed. But (Y/N) just holds him and holds him and holds him. Megumi finds it hard to piece his brain together after what Sukuna has done so Yuji helps. Yuji asks Kento for advice because Megumi and (Y/N) are lowkey in the same boat-ish.

Megumi who begs for forgiveness because Sukuna had done unspeakable things to (Y/N) just to make him his concubine and (Y/N) just comforts his son.

When Megumi is strong enough they go to Suguru and Satoru’s graves. There are no bodies but they buried the things that they treasured. Their wedding ring rests where Satoru would have along with Megumi and Tsumiki’s childhood drawings, pictures, and Suguru’s hairband and button. The flip phone was full of memories and high school photographs - his wedding picture too. He rests beside Geto Suguru, whose grave is filled with his daughter's belongings and the flip phone he kept too, the creased photograph of himself with Satoru, (Y/N) and Shoko. Tsumiki, Nanko and Mimiko are next to their fathers. Megumi cries as his knees give out, his only family left, his dad; (Y/N), just comforts him as much as he can. His precious boy, his beautiful son... They visit as often as they can, telling tales of their days, their weeks, and their months. Soon enough, it will be less painful for them to visit that hill. It'll be scenic and they'll no longer curse at the heavens for all this loss. They'll hate that they're no longer the same person their loved ones had seen, hate the wrinkles and the greying hair and the way they couldn't grow old together. Hate that they've been alive longer than them when they feel like they don't deserve to be. But one day it'll stop and they'll take it as a blessing to grow this old, knowing they'll see their family soon enough with so many stories to tell.

"And isn't it just so pretty to think? All along there was some invisible string, tying to you me?"

"You know - in every universe, Satoru falls in love with Suguru and (Y/N). In a few universes, their love is not tragic. In this special few, Satoru does not use (Y/N) for honor. Suguru comes back after his betrayal,l and (Y/N) and Kento defend his rights as a human. Satoru has (Y/N) help him with Suguru’s rehabilitation, and Kento helps Suguru with his clashing ideology. In the special few, Megumi is still beloved by YN but he doesn’t fear betrayal, and love just needs love to be perfect. Uncle (Y/N) cherishes Tsumiki and Megumi and Uncle Kento who teaches them how to be kind and responsible. Mimiko and Nanako learn how to befriend Tsumiki and Megumi!”

(Y/N) would've become a teacher like Satoru! Kento sends him to and from. He pouted so much when Kento knew Yuji was alive but forgave him. (Y/N) invited Yuji to eat homemade lunch and dinners in their home, and Yuji pretended not to feel himself tremble; a homemade meal was eaten around a dining table.

Yuji, who never had such an experience before; and who craves familial bonds; can’t stop shoveling food in his mouth because he keeps grinning too hard -

And when Junpei is brought back alive? (Y/N) takes to him like a moth to a flame. He volunteers to help Junpei, to house him, and bares his teeth at the higher-ups who dare take the boy from him.

Junpei wakes up to Kento cooking breakfast and (Y/N) who makes tea. Junpei gasps as (Y/N) opens up a movie and invites him to watch with him. Junpei relishes Kento’s words of advice for his newfound curse technique.

Junpei cries into the pillows and gets surprised when (Y/N) comforts him, telling him he misses his mother too, and lets (Y/N) hug him.

Junpei stares at himself in the mirror when Shoko heals his cigarette scars, brushing back his bangs confidently for the first time.

Junpei who bonds with Megumi about having shikigamis! Who Nobara (affectionately) bullies and toughens up! Maki is reminded of Yuta every time, and Inumaki chuckles at her face. Panda just loves being his senpai but keeps pushing Junpei away from him when Junpei tries to touch his fur -

Satoru and Suguru come over with Mimiko, Nanako, Tsumiki, and Megumi to their home. Yuji and Junpei picked out the movie (it’s obviously Human Earthworm - all 4 movies). The Gojo-Geto’s brought snacks and drinks, and the Nanami’s made their home so cozy and warm.

"Tell me you belong to me"

Heian Era Sukuna and the ancestor of the (L/N) clan, his only male concubine which he adored so much it caused his unending.

As a foreword (just a fan theory I adored not canon at all): "The theory that Sukuna keeps CTs within his Malovent Shrine (hence, in my fic, it’s why the (L/N) clan never flourished. Sukuna took their innate technique and left them with a CT so strong none of them had enough will-power to master). It’s not confirmed but in the Jogo fight, he says “open” and all of a sudden he can use a flame CT???" "This is basically an AU of (Y/N)'s ancestor, lmao."

They sacrificed (Y/N) to Ryomen Sukuna and gave him their prince who came to him with a sharp glare and dirtied with bruises and cuts.

“You wrap my gift so carelessly?” Sukuna drawls out.

(Y/N) is bound and gagged. His hair must have been in an impressed top knot, now a mess that spills from his shoulders.

Uruame shifts next to him and they grip (Y/N)'s cheeks to inspect him.

What a beautiful man, they think with mild surprise, it was no wonder he was chosen as a sacrifice.

But, Sukuna wants him. So, he adds his first male concubine to his harem. (Y/N) is scrubbed clean, dressed to the nines, and made to look like a doll. His face was painted, his hair brushed, his nails trimmed, and his skin moisturized.

Ryomen Sukuna is a monster with a picky tongue. Despite his greed, he only eats refined meats and fights the strongest sorcerers.

Sukuna doesn’t “love” his concubine but he favors him. That much, (Y/N) can tell. When he plays the biwa or recites sutras and haikus, Sukuna is ever so attentive. When (Y/N) bows and sits next to Lord Sukuna to feed him his meals, he finds those big hands holding him in one way or another.

When he takes (Y/N) as a “woman”, he is not gentle. Uruame is the one to prepare him. They provided him with oils and aromatic smoke to ease him, not out of the kindness of their hearts but for their Lord’s pleasure. (Y/N) swears he nearly rips taking his size but Sukuna spreads his legs and pushes in deeper and (Y/N) gasps, his tears like diamonds as he pleads for his Lord to grant him mercy.

Sukuna does. It surprises himself. But he does.

Maybe Sukuna will never understand the word love because he tells himself he’s never loved. Or maybe, he confuses it with ownership and cruelty - because it’s obvious he loves (Y/N).

He’s unfair to all but him.

He is still the King of Curses, a cruel tyrant, but (Y/N) is someone who calms his wrath with ease.

When they made that Binding Vow for (Y/N)'s curse technique to be given to Sukuna in exchange for Sukuna not being able to kill off his clan. He had thought to give YN another curse technique. But then, after (Y/N) learns Sukuna murdered a huge chunk of his clan, (Y/N) plans for his betrayal.

(Y/N) seeing the shock on Sukuna’s face as he gets sealed away, feeling the God's disdain weigh on his bones as he breaks the Binding Vow - he weeps for Sukuna despite knowing how horrible he is.

(Y/N) marries and his bloodline continues on, but there’s this terrible desire to be loved. It persists in every one of them. This ache that the King of Curses had left. This magnetism that power holds over the (L/N) clan.

In another universe, where (Y/N) finds no love in Satoru nor Kento, but Sukuna?

How delighted would the King of Curses be to see his concubine so willing for him? The King of Curses would have a harem of women. But the one man? Oh, he’s beloved. His room is closest to Sukuna’s, his appetite always filled and his bookshelves overflowing. Uruame enjoys his presence, tending to him personally and making him food as well.

(Y/N) who takes a liking to human flesh. Who finds himself ignoring the screams of tortured men and women, and only curls his nose in distaste when Sukuna wants to consume “soft” flesh.

Who grins so serenely in his King’s lap, who can’t decide which mouth he prefers on him or which hand is his favourite. Sukuna loves to be fed by (Y/N) and does the same to him.

Who learns how to please Sukuna’s cocks all by himself. Who has servants prep him open only to be killed right after - but what a privilege they had, to have Sukuna’s concubine mewl around their fingers.

Sukuna loves watching him ride, loves seeing the bulge in his stomach, the twinge of pain on his face. He loves sticking his tongue out (the one on his stomach) to lick at (Y/N)’s cock and (Y/N) yelps every time.

At times, you’ll find his precious concubine so stunning after a night of pleasure you’d stare. Each time, Uruame is there to gauge their eyes out.

Their master's toy is his alone after all.

"What must it be like to grow up that beautiful? With your hair falling into place like dominoes"

polycule of satosugu x yn!

Satoru thinks he’s selfish. He knows that marrying (Y/N) fulfills duty and honour but in doing so it would be cruel for the boy. On the other hand, marrying Suguru was completely out of the realm of possibilities no matter how hard he insists.

His personal feelings about them both confuse him too.

Satoru loves Suguru. Satoru loves (Y/N).

You could imagine the relief 16-year-old Gojo Satoru felt when (Y/N) blushed at Suguru’s soft-spoken voice or when Suguru caught himself staring at (Y/N)’s lips for too long in a conversation.

In this AU - Satoru never dated Suguru, he instead gathered the two of you and just announced his feelings.

It was choppy waters to navigate through, among the political aspects of a marriage and teenage emotions and deadly missions.

But the three of you made it work. This relationship was among three men who fulfilled honour, duty, and love. Who only needed each other to feel filled.

A polyamorous marriage wasn’t taboo, it was just outdated, still with Gojo Satoru and Gojo (Y/N) both insisting that Geto Suguru would be their husband after Satoru became the head of the Gojo clan. It wasn’t as though they could be refused now.

In this AU, Suguru would not betray his husbands though not without thinking of it. He simply tightened his hold on the rings before he brought the twins back home and his heart softened as he saw them tend to the girls.

What a rowdy household. The children are so loved that they cannot fathom love doesn’t exist.

Satoru who will sigh and embrace his husbands out of the blue.

“You’re beautiful,” he’ll tell (Y/N) as he cups his face while the poor man is simply reading some document at the dining table. “Our husband is beautiful, Suguru!”

Suguru immediately gets drowsy whenever your fingers thread through his hair, and chuckles when you trace his features as he’s about to wake.

Gods, seeing you and Satoru hold onto your children’s hands as all of you walk together in a park makes thoughts of those dark summers dissipate into nothing.

Satoru sleeps in the center of your California king-sized bed. He simply refuses any other spot.

The Tokyo School has its hands full of the Gojo’s. From the husbands to their 3 children with rambunctious abilities.

When Tsumiki got cursed...it was an emotional day for everyone. Suguru swore he’d do anything to break it while Nanako and Mimiko yelled and yelled, Megumi just sobbing into your chest.

The girls visit her often, talking to her as they fix her hair and ensure she’s comfortable. Megumi appreciates their care as he silently stares from the corner.

Oh, breakfasts are always bustling.

The children are spoiled just as much as Satoru’s husbands are.

What a terrifying trio you are - abilities powerful beyond the curve!

Shoko always takes a few shots before heading over to celebrate holiday dinners, lmao.

She understands that you three enjoy asking about her love life though all three of you were made to kneel in apology as she glared after Satoru and you “accidentally” found the woman she’d been seeing.

Suguru rolls his eyes every time Satoru and you stroke the dragon spirit's snout or compliment the spear-wielding spirit.

While they bring burn-relief medication for you, Satoru and you ensure to bring snacks to wash away the foul taste of curses for Suguru and Suguru and you always have extra blindfolds and painkillers for Satoru.

Yuta grew flustered as he found out the three of you were together. He had honestly thought Suguru was cheating on Satoru with you but Maki’s scoff of “disgust” and her brief explanation made his face bloom into fifty shades of red.

Yuji would honestly not care - he’d be surprised at first but bounce back rather quickly (although Ryomen Sukuna would certainly have his comments).

ANGST TIME!

The Shibuya arc would be very different of course, though wouldn’t it just be delightful if Kenjaku managed to grab (Y/N) and force his husband to see Ryomen Sukuna not only take over their son’s body but see their husband get claimed by another?

Delicious angst, me thinks.

"But I just wanna stop right next to you, if I could my dream? I just wanna stop right next to you."

polygamous marriage (?) of Satosugu and kentoYN!

In this AU, (Y/N) and Satoru would feel so guilty for letting their eyes wander to their significant future husbands.

It’s not as though they don’t love each other but there’s this societal norm of monogamy and despite never getting physical with Suguru/Kento the emotional aspect still makes them feel like they’re doing something dirty.

It wasn’t fair to anyone.

Shoko dryly mumbling about polygamy had Satoru and you instantly perking up.

You loved Suguru and Satoru liked Kento - but neither of them wanted to be in a relationship with each other. So this arrangement of Satoru’s boyfriend and (Y/N)’s boyfriend honestly worked. It was confusing at first but it worked.

When Satoru married Suguru and you married Kento, it was a joyous event. A double wedding!

A rowdy household once again, Satoru insisted on living on the same land just with multiple “sections”. Even if this was a polycule, I’d imagine solitude from one another is still appreciated after all. The house was built from the ground up and it was a labour of love to ensure all four of you (and your kids) would have their own slice of heaven.

Kento adores you, the rings on your fingers, and the home you share.

Satoru adores you as well, never once making you feel as though this is a competition.

Both Satoru and you are fair to each other and your respective husbands. Never favouring the other or anything that would make them feel like a “glorified side chick.”

The kids aren’t confused at all.

Although they did have to adjust to call which father what.

They settled with Dad (you), Papa (Suguru), Pa (Kento), and Father (Satoru - only to annoy him.) Sometimes the four of you will have to play it by ear since they just use “daddd!” interchangeably.

Shoko still takes shots before she heads over to go to holiday dinners.

The students are also not confused. Yuta got a bit flustered but Suguru just informed him about it and Yuta felt less anxious - he genuinely thought Satoru was cheating on (Y/N) when he walked in on Satoru and Suguru making out in an empty classroom.

You’d honestly just giggle at Yuta’s face when he told you this which made him more confused while Suguru gave him the mercy to pat his head.

Yuji would think it’d be so cool that such a dynamic worked.

Nanako and Mimiko as Tokyo High students make my heart soar - Megumi has his older sisters tease him relentlessly whenever their schedules overlap (they always do).

#s3thwrit3sstuff #gojo satoru x male reader #geto suguru x male reader #nanami kento x male reader #ryomen sukuna x male reader #jjk x you #jjk x yn #jjk x reader #jjk x male reader #reader insert #male reader #male reader insert #gay reader #male!reader

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sailor-rowling · 5 months

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Beira’s Place: Thousands helped by Edinburgh rape centre set up by JK Rowling

A year on from the opening of JK Rowling’s women-only rape centre, thousands of victims have reached out for help.

A veteran of more than four decades protecting and sheltering women suffering sexual violence and domestic abuse, Isabelle Kerr was so passionate about supporting JK Rowling’s decision to fund a women-only centre that she came out of retirement to help set it up.

Speaking for the first time since Beira’s Place opened, Isabelle, 67, said: “The whole ethos of the place took me back to the grassroots of the women’s movement in Scotland, when women helped other women stay safe in an act of basic feminism.

“It was how women dealt with the practicalities brought about by the age-old problem of domestic abuse and sexual violence. I’m saddened to say very little has changed through the decades, which is why Beira’s Place has been busy from the moment we opened our doors.”

Isabelle said: “Men’s violence towards women continues unabated around the world. Justice systems continue to fail women with sentencing that rarely reflects the damage and trauma inflicted, despite these crimes carrying the possibility of a life sentence.

“We still have a culture where victims are blamed because of what they wear, where they went or what they did rather than holding the perpetrator to blame. It’s soul destroying.”

“Our phones started ringing the day we opened. They haven’t stopped. We’ve helped almost 2,000 callers looking for support. Over 250 survivors have used our safe space. Many told us they would not want to use the service if men were on the premises, either because they have been so traumatised or for cultural reasons.

Isabelle warns that much more needs to be done about identifying the escalating cycle of violence towards women. She said: “We don’t live in the kind of society where women and girls are safe from predators, stalkers, rapists and men who use coercive control to trap the vulnerable. We live in a society where women and girls have lost so much trust and hope in our criminal justice system that only 10% of violence and sex crimes are ever reported.

“Until we take these crimes more seriously, very little will change.”

#j.k. rowling #jk rowling #jkr #pro jkr #archived #full article at link

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sugar-grigri · 5 months

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Fujimoto has never talked so much about love as in this chapter

This chapter is incredible, not only for the multitude of answers it offers but also for the beauty of its writing on first reading alone.

It opens with a man who appeared in chapter 101 of CSM, as passers-by passively walked past him, this stranger was actually right: humans, one of whose major causes of death are demons, are leading to a cold war (ironic to talk about a Cold War for a manga set in the 90s)

But it's as if the whole of society refuses to notice, that everyone hides behind Chainsaw Man and consumes all these derivative products like lucky charms. Chainsaw Man embodies a demonic anomaly, a demon at the service of the people who make them forget this war.

And that's exactly why Yoru has a grudge against him. Chainsaw Man is an instrument of peace, wielded in times of peace and sacrificed in times of war. Chainsaw Man is there to make us forget the conflicts or become the scapegoat, in either case, he is there to make us forget the war in which humanity is trapped.

A machine into which all hopes are projected, cries of suffering directed, whose childlike quality is seen only by the predators who exploit him constantly.

What we need to see in this dialogue between Nayuta and Fumiko is a struggle for domination. As we have seen, Fumiko is someone who, despite her aggressions, drowns them in a constantly contradictory protection: she wants to protect a child, but moleste Denji, plays a game in which she places him as older in order to hide her predation, and has saviour syndrome.

Fumiko thinks she's easily understood the nature of weapons, she's sensitive to Quanxi's bodily sacrifices and only repeats to the one she's abusing like an unrestrained fan of a child. Fumiko is the symbol that even when she belongs to the same camp as those she intends to protect, she still can't understand them.

She thinks it's either Nayuta who finds humans weak, or the fact that Barem supports Denji's demonic quality, that they are threats to his well-being when they are the ones who know him best. This is normal, because the strategy of public hunters is to bank on Denji's human side, but this strategy is not enough.

In chapters 136 and 137, Denji is mistreated when he's playing as a human being, getting into fights at school, being treated badly by his teachers, molested when he was thinking about a date at the cinema, and the closer he gets to normality, the more he suffers.

She symbolises not only Denji's sexual trauma, but also the paradox of the hunter system: a system that intends to offer Denji a family framework, but which is not only failing but also traumatising.

Nayuta says she wouldn't kill humans because they're weak compared to demons anyway. It would be as boring as killing ants! It's a continuation of Makima's point that the demon of control isn't interested in things that can be mobilised or easily controlled, it's powerful demons like Pochita that she wouldn't be able to control. Because the only way to establish a link for this demon is to find a demon as powerful as her, of her rank. Nayuta's superiority complex is always balanced against Denji's inferiority complex.

While the demon of control is only interested in demons, the demon who was martyred by humans cannot conceive of himself without them, but we'll come back to that later.

I just want to point something out: isn't it paradoxical to reproach Denji for the education he gives Nayuta when Fumiko is supposed to regard him, as she claims, as a child? Once again, Fumiko is in constant contradiction, protecting by controlling and attacking, conceiving of a child as an adult, she is the hold over a child she can't help but see as a weapon while vouching for his condition.

What's more, Fumiko's thinking is purely human, not universal like Denji and Nayuta. For them, feeding the dogs and their cat is a mission of the utmost necessity, it's like acting to protect one's family, whereas Fumiko refutes this.

Denji has been considered a dog for part of his life, and has bonded and merged with a demon in the shape of a dog, which is the first form of love he received: it was not humans who first gave Denji love, but animals. In the same way, the demon of control likes to form a relationship with dogs who take pleasure in their domestication, either as a form of denunciation or as a clearly established hierarchy.

Fumiko proves that human sensitivity only stops at their peers, while the rarer demonic sensitivity is more universal and intense, whether it's treating animals as precious beings or forgiving unforgivable acts like Denji's continued love for Makima.

The fact that Denji and Nayuta appear to have no moral barriers is what allows them not to be prisoners of their own, and to conceive of love more extensively, whether it be harmful or inter-species.

All this just goes to prove Barem's point that, as a weapon, he has a very good understanding of the different species and what they have in common: death is what binds us together.

When humans no longer find interest in a figure, it is destruction that attracts them. In other words, it's intrinsic to them. Even when they have been spared the demon of fire, they intend to spread it. Isn't it ironic, then, that Fumiko intends to protect two demons at the expense of their animals? Humans only see the world in terms of hierarchy, whereas demons and animals recognise that there is more to it than just a food chain.

Nayuta's emphasis on the exhilaration that comes from abusing and killing demons is spot on. In chapter 137, Denji had fun beating up all those men, even concluding that "this" normal life wasn't so bad. Why was that? Because it's the daily life of a demon.

Denji, who belongs to both camps, has human needs just as much as he has demonic needs, so Nayuta has a point. But just as living solely as a human doesn't satisfy Denji, acting solely as a demon doesn't work any better.

Denji works through the concrete, through sensations, and what he materialises through his senses, the fact being that he's had at least one kiss without any major damage with a human his own age.

Just a harmless touch is what allows Denji to connect with humanity as a whole, to be sensitive to their plight, even though he has no morals and takes pleasure in human suffering.

It wasn't until Denji struck up a relationship with Aki and Power for the first time that he was able to feel human and stop feeling like an animal. We are empathetic to the fate of those who resemble us, Denji is a universal being, animal, human and demon, he is the one who brings these different worlds together. Barem is right: death is what binds species together. But Pochita and Denji are the symbol that love can also be a common denominator.

The fact that he thinks of Asa is symbolic because, without knowing it, she is the one who understood the plurality of species in Denji. She began by dehumanising him, Denji's animal phase, placing him below the cat (proof that she too places animals before men), then she had budding feelings for Denji before being disturbed by Chainsaw Man.

That's why Chapter 101 is so important to understanding this chapter: because in it, Asa makes friends with both humans and demons, getting to know Yuko just as she does Yoru. She is not outraged by the idea of killing, as Yoru asks her to do, having put aside her human nature and accepted the world as it is, which is ruled by death.

But she is no fatalist, and in the face of a demon, she protects Yuko, continuing to love despite her mistakes "as long as her heart is in the right place". What matters is not so much our actions as the cursor through which we place ourselves to apprehend the world.

Relationships are full of mistakes, imperfections, misunderstandings and a game of dominance. Denji doesn't realise it, but the one who kissed him wasn't Asa but Yoru, and it was for a bad purpose: to turn him into a weapon. Paradoxically, in wanting to make Denji a weapon, Yoru conceived him as he was, a hybrid being, a weapon. It was the first kiss in which he was seen for what he was.

But not only that, just as Asa loves the different natures of the multi-species being that is Denji, so Denji loves Asa's dual nature, what holds him together is as much the memory of the human in the aquarium as the physical contact with the demon inside her.

While Asa, in her desire to protect Denji, was distancing herself from him, hurting him and making him doubt himself, it was paradoxically the demon, with evil intentions, who gave him some peace of mind.

The chapter is called Devil's choice, an expression which means that we only have two choices, that we can't have everything. In this case, that would mean choosing a species, a side. But what Asa and Denji still represent in this Shakespearean symbolism is not belonging to any side, but loving in a universal way.

The rejection of men has opened up other perspectives for both of them, be it the animal or the demonic connection.

Once again, the answer lies in plurality, in what begins with two: Asa and Denji decide, on the contrary, to have it all, there is no Devil's choice.

By deciding to bond with animals rather than humans when they lost their parents, Asa and Denji forged a destiny guided by love without barriers.

Their bad experiences - sexual harassment for Denji and bullying at school for Asa - at the hands of adults have naturally created a distrust of humanity that is rekindled by contact between the two of them. It's when Denji and Asa come together that they regain hope, because they are the definition of loving each other fully.

Those who stand in the way of this universal love are the public hunters who avoid this natural crossing.

The public hunters are there precisely to fuel the fight against humans and demons, the link they carry is not love but the other common denominator, death, destruction. Even if it means crossing the moral barrier to exploit children with Yoshida by forcing them to harm other children like Asa, Fumiko being once again the symbol of this danger.

Denji has both human and demonic needs, so he's destined to love Asa because she's both human and harbours a demon with a thirst for violence. Chainsaw Man was used to make us forget the war, but by loving the demon of war, they both unravel.

Only Chainsaw Man and the demon of war can conquer death, because love is the second common denominator that links the species. Why? Because everyone has a heart. Even demons. Who not only have one, but become one.

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artiststarme · 5 months

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It's No Secret... Anymore

Thank you to @mx-jinxous for the prompt! This took a really long time to write but it was so much fun playing with everyone's dynamics. I hope you guys like it and please leave your thoughts in the comments!

~*~*~*~

Steve felt like he was dreaming. It felt like he was looking through someone else’s eyes, dissociating far from his own body. He couldn’t feel the weight of Eddie’s slowly-fading body in his arms or the burning of the wounds in his sides. He wasn’t aware of where he was or if anyone was following him. He was purely relying on muscle memory and muscle memory alone.

He didn’t see the speeding car in front of him that swerved into a nearby bush and fence post. He hardly noticed the hands pulling him backward and out of the road. He came back to himself though once he heard his brother’s voice.

“Steve? Steve-O? Come on buddy, you’re worrying me here. Where have you been? I haven't seen your ass all week. Come on man, are you… are you fucking bleeding? Brother, answer me. We can’t be out here, there’s an earthquake going on. Come with me.”

Steve blinked just to come face to face with Phil. He was shining his flashlight on Eddie’s face against Steve’s shoulder but his eyes were focused directly on Steve’s.

“You with me, bro?” His mustache twitched unhappily and Steve rushed to answer.

“Um, no. Not really. I think he’s dying and I kinda might be too. And I think my friends are missing? Where am I?” Steve couldn’t get his thoughts together cohesively. His mind was fractured, overcome with too much trauma in too little time.

Phil just looked more concerned at his words with his face becoming vaguely panicked once he looked at Eddie. He looked quickly up at Steve, down at Eddie, then back at Steve. “Is this Eddie Munson? The murderer Eddie Munson? The Eddie Munson that has been on the run all week? Good golly Steve, I’m trying not to curse but what the fuck?”

Steve just looked at the pinched expression of pain that Eddie held and murmured, “he’s my friend.”

“Oh my god, Steve. Fine, we’ll deal with this later. Think you can walk to my squad car? I kinda damaged the front end but I’m sure it's semi-driveable. Powell’s tied up with the gates to hell opening up, I have plenty of time to take care of you.”

“Yeah, I can- I can walk,” and he could with the support of Phil. He felt his brother supporting both his and Eddie’s weight until they were deposited into the backseat of the patrol unit.

“And uh, is the girl hiding in the bushes with you? She’s kinda been watching us for awhile. You might have a stalker, little bro.” He shined his flashlight over to the bush and saw a sandy bob duck behind the foliage.

“Robin?” Steve muttered, still out of it and only on the verge of consciousness.

“Buckley, is that you? Come on, you’re coming with us back to Steve’s place. Let’s go,” Phil waved the light between the two. He had both hands on his hips and stood like a disappointed middle-aged dad. “I don’t have time to be doing things willy-nilly. Let’s go!”

Robin poked her head out of the bushes and scooted gracelessly over to the car until she was able to bump elbows with Steve. They both relaxed a smidgen within the same space, the two brain cells reuniting after a stressful ten minutes apart.

Phil hopped in the driver’s seat and bumped his head against the steering wheel. What had this idiot gotten himself into now?

~*~*~*~

By the time Phil arrived at his house at the edge of the suburbs, all three kids were out cold in his backseat. He stood at the open back door for a moment before sighing and lugging first Robin, then Eddie, then Steve into his living room, huffing with exertion all the while. He would definitely have to cut back on the station donuts and start exercising again. Right after he dealt with the dying fugitive on his brother’s couch, the blood seeping through Steve’s shirt, and his brother’s unconscious best friend that was snoring atrociously.

Jesus Christ.

Well, he had plenty of practice with medical care from his EMT training so he got to work. He got the first aid kit out of the squad car and started with the murderous Munson. Phil didn’t know what had happened to these kids but it couldn’t be any good. Munson’s entire torso was torn apart like he’d been gnawed on by a wild animal. It wasn’t bleeding too bad but he was missing chunks of skin, so much so that Phil couldn’t sew him up with just sutures. Hell, this kid was going to need skin grafts. A lot of them.

He put gauze on the worst of the wounds then cautiously stepped over to Steve. What he’d seen on Munson made him hesitant to look at the damage but surely it couldn’t be worse than that. Right? As soon as he lifted Steve’s shirt, he came immediately to two conclusions.

1. Steve had a lot more chest hair than he did and that was totally unfair.

2. The wounds on Steve’s abdomen were deep, infected, and horrific.

Just like with Munson, there was nothing to close. All he saw were missing chunks of skin and muscle that should have been in his sides. The marred remains were covered in grime and yellowish puss that made the entire room smell of infection.

Fuck, he couldn’t help them here. He had to get them, all three of them because he wasn’t touching an unconscious girl for anything, to a hospital. But that begged the question; which hospital? Munson… Eddie was wanted all through the state of Indiana for at least three murders and an assault. If he took him to any nearby hospital, he would be arrested and surely there was more to the story if Steve was protecting him so much. He couldn’t let one of Steve’s only friends get arrested without hearing the story from the both of them.

He had to take these three up to a hospital in Illinois. Chicago was roughly four hours away, he knew from his and Steve’s annual visits to their great aunt in Evanston. It was a risk, both for aiding and abetting a wanted fugitive as well as hoping he survived that long of a drive, but his gut told him to trust his brother on this one. So that’s what he did. He loaded the three teens back into his patrol car and mumbled swears under his breath when he passed the “Leaving Hawkins” sign. He hoped to all that was mighty that he was making a good call.

~*~*~*~

Steve woke up to familiar voices; one hushed and one screeching.

“You kidnapped them?! You’re a cop, I thought you would help them but instead you drove them all the way to goddamn Chicago like some middle-aged pervert loser?” Steve came around to a loud argument between what sounded like Dustin and Phil. It was weird though because he’d never introduced the two.

“Hey, listen here shithead, words hurt. I am not middle-aged, I’m 28. And why would I kidnap my own brother? I can legally take him anywhere, it's practically my birthright. I don’t have to go through all the work of kidnapping him.” Phil shook his head at Dustin.

“Stop trying to trick me, I know Eddie is an only child!”

“Munson?! I’m Steve’s big brother, you little gremlin. Can’t you see the resemblance?” He gestured between where Steve was groggily looking up at him and then back at himself.

“No, but I can’t see anything past your outrageous mustache.” Steve saw Phil’s jaw drop and knew that Dustin had crossed a line.

“You short fucker, that is too far! I take a lot of pride in this ‘outrageous mustache’,” Phil put air quotes around the offending remake before pointing an aggressive finger in Dustin’s direction. “I will absolutely take you off the visitation list, toothless. Do not test me.”

“Don’t threaten me, I’ll report you to the authorities!” Dustin countered.

“I am the authorities!” Phil dropped all decorum and screamed at practically the top of his lungs.

Sensing enough was enough, Steve tried to push himself up to a sitting position before a burning in his sides caused him to fall back down. Both men (or one man and Dustin) stopped their squabbling and rushed to his sides.

“Steve, you’re hurt so don’t try to get up. Shit kid, let me get a nurse or something. You weren’t doing too hot.” With that Phil sprinted out of the room, presumably to the nurse’s station and Steve was left with Dustin, Nancy, Jonathan, and Robin.

He looked blearily at all of them before asking the most important question, “where’s Eddie?”

They all parted to reveal Eddie lying in the bed next to him. His neck and chest were covered with bandages but his face looked peaceful. There were no cuffs on his wrists as Steve assumed there would be. He laid back again and let out a sigh. Everything was as it should be, he could finally relax.

“Um so Steve, don’t be mad but your brother can be really persuasive when he wants to be and you never introduced him as your brother so I just kind of assumed that we were getting captured by the police and that it was going to be so much worse than the Russians because I always thought Officer Callahan was kind of psycho. But then I woke up here and he bought me Cheetos so everything is fine. Except it's kind of not because you and Eddie have been out for a couple of days and I told Big Not-Harrington about the Upside Down and now he’s really worried. Why did you have to stay asleep so long, dingus? I missed you!”

Steve honestly zoned out when he heard “Cheetos” and only tuned back in when Robin, the usual physical affection-hater, threw herself on top of him in a hug. He withheld the grunt of pain and held her back just as hard.

“What the hell just happened, bro? Like that was a lot of words, little bird lady. Woah.”

Steve didn’t know if he was hallucinating the long-haired surfer in a Hawaiian outfit or if Vecna had somehow managed to melt his mind after all but he had never been more confused in his life to see the new visitor make themselves known.

“Who the fuck is that?” He muttered in absolute bafflement.

Dustin sighed as he too wrestled a hug from Steve, “that’s Argyle. Come on, Steve. Keep up.”

“Like the sock pattern? How many drugs am I on right now?!”

~*~*~*~

“... and that’s kind of why I didn’t tell you about the Upside Down,” Steve finished from his seat beside Eddie, their hands tangled together as they both sat across from Phil.

He looked at both of them with a completely deadpan stare. “Again, but the truth this time.”

Eddie huffed in annoyance. “We are telling you the truth, man! An evil wizard guy named Vecna-”

“Slash Henry, slash One,” Steve and Robin interjected in unison.

“-possessed four teenagers to end the world or something and broke their bodies apart with his mind. Then the angry mob thought it was me but I would never kill anyone, especially not Chrissy. She was always really nice to me and remembered my band from the talent show in middle school. And then we got stuck in Hell where evil demon bats ate our flesh and tentacles ripped through the earth. Then we saved Nancy from the evil mind melt powers by playing her favorite song. After that, we made a plan and she shot Vecna and killed him while Dustin and I were decoys where I was attacked.”

“Then I went back for Eddie and carried him out where you almost ran us over. The end,” Steve emphasized the finale with a deliberate nod of his still-aching head.

Phil looked at them with the most exasperation Steve had ever seen in his life. He let out a pitying chuckle, his poor brother didn’t sign up for this. “Have I ever told you how much I love you?”

Phil's eyes rolled so hard that Steve could tell he saw stars. He could almost see the scream being prepared in his throat and couldn't gather enough strength to escape it.

"STEVEN MICHAEL HARRINGTON, WHAT THE MOTHERLOVING FUCK?!"

"Look Philly, I'll say it one more time then I'm done, okay? It first started way back when Will Byers went missing in 1983..."

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#Phil gets Eddie's name cleared by walking into the station and telling Powell it wasn't him #Powell is so fucking stressed that he just drops it and blames Jason when Phil suggests it #As soon as they're all healed up Phil gives Eddie the shovel talk of all shovel talks feat. his gun #Eddie hands him a donut and all is forgotten #stranger things #steddie #fanfic #steve harrington #eddie munson #robin buckley #dustin henderson #nancy wheeler #jonathan byers #officer phil callahan #officer callahan is steve’s brother #it took me so long to write this and I still don't know if I like it

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utterlyotterlyx · 8 days

Text

The Fox and The Fawn

High Lord Eris x Rhys!Sister!Reader x Azriel

Part Four

Summary - The consequences of your defection to the Autumn Court become clear as you realise how deeply rooted the betrayal of your family lies within you.

Warnings - angst, self-doubt, trauma, depression, fluff

Part One Part Two Part Three

Nesta's toes curled uncomfortably.

Rhys was pacing before her and Lucien who was sunken into the seat beside her, Azriel and Cassian stood as still as stone to the side of Rhys' desk as he walked the length of the room behind it. Anger burned in his eyes, the violet orbs that Feyre loved so much now blazing with infantile fury at what he had lost.

The power pulsating around the High Lord was nothing compared to yours, but it was still uncomfortable to swim in; it was migraine-inducing, it made her eyes feel heavy and limbs weak, and she knew the power within him was teetering on the edge of unleashing.

Rhys, as calm as he was portraying, lay his palms flat against the table surface, staring Nesta and Lucien down, but neither of them relented, neither of them would dare falter in front of him, "Tell me where my sister is," his lips curled into a smile, a sadistic thing of psychotic beauty, his eyes were demanding, and Nesta stole a glance to Lucien whose fingers were ripping at the leather arms of the chair.

You had disappeared from Helion's birthday gathering, your scent floating away in the breeze, and you hadn't told a soul of where you were going. Rhys had assumed you were ashamed of yourself and had returned to Velaris, that he would be able to deal with you later. But when Eris' note had landed in Lucien's lap that evening, he had never felt such simmering relief.

There was history between Rhys and Lucien, they weren't exactly the best of friends, but they weren't enemies, Lucien dealt with him for Elain and Rhys delt with him for Feyre, but if he had it his way Lucien would cease to exist.

"Y/N," Lucien bit, to remind them that you were y/n, your own person, and not just known to be his sister and executioner, "Has denounced her place in the Night Court, she is residing elsewhere."

Azriel scoffed, his finger trailing along the sharp edge of Truthteller, "She can't denounce her place so easily."

"Well she has," Nesta smirked, her stare barrelling into Azriel whose pupils flared in response, "I suppose this is what happens when you raise a female to be nothing more than your dirty little secret."

Rhys bristled, "I would watch how you speak if I were you, Nesta."

Rolling her neck, Nesta drawled, "I think you forget how little I care for your opinions, Rhysand," Lucien hummed low in agreement, legs lax and open against the confinements of his seat, "It seems as though y/n finally realised what you've done all these years."

"And what's that?" Rhys challenged.

Nesta could have smacked that smirk from his lips, but she restrained herself from doing so. Unfortunate.

"Lie," Rhys' eyes darkened, "All you've done is lie to her. You had never hidden her to protect her from what happened to your mother and sister, you used it as an excuse so that no one would find out just how powerful she is. You hid her so that she would never realise her full potential, you never trained her abilities and yet her power still drowns you, and instead of caring for her and helping her, you locked her away in this city and silently forbade her to ever leave."

Lady Death rose to her feet and approached the desk, paying little mind to the daggers shooting from Cassian's eyes. Fuck the male who would let their master manhandle their precious mate. Nesta mirrored the High Lord, palms flat across the table and leaning in so that she could feel his breath on her cheeks, "You have raised y/n to be your executioner, you have spread this vile word of her ferocity and violence so that no one would ever wish to be around her. You created the image of a bloodthirsty monster that lays dormant in the Night Court until her master calls upon her, and y/n has realised just how much you have betrayed her. All she knows is what you reared her to be, not what she actually is or can be."

Lucien shuffled in his seat, opening his mouth and voicing, "You stole away her chance to choose her own path by manipulating her into believing that her place in the world was to be nothing but the Feared Princess of Velaris," he leaned forward in his seat, smirking at the way Cassian took a step forward, "The mere mention of her name strikes fear into the souls of every traveller, they sing songs around fires of her, she is the monster in the nightmares and the one dying men wish they never meet on the other side, and she has been allowed to be depicted like that because you wished it."

It was masterful really, how Rhys had manipulated everyone to believe that you were an awful abomination of a thing when in reality all you wanted to do was see the world and curl up with a good book. You hadn't experienced anything good or soul-awakening, Amarantha had stripped your essence from you the moment she carved your wings from your body, and that had been the moment that Rhys had wrapped his talons around your mind and bent you to his will.

"Tell me where she is."

Nesta cocked her head to the side as she scrutinised his face with horror laced in her orbs, after all they had said all he cared about was knowing where you were, he had no interest in acknowledging or accepting anything he had done. She looked to Cassian, "Do you not understand how disgusting this is? She grew up with you, you said she was like a sister to you that you loved her as much as him," Nesta pointed at Rhys who pulled back from the desk, "How could you stand by and allow this?"

"Y/N's power poses a threat to us all, I did what was necessary to ensure our safety."

"If that's truly what you think then you are no mate of mine," she spat and his eyes rounded as his forehead creased, his façade was cracking. Nesta turned her attention to Azriel, "You. You're supposed to be her best friend, she loves you more than anything, there's nothing she wouldn't do for you, Az."

Azriel shrugged, "My duty is to the Night Court."

"You're a pig," she took in the sight of Rhys who had taken a step or so backward and had found a place to lean against the fireplace, her anger bubbled and there was little she could do to stop the truth from stabbing him in his soul, "Y/N is in the Autumn Court. The one place you physically can't go, where none of you can and I'm so glad she got out of this shitshow of a city because she would have died if she had been locked away for another moment longer being treated like nothing and no one."

"Watch it."

Nesta chuckled lowly, "Or what, Rhys? You'll kick me out of the Night Court? It's a good thing that I'm already leaving."

What have I done?

The thought was on repeat in your mind, an overlapping record jolting with the same phrase.

A pit had opened inside of you, a gnarly black hole full of anger and hatred that had dampened the moment Eris had wrapped his arms around you and pulled you into a flurry of light, and you could distinctly see the world as you knew it warp before your eyes.

The dress you had worn was draped over a standing mirror, the skirt of it brushing against the glass in the breeze swelling through the room Eris had led you to that night. Flowing water from a babbling brook sounded from beyond the window, harmonising with sweet birdsong and the rustling of autumn leaves. Sunlight speckled through the room and streaked across the thick brown carpet that made you feel like you were walking on clouds.

For a moment, you stopped thinking of how your life had momentously changed in the space of one decision. It was a peace you welcomed before the reality of it came crashing down on you.

Rhys would be furious once he found out that you had denounced your home court and title, so furious that he may not allow you back which wasn't exactly a bad thing. But nothing would made that vein in his forehead pop more than when he realised where you had gone. To Autumn. With Eris.

Your heart raced at the thought of it, your hands went clammy and damp, and you couldn't stop thinking about what exactly would happen to Nesta and Lucien because of your reckless decision.

You are the author of your own story.

A soft knock rattled on the door, pulling your mind back into the present. Lifting yourself from the larger-than-life bed, you padded over to the door, knowing that Eris would never just let himself into the safe space he had gifted to you.

Eris stood on the other side, the sunlight brushing over his face and turning his eyes into molten shimmer bronze, he looked handsome, dressed in tight taupe pants that were tucked into his riding boots, a cream shirt loosely poked into the waistband.

His gaze travelled down your figure that was half-hidden behind the door, specifically at the shirt he had leant you that barely fell to your mid-thigh which left the rest of your leg exposed to him. Your hair was messy from the night full of tossing and turning, but he thought you looked radiant, that it made you look rather adorable actually.

"Good morning," he told you softly once he was done examining you, there was a box in his arms along with a few folded pieces of fabric, "I went out this morning and got these for you," he offered, "You don't have any clothes here so I thought these would do for now until I could take you into town."

Taking the box and tower of clothes from his arms, you smiled, "Thank you," you suddenly felt naked in front of him, the breeze drifting inward and up your legs reminding you of that fact.

If he knew of your realisation he didn't let on, "Our fashion isn't like that of your former court, but I'm sure you'll look incredible in it regardless," his eyes sparkled and your racing heart began to relent, "I'll be in the gardens when you're ready, Fawn."

Eris left you after that, he left you with the lingering speckles of his scent, the same scent that you had drifted to sleep bathed in thanks to the large shirt he had given you. The arms of the shirt drooped on you and you knew that it was due to his large arms perfectly fitting in the fabric.

The clothes were lovely, a mixture of dresses in a variety of styles and hues that you knew would mould against your skin perfectly, tailored shirts and tight leather pants, feminine waistcoats of forest green and red wine with golden embellishments, and undergarments that you knew Eris wouldn’t dare pick himself. Even the thought made heat rise to your cheeks.

Deciding to embrace your defection, one that Eris had been careful not to voice directly, you dressed yourself in a pair of high waisted black pants and a fitted artic blue blouse. It was so unlike anything you had ever worn, but it was beautiful in its own way. Turning to the box, you lifted the lid and gasped at the oyster coloured riding boots that must have cost a small fortune considering the intricate stitching. They weren’t just regular riding boots, no, when you slid them up your calves and found yourself adjusting them to your thighs, you knew they were a statement piece if you’d ever seen one.

Pulling your hair back into a low and messy bun, you found your reflection and grinned.

Eris was right, you did look incredible, like Velaris had been dispelled from you long ago and was nothing but a horrible dream.

Fir Manor was a special place, you could see why Eris chose to live there over the Forest House. It was light and bright and full of warmth from the whispering sun, ornate furniture was littered everywhere, the library was the personification of comfort and grace, exposed wooden beams loomed overhead and the windows were large and clear enough that you could see to the edge of the estate and the woodland beyond.

Your sun-starved skin cried in relief as you stepped outside, drinking in every vitamin offered to it, a low whistle caught your ear and you found Eris stood before a pair of large but stunning stallions, his hounds chasing one another and running between their legs which didn’t phase them at all.

“You look,” he trailed off as he approached, a jacket now completing his outfit and fingers raking through his red hair.

“Like Autumn threw up on me?”

“Something like that,” you huffed out a laugh and looked to the beasts, “I thought you’d like to explore the woodland today, get you out of the manor for a few hours?”

It was an offer than you wanted to say yes to, but at the same time couldn’t, ashamed of your oncoming admittance, “I would love to. It’s just,” you faltered, your eyes moved from Eris to the towering midnight black stallion that had craned its neck to look to you inquisitively.

Eris caught on, “You don’t know how,” a solemn finish to the sentence you were trying to voice, his heart clenched slightly at the defeat in your eyes, yet another thing that had been taken from you, “Well I can teach you,” he spoke, “Today you can ride with me, learn the basics, and you’ll be on your own stallion in no time.”

The High Lord of Autumn stood beside you, elbow to elbow, and even through the fabric of your clothes, you could feel his fire prickling across your skin and work its way into the woven fibres of your soul. He stood there seemingly unknowing of it, and when he looked down on you, waiting for your answer, all you could do was nod.

The stallion, Axos, shuddered under your touch as your fingers drifted over his side and around the curve of his saddle. Hands curled around your hips and you almost fell backward at the touch, Eris was behind you, his chest moving against your back and you glanced backward at him, "Don't get too excited," he smirked, and you wished you could have seen the muscles in his arms rippling as he lifted you up, instructing you to swing your leg over before he settled in behind you with ease.

The reigns became wrapped between his fingers, his breath was hot against your neck and Axos was moving onward after a curt click from Eris' mouth, his hounds trotting happily alongside you, "You have to roll your hips with each step he takes," his voice was gruff in your ear, low enough to send shivers flowing down your spine, "Like this," he unwound one of his hands from the reigns and placed it on your hip, gently moving it back and forth to the steps of Axos beneath as the stallion carried you both into the woodland, through the arched hanging branches and grasslands.

Awareness washed over you at how close Eris truly was, you were nestled at the centre of his open legs, his thighs encased your own, his entire chest shrouded you, and a shadow fell over you from the sheer size of him. He was pressed up to your back to the point you could feel his heart beating through his shirt, a thing you had become extremely aware of but didn't dare shudder away from in fear of him pulling away from you.

The landscape was picturesque, mounds of fresh earth, dainty flowers and fallen branches, leaves of orange, brown, and red, and water flowing through the small brooks, trying to find their way to the river. Even the sun felt surreal, it streaked through any respite of bark that it could, its golden glow spreading and infecting the land. Soft scampering of tiny paws ran through the trees, squirrels jumped from branch to branch, following you and paying no attention to the swarm of hounds keeping an eye on them.

It astounded you how a place so beautiful even existed.

It scared you how place so beautiful could turn into the most vicious of battlegrounds.

"Are you afraid, of Rhys coming here?"

Eris tensed behind you, his hand still lingering on your side, "We don't have to talk about this, y/n."

"I know," you told him, smiling softly as you watched a small bunny poke its head above its burrow, "I just know him, and I don't want to put you or your court in danger."

"I'm not afraid of him, and he will never step foot in my court. I won't allow it," he was stoic, and you knew he was telling the truth, Eris had faced worse than Rhys, he had endured worse.

"I can go, I don't have to be here, Eris."

Axos stopped moving, your brows itched together in a frown and you turned to capture Eris' gaze which was riddled with confusion, "I would never dream to keep you from doing whatever it is you wish to you, even if you wish to leave, I would not stop you. But I would like you to stay, and I think you would like to stay too."

Eris' amber pools softened and he smiled sadly at you, knowing that you didn't wish to leave but wanted to protect him and his home from whatever it was that Rhys could inflict upon it, "You will always have a place here, y/n. No one can take that from you, whatever you wish for is yours."

"Who knew that the fox could be so sweet?"

Eris tilted his head back and laughed, a pure thing of serenity, he moved his hand to your thigh and squeezed it gently before grabbing at the reigns once more, "Keep going, Fawn. You're getting warmer."

The hours ticked by, idly chatter filled the air, he told you the names of his hounds, you had unmounted Axos and delved further into the woodland, touching every tree that you could as if you wouldn't see them again all whilst Eris trailed you with a distant grin on his lips. Sunlight began to wane into its mid-afternoon position, the warmth replaced with bristle breezes and the birdsong drowned out by the emerging chirps of crickets.

Golden hour.

A moment you had heard of, when the sun reached its most comfortable resting place before it beckoned the moon to start its ascent, where the world was coated in the golden autumn glow that consumed the land. You had heard the stories of its beauty, but nothing could prepare you for it as you watched the light shift to a different angle and a shimmer cling to everything that moved. The waters glistening, sparkling and reflecting against the bodies of the trees, and that sparkle bounced all over the clearing where you stood.

"It's beautiful," your voice was a whisper but your eyes floated about the clearing, your body turned where you stood and you drank it in.

"It is," Eris confirmed from where he stood, dry branches creaked under his feet as he approached, "It's something that I take for granted, when you see it every day you forget how special it is."

"I wish that you could see it again for the first time."

A weight shifted at your feet and you peered down to see one of Eris' hounds, Willow, perched atop your toes, looking up at you with a lopsided grin as she panted. Reaching down, you scratched the spot beneath her shin and between her ears, your heart swelling as her tail swatted at the floor and her eyes screwed closed as she accepted your touch, "She likes you."

Willow was an elegant beast, long brown lashes, deep brown eyes, shining fur of tan and black, and shaggy ears that fell down the sides of her face, "I like her too."

Eris' eyes glowed, with what you couldn't quite tell, "We should head back to the manor, you must be starving."

When you thought of it you were hungry, you didn't remember the last time you ate, perhaps the morning of your departure but you couldn't be sure of it. The ride back to the manor felt too short, you were relishing in his company far too much, so much so that you wished that the day wouldn't end.

Fir Manor approached in the forefront of your vision and you sighed, ready to be in more relaxing clothes, but also ready to eat something. You could only imagine how incredible the food would be if even the landscape alone brought you happiness. Eris dismounted first and held his hands up to you, not even straining as they gripped your waist and placed you back on the ground delicately.

Eris' finger reached to tuck a strand of your hair behind your pointed ear, one that must have fell loose from the effortless bun you had thrown your hair into that morning. That same finger lingered, ghosting over the curve of your jaw and you felt your breath hitch in your throat. His eyes were on you, waving themselves over your face.

You could have stayed there for much longer, in his arms with his fingers dusting over your skin. It seemed that others were too impatient to allow the moment to continue as the door to the manor swung open and you turned your head to see Nesta and Lucien stood on the porch with Elain in the doorway.

"Nes?" Eris' grip on your waist tightened slightly but relented as you moved away, pacing up the pathway and flinging yourself into her open arms which wrapped around you tightly, "What are you doing here?"

"Our place is with you," she muttered and you pulled away, looking between her, Lucien and Elain as Eris fell to your side.

"What about Cassian?"

Nesta shuddered, she took a moment to glance at Eris and the apprehension he wore as he inched closer to you, "I can't be mated to someone who could allow something like this to happen."

"I'm so sorry, Nes," guilt pooled within you and she could see that as clear as daybreak, she took a step closer to you, taking your head in her hands and stroking your cheeks with her thumbs.

"Don't be," she shushed, "I chose you. I will always choose you."

Lucien placed a hand on your shoulder and offered more detail, "Rhys is furious, but he knows that he can't get to you here," he glanced to his brother and his lips tilted downward, "He's asked for you, for a meeting at the boarder."

The High Lord growled under his breath and took a protective step to you, it was clear that Rhys was going to attempt to barter for your return, that he was going to use his manipulation tactics to steal you back, "Fine," your blood ran cold and Nesta's fingers gripped at your wrists as Eris rounded your figure to stand beside her, "You're not going anywhere, alright? It's in our best interests to see what he has to say. I'll never let him take you," Eris turned his head to peer over his shoulder at his younger brother and Elain who had drifted from the doorway to entwine her fingers with his, his eyes faltered in want before he spoke, "You'll accompany me."

Lucien nodded stiffly and once, "For her, I'll do whatever you need me to."

"Thank you," Eris' words were sincere and he found Nesta's gaze, "You can all stay here for however long you'd like," then he found yours and he reached for your hand, his calloused fingers brushing over your knuckles, "Forever if it suits."

The sun hung low in the sky, the moon was pushing itself through the clouds and your heart raced with anticipation for the moment Eris and Lucien would both leave for the boarder, "Please be careful."

Eris nodded, rubbing your clothes arms in his hands to allow his warmth to run through you, "We will. Go and get changed, I'll see to it that food is on the table for you three by the time you're back."

"Us three?"

"The boarder is hours away," Lucien spoke for his brother who couldn't bare to tell you that they would have to leave imminently in order to meet with Rhys, "If we don't leave soon then we risk missing the window altogether."

"You're safe here, y/n. They can't get in."

In that moment, all you wanted to do was throw your arms around him, just to bask in his scent and warmth for another moment longer, but you couldn't. Instead, you nodded and allowed Nesta and Elain to lead you inside, and you continued to look over your shoulder up until the moment when Lucien closed the door with a tight lipped smile cast in your direction.

It would not be the last time you'd see him. If it was, then you'd decimate the entire of Prythian with your fury.

Author's Note

Here we are!

Hope you love it x

Someone told me that 'Who's Afraid of Little Old Me' by Taylor Swift is so The Fox and The Fawn reader coded and I cannot stop thinking about it

Taglist

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love-takes-work · 1 month

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WHAT WAS THIS SHOW ABOUT?

One thing I really love about Steven Universe is that each of the four major characters kind of got a chance to be What The Show Was About. I would have LOVED spending more time with all of them and delving into who they were and who they became beyond what we got, but what we got was . . . actually pretty special.

STEVEN

As the ACTUAL main character and the show's literal namesake, it's obvious he's the protagonist. Our man has been through a lot and I don't suppose anyone would say he never got his moment considering he was there for the whole show. But except for some pretty important identity stuff that depended on his choices in the last episode of the OG show, a LOT of Steven Universe is stuff that happened to and around Steven. There was so much history and so much baggage that a lot of the story was about how he fended it off, dealt with it, fought it, reasoned with it, and managed everyone's emotions in the process.

Steven is set apart from the others in extraordinary ways: being half human, being extremely young, being Rose Quartz's son, and having Diamond-level powers and a claim to the Pink Diamond throne.

We had to wait for Steven Universe Future before the show was entirely focused on him, his development, his trauma, and his healing.

Some episodes from the original show focused on Steven's mental health and growth as a person--most notably "Mindful Education"--but we just didn't get to linger very long with his development until the epilogue show because plot stuff was always happening, other people's feelings were taking center stage, and worlds needed saving. I'm really glad we got Steven Universe Future for that reason. Some people disagreed, but I felt like it was a long overdue look into the soul of who he is--how his central defining character trait was his selflessness, and how desperately he needed to address that without having it manifest in a toxic way in the tradition of Jasper, White Diamond, or Pink Diamond.

AMETHYST

It could be argued that Amethyst had the most careful, nuanced, significant character growth of the three supporting Gems in the show. And it started immediately in the first season, when she constantly squabbled with Pearl and revealed that she felt judged and stifled and treated like a misbehaving child as early as "Tiger Millionaire."

Amethyst is set apart from the others in extraordinary ways: She's the clear outsider as the one who didn't fight in the war, the only full Gem from Earth in the group, the only Gem who grew up with no Homeworld dogma but also no roots, the only Gem who'd never met another one of her own and longed on some level for that connection.

The show continues to check in with Amethyst's self-worth issues throughout, giving us "An Indirect Kiss," "On the Run," "Maximum Capacity," "Reformed," and even "Cry For Help" (which seemed like an Amethyst episode until Pearl did her thing). We get "Onion Friend" when Amethyst shows us she thinks she's boring and that nobody values her. And we get "Too Far" when Amethyst really starts to internalize her inferiority based on Peridot's assessment of her and revelations of her origin.

With her cooking on that, we end up spending a string of episodes with Amethyst as the focus character. She's still shaking off dust about not doing what she's supposedly made for when a fight with Jasper twists the knife. She's beaten and insulted and almost physically destroyed, having to be rescued by Stevonnie. Steven misguidedly tries to cheer her up by letting her win at video games and she reveals that she thinks she's "the worst Crystal Gem." She finds an ally in him but still wrestles with her inferiority to Jasper. And when she still can't beat her in a rematch, she breaks down and realizes her strength is in togetherness. From there, she begins the process of healing, helped along by additional support from her family and finding some connection with meeting the Famethyst. When "Tiger Philanthropist" comes along and reveals that Amethyst doesn't need the outlet of wrestling anymore because she DOES feel she's good enough, we can reflect on what she's been through and how far she's come, and how that leads to her being the one who doesn't fall apart on Steven in the face of huge revelations about his mother.

GARNET

Garnet kind of peaked early, which is not to say it wasn't great. The final episode of Season 1 revealed her identity as a Fusion and further that she was "made of love," and then everyone was on the "Garnet is awesome" train.

Garnet is set apart from the others in extraordinary ways: being a Fusion all the time, leading the team and generally holding the others at an emotional distance, never asking questions, offering resources to the others for stability and balance, being the only Gem with Future Vision and a massive responsibility to use it well.

"Jailbreak" was a huge defining moment for Garnet, and as the "stable" character whose worst problems were mostly other people's problems, she did not seem to need a character arc. She was the culmination of a love story, always awesome and strong and dependable and everyone leaned on her, and in "Jailbreak" we found out why she has such an amazing foundation. But the show was not done with Garnet. Not by a long shot.

Pearl hurt her badly in "Cry For Help." Garnet's breakdown and subsequent focus on building Pearl back up was a significant look into how Ruby and Sapphire operate as a couple. Garnet is amazing partly because she is the result of all that work, but who is she as a person? As an individual who isn't an individual?

We see some of her struggle with leadership as the show moves on--most notably "Pool Hopping," and some of the last episodes when she can't make decisions in the Diamonds' shadow because everything's become about Steven's choices. But Garnet gets a spotlight again when Ruby and Sapphire feel differently about the Pink Diamond revelations and they worry Garnet only exists because of a lie. Digging into the real answers of who they are together through finally asking "The Question," and defining their fusion in their own image, was a move toward more authentic stability for Garnet. Her wedding made headlines, and watching her spearhead the immediate fight against the Diamonds on the beach was awe-inspiring.

PEARL

Pearl is initially presented as "the perfect one"--she's persnickety, she's organized, she's hyper-competent, and she's all about rules. But something else is going on with her not far beneath the surface. The first Gem to die onscreen--because of overconfidence and a silly mistake. The first (full) Gem to cry onscreen (and then over and over and over), the first to have a breakdown (and then over and over and over), the only one of the four to have faced an impossible choice, a relationship that nearly destroyed her, and a secret that ate her up from the inside. She was the only one who had (nearly) the whole story. All along.

Pearl is set apart from the others in extraordinary ways: the oldest Gem of the group by far, the one who served a Diamond and kept Rose Quartz's secret against her own will, the one who doesn't eat, sleep, or shapeshift. The one who both sat at royalty's right hand and existed as the lowest form of Gem life--created to be a servant, with programming no other type of Gem must live with. Her anxiety, grief, and desperate loneliness makes her one of the most multifaceted and interesting characters in animation history.

We see some minor wigging out from Pearl in "An Indirect Kiss" and a more intense version of it in "Space Race," but we get a much clearer picture that Pearl is Not Okay in "Rose's Scabbard." At that point we assume she thought she was closer to Rose than she really was--that she thought herself special and partial to secrets no one else knew, but that it wasn't true. "Rose's Scabbard" is a different episode on rewatch. Pearl is right that she alone was the one Rose "told everything." She did have a special relationship with her that the others did not.

Pearl's insecurity continues to bite us in the face as the show goes on. She tries to mold Connie into a self-sacrificial super-soldier after her own image in "Sworn to the Sword." Her deep need for someone strong to tell her what to do leads her to betray Garnet in "Cry For Help." Her inability to appropriately make it up to Garnet further complicates our understanding of how she can be so lost. Her jealousy, inertia, and angst frustrate her relationships, with some nice resolution in "Mr. Greg." Peridot's lore drop about Pearls' slave status sheds light on this, and seeing her get underestimated and bossed around by other Homeworld Gems is disheartening as we move on, but when we finally find out that she was Rose's secret accomplice in a false murder that poisoned thousands of their own citizens and led to massive waves of death, and that Pearl's free will to speak about it was also ripped away from her, we finally know, we know why she's been so brittle she could snap all along. She's been trapped inside herself all this time--in an almost literal way--and it's a wonder she's managed to carry on. Pearl's arcs have often been deemed the most emotionally fraught and tinged with gray morality.

These characters all got some very important story arcs focused on them in the midst of moving the plot along. I think the show did a phenomenal job with not only emotional development but with fallout for the other characters. We got to see the Gems' (and other loved ones') reactions when Steven's mental health took a nosedive, and watched them learn more about how to be there for him. We got to see Steven's initially misguided attempts to hype Amethyst up when she was spiraling, leading to him offering her what she actually did need, along with Garnet and Pearl (as Sardonyx) misfiring a bit when they wanted to celebrate Smoky Quartz. We got to see Steven's curiosities and misgivings about Garnet's life as a Fusion, and how Garnet affects others when she does crack under the strain, and how Steven must step up to leadership when Ruby and Sapphire are separated and how Amethyst tries to take care of him while Pearl has a guilt spiral. And we see how Pearl's choices led to Garnet's silent treatment, Amethyst's sulky helplessness, and Steven's attempt to hold the family together; we see how Pearl's confession reformats everyone's understanding of who the Crystal Gems are and why they're even here.

And even when the show is taking careful turns with each character to paint their nuanced feelings and troubles on the screen, it still managed to give us such a worthwhile overall story, with action and backstory and worldbuilding and everything. What's different about it is that the center was always its people--their relationships, their psyches, their evolution and education. I truly love the balance these creators chose, and I remain grateful that we got to experience this story.

#steven universe #my su analysis #character analysis #myblog

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tumblingxelian · 1 month

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Near Uniquely RWBY - Main Characters

I was chatting with my sibling the other day and we were joking about the fact in 90% of the media I consume I generally don't like the main characters.

Not in the sense I necessarily hate them, but I generally don't find them to be the most interesting, engaging or enjoyable person on screen or page. Instead I tend to gravitate towards secondary or minor characters and even minor antagonists before any of the big names.

Some of this is rooted in my often rooting for what tends to feel more like a real underdog or characters that feel like they got dealt a bad hand by the author unfairly. But its also that in a lot of media the main characters tend to immediately, slowly or quickly go into personality lockdown.

Becoming less a personality and more the embodiment of expected tropes and themes, or they lose their unique edge or circumstances because the plot demands one benefits or personality changes be heaped on them to keep the tone and story going.

Some examples of this would include say:

Ichigo from Bleach, with him and his supporting cast being very unique and super interesting during the initial arc. But as Soul Society came in, he became a much more standard Shounen determinator a the expense of his personality and his supporting casts were largely watered down & left behind.

Or how in Naruto or Dragon Ball the whole underdog/hard worker aspect of the characters felt undercut by legacy power ups and an endless wellspring of natural talent, alien biology, ETC.

I know these are just two examples, but they cover the general gist of what I mean.

So, what makes RWBY different?

Well, off the cuff, is simply that the four main characters are women.

I've often felt simply putting anyone other than a cis-het guy into the main character slot of say, a battle Shounen, or Isekai stands a good chance of making it more interesting by default. Even if the author does nothing with it the audience reaction would be different because the MC would be an exception to the norms.

In that vein, while one can call RWBY some sort of Shounen or adventure fantasy or magical girl show the main four are unique in how they manifest on screen at the very start. From how they participate in action, to how said action is structured and framed and the kind of adventures and topics they tackle.

But being unique alone is not enough, that would simply make it more interesting than the bog standard but what elevates RWBY is the execution and exploration of such elements and its characters.

Going into every aspect would be difficult, but in light of what I said above would be how each of the main four are initially presented as familiar archetypes, only to subvert or deconstruct them.

Ruby is a peppy goth who just wants to be normal but has inborn powers from her mysteriously vanished mother and serves as a beacon of optimism to others.

Except Ruby's version of normal still involved fighting death monsters with a sniper rifle scythe and she is actually one of the more ruthless characters. Her peppy persona obscures that she can have a pretty vicious temper when pushed and has displayed strong bloodknight tendencies.

Her unrelenting optimism and desire to fix the world is a complex mix of true beliefs, coping mechanism for trauma and her grappling with positions forced on her against her will. Her inborn power is potentially useful but also not that much of a game breaker outside specific contexts & said power sure as hell didn't save her mom.

Weiss Schnee is the Tsundere heiress of a powerful family, with a haughty attitude that hides her loneliness.

Except the "Tsundere" is more of a defense mechanism born of coming from an abusive home where every member of her family manifested a different trauma response. Freeze (Mother), flight (Sister), Fight (Weiss) Fawn (Brother).

Despite her upbringing & some projected trauma, she's far from ignorant as to the worst excesses of her nation early on, and her journey was more about overcoming the impacts her abuser had on her and finding a family in her team that let her be safe enough to let down her walls. Also despite being "The ice queen" she's actually one of the characters least inclined towards more ruthless actions and is extremely empathic.

Blake Belladonna is a mysterious and silent rougish woman, something of a shrinking violet even, but she carries with her a wounded heart thanks to her old flame, the edgy Adam Taurus.

Or more accurately, Blake is the daughter of activists and politicians who represent the worlds main discriminated against minority. She spent her youth on the road as a protestor and where even her father could be nearly killed by a lynch mob. She was targeted & groomed by a man who claimed to want to fight the same injustice she did but who was only interested in using the movement to grow his own power.

Her initial aloof-ness was a trauma response to having spent years under his thumb and overcoming him and the idea she had to 'save' him was one of the main corner stone so her character. Also, despite the "Revolutionary fighter" backstory she like Weiss is much less inclined towards ruthlessness than her team in large part because her past experience with it.

Yang Xiao Long, introduced as the fun loving big sister of Ruby & boisterous bruiser of the team who loves to party & flirt.

Except no, Yang was parentified as a child and forced to raise her own sister as their family unit fell apart. Her "Party girl" persona was outright framed as judging a book by its cover in her own trailer and something she put on or took off as she needed.

She became disabled over the course of the series run as well as entered a Sapphic romance with her partner Blake. Unlike the stereotype of characters with her design, Yang is actually an excellent student, fighter and engineer/mechanic. Plus much like her sister she tends to be of the more ruthless and pragmatic persuasion despite being from the "Normal" background.

Character Conclusion

So, all the characters break out of their initial archetypes, which already makes them more interesting. What's more, these sorts of characters just being oput together and made the main characters rather than circling a dude is in of itself unique.

But there are other aspects of the writing which endear me to how it handles the main characters and what keeps them interesting.

Anger & Violence

See, while in various media women do express anger at times it is still often far less so than men. What's more, often women's anger tends to be presented in... Less flattering lights.

With the anger obscuring fragility while in a man it conveys strength. Or implying a sort of hysteria rather than an appropriate or controlled response. Or worst of all being demonized in general unless its rooted in or coming from traditionally feminine places.

The same tends to be true when it comes to violence with a lot of media either trying to find some way to make women in battle less... Brutal than their male counterparts. (More more like fanservice) Along with rarely letting women fight men, unless they are a special exception to the norm.

RWBY does not do this.

The main characters, hell, all the women in the series express a multitude of different forms of anger and violence. They battle men, they battle each other, they battle monsters all with no distinction nor fanservice shot in sight.

What's more though is that said anger and violence are not presented as, for lack of better words, wrong. The writers don't draw overt attention to this fact, they don't hang a big sign up saying "Girls can fight & shout too" or the like.

They just present these women with a range of emotions, motives and actions that are treated according to what fits the theme of the show rather than hewing closer to gendered lines.

This isn't to say anger & violence are lionized, but more that the experience and usage of them is not demonized or undermined because of the characters gender.

I suppose what I am saying is that CRWBY by and large lack double standards when it comes to exploring these things that I see so often in other media. The women in the main cast, among the villains, both sides respective allies and beyond can be flawed, or angry or do both good and terrible things.

But the writers are always treating everyone's pain as equally valid regardless of gender or situation. Which means that the situations that cause anger exist within a tone of respect that forms the depiction and framing of anger itself.

Which is just something I really enjoy.

Thanks for reading!

#RWBY #Save RWBY #greenlight volume 10 #Team RWBY #ruby rose #weiss schnee #blake belladonna #yang xiao long #Some other series that do this or touch on it are She-Ra #The original Sailor V manga but less so Sailor Moon #& to varying degrees the Owl House #Thanks to Adam for helping me with the conclusion!

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halfagone · 4 months

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So I was thinking and...

Move aside, Danny, this ain't about you-

My reasoning?

We all know Danny's life is fucked up. We know this. We've acknowledged this. All sorts of shit happens in the show that gets glossed over and we, as a fandom, go in and say, "Yeah, no let's talk about that actually-" But while Jazz may not be a main character, things happen to her too that should be acknowledged as well.

Let's start with some basics: her parentification. While it may not be uncommon for older siblings to take care of their younger ones, that doesn't make it right or better. Jazz is 16 in the show. She is just as much a kid as Danny is, even if she vehemently tries to deny it. She should not be the one responsible for looking after her brother like a parent would.

This also bleeds into the way she has to watch after or hold her parents back. They are grown adults; she should not be the one responsible for making sure they treat her younger brother right, or don't forget things, or act like adults. This is not and never should have been her duty as a child, oldest or not.

Let's move onto more episodic examples. In "Prisoners of Love", she had a bit of a meltdown when she found out she had been wrong. That lends to some control issues and perfectionism that isn't healthy in the slightest and should probably be dealt with before she becomes an adult and realizes that kind of mindset is going to burn her out. Fast.

In "My Brother's Keeper", Spectra intended to murder her in front of the entire school. Obviously the plan doesn't work out, but a murder attempt is a murder attempt and that brings trauma all of its own.

A lesser known example, but Johnny (who she had dated briefly) used her as a meat puppet in "13" so that his girlfriend could escape from the Ghost Zone. If we want to acknowledge that what Kitty did to Paulina was wrong, then we have to acknowledge this too.

In "Doctor's Disorders", Jazz was literally a disembodied head in a jar. I feel like we should talk about that, and the body horror that comes with it. In line with that, Vlad had nanobots injected into her system, as known from "Secret Weapons", and regardless if they're still there or not that weighs on the mind.

In "Reality Trip", Jazz agreed with Freakshow which implies she has some ghost envy of her own? If Tucker's desire to have powers like Danny is messed up, then this ought to be too.

Now this poll isn't to ignore Danny's trauma. But this ain't about him. This time it's about Jazz and the fact that she has problems of her own. I know it's popular to make her out as a mini therapist, but therapists have therapists of their own to handle their stress and emotions. Jazz should be no different, even if you don't headcanon her as a psychologist as an adult.

So, tldr: Jazz's life is fucked up too and it deserves some acknowledgement.

#danny phantom #jazz fenton #character analysis #with yours truly :D

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sprout-fics · 9 months

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I feel like Ghost would be an alpha who isn’t super in your face if you’re an omega. He is more of a silent presence, lingering there, ready when needed. The first to bring things for a nest, the first to detect when something is off with his omega. Just nowhere near as domineering as he’s sometimes represented in Omegaverse. Dominant in scenarios, yes, but not domineering.

So I'm actually going back to my forced designation switch alpha Ghost for this, (despite saying I wouldn't revisit it) because the more I think about this the more I really want to incorporate it into this story.

TW: Similarities to conversion therapy, details of canonical sexual assault

I think, if we're considering Ghost as an omega prior to his forced transition, he absolutely remembers what it was like to deal with that. He likely hid it from his family, given his father's abuse, so as to not cause more harm to himself. So he understands Reader when she admits she purposefully concealed herself for quite some time due to biases in the military. An omega, and a woman? To say the chances are stacked against her is an understatement.

I also think this allows him a unique perspective. He knows what it's like to hide heats, to always be on edge around alphas, to watch your back all the time and to be ashamed of who you were born as. He picks up the subtleties in you, is the first to whiff out a pre-heat, to notice the alarmed spike in your scent. It makes him all the more protective over you, knowing the evil that's out there that threatens you because of your designation. Yet he doesn't become overbearing, because he also understands that the presence of a heavy-handed alpha might make you nervous, on edge given your prior experiences with alphas. He knows that too, have lived a life before this similar to your own. It makes him a better alpha, not only because he's receptive, sympathetic to his omega mates, but because he's lived it.

I think Ghost has a very complicated relationship with his status as an alpha, and with sex in general. He's comfortable where he is now with the team, but only because they are fully aware of what has happened to him, and as a result know how to handle him when it becomes too much, when he remembers Roba, the torture, the fact that he used to be different.

Becoming an Alpha was in some ways a relief for Ghost. He didn't have to struggle anymore with concealing himself, with potentially losing his service if he was revealed. Some would say he's better for it, can now be the perfect example of a lethal soldier because of his alpha status

But it was at a wicked cost.

It came at the cost of his autonomy, his dignity, it came with pain and trauma and horrifying flashbacks that continue to haunt him. It fundamentally changed him, emotionally, psychologically, and physically. Even after Simon escaped and put an end to Roba it wasn't over. His body changed, reformed itself. He grew taller, stronger, bulkier, more muscular. He had to get used to not being at home in his body, to instincts that were unfamiliar and overwhelming. He was suddenly dealt with as an entirely different person while he was dealing with the aftermath of his trauma, the grief of losing his entire family, the erasure of his identity in order to survive.

I think that's where the team comes in as well. Price was there for Simon in the immediate aftermath of his transition, helped him through the newness of being an alpha. When Simon's first rut came, he was borderline uncontrollable- brain chemical haywire, rebelling against themselves in a vain effort to revert back to their original omega state, competing with the the alpha instincts to rut, chase, breed. In my personal interpretation, with was Price who acted as a partner for Simon during this time, as Simon could not be trusted with an omega partner. He was fully aware of Simon's trauma, like had dealt with traumatized soldiers before, had the experience of being an alpha, and had...other experience to bring to the table as well. He coaxed Simon through his rut and as a result the two formed a deep trust with each other that extended far beyond the realm of camaraderie and friendship, and eventually led to more romantic implications

Then comes Soap, this rebellious spitfire omega who has concealed his designation and by all appearances is an alpha just like Price and Simon. We knows how this story goes. Ghost slowly falls for Johnny, doesn't act on it, yearns and pines in angst over how he could possibly dream of Johnny accepting him, and how he could possibly be a good alpha to him. Johnny wriggles his way into Simon's heart anyways, knocks on his soul and carves inside inch by inch, and Ghost slowly lets him, until at last Simon finds out he can be a good alpha, and that all it took was one feisty omega sergeant to tell him that

Ghost, at least in this story, still struggles with these things. They never quite leave him. He's extremely hesitant to spend his ruts with anyone other than Soap, and takes a significant amount of time to allow himself to be intimate with Price and Gaz. For you, he refuses your assistance for his ruts for the first few cycles, too nervous about hurting you despite how much he wants you. Soap has to coax him into it, has to teach him he's okay, that he is not his abusers, and stays with you both the first few times you are intimate with each other as Simon slowly works through this particular aspect of his trauma. It takes time, but Ghost finds he can be a good alpha to you too, that his forced switch and the consequences of it do not define him.

Holy SHIT that was a long answer. I just wrote an essay. Apologies, I've been thinking a lot about this concept, and despite the heart breaking details of it, I think it adds a deeply fascinating aspect to Ghost's character in this AU that fits within the realm of his existing canonical trauma. Thank you so so much for letting me ramble.

#alpha ghost #omega ghost #cod omegaverse

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