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#she's more and more balanced as a person and connected to others and getting less afraid of doing
nozomijoestar · 1 month
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New hibike ep almost making me cry
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sylvies-chen · 1 year
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my mother said something really interesting about this episode (yes, she also watches the show and is a huge fan of dani rojas just like me) and it’s been stuck in my head ever since. she said: “it seems to me like this whole episode was about intimacy”
and like… yeah! that’s exactly it! the amsterdam trip set the perfect scene for it too, because people are normally a little more lax on vacation, a little more adventurous, a little more lenient and able to put themselves out there.
you have the pretty obvious contenders for this point: rebecca having her little fling with that nameless bald man and learning to open herself up to real connection and intimacy again, to be able to envision for herself a life and a love that is unmoored to her past with rupert and is able to exist in its own little intimate pocket. you’ve got jamie and roy learning to trust in each other, to be intimate and vulnerable about their pasts and about their present situations too (especially for roy, who is still right now a man who would rather break up with the woman he loves that admit, that he doesn’t think he’s good enough for her). and you also have, of course, the true soul of the episode, which was colin and trent’s discussion, and how colin feels that ache to be able to show the more intimate parts of him to the world the way heterosexual couples do, to be able to merge his intimate personal life with his fun if not a little reserved professional life. how to achieve a balance between intimacy and privacy.
and then you have the less obvious ones maybe, like higgins and will going to the jazz club— which isn’t really that hard to decipher when you think about it. it is, after all, where higgins opens up about an intimate detail of his love for jazz, and then gets to share his previously very intimate and private activity of playing the bass with the crowd. he even starts the night complaining of how exposed their seats feel, and ends up standing on the stage by the end of it. and, of course, will potentially had a threesome. so there’s a kind of intimacy for you. the one that truly isn’t obvious is the team pillow fight which honestly, I think is just a way of showing that sometimes a more intimate, fun yet indoor activity makes for better memories than something like a sex show or a club, which are both very grand and exciting yet impersonal and detached kinds of activities.
then of course you have ted, who is sort of lacking what my mother called an intimacy with himself. he’s been feeling a little lost, a little “stuck” as he put it. and I don’t think he understood why until this episode, until this adventure he went on with the museum and the american themed restaurant. it was a way for him to spend quality time with himself, to be alone with his thoughts while still not totally unable to absorb his surroundings and learn something. and in exploring his more intimate thoughts he was able to think of something really good! something that will make him a better coach!
and yeah, when it’s framed in this way I think this episode was sooooo killer. I love seeing people open up a little bit, to show these deep and intimate parts of their being. it’s so so so good.
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ferie-anon · 1 year
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🐚 Aspects & asteroid observations etc 🐚
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🍵 I notice people with bella asteroid (695) in sagittarius tend to be known for their bigger figure and curvy for females, as sag rules the booty. Men with this placement could have broader shoulders and look athletic or look fit. Btw the bella asteroid (695) can show you where ur “beauty” is.
🍵 Bella asteroid in virgo tend to have an “earthly”/natural and warm beauty. Their skin could be tanned or just have a warm undertone. They could have big doe eyes, from the ones I’ve seen that has this placement.
Bella asteroid in libra or 7th house may be known for their harmonious facial features.
🍵 Moon in 9th/sag tend to space out at times I notice, or they don’t recall certain details/events at times if they don’t remember anything memorable of it.
🍵 Venus trine neptune falling for morally grey characters? 👀
🍵 Nymphe (875) in leo in conjunct the ascendant may have luscious and wavy hair or their hair is ethereal/pretty to others.
🍵 Jupiter conjunct asc = big chest + booty 👯‍♀️ tho I’m sure ppl alrdy know that 🧍‍♀️
Difference between pluto negatively aspecting ascendant vs positively aspecting:
Me having pluto square ascendant and ppl finding it a bit hard to approach irl becuz I look quiet and studious and isolated (pluto square asc ppl are private and keep to themselves)
While my friend has pluto sextile ascendant and people finding her interesting and easy to talk to, cuz shes kinda quiet but also wants to make friends/experience the fullest of life (pluto sextile asc makes them more comfortable and confident in their power and making them magnetic and able to understand others in a deeper and different way).
Also I have another friend who has pluto square asc and ppl think she’s judgy/intimidating or looks to be a critical person at first glance/impression, even tho shes actually chill and friendly. So sometimes they don’t approach at first till they find out shes nice actually.
Random moon sign analysis:
🍵 Interestingly I have two friends with moon in 9th house but they don’t act the same. One of them has virgo moon in 9th house at 15 degrees (gemini degree), and the other has gemini moon in 9th house at 19 degrees (libra degree). Both moon signs are in mutable signs and house(while the degrees are different), but I feel the degrees slightly change the way they process and interpret information. The one with the gemini degree in her moon in 9th tend to be a bit “scattered” and have random unusual but creative and funny ideas, whereas my friend with libra degree in her moon in 9th seems to be more calm and just going with the flow with her thinking and balanced with her side and processing what others are saying to add to it. Since libra degree is cardinal energy, so her process of thinking is more direct.
It could also be becuz the two moon signs are inherently different in their process since virgo moon is more practical but also tries to retain and have a lot going thru their head, while gemini moon’s brains easily access and connect a lot of things in their head at that moment or just intuitively/ gemini moons thinkings are less filled with overthinking as they are not focused on the effects but the "possibilities".
🖋️ Mars at 0 degrees would lash out or have a lot of anger in them. If u tick them off or they feel disrespected, their anger can be volatile or hurtful.
🖋️ Saturn in 4th house could indicate to a difficult childhood or a family life of feeling disconnected or alone at times. One of my friends has this in her natal chart and her family dynamics is complicated, as she feels distant with her father and step-mom, while her birth mother and grandma lives in another country and she feels closer with them.
🖋️ I notice if theres gemini in the big 3 and earth placements in the big 6 together, they may be interested in getting tattoos on their body. For eg. Taurus sun with gemini moon and venus, they may think of getting meaningful word tattoos on their neck. (Eg. Ricky from boys planet has a tattoo on his neck with the word rolemodel on it) meanwhile sung hanbin from boys planet has a word/quote tattoo on his inner part of his arm and he has a sun and moon tattoo around the center of his collarbone/chest (hanbin has a gemini sun pisces moon with taurus venus)
I just notice that if theres gemini and earth placements in there, they’re likely interested in getting tattoos over their upper body, like arm, neck, or back. I think the moon sign can heavily influence where they put the tattoos and wut type of tattoos. Pisces moon may be more visual and may have tattoos of objects that are symbolic to them. Gemini moon may tend to get a quote they find meaningful or a fancy word tattoo. Capricorn moon may have their tattoos around areas of their joints, area wheres theres bone structure to support like the back since capricorn rules the skeletal system.
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sunandsstars · 1 year
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YAWNETU
CHAPTER 1
Jake x Neytiri x Na’vi!Reader
Summary: One other mate was enough, but two? Unneeded. ___ was the outcast, the unwanted woman. Jake and Neytiri wouldn’t ever see her..right?
Warnings: Talks of war, Briefly mentions death/Bodily harm, Angst, Swearing, Non-con Word count: 2.4k
A/N: Here it is people, the angst series :( Prepare yourselves
Taglist: @itsyoboysparkel @dumb-fawkin-bitch @drinking-tea-and-be-obsessed @fanboyluvr
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Having one mate was enough for a Na’vi, they did not need another to deal with or weigh them down. It was a huge commitment and for most, a waste of time. More than one significant other was a rare case these days anyway, usually only reserved for Na’vi of a higher ranking, like an Olo’eyktan or Tsahìk.
Jake didn’t know that the Na’vi can bond with more than one at a time until Grace brought it to his attention one day, “Na’vi will mate with only one other person for their whole life, unless duty brings them to marry another” she stated, smoking a cigarette haphazardly in the lab room, eyeing the man who sat uninterested in his wheelchair.
Mating. Jake thought it sounded primal, animalistic, something the creatures back on Earth used to do just to get a quick fuck. But when Neytiri brought it up and he finally experienced it himself, it could only be described as sublime. He’s never felt such feelings, emotions. You share them with your partner in such a deep level it left him feeling breathless.
Following their mating the skypeople attacked and cut down the Tree of Voices, severing one of their main connections to their ancestors. That’s when he realised it was time for war. Several clans joined the mighty Toruk Makto to fight for Pandora, when he called they answered. But the battle was bloody, long and gruelling, they all lost brothers and sisters that day. But at least now they will find peace in Eywa’s warm embrace.
The Great Sorrow then became something of the past and the Omaticaya were relocated to an area by Hellsgate, the humans and Na’vi finally living in harmony but not peace, a lot preferring to still shun the aliens away from their home.
But the forest provided tall trees to cover them from predators and plenty of abundance, humans will also be with their technology inside an environment they can thrive in, so each side wins. Jake had finally been anointed as Olo’eyktan with Neytiri being his tsakarem, the couple couldn’t be more happier with the way things have become, fully believing the skypeople will not return.
But happiness must soon come to an end.
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“Ma sa’nok! Why?! Why must we be mated to her?! She is useless!” Neytiri yelled angrily at her mother, the Tsahìk, she has just been told her mother has been seeing visions in her sleep and suspected Eywa was trying to tell her something. This ‘something’ was about her child’s third mate, which she did not anticipate.
“All of our roles play an important part here daughter” Mo’at glared, has she taught her child no less? “your new wife will be a good edition to your family and therefore the clan. It must be done, Eywa has spoken”
Neytiri did not understand, her and Jake were happy together. Alone. They did not need another person to ruin the balance of their life. She turned around sharply to her husband who was sat on the ground by the tree of souls, urging him to make an opinion on the matter with a glare. Jake coughed.
“I agree Mo’at. We are fine together just as it is”
“This is not your decision to make Jake Sully. The great mother will not be happy, she has done this for a reason and we must trust her judgement. She has shown me what will happen if this does not happen, you and your family will fall under a great despair, it will disrupt all we have made” Jake’s ears perked up, alarmed, ‘what does she mean a great despair’. As his thoughts started to turmoil Neytiri continued to talk to her mother, coming to an understanding that it was the way of life. She cannot disregard Eywa’s wishes.
With a huff she walked towards Jake and pulled him up by the arm with no effort, eyes a glare and ears pinned to her head. She walked away and towards her new ikran, ready to get back to camp. “So.. do you know who we’re supposed to mate?”
“Srane”
“Are you gonna tell me?” They flew into the air, Bob screeching as they went above the trees, staying low to the forest. Neytiri didn’t answer his question and stayed silent, shit. He was just a man, a man who knows when NOT to anger a woman, especially one like her. He decided to not take it any further.
Arriving back to Hellsgate they dismounted and landed onto the floor, Jake greeting the humans who passed by them, taking samples from the nature. Neytiri walked up to where the food was being prepared, a group of woman sat by some small children who they looked after while parents were away doing chores. She grabbed one of ladies by the arm and dragged her towards Jake who only stared in confusion. Soon morphing into realisation.
“Introduce yourself” The warrior exclaimed harshly. Knowing that Mo’at has already told her of the plans, she knew going to her daughter first would cause another war and the elder planned to avoid it. So telling the new mate first was the best option for everyone.
“___ te Syakx Hìfey’ite” the woman’s ears lowered to her head and she faced the ground. The pain in her arm where Neytiri gripped was hard, sure to bruise. “I am a gatherer, a healer. I do not hunt like you or -“ Neytiri squeezed her arm to silence her, having enough of her talking.
They were close in age, both eighteen years old and fully grown adults. They both attended Grace’s school together growing up, they were close. ___ was closer with Neytiri’s sister though, Sylwanin. When she died, the younger sister blamed everything on the other girl. Cursing her out and they never talked again until now.
___ was nervous, she knew she had to mate with them, both of them. She knew that the other woman was angry at her still, even after two years. She could not blame her for the grief of her sibling. But over something she did not do? She was not at fault here.
“Nice to meet you” Jake said curtly, not really wanting to talk any further. He did not like the idea of a second mate either, even on Earth it was extremely taboo so he felt awkward on the matter. Neytiri let go of her arm and dragged Jake off, presumably to talk about anything but the ceremony that is supposed to be held later today. Announcing the decisions their Tsahìk has made to the clan, surely they would all be most pleased. ___ could not say the same towards the couple who walked off.
One part of her thought that they just wanted to be alone for a while, being more recently mated and being thrown into another relationship was confusing and disrupting, she understood that. But the more rational part knew that while Neytiri continued to dislike her, she knew their life together would be filled with nothing but pain and suffering. But she would put on a brave face. For her own sake and the clans. Eywa has spoken.
But is what Eywa saying right?
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She was correct, the clan was most happy. Despite some whisperings here and there, they would have to agree that they would all make a good trio. ___ was a good healer, she was gifted with her skills. She was also good to the elderly and children, always happy with a smile on her face. Neytiri was a good huntress and a Tsahìk in training, her battle abilities are most adored on. Jake, he was their Toruk Makto, Rider of Last Shadow. He was well respected in that alone.
But while the Omaticaya was happy, she was not. Sat next to Jake on his left she was left to eat in silence as him and Neytiri conversed without her. Not even looking in her direction once. She figured that they would not talk to her all through the night and decided to make peace with herself.
A little girl tapped her shoulder and ___ turned around to face one of the children she often looked after, Sray. “You are going to be mated to them?” she looked at her Olo’eyktan and his wife, yellow eyes wide.
___ nodded and forced a smile on her face “Yes, Sray. I will be” she stated softly, not comfortable with saying the revelation out loud.
Suddenly Sray sniffed, doe eyes watering “does that mean you will not have time for us anymore? Please sa’nu! I do not want you to leave!” the sweet girl jumped in the adults arms and clung to her chest, fearing that if she let go, ___ will disappear.
“Ma ‘evi, I will always have time for you and everyone else, just because I will be mated, does not mean I will not see you ever again” ___ kissed Sray’s head, wiping her little tears and grinning. Bringing comfort to the girl, Sray smiled back, still sniffling.
“LeNa’vi! Fìtxon awnga fpe’ pxefo mìso!” the people cheered, raising their drinks and whooping. The three will be mated under the tree of souls, to legitimise the union.
Jake and Neytiri looked at each other, worry in the man’s and anger in the woman’s. They did not want to do anything with her, but would have to make it look like they had, they were not stupid. If they did not do this then the people will become angry, it would be a disgrace. Only the great mother shall know.
Standing up, Jake held his large hand out to his wife who took it. Letting go and walking towards the direction of the tree, they would not take the ikran, but rather run through the night. Jake then turned to look at ___ who still sat with Sray in her warm arms, he nodded his head to the direction Neytiri went and followed her.
A little hurt that he did not offer his hand to her, ___ kissed Sray’s forehead and stood up, walking after them. As they got deeper into the forest they began to run, ___ tried her best to catch up but the two were hunters, they were more used to navigating the thickness of the fauna better than her.
“W-Wait!” she called in English, but the two ignored her and ran further ahead of her. ___’s ears slicked back and she huffed to herself, heart beating erratically with annoyance.
At some point the jungle got too thick for her to get through and she paused, the two she was following nowhere in sight. She twisted around, straining her ears to hear any calls or footsteps to help guide her. But to no avail, she lost them. Meaning she herself did not know where she was, this part of the forest was so much further out from the old hometree, a part she has not navigated before.
Her breathing started to speed up, panicking. Did they leave her? Alone? Here? She knew they did not like her, but this was too much. It was past eclipse and night, anything could come to kill her.
A rough hand grabbed her arm, the same one Neytiri held earlier that day and turned her around. An angry Jake stood there with brows furrowed, fangs bared. “Why did you stop?” he growled, ears slicked back “you were supposed to follow, not stop and sightsee like a lunatic!”
She did not know what that word meant, but by his tone it was something mean. Her own ears pressed against her head and her tail tucked between her legs, she yelped as she was harshly dragged through the forest, Jake never letting go of her arm even as they got to the tree of souls.
He let go and stood next to Neytiri who had her queue attacked to one of the hanging branches, tendrils letting go and she broke the bond. Turning to see ___ with a hand on her arm, the bruises were darker than before, the sting aching the area and making her hesitant to move it.
The warrior glared at her and snarled “you will have a baby put in you, as it is the way. But we are not bonding. Never. You will deal with that shame” she barked in Jake’s native tongue, her words were harsh and the prospect of not bonding with the only people she could was demeaning, it brought water to her yellow eyes. This was low, a baby without a bond was seen as disgrace. She would bring great shame to Na’vi.
“Neytiri-“
“Kem si ke plltxe kurkung!” ___ closed her mouth, she did not want to anger Neytiri further than she has. Jake, who stood watching the ordeal, strolled towards ___ and pushed her down onto the ground, pulling her loincloth to the side and doing the same to his.
“Pey! Oe kawkrr-“ her words were again cut off as pain filled her lower abdomen, he entered her. It was her first time and he just did it so fast without considering her feelings. Tears streamed down her soft cheeks, pained noises leaving her mouth as Jake started to move. He manhandled her onto her stomach, pressing his hand to her lower back above her tail bone, if the pain at her core wasn’t enough then the sensitive space on her back was.
Neytiri simply watched as her glare burned holes into the girl beneath her, the person that ruined her life. That took her sister away from her, took everything. She was not going to welcome this destroyer into her family, never. She’ll make sure ___ and her children will be shamed, if not by the people then by her own kids and husband.
___ felt something warm release inside of her, oozing out of her hole. She felt Jake lift off of her and heard him step towards his mate, both of them softly talking to one another while ___ was left to curl up, sobbing quietly. The man that was supposed to care for her, supposed to love her, took her dignity and now her first child.
Her heart squeezed in her chest as she could only imagine the future to come.
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brucewaynehater101 · 15 days
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DC Santa is a troll so when he knows he's going to die and he sends his powers to the young heroes he knows he's about to traumatize, he tweaks things just a little, he's got the time after all, he goes all over the world in a night, the comet is in slow motion to him, not that he'd move, and these little chaotic gremlins have been so good despite everything life has thrown at him and he really owes them quite a backlog of gifts
While Santa may go to apocalypse every year, he goes nowhere near Gotham
To Tim, Tim knows everyone's deepest desire with a look, this ability is especially effective in December. Tim becomes the master of picking out the best holiday and birthday presents
Cassie can speak and understand ALL the languages she comes across
People now automatically have some level of trust towards Greta, know that she's a nice person who would protect them to the best of her ability, had she stayed in the superhero community, she would have attained dick grayson levels of trust among the other capes
Kon has a sense of who's on the naughty list and who's on the nice list, makes it easier to steer away from creepers now who would take advantage of him since it's not like he has a grown up to help him figure that out
Bart is even faster and yet his metabolism is evened out a bit, he's less desperately hungry all the time, can get away with just snacks instead of eating an entire all you can eat buffet, though he's still capable of that, and he has even more of a sweet tooth than before
Slobo is capable of lifting even more than Lobo, the sort of strength and balance one would need to carry a sack filled with presents for the world, or the universe
Anita gets a knack for Christmas magic, the little illusions that bring a little extra joy to a person's life and when she and Tim collaborate they find they can put into motion butterfly effects, tiny actions that cause huge, joyous results, and Anita's gingerbread houses never rot
Cissie gets the anonymity, there are so many Santas but no one could ever tell you which one is real, in the future she never has to worry about someone connection her heroic past to her civilian present, except for her friends of course
I love this AU/hc so much, and how you included more than just the core four for it.
For Tim, I know he's absolutely using that power of his for no good. He uses it to make villains (and some Bats) cry when he mentions or even gets them their deepest desire. I am curious if the deepest desire is only for physical stuff or for the unattainable too (like I bet Dick would love to do a Flying Graysons routine with his parents one more time).
I love Cassie's cause she probably freaks the JL out when she starts speaking thr same dialect of an alien species no one has even heard of before.
Greta's is perfect. I hope she finds lots of use for it in her retirement. I would love a spin off of her just utilizing that power when she goes to college, gets a job, etc.
Kon's makes me want to cry. It's amazing for him, but the reasoning is so sad. I hope YJ is able to help him and that he's better able to take care of himself with this.
I like to imagine Anita's parents/kids looking up to her in amazement as her gingerbread house still stays standing after 5 months.
I'm glad Bart has more choice in his need to eat. Tim probably helps him by buying lots of food, but it's nice that Bart, in this AU, doesn't have to constantly be eating as much.
I don't know as much about Slobo (which is a damn right shame), but it seems DC did him dirty (something about him slowly dying and then sacrificing himself???). Anyways, I hope his strength helps him feel more reassured with himself and confident. I hope he can use it to uplift those he cares about.
Cissie's sounds great. There's tons of stories about the price of fame being a lack of privacy. With this, maybe she'll be able to have a normal life as well
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uhhhyaenbyjade · 2 months
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How I Would Change Godzilla x Kong: The New Empire (if i was smart enough to direct and write movies)
DISCLAIMER: I loved GxK, and I believe it is an entertaining movie! This is just my take on how I would've liked to see things happen, with it connecting to the previous installments more, as well as tweaking some minor details here and there.
SPOILERS BELOW THE CUT! DON'T READ IF YOU HAVEN'T SEEN THE MOVIE
So, the biggest change I am adding is that Madison Russell from Godzilla: King of the Monsters and Godzilla vs. Kong. I was honestly surprised when I heard that Millie Bobby Brown wasn't involved in the project at all, and I feel like Maddie's presence could have really helped flesh out some of the human aspects of the movie.
The only other thing I am really changing from the movie is adding cameos that link the movies together better, as well as making some minor attempts at making the science less... fantastical. I am not deleting any scenes from the movie, just altering them and adding a few more. Hopefully, this keeps a good balance between the human aspect versus the Titan aspect. So, the movie would probably turn out to be approximately 2 hours and 30 minutes in length, compared to the 1 hour 55 minute run time. I am only going to have bullet points for the parts I am altering/adding, so anything I leave out from the movie is otherwise unchanged or doesn't have enough of a difference to warrant a bullet point.
During the scene where we see updates of MONARCH over the past few years, we don't just see Dr. Ilene Andrews in interviews, but also cameos from Dr. Ilene Chen and Dr. Ling Chen, and possibly some other cameos like Sam Coleman or Mark Russell. Less emphasis on being thankful for Godzilla's help (because yeah he's helping, but also thousands of people are dying directly from him), but more emphasis is placed on MONARCH helping with relief efforts, and the usage of the Titan Warning System we saw in MONARCH: Legacy of Monsters. Also, instead of the other MONARCH person we see in charge (who I think is Hampton, Rachel House's character?) we see Deputy Director Verdugo.
Another small change is that MONARCH isn't trying to "stay ahead of DC" here. I understand why they did that, but from my understanding of the previous iterations in the Monsterverse series, MONARCH was supposed to be considered trustworthy and the top Titan research group after King of the Monsters, especially after the fall of APEX. So, instead, MONARCH is just trying to find what answers they can give to the United Nations as soon as possible.
When Godzilla kills Scylla, we get an explanation of how Scylla was causing problems to the natural world, as well as directly challenging Godzilla for Alpha status, which was explored in Godzilla x Kong: The Hunted.
At the MONARCH school (which I really hope is a school for children of MONARCH employees, or at least a school funded by MONARCH, and not an indoctrination school), we see that Jia is a student at the school, and Maddie is there as well (I don't know what year this movie takes place in, but it takes place sometime after GvK in 2024. Timeline-wise, Maddie was 17 in 2024, and probably a junior/senior in high school, so depending on how long it's been since GvK, she could be a teaching assistant of some kind, or a senior in high school) and friends of each other. They both have visions as the Hollow Earth signal is received; Jia has flashbacks of her past on Skull Island and of her time in Hollow Earth, and Maddie has flashbacks of her encounter with Mothra, Godzilla, as well as when she faced Ghidorah and MechaGodzilla. Both of them also have the same quick flashing vision of the future events of the movie.
When Ilene comes to check on Jia after the incident of her drawing on the desk, Maddie is there, and there's a new scene where all three of them talk about what is going on. Maddie says that MONARCH is too rigid in their thinking, and mentions that there's someone who could help them.
In Miami, Maddie and Ilene meet up with Bernie, and Maddie is integral in helping Ilene convince Bernie to help.
During Trapper's introduction scene where he gives Kong his new tooth, we also have Nathan Lind and Mark Russell show up to witness the event. They are both there to say goodbye to the Hollow Earth transport team, and Maddie joins Trapper, Ilene, Jia, Bernie, and a MONARCH military member (instead of the asshole Mikael, it would be one of the G-Team members from Godzilla KOTM to add more emphasis on their death; either Jackson Barnes or Anthony Martinez would probably be the most recognizable ones)
Instead of Godzilla going to France's nuclear power plant and destroying the place to absorb the radiation, and therefore attacking the humans who attacked him (which kind of went against the whole "the Titans are the guardians of nature" thing and the previous characterizations of Godzilla in the Monsterverse), he goes to some abandoned nuclear site. I would say Chernobyl, but I doubt they'd put that in the movie due to Russia's Invasion right now. But just some abandoned nuclear plant somewhere would work.
Inside Hollow Earth, there are issues with the HEAV due to the signal disrupting the systems, but they are quickly able to figure out the best way to traverse the land; when Jia and Maddie sense the pulse, the HEAV lands until it is over, and then repeat. On their first landing, the G-Team member dies. After they find the Mothra temple, it is Maddie who approaches the glowing dragonfly and presses the button on the wall, allowing them to find the Iwi civilization.
In the scene where we first see Shimo, there is more emphasis and origin on the crystal that Skar King uses to control her; perhaps the crystal is a part of Shimo's ice crystals that we see on her back, and has strange properties due to the Hollow Earth's radiation? We also give Shimo more of a personality. When she first appears, Shimo would be curious about Kong, but flinch at sharp movements from anyone. And then when she is forced to attack, it'd be obvious that she doesn't want to, but Skar King forces her to with the crystal.
I want Shimo to have more characterization in the movie. I've seen people complain that she was just... kinda there. Like, her whole purpose was to keep Skar King from getting bullied too badly. So, by really showing that Shimo is being forced into this and that her natural state is curiosity and warmth (as opposed to her icy nature ;D ), it provides more depth to her character, making the viewers want to see her freed.
When Godzilla arrives at Tiamat's lair, they fight again, but instead of killing Tiamat, Godzilla is able to force Tiamat out like he did in Godzilla: Dominion. Again, too much unnecessary (although insanely badass) murder for a "guardian of nature". He goes into the hibernation to evolve himself.
In the Iwi civilization, we get a more scientific look at the Iwi culture. I don't understand the gravity thing the movie tried to go for, so instead I want to focus on the cultural aspect; they are similar in most aspects to what was seen in Kong: Skull Island, but there are clear differences in dress, the markings they wear, and their ceremonies. This would also be where we go into more detail about how essential Mothra is to this group of Iwi people, instead of her being shoehorned in when all we've seen previously was the Iwi and Kong's species. We see Jia figuring this out and clearly being happy at this. I would also go into them using crystals more, like how we saw with the guard's spears, instead of the gravity-based science. These crystals would be seen to have a mystic quality, explained by Mothra's radiation, perhaps.
When Kong arrives at the Iwi civilization with Suko, that's when Trapper leaves to go back to the Outpost to retrieve the gauntlet for Kong, THEN we go into seeing the lore behind Skar King and Shimo at the temple. This provides a better sense of time between Kong's arrival and his getting the gauntlet since it honestly felt way too fast.
Inside the crystal temple itself, we see the history of the war between Skar King and his ape versus Godzilla and Mothra. I'd love to have Shimo seen more as a threat, with them explicitly saying and having a longer conversation that Shimo was the one who started the last Ice Age, and that before she was captured by Skar King, she had frozen Ghidorah in Antarctica. There is perhaps slightly more exposition here, with the prophecy including not only the "Iwi from Skull Island", but "a girl touched by Mothra".
In this scene, I want to explore Maddie's connection to Mothra. In the Godzilla: King of the Monsters Official Novelization, it is implied that there is some connection between Mothra and Maddie after the scene in the Temple of the Moth. It is hinted at when Maddie has a vision of Mothra while she is unconscious during the Boston battle. I would love to explore that more, and there'd be a deeper explanation in the Official Novelization, something with Mothra bonding with Maddie since there weren't any twin priestesses like there usually is, perhaps.
This is when Trapper returns and gives Kong the gauntlet, and when Jia sends the latter up to bring Godzilla down to help.
Maddie and Jia both go up the crystal temple to the top, where they find that Mothra has a cocoon up there; Maddie realizes that this is what Mothra must have been doing before she arrived in Boston to help Godzilla (I remember reading somewhere that the director said that Mothra was likely off laying an egg during her absence between showing MONARCH where to find Godzilla and her arrival in Boston. This would work really well in my opinion, and a lot better than her materializing out of magic crystal dust.
When Kong arrives on the surface to summon Godzilla, they still fight a bit. However, it becomes clear early on that Godzilla really isn't into the fight; he has obviously been sensing the signal the whole time, so he knows that something is happening with Skar King and Shimo. With previous movies (and especially MONARCH: Legacy of Monsters) trying to convey Godzilla's intelligence, it isn't a far stretch to suggest that Godzilla would figure out that Kong is trying to get his help. Still, the fight goes on for long enough that Mothra arrives to keep them from beating each other up too much. We see Jia and Maddie reach out to Kong and Godzilla respectively.
When Skar King arrives at the Iwi civilization, the Iwi tribe uses their knowledge of the region's radioactive properties (again, nothing gravity-based science-wise because that was all confusing and likely very bad science) to try and send energy through the crystals, messing with the portals from Hollow Earth.
There is no more anti-gravity fight scene. Although I enjoyed it a lot (seeing Godzilla swim through the air and the apes use the rocks to climb around were honestly so cool), it doesn't fit with the "improved" science I am attempting to do. Another ground fight, but they go around the tunnel so they're all still fighting on different planes.
Due to the close proximity to the surface, Ilene is able to warn MONARCH, and they work with the United Nations to evacuate Rio de Janeiro, since there is a tunnel appearing there. This brings us back to the beginning, where I wanted to do away with the "be grateful for Godzilla even though he destroys thousands of people's lives every time he's on the news" thing at the start.
When Skar King and Shimo arrive in Rio de Janeiro, since Kong, Godzilla, and Mothra are unable to stop them due to the immense amount of apes in Skar King's army, there is a lot of destruction. We see Skar King force Shimo into starting another Ice Age, though again, we see that she really doesn't want to do what he says. She starts freezing the city, and the MONARCH evacuation teams there panic as they get closer to their position, before Godzilla, Kong, Jia, Maddie, Trapper, and Bernie (the humans are in the HEAV, with a brief exposition that Mothra was staying back to stop all of Skar King's apes from destroying the Iwi civilization).
This fight is pretty much the same, but the civilians are barely present, and we only see them evacuating a few people away in the HEAV. The final battle still focuses mainly on the Titans, with a heavy amount of emphasis on the crystal from Skar King's whip. I'd keep the absolute bullying that Skar King got the same, but the explanation for this is that Skar King is much older now, and his opponents over-leveled themselves expecting him in his prime.
Mothra arrives from the tunnel, and this is what distracts Skar King long enough for Suko to use Kong's axe to break the crystal that controls Shimo. Once this happens, we see that Shimo can feel it, and she immediately stops attacking Godzilla and looks around in curiosity and amazement. She flinches when Skar King is trying to order her around while he is being bullied by Kong, but with a trill from Mothra and a growl from Godzilla, she joins in bullying her tormentor.
After the fight, there is more of a delay before the ending; we see Bernie on the news talking about his podcast, achieving his movie-long wish to be believed; we see Maddie saying goodbye to Mothra as she leaves and Maddie reunites with her dad and also Josh from GvK; Jia stays with Ilene, but she has a newfound connection to the Iwi sister tribe in the Hollow Earth; Mothra flies across the ocean while Godzilla swims below her to emphasize the symbiotic relationship, and they both take a nap in the coliseum (Godzilla is considerably more careful as he steps through the city this time); Kong returns to the Hollow Earth with Suko and Shimo, and he leads the apes out of their imprisoned area and to the main area of Hollow Earth, where his kingdom is.
For an end credits scene, it'd be Ilene and Jia in the Iwi civilization, where they get permission from the priest lady to see a special part of the temple, where it reveals prophecy-art of Kong, Mothra, and Godzilla fighting against their next enemy.
Obviously, without anything known about future projects, we don't have any end credits scene for this movie. If there is another movie (I thought I saw somewhere that Adam Wingard wanted to direct a trilogy of Monsterverse movies, which means another GxK installment could be in the future, perhaps?), I don't think they'd do what many people want and bring back a Toho villain. Based on the trend of what they've done in the series so far, the next installment would include an original villain with some connection to both of them. So I'll list out some options of what I'd like to see, of both Toho villains and original villains:
Toho: Hedorah, Biollante, Destoroyah, and my personal choice; Battra.
Original: Methuselah, Leviathan, another threat from space (not SpaceGodzilla, since that'd be difficult to work out in this series I think, but maybe something along the lines of Ghidorah's family, since I think they were briefly mentioned in the King of the Monsters Official Novelization), or another threat that goes against Hollow Earth and the surface. Maybe a giant worm-like creature or burrowing Titan could be a good idea, since it'd be able to go back and forth between the two worlds. It'd provide a nice background for how the portals are made.
So, there it is! I hope you guys enjoyed it and like my ideas for how Godzilla x Kong: The New Empire could have been improved. I'd love to hear your thoughts!
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tanoraqui · 2 months
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the thing is... JK Rowling did write the books. She certainly did write the books, which was the pivotal first step.
However, here is an incomplete list of people who meant more to my experience of reading and enjoying the Harry Potter books than JKR ever did:
My grandmother, who read them because she loved to read and because she wanted to understand what the hell her granddaughter - whom she'd recently moved 3,000 in part to live near - spent 90% of her time talking about; who passed away this past fall.
My other grandmother, who read them for more or less the same reason except without the cross-country move; who passed away in 2014. It was in her honor that I bought the current set of books I own.
The uncle-shaped family friend who always listened to me expound on my latest theories for the next book, and told me his own like an equal in intellectual debate
That one writer on Mugglenet's fanfiction archive who wrote a crack soap opera fic in which Professor McGonagall got pregnant from Crookshanks, and the children were cat-human hybrids whom they called "kiddens." That haunts me to this day.
Honestly, collectively every single person who wrote content, be it recordkeeping, fic, or analysis, for MuggleNet circa 2005-2008. Some people spent their internet-childhoods on Neopets or Club Penguin; I read every single page on MuggleNet.com.
The summer camp counselor who'd read HBP when I hadn't yet, and who responded to my positively tsundere attitude toward spoilers by telling me straight-faced that Harry started dating Luna [not Ginny]. A) The fucking audacity! she lied right to my annoying 10yo face! B) I got to experience the giddiness of finding out what happened twice, once then and again later when I read the book! Thank you, Natalie(?) from Y-Camp!
The two friends with whom I went to the DH midnight release party at my local secondhand bookstore, in closet cosplay. We were all in the first 5 people to get our books, and we promptly started reading them while standing outside the bookstore, in the light coming through the front window. 1 of them was parentally required to go to bed but the other and I stayed up all night reading, until we finished the books sometime mid-morning.
My dad, specifically when he (still) tells the story of having to make a "walk of shame" (his words) back to the bookstore the next afternoon, to ask if they had the broom we'd accidentally left behind.
The tourists from America, England, France and China who were all waiting in line at the Platform 9 3/4 overpriced photo op in King's Cross Station the same time I was, in the summer of 2013, which unironically made me feel more spiritually connected with humanity as a whole than possibly any other experience in my life. Like, this is embarrassing. It's a pure tourist trap. Yet people from LITERALLY all around the world had all made the same journey I had to be there, just because we all loved the same books. and that's...really special.
...you know? So, JKR is doing real harm to the trans community now, and will continue to do more and maybe even worse in the future; and I am so, so sympathetic and angry about that. I have no intention of giving her money or any other support ever again, nor of encouraging anyone else to do so.
But all her present vitriol is only drops in the lake of my warm memories. I don't let them give me a falsely rosy view of her, but nor will I let her poison them. And I encourage others to let themselves find the same balance, if they can.
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wellgoslowly · 4 months
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HAPPY LOCKWOOD AND CO DAY EVERYONE
I may or may not be rewatching as I type this hehe. ANYWHOM I asked if I should do another locklyle analysis for the adaptation's first birthday and yall said yes!! so here we go: locklyle as sun and moon (idea courtesy of @queer-and-nerdy ).
ok ok so it would be pretty easy to say that lockwood is the sun and lucy is the moon upon first seeing the characters. I mean, lucy is relatively closed off and can be i guess kind of brooding at times, whereas lockwood is very charming and loves attention. but upon further examination, its clear that its actually the other way around: lockwood is the moon, and lucy is his sun.
yin and yang is a clear example of sun and moon being complete opposites but existing in perfect balance and harmony with each other. in the symbolism of yin and yang, the moon symbolizes adversities and obstacles. lockwood fits perfectly into that role. i mean, his sister died when he was young and his parents died when he was even younger. At face value in this comparison, you could say that he fits into the role of the moon because of everything that he's gone through in his life- all of his adversity and the various obstacles he's had to face. but when you're insane and autistic like i am, you realize that his connection to the role of the moon goes deeper. not only has he experienced tragedy, but he sees himself as a tragedy. he believes that he causes the death and/or pain of everyone he's ever loved. i mean, that's the canonical reason why he pushes everyone away and why he's so reckless- he believes that if he distances himself, then the people he loves are less likely to get hurt. He believes that if he risks his life, it will be ok because his loved ones will be safe and won't have to deal with this curse he's convinced himself that he has.
In contrast, the sun (lucy) symbolizes hope, "for even though a moon eclipse may block the sun's light, there is always a portion of the sun that shines through." as much of a cynic that lucy appears to be (and is), she ultimately still always has hope. when she was working with norrie in her hometown, she had hope that they'd be able to make it out of their town and make it big time in london. when norrie got ghost-locked and her team died, she was still able to harness enough hope to run away and try to make it on herself, even without her fourth grade. and even when she left at the end of the hollow boy, she had the hope and the conviction that allowed her to believe that she was doing the right thing and saving lockwood. cynical as she may be, lucy is filled to the brim with hope.
now, locklyle as the sun and moon begin to make so much more sense in this way. lucy's sun works to keep lockwood's moon grounded and frankly alive. she is the one who is determined to make him understand that he is still worthy of love despite everything that has happened to him. no matter how badly his depression is affecting him, she is still there to keep him grounded and force him to understand that whether he likes it or not, he has people who care about him.
lockwood's moon takes on the role of being determined to support her no matter what, just as the moon does for the sun. when lucy gets overwhelmed during a case or just during everyday life, lockwood is always there to balance her and to offer her support in any way she needs. he understands her without even needing to ask and always strives to be the best person he can be in supporting her, whether that means making her tea and making her toast during the morning or offering to leave a hired job because she's uncomfortable that night. he would do anything for her, just as the moon supports and balances the sun.
i think that this is really interesting for multiple reasons but ill give you two:
i love how they expand from your expectations. for a while i thought that lucy was the moon and lockwood was the sun, but they both stray from that expectation so much because of the added complexities that come from their backstories and their relationships with others, especially one another.
the sun is usually defined as a "masculine" energy, and the moon is defined as a "feminine" energy. I think its really interesting how they once again stray from the usual in this context.
ANYWHOM HAPPY ONE YEAR OF LOCKWOOD AND CO!!!! I'm gonna make a long sappy post before bed but i hope you guys like this little first birthday gift!!
@oblivious-idiot @ikeasupremacy @losticaruss @yveni @neewtmas @waitingforthesunrise @youmanynotrestnow @saltwaterburns @ravenous-rage @maraschinomerry @psychicbluebirdmiracle @uku-lelevillain @acecharmander @rainysaturdayafternoon @ettadear @thisgameissonintendo @impossibleclair @givemea-dam-break @krash-and-co @kazbrekkerfast wanted to tag some people that i thought might enjoy this hehe
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faulty-writes · 8 months
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heyhey how are you doing ? I was super excited to see someone writing so much for Tenya. So if it's okay...Can you write hc of him with a romantic partner (gn or fem if you feel more comfortable writing fem) who tries to bond with his family, like someone who would befriend Tensei, help him with his recovery maybe, would get along with his parents etc ⸜( ´ ꒳ ` )⸝
[ I'm doing okay, thank you for asking. Been busy with schoolwork, Abnormal Psychology is kicking my ass this term but so far I've gotten A's so, hooray for me. Also got a new job. Honestly, he's very popular on my blog because I write him well. At least that's what everyone tells me, hah. Anywho, this sounds adorable. Plus Tensei is mentioned! I love him very dearly as well. ]
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"This is Y/n. She is my fellow student and romantic partner. She is rather admirable for the way she so victoriously displays her heroic skills during our assigned training sessions as well as the way she articulates her quirk!" You weren't sure if you were more embarrassed that those were his first words when introducing you to his family or that his mother immediately took a liking to you, going as far as to thank you for your interest in her son.
It was an honor to meet Tensei since Tenya continuously spoke of his admiration for the now-retired pro hero. Although it saddened you to see him in a wheelchair, it didn't dampen his spirits. "Hey! It's awesome to meet the girl my little brother keeps talking about!" He said, happily shaking your hand. "Brother! I ask you not to go into such details regarding that," Tenya insisted, flushing softly.
"Apologies, my family has requested my assistance." You understood that family was a priority for Tenya, especially considering he bragged about the Iida name. Because of this, he canceled your date plans on occasion, and you tried to remain supportive considering family bonds were precious.
On more than one occasion, you had dinner with the Iida family. "It is quite an honor to share this family bonding moment with you! I do hope the Iida family has made you feel welcome!" Tenya would always try to break the ice and unlike his mother, his father was less impressed by you but regardless, you tried your best to connect with him.
"You can pull harder, it's totally okay!" Tensei said. Sometimes you'd help him with his physical therapy exercises when Tenya was busy studying or just provide him with companionship, all of which Tenya would thank you for. "To show such noble attributes to fallen heroes is a wonderful characteristic! I hope that I may be able to display true hero qualities such as yours one day!" Sometimes his praise was too much.
His mother would invite you to go shopping or out to eat. Of course, you weren't used to the fine taste the Iida family was known for. However, you genuinely enjoyed your time and when you returned, Tenya was eager to hear what had happened.
The basis of your relationship was honesty and open communication, and you extended this courtesy to his family. Especially with his father who asked you specific questions regarding your dreams and goals for the future. He also asked you about your romantic life both with his son and any past partners you had.
The two of you managed to keep each other in balance and more importantly, worked around your busy schedules. Between your academic and personal lives, it was tricky to maintain your romantic life. But Tenya always made time to show you how much he and, to an extent, his family cared and loved you.
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psychelis-new · 1 year
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pick a pile: "Who are they"
take a breath and choose the photo or number that calls you the most to read about who are the people that are around you or will be soon (either 3d or 5d). it works mostly for group of people (friends, colleagues, classmates, family, Guides/energies), and it completes my old triptych idea: if you want to check my pac mastelist you can find the old readings about "Who is he" and "Who is she" (the first two parts).
don’t take the reading too seriously. only take what resonates with you and leave the rest. if you're not called by any pile, let this reading slid as it may not hold messages for you. if you're called by more than one pile, there may be messages in each of those piles. remember that is a general reading and some things may not resonate with you. energies can change and readings are based on present ones (as you read); you're always in charge of your life.
(photos found on unsplash)
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This is people mostly in your 3d but that you don't feel connected to. Or you feel inferior to, somehow.
Honestly it could be that something happened (even not directly with them but in your past, and made you behave differently and close off or fear being judged) or it's simply that you don't believe too much in yourself (you know... I think you totally should do that: we're all different, there ain't no worse or better. Those who are "better" than you in math may be worse than you in gym, you know... it's only differences, things some of us may like more and do better than others who may need to work more to get the same result). Anyway, it feels like you took this situation for what it seems to you "they will never like me" or anything on that wavelenght, but if you dared to come a bit closer, to try and let them in, to see the real them, to turn on the light (also on you, and be vulnerable about your fears), you would see a different reality. Sometimes we don't let communication do its job, or we use it wrongly by just saying things halfway and hoping the other understands what we mean but... the other doesn't have a crystal ball. They cannot read our mind, only our body language and random fearful speeches (and both of these do yell specific subconscious messages to the other). Take courage, be brave and try. Be the first starting a communication, and don't be scared to have to hold it first for a while. Let yourself know the other, be interested in them, and let them do the same. Some walls need effort to be thrown down, just learn to let go off the ones that you aren't supposed to bring down. Be respectful of them and you too (learn when it's right to give up and try with someone else).
song: that girl is you | dave matthwes band
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These may be people (for only a bunch of you it can be one person) from your childhood, people you have been knowing for a while; people from a past life of yours or even your ancestors looking over you.
Their purpose is to support you, to help you go through life's hardships and joy, and feel less alone. Actually: you're not alone, they're always there, they never leave your side, either if you acknowledge them or not. They're always there for you. I do feel a very supporting warm friendly/brotherly/loving protective energy around you, no matter if you can't see these people yet, they're around you energetically. They help you, guide you, try to lessen your stress and think straight, be more clear and determined, balanced, in your mind and how you experience life. They're teaching you a lot. I do think for most of you it's your Guides or ancestors we're talking about, but it could be people from your soul family you still have to meet. They are now literally trying to guide you through some harsh decision you need to take, or out of a pretty difficult moment in which you may have felt stuck and fallen back into some old mental pattern that you need to leave behind, in order to be able to experience new things. New beautiful things. I think they're also trying to put someone on your path in some way, or you on the path of someone else, so that maybe you two can help each other. Just keep being hopeful and don't worry: things will change the moment you allow yourself to think they can and take the right action (starting with leaving the past where it belongs).
For some of you it could be your romantic soulmate higher self guiding you together with your ancestors/guides.
song: hold on | the internet
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These are people or energies that may be spiritual or can be part of your ancestors/Guides/Angels group.
They are probably guiding you through an awakening or some sort of tower moment. They're trying to bring clarity in your life, helping you see through all the overwhelming emotions and the overthinking. They're helping you see the light again from in between the darkness, by moving their wings around you. Always rely on them, ask them for help and guidance. And if you have someone in the 3d that you can consider a mentor or that you feel you can talk to and ask for help to, please do that. Especially if it's a community and you feel better after talking with the people there. Seek comfort, you need that at this time. Tese energies want you to trust your inner guidance too. To trust that things are only momentarily and that you can get out of this situation. Despite it feels scary and you feel lost. Things will improve. They're always by your side, giving you signs of their presence and signs that can help you get out of this moment (which may be happening many times in your life, but if it's the first or one of the firsts, it may be pretty scary, ik) and understand it. These energies and people are always connected to you (or you can reach for them anytime you feel down), call on them if you need help in making things clear, if you cannot see the light. They'll guide you through. Try. Give it a try.
song: angel of mine | monica
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in-g-major · 4 months
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ATLA Unpacked: Kataang is Reactive, not Constructive (Part 1)
In my last rewatch of ATLA, I came to a conclusion about something that's bothered me since I first watched the finale in 2008. After *the kiss* which closes out the entire show, I've been of the opinion that Kataang was an absolute failure, on multiple levels. Over the years I've held that position through multiple rewatches and the perspectives of many other intelligent, passionate fans. However, why it fails is something I've thought more deeply about over the years. There are the implications of a romance with a very lopsided balance of emotional labor, and issues of one party's consent (Katara's) being violated without an apology. Those are serious problems and valid criticisms, but here I'm going to be examining how Kataang fails because of its position within ATLA's story. As a disclaimer, I am not invoking Zutara in this analysis. For most of my time as an ATLA fan I abstained from the shipping wars beyond an occasional comment, and I only became pro-Zutara within the last year after taking on the responsibility of writing about these characters again. Alright, here goes! Reactive vs Constructive? When I say Kataang is a reactive force, I mean that it disturbs the flow and direction of the narrative (the implicit and explicit messages a story is projecting to the audience) by contradicting and clashing with other things we're presented with. A constructive force, on the other hand, is something which shapes the narrative towards an internally sound and satisfying conclusion. To explain what I mean, I'll be going through the show in episode order. No Kataang in sight yet (B1:E1 - B1:E13) A commonly cited argument in favor of Kataang is that it was part of ATLA from the beginning and the show was building towards it all along. This argument doesn't hold up simply because of how many episodes go by before there are any implications of romantic interest between Aang and Katara. The closest thing to romantic subtext is the way Katara appears to Aang after she frees him from the iceberg. (B1:E1)
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By itself this doesn't suggest anything particularly romantic, especially since Katara is the first person Aang sees after a very traumatic experience. Later on he tells Appa "I liked her too" (B1:E2), but that's pretty nonspecific. After this we get exactly zero text or subtext until we're over two-thirds of the way into Book 1. Now a romance between two characters doesn't have to be developed from the very beginning of the story to make sense. However, things get messier for Kataang from here, so hold on tight. The Dashing, Dark-Haired Boys in Katara's life (B1:E6 - B1:E10) In my last rewatch I really took notice of how we see Katara's dynamics with no less than THREE dark-haired boys her age or older in the span of five episodes. First, there's Haru (B1:E6), with whom she builds a very sweet friendship that has some romantic possibilities. They bond over the struggles of losing their parents to the Fire Nation, and he's the first person who empathizes with her feelings about the death of her mother.
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Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her. Haru: It's not enough, is it? Katara: No. (Disclaimer: Harutara was my OG ATLA ship) Next, there's Zuko (B1:E9), at this point her enemy and the one who finds her mother's necklace after she loses it at the end of B1:E6. Their parallels so far have revolved around the longing they project onto Aang and learning to master their elements. Here, in their first one-on-one interaction, a further connection is established through Katara's mother's necklace. Exactly why this is significant for Zuko isn't clear yet, but it pays off wonderfully later on.
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Zuko: Tell me where [Aang] is, and I won't hurt you or your brother. Katara: Go jump in the river! Zuko: Try to understand. I need to capture him to restore something I've lost: my honor. Perhaps in exchange, I can restore something you've lost. (That first image is the perfect snapshot of how hilariously awkward this exchange actually is. Zuko's only cool when he's not trying to be) Finally, there's Jet (B1:E10), Katara's first crush. She's wooed by his good looks and guerilla tactics against the Fire Nation, then spends most of the episode smitten with him. Jet empathizes with her mother's death when she brings it up, but he also tricks her into doing something she would never have agreed to with full knowledge of his plans. When she confronts him about it, he tries manipulating her with what she told him about her mother, and she truly turns on him when she thinks he's killed Sokka. It's the first time Katara has had her trust violated, and it's a painful experience.
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Katara: Jet, why? Jet: Katara, you would too if you just stopped to think. Think about what the Fire Nation did to your mother. We can't let them do that to anyone else ever again. Katara: This isn't the answer! Jet: I want you to understand me, Katara. I thought your brother would understand, but... Katara: Where's Sokka?... I can't believe I trusted you. You lied to me! You're sick, and I trusted you!
(Just putting those images together had me slightly teary. Poor Katara.) What these character dynamics have in common is that they're all constructive. They contribute to Katara's story without contradicting each other. Her feelings and agency are clearly emphasized, and all three boys exist as their own independent characters while simultaneously being part of her journey. Keep that in mind as we venture into our first real Kataang episode. Related Meta & Additional Reading - Katara's Romantic Agency by starlight-bread-blog
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ratgrinders · 21 days
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I can't get over how not a single person has voted for Ivy as their favorite rger; it's very funny, but also a LITTLE sad cause I personally would love to know more about her, as right now we have. Nothing. Her being Fabian's foil could imply that she has some kind of rich family, but absent parents, but she didn't seem to show any sign of being posh like Fabian is/was, she was just... mean. Same goes for Mary Ann in terms of knowing nothing about her, especially not how she contrasts to Gorgug. I really hope we get more information! Do you have any guesses?
Yes it's so funny 😭😭😭😭but also understandable unfortunately lmaooo. She's the Rat Grinder we objectively know the LEAST about, she's had maybe like what, one and a half scenes? We know she's besties with Oisin, and that type of dynamic within the larger group of the Rat Grinders is VERY interesting to me, but other than that??? Nothing. I DO hope we learn more though ghfsfks just because right now there's not a lot to dig into!
As for the second part of your question, oh god WILD speculation time only tenuously based in canon under the cut lets gooooo:
I think the basis for the Rat Grinders status as the Bad Kids' foils is that they have what the Bad Kids want, but have superficial beef with the Bad Kids based on the version of them they have in their head. So you got Kipperlilly who wants Riz's tragic backstory despite her allegedly normal and whole family at home. Oisin is rich thanks to his family while Adaine struggles with money thanks to hers, and maybe seems to have beef with the Elven Oracle as that's what led to Kalvaxus' defeat. Ruben has the song of the summer just as Fig is in the middle of an artist's block. Etc, etc.
So going off of that, what does Fabian want more than anything else this season? To not be lonely. I think it'd make sense then if Ivy actually had a really present, loving(?) family who nonetheless still turned out kind of mean. I think she has no problem living up to her family's expectations, no matter what they are. As for the family itself, well the Gloom Stalker subclass is "at home in the darkest places i.e. in primeval forests". And what's the nearest dark forest with a population of wood elves? Sylvaire, formerly the Forest of the Nightmare King. Specifically Arborly, since that's the town near there that protects the entrance to the forest. I think Ivy is possibly how the Rat Grinders got the Nightmare King connection in the whole reviving a dead god thing. Of course, this is all WILD speculation.
As for Mary Ann, what does Gorgug want? This is a bit less clear as his arc developed over the course of the season, but I'd say he wants a stronger connection to his artificing (and by proxy, his gnomish parents), he wants a balance between that and barbarian and a healthy relationship to his rage, and I think part of what ticks him off so much about Mary Ann is just how uncaring she seems, that she can seem so unengaged about things and still be such a great barbarian while he has to CONSTANTLY balance and filter his emotions and focus to succeed in his two classes. So I think it's possible Mary Ann was also adopted by a different species, but this time by barbarians so there was never any struggle on her part to relate to the classes of her parents. Her parents just Got rage immediately, she grew up with an innate understanding of it and is able to perfectly modulate it despite seeming so monotone outside it. And I think it'd be very funny if specifically Mary Ann, and only Mary Ann, has no outward beef with the Bad Kids and is actually kind of ok with Gorgug lmao.
I can't WAIT for all of this to get Jossed by the end of the season lmaoooooooooooo.
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that-ari-blogger · 3 days
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Would love to hear more about your thoughts on Mermista being your favorite character from She Ra 👀 if you ever felt like sharing
I’m totally not biased at all but I too think she’s the best character
I think this is really interesting, because a character can be someone’s favourite for a ton of reasons. Sometimes it is aesthetics, or mood, or empathy, but I like Mermista because of how she operates as a vessel for storytelling.
And before I start on this tangent, please be aware that this is, by nature, subjective. If you don’t like Mermista, state your case in the replies. Please don’t take my word as gospel.
SPOILERS AHEAD (She-Ra and the Princesses of Power)
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So, I am a fan of wordless storytelling. It’s why I love the traditional mystery films and old western flicks. I like the pacing that comes from characters wandering around and not saying anything, but working things out in a way that the audience can see.
This is partially because writing dialogue is easy, but writing good dialogue is infinitely more difficult than anything, and I am still getting the hang of it, so a lot of what I write is slow and methodical. But I also think that visual storytelling is a lot more interesting and easier for me personally to keep track of.
It's Show Don’t Tell taken to its logical extreme, and while its situational, it really works for me.
Which brings me to Mermista, who I think has less than half the number of the lines as Frosta, despite being on screen for a ton more. That is because no dialogue with Mermista is ever wasted, and instead she takes in situations and thinks.
The only times Mermista ever really speaks are when she needs to communicate information quickly, and when she is annoying one of the other princesses for the fun of it. Even with Shadow Weaver, she finds the quickest possible solution, she interrupts her by calling her a name. She throws her off balance, then gets back to being quiet.
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Case and point, at the end of No Princess Left Behind, Mermista doesn’t give a speech, or tell anyone that she is feeling sad. She just turns away from the camera and acts out her emotions subtly.
But the show doesn’t write this as just a strength for Mermista, it’s core to what I keep saying about how the series writes tragedy. Each character’s greatest strength is their greatest weakness. Mermista is detached and methodical, but that’s a façade, and it means she is totally unequipped to handle big emotions. She doesn’t know how to respond to Entrapta’s death, and she is totally unprepared emotionally to cope with the fall of Salineas later on.
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In that way she acts as a counter to Perfuma, who is all about those big emotions and big connections. But there are other things that show them as opposites.
For example, Mermista is dynamic as hell. Part of her water theming is that she is able adapt to almost any situation and work through a problem. She can fit any shape, and fill any role in the team. She’s a bruiser, or a scout, or a tank, or a saboteur. But she’s also dynamic ethically.
You may notice that Mermista has the single most flexible moral compas in the team. Not in the sense that she is morally grey, (or morally pink like Glimmer), but in the sense that she applies a different framework to each problem she is faced with. She doesn’t have a thing against deceiving, trickery, or even killing if the situation calls for it, but she never strays into that dubious territory because she knows when to implement it and when that fails, she tries something else. Mermista perseveres and adapts.
Perfuma, however, is the She-Ra equivalent of Batman. I’m not joking about this, and I will talk about it in a later post. In short, however, Perfuma’s greatest strength is her uncompromising moral code. That’s how she gets through to Scorpia at the end. But it also means she is utterly inflexible, hence why she can’t work with cacti or Entrapta.
The reason I bring both of them up together is because their balancing out of each other leads to character development over the course of the story. Perfuma learns to widen her understanding of the world, and that she doesn’t realy have to subvert her morals to do so, and Mermista gains a healthy framework with which she can interact with people and form meaningful relationships.
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For example, she can’t really react to Sea Hawk at the start of the series because she doesn’t know how to. She thinks in problems to be solved, but people aren’t that. At the end of the series, they become a couple because of the development seen above.
Essentially, I like Mermista because I like the story that is being told about her, and the way in which it is told. She's also just a big ol' nerd, which is just a joy to watch.
Just stop giving her one liners. I’m talking to the show and a few fanfics I have read. They’re jarring. Please, let my girl brood.
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Text
On the revolutionary concept of women in practical clothing
“Although there was more than a symbolic connection between the suffocating confinements of women’s long skirts and the suffocating restrictions that defined women’s roles, the dress-reform movement of the 1850s became an excruciating personal torment and a political mortification to the American heroines of women’s rights.
 Among the pioneers [of the “rational dress movement”] were Elizabeth Cady Stanton, Lucy Stone, the Grimke sisters and the self-effacing Quaker organizer Susan B. Anthony, who later recalled this time in her life as “a mental crucifixion.”
[...] Elizabeth Smith Miller, the daughter of abolitionist Gerrit Smith, [created “the short dress”] which she had originally stitched up for working in the garden. [It] had a somewhat Turkish look. The lower part consisted of a pair of ankle-length pantaloons with an overskirt that came to the knees. To the knees! No trailing skirts to get caught underfoot, stepped on, ripped or soiled. No undulating petticoats to gather up and hold with dainty grace while turning a corner or sitting down, in order to avoid a mishap. On a visit to Seneca Falls, Lizzie Miller gave Lizzie Stanton a practical demonstration. She showed her cousin how confidently she could walk up a flight of stairs with a baby in her arm and an oil lamp balanced in her other hand, without fear of tripping. Mrs. Stanton, who already had four of her seven children, was instantly converted.
With the bounding enthusiasm for which she was famous, she applied the scissors and needle to her own long skirts and began to evangelize among her many friends in suffrage and abolition, offering to make a present of the short dress to Susan Anthony, a promising new ally from the temperance movement. [...] Stanton wrote to her cousin. “We can have no peace in travelling unless we cut off the great national petticoat … Stand firm.”
There were many exhortations from one feminist to another in the years 1851 and 1852 to stand firm. Wrote Ida Husted Harper, “… the press howled in derision, the pulpit hurled its anathemas and the rabble took up the refrain. On the streets of the larger cities the women were followed by mobs of men and boys, who jeered and yelled and did not hesitate to express their disapproval by throwing sticks and stones.” Many a votes-for-women rally turned into a circus when an unruly mob invaded the hall to gawk at the [short dress]. What began as a personal convenience had turned into a painful political principle, the right of a woman to wear comfortable clothes. In December 1852 while visiting with Mrs. Stanton, Susan B. took the plunge, shortening her skirts and cutting her hair to make a total statement. “Well, at last I am in short skirt and trousers!” she anxiously wrote to Lucy Stone. She was the last of the great suffragists to adopt the style. 
Within one year, she would be among the last to still wear it.”
- Susan Brownmiller, Femininity
This is the “short dress” that women, well-known activists and organisers who were at the front of a massive social revolution, had to withstand physical and verbal harassment and public humiliation to wear:
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I don’t think men have become any less committed to enforcing decorous object status on women, what with stilettos and 2-inch long fake nails, and clothes that can’t be moved in without constant re-adjustment or restriction. 
The best I can say is they’ve lost some of the power they had to force their way. And for that, we thank these women.
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littlewestern · 3 months
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Henryships, please!
This one goes out to @belle-aesthetics who asked for Henry as well!
Henry!! Oh Henry, how troublesome you are to ship sometimes. I feel as though he's in a similar situation to Gordon where there aren't any engines that are an exact perfect fit in a way that I find satisfying.
I prefer ships where the whole is greater than the sum and facets of all characters involved are brought out by the relationship that wouldn't be revealed otherwise. But Henry has so much work to do on himself and his own confidence that it's hard to set him up in a relationship that feels balanced in that way. It's not impossible to make work, but it often feels like shipping him with other engines is an exercise in trying to pair everyone off who doesn't have a partner, which I don't care for... But I do have a few thoughts.
HIRO:
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Good ship! Solid canonical foundation, mutual respect and admiration, shared experiences on which to build further growth!
I mentioned in the Gordon post that Hiro likes being supportive and leading by example, and it's easy to imagine him finding a relationship with Henry satisfying for that reason. Henry needs someone who will build him up with reassurances and encourage him to be more self-assured. It's really cute, and I think that they'd both get something out of it.
The thing I think holds this ship back from being really top-tier is that I feel like Hiro might fall into the trap of being too helpful? Because he is so cool and nice, I could see him doing the thing he does in Henry's Hero where he tries to let Henry off the hook and ends up taking on way more work/responsibility because of it. Someone with more investment than me could do something with that, but I just don't see the potential for growth here in either of them. That wouldn't (and shouldn't) be a dealbreaker, but it makes it far less appealing for me personally. Now, a similar ship with a little bit more edge to it, that might be something. Which is why I might suggest...
EMILY:
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Oh you know I love me some Green Engine Solidarity. And it doesn't get much more solidary than this!
Rewatching the show this last time around, I was a bit surprised by how many incidental little moments these two have together, it's probably about as many interactions as Henry has with, say, Edward - intrigue!
I like this ship for a few reasons. Emily, like Hiro, enjoys "helping" other engines, but she's usually much less gracious about it, especially in the early seasons (which are the ones where I like her the most). Unlike Hiro though, Emily would not be out here cutting Henry any slack if he started getting skittish about ghosts or rain or whatever else. This is an opportunity for growth on both their parts, as Henry gets encouragement without coddling, and Emily gets practice being a bit more defthanded and gentle with her attempts at building Henry up. This is the kind of relationship I like to see!
A unique thing about Bossy Emily, though, is that she's actually never rude to Henry as far as I can remember. She ticks off quite a few engines in those bad old seasons, but Henry she's always quite sweet to. Henry matches that with a joking kind of camaraderie we don't see much from him, which I love. When Hatt asks another engine to take the mail in Percy's stead, Emily volunteers Edward for the job and Henry immediately picks up the assist by saying how Edward knows how to do everything, swanky eyebrows and all.
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After all, the mail is a job for a small engine.
They also have a connection with being safety oriented. Henry cares deeply about protocol, and does not fuck around when someone is out here flouting them for the sake of convenience Gator ahem. In another episode, Emily is assigned the title of Safety Engine, which would have been a great addition to her character arc of feeling like she has no job except for the fact that it's never brought up again afterward. Ray never forgets, though, and if it were up to me I would simply pull that into being a regular and acknowledged aspect of her character. But nobody asked me, of course.
Henry is also among the engines Emily asks to be her best friend in a later episode, which... Y'know, she asks every engine she sees but Henry readily agrees!
Idk, I think they're cute. If I wasn't ride or die for Emily/Caitlin also I think this would be my favorite ship for the both of them. That being said I do have one more dark horse contender that might be. Slightly controversial.
SPENCER:
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OKAY WAIT. LISTEN. HEAR ME OUT.
I love this episode, it's so funny to me.
"You need a big, strong, Duke's Engine to protect you? ;)" takes me out every time I watch it, and I have watched it a frankly embarrassing number of times.
Spencer, to me, is the kind of blue-blood type who is aware of his station, aware that his build and breeding make him the envy of every railway, and finds the idea of being brought down into the gutter with these common engines... utterly thrilling. He can't say that's what he wants, but oh god does he want it - and it manifests in him trying to get Henry to hide behind him like a scared teen watching a horror movie with their crush. Hi-larious.
They're not good for each other and I'm not sorry. This is my favorite Henry ship by miles. Go watch The Beast of Sodor if you haven't already, it's so great.
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youremyheaven · 5 days
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Can you elaborate on your experiences with goddess worship? 🩷🩷
I started my journey with goddess worship in 2022. Chanting has always appealed to me and chanting mantras (beej mantras of the deity in question) while visualising the deity is how it started for me. I was drawn to a certain Goddess almost instinctively even though I did not know much about her up until that point and connecting with her energy made me feel really good. I felt bodily sensations that felt powerful and by chanting, it's akin to embodying the energy of the Goddess within yourself and making yourself sacred??? I remember how during the height of my practice, I'd get told often that I emanate a certain "glow" and that I had a very sage like aura lmao. I just remember being stared at often and being perceived in an almost exalted way.
However late 2022- much of 2023 was a tough time for me and I fell out of touch with my practice and really suffered as a result. I felt myself go haywire, I gained more weight, my hair was falling out in chunks, my skin was breaking out and it's like I did a 180 😭 I felt really lost spiritually and otherwise and struggled to feel any kind of balance. And these had very physical repercussions for me.
Then obviously, I found my way back and I regained fresh perspective and how important my practices including Goddess worship have been in shaping my internal landscape. Several months ago, I struggled with severe anxiety and it was prayer that helped me get through it. During those times yoga did feel a bit mechanical or robotic but I kept doing it simply because I'd rather do it than not do it.
Finding my way back into the practice has taught me so much. Spirituality is truly a calling and no matter how much you read/research/practice, unless the Divine calls you, you will remain blind to the true nature of living. This is not to discourage anyone, in fact I suggest deep diving into it yourself and see what you gain from it. It's worthwhile to keep showing up everyday until you're called in further.
Also no spiritual practice makes you invulnerable. You're still human and you'll still make mistakes and be hurt/upset but you will have more grace moving through these experiences. You'll suffer less than others who make suffering their entire personality. One cannot embody the Goddess without also embodying her boundless mercy, infinitude reservoir of strength and tranquility.
It's always amusing to me when people say things like "oh why did the goddess not give you $5 billion and your dream life, what's even the purpose of worship them???" or "how can you be spiRitUaL when you watch movies/listen to music/are involved with men???". Being spiritually evolved does not mean you turn into a Zen master who lives in a cave.
The Goddess is not a vending machine. You want xyz things bc we live in a capitalist society where you're taught to value them. The Goddess gives you internally and when you're sorted within, you can make strides in life. Obviously she also often throws miracles your way but it's important to understand that the purpose of prayer and worship is not making $$$ or whatever. Im not saying you shouldn't pray for money or material things just that you shouldn't look at prayer as some kind of quick fix for financial woes???
You can still have a life, hobbies, interests etc and you don't have to "transcend" beyond them. You don't become less Zen by shaking your ass to Nicki Minaj 😬
However it will be hard to be a part of stan culture and celebrity worship because you won't care anymore and it won't feel right?? We worship money, fame and celebrities because our soul craves for connection and worship is inherently a part of our making. But it's important to not worship false gods (like money, fame and celebrities). Remember you are what you worship.
My personality has changed remarkably in the last couple of years and maybe even every few months, i feel like a new person and that's another feature of one's evolution. It's easier to accept and imbibe fresh insights and be comfortable with growth and change.
The concept of mantra purusha (which is different but similar to all the chanting ive been doing all along) is still very new to me (thank you to that anon who lmk about it) but Im reading David Frawley's book and it's all kind of coming together.
Goddess worship helps me feel connected to a profound nurturing spirit, a tranquil cosmic bliss, divine sensuality and ultimate peace and abundance.
All that said, do not start your Goddess worship unless you're prepared to commit to it daily and tbh once you start and feel its effect, you probably will want to worship everyday hehe
its actually helped me embody femininity in a way that did not feel limiting instead more transcendent, powerful and beyond whatever society tells you to be.
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