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three--rings · 6 months

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One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

#ofmd #ofmd s2 #ofmd s2 spoilers #ofmd meta #I guess #my meta

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thatfandomslut · 3 months

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Hands Off

Regina George x Reader

Trigger Warnings: insecurity, underage drinking, jealousy, threatening language

Word Count: 1.8k

Request:

I saw the movie a day after it came out and I have been desperate for jealous Regina x reader. Like Cady tried at the party and BOOM Regina like smothers reader with kisses. Btw thoughts on the movie?

My thoughts on Mean Girls: Initially, going into it, I was nervous due to being such a big fan of the musical and move. I loved the movie, and I think the cast is amazing. I have seen it two times in theaters, and I will be going for two more times, at least.

(Y/n) adjusted herself in the mirror, determining whether she felt confident enough for the outfit she had chosen. However, Regina's words rang through her mind: "Honestly, babe, this costume would look so hot on you." Regina didn't know that she had chosen to go as a devil, decked in red with a horn placed on her head. She went all out, even adding a touch of red, glittery eye shadow. The outfit hugged her curves in ways that she wasn't sure about yet. (Y/n) sighed before checking the time. She couldn't back out of it now. It was officially too late, and after looking at Regina's current location, she saw that the girl was three minutes from her house.

Grabbing the purse and pitchfork she bought to accompany her outfit, she made her way downstairs in order to meet Regina at the door. It also gave her an extra minute to adjust herself in a different lighting. Hearing a honk from outside, she walked outside, spotting Regina's orange jeep, the chill in the air making her wish that Regina chose a vehicle with doors. She shot a quick 'goodbye' to her parents as she made her way over to Regina's Jeep.

"Hey, baby," Regina greeted, pulling her into the passenger seat with a smirk. (Y/n) grinned as Regina kissed her deeply, and (Y/n) got so drunk on the kiss that she almost forgot about Karen and Gretchen in the back. "You took my advice on the costume. You look hot, (Y/n)."

Due to the way that Regina's eyes raked over her body as she got situated beside her girlfriend, (Y/n) began to feel hot, too. Pushing her hair behind her shoulders as the wind whipped it around, she smirked. "Thank you, angel. You look very hot yourself. I'm glad I took your advice. It seems to match your costume very well, huh?" (Y/n) traced her eyes over Regina's angel costume. There was no question when determining how amazing Regina looked. She was the hottest girl in school, and (Y/n) often wondered what she saw in her. To others, Regina might come off as abrasive or angry, but she was never that way with (Y/n). She was soft and flirty, and she was whipped. (Y/n) was, too, though. Not only was she whipped, but she was absolutely in love with Regina.

As they got to the party, the bass could already be heard from the outside, and a girl in a corn outfit had just puked off the side of the porch. The action made (Y/n) curl her nose before following Regina in, hands latched together. They tended to stick together at events like these. Not just because they were in a relationship, but because of the boys around them. "I'm going to go find Jason," Gretchen called out, separating as Karen followed her as she often did. (Y/n) didn't mind them going off together, leaving her and Regina alone as they made their way to the kitchen.

Regina began pouring drinks for her and (Y/n), passing the red solo cup to her girlfriend. "You really do look hot, baby. You should wear red more often." Regina complimented as she set her drink beside them, keeping an eye on it. Her hands fell onto (Y/n)'s hips and she leaned in to kiss her. (Y/n) wasn't one to object to a kiss from her girlfriend, allowing Regina's lips to dance on hers with ease. The base kept them at a pace as they kissed, not caring about the people around them. They were almost secluded in the little kitchen area they were in. The two would've continued to make out if it wasn't for the screams that caused them to jump apart, some of (Y/n)'s drink splashing onto the floor.

(Y/n) quickly went to clean it as Regina narrowed her eyes to see what everyone was screaming at. "Oh my God, Cady looks horrendous," Regina commented, her eyes widening as (Y/n) stood up to see what was going on. She was someone who often defended Cady due to being so new to everything in America. After all, it was evident that she was very sheltered growing up. Regina texted Gretchen, who said Aaron had invited her to the party. "Interesting… Did you know that Cady likes Aaron?" Regina personally felt that Cady was out of her league, but it was whatever Cady wanted, not her obviously.

"Really." (Y/n) said, drinking the contents in her cup before getting a refill. "I wouldn't really have expected it. I think Cady might be too pretty for Aaron of all people. I kind of thought she might like Janis since I've seen them talking a bit. Or, maybe she and Gretchen?"

Regina and (Y/n) tended to try to pair people up with each other for fun. Cady wasn't the exception to that. "Speaking of Gretchen, she's going to be upset if she sees Jason making out with that girl over there. I'm going to go break it up, but I'll be right back," Regina kissed (Y/n) before going to tell off Jason before Gretchen noticed. (Y/n) smiled at her as she walked off, grabbing her drink to keep it safe as she approached Gretchen and Cady.

"Hey, ladies," she greeted with a soft smile. Gretchen was about to respond until she watched Karen from a distance do something she wasn't supposed to. Quickly excusing herself, she ran over to the other girl leaving just Cady and (Y/n). "So, Cady, how are you enjoying North Shore so far? Find anyone you might be interested in yet?" (Y/n) just knew that there was no way that Cady had a crush on Aaron. He wasn't unattractive, Cady just was more attractive. Leaning in slightly, (Y/n) smiled widely. "You can tell me, I promise not to tell anyone. I am like a vault, you know?"

Cady blushed at her question, thankful for the abundance of makeup her mother helped her apply. However, even if (Y/n) couldn't see the blush, she saw the shy fidget. "Yes, actually, but Gretchen and Karen told me not to do anything about it. But… She is pretty cool." Cady answered, taking a small step forward. (Y/n) almost jumped up excitedly at the fact that Cady just confirmed her crush wasn't on Aaron. Now, she was thinking she was right. Cady had to like Janis if not Aaron or Gretchen. She only took Gretchen out of the equation because Cady confirmed she had told her who it was. Cady might be a brainiac when it came to math, but (Y/n) was the best matchmaker on campus.

Too bad she didn't realize that Cady was insinuating her. Sipping the alcohol in her cup, she leaned back a bit to examine Cady, trying to figure out who it was. "Oh, come on, Cady. You can't always listen to Gretchen and Karen, no matter how amazing they are. I say if you like them, you should go for it. Is this person here at the party? Do I know them?" (Y/n) glanced around, seeing Regina return from pairing Jason back up with Gretchen. This was a task she hated doing, but she knew Gretchen was head over heels for Jason for some reason.

"Yeah, she is actually, and you know her very well," Cady answered, placing a hand on (Y/n)'s wrist since her hand was full. (Y/n) was now suddenly very aware of who she was hinting at. Unfortunately for Cady, Regina was now right next to (Y/n) and kissing her deeply before sending a death glare to the girl in a black wig. (Y/n) shook off Cady's hand gently, taking a step closer to Regina who wrapped a hand around (Y/n)'s waist. Cady looked shocked, dejected, and embarrassed. "I'm sorry, I shouldn't have… I should go."

Regina provided a sickly sweet smile at this. "Yeah, Cady, there's no hard feeling or whatever, either. Just next time, hands off my girlfriend. I hope your night gets better." Regina said, taking one of the drinks from (Y/n), waiting for Cady to make her way away from them or out of the house. As Cady practically rushed out the door, Regina felt herself crushing the red solo cup before releasing it and replacing it.

(Y/n) didn't feel bad in the sense of Cady's feelings towards her, but seeing Cady sad made her feel bad. But it was awkward now that she had practically admitted that she had feelings for her without saying it. "Regina, I'm sorry. I didn't realize until she took my wrist that she was coming on to me." (Y/n) apologized, hoping Regina wasn't mad at her. She had never made Regina mad before, and she didn't want to.

"It's not your fault that Cady can't keep her hands to herself. What were you two talking about anyways?" Regina questioned, drinking a sip of the alcohol in her hands. She knew her mother would come to pick them up and have someone grab her vehicle in the morning, so she wasn't worried about drinking. Plus, now she needed the drink having witnessed the girl she was trying to help fit in touch with her girlfriend. She was jealous, and she didn't want anyone touching (Y/n) that way ever. "It must've been pretty good seeing as Cady felt the need to grab your wrist. It looked like she was about to kiss you."

(Y/n) finished her second drink as she ran a hand through her hair. "We were talking about how she had a crush on someone, and I was trying to get it out of her. I didn't know it was me so I said go for it, and then when she grabbed my wrist, I was like 'oh, shit.'" (Y/n) explained, hoping Regina believed her. She was telling the truth after all, and Regina was really good at reading the truth about people. Especially (Y/n), not that (Y/n) really ever lied. It was more so little white lies like 'Oh yeah, I totally didn't just take a three-hour nap, I lost my phone.'

"Okay, baby, I believe you. But if Cady ever tries that again, she won't get another chance to be a part of our group, and she will be a social outcast. I will not let her think that she can touch my girlfriend and get away with it." Regina glared at the exit as if Cady might re-enter. Regina then took (Y/n)'s hand. "But let's forget about that and her. Let's just go to my house. We can watch Halloween movies and make out if you want?"

(Y/n) smirked at the offer, nodding slightly. "You know what, you got a deal, angel. Let's do it."

#regina george x reader #regina george #mean girls x reader #mean girls

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nipuni · 7 months

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We went to see Phantom Madrid last weekend!! ❤️ Geronimo Rauch was amazing!! I'm going to write my thoughts on the whole performance under a cut for those interested 😊

I am going to be comparing it to the London version for reference since it's the only one I've seen live. I think my first impression was that It was better than I expected it to be! I read opinions about the Trieste production and I was a little worried but I found that I enjoyed a lot of the things I've seen being criticized.

The stage spinning around was awesome and added so much depth to scenes and made transitions very smooth. The backdrops were very nicely done!

As for costumes I think they were pretty good with the exception of Aminta's dress and the Masquerade costumes being kind of underwhelming.

The singing was good overall, although the translated lyrics are weird sometimes. The main songs translate well but some others become very confusing in Spanish, some wording seems forced and some notes are slightly altered to fit the phrases. Raoul is very calm and soft, maybe a little too much at times, Christine is very neutral and simple. Geronimo was amazing tho no notes!

Now the acting! I have opinions 😫 This show was very Christine and Raoul centric to such an extent that it flattened the plot for me 😬 Christine seems scared and disgusted from start to finish so there is no conflict in her character. She is never torn, she recoils from the phantom's touch during Music of the Night, and during Final Lair she sings the "pitiful creature of darkness" lines looking at Raoul the whole time backing away towards the phantom and steeling herself and only turns reluctantly at the last second to kiss Erik. She comes back to return his ring and just leaves it on the organ stool as soon as he turns around because she's scared to get close to him, when he sings "I love you" she shakes her head at him 🥹 like girl please give us something!!

Geronimo's phantom is a delight tho!! He whimpers, crawls, cries, screams, pants, it's great. He's acting his butt off and is the highlight of the show for me.

A thing that I really liked was in the end when the mob comes Erik is curled up in his bed crying and Madame Giry finds him there and tells him to hide under the covers and leads the mob away from him, I thought it was sweet and transitions into LND nicely.

OH also!! I really enjoyed the Phantom swinging on a rope across the stage during the ballet and Buquet's hanging, it's so good!! the flaming chandelier scene is also good!! in Final Lair they actually hang Raoul in the air which was very nice too! (and with his shirt still on) and even the angel wings and flying that I've seen people hating on was honestly so cool. It didn't look as goofy as I expected it to, it's very smooth and the lighting makes it scary, he casts thunder and flies!! the wings are not very visible since the scene is very dark. The light work was super good in general.

Masquerade and Don Juan were a bit of a let down, much simpler but not bad. I think my main issues were about the choices for Christine really 🤔 and I think some scenes needed more movement, especially the roof one (they couldn't move because they are sitting on a ledge)

The show in general feels a bit one note compared to the West End version but it was good!! I'm just nitpicky 😂 also I want Geronimo's autograph!! I love him 😭

Anyway if you want to see/hear more let me know on discord wink wonk 😁

#personal #nips photos #phantom of the opera #the phantom of the opera #it was so crowded!! there was a long line to take a picture with the mask and roses and everyone was looking at you while you did it #that is why I look so uncomfortable lmao I was about to pass out the whole time I can't deal with crowds 😭

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hotvintagepoll · 11 days

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Propaganda

Lena Horne (Cabin in the Sky, Stormy Weather)— Incredibly talented biracial actress, singer, dancer, and activist (she did so much work towards integrating audiences). Because of the racism of the era, she rarely got to be the lead actress but filmmakers loved her so much that they would often create stand alone segments within a film to highlight her beautiful singing, knowing that these segments would ultimately be cut from the film by censors in areas that forbid films with Black performers. Also, she's just so wonderful in Cabin in the Sky as a gold-digger villain who is not the least bit subtle about her intentions. I would highly recommend checking out her work.

Jane Fonda (Barbarella, Sunday in New York, Barefoot in the Park)—Feminist icon, LGBTQ+ rights activist since the 70s, Civil Rights and Native American rights advocate, environmentalist… she really is THE woman ever

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Lena Horne:

Black American powerhouse singer and actor who faced all the usual bullshit that any BIPOC faced in vintage Hollywood and achieved legendary status anyway. Also a Civil Rights movement icon.

She was a gem

She was so beautiful and those dimples are amazing! Truly depressing how badly Hollywood treated her because she was black. I would love to have seen what she really could have been if they didn’t cast her in so many yikes roles. She’s got gorgeous eyes and that body! Her joyful smile makes happiness sexy!

youtube

Civil rights actress, singer, dancer, actress, she's got the whole package

Lena Horne was a wonderful singer and actress who largely starred in black cast musicals. While she had a lot of main stream success, she ultimately lost the lead role in showboat (a role she had played on the stage) to a white actress due to hollywood's prejudices. She was also blacklisted during the HUAC hearings, but she still managed to be hot be hot as fuck and have a career spanning decades, working with more well-known stars like Judy Garland in musicals, and working on stage and releasing albums when her hollywood career began to suffer.

Miss Horne became famous during a period of time when Hollywood had very few meaningful roles for people of color. Although she is more so known as a performer, she starred in two successful all black productions (Cabin in the Sky & Stormy Weather). If that wasn't enough, she also guest starred on the Muppets (Season 1, Episode 11)

Jane Fonda:

" I assume she's already been submitted but I gotta make sure. I think there's an element to movies like Barbarella or her segment of Spirit of the Dead of those having been directed by her husband, who famously made movies about her being hot, and the incredible costume design also helped, but good lord. Look at her"

"She was so pretty, dear lord! She was and still us stunning. She’s great at comedy and drama."

"Shes so hot im so gay for me i will let her hit me with hers car"

"Gorgeous and also still getting arrested at climate protests, which is sexy behavior"

"Watching her in Barefoot in the Park seriously made me, a straight woman, question things"

"PLEASE I LOVE HER SO MUCH"

"Her vibes in these movies are so interesting because she, the daughter of an Old Hollywood star, went on to make both poignant dramatic movies and the some of the silliest things you've ever seen but even in the silly space adventures and sexploitations there's always this undeniable gravitas to her. It's like she's able not to take herself very seriously but at the same time never stops having this grace and elegance and makes it all work together. And she's always been very politically active which is also sexy. Her famous mugshot is from 1970 so right at the cutoff mark but come on"

#jane fonda #lena horne #hotvintagepoll #fuck that old woman #ladies 4 #Youtube

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flagbridge · 4 months

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I Saw the Phantom Proshot at the NYPL

Happy 36th birthday to Phantom's first preview on Broadway! I was going to save this post for the actual 36th, but I figure all of us need some more Phantom Broadway "original" content since the official Insta accounts are reminding us today that Phantom is no longer (though it should be) on Broadway. I'm going to post about what I saw, and I'll follow up on January 26 with all my answers!

Some time ago, @or-what-you-will and I went to the NYPL's Theater on Film and Tape Archive, and viewed the archival pro shot of the Original Broadway Cast of Phantom of the Opera, filmed live on May 25, 1988. There is only one copy, and its purpose is artistic preservation (not commercial distribution--the library owns it). It was kept under lock and key during the show's run. All information about how to access the archive is on the website. I can't really tell you anything more besides what's out there because it will become identifying. You get set up in a room with monitors and can pause and rewind, although you can't touch the media.

This was not my first TOFT proshot, but it was the best-filmed. Some, there's a single camera just parked, or there's some generation loss because of when the tape was transferred to digital. This had absolutely vivid colors, a multi-camera shot, and brilliant and clear soundboard audio. I heard lyrics I have never heard (especially during Notes when everyone is singing over one another), the sound balancing was so good. It was as transformative as seeing it live.

These are all the notes we took while there (apologize if they can seem disjointed) More below the cut.

ACT 1 NOTES:

-Multicam shot

-amazing audio (soundboard), vivid colors

-Raoul/Barton is crying in his voice during the auction

-there’s a “voice” that sounds like a woman singing with the overture (maybe a theramin?) We jumped in shock at this. We've never heard this before, not even on soundboard.

-Sarah Brightman comes on stage during the Hannibal rehearsal, moving across the stage with Meg during “Rome not Roma”--so she dances in the front row during the Hannibal ballet

-Hannibal ballet then has 10 dancers and since Christine is in the whole thing, there is slightly different choreo

-there’s a synth under Meg’s “he’s there, the phantom of the opera”

-Firmin lights a cigarette and Andre (Future Phantom Cris Groenendaal) stops him right before “Think of Me’ which makes the “Defense de Fumer” on the back of the curtain make even more sense

-Think of Me Gala skirt is not as full (but of note, Carlotta’s Elissa costume is much more ornate than we have now or even at the end of Broadway)

-Raoul sings slightly different notes in Think of Me. Steve Barton goes down a few notes on “young and innocent” (it’s not belted) and is clearly wistful.

-The think of me cadenza is absolutely effortless

-The “Bravi, Bravi” is haunting and perfectly sound balanced!

-Meg can actually sing and the Angel of Music harmonies work

-Raoul (Steve Barton) is nervous before going into the dressing room. He taps his fingers on the banister and takes a deep breath before going in

-He’s also nervous inside the dressing room–you can see him going from seeing an old friend to suddenly having feelings, being attracted to her. When he’s standing behind her he has a slight moment when he nearly touches a lock of her hair.

-Raoul is wearing a ring on his right hand (signet?)

-Steve Barton says MY Little Lotte

-Christine (Brightman) is excited about meeting the Angel of music and has a wanting and longing in “Enter at LAST master” (in a way that Lily Kerhoas does now and we haven’t had many Christines who do this)

-The picture is VERY CLEAR and NO WASHOUT when we see Michael Crawford appear in the mirror for Phantom’s entrance. You see everything

-When the door opens for Raoul to the dressing room after they go through the mirror, it opens slowly (vs banging open). It’s the same tempo that Phantom moves to take Christine through the mirror

-1925 Phantom silhouette vibes at the first “sing for me”

-Not a particularly aggressive cape twirl, but def a twirl.

-They get VERY close on “turn your face away”, almost kiss (like, Russians, Panaro/Joseph close)

- he has a nice portcullis sprawl but she does not press against him, there is visible space between them the entire time

-”Caress” and “hear it, feel it” are explicitly seductive, the former in how it’s sung, the latter because he self-caresses on “feel it”

-the “Touch me” in touch me/trust me is half sung/half spoken order, she strokes her hand over the mask and he does not pull away

-He does have a little panic when she faints and he covers her with the cloak. He’s holding her hair when he sings to her there

-At the unmasking, MC holds for a brief moment before covering his face with his hand so the audience gets a peek of the deformity (before “damn you”)

-Vixen not viper

-Crawls on knees, not stomach. We get…lots of crying and whimpering

-Christine sees his face a lot during this sequence. MC lowers his hand as soon as he’s on her side of the stage from “secretly dreams of beauty” to “Oh Christine”, when he turns away–but she is looking at him the entire time. MC is angled right by a mirror shard so we can see a bit of the deformity reflected back

-Right before “come we must return”, MC is about to cup her face with both his hands before changing his mind–she starts to reach for him as well.

-His Mandarin robe is much longer than we have now (ankle length vs calf length)

-This Giry has witch vibes

-Steve Barton is playing eager puppy Raoul and it shows even though he looks older (Barton was 35 at the time)

-The sound balancing is so good that you can hear lines you don’t normally hear during Notes 1 and Prima Donna–including the Managers thinking that Christine has just been off with Raoul all night.

-Sarah Brightman does a different pose on the bed as the pageboy during Il Muto. She crosses her legs vs putting her hands on her hips.

-Firmin yells “the role of Christine Daae” to the proscenium, clearly directed at Phantom

-Barton Raoul’s “There is no Phantom of the Opera” comes off more as “Christine this is just some dude” vs “he doesn’t exist at all.”

-Raoul loves Christine so much. He strokes her hair gently to comfort her right before “No more talk of darkness”--his eyes are soft and he’s genuinely caring and concerned (vs trying to be a hero)

-”All I ask is for one love one lifetime”--different lyrics, she does it twice (This is on soundboards from the time)

-Raoul puts his face to Christine’s hands at the proposal.

-Christine is clearly kissing his cheek right next to his mouth during the kiss (the final lair kiss is a real kiss)

-Christine’s “I must go” is not as playful as we often see it later. She really is trying to go.

-Raoul is nervous at “Christine, I love you”--he lowers his head for a moment worried that he said something wrong. He’s excited when she replies “order your fine horses”

-AIAOY Reprise: Michael Crawford is partially slumped over the angel, he’s holding hands with it to the audience’s right, and arm is slumped over on the left. We get a lot of anguished weeping, and little distressed moans as Christine and Raoul sing, there is rocking and head shaking and then covering his ears. It’s a HUGE difference then when he stands up fully for “You will curse” (he does this again during final lair between “unfeeling scrap of clothing” and “pity comes too late)

-He also roars before standing

-The Phantom laugh/cackle continues well into the chandelier drop into intermission at the light cut out for about 15 seconds.

Act II

-Carlotta masquerade costume has no mesh in the skirt–it’s much more of a see-through skeleton crinoline, so the feature is the purple tights

-Not surprising since Sarah Brightman is a dancer, but Christine does the proper choreography during Masquerade--she's the center of attention. Barton also does quite a bit of dancing.

-There’s an organ (almost like a circus organ) underlying the finale during masquerade

-Red Death double doesn’t run down the stairs, he stays at the top

-Giry/Raoul exchange after masquerade–both holding the lantern and super closeup

-Reyer is clearly gay–coded. Some voice and hand gestures during Sitzprobe

-Wishing–only one “help me say goodbye” (when did the second one get added?)

-”Far-reaching” gaze, Wandering Child is a duet

-Piangi says “conquest” is assured (at some point, this became “congress”)

-Michael Crawford imitates Piangi until “past the point…”

-Sarah as Christine is listening intently to Phantom’s voice and immediately noticed something is off–she doesn’t figure it out right away but she notices something. She is suspicious the entire time. It's not clear when she knows for certain.

-Christine never flees from him, during the first caresses, he hovers over her body, she turns to kiss him, he turns away, her hand lingers on her back, before she gets up to sing her solo part away from the table

-Michael Crawford’s hands are in in his crotch when Christine’s singing on the other side of the stage (“you have come here”)--he’s moving his palms in his lap the whole time, his hands are shaking, we only get glimpses of him, most of this part it’s focused on her

-There is none of the arm waving circling while their hands are held, she takes his hands, he switches his grip to hold one of hers, and they keep them on him

-She figures it out when she reaches down–she’s holding his hands above him and she pushes her left (our right) hand down and he pulls and she notices something–we can only see to his upper waist but her hand disappears and her expression changes, it’s implied he has an erection

-she doesn’t ever feel the mask, either accidentally or on purpose

-She doesn’t actually ever try to escape. It’s not the current West End or the past blocking–but more accurate in that she is aware of the situation and plays along. She keeps going with the blocking

-they both get up and keep singing, neither drags the other to the centre, they move together and keep singing

-The last “return”--he sings it at the unhooding, she doesn’t

-”Say you’ll share with me”--he is really pleading and almost crying on “say you want me”

-The managers don’t come out to try to usher her offstage, she doesn’t signal to them to stay

-When Phantom gives her the ring, she takes it, but doesn’t put it on–she just holds it

-He doesn’t scream at the unmasking, he just looks shocked and sad

-Ratcatcher order is different–it’s after Raoul and Giry’s first lines, that’s the indication that Giry needs to turn around, Giry screams

-Phantom is crying at “flesh” and through “unfeeling scrap of clothing”, he’s also hunched over through this sequence, and then stands to his full height at “Pity comes too late.”

-Phantom makes a big show of raising the portcullis, hands fully raised

-Raoul swats at Erik with one hand (the other is still on the noose) when Phantom grabs Christine on “start a new life”

-Phantom is probably the “minimum” amount of rough as we see Phantoms be with Christine in this sequence, as in, he’s definitely scary and menacing but he’s not harming her. He does grab her and spin her around on “start a new life with me.” There are a few wrist grabs (which is book accurate). He’s realizing more that his plan is absolutely crumbling. We get some shots of him on the organ looking panicked.

-Phantom makes a low growling noise before “you try my patience”, which is delivered quickly and almost casually. It is not menacing as some later Phantoms do.

-”Pitiful creature”..MC’s hand is subtly shaking by his side

-The kiss: the 1st one MC stands with “claw hands” at his side, on the second one, the “claw hands” start shaking

-MC hunches over after he burns the noose

-He stands over the monkey, conducting it with one hand, he is mimicking the symbol clashes, he doesn’t touch it or cover its face

-When Christine returns the ring, his hand shakes as he takes it, he’s hunched over again.

-She does seem conflicted about leaving, but she doesn’t press her hand back around his, she holds out the ring and his hand shakes as she takes it. She doesn’t linger very long.

-He says a second “I love you” after she’s gone.

-He’s about to say it a third time, he says “I love…” and then see the veil, and grabs it and screams into it, and then turns and sees the boat leaving

-He sobs and keens a lot

-Raoul bends in the boat to caress Christine’s face on “say the word”)--this is halfway across the stage as opposed to during the stage right exit.

-Deliberately cracks voice on the "can" in “you alone can make”

-MC Cradling the veil like a baby at the very end

SEND ME YOUR QUESTIONS! You can put it in comments, reblogs, AMA or DM's. I will answer all of them on January 26!

#phantom of the opera #poto #poto broadway #original poto #michael crawford #sarah brightman #steve barton #cris groenendaal #the phantom #christine daae #raoul de chagny #alw phantom #proshot #toft archive #YOU GUYS I SAW THE PHANTOM BROADWAY PROSHOT #POTO Broadway never should have closed

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thebowieconstricker · 4 months

Text

Stagedoor Sparks! (Matthew Patel x Reader) ✨🔥🔱

AN: OH MY GOODNESS YOU GUYS WERE FEELING THIS ONE OKAY-

I’m so glad to see people hyped up for my pathetic pirate boy. Please enjoy and if this goes well I may turn it into a series lol

We’ve got a gender neutral reader, idiots in love, I saw someone say pathetic x pathetic and YES, theater kid lingo, mild swearing, and your favorite cutie pie. ⚠️Also, this is heavily based on Scott Pilgrim Takes Off, so spoiler warnings for that if you haven’t seen it! ⚠️ Enjoy!

“Scott Pilgrim’s Precious Little Musical”, was what the bright lights of the massive sign on your local theater boasted. Recently, your coworker Julie had been telling you about the ridiculous life of this ‘Scott Pilgrim’, ranting about the conga line of characters that filled his (frankly, pathetic sounding) existence. She had also alerted you to this… musical. A musical that had been written about his life.

You sighed to yourself and adjusted your bag. Making your way to the golden, elaborately designed doors, just barely dodging all the paparazzi (why was there so much paparazzi?), you somehow successfully made your way into the main lobby of the theatre. Ivory and gold filled your vision as you observed the plush red carpet that lined each of the three floors. You had visited this theater before, and it’s gorgeous grandeur never failed to amaze you.

Now, you did not at all care about this guy. Yes, you had been silently internalizing every minuscule part of this random guy’s daily shenanigans, but that was because you were being a good friend to Julie! This Scott guy seemed like a tool, and you weren't particularly interested in listening to a…?

You checked the playbill the usher had just handed you.

…THREE HOUR MUSICAL?!? You almost started laughing right there.

But anyways, you weren’t here for this Scott guy.

You were here for musical theater. You had always been drawn to the fantastical world of lights and costumes and music. Plus, this was a community production with actors from Toronto, and you were always happy to support your local theater kids.

As you finally made your way to your seat, you sat down in the plush red chairs and opened your playbill to the cast section. You didn’t see any names you recognized, but one stood out to you.

Matthew Patel - Scott Pilgrim

Obviously, Scott Pilgrim was the lead role, but what really caught your attention was the picture attached to the name. Matthew Patel, you respectfully observed, was mad cute.

The lights suddenly began to dim and you settled in for whatever was in store, keeping a keen eye out for this ‘Matthew Patel’.

~~~ Holy shit, this is the best thing you’ve ever seen.

From the moment Matthew Patel walked onstage, you were absolutely smitten. He wore a bright orange wig that clashed horrendously with his dark skin, and an oversized jacket, but he was the hottest thing you had ever seen. Also, holy shit, Matthew Patel could sing. From the first line, you were completely enraptured by his high tenor belting. As you watched him onstage, you saw literal sparks in his eyes, his excitement and passion for the stage radiating off of him.

At the curtain call, you stood and enthusiastically clapped for each of the cast members, but hooped and hollered for Matthew especially. Even though you knew he couldn’t see you from the stage, you found yourself blushing at the thought of him looking at you.

That’s when it hit you: You’ve gotta book it to stage door to meet this guy.

~~~ Matthew Patel was completely exhausted. As the curtains flew closed, he sighed and turned around to smile at his cast mates. Although he was drained by his performance, he always took this opportunity at the end of a show to look to his fellow caste mates.

And hopefully someone would invite him with their group to an after show dinner.

He walked through the crowd, giving pats on the back and thumbs ups as he made his way to his dressing room. Lots of smiles, lots of “great job!”’s but… no invitations.

Slamming the door to his room he quickly took of his wig and put on his regular clothes, deciding that he would take off his stage makeup at home (aka the makeup he regularly wore but no one cared enough to know that). His room had a window where he could look down at the stagedoor line, the line that had been non-existent since opening night. He didn’t take it personally, since this musical was for a very specific audience of people and he understood that outside of them, no one knew or cared who Scott Pilgrim was. But still, he was onstage. He was singing and dancing and his art was being celebrated. Yes, he was lonely, still, but life wasn’t too bad right now.

As he did every day, he quickly glanced out his window to check for audience members at stage door and, sure enough, no one-

Wait-

Someone was there?

He did a double take and physically walked to the window, his hands placed against the glass and his now quickening breath creating a fog.

SOMEONE WAS THERE??!?!?

From high up in his dressing room, he saw a small figure holding the bright red playbill of his show. They seemed to be moving back and forth on their feet, bouncing excitedly. From so high up he couldn’t see their expression, but could make out what he thought was a smile.

He broke out into a wide smile. Running around his room, gathering his things and throwing them into his backpack, only one thought raced through his mind: He had to get down there.

~~~ As you waited, the cold Toronto air stung against your flushed cheeks. You were still high on endorphins from the show, the songs already worming their way into your head as you tapped your feet in anticipation.

Suddenly, and without warning, a man burst out of the dark black door you were waiting out, out of breath and panting. He was so hellbent on running out the door that he ran right into you, knocking you over!

“AH-“, you both made the same sound as you fell, the man directly on top of you.

“Oh- apologies, ma’am, I uh-“

You would have said a number of rude things to this man but, seeing his face, you were starstruck.

“Matthew Patel?”

His eyes widened in shock. Carefully, he got off of you and onto his knee in front of you. Gently, he took your hand and pulled you up, the both of you now back on your feet.

“You know me?”

You couldn’t help but notice the faint blush on his cheeks.

“Of course! Well- I mean, you know, you’re Scott Pilgrim! You were absolutely incredible up there, just amazing! My jaw was the floor the whole time! I mean, your voice and your dancing and the fight scenes-“

As you rambled on and on, Matthew was unable to snap himself out of the trance you had put him in. Visually, you were breathtaking, so much so he didn’t know how he had ever found anyone else attractive. But more so, you were genuinely complimenting him. He was never complimented on his theater work. He’d get the rare one from his cast mates, but never an outside fan.

Noticing his silence, you suddenly stopped talking.

“Sorry, I don’t mean to rant, it’s just- one theater kid to another, you were so amazing.”

He shook his head at your apology. “No, don’t be sorry. You’re- you’re very kind. Thank you. And I’m sorry again for… running you over.”

You laughed- a leitmotif to rival Sondheims to Matthew’s ears- and looked at him with a goofy grin.

“Would you sign my playbill?”

“Would you like to have dinner tonight?”

The two of you spoke at the same time, and one’s question made the other blush furiously. Matthew’s entire body tensed in embarrassment that he had been bold enough to ask you out like this, not even knowing your name.

You were absolutely over the moon.

“I- uh- yes. Yes, I would love to.”

Your smile got impossibly wider, and the sparks in Matthew’s eyes that you had noted during his performance returned. With a huge grin, he reached out his hand to take your playbill. You handed it to him and a marker appeared in his other hand as he quickly scribbled his signature.

“What’s your name?”

You told him and his blush deepened. He turned back to the playbill and scribbled a bit more, then handed it to you. You squeaked in excitement and looked at what he had written.

To my biggest fan,

(Y/N)

Looking back up at him, you were certain this was the start of something new.

“So… do you like Italian?”

~~~ HEY MATTHEW FANS TAKE THIS FIC! GO, FETCH! This’ll make a lot more sense if you like musicals, so have fun! Like I said at the start, if y’all want more and I’m feeling up to it, I’ll write more! Happy holidays, folks!

#scott pilgrim takes off #scott pilgrim #matthew patel x reader #matthew patel #scott pilgrim anime #Matthew Patel my beloved

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ollie-lolly · 1 year

Note

Well, since the last ask I sent was fluffy, I figured I'd send another one: How would the brothers and dateables react to babies and little children? Would they be paternal, hate them, or something different?

Thank you for the ask!<3

How are they with kids and babies?

Warnings: none!

Word count: 577

Most of The Obey me cast

Lucifer

Instant traumatic flashbacks. As much as he loves his brothers, he has had enough of the childcare experience. He is good at keeping them in line, but he does not want a Mammon 2.0. He would only enjoy it when it's with older, calm kids.

Mammon

It really depends on the kid. If he gets to know them enough, it could go well! He loves playing the big brother role. If the kid is a bit older he will make them do his chores as a 'reward'. I could see him teaching how to make steal money. The chaos gene must move forward. >:)

Leviathan

He does not want them in his room, there is too much priceless merch to damage. If the little one is nice to him first. He will warm up to them much quicker. He would give them little costumes to match with him. Playing pretend would also give both of them a fun time! Attempting to play video games with them is a must.

Satan

He likes them, but his patience being limited does make it hard for him. So babies are not for him, however he loves teaching kids about the knowledge within literature. I could see him trying to get to know the little one better at a cat cafe. He loves how curious kids are, he could talk to them for hours.

Asmodeus

He loves both. He wants to dress them and give them the world. He would spoil them so much. He finds them so cute. R.I.P his ever expanding camera roll.

Beelzebub

Let's hope that he doesn't eat them. Aside from that, he is great with kids and babies. They can use his body as a jungle gym. He also has a lot of patience to aid him. Will order a kids menu for them when he takes them to a restaurant and he'll gently feed them as well.

Belphegor

I think he likes babies more than kids. He likes how helpless they are, and he can take tons of naps with them! Babies become very calm with his presence alone.

Diavolo

It is his dream to be a family man, he is in his element. He will put all of his responsibilities to the side if it means that he can babysit for his friends or take care of his own kids. Or any kids and babies really. He spoils them so much.

Barbatos

He has a lot of experience with the little beings. It is safe to say that he is great with kids and babies. He has all the skills required for a good, balanced upbringing.

Solomon

Please don't let him feed them. I can see him almost killing the little ones by accident a lot. What's even worse is that kids are naturally drawn to his magic, so it is an unending cycle of saving the kids from the menace that is this wizard. With help, he can become a great caretaker though!

Simeon

He is amazing with kids. Cooking with them, playing with them. He has a caring personality. He understands how little kids and babies think and feel. Kids don't only see him as a caregiver, but also as a friend. He has this devine sense of exactly knowing what a baby wants when it is crying.

Bonus!

Luke

He would have a hard time sharing his things. Just give him some time to get used to sharing the attention that Simeon offers, it could be a great learning experience!

#obey me #obey me fluff #obey me lucifer #obey me headcanons #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me beelzebub #obey me belphegor #obey me diavolo #obey me barbatos #obey simeon #obey me solomon #obey me luke #obey me x reader #obey me x mc

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plussizefantasia · 6 months

Text

Shaggy and Velma

Flufftober Day 25: Costume Party

Peter Parker x f!reader

Word Count 1.0k

AN: I have officially finished writing all of my prompts for Flufftober, I'll be proofreading the last few before I post them. The problem is, I've really enjoyed all the writing I've been doing and how much everyone has liked my stories. So I want to ask for some requests that I can write after my short break! If you could send a request that would be amazing. As always, Reblogs and Feedback are really appreciated, and I'll see y'all tomorrow!

divider credit @royallaesthetics

“I am not wearing that.” You deadpanned at Peter who was smiling toothily at you. In his hands, he held one of those awful foam costumes, a matching set. “I am not wearing a piece of foam that makes me look like jelly on toast, not to a party.” You didn’t think that gaveling a couple's costume was a bad idea you thought it might be fun but you drew the line at food.

“C’mon Babe, match with me.” He encoded his strongest pair of puppy dog eyes and aimed them right at you.

“I will match with you, just not as PB and J” you laughed. “What about Shaggy and Velma.”

“Who would be who?” He asked.

“We’ll you’re the smart one so you’ll probably be Velma and I look good in green so I’ll be shaggy.” You shrugged.

“Do they even make male Velma costumes?” Peter began scanning the store for a gender-bent version of the character.

“Probably not but we could always go to the thrift store.” You suggested

And so you did, two hours and the thrift shops later you had your costumes for the costume party on the NYC campus that your roommate had invited you to.

Parties weren’t your thing but when you had told Peter about it, he had gotten excited. “I’ve never been to a college party, or a Halloween party, or any kind of party that wasn’t a birthday party.” So you cast aside your desire for a cozy night in with your boyfriend, watching movies in spooky pajamas and eating candy that you go from the gas station. You went costume shopping with your dork and basked in the joy that radiated from him all day.

Now, the two of you were about a block away from the party, you’d decided to walk, partially because you didn’t have a car and partially because you wanted to be able to check out other people’s costumes on the way. “Do you think people will know who we are?” Peter asked you. You looked down at yourself, wearing a short corduroy mini skirt and a green top tucked into the waistband, along with a pair of old brown dress shoes you usually saved for special and formal occasions. Then your gaze landed on Peter, you were surprised that you had found the orange turtleneck right away but it fit him well. He also wore a pair of red jeans that you had to force him into a pair of glasses that you popped the lenses out of.

“I’m sure baby, we’re killing it right now.”

“We are, aren’t we?” Peters's voice got soft and he looked at you. He placed a kiss on your temple and kept walking.

When you arrived at the warehouse the party was at, it was obvious that most of the people there were not in college. Party crashes weren’t rare, but it did mean that Peter would need to keep a close eye on you. This many strangers in one place was bound to be trouble. You had made him promise that he wouldn’t be Spider-Man tonight, that was your condition for going to the party at all.

“I’m not going if you’re going to have to race out of there right away and leave me there.” He agreed it was fair after all, you hadn’t wanted to go, so leaving you alone wasn’t the nicest thing he could do.

So instead, he danced with you, he held you close and he laughed with you when you saw funny costumes. Multiple people complimented you on the outfits you were wearing and every time it happened you watched Peter perk up just a little bit.

As the night wore on, you got a little sloppier, not drunk. You wouldn’t get wasted when you were so keenly aware of how many people you didn’t know and how far from home you were. But you were loose and Peter wasn’t. It’s not like he didn’t have anything to drink, he just metabolized it way too fast.

By three a.m. the party still hadn’t wound down, but as Peter watched you yawn and lean on him a little more than usual he decided that it was time to go.

“Wanna go home, babe? Put in our PJs and watch a movie?” You eagerly nodded and grabbed onto his hand.

It wasn’t easy getting you home, you seemed to trip on every little thing and had a serious case of the giggles but eventually the two of you made it back to his apartment. Peter helped you up the stairs and in past his door. When your eyes landed on his couch you groaned pleasantly and flopped down onto it. Burying your head in the throw pillows you had bought.

“C’mon babe, we gotta brush our teeth and change into PJs”

“Don’t wanna, comfortable”

“I know babe, but you’ll be mad at me tomorrow for not making you do some sort of routine.”

Even tipsy you knew that you would want to take off your makeup before you went to bed, so even though you groaned and whined the whole time, you let Peter help you take your makeup off, and brush your teeth and hair.

Peter gently guided you into the bedroom where he pulled out the Halloween PJs you had bought for the two of you before you knew that you were going to the party. He helped you into them, his eyes never starting from your face as he did.

When all your routines were done and you were ready for bed, Peter pulled you to his side and kissed your head like he always did before you fell asleep.

“Thank you for coming with me Shaggy,” you laughed.

“You’re welcome, Velma” was your deeply sleepy response, as soon as the words left your mouth, your eyes shut and you fell asleep immediately.

#peter parker x reader #peter parker #peter parker x plus size reader #peter parker x you #peter parker fluff #peter parker fanfiction #peter parker fic #peter parker imagine #plus size reader #plus size!reader #fanfic #fluff #x reader #flufftober #marvel fanfiction #requests open #requests wanted #peter parker x y/n

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alleunwalk · 7 months

Text

because of how sad jujutsu kaisen has been i've been thinking what if they were just all actors and this was just one big drama series/movie. I CAN DREAM OK?!

jjk actor au

itadori: he's pretty much the same off-camera and on-camera. just generally so nice and kind to everyone on set. extremely good at remembering his lines last minute (gg photographic memory). always buys the hair/makeup and stylists coffee. megumi: extremely loud, bubbly, and a total goofball. often breaks character just from laughing so much. nobara: shes more soft-spoken, dainty and gentle off-camera but she's still a girlboss in her own way. shes a popstar/idol when she's not acting. gojo: he's surprisingly a lot more reserved off-camera than on-camera but he can be goofy with his castmates, especially geto's actor. loves mentoring and giving advice to rookie actors. geto: he's a lot louder and extraverted off-camera but put him in a room with gojo and they will literally pop off. the directors and crew groan when they see them together tbd. he and gojo's actor actually used to hate each other back in the day but they became the best of buds during the first tableread. their chemistry on-screen though constantly blows everyone away. nanami: another goofball off-camera. known for his superior range. played in movies ranging from comedy, horror, and heart-tugging romance. put him in a room with gojo and geto and it ends up being immense chaos that the staff loses their minds.

*the three of them can not take an interview seriously but they're all known to be extremely A-list top of the top actors in the industry who all have won awards.

utahime: consider her like the 90s superstar actress of her generation. she started acting since she was a child. just superior all around and an absolute legend. cares for the younger cast very dearly. shoko: another legend to walk among the set. was also a runway model. she's extremely smart off-camera too and was known to go to a prestigious university. hangs out with utahimes actress a lot. *all of the cast get shook when they come on set-- the power these women hold is just unmatched. the beauty, grace and class they hold....

you can basically think that gojo, geto, nanami, utahime, shoko, sukuna, and toji are all just academy award winning legends among their generation.

sukuna: his personality is pretty similar to yuji off-camera. just super sweet and kind. was amazed the casting directors found someone who looked just like him as a kid. loves joking around with yuji. breaks character a lot too because yuji keeps making him laugh. toji: the cast tends to joke about how he could look like megumis real dad. loves telling dad jokes-- which only megumi ends up laughing at for real. (he calls him dad as a joke during cast interviews.)

maki: a lot more reserved off-camera. gives off really chic vibes and everyone is intimidated by her cool, suave personality. started her career off as a model. mai: also reserved, just like her sister. they're both pretty introverted off-camera and tend to keep to themselves but hangs out with nobara's actress a lot on the weekends as a trio. they love shopping and going to cool restaurants together. inumaki: loves pulling pranks on people and filming tiktoks behind set. this kid doesn't take anything seriously but that's what people love about him. panda: under the panda costume/CG effects is a guy who's just stellar at voice acting but people get shocked by how handsome he is when he doesn't have the costume on. super silly with inumaki and often joins his pranks. yuta: similar to itadori- his character is the same on/off camera that people can't tell if he's acting. really famous for acting in a lot of melodramas. todo: HUGEEE nerd and softie off-camera. is the biggest scaredy cat on set hence he's the main target for all the pranks when the cast pulls them (cough* inumaki). loves collecting plushies as a hobby. would not hurt a fly. him and yuji really did become best friends irl. miwa: down-to-earth, just very sweet. pretty much the same on/off camera. she's good at crying on command. muta: he's very talkative and just loves chatting with anyone and everyone on set. he wants to know everyones life story. just super genuine. like his character, he has a huge crush on miwa. kamo: SUPERRRR clumsy off-camera. he's always accidentally slipping on the fake blood or dropping something. it's okay though, he just laughs it off. momo: tends to sit in her trailer and plays video games when it's downtime. very laissez faire about everything but that's what makes her so easy to work with.

mahito: extremely serious off-camera. only keeps things professional. doesn't mess around when it comes to work. doesn't have any bloopers when it comes to his scenes. he's a really nice guy though when you get to know him. choso: golden retriever energy. super talkative and loves getting to know people just like muta. he remembers really endearing memories about people. asks staff members how they're doing and checks up on them. loves hanging out with yuji on the weekends.

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gritsandbrits · 8 months

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In light of recent news over the passing of voice actress Arleen Sorkin, I wish to reflect on the impact of Harley Quinn on my life.

When I was a kid I grew with Harley. From getting fired from a tv show for giving questionable advice, as her backstory in the 2004 cartoon The Batman, to falling in mad love with her own patient as is the origin story in the 92 animated and subsequent media, Harley has such a big role in Batman lore I don't remember a single time where she wasn't involved. Sometimes I wonder what batman mythos was like before her inclusion.

The first thing that drew me to Harley was her design. Red and black the colors of danger which she was. But there was an added playfulness, that she genuinely enjoyed being herself. She was also VERY hilarious and at times out of pocket. Child Me was amazed. Did I want to be her? Not necessarily. But she did look like someone I'd hang out with.

The meta origin of Harley is just as fascinating. The creators of BTAS saw a performance of Arleen in a clown costume. From there inspiration leapt off the pages onto the big screen. Unlike most of the cast Harley didn't originate from the comics. She was created exclusively for the show, an OC if you will. OCs tend to have a mixed reputation. But Harley's concept and execution was so perfect, she almost feels like she could've been a real character in the comics.

And real she became!

Introduced as a psychiatrist, after receiving Joker as a patient, Dr. Harleen Quinzel begins to fall in love with him; and down a path to iconoclastic doom. Her love for Joker is obsessive, hilarious shallow, horrible but also downright entertaining to watch. I enjoyed every moment she was on screen: I still quote "rev up your Harley" to this day! I see her despair, her goofy outlook and morbid ruthlessness. I wanted her to get comeuppance but at the same time I can't help but feel sorry for her.

Joker abuses her, ignores her, and only complements her when she does something good for him. While the makes how awful their relationship clear, there are a good amount of fans who sees the pair as a glamorous whirlwind romance a la Sonny and Brenda or Jane and Mr Rochester. While such fantasies may seem morbid I don't blame them. No matter how horrible Harley is there is a tiny unavoidable spot that aches for her to win. Or at least see Joker for the monster he really is. While Harley is often held accountable for her actions her arc shows that no one deserves to be abused.

Arleen's performance played a major role in brining Harley to life. She nailed her weaknesses and strengths with such a sincere note that elicits pity, humor and shock at the same time. And of course that ear candy of the New Jersey accent that set the standard for future VAs. Whenever I look at a picture of Harley I hear Arleen. Not to say the other VAs aren't bad, but Arleen's performance is that iconic I can't help but think of her!

Over the years Harley grew apart from Clown Prince of Crime. She got her own spinoff comics, made appearances in other DC media. She even gotten her own tv show which sees the DC universe through her eyes. Harley has marginally healthier romances, primarily Poison Ivy (this isn't to say that pairing doesn't have it's share of toxic moments). The Harlivy ship is a fan favorite but even without shipping and the wars, Harley still shines bright as the Bat Signal.

In a way Harley's descent and eventual rise back to normalcy reminds me of my own struggles. I wasn't a happy child growing up, I've made a lot of mistakes and bad choices. To see a person like Harley work to take back control of her life, makes me feel a bit better for my own prospects. Of course I wouldn't torture a kid to near insanity or blow up a whole city but I can at least put my energy towards something constructive. Harley shows people like me thay we can be more than just screwups if we try.

Of course I can't forget Harley's design. The red&black suit is an icon by itself and inspires similar designs in and outside comics. I could talk all day about how cool her design is from a show and historical perspective but that would take me all day. While I prefer her classic palette, her recent blue and pinks aren't bad either and show just how far she's come out of Joker's shadow. It's even to the point where when, I see something black and red and white I have to point it out and say "Harley would love that outfit!"

Nowadays I complain about the oversaturation of Harley quinn (seriously what was DC thinking taking a team started by a disabled character to reclaim her agency) and overshadowing other cool DC villains. But I would be lying of I say she didn't leave an impact. And it's all thanks to Arleen Sorkin for breathing life into a character that proves you don't need to be be from "the comics" to be considered cool.

Thank you Arleen! May her memory be a blessing - Grits.

#arleen sorkin #harley quinn #essay #dc comics #btas #voice actors #batman the animated series #birds of prey #harley quinn show #characters #may her memory be a blessing

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