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#this out of character
spider-man-timepeace · 2 months
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If you ever want to get a tiny taste of what "With great power comes great responsibility" really means in a really wholesome way, just be Spider-Man for a day. Just be the only Spider-Man at a sci-fi convention with a bunch of kids in attendance.
This past weekend, I was two different Spider-Men. At first I was my spidersona, Spider-Man Timepeace from Earth-109965, the time-traveling to the '60s webslinger obsessed with the free people movement, rock and rollers and absurd TV sitcoms (The Monkees, in other words). I was this Spider-Man because I wanted to be him, I had been planning my suit, all my accessories, and my backstory for nearly a year. This was what I wanted.
But around halfway through the day, I felt like I needed to change things up. Only one person really understood what I was trying to pull off, and most people didn't even realize I was Spider-Man, even with the mask. I felt this compulsion, and I went with my gut. I went back to the car and took off everything except the Spider-suit.
I went back to the event, and I was just... Spider-Man. And it felt good.
I posed with a Deadpool statue, and I came to with a witty remark about what a great photographer Peter Parker is when somebody tried to slip me up. I fanboyed over the twin Tony Starks, and apologized for being late like Peter when I was the last entry to the costume contest, which I ended up missing anyway (whoops!)
But the really cool part was giving fist bumps and high fives to so many different people, and squatted to take photos with so many kids. My left calf is still sore from doing "the pose" so much, and my feet hurt from basically wearing socks on asphalt, since my suit didn't have soles. But it was so so worth it, just to see these kids get excited to get a picture with me.
Because to those kids with Spider-Man t-shirts and hoodies or even their own costumes, I was Spider-Man. These kids weren't meeting a 20-something dude who bought a $50 bodysuit online, they were meeting their hero. And I know exactly how these kids feel, because I was that 6-year-old kid completely obsessed with the webslinger not that long ago.
I started the day doing something for myself, but when I realized the obligation I had as my universe's one and only Spider-Man, the responsibility to these kids who look up to him so much, the choice was so clear. And I got so much more out of the day, just being your friendly, neighborhood Spider-Man.
and I'm still getting something out of it, or I wouldn't be writing all of this at 1 am. I know this is probably too long for anyone to read so it probably won't get too far, but I needed to express this feeling, to share what it's like to feel like Spider-Man.
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surprisearson · 2 months
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Favorite bit of adventurers bible lore is that Marcille was a researcher developing new healing magic before she joined the party but then learned all the offensive spells we see her use in a single day. Insane behavior. Imagine knowing the top med student in the country and one day she drops out of her cancer research program and perfects the art of making pipe bombs in 24 hours.
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mansand · 4 months
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these army ants tend to move in groups of 4, with the line leader leading the expeditions. They have terrible eyesight, so rely on the sound of the Line Leader's bell staff, and the the pheromone map made by the previous expedition to know where they're heading.
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sing-you-fools · 8 months
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me: this is a background character who's in one scene, has two lines, and is completely irrelevant to the rest of the story. i am going to stop obsessing over what to name him and use the random name generator on behindthename.com. i am going to accept the first thing it gives me and move the fuck on.
behindthename.com:
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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sunshinem0ths · 2 months
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club meshis
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angeltannis · 1 month
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I love you “unlikeable” female characters I love you rude girls I love you mean women I love you girl interpretations of the “Asshole with a Heart of Gold” trope I love you women who get labeled Cold and Unfeeling I love you girls who lash out I love you women who lie I love you female characters who make people mad just by existing
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irregularbillcipher · 9 months
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nobody understands this highly popular fictional character at all except for me and my carefully curated panel of mutuals
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triona-tribblescore · 3 months
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I just wanna draw them being all soft n stuff okay? :'( <333
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wasyago · 1 month
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quiet hours
closeups under the cut :]
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i really like these
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aphel1on · 5 months
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i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good
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livingmeatloaf · 2 months
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There is only one way to make a truly wonderful Avatar adaptation, not matter how bad it turns out to be:
A professionally shot, full length stage production of the Ember Island Players' Fire Nation propaganda version of the events
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queerism1969 · 10 months
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ochibrochi · 4 months
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🐣 ok we are so back………..
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clown-owo · 11 months
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been replaying the Portal series I think this is where its heading
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bastardlybonkers · 3 days
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i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one
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his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.
ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication
ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.
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