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vidavalor · 4 months

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Crepes: The 1.01 sex meta thing

Alright, my romantic and horny murder hornet friends...

...come and get your very requested 1.01-scene(s)-that-shows-that-Crowley-and-Aziraphale-are-lovers sex meta thing.

We'll be getting a bit blush-inducing NSFW under the cut so keep that in mind...

As Fraulein Maria suggests: Let's start at the very beginning... a very good place to start... when you read, you begin with: A, B, C...

...when you speak Ineffable Husbands, the show tells us, you begin with: lunch, alcohol, and crepes...

We're going to do this semi-glossary-style, since those have proven popular and it works well for this. There are some very brief mentions of Satan's attacks on Crowley, for those that would like to know of that ahead of time. Other than that, I don't think any other trigger warnings apply.

"Gentlemen, in your role as the audience, could you, perhaps, give us more to work with?" -- William Shakespeare, 1601, meta-ing for the writers and performers of Good Omens, requesting us to dive a little deeper.

Temptation accomplished.

~~~

Secret language. A language spoken by secret agents for the purpose of keeping the full, true meaning of their conversation hidden by those who might be observing them. Comprised of code words and phrases that contain other layers of meaning beneath the more easily understood surface layer. Difficult-- and, at times, impossible-- for those who do not speak the language to understand it without a key that unlocks at least one word of the language, revealing the hidden conversation beneath the surface.

Key. Additional context that reveals hidden meaning in a secret language by providing understanding of other layers of meaning beneath the surface in a conversation between secret agents.

Example: some bleating goats in 2500 B.C. illustrating for Aziraphale via additional information and context the true meaning of Crowley's words in the scene. Most keys in Good Omens are separate scenes; this one is an exception because it's the origins of their secret language in the first place. This is also a partner scene to the "no nightingales" moment in 2.06.

Partner scene(s). In Good Omens, a scene or scenes which act as keys to other scene or scenes, providing information and context necessary to fully understand the initial scene, which is usually one we saw earlier in the story.

Example: The Bullet Catch scenes in The Blitz, Part 2 in S2 adding layers of context and meaning to both Crowley and Aziraphale with the paintball gun and Crowley giving the office workers miraculous escapes from death at Tadfield Manor in S1.

Crowley and Aziraphale. Supernatural secret agents of sorts, introduced to us that way by our narrator, God, who points out their penchant for meeting alongside human secret agents in St. James Park. They speak in a secret language that we'll call in this meta Ineffable Husbands Speak that only they-- and God-- speak fluently... but for which Good Omens has been slowing giving us enough information to learn how to speak as well.

Code words. Often neutral-sounding and very common words--by design-- in order to keep the hidden meanings of the secret language secret from outside observers by making it sound like everyday conversation. As a result, code words have dual layers of meaning: they refer to a literal thing on the surface level but also have a secondary meaning beneath that within the secret language.

Example, in Ineffable Husbands Speak: "dining at The Ritz."

To "dine at The Ritz" (in Ineffable Husbands Speak). Surface, literal level: to eat a meal at the restaurant at The Ritz-Carlton, London. Hidden level: to take steps towards being less secretive about their relationship and to live more of a life that is theirs together.

Code phrase/cypher. A phrase that sounds as if it has a single, understood meaning on the surface but is comprised of code words put together to convey a meaning that is hidden from anyone who might hear the phrase but does not speak the secret language. Impossible to understand unless you either created the language or were given instructions on how to speak it... unless you can come into possession of a key that can unlock it.

If spoken to someone who does not have a key to understanding it, they might possibly be able to recognize that you are speaking in a kind of code... but they will not have the understanding of the double meanings of the keywords, nor the context required, to figure out just what the hell you're talking about.

Example: "The clarinet can make beautiful music."

Good Omens included this scene right near the start of the season in 2.01 in which both Crowley and we the audience have no idea what Agent Fuzuli is *really* saying, even if his sentence makes technical, if not really contextual, sense. We can recognize from his over-the-top obvious spy-speak that he is speaking in code. They did so to highlight the existence of hidden language in the show and how important it is to unlocking more layers of meaning in the story.

Neither we nor Crowley expressly need to decode this particular sentence to understand what's happening in the story of Good Omens because Good Omens is not about the romance of Agent Fuzuli and his new paramour, the Azerbaijani Sector Chief. (Cupid!Crowley really out here matchmaking everyone in sight in S2 lol.) If it were, we would be needing to figure out what this clarinet and its beautiful music are all about. Instead, though, the show is suggesting that hidden language and decoding it is paramount-- but we should focus a bit more on the secret language of our main characters Crowley and Aziraphale instead.

Sexual innuendo/sexual euphemism: A kind of secret language in which something that is not inherently sexual is given a sexual connotation. Relies heavily on suggestive tone and context. Often full of in-jokes. Often done to soften talk of sex-- and, just as often, paradoxically, tends to make things actually a bit sexier. Relies on a sense of humor and so increases a sense of playfulness and fun between partners. Is flirting by way of creating a secret language out of innuendo.

Example: To "mend his shirt" in the (code-named) Mrs. Sandwich's sexually euphemistic speak, as brought on by Aziraphale's 19th century-era magic during The Ball, is to give a blowj-- well, actually, here: Crowley will define the innuendo for us through the use of partner scenes...

"Fine *stable* of ladies"... the horse statue where Crowley keeps his glasses in the bookshop... mending Aziraphale's shirt in a way evocative of mending Aziraphale's shirt...

Mrs. Sandwich. A "seamstress." Not her real name. A walking, talking intersection of secret language, innuendo and sex in Good Omens, whose name and the content of her scenes help us confirm we're on the right track in decoding Ineffable Husbands Speak.

Sandwiches. Popular, common food that can be eaten anytime during the day but are most commonly associated with lunch.

Lunch. Midday meal. What Aziraphale offers to buy Crowley in thanks for Crowley rescuing him from The Bastille in the Paris, 1793 scene.

Paris, 1793/The Bastille. Partner scene that acts as the key to the 1.01 scene-- and its subsequent scenes-- that shows the nature of Crowley and Aziraphale's relationship through their use of secret language.

Let's Have Lunch. The 1.01 scene that, when unlocked using its partner scene of 1.03's Paris, 1793 scene, reveals that Crowley and Aziraphale are lovers. How so? Read on. :)

Armageddon: Round One. The end of the world and what Crowley and Aziraphale both separately learn is in motion in 2008 in 1.01. They meet the following day to discuss it and the show tells us then, at the start of the story, exactly one bullet point on their shared timeline-- the very first thing we ever learn about the entire 6,004 years that they have been living on Earth together since the last time we saw them together in Eden. Something important enough that it received its own partner scene in the 1.03 Cold Open basically entirely to help decode this scene in 1.01-- and re-contextualize the 2008 minisode (and a lot more) as a result.

What is this single, very important bullet point?

A lunch they had together in Paris in 1793.

As Crowley & Aziraphale head through the park and argue over whether or not to stop Armageddon, they eventually reach the spot on the side street where Crowley has parked The Bentley. This brings them to not just a conversational impasse but a physical one-- there's nowhere left to walk because they're now at the car and this is when Crowley says:

"Well, let's have lunch, hmm? I still owe you one from..." At this point, we're too busy being charmed by this vintage-y angel and this rock star demon who lunch together on Earth arguing over Armageddon to barely notice the content of this scene and that might be by design. It is sandwiched between two other scenes, both of which understandably get a lot more attention: the "celestial harmonies" conversation on the bench in St. James Park and the kinky lunch at what we'll later learn is The Ritz. ("Lunch" in Ineffable Husbands Speak is not *just* the food kinky lunch, as we'll get into below.)

We also don't yet have the key the first time we watch this scene to decode it because we aren't given that by Good Omens until the 1.03 Cold Open and its Paris, 1793 scene. We can pick up on some vibes in this scene in 1.01 but unless we use the Paris, 1793 scene to fully decode Let's Have Lunch in 1.01, we aren't actually understanding what they are saying and, as Fraulein Greta Kleinschmidt would say, we must know what they are saying... (since we're all not Nazi Zombies, we'll be able to actually figure it out...) :)

...but we do now have the 1.03 Paris, 1793 scene so now, let's check out the moment this scene becomes, um, important-- and that is Aziraphale's response to Crowley's invitation to lunch:

Oh, what's this now...? Crowley owes you lunch from *when,* Aziraphale? From "Paris, 1793", did you say...?!

You mean from the time that you dragged Crowley to The Bastille to save you from a situation you put yourself in and could get yourself out of the entire time because you have a Neil Gaiman-Ask-confirmed, canonical thing for him rescuing you (and because, as a fun S2 partner scene suggests, rescuing you always does make him so happy) and you were so very grateful for the rescue that you offered *to buy him lunch*?! A lunch that this scene in 2008 will confirm you went and had together? A lunch that we had *an entire, separate scene about* in the middle of the 1.03 Cold Open-- alongside The Arrangement and the 1862 breakup and 1941 and the 1967 holy water scene, in terms of importance to understanding this relationship from the show's perspective? THAT LUNCH?! lol

Paris, 1793. The ONE TIME IN THE ENTIRE HISTORY OF THIS RELATIONSHIP lol that it can be safely said that Crowley absolutely, 150%, *most definitely does not owe Aziraphale lunch*. The time we had a whole extra scene over, just to confirm how much Crowley does not owe Aziraphale lunch from this one time in Paris in 1793...

Well, well, well... seems we have ourselves a key. :)

Lunch. Code word in Ineffable Husbands Speak. A code word that, when unlocked, helps to unlock additional language, as we will see.

If Aziraphale's reply to Crowley's lunch invitation is to say the one time in history from which we know Crowley doesn't owe Aziraphale lunch, then Aziraphale's reply is really in response to the hidden, second layer of meaning beneath the lunch invitation, which means that Crowley isn't just asking Aziraphale if he wants to go grab the midday meal together and Aziraphale is more than aware of that. As we will see from the dialogue below, this suggestion that they have lunch on the surface level is also, on the hidden language level, a suggestion that they have sex.

So, ok, let's try this 1.01 scene again, now that we've started to factor in the information we have from its 'Paris, 1793' partner scene from 1.03...

What Aziraphale Is *Not* Saying When He Replies "Paris, 1793" to Crowley's Lunch Invitation in 2008: That he would like to time travel to The French Revolution for lunch; that he would like to go to Paris in the present for lunch; that he wants to go to their favorite creperie; that he wants to go get himself locked up in a maximum security prison so Crowley can come rescue him...

What Aziraphale *Is* Saying When He Replies "Paris, 1793" to Crowley's Lunch Invitation in 2008: That he would like to go to lunch and also that he would like to go to *lunch*-- which is to say that he's in agreement that sex sounds perfect-- and that what he "wants for lunch" is a repeat of how they made love in Paris in 1793.

Let's repeat that because mmhmm lol...

Sitting there in the middle of the second half of Crowley and Aziraphale's second scene in person together, in the middle of the first episode of the show, is Aziraphale recounting sex he and Crowley had over 200 years prior to when this scene is taking place in response to Crowley's suggestion that they shake off the Armageddon blues by sexy lunching their way to spending the night in Aziraphale's bed.

This conversation on the surface is about going to lunch and they are very funny with the literal part of their secret language, as they will actually go to lunch, as we know-- and during that lunch, Crowley will make a joke about the dual layers of meaning of their language when defining the next word in their language for us, which we will get to in a moment. For now, though, let's just go back to the "let's have lunch" scene here and look at the rest of it now that we can understand it on both levels of meaning...

"Well, let's have lunch, hmm? I still owe you one from..." Crowley does not actually owe Aziraphale lunch; this is a way to throw the decisions to him, keeping it sounding like they are just talking about eating lunch-the-midday-meal on the surface when we now know that it's more than that. He trails off and both verbally and non-verbally indicates a whole "you tell me" attitude, having offered up the idea and now giving the choice to Aziraphale. (It's not a magical influence "you tell me" like he did with Sitis, just a verbal ellipsis/non-verbal head shake that hands the conversation over to Aziraphale.) As a result of this and their responses in the rest of the scene, this becomes:

"Well, let's have lunch, hmm? I still owe you one from..." Well, let's have sex, hmm? Let's do our kinky lunch thing. Tell me what you want for later and we'll do that. Whatever you want. Armageddon already fucked up our lunchy dinner that we were supposed to sneak out to have at the fascinating little sushi restaurant where they know you last night-- it can go fuck itself for the afternoon. We're both depressed and tired. Eleven years left. We're almost out of time. I just want to be close to you. Let's have lunch.

"Paris. 1793." I could eat. I never can resist you, you know that. Remember Paris? After The Bastille? I'd like that.

Does Crowley remember The Bastille?

Oh, Crowley remembers The Bastille...

Someone had a very nice time in Paris in 1793 if that little smile and that look and the little "yessss" are any indication. Crowley is down with revisiting The French Revolution and after this, they're both just heading to The Bentley as they continue talking because lunch is on. But why are we even talking about Paris 1793 when we have all seen this episode and know they aren't about to instantly drive back to the bookshop and get their Bastille on?

Anticipatory kink. When partners arrange to have sex in the short term but not immediately and spend the interim time discussing the sex they plan to have as a way of arousing one another over anticipation of the future lovemaking. A form of psychological edging/delayed pleasure. Fancy way of saying 'teasing the fuck out of each other' lol.

The first part of lunch for Crowley and Aziraphale is deciding what's for lunch-- before they go to have lunch-as-in-some-food-- even if part of lunching is that they aren't going to have sex for hours still to come. In addition to the anticipatory element, it's just fun to talk to your partner about sex and the way they do so also has them euphemistically refer back to past times they made love as a way of turning each other on with the memories of those past encounters-- so, doubly fun.

"Yessss. The Reign of Terror. Was that one of ours or one of yours?" Crowley's response to "Paris, 1793." He says 'The Reign of Terror' a little sarcastically, implying that while that is the historical name for the era, he and Aziraphale were actually pretty happy during it, which goes along with what we saw in The Bastille scene. On the surface, though, Crowley and Aziraphale are still attempting to make it sound like they're talking about The Reign of Terror so, technically, "was that one of ours or one of yours?" is a question that is supposed to be about who (Heaven? Hell?) was responsible for The French Revolution but oh, that Paris, 1793 scene is a good partner scene as we know the answer to this question, too...

The French Revolution. Not Crowley's demonic work. The humans thought it up themselves. Established in the Paris, 1793 scene, to help us better understand this bit of the Let's Have Lunch scene.

"Was that one of ours or one of yours?" Look at the wording of that. By definition, since Crowley is speaking to Aziraphale, the "ours" has to include Aziraphale. It's a subtle but present indicator that this isn't entirely smooth language on the surface here because it's accounting for two layers of meaning at once. If it is just about who is responsible for The French Revolution, the sentence doesn't actually make sense but that's because it's designed to sound like something of a casual reply to the surface question about The French Revolution but this conversation is now happening more on the second, hidden level and there, it really means:

We had all the sex in Paris in 1793, angel. Talk to me more about what's got you all hot for The Bastille. I remember all of it but want to know what's lighting you up here so to keep us talking about it, I'll start throwing out some options from Paris under the guise of pretending I'm talking about who is responsible for The French Revolution. Was that one of ours or one of yours? Meaning: do you want to fuck each other later or am I fucking you? By tossing these both out as options I'm obviously also saying that, if you're up for it, I'm in the mood for "ours". I currently have both the need to be inside you *and* the need to get done into next Thursday right now...

"Can't recall." Aziraphale's response to "one of ours or one of yours?" A blatant lie on every level lol. He remembers that the humans were responsible for The French Revolution and, based on how quickly he reached for it when asked what he wanted for lunch on an especially harrowing day, Aziraphale remembers every damn minute of the two of them in bed in Paris in 1793. He knows as much as Crowley what they got up to. "Can't recall" is a reply designed to sound like he can't remember who is responsible for The French Revolution on the surface level but answers Crowley's question on the hidden language level by using "can't recall" to signal that he doesn't have a preference. It's whatever you would like is fine with me. He's definitely noted the "ours" request, though, as we'll see later on.

But Aziraphale also still needs to answer Crowley's underlying question of what's he's wanting that's got him all hot and he keeps the euphemistic, hidden sex chat going by telling Crowley what he's picturing from Paris exactly that he wants later on:

"We had crepes."

Did Crowley and Aziraphale go to lunch-the-midday-meal in Paris after Crowley rescued Aziraphale from The Bastille and have crepes-the-food for lunch? They absolutely did. Lunch-the-midday-meal (or, really, *any* food/meal that is probably not breakfast, which they seem to had yet to sort out by S2 because of Crowley not staying the night) is part of lunch. But we know that this conversation in this scene in 2008 is not really about lunch-the-meal so crepes is our next bit of Ineffable Husbands vocabulary. We can tell at this point that this is a sexual euphemism. That The Guardian of the Eastern Gate and The Serpent of Eden use types of food as euphemisms for types of sex because of course they do lol...

Does the show get into what, exactly, "crepes" are in Ineffable Husbands Speak? Oh yeah. They do lol. But it's mostly on the other side of kinky lunch so we're going to come back to it...

Off of Aziraphale's crepes declaration, they get into The Bentley and peel off and the next time we see them, we're at...

The Ritz-Carlton, London. One of the finest restaurants in the world; known for their famed afternoon tea and world-class service. The origins of the word 'ritzy.' Where Crowley and Aziraphale have lunch in 2008, for what we will learn in the subsequent scene between them is the first time. We won't know that this restaurant is The Ritz until the S1 finale, when they return there after specifying that it's where they are going. We won't begin to understand fully what it means to them in their language to do so until then. The first hint happens around midway through S1 in the 1967 scene, when it becomes apparent that they are speaking to one another in a coded way-- even while alone, as they are just used to their own language by this point-- and that Aziraphale's "dine at The Ritz" aspiration was something tied to the idea of them taking some more steps towards being more openly and fully together.

In 2008, Crowley and Aziraphale decided to go to The Ritz while in The Bentley after the "let's have lunch" scene, in a scene we aren't shown, likely because the decision to do so would include directly referencing their relationship in a way the show has avoided doing so far but, as the 2.06 kiss showed us, won't be doing forever. (We also are never shown them past a certain point at night-- the show choosing to leave them in 2008 after the "godfathers" conversation in the bookshop and again in 2019 after we last see them holding hands during the ride back to Crowley's flat in London from Tadfield. This seems likely to change in S3, especially because there is almost certainly a The Blitz, Part 3 and we last left them late at night drinking wine alone in the bookshop making eyes at one another.)

Right, so, back to The Ritz in 2008 and the kinky lunch part of lunch...

Foreplay. Activities between partners-- physical, psychological, emotional, or all of the above-- that are designed to stimulate sexual arousal, in order to put the mind and the body in the mood for sex.

Kinky lunch is a form of foreplay, as Aziraphale is into the pleasure of being watched by Crowley as he enjoys the pleasure of his food and Crowley is into watching Aziraphale enjoy himself. This is also where the anticipatory kink starts to make even more sense as if they've already decided a bit of what they're going to get up to in bed later on, then they know what each other is thinking about all afternoon-- but especially during kinky lunch.

First date. There's also something of a romantic element to this, which a partner scene in S2 provided, which is that kinky lunch is essentially repeating what first happened thousands of years earlier in Job's cellar in 2500 B.C.. That night was, more or less, Crowley and Aziraphale's first date. Not all the sex they have is tied to lunching but part of lunching is, essentially, weaving their first date into these little sexy dates they're going on throughout different periods in history. Pretty romantic stuff for these two who also literally cannot say the word 'couple' but are basically married.

Biblical "fruits of knowledge." In Good Omens, what happened in The Garden of Eden is canonically known and it's that our Serpent of Eden Crowley tempted Eve into eating an apple from The Tree of Knowledge, which she then shared with Adam. The two of them then followed up the pleasure of eating with exploration into other sensual pleasures, discovered sex, and Eve-- whose biology really is something-- was basically eight months pregnant about two days later when Aziraphale snuck them out of Eden, jumpstarting humanity. Humans, though, have had ongoing debate over Genesis in The Bible as to what, exactly, the "fruits of knowledge" were that Adam and Eve consumed.

One argument is over what kind of food it was that Eve actually ate. In Good Omens, it is the most commonly thought food-- an apple-- but arguments have been made for everything from grapes to different berries to figs to even wheat. While Crowley does eat and different things than this, most of what we've been shown that he's consumed is humorous because it's almost all things related to speculated foods of the Biblical fruits of knowledge (wine-- grapes/berries; whisky-- wheat; an apple-looking tea in the S1 finale at The Ritz, etc..)

The other argument that is made is whether "ate fruit from The Tree of Knowledge" is actually just a metaphor for having sex. In Good Omens, the answer to this question is the opening of its story and it's not an either/or. It's both, with one leading to the other. Crowley and Aziraphale are more than aware of this and of the parallels with Adam and Eve to their own relationship and, like with everything else, they're very dryly funny about it. The two who are responsible for all sensual and sexual pleasure for all of humanity since the literal beginning of time have kinky lunch and a language full of food euphemisms for sex and flirty innuendo mixing the pleasures of eating with the pleasures of sex ("constitution of an ox!") because they're witty and playful like that.

Scrumptious. How Aziraphale describes his dessert at The Ritz. Means both "delicious" and "attractive/sexy enough to eat." Is basically the foremost adjective that describes human, physical beauty in terms of taste. It's kinky lunch-- a mix of the the sensual pleasures of eating food with sexual desire-- in a word.

Scrummy. Shortened version of 'scrumptious.' How Aziraphale describes the grapes he buys at The Globe Theatre in 1601, which he then spends the scene eating in front of Crowley, who flits around him like the horny little murder hornet he is, trying to flirt his way into Aziraphale's bed. 192 years before The Bastille.

Affirmative consent. Verbalized, informed and positive consent to participate in a sexual act. Needs to be direct and clear-- the more explicit and enthusiastic, the better. Good sexual practice is checking in with your partner before and periodically during to ensure that you're both still on the same page and having a positive experience. True of every relationship-- but especially true if one or more partners has had their autonomy violated in any way in the past, as Crowley has (and as Crowley had again the night before in 2008, when attacked by Satan in The Bentley, which was one of his many motivations for wanting to lunch with Aziraphale the next day.)

A cleverly-worded partner check in need not break the mood but is still equally important to do, even if everything seems to be fine. A sense of safety brings about trust and trust is sexy, after all.

"So, what are you in the mood for now?" Aziraphale's pitch-perfect partner check-in after he finishes dessert at The Ritz. He knows Crowley well enough to know that he's alright so this is flirtier than it might have otherwise been had Crowley not been. Still, it's presenting an opportunity to stop and giving Crowley the same sense of control and choice that he gave Aziraphale at the start of their lunch date. It's all done with a practiced ease and a subtle, sexy confidence that highlights that Aziraphale is very good at this and probably undid Crowley even more than watching Aziraphale eat lunch did.

Alcohol. Fermented fruit, wheat/grains or the like. Consumption of alcohol can lower inhibitions and the ability to be fully in control of yourself. To drink with someone then is to let them experience your most vulnerable self and to trust them to keep you safe and unharmed while you're not in a state of full control. It's intimate. It's sex, in food/beverage euphemistic terms, and we already know that Crowley and Aziraphale have a whole food-related sexual vocabulary... which Crowley jokes about in this scene.

When Aziraphale asks Crowley what he's in the mood for now that they've finished their dessert course, the point of the initial shot of the scene comes into focus-- the way the camera swoops a little over the surface of the table before settling back to show us Crowley and Aziraphale. The swooping shot illuminates what's on the table. It shows us that they've already eaten lunch, as Aziraphale is on the last forkful of his dessert. The key bits, though, are the beverages-- the coffee and the wine glasses.

Aziraphale has a larger, cappuccino-sized mug of some form of coffee drink while Crowley's dessert was a dessert coffee, based on the size and shape of the mug he's drinking it from. This is also where it's fun to point out that Mr. Six Shots of Espresso in a Big Cup has drunk half of what would be less than two shots of coffee, in a normal-for-the-drink-sized cup, and that the coffee is light in color, suggesting that it's cut with cream. But while the coffee and its symbolic freedom tied to S2 is fun to look at, the point here is that Crowley's coffee looks to be a dessert coffee, most of which frequently contain alcohol and, even more prominent in the shot, are two, empty wine glasses-- one in front of each of them-- that each have a little hint of red wine stuck in the spot above the stem in each glass, confirming that they both had at least one glass of a red wine with lunch.

The point is that they had wine with lunch and Crowley's likely been sipping an alcoholic coffee with dessert, and they're literally surrounded by bottles of wine behind them, as they're in a restaurant lol-- they're at The Ritz, which is known for their service and isn't exactly rushing them out. They could sit there for hours drinking more alcohol, should they want to... so, when Aziraphale asks Crowley what he's in the mood for now and Crowley-- who has spent this scene looking like he's considering freezing time and throwing Aziraphale over the table-- picks up the spoon from his likely Irish coffee and uses it to ding his wine glass-- that is empty of the alcohol he already drank out of it--to get the check lololol and says he wants "alcohol-- quite extraordinary amounts of alcohol", well...

Alcohol (in Ineffable Husbands Speak). Literal, surface level: Alcohol. Hidden language level: Sex.

"Alcohol. Quite extraordinary amounts of alcohol." "Sex. Quite extraordinary amounts of sex." Enthusiastic, affirmative consent from Crowley over here. He loves kinky lunch and he's glad you asked, Aziraphale, but he's very, very okay at the moment and wants to go to the bookshop now for more alcohol and, later, for quite extraordinary amounts of alcohol.

"An extremely alcoholic breakfast at The Ritz." A complete sentence in Ineffable Husbands Speak in S2 that Muriel doesn't understand but that we can by this point. Muriel not being able to speak Ineffable Husbands is the point of the moment-- it's to highlight that Muriel is missing information because they don't have the information needed to decode what Crowley is saying or to even realize that there is something to be decoded. It's to point out to us that we have this information and that's why we can understand what Crowley is saying. It, along with "no nightingales", is a moment designed to point out the language and how we can't interpret what we're seeing without being able to understand it. The context of the "us time" scene in S2 helps to reinforce that we have this language correct then also makes it an additional partner scene to the 2008 minisode, as it reinforces this interpretation of the language and the relationship between Crowley and Aziraphale that suggests.

Why does Muriel need to leave the bookshop in 2.06 if Crowley and Aziraphale are going for breakfast at The Ritz? We know it's because breakfast is the latest step they want to take when it comes to dining at The Ritz and alcohol is also sex so the Inspector Constable needs to leave because Crowley is out to have some lunch for breakfast.

Right, so, after kinky lunch at The Ritz back in 2008, we then catch up to Crowley and Aziraphale as they are walking up Whickber Street towards the bookshop.

Romantic stroll. They seem to like to go for a little walk together as part of lunch, if they can swing it. In 2008, they're caring a little less because they've just dined at The Ritz for the first time and they have 11 years left until the end of the world, so they're taking some moderate more risks. This might not be always typical of lunch but it is in 2008. They did this on their first date in the Land of Uz, sneaking out of the cellar to take a walk under the cover of night after the storm stopped. They also take a little stroll from the park to The Ritz in 2019 at the end of S1. All three of these times are possible exceptions-- it was night in 2500 B.C. on their first date and 2008 and 2019 are examples of not just lunching but dining at The Ritz, in the sense that they are in an era of being a little less guarded, if still cautious enough to maintain a sense of secrecy. There is a practical reason for the walk, though, as well as well as a romantic one, and that's related to:

The Bentley. Parked nowhere near the bookshop. On a side street somewhere, like we see Crowley has been doing ahead of S2 and is doing during S2 (including the night before the season began.) Crowley staying in the bookshop late into the evening is a given since they're lunching and have already planned to have some alcohol after their alcohol. The Bentley cannot be parked for hours in the evening in front of the bookshop without them running the risk of being caught so, even if they are coming back to the bookshop during the daylight of the mid-afternoon, The Bentley is already parked away from the shop because lunching comes with an understanding that Crowley will be staying in the shop well into the night.

This all seems routine for them at this point. As speculated in another post, this is probably how Crowley became friends with Mrs. Sandwich, whose work has her outside a bit in the early morning hours just outside the side door to the bookshop. Either way, the car is away from the bookshop so Crowley can stay most of the night with Aziraphale.

1921. The year in which Aziraphale bought a dozen cases (144 bottles) of Chateauneuf-de-Pape "for special occasions", as he either tells or reminds Crowley on their walk up Whickber Street. Twenty years before The Blitz.

This is an interesting comment for this exact moment here because one of the two pretty large gaps of time in the last few hundred years in their history is 1862-1941, right? We don't know much about what transpired between their whole breakup mess in St. James Park in 1862 and The Blitz. One of the flashbacks that was cut from S2 might have illuminated some of this, as it was the one set during The Gold Rush in America, which means it would have had to have taken place before about 1893. We know about Aziraphale learning to gavotte in The Hundred Guineas Club in Portland Place in the 1880s, we know that Maggie's great-grandmother started The Small Back Room with Aziraphale's help in the 1920s and we know that Crowley bought The Bentley sometime around 1933. In the midst of all of that, though, there's this one reference to 1921 here in the 2008 minisode that is pretty interesting when you consider why Aziraphale might be bringing it up in this moment.

Aziraphale is saying that he made an investment in the idea of them having a future of special occasions to celebrate together-- in whatever way they could manage to do so-- in 1921, which is a year in which, as far as we can tell so far, he might not have had a lot of hope that this would be possible. They do seem relatively incapable of breaking up for very long but it's also evident that they don't really fully start to get beyond 1862 until 1941 from what we've seen so far so it might have been a bit slow to heal. We do know that they were in contact and not just from the deleted America flashback but from the canonical reveal that Aziraphale got his driver's licence in the early 1930s, after Crowley bought The Bentley. But Aziraphale might be trying to say to Crowley that things didn't seem especially hopeful for them in the early 1920s, either, but Aziraphale has always held out hope.

1941. A special occasion, as that is Chateauneuf-de-Pape that they are drinking in The Blitz, Part 2.

2008. Year in which this minisode about lunching is taking place, when Aziraphale says that there "are a few bottles left" of the Chateauneuf-de-Pape he bought 87 years earlier, implying that they've drunk their way through almost 144 bottles worth of *just* "special occasion" wine *alone* in the last just under 90 years.

"For special occasions." Would be a truly insane way to refer to learning that the world was ending so safe to assume that Aziraphale is wanting to bust out the Chateauneuf-de-Pape in 2008 because what we see in 1.01 is the first time they dined at The Ritz. It was maybe not the most ideal way they'd ever wanted to as it was largely reactionary to learning they were almost out of time but they did it so time for the Chateauneuf-de-Pape.

Chateauneuf-de-Pape. Wine with quite the holy history. Translated from French, means "The Pope's New Castle". The Catholic papacy in early 1300s were big fans of the Burgundy wines in the area, spearheaded their popularity, and used the church to help spur the economic growth of the Avignon viticulture in that area. They drank the wine exclusively themselves and the papacy had been relocated to Avignon so, to an extent, Chateauneuf-de-Pape is something of a "holy water", symbolically. Maybe the antithesis of it-- holy water (water blessed through the power of Heaven) can kill Crowley, Chateauneuf-de-Pape (wine made by humans; symbolic of sex and love and a lifetime of special occasions with Aziraphale) is the stuff worth living for.

Wine is alcohol is, therefore, in Ineffable Husbands Speak, sex.

"Not very big on wine in Heaven, are they?" What Crowley says on their walk to the bookshop, in response to Aziraphale's suggestion that they break out the Chateauneuf-de-Pape.

A very funny line made even funnier by this partner scene in S2:

Well, you'd better pop off and get it then, haven't you, Aziraphale? lol

What, exactly, was going on between these two Influencer Brats of Job and their usual angels-- do we even want to ask? Probably not. The way Keziah says "they haven't brought the wine" with that little emphasis makes it feel like it's possible that their usual angels bring some Heaven-blessed wine as a pretense but that 'bringing the wine' is sexually euphemistic. Ennon hitting on Aziraphale adds to that sense by giving us the feeling that Job being God's favorite human means that, prior to the bet, Heaven was sending angels to see to the needs of the family and the elder two siblings have a pair of usual angels who service their, uh, beverage needs. All of which is, objectively-speaking, against what Heaven says it disapproves of (sex, alcohol/drunkenness, etc.), emphasizing the hypocrisy of the fascist state of Heaven.

The Job minisode then serves to reiterate the wine/alcohol = sex throughout the series and makes even funnier the fact that Crowley then drank the rest of the house's existing wine in revenge for these older kids being such brats and Ennon treating Aziraphale like a whore.

What it shows, though, is that maybe the only consumable beverage that Heaven *is* very big on-- if not on drunkenness-- is wine, like many big religions on Earth, right? As a result, Crowley's "not very big on wine in Heaven" line is then emphasized to really be "not very big on sex in Heaven, are they?"

Ok, back to 2008...

"Not very big on wine in Heaven, are they? Or Chateauneuf-de-Papes... Or single-malt scotch... Or frou frou cocktails with little umbrellas..." Crowley's full response to Aziraphale's Chateauneuf-de-Pape discussion on their walk. Translated from the Ineffable Husbands Speak below.

"Not very big on wine in Heaven, are they? Or Chateauneuf-de-Papes..." Not very big on sex in Heaven, are they? Forget music and food and books and our life here with our human things and our special occasions and spending time together, you are going to spend an eternity trapped in a open-floor-plan office building in the clouds with a bunch of prudish religious zealots. Forever and ever and ever... We have, potentially, eleven years until we'll never make love again. You *love* sex and if we don't stop Armageddon somehow, you're never going to come again...

"...Or single malt scotch..." Scotch is whiskey made in Scotland. Talisker, Crowley's favorite whiskey and recurring drink order, is a single malt scotch. So, this is: Not very big on *me*, either. Not exactly like I can just ride the elevator up for a visit... if I even survive Armageddon. You might have noticed Heaven is not tagging everything on their Tumblr #bildaddy. In case it wasn't obvious that this entire time, I've been listing other things you like about life on Earth while under the surface basically screaming "WE WON'T BE ABLE TO BE TOGETHER, ANGEL..."

"...Or frou frou cocktails with little umbrellas..."

Frou frou. American slang for "fancy", sometimes overly so. The American English sister word/answer word to "ritzy". Spoken by Crowley after they've just left The Ritz and as they walk past what will be the American-themed Give Me Coffee or Give Me Death in S2. Comes from America's longest allies--the French-- where it means the rustling sound made by skirts as they move and is onomatopoeia (words derived from the sound they make, rather than rooted in a language.) To reference Scotland, the United States and France within two sentences while bashing Heaven is very Crowley, who doesn't see Heaven as The British Empire or anything lol.

Cocktails. Mixed drinks. What you get when you combine alcohols. Also ties to the scene in S2 with Mr. Brown of Brown's World of Carpets in The Dirty Donkey, which is now a partner scene to this as well. Crowley's "a sherry for you, a whisky for me." It's another example of alcohol as symbolic of sex as Crowley bringing Aziraphale his preferred drink is their attempt at getting Mr. Brown to get the hint that they are a thing and they like now to keep the alcohol just to the two of them.

A cocktail, though, being a mixed drink, can refer in the context of discussion of Heaven and their relationship to the fact that they are an angel and a demon and Heaven is not very big on that particular cocktail.

Frou frou cocktails with little...

Umbrellas. Canopies.

Canopies. The essential setting component of Crowley's Vavoom in S2, as we heard him talking about (while having a drink) with Aziraphale in S2: "You mean like a sudden rainstorm forces them together beneath a canopy... and they look into each other's eyes and realize they were made for each other."

Vavoom. Alternatively: va-va-voom. Voluptuously sexy. Of or portending to sensual pleasure. How Crowley described his hypothetical-for-Maggie-and-Nina erotic-gazing-into-a-passionate-kiss-while-sheltering-from-rain-together-under-a-canopy thing that is absolutely not Crowley and Aziraphale's first kiss recounted back to Aziraphale by Crowley as his definition of romance. Not at all. Crowley just has a thing about tree canopies and their modern rain-sheltering cousins, umbrellas, ok? We didn't just spot The Vavoom hidden there in 1.01 a bit, too. Absolutely not. ;)

"Or frou frou cocktails with little umbrellas" (in Ineffable Husbands Speak). Heaven is definitely not very big on opulent mixed angel-demon drinks like us and our little romance... We're never going to kiss again, angel. Do you really want to spend *eternity* without ever kissing one another again?

According to S2, the answer to that question is that Aziraphale cannot handle the thought to a point of having a complete breakdown of 'what if you were an angel again so we never had to worry?' desperation, so this is probably why Aziraphale's downward hands of 'argh, not right now-- I can't handle this' show up at this point in 2008, as they finish crossing the street and arrive at the entrance to the bookshop.

This is when Aziraphale starts in on his whole "I'm an angel; you're a demon" stuff again but the tone of it is pretty soft and he adds this bit into it:

"We're hereditary enemies." Something which is hereditary is something which you've inherited through no fault of your own and without your agreement. Often, something foisted upon you that you would not have chosen. Aziraphale's comparing their situation to things like hereditary disease-- they didn't ask for it. It's not their fault. The reality of it, though, is still present. This is a way of reassuring Crowley that, even though Crowley could see through the Yay, Heaven! from the earlier St. James Park scene, that Aziraphale doesn't see him as the enemy and would never have chosen this whole mess. He's not yet agreeing to help Crowley stop Armageddon-- the odds are good that he never was going to while they were outside of the bookshop anyway and Crowley knows that. Everything Crowley has said so far is preamble to his argument for stopping Armageddon later on, when they're inside, sobered up, and Aziraphale is ready to work on a potential plan with him.

After "hereditary enemies"...

"Get thee behind me, foul fiend." Blasphemous Bible-speak delivered flirtatiously as a sexual invitation. Not the only scene in the series with blasphemous innuendo but this one line alone could be its own meta so, in an effort to keep this at under 4 billion words lol, we're just going to look at how this is relevant to lunching.

Foul fiend is just Biblical speak for wicked demon. "Wicked" and "demon" are words in the same vein as "wily", "thwart" and "smitten"--words with dual layers of contradictory meanings that Crowley and Aziraphale love to use in their language. To be "wicked" is to be evil in the sense of in line with Satan, yes, but it's also to be playfully mischievous and is a positive adjective used in place of "excellent" at times. To be a "demon" is to be a familiar of the Devil, yes, but it's also to be extremely skillful and talented at a particular thing.

Aziraphale does the whole "I'm an angel. You're a demon. We're hereditary enemies" thing but then turns around and uses "foul fiend"/"wicked demon" in the non-satanic definitions of it through his fond and suggestive tone. He's not calling Crowley evil-- he's calling Crowley playfully mischievous. He's calling him trouble in a light and fun way. He's not calling him a demon in a derogatory sense but in the skillful sense. The same words that mean "evil ally of Satan" also mean "playful and talented"-- Aziraphale has added context by situation and tone of voice/delivery to essentially turn "foul fiend" into calling Crowley "a demon" in bed, in the "skillful" sense of the word. It becomes fuck me, my very wicked demon by use of a suggestive tone.

But it's the use of "get thee behind me" that is most relevant to 2008 here because remember when I told you we'd come back to crepes?

Crepes. Thin, French pancakes. Can be had almost anytime of the day because they are quite versatile-- savory, sweet, for lunch, for dessert, you name it lol. As sexual euphemism, though, we are really looking at how 'pancakes' have been used traditionally by people using food as euphemisms for sex and that is, unsurprisingly, in relation to how a pancake is cooked. I think we've all probably made actual-pancakes-the-food before or at least have seen it done so it probably will not come as a surprise to you that you have to turn a pancake over to griddle it on both sides for it to be done.

As a result, any sexual euphemism involving pancakes is referring to sex that involves a switch from an initial position to a second position that is literally just the receptive partner turning over. So, in order to fully get Aziraphale's love of his romantic French pancakes here, we'd have to have the starting position of crepes and that is something the show actually gives us because why not at this point lol.

"Get thee behind me" after they've spent the afternoon setting up this 1793-inspired crepe-a-palooza indicates that the starting position of crepes is Aziraphale getting done from behind but he'll turn over because he likes to finish his French pancakes facing Crowley.

Vavavoom Yellow. The color of Crowley's eyes and the actual name of the actual paint the actual people involved with this show painted the actual walls of the bookshop. The color Aziraphale turned The Bentley after making it take off its black and silver sunglasses. Crowley's only out here trying to seduce Aziraphale in every other scene by looking at him over his glasses or taking them off or going on about their tantric eye sex into their first kiss... Seems possible Aziraphale might have a thing for Crowley's eyes, no?

"After you." Aziraphale wants crepes for dessert, though. After "get thee behind me, foul fiend", he gestures Crowley into the bookshop with a very witty "after you", which is both politely letting him go first into the bookshop and insisting he is in bed later as well.

Inviting Crowley inside the bookshop with the "after you" in tandem with inviting him inside with the "get thee behind me" is also then using the fact that Crowley is allowed into the bookshop as sexual metaphor for being allowed inside, well, Aziraphale. This gives it a partner scene in S2, when Aziraphale turns The Bentley into a sexual metaphor and is going for the innuendo gold when he then again uses the bookshop to euphemistically refer to himself with "... just as that bookshop is, technically, my shop... but we both get *plenty* of use out of it, don't we?"

God. The only other character on Good Omens aside from Crowley and Aziraphale themselves who speaks Ineffable Husbands Speak. Character responsible for teaching us one of its most important code words-- "nightingales"-- and who ships it so hard that She had a literal nightingale singing as a joke on their dual-meaning-happy language in the S1 finale. Our narrator in S1.

"...while, in London SoHo, an angel and a demon had been drinking solidly for the last six of them." As we cut away from Crowley & Aziraphale's scenes in 2008 to see The Youngs leave the satanic nunnery with their new baby, God points out-- with a hilarious 'oh my stupid children, scared of a baby' tone-- that "The Antichrist had been on Earth for 24 hours." If we can assume that The Youngs were not sent home from the hospital with a new baby in the middle of the night and that it's closer to the more civilized option of a dinner hour, then that would also go with the fact that Aziraphale was having dinner during all of this the night prior, right? Which means it's dinner time, if we're at 24 hours later. Which means that if, in London SoHo, an angel and a demon have been "drinking solidly" for the last six hours, then God is counting the entire afternoon since Crowley and Aziraphale met up for lunch as "drinking solidly" and that's because "drinking" in Ineffable Husbands Speak isn't just alcohol but sex. Yes, that's God making a sex joke. (She has a few more in S1, too.)

"Baby." Term of endearment for a romantic and/or sexual partner that has been documented as having been in existence since at least around the 1830s but was mainstreamed by American jazz, soul and rock 'n roll music and cinema.

While Crowley and Aziraphale are in the alcohol stage of their alcohol, they get plastered on Chateauneuf-de-Pape and Crowley, in a drunken ramble that we will realize by S2 is inspired by Aziraphale's magic words and their conversation in 1941, is going on about what is going to happen to the creatures of Earth when the world ends. He begins to try to say that the fish will be "turned into bouillabaisse" but that word is too difficult for him to say while drunk. While attempting to, he gets distracted gazing at Aziraphale and calls him "baby" in a low voice and then we get their hilarious very drunk kissy faces. Crowley manages to translate "bouillabaisse" in his mind enough to "fish stew-- anyway!" and they sober up soon afterwards to have an actually semi-coherent conversation and some actual alcohol.

In the context of lunching, this becomes getting drunk and distracted by thoughts of later in the middle of trying to talk-- and we know now thanks to S2 that Crowley is also distracted by thoughts of 1941 here at the same time, as he's going on about bananas, fish, and gorillas. We've never heard him call Aziraphale anything but his name or "angel" with the exception of this scene, when they're alone in the bookshop with alcohol on the brain. Aziraphale is drunk but he also doesn't react like it's unusual-- if he heard it, to be honest, as he seemed a bit devoted to stringing together his thoughts related to The Kraken... that great, bigggg bugger, as Aziraphale described him, not at all thinking about the quite extraordinary amounts of buggery they were going to get up to later on.

But, anyway, there's the scene where Crowley calls Aziraphale "baby" in 2008 and that might suggest that he does if they're alone and there's no risk of anyone overhearing it. (As "angel", at least, is theoretically meant to be calling Aziraphale by what he is in a semi-derogatory way but Crowley's honestly never made that work a day in his life lol.)

Thwarting. See: separate meta on my blog on "wily", "thwart" and "smitten" as examples of words with contradictory, dual meanings that Crowley and Aziraphale like to use in the 'angel-and-demon' sense on the surface but in their 'sexy/romantic' connotations in their hidden language. While talking about a plan to stop Armageddon, Crowley uses "wiles"-- the enticing and feminine-leaning-in-connotation definition of "wily"-- in a dry joke where the surface level is about how it's the role of an angel to stop the Evil One (his demon counterpart) at every turn but is really using "wiles" in its seductive definition. He also uses "thwarting" in a way that is substituting it in a sentence for "fucking" on the hidden language level: "You can't be certain that thwarting me isn't part of The Divine Plan, too."

Indeed, Crowley. Indeed.

"...at every turn." Ha. Crowley has crepes jokes. Think of all the French pancakes we can have for eternity if we thwart Armageddon, angel...

Godfathers. The 2008 minisode scenes end with them deciding to have a baby. Crowley's like I have a plan to stop the end of the world and it's that we crash this mansion and live together raising a kid like a little family and I've thought of a way you can sell it to Heaven-- whaddya say? And Aziraphale melts into a puddle of sparkly-eyed joy and they have some quippy lines about being damned that feel like foreshadowing for Aziraphale something fierce but this is where we leave 2008. Right here.

After alcohol, but before alcohol, ya dig?

Lunch (in Ineffable Husbands Speak). A recurring date of kinky lunch and spending time together that is pre-determined to end hours later with sex that is at least somewhat decided upon at the start of lunch, often euphemistically through discussion of " lunch food" and/or their romantic encounters in their shared past.

Off of this, let's go look at our partner scene of The Bastille again, now using 2008 to illuminate parts of it.

Paris, 1793. Crowley and Aziraphale playing 'damsel in distress and dashing hero rescuer' in The Bastille. Seven years before Aziraphale opens the bookshop; thirty years before Crowley's dragged to Hell in Edinburgh. They've been getting away with this forever at this point, to a point that while they're still overall cautious and terrified of getting caught, they're starting to think it's possible they never will because they've managed to keep it a secret this long. Aziraphale is dry and arch when referencing the recent "strongly-worded note" he apparently received from Gabriel about doing "frivolous miracles". Even though the note might not exist as this whole scene is, basically, a roleplay game, the attitude there is that they're getting one over on Heaven & Hell and are taking advantage of it.

We all know things like Aziraphale lighting up when Crowley shows up and the "oh, good Lord" while raking his eyes over him-- we're just going to look at some bits here that have more significance in Ineffable Husbands Speak.

As a side note here: the buttons on the black part of Crowley's outfit in Paris also are very similar in style to the jacket he's wearing in the Let's Have Lunch scene in 2008, in a fun bit of visual paralleling between the partner scenes via the costuming. This scene is also a great one for the consistent thing in the series where Aziraphale will casually reference God and Satan ("oh, good Lord"/"luck of the devil" in the Tadfield Manor scene) but Crowley will not ("what the deuce are you doing locked up in The Bastille?").

So, Crowley does his whole haughty and faux-put-upon thing upon arriving and S2 actually makes how he arrives even funnier because he spends the first half of the scene lounging on the floor across the room, which has real Job's cellar vibes. Later in the scene, we get the "well, you're lucky I was in the area" and Aziraphale's reply of "I was", both lines of which are arch as all fuck. They ring with a kind of knowing playfulness that honestly signals the whole thing is not exactly an organic situation. Crowley has come to Aziraphale's rescue out of nowhere before and odds are solid that led to Aziraphale's whole rescue kink awakening here lol but this scene in 1793 is not that. Crowley was absolutely "in the area" with his calendar cleared for whatever sexual hijinks the angel wanted to get up to that afternoon. He's committed to the bit and asks near the start: "what the deuce are you doing locked up in The Bastille?", prompting Aziraphale's response of "I got peckish."

"Peckish", meaning "slightly hungry", but you don't wade through a revolution because you could use a snack so Aziraphale's downplaying it for humor-- he's fucking starving. And not really for food. They have food in England. Aziraphale has intentionally got himself locked up in The Bastille because he's horny, which he's expressing using food terms because of course he is. Ineffable Husbands Speak was created by this dry-humored and self-deprecating duo, one of whom is the Serpent of Eden and the other of whom is a bit of a raging gourmand and, together, they've never met anything consumable that they can't make into sexual innuendo.

To learning that Aziraphale on the surface needed a snack and, in Ineffable Husbands Speak, needs a snack, Crowley has this hilarious response:

Go on, Crowley, keep pretending like you're offended that this is all just because Aziraphale is horny and like you think it's not specific to you, like you wouldn't let him nibble on you whenever he wants lol.

Tell him he's special, Aziraphale, and not just one of your favorite toys. You dragged him to a prison cell feet away from a guillotine for this.

"Well, if you must know, it was the crepes. And the brioche. Can't get decent ones anywhere outside of Paris." is Aziraphale's quite illuminating reply.

Paris is France and anything Parisian or French is coded as romantic and as related to love to them, even if we know how much they speak around those words. We know what crepes are now from the 2008 scene and we'll look at brioche in a moment but we can already see that this sentence, translated from Ineffable Husbands Speak, is Aziraphale saying that he can fuck his way around the world (and we know it's suggested that he has at times) but he feels that it's never as good for him as it is with Crowley because the crepes and the brioche are better when they're had in Paris-- because sex with Crowley is better for Aziraphale than with anyone else because of how they feel about each other.

Probably also worth mentioning that crepes and brioche both originated in France (many societies around the world have versions of crepes but the crepe itself is French) so this is also really saying it's just always been Crowley for Aziraphale since the start and Aziraphale was alluding to that to Crowley in the Paris, 1793 scene.

Brioche. A bit of a bread, a bit of a cake, it is a bit sweet and rich like a pastry and falls mostly somewhere there on the French deliciousness spectrum between the two and treated by chefs and bakers as a bit of both. As a result, can wind up in many different meals throughout the day, in different ways. Brioche = Crowley, in food form. Can be used to make sandwiches (ha) but is most well-known as the signature bread used to make French toast. French toast is traditionally made the same way as crepes-- involving turning, like pancakes.

Brioche (in Ineffable Husbands Speak). Both Crowley himself, in food form (bread is necessary for sandwiches, after all) and crepes-as-sex reversed between them with Crowley as the receptive partner.

[Crowley is also suggested to be black bread, according to God's narration, in the St. James Park scene, leading me to believe that he's just every kind of bread Aziraphale likes, which is probably most of them.]

Aziraphale invites Crowley to lunch and we know now that lunching was already a thing for them then. True to form, the scene ends with their first step of lunch-- the anticipatory part-- with Crowley asking "what's for lunch?", which we now understand to mean the same thing as "I still owe you one from..." in 2008. He's asking Aziraphale what he would like for lunch and we know already from 2008 that they went out for crepes and had a whole French buffet.

Armageddon: Round One. 2019. Averted. Afterwards, they meet up in a park and swap bodies back unnoticed because we didn't have enough secret sexual relationship stuff already happening on this show lol so yay metaphor and now there's a full-circle back to the bench at St. James Park in 1.01 but now with them having survived and at least temporarily halted Armageddon. Then, as they start to adjust to the whirlwind being over, it's Crowley with:

"Time to leave The Garden." Crowley likening Aziraphale and himself to Adam and Eve-- and just prior to proposing that he and Aziraphale go get their Garden on with a little lunch. Shows that Crowley and Aziraphale are more than aware of how much they parallel the first humans and reinforces that all of the Eden references and related humor in their romantic relationship that we've seen is not coincidental but intentional.

To ask Aziraphale if you can "tempt him to a spot of lunchchch" while opening up your hip to spread your thighs and angle yourself to suggest that your body is also on the menu. Complete with the 'wanna go to bed?' head tilt of 1601 and 2008 fame. I mean...

Meanwhile, Aziraphale's barely conscious of the fact that he's rubbing his thighs and looking at Crowley's lips...

To reply "Temptation accomplished." with a cutely dorky little laugh to Crowley's invitation to lunch. To never be one to say no to a spot of lunch and accept the invitation, while joking around about how neither of you ever actually tempt each other, you just find each other tempting, in the 'attractive' sense of the word.

Anticipatory kink. The first part of lunch.

To say that a table at The Ritz has miraculously come free. To suggest that you have 2008/Eleven Years Ago for lunch, coming full circle back to 1.01 in the S1 finale. 2019 is 2008 is 1793 is...

Champagne tea/high tea. The meal that Crowley and Aziraphale are actually eating when they go to lunch in the S1 finale. Features champagne and macarons, both of which are French, adding to the romance and the ties to 1793. There also appears to be an apple-hued tea on the table, nodding to Eden.

PTSD. What causes Crowley to sometimes go quiet and zone out. In 2008, we came in on the end of their meal at The Ritz and Crowley was in the moment. In 2019, we see the start of their lunch part of lunch and Crowley is not at all present. He's facing ahead and staring into space at nothing, exhausted and not in the moment. Aziraphale's partner check-in is different this time, as he can tell that Crowley is not with him. He draws him back to the now with a bit of romance.

"...if you weren't, at heart, just a little bit of a good person." I love you, you know.

"And if you weren't just enough of a bastard worth to be worth knowing." I love you, too.

"A Nightingale Sang in Berkeley Square." Romantic 1940 song containing the lyric "angels were dining at The Ritz" that formed the basis for Aziraphale creating "dining at The Ritz" as a code phrase meaning a more acknowledged and somewhat more open relationship in the future... which they then celebrate agreeing to try by literally dining at The Ritz, in line with their dual layers of meaning-happy language. We're still awaiting the origins of the song as their song but it is to a point that one of them has the pianist playing an instrumental version of it during this afternoon tea lunch in 2019. We also get Tori Amos' cover playing over the scene because dual layers of everything.

Literal nightingale singing. God showing only us the bird that Crowley and Aziraphale don't know is actually singing is the show acknowledging that our perspective is, like God's, on the outside of the relationship but we are now able to understand it. To see the literal nightingale but know what it means both symbolically and in Ineffable Husbands Speak is to see that there are different levels of meaning beneath the surface of what we've been watching.

Nightingales (in Ineffable Husbands Speak). Romantic love. Specifically, Crowley and Aziraphale's word for their love for one another.

#ineffable husbands #good omens #crowley #aziraphale #good omens 2 #good omens meta #aziracrow #good omens s2 #crowley x aziraphale

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coco-loco-nut · 17 days

Text

Book Club - Part 3

Pairing: Grid X Reader, Lance X Reader

Summary: lewis get a new song inspired by one of the book they read that week, a little lance relationship focused as well

a/n: even as an avid reader, i struggle so much choosing books for this 🥲, sorry if this one sucks

requests open 🫶✨ masterlist

—————————

“Alright boys, get ready to swoon!” You pull out copies of your chosen book, The Dead Romantics. After reading classics and adventure, and thrillers, you chose chick-lit. It had been recommended on other book club chatboards, so you deemed it safe for the guys.

“Same time, same place next week,” Daniel grabs a book and walks out. The rest file out of the motor home, books in hand. You follow Fernando to Aston Martin.

“Lance, your girlfriend is here for you,” Fernando calls for him before you can. “Good choice, I enjoyed this one the last time I read it,” Fernando says before walking to his room, leaving you stunned.

“Hello, mon cœur,” Lance kisses you before grabbing your hand and taking you to his room.

“What is the book this week,” He asks once you cuddle up on the couch. Since he found out about the club, he’s been reading the books with you.

“The Dead Romantics, first one to finish gets to choose the next date,” you hand him his copy before starting your own. Lance’s assistant brings in coffees and breakfast for you both while you read.

“When we get married, would you change your last name, combine ours, let me take yours, or leave our names as is,” Lance asks after a few minutes of comfortable silence.

“Hmm, I like the sound of Y/n Stroll, but maybe I’ll still race under my name,” you decide, paying attention to the books, thinking about the predetermined discussion questions.

“Fuck,” Lance groans after his phone went off, quickly bookmarking his page.

“What’s wrong baby?” you ask, bookmarking yours as well.

“I have a meeting with Dad in a few minutes,”

“Oh, want me to come along? I love your dad,” you run your fingers through his fluffy hair.

“It’s okay, it’ll take a while. You are more than welcome to stay here or go and get ready for the drivers parade. Either way, I will see you after,” he kisses you before gathering a couple things and heading out. You finish another chapter and head to your motorhome, dressing yourself in team gear and redoing your hair. Lance waits for you outside your team garage.

By next week, you both have finished the book and have been raving about it to people, you even sent a copy to George. You won the challenge, although you were sure Lance let you win.

“Have fun at your meeting, you are literally bouncing in excitement,” Lance laughs, kissing the side of your head and leaving you in front of Haas’ hospitality. You quickly find the club, who are equally happy with your pick.

“That was the best romance book I’ve read in a while,” Daniel starts off.

“It was my second time reading it. Much better than the first time,” Fernando agrees.

“And the plot twist!” Nico gasps, all of you nodding along.

“I wrote a song about it,” Lewis says nonchalantly, causing you all to pause.

“Lew… what?” You can’t imagine how one would write a song about it. The book was good, but it wasn’t Shakespeare.

“Yeah, the broken hearts, the forbidden nature of their love, separated by the paranormal, the spiciness of the ending. It inspired me, almost like all those songs for Fifty Shades of Grey,” Lewis explains.

“I don’t know how that would work, but I am sure that you made it work,” Kevin says as Lewis pulls out his phone.

You heard some of his music before, and you knew he could sing and his writing was pretty good. Unfortunately, this was not the case. The singing was great, but the lyrics were a little too… sappy for his style. It wasn’t even sensual, he was just singing about falling in love with someone you shouldn’t.

“That was great, Lewis,” Daniel encourages Lewis,

“If racing doesn’t work out, maybe you will have a career in music,” Valtteri offers, maybe you were the only one who wasn’t a fan.

“He already does, he was featured on a song,” Fernando rushes to pull it up on his phone. You swear he is the proud father of everyone in the room.

“Oh! We should do karaoke!” you gasp, excited at the thought.

“I like the way you think,” Daniel grins at you. It is usually never a good thing when you both get excited about an idea, it tends to end up with alcohol and regret, but never fails to be fun.

“My liver can take that right now, I would participate,” Checo says, leading the group in agreeing.

You and the other drivers rent out a bar the next night and make sure karaoke is set up, Lando DJs in the meantime.

“I’m going to sing my song!” Lewis tells you over your jolly rancher shots.

“Slay!” you cheers the shots, tap the glass to the bar, and take the shot. “I think I’m gonna sing Post Malone,” you reply, and Lewis drags you to sign up. Lance appears beside you, slipping an arm around your waist as he looks at the paper.

“Babe, what song is ‘Why Don’t You Love Me’, I have never seen it on an album,” Lance asks and you tell him its origin. “Oh, that’s funny, I’ll film it,” he writes both of your names down for Total Eclipse of the Heart.

A few shots later and Lewis kicks it off with his song, it is actually a lot better drunk. You follow him up with the meme song, getting everyone laughing, before Lance joins you. The two of you surprisingly sounded very good when you rewatched the video the next day, then posted it to your Instagram story.

“Never. Again.” Kevin groans the next morning as Valtteri walks in, excited to talk with the group.

“That was fun! When are we doing that again?”

#f1 imagines #f1 x reader #f1 imagine #lance stroll x reader #formula one grid #the grid x reader #f1 grid x reader #f1 grid #lance stroll #valtteri bottas #checo perez #lewis hamilton #kevin magnussen #nico hulkenberg #daniel ricciardo #book club

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doitforbangchan · 2 months

Text

For the long haul - Lee Know

Thank you to @jehhskz for another wonderful request. I appreciate you so much sweetheart

Masterlist

Lee know x Reader (afab)

Warnings: Cursing, angst, smut, unprotected sex but reader on birth control, dom!Minho, mean!Minho, Fingering, kissing, hickeys, enemies to lovers, fluff, pet names

WC: 2.8k

MDNI 18+

This could not possibly get any worse.

“Could you stop breathing so fucking loud?”

Correction, now it couldn’t get any worse.

Your professor just had to pair you with Minho, knowing very well how much he hated you. You both were in the same theater program at your university, and Minho had decided he hated you your very first semester when you got a better score on a dance performance than him. He was a petty son of a bitch and didn’t forget nor forgive, thus had been metaphorically shitting on you almost daily for 4 years.

I guess what he didn’t count on was you could play that game too. When he bit -you bit harder, when he ran his mouth you were right there with a rebuttal. He loved to point out your flaws, trying to get a rise out of you. You would never admit how his words hurt you.

Truthfully you had a crush on Minho back then. How could you not? He was beautiful. Sharp features, dark cat like eyes, lips that looked so soft. Oh don't even get started on his body. The boy had abs that were drool worthy.

Not like any of that mattered when he was a colossal asshole to you. Like he was being right now. Currently you were both sitting next to each other on a plane, on a class trip to London to see Shakespeare's theater. Your teacher had selected trip partners, meaning he was stuck with you for the next week. Here on the plane and in the hotel room when you were in London.

Yippee

“Can you mind your own fucking business?” You rebutted, shutting your eyes tighter and leaning back further into your seat. It was bad enough you were stuck next to him for 6 more hours but he really would not shut the fuck up.

“Maybe I would if you would close your mouth when you sleep.” He was grouchy, probably feeling similarly to you.

“Whatever Minho.” You put your headphones over your ears and your eye mask on, blocking him out completely. Though you knew the possibility of a nap while seated next to him was next to zero. If you hadn’t put your mask on you might not have missed the way he gulped when you said his name. Wouldn’t have missed the effect you had on him.

------------------------------------------------------

After that greuling 12 hour flight you had finally made it to your destination. And just as you predicted, you got zero sleep on the flight. Though you pretended to sleep to avoid the man that was next to you. At least it was night time in England by the time you made it off the plane, around 10pm. Meaning you were headed straight for the hotel and right to bed. In a bed directly next to Minho..

Your one moment of peace came when your group got on the bus to the hotel, you were able to snag a seat away from him. It was at this moment you were able to reflect on the situation. It really was unfortunate that Minho was such a jerk to you, there was a part of you that still harbored that crush on him from your freshman year. You had seen him be kind to others, you knew he had it in him. Just not for you.

Kinda broke your heart a little bit.

Pulling up to the hotel you knew your peace was over. You were purposefully the last person off the bus, grabbing your room key from your teacher - who for some reason seemed way too smug when she wished you a goodnight- and slowly made your way up with your bags in tow.

You stood in front of the room door, bracing yourself for the onslaught you were sure to receive when you entered, took a deep breath and opened the door. Minho was already in there, putting his clothes into the drawers next to his claimed bed. Of course he chose the one next to the window.

He didn't acknowledge you when you walked in and set your stuff down on your bed. You took out a pair of your pjs and waited a moment before asking, “Did you want to shower first or do you mind if I?”

He didn’t offer you a verbal answer, instead just waving his hand at you to go ahead. You guessed that was better than being mean to you so you collected your clothes and went into the bathroom.

You took your time in the shower, the hot water helping you escape reality, though the water pressure sucked. While you were in there you could hear a faint voice talking back in your room. These walls must have been realllllly thin, since you could pick up pieces of a conversion Minho seemed to be having, but you didn’t hear anyone elses voice so he must be on the phone.

You were only getting a few words.

‘I dont know how-’ ‘stuck with her’ ‘fucked up’ ‘control’ was all you were able to get before you realized you may have been in there too long.

As you shut the water off you heard Minho say “I gotta go. I’ll call you tomorrow.”

You dressed and brushed your teeth before exiting the bathroom. Minho let out a scoff when you entered the room “Took you long enough. Did the princess need some pampering?” He was condescending with his words. He grabbed his own pjs before walking past you.

Before he could close the door to the bathroom you blurted out “Why do you hate me so much?” there was a crack in your voice. He seemed to freeze and stare at your back. You were facing away from him when you asked it, thankfully so or he would have seen how your bottom lip wobbled when you asked it.

Minho gave you no answer, only softly closing the door and locking it behind him.

When he shut himself in you let a few tears slip out. You put your dirty clothes away before climbing into your bed and burying your face into your pillow, to hide the tears that steadily leaked from your eyes.

It seemed he too took his time, as it was about 30 minutes before he came out to your curled up form hidden under your covers. He could tell you were crying by the small shakes emitting from your form every few seconds. Minho ran his hand over his face before approaching you slowly, and took a seat on the edge of your bed. You felt the bed dip but didn’t say anything or look at him. Until he spoke first.

“I..I don't hate you.” His voice was soft. The softest you had ever heard, as if he was afraid to speak.

You wiped your eyes before uncovering your face enough to peer at him, “Then why.. If you don’t hate me, why do you treat me like you do?”

He sighed and ran his hand through his hair nervously, “It started because I was…jealous. Jealous that such a pretty and well liked girl was doing better than me, better than me at my passion. It came so naturally for you. While I had to work so hard. It drove me crazy.” He wasn't looking at you while he said it. You took a beat before answering.

“You think I'm pretty?”

He spun his head around to look at you in disbelief “ That's what you focused on?!”

You pulled yourself out of the blankets, “I mean, I never meant for you to feel like you weren't enough, Minho.” You brought yourself closer to him but not touching. “ I always thought you were an incredible dancer. I actually strive to be as good as you are. Strive to be good enough for you.”

He looked into your eyes “You are good enough. It’s me that's the problem. I didn’t know how to properly manage my own feelings and by the time I figured it out we already had this hostile dynamic. And I haven't been fair to you with the way I’ve been treating you.” He had shame on his face.

“No you haven’t.” You agreed. “But I havent been a saint to you either. That's not how you treat someone that you.. That you like.”

“You like me? After all we’ve done and said to each other, you like me?” He asked incredulously. You nodded and covered your face with your hands, embarrassed at admitting it to him. “Hey don't hide.” He reached out and took your hands in his, pulling them from your red face. “ I guess now would be a good time to tell you that…. I like you too, have since the day I first saw you in class.”

At his words your brain short circuited and before you knew what you were doing you leaned forward and pressed a kiss to his shocked lips. You pulled away quickly after registering exactly what you had just done.

“Oh my god I am so sorry Mi-” He cut you off by crashing his lips back into yours, encapturing you into him.

You moaned lowly into his mouth when he ran his tongue against your bottom lip, as if asking for permission. He shoved the appendage into your mouth immediately claiming dominance over you. He brought his hand up to the side of your neck where he gripped lighty, angling your head to his liking so he could shove himself further into you.

After a few seconds he released you, biting on your bottom lip as he went.

“Tell me what you want, baby girl.” His voice was raspy. “Tell me and I’ll give it to you.”

“I want all of you, Minho. Everything.”

He groaned, his eyes darkening with desire. He gave you a smirk “Oh I’ll give it to you alright. If you need me to stop or if it gets too much for you, say ‘red’ and I’ll stop.”

“Yes minho.” You nodded, ready for him. The wetness between your legs was growing by the second.

“That's a good girl.” He pushed you down onto your bed and climbed over you, attaching his mouth back on to yours. This time it was all teeth mashing against your own. It was downright dirty, the way his tongue bossed its way into you. He wasted no time in finding the hem of your shirt and lifting it up over your head, then he threw it somewhere without a care.

He groaned when his rough hands made contact with your bare breasts. “Mmm no bra?” He mumbled. “Bet if I go lower I’ll find you're not wearing any panties under these dainty shorts huh?” With one hand still groping your chest the other slithered down your waist and into the front of your sleep shorts where he was right- you had no panties on. “Fuck you are a dirty girl huh? Almost like you knew I would wanna fuck you tonight? Hm?”

You shook your head, “Just don’t wear them to bed is all Min, promise.” You gasped when his pointer finger made contact with your clit, the digit starting to rub slow circles on the nub.

“Hmm I don't think I believe you baby girl.” He tutted, “I think subconsciously you are a little freak who wanted me to fuck her. Well let me share another secret with you, so am I.”

Minhos mouth left bruising kisses on your neck while he played with your core, after a particularly hard suck he took the finger that was down there and shoved it into your hole, causing you to moan loudly.

“Min-minho!”

“Shhh babygirl, don’t want anyone to hear you huh? People are trying to sleep.” He was teasing you with his words. He added another finger to your heat, curling them up to find that sweet spot that made you see stars. He kept at this for a few minutes, coating his fingers in your juices.

You could tell he was struggling though, as every so often he would rut against the bed looking for any friction.

“Min..” You were able to get out between squeaks. "Wanna- wanna ride you, Min.”

At your words he bit into the skin he was suckling on your neck, causing you to bite your lip to keep quiet from the scream you would have let loose otherwise.

Minho removed his hands from you and propped himself up, his lips red and swollen. He gave you an almost menacing stare. “Little baby wants to ride me? Think you can handle it?”

You nodded enthusiastically,”Mmhmm please. Been dreaming of it for years.”

“Fuck.” He whispered to himself. “Years huh? Well since you've been so patient I guess I’ll grant your wish.” He stood only to remove the clothes from his own body. When he pulled down his joggers his cock slapped up against his stomach, red and proud. You could feel your mouth literally watering at the sight. He was beautiful. Like a work of art. All those years of dance really paid off for him.

His next words brought you out of your daze. “Fuck, I don't have a condom. Do you?”

You shook your head. “No, but I'm on birth control and I’m clean. I don't mind you going in raw if you’re clean too.”

“I’m clean.” He assured you. His smirk returned, “Take your shorts off.” You did as you were told as he plopped down next to you. Minho took his length in his hand and gave himself a few jerks before motioning you over. “Come on babygirl, climb aboard.”

You wasted no time, throwing a leg over his body and positioning yourself over his cock. For a moment you were worried he wouldn’t fit, he was so big. The biggest you had seen in person. As if he could sense your apprehension he teased “Don’t worry, it’ll fit.” He placed his hands on your hips, and your own hand gripped onto him lining him up to your hole, before you slowly sunk down on him.

You both threw your heads back at the intrusion. He didn’t give you a moment to adjust before he was lifting your body up and down on his cock, your insides struggling to accommodate him.

“Fffuuuckkk, you have the tightest pussy ever.” He groaned out from under you.

You placed both your hands on his chest and began to ride him the best you could, already feeling the burn in your thighs. He could really see all the hickeys he had left on your skin from this angle. You were driving him wild.

Each time you sank on him you let out a squeakish moan. Minho knew your sounds would wake the neighbors if he didn’t shut you up, so with one hand still on your hip the other tangled itself in your hair and yanked you down hard, to meet his face where he once again gave you a bruising kiss. You yelped into his mouth, the pain felt so good you couldn’t help it.

You could feel yourself start to lose rhythm from atop him, your orgasm impending. Minho could tell by the way your thighs shook. He wanted to get you there so he let go of your hip in favor of sliding his fingers back to your core where he rubbed harshly on your bundle of nerves. Your eyes rolled to the back of your head when you came around him, coating his thighs, balls, and lower stomach in your release.

Your orgasm seemed to have triggered his own, as seconds later he was spurting inside of you, painting your insides white.

“Oh my fucking god. Shit you ride me so well baby.” He mumbled out against your mouth, not really kissing, more like just breathing in each other.

After a few moments of trying to catch your breath you rolled off of him, onto the space next to him. You could feel his cum leaking out of you, it was a strange but welcome feeling.

Minho was the first to speak. “That was incredible. I don't think I’ve ever cum that hard before in my life.”

You giggled and pressed a kiss to his shoulder. “Me either.”

He faced you and gave you another kiss on your lips only lasting a second before he pulled away and placed his forehead against your own. “I don’t want you to think this was a one time thing. As far as I'm concerned you are my girl now.”

“Really?” You asked hopefully, eyes shining at the idea of being his.

“Absolutely. I have wanted you for years and now that I have you I’m never letting you go. You’re stuck with me, babes. For the long haul.”

“That's all I want Minho. Just want you.” You kissed him sweetly. “But first I think I need another shower.”

He laughed and hurled himself off the bed and gathered you in his arms, taking you to the bathroom to clean you up.

A/N: as always comments and reblogs are appreciated <3

Requests are open as well! If anyone has an idea shoot me an ask :)

©doitforbangchan

#stray kids #stray kids x reader #skz smut #lee know #lee know x reader #lee minho #lee know smut #lee minho smut #lee minho x reader #lee minho stray kids #lee minho skz #lee minho x you #stray kids smut

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blues824 · 4 months

Note

My request for the prompt list is what ever you want and who ever you want I'm happy with everything you write and what to see what you want.

I found this cute picture of sebek for you I don't know who drew it but it's beautiful.

If this man does not become our husband in the next 5 seconds @theunknowntravel3r

I requested: Dancing to Christmas Music, New Year’s Countdown, NYE Party

Sebek Zigvolt

Let’s be honest, if you are with him, he probably has told his parents about you. It was his first time being in a relationship with a human, so who better than to ask his parents? That being said, when Winter Break rolled around, they had sent you an invitation to stay at their house for the duration of your time off from school.

The half-fae had warned you to pack heavily and with cold weather in mind, and he even lent you one of his hoodies… totally because you needed it and not because you looked absolutely adorable in it. You also noticed that it seemed that he sprayed some of his cologne on it so that it smelled freshly of him, and your heart melted.

Going through the mirror, the weather was definitely much colder, and you were glad that you were already wearing some extra layers. It was freezing cold. You went to pick up your suitcase only to see that Sebek picked it up for you. His face was flushed red, as he caught you looking at him, but in his mind he blamed it on the cold.

“Sebek, I can get my own stuff.”

“Nonsense! It is a knight’s duty to help a citizen, especially if you are their significant other!” He shouted, not as loud as when he shouts at Ace or Deuce, but definitely louder than necessary.

So you said bye to everyone as you both headed to the dentist clinic, where you would meet his parents. You were nervous, and he could sense it. To be honest, he was more nervous about you meeting his older siblings, as they were very protective over their younger brother.

Walking in, you noticed that it was very clean and quiet, probably because they were just locking up the office for the holidays. Upon seeing her son, Mrs. Zigvolt ran and pulled you both into a hug, exclaiming about how it was so good to see you and her son had told her so much about you. Sebek was embarrassed, but it had been a while since you'd felt the warm hug of a mother, so you embraced it.

His father walked into the lobby soon, and waited until his wife was finished with greeting you both so that he could hug his son and introduce himself to you properly. You could definitely see that your boyfriend was a perfect mix of his parents, in both appearance and personality, and it was quite funny to you.

~~~~~~~~

The Zigvolt residence wasn’t anything too grand. It was actually quite comfortable, and you loved everything about it. You got to see Sebek’s room, and you were surprised at how plain it looked. You would have thought that he would have had crocodile-print blankets and pillow cases but no.

He actually had a bookcase filled to the brim with books, and they were organized by title. A few of them were romance novels that you were grateful to see, as you recognized them from your own world. Shakespeare, the Brothers Grimm, and the Bronte Sisters.

“Huma- I mean, Y/N, you will be sleeping in here, and I will sleep on the couch!” He announced, setting your suitcase on the bed.

“Why don’t we just share the bed? It’s a king-sized bed, we can both fit.”

“THAT IS IMPROPER, ESPECIALLY BEFORE MARRIAGE!!!” He shouted, face painted a bright, glowing red at the mere thought of doing something so intimate.

“Is it that? Or is it because we’re in your parents’ house? You do realize that we’ve slept in the same bed before back at Ramshackle, right?”

“I-I do realize that!” He said all too quickly, making you laugh.

“Alright, what’s got you so worked up, Mr. Knight-in-Shining-Armor?” You stepped right in front of him, throwing your arms around his neck and playing with the ends of his hair. His hands instinctively fell to your waist.

You always knew when something was bothering him… and it was something that he both hated and appreciated about you.

“I have never brought a significant other home before, and I am nervous about how my siblings and my grandfather will take it… especially since you are human,” He admitted, and you could feel his shoulders sag a bit when he mentioned his grandfather.

“Your grandfather was forced to accept your father, wasn’t he? I will force him to accept me. I forced you to, so it shouldn’t be much more difficult than that, right?” You offered him a reassuring smile, and he knew that you could win anybody over. However, his grandfather still did not like his father. “And if he doesn’t, then he’ll love our children.”

It was lucky that he was half-fae and did not get whiplash as easily as humans do, otherwise his neck would have absolutely snapped with the velocity at which he turned his head to look at you, wide eyes and flushed face apparent.

~~~~~~~~

Over the course of the next few days, you basically stayed in the house. You did stop by the market to meet some of the townsfolk, but it was freezing cold out there. Besides, you definitely preferred seeing baby pictures of your boyfriend over the snow any day of the week. Mrs. Zigvolt was very happy to show you the most embarrassing ones, much to her son’s dismay.

You also helped prepare the house for the upcoming New Year’s Eve party that the Zigvolt’s hosted annually. You were excited to see Silver and Lilia again, but you were sad that Tsunotarou was not going to be able to make it. It would be alright, because you needed to meet Baul Zigvolt as well as Sebek’s siblings.

On the day of the party, his sister was the first of them to arrive. She didn’t live too far away, but the snow made it difficult to get there. She squealed upon seeing you, though, and you made a guess that this generation of Zigvolt’s inherited their mother’s strength when she hugged you.

“YOU MUST BE SEBEK’S SIGNIFICANT OTHER!!!!” She exclaimed in excitement.

“WHO’S SEBEK’S SIGNIFICANT OTHER?!” You heard a man exclaim from the front door. Looks like the eldest son of the family is now present.

“I am! My name is Y/N L/N!” You were not surprised to be swept into yet another bone-crushing hug, but this time you were rescued by another woman who didn’t look like she was related.

“Honey, let them go! They can barely breathe, poor thing…” You shook her hand after being let down, and you noticed the ring on her and Sebek’s older brother’s fingers, making a note that she married into the family.

Lilia and Silver weren’t too far behind, and so the only person you all were waiting for was the grandfather of the family. Lilia tried to reassure you that you would be fine and that Baul would tolerate you, but it still wasn’t any less nerve-wracking. Sebek was in a similar state, not being able to sit still, and when he was sitting, his leg was bouncing.

What did manage to give you a bit of hope was that you were not the only human in the room. Sebek’s father, sister-in-law, and Silver were all there to stand beside you. Of course, the first person mentioned didn’t count, because Baul still didn’t like him. However, the other two were accepted with nearly open arms.

Then, the dreaded knock on the door sounded, making more and more terror sink into your and your boyfriend’s souls. You took his hand in yours, drawing absentminded circles on the back of it with your thumb.

“Where is the human who deems themself worthy to court my youngest grandson?” He said upon entering.

Whatever happened to ‘Hello’? ‘How are you?’ ‘My name is…’?

“I am right here, sir.” You stood up, walking up to him and extending your out to him. “My name is Y/N L/N.”

A moment of silence passed, and you could feel sweat trickling down the back of your neck, but he accepted your hand and shook it, telling you his name in return. The entire group behind you let out a sigh of relief, before the festivities truly began.

And by ‘festivities’, I mean sitting on the couch and talking. This is probably the most ‘unseasoned chicken’ family out there… just saying.

~~~~~~~~

It had been a few hours since Baul had arrived, and it seemed like he accepted you into the family. You were in it for the long haul, but you didn’t mind. Behind the scary facade, he was just a man who was concerned with the wellbeing of his family. You could appreciate that, and now you sat, sitting and listening to his and Lilia’s “glory days” from back in the military.

Sebek was listening with stars in his eyes, and you knew that he aspired to be like his grandfather. He was sitting on the couch, and you were sitting on the floor, leaning your head on his leg as you listened along. However, you zoned out a bit, feeling your social battery become low.

Mr. Zigvolt put on a Christmas record on an old gramophone that they kept in the family room, and walked up to his wife.

“Would you like to dance, darling?” He extended his hand out to her, and your heart melted at the sight.

“Why, yes I would.” And so they started to rock back and forth. In their home, they had wedding photos hung up, and they looked as in love as they were back then.

Sebek’s brother and sister-in-law joined them. It wasn’t anything too complicated, literally just rocking back and forth. You smiled, lip-syncing to the words and watching the two couples dance with each other.

“H-Human, would you like to dance with me?” Sebek stood up and held a hand out to you, offering to help you up. Poor baby’s face was flushed red, embarrassed or flustered, or maybe a mix of both. Plus, he was using a soft voice.

“I would like nothing more, my Knight in Shining Armor,” You said with a smile on your face, allowing yourself to be pulled up off the ground and into his chest. Placing your hand on his shoulder and holding his hand with your free one, you both also began swaying side-to-side.

The song was soft, creating a rather romantic atmosphere in the living room of the Zigvolt residence. Staring into Sebek’s eyes, you could see the pride he felt at his choice of a significant other being accepted by the man he looked up to the most.

“1 MINUTE UNTIL MIDNIGHT!!!” The eldest Zigvolt daughter shouted out. All of a sudden, your beloved knight looked panicked, and you were about to ask what happened when he looked back into your eyes.

“Human, I am aware that I have not been very straightforward with my feelings for the past year that I have known you. I, however, want to take this last minute in the year to express them. I love you, Y/N L/N,” You could here the others start to count down, “And I understand if you do not wish to say it yet at this point in our relationship-”

“3, 2, 1!!!” The others shouted.

Quickly, you threw your arms around his neck and pulled him into a kiss, closing your eyes. Your heart was pounding as you felt all the oxygen in your lungs quickly disappear, and when you broke apart from him, you smiled.

“I love you, too, Sebek Zigvolt.”

#twst #twst x reader #twisted wonderland #twisted wonderland x reader #disney twisted wonderland #disney twst #twst wonderland #twst sebek zigvolt #sebek zigvolt x reader #twst sebek #sebek x reader #sebek zigvolt #sebek #twst sebek zigvolt x reader #twst sebek x reader

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dahfloofysmol · 2 months

Text

HELLO. This is the official post for YouTube kids’ surprise party on the 27th of March. Any and all gimmick blogs welcomed!

Some roles we need are:

-DJ [real-pollo-campero]

-great DJ (as per requested 🤨) [spotify-kids-real]

-video jockey [buildabearfr]

-Someone to make the cake [forever21-official]

-Puncher server [big-mayo-official]

-Decorator [barns-and-noble-official]

-Party crasher(s) [officialtinder and youtubefr and actually-kroger]

-Corner Person [Pinterest, yahooo-official, reallytimhortons]

-Person who’s dealing with a crazy sugar high [firewaysubs and zotap]

-Emotional support [walmart and def-bjs-guys]

-Mom [Krista the art program and Canadian tire] AND dad friend

-Birthday person IS taken (obviously lol)

-Someone to bring snacks [incognito-mode-official]

-Ring Leader (person in charge of the games) [totally-official-yahoo]

-person who performs a special but confusing (and overly translated) version of happy birthday [google translate ]

-piñata [firehouse-subs-fr]

-setting off fireworks [google-news-official]

-here for the food and bringing tWO DOGS!!! OMG DOGS!!!!! [swearification-and-cursing]

-person currently trying tO EAT THE CAKE!! STOP THAT!!! [shakespeare-official-account]

- stopping the Cake Eater [wow-google-maps]

- putting spiders (?????) under the cake [true-blue-straya]

- the person that is every bisexuals awakening [it’s-target-official]

-pops in for the last 5 minutes with a card + a store bought cake [the-real-google]

- gay wine uncle [the-McDonald’s]

- creepy uncle (???) [rick-e-chedder-official]

-single rich aunt who disappears every night at specifically 8:00 pm [totally-not-kraft-mac-and-cheese]

-shapeshifts between wine aunt and vodka uncle, and the comic relief [the-one-and-only-duckduckgo]

- bringing lights so we aren’t all dancing in the dark [real-vivaldi-browser]

- summoning Satan under the table with a bottle of whiskey and pancakes (??????????) [definitely-canada]

-person asking weirdly specific and absurd questions [actual-aspec-military]

-the COOLEST cousin [support-speaks]

-cousin who hangs out in the corner and looks like they know something you dont [the-official-publix]

-person who hits on everyone at the party even though they’re already dating 2 ppl [fr-winn-dixie]

-contributes Ziploc® bags [totally-scjohnson]

-bringing burritos [the-real-chipotle]

-YouTube's kids southern aunt who blesses everyone's hearts bc they think theyre dumb most of the time [i-bless-your-heart]

-middle school cousin who argues with anyone and everyone to look cool [wallyworld-the-unofficial]

-gives oil (?????????????) and branded pens as party favors [truly-jcjenson]

-the strange neighbor kid who talks to no one but sings the loudest and brings a weird yet tasteful gift [the-real-aperture-science]

-bringing Walmart sugar cookies [not-really-discord]

-guy bringing the Knives [wheatley-labs-official]

-joining in on the games [totally-official-yahoo]

-the disco ball [jollibee-real]

-that one uncle with lore of untold numbers of deaths involved, and that includes guns [partycityistotallyofficailguy]

And any other role I haven’t stated!! I’ll accept pretty much anything

In case what you pick is already chosen, tag your second option ;p

—>The biggest part of the surprise party is wishing YouTube kids a happy birthday, but in the most creative way possible. In the “ask me” works, but literally anywhere; on your blog or on a post from anywhere (that you know they’d be okay with a little shenanigans) works wonderfully.

->Also, saying happy birthday is awesome, but spicing it up would be more fun!!! Day Of Birth, One of Awakening, Oh Child of the 27th, and any other batshit way to say “happy birthday” would both be awesome and absolutely hilarious.

Again, invite any and all gimmick blogs, and feel free to let me know what you’d want to do! We attack on the 27th >:DD

ADDITIONAL NOTE: sometimes there will be more than one person in each role! I do actively encourage for people to come up with silly and niche roles if you think of one ;D

ON THE 24th I WILL NO LONGER TAKE ROLLS!!!! Spread the word please!

@barnes-and-noble-official @basically-bumble @totallyofficialtacobell @totally-official-yahoo @totally-bing @officialtinder @officially-google-translate @officially-ikea @official-fedex @incognito-mode-official @forever21-offical @officialkfc @kfc-official @k-f-c-official @life360-i-swear @xgames-blog @cars-official @big-mayo-official @bingle-official @the-real-google @the-real-firefox @nasa @wow-google-maps @wallyworld-the-unofficial @walmart-the-official @realgoogleslides @realgoogledocs @yahooo-official @unfortunate-wattpad @firewaysubs @firefox-official @pinterest-real @spotify-kids-real @duothelingo @definitely-wikipedia @firehouse-subs-fr @google-2point0 @gimmick-thief

#BIRTHDAY PARTY #birth of party #party birth #YouTube kids is in for a treat #I’m not gonna like #IF I have time #IF #I will make a collaborative drawing of everyone and their roles #I think I will #but for now gotta focus on people claiming roles 👍👍#March 27th #we have a good amount of time to do this >:D #LETS GO #//cackles in delight//

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bingwriterxo · 11 months

Text

the shakespeare exhibit - part 1

pairing: tara carpenter x reader

summary: in which tara finds herself in a weird place in the museum

warnings: none

word count: 1700+

author's note: this was a request (find here)! hope u guys enjoy :D the english major in me really popped the fuck out in this one 🤭

next part

Spending a rainy Sunday in the Museum of Modern Art was far from what Tara wanted to do, but she had been outvoted by the rest of her friends, all of whom thought that it would be fun (well, all but Chad, who wanted to stay in and have a movie marathon).

She found herself wandering aimlessly through the halls, glancing this way and that at different exhibits, though nothing really piqued her interest. Sam and Danny had escaped to the Egyptian gallery, Chad and Ethan were exploring the gift shop, Mindy and Anika had rushed off on their own almost as soon as the group walked through the front doors--if Tara had to put money on it, she would guess that they were making out in the bathroom--and Quinn was flirting with the ticket booth guy.

Tara pulled her phone from her back pocket.

Tara (3:46pm): can we go soon im bored

Sam (3:48pm): Danny and I are only halfway done!

Chad (3:49pm): anyone got some extra cash??? really want this weird t-shirt

Ethan (3:49pm): i got u buddy

Mindy (3:51pm): fh2p9hr2$!8tn

Sam (3:51pm): Mindy, what?

Mindy (3:52pm): sorry butt text

Mindy (3:52pm): me and nika r busy

She huffed when no one in the group chat seemed to be on the same wavelength as her and shoved her phone back in her pocket, continuing her shuffling. She wasn't even sure where in the museum she was, and she didn't really care.

Or, at least, she didn't care until she heard that voice.

"And here we have a painting depicting the celebration that occurs in the beginning of one of Shakespeare's earlier plays, Titus Andronicus."

Tara looked to her right, where the voice was coming from, and was met with a large sign that read Pop-Up Shakespeare Exhibit! She frowned. Shakespeare? she thought. Seriously?

"Now, this celebration is quite important to the rest of the play as..."

The voice was luring her in. Okay, maybe I can dig Shakespeare.

She wandered into the room, eyes flitting around as she searched for the person that the voice belonged to. Instead, she was met with numerous paintings of different scenes from Shakespeares' plays, or people that influenced him or were important during his time period.

And why the fuck is this man so iconic? she thought as she quickly scanned over each painting, finding nothing extraordinarily special about them. This shit is boring.

Still, she ventured farther in, determined to find the reason she had entered the exhibit in the first place. She wasn't, however, paying much attention to her feet or the paces in front of her, and the next thing she knew, she had bumped into someone else.

"Oh, sorry," she said.

"It's okay! That's my bad!" you replied, and Tara's eyes widened as she glanced in your direction. You were the voice that she was trying to find, and now that she had found you...well, she wasn't really sure what to do.

Honestly, she hadn't expected you to be so, in layman's terms, hot, and she could feel herself blushing up to her ears as she stared at you, awestruck and nervous and itching to talk to you all at once.

You offered her a wide grin and gestured toward the painting the two of you had ended up in front of. "Big fan of King Lear?" you asked.

Tara glanced at the painting. Two men stood in a vaguely grassy area, one old and the other younger. The older one had his arms thrown out, and despair was clearly controlling his emotions. The younger one was simply standing back and watching. What the fuck is this shit? she thought before realizing that you were awaiting her response.

"Yeah, definitely!" she lied. "It's probably my favorite Shakespeare play."

You furrowed your eyebrows. "Really? You strike me as more of a..." You trailed off as your eyes flitted down her body, taking her in. Tara gulped. "I would say Twelfth Night kind of girl."

Tara shrugged. "Well, I can be surprising." She pointed lamely at the painting. "Besides, I love history plays."

"Oh!" You raised your eyebrows as your eyes widened, and you chuckled. "King Lear isn't a history; it's a tragedy."

"Right! I--That's what I meant," she rushed out, trying to backtrack. "But, I mean, couldn't all of Shakespeare's plays technically be histories? They're all old."

You giggled, and Tara found that she liked that sound even more than she liked your voice. "That's not really how it works." You pulled your bottom lip between your teeth and glanced at the watch on your wrist. "If you want, I could give you a tour through the exhibit and explain some of the plays to you. My next group isn't coming for another hour."

I would rather Ghostface pop out of one of these paintings and attack me than have these boring-ass plays explained to me. She wanted to say that--god, did she want to--but you were looking at her with a soft smile and even softer eyes, your hands buried in your back pockets as you shifted on the balls of your feet, and her reply was tumbling from her lips before she could stop it.

"That would be great!"

* * *

You were only halfway through the exhibit, talking about some lady named Portia who could only marry the man that chose the correct casket--how fucking stupid, Tara thought--when you turned to her, a pitiful smile pulling at your lips.

"You find this boring, don't you?" you asked, though there was no judgment in your voice. If anything, Tara could detect a hint of teasing.

She shook her head. "No, no. Portia and Bassanio and caskets are all very...interesting." When you tilted your head at her, your eyes sparkling with disbelief, she sighed in defeat, allowing her shoulders to slump slightly. "Yeah," she admitted, "it's kind of boring."

You shrugged half-heartedly, a crooked smile on your lips. "That's okay. Shakespeare's definitely not for everyone." You looked back at the painting you stood in front of. "I mean, even I hated half the plays when I first read them."

"Then why are you a tour guide for this exhibit?"

"Money," you confessed. "I'm a broke college student who has tuition to pay for. Plus, I've read all of these plays ten times over, so I know them pretty well."

Tara wrinkled her nose. "Why would you subject yourself to that?" she asked. "I couldn't even imagine reading these plays once, let alone"--she gestured in the air--"as many times as you've read them."

"I'm an English Lit. major, so it's kind of my thing." You sighed in a dreamy sort of way, and Tara couldn't help as her eyes flitted down to your lips, her tongue dragging across her bottom one. She quickly shifted back to your eyes when you looked at her. "But it's not everyone's thing. I get it."

She frowned. "Sorry if I, like, wasted your time."

You waved her off. "Don't worry about it. I like talking about the plays, and if anything I said in the last fifty minutes got through to you, then I did my job."

Tara nodded. "Oh, it definitely did. Yeah, I learned so much about Shakespeare today," she said, sarcasm dripping from her voice.

You chuckled. "Sure you did."

She took a deep breath in and then rushed out, "If I could prove to you that I learned something, would you let me take you on a date?" She watched as your eyes widened in surprise before being narrowed by the smile that took over your face.

"Okay," you agreed. "I'll ask you a question, and if you can answer it, then I'll give you my number. How's that?"

"Yeah," she said, grinning. "That works."

You glanced around the parts of the exhibit that you had taken Tara through, and she watched as you thought for a moment, your eyebrows furrowing in concentration and your hand scratching at the side of your neck.

"Oh!" you said after a minute. "I've got it." You turned to her, a wicked smile on your face. "In Twelfth Night, what's the name of Viola's brother?"

Oh shit, Tara thought. I should've listened harder when she was talking about that play. But it's not my fault she looked so cute when she was talking about the different theories of human gender.

She blinked at you, trying to come up with the name, or, frankly, any name that you had mentioned during your little tour. You waited patiently, watching her as the gears turned in her head.

Orsino? No, no--that's the Duke. Was it Cesario? Toby? Malvolio? None of those. Oh! It was--

"Sebastian!" she practically yelled.

You giggled at her enthusiasm and pulled the pen from your front pocket. As you clicked it open, you said, "I guess you do listen." You took her arm, pushed up her sleeve so that you had enough skin to write, and jotted down your number on her forearm. She looked at it when you were done, blushing at the sight of a poorly-drawn heart at the end. "Text me, yeah?"

"Totally," she breathed out. "Yeah, I'll do that. For sure."

"Okay." You glanced at your watch. "My next tour's starting in, like, a minute, so I've gotta run." You quickly looked around the exhibit and, upon finding no one near, leaned close and pressed a short kiss to her cheek. "Bye!"

Tara was left in the center of the Shakespeare exhibit, watching as you walked back toward the entrance, with a burning cheek and butterflies stirring in her stomach. She looked at the portrait on her right.

"Shakespeare, you're not good for much, but apparently you're good for getting cute girls' numbers," she muttered.

bonus: "so, what exhibits did you go to, tara?" sam asked as the group sat in a little coffee shop down the street from the MoMA.

"uh, the shakespeare one," tara mumbled.

everyone's eyes widened. "what?" came the resounding reply from all of her friends.

"you hate shakespeare," mindy stated.

"yeah. when they tried to teach us about it in senior year, you literally left the classroom," chad said.

"why the hell would you spend all your time in a shakespeare exhibit?" sam asked, furrowing her eyebrows at tara.

anika reached over and pulled at tara's shirt sleeve, revealing the numbers hidden beneath. "i think that might be why."

tara groaned as everyone started talking over one another, asking questions (sam) and squealing (quinn and mindy) and grumbling (chad and ethan).

"god," mindy started when everyone was finally quiet, "you are so gay, t."

#tara carpenter x reader #tara carpenter #tara x reader #jenna ortega x reader #jenna ortega #scream 6 #scream 5 #museum tara

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httplvki · 1 year

Text

a/n: i don’t do/write for requests btw, but i take suggestions or take inspo from messages <3 anw dad jake x daughter is all im writing rn (dad sully x daughter!reader, hurt comfort?, tw for reader getting shot, lol i took one line from shakespeare, ended short sorry)

though everything was a blur, all you feel is pressure on the bullet wound on the side of your abdomen. your once-seated heart now feels like it’s knocking against your ribs.

trying to make out the screams of your mother in the background and the shouting from your father.

“neteyam! keep putting pressure on the wound!�� jake shouted while he scurried to find a cloth to wrap your wound

you start to feel a soft texture tightly wrapping around your abdomen.

“hey, hey, hey baby, keep your eyes open for me, yeah?” your father’s voice sounds rushed

you let your eyes adjust to make out your father’s concerned face

“dad, i wanna go home,” you stuttered out, trying your best to keep your eyes open

“i know, i know, don’t worry we’re going home, just focus on me alright?” your father says

you did your best trying to keep your eyes on your father while he slowly picks you up from the rocky surface.

“we’re going home, baby,” was the last thing you heard before you passed out in his arms.

faint noises can be heard once you gain consciousness back.

“sis, please wake up” crying can be heard.

“tuk, it’s fine baby, she’s a strong girl,” reassurance can be heard.

“oh great mother, please!” pleading can be heard.

“i’m sorry” apologies can be heard.

it was all too loud for your cloudy head until everything fell silent again. you fell asleep.

you feel something gently caressing your face. it was a hand much bigger than yours that was stroking your cheek. you slowly start to open your eyes to see what it is or who it is. you let your eyes adjust to see your father’s relieved face gazing down at you.

“oh baby girl, you’re awake,” he said quietly with a smile of relief on his face

you tried to sit up too quickly without thinking. still, it just caused you more pain

“easy there, stay down, alright? you’re going to hurt yourself if you move too much,” jake said, grabbing onto your shoulders and slowly guiding your back down on the mat to lay on.

tears start to prickle your eyes

“daddy..” was the only thing you could let out

who would’ve thought that one word was enough to make the Toruk Makto cry?

the vulnerability and condition of you started to form tears in jake’s eyes. he reached his hand out to cup your left cheek and gently caressed it while his other hand held your right hand like you were about to disappear right in front of him if he wasn’t holding onto you.

“don’t worry baby, you’re alright now,” he reassures you with a shaky voice

“i was so scared,” you cried out with tears running down your face

“i know, i know, you’re here now and nothing is ever gonna take you away from me, alright?” he comforts you while he also tries to comfort himself with his own words.

#jake sully x reader #jake sully #avatar way of water #avatar 2 #avatar #avatar 2009 #jake sully x daughter!reader

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airprime7 · 4 days

Text

The opening to William Shakespeare's Homestuck

Narrator: Welcome one and all to this good story, Of which we do entitle, Homestuck, so. Joinst thee on this journey, he our hero, This young man who doth in his bedroom stand. It just so happens that this day, which one Shall learn is April's Ides; thirteenth this month, Of Jesus' years ist nine and doubly thousand; Is the date o' birth that this man has. Lo, His age is young; twas but thirteen years, ere He wert given such life, as he has now Yet only on this day dost he receive The name he shall be known by for e'er more! Hark! Doth one in thine ranks, o' audience, Wish to provide the name for this young man? Anon, please give us forth this name, posthaste! Audience member: I doth this name give: Zoosmell Pooplord Narrator: What? Sayst "Zoosmell Pooplord"? "Zoosmell Pooplord", such? Dost mine ears myself deceive or wert thy Speak unto this boy the name, thy request Be Zoosmell Pooplord? Audience member: 'Deed. Narrator: Prithee, Recall once more that this be not one such Our author, Shakespeare's, much fame'd Comedies. Tis a tale of Tragedy and sorrow! One the likes of thou has ne'er previous seen Such dost once more I call upon this crowd. What be the name of this young man standst hence? A different audience member: Wherefore he not take the name of kings? So, Name'd John, and of fam'ly Egbert. Narrator: such, John Egbert his name shall truly be, e'ermore. Shall now we move on t'ward narrative fair That's hence to be presented? We'll start, now With where we lay our scene. Stands John in room, His date of birth upon us, and scatter'd There 'round, pastries fine and plenty. Display'd Upon his walls, in'trests such so as these. Performance by the Rose (there hence, poor); The op'rating devices future, low In success; ghouls, their lore and stories so; Further, tricks of conjurers o' stage; and Lastly dost John employ in'trest in games.

#homestuck #john egbert #zoosmell pooplord #shakespeare #william shakespeare #inspired by William Shakespeare's Avengers #william shakespeares homestuck

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nouvxllev · 24 days

Note

"When I saw you

I fell in love, and

you smiled

because you knew

-William Shakespeare"

LOVE.LOVE.LOVE.

I wanted to make a request! I had a similar interaction like this, and when I had read this, I fell inloveeeeee with this qoute sm. Can you do a Wednesday x Reader? In which it's Wednesday who actually falls inlove 😭

amore, amore, amore.

Pairing: Author!Wednesday Addams x Gn!Reader

Summary: request!! ^^

Words: 6.0k (oh what the fuck)

Warnings: told in WEDNESDAYS POV AND ALTERNATE TIMELINES!, the gomezification of wednesday addams prevails, yes they meet at a museum, also kinda 7 husbands of evelyn hugo coded, slight plottwist at the end!

a/n: aaaa ofc ofc!! also i absolutely love the idea where wednesday fell first and harder

masterlist

I believe they cursed me the moment their lips became something worth fighting for.

"If they intend to halt my publishing, then so be it. I have no interest in entertaining that brain-dead company over countless of reasons as to why I shouldn't spare a few weeks for myself who believe I will fall under their will."

"Wednesday, they're the ones who publish your books, you just can't ignore their calls."

"Barclay, has your brain deteriorated to a degree in such a way that you are forgetting it's my presence that upholds that fucking company? Without me, they are nothing. Have you forgotten with how much power I withhold over them, or have your scales reached that hollow of a brain?"

"You can't ignore the leverage they have over you, sure you have the amount of money, if not more, to sue them, but they could literally tip you off and brand you as some selfish author."

"Please do comprehensively explain to me as to why I would be a selfish author?"

"Wednesday Friday fucking Addams, it's because you're half-way across the fucking world at some fucking museum in Italy while you have a manuscript due a fucking week ago!"

"I fail to see my fault."

"Addams, if you don't get your shit together, I swear—"

I had solved countless of murders in my time of Nevermore. I had one thing to do when I finally left, and I was going to succeed.

If you had told me after I willingly left that horrid place you call an educating institution that I would experience the same fate as an author, I would've traced the outer skin of your face with a pocket knife and display it on your family's doorstep.

Barclay, amongst others, remained someone I held close. She could be infuriating, but no one would ever be much deserving of a terrible, terrible position than be under my control as my manager when I pursued writing.

But no one tells you how people could easily forget you in a matter of seconds if you don't make a name for yourself when you've put yourself out there, even if it's something far, far from your own.

I was only fortunate enough people enjoyed what I publish.

I couldn't care less if they didn't, that's why I found it hard to give two shits about what that damned company thought of my revised schedule. But I needed to make a living. To make something out of myself.

If I had continued my actions— in which I have full control over with—I could lose everything.

I could've build it up from scratch if it happened, but Lucifer knows how long would a simple idea for a plot that could get into the lack of attention span of the population could take.

I could lose the name I print on paper.

I could lose my name.

And then I realized I haven't.

There was something that I was destined to fall under. It was there with my eyes taped to a painting, not knowing I became one for another.

I hung up. The mere thought of having a multistep plan to eventually murder my manager was between God and me. That woman had me teetering on the edge of becoming a one-hit serial killer overnight.

My head tilted over a large painting towering amidst the others down the line. My hands remained tucked deep within the pockets of a trench coat far too oversized for me.

I couldn't take much time of squinting, staring as if it had garnered my interest not after a dreaded phone call that I convinced myself truly took my energy and managed to inject anesthesia inside my veins.

A light sway became evident in my steps, as if I was sulking in my own woe of what I should and could've done to prevent myself fucking it up on a company that I could soon own if not me being under the age of what is required to own a firm without having to ring up my own godforsaken of a family.

I could almost take another step if I wasn't met with another person.

Countless of papers flew across the hard-tiled floor. It was over before I knew what had happened. I found myself standing there, eyes glued to the person I collided with, my eyebrows crossed and my mouth hung open like a fool.

"I'm—I'm so sorry, fuck." They grit under their breath, like they were berating themselves while they picked up the rest of what had fell.

I stood there, not knowing what to do or what not to do but stare at them and wait for them to pull themselves up.

And so that's what I did.

I wish I hadn't.

Because now it was the time I was unable to speak. Unable to use the words I've been writing my novels with, the words that I should've spoken in the seconds they had landed in front of me. For the first time, my words had failed me.

A question rang in my head, Why do I now feel as if I do not belong inside of my own body? Why does my life feel complete now that they were here?

When Y/n fixed herself, she looked at me and smiled. I knew I looked like an idiot staring at them, yet I never went out of my way to barely fix myself.

Why were they smiling?

"Why are you smiling?" I asked under my breath, like I was taken breathless. I hadn't mean to say it out loud, but my cold and otherwise damned heart seemed to be alive, like I was suffocating in my own rate. A fool in front of them I must've been.

They looked at their paper, then they looked at me.

They smiled yet again. Another question flicked across my head, what had happened to me to act as if I would go through hell and back for this person?

They smiled at me as if my presence gave them a reason to. And they loved me in every one of it.

"Sorry—" they apologized, noticing how their thumb kept grazing the surface of their sketch, almost as if they were nervous. "You look prettier than... whatever I drew."

They stole one more look of me.

"Terrifyingly bewitching."

It's horrifying knowing I couldn't explain what I felt that day. What I know is—I felt everything.

I've endured endless remarks on my appearance ranging from a number of ratings from those nonsensical people on the internet to every synonym people have thrown my way only to fail to evoke even a flicker of emotion.

Though it seems egotistical, I knew they held one intention: they wanted to impress me. They wanted me to know they were different amongst others who have approached me. They wanted to entice me, as if I could be owned.

Were it not for the arsenal and threats I carried, there would be much more.

Y/n was different. They never had any intentions of being with me, no desire to impress or claim me as theirs. They simply wanted me to know I was. That it was true. I just had never heard it from someone who could mutter two words that felt perfect.

And it's much more terrifying knowing I unexpectedly fell first, even if I deny myself.

I could tell you about the way y/n smiled, how it seemed to threaten the sun, warning it not to shine lest it risk embarrassment in contrast of hers. I could tell you the way their eyes followed their smile, how their life was encapsulated in their drawings, mirroring what they felt.

Yet, when it comes to explaining how I fell for them, words escape me. Even I, a tortured author, struggle to describe.

How must I convey the sensation of my heart pounding in my ears as if it was trying to break me? The ache in my stomach, churning every chance it got, every fiber of my being dreadfully surrendering to them.

But one is for certain: meeting them was like coming home.

My home.

But I couldn't bring myself to realize that—It was antagonizing for me. Humiliating and mortifying knowing one person could make me become a total fool, become someone I've never thought I'd be.

I've spent my whole life after hiding what I felt for them, lest I risk experiencing what I truly loathe: love.

I despised them ever since I met them, loathed them, hated them. But for what for? I ask myself countless of times, I have never gotten an answer.

When they left, I left. Thinking it would be fate that had accidentally brought two people together who held no meaning for eachothers life, that it was a mistake, and I could've been wrong with how I'm feeling.

And when I came back, they were there.

And when I approached them, it felt right.

It was a week after the incident, but no matter how I tried, I still remember how their smile felt around me. Suffering, irritating, lovely. Like I wanted to relieve it, no matter how much time had passed.

Never once did I get their name in the span of meeting them, it was useless to know anyway.

Yet, I find myself returning to the museum every chance I get for God knows what, acting as if I had unfinished business staring at paintings while the staff rambled beside me. They were better off tattooing their explanation in my skull.

I had other places to attend to, other tasks I should've been doing rather than constantly visiting museum in the afternoon as if I have duties and low-paid labor for employment.

I should've been at my apartment days ago, exhausting myself on a half-assed manuscript I would have recurring thoughts of annihilating along with severing Bianca's hands through the phone.

What terrified me is why I was back.

Standing in front of them. My hands tucked deep inside the pockets of another trench coat, looking down on them sitting on one of the blocks of granite surrounding a oddly placed tree in the middle of the hall, drawing whatever there is to draw.

"Hello." I greeted them. They almost looked startled, surprised that I was even talking to them, like I was some vengeful ghost who returned to seek revenge. Though they weren't far off.

They looked up, immediately flipping over their clipboard as they locked eyes with me.

"Oh—" They cleared their throat, "Hi. Hey, hello." They smiled, albeit awkward. But that feeling of dread, or whatever, came back. Stronger than ever, I feared. I almost had half the mind of punching them in the gut and questioning them why they had this effect on me.

"Didn't know you come here often." A chuckle followed their question, or maybe it was a statement, placing their elbows on their lap while they gazed right at me.

I scoffed, murmuring against gritted teeth why did I even approach them in the first place. "And I didn't know you draw me that often."

I look down on the piece of paper, their deliberate and aggressive brush strokes having an effect on the paper, leaving marks upon marks. It was clear that I've been their subject for days on end. Even if I were to absent, I'd still be able to be the pinnacle of their sketches.

It was funny back then, humorous in my mind on how quick they snatched the piece of paper and tried to explain with little to no comprehension that went across their mind.

"Oh, God, no, no! I just—Okay, well, maybe I've been drawing you ever since I saw you, it's creepy now that I mention it... but it's just—it's dumb of me to not draw you, you know?" They were flustered, their mouth opening and closing only for me to receive words that were out of the dictionary.

They sighed, my lips twitched.

"I'd like to ask," My voice trailed off, grimacing even at the thought of having to initiate a conversation with more or less than five words, "What's... your name?"

"Y/N," They nodded, "L/N. Y/N/L/N." They reached out for a handshake only to immediately retract after a brief awkward seconds of staring. Their name sounded familiar.

"Why are you here?"

"Do I need to reason to?"

"I suppose so, no. But I am curious." Even I don't know why I'm still back here.

Y/n sighed, like I was the one getting on their nerves while it was me who battling against whatever fucked-up demon spawned in my stomach that caused me to feel, things.

"Nothing."

I frowned. "You came here because of.... Nothing?"

"Mhm."

"You are drawing strangers you know nothing about because of nothing?"

"Thought I made myself clear on that first word."

"You've made yourself look foolish than any average person."

"Well, you never told me your name. I think that's foolish enough over my case."

It was my turn to sigh.

"Addams." I reluctantly said to them, "Wednesday, Addams."

Then Y/n looked up at me as if I was some sort of otherworldly deity going back down to earth to finish whatever I started. "Wednesday Addams. I think I've heard that name before."

"No. No, you haven't."

If it wasn't horribly obvious, the sole purpose of my visit to Italy was to neglect everything I left behind in New York—especially deadlines— and hoped my eyes would finally work some sense that would let me start anew.

It was shameful of me, passion that dwindled into something less. If I had the chance, I would've tortured myself for even considering abandoning all of my life's work.

Though, I had my reasons. Even if I had threatened my target population and my audience, it still wouldn't be enough.

In short, I had lost motivation to pursue another book.

I felt as if there was something missing, that I couldn't even dare to even blow the collecting dust in the rims of my typewriter.

I begged for my brain to work, to even produce the slightest idea or word that could have some meaning to it. I was ready to write anything that came to mind, even if it was mediocre.

But, instead, my heart responded.

When I met Y/n, I started writing, and we started talking.

Words flowed through, and my time was wasted on Y/n.

My time was wasted, and they were wasted with their significant other.

I always thought I would suffer the thought of having to live an eternal life with none other than myself, that it was inevitable I was going to perish alone in my own woe.

It remained the same. Now, it's just having to live with the fact that my only greatest love had another.

I felt as if I ate a forbidden fruit once I heard they had someone that loved them as much as I denied myself of the same kind, like I plagued myself with hundreds of years of worry and attachment to someone who had eyes on another, a special muse they had.

Only that I would crumble immediately, tempted to take the fruit in my hands, forever stain my lips of something immoral so that I could forever crawl and weep over them.

In my time in Italy, I thought i'd be avoiding acquaintances that would be much more of a burden to me rather than someone useful. Yet there I was, watching Y/n saunter into my life like the revelation they were.

It's safe to say that Y/n turned out to be anything but a burden. They became someone I looked forward to seeing every day, though I hadn't realized they were motivation until then.

"Wends!"

Their awfully cheerful voice pierced through the air of the restaurant, almost granting the attention from other people as if they shared the same horrendous and dreadful nickname as me.

As much as I fantasized about walking out of the restaurant with y/n's half-broken jaw, I couldn't deny whatever was swirling in my head.

Ever since they knew of that wretched nickname unfortunately given to me by none other by that infectious and the ever infuriating ball of sunshine, Enid Sinclair, they've been calling me it as if I don't have a birth name.

It was a month ever since I've known Y/n, and it was a month of them being a constant presence in my life. They shared breakfast with me, lunches, and sometimes dinners that I somehow always and reluctantly accepted.

They became my routine, and it was a fact I'd sooner die with than confess to anyone.

Y/n slowly approached my table that was filled to the brim with countless of books and my oddly placed typewriter, putting their own stuff down on the seat beside them. "You're here early. You ordered something yet?"

It was 12PM. We agreed on 1, and I came at 10.

I scoffed, keeping my eyes on the typewriter. "You, of all people, should know by now that I would much rather sooner paint myself neon than touch anything on this menu."

I hear y/n setting their elbows on the table, resting their face between their hands. "Aw, c'mon Wends, it wouldn't kill you.

"Cyanide won't, but this will." I stopped writing to take one look at them, obviously and oddly, my gaze never and will never work on them. "Take my advice if you're eager to leave this restaurant with a mouth able to eat and speak."

"Ever the happiest person, Wends." They chuckled, sliding a somehow too bright and colorful menu towards them, "I'll order for you."

I stopped writing all together, "Y/n."

"Wednesday." They raised an eyebrow, a smile tugging at her lips. It was over before I was even playing the game. Resistance over their lips felt futile anyway.

"Fine." I sighed, shutting my eyes closed just so that for once I can't have my stomach doing fucking acrobatics at the sight of them. "I will... allow it."

The ever-growing smile that crept up to their face was priceless, I couldn't bring myself to pry my eyes away. Murmuring something along the lines that I was too easy to lure in.

Once a waiter passed our table, Y/n ordered something along the lines of whatever the fuck 'Due Cream Soda Alla Vaniglia e Lampone con Glitter Commestibili' was. I was certain I was going to leave the restaurant with a non-working heart and a stomach turning inside and out.

It took no longer than a minute for Y/n to get a hold one of the numerous books piled infront of me. "Are you studying for something?" They asked, opening it only to close it once they noticed how outdated some of the languages are.

I let a small chuckle pass my lips. "What drives you to such a hypothesis."

They gestured to the books and my typewriter, "By how you're literally surrounded by books and you're on a fucking typewriter instead of a laptop." They pointed out, murmuring another, "Also, who the hell says hypothesis."

"People with functioning frontal lobes." I quipped, letting my fingers write on instinct across the typewriter keys as I listened to Y/n's ramblings. "I'm... writing."

"You're an author?"

"No."

"Then why—"

"Are you a painter? An artist?"

"Well... I—no?"

"Then we both don't know what we're doing."

Y/n fell silent moments after, I couldn't help but miss the sound of their voice. Admitting the mere thought aloud seemed absurd, let alone thinking it in the first place. I would've bashed my head on top of my typewriter if not for my resistance.

"How long will you be staying in Italy?" they eventually asked.

"Two more weeks," I replied. "My flight is already scheduled, I'll be leaving then on."

"Oh."

I wasn't expecting an answer anything other than a hint of happiness that I was eventually leaving their life.

"You are?" They repeated, as if they couldn't believe such a statement even escaped my lips, clear disappointment flickering across their face. "That's not... long."

"I am certainly not saying here indefinitely now that I have something to continue when I've arrived at my destination." I cleared out, doing my very best to escape the impending guilt washing over me.

"I'll miss you, Wednesday."

Their words were sincere. Lovely. It had stopped me from writing all together.

Guilt wasn't a feeling I was familiar with at the time. I rarely come across such a feeble emotion. Now it felt like I've committed something immoral. There were times that I lie for my own convenience, and nothing more than my own reason.

Now it felt like I should've lied for them.

I will forever miss you.

I wrote. I never showed them.

One week had passed and I rarely ever got to see Y/n after. Our encounters became increasingly scarce, and their voice plagued me from days on end.

I clung to the faithless hope I had that they would text me, to reach out, to even show me they're alive and well.

I returned to the museum for every day they were absent in my life, searching for any sign of their presence, but each day ended in disappointment.

Of course, fate is indifferent to my yearning, refusing to grant someone I so desperately sought.

Regret gnawed at me as the days turned into a week, and the week turned into the day before my flight.

"Addams. I've heard from others that you've been writing."

"Who others?"

"I'll spare a name to spare New York a corpse found in their sewage pipes by the time you've, hopefully I assume, returned and not jump off the plane."

"Even if I went off the grid, your nagging would've been in spirit."

"Don't flatter me."

"Don't kill yourself without showing me a video tape in full resolution for me to get through rough weeks. Or maybe take a shotgun and shoot yourself in your garage and let me have the keys to your house."

"Addams."

I sigh. "Yes, the rumors—though I would want that vampires head on a stake—are true. I've been writing."

"What happened to you there? You met someone?"

"How'd you know—No. No, I—I haven't. What makes you come to such a foolish conclusion?"

"Oh my God, someone actually managed Wednesday—I'd rather kill myself before loving anyone—Addams to fall terribly in love with them. Who's the unfortunate soul?"

"I would not be naming them because they do not exist."

"You just stuttered, Wednesday. The only thing making you stumble your words is when you're overdosing on whatever poison you're having for breakfast."

"They're no one."

"How are you such a bad liar when you have countless of bodies hidden across the globe?"

I sigh again, this time, it was out of annoyance. "I'll be hanging up. Goodbye, Barclay. If ever you are considering to kill yourself, call me. I'll be at my most happiest to watch."

"Wait, no, Wednesday! I need progress on your—"

I hung up. It was pointless to answer her calls when I was a mere few step away from boarding a plane. She always had a way of getting under my skin, even from across the damn globe.

But there was one name that would always surface in my thoughts: Y/n.

The mere thought of their name will forever remind me of how my heart wasn't programmed to love.

I reached for my phone, fingers tracing over the cold screen. My mind was tired, blank. The only thing I could ever do is stare at their contact and wish I could've done something better.

I typed out a hesitant message, my thumb hovering over the send button as if it was something that could end my world. Only two thoughts ran to my mind: Would they reply, or would my message be nothing to them?

I almost hit send before I heard footsteps approaching me.

"Y/n?"

I whispered their name, the love I carried for them being surrendered like I'd crawl for them once I reached purgatory.

"What are you doing here?" My eyebrows furrowed. How could they leave me, only to return as I was about to depart? "Why are you here, you disappeared, avoided me, why—"

"He proposed to me."

Oh.

I always thought a near-death experience with a loved one would be the deepest I could feel.

I realized I was wrong.

Now my eyes ached to the sting. Like I was weeping for someone that perished in my heart, I grieve for a living soul that was me. It was pathetic.

I expected them to be overjoyed, over the moon as they would express themselves from time to time.

But when I met their eyes, all I saw were tears streaming down their face.

Oh, how I wished to wipe their worries away.

"Then why are you crying?"

"I don't know if I love him."

"Nonsense... You told me you loved him—"

"Well, maybe I haven't been saying anything true to you!"

"Look, I don't know what I'm doing—I don't know what the hell are we doing. I'm living in some apartment with some guy I don't even know I even love, I'm currently standing here like an idiot to a girl who's just about to leave my life, and you're—"

"You're everything."

It was that moment I realized I was lost in a haze of admiration and love for Y/n.

That I was far too deep in their life that they became mine. I never knew I needed them as much when I told them to leave with me and break up with their significant other.

I never knew I needed their lips onto mine until the moment I pulled them close to me.

Now I ache of them.

"Do you regret it, mother? Being such a fool for someone, you became what you hated most. But you endured it all for them."

Wednesday Addams, seating across the bed from her daughter, Blair Addams. She looked just like you, she'd always wonder.

Wednesday sighed, her hand reaching out to gently touch Blair's. "Do you know the phrase, 'Come ti vidi M’innamorai, E tu sorridi Perchè lo sai?'" she asked softly.

"You know I've never indulged myself in whatever you're reading." She shook her head with a smile. She looked even more like you.

She let her fingers trace patterns on her hand, her gaze wandering else where. "Well, it translates to 'When I first met you I fell in love, and you smiled because you knew," she explained.

"And do you believe in that, mother?"

Wednesday could almost smile. Her daughter was always the curious one, yet she always managed to be privy of her life from them. "I always believed Y/N knew the moment we first laid eyes on each other, I fell in love with them."

"So, yes, my raven." She nodded, "I do."

"I never knew Y/n would make me their title, their theme, their muse," Wednesday pondered, "I always wondered why i fell for them."

"Falling is an accident, gullible, like with people who fail to do basic things. But I am one of those people if not more if I fell for their on accident and continued to do so."

She sat beside Blair, her legs crossed beside her. "I've never told you at the time, but Y/n was a painter. And they wanted nothing more but than to forget about their past. They have never told me as to why, but I believe them.""

"I worried that my love was violence. It was pain, it was suffering. But y/n took care of themselves, they took care of me. There is no one in the world who had loved me more than them, I fear that it would break them, that I am deemed no longer someone who is a part of their story."

"Yet here we are."

Wednesday couldn't see the smile creeping from her daughters lips. But she knew it was there, just like how you looked like before. She will always and forever take pride in it.

She always thought her greatest love could be something of a passion, a talent, a hobby perhaps.

But no one told her it could be a person.

Blair stretched and turned on a light beside her bed, opening a drawer and taking out two of Wednesday's books. "Must they be the reason your books has been off to your prior ones, mother? You've written all your life of gore and mystery. Now it's romance."

"Well, I—"

"Oh, I'm definitely the reason why your mother has been subtly—not-so-subtly, switching to the romance genre."

You peered through the door, your body wrapped up in a cozy boritto style and everything with a train draping it's way to your back like some met-gala dress.

"Oh, mon chéri," Wednesday's face lit up at the sight of you, immediately standing up and pulled you close, her arms enveloping you in a warm embrace.

Her lips met yours in soft kisses, leaving the taste of faint vanilla chapstick lingering on your lips. "Why are you up so late?"

"Well," You grinned against her lips, "I felt our bed getting cold and to my surprise my wife isn't nowhere near me. You know how I can't sleep without you." She pulled away, you whined at the lost of contact, but you couldn't smile more brightly as she led you towards your daughter. "G'evening, Blair."

"Evening, Y/n." She greeted you before you kissed her on the forehead.

You leaned against Wednesday's shoulder, whispering softly, "You're telling her our story again?"

Wednesday would've thought her small chuckle went unnoticed, but you definitely heard it. The stupid smile on your face told everything.

Her hand found yours, giving it a gentle squeeze. "She loves it."

"You love it, mother. Probably more than me." Blair retorted back, evident that she was holding back a laugh.

"I do not! When did I ever—"

"Oh, honey, you know love turns your mother into a girl version of your abuelo.

"Do not ever refer to me as my love drunk father or I will subject you to sleeping on the couch." Wednesday rolled her eyes, pinching the back of your palm. "And please do not shame my work of referring to it as such. I've worked hard day and night yet you proceed call it by such an exasperate—"

You turned your head and pressed a kiss on her cheek, the same spot where her freckles resided, causing her to pause mid-sentence. After atleast ten years of being with her, it always made you so giddy.

"Not even in marriage am I spared by your passive aggressive comments," you teased, your lips curling into a smile as you leaned in closer to her.

You hear your daughter sigh after a brief second, "Addams."

Wednesday almost looked shocked, "My Raven, do not call us by our last—"

"Please exit my room. I'll be going to sleep."

And then, the both of them were shoved off before they could even hug their daughter and kiss her goodnight like they always did.

"I... We were rejected, Y/n." Wednesday exclaimed, like she just got struck with the most heartbreaking news. "She used to love our stories together when she was an infant."

You'd think Wednesday was the non-chalant mom who's strict on her child. But, to your surprise, she was the opposite.

She loved Blair just as much she loved you. Hell, you even considered just maybe, maybe not, disowning your daughter because she gets Wednesday's attention more than you do.

You shrugged, taking her hand and leading her to your upstairs bedroom. "It gets stale once in a whileeeOW!" You winced as Wednesday pinched the back of your palm, again. It was starting to become her love language at this point.

"I'm just kidding!" You reassured her, intertwining your fingers with hers as you walked up the stairs together, pulling the door open for your wife. "She's just in her rebellious teen phase, let it go."

Wednesday rolled her eyes, "Too cliche."

"You used to have one too," you scoffed, settling onto your side of the bed and watching as she laid down on hers.

It was a routine you found yourself often doing, taking in the sight of your beloved as if your life with Wednesday was all a dream. You pinch yourself like almost thrice a day just to really make sure.

"Since when?" Wednesday asked, raising an eyebrow in amusement, quietly shuffling towards you.

You sat up for a moment to undo her braids. You always liked playing with her hair, and that one time she asked of you to undo hers, it became a routine. "Since the beginning of time. And somehow, you never grew out of it."

"You didn't even meet me in my teenage years. I am far from rebellious."

"Yes, baby, but not too far from a death penalty." You chuckled, reaching out to gentle stroke her hair, leaning in to press a soft kiss against her forehead.

"Oh, you flatter me," she replied, a smirk across her lips, but the room was too dim to even notice it.

By now, if you were any ordinary person, Wednesday would've made you disappear entirely. But, the thing is, Wednesday always seemed to look at you as if her life never really started until she found you.

Silence managed to take over the atmosphere, you laid back on the comfortable mattress, feeling Wednesday's head nestled on your arms that were tucked under her hair.

You could almost fall asleep in pure bliss knowing that you've met and loved the girl of your dreams if not for her calling out for you.

"Amore." She whispered.

"Amore?" She whispered again, her voice softer than ever before.

You blinked, momentarily. You swore you just heard an angel. "Yes, amore?"

"Can I... Can you—"

You smiled, almost too knowingly. You knew Wednesday, for someone who's such a romantic soul, she's not too expressive on simple terms like these. "Do you want to be the little spoon?"

She grimaced, you could even hear her grunts of disapproval. "I would highly refrain from calling it that before I jump out of bed and skin you from limb to limb. But... yes, I would like to."

A soft chuckle escaped your lips at her response, suppressing a grin to avoid from literally being murdered as you wrapped your arms around her and pulled her close.

Ten years before, if someone had told you that you're going to be doing this to girl you've met at a museum while trying to escape your past, let alone be happily married to her, you would've told them "How the fuck do you know that and please stay away, I have... a boyfriend. I guess."

But now, it seemed so believable. Wednesday was always so relaxed in your arms, your warmth and hers bringing a sort of comfort for the both of you.

You nuzzled your head against the back of her neck, gently moving strands of her hair aside as you pressed soft kisses against her skin, hoping to kick away her tension from the day.

"Stop pouting, Wends," you murmured softly into her skin as you closed your eyes in pure relief.

You hear her scoff, "I am not doing such a humiliating act."

"Oh but you so are." Your grin widening as you pressed another gentle kiss against her nape, "I can hear it from here."

Wednesday let out a sigh, of annoyance? Maybe. But was it tinged with pure adoration and love? Much so. "You don't hear pouts, Y/n."

"When it comes to you, I do and I can."

Silence washed over. This time, you're worried you've teased her that much, she actually got annoyed with you.

"You're awfully quiet. By this time, you're probably threatening to kill me."

"I'm... Sorry." Wednesday whispered, it has an undying tone of tenderness that you don't often see it being expressed through words from her. Slowly, she shifted her body to face yours.

One thing is for certain: She was still so terrifyingly bewitching if not more. She looked pretty in every way possible, it's hard to even believe, it left you in awe.

You feel her gaze darting on your eyes and then drifting down to your lips, hesitating even. It was ridiculous, in the most adorable way possible there is for an Addams like her.

"May I kiss you?"

"You know you're always welcome. It's pointless to ask."

She was the first to reach out, her hand finding it's way to the curve of your cheek, her touch gentle than ever as she traced the line of your jaw as if she was memorizing every feature of yours.

You cupped her face in reciprocation, leaning in closer to where your lips were just hovering inches away from hers. Then, you closed the space between the both of you.

You pulled away, your eyes meeting hers with a soft smile. It was impossible to think that this woman held your heart in her hands like it was nothing.

"Have I ever told you that you're pretty?" you whispered, letting your hands fall to her waist and pulled her close.

"Ever since you've met me."

“You know, I’m surprised you even remember our first meeting.”

“Oh, how could I ever forget my lover?”

You laughed, a symphony that always gets Wednesday to have a slight tug in her lips. “Stop being so romantic. You are a grown woman with a daughter.”

You continued to stare into her eyes as you drape the rest of the blanket for the both for you. "It's hard to think you're the first one to fall in love and not me."

"It's hard to think of anything when you're here with me, te amo." Wednesday replied, her gaze softening almost immediately.

You sighed. "You know I love you, right?"

Wednesday blinked. "I always will."

You smiled.

And Wednesday smiled back.

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a/n: this was longer than i thought. i yap too much in stories i fear

#wednesday x reader #wednesday addams x gnreader #wednesday addams x gn!reader #wednesday addams x you #wednesday addams #jenna ortega x reader #jenna ortega x you #jenna ortega x y/n #jenna ortega #jenna marie ortega #jenna ortega x female reader

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