#This goes out to all the other dub actors too in other countries

[alfairy]

You dropped this king 👑

#mario movie #my man Pierre!!! #This goes out to all the other dub actors too in other countries #y’all working hard

[matt0044]

The Mythical "Arrogant Localizer."

Too often I find a perpetuation of this narrative, especially with A.I. set to wiz all over Anime subtitles, that translators or ADR Script Writers had it coming. That they dared to tamper with the original by "changing personalities" and "pushing agendas" so much that CR decided to axe them for the politically neutral A.I.

Here's the thing:

Whenever some weeb claims that a translator was arrogant or "couldn't listen to criticism," it's not that they're acting like they know better. It's because they do know better.

They know that Japanese words or sentences can't be translated one-to-one into English, owing to how each country that the originate from were world's apart before global travel grew in scale.

They know that context and setting matters, especially in the case of something like Fire Emblem where characters in a medivel-esque setting would likely speak not unlike Shakespeare characters.

They know that each character has a distinct voice. An honorable Samurai like Goemon is going to have a more refined sense of speaking compared to the wise-cracking Lupin or the sardonic Jigen.

They know, especially, that humor based on puns or cultural references won't always work from one language to another.

Know what they also know? That 4kids was actually not good. They grew up during the days of dubs being borderline overhauled because of a poor sense of marketing. They'd prefer to not go back to there because they actually love Anime.

Of course, a lot of them are beholdened to what their clientelle want for their title's international distribution. Thus those who's produced the Anime they're bringing over are entitled to step in and object if they so choose. There have been incidents like that but that they get rectified speaks to the level of quality control these days.

Like... Brendan Blaber's attempted changes with Love Complex were unilaterally shot down. He was an jerky freelancer who did ADR script writing and overstepped his boundaries.

And all of this are things that translators on Twitter will affirm. I get the allure of the conspiracy theory. Of trying to figure out what's really going on and that those in the industry wouldn't dare reveal their nefarious plans.

But if we're going to have any conversation about translation and what's too far for the localization process, we need to take off out tin hats to focus on what we currently have to work off of. Either that or apply for a job in translation and see things from the inside for yourself.

Furthermore, if any of these translators seem "testy" or "unable to take criticism," it's that they keep going on and on about their choices in translation and how the theory overall goes. Yet so many are too eager to paint them as the villains and won't listen to a damn word.

Frankly, they should be angry. Social Media has broken down the divide between fandom and those who work on their shows where you gotta kowtow to what the former wants or you're the bad guy. Even when you try to debunk misconceptions and misinformation, they still want their lightening rod for their ire.

So no wonder they seem like assholes. They're just done entertaining those who will never, ever, ever see them as anything other than the villain.

But even assuming that they’re everything outrage merchants have marketed them as, AI in Anime on any level isn’t a win in any sense. It’s starts with subtitles, then voice acting (and we all know how authentic those sound) and soon it’ll make its way over to Japan.

Animators dying or being hospitalized because they won’t be good little cogs for the corporate machine? A.I. ain’t asking for time off. Voice Actors complaining about salaries? AI ain’t asking for pay period.

But you know what? Let CrunchyRoll invest in this. Let them try to hoard more money… and crash n’ burn in the process. Because it’ll take a popular title being subtitled with very erroneous lines to make the webs wake up. Nothing like a few Titanics to scare the straight.

#anime #Manga #crunchyroll #localization #localizers #translations #translation #translator

[gryficowa]

I am just having an existential crisis and rethinking non-white characters

Because I have a black OC that is neurodifferent (ADHD), and you know what it looks like and I have a subconscious fear that this character will be considered a stereotypical black girl (I mean, the screaming girl and you know what's going on)

This is where my existential crisis begins with non-white characters who are neurodiverse because they fit into the harmful schema promoted by pop culture, but neurodiversity is something you don't choose (You are born with it, just like skin color, but compared to to another, it is discovered with time, not after birth)

So if a character is neurodiverse, is it fair to judge him as racist? Because putting her mind into a non-neurodiverse mind is ablieism (Unfortunately, quite common), so do people who find her racist to be accused of being ableism? I don't know, the historical context led to this, to what is served in the media is a drama (Black people had a longer representation than us, neurodiversity people, maybe not very good, but it was always something)

And I am lost in all this because I am a white person, but a neurodifferent (Autism), which makes it difficult for me to predict the reaction to the black neurodifferent form (ADHD), I can analyze and understand, but I am not a fortune teller, so I can only be concerned that the character will be unfairly perceived as a typical screaming and loud black girl, although he has reasons to behave this way, because it is not affected by the fact that pop culture has led to this that black-skinned neurodiversity (I'm from Poland, I don't know how to translate it) may be considered racist and led to it white people who were unable to enter the mind of a person other than themselves, by which they created such a representation, and not another (Well, unfortunately, without entering the mind of a character other than you, it is difficult to create a character of this type and then what comes out, so you should try and educate not to duplicate the mistakes of others)

I know my thinking may be strange and the fact that I care too much about it, but I can't do otherwise, because as a neurodifferent person I haven't had a good representation for years, and the one that appeared was when I was already growing up, so by I lived for years without a character like me, or I became attached to characters who were antagonists, because they had the characteristics of neurodiversity (Which is sad)

So this is what it looks like when you want a character to be more than one minority and then it goes in such a way that you start to analyze it and you don't know if the character will be considered racist because it fits the pattern, just because neurodiverse people have specific features (This is a spectrum, and as you know, more than one person has similar characteristics)

In addition, I am wondering if a white person does not play a white character, but is a neurodifferent like the character he plays, is it bad or not? Because, however, quite often characters with disabilities are played by able-bodied actors (Even dubbed ones), on the other hand, white actors also play non-white characters (In dubbing) and this is a problem (Unfortunately, in my country, they will not understand it so quickly), so I am in this crisis and because of the excess of contradictions I do not know what to think about it all

Because there is a difference between a screaming black woman and a neurodifferent character with these features, yet I have such unconscious fears that the character will be perceived differently than I want it to be, because it fits into the pattern that, as I mentioned, is harmful and should be to avoid, on the other hand, it is difficult to present a neurodiverse person who does not have features that are considered harmful and racist, because neurodiversity people (ADHD) are loud (Not always, but if they have acceptance and the ability not to be afraid of rejection, they are, hello, i'm a person on the autism spectrum, i'm not a quiet one when i'm at home, maybe I'm outside of it, because I have mutism, but it's different at home), so whether you like it or not, the neurodifferent character fits this pattern, but it has no influence on it, because as I mentioned, you are born with it like with the color of your skin, but compared to the latter, it is not immediately apparent

It is possible that I do not understand something here, because I am from Poland, not from the USA, so I can only get to know the point of view on foreign YT, as if there are two thousand black people in my country, but few of them talk about themselves in the media and through I can't quite get to know their point of view because it's hard to do when only a few out of two thousand people talk about racism, it is easier on foreign YT, because there are more such people and they will explain it better (An example might be non-white hairstyles, which are worn by white people and are considered cool, and as a person black wears them, it is discriminated against by the fact that, for example, dreadlocks are considered by her as a beard, which is disgusting and unfair)

I think I wrote too much, and knowing the translator translates as usual, i.e. not grammatically (Although my English is much worse and the grammar in it calls out to heaven for vengeance, because it is so tragic, because there is a difference between a short sentence and what I want. hand over in full anyway, probably even the translator constructs sentences better than the president in my country)

#Poland #cartoon #cartoonist #Autism #ADHD #OC #original character #neurodivergent #rasisme #questions #black people #black oc

[translationandbetrayals]

Piracy over Crunchyroll: Why Piracy Hasn't Died Yet?

This topic was a hot spot after one of the latest acquisitions of Sony, Crunchyroll and Funimation. As many know, Crunchyroll is a streaming platform managed in the US, Funimation is known for its dubbed content and Sony is a multinational corporation regarded as one of the world's leading businesses in electronics and visual entertainment, which in the recent time, this group corporation holds the whole distribution and dubbing in the west, a matter that has earned the name of anime monopoly.

But it is a bad thing? Well, all the above means that Sony control a sizable percentage of the market, especially since Crunchyroll is also an anime licensee, and with Funimation, it sort of like they basically shifted every part of Funimation under Crunchyroll corporations. Thereby, this union has become one of the few legal ways to watch anime in the West, and since there's less competition in this area it has brought cost increases and plenty of technical issues such as bad quality, lack of available content and web development, mess in the community system, etc. Most of it being caused by the launch of their famous premium content.

Yup, piracy is illegal and morally incorrect, but this kind of acts shows up to these businesses that consumers aren’t foolish. Some users are not going to buy a product that does not satisfy them, and others can’t even afford it at all. Just like that, it generates that many users questioned its decisions regarding legally or illegally ways to watch content; is an easy move to return to (or just never leave) our favorite free sites to enjoy anime but feel guilty about the fact that we aren't supporting the anime indrustry, so then, what happen with the support to anime studios from Sony/Crunchyroll and consumers?

First, remember that Sony is a huge corporation that’s not going to be completely aware about subordinates of one of their sub-acquirements, and second, we barely can know the treatment of this kind of companies to their employees and the idea of what’s the payment that they receive. It goes like this: anime studios just sell the license to Crunchyroll and studios retrieve a percentage of the profits, then Crunchyroll keeps the rest (speaking from a brief an generalized view). However, there's a lot of controversy about the real percentage that anime studios gain:

 Atsuko Enomoto, known for roles on Pokemon and Detective Conan, shared in a Twitter space how even as professional working since 1998 that getting paid enough is a struggle. “The fees for animation work are too low," she explained. "Only those who have been performing for a long time and are confident can afford it." When funds were broken down based on Enomoto's explanations of pay, it equaled about 750 yen per hour, which is significantly below Japan's minimum wage of 930 yen per hour.*

Seeing the states of affairs, the best way to support properly the work of your favorite studio, animator or voice actor still is by watching their anime movies when they come out in theater, buying a Blu-ray or getting official merchandise of anime’s you thoroughly enjoyed. 

Anyhow, if Crunchyroll want to successfully be engaged to their audience, they must do it through what they truly need, what they really want to see and what is certainly worth paying (even more here in the West, where's a ton of third world countries). Is better for them to open up to the actual people’s requests, because that will closely involve innovation, global accessibility and of course, a more sustainable and enjoyable franchise.

But since yet this is not the case, long live piracy!

By: Brenda Acevedo Z.

#essay

[babygirlizz]

izzie’s favorite movies and tv shows of 2020 (aka the worst year ever)

another year, another movie and tv show review. this year has, to put it simply, sucked. 2020 has been so terribly awful that sometimes the only light you can see are the absolute bangers of movies and tv shows that came out this year. with that being said, some of the movies and tv shows didn't come out in 2020. if the are mentioned in this post it is because they either: had a season come out this year, i found them this year, or they became popular this year.

SPOILERS: it may not come as a surprise but just in case you didn't realize, there will be many spoilers ahead, read at your own risk.

tw // death, suicide, drug use, mild adult language. if any of these things might trigger you, i strongly urge you not to read this post.

there is no specific order of these shows and movies, i'm just writing as they come to mind. if you enjoy any of these movies or tv shows, or if you have any suggestions for me, please let me know!

TV SHOWS

1) Santa Clarita Diet

Okay, so I know this show doesn't have anything to do with 2020. But, I found this show in 2020. I put it off for a while, thinking it wasn't my style of a show, but boy was I wrong. I loved this show. Sheila Hammond (Drew Barrymore) is a normal suburban wife and mom. She is a real estate agent with her husband Joel (Timothy Olyphant). She struggles with the fact that she isn't very adventurous. This all changes when she throws up an insane amount at a house showing. She then finds herself craving adventure, and craving human flesh. Yeah, she's a zombie. Not only is this show super hilarious, but it also shows the growth that they have with their characters and their family. I'm also team Abby (Liv Hewson) and Eric (Skyler Gisondo).

2) Outer Banks

So, I'm from NC. And, watching this show at first bothered me because I can very obviously tell this show isn't actually filmed in the obx, and the geography isn't exact, but once I got past that, I loved it. John B (Chase Stokes) is a teenager that lives in the poor side of the outer banks. He has a friend group called the Pogues which consists of JJ (Rudy Pankow), Pope (Jonathan Daviss), and Kie (Madison Bailey). They absolutely hate the Kooks, which are the rich kids. A while after John B's dad gets lost at sea, presumed dead, the group finds some evidence that may solve the mystery, and make them rich. In the process, John B falls in love with a Kook names Sarah (Madelyn Cline) whose father Ward (Charles Esten) may have a little more to do with the mystery than he let on. Through friendship, murder, and secrets, the gang may just figure out what happened to John B's dad.

3) Love, Victor

Alright. I loved loved loved Love, Simon. I also really loved the book "Simon vs. the Homosapien Agenda." So, when I heard about this show, I was so excited. Victor (Michael Cimino) is a teenage boy that moved to Creekwood with his family. He meets Felix (Anthony Turpel) who lives in his building. He also meets Mia (Rachel Hilson) and they begin dating. But, he also meets Benji (George Sear). While trying to get used to a new school, new friends, and a new relationship, Victor finds himself questioning his sexuality. With the help of Simon (Nick Robinson) and his friends, Victor finds it in himself to finally come out, and he admits his feelings, for Benji. This is such a good show, but I was so upset when season 1 ended on a cliff-hanger.

4) The Haunting of Bly Manor

The sequel to The Haunting of Hill House. Now listen, haunting of hill house was an absolute banger. When I saw that Bly came out I nearly died. I was so excited. But, I was alone in my apartment and also a lil bitch. So, I had to wait a week until I was home with my family to watch it. Now, I was so excited to be scared, and there were a few jump scares and ominous moments, but this season was more centered around the story line of Dani Clayton (Victoria Pedretti) and her new life in a foreign country. When seeing an ad for a live in job as an au pair. When she gets there, she meets the two young children she’ll be looking out for and the other workers of the house, including the gardener, Jamie (Amelia Eve). Throughout her stay at Bly she begins to notice weird behaviors from both children and by the end of the series she sacrifices herself for the children. Sadly, this story is being told by Jamie who Dani had fallen in love with during her stay at Bly. Now I was somewhat upset about the lack of horror, but was still very intrigued and drawn in by this series.

5) Julie and the Phantoms

Alright, at first I was not gonna watch this show. I thought it looked a little too young and childish for me, but everyone was talking about it on twitter so I had to. I. Love. This. Show. This show centers around Julie (Madison Reyes). Julie is a teenage girl who, sadly, lost her mother. The one major thing she shared with her mom, was their love for music. Since her mothers passing, she gave up music. This is until, dead musicians from the 90′s show up in her garage. Luke (Charlie Gillespie), Alex (Owen Joyner), and Reggie (Jeremy Shada) all tragically passed away in the 90′s after eating bad street hotdogs. When Julie finds their CD in her garage, she decides to play it and they come back in ghost form. But, only she can see them. With their help, she finds her confidence to play music again. Also, she has to find away for them to stay because they’re slowly disappearing. 

6) Derry Girls

Bitch. I love this show. And yeah it didn’t come out in 2020. Shut up. I found this show recently after watching the cast on the holiday special of the Great British Baking Show. I loved the actors so I had to watch the show. This show focuses on Erin (Saoirse-Monica Jackson) a 16 year old girl that lives in Derry, Northern Ireland in the 90′s. Alongside her is her cousin Orla (Louisa Harland), her two friends Clare (Nicola Coughlan) and Michelle (Jamie-Lee O’Donnell), and Michelle’s English cousin James (Dylan Llewellyn). During these years, a lot of people in Ireland struggled, especially because it was during wartime. Even thought this show isn’t focused heavily around the war, it’s amazing to see these teens live a fulfilling life while struggling with the state of their country, and the lack of money that their families have. 

7) Elite

HA. This show did have a season in 2020 so leave me alone. But bro, I love this show. At first, I didn’t watch it because I thought I could only watch the dubbed version in English, which I hate. I hate dubbed shows they look so weird. But, once I found out I could watch this show in Spanish, I fell in love. But, sadly, theres too damn much to talk about in one little post. It’s crazy. But basically it just follows the lives of teens in high school that are trying to survive. And no, not in the “I’m surviving high school,” sense. No, people be getting murdered. 

MOVIES (tbh i didn’t find a lot of movies good this year lmk which movies u liked this year and maybe i’ll like them!)

1) All the Bright Places

After the death of her sister, Violet (Elle Fanning) is devastated. She closes herself off, and has her parents get her out of doing school work that involves working with others. But, as time goes on, they realize she may need to start to move on. Violet then meets Finch (Justice Smith) who is enamored by Violet. He suggests they do a project together. While finding and visiting some of the smallest wonders of their state, they begin to fall for each other. While you are focusing on Violet and her mental health, you tend to miss some of the signs that Finch’s mental health isn’t great either, but by the time you do, it could be too late. 

2) Dangerous Lies

Hmm. This was weird for me. I had only ever seen Camila Mendes in Riverdale, and honestly, not a fan. So, Katie (Camila Mendes) and her husband Adam (Jessie T. Usher) are struggling with money. Katie decides to take a job working for an elderly man, and eventually gets her husband hired there as well. Unfortunately, he dies, but for some odd reason, leaves the house and all of his fortune, to Katie. As they get comfortable in the house, they begin to uncover some very weird and dangerous lies. 

3) The Devil All the Time

Ok. Iconic. You got so many hot men in this movie. Bill Skarsgård, Sebastian Stan, Tom Holland, Robert Pattinson. C’mon now. That’s crazy. But, this story is so long and in depth that I wouldn’t even know where to begin. This movie is a bit disturbing. It involves murder, sexual assault, killing of animals, and so much more so if that’s an issue for you please do not watch this movie. It was also quite long, but it was still good.

4) After We Collided

Okay just listen. I was that teenager. I read wattpad stories and was, embarrassingly, addicted to After. This was not a great movie per say, but it was After. This is a sequel to the movie After. This movie centers around Tessa (Josephine Langford) and her recovery after her breakup with Hardin (Hero Fiennes Tiffin). Theres sex, alcohol, bad acting. The whole nine-yards. But c’mon, they’re so cute together.

5) To All the Boys p.s. I Still Love You

Okay it was a good movie. I enjoyed it. This movie focuses on Lara Jean (Lana Condor) and her boyfriend Peter (Noah Centineo) and their relationship post the first movie. But of course relationships aren’t super steady, and John Ambrose McClaren (Jordan Fisher) shows up. Yeah, John Ambrose, from her letter. They become closer and Lara Jean has to decide who she wants to be with. Spoiler, it’s Peter. BOOOOOOO justice for John Ambrose McClaren, he deserved better. 

#santa clarita diet #outer banks #john b #jj maybank #pope #kie #obx #love victor #victor x benji #the haunting of bly manor #dani x jamie #julie and the phantoms #julie x luke #charlie gillespie #jeremy shada #owen joyner #derry girls #erin x james #elite #ander x omar #nadia x guzman #all the bright places #dangerous lies #the devil all the time #tom holland #sebastian stan #robert pattinson #bill skasgård #after we collided #hero fiennes tiffin

[the-bjd-community-confess]

Dear 'Anime Bad' Anon: I Want To Help I pity your situation, so please have a list of weebshit that isn't moeified, or wherein the cutesy art-style serves a greater purpose. (Note: though they won't be soft marshmallow uguuuu, they may still have issues in other ways. Some may have aged badly with regards to how society views or portrays groups or beliefs, some may have upsetting content and dark themes, and some may simply not be to your taste. Note: Anime is a genre, not a monolith, and the disparaging stereotype that it's all cute girls uwuing over their brother s-s-senpai!!! is as much of a disservice as saying all western movies are just vapid cash grab superhero movie sequels with no inegrity or thought put into them. There are indeed a lot of superhero movies, but they're not all identical schlock (megamind vs venom vs kick-ass),  but even more than that, there is a wealth of creative endeavor just beyond the veil of Marvel's cape: just as there are plenty of good anime if you dig past the isekai high school harem wish fulfillment genre that no one wants to keep making but people keep making because it prints money to a very small demographic of the animation equivalent of a mobile game whale thereby allowing this frankly quite-small industry to work on engaging and worthwhile series where the budget permits, Regardless,)

Mushi-shi: -Pros: gorgeous animation, tranquil vibes, episodic stories so you can cram in an episode between classes or on your lunch break. highly recommended by the literal-who typing this out. -Cons: some themes or stories may cause emotional distress, learning to tell apart Urushibara Yuki's characters is a learning curve.

Baccano-Pros: meticulously-researched 20s-and-30s-era mafia violence with a hint of the supernatural, as a treat, told anachronistically with flair and jazz music. practically made to be binge-watched. the novels are finally getting translated into english as well. -Cons: lots of characters to keep track of, fair bit of blood and violence, some scenes or themes may be upsetting, lots of jumping around between different time periods. See Also: Durarara, another series by Ryōgo Narita with a ton of characters and a plot with more threads an overpriced sheet.

Cowboy Bebop-Pros: incredibly well-regarded, space bounty hunters are cool, episodic series that slowly takes on a plot towards the end, fantastic animation, scoring, and even dub work.  -Cons: some scenes or themes may be uncomfortable, some parts have not aged quite so well, the smart doll version of the main character is ugly, you're gonna carry that weight.

Trigun-Pros: starts lighthearted, develops an increasingly investing plot as the series goes along. fictional westerns are cool. this world is made of love and peace -Cons: some scenes or themes may be upsetting, and probably will be. gun violence is naturally present, but that ain't all of it.

Hellsing (standard or Ultimate. or Abridged)Pros: vampires killing nazis. the original adaptation isn't bad, the second adaptation (ultimate) is generally viewed as an improvement. abridged is a youtube parody version that was so popular the voice actors reference it in convention interviews.Cons: a Lot of violence, even trending to the gorey side of things. Uncomfortable Themes Everywhere, but it's a horror-tinged action series about killing nazis, so that's to be expected. 

Fullmetal Alchemist Brotherhood-Pros: while the original anime was quite good, the second iteration is a large improvement. does to alchemy what naruto does to ninjas: It's Basically Battle Magic. the plot starts on a strong note and doesn't let up from there. -Cons: there are distressing scenes and themes that may or may not be tolerable to the viewer. there are moments of cheesecake and even an occasional joke or a moeblob here and there, and it's not all doom and all gloom all the time, but this doesn't detract from the abject horror-despair that comes to permeate this series as it progresses. finally understand why people on the internet respond so negatively to the name 'nina'! 

[Mod: many more recs/reviews under the break, worth reading for those who like more obscure anime and animation]

Grave of the Fireflies-Pros: you will remember how to cry. it's a good reminder that one country's 'triumphs' often come at the expense of another country's people.  -Cons: this movie is incredibly dark, do not watch if you are in a bad headspace. see also: Barefoot Gen, a similar tale but this time from the perspective of an actual survivor from Hiroshima.

Michiko to Hatchin-Pros: an actually diverse cast of characters tangled up in a messy and very humanizing story, interspersed with Shinichiro Watanabe's particular flare for adventure. -Cons: some scenes or themes are very likely to be distressing. can be tricky to find, too.

Mo no no Ke (not the ghibli movie, though it is also quite good.) -Pros: incredibly unique art style and pacing that draws heavily from japanese theatre traditions, every screenshot is wallpaper-worthy. -Cons: may cause motion sickness. it is a psychological horror series, and one that does not need blood, nor gore, to cause visceral emotional response in the viewer. scenes and themes will be distressing- as really, that's the point.

Tokyo Godfathers-Pros: a transwoman, a (self-identified) homeless bum, and a runaway teen girl find a newborn in the baby on christmas. incredibly wholesome, somehow, and grounded in reality, with wonderful animation from the tragically late satoshi kon. -Cons: it is grounded in realism, and sometimes, people are dicks. mild transphobia warning, too, but in-universe- the transwoman herself is portrayed with kindness and allowed to be her own (wonderful!!!) person. still, viewer be mindful.

Kino no Tabi (the first series is my preferred, the second is shinier but lacks emotional impact- in my onion.) -Pros: mostly episodic, very unique series that can be gritty where it counts and kind where it matters. -Cons: some scenes or themes might be disturbing. finding it's not easy, either, and unfortunately, i don't think the novels are being translated right now, either.

Spice and Wolf-Pros: it's mostly about economics. there are shenanigans, a harvest god, and a slowly burgeoning romance, sure, but it's still mostly about economics. -Cons: there are moments of cheesecake and comedy, and moments that may cause distress to the viewer. it may or may not be to your taste.

Puella Magi Madoka Magica-Cons: yeah i know, it's moeblobs.  -Pros: you're gonna watch 'em die, though, in case that may interest you. it's quite a good subversion of the magical girl genre overall. somehow volks hasn't made an MDD of anyone from the series and i will never understand how that didn't happen.

Wolf Children: Ame to Yuki-Pros: watch a family grow together as a newly-single mother does her best to raise her twin children after the tragic loss of their father.  -Cons: keep tissues handy. certain scenes or themes may be uncomfortable.

Lupin III (Red Jacket, Ghibli, and the new 3D animation are all A+) pros: heist comedy elevated to an art form before half (or more!) of the people reading this were born. the english dubbed series that used to air on adult swim is a treat. cons: this franchise started in THE SIXTIES, so naturally, some shit has not aged well. certain series (fujiko mine) are darker than others in themes and material. the 3d movie that released recently is an excellent starting point.

Samurai Champloo-Pros: breakdancing samurai, a fascinating roster of characters, and a superb soundtrack by the tragically passed Nujabes. -Cons: it was made in the weird era of the transition from analog to digital animation and so the /series master/ was animated at a painfully low resolution, so even if there's a bluray out there (I haven't looked,) it will be an upscale, which doesn't always look the best. as well, there are scenes and themes that may make the viewer uncomfortable here and there.

The Works of Studio Ghibli Oh, I'm sorry, Ponyo too suffused with childhood wonder for you? My Neighbor Totoro not depressing enough?  In addition to the infamous Grave of the Fireflies, Studio Ghibli has made a wealth of movies that aren't aimed squarely at the kodomo (children's) sector. -Nausicaa of the Valley of the Wind: climate change existential dread, the movie -Castle in the Sky: government obsession with obtaining weapons of mass destruction destroys everything beautiful, the movie -Pom Poko: human-caused deforestation and urbanization is destroying the natural world and all that live in it, the movie -Princess Mononoke: industrialization will be the death of everything beautiful in the world, the movie, with a side of sometimes everyone (and no one) is the villain when everyone is simply trying to survive -Howl's Moving Castle: The Physical Manifestation of Depression is a Liquid Ooze, the Movie, also War Is Bad It's not all depressing, but let it never be said that Hayao Miyazaki was subtle. Whisper of the Heart is a good coming-of-age story, Kiki's Delivery Service is a classic, Tales from Earthsea is divisive among fans of Ursula K. Le Guin but I personally liked it. From one studio alone there is a wealth of opportunities.

And that's really the point. These are just some from the top of my head. There are so very many options outside of the cute-girls-doing-cute-things genre that I couldn't list them all if I was here for a week. Or as Madoka Magica so ruthlessly showcases, even series that appear a certain way on the surface might not be what you bargained for once you look into them! These are all (I think) mostly older, mainstream-appeal series that should be easy to track down, too -- there are all kinds of singular animations like The Diary of Tortov Roddle, crowdfunded experiments like KICK-HEART, Masterpiece World Theatre renditions of classic (western) novels that never get talked about, films like A Silent Voice that confront social issues- and of course, series like Rozen Maiden that helped popularize this very hobby!

There is literally an ocean of content to explore from Japanese creators alone, and it opens up even more if you look into works from other parts of Asia- just look at how popular manwha have become, or Chinese animations like Leafie, a Hen Into the Wild! It's a genre unto itself, with all the breadth of content and inter-industry problems that come with it, and without any of the respect that similar art forms have been granted over the years. The way an entire culture's art form is often disparaged, disregarded, and belittled- and by extension, the way most of Asia's animated endeavors are often rolled up into that reductive dismissal along with anime and manga- is honestly Not Great, and there is absolutely a thread of xenophobia that runs through it. The industry has so very many problems (low wages, poor training, overwork of everyone ever, archaic financial modules, the exclusivity and breadth of merchandising necessary to turn a profit and how it leads to consumer burnout and disconnection over time, and yes, the way minors are portrayed not just in anime, but in Japanese media in general- and how much of that is actually bad (some of it is indeed,) and how much if it is cultural difference (I've heard people call the scene where the family in Totoro bathe together problematic because of the nudity, but I've also only heard people say that from the West)

-- none of the actual problems affecting the people who produce this medium are gonna improve when the general response to "animators frequently have to live at home to survive" is "that's what happens when you're a weeb."  It's 5am and I'm gonna point out the problems in the narrative around how we discuss this genre of entertainment because it's important, damn you! Regardless, thank you for coming to my unasked for and overlong TED talk about animation on a doll collecting drama blog, feel free to call me a pathetic weeb etcetera on your way out- but while you do so, might I suggest you also go watch a choice animated series! My current go-to is Bofuri, which is a cute-girls-doing-cute-things moefied isekai series that I refuse to apologize for watching. Be free. (The battle scenes are great and it captures the feeling of learning to play a new MMO with your friends better than most video-game-based anime I've seen in a long, long time. does anyone even still remember .hack? how about serial experiments lain...?)

~Anonymous

#BJD #ABJD #BJD Confessions #TrueBJDConfessions #Anime

[gowithgabby]

Remember the Daze.

Character BIO(s):

Kylie Julien McCarthy

17 years old

Born on September 2nd

Nickname: Ky pronounced like “Kai” (by everyone) Kay-Jay (only by Sav and Jessa), Jewels (by Noah)

Goals: Yale, aspiring to be a Doctor

Interests: Reading, Baking, Beach Days, Mathematics, Literature, Pizza

Crushing on Noah Collins, her best friend since Kindergarten

Summary: One of the best students at Laguna Beach High School, Kylie is articulate, well spoken, mannered, good at multitasking, fairly great at planning, and organized. The kid has a good heart and a good head on her shoulders. A straight A student, member of the school decathlon team, the senior class VP. Kylie is very sweet, honorable, and level headed often acting as the voice of reason in the female portion of her friends. Kylie was born to a successful lawyer, George McCarthy and his partner, Christopher Julien, a ambitious magazine editor. They used a surrogate to have their children, Kylie does know of her birth mother and maintains a relationship with her but she loves her fathers very much. She has a little sister named Violet, who is starting her freshman year at Laguna Beach HS. In all of her 17 years, Kylie has been very complacent in her actions. This year, she is hoping to take the big step in really getting what she wants. She just hopes that it doesn’t blow up in her face. 

Noah Joseph Collins

18 years old

Born on June 27th

Nickname: Joey, Jojo (Only by Kylie and his mom)

Goals: Yale, aspiring to be a Lawyer

Interests: Listening to music before his time, Pizza, Video Games, Reading, Writing, Debating, and Traveling.

Crushing on Kylie McCarthy, his best friend since Kindergarten

Summary: You might think Kylie is the best student at Laguna, but Noah is her academic rival. While he is on the basketball team, he doesn’t care much for the glory that sports brings, not neglecting his athletic skills. He prefers to bury himself with books, educating himself and enriching his mind. You would think him and Kylie would be trying to tear each other down to be the best but it’s actually the exact opposite, they work off each other and build together. This is mainly due to being each other’s best friends since kindergarten, having fond memories of each other. Noah split his lunch with Kylie when she forgot hers on their first day and they’ve been tight ever since. He has dreams of Yale, his father’s alma mater. He is gifted, the editor of the school’s newspaper and he is the senior class President. He is the son of New York Times best selling author, Layla Shaw-Collins and her equally successful husband, Duane Collins, who made his wealth being the most sought out talent agent in LA. He has an older brother named Aaron whom is starting his junior year at Cornell and an older sister named Luna who is a sophomore at Spelman college, a historic black college.

Savanna Wyatt Birkhart

17 years old

Born on October 31st

Nickname: Sav, Savvy, Wyatt (by Ethan)  

Goal: UCLA, aspiring to be a Model

Interests: Modeling, Singing, Cheerleading, Bonfires, Volunteering, Traveling, Shopping, Horror Movies, Yoga, Romance Movies, Makeup, Sage, Hot Wings, Indian Food.

Dating Levi James, boyfriend of 4 years. Crushing on her best friend, Ethan Mahoney (possibly)

Summary: What’s to say about Savanna Birkhart that hasn’t been said already?, dubbed the golden girl of her senior class due to her being head cheerleader and girlfriend of arrogant, Levi, the football star. She makes good grades to keep her GPA somewhat untouchable, she dreams of UCLA. Daughter of Carter Birkhart, a successful property realtor and his award winning actress wife, Farrah Sayers-Birkhart. From the time that the biracial girl was placed in her mother’s arms as a baby, she was genetically “blessed”, taking the best of both parents. Doomed to be popular of her face and wealth, don’t think she feeds into the stereotype of high school. Far from entitled and spoiled, she’s openly friendly, down to earth, charitable, honest, warm, caring, and very naive…especially when it comes to her boyfriend, Levi. Everyone is friends with Sav, she’s a good person to be around. She has an older brother named Silas, who is climbing the ladder to be a PR agent in LA, alma mater of USC and she has a 10 year old younger brother named Six, who was born on Christmas Day. Lately, she’s been finding herself in a somewhat love triangle, between her boyfriend whom she loves and her best friend, Ethan, who she also loves but she’s not sure if it’s friendly love or something more. She’s best friends with Ethan, Cali, Kylie, Noah, and Jessa but gets along with everyone fairly well.

Levi Nathaniel James

18 years old

Born on May 15th

Nickname: LJ

Goal(s): winning the state championship, Stanford, aspires to be CEO of his father’s company

Interests: Partying, Drinking, Working out, Having Sex, Traveling, Sushi, Indian Food, Sports

Dating Savanna Birkhart, girlfriend of 4 years. Unbeknownst to his naive girlfriend, he tends to cheat on her when he goes on family trips or with his dad out of town. He does love her but sometimes he cheats.

Summary: Born to a pair of sun-kissed blonde power couple, Levi is the son of Fortune 500 - Forbes listed CEO of JamesCo, William James and his former model turned socialite wife, Uma Peterson-James. From the day that he was born, Levi has been told that he is powerful, he has money and a lot of it. There hasn’t been anything he wasn’t given, awarded, provided. Textbook jock, Levi excelled in football (mainly), basketball, lacrosse, soccer, and surfs in his free time. He’s QB of the football team and he relishes in the fact that he has Sav on his arm, he’s perfect and he only wants the best for his ego. He mainly focuses on his girlfriend, sex, parties (lots of them), drinking, and sports. He is not the best friend you would want however, very few outside of their friend group knows how he got Sav, by betraying his former best friend from childhood, Ethan, who still harbors a love for Savanna. Recently, he’s been noticing Ethan’s less than quiet advances on Sav. He doesn’t like it, but he has also been holding in secrets from his girlfriend, his cheating and a deeper one that might not only fuck up his relationship with Savanna but destroy the bonds that are deep rooted with their friend group. Levi does have a softer side that only his parents, Savanna, and his sister get to see. He has a little sister named Chelsie, who is a gymnastics prodigy in the making at only 12 years old. He’s best friends with Talan, he’s friends with everyone but he doesn’t care too much for Ethan still being accepted in their group of friends.

Maia Genevieve Langley

18 years old

Born on July 5th

Nickname: Mai, Langley

Goal: Juilliard, aspiring to be an Actress

Interests: Flowers, Hot Girls, Cute Boys, Designing, Makeup, Sneakers, Cupcakes, Acting, Slumber Parties, and experimenting with different hair colors

Crushing on Bodhi Desai and her female classmate, Hanna Richardson

Summary: Everything about Maia screams sensitive, mainly Kylie’s best friends but she does hold close friendships with everyone in the group, Maia is overly sensitive, fiercely loyal, a ride or die friend, and occasionally shy. A little bit on the hyperactive side, openly bisexual and her parents are okay with it, modern day hippies…what can you say?! She had her first same sex experience with a girl at summer camp when she was in the 7th grade. Her friends do tend to walk on eggshells with her due to her over-sensitivity to avoid triggering her. A flair for the dramatics, Maia knows her name will be in lights one day. She wanted to just move to LA and not go to college but her parents are still a little old-fashioned and want her to be educated and perfect her craft before she attempts the struggling actress thing. She was born to a Japanese-American Self help guru named Mina Sato-Langley and a English father named Jeremiah Langley, he was a footballer in England before transitioning to the states and settling into ESPN anchor fame. Maia is the eldest of four children, having two younger identical twin brothers named Hunter and Finn Langley, who are freshmen at Laguna Beach high school. She has a younger sister named Bay Langley who is 6 years old, Maia was 12 years old when her sister was born, she was a what you call a “surprise” baby. Maia has spent the last four years in awe of Bodhi but he doesn’t pick up on her flirtatious banter or he ignores it to avoid hurting her feelings.

Bodhi Abraham Desai

18 years old

Born on March 19th

Nickname: Bo

Goal: Cornell, this school is said to have the best culinary arts program; aspiring to be a Chef with his own restaurant

Interests: Mixology, Baking, Cooking, Soul Music, R&B, Comic Books, Alternative music, Old movies, joking

Crushing on Cali Hernandez

Summary: Known as the Lovable Goofball, Bodhi is down to earth, laidback, friendly, and most of all, silly. He is the son of British Indian award winning Bollywood turned Hollywood actor named Deepak Desai and his acclaimed Screenwriter wife, welsh-Irish wife, Alys Davies-Desai. He has a younger sister named Billie, named after his parents love for Billie Holiday, who is 11 years old. Bodhi dreams of being a chef one day with a restaurant similar to Wolfgang or Gordon, his culinary idols. He would love to take his culinary skills abroad and studying in France, India, Italy, and many other countries. He is quite skilled in mixology, teaching himself the art of mixing drinks from YouTube and picking up tricks from hired bartenders at his parents parties and events. He makes decent grades enough to make his parents proud, he excels in chemistry having a love for science since he was in elementary school. He surfs in his alone time and is a beast on the beach when it comes to frisbee and volleyball. He’s best friends with Noah and Ethan. Close friend with everyone else in the group.

Calista Pilar Hernandez

17 years old

Born on December 31st, a New Year’s Eve baby

Nickname: Cali

Goal: UCLA or USC, aspiring to be a Decorator

Interests: Shopping, Makeup, Vlogging, Chinese Food, Boba Tea, Cheerleading, Beach Nights, Partying.

Dating Talan Everett, boyfriend of 4 years. Crushing on someone in the group but refusing to say it

Summary: Calista is the hot-headed BFF to Savanna Birkhart, while they’re both cheerleaders and share some interests, but ultimately are opposite, where Savanna is down to earth and warm, Cali tends to come off as spoiled and cold. Outspoken, brash, a slick mouth and sarcasm stewed to perfection. Do not call her a spicy Latina, she hates the way Hollywood has stereotyped women with attitude. She’s fiery and will let you know about your wrongs, proud of her heritage. She’s of Mexican-Cuban descent and Swedish through her mother. Cali has a younger brother named Javi, who is a sophomore at Laguna Beach High. Raised by her single father, Javier Hernandez Sr, a famous architect that made his wealth building homes and iconic businesses for the elite. Her mother, Enya Nilsson was a influential fashion designer with several collections, one even named after her daughter, Calista. She lost her mom at 8 years old, making her father a widow. He buried himself into his work and left his cards accessibly to his kids, Cali stepped up and helped her various nannies with her younger brother who was only 6 when their mom died. Like her best friend, she’s sexually active with her boyfriend, Talan. She and Savanna were already going to be best friends, due to their mothers. Enya and Farrah being friends. Farrah even walked on the runway for her designer friend a few times, somehow falling pregnant with their daughters weirdly around the same time. She’s been having issues with her boyfriend, Talan lately.

Talan Gray Everett

18 years old

Born on April 10th

Nickname: Tal

Goal: Wharton Business School, aspires to be Advertising Executive

Interests: Drawing, Gardening, Growing his own Weed strains, Smoking pot, Surfing, Painting, Working out

Dating Cali Hernandez, girlfriend of 4 years. Crushing on Jessa Filipov, his best friend of 6 years.

Summary: Talan is by far the most reliable guy next to Noah in his group of his friends. Son of A-List Party Planner, Britney Westin-Everett and successful Nightclub-Exotic Strip owning Mogul, Alan Everett. Talan has a younger sister named, Serena who is 15 years old and a sophomore at Laguna Beach HS and a older half brother on his father’s side, Gilliam, nicknamed Gill, who’s a senior at NYU. Talan spends his days smoking weed, drawing, surfing, skate-boarding, playing volleyball, and mainly keeping his GF, Cali and his best friend, Jessa from ripping each other’s hair out. While he knows Cali is not always a BITCH on wheels and Jessa is not only known for her body count, he doesn’t understand why the young women don’t care to much for him having the other in his life. He often wonders had his life would have been different if he chose Jessa over Cali back in the summer of 9th grade. Would Cali even still be his friend?. He knows they’re both different outside of school and when they’re alone with him. Don’t let his pot smoking ways fool you, Talan is very articulate, calculated, wise…even honorable. He has a green-thumb and he frequently grows his own cannabis in grow houses on the shores of Laguna. He does plan on going to study business. He’s a skilled artist and creative with everything. He’s sexually active and you would think with how close he is with Jessa, he cheated on Cali. But he has not, he’s been extremely faithful to his girlfriend, he does love her. Even though lately they have been on murky waters.

Jessa Beatrix Filipov

17 years old

Born on September 23rd

Nickname: J, JJ, Jess, Bea

Goal: NYU or FIT, aspires to be a Stylist

Interests: Dancing, Twerking, Parties, Salads, Gyros, Burgers, Cheerleading, Beach Days, Themed parties, Hip Hop, Pop music

Crushing on Talan Everett, her best friend of 6 years. Despite him having a GF, Cali

Summary: Jessa was not born in Laguna Beach, Cali will let you and everyone know this information. But she was born in the Nation’s capital to a pair of Bulgarian-American parents, her mother was a high society debutante, Petia Alferov-Filipov and her father, Darian Filipov, was the son of a Oil tycoon who was working his way to senator in his state of DC. However her high society days were cut short when her parents were killed in a car crash when she was 12 years old. Not having any family that was willingly to take her in on the east coast, Jessa was placed in care with her paternal aunt, Yoana Filipov, who was 23 years old at the time. Her aunt is old enough to be her older sister and is not much of a guardian. Her aunt is an heiress who doesn’t need to work, naturally she let her niece do whatever she wants. Only showing up to parent-guardian type things if it’s really needed, signing permission slips and sending her niece money. Jessa quickly made friends in the first few weeks of moving to LB, quickly making her debut as the 10th friend in their group of 9. Jessa “grew up and out” developing physically before the other girls in the group, making her unwisely the first one to adhere to her sexual exploration and interests. She briefly dated Noah, even took his virginity in 9th grade before letting him go as he continued to love Kylie from afar. She does not believe in labels or dating unless she’s really in love and she’s only been in love with one person, Talan for as long as she can remember. A cheerleader, a party girl, and sexually liberated (her words), Jessa is not everyone’s cup of tea…mainly Cali’s. She and Cali actually share a lot in common, both being confident in their looks on the outside but insecure on the inside, sexually active, slick mouthed and sharp tongued, you would think they’d be the best of friends…but they aren’t and Talan is the reason. Plus she also never really like Cali due to her attitude and spoiled demeanor and ability to keep secrets and lie, she is however best friends with Sav and Maia and occasionally Kylie, as she respects the girl’s morals and values to wait. She’s got a good heart and she does believe in love, having seen it firsthand with her parents. She doesn’t want to rush into something that will bite her in the ass. Until it’s something real, mainly with Talan, she doesn’t want a relationship, keeping it casual.

Ethan Lewis Mahoney

18 years old

Born on April 22nd

Nickname: E, Ma-Honey (by Sav…a childhood nickname because she mispronounced his surname in pre-K) and Mahone (by Sav and Noah)

Goal: NYFA or USA, aspires to be a director

Interests: Photography, Smoking Weed, Directing, Writing, Making Films, Comic Books, Hot Wings, Tacos, Horror Movies, and Spicy Foods

Crushing on Savanna Birkhart, his best friend since Pre-K.

Summary: Ethan prefers to spend his time, directing school plays, photographing things, his muse is often Savanna, often taking a lot of her photos for her portfolio. But he’s not a creep about it, she asks him and he obliges because he loves her and knows that she will be a phenomenal model one day. He works for the school newspaper as the head photographer after Noah asked him to when his OG photographer graduated two years ago. While no desires to be a sports guy, Ethan does enjoy watching them. He’s more on the artistic side, preferring to be on the opposing side like behind his lenses or making the productions. He’s the son of Celebrity Chef, Eleanor White (formerly Mahoney) and her philandering Award winning Actor ex husband, Lyle Mahoney. Ethan is the middle of three children that the couple bore before divorcing, he has an older sister named Isla Mahoney who’s currently working at Vogue as a social media advisor, and he has a younger brother named Noel Mahoney who’s the same as age as Sav’s younger brother, Six. He has dated in the past and even had sex a few times, but none of them compared…compared to Savanna. She’s been the object of his affection since he was in preschool, he loved her even before he knew what love was. They even shared their first kiss together. Ethan was right on track with own planning tactics to telling Savanna how he felt until Levi happened. Levi was at one point his best friend, he swooped in and asserted his claim on Savanna, buying her off with lavish gifts and court side seats. He didn’t blame Sav, Levi gave her a story of lies that he always been in love with her and he was too scared to make a move, the gifts didn’t get her…the lies of Levi did. From then on, Ethan had to watch the girl of his dreams be paraded around like a trophy by his former best friend. Things have been rocky ever since, with both guys only getting along for the sake of Savanna. But he wants it’s to be different especially after he hears some interesting news about Levi’s infidelity…he’s just hoping Savanna will believe him and not Levi.

#series #remember the daze #inanna sarkis #liam hemsworth #crystal westbrooks #alex pettyfer #alexa demie #aaron taylor johnson #hayley kiyoko #lily collins #trevor jackson #avan jogia #characters #character concept #oc #fiction

[night-unfurls-its-splendour]

The Critique of Manners Part IV

~Or~

A Very Amused Review of Emma (1972)

One doesn’t really know where to begin with this one. I’ve watched a few of these 70’s/80’s period drama adaptations, but I’ve never written a review for one. I think the tricky thing is it doesn’t feel fair to judge them against more recent adaptations because the approach and quality are so very different to modern television making.

But people do. I’m sure it’s different for people who grew up watching these, who are just used to them and their objectively terrible, stagey quality and can look past that particular weakness on the sheer power of nostalgia.

So I’m going to try and find a middle-ground here where I ignore the stagey and obviously dated aspects and judge it primarily on its value as an adaptation – is it faithful to the book?

Let’s dive in.

Cast & Characterization

Normally I would start with Emma and Knightley but this time I’m gonna switch it up a bit and do them last because… well we’ll get there in a bit.

Let’s start instead with Mr. Woodhouse. I have to say, I kind of like this take. The 1996-7 and 2009 adaptations all kind of went for the same type of older man: a bit stout, or in Michael Gambon’s case… however you would describe Michael Gambon. With Donald Eccles, however, this version goes for a rather more frail looking Mr. Woodhouse; in fact to compare him to any recent Mr. Woodhouse, I suppose he comes closest to Bill Nighy (although the general characterization is of course very different.)  He’s a ridiculous but lovable soul who seems always, of course, worried about his own health and comfort, but in his own selfish way, concerned for his friends and family as well. My only complaint is that maybe they over-utilized him.

I thought the casting of a plump Mrs. Weston (Ellen Dryden) was an interesting choice, and definitely different from other versions. Her acting was actually really good too.

I wasn’t quite so pleased with the characterization of Mr. Weston, on the other hand. I have huge issues with this script vis-à-vis the men, but Mr. Weston and Knightley in particular. The problem with Mr. Weston is how he’s written as just verging on uncouth at some points. There are way too many rustic contractions here: “Ain’t I looking well too, Miss Emma?!’ “’Ark at that eh? The sly young rogue!” “Oh I think it looks tolerably gay and festive, don’t it?” and then just throwing himself back on the grass and chortling when Emma makes her fateful Box Hill faux pas? Like, what the hell? I’m not saying he shouldn’t use a few casual contractions (“How d’you do?” for example) but he seems almost like a positive country bumpkin and I don’t think it’s appropriate; he doesn’t talk like that in the book and I’m just all-around not here for it.

Constance Chapman, a well-respected character actress of the time was cast as Miss Bates, while Molly Sugden, of Are You Being Served? fame was WASTED in the bit-part of Mrs. Goddard. If you ask me, they should have swapped this casting, since I think Sugden, an outstanding comedienne, could have done so much more with the Miss Bates role than the usual wittery-old-lady style chattering Chapman delivered.

Mr. Elton was played by Timothy Peters (Right) and was, eh, adequate. They did slime him up a bit by having him over-eagerly offer to fix Emma’s bootlace, which she points out isn’t entirely appropriate for a man to do, especially the vicar and it’s pretty funny; but other than that, he has all the appearance of being a pleasant young man, as Mr. Elton should – becoming less pleasant as the story progresses.

One John Alkin (left) played Mr. Robert Martin, and he, too, was adequate. There’s not much of him and, since Mr. Martin wasn’t one of those characters this version decided to approach more three-dimensionally, there’s not much to say about him. 

Frank Churchill is… OMG IT’S PRINCE HARRY FROM BLACKADDER!

Ahem. Yes, Robert East (BETTER KNOWN AS PRINCE HARRY FROM BLACKADDER) plays a very agreeable (and smarmy, but not too smarmy) Frank. I think honestly this is as good as this part could get in the 70’s, although at 29 he was a little too old for the part.

John and Isabella, in an interesting (?) casting choice, were played by brother and sister duo, Yves and Belinda Tighe. I actually really liked Yves’s John Knightley (he’s actually one of the more handsome John’s, in a 70’s kind of way; for note-taking purposes I have nicknamed him “Not-Harrison-Ford”), but his sister as Isabella seemed kind of old and had just a really annoying voice. Also she doesn’t look at all like Doran Godwin, and Emma and Isabella are supposed to look somewhat alike.

The real casting stand out for me in this version is Fiona Walker as Mrs. Elton, although she too was a little old for her role, I’ve said before that there are no bad Mrs. Eltons (only bad accents) and she just absolutely nailed the insufferable chatter to a definitive standard (until the recent adaptations – 2009 onward).

I did however, get the feeling in this version that they kind of wrote in a through-line where Mrs. Elton is putting the moves on Mr. Knightley (to the point where they actually wrote out Mr. Elton from scenes he should be in) which was one of those unnecessary deviations which made me raise an eyebrow and also was just… weird.

Now my question is – why do all of the young women in this series kind of look like evil dolls?

Debbie Bowen, from a strictly book accuracy perspective is one of the most accurate Harriet Smiths I’ve seen – in fact we don’t get another this accurate (to my way of thinking) until Louise Dylan in 2009, who fits roughly the same model (fair and shapely). Its Bowen’s acting I don’t like, but I know that in the 70’s, this kind of simpering acting for this kind of character was just unavoidable. It was the style at the time, so I’m cutting her a break critically; but the performance just doesn’t cut it for me.

This Jane Fairfax (played by Ania Marson) is not my favorite interpretation of this character. At first I thought she was going to be alright, but in her first scene she bursts out and actually shouts in frustration at her chattering aunt (which she has some basis for, I’ll admit, since Miss Bates, in her muddle-headed way, could very well have unwittingly spilled the beans about Jane and Frank) but this is far more feeling than we should even have a hint of from Jane at this point. The whole reason Emma doesn’t like Jane (other than the fact that Emma is an attention whore and Jane steals her thunder by being so admired and accomplished) is because she’s timid and demure and reserved.

But the biggest problem I have with this Jane is that she can’t even fucking sing. I know they write it away as her having a sore throat (Which I think is a pull from a different part of the book?) but this was just egregiously bad to me. This is the only time in the series they show Jane singing so it’s never actually established that Jane really is more accomplished than Emma (although they don’t show Emma herself singing or even playing at all either.) Could the actresses just not sing well so they decided to write around it? You could have dubbed it; you had that technology in the 70’s!

OK. Now it’s time to talk about Doran Godwin. I’ve never seen her in anything else so I don’t know if it’s just that she can’t act, but I have no idea what she was going for with this portrayal of Emma, and this is something so consistent and unique to her that I, for once, can’t justify blaming it solely on the director because you can’t direct crazy-eyes. They just happen; and they happen A LOT in this series.

I’ve struggled to find the words to sufficiently describe my feeling about Doran Godwin’s facial expressions and her acting in this adaptation. In my ribbon rating notes I think I describe her as a “witchy automaton”? I stand by it. Every time she talks to someone her eyes go very wide and she sort of looks like she’s trying to hypnotize everyone in Highbury. The effect is just absolutely inhuman. I never thought I’d ever see anyone with more patently crazed Crazy-Eyes than Timothy “Crazy-Eyes” Dalton – but man, Doran “Hypno-Witch” Godwin just stole the prize. Perhaps she escaped from the set of a Doctor Who? telling of the story where Miss Woodhouse has been replaced by an android.

You have scenes such as this in episode 2 , where Harriet is trying to get Emma to acknowledge Mr. Elton calling after them as they walk past the vicarage, and Emma ignores her by mechanically continuing to talk, looking straight ahead with laser focus. Of course, Emma is intentionally ignoring Harriet because she wants Mr. Elton to follow them, but that wasn’t quite apparent to me until the end of her ramble – which I had assumed she was forced to complete due to some directive in her programming. I have more to say on her characterization, but we’ll get to that in a dedicated section of the review.

John Carson might actually be one of the better Knightley’s, but I’m sorry – at 45 he was just too old. This is something you can play around with in other characters (Mr. Weston and Miss Bates after all, have no stated ages in the book) but not only do we know how old Mr. Knightley is in the book, they state in the show that Emma is 21 (Doran Godwin was actually 28) and that Mr. Knightley is sixteen years older than her – 37 or 38 – and John Carson is CLEARLY no 38. This obviously-over-forty appearance does have an effect on how I view his banter with Emma, and it’s more avuncular than the older-brother feel that Mr. Knightley and Emma should have.

Whether by direction or actor’s choice, Carson’s Mr. Knightley speaks in a way that just doesn’t feel period to me. He has a very sort of 20th Century, stock British, hearty-good-fellow manner, that dates this adaptation pretty badly and feels old-fashioned (but not in a Regency/Georgian way) even in the 70’s.

Sets & Surroundings

Normally at this point in the review I would talk about the British manor houses and estates used and how they measure up to the book descriptions but the publicly funded BBC ran on a much tighter budget in the 70’s (apparent in the production values and number of obviously bad takes that they just decided to leave in, in everything they made) and as such they couldn’t afford to film in and rent out large estates quite as much, so this has the trademark 70’s/80’s BBC sound-stage quality of all of their other productions of the period. That said, this production actually has some of the better sets I’ve seen and that’s saying something, for being made in the 70’s. The walls didn’t actually shake when doors were closed, and it didn’t feel as stagey as some other Austen serials of the time. (This doesn’t improve the very “on-cue” acting in the series, but I have to give credit where it’s due.) I believe they may used a real manor house for the exterior of Hartfield (and not a landscape pastel) and maybe some of the interiors too? I can’t say for sure, and I would love to tell you what house and where it is but I can’t find any credits on it. I’ll just say that I think it’s very suitable and leave it at that.

Costumes

Much like today, the BBC almost exclusively used, re-used and rented costumes for their period productions. Almost every costume in this series was also used in the 70’s and 80’s BBC productions of Sense and Sensibility, Mansfield Park, and Pride and Prejudice (P&P being the overwhelming common denominator – almost every one of Emma’s evening dresses and pelisses was seen, primarily on Caroline Bingley.) Some of the shawls have been picked out in BBC Austens as recently as 2008.

For being made in the 70’s the costumes in this production are really kind of nice. They don’t date themselves too badly. The ones that do feel 70’s retro, in fact, were mostly styles borrowed from period accurate fashions that just happened to coincide with contemporary 70’s tastes, and which aren’t often used in Regency costumes today because, well they don’t coincide with our modern tastes. For the most part, they look well-made (although some of them do have that stiff, dingy polyester look to them and there are definitely some plastic pearls here and there).

I’m quite pleased with the silhouettes which don’t suffer from Square Bust/Boob Droop syndrome the way the 1980 P&P does. All of the assets seem to be lifted and shifted in the right places.

Daywear

I like Emma’s blue day dress the best of all her day-wear looks. It’s a rich color and has pleated cups (Also on her white day dress) which is a style I really love.

Emma wears the gauzy… let’s be kind and say ivory instead of “Yellowish” ruff during the day A LOT (Emma Pic 2). It’s a popular look on Jane Fairfax too (Jane Pic 2) and I just… I don’t like it. Not that it’s not period appropriate (because it unfortunately is) it just makes them look like Dr. Seuss characters to me, especially worn with short sleeves which is something these dramas do a lot and I hate it. It just makes the person in question look very awkwardly disproportionate to me, especially because. if they had long sleeves to go with it (which would be more correct from a historical authenticity standpoint) it would even it out so much better. Compare Jane and Emma to see what I mean. The single layer ruffle (Emma Pic 1) is much more agreeable to me. (I wanna point out that Jane wears the same green dress without any partlet or undersleeves for strawberry picking at Donwell, which is blatant Eveningwear-For-Daywear™ and looked really out of place since everyone else was wearing day-appropriate attire).

Emma’s wider, cuffed, long sleeves and Mrs. Elton’s puffy segmented Renaissance sleeves are exactly what I mean about period accurate styles that suit the 70’s in a way that they just don’t jive today. Even Harriet gets some.

Mrs. Elton Orange ™ is another crayon color Crayola should consider I think.

Harriet gets stuck with a lot of brown outer wear but her day clothes are otherwise pretty nice. I especially like the ivory and blue number (Bottom right) and her white day dress with blue accents (Top right) which I think is the nicest thing she wears in this whole series. 

Evening Wear

Emma’s evening wear confines itself pretty exclusively to cool purples and blues except for her white ball gown. I find this interesting because other versions tend to dress Emma in warmer colors and pinks (As I’m very partial to purples and blues, I love all of them). I can’t say it’s inconsistent with Emma’s cold characterization in this version. Mrs. Weston’s evening gowns are uniformly amazing. I especially love her blue party dress, which is my favorite in the series.

Both of Harriet’s party dresses are characteristically pretty and girlish. The pink is a bit fussy for me but I love the blue one (which has a lot more detail but I couldn’t get a full length shot of it.)

I’m pleased that Jane is given a bit of a break from the Jane Fairfax Blue ™ trope with her evening wear. She has one light blue evening gown and gets a few green numbers, most notable being her mint ball gown. Her beige party dress is absolutely tragic though.

Mrs. Elton’s evening color seems to be chartreuse (Which I think was also the case in the ITV version? ITV fans back me up.) Her black overlay/spiky number is iconic of the Austen Bad Girl, but her ball gown is a bit disappointing in its simplicity to me.

I would love to have seen a full length shot of Isabella’s black and purple number because I have a suspicion THAT would have been my favorite but I just can’t make out enough detail on it.

Zig-zag patterns on the skirt are a huge theme in this version, which is so of the period. Mrs. Cole (shout out to another future Are You Being Served? familiar, Hilda Fenemore) looks straight out of a fashion plate in her dark green party dress, which has (drumroll please…) a padded hem! 

Outerwear

This version has SO MANY PELISSES AND REDINGOTES. Are they all nice? No. No they are not; I particularly hate Emma’s fugly salmon number that she wears for Strawberry picking/Box Hill. Mostly because she looks SO over-dressed compared to everyone else who’s wearing loose fitting light clothes (except Jane, who’s wearing an evening dress). Just looking at her makes me hot. I’m also NOT a huge fan of her pink winter cloak. The one trimmed with… faux ermine? One can only assume. It looks awfully tacky.

That russet pelisse tho! This is one of my all-time favorites. It’s SO. PRETTY and so detailed (See this number on Jane in P&P ’80). I think her gray fur-trimmed pelisse is pretty fabulous too, but I do not like the hat she wears with it. The brim is kind of a funky shape to me.

I know I’ve criticized brown before, but I do like it in moderation and this version is astonishingly brown-free for being made in the 70’s, so I really like her red/brown velvet spencer, especially with the cream dress and gloves, and her hat has some amazing decoration.

Jane and Mrs. Weston are the only other characters who get pelisses/redingotes. I’m not a fan of Mrs. Weston’s fuchsia number, and while I like Jane’s, it does put itself solidly in the Jane Fairfax Blue™ category.  

Harriet gets pretty much only one form of outer-wear, her brown school cloak (a different brown school cloak from the one in the ‘97 version, in case you were wondering) and while it’s pretty dull, it’s hardly unexpected. Here it is paired with her rather ugly blue bonnet, with yellow ribbon. The bonnet features heavily in this episode.

To be honest for the most part I totally forgot about the… 

because a lot of it is very standard. No dandy standouts here, but overall it’s pretty okay and I’m really pleased to say that there are no bib-cravats. That’s not usually so much a problem in Regency Era stuff (Since ruffles were going out at around this time), but you can really distinctly see that the ruffles (where ruffles there are – usually on older men which is good) are part of the shirt and distinctly separate from the cravat. Also there are LOTS of high collars and they’re not comically high to the point where they get wrinkled, like they were in Emma. (2020), so points for that also. These are the screencaps I gathered going back over it for posterity.

Mr. Knightley doesn’t really get a lot of cool outfits. His best is his purple velvet evening jacket which somehow manages to not look ostentatious (but is his only dress jacket), and his gold-topped Prussian boots (which you should just be able to see bottom right.) The worst though… I’m sorry, (looks up costumer’s name) Joan Ellacott – do you really expect me to feel the weight of Emma’s cock-ups when Mr. Knightley is rebuking her in such a cartoonishly proportioned top hat? It’s like being scolded by the Mad Hatter. All of the men’s hats are pretty flared in this series too, and I’m not totally sure but, I’m pretty sure I read somewhere that flared top hats are not right for this period?

I think Mr. Weston only has one day outfit (which, in keeping with his characterization is pretty farmer-chic) and one evening outfit. Frank’s dark green day-jacket is a pretty standard look on him and I don’t think we get a fresh look until his fabulous blue jacket/yellow waistcoat combo that he wears for Strawberry Picking/Box Hill. I believe his evening jacket is also dark green but it was tough to tell. Again I think he has only one set of evening-wear. I would expect Frank to have more, since he’s such a dandy.

Mr. John Knightley doesn’t have much to write home about in terms of evening kit, but DAYUM, his blue traveling coat is DOOOOOPE. 

Let’s Talk Script

This adaptation was directed by John Glenister and Dramatized by Denis Constanduros.

Now I’ve seen a lot of positive reviews for this on IMDB calling it the… let’s see here… “The best Emma I’ve ever seen” and “The most true to the novel”… *Takes off spectacles and sighs heavily* I’m afraid I have to disagree. Several people also really love Doran Godwin’s Emma (We’ve already gone over why I don’t, and I have also seen reviews that name her and her lack of charisma as the main sticking point preventing them from really enjoying it, so I’m not alone). I’ve also heard it described as “sensitively handled” “Intimate” and “The most faithful to the spirit of Austen” and so forth, and again maybe it’s that prejudice against the stagey production and… no there’s definitely some other reason I have a problem with this version.

Let me make this clear – I don’t totally hate it, and I’m not here to shame the people who really love this version. Once again – if this version gives you what you want from the story I think that’s great for you. I, myself, like it pretty well and I think it’s one of the better early BBC Austen serials. It’s certainly not boring; but I do want to go over some of the changes that were made and choices in the script.

Some of them aren’t really that egregious, but they’re annoying in that I think they didn’t need to be made and don’t really add anything. Characters being added to scenes where they didn’t need to be and written out of scenes where their presence was missed. Like writing Mr. Elton out of Box Hill (And really the whole second half of the series, to facilitate Mrs. Elton flirting with Knightley), and adding Miss Bates into the after-dinner scene, I think at the Randalls Christmas party? I’m sure this was done for expediency but you have six episodes. It’s not as though you’re strapped for time.

Particularly praised, as far as I’ve seen, is the scene at Christmas when Knightley and Emma make up after their argument over Harriet. It takes place in the nursery, which I suppose isn’t an unreasonable place for Emma to be fawning over her niece (in the dramatization she seems to have been feeding the baby, where in the book she is playing with her). The book doesn’t specify where the scene takes place, although I assumed it to be a downstairs room, and I’m not sure that it’s entirely appropriate for Emma and a man (even one connected to her family through marriage) to be alone in an upstairs room together with the door closed and no more chaperone than a baby. But in spite of this, perhaps inappropriate, level of privacy, the scene feels less intimate to me than the book, where in the course of the conversation, where Mr. Knightley takes the baby from Emma “in the manner of perfect amity” and holds her himself and it is very adorable and sweet. In the dramatization, Knightley sort of just stands next to Emma’s chair and leans down a bit. After this conversation in the book, John comes into the room to talk to George, while in the show Emma puts the baby in the cradle and they leave the room to go downstairs.

But there are more outstanding changes that just feel wrong to me. When confronting Emma about her meddling in Harriet’s response to Mr. Martin’s proposal, Constanduros changes “What is the foolish girl about?” to “What is the stupid girl about?” it’s not that big a change, but it makes Mr. Knightley sound unnecessarily mean.

I’ve already mentioned the, er, additions regarding Mr. Weston’s dialogue and Mrs. Elton, and Jane shouting at Miss Bates; but by far the biggest, worst additions were made with Emma. The worst, I think, is the handling of this scene in Episode 4 when Harriet is feeling heartsick following Mr. Elton’s marriage.

And for those of you who don’t wanna follow the link, here’s a transcription:

Emma: Now Harriet! Your allowing yourself to become so upset over Mr. Elton’s marriage is the strongest possible reproach you could make to me!

Harriet: Miss Woodhouse –

Emma: Yes it is! You could not more constantly remind me of the mistake I made, which is most hurtful!

Harriet: Oh Miss Woodhouse, it was not intended to be!

Emma: I have not said “think and talk less of Mr. Elton” for my sake, Harriet, because it is for yours I wish it. My being hurt is a very… secondary consideration, but please, please Harriet, do learn to exert a little more self-discipline in this matter.

Harriet: {Looks down} Yes, Miss Woodhouse.

Emma: We are all creatures of feeling; we all suffer disappointments, it is how we learn to suffer them that forms our character. If you continue in this way, Harriet, I shall think you wanting in true friendship for me!  

Harriet: Oh, Miss Woodhouse! You, who are the best friend I’ve ever had? Oh what a horrid, horrid wretch I’ve been!”

Emma: Oh now Harriet – (She’s gonna console her now, right?)

Harriet: Oh yes, I have, I have!

Emma: Harriet, control yourself! (ha ha bitch, u thought) Now, you will tie your bonnet, and you are coming with me to call on Mr. And Mrs. Elton at the Vicarage…

Harriet: Oh, Miss Woodhouse –

Emma: Yes you are! And I’m sure you will find it far less distressing than you think.

Harriet: Oh, Miss Woodhouse, must I?

Emma: Yes, Harriet; but you may borrow my lace ruff if you wish.

Harriet: Oh may I, Miss Woodhouse? Oh, thank you!

(Look how evil she looks! She looks like she’s planning on baking Harriet into a pie!)

While this scene is in the book and much of the dialogue is also from the book, it’s the lines that were added that stick out to me. Emma does tell Harriet that her allowing herself to become upset over the Eltons is a reproach on Emma more than anything else and reminds her miserably of the “Mistake [Emma] fell into” but from this point, the script takes a left turn from the firm but kind appeal to Harriet to move on for both her happiness and Emma’s own comfort, to a far more manipulative strain.

Even after Harriet apologizes, she goes from simply appealing to Harriet to let herself move on, to basically telling her that she’s a bad friend. She treats Harriet like she’s unreasonable for feeling this way, where in the book Emma is very understanding and feels that “she could not do too much for her; that Harriet had every right to all her ingenuity and patience…” and only after Harriet goes all afternoon with Emma soothing her and no improvement in her spirits does Emma take any kind of reproachful tack whatsoever.

    In this scene, Emma says that her own happiness is a secondary consideration (this is stressed much more in the book) but from the way she says it, it seems more like she just wants Harriet to shut up about it rather than actually meaning it. (This is a very prominent example of Emma’s not seeming to really like Harriet at all in this version, only tolerating her presence.)

AND THEN she does something which Emma in the book most certainly did NOT do and forces Harriet to come with her to visit the Eltons, as if to put her on the spot and test how good a little friend she will be. I can’t express how disgusted I am by the changes and interpretation here. This is the culmination of the general through-line of Emma’s manipulative characterization being taken to an extreme. She looms over Harriet sounding, by turns, like a school marm and a saccharine nanny. She’s like a (very) low budget version of Tilda Swinton as the White Witch in The Chronicles of Narnia. 

My question about all of these changes is simply: Why? They don’t improve the story or the characters. They’re not big, but a lot of them just strike me as weird and unnecessary, but I guess there’s no accounting for artistic license.  

Final Thoughts

So is it a faithful adaptation? I often find this a more complex question to answer for myself than one would think, since inflection and line delivery and even, at some points, intention behind what the characters say tends to be up to the interpretation of the person reading the book.

Is the dialogue faithful? Other than the many changes I’ve mentioned (and the numerous cuts and edits I didn’t – and besides no screenplay can be 100% faithful), for the most part yes.

Are the characters accurate to description / faithful in their portrayal – again this tends to be subjective and opinions vary. In my opinion, Emma is not. I’ve mentioned that Knightley is too old, and Emma not only seems more intentionally manipulative than I believe she’s meant to be, and also just does not seem 21. She acts and looks like a much older woman, especially when preaching at Harriet) but she’s also very gawky, and Emma is supposed to look very healthy and glowing.

So my book accuracy rating meets in the middle at a 4.5. It’s NOT the most faithful adaptation I’ve seen, nor is it the most fun or the most intimate, but it’s not totally a travesty either and there are good things in it, even with a robot witch playing the main lead.

Ribbon Rating: Tolerable (43 Ribbons )

Tone: 4

Casting: 5 (Witchy automaton Doran Goodwin plays opposite avuncular good-fellow John Carson. Fiona Walker stands out as Mrs. Elton.)

Acting: 5 (Doran Goodwin is by turns crazed and mechanical with some momentary touches of what might be actual emotion. Raymond Adamson way over-acts Mr. Weston as a hobbeldy-hoi, verging on uncouth.)

Scripting: 4

Pacing: 4

Cinematography: 4 (A bump up from the usual 1 or 2 for TV dramas of the time. Surprisingly less stagey than expected.)

Sets and Settings: 5

Costumes: 7 (Very clearly of the 70’s but drawing on perfectly accurate styles that jived well with contemporary taste)

Music: 1 (Plinky, poorly played piano music. Only used for intro and outro I think? Jane Fairfax can neither play nor sing.)

Book Accuracy: 5 (They changed a lot of small details. Lines are changed unnecessarily (Calling Harriet “Stupid” rather than “Foolish” – Why?) Mrs. Elton seems to have a thing for Knightley? People present when they shouldn’t be, others absent when they should be present, again without any apparent reason.)

#jane austen emma #jane austen #regency #period drama #costume drama #emma 1972

[project-paranoia]

Live Watch: Guardian  Episode One, Part One

It's Guardian!  The show that got me interested in this genre!  I love spooky things and I love mysteries and fantasy!  I simply adore it so much!  When I can't sleep I just put on a playlist of Guardian in the background.  I was aware of censorship before - every country has some version of it, but to some degree this was my first deep dive into how it might effect a piece of media.  Guardian is exceptionally acted and incredibly written, as well as suffering from obvious dubs where the dubbing voice actor sounds nothing like the previous actor and odd cuts that are disrupted.  In some ways it's the little drama that could fighting its way past their studio going bankrupt while they were filming, reshoots, and being taken down and altered several times.

In some ways Guardian's struggle fits the spirit and aesthetic of the show. Worn in like an old pair of jeans but still making an effort.  Putting emphasis where things count and hoping the kindness of the universe will make allowances for the rest.  Attention to detail where the story really matters.  It has the charm of a community production put on out of love with actors and crew who would not be anywhere else in the world for any amount of money.  That feeling of love comes through, and whether or not I'm barely literate I have so many words to share.

Part of why I love it as well is it has that feeling of 80s and 90s fantasy, like Moomin, Xena or Condor Heroes. Everything feels lived in, nothing's been spit shined except for Shen Wei's suits. It's an old city street of a show, it has history and character built in. 

*After all that I don't know that I have a tonne to say about the intro.  It's very good but it's also full of spoilers.  I think having the intro song be in English does make a difference in making it appealing to English speaking audiences as well as standing out as different and interesting, which the show is. Speaking of Spoilers!  Spoilers below!

* The obligatory beginning narration is beautifully animated, I have another post that will be done some time before the heat-death of the universe talking about the fascinating world building options.  Unlike some Make It SciFi plots, this one has legs and implications.

* Remakes rarely are able to meet the original on equal ground - and I struggle to believe the actors would Fit as well - but part of me really wants to have a chance to have the Dixingren worldbuilding really leaned into.  The writing is good enough we get implication but no real follow through.  I want fifty episodes of how Dixing functions, give me more pseudo-science behind the mutations, what are the biological differences.  I'm hungry for more!

* I love the cameos of later characters, and the way there was some effort to be discrete with spoilers.

* It's Ya Boy!  I love Shen Wei.  With that music cue and that sinister turn around they really set him up as dubious.  I wish they went with something a little different with the intro so his character wasn't spoiled.  The writing, directing, and acting was so good and spoiling who Shen Wei is kind of took the teeth out of that.

* Also cheers to the costume designer who outfitted Zhu Yilong so well and made him look jacked with the fit of those clothes.

* Also you can tell this is a real university because the staff has to sit in tiny student chairs.  I'm not joking, please be warned if you're going into academia.  Unless you have tenure life is An Adventure - and even then.

* Also shout out to Shen Wei's Prized Cabbage and the Queen of our hearts, Li Qian.  Why is this actress not in more things?  She has such an expressive and lovely face and she really goes all the way in with her acting.  I respect an artist that acts from their chest. Also that windbreaker, white skirt combo is chic and fun all at once, it draws the eye and makes her melt into the background all at once - perfect for the character.  I love her so much.

* Here's another one of Shen Wei's coats, it's a lovely color for him but it also is so thin that it looks like it crinkled up just from being worn.

* I'm being distracted by details and missing plot stuff.

* Story of my life.

* I love Li Qian hovering along behind Shen Wei like a duckling following their mother.  A) Mood and B) it quietly informs their dynamic.  Shen Wei has like one person he can trust but no one he can really confide in and it's the same for Li Qian. A ship will find a port in a storm and Shen Wei has Big Da-ge Energy. My fanfic heart hopes they found comfort in the pseudo familial relationship with each other while it lasted.

* Even in episode one we receive foreshadowing, we love and respect some excellent writing.  For those of you who missed it - Professor Ouyang is talking about Lin Jing who I love partially because he's so outrageous large but has the total opposite of intimidating energy.  

* What did they feed you Lin Jing? He is so tall and wide, but they do a lot with camera work to try to make him not quite as big.  Side note, I would really love to see the actor who plays Lin Jing (Liu Minting) both in more dramas but more specifically in a role where he was like a minister or scholar - someone intellectual.  I think the combination of being such a big gentleman and also someone who like plots or plans would be really dynamic if it was written well.  

* Also I like the exchange where without a word Professor Ouyang indicates he has one last thing to say, it's private and that he would like Shen Wei to ask Li Qian to leave. That's What You Can Do With Good Actors!

* Li Qian is just so pretty and the actress emotes so well!

* Shen Wei totally understanding what's going on with this shady research immediately and wanting to stay as far away as possible.  We see one of the first examples of him being aggressively polite to remove himself from a situation.

* "i'M jUST aN oRDINARY sCHOLAR." No one buys it Shen Wei.

* Angy Thinking Face

* One thing the show is really good at is using establishing shots really well so you always know where everything is and everything is going

* Guo Changcheng, all around good boy and angel.  We stan a nervous legend

* Zhou Yunlan Arriving.  Why is everyone on this show an Absolute Legend

* Guo Changcheng protecting himself with his certificate is too cute.  This young man is trying his best and I support him.

* Also that coat is Young, Pure, Stylish; I love it

* Zhao Yunlan, what's wrong with you? You are amazing!

* His irreverent style and disregard of usual policy makes him fit in really well with his band of misfits and special cases

* Guo Changcheng's OO face is too good, elastic face

* Da Qing my love!

* Jin Ling, I think he has an all seeing eye on his hoodie thing. Illuminati Confirmed.

* Also they filmed the shots so well, so you always know where everyone is in relation to everyone else

* Our Prized Cabbage!  I love her!

* Great handheld work: shaky and unhinged, but not migraine inducing

* Foreshadowing in the form of a shadow and reaching for the necklace

* Da Qing's cat behaviours. I really want behind the scenes of the actor discussing how cat was he going to cat

* We get our first real example of how Zhao Yunlan doesn't feel safe emoting negatively and so he uses a super sunny mask to hide his feelings, except with Da Qing who he lets his anger show with because he trusts him.

* I'm not even halfway through and I've written so much, peace and blessings to the readers of this.

* Zhao Yunlan's swagger, after his childhood having a little power must feel comforting and good

* I love how Da Qing is talking as a cat less than a meter from the medical examiner.  Does the examiner not care or does he know?  Is he deaf?

* Harassing Guo Changcheng is the new team sport

* Zhao Yunlan Realises Something Music

* Also, Lollipop Measurement

* It's nice to see Zhao Yunlan just being himself with Da Qing, he's able to really be honest and genuine with him

* Slow Look Moment

* This moment is so fascinating!  Shen Wei doesn't know what's going on yet.  He just sees an old friend who winces when he sees him and disappears.  We mostly see things from Zhao Yunlan's point of view, but from Shen Wei's perspective this is a first part of just some Odd and Confusing Happenings

* This cat though!  I love him!

* The delicate way they’re both feeling each other out.  This must be so confusing and startling for Shen Wei and Zhao Yunlan is trying to figure out if this teacher is going to bust him or what.

* He forgot to let go, way to set off Zhao Yunlan’s suspicions

* “Mark Stewart” Is he though?  Who picked out that English name?

* Li Qian!  I love her and I love that striped blouse. Fashion.  Got to look good when you’re resisting a mental break. *Also she hears a meow and looks around at eye level, I love that for her.

* Zhao Yunlan!  You can’t take pictures of young ladies without their permission.  What is wrong with you!

* I love Da Qing’s very cat attitude of I Will Have Vengeance for These Wrongs

* Two for one! Shen Wei meets two faces from his past.

* Also, I get a little frustrated about people making a big deal about the 10,000 years versus 1,000 years age thing with Da Qing.  a) He has amnesia and b) the thousand years refers to the amount of time needed to cultivate to a certain stage in Chinese mythology - usually by absorbing energy from the sun, moon, or depending on the animal other sources.

* I feel so bad for Shen Wei, who knows what he thinks.  Were his friends brainwashed?  Did they forget?  Can they not say for some reason?  What is happening?

This review is getting a little long, so join in tomorrow for Part Two~~!

#Guardian #watchthrough

[mitigatedchaos]

Review: SAC_2045

(~3,700 words, 15 minutes)

This post will contain some minor spoilers for SAC_2045.

Summary: You may have thought SAC_2045 was a poor entry in the Ghost in the Shell franchise - actually, it's just intended for younger audiences.

Previously: Standalone Complex 202045:1-4 (superseded)

-☆☆☆-

And what did you think of the remaining episodes of GitS:SAC_2045?

[ @irradiate-space​ ]

Standalone Complex

There's a certain indescribable feeling associated with Ghost in the Shell: Standalone Complex as a work, an artistic touch related to the director associated with it, independent of other considerations. SAC_2045 has it, which isn't too surprising since Kenji Kamiyama is back.

SAC_2045 is Standalone Complex. For a brief moment, while watching it, I inhabited my pre-2016 personality and outlook. I can't tell you how much that means to me. Since the arrival of streaming I've tended to bingewatch series, but on the first run-through I decided not to bingewatch this one.

If you approach this show as season 4 of Standalone Complex (Solid State Society being season 3), it's underwhelming. Now, viewing it again, it's become obvious that a conventional season 4 of Standalone Complex was never the intent of SAC_2045 to begin with.

For those of you who have delayed until now, the English dub has been uploaded - it released without one due to the pandemic. They bring back a number of the voice actors from the excellent Standalone Complex dub, though having already watched it with subtitles, I didn't feel the need to confirm the dub's quality.

Sustainable War

To properly describe a new theory of war is the same thing as to invent it. While the idea of war as a for-profit industry has been kicked around for some time, it's generally assumed that this is a kind of parasitic relationship on the part of the war-making industry.

As time goes on, warfare becomes more abstract (partly because warfare happens where it can happen), much like society itself is becoming more abstract as information moves more quickly and humanity gains access to more energy.[1] In SAC_2045, "Sustainable War" is part of the context of the world and its current issues, but we aren't really told how it works - if it's similar to contemporary information warfare and a blurring of the lines between state and non-state actors, it's bound to be quite confusing.

I believe my earlier assessment of "Sustainable War" is correct. The key feature of sustainable war, the reason they say it's safe if you leave it to the experts, is likely that it involves AIs constantly forecasting against each other and moving units around with few direct confrontations. The goal would be to lock in a victory without having to fire a shot, except for small skirmishes that don't escalate to major incidents (due to the AI forecasting).

The presence of armed separatist movements even in Japan may also indicate that the ruling institutional bodies are engaged in a kind of Post-International Politics,[2] which treats all international relations as fundamentally existing between subnational entities - however, I believe that later information suggests this wasn't their original intent.

What makes it "sustainable"? Since if done correctly, very little is actually physically destroyed, the cost is less than conventional warfare, and thus the war can continue indefinitely. Why does it threaten humanity with destruction? Because there's an awful lot of military hardware waiting for someone to actually pull the trigger.

Season 1: Ep. 2

So what is the intent of the series' creators? I think they may be telling us through this dialogue between Togusa and Section Chief Daisuke Aramaki in episode 2.

Aramaki: Seems time has toughened you up. Togusa: Is that supposed to be a compliment? Aramaki: It is if you want it to be. Togusa: Then thanks for the kind words. “I made the right decision by choosing this line of work over my marriage.” That’s what you’re saying? Aramaki: Perhaps. [...] Togusa: They're bringing back Section 9? [...] Aramaki: But my takeaway from the proposal is this: The PM's reason for the urgent reforming of Section 9 takes priority over his personal motives. I believe his true objective is meeting the Americans' demands for the dispatch of special resources. Togusa: So it's as the Liberals feared? An American-born Prime Minister would be no more than an American puppet? Aramaki: I've yet to meet him in person, so I can't really say. But this is an opportunity to have the Major and the rest of you undertake a major operation for me once more. Togusa: What sort of op? Aramaki: Over the past few years, I have searched for an answer on how to deal with a society in turmoil. I'd like you people to lay the groundwork that will help the next generation find that answer. Togusa: I don't know what a man in my position can contribute, but I'll humbly offer whatever assistance I can.

Those of us who cried, Kamiyama, tell us the future once more! based on Standalone Complex's prophetic analysis of a memetic crime wave were bound to be disappointed. SAC_2045 is less rooted in the near future than in the now - cyberbullying, endless war amidst historic prosperity, employment suppressed by automation, savings eaten up by the complex machinations of finance, and a breakdown of national borders? That's today.

Those of us who hoped for a Ghost in the Shell: Unicorn, a psychically overpowering work that synthesizes the full body of Ghost in the Shell into a single coherent form to elevate us to a higher level of understanding, should have tempered our expectations. To reach each new philosophical level is more difficult than the last - to achieve that with Ghost in the Shell of all things would have required a multidisciplinary genius near the limits of current understanding.

Kenji Kamiyama is just an anime director. And anyhow, Gundam Unicorn was a book before it was an animated series. And who among us even knew we'd have to write a book before 2015? Ghost in the Shell was well-understood enough, so I instead wrote 25,000 words worth of hypothetical country and became a blogger, like the infamous Scott Alexander.[3]

If we approach SAC_2045 from the lens that it's a humbler work designed for younger audiences, however, some of the creative decisions make more sense.

Purin

Just how old is Purin, the MIT grad who joins the team later on? If I had to guess, that's '23歳' on that profile she provides, and Ishikawa notes that she 'skipped a few grades' on her way to a PhD. But she acts like someone a lot younger. She's enthusiastic and we're assured she's intelligent, but seems to be lacking social training. For example, she makes the mistake of assembling an era-accurate music player for Batou combined with a playlist after consulting the Tachikomas to find out what he listens to. There are two ways to take this.

The first is that she's intended as a relateable character for someone who would make this class of mistake. It's the sort of mistake I might have made at age 13-14, meaning that the show would probably be aimed at someone that age or lower. Overly enthusiastic, doesn't understand romantic relationships, impulsive, poor reading of boundaries / poor modelling of others outside of certain domains, impulsive in a way that causes social screw-ups? Yeah that could certainly apply to an ADHD kid of about that age.

And all of a sudden the tone of the first five episodes with the gun-fighting, the literal Agent Smith, the decision to place the focus in America, and even the mystery of the series being much simpler than Standalone Complex 2nd Gig's plot regarding Asian refugees in Japan make a lot more sense. This is Ghost in the Shell for kids!

Wow, I didn't think that could be done!

...is what I should say, except that around the time I acquired the ability to futurist shitpost, and I used that ability to predict that it would.

Purin II

The second reading is that the youth of the future are fucked up. She probably has some tricked out modifications, both cybernetic and genetic. Now usually you would tell someone to try to become a well-rounded human being. But...

The global economy has crashed. Batou mistakes her for a robot - creatures that look like pretty young women are a dime a dozen. In the dating market, she would be competing with full sensory immersion VR pornography on the one hand, and at the upper end of society where cybernetics are more widely available, likely women with a similar appearance but decades more experience and professional standing.

Note that in the original Standalone Complex, the team take down an 80-year-old Russian spy with the full prosthetic body of a 20-year-old. Full cyborgs aren't common then, nor are they in SAC_2045 (though cyberbrains are ubiquitous), but if the economy recovers that may change, and the sector she's trying to get in to (full-time salaried government rather than marginal private employment it would seem) is going to be very tough to enter either way.

So Purin may have to be over-optimized even to just appear on the screen. In fact, she says,

"Just so I could work at Section 9, I moved most of my sentimental memories to external storage."

Youch! It's no wonder she's socially maladjusted. Just how much of her social learning (in particular key events necessary to rebuild logical inferences on the boundaries of behavior on the fly) has she locked away?

Purin III

But you know who Purin looks like? Notorious internet personality, Gamer Girl Bath Water seller, and IRL video game character Belle Delphine.[4]

Or rather, it's the other way around - 2D animation compresses real detail into suggestive abstraction, letting your mind fill in the rest. Going from those impossible 2D shapes to 3 dimensions creates strange results, like training your machine learning algorithm on the salient features of a cat's face, applying it to human shape, and putting pink hair on the result. Belle Delphine adopts that otherworldly kind of appearance as part of her act.

Technically, this a stylistic choice. Within the framework of SAC_2045, this is what "a 23-year-old female" looks like.

Purin is in fact so non-threatening that her big red coat obscures her figure. I'm gonna go with younger audience. Now if only I could remember what pronoun she uses.[5/☆]

Motoko

With a full prosthetic body, outward signs of human-like aging are almost an artistic expression, much like in a world with cheap tissue engineering, visible scars are a choice.

When she was first introduced in the original Ghost in the Shell manga, we don't know how old Motoko Kusanagi is. It was once said that her name is analogous to "Jane Excalibur," which in English would be an obvious alias. In the first movie (from 1995), she's cool, almost cold and robotic.

In the original Standalone Complex, Motoko has a more mature personality than in the manga, but she has a clearly adult look by the standards of anime. Seriously, check out this fantastic character design (combat suit), although admittedly the better-known "leather jacket and bathing suit" design is more ridiculous, fashion-wise.[6] (Fortunately, she gets pants in her much more stylish second season outfit.)

ARISE starts off with a young Motoko Kusanagi in a chaotic post-war period before the Section 9 we know was assembled. This shows in her character design, but it really shows in her personality. This was actually why I had joked about an even earlier Ghost in the Shell.

There is a sense in which the 2017 live-action movie's Motoko is even younger. Scarlett Johansson is a killer cyborg with amnesia. She doesn't even have one day of formal combat training.

Motoko 2045

Ilya Kuvshinov designed SAC_2045's Motoko Kusanagi.

Yes, that Ilya Kuvshinov. You could be forgiven for thinking this is a teenager that hardboiled assassins Saitou and Ishikawa in the background have been hired to bodyguard.

Despite this, Atsuko Tanaka has resumed her role as Motoko's voice actress. Standalone Complex's Motoko looked 25 and felt mid-30s. SAC_2045's Motoko looks 16 and has the voice and attitude of 40.

This may make more sense than you might think.

Through Whose Eyes?

Throughout much of Ghost in the Shell as a franchise, Togusa, the only non-cyborg on the team, who is pulled from a police department instead of a military background, tends to be character used to help the people of our time relate to the future. He's the guy that doesn't know the things we also don't know, so in explaining concepts to Togusa they're explained to the audience.

In SAC_2045, most of the team are off doing cool cyborg things in America. Aramaki (whose in-world function is to create the bureaucratic environment within which Section 9 operates) tasks Togusa with finding them. The original Standalone Complex first aired in 2003. It's been 17 years since it was created - a similar situation to finding someone that reached adulthood who was born after 9/11. And during this time, Togusa's life has changed - the family man is now separated from his wife. And the world has changed - Togusa is now working for a private security firm. Togusa's role in the first five episodes isn't to guide the new viewers.

His purpose is to guide or stand-in for the old viewers.

The New Viewers

"Do you still hold a grudge against the Major and the others for leaving you behind?"

For the original viewers, SAC_2045 is your world, too. Togusa is there. Togusa is you.

The new viewers are Purin. Enthusiastic and smart but awkward and not confident in their skills. How could they measure up to these much more talented and experienced characters? (Also consider who is going to watch any sort of Ghost in the Shell - it's probably going to be a moderately bright and introverted kid, who is the kind of person that may be more comfortable socializing with people outside of their age band.)

But Motoko is visually separated from the rest of Section 9. Batou, Saitou, Ishikawa, Boma... they all have a much more adult look in keeping with their appearance in previous versions of Ghost in the Shell. What gives?

Batou is sort of a cool adult male figure - this is actually a pretty natural use of the character and his sense of humor as previously established in other Ghost in the Shell properties. We especially see this come through in 「PIE IN THE SKY - First Bank Robbery」 episode, with the old folks and the 21st century bank robbery.

Motoko's difference in appearance is because she's acting as a bridge between the two. The new viewer (as represented by Purin) is supposed to grow into being like Motoko as they gain confidence and experience. (The characters aren't each limited to a single role, of course.)

But SAC_2045 is still a work that's shared between two groups, similar to how the excellent Into the Spiderverse features both the teenage Miles Morales and an older Peter Parker that has lost his way, with the loss of the vibrant young adult Peter Parker being what starts the plot going.

The Last Quarter

With this framework, the rest of the work should express its nature as targeted at a younger audience itself. Watch the last few episodes through this lens and you'll see how much sense it makes. One takes place at a school. Even the bizarre 3D style that resembles recent video games makes more sense. If we take Togusa's earlier conversation with Aramaki as a discussion of SAC_2045 itself, later on there's even a sort of acknowledgement that Ghost in the Shell is a difficult work for someone of a young age.

So with that context in mind, does it work?

Standalone Complex

If I remember correctly, years ago, when I was perhaps 15 or 16, I was watching a tiny CRT television some time after midnight, and I saw the thirteenth episode of the original Standalone Complex - NOT EQUAL. It was like nothing I had ever seen before. I was immediately taken by it. And, from what I remember, I immediately understood it.

It was as though it were made just for me.[7]

To me, Ghost in the Shell is like a textbook. I thought that as a creator who has reached a place where I am able to be involved in that kind of work, I'm in a position where I have to convey its contents to a younger audience. Well, I knew it would be a lot of work, but I figured it would be my way of giving back to Ghost in the Shell. I thought that I needed to accept the baton and offer Ghost in the Shell to a young audience, to the same degree that Ghost in the Shell raised me to be who I am.

- Tow Ubukata, in a 2015 interview, regarding ARISE

For many people, Ghost in the Shell is a profound influence. I felt that it lifted me to a new level of understanding.

SAC_2045

But what about SAC_2045?

I can't view Ghost in the Shell with new eyes. When I first saw it, I wasn't the kind of person that casually memes futuristic ethical dilemmas as a means of practicing politics.

Compared to the anime I watched back when I was 13, would I have watched SAC_2045? Yes. Is it more philosophically and politically sophisticated? Yes. Would I have found it memorable? I think so.

Would a 13-year these days watch it? That's difficult to assess. I bet someone who does data science for Netflix could tell us, if they wanted. I'm sure Kenji Kamiyama and Shinji Aramaki are considering the same thing.

2017

How does it stack up compared to the rest of the franchise?

For most enthusiasts it's going to be one of the weaker entries, though it certainly does a better job explaining itself than ARISE.

Compare it to 2017's live action movie, however, and I think we'll find it isn't the weakest. The reason is that the writers of Ghost in the Shell (2017) decided to tell a story about bodily consent in which becoming a cyborg is a form of trauma. On some level this may have been a reasonable decision, but they didn't commit to the concept sufficiently fully to execute it well enough to carry the movie - and simultaneously, they dumbed down parts of the regular Ghost in the Shell material for American audiences. As a result the movie flopped both financially and artistically - except for the visuals.

In fact, I wrote a sequence of posts (1, 2, 3, 4) on how to rewrite the live action movie as an actual Ghost in the Shell property. I feel no need to do so for SAC_2045 - and I can't even think of what changes would need to be made.

I look forward to the second season.

-☆☆☆-

[1] It's short, but that's a concept in this post. "Advanced by Left-Wing theorists, Ninth Generation warfare sees all acts as existing on a spectrum of political violence. Most acts of ninth generation warfare consist of extreme pranks."

[2] If we accept the idea of "Fifth-Generation Warfare" as motivated by a desire to prevent the enemy from using their conventional military assets, then a corresponding theory of international politics would involve preventing enemy factions within foreign governments from taking control of those governments' institutions - effectively treating all countries as in continuous level of conflict analogous to a soft civil war.

[3] There is a kind of technique to this, but in my case I substituted ADHD for raw IQ and conscientiousness, which is part of why my posts are so much shorter than, for instance, Moldbug's. In any case, technically, Scott's blog posts on the matter amount to roughly a mere 11,600 words, and the book of the black forest amounts to approximately 26,000 words (which I'm told is entertaining reading), but I'm sure if we go looking we can find an additional 15,000 words worth of worldbuilding from a man known for writing 16,000 word blog posts.

[4] Would it be more of a legal liability to sell regular water with GGBW branding, or actual GGBW that could prove to be a potential health hazard?

[5/☆] There's some future strand lurking beneath the surface here that I can't quite put into words; a culturally divergent moe meltdown where an appearance this ridiculous becomes normalized among some sub-population. To quote the Funko Pop Hatred post,

There are questions about the anatomy of anime people and their internal organs, and particularly about what sort of impact-dampening alien meta-material their softer bits are made out of, but at least homo sapiens gokuensis looks like it’s a branch off a similar starting hominid! Whatever transhuman engineering company was responsible for manufacturing the creatures in the typical harem anime has some weird ideas about human beings, but we’re clearly in their ancient lineage somewhere.

Under Late Safetyism, everyone is a declawed catgirl.

Anyhow, I don't want to alarm you, but I can't guarantee that this won't be the future somewhere. Both Purin and Belle Delphine resemble Xiaoice, "The AI Girlfriend Seducing China's Lonely Men." (2020)

[6] Motoko's ridiculous outfits are a major flex on the non-cyborgs, who aren't indifferent to ambient temperature and whose natural bodies may have unflattering features. Similarly wild fashions can exist in places like Second Life, a 3D digital platform with mostly user-uploaded content. Presumably they're also a flex on every Japanese salaryman who still has to dress like a normal guy.

[7] "It's as though it were made just for me" is also how I feel about the original game Mirror's Edge. Its follow-up, Catalyst, is also a personal favorite of mine.

#miti does media #longpost #flagpost #ghost in the shell #sac_2045 #standalone complex #review

[marvella15]

Astaire & Rogers Rewatch Part 10: The Barkleys of Broadway

• So here’s the story. Fred Astaire tried to retire. He’d been performing his entire life and he was ready to finally retire. In 1946, he did Blue Skies, which was meant to be his farewell picture. Then two years went by. Meanwhile, Gene Kelly was on the rise. He was booked to do a film with Judy Garland. Then he broke his ankle. 

Kelly was extremely competitive and he and his wife often hosted volleyball games at their house. He either broke his ankle while playing or, as one story goes, he was so mad at having lost, he stamped his foot on the doorstep and injured himself. 

• Kelly couldn’t do Easter Parade with Garland. So he called up Astaire and basically was like, please help me. Astaire agreed and had such a fabulous time with Garland and the film was such a success that the studio immediately wanted to pair them up again. But then, Garland’s health precluded her from doing The Barkleys of Broadway. 

• So Astaire called up Ginger Rogers and said, hey how about we reunite for the first time on screen in ten years? And although she’d essentially stopped doing musicals at all, she agreed. And so we have The Barkleys of Broadway as the final Astaire/Rogers film and their only one in color.

• Our characters/actor: Josh Barkley (Fred Astaire), Dinah Barkley (Ginger Rogers), Ezra Miller (Oscar Levant), Jacques Barredout (Jacques François)

• Right off the bat, this movie makes a dumb decision. They put the credits over Astaire and Rogers dancing. (You can see this routine minus the credits as part of That’s Entertainment 3.)

• One of the critiques of this film is that Rogers was no longer the lithe young dancer from her and Astaire’s heyday. And to that I say: shut up. Heaven forbid she have, quite frankly, a healthier and stronger look to her than she did ten years prior when she was working herself to the bone and routinely losing 10-15 pounds from all of the dancing. I support her healthier look, lifestyle, and the ice cream she was surely enjoying from her custom home bar. 

• The main tension of the story is that Josh is essentially credited with all of Dinah’s success because he “made her what she was.” This was a real-life argument reporters of the day made about the Astaire/Rogers partnership, casting her as the brainless actress whom Astaire molded into the perfect dance partner. Which is incorrect in every sense, as we’ve seen in these past nine films.

The bickering between the Barkleys is also likely poking fun at another frequent and false report about Astaire and Rogers, which is that they hated each other and regularly fought while making their films. They had their squabbles, of course, such as the feather dress affair, but from all first-hand accounts, they got along extremely well and spent most of their time during rehearsal and filming having an incredible amount of fun. 

• I adore how they cuddle up in the car. There’s so little physical affection in Astaire/Rogers films outside of the dancing that every moment of it feels like a treat. It’s slightly ruined by a rough cut, which includes the magical appearance of a lit cigarette in Josh’s hand. 

• Josh doesn’t fight fair at all. While Dinah insists on knowing what “detail” wasn’t perfect in the show, Josh doesn’t allow her to respond to his criticism. So she’s left simply to stew in anger and hurt feelings. 

He does apologize to her soon after and they seem to make up. But as we know, the same issues will resurface again and again for them because if you don’t ever have a fair, honest conversation about your problems, they don’t ever go away. 

• I have to point out how Astaire looks at her adoringly after Josh’s apology. I also love the way she hooks her fingers into the lapels of his suit. It’s a small gesture of affection only borne out of being comfortable with someone. I’d be surprised to learn that action was in the script. 

• See, when you don’t have an actual conversation with your partner you end up freezing and starving out on the balcony at a party while a snobby, elitist playwright gives them the attention and thoughtful feedback they crave. 

• Oscar Levant always plays a version of himself in every film and he does a great job of it. When you can play piano that well, there’s no need to do a lot of heavy lifting in your acting.

• Astaire and Rogers do a really fabulous job of portraying a married couple famous for their dancing but who are also major drama queens. For example, this line from Josh, “What with walking pneumonia and concussion a fine performance I’ll give tomorrow night.”

• Some light domestic violence humor here in 1949. 😒

• Dinah hums in pleasure after Josh surprises her with a kiss and I just can’t say for sure whether that’s acting or not…

• "You'd Be Hard to Replace" is another lovely song that I really enjoy hearing Astaire sing. I also really like how Rogers caresses his elbow when they hold each other’s arms. When he wraps her in his arms from behind, their hands knead one another’s. 

They kiss again at the end of this song. There are so, so many kisses in this movie. 

• "Bouncin' the Blues" is a great tap number and they both look excellent in it. The only thing that I find a tad grating is Astaire’s exclamations, which seem too manufactured (maybe because some of them are dubbed in?). Far better is the moment when they reach out to link hands and both look like they’re having a blast. For that instant, there’s a hint of that special Astaire/Rogers magic. 

• The artwork in tribute to Josh and Dinah is atrocious, misogynistic, and rude. The artist calls her a ball of shapeless dough only formed into being by her husband, the frying pan. 

• "My One and Only Highland Fling" is… an interesting choice. Was anyone looking for Astaire and Rogers to sing in Scottish accents or dance in kilts?? The kisses on the cheek are cute though and so is their interaction after the number in their dressing room.

• They look pretty fab while playing tennis during their weekend in the country. When they make plans to meet up for dinner, they say goodbye with kisses on the cheek. To me, those natural moments between them are the best parts of the movie. 

• Omg I totally forgot about the part where Dinah pretends to be faint so Josh sends Ezra to bring her some brandy and Ezra returns with the ENTIRE drink tray with four massive bottles and glasses hahahaha

• Not to be outdone, Dinah hurriedly correcting Josh when he thinks she’s faint because she’s pregnant is also hilarious.

• Dinah does the worst possible job hiding her script from Josh. He’s angry for a lot of reasons but the note from Jacques, which implies an ongoing secret relationship between him and Dinah, is what really ticks Josh off. 

• "Shoes with Wings On" is another example of Astaire’s continued interest in special effects. Green screen technology was used to make the shoes appear to dance on their own. The finished product was one of Astaire’s enduring creations and probably what The Barkleys of Broadway is best known for outside of being a reunion picture for Astaire and Rogers. He does a convincing job of making it seem as though his shoes are dancing despite his own ability or effort. 

• Unsurprisingly, Jacques is revealed to be an even bigger pompous dick as a director than he’s been on social occasions. It’s also even more glaringly obvious that his intention the whole time has not been solely to nurture Dinah’s dramatic career but to steal her away from her husband.

 • It was Rogers’ idea to have them dance to "They Can't Take That Away From Me" rather than a new original piece. Astaire didn’t like repeating himself, and that included songs from previous films, but he made an exception. It’s a nice dance and is certainly the closest thing this film has to offer of the OG Astaire and Rogers duets. But as I said in my Shall We Dance rewatch, it’s just not the same as if they’d danced to this song the first time around.

The use of the song made sense since Ira Gershwin was the lyricist for The Barkleys of Broadway. 

• Considering it’s 1949, Dinah does a remarkable job of standing up for herself and getting to the root of the couple’s issues. He’s been taking her for granted and stifling her own creative interests and she’s been smothering her frustrations as best she can but they hit the breaking point. Something needs to change or their relationship can’t continue. But that doesn’t mean she’s happy about it.

• Dinah’s terrible acting in the play had to HAD TO be intentional on someone’s part but I can’t for the life of me think who or why. 

• Love and support are what we all want from our partners. Dinah is still in love with Josh but it’s only once she knows that Josh has been helping her despite the fact that she ended their relationship and it didn’t benefit him at all that she goes back to him. Though, she does also take a bit of pleasure in making him agonize a little while.

I like the little whistle she does upon entering their apartment. It must be something they did to alert the other they’d come home. Wish we’d gotten to see it some other time in the movie.

• The truth is, Dinah and Josh enjoy being dramatic together and I get that. When you’re with the right person, it’s fun to play around. 

• "Manhattan Down Beat" is wasted as an ending song. It could’ve been a good lively number, perhaps instead of "My One and Only Highland Fling.” I’d say that Astaire was just trying to avoid being in a top hat and tails more than necessary but he also reportedly hated being in silly costumes like the Scottish getup so 🤷‍♀️

• And that’s how the greatest on-screen dancing partnership ends. The Barkleys of Broadway is a more interesting and somewhat better film than The Story of Vernon and Irene Castle so it functions as a better finale for Astaire and Rogers. While their dancing isn’t quite the same, the chemistry between them is still very evident, which speaks to their enduring personal relationship. But that probably deserves its own post, which is what I’ll do next and how I’ll end this rewatch. 

#fred astaire #ginger rogers #the barkleys of broadway #classic hollywood #old hollywood #astaire and rogers rewatch

[jokerfan99]

My Top 10 Favorite Anime Heroes (Updated) by DarkChild316

“Guess who’s back…back again! DarkChild’s back, with 10 more friends!” LOL, sorry for that lame-ass joke, but I was listening to some Eminem earlier today. Anyway, my terrible sense of humor aside, I thought it would be a good time to give my list of “My 10 Favorite Anime Heroes” an update, figured since I did one for the villains I thought shit, might as well do one for the heroes too! Now once again, this list is strictly for the men only, if you want a list of my favorite anime queens, check out my list of “My Top 10 Favorite Anime Heroines”. But in the meantime, enjoy this updated list of my favorite anime heroes:

#10. Izuku Midoriya (My Hero Academia): One of the newest (and quite literally) entries on my list, Deku is a character who dreamed of becoming a hero in spite of being born without a Quirk or any kind of powers in a world dominated by heroes with them. Only to be chosen as successor to the greatest hero of the age, All Might. A humble yet caring fanboy at heart, if All Might represents the Golden Age of heroes, then Deku represents the future of heroes in the Modern Era. He may be a socially awkward cinnamon roll at the best of times, but don’t let that fool you into thinking that he’s not willing to stand up and do what’s right when the chips are down and the world needs a hero to stand for, no matter what form of villain is in the way! The only reason he doesn’t rank any higher on this list, is because he’s still relatively new to the scene and time will tell where he stands in the Patheon of anime legends.

#9. Inuyasha (InuYasha): He’s half dog-demon, half human: put it all together and what do you get? A sword-wielding hybrid who knows how to take care of business. Originally wanting nothing more than to become a full demon, his human heart trumped his selfish desires, leading him to fall for the modern-day schoolgirl he vowed to protect. Fighting through feudal Japan to recover fragments of the Sacred Jewel, InuYasha can be both cold and rude, yet heartfelt and compassionate. Plus, he makes us all laugh whenever we see this happen.

#8. Alucard (Hellsing): There have been a shitload of vampires in modern anime, yet all of them owe their debt to this tall, dark, well-dressed man. There has never been a vampire as delightfully sadistic as Alucard but unlike most vampires, there’s a method to his sadism that makes him truly brilliant. He isn’t truly evil, he’s just a monster who revels in destroying other monsters in any sadistic way he sees fit. And he truly revels in it, making his victims (most of which are evil Nazis and powerful demons) believe they actually have a chance by damaging them before regenerating and wrecking them in devastating fashion. This isn’t to say he’s totally heartless though, as he’s shown a great deal of fondness for the members of his team who are just as devoted to ridding the world of the evil forces that threaten it. Even though the anime version of Alucard mentions that he doesn't entirely understand humans anymore, he seems happy to work in the service of them, and to protect them from devils who aren't as honorable as he is.

#7. Kenshin Himura (Rurouni Kenshin): When I was a kid, Rurouni Kenshin was my favorite anime growing up and Kenshin was my favorite character. Having had a chance to revisit this anime recently during lockdown reminded me once again why that is, Kenshin is easily the most compelling character I had seen growing up as a kid and he was a refreshing change of pace in the samurai genre. Firstly, he was quite feminine to the point that many mistook him for a woman. He was also one of the politest characters in anime history, frequently putting others before himself and speaking to them with the utmost respect and patience. If you didn’t know any better, you’d think the guy would be better suited as a florist that a samurai. But underneath that smiling exterior hides a dark secret, Kenshin is a man haunted by the demons of his past. A former mercenary who killed countless foes, he makes a vow to never kill again, and is repeatedly tested on that vow time and time again as less virtuous people endanger the country’s peace. When Kenshin's hand is forced, he can go to incredibly dark places and fall back into the habits that made him known far and wide as the most fearsome swordsman in the land. Although Kenshin’s momentary lapses make him a complete badass and set the stage for some of the most epic sword battles ever animated, Kenshin always goes back to his sweet persona once the danger is gone. But in his solitary, quiet moments, he's gripped by his greatest fear; that one day he will permanently revert to his former self and become a manslayer once more.

#6. Spike Spiegel (Cowboy Bebop): I’ll admit, it had been a long time since I’d seen Cowboy Bebop, so naturally I had forgotten about how cool a character Spike Spiegel was. Thankfully, this pandemic has allowed me to revisit it, and I find myself being just as in awe of Spike as I was when I was kid in the 90’s, he’s that awesome a character folks! Spike was an amalgamation of influences (from Bruce Lee, to Lupin III, and a little dose of film noir), and the result was a creation greater than the sum of its parts. In a series like Cowboy Bebop, which was itself a combination of cultural influences from around the globe, Spike was the essence of the story. Voice actor Steve Blum launched his career into new heights when he gave the performance of a lifetime in the English dub of the series, giving Spike a sense of smooth, effortless cool that many argue surpassed the original Japanese version.

Spike proved to be a versatile character; he was an expert pickpocket, a gearhead who worked on his own spaceship, a clever detective, a badass fighter, and even a bit of a philosopher. But what made Spike most interesting was his past as a gangster, and a man hopelessly in love. His relationship with Julia, and the tragic end of that relationship, haunts him throughout the series and shows us what truly mattered to him all along. When Cowboy Bebop reaches its powerful conclusion, Spike goes out in a blaze of glory that is unmatched in the history of anime (all I have to say is “Bang”).

#5. Ichigo Kurosaki (Bleach): The first of the shonen “Big 3” to appear on my list, you’d think being born with the ability to see ghosts would be enough, but not for this high-school bruiser. After a fateful encounter with a Shinigami, Ichigo gains the power of a god of death, and is tasked with defending his home from the malicious spirits known as Hollows. As his seemingly endless battle stretches to other planes of existence and some truly frightening enemies, both Quincy and Hollow, this orange-haired swordsman will keep fighting to protect what matters most to him no matter what.

#4. Monkey D. Luffy (One Piece): The second member of the shonen “Big 3” to make my list, this straw-hatted rubber-man takes my vote for his carefree spirit and his big heart. With the dream of grabbing the title of Pirate King, Luffy is a man who thinks with his stomach and fists rather than his head. Always in the pursuit of adventure, this happy-go-lucky guy may be the last person you consider when you think pirate captain. But you’d be wrong: You mess with Luffy’s crew and he’ll declare war on the entire world to save them.

#3. Naruto Uzumaki (Naruto): Talk about a rough childhood. After having a powerful demon sealed inside of him, Naruto was a social outcast in the shinobi village he grew up in; even though people despised him for being the vessel for the Nine-Tailed Fox demon he did not take the darker path in life nor did it deter him from pursing his dream of becoming the village leader to gain the respect and admiration of those who once shunned him. Naruto’s growth as both a ninja and human can be seen throughout the series,  as it was this good nature of his and the will to protect everyone close to him that slowly changed the attitude of people towards him as the bonds of friendship he forges make his dream worth fighting for.

#2. Edward Elric (Fullmetal Alchemist): Wildly ambitious, wickedly smart, and wise beyond his years, Edward Elric entered the stage with a fresh, but interesting take on the modern shonen anime hero. Unlike those who came before him, he wasn’t this lovable idiot with a heart of gold. He was smart, calculating, arrogant, and shrimp sized. But most daring of all was the fact that Edward is technically handicapped, having had both an arm and a leg lost in a tragic accident fueled by love and hubris. In Edward we had a character who unlike most anime heroes was truly multidimensional. He could be comedic and pull off wild takes and sight gags. He could be placed in the most tragic circumstances and portray the deepest kind of sadness. He could be a complete badass, but he could also be the nicest guy on the planet. And most of all we saw Edward discover harsh truths about the world and learn that he didn’t know nearly as much as he thought he did.

#1. Son Goku (Dragon Ball): With the greatest respect to those like Luffy and Naruto, none of those characters would have ever been possible without this man (and the creators of One Piece and Naruto have even admitted this themselves). The prototype for shounen lead characters, Goku was somewhat of an anomaly back in his day. When the plucky, pint-sized kid Goku first appeared in Dragon Ball, the trend for male heroes was to have larger than life muscle heads (which Goku ironically turned into in his adulthood). Goku also grew up; another drastic change in a time when characters rarely changed much. But Dragon Ball Z is where Goku truly earned his fame. Goku isn’t even the most popular character in DBZ sometimes, but he is the foundation of the series. His heroism, strength, and dedication make him the perfect core for a kid’s show where the themes are meant to be pretty simple. He may not be the most complex character in anime history, but he’s perfect for the goal he was meant to accomplish. But Goku isn’t my top hero so much for his character complexity; it’s his influence that cannot be denied. He was, in many ways, a character that bucked the trends of his time and defined the direction of shonen manga/anime for decades, and that's why he's my #1 anime hero of all-time.

So that's my list, what did you guys think about it? Love it, hated it? Go on and tell me what you think and let me know who your favorite anime heroes are. See you soon!

Deviantart: https://www.deviantart.com/darkchild316

#izuku midoriya #my hero academia #inuyasha #Alucard #hellsing #kenshin himura #Rurouni Kenshin #spike spiegel #cowboy bebop #ichigo kurosaki #Bleach #monkey d. luffy #one piece #Naruto Uzumaki #naruto #edward elric #Fullmetal Alchemist #goku #dragon ball

[thefloatingstone]

Part 1

Part 2

Part 3

Not much to say this time. I was actually scrolling something and realised I wanted to point to some places where you can, specifically, watch movies online. And then I remembered I’ve made 3 of these playlists so I might as well make this one of them.

Like I said, this time around I have places where you can watch full length movies for free and that aren’t part of a streaming subscription. For the most part legally and not on some shady website or with the need of a torrent client or anything like that. Just easily accessible movies.

Please enjoy! In no particular order;

Wu Tang Collection

A youtube channel dedicated to archiving as many vintage martial arts movies as possible. Most of their films have their cheesy 70s and 80s dubbing, and include everything from true cornerstones of the film genre to silly exploitative nonsense like a collection of “Brucesploitation” movies starring actors like Bruce Li, Bruce Lai, Bruce Le etc etc.

They have films mostly in dubbed english but also have spanish dubs, english subbed, French dubbed, and original language versions.

They also include playlists of female martial artists, Wi Xia, and even documentaries on martial arts.

Korean Classic Film

an Archive channel dedicated to preserve Korea’s classic cinema, focusing mainly on live action. The backlog of films goes all the way to the 1930s and most of their movies have english subs. They also have certain films with French and Italian subs as well as Korean subs. They don’t focus on a specific genre and you can find a bit of everything here.

Mosfilm Official

The official Youtube channel of Mosfilm,(Мосфильм) one of the oldest and largest film studios in Russia and Eastern Europe. Their youtube channel has an archive of several Soviet films most of which have english subtitles. Navigation might be a little difficult unless you can read Russian as the films are all titled with their original titles, but if you know what film you want to watch and have google on hand it shouldn’t be too hard! Probably a good move would be too google “best Mosfilms” or “best USSR movies” or something for a top 10 list and go from there!

TOEI Tokusatsu World Official

Not exactly full length movies but still worth mentioning is TOEI’s official youtube channel where they’ve been archiving their libraries of vintage Tokusatsu shows from the 60s, 70s, 80s and 90s. They upload regularly and are consistent with each show. Sadly, their videos don’t have english subtitles on them, but seeing as tokusatsu are action focused, it’s not too hard to understand what’s going on,and maybe can help for anyone trying to learn Japanese! Plus, it’s just neat seeing what was popular on Showa-era TV.

Looking at the channel description;

“ We will update daily to share TOEI’s TOKUSATSU with the world. At launch, we will have the first two episodes of all 70 shows available with English subtitles! Further episodes will be available in Japanese for now, but there could be frequent updates. We plan on making a public call for subtitles in any language.”

(the channel was shut down a few months ago after TOEI’s channel got copyright claimed by a TOEI bot for “copyright infringement” LOL but it’s back now)

Ninja Warrior Worldwide

Also not movies but considering the length of these I might as well include this too. I was going to include a channel that uploads vintage horror movies but it seems the user tied to the channel got banned and so the channel was shut down with them which is super lame.

ANYWAY! This channel is awesome. It has the episodes of the Japanese obstacle course show “Sasuke” known as “Ninja Warrior” in other countries. The Japanese episodes don’t have subs but, being an obstacle course show, you don’t really need to understand anything.

I recently watched the 5 hour episode for 2019′s contest and I had no trouble understanding it.

Highly recommend.

Rifftrax

Rifftrax has a 24/7 running Twitch channel which plays their catalogue of B-movie and shorts for free (unless you feel like subscribing or however Twitch works). It’s an official Twitch and so it supports Rifftrax directlyand you can just put it on and let it run for as long as you want. Only downside is you can’t pick what you watch. But honestly, It’s Rifftrax. You can’t go wrong.

That’s all I got for now. I could make an entire playlist for public domain movies you can find on their own on youtube, but I wanted to focus this list on channels rather than individual films. (btw “Stalker” is up to watch for free on Mosfilm’s channel, as is “Solaris”).

I know these may not be where your brain goes immediately for movies, perhaps, but there is honestly so much good stuff out there free for you to access that aren’t controlled or owned by The Mouse that are no less enjoyable or important.

I’ll make a post for specific movies next time.

#Youtube #Movies #Recommendations #Self Isolation Playlist #Part 4 #videos #links

[medea10]

My Review of Tamako Market

How did I get into this anime? Let’s just say that there were several Kyoto Animation animes I’ve neglected to watch and after the horrific incident back in 2019, I wanted to at least see all of the major Kyoto Animation pieces. No matter if this looks like we’re in the same universe as K-ON!

Tamako Kitashirakawa is a normal, ditzy, moe-looking for a KyoAni anime, teenage girl! She comes from a family that owns a mochi shop inside this tight-knit shopping district. One day, Tamako was at the local flower shop and a bird flew into her face. While stuck to her face, she sneezes him off. And then, the bird spoke.

…

I think I’ll just cross off the theory that we’re in the same universe as K-ON! Give K-ON some credit as they didn’t have a talking bird.

So this bird is named Dera Mochimazzi. I will never pronounce anyone’s last name in this anime! Dera claims he’s royalty from some far-off land and says he is looking for a bride for his country’s prince. Although, it just falls to the waist-side (literally and figuratively) when Dera took up residence at Tamako’s home and gets addicted to eating mochi. I guess for the time being, Dera will be this anime’s adorable mascot. Aside from the misadventures of Dera the talking bird, we also follow this leading lady Tamako in her normal life. We get school stories, friend stories, stuff about her sister, stories surrounding the colorful folks in this shopping district, and mochi. Lots and lots of mochi!

BETWEEN THE SUB AND THE DUB: Ah yes, another Sentai licensed anime. I actually watched the entire series dubbed and only the movie subbed. Aya Suzuki is perfection as Tamako with all of her bubbliness. As for the dub, is it just me or was Jay Hickman trying to act too much like Excalibur from Soul Eater? Was he trying to unleash his inner Troy Baker for this role? Aside from Hickman, there’s really nothing else extraordinary to say about the dub. I will give them credit for not casting Luci Christian and Monica Rial as any of these characters. Love them dearly, but give a little spotlight to some of the other voice actors they’ve got. This was fine for what it was. Here’s what you might recognize these folks from.

JAPANESE CAST: *Tamako is played by Aya Suzaki (known for Mako on Kill la Kill, Kaede on Assassination Classroom, Takitsubo on Railgun, and Shouko on Happy Sugar Life)

*Dera is played by Takumi Yamazaki (known for Bansai on Gintama, Kayneth on Fate/Zero, and Jillas on Slayers Try)

*Mochizou is played by Atsuhi Tamaru

ENGLISH CAST: *Tamako is played by Margaret McDonald (known for Rikka on Chunibyo, Haruka on Little Busters, Sakura on Maid-sama, Risa on To Love Ru, Sachi on Maria Holic, and Harumi on Citrus)

*Dera is played by Jay Hickman (known for Jouichiro on Food Wars, Kurama on Elfen Lied, and Ryuuya on Air)

*Mochizou is played by Clint Bickham (known for Renji on ef – a tale of memories, Akihito on Beyond the Boundary, Haru on Tsuritama, Isami on Food Wars, Finland on Hetalia, and Mochizuki on Another)

SHIPPING: We’ve got a girl-next-door type of romance happening. Mochizou lives next door to Tamako and is infatuated with her. There are however a few little problems with this. The big problem is that Tamako and Mochizou’s fathers are business enemies. They both sell mochi, they live across from each other, and they have kids that are friends. It’s almost Romeo and Juliet except Tamako seems oblivious when it comes to Mochizou’s advances. Or Romeo here has a brain-fart and forgets vital things he wants to do for Tamako. Like episode one, he forgets to give her a present for her birthday. I will let him off the hook for this because dude already buys her a present and has plans and everything. But because Tamako’s birthday is on New Years and both kids work on New Years to help their families, things like this can be forgotten. So again, I can’t hate on our by Mochizou. His heart was in the right place, but his brain couldn’t catch up.

Halfway into this series, I shook my head thinking these two will never hookup. Tamako’s baby sister had more of a chance with her crush and he moved away.

Then again, this was all from the series. The movie got really deep with the Mochizou x Tamako ship that so much in Tamako changes. The movie kinda drops a ball on us so I’ll talk about it down below due to spoilery things.

ENDING: So it seems like this series moves quite fast calendar wise and the episodes seem to be like a problem of the day kind of thing. Like there will be an episode about Valentine’s Day, an episode where Dera goes on a diet, an episode with a festival, and so on. But along the way we do get a few cute moments like when Shiroi opens up to Tamako and her friends or when Tamako’s father remembers his wife through song. And let’s not forget that halfway into the series, we’re introduced to Choi, someone who serves a prince (like Dera). She really doesn’t do much to move this plot along for a while and is only there to stay with Tamako’s family and keep Dera on a short leash. But then at the end of episode 10, Choi makes a rash decision.

By this point in the series you might be wondering if Mochizou’s mochi balls are going to drop and he asks Tamako out. Well that might not happen just yet as Choi has set sights on Tamako to be the bride for the prince she serves under. But Tamako has no interest in becoming the prince’s bride. In fact, Tamako was more excited about winning a medal than learning she might get engaged to a prince of a far-off land. Add to that, the entire shopping district is excited for Tamako to become a prince’s bride. Everyone except for Tamako’s father! He got mad, stinkin’ drunk. And as for Mochizou, he’s just a sad sack. So no mochi balls dropping for this lad! Tamako did get a chance to meet the prince through Dera’s communication for a second. But once the prince landed in Tokyo, he ends up in the shopping district and meeting Tamako up close. Everyone in the shopping district was happy for Tamako and excited that this is happening. There are just two big things!

One, Tamako is too attached to her home and the people around it to ever leave them to go marry a prince from a far-off land. And two, there was a misunderstanding on Dera’s part where the prince has said that Tamako is not going to be his bride.

Choi and the prince end up leaving to return home. Dera on the other hand decides to stick around at least until New Years. Dera, being the little hammy-bird he is tries to make a graceful exit without saying goodbye to Tamako. He leaves Tamako without a word, but in same Dera fashion, he falls asleep in a pile of flowers and ends up inside a box. Turns out that box of flowers is going straight back to Tamako. Mochizou actually remembered Tamako’s birthday this year and gave her a box of flowers for the occasion.

When she opened it, there’s Dera! Don’t worry, Dera eventually goes back home with the prince and Choi. We just don’t actually see it here.

TAMAKO LOVE STORY: Now that Tamako, Mochizou, and the rest are all in their third years of high school, the thought of what they’re going to do with their lives hits. Like is Midori going to take over her grandfather’s toy shop in the district? Is Kanna going to do something carpentry related? Is Tamako going to continue working in her father’s mochi shop? Well, the story focuses on two things. One is a competition that Kanna gets interested in that involves the girls of the baton club. And the second, Mochizou’s decision to go to college in Tokyo to work on films.

Obviously, that’s the big story in this movie. Mochizou is madly in love with Tamako and they’ve known each other since they were babies. It’s just that he’s never made his feelings to Tamako known to her until he reveals his decision to leave town. After that, the once mochi-loving ditz we’ve grown to love these past 12 episodes changes. This is the first time we see Tamako feeling this way and it’s unknown what she’ll do. Is this the moment where she bails on her family’s mochi shop and go to Tokyo with Mochizou? After being told she’s loved by Mochizou, she goes through a lot of emotions. She’s distant, spacier than normal, avoiding mochi, and avoiding Mochizou. It wasn’t until she gets a nudge from her friend Midori to go to Mochizou before he leaves for Japan.

And right there, along with her handmade cup phones, she tells Mochizou that she loves him.

We end the movie with kind of a video that I assume was made by Mochizou and that’s how Tamako Market ends. I guess these two are a couple. Not sure if Mochizou stays in the district with Tamako and his family or if Tamako ditches her family and moves to Tokyo to be with Mochizou. I guess it’s one of those leave it up to your imaginations.

So…The anime was just okay. The series I mean! Love Story was almost at peak KyoAni perfection. Seriously, look at the animation here. The backgrounds are freakin’ gorgeous. And after watching the series and the movie, it almost felt as though they were two separate animes. Dera, Choi, and the prince were only shown in pictures at the record shop, one second near the end, and that short before the motion picture. Take all of those out and you’ve got something solid. I mean let’s face it, Tamako Market was fluff on the same level as watching K-ON or Lucky Star. You’ve got a variety of random crap happening throughout the span of one year except this series has the great fortune to have an annoying, talking bird. I don’t want to dunk on the series that bad, it was cute. But the winner with me was definitely Tamako Love Story.

We see Tamako and Mochizou express a vast variety of emotions that we never saw in the series. Especially, Tamako! She was always this ditzy girl with a love for mochi. And Mochizou was seen as that dope that’ll never get his shit together and tell Tamako how he feels. He always forgets her birthday, what makes you think he was going to get his shit together? But then Mochizou grows a pair and tells Tamako he’s leaving town and that he loves her and you see Tamako change. She’s not sure what to think anymore. She even goes through a phase where she can’t be around mochi. But I suppose we needed the silly fluff with the television series. After all, it’s not just Tamako, but all of the people who live in that shopping district. And I suppose Dera was a fun mascot character. If you want that cuteness, watch Tamako Market. But if you want a more romantic-driven story, definitely check out the sequel movie Tamako Love Story.

If you would like to watch Tamako Market, Hidive has all 12 episodes and the movie available for streaming.

Now then, what’s next on my Sentai Filmworks list?

Redo of He…

Choose your next words wisely.

Well Medea, do you love anime that’s directed by Kunihiko Ikuhara?

Oh dear God. What fresh hell did I miss from that iconic enigma? And is it crazier than kappas eating people’s asses?

Okay Penguindrum…please do not contain penguins eating people’s asses.

#anime review #tamako market #tamako kitashirakawa #tamako love story #mochizou ooji #dera mochimazzi

[alwaysahiccupandastrid]

Social Media AU - Social Killing (Part 24)

We’ll be taking a little closer look at the show itself next time...and we’ll see just how Richie’s performance is recieved by the fans 👀

I know the writing for the interview is small, so I’ve put the transcript below just in case anyone needs it!

Also, yes, I am in fact a giant moron who wrote that Social Killing was a weekend-show, and have only now realized that in the interview, it says “Wednesday night” because I wrote it like a month back and forgot I put that. Please pretend that the publication in charge of the interview got the wrong day, and that it is in fact Sunday nights!

----------

Our correspondent, Vincent Lewis, sat down with the main cast of the upcoming Hulu drama “Social Killing” this afternoon to learn more about the show, as well as what drew the cast to the project and what it was like to work together.

Vince: Hello, it’s wonderful to meet you all.

Riley Andersen: Aww, it’s nice to meet you too!

Vince: I can imagine it’s been a long day of press and interviews for you all.

Richie Tozier: Too long.

Jay B: It’s been insane to be honest. It’s unlike anything any of us have ever seen, I think.

Evan Harrison: Yeah, but it’s been fun too, in a weird way.

Vince: I’ll get right to it then. First of all, congratulations to all of you on the show, it’s been receiving rave reviews all around, and it looks like it’s set to be a hit.

Jay: Thanks.

Vince: So, can you tell us a little bit about the characters you four play? No spoilers necessary, just the basic so we know who’s who!

(All four look at each other and laugh)

Richie: I mean…

Evan: Ladies first!

Riley: (laughing) Geez, you guys are mean! Okay, so I play Hailey and she’s a cheerleader at Blackwood High, where the series is set, and she’s...complicated. She isn’t the stereotypical mean cheerleader you usually see in television shows, but she’s definitely not above doing what it takes for her to stay on top.

Vince: Interesting! Gentlemen…?

Evan: Okay, so I play Blake, who’s this kind of preppy, snobbish guy who went to boarding school but has transferred to Blackwood for unknown reasons. He knows pretty much all the town’s secrets since he comes from a rich family and so he kind of has his links everywhere in town.

Jay: I play Sean, who’s this beloved teacher at the school - all the students love him since he’s not stuffy or uptight. He’s kinda the cool English teacher who’s probably smoked a spliff with all his students at some point. But he has a double life that no one knows about, and he wants it to stay that way because he’s seeking justice for something that’s happened to him in the past few years.

Richie:...Oh shit, me. I play a guy called Ted, and he’s brand new to town because he’s looking for a new start after something super tragic happened in his past. So he takes the drama teacher position that just opened up, and he starts to realize that something is kind of off about the town - which, you know, is kinda understatement of the fucking century!

Vince: So everyone’s got a secret then…

Riley: Basically none of us can be trusted, that’s what you should know.

Vince: Now obviously, Jay, you’ve been working pretty consistently in the business since you were young - you would do Canadian kids DIY shows and Québécois dubbing, is that correct?

Jay: Yeah. God, how fucking lame is that?

Vince: No, no, I used to love watching those Canadian kids shows! But since becoming an adult, you’ve done all sorts - comedy, obviously, drama, horror, animation...so what led you to “Social Killing”?

Jay: Well, I mean, my agent sent me a script and I was like ‘holy shit this could be good’; then I saw that Richie fucking Tozier was getting involved and I was like ‘okay, drop everything, I have GOT to do this damn show now’.

Vince: Did you two know each other before doing the show?

Richie: I mean, kinda. He came backstage at some of my shows a few times, and I was like ‘this guy is fucking awesome’. He’s Canadian, so that’s why.

Jay: I’m a very proud Canadian, yeah. Sorry, America, but Canada is the greatest country in the world.

Riley: America sucks right now, so don’t apologize.

Jay: But yeah, I’ve always wanted the chance to work with Richie on something since he’s one of my favourite comedians, so this was a huge opportunity for me.

Richie: And then he actually met me properly and regretted that shit.

(All of them crack up laughing)

Vince: As I understand it, Riley, you’re not entirely new to the world of show business either, because before joining the show you were a dancer.

Richie: Wait, what??

Riley: Yeah, I was. I was a professional dancer.

Jay: Jesus Christ.

Richie: A fucking PROFESSIONAL dancer?!

Riley: Oh come on, you guys knew I was a dancer!

Richie: Not professionally! I thought you just did it for a hobby, not as an actual job!

Riley: Anyway...I danced back-up for a few people, did some background dance work on movies and shows, but this is my first time acting.

Evan: And she’s incredible at it. It’s amazing.

Vince: As I understand it, Evan, you’re also brand new?

Evan: Well, this is my first big role. I did some theatre for a few years, played some gigs at bars to get by, but this is what I really want to be doing. I was so excited when I got cast that I nearly started crying - it’s a dream come true.

Riley: Aww.

Vince: Finally, Richie… You’re a fantastic stand-up comedian, I love your work, but this is your first time acting in anything. What made you want to transition from stand up to television, especially now?

Richie: Woah, yeah, I mean...yeah. (laughs) Honestly, I wanted to do something new. A lot of stuff has changed in the last few years, mostly the content of my stand-up, and I want to distance myself from that old shit as much as possible. And, you know, I’m married now, we’re expecting our first kid soon, so it’s all super serious and shit.

Vince: Congratulations!

Richie: Yeah, thanks! So with the show, I wanted to just...show that I could do it, I guess. Show I was more than just some shitty comedian doing misogynistic jokes that weren’t true. The writers approached me originally since they wanted some humor in the show, but...I guess they liked the other stuff I did once I was on-set.

Riley: Just for the record, I like your new stuff better.

Jay: Oh yeah, for real.

Evan: I still remember seeing the comeback show, first time you did your own material, and I was so blown away. Not just the actual material, but the way you performed and talked about your friends on-stage...it was amazing.

Richie: Thanks, man.

Vince: So, what was it like for the four of you to work together? Were there any scenes where all four of you were present?

Jay: Oh, man…

Evan: (mock dying) Spoilers. Can’t. Give. Them. Away.

Richie: Yeah, you can't see it, but in the building across the road there’s a Hulu representative with a sniper ready to take us out if they think we’ll fuck up.

Vince: Alright, alright, I get it! But what was it like working together? Fun?

Riley: Oh yeah. Definitely. These three guys are super funny and great to work with, you know? Evan would sing songs on set between takes, and we’d all have little impromptu karaoke sessions. Jay is just...really sweet but funny, he keeps quiet sometimes but he genuinely is really fun to be around; he goes nuts about hockey. Richie kept us all laughing, of course, even when we had to shoot more challenging scenes - without giving too much about the show away, there were times where we would be filming, and we’d all be feeling down or tired, and it was really hard. But Richie would keep our spirits up by making jokes, and making sure we were all hanging in there.

Evan: Yeah, Richie’s the best.

Riley: He’s a talented actor too, which is nice to work with.

Jay: Aww jeez, Riley…

Richie: You’re making us sound awesome, and we look like assholes just sitting here nodding.

Evan: To be honest, I worked more with Riley than anyone else and she really undersells herself.

Richie: Yeah. She’s actually super funny - I mean, she’s great on the show but she pulls off comedy pretty well too. I think she’d do pretty well on a comedy show or something. You know, if the show doesn’t work out. (Winks)

Riley: Coming from Trashmouth Tozier, that’s like...the most wonderful thing someone has ever said to me. Oh my god.

Vince: Well, I was going to ask what it was like, being surrounded by all male leads - obviously there are females too, but you four are the focus, and you’re the only woman.

Riley: (laughing) Shh, I don’t think- I don’t think they’ve realized I’m not a guy yet! Don’t tell them!

Jay: Nah, she’s one of the guys clearly!

Richie: Wait, you’re a WOMAN? My life has been a lie, Riley Andersen!

Riley: The blonde ponytail and cheerleading skirt didn’t give it away then.

Richie: It’s 2018, anything can happen. I’d wear a cheerleading skirt. I’m sure my husband would be up for that.

Evan: I am very jealous that Riley got to wear the skirt and I didn’t. It would have made my ass look fantastic.

Jay: I’m not sure if my fiancée would be amused or terrified by me in a cheerleading outfit. I’m like 110lbs soaking wet, so fuck knows what I’d look like.

Riley: (throwing her arms around him) Jay, no, you’d look great! Be more confident in yourself!

Richie: (in a Canadian accent) It’s his Canadian modesty, eh?

Jay: (laughing) Fuck off.

Richie: (still-Canadian-accent) Still mad you left your tuque in the washroom, eh?

Evan: Oh god.

Vince: On that note...thank you so much for meeting with me. Good luck with the show!

“Social Killing” starts 9pm on Wednesday night on Hulu.

#richie tozier #eddie kaspbrak #social media au #reddie #it #it chapter 2 #it chapter two #wow can you believe that the interviewer got the wrong day of the week? ha weird am i right

[latenightcinephile]

#701, ‘Olympia’, dir. Leni Riefenstahl, 1938.

This is a very, very difficult film to write about. It’s tempting to write it off as simple propaganda, or to examine its failings as a documentary, and there are many people who have taken this approach to Olympia in the past. It’s often cited as the first film of an Olympic Games (although it isn’t), as a glorification of Hitler (more on that later), and as a dull repetition of sporting events (it most assuredly is not that, either).

The thing is, I quite admire Olympia, both as a documentary and as a piece of art. I think that Riefenstahl’s artistic prowess is often denigrated because she is perceived, rightly or wrongly, as the mouthpiece of the Nazi regime. But I’m inclined to agree with Taylor Downing’s argument that Olympia is not the result of a concerted propaganda effort. As Downing points out, if Riefenstahl had set out to make propaganda, a very different film would be the result. It’s hard to deny that Olympia is a colossal work of art, made in political circumstances that make it unsettling to admire. But I think admiration is the only appropriate response to the film.

(Most of my details come from Downing’s book on the film for the British Film Institute. If you’re interested in the processes involved in making Olympia, I highly recommend it. I’ll try not to steal too liberally from Downing’s ideas here.)

I’ll point out from the very start that just because Olympia wasn’t the result of a conscious attempt to propagandise, that doesn’t mean it isn’t propaganda by itself. Any film made under the rigours of the Nazi regime is going to reflect the values of that regime, both deliberately at the hands of various political actors and socially through the ideologies that Riefenstahl replicates uncritically. On a base level, the film shows no more footage of, or deference to, Adolf Hitler than any documentary about the Olympics would show to the leader of the host country. In fact, the film sets the record straight about some of Hitler’s rumoured excesses - he didn’t, as popular myth has it, use the opening ceremony to make a political or self-aggrandising speech, he just announced the games open, as was expected of him.

On a deeper level, though, the film is quite happy to ‘bread and circuses’ its way out of some of the worst types of propaganda. In Olympia, the 1936 Olympics are an opportunity to show a games unparalleled in history. These games, and the film about them, are only possible through the benevolent patronage of Hitler’s government. Riefenstahl was certainly talented at drawing further funds from the regime to make her films, and at dodging the restrictions imposed upon her by government factions that wanted her under their thumbs. But the people she made this film for were not stupid, and they were not blindly throwing money at her for no purpose. They knew the soft power a film like Olympia could have, and the kind of goodwill and mythology that it could foster.

Riefenstahl uses this kind of mythologising to represent the Berlin Games as the apotheosis of a long history. The first section of the film opens with the lighting of the Olympic flame, after some protracted and dignified shots of Greek ruins. Visiting the actual ceremony, Riefenstahl was somewhat distressed by the presence of the crowds ruining the profundity of the moment she had in mind. So she did what she would do frequently during the production of the film: she restaged it. The more grave footage she recorded for this event draws the lighting of the flame back into the depths of history, making the idea of a lineage from Berlin back to ancient Greece almost literal.

Riefenstahl has no qualms about restaging events throughout Olympia: she brings back the entire cast of the men’s pole vault finals to reshoot their contest the next day, and she films divers and marathon runners during training to get unusual angles and extra footage (in many of these shots, you can tell because the stands of the stadia are suddenly empty). At her request, the American athlete Glen Morris stayed several days after the games finished and helped her recreate events. Most directors these days would have some concern about using this type of footage - indeed, taking footage out of context is one of the main things we think of when considering the propaganda toolbox - but Riefenstahl was dedicated to creating a complete retelling of the Olympics and resorted to these measures when filming the original events was impossible. Beyond this she also wanted to create a film that was interesting on its own terms. Some of these restagings enabled her and her team of cinematographers to access viewpoints that would be impossible in actual competition, because the large cameras would actually impede the running of the events.

That said, there are some limits on what she was willing to do, and finding these limits tells us for sure that she was not interested in making direct propaganda at this point. Much has been made of Hitler’s refusal to congratulate Jesse Owens for his spectacular performances during the games, but Riefenstahl has no such compunctions. She’s fascinated with the movement of the athletes, the American champions especially, and doesn’t pay any less attention to Owens because of his race. (Side note: there’s a troubling undercurrent throughout Riefenstahl’s career of fetishising the black body, and it might be on display here. Either way, it’s interesting to note the love-hate relationships fascist regimes have with many different things.)

It’s also clear that Riefenstahl is enthusiastic about being able to tell an actual story, beyond simply relying on metaphor. Triumph of the Will is cinematically innovative, but it doesn’t have a story that she can draw on. The Olympic Games, however, have a set of narratives that Riefenstahl can refer back to: narratives of winning and losing, using a sporting contest as a representation of a wider cultural struggle, or the pastoral origins of ‘sport’. In this last regard, the openings of both halves of the film feature depictions of the classical ideal of sport: naked athletes performing aesthetically-pleasing activities in the open air, and a community spirit built around these activities.

Riefenstahl goes further, creating new narratives to activate otherwise boring events. Some of the running races, including Lovelock’s sub-four-minute mile and the British victory in the men’s relay, are shown in a single shot taken from the upper tiers of the stadium, letting the natural rhythms come forward. For the diving events, though, Riefenstahl abandons any sense of naturalism and breaks the events into components of an avant-garde mosaic, playing shots in reverse, cutting back and forth across the line of action so it appears divers are leaping towards each other, and filming so closely that there is no sense of where the ground is. Whatever Riefenstahl’s political leanings in making the film, she is clearly dedicated to making each element of the film as interesting as it can be,

The technical aspects of this film are truly admirable. During the process of filming, Riefenstahl’s team developed entirely new techniques of filming, dug pits next to tracks to get good shots of athletes’ faces during competition, relied on five different sizes of camera, strapped small cameras to runners, and devised a camera that could film above and below water. They borrowed an airship from the Luftwaffe. The rushes were reviewed each day, totalling about two hundred cans of film every day of the games. In addition, with the exception of Hitler’s opening speech, every single piece of sound in the film was dubbed in post-production. As Downing points, out, this would be a mammoth task with modern technology, but in 1936, every ten-minute reel of film had to be mixed in real time, from start to finish, and then processed for a day before you could even tell what the result would be like. The engineers invented several entirely new sets of audio filters to reduce ambient sound, and did this during post-production. The entire final mix took two months of twelve-hour days to complete. It practically invented the genre of the sports documentary. If this had been done under any other circumstances, it would be hailed as the greatest production in history. Instead, its reputation collapsed under the weight of history. Nobody wants to like a film made by the Nazis - no matter how innovative and interesting it is, it is permanently a smokescreen to put a happy face on an appalling and destructive regime.

I have been asked if a film like Olympia could be made today. I think the answer to that depends on whether you’re looking at the film as a sports documentary or a propaganda film. Pretty much every sports documentary since Olympia has used this toolbox, so in a very real sense, this film has been made today, many times, and has often claimed innovations that Olympia made as their own innovations. As far as propaganda goes, though, I don’t think you’d need to make this film. Olympia has a very subtle hand - its statements about the superiority of the Nazi regime are implicit rather than explicit. Contemporary regimes, though, have found that you can just say that kind of thing explicitly and it will often be accepted. I also think there are very few regimes that would bother to go to this kind of expense for a film.

Riefenstahl’s complicity with the Nazis has often been hotly debated, and I think the most likely explanation of her stance is this: she wanted to make films, and the Nazis wanted films made. That she was either unwilling or unable to deny their patronage, or that she actively embraced their beliefs, is perhaps the harshest truth. She was given the opportunity to be an innovative filmmaker. All she had to do was climb into the lion’s mouth, and her films would be remembered.

She climbed in. The lion made no promises about how or why she’d be memorable.

#1001 movies #leni riefenstahl #olympia #propaganda #long post