#but also he’s literally the only character that would make sense in this context for leocay…..

[rosietrace]

This is a personal rant about my thoughts on Greek mythology retellings, and just the way Fantasy books and the publishing industry is at this point 🧍‍♀️

I have nothing against Greek mythology retellings, or just anything Greek mythology related in fantasy in general!

However, I have certain gripes about the way Greek mythology is portrayed in media, specifically in the way its interpreted in Fantasy.

[ More under the cut! ]

I love Percy Jackson, and I think that Uncle Rick did a wonderful job at expanding the world and making Greek, Roman, Egyptian, and Norse mythology entertaining and easily digestible for young audiences. Genuinely, he does a better job at writing children's books than R*wling could ever be capable of.

However, as much as I can love PJO as much as I do, I still find certain bits of the world building and character writing as... Very hit and miss.

To start, I don't like the way Ares was written in the series. I can understand that it would make sense for his personality to be that way, because he's the God of War and it helps with Clarisse's character development; but I find fault in it because Ares in the myths is nothing like PJO Ares. (He literally killed one of Poseidon's sons because he raped his daughter, Alcippe, and he's one of the only gods who doesn't hump anything that can breathe in air. At least Ares has the courtesy of asking for consent 💀)

The Gods being the reason behind WWII and Hitler being a child of Hades. All I must say.

The portrayal of the Aphrodite cabin

The fact that Athena can have children. Annabeth, pjo fandom at large, I love you are, but you gotta admit it must've felt weird when you first read the books and you find out Athena — the maiden Goddess of Wisdom — can have offspring. Regardless of the reasoning, I still find it weird 😭 (EDIT: I've now just remembered that it was a reference to how Athena herself was created 🤡 I'm a clown)

I get that the Hermes cabin is also the cabin for the unclaimed, but couldn't have Hestia's cabin worked too? She doesn't have offspring, sure, but it probably would've made more sense for the unclaimed to go to Hestia's cabin so that the Hermes cabin wouldn't be so crowded

This isn't really a world building issue, but I think I should bring it up: I'm not saying this against the Kane Chronicles fandom, but... Sadie and Anubis. Why. Like you can't convince me that no one WASN'T weirded out by that.

Less of a complaint and more of a question because I can't remember if the question was answered in HoO or not, but when Percy told the Gods to start claiming their unclaimed children and be more decent parents (as he should, go off king), did that request apply to the Romans at Camp Jupiter too? Because that's gotta have been confusing when the unclaimed kids at CP suddenly started getting claimed 😭😭

I could go on a whole ass tangent about PJO, but that would make this post longer than it needs to be 😭😭 and any of the points might not make much sense, since I haven't read the books in a LONG time

Off to the YA Fantasy segment... Hoo boy.

The oversaturation of Hades/Persephone retellings makes me SEETHE. Why is it always Hades and Persephone why can't it be something else 😭

I just don't like the “modern feminist” retellings of Greek myths in the YA Fantasy genre, in general. They tend to completely miss the point of the original myth, and it's the case with a lot of Hades and Persephone retellings where they try to paint Hades as the good guy taking Persephone away from her control freak mother, Demeter.

Because that wasn't what the myth was about. The myth isn't a love story, at least, not a romantic one. It was about Demeter's love for Persephone and how much she wanted her daughter back after Hades stole her away. Keep in mind, in the historical context of the myth, the daughters of women in ancient Greece never really get to see their mothers after their engagements are solidified.

If they wanted to make a “feminist” retelling of the myth, they'd have it centered around the love Demeter had for Persephone to almost doom the mortal realm to an eternal winter to get her back.

I love the myth of Hades and Persephone, truly, I do. I understand the appeal it has on people, the appeal it has one me. I can see why people adore the myth in the way they do because Hades is one of the better husbands in Greek mythology (a low bar, but my point still stands).

Personally, I blame Lore Olympus and especially the video of the myth by Overly Sarcastic Productions for the way the myth is portrayed in mass media. And I say this as a former LO fan and a fan of Overly Sarcastic Productions 😭

I'd also want to go into my many, MANY gripes about “Crown of Starlight” by Cait Corrain, but in all honesty? I don't think I can properly convey how much I DESPISE Cait and their book. So I'd highly recommend y'all to check out the videos about Cait Corrain by Reads With Rachel, WithCindy, and Xiran Jay Zhao on YouTube if you're interested in going into more detail about the controversies, especially for those who weren't made aware of it.

I feel like the publishing industry just... Isn't good anymore, after Booktok went viral. Reading has been “hot girlified”, and all Booktok seems to ask when they get recommended a book is: “Is it spicy??”

Reading is like fast fashion, now. It's all based around certain popular tropes that that's how books are promoted now. Not for the plot — or sometimes lack thereof — but for the tropes the book has.

The only thing I can thank Booktok for is that they helped me discover The Cruel Prince. And even then, it's marketed as romance on there, when it's a political fantasy with a romance subplot.

‼️ Woah! A secret bonus section! ‼️

I, personally, don't read — nor do I like — Sarah J Maas. (Especially considering the problematic aspects of her storytelling, character portrayals, and is (apparently, correct me if I'm wrong) a Zionist)

However, that isn't to say that I don't like some of the characters she makes. A lot of them have potential, actually! From what I've seen, I think Nesta, Gwyn, Azriel, Eris, Tamlin and Lucien from ACOTAR are the only characters I actually like, based on what I've heard — and seen — on anything in the SJM critical tag on this hellsite.

And while we're at it, let's discuss the elephant in the room with ACOTAR, right? Rhysand.

By all that is good and holy, I hate Rhysand so much and I think I'd hate him even more if I actually READ the books. I don't get why Booktok is so invested in him when Maas retconned Tamlin's character to make him look better as Feyre's love interest.

Also, from what I recall, didn't Rhysand sexually assault Feyre? And he didn't bother to apologize for it, and justified it with his sad tragic backstory??

I can't with y'all, istg 😭 the fact that “Feysand” is apparently a Hades and Persephone retelling too makes me even more mad about it because it isn't even a GOOD retelling. It just takes away what ACOTAR originally was— a Beauty and the Beast retelling, with Feyre and Tamlin as the leads.

Didn't Maas dedicate ACOTAR to her husband because “He would go under the mountain” for her??? BECAUSE IT CERTAINLY WASN'T RHYSAND WHO SAVED FEYRE FROM UTM, I'LL TELL YOU THAT

I think, out of all the series Maas has made thus far, Throne of Glass is the only one I ACTUALLY kind of like, based on what I've heard. Crescent City seems to be too complicated to understand, and even though I've never read it myself, I miss what ACOTAR could've been. (My hope lies with Nesta, Elucien and Gwynriel, at this point)

#rosie is rambling 💀 #rosie rambles #booktok #anti booktok #anti sjm #pjo #rick riordan #percy jackon and the olympians #percy jackson #tog #throne of glass #acotar #acotar critical #pro nesta #pro gwynriel #anti lore olympus #lore olympus #anti rhysand #anti feysand #pro feylin #the hot girlification of reading #crown of starlight #sjm critical #book rant #its ranting time

[cerealmonster15]

ummmm. wip wed…… I don’t have actual writing but I did start making a buncha bullet points for more ideas for the kalisil jamiazu fic…. And I have decided one thing lol - since I have masquerade event on the brain… if I get around to writing this fic I’m keeping the timeline vague HOWEVER it would take place sometime after masquerade bc I want that event to be when jamiazu had gotten together in backstory bc they #danced together in the little rythm minigame (and the duo THE DUO ATTACK-)

#idk how I’m gonna bring it up but I’m sure I can Make It Relevant for a second LOL #unrelated to this fic I was haunted by cater/Leona yesterday and #wrote ideas down for a very short fic lol #and it involved ruggie Percieving #and I was like damn it ruggie I’m sorry I keep using you for comedic energy and Catching Couples Next To Each Other #listen ruggie like all twst characters has a lot that could be explored #but I can only explore so many characters… other writers I trust u with him #he fills silly little guy role in my stories #for now #me when I don’t know how to progress a scene: what if ruggie was there. #THERE ARE OTHER CHARACTERS!!!!! idk I just like ruggie he’s fun LOL #but also he’s literally the only character that would make sense in this context for leocay….. #but if I write that I’m gonna have to like. hype myself up to post it LOL #when the idea came into my mind I was like I CANT PUT IT ON TUMBLR IT HAS TO BE STEALTH AO3 #and like. it literally isn’t different from my other fics I’m just easily embarrased LOL #this was about the silverkalim Jamilazul fic. I got distracted. #anyway. struggling on the actual silver/Kalim half of the idea so we’ll see if I ever write LOL #it would take a Lot of planning and I’m not used to that #but also!!! I should let myself be as loose as I want. it’s for fun. it’s to try new thing. playing in the mud. who give a shit !!!!

[cinnabeat]

re:mind costs 30 fucking dollars............

#im gonna replay kh3 and im gonna Pay Attention #i WAS planning on playing re mind too and i will but god damn thirty fucking dollars #also while i do understand how the disney worlds and the attraction flow make sense in the context of the story #like the sleeping realm theory like i see why they would do that #and by didney worlds i mean basically replaying the whole movies with sora as a background character #rather than an actual driving force that has an affect on the preconceived plot #like i see why its like that from a narrative point of view #but as a real person playing the game its just really annoying having so much disney shoved into my face #yes its dumb to be saying that about a game thats literally disney but Anime but at least in previous games its like #like i said sora has an ACTIVE affect on the stories like things play out differently maybe a bit similar but at least not beat for beat the #same or even its not set in the movie timeline at all just before or after the stories or somewhere in the middle #the point its not a retelling its like those fix it fics where someones like what would happen if this person was here instead #and i like dthat! made it very unique and enjoyable and not make me feel like i was watching a movie in the middle of a game #and like i said i can see why narratively having sora in the background and unable to truly influemce the stories bc ultimately it was about #the people and THEIR relationships and not some outside force (heartless) causing problems #like i get that but good god was it tedious and annoying and just ugh #i swear hearing fucking let it go in the middle of the game was so annoying i cant even remember what the point was of it like character wis #wise for sora i mean like idk what he gained from that bc i just checked out #like thats truly my one complaint about the game is just all the disney. it was only confusing for me bc i did NOT pay attention to the plot #at all which is not a fault of the game. also the attraction flow was useless to me like just plain annoying man like literaly disney advert #advertisements i hated it #michi tag

[greenfiend]

The Significance of Lover’s Lake and Byler (Theory) Part 2

Sequel to this post

(Warning: mentions of sex and drugs)

Okay so first of all, if you haven’t seen my previous post on my theory involving Lovers Lake and Byler, please read it first. I go over my theory and predictions for Byler and the heart shaped lake. This is a secondary post to it, outlining some VERY interesting details involving the owner of the lakeside house, the lakeside house itself, and all the romantic and sexual elements present. I’m saving the best for last here.

Let’s start with the owner of the lakeside house.

Reefer Rick

So I recently made a silly post arguing that the most queer coded character in Stranger Things is not Mike nor Will (nor Robin, Henry, Eddie etc), and I stand by this statement. The most queer coded character is: Reefer Rick. Now, I know we never see the guy, but literally all the information we have on him is either queer coding or drug references.

Synonyms of his name are literally f*g Dick, with a shared last name with the famous tea company founder who so happens to have been a homosexual: Lipton.

We know he doesn’t have a family, thus he’s a single man who occasionally has his buddy/fellow dealer Eddie stay over. Hm, not very heterosexual of him.

Then we have his movie list.

Now, as many of us know, the movie “Fast Times” is used within Stranger Things as a way to gage if someone is attracted to women or not. We have Steve, Dustin, Lucas, and Vickie all confirmed to have enjoyed this movie… specifically for that shot at 53 minutes and 5 seconds. Sure, Reefer Rick rented the film, but why is it the only movie he rented that was returned on time? For context, he’s the only character who had films listed as “late” returns. So, he obviously enjoyed Cheech & Chong a lot more. Two guys doing drugs is more interesting to him than a sexy lady. Okay, noted.

Now, how is he perceived by the people of Hawkins?

Oooof. Okay. He’s not well liked it seems. He apparently is causing some fear and anger amongst the Hawkins residents. Kind of similar of a reaction these people would have towards an openly gay man during the 1980s.

Also I have to include @/conflictofthemind ‘s excellent point that injectable drug use and unprotected sex (specifically between two men) were both commonly associated with HIV/AIDS… a major epidemic during the 80s and a major subtextual theme within the show.

Now, where’s this guy live while outside of jail?

I don’t blame the guy for “hiding” when the town is not too fond of him. Of course he is a drug dealer so there’s that as well. But interesting they used the word “hide”, which has been associated with queerness within the show already (plus this line was said by Robin (featured in the middle of the shot!!!) who is queer herself).

(Both of these screenshots are from 1x02 interestingly enough.)

Wouldn’t it make sense for these two “hiders” to hide out in “a perfect place to hide” together? Seeking refuge in a fellow gay man’s secluded house?

I will say it’s also worth noting that he does not have any women featured on the walls within his house. Also, he has a phallic shaped bong (we’ll get back to that soon).

Phew okay so that’s Reefer Rick. Are you still with me? Hopefully I didn’t bore any of you with this. I promise you this all leads back to Byler.

So, moving on to his house.

So as @/therainscene kindly pointed out, this poster with the smiley face can be related to rave culture and ecstasy in the 1980s. So a drug reference, in a drug dealer’s house… shocker I know. But I gotta say, ecstasy is also a term often related to sex. I also have to add this little tidbit from one of our favourite directors of Stranger Things, Shawn Levy. Keep in mind, he knows what’ll happen in the next season… and he’s directing episodes after 3 and 4…

Interesting word choice, no?

So, back to the symbolism within (and near) the house.

Let’s talk about the phallic symbolism that appears in pairs in these shots. It’s a choice, isn’t it? With two males in each shot. We know the Duffers love details and foreshadowing… I doubt it’s a coincidence. Also, anyone else notice that phone in the background? Just had to mention it, since our boys are frequently associated with phones and calls.

Then, of course, I gotta bring back this shot.

The bed. Blue meets yellow. You know it! We all heard it a thousand times by now. Let’s look at what else is in the shot. A closed closet. Another reference to our boys. To the right, you’ll see a toilet paper roll. Now, if you have a brother, you might see the same thing in his room. Sure it can be used as a tissue for your nose but let’s just say there’s usually another use for it. I’ll call it “self love”. So, basically, another sexual reference.

To sum up this house: lake/water, drugs, and ecstasy/smiley face. Now, let’s go back to a scene featuring our boys with all these elements in the background.

Makes you wonder doesn’t it?

I must also point out the “Paris” poster in the background. City of love, anyone? Plus the fireworks. They’re really trying to tell us something here.

Also, @/foodiewithdahoodie pointed out how Paris specifically was one of the first places to decriminalize sodomy.

You know, I also wouldn’t rule out every aspect of Murray’s prediction here.

Shout out to the Hylers out there!

Perhaps after a lot of stressful days of fighting interdimentional demons, these boys want to wind down and de-stress in their hiding spot. I can see Reefer Rick as a fellow Nintendo player, leaving his console behind, as well as his weed, for our boys to use. I also wouldn't be surprised if Eddie left a few of his beers behind. I mean… Murray has a pretty good track record for predictions. This would also really double down on the message that Mike and Will “aren’t kids anymore.”

Also, wouldn’t it be fun to look back at Murray’s predictions and realize that they’ve all come to be?

Okay, now let’s finally get to the romance elements!

First thing I want to start with is this shot:

So… they had to show us a mailbox, didn’t they? With that name “Lipton” which as I mentioned in my previous post… is associated with Thomas Lipton who had a lover named William Love.

1 point for #lettergate

And…

“Hope Our Love Lives/Lasts And Never Dies”

WWII solders used the acronym H.O.L.L.A.N.D. to convey a love message in a letter. The whole love letters association with Mike and Will never end, do they?

2 points for #lettergate!

As for the “2121”, I think it’s possible that it’s referencing multiple things… number references are tricky like that in my opinion. But I will say that @/thestrangestthing89 brought up the fact that “2121” could be a reference to “Twin Flames” which is yet another reference to romance.

Continuing on with the romance…

Let’s return back to the scene where Reefer Rick is first mentioned. After Max mentioned him, we are cut to Steve talking about a movie.

A movie filled with action and romance, you say?

So… Doctor Zhivago.

Basically a tale of two people in love during a difficult time (Russian Revolution) being separated, with other people, then finally reunited. Not completely unlike our boys. Notice how the “adult” sign is noticeable in the background. Not kids anymore.

He mentions action, which I’m sure there will be some of as well at the famous lake.

Okay enough with the silly details, let’s stop and look at the bigger picture.

Our beloved lake. Look how gorgeous it truly is. Plus the fact that it’s a literal heart? You can’t get more “on the nose” than that.

Now, who else is known as a heart? (Tough question I know…)

This boy is, without a doubt, narratively tied to the lake. He is “the heart”… he is THE LAKE (symbolically).

Thank you to @/everaster for bringing attention to the fact that after Mike was pushed to deliver that monologue to El by Will, Max “died”, then the gates opened WIDE. One of those gates, as we know, is located within Lover’s Lake… known was “watergate” (term coined by Dustin).

So, as of now in this story… Lover’s Lake is literally broken in two. A broken heart in need of mending.

Who better to accomplish that task than the boy who has known him for a decade and loves him completely and selflessly?

💌📬❤️‍🩹

Hope you enjoyed these posts as much as I enjoyed making them! It’s honestly so much fun looking for evidence and finding such interesting stuff. Some of it may be reaching, and that’s okay because it’s all in good fun! That’s what fandoms are all about.

The level of attention to detail in this show never ceases to amaze me! There’s so much depth and clues to look for and play around with. I hope to have sparked some inspiration and creativity for some people! 💛💙💚

As always, would love to know your thoughts!

#Byler #loverslakegate #lovers lake #stranger things #stranger things 5 #Mike wheeler #Will Byers #byler theory

[showtoonzfan]

Ganna rant about Episode 4 of Hazbin again. For starters it has the same issue that Seeing Stars did for Helluva boss, that being Loona giving Octavia advice in comparison to Husk giving Angel advice. While the characters situations are different, both Loona and Husk were the wrong characters to pick to give advice, or simply just comfort the other character. I’ve already seen some people say that Charlie or Vaggie should have been the one to cheer Angel up, and that would have made more sense. They’ve known him longer and it’s in character for them to do that. For it to be Husk, not only does it feel forced as an excuse to just hook Angel up with a boyfriend and get the shipping fuel going, but it doesn’t make sense narratively.

In Loona’s case, her situation was flawed because she just MET Octavia, didn’t know a thing about her struggles and spouts to her about how she should be thankful just because her dad is “trying”, and the show tries comparing both girl’s situations when they’re not the same. This is practically the same situation with Angel and Husk. While Husk is aware of Angel, he barley knows him. He hasn’t been at the hotel that long considering the pilot took place only a week ago. On screen, all that Husk knew about Angel was that he was a porn star who constantly flirts with everyone, him especially, and we as the audience only see that and only that when the two interact. However episode 4 claims that Husk can see right through him and know that this is all part of his persona that he displays. If we had more time with these two characters outside of flirty banter scenes, this would make more sense, but instead it’s all tell and no show, being rushed with the little time we’re given. Husk even says that the hotel residents go to him to rant their sorrows while they’re drunk and even THAT happens off screen and that’s the problem, the audience has no reason to believe that Husk knows Angel deep down or even cares enough to want to help him, in our eyes, all Angel’s been doing is sexually harassing him.

There’s no reason why these two need to have an emotional scene together, it’s unearned and unwarranted because we haven’t had enough time with these characters, just like Loona and Octavia, there’s just no purpose or buildup. I also resort back to what I’ve said before: Husk selling his soul to Alastor is not the same as Angel selling his soul to Valentino. The show tries to compare Angel and Husk’s situations and it’s just not comparable because Alastor isn’t a rapist who’s trapping Husk to sell his body and be used like a rag doll constantly. Had it been something like “you’re a drug abuser and I’m an alcoholic”- THEN that would have worked, but that’s not what we get, and this leads me to talking about why “Loser Baby” isn’t good.

Some people have already misinterpreted my opinion, so here’s a few things. Is the song in character for Husk? Yes. Is the song about Husk telling Angel not to act and just embrace himself? Yes. On its own, the song is fine outside of some distasteful lines. The CONTEXT, execution, and placement of the song is the issue. Episode 4’s whole purpose is to see just how much Angel suffers. He’s forced to work like a dog at the studio day in and day out, and he gets abused and SA’d by his boss and other demons constantly. He doesn’t have a say in anything and can never say no because he’s under contract. He can’t Fizz his way out of this one and just go “I quit”, he’s literally forced to work in the porn industry wether he likes it or not, and we see all of that on screen. We also explore just how much this affects him. They reveal some pretty dark stuff here, how Angel doesn’t even want his position as a famous porn star and is so desperate to be numb from the pain and suffering he endorses that he’ll get high constantly and let people drug him for nefarious reasons, it’s his escape. They dump ALL of that info onto us, only for this bullshit to come up:

So the writers slut shame him, call him a freak and an addict to laugh at because “haha he’s addicted to drugs and a slut”, even though we JUST got done with a scene that confirms HE DOES ALL OF THIS AS A TRUAMA RESPONSE. He said himself he does the drugs and is addicted to numb the pain, and his own flirting (while problematic) is shown to be an act of him hyper sexualizing himself due to what he goes through. It’s not excusable but it’s still a fact, and we’re supposed to LAUGH at him??? That’s what’s wrong with his character and what continues to be wrong, because Viv sees him as the butt of the joke. Every line of dialogue he has is always about sex and how we should laugh because he’s a slut, an it comes off as so distasteful and insensitive to not only people who have been abused/SA’d, but porn actors in general. We’re supposed to laugh when he talks about cock and sex, but the reason he’s doing it is so dark that we shouldn’t be laughing about it at all cause he’s a VICTIM, yet Viv thinks it’s funny. It’s so disgusting and makes my stomach twist. Angel is trapped being in a position he doesn’t even want to be in, yet his entire character revolves around comedic sex jokes, and once you figure out the reason behind said sex jokes, it feels so wrong.

And this is why Loser Baby doesn’t work. Aside from everything else I’ve already said, It doesn’t line up with what Angel is going through, it doesn’t line up with the rest of the episode. If you wanted Angel to have this arc about realizing he doesn’t need to stick to his persona, fine, but you should have done it in a different episode. This is why Husk comes off as telling him to just suck it up and stop whining rather than what he’s actually trying to say. It looks bad with how they executed it, it just looks like he’s telling an SA victim to get over it and stop whining and what’s worse is they compare their situations when it’s not the same. You literally have a scene of Angel telling Husk he lets people drug him, and not even a minute later Husk is calling him a loser. That’s the issue. The show doesn’t know how to read the room, build character relationships slower, is just so incredibly tone deaf and is hypocritical. We’re supposed to feel bad for Angel cause he’s sexualized to the maxes and is having trauma responses of that, but then we’re also supposed to laugh at him and his sex jokes while also finding him hot. Pick a fucking side Vivienne, the show wants to have its cake and eat it too and look where that’s gotten us. The writing is a fucking atrocious mess and yet it had so much potential if Viv actually cared enough to take Angel seriously, instead of just desperately wanting to give him a boyfriend, and a rushed arc where he magically feels better in the end.

#vivziepop critical #spindlehorse critical #hazbin hotel critical #anti vivziepop #Angel dust #Hazbin hotel #Vivziepop #hazbin criticism #hazbin husk

[svsss-fanon-exposed]

Exposing SVSSS Fanon: 13/∞

MOBEI-JUN HAS BLUE EYES

Rating: CANON

Mobei-jun's blue eyes are one of his most striking features both in official art and fanworks alike. Aside from Luo Binghe's black (and sometimes red) eyes, Mobei-jun's eye color is the one most frequently mentioned in canon.

They are first described as blue when he appears at the edge of the Endless Abyss during the conference:

Sensing this shocking change, a cold flash of interest shot through Mobei-Jun’s pale blue eyes. (7 Seas, Ch. 4)

Most of the mentions of his eyes come from the Airplane Extras, which is a neat parallel-- considering the fact that Shen Qingqiu often mentions LBH's eyes in his frequent praising of his future love interest, it only makes sense that Shang Qinghua would do the same in his own narration.

There is a slight bit of ambiguity here, where it could be read that Mobei-jun's eyes are not always blue, but only flash blue at certain points:

Mobei-Jun sneered, an ice-cold glint of blue flashing through his eyes. Mobei-Jun sat straight up on the bed, eyes shining with blue light like an overcharged battery about to explode. (7 Seas, Ch. 26)

These descriptions are intense, describing the light from his eyes as blue, rather than his eyes themselves, however, the earlier passage states that his eyes are blue, as does the following:

Half-dreaming and half-awake, he seemed to see Mobei-Jun’s eyes open. Icy-blue pupils were bright and cold under the moonlight, like a pair of magnificent and eerie chrysoberyls. (7 Seas, Ch. 26)

Interestingly here, "pupils" (瞳孔） are what is being described as blue, and not irises (虹膜）while the passage from chapter four is just describing the eye color overall, however, the term isn't necessarily so precise and I do believe it can refer to the entire colored portion of the eye when used in this context.

The color his eyes are described as is 蓝色，which is a true blue color, often associated with sky-blue (and also the same character as the surname Lan from MDZS for those interested). More specifically, his eyes are described as 微蓝 and 冰蓝 （literally "slightly blue" and "ice blue").

I personally imagine the color to look a bit like the following:

In the last quote, they are described as looking like chrysoberyl (specifically, 猫眼 "cat's eye") which has this appearance:

So this could potentially also lend support to drawing him with lighter-colored pupils and darker blue irises.

Since Mobei-jun's eyes are both described as blue themselves, as well as flashing with specifically blue light, my conclusion on the matter is that Mobei-jun has blue eyes which have a bit of luminescence to them and light up even further when he is angry.

#fanon exposed #canon #mobei jun #svsss

[yangsharperavery]

my carmy/sydney related thoughts on season 2

i think when digesting this show, it's done more easily when we see who carmy and sydney are as people and how they bring that beingness to their dynamic.

it's interesting to see the takes from people who are troubled by what they saw in this season in terms of their relationship.

i personally thought there was so much fascinating groundwork that was laid.

we knew when molly gordon was cast they were likely trying to introduce a love interest for carmy.

i was not shocked, i was not surprised. i literally expected it.

doesn't mean i wasn't rolling my eyes but i was well aware of what function she would play within the narrative.

but the writing is so sharp that there are a million subtle elements of carmy's character, and what we know about him up to this point, including what was illuminated by the christmas episode.

let's first talk about carmy's choices and behavior where it relates to claire vs sydney and the restaurant.

we know that carmy is awkward, isn't incredibly relationally experienced and has sacrificed everything for his career and specific level of skill.

he'd just been ruminating on expanding his experiences as expressed in the al-anon meeting.

we know this man is intensely grief-stricken and also that he's battling his own mental health.

we also know he's literally been bred from chaos and emotional tumult.

even him not going to his own brother's funeral makes so much sense after that christmas episode.

he couldn't stand to witness what that type of grief had done to his already deteriorating mother.

so he's trying to conceptualize fun.

notice he wasn't trying to conceptualize love or relationships or a partner.

it was literally presented and integrated as fun.

so he runs into this girl he used to a have a crush on and even then, he's not sold because he knows himself, he knows his priorities, his propensities toward self sabotage, etc so he gives her a wrong number.

yet she persists.

so to me, this may seem like a sign to him to give this a chance, do some exterior exploration of something outside of the kitchen and outside of his career and outside of his own neurosis.

so he's just going with the flow. trying to be "normal". not really knowing the content or context of anything. another reason why he wasn't even calling claire his girlfriend.

claire even brings up the fact that they'd hung out so much but didn't actually talk.

which is SPOT on because the audience only actually ever sees them talking about their careers or what they were like as kids/teenagers.

but you know who carmy DOES talk to? hmm, more on that later.

so claire is symbolic of this thing that was pleasant when he was younger, when he was less of this grown conglomerate of anxiety and disarray and sorrow. a part of him that's separate from all of his current worry and fixations and dysregulation.

him saying he loves her so much and that he thinks she's so great actually rings hollow because we, the audience, didn't actually get to see when and where that level of specific emotion or intensity occurred.

so off rip i don't believe him. i don't think about it in the context of if or when he and sydney explore anything, because it feels patently untrue to me.

and completely separate from sydney.

it's not earned. it's not rooted. it's not tacitly valid.

it's fine. it's a good time. it's some laughs and conversation and sex and a nice, normal person he has fond, nostalgic memories of.

and i think it's written that way on purpose!

so him professing this to other people feels like this way to continue digging a hole of his own distraction, his absence, his lack of attention to detail.

i completely understand the frustration that many feel about interpreting this like carmy was essentially choosing claire over sydney.

carmy was trying to have an unfamiliar and different experience and didn't have the depth perception, the self awareness and the internal regulation to recognize he was doing it to the detriment of something so deeply and irrevocably important to him.

as soon as sydney brought it up, he got defensive but then moments later recognized his errors and apologized.

she told him she didn't want to share his attention.

he told her she was absolutely correct and that she deserved his full focus.

what's fascinating about this part is they aren't even explicitly talking about the restaurant.

she says "me" and "i", he says "you".

uh. wow.

now even in the context of JUST the restaurant this is saying ALOT here.

him instantly apologizing and agreeing with her requests means a substantial amount.

carmy isn't an ass because he stood sydney up for the palate cleanser. or even because he went absent when he shouldn't have.

carmy is deeply troubled and wounded and suffering and he was grappling for something else to feel or do or think about besides what he's ALWAYS thought about and done and fixated on.

that's why he's unreliable, that's why he's haphazard and emotionally or energetically messy. he's coping.

that's why he knows he makes mistakes all the time. because he feels like he's a screwup in a lot of specific ways in his life so he's used to it.

he's not being malicious or cruel or even unkind to sydney.

and this isn't an excuse. it's a reason. it's what all the information we have about him up to this point is providing us.

and yes, his timing is godawful.

but he trusts this person so implicitly because he knows how talented and capable she is.

carmy does not know HOW to be a partner, of any kind. where would he have learned that? where would that have been modeled for him?

"this is what you wanted originally and i'm giving it to you."

so let's transpose the way carmy and claire are presented with how carmy and sydney are together.

he literally can't WAIT to hear what sydney has to say. about literally anything.

at any given time.

"say more please."

all he wants to do is listen to her talk. he wants to know everything about her. the personal stuff too, almost especially.

he listens to her so closely. in the first or second episode she loses her train of thought and he repeats everything she just said.

i don't even think it was restaurant related.

he brings up her mother not once, but twice.

he feels like he should have known that sydney lost her.

he wants to pour into and believe in her because he does. he already does.

he's ready to apologize to her because he knows what a mess he can be and often is.

he knows what his anger can do. he knows how he was conditioned and raised in the industry and he doesn't want that at all for her, least of all from him.

especially after she walked out last season.

he's hyperaware of it. he calms down instantly both times she does the sign for sorry that HE taught her.

he has this propulsion to NEED to know what's happening with her in the very moment something occurs.

he did it last season when she quit on the spot and he kept trying to talk to her when she was leaving.

he did it this season when she was frustrated and trying to say goodnight after carmy was actively telling everyone goodnight and to go home, yet he tried to talk to her when she was leaving.

"what?"

"i'm saying goodnight."

he was repeatedly ushering everyone out but because of the look on her face, carmy's like wait, "what's that about, what's happening?"

he can't stand it!

same with them outside last season when he brought her food and asked what was wrong.

if something is up with her, he reacts immediately.

if she's peeved, he wants to know why right away, he wants to know what to do to make it better, how to approach it, what to say, he goes out in search of that information in the moment it's happening.

sydney is his soft place.

he feels very anchored and tethered to her and i believe she feels the same with him.

sydney is his respite. his peace. the thought of her literally calms and stills him.

her being energetically seats him.

we saw it penetrate his seismic and consistent panic in real time.

that was clearly displayed for all of us to witness.

he doesn't want to be cruel or unkind or anything other than present and communicative with her.

i'd venture to say he actually doesn't want anything more than that, besides maybe the restaurant to succeed.

now sydney is in her "i have something to prove" era.

she is so driven and so determined but she's also a realist and is inundated and surrounded by all this proof that what she's doing may be foolhardy.

at the very least, it's incredibly risky. it's a jump.

and someone deeply ambitious and creative and tuned in and focused like sydney has such fear of failure.

because she knows what it often means for someone like her.

that's why she overextends herself so continuously.

she's often had to and she thinks it gets her closer to the opposite of failure.

she was not only aware of the gaps carmy's absence was leaving but also planning this tasting menu with a MILLION things on it because something was gonna be the star because it MUST.

and i think the carmy absence flares a bit of abandonment as well, like he's left her in a lurch.

she has feelings about that.

she finds out why he did, and TRIES not to have feelings about that.

that's confusing and she's already beyond stressed out so she tries to stuff it.

her success is so tied to her identity because she's worked so hard to get where she is and still feels like she's not where she wants to be.

so she wrestles with worthiness and worry and the financial climate of affability for restaurants. she's riddled with what if she can't hack it?

she has evidence of that being true in the past.

she has evidence of her past failures and those are what keep her up at night, not the infinite possibilities of her future successes.

and that's also why she picked carmy.

because she was always going to pick the best.

she was always going to follow the career and moves of the standout in the industry.

of the person that made the best meal she's ever had.

so if he's anal retentive or jumpy or doesn't call about changing the structural elements of their restaurant while it's happening, she deals with it because she picked him.

she chose him. and then he chose her.

(and then she lightweight chose him again when she came back)

so that's why when they're talking he so often checks in by looking her in the face, scanning her expression. he instantly picks up on something being off or wrong or him being "shitty".

or why when they're under a damn table, despite being peeved or annoyed with his disappearing acts, she lets out the most vulnerable, softest admissions about the perceived necessity of her contribution and future failure.

or why he responds with "i couldn't do it without you" so instantly, so rapidly, it's like it's etched in him. that's the quickest response he'd given to anything she said to him the entire season, she barely got the words fully out before he was verbally soothing her.

then he STAMPS this by saying "i wouldn't WANT to do this without you."

there was such an unexpectedly, viscerally aching quality to that exchange.

it's honestly searing.

i'm sorry are these wedding vows or are we talking about opening a damn restaurant?

or the way he says "you love taking care of people" to her when she talks about making sugar food.

that's also a stellar mirrored moment because i've seen a few people, i believe @eatandsleepwell is one, talk a lot about how that's one of carmy's main drivers and internal tenants.

they see so much of themselves in each other.

the buried parts, the unknown parts, the odd parts.

the parts they wanna work on. the parts they wanna exalt.

they are so similar. they are also quite different.

they have reflected one another in the narrative since s1 ep1.

they exist so flawlessly within the others interstices.

she wordlessly hands him pepto for his stomach.

he tells her he won't let her fail.

the pulsing undercurrent of sydney and carmy is pretty fucking palpable.

there's people on social media who weren't convinced or didn't ship them last season that have suddenly completely seen the vision.

whether the writers actually go there or not remains to be seen.

i don't necessarily trust that they will or won't to be honest because i know there are so many moving pieces and variables and factors.

ships get bypassed and messed up all the time.

i don't watch any shows for ship guarantees but i know how writer's rooms work.

i'd venture to bet that at least 1/3 of that room DOES have an interest in seeing something happen between carmy and sydney, (maybe even 1/2).

or at the very least the option to have it explored.

different people write different episodes, the showrunner/creator can scratch or add whatever.

scripts are TIRELESSLY edited and shortened.

yet there is alot that makes the final cut that points to the potent carmy and sydney marrow.

him giving her the captain reigns before they served for the first time, her saying 'let it rip'.

to me, sydney walked into that failing sandwich shop with a mission that day, they locked eyes and immediately fused.

something happened to the both of them in that moment and they largely don't even realize or can adequately reckon with its magnitude yet.

#the bear #the bear fx #carmy x sydney #the bear spoilers #carmy berzatto #sydney adamu #tldr #this is literally a dissertation don't feel bad if you didn't read it all

[halcified]

teru & socialization

i've posted about this before but something ive been thinking about a LOT is mp100's themes of loneliness (and eventual connections). i think this is an aspect of teru's character (in particular) that gets left out because it's not as explicit but i've been wanting to do a deep dive on it for a while and i finally sat down to do it. just a warning, this post is gonna be LONG.

these two panels are from chapter 16 of the manga (which i'm using for my evidence because i. dont want to scrub through the anime LOL). initial sentiment: teru uses his powers to cheat having friends/a good social life and wouldn't have that if he tried earnestly. this is a fair interpretation of the scene. with what we know, at this point of time (as in within the teru-mob fight) teru would not be able to connect with other people earnestly, due to his mindset. which i think is a fair interpretation, HOWEVER:

(from chapter 17 ^^) the first panel shows teru's expression to be strained and the second is visibly unhappy. this puts the first set of panels into a different context, that maybe underneath all of this, teru doesn't WANT any of this life that he's built. keep in mind that i'm analyzing this with teru's possible autistic tendencies in mind & you dont have to believe he's autistic, im not your dad, but i do find this a pretty meaningful indication of masking if he were

(note: yes, the strain can definitely be read as comp-het, and i would agree but that's not relevant so go read this post on that instead)

even if the rest of these panels show teru content with his life, i think these expressions are pretty vital to how we read his life especially because we know so little of it. think about it, if you were a kid desperate for affection because you couldn't get it anywhere else, especially not in a way that would come off as "mature" or "unaffected", wouldn't you also look for validation in your popularity? even if it aligned you with people who you consider fundamentally different to you? my point here is that teru can't not stand out-- it's in his nature-- and we are shown how he tries to blend in & receive attention in the only way possible to him; which is to say that he molds himself into something that is palatable, likeable, and superior to other people. if he's nothing, like mob, he has spent his entire life covering up for it. if he fails socially, like mob, he has to be good at everything (even if he cheats to do so) so that everyone else can look past it.

(side note for my teru angst enjoyers: this is a panel of his mom. the mom who he hasn't seen in years. doesn't it make sense that, if he hasn't heard his mom say he's proud of him for literal years, that he would overachieve in response? not related to the autism thing i just have the teru bug. also don't be misogynistic in my notes both his parents suck we just get a singular mention of his mom)

so if teru couldn't meaningfully have friends before mob, that could very easily be because of his past mindset, right?

...except, we don't.. really... see him make other friends afterwards.

but, the awakening lab, right?

(ok i lied to you sorry there is one anime screenshot and thats because it stood out to me while i rewatched it earlier this month. sorry.) id like to bring attention to this screenshot during the cultural festival because the awakening lab can definitely be seen as a direct contradiction of this and i'd like to point out a couple things:

1) in this scene the shiratori brothers are in another room 2) them and the other three are friends with ritsu (or at least close enough acquaintances to want to see him).

considering this is one of the only times they appear together for Fun i am more inclined to believe this is an encounter where they went together because they all would've gone separately anyway. this isn't to discount the possible bond that these characters might have, but thats the thing. we... aren't really shown that they're friends and enjoy spending time together outside of this screenshot, where two out of six of the members are not even present. not to mention that teru is still placing himself in a role separate from his peers. despite stripping the superiority away, teru is still the awakening lab's mentor, not friend. teru still views himself as fundamentally different in a context where his psychic powers don't make him that way.

...except with mob. i bring this placement of power up because where he is the awakening lab's mentor, teru declares mob to be his rival, or, in other words, teru is just like him. he is accepting that mob and him are the same. (and if we view mob from an autistic lens... so on and so forth)

as if to hammer in that point even further-- in the summer vacation omake, teru explicitly states that "summer break is just a super long, super boring stretch of alone time." i'm not sure of the timeline here, but guessing from the hair, we're at least post season 1. which gives us explicit confirmation here that teru is spending the break alone despite his relationship to the awakening lab. his connection to mob is a lifeline here because mob is one of the only people who can intuitively understand teru's isolation without judgment

(also, on that point of teru's autistic tendencies: teru does and says a LOT of things that would raise other peoples eyebrows and doesn't seem to notice.

here we get teru actively admitting to his home life, right in front of reigen, WHO COULD CALL CHILD SERVICES ON HIM? this genuinely made me rethink this character entirely. teru's filter is... minimal. he isn't constantly volunteering information and generally minds his own business, but if you ask? Well.

teru is a social person, but to say he is proficient in understanding social situations seems... wrong. teru views his loneliness as boring because, despite being fairly open, does not actually allow himself to think about his own feelings and how they affect him. this loneliness is boring because he doesn't have enough of a reference to realize its not

if we are taking pre-mob teru to be a version of himself who is masking, or at the very least someone who is faking a lot of stuff in a less autistic sense, the fight with mob changes teru to the point where he no longer hides himself. in the same way that mob was able to shake teru's fragile superiority complex i think the change in appearance marks the end of the self teru had built up. from this point on we see him become a lot more... Him. his appearance and his fashion choices are, presumably, completely normal to him and we get no indication that he believes otherwise despite the reactions it gets-- which is... well, i wouldn't be writing this post if i thought it was one of his most neurotypical traits.

in fact, he seems... pretty oblivious to what other people think of him. which is an interesting distinction to make considering the intelligence we Know he possesses (which is not to say that you are unintelligent if you don't pick up on social cues, just that its common for media to depict it that way.) these traits are made pointedly, even if unintentionally, separate, ESPECIALLY when you note the amount of characters who Do ruminate on or stare at teru's appearance.

some examples. i don't even think this is all of it-- case in point.)

#mp100 #mob psycho 100 #mp100 meta #mp100 analysis #teruki hanazawa #fun fact this post was originally going to be about terus autistic traits and then i got scared sorry #mostly bc i was pointing out stuff that made me go Hes just like me Frrrr... #and i dont actually know if thats a good metric bc im only like 90% sure im autistic #tho i think writing 1000+ words on a characters potential autism is. um. its. well. #text #ok ive gone back and forth on posting this a billion times bc ive looked at it too much JUST READ THEPOST

[azirafuck]

GOS2 Spoilers Masterpost (ONLY EP. 1-2)

alright, you read the title, you know what's under here - gonna tag everyone who helped this if I know them, thanks to everyone for their contribution and for being agents of chaos the way satan intended. love you all

[Last update/edit: 24/07 - 14:10CET]

first of all, we got some amazing posts from @incorrectquoteswwdits mostly about the first scene in heaven with crowley as an angel:

angel!crowley creating stars and aziraphale thinking he's calling him beautiful

more on that

aziraphale's lies make the lesbians have problems, apparently

communist aziraphale be like OUR CAR

isolation and doubts

THEN we have a detailed recount of the first episode by a kind anon! again, thank you @incorrectquoteswwdits for sharing <3

@goodomens-hints posted a lenghty and detailed recount of the first episode as well with some little hits at future episodes (nothing too big on the post itself, but BE CAREFUL, the blog is actually posting some other spoilers from episodes past the second one!)

@goodomensjail gave us a detailed recount of the first scene, with angel!crowley starting to question stuff and eventually shielding aziraphale with his wing

@mikubinders gives us SOME GOOD GOURMET SHIT by telling us that:

"Beelzebub kidnaps and threatens Crowley, tells him that ze could put a price on his head but ze doesn't want to. After that Crowley comes back to the bookshop and Good-old-fashioned lover boy plays while he drives there. "I'm back" happens. Aziraphale makes Crowley do a silly little apology dance so he forgives him and so they work together"

after thinking this last spoiler was fake, an anon came through and confirmed its real! we also have new context! (sent by an anon to yours tuly)

anon came through with some details about the Everyday record, told us Queen is actually tied to CROWLEY and not to the Bentley, and gave us more context to the OUR CAR and OUR BOOKSHOP bit (sent by an anon to yours tuly)

as for what happens during the Job flashback, after which the sitting five feet apart on a rock in front of the sea happens, a bunch of different versions of what actually happens are going around. @thesherrinfordfacility kept up with the madness surrounding it, so im gonna post here the last two versions of events/details.

first one:

In the Job section, Aziraphale is questioning gods decision of punishing Job. Then u see him in heaven w Muriel here and they are looking thru a long scroll that has instructions from god and he's trying to make sense of it. Muriel is telling him that god and satan made a bet about what Job would do and that's why they are testing him. And az is like whatttt why would god do that that's mean!

When Az finds out they're going to kill Jobs kids, he goes down to Earth to save them while using his angel voice until he realizes he's speaking to Crowley. He sees Crowley about to enter the kids room and tells Crowley "I know you, you wouldn't do this" and Crowley tells him he doesn't know him really. (

AND TY TENNANT IS SASSY AND FLIRTS W AZ??!??!? (*) And THATS when crowley goes "well he seems nice" from the clip. He wasn't jealous tho, like he thought it was funny since they are literally there to supposedly kill these kids and one of them is flirting lol.

The moment of 'weird-beard Crowley' was actually more focused on azi and him questioning God. Crowley tempts Azi w food and u see him struggle but then he gobbled it down and he cries bc he thinks crowley is going to bring him to hell (that's the scene where they are sitting on that thing with the pretty horizon) Crowley tells him "you're just an angel who follows gods as will as much as he can" and Az says that sounds lonely, and Crowley agrees, which is a callback to when he asked Crowley if he was lonely being on what Crowley calls "his own side", and Crowley said no. Crowley then tells him "i'm a demon. I lied"

(*): it was told this isn't actually canon canon, it's up for interpretation - some reported Ty's character is just the classic bratty teenager UPDATE: NOPE anon cleared it up and apparently it DOES read as flirty because ty's character is a little bitch, love that for us

and then we have the second one:

"Episode 2 is half present day things [...], and half the Job story/flashback. Crowley is the demon sent by Satan to torment "God's favorite human" Job to see if Job will curse God, in one big bet between God and Satan. Aziraphale comes to try to stop him, discovers they recognize each other but haven't seen each other since "the flood" and that Crowley seems to have changed since the flood, because he is willing to sacrifice the goats, and ruin Job's house. Crowley says he "has a permit" to torment Job FROM GOD. Aziraphale brings this up to the archangels that gleefully explain that yes it's a bet with Satan and that Job will suffer, but he will get everything back 3-fold by the end. And he will get NEW children. This disturbs Aziraphale, he does not want the CURRENT children to die, he understands the familial love that the archangels do not. He goes to stop Crowley not with power since he has the permit but to reason with him. Aziraphale says things to the effect "I KNOW you don't want to harm them I KNOW you and you don't want to kill children" and Crowley is defiant, but then…. It is revealed that he never killed any of the goats either, he transformed them into pigeons to hide them. And he is hiding the children away in the basement but destroying the house to make it look like they died. He transforms the three kids into lizards to hide them, then when the Archangels descend to give Job his rewards and tell him his wife will bear 7 new children, Job and his wife are in despair because they love their children. Crowley comes in pretending to be a human doctor and he and Aziraphale LIE to the angels faces about how babies are made and trick the angels into thinking Jobs three original children are NEWLY BORN children. Which fools Gabriel, who has only ever seen God make Eve fully grown from Adam's ribs. Crowley then meets Aziraphale at the rock. Aziraphale is crying and says "im ready for you to take me to hell" because he has LIED to angels and foiled God's plans. Crowley is gentle and comforts him that he is still an angel and "I won't tell anyone if you won't" and they reminisce that it's lonely being a different kind of demon and a different kind of angel that sort of do what they feel is right. Heavily implying that they are the same and have each other now. The end of episode 2.

that's what's going around for now, but ill add stuff if we find anything new - also feel free to add to this yourself or send me stuff!

#good omens #good omens spoilers #its not much but its honest work #TY TENNANT IS MAKING ME LAUGH SO MUCHHHHH

[transmascutena]

Bird Symbolism in Revolutionary Girl Utena

There is quite a large amount of bird and bird-related imagery, symbolism, allegories and metaphors in Revolutionary Girl Utena, and i think all of them are very interesting. Here is a ~2000 word essay about the topic.

The Birdcage Garden: Anthy and Ohtori Academy

This is perhaps the most obvious of the bird symbols in Utena. It is literally Anthy's cage. It is where she, as the Rose Bride, is supposed to spend her time watering the flowers. Touga talks about never letting her out of it once he wins her, and calls her a "lovely little bird." And doesn't that just sum up what so many people's idealized version of her is like? A pretty thing to be admired, only in captivity.

I think the birdcage can also be seen as a sort of microcosm of Ohtori Academy as a whole. Akio does call the school "a garden where people will never become adults," after all, and Anthy is not the only person trapped there, nor is she the only character associated with birds.

According to this analysis, "Ohtori" as a word can mean "big bird" in japanese, and is also a Japanese term for the Fenghuang bird in Chinese mythology, said to be "beautiful, immortal and rules over all birds." Sounds a lot like a certain someone in charge of this place, doesn't it? Which would make every person in Ohtori a bird, symbolically speaking, trapped in the cage that is the academy and ruled by Akio (who, despite being the biggest, and the one with the most control, is also a caged bird.)

Additionally, the statue on the gate to the dueling arena is in the shape of a bird, before it transforms into a rose when opened. I am not sure exactly what this means, but I assume it is in some way symbolic of Akio, Anthy and Ohtori.

The Bird and the Window: Shiori and Juri

The bird that flies into the window during Shiori and Juri's conversation in episode 17 is a Java Sparrow. Despite its name, it is a part of the Estrildid Finch family, but I think the symbolism for sparrows fits the context more, as they can represent love, devotion and compainionship, all of which are very relevant for Juri and Shiori.

The bird is also the symbolic item for Shiori's black rose duel, which means we should associate the bird mainly with her. What, exactly, is the window, then? I think it is symbolic of Shiori's feelings for Juri, Juri's feelings for Shiori, or most likely both. The bird hits the window directly after Juri says "Is that all you have to say to me?" and turns to leave. The bird hits something it could not see in its flight, just as Shiori hits against something that hurts her, even if she doesn't understand it, in her conversation with Juri. The bird is shown to be lying still, presumably dead, after Juri reveals that she was never in love with the boy Shiori "stole" from her.

The bird is shown again after Juri throws her locket in the lake, and before Shiori finds it in her dorm. I've heard it discussed that this implies the bird retrieved the locket (probably through Anthy-as-Mamiya), and if the bird is symbolic of Shiori and the locket is symbolic of Juri's feelings for her, it would mean Shiori is the one to bring them back after Juri tries to rid herself of them. This makes sense.

The Bird Nest: Kozue and Miki

The bird nest that Kozue rescues from the tree that is going to be cut down is symbolic of her and Miki. Or, at least they are symbolic of how Kozue views the two of them. The comparison is pretty straightforward; Kozue projects her and Miki's feelings of abandonment onto these baby chicks, who have been left behind by their parents, just like the two of them were when their parents divorced. I think she projects her protectiveness over her brother moreso than her own feelings about the whole thing, as Kozue likes to think of herself as very independent ("a wild animal") and very unaffected by it all. As seen by her attempt to save the birds in the first place, she is very willing to put herself at risk, and is less concerned with her own feelings/safety.

Now, I don't want to get too much into speculation, but I have to wonder if there was more going on in the Kaoru family than just the divorce and the too-high expectations for the "twin prodigies." Miki's uncharacteristic cynicism in saying "adults who tell you something is for your own good can never be trusted," as well as Kozue's total disregard for authority and her tendency to use her sexuality as a tool both concern me. Although Miki and Kozue's parents are not explicitly shown to be abusive, I do not think it is a stretch to say that there is a possibility that they were. It explains some of Kozue's behaviour in regards to Miki as well. It's not just posesiveness but protectiveness. She has needed to protect him before, and she feels she needs to protect him still (pushing the predatory teacher down the stairs, saving the birds she sees his innocence in.)

Interestingly enough, Anthy interacts with these chicks as well. She advices Miki on how to feed and take care of them. Utena even comments on how unusually straight forward she's being about the whole thing. This might just be another instance of characterizing Anthy as a person who is fond of animals, and that is certainly part of it, but i think there is more to it as well. If these baby birds are symbolic of (Miki and Kozue's, but also a general) feeling of abandonment by parents/adults, as well as their potential abuse, what does that mean for Anthy not only knowing how to take care of them, but being eager to talk about it? Could it perhaps be that she, like Kozue, sees herself in them? Like Kozue, Anthy herself is symbolically a bird, but a caged one in contrast to Kozue's claims of being a wild animal. Could it be that Anthy has had to become an expert in taking care of those (herself) that have been abandoned or failed or abused by the adults in their lives? Rememeber that this is the same episode where she says that Akio is more like a father to her than a brother. A parallel is indirectly being drawn between him and the Kaoru parents.

If Miki and Kozue's parents were abusive, this might be a rare moment of Anthy empathising with other victims, telling them through metaphor how to take care of themselves. Although, it doesn't keep her from continuing to manipulate them, as she goes on to say her line about returning the chicks to their mother, which is what sets Kozue off. Anthy also says that she's never actually raised chicks before. Maybe she's not very good at taking care of them (herself) after all.

There's also what looks like two caged parakeets in Miki's flashback of their childhood. I assume this has similar meaning to Anthy's birdcage, as a feeling of being trapped, in this case by their parents' expectations for them. Kozue used to be a caged bird, but now claims to be a wild one, despite still being inside the birdcage that is Ohtori.

Brood Parasitism: Nanami and Touga (and Utena)

The Kaoru's are not the only sibling pair in Utena to be compared to birds. In Episode 31, Her Tragedy, a pretty unique shadow play is put on in the Chairman's Tower about a cuckoo leaving its egg in another bird's nest, a phenomenon known as brood parasitism. It also references the fairy tale The Ugly Duckling by Hans Christian Andersen. Perhaps the most interesting part of this play is that it's done in the style of the ones in the black rose arc, with C-Ko playing all the roles, the return of the monkey-catching robot, and Utena's fourth-wall breaking commentary at the end. I won't get into what this means, as it doesn't have anything to do with the bird metaphor, but maybe in another post.

This shadow play is about how Nanami and Touga were adopted, and specifically about Nanami's feelings on the matter. Of course adopted children are not parasites, but it makes sense for Nanami to think along those lines, considering her fear of being compared to animals or aliens, and of being ostracized by the society she lives in. Nanami doesn't actually know that she is adopted, only that Touga is, which muddies that interpretation a little. Perhaps it is about Nanami blaming Touga's birth parents for "leaving him in another nest"? Something about her resentment of Touga at this point in time, thinking of him as a parasite in their family? Or simply her fear of what not being his blood-relative means.

I'm more confident about the Ugly Duckling reference, and it being symbolic of Nanami's worry of not fitting in among her peers. Nanami mainly copes with this by thinking that the reason she doesn't fit in, is because she is actually better than everybody else, because she's related to Touga (being a beautiful swan among the common ducks.) The play ends with the cuckoo insisting that it will become a swan one day, when really it can't. It will never be a duck that fits in, either. It will always just be what it is, a parasite (a space-alien. A girl who lays eggs.) This reflects Nanami's despair at the idea that she's "just another fly in the swarm" after her duel in the next episode.

And like all the shadow plays this one can be interpreted as being about Utena as well. She is an orphan who is now being raised in Akio and Anthy's "nest". Although she wasn't placed there by anyone but Akio himself, so it's more about her insecurities about feeling like an outsider in their family. And like the Ugly Duckling/cuckoo, she is also out of place among the rest of the students, and dreams of growing up to be something she can't actually become, in this case a prince. (credits to this analysis on the shadow plays for helping me piece together my thoughts on that. Always cite your sources!)

Cuckoos can also be symbolic of one-sided love, and is the origin of the word cuckoldry. Make of that what you will.

I should mention that Nanami also lays an egg of her own a few episodes prior. ...Or does she?

Her nightmare sequences show her fears of being compared to a chicken, a turtle, a frog, and of course, a space alien, but it is quite obviously a bird egg. And since we are later shown that Anthy has a chicken named Nanami, much like the cow with the same name, it can be assumed that the egg comes from there, and that Anthy brought it to Nanami's bed, perhaps via Chu-Chu. Could this relate to the brood parasitism of the cuckoo in some way? Is this not one bird (Anthy) laying its egg in another bird's (Nanami's) nest (bed) and getting them to raise it? is this what Anthy means when she tells Miki she has never personally raised chicks? Are all of these metaphors connected??? There's also the fan-theory that Nanami's egg hatched a reincarnated Chu-Chu, and in that case would he be the baby cuckoo while Anthy is the mother and Nanami is the duck? I'll be honest I'm not really sure what to make of it at this point. Draw whatever conclusion you want!

Last and probably least interesting is the third of Nanami associated bird imagery: the crow in episode 10. Crows can be symbolic of death, and it feels safe to say that this one is just here to set the mood of the scene, and as visual confirmation that the kitten did indeed die. Not too much to say there.

The Chicken and the Egg: The Student Council

I'd be remiss if i didn't mention the student council's chicken and egg speech in this post as well, even if it has been analyzed to hell and back by hundreds of people before me. It is a reference to Hermann Hesse's book Demian. It is about breaking out of childhood and into adulthood. It is about escaping Ohtori, which is both the egg and the cage (and interestingly enough, during the speech birds can be seen flying by outside the cage of the elevator.) In Nanami's version of the egg speech she mentions "the cage of freedom" and how it cares for the chick. This something that ideally should be true for schools. A place that limits children, but in a way that prepares them for the adult world. Of course, Ohtori as a system has no interest in this, as it is a cage in its most literal sense: a place to keep people trapped. Trapped in their harmful behaviours, in their lack of growth, in their idealized memories of the past, and most of all, in childhood.

And with that, we have come full circle back to Anthy's birdcage as a symbol for all of Ohtori. Thanks for reading :)

#it's done! my first proper analysis-essay since my very first post on this account!! #i know it's long but i put a lot of work into this and i'd really appreciate if you read it ^_^ #although i'm not entirely satisfied with the juri/shiori segment. if anyone has anything to add i'd love that #revolutionary girl utena #analysis #anthy #akio #shiori #juri #kozue #miki #nanami #touga #utena #m #animal motif #kaoru siblings #kiryuu siblings

[forgedsplendor]

Gojo Satoru: or, how the eyes are the windows into the soul.

everyone and their mothers have talked about the kfc breakup scene to hell and back, we've gotten a dozen and more think pieces about the episode on twitter and tumblr and wherever else, but I really needed to add my two cents because it's been on my mind ever since I watched the episode.

something fun I've noticed about mappa's adaption of jjk is the way they animate gojo's technique—specifically in relation to his eyes.

in season one, gojo's eyes were always animated very... otherworldly.

they're always glowing and sparkling in this weird, uncanny way, which is kind of the point: gojo is the six eyes, after all, and considering the anime's animated and colored medium compared to the original manga's black and white, paneled format, it's a good way to adapt and demonstrate gojo's powers in the way the manga cannot. it also serves to visually separate gojo from the rest of the characters; as the strongest, he is different from the rest.

however, when season two's teasers were first released, there's a particularly interesting detail...

... his actually normal looking eyes.

and, yeah! that makes sense. as much as gojo and geto's high school selves love to tout around the title of "the strongest", it's undeniable that compared to his twenty-eight year old self, this gojo is much weaker, incapable of holding up his technique indefinitely, and incapable of using red, hollow purple, his domain expansion, and reverse curse technique: all of which his adult self are using passively.

so, i had personally figured that these were the eyes of an unawakened gojo. that once he mastered reverse curse technique, his eyes would start to glow like his adult self. however... that was not the case! as we can see...

... they still glow! but only when he was using his technique. once he puts it down...

... the glowing fades as well.

especially in these last few screenshots, mappa establishes the difference between "invulnerable" ( untouchable, literally, with his infinity technique up ) gojo and "vulnerable" ( infinity down, so things can now touch him ) gojo, both literally and mentally. ( let's put a pin in that. ) after geto's reassurance gojo physically lets down his defences of his technique, and thinks that that they're safe... leading to toji taking advantage of that naïveté, and the rest is history.

it's important to note both, as it puts his adult self into a new context: we know that after coming back from the dead, gojo's mastery of reverse curse technique allows him to use his infinity indefinitely without frying his brain.

it's funny, because this parallels his way of coping, as we see here:

curse technique reversal: red. the opposite to blue's attract, it instead repels.

after going through the traumatic events of hidden inventory, gojo... feels nothing. he pushes away these feelings, numbing himself to them instead.

he activates his infinity...

... and becomes untouchable. or, in other words...

... invulnerable. ( physically and emotionally. )

at the beginning of episode five, we don't get very many close shots of gojo's eyes, but he is in the middle of demonstrating his new grasp of infinity; in contrast to geto's spiral, the main focus of the episode and premature death as a whole, we get shots of gojo's back, his gaze obstructed by his spectacles, his face obscured entirely...

... or simply just far away.

to be fair, this all is in geto's point of view, and is used specifically to higlight the canyon that's opened up between the two, but the visual language is the same. gojo is untouchable.

well. up until...

though it's hard to see the state of his eyes with his spectacles in the way. but this is very quickly remedied just a few minutes later.

... his eyes are not glowing.

infinity is not activiated. his technique is down. gojo satoru is vulnerable. literally, in the sense that his technique is not in use, because he is dealing with a friend and not an enemy user, and mentally, because he is angry and upset and horrified and in shock in a way he was not with amanai's death.

as we know, gojo is not one to react emotionally. when kuroi was kidnapped, he did not worry: simply thought of another solution. when toji ambushed them, he did not panic: simply asked geto to complete the mission as he stayed behind to fight him off.

however, with geto's defection...

he yells, makes himself bleed.

when amanai died, he'd said he felt nothing. he'd floated in the air, weightless, marveling at the beauty of the world above and around him.

with geto's defection...

while nakamura's voice acting and the incredible animated character acting was more than enough to get his anguish across, using the tells of gojo's technique as well was the icing on the cake.

the eyes are the windows to the soul, after all, and in this moment, intentionally or not, his were blown wide open as his world crumpled apart.

#jujutsu kaisen #gojo satoru #gojou satoru #satoru gojo #satoru gojou #meta #satosugu #stsg #erm. first time im doing this. LOL #jjk meta #jjk #arte rambles

[nightlilly0110]

There’s probably a million and one posts about Joker and Akechi being each other’s opposites or being the same once you get down to it (neglected kid, wanting to find recognition and purpose, etc.) but I’d like to talk about their views on food.

Akechi runs a food blog, as mentioned in Mementos Mission. He reviews places. Stuff like that, although while they do have a lot of fluff in them, are generally analytical in that it’s dissecting the food in regard to why it’s good and why you should try it. Considering the nature of it, it’s probably also meant to be an extension of his Detective Prince shtick, so whether or not he actually enjoys doing this is up in the air.

Then on the flip side, we have Joker who lives above a cafe. His guardian teaches him how to make coffee and curry, which he then can make as he pleases and serve to his friends. Like Akechi, you do get the prompts of what types of coffee are good or what ingredients go into curry to get specific flavours (much like a food blog would note), but unlike Akechi there’s a more personal connection to it as Sojiro teaches him.

Food in Persona 5 is a love language. Joker makes food for his friends. Sojiro makes Wakaba’s curry recipe for the shop and makes her favourite coffee on the anniversary of her death. The Thieves go out to celebrate a change of heart by having an outing. You both unlock Ryuji’s confidant and turn it into a blood oath while you’re out for food. Food literally heals you and regenerates your stamina in this game. Food is important.

Joker embraces the idea of food being important. The game takes time to educate you the player on little tidbits about the food he makes. It takes care into the segments you spend making Joker make food, again hitting you over the head with the fact that it’s important. So it’s kinda neat that you have Joker taking a very enthusiastic approach to food vs Akechi having a very sterile, clinical view of it - something meant for appearance and popularity only. Not bashing on food blogs, but in the context of the game, Akechi does not approach food in the same way Joker does. He’s distant from it, detached from it. We don’t have the sort of insight of Akechi that we do for Joker, but we can infer that he doesn’t have the same sense of emotional intelligence around it. And it fits his character, too. He’s had no one to take care of him in a long time and no one that depends on him. He doesn’t have a Sojiro to help teach him how to cook, and no one to share the benefits of it with.

I just find it interesting how even little details that aren’t even in the game add to how different these two are.

#crow grumbles #character analysis #persona 5 #goro akechi #persona 5 protagonist #akira kurusu #ren amamiya #shuake #akeshu

[jerktournament]

FINAL ROUND - GLaDOS (Portal) VS Herbert P Bear (Club Penguin)

!!! PROPAGANDA BELOW !!!

GLaDOS: "So mot only is she running your character through a series of puzzles with the intention of killing her at the end, but in the second game she spends the Entire. Time. Verbally and emotionally abusing you, including body shaming and bullying you for being an orphan. If it's any consolation, she does have to exist as a potato for the second and third acts of Portal 2."

"Known for being mean (hot). Mercilessly targets the player character's every possible insecurity. Petty and mean. I understand if you don't want to include her since she tends to dominate polls, lol."

HERBERT: "This mf spends his whole life trying to heat up a frozen island and terrorizing the innocent penguins that live on it all bc he was bad at sailing one time and is too much of a wimp to try again. Classic Misery loves Company type asshole."

"operation blackout would have been NOTHING without him (mostly because he caused it). he has a SOLAR LASER. this polar bear is an ass who literally harnessed the power of the sun and froze the top members of the elite penguin force (a group of penguin special agents) and his best friend is an equally villainous crab"

"Herbert may be a fandom darling in our fandom of like, 20 people. BUT DON'T LET THAT FOOL YOU! He is a conniving, EVIL bear, and a professional jerk and some highlights of his jerkishness include...

- Spending ten years of his life (by the time the game closed) trying to destroy the Penguin Secret Agency and Elite Penguin Force (both were agencies that protected the island from disasters and villains like Herbert) with varying success...

- SUCCESSFULLY destroyed the Penguin Secret Agency with a popcorn bomb, which destroyed their HQ. It should also be noted that while doing so, he locked in the player, Rookie, and Gary the Gadget Guy, presumably so the bombs explosion would have killed them all.

-Teamed up with the EPF to stop the Ultimate Protobot 10,000 and the Test Bots, a small group of four dangerous robots after he personally brought them back. When Protobot went "too far" for Herbert's standards by threatening the environment and trying to completely destroy the EPF (despite the aforementioned Popcorn Bomb incident literally destroying the PSA, and also a certain Operation: Blackout), causing him to temporarily switch sides. This might sound like a character growth moment...except for the fact that he immediately betrays them once Protobot is dealt with and attacks and damages the EPF's HQ using a robot hydra made for the Medieval Party that he stole.

- A canonical ex-dictator. Don't believe me? Look up Operation: Blackout on the Club Penguin Wiki! He froze several agents during his reign of terror, was open to freezing innocent civilians, and also wanted to do away with puffles- the pets of penguins. He also banned several hobbies and professions during his reign (being a Ninja, a DJ, a Pirate, etc) for no reason other than disliking them. He also destroyed the EPF'S HQ and exposed two agents' private information to the public. This means Herbert is the first and only character to canonically dox people he doesn't like on Club Penguin.

-Was planning to bomb the EPF literally two months later with a hot sauce bomb (makes sense in context of the game and yes, it is more destructive than it sounds).

-Brainwashed puffles into digging coins for him purely because his henchman, Klutzy the crab brought a coin slot to use for his DIY heater, instead of just removing the coin slot and retooling it to work without one like a normal person."

#poll #glados #portal #herbert p bear #club penguin #finals #tumblr polls

[marimbles]

ok since i’ve really only whined but not actually explained my reasoning lol, here is my take on the s5 finale. (this is long, sorry)

I think we’re all on the same page about the idea that gabriel being seen as a hero, by all of paris but especially adrien, is icky. and on top of that it does not feel good that marinette is supporting that lie, even if it’s out of love for adrien. most people are assuming this issue will be resolved somehow in 6, probably by lila exposing the truth. cool. that’s my hope as well. but even if that’s the case, i still dislike the framing of his wish and what the surrounding context seems to imply about it.

it is not my assumption that gabriel’s wish included green initiatives and a reformation of the parisian school system lol. I assume that his wish was to exchange his own life for nathalie’s. but as we know, wishes literally rewrite reality. the fact is that paris improved after his wish, so it is still related. he remade the world, and the new world ended up better. It all supports the idea that his wish was a good thing—a noble sacrifice that redeemed him in some sense. my impression is that even if (hopefully) he is exposed as hawkmoth, the actual wish he made will still be framed as admirable. obviously marinette found it noble enough to agree to lie to everyone about gabriel’s identity as hawkmoth.

which brings me to another pain point: the fact that gabriel essentially won the long battle against ladybug and chat noir. i’ve heard arguments that he didn’t win because he died and how is that winning? he got what he deserved in the end. but imo, he just put himself out of his own misery, because he was on the brink of death anyway because of his cataclysm wound, and he basically escaped having to face any emotional consequences from his literal terrorism and child abuse. and even if you don’t consider that a win, you also can’t consider marinette’s end of the deal a win either. her goal was to prevent hawkmoth from unifying the miraculous and making a reality-altering wish. which is exactly what happened. so she failed her mission. ladybug lost. and to me it’s sort of bizarre that the narrative seems to be framing that as a good thing? ladybug lost, but the new reality that resulted from it is so much better than the old one, and she is actively choosing to lie in order to protect the seeming goodness of that reality.

marinette is lying, of course, to protect adrien, which does not feel out of character. we’ve seen her do this before. but it is frustrating to me for precisely that reason. the final battle was meant to highlight how much marinette has grown over the past five seasons, but her choice here highlights the ways she has not grown. starting with syren in season 2, she has witnessed how much it hurts chat noir to be left in the dark and how it weakens their partnership. in that case, she convinced master fu to let him be in the know, and trust was restored. but then she continued a habit of keeping things from him, putting more and more distance between them, till it culminated with kuro neko in s4—a total breakdown of the ladynoir partnership, where chat noir renounced his miraculous. i would have thought that marinette would learn from that experience and realize that keeping people in the dark is harmful and that even if the truth hurts, adrien has a right to know it. but she once again made the decision for him, and when he finally finds out, it will be all the more painful to know that the person he loves and trusts most in the world lied to him. i actually really appreciate that marinette as a protagonist has such a good heart but is still such an imperfect character, so i want to respect this choice as a manifestation of her flawed but good intentions. i just can’t help but be really disappointed that after 5 seasons of making the same mistakes again and again, she has apparently not learned from them, which makes me feel she has not grown the way the writers say she has.

her facing hawkmoth alone for the final battle is supposed to be a sign of that growth—and yes, I can see how she has grown a lot in confidence and capability since her shaky debut as ladybug. but i also feel that her flying solo defies one of the central themes of miraculous: that in the fight against evil, good people need to stand together. just think of the difference between the s4 and the s5 finale. in strike back, ladybug is broken and sobbing because she has lost the miraculous and feels like a failure who is all alone. but then she is buoyed up by her faithful partner and all of paris, who express unbreakable faith in her and vow to stand by her side. that was so powerful! showing that she doesn’t have to be alone, and she’s not supposed to be alone, and that part of being a hero means accepting help and working with others to achieve good goals. this message was a major part of marinette’s character arc in s4 and it’s something that was introduced from the very beginning and has been supported over and over in the show. but then in “re-creation,” she has no team, and she doesn’t need one. which … good for her, I guess? But then why did we have 5 seasons of “you and me against the world” if in the end it was always going to culminate with “I'm sure we can figure out a solution if we work together. You … and me”—referring to Marinette and Gabriel, while Adrien is literally locked in a blank white prison hundreds of miles away?

it just really kills me that in kuro neko, adrien gave up his ring under the assumption that chat noir was not needed—that he was entirely useless to ladybug. and then the narrative proved him right. ladybug did not need chat noir to defeat monarch. she just needed his ring. the writers confirmed in their recent commentary that they had planned a bug noire fusion from the beginning, and they intentionally sidelined adrien so that could happen—they even had to figure out an excuse for why he wouldn’t be there. so they traumatized him with nightmares of destruction and fear of akumatization to ensure that he would once again give up his ring and conveniently remained locked away while bug noire faced down monarch alone.

you could argue that it’s better for adrien to have missed the final battle anyway, since facing his own father would just be even more traumatizing for him. i understand that. (that’s the reason i liked that in the owl house, it ended up being just luz vs belos, and hunter did not have to face him again.) but at the same time it feels so narratively unjust that chat noir—who has been fighting against hawkmoth by ladybug’s side since day 1—has zero part in seeing his mission through to the end. even though it’s all about him. because while marinette is the protagonist, adrien is the connecting piece of the whole story. it’s always been ladybug vs hawkmoth, and adrien is in the middle of them, because he’s both ladybug’s partner and gabriel’s son.

you’d think, logically, that as the connecting piece, Adrien’s decisions would be vital to the plot. That he’d have the power to tip it either way. but instead he is completely stripped of his autonomy—literally, because he’s a senti, and also symbolically in the narrative, because he’s simply removed from the equation. Like, he’s still central to the equation but he has no say in it. It’s all about him but he’s not even present. Everyone is fighting for him but he can’t fight for himself. Everyone is speaking for him but he doesn’t even have a voice.

the finale kind of sets up marinette and gabriel as narrative foils of each other, showing how they have the same motivation—to make adrien happy. and they make the same decision to protect that goal. which is interesting, sure, but also kind of effed up to me? i’m not sure what to take from the idea of the protagonist mirroring the antagonist in this way. that’s been done loads of times, but in this context, for a child audience, i don’t know what to make of it. what kind of message that is supposed to send to the children who are the primary audience of this show? ladybug is a good guy, and in the end, she’s just like the villain because they both love adrien and want to protect him. so that’s why she agrees to tell everyone the bad guy was a hero. ????

that gabriel/marinette parallel leaves adrien to parallel emilie, which makes sense and is fitting but also just sort of … depressing and again, lowkey effed up. that adrien ends up with the same narrative role as a corpse in a coffin. almost, like, macguffin-esque—a thing that motivates the agents of the story but has no agency itself. despite him being so central to both sides of the main conflict, his decisions don’t affect the outcome. because he doesn’t have the option to make any. because he’s not even present. both gabriel and marinette made a life-altering decision for adrien, thinking it was best for him, without considering that what’s best for him is to know his own story and make his own choices. him getting the rings was somewhat relieving, but it also felt like kind of a slap in the face. because it’s like, “look, adrien’s free! he has his amok and no one can control him anymore!” but, like, how free is a person who is living a lie? will he ever experience true autonomy, or will his life continue to be dictated by the decisions others make for him? will the narrative give him decision-making power or will his role continue to be symbolic?

one thing that makes this all extra dissatisfying is that Adrien literally does not have the option of getting closure with his father, because he’s dead. maybe a dramatic reveal in the middle of the final battle would not be the best way to go about it, but now he can’t have any sort of closure. in the owl house, it didn’t feel necessary for hunter to be present in the belos takedown because he already had his confrontation with belos in graveyard possession scene. belos tried to physically control him, and hunter broke free, and spoke his mind, and as traumatizing at is all was, it was good for him to be able to do that. it would’ve been so nice if adrien also had that opportunity. if he did break free from his father’s control, either by overcoming akumatization or the control of his amok somehow. or if not that, if he were just able to have one honest conversation with his father about emilie. like he did with his alt self in the paris special. it was so significant for the writers that bug noire detransformed and spoke to gabriel as marinette. why couldn’t adrien have done that? Marinette is the one to tell Gabriel that Adrien wouldn’t want him to make the wish and hurt someone else, that Adrien has made peace with his grief, that he has learned to cherish his mother’s memory without living in the past. wouldn’t that be even more powerful coming from adrien himself? if adrien was part of that final confrontation just as himself, we could even still have bug noire play a primary role.

i get that adrien being part of the battle is a risk, since we saw in chat blanc one option of how it could play out. but we also saw in the collector another potential way adrien might respond to learning that his father is hawkmoth—charging into battle by ladybug’s side. especially if he was given time to process the idea beforehand. it’s not impossible. you’d just have to compose the scene and its buildup a different way. so honestly it feels sort of lazy to just remove him for the sake of ease? and also sort of a waste of narrative potential? the villain being the father of one of the main characters is such an interesting plot element. imagine if luke skywalker did not ever face darth vader. if he never even learned that vader was his father. or if he learned that fact after vader’s death, which was the result of a confrontation he was not present for.

of course, i know adrien is not the protagonist. marinette is. and of course i want her to be empowered by the story. but i’m getting a little tired of what i see as kind of cheap feminism in ML. like, girl power for the sake of visibility so the writers can pat themselves on the back about it, if that makes sense? this show does have so much good feminist power with a strong female lead who has realistic flaws and a big heart, who overcomes self-doubt and other struggles, and who has proven time and again to be a smart, capable leader who has earned the trust of everyone on her team. but all of that sometimes feels undercut by the narrative treatment of adrien—like he has to be put down somehow to elevate marinette. ML has subverted gender roles in a lot of ways by having ladybug lead with her brain while chat noir follows with his heart. and adrien has a lot of other strong feminine associations—the focus on his physical appearance, the expectation of perfection and obedience, his soft and gentle nature, his romanticism, etc. And one of the biggest ones is all the ways he is trapped, all the ways he is pushed down and made to be submissive. they even depict him as a princess locked in a tower, with marinette as the knight in shining armor to save him from the evil dragon (his father). with adrien in that traditionally feminine role, it would have been empowering to see him to take a leading part in his own liberation. instead, he was locked away both literally and symbolically in favor of a solo bug noire confrontation, so marinette could look like a girlboss in her cool new outfit, taking on the bad guy all by herself, even when it would (imo) fit better with the themes of the show and her own character arc for her to fight alongside her partner. but as Thomas Astruc said, “She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?” (X) it just makes me feel that the writers cared more about the cinematic value and feminist brownie points of that battle than its narrative significance—which i feel could only be increased by adrien’s participation. “all that is necessary for the triumph of evil is that good people do nothing” … and that is all adrien was allowed to do.

i think a lot of fans at this point are just assuming that whatever feels dissatisfying/off will be fixed in s6. they’re trusting that the writers have a brilliant master plan that we just have to be patient and wait to see come together. idk, maybe i’m just tired. or a little jaded. i think there will be a lot to enjoy in s6, but i’m also prepared for disappointment. i honestly did not love many elements of s4 as well as s5, and i had expectations that weren’t fulfilled there either. i’ve felt let down by the writers many times now, so i expect that many of their future choices will  not resonate with me. but i still love ML, and I am eager to see how everything will unfold. i’ve also read a lot of other analyses of the s5 finale, and there are great points being made on many sides. this is just my personal interpretation and opinion. i did not like the finale when i first watched it, and after sitting on it for months and trying to evaluate my feelings and look at it logically, i still do not like it lol. if you do, great! this isn’t intended as a personal attack on anyone—just me expressing my two cents, which ended up being more like $20. thanks for bearing with me if you read all this ✌️

#ml #mine #ml meta #ml re-creation #ml s5

[rewritingcanon]

i’ve seen relationship therapists and psychologists analyse hermione and ron’s relationship and conclude that they wouldn’t work out in the long run. they’ve argued for hermione to be with harry, krum, even DRACO (don’t understand how a counsellor can vow for canon dramione but alright) as an alternative partner for hermione since ron is “too insecure” to be with her and match her intelligent prowess or what have you.

i seriously don’t understand this sentiment. ron and hermione genuinely seem (almost) perfect to me, maybe not in the movies (a common denominator of people who don’t like romione is that they always cite evidence from the movies, since the films took a lot away from ron’s character and his growth), but definitely in the books.

looking at ron’s insecurities, a lot of people dredge his inferiority complex up to toxic masculinity primarily, when it was more explored how it was an effect of his home life (not gonna argue toxic masculinity wasn’t a factor, they’re teenagers in the 90s written by a pretty misogynistic woman so…). he was the youngest son out of how many children? all of his older brothers were brilliant in some way. bill was an extremely gifted spellcaster, charlie was gifted with magical beasts, percy’s academic score was unmatched, and fred and george (despite their trouble) were entrepreneurial inventor-geniuses. ron, on the other hand, was quite literally born a disappointment to his mother, who conceived him specifically because she wanted a daughter, whilst ginny was born her favourite (though, even then, ginny was gifted at quidditch). ron was mediocre in every sense of the word, and his two best friends were harry (one of the most famous wizards) and hermione (the smartest witch of her age yada yada). and i’ve seen people argue that harry was more welcomed by molly into the weasley household than ron ever was. this isn’t even mentioning the amount of bullshit he copped for being poor (people always downplay the blow to confidence being in poverty can have on a person who is constantly surrounded by people who not only have more, but look down on him for simply being unlucky as to not have what they do).

so yeah, ron was an envious kid, but he was that way not because he was an evil patriarchal conception but because he was lowkey neglected. and even then he was overall an extremely devoted and loyal friend to both harry and hermione, because he did genuinely love them.

there were many moments of ron standing up for hermione that was cut from the films, not as a guy who was romantically interested in her, but as a friend. ron arguing with snape for making hermione cry is one of my fav scenes in the books ru kidding me, and in the movies he AGREED with snape RU KIDDING ME. not to mention how ron was a sobbing violent mess when hermione was getting tortured in the last book, whereas he wasn’t nearly as bothered in the films. and the films cut out harry being a dick to ron about his familial concerns (in dh), so when ron left it seemed like a random dickish move over his jealousy towards harry and hermione’s relationship.

there’s also a million moments where they minimised ron’s usefulness in the books for comedic purposes (forbidden forest with aragog, troll scene, devils snare scene) so ron seems dumber than he is. like, he’s actually smart and a really good spellcaster…. in the books.

so simply by stating this most of the arguments against romione become void. “he’s too stupid/weak for her” simply not true. “he’s a terrible friend who doesn’t stand up for her” also not true. “he’s too insecure to have made a move on her,” yes, but given the context i don’t think people would freak on about ron’s upbringing, i think many would be more understanding, especially considering his growth. even if he wasn’t insecure, hermione is beyond incredible and is bound to make anyone nervous when pursuing her (not an excuse for ron to act like a dick, but it does explain a lot where the movies don’t). “they argue too much” they bump heads, none of the arguments they have are actually super damning, with the exception of ron leaving in deathly hallows.

maybe i’ve covered everything (excluding the abhorrent amount of classism that clouds people’s judgments around how they view ron when harping about how hermione deserves better? hopefully).

now, i know people won’t like me mentioning the cursed child, but i’m going to considering we actually get an insight of their life as a longterm married couple there. a lot of ron stans hated how ron was the only character that wasn’t doing something incredible. harry was head of the aurors, ginny was a famous quidditch player retired to a famous journalist, neville was a hogwarts professor, hermione was quite literally minister on magic. and ron…. ran the joke shop with george.

and i think this was almost the perfect route to go down for ron. because he was average, and was perfectly fine with just being average. hello?? that speaks leagues of growth for his character. he’s supportive of hermione’s work, he grounds her when she gets too caught up in being the literal president of wizarding society, and he still viciously defends her, minister or not. in fact, he’s proud to simply be known as hermione’s husband because he doesn’t feel the need to prove to anyone else his worth. the people he loves most know his worth, hermione never downplays or underestimates him, they are complete equals in the relationship in every single way that matters. they kept ron’s best qualities whilst making him seem more of a healed person. they work so well as a married couple without it seeming like mischaracterisation (not to mention the cursed child literally shows how those two are in love in every reality, so there quite literally can’t be a better partner for hermione or ron according to canon).

so i really don’t understand how professional relationship counsellors can go online and denounce it. probs because they only watched the movies, but it’s 2023 and ron stans should not STILL be fighting for their lives trying to defend him from people who simply don’t consume media with as much depth (which is fine, but one should clarify if they’re talking about the movies because i’ve seen people state they’re talking about the hp BOOKS when it’s simply just…. the films). anyways. romione on top, thanks to coming to my ted talk.

#buts thats just a theory. a GAME theory #next ted talk i’ll talk about wolfstar and why fanon wolfstar can suckkk in so many ways simply bc the fandom characterises remus as a dick #didnt mean for this to turn into a ron defender post but it did. #most romione-antis cite ‘ron’ as just the sole reason as to why theyre romione antis in the first place loll #its been a while since i read the books tho. like seven years since. so if i get anything wrong just lmk #harry potter #hp #romione #ron weasley #hermione granger #lavender brown #severus snape #anti dramione #draco malfoy #pro ron weasley #cursed child #ootp #molly weasley #bill weasley #percy weasley #charlie weasley #neville longbottom #ginny weasley #fred weasley #pro romione #george weasley #viktor krum #hp gof #deathly hallows #rewriting

[mrghostrat]

Hello!! I'm not new to writing but I am absolutely new to writing fanfiction and have been extremely nervous to even start doing that, do have any suggestions on where to start so I don't make it accidentally it's own story just using someone else's character names? ( I mean that in a sense of accidentally altering their personalities and other components that would be really important) Because chances are I probably won't notice while doing it and probably think it's fine. I'm really really bad at not noticing mistakes until it's too late to fix them but I have a fic idea that I think would be really cool and I don't know how to go about it without doing it terribly.

Here's a random pic I took this afternoon, I dunno just the way you describe scenes I figured you'd enjoy the atmosphere of it?

1. this picture is stunning, my god, it's giving me chills. so beautiful, thank you for sharing 👁️👁️

2, i think dialogue is probably one of the biggest components of characterisation, so linking back to canon dialogue can be a really helpful and easy way of keeping your characterisation in check. quite literally an exercise in "would he fucking say that?"

you've probably noticed how much i love using canonical lines from the show like this, even though i'm usually taking them out of their original context. as a reader, hearing dialogue in MS/DT's voices can be very grounding, and as a writer, it can keep you in line as you write their conversations.

i also like trying to create a parallel between events and decisions in my fic vs the canon. something tiny: in ATWS chapter 3, crowley orders takeaway and convinces aziraphale to get something too. in my initial plan, he was going to say no and wave crowley away/be a bit holier than thou, but when i made the takeaway food bbq ribs (like the ox rib), i realised it was literally aziracrow 101 for crowley to tempt him successfully into things, especially food. so i made aziraphale say yes, and simply act put out about it.

you'd think these kinds of parallels would be more important on a grander scale, but i like comparing every little decision to the canon, even if it's only for a moment, to think about how they'd act in that situation. it could be an entirely different universe but they can still be the same characters who make the same decisions as an angel and demon would.

3. a lot of people would say that it doesn't matter, that you can write whatever you want even if it's wholly out of character and just has their names attached to it. even though that's not the kind of fan fiction i like to read and write, it's still valid, and the most important thing is that you're having fun and being creative. basically, don't sweat it if it's not perfect.

#ask a rat #good omens #writing process