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#can you BELIEVE that we have this as a parallel 😭
emptyjunior · 4 months
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Can I say how much I love how Ouran High School handles the rich boy/poor girl in love trope. 
Like I absolutely believe it’s discussions about classism and elitism to this Day still hold up! 
I will admit there is so much weird stuff in ouran😭, but we see the Handsome ‘Unlimited Money’ Male Lead a LOT in anime and I feel ouran gets a lot of points of the characterisation SO right, that a lot of other shows just don’t! 
Ouran does the whole love story/harem/all the boys want brown hair girl that we project on, trope. Like they do that, but they show that at the foundation, the root of all of it, those rich boys are JEALOUS. They aren’t approaching Haruhi with the need to protect and own her, at their core the rich are envious of her! Even though they have everything, they want what she has! 
Like we see in the real world with how the rich cosplay as poor! And say "ohhhh I'm so broke please venmo me for lunch" and wear their ripped jeans and strained sweaters and take pictures at the met gala with a box of McDonalds fries in their hand. 
The classist comments made towards Haruhi ARE comedic relief, but the joke isn’t on characters like Haruhi, the joke is on THEM. 
They are the ones who can’t do anything! They are the ones who are stilted and emotionally closed off! They are the ones who can’t make an instant coffee or go to a mall without help! 
THAT is why Haruhi is the center of this harem, why she is the one they’re chasing. They are jealous of her insight and world experience from living independently, from living a REAL life. That is her enviable trait. Haruhi GETS people! And they don’t. Their wealth has isolated them and now there is a barrier between these characters and the rest of the world and they have no idea how to navigate it. 
And this is the foundation of 90% of the problems/conflict in the show! 
The holiday ep when Hikaru has feelings because Haruhi reconnects with Nice Guy Arai? Hikaru says he doesn’t like this guy for all these reasons and most of them are like ‘he’s just some nobody from nothing who only knows Haruhi cause they went to some stupid public school together’. Like okay? Haruhi has all of those ‘bad traits’ as well but you still seem to like her?  
Because it’s not about that, it’s never about that, it’s not even about the love rival/romance angle (at least not completely).  
Hikaru is scared and embarrassed! He already was when they got there, when these rich boys crashed Haruhi’s summer to find out she is an employee here and she is working with her own two hands. This is not a break for her! And then he’s so worried when Haruhi and Arai find each other because what they have is so untouchable to him. Same background, same class, they can meet each other’s needs! And know the other's needs! And this is a chasm that Hikaru has no idea how to cross so he starts lashing out. 
And that episode concludes with Hikaru being told about Haruhi’s fear of thunderstorms, finally actually listening and empathizing with what that means, and then going to her and giving her the stuff she needs to deal with that problem (blanket, headphones, support, protection etc.). 
He has to LEARN that none of those poor people inherently know all this secret knowledge! They just care and ask each other stuff! You can ask Haruhi what she's afraid of and then help her with that! It was always this simple! Just because you’re not the same class as her and knowing her isn’t as easy as it is with people the same as you, doesn’t mean you’ll never know! Learn! Listen! Keep trying! 
Ouran shows their rich characters being hurt by their wealth. Their elitists mindset does NOT benefit them and they’re only narratively rewarded when they break out of it, THAT’S why the arcs are so good. 
(And also while we’re here, I LOVE when they do eps that show Tamaki’s character is actually a parallel of Haruhi’s. Tamaki grew up as an illegitimate child, hidden away in France with his mother. He knows what it is to not be at the top of the food chain, and he learns the skills to keep living! Tamaki is a survivor in a world run by a man who was ashamed of him and did not want him. That can destroy a child, but Tamaki doesn’t let it. He learns how to work people and he learns that belief in yourself is the most powerful asset someone can have. And this is the life experience he imparts onto Kyoya and this SAVES Kyoya, who was barreling towards a black pit of despair and chasing his father’s shadow. The ‘poor’ characters of this show have power that the rich people desperately desire, and in the end they learn that it’s not something you take it’s something you build for yourself.) 
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rayroseu · 6 months
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Azul was freaking SCARY during this part Ngl lmAO imagine blasting this guy with your most powerful spell and he starts laughing like a maniac with hollow eyes and SHOTS you unexpectedly with an even more POWERFUL spell😂😂😂
I would love more insane Azul ✨✨✨✨ being businessman prim doesnt suit him as much as this lol
Also I FELT this part lol its really nice seeing Rollo get beaten up after his nonsense 💥💥👍🏻👍🏻👍🏻 Go get him board game club‼️‼️
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I love the buildup towards this part. Malleus was written as if he was intimated by Rollo during the fight, but then his mask of being "weak" falls off and its actually revealed that he is not intimidated by Rollo at all, in fact the way this scene's vibes gives off??? He was looking down at him, with his 'plans' and his stupid delusion about antagonizing him.
I love when TWST reminds us that Malleus is a king. ✨✨
He hides off this personality that he truly believes he's too superior than anything, that he's undefeatable.
Not gonna lie y'all, I think Malleus won't be defeated by the flowers, he emphasized this from the start, that he's fighting Rollo because the flowers will be problematic for Briar Valley, but not him yk.
Plus, this is Meleanor's kid😂 Mother didn't birth a weak dragon‼️
I think this part also mirrors in Book 7 where the Silver Owls was convinced they caught Meleanor but she just laughed at them and declared that they'll decimate every human in her sight for being insulting as to think they can ravage her land and defeat her lol.
Also the fact that Henry basically narrates her as if she's the villain of humanity by calling her a witch... It parallels to Rollo seeing Malleus (even though he didn't do anything) as the root of all evil yk.
Also possible theory for the Kind Bellringer and the Just Judge??? We all know that their story is written more peaceful here than the Disney movie.
But one thing that's strange is that No one knows what the Bellringer was fighting for even if he's considered a hero of Fleur City-- at the same time, we don't know how Rollo even got the flowers (aside from studying ancient flora)--- Basically, Fleur City lore has many plotholes and no one knows what it is and why is that-- Its like Briar Valley history...
We know the crimson flowers are a reference to the scene where Quasimodo released lava around the Notre Dame to prevent Frollo from entering....
What if in Fleur City as well,,,, Quasimodo (as the Kind Bellringer here) rebelled as well against the Just Judge (Frollo) as well?? But the Just Judge is instead credited as "the saviour of Fleur City" because the evidence of the Bellringer acrually being the saviour is burned up or smth, thats why Fleur City's history has many gaps in them...
Also the Just Judge being the actual villain in the history but remembered as a hero now because of misinformation.... It matches Rollo's punishment that he'll forever be complimented by the actions he didn't do, and its up to his guilt whether he can stand living as a fraud who actually harmed the same people thats highly regarding him rn.
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LMFAO GRIM????? DONT BULLY GRANPA TREIN??? YOU SILLY 😭😭😭😭 I wanna hug Grim he's so cute in this event.... My unruly son 💖💓💖💓🥹
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The gargoyles are so cool🥹🥹🥹💖💓💖 How does Malleus differentiate them... 💥
Also this makes me wonder.... Why Briar Valley doesn't have talking gargoyles??? Isn't Briar Valley a magical nation??? Talking non living things should be a norm for them lol
but Malleus feels like its his first time ever with a talking gargoyle lol
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ISNWIHBDHIWHID HE REFERRED TO HIMSELF AS "MAL" .... CAN YOU BE MORE CUTER THAN YOU ALREADY ARE 😭😭✨✨🫶🏻✨🫶🏻💓💖💖💖💖
he really loves nicknames rather than "titles" because people who gives him nicknames isnt shackled by the expected decorum of meeting him-- therefore these people are not acting and they are sincere with talking with him, it helps with the connection and feeling like he belongs 🥹🥹💞💞💞
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I COULDN'T RESIST COMPLIMENTING GRIM AAGHHH MY CUTE AND ADORABLE AND HANDSOME SON YOU ARE MOST PRECIOUS THE ADORABLE HERO OF FLOWER CITY 💓💞💖💓💞💖
I love how Grim ran the moment he heard that someone is doing a celebratory toss lol The goofy running sfx lol 😂😂
I love how teasing Silver and Sebek was here lol Threatening to toss Idia in the air omg.. He's traumatized already from walking the stairs lol The way Sebek and Silver can be unexpectedly playful... it feels so... "Lilia taught this to them didnt he..." 😂😂😂
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WAAAAHHH YUU CENTER ATTENTION YAY YAY 💖💓💞💖💞💖💓 i love how he used his sultry smile here though lol .... He knows we waiting for his undivided attention yiiiee✨✨✨💞💞💞
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Also i hate this translation part.... In the twst JP Malleus dialogue shows the specific lyrics of "Make a Wish" hes singing rn but in TWST EN IT DOWNGRADED TO JUST " *SINGING* "l
also on the twistune, twst JP shows the lyrics but on twst en, theres none.... I don't get why they arent translating it... This game is for people who dont understand Japanese?? So its natural youre going to translate everything for us non japanese to yk... Atleast understand without googling for translations???
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YEAAA PHOTOGRAPHER YUU HERE THEY SHINE 📸📸📸📸📸😎😎😎😎 be proud your mages still have magic crowley lmfao 💥💥💥
Also i hit the image limit now... But i love the Cinderella reference from Trein's dialogue ✨✨✨ that Yuu taking pictures of the ball can make the other uninvited students more jealous lol
Its a reference to how Lady Tremaine plotted against Cinderella just for her to never attend the ball... ✨
I like this event ngl, but I feel like Rollo's story was kind of rushed ngll jdnfiind we never found out why he's so angry at Malleus, how did he even come to the conclusion that killing Malleus is killing magic, bruh...🤦🏻‍♀️🤦🏻‍♀️🤦🏻‍♀️ Malleus is not even the top 1 strongest mage??? 😂😂
Also i feel like this event was made for Idia instead, it felt like Idia was the main character imo...
I just feel like the event couldve given their dynamic more light because its so intriguing that they went to similar trauma but have different outcomes...
In a way Rollo is what Idia wouldve become if he continued tormenting himself for Ortho's death alone...
He said to Rollo that "is removing magic what your brother wouldve wish?" I think thats very telling that even if its tragic that Robot Ortho's creation was fuelled by Idia's grief and defiance that Ortho is forever gone, it was suitable for Idia's pain to remind himself that Ortho wouldve wished he goes on... as is very telling of Book 6's ending about Ortho's refusal on Idia's suicide by going with him on the Underworld...
also because I think Rollo would need some person like Idia whos blunt for regular reality checks just so he wouldn't blinded by his delusion again and ransack the world 😭😭
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two-white-butterflies · 11 months
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you're losing me (five) | am. targaryen and j. velaryon
Description: Aemond gets sit down and added to his father's will. Viserys hires a private investigator to find out about your background. Rating: General Audiences part four
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Aemond couldn't believe that he was giddy at the premise of inheriting his family's business. Fire and Blood Corporations ruled over the world - from trade to the food industry, now he was going to own 49.7% of it - all thanks to you.
"Now I understand that I was the one who started it," Viserys breathes, browsing through the dozens of folders on his desk. "- and I intend to keep my promise," the man signs a piece of paper that had their names on it.
"I will give you my company, and you'll have it after the wedding." his father smiles proudly, clicking his fountain pen. Aemond was just about to sign it, but Viserys pulls the paper back. "- you can sign this after our private investigator sends me the details about your fiancee." Viserys explained, quickly placing the contact inside his drawer. He pales slightly - they were fucked.
His father was going to find out about the debt you had with the IRS, and your father's arrest warrant with the Interpol. He was colossally fucked - and he had no plans in bringing you down with him. Aemond breathes, trying to calm himself down. "Of course, when is that?" he inquired - straightening his suit.
"Next week," Viserys replied.
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Aemond felt like relapsing back into his old routine of fucking girls and drinking lots of booze. He takes a nervous bite of his mini Oreos, completely oblivious that you began to make your way beside him. "You okay, honey?" you inquire, placing a strand of his hair behind his ear. He nods his head - not giving you his full attention.
"I want to say something," you hum - pulling the jar of cookies away from his hands. He turns to look at you - eyes softening at the sight of your features. He was fucked - and he seemed okay with that, because he was with you. "What is it?" he asked, the nervousness beginning to flow away from his body.
"I like you." you confess - and that nervousness floods his system. His mind raced through a million thoughts - what did you mean by that? "In a romantic way," you add, staring at the ground. It would be embarrassing if he rejected you.
Instead of using his words - he takes your hands, pressing a kiss on the back of your palms. "And maybe we can turn this into a real thing?" you smiled - he smiles too.
"I love you."
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(your first name): not the kind to post a lot, but bah whatever. these series of pics really embody the aesthetic of my new album. (that's not yet finished, i'm so sorry 😭) dress, lover and paper rings are singles - tho some of the things i released (peace and cardigan) are part of the album.
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whiskeyonice: PEACE IS ABOUT JACK IN A BOX RIGHT?
TACO23849: watch her turn 'peace' about aemond 😎 - y/nliverspread: wait?? noo aemond cannot be?? is he?? -TACO23849: here we go again with the memes lol 💀😐
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"She owes the IRS a lot of money, sir." the private investigator clears his throat - lowering the piece of paper in front of his boss. He was given a window of one week - but an hour was enough to find information about the pop-star.
"She's not paying her taxes?" Viserys raised his eyebrows.
"She doesn't have money to pay, sir." the man breathes. Anger begins flooding the patriarch's body. He wasn't going to let you marry his son. It would be shameful - it would ruin the family's reputation.
"Can you call Alicent? I need to talk to her." Viserys' lips turn into a thin line.
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You were surprised when Alicent invited you for a cup of tea. Your boyfriend's mother kept to herself, only giving you small smiles and nods in the party - but now her entire atmosphere seemed to change. Alicent wasn't smiling or nodding - she was glaring at you.
"I like your ring," you compliment - settling down parallel her body. "It was a gift to me, by my husband. It used to belong to his grandmother." Alicent scowled, the waiter began to place a cup of tea in front of you. "Let me ask you (Your Name), what is your job?" she asked, placing a tart on her plate. You take a deep breath.
"I'm a singer." you answer, taking a small sip of the chamomile blend. "I was a model before I met Viserys - and I quit, because marrying into the Targaryen family is a job." she informed, gazing upon your face to measure every indent. "Pardon?" you breathe, in shock that this was happening to you.
You saw it happen in those Spanish novellas that your mother used to watch. What was going to happen next? Was she going to offer a million dollars so you'll stay away from her son?
"My husband knows that you are drowning in debt, he's not going to let the wedding pull through. If it does - Aemond is not going to inherit the company. Which I assume is the reason that you're marrying him in the first place." Alicent presses her lips into a thin line. Her heart reached out for you - but she loved her son.
Alicent reaches for her handbag, dropping a few thousand dollars to cover the bill. "Please, stay away from us." she pleaded - rising to her feet. "I'm not here for money - I thought I was. I've fallen for your son." you admit, making her freeze for a few seconds.
"- but you're his mother, and you know what's good for him. I want you to remember - when Aemond has children of his own, with a woman that you think is respectable. I want you to remember that it was because of me, and that I chose to stay away." you stand up, removing the wedding band from your fingers.
Stop you're losing me.
You're losing me.
"I don't know what you'll say to him, but I want you to know - that it wasn't hard loving your son." you smile, returning the engagement ring to her. These halls will never be the same again. Alicent's face softens. She opens her arms - welcoming you with an embrace.
"Thank you, (Your Name)" she responds bitterly.
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AEMOND TARGARYEN 3:24PM Where are you?
YOU 3:25PM i'm so sorry
YOU 3:26PM they know the truth, that i'm apparently 'drowning' in debt. i don't think that we should be together anymore, and i feel really shitty for breaking up with you over text.
AEMOND TARGARYEN 3:26PM No, we're not breaking up. My mom got to you didn't she?
AEMOND TARGARYEN 3:26PM I don't give a fuck about the inheritance, I'm already rich. I just wanted to give a colossal 'fuck you' to Rhaenyra.
YOU 3:27PM it was never going to work, we're worlds apart.
You reply to him with a deep exhale. It was going to be worth it in the end, because he'd find a woman that was worth fighting for.
A beautiful fool who could hide behind his shadows and appreciate his shine - not you, not a person who had her own shimmer.
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(your full name): i had a wonderful time ruining everything, thank you for having me europe 💗
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y/n's kitten: I want to thank Aemond Targaryen for giving us the best bridge in the entire universe. "Your midas touch on the chevy door, November flush and your flannel cure, this dorm was once a madhouse, I made a joke well 'it's made for me.' How evergreen are group of friends, don't think we'll say that word again. And soon they'll have the nerve to deck the halls that we once walked through. ONE FOR THE MONEY TWO FOR THE SHOW. I NEVER WAS READY SO I WATCHED YOU GO. Sometimes you just don't know the answer TILL SOMEONE'S ON THEIR KNEES AND ASKS YOU. SHE WOULD'VE MAKE SUCH A LOVELY BRIDE WHAT A SHAME SHE'S FUCKED IN THE HEAD. they said, but you'll find the real thing instead SHE'LL patch up your tapestry that I SHRED."
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sexybaby: nah I have beef with him because why is mom's comments suddenly restricted ackk ☹️ -applepie59: Her comments r restricted because americans keep asking her to tour there 💀 which she can't bcuz girl aint paying her taxes -sexybaby: bitch she isn't even in america full time why the fuck is she gonna pay for taxes? -apllypie59: Y/N's kittens stay delulu
y/nismysavior: I'm not heartbroken, also me: Y/N L/N
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(your full name): Merci Paris 🥰 I will come back soon
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"How long are you going to keep attending her tour?" Aegon makes his way towards Aemond's hotel room - callously smoking a cigarette knowing that he wouldn't get into trouble because his grandfather owned the building. "As long as I want to." Aemond replied, glaring at his older brother. "Just watching her then? No talking?" Aegon insinuates - eyes narrowing.
"She seems okay." he breaths.
"Well I've been beside you during those concerts and you aren't analyzing her note changes or speeches enough." Aegon rolls his eyes - unable to admit that he was still one of the Y/N's kittens. "And you pay attention to that?" Aemond turns his head, slowly placing the duvet on top of his body. Aegon chuckles, already having a 100 paged slideshow in the back of his mind.
Aegon was able to note how your voice changed when you sang about the greatest loves of all time. How it cracked when you were singing about the snow-globe spinning round and round, and how his brother keeps a picture of you in his office downtown. "Men are so stupid," he shook his head - leaving the room and slamming the door shut.
part six
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@glame @xcinnamonmalfoyx @winxchesters @yentroucnagol @hotchnerswife @mxxny-lupin @joliettes @kemillyfreitas @mxtantrights @urmomsgirlfriend1 @kravitzwhore @sweethoneyblossom1 @introverbatim @flrboyd @kemillyfreitas
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lettingtimepass · 6 months
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Loki s2e5 Thoughts & Feelings (Spoilers)
THE INTRO LOSING THE LETTERS!! I'm a sucker for when an intro is slightly changed. And in the end credits when the lines and type get all wonky! I love it.
Ok I have a question. When Loki finds everyone, they are all on branched timelines, not the Sacred Timeline. So doesn't that mean the lives on these branches could be slightly different or totally different than their original lives on the Sacred Timeline? Sylvie says they're back in their "real lives", but is that even true? 🤔 Also, I know people are theorizing that Don's wife was dusted during the snap, but technically in this branched timeline, the snap might not have happened.
B-15 being a doctor was so good 🥺 "I looked happy." Yes, you did... I just noticed her name on the captions was "Dr. Willis!"
Don!Mobius said he'd seen Loki in the shop before, did Loki timeslip there and not remember it? Or... has that not happened yet?
OB's workshop looking super similar to the one at the TVA - So cool!
"So I am gonna write a bestseller!" Stop he's so pure!!
Did anyone clock that OB's book cover looks similar to Loki and Slyvie on Lamentis? 👀
"It's impossible. But don't let that stop you."
This is probably obvious but Loki couldn't control the timeslipping until he truly accepted his "why." Not to protect the timelines from HWR, but to protect his friends.
Don!Mobius literally dropping everything to talk to Loki and offer him a drink. Fellas.....
"You saw something in me that I hadn't seen in myself." NO THIS IS STRAIGHT OUTTA FIC THO 😭
I can't believe Loki assembled his own Avengers 😭😭😭
Gawd, the show starting with Loki's speech about how humans don't need choices, and now he's fighting to give his friends choices..... that's the good shit.
"I want my friends back." DO YOU REALIZE THE CHARACTER GROWTH?!?! Loki never had a friend other than Thor. He was so closed off, he didn't think he ever needed anyone else. He told the lie that he was fine, better off, by himself. For him to admit that he has friends, and he wants them, and doesn't want to be alone...? 🤌🤌🤌
"But without them... Where do I belong?" WHERE IS TOM'S EMMY?!?! The tear, the voice shake... this man 😭😭😭
Remember, this Loki is a "cosmetic mistake." He isn't supposed to exist. Mobius saved him from being reset. Without the TVA, without Mobius... he has no reason to exist... no glorious purpose. But he was still willing to let them all go to do the right thing 🥲🥲🥲
Mobius trying to sell a Jet Ski to B-15 is too funny.
THE MONKEY FROM THE INTRO!! I've been wondering what that was all about... we also see OB's sticky note wall!
"The pens... we have all the pens!"
When they all start spagettifying being parallel to the dusting scenes in Infinity War.... RUDE, MARVEL. MR STARK I DON'T FEEL SO GOOD.
"I can rewrite the story." YES YOU CAN KING!! And my immediate reaction was "Loki, God of Stories"! At first I thought Loki and Sylvie were going to run the TVA together, but now I feel like it might be Loki alone (with Mobius' help of course), managing all the timelines... writing the story.
THAT ENDING!!!! I'M SO READY BUT NOT READY FOR NEXT WEEK!!! I can't believe we're at the end.... I'M SO SCARED! 😭
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hanafubukki · 2 months
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Hi Hana!
Please tell me you know the song Deliver Us from Prince of Egypt (if you don't, you must go listen to it). That one line slaps so hard and it makes me think of Dawn Knight and Silver and Meleanor with Malleus
The line: ,,My son, I have nothing I can give but this chance that you may live."
Tell me I'm not the only one
Come here Althea, I just want to have a talk ☺️🌻🌸
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I haven’t seen the movie in ages, but I remember the story. I listen to the soundtrack occasionally and…argh, the pain!!
Two brothers who loved each other but ultimately couldn’t see eye to eye, and we know that would never happen with Malleus and Silver. They love each other too much and understand the other’s pain for that.
But yes!! That song! That lyric!!
A mother having to give up her son so they can live. The parallel of both Meleanor and the Knight of Dawn.
Meleanor who stood as the final barrier so Lilia can escape with Malleus.
The Knight of Dawn fighting to buy some time for Leia and baby Silver.
And you could even say the lyrics apply to Lilia as well for both Malleus and Silver.
“I have nothing I can give but this chance you may live”
Lilia trying his best to hatch Malleus, giving his life and magic to him. Lilia raising Silver, a human, which is vastly different than raising a fae.
It’s not “nothing to give” but more “everything”
These parents gave their everything, gave their love, to their babies.
There’s also the similarities of the sons being raised by someone else like Silver and Malleus were.
You know what other lyric that fits so well??
“Sleep and remember my last lullaby”
The last lullaby!! Meleanor’s Lullaby!! The song that Lilia sang to Malleus and Silver!! The one that Malleus hummed to baby Silver and when he put everyone to sleep!!! Can you hear my heart shatter?? 💔😭
My favorite song in the move is “when you believe” I love listening to that song 🥹💞
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mmpookie · 5 months
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ARCANA TWILIGHT FLOOR 13 REACTION SPOILERS ‼️
I. AM. NOT OKAY.😭😭 BRO I AM ON MY. KNEES. PLEASEEE GIVE US A SEASON TWO STORY TACO OML 😭🙏🙏
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OKAY NOW FOR DISCUSSION:
FIRST SHOUT OUT TO CONFRONTATIONAL ARKY GOTTA BE ONE OF MY FAVORITE GENDERS 😩🙏
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OK
THE THE. THE FRICKEN POLLUX IS CASTOR PLOTTWIST⁉️
I SAT OVER HERE DRAWING THE POLLUX BDAY ART .JUST. COMPLETELY ABSENTED MINDED OF THE FACT THAT POLLUX AND CASTOR LITERALLY PULLED A TWIN SWAP CLICHE ON US THAT IS SO FUNNY TO ME.
HE'S SO TRAGIC ☹️
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BTW I ALMOST FELL OUT OF MY CHAIR READING THIS I CANNOT BELIEVE THIS WAS THE CASE THE ENTIRE TIME OH MY GOD
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I MEAN THINKING ABOUT IT I SHOULD'VE EXPECTED IT BUT STILL (EVEN SIRIUS WAS STUNNED)
Also teehee the dots are connecting with mythology again UGH it's so smart with what they pulled off I loved this closing arc for pollux
or I mean castor???
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I'm not stretching right???
Also did they ever clarify what castor's fate of misfortune was? Unless I missed it, it's gotta be referring to his death right? Deffo gonna reread the story for when my arcana twilight withdrawals kick in to reanalyze EVERYTHING bc that will be fun
MORE MYTHOLOGY‼️
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I've would also love to shout out how much of Arky's role of guiding us out of the Boundry can be paralleled to the greek god Hermes and what he symbolizes BUT BRO
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CAN YOU HEAR MY UTTER ANGUISH?????? MY UTTER DESPAIR?????? I AM UNCONSOLABLE
I DUNNO IF I'LL EVER RECOVER FROM THIS LINE 😭 SORRY IT'S JUST ME PARALLELING SUMMONER AND VEGA TO ORPHEUS AND EURYDICE AGAIN. AND. AND. HOW RELEVENT IT IS TO THEIR BACKSTORY AND VEGAS TRAUMA OF BEING ABANDONED BUT
THIS IS SUCH A PERFECT LINE. THE BOW ON TOP OF HIS CHARACTER ARC. I COULD NOT BE HAPPIER
THIS MAY OR MAY NOT BE BECAUSE OF HOW MUCH A HADESTOWN FAN I AM SO IGNORE ME
Ok so at the end I was like NERVOUS bc there was the chance they could have MAYBE pulled off two different endings depending on whether summoner personally wanted to stay or go back to Mid Earthium- which would have been a cool opportunity that Storytaco could have pulled,, but I guesss instead they did the thing where the choices triggered the same response, but this time in the sense that the rest is left to your imagination:
*you turn around = you stay back at the Boundry with the boys (this is because if you turn around the portal magic thingy won't work)
*or you listen to arcturus = keep walking until you arrive back home (earth)
Personally I chose to turn around bc ,one, the story never really gave me TOO much reason to want to go back home- however it was back there- and two I WAS YELLING THROUGH THE SCREEN NOO I DONT TO LEAVEEE 😭😭 THE WHOLE TIME
Also the voice we hear at the end says
"Can you hear? I have a story I desperately want to tell."
And I?? Can't exactly tell what it means?..OTHER THAN A TEASER FOR MORE CONTENT?? MAYBE PONTENTIALLY?? But if it's actually obviously something else I missed please tell me 😭
Anyways end of lecture:
Pollux and vega ending arc top tier.
Arcturus hmm I wish they didn't gloss over the void arc so quickly 🤔
If they could have fitted it in there I would have loved if they had just a BIT more of a satisfying conclusion for spica and alpheratz yknow? :( just me??
And finally. I can be slow,,, so if there's anyone out there that can explain Sirius's whole spiel with polaris and everything with the time travel.,,,,,,, I really would appreciate it bc I'm still trying to understand 😭
(Story taco if you're reading this please make more story I love these characters too much ☹️)
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thescrumptiousstuffs · 8 months
Text
Only Friends, Episode 5 - The Extra Hour
In which we get Sand’s backstory (and proving once and for all he is the best boy ever, even P’Jojo said so!) before petty Boston ruins everything (again 😩)
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Sand and Ray
Gosh…these 2 are everything this episode. We start with a montage of how mundane and boring Sand life is - study, working his multiple jobs, exercising, counting his finance and repeat…until Ray comes beaming into his life, and really give some much needed sunshine (heh, see what I did there?) to Sand’s life - and as per Sand, “his 25th hour.”
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I love the domestic scenes we get - from Ray pretty much moving in with Sand (I suspect some time has passed by from the previous episode), to their domestic horny stuffs, to Sand catering Ray’s every whim. But as much as Sand spoils Ray, Ray actually does the same - he could have chosen not to go on the bike with Sand (after whining how hot and dusty it will be), he could have chosen not to model and indulge Sand’s desire for him to wear Sand’s style of clothes (after again whining halfheartedly it’s not his style).
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I believe Ray is gradually but surely moving on from his unrequited love for Mew. He likes getting to know Sand - from all the above, to following Sand to the makeshift concert (and the song choice!! It’s from one of P’Jojo’s list for Sand’s Spotify!). And the fact that everytime Sand is with him, they are in their own world (I mean, poor Summer - she never stood a chance with Ray 😂…are we sure Ray is a playboy? So far, all I’m getting is him being hyper focus on one person when he likes someone - previously Mew, now Sand).
I also love the serious conversations these 2 have surrounding their births and their respective relationships with their parents - it makes such a good foundation for their blossoming friendship (and hopefully relationship). Gosh, the parallel of both being born from unexpected pregnancies - but Sand’s mom (and her gaggle of go-go women, I LOVE THEM) deciding to embrace him and raise him right (just look at how independent and self-reliance he is! P’Jojo tweeted how Sand is someone you want as a boyfriend in University, and I agree wholeheartedly) while Ray’s mom unfortunately fall into post-partum depression and spiralled into alcoholism (and the way Sand’s hand shook when he poured the alcohol drink for Ray, before the camera zoom to Sand looking at Ray to the bottle while Ray looked somehow bitter and sad - yes, FK again showing their supremacy in acting 👌)
But urgh, their blossoming relationship is now in tatters because of Boston being bitter and petty. I think Boston being informed by Mew that the latter is giving up his virginity to Top put him at edge. (And him yet again using Nick to forget about the fact, hence the reason he asked Nick whether he could stay the night at Nick’s place, when it’s usually the opposite)
And so to see Ray moving on, being happy with Sand - it snapped him. Boston is the type of person who can’t stand not winning, and I also think he has the mentality of “if I’m not happy, nobody can.” 😫
I still do not believe Ray and Mew slept together, so whatever Boston is spouting “are you two timing him?”, what does that even mean? Also, Mew called to say he was giving his virginity to Top…and even if they did slept together, it was TWO years ago. And now Ray knows Boston took pictures of RayMew kissing each other…gawd, Boston just sounded delusional during that whole scene.
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In whatever case, the damage is done. And we see Sand guarding his heart again, despite Ray genuinely trying (for the first time) communicating by stating “If there is something you want to know, ask me, I’ll answer them.” Unfortunately, Sand is weary and it didn’t help Ray kept saying they were just friends each time someone asked what their relationship are (cause you know, Ray is a disaster muffin who won’t know he is in a relationship eventhough he basically did couply things with Sand). Urghhh…my heart just breaks for them 😭😩😫…and to end the episode with Sand shedding a tear and feeling alone (despite Ray lying next to him)…I don’t think I can forgive Boston for breaking their newfound happiness.
Nick and Boston
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Which brings me to the toxic relationship of these 2. We see Nick trying to become more like Top. He exercising regularly to shape up and dress more smartly to capture Boston’s interest. But urgh…Boston as usual, plays it enough to make Nick happy (and the poor boy, Boston paying attention to the changes and commenting it, Nick thinks these are all positive things).
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We also see Boston stating to Nick he wants to stop sleeping around (really?? When hell freezes over) because one of his conquest took video/photos of them together and Boston having to threaten said conquest to delete the incriminating footage (if that is not foreshadowing of what may happen to Boston in the future, I’m not sure what is. Also, Nick still has the recording of TopBoston….)
But what truly devastated me was when Boston spewing all the nonsense to SandRay that led to the massive fight between Ray and Boston; Ray warned Nick about Boston’s callous and selfish nature, and Nick just resignedly acknowledged it, fully aware he is too in love with Boston, and can’t seem to find a way out of it.
I’m sorry, but I can’t see any redeemable qualities in Boston 😭😭😭 (I love you, Neo and your acting in this series, 👌 - but urgh, Boston makes my blood boils)
Top and Mew
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I can’t pinpoint it exactly but there is something not quite right with their relationship. On one hand, Top is sweet and attentive to Mew (I can see why Mew fell in love with Top). But twice now in this episode, 2 strange men stared (and smiled almost creepily at Top - with both time Mew clocking it? But not really addressing it). And Top genuinely doesn’t seem to be aware of the staring itself (or are we meant to think it’s all in Mew’s head? And it’s just Mew being insecure? 🧐🤨. I mean Mew did warn Top in the first episode he can become obsessive). I also do not believe one bit Top has given up on his drug habits plus his side eyeing Boston while shading both Boston and Ray in front of Mew (albeit subtly), is he slowly trying to manipulate Mew and isolate Mew from his group of friends?)
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Nonetheless, Mew and Top did fall in love (or at least we are led to believe they are in love) and well, Top popped Mew’s cherry. What I cannot fathom is WHY Mew called Boston (of all people) to tell him the news. I can understand why he didn’t call Ray (so that he doesn’t rub on Ray’s unrequited love), but why not Cheum? Who from the get go rooted for TopMew. I’m not sure whether Mew has an ulterior motive or he genuinely thinks Boston will be happy for them as one of his bestie. Either way, Boston is NOT a happy camper (as we are aware) and took it out on SandRay newly found happiness.
Ray, Mew, Namchuem, Boston
Now more than ever, we are seeing cracks in their friendship. Ray and Boston don’t seem to get along without Namchuem and Mew. Ray and Mew (for obvious reasons) are probably talking the bare minimum with each other (and the fact that Top clocked on Mew and Namchuen basically doing the bulk of their hostel project tells you something). I feel the most sorry for Namchuen who has to deal with 3 sorry excuses of boys (cause let’s be honest, all 3 are disastrous in different ways)
Anyway, as usual, each episode makes my head spin and this is just me trying to figure out what’s happening. The preview from episode 6 seems wild with Mew’s birthday and Mew punching Ray? Oh dear…it’s going to be more heartbreak 😩😫😣…but onward and forward, is it Saturday yet?
09/09/2023
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comradekatara · 3 months
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i am very curious about your thoughts on various utena/atla character parallels… every once in a while i see you offhandedly compare like.. korrasami and utenanthy and i’m like HOLD ON this is so true! if you have any further ideas about that i would LOVE to hear them. i honestly don’t know how big the audience is for rgu/atla analysis but i am definitely part of that audience. 😭
yesss i can't believe you're literally the first person to ask me this lately i've been making rgu references on like, every single post i'm shameless!!!!! over the summer i even wrote (like 95% of) an essay comparing sokka and nanami (tldr; they are meat) and i have yet to revisit it (bc i'm scared tbh) but i will post is eventually that is a PROMISE (for an audience of 5 people). also before we go any further my utena blog is @saionjeans and we have fun there. also, i have some utena/atla crossover art here and here, so check that out if you haven't already. the rest of this post will be scattered thoughts because my nanami-sokka essay will be doing a lot of the in-depth analytical work and i don't need to rehash that all now. but also, because i have never not once in my life heard of brevity, i did write a bunch of mini essays anyway, because of course i did.
korrasami and utenanthy: love and abuse
i compared utenanthy to korrasami a couple times, most notably in this post where i talk about how meaningful their relationship is despite being (arguably) underdeveloped, and then in the tags i still have to acknowledge that utena and anthy nonetheless did it better 17 years prior. but i do think that there is so much to be said for utena-korra and anthy-asami as two young women who are both set up to be "special" but in a way that denies and restricts them from their own humanity, cloistering them away from the outside world and making them more vulnerable to abuse. i talked pretty recently about how asami's abuse is really shrugged under the carpet in a way that pisses me off if i think about it for too long. rgu does such an incredible job of gradually exposing that abuse and its effects on society, not as a deviation from the norm (of the nuclear family, of the romance, of the school, etc.) but in fact a common symptom of it. lok does not critique the nuclear family in any meaningful way despite setting up so many different areas through which such a critique could be facilitated (made worse by the fact that atla sets such a fantastic precedent). but anyway, enough about lok (and how she disappoints me).
2. miki & kozue and katara & sokka: siblings and memory
in my sokka-nanami essay i talk about how various characters can be read to embody various analogues, but how my focus in that essay is primarily to draw a parallel between sokka and nanami by using the framework for gender/patriarchal logic rgu establishes. however, i also talk about how azula can be read as a nanami (or even an anthy) figure, as well as how katara and sokka can be read as miki and kozue (katara = miki and sokka = kozue, obviously) (and note that kozue and nanami are significant foils/mirrors too). i mean, they even have a similar light blue (to signify naïveté, innocence, childlike wonder) versus dark blue (to signify cynicism, jadedness, resigned subsumption into harmful norms) color scheme going on. the Special sibling and the afterthought. (although before going forward i do want to be clear that i am in no way alluding to any incestuous undertones wrt katara and sokka, and i would even argue that the allusions to incestuous desire between miki and kozue are more complex and nuanced than simply reducing it to mere perversion. but that's beyond the scope of this ask lol)
i know that some people might bristle at my comparing katara to miki (baby misogynist, little freak) but miki really exemplifies the trope of the "sunlit garden" in the same way that katara exemplifies that trope in atla. miki isn't the narrator of course (akio is), but the central motif of desire staked to an illusory formative memory since lost that defines a character's motivations and self-becoming is first properly introduced (not including the utena meeting dios intro) and defined through his obsession. in the same way, we are introduced to the world of atla through katara's formative memories, her desire that motivates her self-becoming also being an illusory formative memory, as well as a tale she longs to replicate ("the four nations living together in harmony"). katara, like miki, is defined by her naïveté and childlike innocence, her somewhat reductive desire to be noble and heroic, and her need to flatten everything into a clear-cut narrative wherein she is always its heroine. like miki, she resents her sibling for being transformed into a more cynical version of themselves in accordance with society's pressures (in kozue's case, it's the inescapability of patriarchy, whereas in sokka's case, it's... a lot of things), and longs for a time when they were "truly happy" and playing together (playing piano, playing in the snow, you get it).
both kozue and sokka heavily subscribe to patriarchal logic and comport and reduce themselves in accordance with the dictums of a world they consider truly inescapable. kozue seeks power within her limited frame, whereas sokka only seeks power insofar as it allows him to assume his very narrow role of protector, but they both assume those limitations to be ontological and fixed in a way that does not allow them to see past it. however, the lack of empathy both miki and katara refuse to attempt in understanding their worldviews, in no way making an effort to broach that misunderstanding instead of simply letting the chasm between them fester, nonetheless implicates them equally. after all, they too both adhere to their own limited worldviews, only in their worldviews they are fundamentally special and thus beyond reproach. sokka and kozue are both integral aspects of katara and miki's sunlit gardens, and their idealized return to a picturesque nostalgia involves a transformation (or regression) of sokka and kozue into their more innocent former selves. and sokka and kozue are in turn obsessed with katara and miki, the central figure around which their identity and actions revolve.
through this framework, aang thus becomes katara's anthy (aangthy, hehe), as the embodiment of katara's hopeful/nostalgic ideal of heroism, companionship, and the idealized promise of a distant irretrievable past. like anthy with kozue, aang "replaces" katara's longing for the softer, more innocent version of her brother with aang's friendship. like miki with anthy, katara possesses romantic feelings for aang despite his functioning as a replacement for sokka before he became a shell of his former self (or kozue before she became... sexually active). this is because katara, like miki, idealizes the patriarchal narratives that dictate that all significant relationships be either romantic or familial (or both). she wholeheartedly subscribes to this notion, hence why she attempts to subsume everyone who can meaningfully fit into her narrative framework as either a lover (aang, haru, jet, zuko for all of 2 seconds) or a pseudo family member (aunt wu, hama, pakku, toph, etc etc.), replicating those dynamics as many times as she needs to to make them fit within her two dimensional tapestry. and crucially, coming face to face with yon rha subverts that, because she recognizes the messy humanity spilling forth from the neat boxes she puts people in, and must thus contend with her own role in her narrative. of course miki, being a side character and not the narrator, certainly not the hero, does not get this luxury. and he must find a way to grow up anyway.
3. akio and ozai: patriarchy
there's something truly incredible about how both akio and ozai manage to inflict psychological harm upon every single character in their respective shows, even if they never interact with those characters directly. their reach is vast and spindly; it cannot be overestimated. and yet, ozai has only reigned for about six years. akio is only acting chairman of ohtori academy. they are not patriarchy itself, but merely its signifier. and obviously their modes of embodying patriarchy differ in many respects: a school is not a nation (despite the similarities), and a father is not a brother (despite akio being father-like). ozai is defeated by by being stripped of his technology of violence, whereas akio is not "defeated" in a literal sense (although i suppose anthy driving a car through his ghost and exploding him into a cloud of roses does make quite the statement), anthy merely leaves. and yet, in both instances, they are both forced to succumb to their own limited ideology regarding what constitutes power. if ozai lacks firepower, he lacks control over his subjects and the right to sovereignty. if akio's control is challenged, if people realize that they can just leave, that the ends of his world are entirely arbitrary, he no longer has the power to abuse and exploit and use others for his own ends.
the metonymic signification of patriarchy figured through both ozai and akio in dual ways further emphasizes their respective roles. ozai is both king and father, akio is both (acting) chairman and (acting) father. patriarchy dictates every aspect of [a patriarchal] society: from interpersonal dynamics to the nuclear family to the school to the state to the world. what makes both akio and ozai so brilliant in this regard is the fact that their influence is reflected in all these facets. ozai abuses every member of his family individually; controls them as a system; inflicts his (family's) propaganda onto the fn education system, rewriting history with (almost) no one to disprove him; inflicts his imperialist agenda both within the fire nation (ruining local economies through industrialization, forcing citizens to conform to restrictive roles, inflicting violence through occupation) and beyond it; he refers to the world as "my world," as if he is its creator, its owner, or its god. and in many ways, he is. akio similarly abuses everyone interpersonally (most notably anthy, touga, and utena); subsumes utena into his nuclear family system so that she cannot leave; uses the academy as a site of control in which adolescents are forced to comply with socially codified norms and thus made more vulnerable to the influence of adult authority figures (especially those who emphasize their individuality or inherent specialness when compared with the rest of the student body); operates ohtori as a sort of nation wherein patriotism is reified through the use of uniforms, affiliations, sociopolitical hierarchies, and an acting government (the student council); and defines himself as the creator/owner/god of his world. to be end of the world. to embody not an apocalypse, but a cage.
ozai and akio both fashion themselves the entire world, but it also makes them more vulnerable to resistance, to any mode of critique that points out the obvious: no, you're just one person, and the logic you use to dominate others is deeply, noticeably flawed. it's a logic that they exploit but that in turns exploits them, as they have so deeply internalized it that they can no longer immunize themselves against any kind of resistance. ozai claims that there is no room for an air nomad in his world, which is why aang defeating ozai through the pacifist values of his people and not through his greater power (which would nonetheless be subscribing to ozai's logic, and thus letting him win ideologically if not physically) is so crucial in shattering ozai's paradigm. just as utena, as someone who refuses to conform to the strict, arbitrary, and violently enforced norms of patriarchy, can so thoroughly disrupt akio's control by resisting him. just as anthy can by leaving. akio remains in his cozy little coffin, exerting meaningless control to uphold the hollow puppet of his ego.
people sometimes joke about how long it takes for zuko to recognize that the burning off of half his face was "cruel" and "wrong," but it's not that zuko didn't find it painful, it's not that zuko didn't fear his father, it's not that zuko idolized his father beyond reproach. he questioned his cruelty, in fact he did so constantly. he simply saw no other way to live. he had no conception of a world beyond ozai's defined limits, had no choice but to believe ozai's dogma and loathe himself for not sufficiently adhering to it. similarly, people often ask "if anthy could leave all along, then why didn't she?" because she, too, was trapped in a coffin of her own self-loathing. to leave an abuser is not as simple as simply stepping beyond the threshold and never looking back. first, you must locate the threshold. then, you must find the courage to look beyond it. i briefly touched on azula being an anthy figure before. well, i think that she is. just because she has yet to see beyond the threshold does not mean she does not find her limits. and yes, its not triumphant, and yes, her facade that masks her pain and fear is shattered, but ultimately, that breakdown is a good thing for her. because that's her first step to freedom.
4. the sunlit garden as mythmaking events
i talk previously in this post about the motif of "the sunlit garden" in rgu vs what i like to call "a mythmaking event" in atla, and i do want to elaborate on that slightly. i provided a link to a post on my utena blog going into what the sunlit garden "is" for each principal character, and atla has a similar mode of communicating these nostalgic desires and idealizations that motivate self-becoming, largely through flashbacks. for aang, it is quite obvious, as his memories of a before and after are (temporally, although not psychologically) fragmented by an entire century. that disconnect severs the two versions of himself quite neatly. those memories with gyatso and the other air nomads (as well as with child bumi, and with the mysterious kuzon) are his idealized past, his "sunlit garden," whereas the storm is his mythmaking event, the point in his life where his choices collide with his telos. there is no going back.
katara and sokka have a similar sunlit garden, their snowball fight being the last truly happy memory they have before the black snow falls and their childhood innocence is severed from them forever. kya's sacrifice and murder is katara's mythmaking event as she then chooses to assume the mantle of her mother who took her place, decides to become the greatest waterbender possible to compensate for surviving the genocide, and chooses to be a hero so that the collective memory and sacrifices of her people will not be in vain. like utena, she witnesses pain and suffering at a very young aged and is moved to become a hero so as to mitigate that suffering, even if her own formative tragedy can never be rectified. also like utena, she idealizes a seemingly utopian past wherein violence was more covert and thus presented itself as more ideal (the time of princes vs the time of harmony). her naïveté and persistent idealism are both her downfall and her greatest virtue. she refuses to accept the true state of the world to the point of blindness, but it is also that refusal to accept it that allows her to force the world into a kinder shape.
as for sokka, his mother's death was also a formative trauma, but his true mythmaking event is when hakoda leaves for war with all the other men of his tribe. hakoda tells him that "being a man is knowing where you're needed the most, and right now, that's here, protecting your sister." it's not a rose crest ring, but it may as well be. from that moment onward, sokka officially comports his identity into being his sister's protector, which is how he thus defines his manhood. and of course, being his sister's protector means being a martyr, because the precedent for "protecting katara" that has already been established is, well, dying for her. like aang being the avatar and the last airbender and katara being the last southern waterbender, sokka is thus defined by his necessity (ie, usefulness to others) as well as his isolation – not only the "last warrior/man" of the swt, but also via his own process of depersonalization and self-dehumanization as he attempts to fully embody his role as an eventual martyr.
zuko's mythmaking event is, of course, branded onto his face. in fact, zuko essentially assumes both katara and sokka's mythmaking events by first being irrevocably altered by his mother's sacrifice, and then being all the more transformed by his father's decree as he attempts to dictate what kind of man zuko needs to be. his "sunlit garden" is also shown to us in flashes: memories of a (literal!) sunlit garden, of turtleducks, of his mother's gentle guidance, of happier times on ember island, on his father's hand resting on his shoulder with pride instead of malice. it is unclear just how truthful these nostalgic memories are. obviously, his family was never actually happy. ozai had always been exerting control over them, even if his violence was once more obscured. we never see azula's sunlit garden, for instance (although i'd argue that she and zuko possess the same mythmaking events), and i cannot help but wonder whether it's because, like touga, she never actually had one.
finally, some honorable mentions must go to the following: toph, whose sunlit garden is also her mythmaking event, as she learns from badgermoles how to hone her gift and reject the rigid societal impositions that seek to limit, repress, and control her. hama, who never attempts to return to her sunlit garden in the swt with kanna, despite her freedom as established in her mythmaking event of teaching herself to bloodbend; she knows that she is irrevocably altered, and thus she can never go home again. appa, whose sunlit garden, of playing with the other bison at the southern air temple, occurs in conjunction with his mythmaking event of meeting aang and becoming the avatar's animal companion.
all of these events are depicted through flashbacks wherein the consecutive shots between flashback and present day mirror the character who is having the memory in the past and present, overlaying their younger face onto their current face with identical framing. i'm too lazy to compile a bunch of screenshots here, and i couldn't find the post i'd seen previously that had done so, but if you're as familiar with atla as i am, then you already know exactly what i'm talking about. this device is so effective particularly because it exercises restraint. every flashback in atla is crucial because it signifies either a sunlit garden or a mythmaking event that motivates the character its focalizing in the present day. atla is economical with its flashbacks, but not withholding. like with rgu, flashbacks in atla are used with a specificity of purpose, and illustrate their points in clear, precise ways. just because atla is not as overtly metatextual with its central themes of narrativization, nostalgia, idealization, bias, and storytelling, does not mean it is not present, and in fact, overt. ranging from katara's role as narrator to the fire nation propaganda aang attempts to correct in school, the use of memory and illusion is crucial in illustrating how atla functions as a narrative about heroism, legacy, and challenging dominant myths through preserving cultural memory under an imperialist regime.
5. final thoughts
obviously, i could go on forever. there is simply no limit to my ability to unpack and dissect these two shows (hence, my sideblogs dedicated to doing so). i haven't even talked about zuko as an analogue to saionji with regard to their latent homosexuality, misogyny, violence, and struggle to conform to a patriarchal ideal. and i barely touch on katara as an analogue to utena with regard to their naïveté, heroism, myopia, persistence, and somewhat misguided desire for justice (through her terms specifically), although like kozue and nanami as mirrors wrt sokka, her traits that i describe when comparing her to miki also map onto utena in many ways – except of course, utena, unlike miki, is also the "hero," and thus has the same destabilizing revelation regarding the banality of evil that katara undergoes in "the southern raiders." moreover, i only discuss one central motif in utena, because i think the sunlit garden is the trope that maps best onto the thematic work atla is doing, but i'm sure that there are many more frameworks i could compare. and yet, i only have so much time, and only so much space in which to ramble. so hopefully, for now, this suffices. however, if there any specific areas in which you would like me to elaborate, you know that i shall always be happy to do so.
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avonne-writes · 7 days
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YOU ARE A GENIUS. I’ve been reading the new chapters of Reverie as you update it, but it’s been a while since I’ve read the first few chapters. So I’m going back to reread from the beginning right now and am losing my mind over the parallels.
First of all, I forgot that the literal opening scene was Buck burning their dreamscape 😭 but we had NO idea what was coming.
Then, we’ve gone from “She'd always like his jokes and would never cry, because Bucky hated the sound of sniffling” to —> Buck sniffling being the best sound Bucky’s ever heard because it means he’s alive and breathing.
I’m sure I’m gonna find so many more of these tidbits as I continue my reread, so I’m very excited!! <3
Thank you so much, dear! ❤️ I'm glad you're rereading the beginning and finding all these connections with the later chapters. It made me really happy that you found them!
You can also see that I already talked about the possibility of the connection being shut down in the first chapter. Another parallel between chapter 1 and chapter 7 is their first time dreamwalking and their first time since Gale was shot down:
Chapter 1:
Bucky woke up immediately. Sitting up in his bed, he shivered as cold sweat dried on his neck. He tried to calm his erratic breathing while his mind was racing with the realization - he had dreamwalked. He did it! He had given up on it so long before that he couldn't believe that it finally happened. He had pushed into his soulmate's dream and found him. He had a soulmate! A spark of joy burst in his chest. He barked a laugh, felt it spread in his heart like honey. But a moment later, the feeling gave way to sudden, overwhelming disappointment.
Chapter 7:
Bucky wakes up with a gasp.
Around him, the night is gloomy and cold, but in his chest, a spark of joy bursts. He barks a laugh, feels it spread in his heart like honey. His soulmate isn’t dead. He’s okay, he’s alive, and he dreamwalked again. He tore that barrier down and came to Bucky. It’s like their first night, but no disappointment follows - only pure joy.
And Gale even references their very first time dreamwalking.
Chapter 1:
The boy stood up and gave him a once-over. He hummed. “I could take you in a fight.” That made Bucky laugh out loud. “Sure, buddy.” Something in his demeanor seemed to have put his soulmate more at ease. He smiled. “Are you gonna stick around this time?”
Chapter 7:
Tear tracks draw clean lines in the dirt on his face. Down from his red-rimmed eyes to the too-sharp, thin lines of his jaw, and his lip trembles. His blue eyes look like water when they meet Bucky's. “Are you gonna stick around this time?” He tries to joke, and Bucky huffs a wet laugh as he rushes to him and crashes into the circle of his waiting arms.
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not-goldy · 2 months
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Kinda obvious its Jimin and he wanted no mistake about it and he made sure from the title alone. I don't think its a joke anymore. He clearly feels some type of way of being led on a bit, Interntional or not. To me, it sounds like him laying his foot down and saying put your money where your mouth is, cause the things you say to me aren't so friendly, but then the way you treat me, isn't adding up either. Which goes back to Sweet Night when even back then he questioned if what was happening was just things in his head, that his best friend was making him question or is it really real. A clear indicator even back then he was getting mixed signals from someone he calls his best friend, on a song actually written by him and his feelings. And since we really and truly don't know what really goes on with these members. I know we have our guesses and our proofs we hold onto, but no one knows for certain, but I do hope for their sake they get this figured out one day, cause I can understand Tae's frustration, Esp when you keep getting unclear signs, which he may be reading into more on his own OR mixed signs he is getting for real, back then and still today and he's done pretending & playing around with it. He laid the hammer down. He said you got 95 hours to respond Jimin.
Done fucked around and caught feelings. Anyone could have seen it coming a mile away. It was only a matter of time.
Well that ship has sailed for them
Two ships in the night as he says
Jimin owes him absolutely nothing. When he says I love you the most and then acts like he doesn't believe Jimin feels the same way when he says it back at least deep down he knows where Jimin stands. In a parallel universe I'll cast a spell on Jimin for him to fall in love but in this universe I'm genuinely scared Jungkook will track me down and strangle me to death with his bare hands 😩
That frying pan haunts my dreams to this day🥲
These things are normal we catch feelings for our friends all the time. There there Tae😭😭😭😭😭😭
Now let it go and let's fine you a nice Korean Actress ready to settle down and pop out them mini Kims
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noyasaur · 4 months
Note
hii!! i have a few shifting questions im a bit new lol
can you prove shifting is real? im trying to shift but i cant get over the fact that it might not be real and that im wasting my life yk?
do i have to script personalities or appearances to existing characters or will they jut be like they are in the show/game?
how can i be more motivated to shift?
sorry if this doesnt make sense! im a bit bad at english even though its my first language lol
anyways have a great day!!
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₊✩‧₊˚౨ৎ˚₊✩‧₊
hihi anon ! ⸜(。˃ ᵕ ˂ )⸝♡ i hope you're doing well and welcome! i hope your journey is going well so far! and don't worry, your questions made perfect sense! and i also apologise for taking so long to answer your questions, i spent a lot of time trying to formulate the right answers for your questions so i hope i'm able to help 😭 and sorry for the super long answer!
anyway, let's answer your questions~
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🪐 CAN YOU PROVE SHIFTING IS REAL?
honestly, this is a tricky one. i want to be very honest with you and i, in no way want to demotivate you at all! right now, the only way of 'proving' shifting (at least, to my knowledge) is through experiencing shifting ourselves, or trusting other shifter's word as proof of reality shifting. regarding scientific research and proof behind reality shifting, to my knowledge, there are no studies that directly investigate reality shifting. i also feel like reality shifting would already be incredibly difficult to prove already on top of the existence of infinite realities/potentials, thus leading to an extension of an infinite amount of different variables.
reality shifting is a very personal experience and one's journey and experience will differ from person to person. unfortunately, in the current state of our reality, reality shifting has not been scientifically proven.. yet.
reality shifting is on of those experiences where you just have to form your own beliefs on it, and trust yourself and others. i like to think of it this way. take our own consciousness for example- we are all conscious right now, correct? we all know we have consciousness. it's a known fact. however, very little is known about our own consciousness, it's origins and it's power. but we all know that we have a consciousness, and we can't prove it to anyone yet but ourselves.
people thought lucid dreaming wasn't real many years ago and now people recognise it as a legitimate practice. same with astral projection, and out of body experiences.
and i know shifting is real because i have experienced parallel reality shifts (some intentional and some unintentional) and mini-shifts myself.
however, not all hope is lost! are there studies and theories on infinite universes, parallel realities and the multiverse? yep! are there studies on consciousness, quantum mechanics and biophotons? yes! there are plenty of studies, theories, and concepts that can be linked together and used to scientifically determine how reality shifting is even possible in the first place. yes, it's one of those things that isn't believed or accepted by the general public, but it exists. we may not know exactly how and we can only theorise, but there are connections that can be made.
now, i completely understand your worries on how reality shifting might not be real. that's totally valid! especially speaking since we've been conditioned out whole lives to think otherwise. that we only have one shot at life and we have to work hard to get our desires, but know we now that's the opposite? we can live an infinite amount of lives and have an infinite amount of parallel realities? we are the creators of our own reality and we have the power to shape what we experience?
however, this is where you come in. i highly recommend that to reassure your worries, find these answers out for yourself. determine what exactly reality shifting is for you and find how it is possible, instead of worrying about what if it's not possible. i'm not a fan of overconsumption of shifting information, however i think it's good to do a deep dive on shifting every now and then to help you open your mind to question what reality shifting is and how it's possible. then, when you've formed your own beliefs on shifting, it's easier to validate your belief and trust in shifting since you've discovered yourself how it's possible and what it is to you! that way, you won't need to worry about any external shaking your beliefs or making you worry about whether shifting is real or not because YOU have personally worked out how it's possible for you.
explore and read about other people's experiences, beliefs and theories on shifting. read scientific papers on concepts relating to shifting such as The Many Worlds Theory, multiverses, and parallel realities. read about the Law of Assumption and consciousness. read shifting success stories! just anything that relates to shifting. and don't worry, at the end of this post, i'll link some helpful resources at the end that have helped me explore deeper into how reality shifting is possible!
and if you're worried about wasting your life away on reality shifting, something that could help is to normalise reality shifting. what i mean by that is see reality shifting as something that is an everyday casual thing (which it is). think of it as a hobby, and not something you don't need to be heavily obsessed over. become content with the fact that, "oh, there's this super cool thing i can do! i can shift realities, i'll try it. oh, i didn't shift, that's okay i'll try again next time. oh, i shifted? cool!"
remember that reality shifting and your desired realities all exist in the now regardless, and they aren't going anywhere. reality shifting is not something super unattainable. i understand where you're worries are coming from and they are 100% valid.
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🪐 DO I HAVE TO SCRIPT CHARACTER'S PERSONALITIES OR APPEARANCES, OR WILL THEY JUST BE LIKE HOW THEY ARE IN THE GAME/SHOW?
now, you don't have to script character's entire personalities and appearances (if you don't want to!). you can, but it's also not necessary. it's entirely up to you :)
with scripting, you don't have to script everything down to the tee. you aren't specifically creating any reality out of thin air, more like visually and physically specifying your intentions of what reality you want to shift to/experience. in fact, some people don't even have scripts!
scripting essentially has no power. scripting is just a physical, visual outline of the desired reality where you intend to shift to. to sort out your thoughts and intentions. your subconscious mind already holds everything in that script and whatever else you intend to experience. your subconscious knows what you want and it'll fill in all the gaps for you, so don't stress!
there is no requirement or criteria for how much, or how little you need to script. you can script as little as you like, or as much as you like! thus, if you don't script anything about a character's personality or appearance, but you intend for them to act like how they would in their respective game/show, then they will act how you expect them to. you can even add that in your script if you want as well: "this character will have the same personality/appearance as they do in ___." it's all up to your assumptions and intentions.
however, if you feel like you want to script their appearance or personality, then go for it! do whatever makes you feel best and most comfortable.
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🪐 HOW CAN I BE MORE MOTIVATED TO SHIFT?
oh gosh, there are so many different ways to help keep you motivated to shift! i'll try not to ramble :)
honestly, just thinking about the concept of reality shifting and the possibilities can be motivating enough. like how there are infinite realities and infinite possibilities? you can literally experience anything and be anyone you want to be.
you can consume any kind of content relating to your desired reality, watch videos, create pinterest boards (e.g. your outfits in your dr, dr locations, etc.), write letters to people in your desired reality, or think/make a list of things you're excited to experience in your desired reality.
or even just think about your desired reality and get yourself excited! what are you excited to experience? who are you excited to meet? what are you scared about? where do you want to visit? things like that.
however, while i am a big advocate for being able to seek motivation from yourself, it's also good to watch videos and read about other people's shifting experiences to motivate yourself! find other people who have the same/similar desired realities as you, or read shifting stories.
however, it's good to learn how to motivate yourself and not rely on other's so much for validation on shifting, it's existence and motivation. however, it doesn't hurt to consume shifting stories and tips from shifters too, just don't rely too much on it as your main source of validation/motivation.
additionally, it's completely okay to feel demotivated with shifting. it's okay to be drained. and it's also okay to take breaks when you need it. stay at your own pace and don't rush yourself into anything. you don't need to be trying to shift every single day of the year if you don't feel like it. reality shifting isn't going anywhere and your desired realities are always going to exist. so please don't stress and don't feel like you need to rush! you can always shift to your desired reality whenever you want, and however you want!
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alright, i hope i answered your questions well and i hope this helped! and i apologise if i rambled a little bit, i just had so much to say (especially for the first question dhjkds).
have an amazing day and good luck on your shifting journey! you got this! ʚɞ ⁺˖
- saturn ♡
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🪐 HELPFUL RESOURCES! (these are just some that have helped me!)
REALITYSHIFTING101 - i found this user through amino and their posts have been so, so informative in the in-depth science behind reality shifting and how it's possible. honestly one of the only shifters i've seen who's done such an in-depth analysis on reality shifting and the objective science behind it.
blog: https://realityshifting.medium.com/ amino: https://aminoapps.com/c/desired/page/user/realityshifting101/5w64_MWUYf81pj0qoYwJY00P5JdG5ZxmQHY ULTIMATE RESOURCE: Total Shifting Science (amino): https://aminoapps.com/c/desired/page/blog/ultimate-resource-total-shifting-science/xLkq_62t2u6DWEXn3x55w5rgL5z5vZkKmm
LOVE - an amino user who's been shifting for quite some time and visited many different realities. provided some very interesting information and perspectives on the reality shifting, the multiverse, other realities, and some interesting terminology and concepts.
amino profile: https://aminoapps.com/c/desired/page/user/nill-l/vPMG_2qu2f6eoEGbvBBwwP7kK2Y1qepw32sX
OTHER RESOURCES - here is are some other uncategorised links of good shifting resources!
reddit post (shifting + other shifting related resources): https://www.reddit.com/r/shiftingrealities/comments/ow7n7y/recommended_reliable_resources/ yennieshifts shifting carrd: https://yennieshifts.carrd.co/https://yennieshifts.carrd.co/
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juneknight · 2 years
Note
hi!! i’ve been reading your drabbles all morning (yes, morning😭) and was particularly intrigued by spit kink steven…any chance we could see spit kink with marc🫣
You asked for it <3
About this: MK System/fem!reader. Jealousy, spitting, fingering, piv, oral sex (m receiving), use of loving derogatory terms (slut) and gendered terms (good girl). Marc is kind of a hard ass
*
“Wait until Marc catches wind of this,” Steven had laughed.
And catch wind of it he does. 
“So how was your day with Steven?” Marc asks as the two of you get ready for bed. The domesticity never gets old: both of your night time routines taking place parallel to each other, passing each other in the cramped space of the bathroom, watching while the other sheds clothes. You had never dreamed you’d find such contentment and joy in the mundane until you had met them. 
Currently, Marc is brushing his teeth, shifting the brush and toothpaste into one cheek so that he can speak around it. 
How was your day with Steven? Well your legs still feel like jelly. There’s a pleasant ache between your legs. And whenever you think of what he did, his thumb coaxing your jaw wider, his eyes flickering between your own and your open mouth—your face feels hot. 
Does he know? You shoot him a quick glance and find him watching you, brushing with short, quick strokes. His eyes are a little narrowed in a way that makes you feel naked, but that might be completely normal.
“Good,” you say, struggling to keep your tone light and innocent. You clear your throat. “Weren’t you there?”
“Sometimes,” says Marc. 
The eye contact goes on and on. Your own eyes narrow. 
Do you know? Your gaze asks. 
I don’t know. Do I? His answers.
A smile, slow and wide blooms across Marc’s face. “I’m glad you had a good time,” is all he says. 
Then he leans over the sink and spits. 
*
“Steven can’t keep a secret,” Marc murmurs into your ear while you spoon in bed, his burning, bare chest flush against your back. His arm loops over your waist and pins you still whenever you begin to squirm too much. 
You roll your eyes but stay silent. 
“He didn’t tell me, and I wasn’t snooping on the two of you by the way—but his heart was about to beat out of his chest. It got my attention. I wanted to make sure you both were okay.”
You pat his hand, faking casualness. “We were very okay.”
He hums. As close as he is, you feel the vibrations in your chest. In your teeth. He lets his lips brush your neck while he says lowly: “I had no idea you were so dirty.”
You can’t help the heat that flushes your face, the little voice in the back of your mind that agrees with him and that makes you feel almost ashamed. Lashing out, you say, “Yeah, well, Steven said he thought you’d like it, so what does that say about you?”
“It says that I’m a filthy fucking animal when it comes to you. All I think about all day is where inside you that I can stick my cock next, all the different places that I can cum, all the ways I can mark you inside and out. I’m no psychologist, but I can guess what it means. It means I want to own you, I want to leave a mark inside you so deep it can’t ever come off. And I can’t believe I didn’t think of it first.”
“Marc,” you breathe, fingers tightening on the arm around your waist. When you exhale, it is shaky. 
“You didn’t even know what he was going to do, did you? He told you to open up, and you just did it. No thoughts at all in your empty little head. He could have done anything to you, and you would have let him, wouldn’t you?”
Your cunt clenches, growing sensitive. As many times as you’ve come today, you want one more. Maybe it’s greed. Or maybe Marc isn’t the only one who is an animal. Maybe that’s why you’re so compatible, a match made in heaven. Against your ass rests the hard, hot line of his cock, and you dig your heels into the bed to get the leverage you need to grind back against him.
He tightens his arm around you, pinning you against him and nearly pressing the breath from your lungs. Teeth scrape against the nape of your neck, and then he asks: “Are you going to make it up to me?”
Your head bobs fervently. He laughs, breath fanning against your skin.  
To make it up to him, Marc puts you on your knees and feeds his cock past your lips. One hand cups the back of your skull to keep you from pulling back too far.
“I want it nice and messy,” he says, beginning a punishing pace that has your eyes rolling back, jaw creaking from how wide you have to keep it. You take gasping little breaths when you can, when the fat head of his cock isn’t plugging up the back of your throat. Still, your head spins. He slips his thumb through the spit dripping from the corner of your mouth and smears it on your cheek. “We both know you don’t mind getting dirty. Or is it just our mess that turns you on and not your own? Is it just our spit?”
He pulls himself from your mouth, the only indication that he wants an answer. 
“Yours,” you rasp, voice wrecked and throat aching. “Just yours.”
“Dirty,” he groans, holding you just out of reach while he fists his cock inches from your face. It isn’t just the lack of oxygen that has your head swimming—already you feel floaty in the face of his all-encompassing dominance, far away from your inhibitions. 
“Wanna be dirty for you. I want to be a slut for you,” you slur. 
“A slut,” he repeats. His laugh borders on incredulous. He’s looking down at you like you’re the most amazing thing he’s ever seen, another wonder of the world here on the floor in his London flat. “Not a slut. My slut. What a good, fucking, girl. Back on the bed. If I don’t get my cock inside you, it might kill me.”
He helps you there when your legs are unable to support yourself. Even when you’re laying down they continue to tremble, soles flat on the mattress with knees pointing up, spread wide to make room for Marc’s narrow hips. 
“Look at you. What a messy little pussy,” he says, kneeling in the space you’ve made and lifting your legs over his thighs to hook them around his waist. His fingers slip between your folds making your hips jerk off the bed, gasp pulled from your throat. He holds up his fingers. The slick of them catches on the moonlight streaming through the window. “Look at all this. Do you think you’re wet enough to take my cock?”
Your answer is a garbled affirmative, but Marc just looks at his fingers, mouth twisted in an expression of skepticism. “No. I don’t think you are, actually. Not yet.”
His palm lowers to rest against the mound of your pubic bone, thumb drawing back the hood of your clit until the most delicate, sensitive part of you is exposed to the air and his hungry gaze—then he ducks his head and spits on your cunt. 
You suck in a breath, body going stiff, nearly seizing as his thumb dips into his saliva and then rubs it on your exposed clit. 
“God, you really do like it,” Marc says more to himself than to you. He spits again, and once more. Each time your body jerks, cunt clenching tight around nothing. The emptiness aches. You can just hear over the rush of blood in your ears the wet sounds of his thumb flicking across your swollen clit. All of your thoughts and senses narrow down to him: the dark eyes staring down at your twisting figure, the heaving of his bare chest as he watches you writhe on the bedsheets, the calloused thumb that shows your overstimulated nerves no mercy. 
When he slips two of his fingers into your cunt, you cry out, muscles in your legs spasming around his waist. Just two of his fingers are so much thicker than two of your own, but nowhere near as filling as his cock. For as eager as he was to be inside you, Marc feverishly fucks you with his fingers, the only sounds inside the flat being your wet, aborted gasps and the obscene squelch of your cunt.
All the sex with Steven from earlier in the day has you raw and hypersensitive, but Marc shows you know mercy, ignoring his cock while he finds that spongy spot inside of you and presses firmly. The overstimulation has you bucking and squirming to escape him, but he pins you to the bed with ease.
The whole time, he mutters under his breath: “Can’t believe Steven did it first. He marked you, baby. Inside. I know you can’t help being a good girl—he told you to open your mouth, so you did. But you are mine. You open for me. Who are you a slut for?”
“You,” you gasp, eyelashes wet. The pressure in your cunt builds even as you try to relax your clenching muscles to hold off your orgasm. “‘m your slut, Marc. I promise I’m yours, I—oh god, I’m going to cum, please—“
“Not yet,” Marc snaps. 
“Ma-arc, please.”
“Beg me, I love it. I love to say no. I love the way you fight to be good for me.”
“Can’t hold it,” you groan, tears slipping from the corners of your eyes and dripping down to the shells of your ears. “Please let me cum, Marc, please.”
“You know what you have to do,” he says over the wet sounds of your cunt. “Open that pretty mouth. Tongue out. Look at you, you’re that desperate for it? Alright, alright.”
He gathers the saliva in his mouth, braces himself over you with one arm beside your head, and lets it drip onto your tongue. There isn’t even a distant shimmer of shame inside you, no disgust or embarrassment. Your eyes roll back. He tastes like the mint of his toothpaste. 
“More,” you gasp. “More, more—“
“Greedy girl. Here.” He spits again. His fingers slip from your cunt, the sudden emptiness enough to make your eyes snap open and your hips lift off the bed chasing his touch. He takes the fingers wet with your slick and slides them through the saliva on your tongue, tastebuds bursting with the cool bite of mint and the musk of your cunt. Mean but not ungentle, he smears the wetness down your chin, down your neck, down between your breasts. Marc mutters: “Let’s see what Steven thinks of that.” 
Then he shifts, lining up his cock at your entrance, and slips into you. It only takes a few hard strokes for you to be climbing back towards the precipice of your climax. With every slam of his hips into the cradle of your thighs, his pelvis presses against your clit. The bed rattles against the wall from the force of his thrusts, and a book slips off of the shelves, knocking something from the nightstand. 
“Marc,” you cry when the band inside of you begins to tighten. You need to ask for permission—Marc loves it when you do, and you love to ask, love to be given permission almost as much as you love being denied—but your mouth feels numb, chest hitching with sobs so fierce that you can’t catch your breath to ask. 
But he knows. Marc always knows. Instead of answering, he pulls your hand to his mouth and slips your first two fingers inside, tonguing over the digits. Wet with his spit, he guides them down between your legs. 
“Go ahead, baby. You earned it. So good for me.” 
You don’t even need to rub—just resting the slick fingers against your clit, Marc’s brutal thrusts pinning them there again and again is enough. Your ears ring, drowning out whatever sound you make, every sensation in your body narrowing down to between your legs as your cunt clenches tight, clit turned into a hard little ruby beneath your fingers. Whatever noise Marc makes reverberates through your chest as he drives his cock into you, through you, forcing your spasming cunt open wide again. Making room for himself inside you. 
You cum again—or maybe you never stopped. This one is slower, deeper. Your jaw goes lax, head tilting back against the sheets. His weight between your legs shifts while he kneels back, lifting your hips off the bed as he chases his own end, fingertips digging into the meat of your thighs. Eyes too blurry with tears to see, ears still ringing, you are only able to feel when he cums: the hot, wet rush of warmth deep inside you. 
The minty taste of toothpaste on your tongue. 
Afterwards, Marc kisses every last spot on your thighs that he’s turned red with his grip. Some may bruise, some may not; only time will tell. He holds your hand, fingers laced together, while his warm tongue laps your cunt clean, hushing you when you whine from the stimulation. He brings a wipe from the bathroom and tenderly wipes your face free of tears and spit with it. 
He glances up at the mirror beside the bed, holding a conversation you only hear half of. 
“If I was too rough, she would have stopped me…she’s just locked in, Steven, she’s going to be fine…she is clearly still breathing, brother—” 
That one makes you snort, the humor grounding you a little more, lassoing a rope around your consciousness and tugging you back towards your body. Even though you can’t see him, you cast your foggy eyes to the mirror and smile for Steven, giving him a weak thumbs up. 
“See?” Marc says. He takes your hand and kisses the knuckles like you are a princess, like he didn’t just spit in your mouth ten minutes before. Behind the warmth of his gaze is the inevitable worry: did I go too far?, he wonders. Pulling your hand from his own, you flick his chest. No. 
He smiles. 
Once he sees your eyes drooping with exhaustion, he tucks you back under the sheets. Then he is all around you, arms caging you to his chest while you both drift off. God, anymore sex might kill you. Tonight, you suspect that you’ll sleep like the dead. 
Just as you’re slipping into that peaceful trance between waking and dreams, you feel Marc’s lips move against your shoulder. 
“Hm?” you hum in question. 
He pulls back just far enough to get the words out unhindered. “I said, it wasn’t ever me you two needed to be worried about.” He snorts softly at his own train of thought, and then his breathing goes deep and even. 
But as soon as his words soak in, your eyes open wide, unseeing in the darkness. 
Jake. 
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moonlightdancer26 · 9 months
Note
I love Percy Weasley (and Ronnie, but thankfully I've seen more Ron defenders and appreciation posts popping up in recent years, as they should) SO MUCH. He's legitimately one of my favourite characters and my poor little meow meow. Him and Severus have SO MANY parallels. They were both intelligent, ambitious young men who came from poverty and experienced bullying from the people who were supposed to support them. Controversial opinion, but the other Weasley kids (ESPECIALLY Fred and George) were unnecessarily brutal to poor Perce to the point of being malicious. Of course young Severus and Percy went along with the "wrong" crowd when the "right" crowd continuously mocked, belittled, and taunted them, while the "wrong" crowd told them that they were brilliant, that they would go so far, and that anyone who tried to belittle them just didn't get it, that they were just jealous of how successful they were gonna be. Long story short, Percy is adorable and precious and so cute and smart and I want to brush his hair out of his face and kiss him on the nose.
I just drank carrot juice for the first time in 15 years I’m currently going through something
Anyway, I 100000% AGREE. I’ve answered a somewhat similar ask a while ago. I have a headcanon that Percy was actually Snape’s secret fave student. I just know Percy would scold Ronald in a Hermione-like way whenever he’d say anything bad about Severus, “Who cares if he can be a git sometimes? He’s an absolute genius at Potions and passes down his knowledge to his students. If you just got your head out of your arse for a bit, you’d see just how much I’m right.”
Percy’s like my fourth fave HP character, I totally see a younger-Snape in him. Percy was belittled and ridiculed by his family and his ambition and desire for power led him to walking out on them and going after his dreams so his talents can finally be acknowledged. Snape was relentlessly bullied by the Marauders (four Gryffindors) which was dismissed by the headmaster of Hogwarts (also a Gryffindor) and was already ostracised by the rest of Hogwarts for being a Slytherin, he soon joined the Death Eaters alongside Lucius and the Slytherins after graduating because he likely believed that he would finally get recognition for his great knowledge in the Dark Arts. They also both did it at age 19 (I think Sev might’ve joined a little before he turned 19, either way it was after graduating).
Controversial opinion, but the other Weasley kids (ESPECIALLY Fred and George) were unnecessarily brutal to poor Perce to the point of being malicious.
I CAN’T EXPLAIN HOW MUCH I AGREE WITH YOU. I’ve made a few posts talking about this and defending Perce, x, x, x, x, x (my all-time fave Ron defender liked this post and I’m simply never getting over that), x (probably my fave post I’ve made on my blog), and x. Also I hate the claim that their treatment of Perce was normal because “that’s just what siblings do,” like no I literally have 5 other siblings, and while yes we all act like psychos together, we’ve never come close to doing the shit the twins did to Perce and Ron. There’s a difference between being an asshole to your siblings and endangering their life and constantly mocking them. They never took his dreams seriously, and honestly that would be such a horrible thing to go through. Tbh I’m impressed Percy didn’t leave them sooner 💀
and same, I’m such a hardcore Percy apologist that I will go absolutely insane if I see anyone criticise him 😭 He’s literally so hated and for what
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anatrik · 12 days
Text
First thoughts TTPD:
What a lana x folklore girlie win this issss!
1.Fortnight is about matty?? HAHAHAHA also why did this make me think of when holt was going running with the ladies when he was in witness protection??? Crying. Fav line has to be they were supposed to take me away but they forgot to come and get me. So sad but also so cool in relation to her cancellation/return. 10/10
2. TTPD- not so hahahaha anymore IS THIS ACTUALLY A FUCKING MATTY HEALY ALBUM??? There was a typewriter at the 1975 show she performed anti-hero at? Unless its somehow about harry? Who else is tattooed on her roster??? Or is this about herself? Kinda feel like modern idiots/who’s going to decode is directed at us lol😂 9/10?
3.My boy only breaks his favourite toys- went in expecting mad woman rage. Pleasantly surprised. king of my heart to queen of sandcastles he destroys….DESTROYED ME. Are you fucking kidding me rn? Im caling it. Best song. Im crying at 7.30 am this is not funny anymore. Also THANK YOU FOR NOT SLANDERING DAD. I knew you wouldnt let us down like that. Also the chorus sounds like long story short😭 oh this is so sad. Once i fix me hes going to miss me? He was my best friend?😭 he runs because he loves me? Stopp😭😭 1000000/10
4.Down bad- ….aaaand we’re back to MATTY AGAIN? He does not deserve this spotlight but why are all the song so goood😭😭😭 is this why artists love to date problematic men? It unlocks some extraordinary potential? Crazy crazy girl😭 also stay down (bad) 🤌🏾 shes done it again 10/10 also for personal reasons i will be believing this is about joe in that Tom/Joe/met gala overlap period when she was photographed going to the gym a lot and that this is about all that yearning please let it be about that plesplesplesplesplesples also down bad waking up in blood staring at the sky…like i lost a twin is giving bigger than the whole sky🥺
5. So long, london- so so long long, lon-don DONE? ok miss girl😭 the hoax parallels😭 dont be undoing the song i was going to play at my weddddding what is wrong with you😭 my only one my smoking gun to two graves one gun youll find someone??? Also reminds me of la la land :/ how much sad did you think I had in me? You wrote hoax so a lot ok leave us alone. crying again. 10000000000000000/10 oh lol its a track 5 ofc it is😂
6. But daddy I love him- she really said if you ever liked, shared or even LOOKED at the ‘vivaa las vegas’ memes you cant come to the wedding and shes so real for it. Lfgggg. Ubothered unhinged uhmazing. Growing up precocious sometimes means you still hold on to that princess/quarterback wattpad fantasy AS IS YOUR RIGHT QUEEN GO THE FUCK OFF🥳 100000/10 calling out toxic fandom for the first time and we love to see it🫡 this is suchhhh a happy songggg you deserve ALL the chaos and revelry.
7. Fresh out the slammer- god she gets it. Like sure he was great and he is still my biological father and everything but as a decidedly melancholy person myself who has constantly had atleast one close friend in a deep depression I can see how all that heavy lifting can just get heavy at some point especially when youre a partner and their sole lighthouse in wtv storms be out there buffeting their mental health. Its not for everyone and thats so fair and so valid but so sad as well. 10/10 for the honesty.
8. Florida- she really said girlrot summer🫡 this is the lanaest song ever. So lucky one/nothing new coded. This will be the First song I repeat and then so long london. Aaaghhh how i love a self aware melancholic anxious little superstar. 90283749292/10 thank you for giving florence an entire verse whew. Little did you know your home’s really only a town you’re just a guest in is soooo going on my body forever
9. Guilty as sin?- honestly just fuck if it means we dont have to hear about how desirable ratty healy is man ffs. IThe only reason he looks so hot is bc hes forbidden. You have to trust me on this. He’s sooo mid JESUS. U cant be writing hozier lyrics about a man that hasn’t met a shower😭 1000000/10 writing. -16392992/10 content. Unrequited love/lust truly is the greatest weapon in a poets arsenal bc where is this energy in the joe songs binch?😭 this is such a teen in love with a 26 yo creep who called me so mature for my age mom you just dont get ittt anthem😂😂
10. Who’s afraid of little old me?- is a warning 😂 im so here for it. Like yes I still hate matty with all my heart and soul but yes I agree fans should not be allowed so much of an opinion on another persons life and yes I should be afraid (I am). She said aight love letter era over I AM WRITING YOU ALL HATE MAIL AND I’M HAND DELIVERING IT. Shes sooo done pretending to be the relatable girl next door when she’s anything but and is now reminding us of it and yes yes yessss girl OWN ITTTTTTTT. I’ve been saying for agesssss that there is a darkness under all that sunshine from where she clawed her way to the top and this is sooo vindicating. 10000000000000/10 favourite song ever. Mad woman wishes she was who’s afraid of little old me. I am unwell. I am in love. This is the Taylor Swift i stan. The marketing genius the calculating business woman the puppet master with narcotics in her songs thats why we sing along🫡 she so can handle a dangerous man
11. I can fix him (no really I can)- you cant.
12. loml- ofc. OFC. Its the saddest song of all time. OFC. Fuck offf ughhhh. 😭😭😭😭😭 its giving happiness. Its giving divorce. i am a child of a broken home now and my parents still love each other and hold so much regret still. What do i do with thissss? Im just a little girl taylorrr! 1002380292011010101/10 soo so gooood.
13. I can do it with a broken heart- first of all track 13. Love it. Second of all the upbeat barbieness of it all. Third of all I FINALLY PLACED IT. Shes in her unrelatable era. She is not your girl next door. You will never understand her life. She is as much a phenomenon as a person and we literally only see as much as she allows us to and honestly if i have to get put in my place theres noooo better way to have it done. Im having such a great time actually. 10 BILLION TRILLION OUT OF 10 you tellll em girl you FUCKING TELL EM.
14. Smallest man who ever lived- not going to speculate on who it is bc they clearly had a serious problem and its not a joke but damn :/ thats so sad :/ hope they get help? Didnt expect this to be what the song was about at all?
15. The alchemy- she said TRAVIS IS MY BOY WITH HER WHOLE CHEST😌 10/10
16. Clara bow- did she just name drop herself ? I was so right about unrelatable era. Also the Subtle nod to olivia/sabrina noted and appreciated. Lucky one/castles crumbling (mature version) fr fr. Solid legacy song.
17. The black dog- shared your secrets with and location is the same whiplash as a red rose grew up out of ice frozen ground with no one around to tweet it🤌🏾 joe songs hit so so different 😭😭😭 1000000000/10
18. imgonnagetyouback- the valiant roar was not so valiant and more of a mew i guess. 7/10
19. The albatross- oh this is the ONE. The album defining song for sureeee. Mad woman on coke. A rose by any other name is a scandal???? Thats my religion right there. Little last great American dynasty twist there at the end! Fuck yea. She does reallly try to warn the men in her life have to give her that. One gazillion/10
20. Clearly god has favourites and they are the ppl called chloe or sam or sophia or marcus😭 ALSO this song is about joe for sure. The internet starlet hasss to be delaney rowe!!!! It HAS TO BE. 10/10
21. How did it end?- shes back for the fans😂 plot twist the breakup is with yall🤌🏾 but yesss say it louder! One gasp and then how did it end. So good. 100/10
22. So high school- lmao aristotle grand theft auto ONLYY taylor swift man😭😂 you know what you want and boy you got her🫡🫡 11/10
23. I hate it here- mother’s having a mental breakdown kids yk the drill🤌🏾 10/10
24. ThanK you aIMiee- what better way to say fuck you to a hater than to thank her for jumpstarting your legacy my god!!! She is insane for this. The capitalisation is a bit petty tho ngl. 8/10
25. I look in peoples windows- once again I thank you for the kindness and respect shown to joe. Never doubted you but thank you nevertheless. 10/10 short as nice to have a friend but it didnt need to be longer.
26. The prophecy- its so sad and humbling to see even a woman at where she is having to beg for love bc that literally is the nature of love. Something humiliating, to have to beg for 🤷‍♀️ cards playing out like fools in a fable cursed like eve got bitten. No one writes like her damn. 10/10
27. Cassandra- very madeline miller on this one. Love love loveee modern takes on tragic greek women. 100/10
28. Peter- ah fuck. This one is going to hurt (it did). 1000000/10 my ribs get the feeling she did😭 all her joe related aches are so bone deeeep ugh. Promises oceans deep but never to keep😭😭😭😭😭😭😭😭😭 oh god it hurtsss it hurts it hurtss
29. The bolter- curious child ever reviled except by her father wow.
30. Robin- OMG! I needed this song growing up sooo bad. That way to go tiger felt so so warm like running into a kitchen after a day of being in the mud and u tell ur mum the silly things u did and shes genuinely interested and impressed by your smol victories. A bajillion/10
31. The manuscript- postmortem of every ex ever🤌🏾 love it.
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lightwise · 29 days
Text
TBB S3 E9 Reaction
- Oh boy. I am not liking that opening shot that makes Pabu look like Tantiss 😭😭
- It’s so cloudy and dark—it must be the fall season going into winter
- Wrecker AND Crosshair making lady friends…I see what you’re doing there Jen
- “Does it matter? We’re not handing her over.” The 👏🏻 character 👏🏻 growth 👏🏻
- “Can’t be prepared if we don’t know what we’re dealing with” Hunter is fully back in sergeant mode
- Also this is the first time we’ve seen Crosshair without his outer pauldrons on!! Now he can’t stab someone’s eye out if he stands next to them 😆
- I love how Omega says Batcher
- Oh yeah Omega go walk into the scary cave that Batcher is afraid to go into. And walk up to a strange ship that you don’t recognize 😅
- I do honestly wish Ventress’ character reveal had been kept a secret and wasn’t in the trailer. This moment would hit so much harder. But it’s very good to see her finally show up.
- Love the subtle nod to how Hunter seems to hear Batcher first, and Crosshair sees her first, showcasing their different skill sets and how well they work in tandem.
- Wow Ventress looks so good!! The hair! The outfit! Her in this animation style!
- Lol of course she already knows everything about them.
- Why does Crosshair keep suspiciously leaving a space between him and Hunter where a certain bespectacled Batch member is supposed to be standing 🥺
- “We never gave her our coordinates” 😬😬😬
- Love how serious but also calm and curious Ventress is. You can already see how much more at peace with herself she is compared to TCW (I have not read Dark Disciple but I am aware of the basics of her arc in it).
- “It’s for a friend…you’re saying I’m a Jedi!?!” Baby girl, don’t you know that Nala Se basically engineered you all to be TERRIBLE liars 🤣🤣😅 absolutely no one ever was going to believe those words coming out of your mouth, not with that adorable face
- Loving the lore drops that Ventress is giving here. Using the word midichlorians, tying force sensitivity and blood count to TPM and Ahsoka and the OT. Acknowledging that training is what makes you a Jedi, not your m-count. That the Force connects all living things. Bringing up the age old fandom question of whether clones could be force sensitive.
- “There’s your intel” turns around to leave
- “No one’s been able to give me answers” and we’re not going to leave this episode with any either 😅
- Omega isn’t usually this impatient, so I wonder if her focus is easier to hold when she’s focused on people and creatures rather than tasks that she can’t connect to what she’s trying to accomplish.
- “You must be a Jedi, right??” Immediately shuts her up with a hand to the mouth 🤣🤣
- Tech mention by Cross 😭😭😭
- How can she hear them? Force usage? Or do Dathomirians have sensitive hearing?
- Poor Omega. I wonder too if she’s a little intimidated by Ventress and that’s also impacting her ability to pull off this test.
- “Well? What happened?” A good teaching method, that she wants Omega to explain why she’s having trouble rather than immediately telling her “oh you failed” and helping her up 😄 TCW Ventress would never
- “The sun’s already started setting” nooo I don’t need that parallel
- They’ve made some really interesting shots with framing through the caves this episode
- Yeah girl work smarter, not harder
- Aaand the name of this boy band is? 💀 (serving c—— everything, that’s what 🫠😅) Hunter my boy that hip pop should be illegal
- Ventress has not lost ANY of her sass though
- THIS FIGHT. THE MUSIC. THE MOVES. THE LIGHT. AGAIN EVERYTHING IS ON THE TABLE AND WE ARE BEING SERVED
- Idk if we’ve ever seen Crosshair@/ agility like this
- Girl is fighting dirty
- I also love her going mostly for all of their weak points and joints that allow her to take them down while barely moving a finger herself
- Ahsoka 🤝 Ventress - some of the strongest force users in the galaxy who can take down an entire group of highly trained combatants with just martial arts moves, flexibility, and sheer nerve. No force usage needed. 🔥
- That knife throw 👀 🥵
- “We’re not big on following orders” THE BOYS ARE BACK IN TOWN AHHHHHHHH
- Literally I could look at this scene all day. (They’ve never been more beautiful) 🔥🔥🔥🔥
- Poor Omega has no idea what she’s about to walk into
- *jaw drop* y’all every time I check I’m pretty much certain that I’m straight but….but…dodging those blaster bolts and just casually pulling out a yellow lightsaber like that? Respect.
- Lmao it’s so much worse than I expected 🤣 Jennifer I didn’t know that TV’s below TV-MA rating ever anticipated Hunter flat on his back with his knees spread like that…I just…I think you broke some rating scales there 🫠🫠🫠🫠 I love to see you fulfilling all of our fantasies in one fell swoop (I think I uh, need to go take care of some things, I’ll uh, I’ll be right back 👀)
- Lol kidding. Anyways….
- “What, stop!!!” You tell ‘em kid
- “Times have changed. Something you clones should be familiar with” yeah Hunter, what have you been up to the last two years??
- “We are not the same”. “No? We were pawns in the same war. And we ALL lost.” SAY IT LOUDER FOR THOSE IN THE BACK. girl just literally summed up the entirety of the saga.
- “I’m many things. But I’m not your enemy” character 👏🏻 growth 👏🏻 again 👏🏻
- Hunter, I love you, but your prejudice is showing. Interesting how he’s never had a problem with separatists in general before, and had to convince Echo to help rescue Senator Singh in episode one. Sometimes his distrustful nature really gets the better of him
- “We were just getting warmed up” uhuhhhh sure Wrecker
- “You’re being naive” I never gave up on you, did I?” Crosshair. Honey. Is it really just now hitting you full in the face just how much Omega has believed in you? And look at how far you’ve been able to come. His expressions just pierce my soul 🥺
- I kind of really love the seaport vibes and the neutral lighting here. I can just see Omega as a fisherman’s daughter or running off to be a pirate in another life
- Lol Ventress isn’t used to being around someone as optimistic as Omega
- “You did” lol
- I do find it interesting that almost no force user ever explains what reaching out “feels like” when trying to teach other people about it. You would think they could come up with a better description so that people can grasp it more easily. Unless their goal is that you can’t unless you have perseverance and/or capability
- “This is different than being a soldier” so much to unpack there.
- “Why should I listen to you” years of hardship and trial and experience and loss and growth and change
- Ooooh pretty creatures
- “I’m not the one holding back” 👀
- Ooooh scary (pretty) creature
- “Not intentionally” 🤣🤣🤣🤣 I love her vocal inflection here. “No omega I was just trying to teach you a lesson not accidentally kill you” 💀I wonder which one of them actually summoned it
- *furiously screenshotting the Marauder while we still have it*
- So we’re really gonna get everyone with wet hair except Hunter, huh?
- Crosshair 🤝 Ventress rescuing Omega from drowning in the ocean
- Don’t make the angry tentacle crab angrier!
- The animated movement on Omega’s hair is amazing
- Ahsoka 🤝 Ventress reaching out with the force and calming a wild beast
- Welp. This is probably one of the most powerful instances of a force user connecting with a creature to calm it/communicate with it that we’ve ever gotten
- And what it says about Ventress’ inner calm and serenity and confidence and authority that she’s gained since TCW and Dark Disciple—I’m so proud of her 🥹🥹🥹
- What a beautiful creature
- THEY HELD HANDS 2.0
- Crosshair is just becoming the consummate gentleman and I am HERE for it 🥹🥹🥹
- Crosshair 🤝 Ventress - literally 😏
- Okay in all seriousness I’m not truly shipping them but I love seeing everyone have fun with their ship names
- “But I’m…already a target”. Baby girl still needs answers. She sounds so sad and confused
- Look at Wrecker’s emotional intelligence saving the day
- I love how this show uses little nods between people to show understanding. More of that in real life please.
- “You’re lying” “about which part?” The two of them would have a blast sassing each other that’s for sure.
- Interesting that her take is that omega would have to be trained, when decades later Ahsoka’s response to Grogu is that he shouldn’t be trained at all and should let his powers die out due to attachment.
- LEAVE PABU BOYS. She’s not warning, she’s telling. Ya know, not like it’s the title of the episode or anything
- “You’re not worried about the empire coming after you?” Love how even after all that and all his distrust, Hunter is still capable of caring about her well-being
- “I’ve got a few lives left” can’t wait to see when and why Ventress shows up next
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9w1ft · 11 months
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My friend asked me to listen to You're Losing Me in Karlie's perspective and i just 😭😭😭😭😭 the bridge hits hard.. "Do something, babe, say something, lose something, babe, risk something, choose something, babe, I got nothing, to believe, unless you're choosin' me" imagining Karlie saying this, asking Taylor to speak up for her when the whole karlie hate train by swifties happened.
yes this is how i listen to the song!! there are parts that i think fit taylor singing as well, i think, so i go back and forth, but i definitely hear a lot of karlie within the song.
in terms of timeframe i’m not completely ready to zone in on any particular point but i sort of place it before daylight, within the great war period. i’ve been compiling a list of lyrics that point to it but it might take me a bit to get around to posting it, if i do post about it. so let me post something quick. just understand that it’s like, a rough draft.
this is what clicked for me:
i got nothing to believe unless you’re choosin me // your sense of belief in the good in the world you once believed in me
unless you’re choosin me you’re losing me // i chose you […] i lost you // that was the night i nearly lost you i really thought i lost you
and the line “how long could we be a sad song” seems like something that a muse would say rather than the artist because the artist is the one who chooses the kind of song to write, you know? i just think this all fits the narrative of taylor trying to mask a lot of their story behind sad songs of other narratives and becoming so focused on doing that (tearing down banners) that she may have neglected the hurt she was slowly inflicting
there are so many lyric parallels going on but in particular i see so many lyric parallels to daylight, if anyone wants to give a companion listen. to me it feels like “the truth” of “i’ll tell you the truth but never goodbye” (and indeed the soldier looking up with honor and truth broken and blue) is about karlie finally being honest about how the fake feuding hurts and how she needs taylor to stop before it’s too late. that even if she says she can take it and they both know it’s fake, she now recognizes it’s affecting her. and so daylight is taylor sitting down and writing a truthful song about how she actually feels about karlie “i don’t wanna look at anything else now that i saw you, i don’t wanna think of anything else now that i thought of you” — and maybe midnights and all it’s editions is taylor slowly singing through the songs of these nights and towards this daylight.
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