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is-the-thing-actually-jewish · 3 months

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is Jewish Voice for Peace actually Jewish? I've heard a couple different things about that but no sources

@gryphistheantlerqueen also asked:

Whooo boy. So this has been sitting in the inbox for a few months, I wrote up a draft, and then it just sat... until this past week, when some new JVP BS hit the fan and gave me the kick to finish it.

Sooooo...

Verdict: Not Actually Jewish

(updated verdict after finding out about the “self-managed conversion” and “teacup mikvah”) Jewish, technically, and that "technically" is doing a lot of heavy lifting, and is actively debatable without access to a detailed breakdown of JVP’s actual membership rolls.

In general summation, JVP is a far-left radical antizionist group that is headed by a few visibly antizionist Jews and whose membership rolls are either a strong minority or outright majority of non-Jews, based on variable statistics that they've released. Although they claim that the “majority of their members and staff are Jewish”, this seems to be both statistically unlikely and actively suspicious due to their noted tendency to instruct even non-Jewish members to speak #AsAJew on social media, and their instructions to do “self-managed conversions”. However, due to their title, they are very popular with people who want a Jewish Stamp Of Approval for demonizing Israelis and Zionist Jews as a result. In effect, they are Jewish in the same way that people like Candace Owens and Hershel Walker are Black—as self-tokenizing minorities who throw the rest of their ethnic group under the bus in exchange for power and political access.

And despite the claims that they are “inspired by Jewish values and traditions” (as put on their website) and “oppose anti-Jewish hatred,” JVP routinely engages in antisemitic rhetoric, up to and including blood libel and antisemitic conspiracy theories, and acts as a shield against non-Jews who also engage in antisemitic rhetoric so long as the non-Jews in question remember to shout "For Palestine!" first. This is not an exaggeration.

The primary example of their in-house antisemitic rhetoric is their "Deadly Exchange" program, where they explicitly and conspiratorially blame Israel as being responsible for American police brutality and militarization. However, for all of their fearmongering and blame-casting on the subject—as if American cops needed outside help in brutalizing minorities or gaining military-grade handmedowns from the Pentagon, both of which are explicit claims of the "Deadly Exchange" program—they have a hard time actually identifying specific deaths associated with the international training seminars they're holding up as responsible.

One of the the closest they've come to a specific allegation is claiming that "former St. Louis County police chief Timothy Fitch trained with the Israeli military three years before Michael Brown’s killing and the Ferguson uprising." (Note: this was in a video that appears to have since been made private.) But Darren Wilson worked for the Ferguson PD, not the St. Louis PD, and Fitch retired months before the killing. So he was in a completely different police department, and this is the closest JVP comes to pointing to specific deaths or acts of brutality that they blame on Israel. Everything else is literal fearmongering--up to and including the classic conspiratorial tropes of "secretive Jewish governmental influence".

JVP has also happily supported the words of white supremacists like Richard Spencer, taking his “You could say that I’m a white Zionist in the sense that I care about my people," statement at face value, using it as the basis for entire articles where they compared Zionism to White Supremacy as a deliberate misrepresentation of the ideology that is common on the extreme political Left (you can compare that treatment again with how Candace Owens treats the word "Woke" on the Right). Even when the Charlottesville "Unite the Right" march happened, JVP wasted no time in comparing Zionism with the very ideology fueling the people chanting "Jews Will Not Replace Us," saying that Zionism is "Jewish racial supremacy" and calling for a universal condemnation of the ideology as a form of White Supremacy... which was the exact sort of message that many of those same White Supremacists would have happily agreed with. So JVP is essentially siding with literal White Supremacists, even as they claim that "Jews are not the primary victims of White Supremacy."

JVP also engages in Holocaust revisionism, such as with this lovely quote from Cecilie Surasky, the deputy director of JVP, “I believe it is critical to situate the genocide of Jews in a broader context, and not as an exceptional, metaphysically unique event. Some 6 million Jews died, but another 5 million people were also targeted for annihilation.”

(another quote, from an article by Surasky, which compares Netanyahu to Hitler.)

This is just straight revisionism of the entire Holocaust and the unique fixation the Nazis had on the Jews. Literally, even when they were losing, they were diverting resources from the war just to kill more Jews. Quote Hitler himself, "Jews must be prevented from intruding themselves among all the other nations as elements of internal disruption, under the mask of honest world-citizens, and thus gaining power over these nations." The very basis of the Nazi ideology paints Jews as an existential threat to the human race's peace and security—a far cry from JVP's claim that the Jewish suffering in the Holocaust wasn't unique or exceptional.

Additionally, JVP ignores or re-envisions Mizrachi Jewish history. They call the very term Mizrachi “Zionist rhetoric,” and refer to Mizrachi “immigrants,” (“Deadly Exchange,” pg. 16-17), and claim “the Israeli government facilitated a mass immigration of Mizrahim” (“Our Approach to Zionism”) as though those weren’t the direct result of the mass expulsion of and violence against Jews in MENA countries. These weren’t immigrants, these were refugees.

And as for the question of “Are they Jewish?”, well...

Statistically, they are not representative of the Jewish population as a whole, 90% of whom identify as some degree of Zionist in the sense of “Supporting Jewish self-determination.” One does not need to be Jewish to join JVP, as they proudly state on their website. Their membership rolls are also extremely obfuscated, and the fact that they encourage their followers, whether Jewish or not, to post and speak “as Jews” on social media makes it even more difficult to figure out what percentage of their membership is actually Jewish. Furthermore, they have instructions for their members to engage in “self-conversions” that are not acceptable to Jewish law or tradition, and misuse/appropriate other sacred Jewish traditions to the point that “blasphemy” is an accurate description, with their instructions on the mikvah (a sacred bath) being outright offensive.

(note that one has to be completely nude and bare of any adornment or makeup to use the mikvah, which is a pure pool of collected rainwater to be immersed in, for context on the above... misuse. Trying to claim this as being “in line with sacred Jewish tradition” is like trying to claim to be Catholic while also saying that the Pope is the Antichrist and that using beer and a doughnut for the Eucharist is acceptable. For more information on mikveh, see: The Jewish Virtual Library, Aish, myjewishlearning, or Chabad.

There's also no altar.

The irony of asking people not to appropriate while doing this is astonishing.)

It’s also telling that they straight up say they are “claiming” the practice as their own.

Furthermore, JVP has hosted panels on “antisemitism” in the past... headed by people who are not only not Jewish, but who have been credibly accused of antisemitism in the past.

JVP has also endorsed The Mapping Project Boston, which was a Boycott, Divest, and Sanction (BDS) subsidiary, listing every “Zionist” organization in Boston, Mass. This included Jewish schools, elder homes, community centers, disability centers, and more; all of them painted with scary and misleading “links” to non-Jewish organizations to insinuate Jewish control of the state and city governments, invoking age-old antisemitic tropes of a conspiracy of Jews as they did so:

(first image is the Mapping Project, the second is a 1938 Nazi political cartoon)

The Mapping Project also, and this is my personal favorite, accused Harvard University of doing “racist science” for engaging in archeological and genetic studies of Jews and Jewish history. Tellingly, BDS actually disavowed The Mapping Project (albeit for bad optics, not for the rank antisemitism they were promoting)... but JVP has not, even though the Mapping Project’s entry for the ADL reads as follows:

Masquerading as a “civil rights” group, the ADL is a counterinsurgency and espionage organization whose mission is to protect the mutual interests of the US and Israeli governments, and to eliminate solidarity among oppressed peoples, especially concerning Palestine. The ADL spies on and criminalizes activists (using its connections to governments, police, schools, and corporations) while undermining their work by pushing its own state-sanctioned, pro-“Israel” agenda. And while the ADL claims to represent Jews and to fight “antisemitism” on their behalf, the organization has supported anti-Jewish state violence and sanitized Nazis. The ADL cannot be reformed: it must be dismantled and whatever resources it has should go towards repairing the many harms it has done. (Emphasis added.)

Of course, JVP has also engaged in similar conspiracy-toned antisemitic dogwhistles, such as this fun bit from their first Deadly Exchange video:

So clearly (to me at least), they have no problems with The Mapping Project’s tone and presentation.

And this isn’t even going into JVP’s routine promotion of blood libel, their egregious double standards, their approving of pogroms, their active support for Hamas terrorists and demonization of Hamas’ victims, their attempted revisionism of Jewish history, their abject rejection of Jewish culture, and their other actions that show not just bias, but outright hatred for 90% of the world’s Jews.

As one commentator put it, JVP as an organization is very much like Autism Speaks is to Autistic people--a thinly disguised hate group that views the people they’re supposedly speaking for as the problem, and themselves as promoting the Solution. To this moderator, they’re the equivalent of the Association of German National Jews, who were also known as the Jews for Hitler; they wanted to abandon Judaism and embrace Naziism... and they got sent to the gas chambers anyway.

Mod Joseph

Sources:

www.adl.org/resources/backgrounder/jewish-voice-peace

www.jewishvoiceforpeace.org/wp-content/uploads/2017/11/Mikveh-Guide-for-Jewish-Voice-for-Peace-Outlined.pdf

(and also just... a general experience/exposure to them on social media, where even the most progressive actions taken by Israel, such as the recent ruling regarding queer Palestinians being able to claim sanctuary in Israel, being labeled as “pinkwashing”)

#jumblr #jvp #not actually Jewish #appropriation #avoid

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redcarpetview · 2 years

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Surprise! 🎶 New Song from Casting Crowns!

New Song “No Hurt” Out Now

We are so excited for you to hear this brand new song, “No Hurt.” The world has never looked more wounded, broken, and empty than it does today. We’ve never needed a Healer more than we do now.

There is no hurt that Jesus can’t heal. There is no empty place that His love can’t fill. If you are hurting and running on empty, take heart! There is NO HURT that Jesus can’t heal!

To listen click https://castingcrowns.lnk.to/NoHurtEM?mc_cid=77921ba8c5&mc_eid=3f039f72b5

BIG NEWS: Healer (Deluxe) Coming 8/26/22

In January, we released Part 1 of Healer album - we just couldn't wait to get the songs out there! Now, it’s finally time to release the rest of the record, with 7 NEW SONGS.

You can Pre-order a signed copy of Healer (Deluxe) for just $5. If you order by 8/22, you will have the CD on 8/26. Check it out at the link below!

https://castingcrownsonline.com/collections/music/products/pre-sale-exclusive-healer-deluxe-cd?mc_cid=77921ba8c5&mc_eid=3f039f72b5

This Fall: The Healer Tour

Tickets are now on sale at the link below:

https://www.castingcrowns.com/?mc_cid=77921ba8c5&mc_eid=3f039f72b5#tour

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ljblueteak · 5 months

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Richard Hamilton Swingeing London 67 poster and Beatles 68 poster

Text from Andrew Wilson's Swingeing London 67

The [Beatles] poster, described by Hamilton as a 'give-away' print, was the result of a fairly complex design process that took about two weeks to complete, with daily visits from Paul McCartney, the one Beatle who worked directly with Hamilton on the project and who had prior knowledge, through[Robert] Fraser, of Hamilton's work--he had earlier bought one of the Solomon R. Guggenheim (1965) screenprints from the 1966 exhibition of the series that he had helped hang.

This relationship gave Hamilton the freedom to develop his idea for the poster and the whole design project without interference from the other band members, Yoko Ono, or the record company.

The poster shows George Harrison, John Lennon, McCartney and Ringo Starr as distinct individuals. This is in sharp contrast to the individual John Kelly portraits, in which the similarities of pose, gaze, and lighting, conforming to the aesthetics of of a record company's publicity department, portray them as members of a band.

The seemingly casual pinboard aesthetic by which these informal photographs were arranged was determined primarily as a solution to crucial design issues (echoing his decision to order the collage for Swingeing London 67--poster as newspaper columns, with headline at top left).

The sheet had to be folded three times in order to be inserted into the square album sleeve, and this obliged Hamilton to approach it as 'a series of subsidiary compositions. The top right and left-hand square are front and back of the folder and and had to independently stand as well as be a double spread together. The bottom four squares can be read independently and as a group of four. They all mate together when opened up and used as wall decoration.'

The top left-hand panel is what is seen first, and it presents the songwriting duo of Lennon and McCartney. Lennon is shown in blue light, singing. The image has probably been taken from a television screen, and the attendant distortion and blue glow are unflattering.

The image of Lennon overlays the bottom right corner of an equally unusual portrait of McCartney in a bathtub, his head half submerged, soapy suds giving him a halo. Running beneath the two portraits is a fabricated contact strip that includes an image of Lennon in front of one of his wall drawings; the band in a recording session...in which they are, unusually, playing brass instruments; and a colour image from the recording of 'Hey Jude' (1968).

This sense of fragmentation, of hidden codes and messages, echoes both the 'guarded privacy and locked rooms' and the 'disturbing, dreamlike darkness' that have been identified in the album, inviting the fan to imagine the band members' private worlds, and hinting at the beginning of the band's disintegration.

The dominant image of the poster's top right panel, opposite Lennon and McCartney, is of George Harrison. This portrait casts him in a mystical, otherworldly and contemplative light, with the right side of his face obscured and out of focus....

There are very few collective photographs of the band: playing in recording sessions or in filmed concerts; with Harold Wilson after they had each received the MBE; and a sequence of them doing the 'business' as they re-sign their contract with EMI.

Instead, the poster emphasizes the individual activities of John, Paul, George and Ringo around the time of the collage. Starr is shown with his co-star from the film Candy (1968), Ewa Aulin, and also dancing with Liz Taylor (wife of his other co-star in the film, Richard Burton). Lennon is shown becoming the working-class hero. Yoko Ono appears just twice: in a self-portrait by Lennon of the naked couple, and in an image of a naked Lennon sitting cross-legged in bed talking on the phone, as its stretched cord cuts her out-of-focus head in two--cancelling her identity.

Of the band, it is McCartney who emerges as the poster's dominant figure. Hamilton has said how The Beatles contains 'arcane touches which only The Beatles' more intimate associates were likely to smile at,' and yet such details--such as the doubled image of a shut door or McCartney 'pole dancing' both naked and clothed--are not at the cost of the poster's legibility. At its centre is the reverse of a photograph, a gift to one of the band, bearing a lipstick imprint and a groupie's imploring words: 'I love you.'

In all this, Hamilton's fundamental aim for The Beatles was that it should reach a large audience and be as accessible as the cover design was remote. This was not a new subject for Hamilton. My Marilyn had already adopted, three years earlier, the motif of the publicity photograph and the manipulation of celebrity image as a subject. What is different here is Hamilton's direct participation in popular culture: The Beatles, like Swingeing London 67--poster, shows him not only constructing work with a subject that revolves around the manipulation and production of pop celebrity imagery, but also inserting these works into the mass circulation of popular culture.

--Andrew Wilson. Bold mine.

#the beatles #richard hamilton #robert fraser #Really interesting read of The White Album poster #'arcane touches which only the Beatles' more intimate associates were likely to smile at'?#The phone cord 'cancelling [Yoko's] identity?#Really great to have this context for Hamilton's work too

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generic-man-in-suit-battle · 11 months

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64 nearly identical, incredibly generic dudes have stepped to the plate to find the LAMEST, most BASIC man in a suit as determined by Tumblr.com! You, the viewer, get to choose who gets to continue and who has to go home and change!

Send propaganda for your favorites in the asks or in the reblogs when polls go live!

SIDE ONE begins June 5th. A week after, on June 12th, SIDE TWO begins. Matchups under the cut:

SIDE ONE, GROUP ONE: June 5th

Richard Watterson (The Amazing World Of Gumball) vs Artemis Fowl (Artemis Fowl)

Dad Egbert (Homestuck) vs Tony Dinozzo Jr. (NCIS)

SIDE ONE, GROUP TWO: June 6th

Spongebob Squarepants (Spongebob Squarepants) vs Herbert West (Re-Animator)

Trey MacDougal (Sex and the City) vs Jeff Winger (Community)

Tyrell Wellick (Mr. Robot) vs Patrick Bateman (American Psycho)

Pheonix Wright (Ace Attorney) vs The Narrator (Fight Club)

Kim Dokja (Omniscient Reader's Viewpoint) vs Bob Parr (The Incredibles)

SIDE ONE, GROUP THREE: June 7th

Mark Scout (Severance) vs Jimmy McGill/Saul Goodman (Breaking Bad)

John Reese (Person of Interest) vs Dwight Fairfield (Dead By Daylight)

Tally Hall (Real Life) vs Nathaniel Plimpton III Esq. (Crazy Ex-Girlfriend)

Larry (Pokemon Scarlet/Violet) vs Agent Brick (Milo Murphy's Law)

SIDE ONE, GROUP FOUR: June 8th

The Elsen (OFF) vs RTGame (Real Life)

Shin (Dorohedoro) vs Stanley (The Stanley Parable)

John Constantine (DC Comics) vs super ☆ business ☆ dancing ☆ night (The Internet)

Vincent Freeman (Gattaca) vs Tad Strange (Gravity Falls)

SIDE TWO, GROUP ONE: June 12th

Frank (Subway Surfers) vs The Slenderman (The Internet)

Almond Cookie (Cookie Run) vs Julian Fawcett (BBC Ghosts)

Frederick (Fire Emblem Awakening) vs Paul Matthews (Hatchetfield)

Jim Halpert (The Office) vs Ted Templeton (The Boss Baby)

SIDE TWO, GROUP TWO: June 13th

Kishibe (Chainsaw Man) vs Anthony Lockwood (Lockwood & Co.)

Koutarou Amon (Tokyo Ghoul) vs Ianto Jones (Torchwood)

Brian Pasternack (Yuppie Psycho) vs David Tennant (Real Life)

Thomas "Neo" Anderson (The Matrix) vs Connor (Detroit: Become Human)

SIDE TWO, GROUP THREE: June 14th

Elder Price (The Book of Mormon) vs Roddy St. James (Flushed Away)

Frank Grimes (The Simpsons) vs Robert Philip (Disney's Enchanted)

Meursault (Limbus Company) vs The Entire Cast Of Succession (Succession)

Mumbo Jumbo (Hermitcraft) vs Roland (Library of Ruina)

SIDE TWO, GROUP FOUR: June 15th

Kaz Brekker (Six of Crows) vs James Wilson (House MD)

Castiel (Supernatural) vs Jonathan Harker (Dracula)

Tohru Adachi (Persona 4) vs Bobby (Company)

Aaron Hotchner (Criminal Minds) vs Francis York Morgan (Deadly Premonition)

All polls are in the tag #round one

#poll info #round one

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andydrysdalerogers · 7 months

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The Type You Save ~ A Bucky Barnes Detective AU

I posted this story on Wattpad and I’m bringing this over here. I wrote the story with specific actors in mind for roles. I hope you will enjoy this one. I haven’t decided what day I’m posting the chapters. If you have a favorite day let me know!

TW: mob, death, smut, rape intentions, angst, guns, family abandonment, dub-con, manipulation

I’ll be tagging my tag list at the bottom and it is open!

Preview is below the cut!

Detective James Barnes hasn't seen the love of his life in three years. Since the night she was almost caught stealing a painting. He knows it was her and she disappeared leaving him confused and heart broken.

Alexandra Richards never expected to be pulled back into her old life two years after she left it. She had found love and a home and was happy. Until a note blackmailed her to take one last job. Three years later she walked into the last person she expected to see in San Francisco. Because he lived in New York right?

They always put family before everything. And he would do anything to get his family back. Because she's the type you save.

Chapters:

O N E

T W O

T H R E E

F O U R

F I V E

S I X

S E V E N

E I G H T

N I N E

T E N

E L E V E N

T W E L V E

T H I R T E E N

F O U R T E E N

F I F T E E N

S I X T E E N

S E V E N T E E N

THE CAST

Anne Hathaway ~ Alexandra "Alex" Richards

"The Cat"

Sebastian Stan ~ James "Bucky" Barnes

Chris Evans ~ Steve Rogers

Scarlet Johansson ~ Natasha Romanoff

Anthony Mackie ~ Sam Wilson

Jamie Doran ~ Christian Grey

"The Boss"

Wyatt Russell ~ John Walker

"The Hand"

Chace Crawford ~ Nate Archibald

"The Snake"

Tag list

@patzammit @texmexdarling @slutforchrisjamalevans @amiquette @before-we-get-started @firephotogrl74 @tinkerbelle67 @bunnyforhim @alexakeyloveloki

#andy's shenanigans #andy's hea #bucky barnes #bucky barnes au #the type you save #sebastian stan #sebastian stan fandom #sebastian stan fanfiction #bucky x ofc #Steve rogers #detective AU

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notrandtumblin · 5 months

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This is part 4 of my effort to scientifically decide who is the best Marvel casting choice.

On my page there are 3 others for the main characters of Phases 1-3. This poll contains a good chunk of Phase 4 casting but I’m realizing there are WAY too many Phase 4 castings to fit in the 12 allotted options by tumblr.

I will continue this journey until I’ve polled the entire MCU. I will then move on to Fox and Sony characters plus anyone I may have forgotten.

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scotianostra · 3 months

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Happy birthday Annette Crosbie, born 12th February 1934.

Annette was born in Gorebridge, Midlothian, to strict Presbyterian parents who disapproved of her becoming an actress.

Nvertheless, she joined the Bristol Old Vic Theatre School while still in her teens. Her big break came in 1970 when she was cast as Catherine of Aragon in the BBC television series The Six Wives of Henry VIII, for which she won the 1971 BAFTA Television Award for Best Actress. In 1973, she starred alongside Vanessa Redgrave in the BBC serial, A Picture of Katherine Mansfield.

Crosbie was born in Gorebridge, Midlothian, to strict Presbyterian parents who disapproved of her becoming an actress. Nevertheless, she joined the Bristol Old Vic Theatre School while still in her teens. Her big break came in 1970 when she was cast as Catherine of Aragon in the BBC television series The Six Wives of Henry VIII, for which she won the 1971 BAFTA Television Award for Best Actress. In 1973, she starred alongside Vanessa Redgrave in the BBC serial, A Picture of Katherine Mansfield.

In 1975, Crosbie made a similar impact as Queen Victoria, in the ITV period drama Edward the Seventh, for which she won the 1976 BAFTA Television Award for Best Actress. She played Cinderella’s fairy godmother in The Slipper and the Rose, which was chosen as the Royal Film Première for 1976. In that film, Crosbie sang the Sherman Brothers’ song, “Suddenly It Happens”. In Ralph Bakshi’s animated movie, The Lord of the Rings, filmed in 1978, Crosbie voiced the character of Galadriel, Lady of the Elves. In 1980, she played the abbess in Hawk the Slayer. In 1986, she appeared as the vicar’s wife in Paradise Postponed.

After appearing in the BBC1 drama Take Me Home, Crosbie’s next major role was as Margaret Meldrew, the long-suffering wife of Victor Meldrewplayed by fellow Scot, Richard Wilson) in the BBC sitcom One Foot in the Grave for which she is best known. She also played Janet, the housekeeper to Dr. Finlay, in the 1993 revival of A.J. Cronin’s popular stories.

Crosbie’s other roles include playing the monkey-lover Ingrid Strange in an episode of Jonathan Creek, Edith Sparshott in An Unsuitable Job for a Woma, and Jessie in the film Calendar Girls. In 2004, Crosbie appeared alongside Sam Kelly in an episode of the third series of Black Books, as the mother of the character Manny Bianco. In the series six and seven of the BBC Radio 4 comedy series Old Harry’s Game, she played a recently deceased historian named Edith.

In 2008 she appeared in the BBC adaptation of Charles Dickens’s Little Dorrit, in 2009, she portrayed Sadie Cairncross in the BBC television series Hope Springs. In 2010 Crosbie appeared in the Doctor Who episode “The Eleventh Hour”. In 2014 Crosbie appeared in the movies What We Did on Our Holiday and Into the Woods. In 2015 she appeared in a BBC adaptation of the novel Cider with Rosie. In 2016 she appeared in the new film version of Dad’s Army .

In recent years, she appeared in season two of Ricky Gervais' black comedy-drama After Life on Netflix. She now resides in Wimbledon and is a campaigner against cruelty for animals.

#scotland #scottish #history #actress #happy birthday

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bbcmerlinvault · 1 year

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Scans of an interview with Colin Morgan, Bradley James and Richard Wilson in Malaysian's New Straits Times, published 6th March 2009. Unfortunately I am currently unable to get a version without the Photobucket watermark, but it is largely still readable.

Scans from kataren on LiveJournal [Original source]

#article #cast: Bradley James #cast: colin morgan #cast: Richard Wilson #bbc merlin #year: 2009 #interview: bradley james #interview: colin morgan #interview: richard wilson

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toofunktastic · 26 days

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Here’s a dump of things I’ve gifted elsewhere but haven’t gifted here yet

Six - Second US National Tour (Boleyn)

April 2, 2023 - madeapactwithsatan

Matinée

Cast:

Gerianne Pérez (Catherine of Aragon), Zan Berube (Anne Boleyn), Alina Faye (Jane Seymour), Cecilia Snow (s/b Anna of Cleves), Aline Mayagoitia (Katherine Howard), Sydney Parra (Catherine Parr)

Notes:

Never to be posted on any form of social media including, but not limited to, YouTube/Instagram/TikTok

https://mega.nz/folder/7kUDAJSJ#6nS_R4lKk9AZNfbXmbOsrQ

Six - Second US National Tour (Boleyn)

April 5, 2023 - madeapactwithsatan

Cast:

Gerianne Pérez (Catherine of Aragon), Zan Berube (Anne Boleyn), Amina Faye (Jane Seymour), Terica Marie (Anna of Cleves), Aline Mayagoitia (Katherine Howard), Sydney Parra (Catherine Parr)

Notes:

Includes BCEFA speech. Recorded from front row. Dropped my phone right after Heart of Stone, but I picked it up before anything major happened. Never to be posted on any social media including, but not limited to, YouTube, Instagram and TikTok.

https://mega.nz/folder/Th0ghSQa#pYEP5D2mEqM_Y5UU4SZ0qw

Ain't Too Proud - The Life and Times of the Temptations

US National Tour

January 17, 2024 mat

Madeapactwithsatan's master

Cast:

**Jeremy Kelsey (u/s Otis Williams)**, E. Clayton Cornelious (Paul Williams), Harrell Holmes Jr. (Melvin Franklin), Jalen Harris (Eddie Kendricks), Elijah Ahmad Lewis (David Ruffin), **Treston J. Henderson (u/s Dennis Edwards)**, Felander (Lamont), **Brian C. Binion (u/s Berry Gordy)**, Ryan M. Hunt (Shelly Berger), Tiffany Francès (Josephine), Devin Holloway (Smokey Robinson/Slick Talk Fella/Damon Harris), Devin Price (Al Bryant/Norman Whitfield), **Nazarria Workman (u/s Diana Ross)**, Shayla Brielle G. (Mama Rose/Florence Ballard/Tammi Terrell), Brittny Smith (Johnnie Mae/Mary Wilson), Devin Holloway ("Gloria" Soloist/Interviewer/Delivery Man/Richard Street)

Notes: Amazing cast for this show. However it is a jukebox musical and thus has the normal issue of singing along, talking, phones ringing (and maybe even me sighing and saying to shut up). Gift upon request, but do not post any form of social media.

https://mega.nz/folder/r88XBRaB#sYHUFtMg8v4hcv1nNF-_iA

Mrs. Doubtfire - First US National Tour

February 10, 2024 matinée

madeapactwithsatan's master

Cast:

Rob McClure (Daniel Hillard), Maggie Lakis (Miranda Hillard), Giselle Gutierrez (Lydia Hillard), Cody Braverman (Christopher Hillard), Emerson Mae Chan (Natalie Hillard), Aaron Kaburick (Frank Hillard), Marquez Linder (u/s Andre Mayem), Romelda Teron Benjamin (Wanda Sellner), Leo Roberts (Stuart Dunmire), David Hibbard (Mr. Jolly/Judge), Jodi Kimura (Janet Lundy)

Notes:

This is a show I saw. Gift upon request. Do not post anywhere on any social media.

https://mega.nz/folder/Xl1BwQQY#BVT-MB9tf-ouXzrV49ebTQ

Waitress - Broadway Remount

September 16, 2021 - madeapactwithsatan

Cast:

Sara Bareilles (Jenna), Charity Angel Dawson (Becky), Caitlin Houlahan (Dawn), Drew Gehling (Dr. Pomatter), Joe Tippett (Earl), Dakin Matthews (Joe), Eric Anderson (Cal), Christopher Fitzgerald (Ogie), Nora Lincoln Weiner (Lulu), Tyrone Davis Jr., Matt DeAngelis, Henry Gottfried, Molly Jobe, Max Kumangai, Anastacia McCleskey, Stephanie Torns, Nyla Watson

Notes:

Very responsive crowd.

https://mega.nz/folder/fks0EAxR#zP0Yvhqp0Z5sK0jhueYrnw

Waitress - First US National Tour

February 13, 2018 - madeapactwithsatan

Cast:

Desi Oakley (Jenna), Charity Angél Dawson (Becky), Emily Koch (u/s Dawn), Bryan Fenkart (Dr. Pomatter), Jeremy Morse (Ogie), Ryan G Dunkin (Cal), Larry Marshall (Joe), Nick Bailey (Earl), Maiesha McQueen (Nurse Norma), Kimberly Tobin (Lulu), Kyra Kennedy (Francine Pomatter), Grace Stockdale (Mother), Jim Hogan (Father)

Notes:

Emily's third show as Dawn.

https://mega.nz/folder/r0Vl3TTL#pBQPDf9g5QGc3AXu_W6efQ

Waitress - Second US National Tour

March 29, 2022 - madeapactwithsatan

Cast:

Jisel Soleil Ayon (Jenna), Dominique Kent (Becky), Gabriella Marzetta (Dawn), David Socolar (Dr. Pomatter), Brian Lundy (Ogie), Andrew Burton Kelley (u/s Cal), Shawn W. Smith (Earl), Michael R. Douglass (Joe), Dayna Marie Quincy (Nurse Norma), Stephanie Feeback (Francine Pomatter), Olivia London (Mother), Woody White (Father), Elvie Ellis (Ensemble), Jake McCready (Ensemble), Zoë Brooke Reed (Ensemble)

https://mega.nz/folder/GpEwSJTC#giJ1UwBntSOxlshQ-DeOlg

Frozen

March 29, 2024

First US National Tour

madeapactwithsatan’s master

Caroline Bowman (Elsa), Lauren Nicole Chapman (Anna), Jeremy Davis (Olaf), Dominic Dorset (Kristoff), Preston Perez (Hans), Dan Plehal (Sven), Evan Duff (Weselton), Savannah Lumar (Young Elsa), Emma Origenes (Young Anna), Katie Mariko Murray (Queen Iduna), Kyle Lamar Mitchell (King Agnarr), Tyler Jimenez (Pabbie), Renée Reid (Bulda), Jack Brewer (Oaken)

Notes: It’s frozen so obviously there are a couple of kids talking, but otherwise not too much disruption. Includes BC/EFA speech. Gift upon request, but do not put on any form of social media.

https://mega.nz/folder/2hdRALbY#EuDCQU-2J5TCmVsxUg9yKQ

#broadway #waitress #waitress the musical #frozen #frozen the musical #six #six the musical #ain’t too proud #mrs doubtfire #Mrs Doubtfire the musical #audio gift #musical theater #musicals #musical

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redcarpetview · 2 years

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Announcing The "Healer" Tour Fall 2022

Tickets for The Healer Tour go on sale next week, but you can sign up NOW for a special pre-sale opportunity.

Registration for the pre-sale is FREE. Not only can you purchase tickets early, we’ve also partnered with Audience Republic to offer some fun prizes during the pre-sale.

Sign up to earn points to win exclusive prize packages including a Flyaway Trip to Orlando to see the tour from the front row, meet & greet, take a backstage tour, visit Walt Disney World and more. Additional pre-sale prizes include artist meet & greets, a side-stage view during the show, upgraded seating, merchandise packages and more.

Make sure you sign up NOW to get your pre-sale code and to be entered to win. Pre-sale begins Wednesday, June 8, 10 a.m. local time though Thursday, June 9, 10 p.m. local time (in most markets).

Link to signup: https://arep.co/t/casting-crown-presents-the-healer-tour?mc_cid=ed400ccd90&mc_eid=3f039f72b5

#Music #Christian music #contemporary christian music #Events #The Healer Tour #Casting Crowns #Cain #Anne Wilson #naomi j richard #naomijrichard #Naomi Richard #RCV #Red Carpet View #KAZI 88.7 #KAZI 88.7FM #The Voice of Austin

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elcomfortador · 25 days

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A Queer History of SNL, Part Four: The Lost Years

People use the term “the lost years” differently when speaking of Saturday Night Live, but this podcast is using it specifically from the time Lorne Michaels left the show after season five up until season eleven. Aside from Eddie Murphy’s presence on the show, these are the sketches that are less remembered today because they weren’t rerun on Comedy Central in the 2000s as much and they’re largely absent from the cache of episodes preserved online today. And that’s too bad, because this is when the show boasted some legends in the cast — Julia Louis-Dreyfus, Billy Crystal, Joan Cusack, Robert Downey Jr., Martin Short and Damon Wayans among them, as well as queer cast members Terry Sweeney, Denny Dillon and Danitra Vance.

The sketches (and click here if you want to watch them):

“SoHo Lesbians” (S6E10: Debbie Harry)

“Little Richard Simmons” (S7E1: No host)

“James Coburn Is a Homosexual” (S7E11: James Coburn)

“Focus on Film: Making Love” (S7E12: Bruce Dern)

“Penny Lane” (S10E11: Roy Scheider)

“Pinklisting” (S11E1: Madonna)

“Mr. Monopoly” (S11E12: Griffin Dunne)

Monologue (S11E16: Catherine Oxenberg)

“Lesbian Pick-Ups” (S11E18: Anjelica Huston)

Go shop at our TeePublic store!

Follow: GEE on Facebook • GEE’s Facebook Group • GEE on Twitter • GEE on Instagram • Drew on Twitter • Glen on Twitter

Listen: Apple Podcasts • Spotify • Google Podcasts • Himalaya • TuneIn

And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

Listen now!

#lgbt #gay #television #tv #sitcom

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cantsayidont · 5 days

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Haterating and hollerating in the 1950s:

SUDDEN FEAR (1952): Inventive but unsatisfying thriller about a middle-aged playwright and heiress (Joan Crawford) who discovers that her new husband (Jack Palance) and his ex-girlfriend (Gloria Grahame) are plotting to do away with her, and decides to concoct her own elaborate trap for the would-be killers, which doesn't go as planned. Palance is well-cast, walking an interesting line between charm and sociopathy, and the film gives Crawford one of her better '50s roles, but the script fails to pay off its own clever plot twists while allowing Crawford too many opportunities for her customary histrionics — particularly in a pair of over-the-top dream/fantasy sequences and in a crucial scene where the heroine has to express, without dialogue, that she's having second thoughts about her own plan. The finale, while undeniably tense and featuring striking nighttime cinematography by Charles B. Lang Jr., also feels like it belongs in a completely different movie.

THE GIRL NEXT DOOR (1953): Bright, attractively staged Fox musical (with two animated interludes) about the burgeoning romance between a successful stage star (June Haver) and her handsome new next-door neighbor (Dan Dailey), a comic strip artist and widower with a young son (Billy Gray) who's none too happy at this new competition for his father's attention. Haver and Dailey are great, and their easy repartee is very appealing. It's also interesting to see Dennis Day outside of his more familiar role as Jack Benny's idiot stooge. However, Billy Gray's character never quite rings true; there's no real reason for Joey to dislike the charming, good-humored Jeannie other than childish jealousy, so the story depends on his eventually getting over it rather than on Jeannie winning him over, which might have been more fun.

A SUMMER PLACE (1959): Overwrought Delmer Daves adaptation of a Sloan Wilson novel about two one-time lovers (Richard Egan and Dorothy McGuire), now unhappily married to others (Constance Ford and Arthur Kennedy), who decide to divorce their respective spouses so they can finally get married, only to face endless angst because their college-age kids (Sandra Dee and Troy Donahue) are also in love, in A Society That Just Doesn't Understand™. The story might have been considered daringly blunt by the standards of 1958–59, but to modern eyes, it succeeds mostly in putting the "turgid" in "dramaturgy." The script and direction are so unrelentingly heavy-handed that the actors seem like they're mining coal, with only Constance Ford (whose character is an unmitigated bitch) allowed to be anything other than laboriously tormented.

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vodika-vibes · 1 month

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ARACHNE CANT GET A BREAK

It's Arachne's Terrible, Horrible, No Good, Very Bad Day. And it's only going to get worse.

"Kriff. Fuck. Shit." Arachne curses under her breath as she darts through the streets of New York, trying her hardest to avoid the Avengers who are hunting her. All she wants is to go home and cling to Dogma for several hours and forget the way that Captain America looked at her. Like she's the biggest threat to the world. Like she's Hitler himself. She's going to have nightmares about that look. She's changed into different clothes, tucked her hair into a baseball hat, and put several bandages on her face, so that facial recognition doesn't ping her. But she's at a loss. Arachne doesn't dare try to go to Peter or Miles...she's not sure how'd she react to her own mentors trying to kill her, but she can guess. Doctor Richards and the Fantastic Four are off the table, they're too friendly with the Avengers. The X-Men are too far away (and they wouldn't help her even if she asked). She ducks her head to avoid a camera near a bakery, her gaze dropping to her burner phone (she stole it, she's not proud of that fact) and she nearly drops it when the phone rings. "Uh...hello?" "Hello Elena." The voice is familiar, though it takes her a moment to put a name to the voice. "Fisk?" She asks, her voice dropping in volume. "The one and same. I'm sending a car to you. Get in it." "Uh..." "Unless you want the Avengers to kill you." Arachne eyes the black car warily, but she climbs in and slams the door shut behind her. "Even the Avengers wouldn't dare attack this car." She hangs up her phone as she peers at the massive form of Wilson Fisk sitting across from her. "Hello...Mister Fisk?" "Hm," His gaze is dark, "So you do have manners." "Surprise! What is going on?" Fisk folds his arms, "Several days ago, this reality appeared out of nowhere. Doctor Octavius noticed it first and came to me to ask me some pointed questions." "Like what?" "About my history, and things that I remember regarding the Spiders. And we came to the conclusion that this...reality, for lack of a better term, was created several days go. With the singular purpose of trapping you." "Me?" "So it would appear." "Okay...why me?" "Unsure." Fisk casts his gaze over her, "All things considered, you're not the most dangerous of the heroes," there's a hint of disgust in his voice, "in New York." "Okay, so...how do I get back to where I'm supposed to be?" "We have some ideas as to that." Fisk says, "This reality is awful, and we want to fade away. All of us." "Okay...who's we?" "You'll see."

#star wars #star wars au #arachne au

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