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dannyreviews · 2 years

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Where is the Friend's Home? (Khane-ye doust kodjast?) (1987)

A characteristic that is lacking in mainstream Hollywood films is a plot that is so simply told, but excites you at the same time. Abbas Kiarostami’s “Where Is the Friend’s House?” involves a basic goal that expands into a 80 minute character study about what it takes to maintain selflessness at a young age and the finished product is one of world cinema’s hidden secrets.

On a somewhat uneventful day in a school classroom, Mohamed Reda (Ahmed Ahmed Poor) is scolded for repeatedly misplacing his notebook and is warned that he will be expelled if he does so one more time. By accident, his classmate and good friend Ahmed (Babek Ahmed Poor) takes Mohamed’s notebook and is desperate to return it to him to prevent his friend’s expulsion. What transpires is an arduous journey that Ahmed undertakes to find Mohamed’s home on the other side of town which will take him up stairs, hills and strangers’ backyards.

This film isn’t solely about Ahmed’s journey, but about his fellow countrymen’s everyday tasks as well. Kiarostami weaves these two storylines side by side with the right plot devices and overlapping dialogue. For example, there’s a scene involving a business transaction between two strangers over the installation of doors on one of their houses. At first, you wonder what the purpose of this scene is, and then the sewing of both stories come together when Ahmed reappears and the builder asks if he could tear a page from Mohamed’s notebook to draw up the contract. So at the same time, you see Ahmed’s selfless act and what he’ll most likely grow up to be in his adult years, continuing his selfless ways to help his fellow man.

“Where is the Friend's House?” is also a throwback to other films like “The Red Balloon” and “The Bicycle Thieves” that utilize the motif of a child fending for themselves in the streets. At the same time, it incorporates the theme of child actors acting like regular children that was previously done in “The 400 Blows”, “Forbidden Games” and “Spirit Of The Beehive” and later on in “Au Revoir, Les Enfants” “Cinema Paradiso” and “Ponette”. The result is a Venn Diagram of a film where the main story is the world through the eyes of a child who wants to make a man of himself, taking the lessons of his teacher and grandfather to heart, even doing something as foolish as running from home to unchartered lands to help a friend in need. The common bond between all these films is that they are non-Hollywood foreign language gems. American films are too caught up in stupid characters, cheesy CGI, convoluted stories and unnecessary subplots that are incorporated into remakes and monotonous superhero franchises. I have yet to wait for an American director to focus on a linear story that may seem boring on paper, but grabs the viewer’s attention nonstop as if you’re in the character’s shoes. This film is more reality than some of the garbage that passes as “reality” television.

The Ahmed Poor brothers who play Ahmed and Mohamed are excellent from the very beginning. The very first scene tugs at your heartstrings when Ahmed’s Mohamed is crying in class as he’s threatened with being expelled from school. He’s only a little kid and yet the weight of responsibility overwhelms him. I can remember seeing classmates of mine cry in school when confronted with similar issues and seeing that crying on screen brought me back to those halcyon days. Then you have Ahmed, whose presence takes up 95% of the film, and his determination is on full display. Babek’s Ahmed manages to stick to his innocence without coming off as overly cute. He may be a grammar school student, but he has the grit and drive of an adult. Not many films can pull off having a child act like him or herself without being nauseatingly annoying. The Ahmed Poor brothers were naturals to be in front of the camera and did not disappoint.

Unfortunately, Iran did not submit a film to the Academy Awards Foreign Film category in the year of this film’s release. By missing out of being in the running, “Where Is the Friend’s House?” could have been more widely seen by American audiences and the film wound up debuting at the American film festival circuit 6 years later, well too late for Oscar consideration. Despite that, Kiarostami won awards at the Fajr and Locarno Festivals in 1987 and 1989 respectively. As of now, the film is #2 on MUBI’s Top 1000 Films list, one up from “The Godfather”, an impressive feat. So 35 years later, this masterpiece is getting the reception it richly deserves.

9.5/10

#dannyreviews #where is the friend's house?#abbas kiarostami #iran #persia #persian #ahmed ahmed poor #babek hamed poor #children in film #homework #notebook #khane-ye doust kodjast?#world cinema #international film #foreign film

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horang-07 · 7 months

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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

#fnaf #fnaf movie #eden rambles #william afton #matthew lillard #springtrap #five nights at freddy's #fnaf spoilers #idk i thought it was a great scene #ppl just need to manage their expectations of what fnaf 1 Actually Is in isolation #not the years of other media and fandom and lore and theory #we literally saw him get springlocked one time in 8 bit with no audio and four frames. how is this worse in comparison #wanna make another post talking abt how the film explores images vs the reality when you look deeper #specifically abby and her drawings/the drawings at freddys vs mike’s motivation being based on the images he sees in his dreams #and how it’s so perfect for fnaf 1 being a game almost entirely made of just scary images without actually exploring the reality #that these robots are Children and Scared and Lost #tldr the fort scene was necessary

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bixels · 13 days

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The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

#also idk how to tell you this but even if it were true. wealthy children potentially sacrificing their educational careers to protest is #a good thing actually. idk how to tell you that caring about people from other nations is good #personal #“this war has nothing to do with most students cuz nobody's getting drafted” idk how to explain to you that we should be angry #that our tuitions of 10s of thousands of dollars that we pay every year for an education is being used to fund a genocidal campaign #also the implication that if you go to a uni institution you are automatically privileged by participation no matter your bg #i didn't /want/ to go to this school. i was supposed to go to a school with an art/animation program. but i realized my immigrant #parents have been working their whole lives to get me here. and turning the opportunity down would be a disservice to their sacrifice #this is getting into convos of “what 2nd gen kids owe their parents” which is different for everyone but. yeah #i just get pissed off at seeing people misrepresenting student bodies as “wealthy” and “privileged” and “elite” when it's such a blatant li #i remember a year ago a friend told me they can't fly home to hong kong for winter break because the plane tickets are too expensive #so they have to find temporary housing around the area #last quarter for a film doc class my film partner made a doc on a small group of marxist grad students from india discussing praxis #during a rally a few months ago in response to police presence the coalition invited palestinian students to speak about their experiences #and lead songs and read poems they wrote. these are STUDENTS. are they elitist too?#this is not to disregard my own personal privilege either.#this whole narrative's just to rationalize a lack of empathy to me. seeing a 19yo student get shot by a rubber bullet and your first #reaction is “HAW! HAW! bet richy rich didn't see THAT coming when she put on her terrorist hood!”#newsflash. these big uni campuses are HAUNTED by the violence of past protests and revolutions and police brutality. we know.#why do you think these coalitions have been making reinforced barricades at record speed

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charitydingle · 1 year

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The Children’s Hour, 1961 dir: William Wyler

#the children's hour #filmgifs #moviegifs #usermandie #usergina #films #filmedit #*#tch*

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nathsketch · 10 days

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Extremely sad news today with the passing of our beloved Bernard Hill.

“Arise!! Arise, Riders of Théoden!”

“The horn of Helm Hammerhand shall sound in the deep one last time.”

He will go to his fathers. And even in their mighty company he shall not now be ashamed. 🗡️🐴👑

Forth, Eorlingas!!

#art #artists on tumblr #bernard hill #théoden #theoden king #rest in peace #children’s illustration #the lord of the rings #the two towers #the return of the king #my favorite books #my favorite films #lotr #nathsketch #Spotify

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crionic-dubs · 1 year

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#united kingdom #britain #dystopia #film #1984 #brave new world #children of men #never let me go #meme #v for vendetta #threads #threads movie #threads 1984 #film analysis #1k

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zanephillips · 7 months

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Patrick Wilson as Brad Adamson Little Children (2006) dir. Todd Field

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texaschainsawmascara · 5 months

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Charlie Hunnam, Papillon

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wyrmswears · 1 month

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yknow what, fuck you, [unhumans your previous elemental masters of lightning and ice and makes them best friends^_^]

Ice is an unspecified eldritch being. He has an uncanny valley effect on humans that unnerves the majority of the team who in turn can't understand how Libber, Garmadon, and Wu don't feel unsettled by him. Eventually, the teams warms up to him, and though no one becomes as close to him as Libber is, everyone knows they can come to him if they want to hex their ex or get a demon exorcised (sometimes these are one and the same).

Libber is a raijū and though this isn't common knowledge when she joins the elemental masters, news quickly spreads; she isn't great at keeping secrets. She DOES bite and Maya learnt this the hard way.

more art but also cw for death under read more

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goryhorroor · 1 year

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horror + cults

#yes i didn't include hereditary because i wasn't including both of his films on this list #horror #horror movies #the wicker man #midsommar #rosemary's baby #apostle #the void #children of the corn #the devil rides out #the black cat #the ritual #suspiria #moviesedit #horroredit #filmedit #cinema #cults

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666frames · 7 months

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Pieces (1982)

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geminiscene · 2 years

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natja brunckhorst in christiane f. (1981) dir. uli edel

#natja brunckhorst #christiane f #films #uli edel #we children from bahnhof zoo #wir kinder vom bahnhof zoo #myu #5k

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madebypointlesswords · 5 months

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So

since it's holiday season, I have a film I think everyone, and I mean absolutely everyone needs to watch

I'm dead serious.

Watch it. Now.

It's hilarious, it's heartwarming and the most comforting and sweet film I've ever seen.

Basically, it's a brilliant take on the origin story of Santa Claus and how writing letters is totes important and we should all write letters and do kind things for one another.

As Klaus said: "One true, selfless act always sparks another."

I watch this film every holiday season with my family and I cannot get tired of it. Every time it brings me to tears. Happy comfort tears, of course.

It's on Netflix. Do yourself a favour, please.

Watch this adorable silly film

#klaus netflix #klaus 2019 #christmas movies #christmas #holiday #movie recs #films #love this movie #movie of all time #no i do not care that this is a childrens movie and you are 53 #watch it

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k-wame · 1 year

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