#i could explain the actual context behind the both of these

[moonit3]

I can order a yandere cute (kawaii), who maybe because of his cute and innocent appearance managed to get close to his beloved, but maybe this boy is not only cute and has a very disturbing past...

i love this concept, a cute person who is actually a freaking person behind the curtains. that’s why i love my readers, always giving me the best ideas to write.

ꕥ CUTE BOY ꕥ

➽ context warnings: yandere! male, gn! reader, sfw but there is some nsfw lines down there, a small age gap (like two-four years, but both reader and yandere are legal age!), manipulation, murder off scene.

➽ word count: 998 (sorry for that, guys!)

➽ synopsis: perhaps you would see him with another eyes if he was the same age as your.

➽ yandere! cute boy x gn! reader

➽ a/n: another few weeks later and i am here with another work of mine, today i present to you all my new creation that i am proud to be the mother of it. this work is a little too short for my own likes, but i feared that if i wrote more i could easily ruin it…so please, bear with me today’s writing.

➽ walking around the streets without paying attention led you to meet someone completely different from most people you met before. clothes so bright that might your hurt at first glance full of cute patterns on it, hairclips all over his dyed hair and of course, his personality being way too soft for a world like this, but with a little extra spicy that can’t be compared to anyone else.

➽ micah is his name, a sweet boy that isn’t so tall compared to most guys that you’ve encountered. yet, is the one who catch your attention the most with his odd smile, unfamiliar style and unique sense of humor. you consider yourself lucky to have met someone like him and even luckier to have someone by your side after moving to a new city.

➽ you might have know him for a couple of weeks, but it’s feel like he been around your whole life by the way he acts with you. many people even mistakenly you two as a couple by how affectionate he is in public, always holding hands and kissing your cheek as a way to greet you, so you don’t blame them for thing the wrong way when explaining that micah is just too friendly with you. but no one seems to believe you, always telling you that there is no shame in being touchy with him in public or hide the relationship.

➽ well, they aren’t wrong about micah being so much cling with you in the public eyes. sometimes, you ask yourself the last time you went out without him or for how long he can go without touching you (almost a minute, you recall). your best friend being like this doesn’t make you uncomfortable, by the completely opposite, you are kind into it. after all, everyone needs some physical affection and you are in no place to deny it.

➽ as more time goes on, you only got closer to micah while your other friends began distancing themselves away from you. why would they do that? the sense that you’ve done something wrong quickly makes you anxious, overthinking and even forgetting things that you were supposed to do. it’s hurt to see so many people leave you, abandon you. but hey, at least micah is by your side with no intention to leave.

➽ “let’s go out, [name]!” he brings you to the mall whatever he feels like, buying expensive outfits that match his style and making you pose with him to post at his social media. mostly of the comments compliment how the two looks so perfect together, some even saying that micah is a lucky guy to have you in his life. “look, look, [name]! they think we are a couple! isn’t that cute? maybe we do fit to be together like that.”

➽ “don’t be silly.” always patting his head makes him melt under your touch only if you could do that on other parts of his body, and he couldn’t be more grateful to be receiving those head pats too. “aren’t you a little to young for me? i know that you enjoy hugging me a lot and even kissing my cheek whatever you want, but you have to remember that i am older than you.”

➽ “hahaha, i know that.” can’t you see that his smile is no bigger as it was? your eyes does look at him, seeing that he isn’t playful like before, so you hold one of his hand and smile at him. “but you will stay by my side, right? like forever without anyone else trying to separate us.”

➽ “i promise, micah.” his pink dyed hair has become a messy by the time you stopped patting him, making him slightly better to the rest of the hanging out. even with your words promising to stay with him forever, the boy can’t help but want more than your friendship.

➽ he wants to be your boyfriend, then fiancé and then husband! the plans for the wedding are already written down at his journal and the ideas for your dress/suit to match his outfit can’t be ruined by your mindset of him being ‘too young’. he is already twenty-one! just because he still on his second year of college, doesn’t mean that he isn’t mature enough to marry the love of his life!

➽ that’s why he promise himself to study hard to graduate with the best grades from his fashion design class, so he can get a degree and a good paying job at his area. maybe you will see him with other eyes when he becomes a fully grown man who can afford to pay rent without struggling and to make the best matching outfits to both of you when he gets himself a studio and able to buy the most comfortable materials ever made.

➽ he can already imagine the large house he will buy for you. a big one at the countryside of the country so no one will disturb his peaceful and lovely spouse (you, of course!), maybe he will give/adopt a child with you like he always dreamed of. but that only will happen if he works hard, so micah has a long way to go. for now, he will stay close with you as a friend only.

➽ in meanwhile, he will act behind the scenes when someone might try to steal you away from him. those idiot who think that have a chance with are all disposable and you won’t never need anyone else in your life other than him (and probably a future pet to keep you company), so micah waste no time in making sure those people won’t be found and of course. he always makes a good job in hiding the remains of those people into the deepest parts of the woods, after all, he can’t do any mistakes or else he won’t be there for you in the future, [name].

@moonit3 writings

#yandere x reader #yandere oc #yandere #yandere x you #yandere imagines #yandere writing #yandere male #yandere x gn reader #yandere x gender neutral reader #yandere x female reader #yandere x male reader #male yandere x reader #male yandere #yandere original character #yandere oc x reader #yandere man #my oc micah #➥·˚ ༘₊· ͟͟͞͞꒰➳ moon writings

[ynyaan]

𝙎𝙚𝙣𝙩𝙞𝙣𝙚𝙡 𖦹 | 𝐒𝐮𝐤𝐮𝐧𝐚 𝐑𝐲𝐨𝐦𝐞𝐧 𓆩♕𓆪

𝐍𝐀𝐕𝐈𝐆𝐀𝐓𝐈𝐎𝐍 | 𝐌𝐀𝐓𝐄𝐑𝐈𝐀𝐋 𝐋𝐈𝐒𝐓 |

𝙈𝙤𝙙𝙚𝙧𝙣𝘼𝙐!𝙎𝙪𝙠𝙪𝙣𝙖 𝙭 𝙍𝙚𝙫𝙚𝙖𝙡𝙞𝙣𝙜𝘾𝙡𝙤𝙩𝙝𝙚𝙨!𝙍𝙚𝙖𝙙𝙚𝙧 | 𝙁𝙚𝙢!𝙧𝙚𝙖𝙙𝙚𝙧

Summary: You wear "revealing" clothing to a supermarket with Sukuna. Unfortunate to say, two strangers were not at all pleased. "Like hell, I'd let you touch her." He grits his teeth, watching the man in front of me kneel and wither in pain.

tw. you can change what you wear to what you please. In this fic though, it's described to give more context. Sukuna in his own body modern AU. Getting shamed; use of words: whore. Sukuna is violent as usual.

note. got emotionally personal here. I hope you find comfort in this fic as I did when I wrote it. <33

.ᐟ 𝙚𝙢𝙤𝙩𝙞𝙤𝙣𝙖𝙡 𝙘𝙤𝙢𝙛𝙤𝙧𝙩 𝙖𝙣𝙙 𝙩𝙚𝙚𝙩𝙝-𝙧𝙤𝙩𝙩𝙞𝙣𝙜 𝙛𝙡𝙪𝙛𝙛

Today was shopping day. You've finally run out of enough comfort foods to force you out of the house. You groan loudly in your room. You were wearing only your undergarments and were already getting tired of the idea of having to find clothes to wear.

a familiar face walks by your room. Sukuna stops and leans on your door, his eyes observing your lazy state. "C'mon brat. Dress pretty. I'll take you out after shopping."

Your head snaps excitedly to Sukuna. It was rare of him to invite you out, especially since you were both so busy all the time. You simply just cherish the swift time at home cuddling and whatnot. Sukuna smirked at your reaction. Satisfied, he left to give you time to choose and change clothes.

After much consideration and throwing closet clothes on the floor, you decided to wear something showy, a cropped tee with its ends tied, a plaid skirt that falls above your knees, paired with a small bag and boots. You choose your accessories, put on a touch of makeup, and then you are good to go. "Kuna~!" You sing.

As you walk out the door, you find Sukuna looking at his phone and then quickly looking at you. You twirl, showcasing your outfit as he smiles. He walks towards you and grabs you by the waist. "How awful. My princess dolled up so pretty." He grins, his grip on your waist secure, leaning in for a kiss.

You stop him with your hand. "No. Kuna' we all know what a kiss will lead to," You pout, and Sukuna laughs silently on your skin. "Now, come on, I expect you to take me on to a charming night!"

The supermarket was the same as ever. Customers minding their business, the sound of cashier ringing in the distance, and stocks of your comfort foods.

"Ahh, there you are. I've missed you." You gleam at the snacks in front of you. Snack's destined to be finished within the week. You were left alone for a bit since Sukuna usually parts with you to grab things he needs as well.

By "needs," he grabs excessive amounts of food that would leave you bankrupt if you didn't pick through them every time you passed by him.

"Hey there." Suddenly, someone taps your shoulder. You turn your head to see two guys standing in front of you.

"Hello, do you need help with anything?" you smile politely.

"Ugh, seriously?" The first guy sneers. You tilt your head at him, hoping that comment wasn't directed at you.

"Dude, she's totally leading us on. Did you see that snarky smile?" The other guy says. Your eyebrows bridged together. Just your luck to be left in an aisle with these two idiots, huh?

"Sorry, you're getting the wrong idea-" You get cut off by a hand that warmly placed itself on your shoulder.

"You know em'?" Sukuna's voice was husky and low, gesturing his head towards the two men.

"Not really—“ Before you could finish explaining, The second guy from behind steps in, "Dude, you should really cover your girl up." He comments.

"Yeah, like, the way she looked at us earlier? damn, I almost mistook her for a whore." The other one added. Your heart sank at the disgusting comments made by them. You placed both your hands on your skirt, your basket resting on your arm. You actually felt confident to wear something like this because you knew Sukuna would be with you, you knew Sukuna would approve of it, and you knew YOU would feel good as well.

"Ha." your thoughts get cut off by Sukuna's voice. If looks could kill, indeed. You knew this situation would escalate, and really, all you want is a smooth, relaxing evening with your lover.

You raise your hand high enough for them to notice, "I'm sorry, you really got the wrong idea—“ Suddenly, the first guy tries to grab you by extending his hand swiftly, but before his fingers could reach you, Sukuna stops him by the wrist.

The next thing you hear is the painful cry and a loud snap. Sukuna broke his wrist all while his other hand was still secured onto your shoulder.

"Like hell, I'd let you touch her." He grits his teeth, watching the man in front of me kneel and wither in pain. The second guy wasted no time and launched at Sukuna, only for him to be dodged and punched right in the nose.

People started clamoring around, and you could already hear security calling backup.

"Sukuna, let's go." You urge him but not waiting for a response. You grab his hand, and you drop your basket. You run.

You were both parked at a nearby park, immediately driving away after leaving the supermarket. "You really didn't have to do all that ryo'." You softly say, inspecting the hand that he used to punch the guy.

"Besides, it's my fault. I should've dressed more modestly." You muttered under your breath. But He heard it.

"Don't ever fucking say that again." He grits his teeth. You look up at him, surprised by the sudden anger in his tone. His expression was tense, worried? maybe even a gloss of tears, if you will.

He moves his hand to push strands of hair behind your ear. It was soft, so painfully gentle. "People like that don't deserve to live. They don't deserve to have eyes nor mouths." He rambles, cupping your cheeks and kissing everywhere.

"If they were decent people, they wouldn't even think of looking at you like that, darling. They are delirious, annoying, little shits, who have nothing to do but try and push people down." He holds your hand firmly, his gaze unflinching.

"you will not be knocked down, my love. They do not deserve the space in your mind to bring you down." He lowers his head and kisses the back of your hand.

You exhale. You exhale and smile.

"I love you," he says. He looks so unbelievably beautiful.

You squeeze his hand gently before replying, "Thank you, kuna’. I love you too."

He smirks, a playful grin places itself on his lips. "That's my girl."

"I supposed we'll be banned there, won't we?" You ask, remembering the reason why you were in the supermarket anyway.

He scoffs, "Whatever, i'll ask someone else to do it for us." Sukuna grumbles, kissing the tip of your nose.

He leans back and starts up the car again, "Right now, you deserve a date."

───⋆⋅☆⋅⋆── 𝐼'𝓁𝓁 𝓈𝑒𝑒 𝓎𝑜𝓊 𝓁𝒶𝓉𝑒𝓇 <𝟥

#jujutsu kaisen #jujutsu kaisen sukuna #jjk #jjk sukuna #sukuna x reader #ryomen sukuna fluff #ryomen sukuna x reader #ryomen sukuna #sukuna #jujutsu kaisen ryomen #jjk fluff #sukuna x fem reader #sukuna x you #protective sukuna #sukuna ryomen #fluff sukuna #sukuna fluff #yup i know this man will tear me apart irl #jjk x reader #reader insert #jjk men #fluff #sukuna drabble #jujutsu sukuna #sukuna fanfic

[backtothefanfiction]

Nicknames

Summary; explaining where you and Felix get your nicknames for each other from.

Warnings: fluff, tragic backstory, neglect, sibling bullying

A/N: the whole point of the Summer at Saltburn shorts is that you can read them in any order and they make sense but this is probably one with the most context as to why reader lives/spends their school holidays at Saltburn.

Summers at Saltburn Masterlist

You can’t remember a single summer you haven’t spent at Saltburn. Even as a kid, before your father ran off to South America (when he came under investigation for embezzling company funds), you had always spent some time at your Godfather’s house; because his kids were the same age as you. You were the youngest of four, a “happy” accident 6 years after your older brother had been born. He was supposed to be the baby of the family, not you and the age difference between you and them (they all had only a year or two between them) made them cruel.

Felix had started to call you Daisy in response to hearing your older brothers and sister refer to you as Oopsy at one of his parents parties.

“Why do you call her Daisy, my darling?” Elspeth had asked her son when she realised he’d started to refer to you exclusively as the small yet resilient dainty flower.

“Because her family call her oopsy, as in oopsy Daisy.” He says through a mouthful of food.

“Oh how horrible. Is that true darling?” She says turning towards you. Elspeth had always treated you as if you were one of her own and the thought of people being so cruel to you made her blood simmer under her collected exterior.

You paused before saying “yes,” unable to look her in the eyes.

“Well,” she said, patting your hand that lay resting on the table between the two of you, “I much prefer Daisy, because you are. You are beautiful and strong and don’t let anyone tell you otherwise.”

——————/////—————

You had taken to calling Felix “Fix” only a few summers back, when he finished secondary school and brought his first school friend home for the summer. It wasn’t until another 3 summers later and Felix brought Oliver home for the summer that he finally asked you why.

You had decided to hide yourself in the field in hope of actually trying to get through one of the books you’d brought with you to read this summer. You actually hated the field. It had a very specific rule, if you were going to lie out in the field, you have to do it naked. It wasn’t the rule itself that made you hate it, but the fact you always seemed to get bit by something hiding in the long grass.

You’d managed to sneak away and remain undetected for all of 30 minutes (which was a new kind of record because searching the whole house for someone could take up to an hour at times) before Felix came stalking across the field towards you.

“Clothes.” You called out from behind your book.

He was silent as he stripped off his polo shirt and shorts before stomping through the long grass towards you. He remained silent as you continued to read but his fidgety fingers and legs told you there was something he wanted to talk about.

“Just say it.” You say, your eyes pausing at the end of a paragraph to make sure you wouldn’t lose your spot, hoping his question would have a quick answer and you could go back to the novel in your hand.

“Why do you call me Fix?” He says.

It’s not a question you were expecting and find yourself dropping your book into your lap to turn and look at him. “I thought it was obvious.” You say, peering over the tops of your sunglasses at him.

“Well apparently it’s not.” He replies.

“It’s because you like to fix people.” You say, lifting your book back up to your eyes, figuring it was answer enough, but alas, Felix protested.

“I don’t like to fix people.” He scoffs and as you look over the top of your book at him, you can see the small scowl forming on his face around his furrowed brow.

“Oh yeah?” You say before you both get distracted by the sound of another pair of feet making their way across the field towards you. You look to see Oliver making his way towards you both and it’s like the god’s have just handed this to you on a plate. “Ahhh look,” you say, seizing the opportunity, “here comes exhibit C.” You say to Felix, before shouting a reminder of “Clothes!” At Oliver.

Felix doesn’t say any more about it that afternoon, but when he corners you that evening before dinner, he has to ask. “Okay, so if Ollie is exhibit C, I’m assuming Michael was exhibit B…” he pauses as he waits for you to give him a small nod of confirmation before he asks, “Who’s exhibit A?”

“Me.” You say, as if it’s obvious. One look at his face tells you that you’ve stunned him into silence. Your face is calm and confident as you make your way into the dining room, leaving him alone in the hallway to ponder his thoughts.

#felix catton imagine #felix catton fluff #felix catton x reader #felix catton #saltburn #saltburn imagine #fluff #summers at saltburn

[bentwolioo]

Ok so why did Gerard wear the same costume for 6 shows???

Like a lot of people, I noticed the Aotearoa (NZ) & Australia tour drum head messages seemed to be about 9/11. The costume also tells a very specific story that lines up with this--and there was more to Melbourne Night 2 than Gerard deciding it was casual Friday. I'm gonna go through my personal interpretation and explain why I think MCR did this at the end of their tour. 

TLDR: This Is Not The End.

I will include image credits in the reblog since there are a lot!

AUCKLAND, March 11 2023

Based on the skirt suit and drumhead ‘FIX FAX FUCK YOU’, Gerard is dressed as an office worker. For simplicity I will refer to the costume as the Secretary, I see it as both a character and a metaphor. Auckland establishes the monotony and repetition of daily life prior to 9/11, ‘FIX FAX FUCK YOU’ showing an attitude of boredom unaware of the events to come. 

BRISBANE 1, March 13 2023

The main difference between Auckland and Brisbane 1 is the briefcase. This indicates the point in time--Auckland is the days before 9/11 and Brisbane 1 is the morning before the attacks begin. The secretary travels to work, thinking ‘Everything under Control’.

BRISBANE 2, March 14 2023

The drumhead message ‘Here Comes the AIRPLANE’ marks this as minutes or even seconds before the towers are hit. Brisbane 2 is the first time Gerard wears the coat, representing everyone taking cover. 

MELBOURNE 1, March 16 2023

I unfortunately could not find a good photo of Gerard wearing the coat from this show but you can see it on the floor behind him!

The Melbourne shows are as the towers collapse. Pretty straightforward from the Melbourne 1 drumhead ‘TERROR’. This show also had the only appearance of the umbrella, which I interpret as representing the rubble and destruction raining down. The umbrella is closed, showing the secretary is unprotected and ultimately killed when the towers fall. 

MELBOURNE 2, March 17 2023

It seemed odd at first that Melb 2 was the only show that Gerard didn’t wear a costume for, but I actually believe he still did. This is the key to my interpretation: Gerard is dressed as himself witnessing the towers collapse, on his way to work at Cartoon Network. This the only show on the Oceania leg where they played Skylines and Turnstiles*, the song Gerard wrote immediately after 9/11. The drumhead ‘BARK BARK BARK’ makes you picture, a chained dog, representing the powerless horror of only being able to watch as the destruction unfolds--the deeply personal experience that drove Gerard to form MCR. 

SYDNEY 1, March 19 2023

Blood!!!! At Sydney 1, we see the continuing aftermath of the 9/11 attacks. The secretary has died but keeps moving, picking up her briefcase and carrying on. This could be showing how a lot of people’s faith in the US government and in the world died, but life had to find a way to move on. 

SYDNEY 2, March 20 2023

At Sydney 2, the addition of Gerard’s white contacts shows the Secretary decaying--but she has not stopped. Frank changed the drumhead message from ‘UNKILLABLE’ to ‘UNKILLABLES’, expanding the meaning from the context of his accident in Sydney to include the band, the fans, and on a wider level everything MCR represents. 

I think all of this is a metaphor for the band’s career in multiple ways. Firstly, the Secretary being undead of course reflects MCR’s return, and her zombified appearance aligns with the imagery of their new era (decay, swarm, the destroyed buildings of the stage set). Secondly, it is very interesting to me that they did this sequence of costumes and drumheads at the end of their headlining tour, rather that at the start. The story they told seems to imply a rebirth--MCR was ‘born’ out of the trauma, pain and confusion of 9/11, so the fact that they represented the start of the band on stage signifies a second beginning. 

(Thank you for reading to the end and if I got anything wrong please let me know!)

*EDIT 1 (23/03/23): They actually also played Skylines at Brisbane 2. I do think the position of Skylines in the Melb 2 set is still significant. They played it as the first encore song which mirrors it being the first MCR song and written shortly after 9/11.

EDIT 2 (30/03/23): So actually 8 shows of Secretary Gerard when you include Japan! Tokyo and Osaka analysis here

#mcr australia #mcr new zealand #mcr auckland #mcr brisbane 1 #mcr brisbane 2 #mcr melbourne 1 #mcr melbourne 2 #mcr sydney 1 #mcr sydney 2 #mcr tour #my chemical romance #my chem #gerard way #unkillable #unkillables #fix fax fuck you #everything under control #here comes the airplane #mcr

[jyoongim]

Okay before I put in my request lemme just get this off my chest. I love anything you do with Al (my man my man my man)!!! Like you eat every single time and if anyone says others wise they’re hating idc. Don’t ever don’t your craft I’m so serious! Much love🫶🏾

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Now for my request could you do something with Alastor adjusting to his gf who’s from more modern times? I’d like to see that scary scrawny old man with a thick young lit bich. Both of them getting used to each others likes, habits, interests (he reads the paper while she scrolls on her phone, he hums old songs from his time when he’s getting ready for the day while she has or rnb playing on a speaker while she does her makeup, etc). Idk I like seeing opposites come together☺️

my man my man my man my man is right baby! Awwwwww thank you so much. Words cannot describe how this made me feel (giggling and blushing reading this) I LOVE YOU ❤️💕😘

Alastor didn’t know what attracted him to you. The two of you were complete opposites. From completely different eras.

Your attitude, style, language, hobbies all of it was so different from his time.

But he adored you nonetheless.

You used to think he was so old-fashioned. Not liking modern tech, reading the paper, cooking home cooked meals instead of takeout. Often confused when he spoke in riddles than actually being direct.

But the two of you made a cute pair.

For instance:

You were sitting at your vanity, makeup sprawled everywhere as your hiphop playlist played. You were recording a video or ‘going live’ as you put it. Alastor found himself liking the music you played as he got ready.

”who’s the old man?” He heard you say, a laugh bubbling from you as you broke out in giggles. He turned his head to see you give a sly smile in his direction before turning back to your camera.

”oh that fossil?” you chirped, giggling at the comments flooding your feed.

Another comment must have caught your attention because you snorted.

Alastor never understood your need to be on social media. To entertain others that weren’t him, but he let you be.

He was curious. What had you giggling so much?

You smiled as he appeared behind you, large lanky frame entering the camera frame. He wasn’t glitching.

”Dearest what’s got you so ticketed?”he asked, peering over your shoulder to look at the little words appear on your screen.

’why is an old man in the room with you?’

’HE BAGGED A BADDIE LIKE YOU? NO WAY!’

’definitely a sugar daddy’

’why you with that old man?’

He tilted his head, where they referring to him? His lip curled as he read the comments, looking at you for some context.

You giggled,wrapping an arm around his neck to rub his cheek against yours lovingly.

”yes yes this is MY man. Alastor tell everyone ‘hello’ ” he growled instead,giving your glossy lips a peck before walking back to finish getting ready.

You giggled, continuing to put your makeup on as you sang along to your music, eyes reading the comments on Alastor.

”I put this WAP on him y’all hahaha but no You know i looooove the way he treats me. Absolute princess treatment” you laughed. Alastor adjusted his bow tie on final time before turning his attention back to you

You had finished your makeup, standing up you showed your outfit of the day and made silly faces.

You leaned over your chair to read a comment

”He must be dicking you down real goodt” you read out loud and before you could respond your phone glitched out, ending your live.

You pouted, turning to Alastor “Al!”

He wrapped his lanky arms around your plush form, “such lewd comments” he said admiring your makeup.

Sometimes you catch yourself humming the songs he played as he cooked. You were NOT a cooker, so watching Alastor helped you figure out what went with what for when you actually attempted to cook.

”baby what’s that?” You asked as he pulled out multiple seasonings. He explained each seasoning, what the flavor did in different recipes and how to properly blend them so they weren’t so hard but a subtle taste. 

You weren’t too keen on his cannibalistic ways, but you loved to watch his process.

Angel and Husk often made snide comments about how you must be rubbing off on the old demon. 

“He did not use that slang right toots, what are you teaching him?”

You would shrug it off, thinking it was cute Alastor was picking up on your modern language.

Most days when the hotel wasn’t on fire, you and Alastor sat in bliss; him reading the newspaper as you asked him his opinion on random posts you saw as you scrolled on your phone.

Alastor loved to take you to lounges, not disgusting clubs you were so privy to. He thought you need to be exposed to ‘real music and dancing’. He would drag you to the dancefloor, pulling you in for a waltz or whatever old timey dance from his time.

While he didn’t mind the lustful sensation of your body rolling against his, he loved watching you trying to learn steps to old dances.

The way you flushed with embarrassment as you stepped on his toes as you tried to follow always made him laugh.

Alastor was not a fan of your attitude. You were sassy and always spoke your mind, not caring that he often spoke empty threats at you. You never cowered at him and always had to get the last word in. It really ticked him off, but it also made his chest swirl with lust when you never backed down from him.

Your arguments often led to the two of you fucking it out.

Him degrading you as you hiss insults at him, but purring as he pounded your pussy into the mattress.

The two of you were like puzzle pieces. You fit together perfectly, even if the picture looked odd.

The two of you wouldn’t have it any other way

#hazbin hotel #hazbin alastor #alastor #alastor the radio demon #alastor x reader #hazbin hotel fanfiction #jyoongim #alastor x y/n #alastor hazbin hotel

[akajustmerry]

Can someone please explain this richonne van lore to me? I can't listen to the podcast you mentioned

oh, I will GLADLY. so season 7 episode 12 of The Walking Dead is called 'Say Yes' and is widely known as the rick and michonne honeymoon episode by cast and fans alike. It aired in 2017.

For context, it's not a literal honeymoon but those are the vibes. it's the first episode dealing with their relationship properly after they first get together in season 6. Rick and Michonne hornily volunteer for a sneaky cheeky supply run to go retrieve supplies surrounded by a herd of Walkers.

Rick and Michonne are horny as fuck so the episode has lots of them kissing and so forth. now, the VAN SCENE™ is them in the back of the van they've been driving around making out very aggressively. it's as close as TWD can ever get to a sex scene where people are not having sex because TWD was a cable TV show. It's a very brief scene, less than 30 seconds but it's uhh VERY hot.

after the episode aired, Danai Gurira and Andrew Lincoln were asked about shooting these scenes on a panel (I can't find a link but if I do I'll put it here/if anyone has one lmk). both of them mention that, while shooting the van scene, there was a take where they got so "carried away" the footage would never be released. the director of the episode also joked he keeps the footage locked up. None of them ever really said what was in the footage but....well, we're all adults and we can all have a guess. and that's all we could do.... UNTIL NOW.

So, there's a podcast called Richonne Revelry, hosted by some huge fans of TWD. In an episode they released earlier this year about the trailer for The Ones Who Live, one of the hosts mentioned that they met, TWD director Greg Nicotero. Nicotero directed 'Say Yes' and so the podcast host says that she asked Nicotero to tell her about the van scene shoot.

ACCORDING TO HER, Nicotero spilled the beans. Apparently, they just set up the gear in the van with no crew as a closed set and told Danai Gurira and Andrew Lincoln they could just do their thing, which is pretty standard for scenes like that. BUT, according to the host of this podcast, Nicotero said that when his crew got the footage, it was wayyyyyy too raunchy (she says he told her danai was topless for most of it) and danai and andrew were making out so uh.....intensely that the footage couldn't even be spliced to make it appropriate for the show. Danai and Andrew, apparently, were very shocked they had to reshoot because they were actually really happy with it, but Nicotero insisted they do it again and rein it in so they could have some usable footage. The version of the scene we see in the show is the "tame" reshot version, allegedly.

All of this is alleged, of course. A lot of people joke like it's a sex tape, but honestly nudity guidelines for commercial TV are so strict and specific it doesn't take much for any intimate footage to become unusable. Plus, unsimulated sex is a hugeeee no no in mainstream entertainment. Productions get crucified over it. so if that had happened we absolutely would not have heard about it, let alone hear actors joking about it for years. But anyways, that's the lore! One thing we can all agree on is that Danai Gurira and Andrew Lincoln are DEDICATED to their craft, by all reports lmao. personally, I'm just glad to hear a behind the scenes story about actors getting carried away in the moment which DOESN'T involve anyone getting hurt or mistreated 🥰

#richonne #andrew lincoln #danai gurira #the walking dead #and imo they're so valid for all of that <333 #also ppl thinking they having some type of affair when they're actually just theatre trained so they're insane theatre kids #twd van lore

[mikesbasementbeets]

ok. look at these.

look. that's the same look. right?

let's take a closer look. to do that, i'm gonna have to zoom in a bit on the first one. because, as you can immediately see, the shots are slightly different. the first is a little farther away, showing both mike and el, walking next to each other, whereas the second is much more intimate, a closeup on mike's expression as he looks at will's face in the foreground. a minor but telling difference about the levels of emotional intimacy in each scene.

so, moving past that first element of contrast, let's look at each shot in full, because in both of these scenes, mike goes on a bit of a face journey before he gets to that final smiling expression, seen above.

personally, i think studying actors' body language and micro-expressions is inconclusive at best, but i won't deny that these look similar. however, it's pretty clear to me that they aren't the same.

toward el, i see confusion, intrigue, maybe pleasant surprise, followed by a glance down (to emotionally process and/or watch his step), and then a nervous but friendly smile.

toward will, i see awe, relief, and overwhelming affection, followed by a shy glance down and a slight schooling of his slack jawed expression into a warm smile.

but, again, that's just my interpretation, and i can't say with any certainty what the intention of all of finn's micro-expressions are. but from my perspective, even a surface level viewing of these two expressions depicts a very different emotional experience. however: there's no denying the connection between these two scenes. they clearly mirror each other, just like a lot of things about mike's relationships with el and will mirror each other. i don't think that's an accident.

whatever you think his sexuality is, mike is undeniably in a romantic narrative with el. beginning in season one episode three, when the concept of their romantic relationship is introduced, the narrative arc mike and el share is heavily focused on that relationship. the first scene above actually happens in that same episode (s1e3), not coincidentally almost directly afterward. and the former scene, with mike, lucas, and dustin behind the baseball field, provides very interesting context for several reasons:

first: bear with me, because we're going back to look at the context behind this context. this is only episode three of the show, but already there's a lot going on, both in text and subtext.

and since we have the entirety of their relationship so far presented to us on screen, when lucas accuses mike of looking at el romantically, we're easily able to go back and figure out where he got that impression: we can examine every time lucas has seen mike look at el at all.

the first night, after finding el in the woods instead of will, and while insisting that the next day she'd be gone and they could focus on will again, mike's behavior is directly reminiscent of benny's. taking el in, and providing her with shelter, food, and clothing.

the next day, after learning that she's in danger and changing his mind about pawning her off on his mother, mike infers that she might know something about will. when lucas arrives, he exclaims that she recognized him and knew he was missing.

later, when lucas tells her that will is their friend, she asks what that means and mike explains. a friend...

and then she displays that she might really be able to help them find will. and mike looks at her like this:

each and every one of these interactions is directly related to will. but lucas, through the omnipresent lens of heteronormativity that surrounds boys' interactions with girls (especially a group of boys who have no experience with girls... more on that in a bit), only seems to consider the fact that mike's behavior, which is undeniably about will, is being directed at el.

throughout season one (and beyond, in more subtle ways), will and el are repeatedly connected to each other through the trope of mistaken identity. will is abducted on the same night (and due to the same series of events) that el escapes the lab. hopper, in his investigation into will's disappearance, keeps running into clues about el. and mike, lucas, and dustin, sneaking out in episode one to search for will, find el instead.

later in the season, hopper eventually realizes the truth of his own more overt mistaken identity arc: while he was under the assumption that he'd been following will's trail, he'd actually been following el's. interestingly, the realization is triggered by one specific distinguishing difference, which tells him beyond a doubt that he's been looking for two different kids: their art.

though much more subtle (aka hidden in the subtext), mike's arc with his feelings about will and el follows a very similar pattern. the main difference, though, is that in season one, the swapping of places is eventually reversed but never acknowledged as such, and mike ends season one with el now missing and will back in his life, but a lingering sense of something yet unresolved.

second: (i'm not going to deep dive into this one here, because it's a whole analysis in and of itself, but i need to mention it because it is relevant) this scene introduces the recurring motif of superheroes being directly connected to mike's feelings for el, which is an association we see follow them all the way into season four and become a defining metaphor for their incompatibility.

third: lucas is the character who first introduces mike's romantic feelings for el into the narrative. and instead of giving any indication that lucas' interpretation is correct, mike's reaction is... difficult to read. his response is immediately defensive, both verbally ("what are you talking about?" "shut up, lucas,") and physically (leaning away and shielding himself when lucas hugs him). we can infer from the original character descriptions why mike might be defensive about this subject:

obviously, this description is only a vague impression of what Mike Wheeler became, but it's clear that the core elements of his character outlined here did come to fruition on screen. here, mike's insecurity is linked both to the bullying he undergoes, and to his inexperience/ineptitude with girls. and it's presented as key to his character motivation (the original concept of his character arc put forth here is very straightforward: at the start, mike has insecurity centered around bullying and is romantically inexperienced. by the end, mike has courage against monsters and romantic experience.)

in any case, this scene is the first hint of this aspect of mike's character in the show itself (the earlier scene of bullying in the show focusing on mike consoling dustin over what he’s being bullied for (“i think it's kinda cool. it’s like you have superpowers or something!”)... see my last point here… mike holds the idea of superpowers in high regard, and they are consistently connected with his feelings about el. something about the mistaken identity through-line feels apt here: mike mistakes his feelings of admiration for el as feelings of romance.) in this scene, mike is confronted with both romance (in direct relation to himself for the first time in the show) and bullying.

but due to the way this is shot, it's impossible to get a read on what mike is truly feeling. it reminds me a lot of another scene, actually...

in both of these scenes, mike's genuine emotional reaction is hidden from us. in the first, lucas forcibly hugs him, teasing him about how much he "loves" el, and in effect introducing the idea of el as a romantic prospect to mike. in the second, el hugs mike tightly, her hand still around his neck from their kiss and his arm trapped in between them, similar to the way he shields himself from lucas. we're then shown that he's signed the card on the flowers squished between them "from, mike." hm. so... not love, as lucas suggests.

we come to learn over the course of season four that this is something mike is actively struggling with: his inability to "love" el in the way that she wants, expects, and deserves. this scene, introducing that season-long arc, conceals mike's true emotional state and motivations from us, again, mirroring the first introduction to their entire romantic plot line way back in season one.

(an aside: lucas' "if you love her so much, [then] why don't you marry her?" aka the inciting event of their romantic arc, is a based on a conditional statement with the hypothesis that mike loves el. as mr. clarke might posit (in, say, season one, episode one): what's the difference between an experiment and other forms of science investigation? ...well, an experiment is a controlled test of two or more variables against a hypothesis. does that remind you of anything happening in mike's romantic narrative? something about...... [murray voice] experimenting sexually?)

anyway. then, after extracting himself from el's embrace, mike finally drops his bag(gage) and opens his now empty arms to will, before preemptively cutting himself short with a punch to the shoulder.

...did someone say internalized homophobia?

and then immediately upon being introduced to argyle, mike is called out for his presentation here not being genuine. ("it's a shitty knock-off,"/"i really thought it was ocean pacific...") we're being told that something about mike's performance is not what it seems (and may even be a case of one thing being mistaken for something else).

and speaking of homophobia...

fourth (and finally): this scene, of lucas' teasing mike about his "love" for el, which i'll remind you again is tied directly to lucas mistaking mike's behavior regarding will as being solely about el, is quickly interrupted by an onslaught of homophobia, during which mike is specifically targeted (read: tripped) by the bullies.

the juxtaposition is immediate and obvious: mike's friends lovingly teasing him, even embracing him, over a crush on a girl vs. bullies maliciously taunting them about will being killed for being queer and then physically harming mike.

(there's also something to be said about the later scene in which these bullies force mike to drop his bike in the woods and chase him to the edge of the quarry, mirroring exactly how the cops assume will must have died... and, to be clear, i'm not saying that mike himself is being bullied for being queer in the way will was. no, mike's queerness is invisible to those around him in a way that will's isn't, so his relationship with it and the ways it affects him are hidden in subtext.)

which brings us directly to the following scene in the woods. el asks about mike's injury (sustained from the aforementioned bullying, thereby linking these two scenes even more concretely) and with a little prodding ("friends don't lie"), he opens up to her about what happened, and about being bullied at school. she listens, tells him she understands (this also follows her recent flashback of brenner's abuse in the lab), and they share a "cool," "cool," and a smile.

so... let's quickly jump over from here to the van scene with will. something similar, yet notably different, is happening in this scene, leading up to that infamous smile at the end. mike is sharing his insecurities with will now, but instead of will prodding him to open up, mike, prompted only by will's "she's gonna be okay," begins rambling so much about his insecurities (while speaking in superhero metaphors) that he eventually cuts himself off, saying it's "stupid." instead of letting him brush it off, will guesses exactly what mike is afraid of: "you're scared of losing her." he gives him The Painting (a symbol of his love for mike) and a long speech about feeling lost and different, while insisting upon mike's value (you're the heart, leading us, inspiring us, etc). and then they share a "yeah?" "yeah," and a smile.

so we can see the similarity in the way the shots are set up, the progression of the conversations, and mike's visible reactions. but we can also see distinct differences, all of which together inform a significant difference in emotional weight between these two scenes.

while mike's conversation in the woods with el takes place in the third episode of season one, at which point mike has known her for less than 48 hours, the van scene is in the second to last episode of season four, and is the fourth of five heart-to-hearts mike and will have this season alone (and following three previous seasons and beyond that years of close friendship). it is also arguably the climax of their shared arc this season. on the other hand, mike and el's season one moment is part of the introduction to their storyline, and the introduction to their romantic arc. in this moment in the woods, mike is looking at el romantically (did you think i was gonna argue that he isn't? because no, he definitely is). in fact, this is the beginning of mike's entire romantic arc, which sets out to address the foundational insecurity that is key to his character. we, as an audience, right alongside mike, have just been told (by lucas) that mike has romantic feelings for el. and then we are presented with this scene. we are supposed to view this as romantic. because mike is starting to view it as romantic.

had stranger things been one season long, then the climax of their romantic arc would have been the kiss they share in the cafeteria, followed by the denouement of el's symbolic death (the gay implications of which i could write another whole essay on...). but the end of season one was not the resolution of mike's full romantic arc. by the nature of the five act structure (which is what stranger things has, being five seasons), the entirety of season one serves as exposition for our full narrative. which means, in effect, that the entire arc of mike and el's season one relationship is there to serve as groundwork, a foundation for mike's complete five season arc. season one, starting from before he even meets el, all the way through to when he eventually kisses her and then loses her, is only act one of that arc. the first act of five act structure is when the driving conflict is presented. so in the context of the entire show, for us as the viewer, mike's narrative arc surrounding the romantic aspect of his insecurity begins with his season one "romance" with el.

and we know that this insecurity is an element of the full five-act narrative, rather than being presented and wrapped in the course of the mini "self contained" narrative of season one, because we can see plainly, three seasons later, particularly during mike's heart-to-hearts with will, that this insecurity has not yet been resolved. we know this, on a basic level, from having watched mike and el's relationship struggles progress, but it is still explicitly laid out for us in season four. and will is consistently the only person who genuinely hears mike out, encourages him to open up, and addresses his insecurities, instead of brushing him off, like most other people in his life (including will at some points) have done. will understands him in a way el only claimed to in season one.

looking back to the character outline: mike has now "kiss[ed] a girl" and even "had a girlfriend" and still hasn't resolved his insecurities even remotely. in fact, after the first season arc wraps up, this romantic relationship becomes the main source of that insecurity. his difficulty navigating a real romantic relationship with el is the basis of their arc in season three. and by season four, mike is consciously struggling with being unable to tell el that he loves her. despite will's reassurances that things will be okay (which stack onto lucas' constant relationship advice in season three), mike keeps circling back around to it. because he can't move forward on the path he is on.

he has reached a point of no return, like a “fight you can’t come back from.” he is unable to find the security he is searching for in his romantic relationship with el... and this is where we arrive back at the van scene with will.

if the scene in the woods marks the beginning of the introduction of mike's romantic arc, then the scene in the van marks the beginning of the conclusion of mike's romantic arc. if the introduction of his romantic arc (season one) presents his insecurity, then the natural conclusion of that arc (season five) is security. throughout season four, mike lays out for will the insecurity that his relationship with el still brings him. he is unable to find that security with el, and, in the van scene, finds it with will instead.

or, should i say, begins the journey to finding it. because, especially after the lie that brings them into that moment, and then traumatic pizza dough freezer incident, we're still at the beginning of the conclusion. there's still a lot to resolve, but season four (alongside mike, who now understands what he's been going through) finally began moving the subtext of mike's arc into the actual text. and this moment indicates that season five will take that next step to fully, textually, actualizing it.

so, getting back to the parallel we're looking at here: each of these scenes is a catalyzing moment in mike's romantic arc. in season one, when lucas suggests that mike has a crush on el, and then what follows is a conversation with el where she is (to quote lucas) "not grossed out" by him, he actively begins his journey toward resolving this character motivating insecurity. he looks at el and he sees the possibility of romance.

and just look at him. he looks excited. hopeful. a little nervous. but... i want to remind you again: mike has known el for less than 48 hours at this point. this is the first conversation they've had in which they've related to each other as equals. for their entire relationship before this and afterward, outside of their romantic interactions (and also. often. disturbingly. concurrent with their romantic interactions...), mike's role has been as el's protector, a makeshift father figure, the elliot to her E.T. here, though, el tells mike that she understands him.

in season one, mike is twelve years old (read: pre-pubescent). he has no personal understanding of or experience with romance. dustin starts to comment in s1e2, "you're letting a girl...?" and ted later scoffs "our son with a girl?" and outside of the queer coding, what we can take from both of these (which draw back to the original character description) is that mike has no experience with girls whatsoever. (outside of, you know. family. but that's not what this post is about.)

and again, this scene happens almost directly after lucas first introduces the idea of romance between them, both to the narrative, and to mike himself, who, very significantly, up until this point, has shown no romantic interest in el. the sequence of these events is not a coincidence. 1. lucas assumes mike has romantic feelings for el. 2. el and mike have a moment of personal connection and understanding 3. mike "boys only" wheeler puts these two together and assumes the connection between them must be romance. but the expression on mike's face here isn't a representation of already existing romantic feelings. there's no basis for those. again, this moment represents for mike the potential for romance.

which... makes his expression in the van scene hit even harder. because unlike el, will isn't a stranger he barely knows, but rather his best friend of ten years. and it isn't lucas telling mike how mike feels. it's will professing his own feelings about mike, in direct response to mike's self-professed insecurities. (ding ding ding, are your alarm bells going off?) mike's expression at the end of this scene, if we're viewing it as a reprise of his season one expression, is a representation of hope for his romantic future. but this time, heading into the resolution of mike's romantic arc, with all of the knowledge and context we (and mike) have gained over the course of the past four seasons, it's directed at will.

ok. so. with the basic connection between these two scenes established, i'm gonna move a little bit sideways here. at the end of their romantic arc in season one, el disappears from mike's life and will reappears in it, effectively swapping their places (remember that we've been dealing with the mistaken identity trope between these two), and leaving the question of mike's romantic security glaringly unresolved.

and we know why - this is a five act narrative we're watching - but just within the context of the season one arc... the climactic moment of mike finally asking the girl to be his sister kissing the girl was preceded by her locating will in the upside down (leading to his rescue) and followed by a resolution in which she disappeared... and will took her place. at the end of the season, mike is left in the same place he started: playing games in his basement with will, his first attempt to resolve his arc of romantic insecurity, with el, ultimately ending in tragedy.

after season one, this arc picks up again, but this time will is the one present in mike's life. and mike's behaviors toward el in season one, during which they were undergoing a romantic story arc, begin showing up again in his behavior toward will. but unlike with el, mike's particular (read: romantic) behavior toward will happens without outside intervention, and in fact, often in spite of outside intervention. now, this isn't to say that all of mike's behavior with el was a result of others' influence. when el reveals to mike that she is on the run from "bad people," mike is immediately protective and caring toward her. however, as i've already explained, this caring behavior (which, again, we know right off the bat is not romantic because it directly mirrors the way both benny and hopper care for her) doesn't turn into romantic behavior until lucas introduces that idea.

on the opposite side of the spectrum, right from episode one of season one, mike's behavior toward will is fully self motivated, even in the face of opposition.

and as we move through season one and beyond, we can see that mike continues to rely on constant guidance in the way he cares about el (particularly and most consistently from lucas).

stranger things is, at it's horror filled core, a coming of age tale. like many of our other characters, mike's full character arc, romantic and otherwise, is about self-actualization. from the very conception of the show, his insecurity is presented as a central character flaw to overcome, while also being directly linked with his romantic fulfillment. the overcoming of this fatal flaw, the resolution of his romantic arc, and his final achievement of self-actualization are all inextricably intertwined.

the reprisal of this specific expression of romantic hope as we enter the end of mike's romantic arc is not an indication that mike is in the same place emotionally at the end of season four as he was at the beginning of season one, just with a different person now. instead, it is an indication of his romantic arc coming full circle. mike began in a position of hope for his romantic future with el, only to have the actualization of that hope (their romantic relationship) gradually degrade his romantic fulfillment and self-esteem. the longer mike and el are together, and the more serious their romantic relationship becomes, the worse mike's insecurities become. this is, i would argue, directly related to the fact that mike's pursuit of a romantic relationship with el is not due to his own genuine desire, but instead a combined result of heteronormativity (lucas assuming mike's feelings for el to be romantic), compulsive heterosexuality (mike's subsequent assumption that his feelings for el must be romantic), forced conformity (mike's attempt to resolve his insecurities firmly within these heteronormative boundaries, under the assumption that a rejection of these boundaries is unacceptable), and the trope of mistaken identity that has been following will and el since season one.

and of course i don't know with any concrete certainty what season five will contain, but based on the narrative so far, and optimistically expecting a satisfying resolution to his character arc, the actualization of his romantic hope regarding will is going to lead to true romantic fulfillment and coincide with his self-actualization (a big part of which is coming to terms with his sexuality).

now, i'm not going to conclude this whole analysis by saying, "and that's why mike is gay!" because while i think this all is a good indication of that, based on all of the context and my impression that this narrative is being presented in a way that focuses on the subtext and deeper symbolism of each of these relationships rather than being a case of specifically el vs. will, you might still have a different interpretation than me. that's fine. however, i am going to end by insisting (me when i argue with the wall), based on everything i've laid out, that this parallel and others like it (ie parallels between byler & miIeven's romantic arcs) are not evidence of mike's feelings, specifically whether they are genuinely romantic or not. this parallel serves as a narrative device in his romantic character arc... the conclusion of which is mike realizing and coming to terms with the fact that he is actually in love with will, and not el.

just to be very clear, i'm not saying these parallels alone are proof against mike being bisexual, but i am saying that they are not evidence in support of his being bisexual. again: they do not indicate that mike is romantically attracted to el. what they indicate is that will and el are foils in mike's romantic arc.

before i finish, i want to address a couple misconceptions:

1. the fact that mike actively and willingly participates in a romantic relationship with a woman means he can’t be gay. this is straight up homophobia. gold star bullshit. no.

2. mike and el being presented in a romantic light means that they have genuine romantic feelings for each other. this is a misconception of the way narrative tools are used to tell a story. going right back to my first point: it is an irrefutable fact that many gay people have romantic relationships with the people of different genders (read “the opposite sex”) before they come out/realize their true sexuality. it is also a fact that many of these gay people fully believe their feelings to be genuinely romantic before realizing that they are not. as i've already gone over, mike is twelve years old when his romantic arc begins. on the surface, his relationship with el is presented as romantic. he participates in (and even initiates) romantic behaviors because he believes that his feelings for el are romantic. in seasons one and two, mike is one of our main POV characters. we can see a romantic tilt to the way some of their scenes are shot because, to mike, while they are happening, they are romantic (keeping in mind what i said before about mike having no experience and therefore no personal knowledge informing his perspective, AND keeping in mind that many of these on-the-surface "romantic" scenes are also consistently subtextually linked (read: paralleled) to familial relationships for both of them... and i haven't even touched the cultural context surrounding homosexuality in 80's. there's so much nuance informing the way this story is being told). and we, as the audience, are supposed to read them as romantic on first viewing, because otherwise the season five plot twist, revealing the truth of mike's feelings, would not work.

it is not a coincidence that the active degradation of their romantic relationship (outside of all of the other context, parallels, symbolism, family coding, etc, that are there to hint along the way that things are not as they might seem) begins full force in season three, at the exact point when the two actually enter a real relationship for the first time, and also when our characters are entering puberty, the time during which a person's sexuality (in a general sense, but also in regard to sexual orientation) begins to fully emerge. after his season one arc with el, mike underwent another season-long romantic arc: this time, with will. it's more subtle, because (i believe) mike doesn't realize yet that it's romantic, but it's there. then at the end of season two, mike makes a choice: he encourages will to dance with a girl and he dances with el, re-writing their tragic ending from season one, but now leaving his romantic arc with will frustratingly unresolved, again mirroring the sense of unresolution from season one: mike has swapped out the end of each romantic arc with the wrong love interest.

and then in season three, now having had the experience of both romantic arcs, and now, for the first time, with both will and el right there beside him, all we can see anymore is the overt contrast between the two relationships, depicted most blatantly through the same type of visual and narrative "parallel" we've been looking at here.

but at the end of this season, instead of making a choice, mike's choice is made for him. he has a romantic moment with will, and then el kisses him, confusing the resolution of these two romantic arcs once again.

mike's season four arc closely mirrors his season one arc (searching for one love interest with the other by his side, mistaken identity trope abound), but with important distinctions: 1. mike is a little older, a lot more experienced, and has a better understanding of both the context of romantic relationships and the scope of his feelings for both el and will. and 2. mike's only real guidance in season four comes from will, and he doesn't simply listen and act based on will's advice, as he did with lucas' in seasons 1&3. now, he fully engages with will's input, pushing back against it when he doesn't agree, and accepting it when he can acknowledge its truth (up until, of course, our fourth (and hopefully final) tragic, incorrectly resolved ending). mike is finally taking control of his romantic narrative in a way he hasn't previously, and the direction it's heading in now is toward security, self-actualization, and will.

so the point of all of this is: nothing is as simple or straightforward as it may seem on the surface. the narrative has always been deeply complex and layered with subtext and symbolism. and most of all, when interpreting the meaning of anything presented directly to us on screen, context matters.

also uh. yeah, mike gay

#byler #mikesbasementbeets posts #parallels are there to be noticed. but that should be where the analysis begins. not where it ends. #this got kinda long i just wanted to be really thorough bc this kind of 'parallel = 1:1 similarity' thinking is way too prevalent #this is less an analysis and more me explaining the plot of the show but. sometimes it feels like it needs to be explained lmao #yes i lied about the ending but when you eliminate the only claim negating that conclusion.... #that's. i mean that's the conclusion. #(btw the difference between comparative and experimental investigations is that in an experiment one of the variables is fixed. #something to think about) #mike wheeler

[actualmermaid]

Since I've spent the last month-plus neck-deep in queer Christian history research, I ended up with some thoughts™️ about "classical" Western homoeroticism vs. Christian homophobia.

Liberal Christian apologetics sometimes do a very annoying thing when asked to explain the homophobia in the New Testament epistles. Because it's real, it's there, and homophobic Christians take it as the Unquestionable Word of God. So obviously we have to do something about it.

The liberal explanation tends to go something like this: "the epistle writer is talking about the abusive and exploitative homosexual acts that were common in ancient Rome, not the loving/egalitarian/mutually respectful relationships that gay people are able to have today." And it's so frustrating because there is SOME truth in this. We and Paul both know that the Greeks and Romans were notorious pederasts and slave-abusers. And that's bad! It's super bad. I do agree that Paul/the epistle writer is condemning abusive behavior using language and frameworks that would have been available to him at the time. Deciphering the social context of the epistles can get messy.

But the annoying thing is this: it is not affirming to suggest that all gay people in the past were either abusers or their victims, and "we're more enlightened now" is a lie. We are not smarter than the Greeks. We are not more civilized than the Romans. We are not more pious than the medievals. (Hello there, Roman Catholic sex abuse scandals.) And there have always been gay people who have defied all odds to have loving, egalitarian, and mutually respectful relationships with each other, even if we do not know their stories or their struggles.

This is kind of the crux of John Boswell's "controversial" thesis: gay people have always existed, even if they had to conceal themselves and their relationships behind various protective structures. (I actually haven't read any of his books yet, so I'm not going to engage too deeply with the nuances of his arguments.) When people try to dismiss him, I suspect it's because they don't notice or appreciate what he probably noticed. I have a hunch that Boswell's arguments are not super intersectional and focus mostly on the privileged sphere of people who left written records in the Middle Ages, but hey, serious LGBTQ Christian history research has to start somewhere. I'll withhold judgment for now. But I do think he was totally right about one thing: Saints Sergius and Bacchus. They were totally a gay couple until somehow proven otherwise, IMO. The reason I think he was right is because he was able to notice the "classical" aesthetics of homoeroticism in their legend even though it might not obvious to people who don't know what they're looking for. Straight people reading the legend are like "there's nothing gay about this" and gay people are like "wow, this story is pretty gay."

If you've ever looked into Western gay history, you've seen two words: erastes and eromenos. This means "lover" and "beloved," the two sides of a classical Greek pederastic relationship. The Greeks did actually recognize an age of consent and had ideals of proper behavior that regulated these relationships, but these were still usually relationships between a teenage boy and an older man, which isn't great. They also had all kinds of weird ideas about the politics of penetration and so forth. The Greeks and Romans didn't really think that two people could really be equal to each other--in any relationship, there was always one who was sort of subordinate to the other. So it was "weird" for two social equals to be in a gay relationship, as opposed to one with one partner who was already "established" and was "showing the ropes" to a younger guy who needed some wholesome manly instruction. We may not be better, smarter, or more enlightened than people in the past, but we do have the ability to critique them and try to identify the harmful behaviors that we've inherited from them, so we can do better. We've come a long way since the days of erastes/eromenos relationships, but one thing has stuck around: the classical aesthetics of a "manly guy" and an "idealized youth" in love with each other.

Apropos of nothing, here's a photo of John Boswell and his longtime partner Jerry Hart. They were within a year of being the same age.

So anyway, this brings us back to the legend of Sergius and Bacchus. The version that Boswell translated takes great pains to show how Sergius and Bacchus were equals in every way. They're both Roman officers, they're about the same age, they sing in unison, and are united in the egalitarian love of Christ. However, they are still just a little bit unequal. Sergius is of a slightly higher rank than Bacchus.

To be clear, this whole legend is a literary creation, and it's got a bunch of Byzantine propaganda in it. It's not history, it's mythology. Whoever wrote it down would have been familiar with erastes/eromenos dynamics, because these were everywhere in classical antiquity. So they made sure to specify all the ways in which Sergius and Bacchus were equals, but took a firm position in ye olde fandom top/bottom discourse.

Throughout the legend, Sergius acts, and Bacchus is acted upon. Bacchus is killed first, and Sergius is temporarily demoralized. Bacchus then appears to Sergius in a vision encouraging him to stay strong. Sergius is so steadfast that they can't torture him enough to make him recant his faith, and he is beheaded. Even straight couples are not usually said to have been reunited in heaven, but Sergius and Bacchus are.

So, knowing that Sergius is the erastes and Bacchus is the eromenos in this story, we can start to notice it in iconography too. It's not always consistent, but sometimes icons will have Sergius' cloak curling protectively over Bacchus' head, or one of them taking a slightly more "authoritative" posture, etc.

Above all, they are always depicted as true equals--sometimes they almost look like twins.

Increasingly, modern icons are being made that explicitly communicate the idea that they were a gay couple. The one on the left was created by Robert Lentz, a Franciscan friar, for Chicago Pride in 1994. The one on the right makes the classical homoerotic aesthetic super explicit, and is by far the most sexually-suggestive "traditional-style" icon I have ever seen lol. Shoutout to this artist.

So to sum up: John Boswell knew what the fuck he was talking about. Also, none of this excuses the homophobia in the Christian scriptures or the homophobia that Christians continue to perpetuate. However, knowing what to look for in art and writing helps us understand that gay people were not magically granted the ability to have egalitarian relationships in the modern world, and THAT leads us away from problematic apologetics.

#christianity #saints #queer #gay #pride #history

[accio-victuuri]

NOVEMBER 19 : The Full Story 📝

oh well sort of, cause this is what is known and shared publicly with tons of filling in the blanks by cpfs. someone made a side by side incidents during this day and time for the past years 2017 to now 2023 and it’s good to see it all laid out. it’s hilarious to see the realization among turtles that we could be wrong about their anniversary date. for years, we always talked about the month of June but now, November is making a great argument 😂

( these freakin masterminds are so naughty! I swear!!! 🤣🤣🤣 )

source of the compilation i’m using to outline is 圣衣雪琳 cause they perfectly summed up the key points very well. I already talked about some of these in my previous post but this is for the “11/19 lore” exclusively and so we can expand on other years.

I’m a sucker for timelines so let’s go 💪🏼

2017: At this time, they already know of each other and depending on who you ask might have already been low key stalking the other. LOL. WYB’s was about Just Dance and ZZ is a selfie and hotpot ; the latter post about going home.

I don’t think that this holds much significance in terms of an actual relationship and stuff happening behind the scenes. However, it feels like fate that they both posted on this day even without that significance being there. We cpfs love to talk about how they are fated and certain things, no matter how mundane, turned out to be a piece that completed the puzzle. There is some push back with some turtles saying this shouldn’t be included cause it seems like the start of this 11/19 is 2018 but again, just leaving this here. I could probably add 2015/2016 if we really wanna back track lol

2018: THIS IS THE KEY CPN IN ALL OF THIS. I have already explained it here. The infamous Japan trip. How both of them seemingly making references to their post from this year vs today (2023) especially XZ who even posted on the same time. There are so many rumors about this timeline, even going as far as saying the next day, they started living together. How this was WYB saying it’s WYB, not LWJ. So the relationship they have now is not between fictional characters but the real one.

I’m eating this candy whole. No one can tell me otherwise. I’m sold 🤣🤣🤣

Have we been wrong? did they officially become together 11/19/2018. Some are even pointing out that one of GG’s photos shared today appears to be him traveling back from IM to Beijing.

and who is in Beijing? His home. Yibo. 🏡

We love to think about them sharing photos to each other and i’m imagining this is ZZ sending something similar to WYB and saying that he is on his way back.

2019: Bazaar video was released, it’s message being a favorite among BXGs. Going by the assumption that this is their anniversary of sorts, it makes sense to have a message like that to be delivered.

how he met his love in a dream ( presumably that summer and playing wwx opposite wyb’s lwj ) and when he woke up, his love is still there. meaning even in reality, he still feels the same. no. it was not scripted, the one who shot it said it was xz’s answer and he was shocked too.

They posted some work related stuff on that day, with WYB’s being audi’s. the part of the caption we are clowning about is : Don’t blame me for not reminding you. Which in the original post and context is about the benefits you will get if you buy an Audi. but in cpn speak it could mean that ZZ probably forget, but he actually didn’t cause that bazaar love confession was clear.

2020: I already talked in detail over here #2 with was going on at the time.

It’s also the start of the whole Thursday is a good day to see you, in reference to WYB’s vogue post. Then it snowballed into a whole CPN of it’s own.

I forgot to add one important thing tho, around this time 11/18 there schedules were public and both are supposed to go back to Beijing. WYB was from Hangzhou and ZZ was from Nanjing. The incident of WYB changing his flight 3x so he can go back to Beijing is this time 11/18. We clowned that he was so eager to be in the same city with ZZ but with what we think now, it could be he wanted them to be together badly because it’s their anniversary the next day 11/19. 🤯

2021: Both of them posting a Douyin video that involves changing clothes. Which is a very common transition trend on the app but seeing it done on the same day was a treat and unusual. GG’s was posted 11/17 and WYB was 11/19.

I wanna remind people too that this is the same month we got the mysterious “voices” both in Shenzhen Vlog ( his husband wang yibo ) and talks of ZZ being at the Luoyang press conference filming. The same month the whole Ximalaya CPN started too. So they were definitely “acting up”.

2022: No actual posts but a parallel. 11/17, Guangdian appeared on the itunes chart because of fan’s effort. 11/18, WYB released a song ( government related ) called Light Chaser. So spotlight = light chaser has similar element and theme of light. Then on 11/20 WYB’s shared a douyin with 👀.

2023: Probably making up for how quiet last year was, they decided to give us a big hint/s of what 11/19 is all about. 😂😂😂

This is all fake and cpn talk. I do enjoy when candies go years back! This journey of trying to piece things together is a bxg’s strength so we’re really thriving today— with all the possibly unrelated events we have managed to stitch together into this! 🙃

#bjyx #yizhan #there is no science here i’m just clowning like i always do #Youtube #i love watching all of us collectively lose our minds over this lol #ok i shall sleep now

[dekusleftsock]

I thought everyone was exaggerating when people kept bringing up the whole “bakugou says he’s Kacchan bc of kaminari” thing, but they actually believe that… what?

WHAT

Literally how do you guys function

AND THEY CALL ME DELULU???????

It’s such a stretch too. Like “oh yeah he said Kacchan no Bakugou in this movie” ITS NOT EVEN IN THE MANGA HELLO???

The whole reason Kaminari calls Katsuki Kacchan is because he’s making fun of him. It’s poking fun at the fact that Katsuki can’t say anything or get mad at Kaminari because then it would raise the question, “Well why can Midoriya say it?”

He literally side eyes him every time he does it but ultimately doesn’t react because he can’t. He can’t if he wants to keep up the act that he is uninterested in what Izuku represents, who he is.

SO WHY, IN THE EVER LOVING FUCK, WOULD IT BE KAMINARI?

WHO is present in this battle?

WHO is the person that made eye contact with him the second he woke up?

WHO is the one that grabbed his hand immediately upon Katsuki flinging himself towards them??

I don’t think THEY even believe it either, I think it’s just some way to cope and explain away the fact that this moment is inherently romantic.

Because I don’t think he’s making fun of the name Kacchan, I think he’s wearing it proudly. I don’t think it’s a joke at all. It’s a joke in the disbelieving way—the way you act when you’ve made an enormous accomplishment or won some prize, and you just can’t help but act absolutely insane at the fact. Because it’s funny that you’re here, in this situation. It’s hilarious in that disbelieving way.

Because he’s laughing at the truth, he’s been laughing at nothing this ENTIRE CHAPTER.

“Ouch! Haha! I’m so fast!”

“I can’t even stop! Ha! Ouch!”

Note: (I’m not using the official translations because for some reason they lack the maniacal crazed laughter and I’m confused as to why?? I even checked with pikahlua and they specified that there was laughing so…. I’m confused.)

What’s even weirder about this is the fact that afo also says (in pikahlua’s translations) “just who is this brat?!” Instead of “what is wrong with him” which implies less crazed bakugou ness imo. Confused as to why, again.

Because this can’t be happening.

Now, I know it could very well be him teasing afo and calling him dumb, saying basically “you’re too young/old to even know how to pronounce my name, use Kacchan instead like the child you are.” Especially since in the context of names like Katsuki’s, he has that tsu sound that can be hard for children to pronounce. (I’m not 100% on this but I’m pretty sure that the u sound is also meant to be silent since it’s a double consonant. So Katsuki’s name is technically pronounced “Ka-ts-ki”)

BUT IDK I THINK HES JUST FUCKED AND A LITTLE CRAZY RN!

That maniacal laughter at the fact that he’s in pain, the disbelief that he may even surpass Izuku, to me it’s holding a double meaning. The meaning that afo is dumb and needs to be treated like the child he is, and the meaning behind the fact that it’s a name Izuku owns for him. That’s his.

It can be both.

It’s not fucking Kaminari. It was never Kaminari. Even if you don’t read it as the second definition it’s still not about Kaminari.

But it’s also undeniable that it has to do with Izuku some way some how.

I also believe that the western side of the fandom is making an extra big deal out of this because, to us, we don’t really have a proper understanding of what a nickname like Kacchan means in its cultural context.

We can TRY to understand, comparing it to endings with ie or y given to children, and then sometimes going with that nickname into adulthood, but it still has its own distinct cultural context. Because a name like “Gracie” over “Grace” does to an extent sound childish, but I have a feeling that -chan has its own childish feeling. There’s a reason none of Katsuki’s other friends in middle school call him Kacchan, and there’s a reason Kaminari decides to make fun of him for the name in the first place.

I just think it’s important to use our thinking brains before we start yapping about things we don’t quite understand yet :)

Like it’s so unbelievably important to understand that horikoshi won’t tell you what’s happening in his story and why, he’ll show you instead BECAUSE HES A GOOD FUCKING WRITER

If it was about Kaminari, he would have specified, but he didn’t. He showed you that Kacchan is Izuku’s nickname for Katsuki, and he showed you that Katsuki cared more about Izuku than he let on for a long time. Just like he showed you that Izuku pushes down his emotions, showed you that Izuku struggles with projection and anger, showed you that Ochako was the one with this crush and not Izuku, and showed you that the feelings he had about Katsuki were deeper than anyone had realized.

He showed you parallels, he specified the important parallels that you absolutely had to see as a viewer (ex toga and ochako), just as he showed you the ones that were more subtle but still there (ex toga and deku). He showed you the pieces, and that doesn’t make his character’s underdeveloped or unspecified, that’s just how writing fucking works. “Good writing” DOESNT MEAN that you have to be pulled along through your baby steps with your hand held, the fact that you don’t get it is on you. Reading comprehension is a learned skill that has to be practiced over and over again, and that is not the writers job. The writer is only supposed to deliver you their story, and however you decide to misconstrue that story is, and hear me out friends, on you.

So I’m sorry if I’m tired of hearing arguments like “toga is a predator and Horikoshi wrote her to be horny”… she’s supposed to represent love. I’m sorry if the representation he made of love was uncomfortable for you, but maybe that’s the point? Because she’s an outcast? Because she’s supposed to be hard to empathize with, but that we have to empathize in the first place?

Arguments like “Katsuki was referencing a joke about Kaminari bc Kaminari said this in this movie” is just about the largest fucking reach I’ve ever seen. And I know, I know that when bkdk eventually get their implied or canonical ending that people are going to be mad. They’ll blame shippers for pressuring him, or they’ll say he’s a bad writer, or they’ll send him homophobic slurs because “how dare the character I see myself in be gay”. And I’m done with the stupidity and lack of common god damn sense.

So if you are going to be upset by the fact that you’re going to be proven wrong, then I again say, it’s on you.

#bkdk #midoriya izuku #mha deku #bkdk brainrot #bakudeku #bakugou katsuki #bnha deku #mha analysis #deku midoriya #Katsuki You’re safe for now you won’t be hit like Izuku will #but you used to make me want to Detroit smash you into a wall 24/7 #ily…. #anyway the girls can do no wrong that’s why they aren’t getting hit :) Toga and Ochako are too good for you Izuku #THEYRE MY WIVES #MINE #anyway this took more of a fandom focus than I thought it would #it’s just like. wow. yeah. #i mean… I learned how to analyze the media I liked better over the past three or so years I’ve been lurking in this fandom #there’s nothing wrong with not getting it #but REFUSING TO? holy shit man. that’s. wow. #yeah.. I don’t like you if you refuse to read or think in other pov’s #because reading othe pov’s can genuinely be eye opening in so many ways #I STILL read izu//ocha analysis #I’m interested in how the mindset works #and to me it seems as though they analyze and consume it by reading it at its most base level #‘ochako likes deku and toga is going to show her that she can love him freely’ type of thing #and it ignores a lot of coded dialogue and the Japanese nuance within what is said #yk. unless it has to do with ‘Kacchan no Bakugou’. #ugh #they don’t even know that he’s saying it like ‘Kacchan of the bakugou clan’ bc hes making it some grand announcement and old timey

[worriedvision]

"It's over..." - Neuvillette

Gender neutral reader, angst here. This is basically an idea I had where the reader and him have an argument (reader is the one at fault for the argument, and they are going along to apologise), and they misinterpret the situation.

--

Neuvillette had been in a bad mood recently.

During an argument he had with you once he got to your home, you asking him why he never came along, it escalated. You shouted at him when he didn't understand it made you feel like he didn't think of this as a committed relationship, especially since he never told you were he would go after work. Neuvilette genuinely had no idea why this argument was happening, and he explained to you calmly that he simply was not one that could be around humans for long. After you ask him why humans are so horrible to him, he sheepishly divulges a small yet vital detail.

"The Melusines...In the past, they have been treated horrendously by humans." Neuvillette states, walking towards the door.

"Humans like me? You think I would harm a Melusine because of the fact I do not look like one?" You huff, Neuvillette closing the door as you finish your outburst before the regret settles in. Falling to the ground, you think through what could possibly cause your boyfriend to be distant from humans.

It's then you realise that actually, he was within his right to feel a distaste of sorts for humans, perhaps until relatively recently. The way you heard your grandparents talk down to those 'Disgusting leaches' - something you always actively scolded them for, even in public - lined up with how Melusines were treated in the past.

But...

Why would Neuvillette humour a relationship with you? Was he simply wanting to stop those advances from other people? Maybe it was because you treated the Melusines especially kindly, and he felt like you were a parent of sorts to them.

Enough about the reason you were together, however. You recognise that Neuvillette was keeping his guard up the moment you started shouting at him (a human reaction to an argument starting, you suppose). He didn't feel safe with you in that moment, and the fact you went past logic to snap back at him with emotion?

You felt awful.

--

The next few days, you tried to get a meeting with your boyfriend to discuss more calmly why he never wanted to be in your home, and the fact he happened to be late (in hindsight, that was very obviously for work obligations). No luck there, you had to keep an eye out for when you'd next see him.

When the rain stopped a week after the argument was conveniently when you were right behind a wall, hearing two familiar voices.

Neuvillette and Wriothesley.

It was rare to see Wriothesley, however you weren't complaining. He was always lovely with you - when people started talking poorly, you would find he would be sending letters to both yourself and Neuvillette telling the both of you that Neuvillettes personal life was none of their business.

Hiding behind the wall, you hope to let the duo finish the conversation before talking to your boyfriend.

"It's over." You hear your boyfriend sigh out, seemingly relieved.

Your face drops, your hand shaking as you hold it up to your chest. Neuvillette must have been talking about your relationship with Wriothesley, and this must have been him making sure this was the correct move forward.

Letting out a choked sob, you run home.

--

"What's over?" Wriothesley asks, hand on his hip as he hears your sob.

"The weather, it's no longer raining." Neuvillette explains, placing his hand back by his side.

"...Are you sure that's all that's over?" Wriothesley tuts.

"Yes. Why, has something happened?" Neuvillette asks, Wriothesley shaking his head.

"I think your significant other has just heard you saying 'it's over' with no other context." Wriothesley States, Neuvillette tilting his head. "I have heard them run away crying after you said that."

"I don't intend on ending the relationship. I told you, did I not?" Neuvillette starts, stopping when he realises you have misunderstood.

"Yuup." Wriothesley sighs, the sky already getting cloudy. "Go, talk to them and clear it up. I'll come with you, and I'll help if I can."

--

Upon returning home, you realise that Neuvillette has moved on - something you have not. Locking the door, you decide to sort through the gifts Neuvilette gave you, boxing them up before you could get too sentimental about them. Placing them to the side, you make a mental note to address this to his office under your name so he knows it's the gifts he gave you over the months of you dating.

Halfway through the process, you hear the door knocking.

"Dear, are you in?" Neuvillette calls out, you wincing at the understanding this would be him calling it quits.

"One moment!" You call out, rushing to get the other gifts into another box before placing them onto your kitchen table. At least if you could hand these returned gifts to him, this would stop you from asking 'was the package delivered'.

"Come i- Oh, hi Wriothesley." You smile halfheartedly, Wriothesley bumping Neuvillette to get a move on.

"I-I've packaged the gifts you gifted me over the months of us dating. I know it isn't much to you, but these months have been my happiest." You whimper out, embarrassed at your sudden child-like words. "Don't worry about returning the gifts I gave you - you can do what you want with them."

"Sweetheart, please take a seat." Neuvillette starts, you reluctantly doing so to get this over with.

"I don't want to end what we have." Neuvillette bursts out, silence hitting the room hard.

"..."

"..."

"Oh! I forgot you only agreed to this so others would stop approaching you... I suppose I can-"

"Stop it." Neuvillette grasps your hands. "I would not consider a relationship for my own sake, not if it wasn't something I would like for myself." He kisses the back of your hands before continuing. "I was commenting on the rain, that's what you walked in on. I was not thinking about breaking up with you, and if I was - I would approach you, not a friend of mine."

You tear up, embarrassed at the idea that you confused his comment on the weather for a possible break up.

"Don't worry, the idiot was talking about the weather." Wriothesley chuckles, Neuvillette glaring at him before pulling you closer. Wriothesley leaves, letting the both of you talk alone.

--

"Please, lay down with me." Neuvillette pleads, holding you comfortingly as he eases the both of you down. "I was upset by the argument, but the reason was not specifically from you.

"...But I was the one that caused it. I was the one shouting at you, I was the one not being reasonable, and you were right to walk away in that moment." You retort, Stopping your boyfriend from possibly blaming himself for your actions.

"That may be true, but I have not been honest about my age with you." Neuvillette admits, feeling you look up at him. "400 years ago, a dear Melusine was framed by humans who didn't think highly of her. I lost two dear individuals I trusted for that incident, and I have been distancing myself from humans since. As small as your actions were, you treating the Melusines that you saw without being rude, nor expecting payment, was a significant part of my interest in you."

"I had my suspicions.." You start out. "Can I ask you a question? In this relationship, have you learned more about me?" You ask, leaning into his chest as you embrace him.

"I know you've been dropping off lunch boxes with my name on them. I believe the Melusines receive a fair amount, however yours is always the one I expect and enjoy." Neuvillette chuckles.

"But what ab- oh." You let out, realising other people have worked towards cooking for your boyfriend. "...the Melusines trust me?" You ask, happiness leaking through when you ask him with teary eyes.

"Of course. They trust you, and I can trust you." Neuvillette explains.

"I love the Melusines as a parent - despite not being related to them - however I fear this is the only reason you date me." You hesitate, your boyfriend letting out a chuckle before he kisses the top of your head.

"There are not enough words to describe my love for you." Neuvillette starts, placing you below him before placing a hand beside your head. "...How about I show you myself?"

#gender neutral reader #angst with fluff #wriothesley #neuvillette x reader #neuvillette x gender neutral reader #neuvillette

[severelystrangewriter]

Cooking Together (Flufftober 2023 Day 10)

Pairing: taiju shiba x reader

WC: 734

Warnings: none

Summary: what it’s like to cook with taiju

Note: i feel like cooking with a guy who owns multiple restaurants would be a nightmare not even gonna hold you

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Cooking together with Taiju Shiba was an impossible task. And when I say impossible, I mean it. He had a very strict method when it came to being in the kitchen, and honestly, you felt that you were just in the way more times than not when you tried to help. He wouldn’t even let you chop the vegetables or boil the water without hovering over you in some way. Like, you understood that the guy ran multiple restaurants, but come on.

“Babe, I know what I’m doing!” You finally snapped one evening as you cut some carrots, “Trust me.”

“I do trust you!” Taiju argued, “...But your knife technique could use a little work.”

You pointed the blade at him jokingly, “Do you really wanna say that to the person holding the knife?”

Taiju looked completely unfazed, “Will you just let me show you?”

You sighed heavily but handed the knife over and stepped to the side in order to give him free rein on the cutting board. Crossing your arms, you watched as he took your place. He shot you a thankful smile and got started right away.

“You’re supposed to cut them lengthwise first,” Taiju instructed, “Then dice them like this.”

You nodded your head, trying really hard to find the will to care. But this was important to him, so you bit back your sarcastic remark. He finished dicing the rest of the carrots and then moved on to the onions. You figured you weren’t going to get to chop up vegetables anytime soon.

With another sigh you picked up the peeler from the counter and held it up, “Can I at least peel the potatoes?”

He looked thoughtful for a moment, and you swore that if he said no you would scream, but then Taiju nodded his head.

“That should be fine.”

With a breath of relief, you got to work right away. But after the first potato, your boyfriend was by your side again.

“You know, there’s a trick to peeling them more smoothly,” He commented casually.

“Is there now?” You grumbled with a huff.

“Yeah, here, let me-”

“Touch my potatoes and I’ll throw one at your head,” You threatened, causing him to retract his hand. “Just tell me how to do it.”

“Well for one, you need to fix how you’re holding the potato,” Taiju explained.

“And just how am I holding it wrong?” You exclaimed in exasperation.

“You need to firmly grasp it.”

“I’m grasping it as firmly as I can!” You protested, “It’s too big to get a proper grip!” At Taiju’s smirk, you squinted, realizing how that sounded out of context. Shaking your head, you said, “Don’t you dare laugh, I’m getting annoyed.”

“You’re cute,” He replied with a slight chuckle, throwing you off guard.

Feeling your face heat up at the compliment, you shook your head again and pointed the peeler at him this time, “Flattery will get you nowhere. I’m peeling these potatoes whether you like it or not! You just worry about dicing them.”

He put his hands up defensively, “Alright, alright.”

And so you both went back to working on your respective tasks. The silence that fell over the kitchen was actually peaceful for once. When you finished peeling, you decided that there was not much else for you to do but watch him take over. He quickly got the ingredients in the pot and while that was cooking he went ahead and started washing some of the dirty utensils that were used. You took the opportunity to come up behind him and wrap your arms around his middle.

“Thanks for letting me help. Even if it was reluctant,” You told him, squishing your cheek against his back.

“I wouldn’t say it was reluctant,” Taiju scoffed, drying his hands and turning in your hold.

Now facing him, you gave your boyfriend a blank stare, “You literally took over chopping all of the vegetables.”

“You peeled the potatoes,” He pointed out.

“Only after I threatened you!” You argued. Then you groaned and buried your face into his chest, “You’re lucky I love you.”

One of Taiju’s hands came to rest on the back of your head and the other on your back to hold you closer. You smiled when you felt him press a soft kiss to the top of your head in response as he murmured, “That I am.”

#tokyo revengers #tokyo revengers fluff #tokyo revengers x reader #taiju shiba #taiju shiba x reader #shiba taiju #fluff #shiba taiju x reader #x reader #fanfiction #flufftober #tokrev #kace writes

[pizzaronipasta]

READ THIS BEFORE INTERACTING

Alright, I know I said I wasn't going to touch this topic again, but my inbox is filling up with asks from people who clearly didn't read everything I said, so I'm making a pinned post to explain my stance on AI in full, but especially in the context of disability. Read this post in its entirety before interacting with me on this topic, lest you make a fool of yourself.

AI Doesn't Steal

Before I address people's misinterpretations of what I've said, there is something I need to preface with. The overwhelming majority of AI discourse on social media is argued based on a faulty premise: that generative AI models "steal" from artists. There are several problems with this premise. The first and most important one is that this simply isn't how AI works. Contrary to popular misinformation, generative AI does not simply take pieces of existing works and paste them together to produce its output. Not a single byte of pre-existing material is stored anywhere in an AI's system. What's really going on is honestly a lot more sinister.

How It Actually Works

In reality, AI models are made by initializing and then training something called a neural network. Initializing the network simply consists of setting up a multitude of nodes arranged in "layers," with each node in each layer being connected to every node in the next layer. When prompted with input, a neural network will propagate the input data through itself, layer by layer, transforming it along the way until the final layer yields the network's output. This is directly based on the way organic nervous systems work, hence the name "neural network." The process of training a network consists of giving it an example prompt, comparing the resulting output with an expected correct answer, and tweaking the strengths of the network's connections so that its output is closer to what is expected. This is repeated until the network can adequately provide output for all prompts. This is exactly how your brain learns; upon detecting stimuli, neurons will propagate signals from one to the next in order to enact a response, and the connections between those neurons will be adjusted based on how close the outcome was to whatever was anticipated. In the case of both organic and artificial neural networks, you'll notice that no part of the process involves directly storing anything that was shown to it. It is possible, especially in the case of organic brains, for a neural network to be configured such that it can produce a decently close approximation of something it was trained on; however, it is crucial to note that this behavior is extremely undesirable in generative AI, since that would just be using a wasteful amount of computational resources for a very simple task. It's called "overfitting" in this context, and it's avoided like the plague.

The sinister part lies in where the training data comes from. Companies which make generative AI models are held to a very low standard of accountability when it comes to sourcing and handling training data, and it shows. These companies usually just scrape data from the internet indiscriminately, which inevitably results in the collection of people's personal information. This sensitive data is not kept very secure once it's been scraped and placed in easy-to-parse centralized databases. Fortunately, these issues could be solved with the most basic of regulations. The only reason we haven't already solved them is because people are demonizing the products rather than the companies behind them. Getting up in arms over a type of computer program does nothing, and this diversion is being taken advantage of by bad actors, who could be rendered impotent with basic accountability. Other issues surrounding AI are exactly the same way. For example, attempts to replace artists in their jobs are the result of under-regulated businesses and weak worker's rights protections, and we're already seeing very promising efforts to combat this just by holding the bad actors accountable. Generative AI is a tool, not an agent, and the sooner people realize this, the sooner and more effectively they can combat its abuse.

Y'all Are Being Snobs

Now I've debunked the idea that generative AI just pastes together pieces of existing works. But what if that were how it worked? Putting together pieces of existing works... hmm, why does that sound familiar? Ah, yes, because it is, verbatim, the definition of collage. For over a century, collage has been recognized as a perfectly valid art form, and not plagiarism. Furthermore, in collage, crediting sources is not viewed as a requirement, only a courtesy. Therefore, if generative AI worked how most people think it works, it would simply be a form of collage. Not theft.

Some might not be satisfied with that reasoning. Some may claim that AI cannot be artistic because the AI has no intent, no creative vision, and nothing to express. There is a metaphysical argument to be made against this, but I won't bother making it. I don't need to, because the AI is not the artist. Maybe someday an artificial general intelligence could have the autonomy and ostensible sentience to make art on its own, but such things are mere science fiction in the present day. Currently, generative AI completely lacks autonomy—it is only capable of making whatever it is told to, as accurate to the prompt as it can manage. Generative AI is a tool. A sculpture made by 3D printing a digital model is no less a sculpture just because an automatic machine gave it physical form. An artist designed the sculpture, and used a tool to make it real. Likewise, a digital artist is completely valid in having an AI realize the image they designed.

Some may claim that AI isn't artistic because it doesn't require effort. By that logic, photography isn't art, since all you do is point a camera at something that already looks nice, fiddle with some dials, and press a button. This argument has never been anything more than snobbish gatekeeping, and I won't entertain it any further. All art is art. Besides, getting an AI to make something that looks how you want can be quite the ordeal, involving a great amount of trial and error. I don't speak from experience on that, but you've probably seen what AI image generators' first drafts tend to look like.

AI art is art.

Disability and Accessibility

Now that that's out of the way, I can finally move on to clarifying what people keep misinterpreting.

I Never Said That

First of all, despite what people keep claiming, I have never said that disabled people need AI in order to make art. In fact, I specifically said the opposite several times. What I have said is that AI can better enable some people to make the art they want to in the way they want to. Second of all, also despite what people keep claiming, I never said that AI is anyone's only option. Again, I specifically said the opposite multiple times. I am well aware that there are myriad tools available to aid the physically disabled in all manner of artistic pursuits. What I have argued is that AI is just as valid a tool as those other, longer-established ones.

In case anyone doubts me, here are all the posts I made in the discussion in question: Reblog chain 1 Reblog chain 2 Reblog chain 3 Reblog chain 4 Potentially relevant ask

I acknowledge that some of my earlier responses in that conversation were poorly worded and could potentially lead to a little confusion. However, I ended up clarifying everything so many times that the only good faith explanation I can think of for these wild misinterpretations is that people were seeing my arguments largely out of context. Now, though, I don't want to see any more straw men around here. You have no excuse, there's a convenient list of links to everything I said. As of posting this, I will ridicule anyone who ignores it and sends more hate mail. You have no one to blame but yourself for your poor reading comprehension.

What Prompted Me to Start Arguing in the First Place

There is one more thing that people kept misinterpreting, and it saddens me far more than anything else in this situation. It was sort of a culmination of both the things I already mentioned. Several people, notably including the one I was arguing with, have insisted that I'm trying to talk over physically disabled people.

Read the posts again. Notice how the original post was speaking for "everyone" in saying that AI isn't helpful. It doesn't take clairvoyance to realize that someone will find it helpful. That someone was being spoken over, before I ever said a word.

So I stepped in, and tried to oppose the OP on their universal claim. Lo and behold, they ended up saying that I'm the one talking over people.

Along the way, people started posting straight-up inspiration porn.

I hope you can understand where my uncharacteristic hostility came from in that argument.

#temporary pinned #ai #ai discourse

[twstfanblog]

*~Period Drama~* Saturday

A/N: So I sneezed, which is why this is out before the RSA series chapter lol. But I'm gonna have a lot of fun with this series I can feel it. Word Count: 4.7K (Wow, around the same as the last part) Warnings: Period mentions, Blood mentions (Drawing blood) She/They OC Pronouns Pairings: Azul/Reader (Poly), Jamil/Reader (Poly), Platonic relationships with Floyd, Jade, Ortho, and Crewel. Enjoy! Start, Part 2 (Here), Part 3 (Heartslabyul), Part 4 (Savanaclaw), Part 4.5 (Diasomnia pt.1), Part 5 (Diasomnia pt.2)

Jamil, Azul, Jade, Floyd, Grim, Ace, and Deuce stood outside of ramshackle, some of them sitting on the wooden steps. Waiting as patiently as they could for Crewel to give them a final order. No more than twenty minutes had passed before Crewel opened the front door. He looked their group over, coming to some sort of choice before he smacked the palm of his hand with his crop, “Octavinelle pups, you stay. The rest of you go on with your day.” “Wait, what!?”

“Sensei!”

“Why does he-”

Crewel smacks his palm again. The crack somehow perfectly balanced with the harsh shush he gives them, quieting the protesting group instantly. His glare softens at seeing their crestfallen faces, “Yuu will be in contact. I need to gather up the needed potions and resource materials. But for now, They’re resting and it would be best to have someone in the house with them. Both to get them whatever they need and to keep unwanteds out. Ergo, the Octavinelle mutts.”

Jamil frowns but doesn’t speak up. He knew that he would probably have damage control to do in Scarabia. Najma most likely called Kalim in confusion from his call, not entertaining the thought of actually waiting on him to explain his bizarre question. Kalim would have only half the story and no context which was worrying enough, so he was clearly panicking and amassing the other Scarabia students for a witch hunt. He should stop at Scarbia before going back to basketball practice…

Deuce steps forward, imaginary puppy ears drooping as he mutters out, “Is Yuu at least okay? I didn’t see much, but it looked like a lot of blood…”

Sighing, Crewel walked down the stairs, gently patting Deuce on the head as he passed, “They’re fine, pup. I’m going to gather the Shroud boy and then prepare a proper medical report. As far as we should be concerned, this is completely natural for Yuu, if a bit painful.” He reached into his coat, pulled out his pipe kit and started to fill it as he walked away, “But for now, Azul, Floyd, and Jade are to look after them until I come back. You other pups are to return to your scheduled activities and tell no one about this.”

Ace looked to the side nervously, thankfully unseen by anyone before he nodded and started to make his way down the path behind Crewel. Deuce sighs but nods, calmed by the info that Yuu was okay at least. He jogs down the path after Ace, none of them are really surprised when muffled yelling could be heard a little down the way.

Azul looked out of the corner of his eye, catching Jamil giving him an intense glare. He knew Jamil was upset at the turn of events, the very fact Azul was picked over him would be enough to anger the Scarabian student. Let alone being picked by their lover’s pseudo-father figure as their keeper. He turns entirely to him, smiling and opening his mouth to pacify his lover-in-law before Jamil interrupts him.

Jamil turned his back on Azul, walking down the path to get back to campus. He quickly scooped Grim into his arms, ignoring the monster hissing and fighting his grip, “Just make sure they eat something high in iron.” That was all he said before he was also gone from view, walking past the row of trees acting as a fence of the property.

Silence passes the three students before Azul squeals, smiling wide and pumping his fist, “YES! He trusts me! You both saw that! He gave me his faith that I would tend to our lover. It’s only a matter of time before I can talk him into transferring!”

Floyd rolls his eyes, walking back into the house with a snickering Jade behind him, “Either you take care of my Shrimpy or they’ll kill you themselves…” he mutters under his breath, pout turning into a frown as the scent of blood hits him harder inside.

Jade’s own mirth decreases at the smell. He hums looking around the dorm. Yuu wouldn’t want the windows open, not to mention the smell would simply travel over the campus. The last thing they needed was Malleus smelling Yuu’s blood in the air. Seven could only think of the disaster that would bring. He looks up the stairs, only half listening as Azul enters the dorm to bicker with Floyd.

“-fact you would insinuate I wouldn’t take care of my pearl is insult enough, Floyd.”

“Ehe~? I just said Shrimpy wouldn’t let you slide with shitty service. You scared of a little blood Azul~?”

“I will dock your pay-”

“I’ll go sit with Yuu, keep them company.” Jade smiled over his shoulder, already walking up the stairs. He pauses halfway up the stairs, tilting his head at their stares, “Unless I’m allowed free range of their meal?”

Floyd instantly perked up, rushing to the kitchen whining with a glare at his brother, “No way! You’ll make some weird mushroom thing that’ll make Shrimpy even sicker!”

Azul stays for only a moment before he follows Floyd, giving Jade one last look, “Do make sure my pearl is in good condition. If you can wake them up, ask if they would like a bath.”

“Will do.” 

Jade parts with Azul, walking onto the second floor and toward Yuu’s room. He rested his hand on the doorknob and breathed in deep. Yuu’s blood was interesting, he’s always found it to be since he first smelled that foreign flora that no one could place. But that didn’t mean he wanted to smell it so strongly. He took in another deep breath in hope if he smelled it thoroughly enough the tightness of worry would loosen in his chest. Once calm he creaked the door open, knocking on it gently as he peaked his head in, “Yuu, I’m coming in.”

A simple groan answers him. That was acceptance of entry enough for him. He closes the door behind him and walks to sit in the armchair, moving it just a foot or so closer to the bed. Yuu had rotated since he last saw them. Now lying on their front with the blanket uncovered to their calves, arms wrapped around a pillow and eyes closed. If it wasn’t for the brief moments of their eyebrows creasing in pain, Jade would think they were perfectly fine.

A few minutes pass before Yuu opens their eyes, vision slightly hazy from pain, “Hi.”

“Hi.” Jade smiles, leaning forward to poke their cheek in greeting, “I’m guessing whatever is going on is quite painful?”

“Very much, yes.” They groan, snuggling into their pillow, “Periods are a bitch.”

“Azul said something about that. ‘Period’. That’s what it’s called?” When Yuu confirms, he leans back into the chair, humming under his breath. Now that things had calmed down, Jade couldn't help but call the whole scenario interesting. Finding differences in biology was always a fascinating venture, “Tell me about it.”

“Are you sure? It’s kinda gross and like…as you saw, pretty bloody.”

Jade chuckles, raising a hand to cover his mouth coyly, “I already said I want to know! Please don’t tease me in such a way!” He preens, feeling a small wave of pride at hearing Yuu laugh.

“You’re so weird…Alright.” Yuu angled herself to look over to Jade, raising an eyebrow, “What do you wanna know?”

“Is the bleeding just the first step of it? Do you gain internal injuries to produce the blood? Is the pain a result of-”

“I’m gonna just…stop you right there…” Yuu took a moment, trying to not laugh again, not wanting to change their towels yet, “So…Periods are weird because I feel like I'm injured but it’s all natural because of hormones are whatever.”

“Your hormones make your internal organs stimulate injuring themselves?” he takes a moment to look around the room. Standing up to grab a notepad and pencil from Yuu’s desk before returning to the armchair, "We have basic health classes in middle school. But I've never heard of hormones causing internal bleeding."

“Eh…more like the hormones jumpstart a refreshing process? Not so much internal bleeding.” 

Jade smiled wide, his pencil poised to write down every word they said, "Do tell.”

Azul texted Crewel to bring an iron supplement potion along with the pain potions. Yuu didn’t have any food besides snacks and her childish cereals, how Floyd managed to find enough items for a seafood alfredo was nothing short of a miracle by Azul’s standards. Sure it wasn’t high in iron like Yuu needed, but it would be warm and something for her to eat.

They were still worried. How could they not be? Their dear friend was a floor above them basically bleeding out from an intimate area that shouldn’t be bleeding. Crewel’s behavior had calmed most of their nerves, Yuu strangely wouldn’t lie to Crewel nearly as much as she would any other teacher. And Crewel wouldn’t be half as calm if something had actually happened. But as Floyd had said to him, ‘It still felt gross’. All of them forced to twiddle their thumbs and wait for Crewel or Yuu to give them all the facts instead of just dismissing their horrific theories.

Floyd scooped the pasta dish into a bowl, as Yuu preferred it, shoving a fork in it and walked past Azul. He didn’t bother to listen to Azul tell him to stop and wait for Yuu to get up from her nap or call for them. He didn’t want to. The only reason he cooked instead of Jade was because his brother couldn’t be trusted in a kitchen alone without shoving mushrooms into something. At least not while Azul was as distracted as he was. But he was just as worried as the others, Yuu was his Shrimpy. He’d share with his brother and Azul. But as far as he was concerned he was doing just that, sharing. Shrimpy was his to look after for as long as she hung around him. And he was already in a bad mood from earlier thinking he had failed her.

“Floyd, Yuu might still be sleeping, we shouldn’t bother them.” Azul scolded him, trying to keep his voice down while making sure it carried a harshness.

“Don’t care. I wanna check on Shrimpy…”

Azul kept quiet before he sighed. He pulled out his handkerchief, if Yuu was still sleeping he could cover the bowl so they could eat later. It would be lukewarm at best, but it’d be clean and ready for Yuu when they woke up, “Fine. Let’s go check on them…”

Floyd didn’t bother to knock, opening the door one-handed and ignoring Azul’s groan behind him, “Shrimpy~, you awake?”

Yuu rolled over, smiling with an edge of weariness, and waved, “Hi Floyd~.”

“Shrimpy!” Floyd nearly dropped the bowl onto the bed sheets, moving to hug and squeeze his best friend. The scent of blood was still strong but just knowing that his friend was okay was enough to keep him in a positive mood. Pulling away, he passes the bowl properly to them, “You doing alright?”

Yuu smiles as Azul moves quickly to place his handkerchief onto her lap, a small comment on the bowl being hot. She kept eye contact with the cecaelian until Azul turned away with a blush. But, she does place the bowl on her lower stomach, the heat helping more than the boys knew, “Thank you for the food. And no, I’m in pain.”

Floyd’s relaxed expression instantly changes, dropping into a frown and downward brows, “Why? What happened to make you bleed like this Shrimpy? If we were in the ocean you’d be a chum magnet…”

Jade looked up from his notes, “Muscle tension.”

“Huh?” Both Azul and Floyd turned to him in confusion.

Jade taps at the notepad, showing the lines of neat handwriting with various questions sprinkled around it, “Yuu’s body is physically pushing the blood out by contracting their pelvic muscles. The involuntary spasms are causing some intense muscle cramps.”

Azul frowns, his hand moving to press on their stomach, almost trying to feel the sensation, “When will it stop? Losing this much blood can’t be good for you…”

Jade looked over his notes, sighing at his findings, “Yuu says this lasts four days normally for them.”

“Four days?” Both Azul and Floyd exclaimed, worry evident in their voices.

Yuu smiled, leaning against their pillows, “Seven is the standard.”

Azul whips his head back to Yuu, eyes wide and glasses nearly falling off his face, “Seven!?”

“How do you stop it?” Floyd looked the most distressed out of all of them, simply looking at Yuu’s lap with poorly veiled concern.

“Oh, Azul, you’ll love this.” Jade beamed, eyes reading over his writing, “This is apparently happening because Yuu didn’t get pregnant.”

…

Floyd turned to look at Azul, voice deadpan, “Azul, hurry up and knock Shrimpy up so we don’t have to deal with this.”

The scandalized look on Azul’s face makes Yuu burst into laughter, blood be damned. The cecaelian stuttered out a rambled form of scolding and excuses on how he couldn't 'Knock Them Up' and how it was no one’s business what he and his lover did in the bedroom. He only grew more flustered seeing the smiles on the twins' faces, knowing they were internally mocking him and his distressed state.

He snaps his fingers, a golden contract appearing beside him. Gripping it fiercely, he points to the four names signed at the bottom, "In any case! Per our official ‘Quad Agreement’, only Draconia is allowed to impregnate Yuu and that's not even in effect until they’ve both graduated!" With another snap, the scroll was gone, leaving Azul huffing and crossing his arms.

Yuu quiets their laughter, reaching out a hand to hold Azul’s, " Aw~. Are you mad you can't give me an octo baby?"

"I'm mad because you're in pain and the one way to stop this is something we can't do for years!" Azul does loosen his arms, both hands coming to cradle their outstretched one, "You've been acting odd all week before this whole bleeding mess even started. We were worried…"

Floyd pouts, resting his head on Yuu's shoulder, uncaring of how far he had to bend, "You punched me for trying to give you a piggyback ride, Shrimpy. Really hurt my feelings."

"You had seemed quite lethargic the past few days." Jade gave a worried smile, tone clear in just how concerned the past events had made him.

Yuu looked at all of them in shock, looking at the slowly cooling bowl of pasta before they covered their mouth. The room was silent until Yuu closed their eyes and tried to fight back the whimper threatening to leave their throat.

"...Yuu-"

"You guys care so much about me…so much…" Yuu lets go of the bowl, both hands fanning at their face as their eyes well up with tears, "And I've been such a bitch to you." Their voice cracked and slid into a high-pitched wail as the tears started to fall.

Jade’s eyes widened, his mouth opening in a silent gasp as he quickly shared a panicked look with Azul, " O-oh, oh no."

The cecaelian babbled, stuttering under his breath and hovering his hands over Yuu’s body. He wasn’t sure if Yuu wanted to be physically comforted, or even touched, “Yuu? What’s wrong, are you in more pain? Do you need me to call Crewel!?”

Floyd hesitantly pats at Yuu’s head, not wanting a repeat of being sucker punched in the face the last time he touched an upset Yuu, “There, there Shrimpy. Just eat your food…”

Still crying, taking shaky breaths while gathering a collection of noodles and seafood on their fork, “You guys are so nice to me. And I’m a bad friend…”

Jade was subtly leaning away, pressing his back deeper into the chair as he eyed Yuu with mild suspension, “No…You’re a perfectly good friend to us, Yuu.” Hormonal changes would explain Floyd’s notice of Yuu’s scent being 'off'. He assumed the different levels had only affected their body as they had stated. But it seemed their emotions were also being affected. A moody Floyd is something he grew up with, he knew every tell Floyd could give. A hormonally moody Yuu was new and dangerous territory as far as Jade was concerned.

Even with their reassurance, Yuu’s tears wouldn’t stop. The three males grew more uneasy, simply watching their friend bleed on her bed and eat lukewarm pasta while she softly cried. They shared a look between the three of them before Azul stepped forward, a nervous smile on his face while he gently caressed her hair.

“It’s…it’s ok my pearl.”

Yuu looked up, sniffling pitifully before pressing her head into his hand, “I’m sorry I’m so mean to you…”

Azul chuckles, pressing a kiss to their cheek before pulling away, “It’s ok. I will admit, I do like when you’re a bitch.”

The sweet air was gone in a second. Yuu’s crying stopping as though a switch was flipped. They glared up at Azul, “Did you just call me a bitch!?”

“...” Azul looked to the side then back to her, pulling his hand back, “I-”

“So you think I’m a bitch!?”

“No?” The confusion in his voice was clear. He looked at the twins who were just as puzzled, the two eel-mers quickly shrugging at his silent question as to what he did. 

They also had no clue how to proceed. Yuu would normally either let them in on, or at least make their goal clear when they toyed with Azul. But this sort of rapid-fire mood change was not in their MO. It was even more so than Floyd could keep up with.

Yuu turned back to their pasta, tears coming back full force as their anger disappeared, “You’re lying to me…”

“...Would you feel better if I thought you were a bitch?”

“What is that supposed to mean!?”

Hours later, Floyd opened the door, disheveled and pouting at Crewel and Ortho, “Knifejaw…Hurry up and fix Shrimpy. They’re really mean like this and I’m sick of it.”

Crewel raised an eyebrow, walking into the dorm and waving a hand to send Ortho up before him, “Are they? More so than normal?” He said it with a jovial air, teasing his student since his own moods were the things of nightmares.

“Yes. If I felt like it, I would beg. I can’t handle them like this…”

“...”

Well, that was concerning… Floyd followed Crewel back up the stairs. Opening Yuu’s bedroom he realized that Floyd wasn’t kidding. Next to a standing Ortho Yuu sat on the bed, now cocooned in one of their blankets in Azul’s lap. Tear tracks on their cheeks and angrily sniffling between hand-fed forkfuls of pasta. Azul was sweating, oozing a nervous energy as though he were defusing a bomb and not feeding his lover. Jade sat in the far corner, chair pressed against the wall as far back as it could be and furiously writing notes.

Ortho beeped, eyes showing he was smiling under his mask, “Body scan complete! No external injuries are to be found!” He leaned forward, wrapping his arms around Yuu and resting his head on them, “I’m so glad you’re ok, Prefect Yuu!”

Floyd huffs from the doorway, glaring at the display, “Oh, he can hug you but I get punched if I try?”

Yuu glares, eyes just peaking through Ortho’s flaming hair, “I could never hit Ortho, he’s baby.”

“Prefect Yuu is right, I am baby.” the smug tone was just barely heard through Ortho’s normal frequency of cheer. Looking up his bright yellow eyes meet Yuu’s, “Oh! Just so you know, Ace told the rest of us what was going on in our group chat. Though Crewel-Sensei told me that no one was supposed to know. In his defense though, the timestamps show Ace gave the information before Crewel-Sensei gave the order to not tell anyone.” 

Yuu looks over to their phone on the nightstand, groaning at the wall of texts they’re sure is waiting for them, “God damn it.”

Sighing, Crewel waved his hand, “This is very cute, but Ortho you’re here for medical purposes. Let’s not get distracted.”

“Right!” Ortho stands up straight, holding out a hand as his other arm morphs to produce a syringe. “Prefect Yuu, may I have your arm to take a blood sample?”

Even though it looked like that was the last thing Yuu wanted to do, they managed to remove their arm from the blanket cocoon to place in Ortho’s waiting hand. Looking away while Ortho set to work finding a vein.

Crewel walked to the bed, grabbing a potion from his coat and uncorking it in one fluid movement, “How are you feeling, pup?”

“Like I’m in pain. The same as two hours ago. What kind of fucking question-” A fork full of pasta and sauce was shoved into their mouth, cutting them off from cussing out their teacher/father. Azul smiled timidly when Yuu’s glare snapped to him. Muttering through their food as they chewed, “Don’t you ever fucking try to silence me with pasta, again.”

Waiting until Yuu had swallowed and taken a breath, Crewel shoved the opening of the potion bottle to Yuu’s mouth and forcibly made them drink it, taking care to not justle their arm while Ortho drew blood. He adored his pup. But he was not going to sit idle and let them bark at him like they had the right, “That’s nice sweetie. Take your medicine, you’ll feel better.”

He only let up once the flask was empty, pulling away and placing the glass back into his coat. Yuu’s glare slowly softens, tense body finally relaxing in Azul’s nervous hold. They sigh, dropping their head into the crook of Azul’s neck, nosing into the flushed skin before pulling away to rest their cheek on his shoulder, “Sorry…about threatening your life and stuff. Forgot how bad cramps were…”

Azul, slowly wrapped his arms around them, nuzzling into their hair, “It’s…ok? So long as you’re feeling better now. Were you truly in that much pain?”

Floyd hums from the doorway, folding his arms, “I guess I can give you a pass then. I don’t like being in pain either, it’d make me just as crabby as you’ve been…”

Jade nodded from his corner, but made no move to come closer, “And it’s been nearly 6 hours since the supposed start of all of this. Does the pain really last the whole cycle?”

Yuu nods, “Yeah…I normally take pain meds when I realize it’s started so I don’t feel the worst of it. I take another dose either daily or just when I feel the first dose wearing off. But I didn’t have any potions in the house so I was gonna nap it off until Sam got my order.”

“All done!” Ortho spoke up, the vial of blood being placed in a secondary pouch for safety. Morphing his hand back, he placed his hands on Yuu’s lower stomach, tingles of something pulsing from Ortho’s fingers as he performed another scan, “In the most scientific phrasing you can, tell me what’s going on so I can add it to your file.”

Without missing a beat, Yuu answered, “My vagina is internally peeling and the liquidated lining is being pushed out.”

…

Ortho closed his eyes and stood up straight, arms resting at his sides. Turning around he walked out of the room, brushing past Floyd and closing the door behind him.

“...” Azul looked at Yuu, the horror from earlier that day returning to his face full force, “Your what is what now!?”

The sound of Jade’s pencil scratching at the notepad starts up again, muttering under his breath about needing more paper. Rushing to the desk and flipping through notebooks for a clean page.

Floyd simply looked sick by the door, the visual refusing to leave his mind.

“You know…” Crewel chuckled under his breath, more annoyed than mirthful, “That would have been a wonderful nugget of knowledge to have two hours ago.”

“I would have loved to not be in pain for half the day, but we don’t all get the raisin butter, do we?”

“Yuu.”

“It is really that different here?”

“Does blood come gushing out of female anatomy for a week? No, no it doesn’t. Yes, it’s different, puppy.”

Yuu sat quietly, looking down before raising their gaze back to Crewel, “I should probably learn more about the biology of this place…”

Crewel shook his head, annoyance clear in his expression while he pulled out folders from his bag, “Yeah you really should.” muttering under his breath about a ‘Dumb adorable dog’ as he slapped the papers on the bedspread, “So to start, there is a similar process-”

Floyd, opens the door, “Yeah, I’m leaving I’m bored and kinda freaked out.”

“Bye, Floyd! Sorry for punching you again.”

“Bye, Shrimpy~! Don’t bleed out!” He slammed the door behind him.

Jade sighed, standing from the armchair, “I should make sure he’s not doing anything too destructive. Best of luck to yourself, Yuu.”

Yuu waves to him while he leaves the room. They look to Azul, raising an eyebrow in question, “You wanna leave too?”

Azul mused for a moment. Female health classes weren’t something he was required to know, nor wanted to know. Anatomy in the Coral Sea was extensive enough, adding on surface world versions couldn’t be too different in hindsight. He might need the info later on in his life, maybe for a deal. Maybe to use it for a creative writing class, would Yuu find it distasteful if he wrote about their period in a horror setting?

“Azul?”

“I’ll stay.”

“Fine.” Crewel smacked his crop in his hand, twirling it to make the papers float and act as a PowerPoint, “Since you scared away the Shroud boy, I’ll have to do it this way.” Pointing toward a digraph of a uterus he spoke, “Luckily enough everything seems to be the same hardware-wise if your previous medical scans are anything to go by. Though, because you don’t have magic in your world, your bodies evolved a more… physical process.”

“Are you seriously telling me you bitches don’t get periods because you have magic?”

Azul slowly lifted a forkful of food to Yuu’s mouth, shakingly offering it like a sacrifice. He found that food was an easy way to calm their seemingly blind rage. He’d have to ask Jade for his notes later since he was too busy trying to keep Yuu and Floyd from fighting each other. He softly breathes a sigh of relief when Yuu lets him stuff the food into their mouth.

Crewel watched the exchange silently before continuing, “Yes…The process here is done normally after a day at most. The body’s natural magic will flare up and revitalize the uterus lining instead of…removing it.” He waved his crop, a photo of a body and various systems replacing the first example, “As I’ve told you before, everyone in Twisted Wonderland has magic naturally in their body’s cells simply from the magical byproduct of our world. So even if someone can not do magic, their body can still store magic to perform such cycles. It’s why scarring is so rare. Seeing how with modern medicine and the body’s cell restorative magic, healing has reached an almost perfect standard.”

Yuu was quiet, looking over the visual examples as Crewel continued his impromptu lecture. Leaning forward, they sighed out for so long it had morphed into a cry. They simply pushed away from Azul, ignoring him when he tried to comfort them. Turning away, they landed face first into the mattress and cried into their pillow. Through their sobs, muffled by the cushion they yelled, “This fucking sucks! I can’t even bitch with anyone else about how much this hurts!”

Azul looked at them in worry, barely noticing the red smears on his pants, “My pearl? Do you want pasta? Pasta makes it better right?”

“Azul, I’m getting real tired of you trying to feed me. I’m not a fucking wild horse you can soothe with delightful seafood pasta!”

…

Crewel raised an eyebrow, gesturing to the offered bowl in Azul’s shaking hands, “So do you not want the pasta-”

“Yes, I want the fucking pasta!”

#twisted wonderland #twst #disney twst #yuu oc #twst wonderland #twst azul #azul ashengrotto #twst floyd #floyd leech #twst jade #jade leech #octavinelle #papa crewel #twst crewel #divus crewel #twst ortho #ortho shroud

[thesherrinfordfacility]

so i had the bright idea of rewatching s1 today whilst im working from home, now knowing what i know about s2, and so i can ruminate a little more on s1 with the additional context. ive barely made it past five minutes

im pretty sure ive gotten most of the frames accurate from this bit, and im sure it might just be a bit of demonstrative cinematography (which ya know, *chefs kiss*) but at the same time i love going into full year 9 english teacher mode about this shit, and i think there is something to comment on (which someone already might have done but w/e). in any case, this bit of dialogue is very noticeably layered with shots of crowley and aziraphale, but intercut with the shots of adam facing down the lion:

like, i can't help but feel that there is some symmetry in this and either other people have spotted it and im very behind, OR we havent spotted it and s2 spoilers have helped unlock it✨

so who is meant to be who here? for my money it would be that adam is mirroring aziraphale, and eve is mirroring crowley - in so much that at a really shallow level, aziraphale is a platoon leader, a guardian, fought in the war etc. crowley, regardless of his rank, is a starmaker, and let's face it the boy has the structural integrity of a strand of dried linguine. so we could look at it on that level (ignore the lion for the moment ill sort of explain that if it isn't already obvious)

but also we now know that this scene is not their first meeting, and that aziraphale and crowley do in fact remember each other and know that they have met, and in aziraphale's case is probably the teeniest bit shy bc damn heart eyes as an angel, heart eyes as a demon 🥵 but my point is that this is after the fall. after (as far as crowley tells it) crowley fell for 'just ask[ing] questions", and "just hung around the wrong people".

now i have my thoughts on why crowley fell: tldr because it would require another post - both reasons he gave above are bullshit and obvs conflict with each other, so i think that he doesn't actually know why he fell and has just guessed his transgressions so he can rationalise it, that god actually never had an issue with him asking questions, and instead it was actually god's plan to make him fall so he could represent the 'evil' side of free will on earth, as aziraphale's counterpart, and essentially ensure that humankind stays eternally 'in balance'

ANYWAY so the fact that in the lion sequence, 'crowley' is being shielded by 'aziraphale' against an unknown entity; but does this mirror a flashback, or is it foreshadowing? again, id put my bets on the former visually, but the latter... lyrically? idk the word but regardless take the dialogue:

"What if I did the right thing;

with the whole 'eat the apple business'?

A demon can get into a lot of trouble;

for doing the right thing."

so let's rephrase this:

"Was it the right decision to fall;

was I right to choose this for myself?

to choose the right to choose?

Because i feel like i could live to regret it."

so is crowley in essence already asking if aziraphale is on his side? is he asking if falling was the right thing, the good thing, to do (regardless of whether god gave him any choice in the matter)? But was he given the choice, first true free will? did aziraphale try to protect him during the fall, so crowley could get out in time (but ultimately fail? or at least bought Crowley enough time to find a back staircase and fall gently and peacefully, 'saunter vaguely downwards'?), and then get assigned to earth to be the 'good' side of the coin for humanity?

and is crowley asking if aziraphale will continue to be with him? in whatever romantic, platonic, acquaintance context you want - is he asking aziraphale if aziraphale will fight for him again, for them both? aziraphale made his decision, enacted his free will, in giving the humans a sword, and thus brought the concept of war and horror to earth, even if that was never his intention - so now swordless, and now only condemned to watch humanity as it strides out on its own (or was this the plan all along?👀), is aziraphale willing to do it? does he have the power, the strength, the will? would he stretch his finger over the line to fight on their side?

maybe im asking the wrong kind of questions, but all ill say is that in the above sequence? at the end of the dialogue? adam kills the lion.

i think 'their side' began in the job minisode, yes maybe, but also maybe the idea of it, the understanding of it, was planted here.

#good omens #anyway time to continue with the rest of ep1 lmao #s1 meta #crowley meta #the fall/the great war spec

[alvinjrsgun]

LUTE X FEM!READER HCS???

a/n : me personally? I LOVE toxic batshit crazy lute and do NOT think she's fixable, possibly beyond repair, and I live for homophobic homosexual lute so this will reflect in the head cannons

NOT PROOFREAD !!!

TAGS : internalized homophobia, blatantly toxic behavior, SMUT, degrading kink, overstim, bruises/clawmarks, sub!reader

- FLUFFY :

despite her no homo gay bad internalized thoughts, she's very possessive in public, even going as far to use her wings to pull you away from anybody trying to hit on you. Sometimes, just from people speaking to you.

She subconsciously tucks your hair behind your ear or fixes your clothes when they're wrinkled, noticing small things in quick glances.

you're the only person that could convince her to buy actual clothes, as literally the only thing in her closet is 10 separate pairs of her uniform.

Her actual normal people clothes consist of tight t-shirts or crop tops with phrases like "I don't gaslight you're crazy" with sweatpants.

She constantly claims she "hates" pet names and thinks they're cringey but sometimes "baby" or "babe" just slips out.

^ if pointed out, she would immediately get embarrassed and turn BRIGHT red, attempting to shove her wings down as they flap.

main love language is quality time by a landslide. she just likes being around you, and grows moody if she's away from you for too long (which is a day or two).

she rambles a lot during your quality time, usually consisting of complaining or just shit-talking about whoever ticked her off through the day.

- ANGSTY :

She'll often have flashbacks of Adam's smile before he passed and will shake herself awake, unable to fall asleep for the rest of the night. She'll sit up in the fetal position and wrap herself within her wings, blocking herself away from you.

She refuses to refer to you as her "girlfriend" in public, referring to you as a roommate at most. She doesn't give an explanation, calling it a boundary rather than an internal issue she has to actually work through.

She overreacts frequently, taking things out of context or just blatantly ignoring attempts at explaining things to fit her own narrative. She'll yell and just grow silent, shoving you off for hours before apologizing with an action or service of some sort. (pulling you close with her wings, cooking for you, ect.)

She holds affection over your head, withholding it during arguments until you agree with her, or just give up entirely. It's a power trip, making her feel powerful and wanted at the same time, inflating her already massive ego.

- SMUTTY :

She usually initiates sex, pinning you to the nearest surface and going right for any exposed skin. Despite not wanting anyone to know you're dating, she leaves dark bruises and bites in the most obvious places, leaving you with the work of either covering them up or explaining them away.

She loves teasing or taunting you with both her hands and her words, purposely ripping off your clothes just to rub soft circles over your skin while whispering into your ear with a cocky smirk, "Oh, you want me to what? Could you be a little louder?"

She doesn't have a preference when it comes to tits or ass, as she's equally rough with both of them. Bruising and twisting your nipples and blatantly slapping or grabbing onto your ass, leaving hand marks.

Adding on, she refers to the lewdest parts of your body as "hers". She'll make you look her in the eyes either with her fingers or her strap inside you, teasingly tilting her head to the side with a shit-eating grin, "Who owns your pretty fuckin' pussy?"

Her favorite thing to do in bed, by far, is ruin you with her strap. Pinning your hands above your head with her other hand (prosthetic arm?) around your neck, pounding into you at a merciless pace. She loves taunting you in such a vulnerable state, her grip on your neck moving to your chin as she squeezes your face, "what's wrong? can't fuckin' take it?"

On nights she's really riled up, she won't stop until your in tears, seeming to find satisfaction from how far she can push you. Plus, it gives her more ammo for dirty talk, "fuck, are you crying? Can't fuckin' handle how good I'm fucking you, hm?"

Her distain for pet names doesn't go away in the bedroom, but she will slip in a "slut" or "bitch" when her ego's at it's peak.

She has a high sex drive once she gets going, being able to go all night before holding you close to sleep, her wings completely covering you both as you both attempt to regain your strength.

\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \

a/n : ignore how much longer the smut hcs are compared to the others my brain just kept going it's not my fault I'm the victim here

#hazbin hotel headcanon #lute #hazbin lute #lute x reader #lute x fem!reader #headcanons