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#i loved her in the first film and in doctor strange 2
unicornspwnall · 5 months
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THE MARVELS (2023) dir. Nia DaCosta
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6rookie-writer0110 · 8 months
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Let's talk on the phone
Avengers Cast x Male Reader
Request - Ok so can I request avengers cast x Male Reader R has worked with all the avengers cast before and has played as the love interest of them in different movies but he finally debuts as Danny Ketch Ghost Rider in doctor Strange 2 (I haven't seen it but let's say he makes a cameo) and the fans are loving him and are going crazy when it's announced his also gonna get his show that's gonna ma15+ and when Marvel release the trailer for R's ghost rider show all the fans are going crazy.
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You are at Comic-con with the Avengers cast. They are answering questions from the fans and talking about upcoming projects. You are sitting between Elizabeth Olsen and Benedict Cumberbatch, you get along with everyone. A fan asked you a question...
“Hi, Y/n. Umm is it true, you did other movies with everyone from the Avengers?” She asked.
“Yes, that is true. With Cobie Smulders, I played her cheating husband, then with Elizabeth Olsen, I played her boyfriend in a time period movie. Then I played Scarlett Johansson’s husband in a movie but I died. But I did work with everyone in the Marvel cast” You smiled.
“Today, we will show a cameo that is what is expected in Doctor Strange 2,. So here is the first look of Danny Ketch, also known as Ghost Rider,” Sam Raimi said.
The lights get dim. The video starts to play Scarlet Witch fighting Doctor Strange, but they stopped because they hear someone…
“Is your friend?” Doctor Strange asked.
Ghost Rider is on his motorcycle and he gets off the motorcycle. Then Ghost Rider takes out the whip.
“No. But I don't care I will fight you or him” Scarlet Witch said.
“Avengers? Fantastic Four? X-Dudes? They can all kiss my bony, flammable ass." You said.
Ghost Rider was about to fight then the video stopped.
“Ghost Rider will be played by Y/n. And Ghost Rider will get his own series and will be rated as mature” Sam Raimi said.
Everyone starts to cheer then Elizabeth hugged you. Fans started to ask questions about Ghost Rider and you answer each question.
After the Q&A, you took pictures with fans and signed autographs. Then you take a break with Benedict.
“Everyone seems to be happy that you will be Ghost Rider,” Benedict said.
“I’m just this time Ghost Rider will be accurate like in the comic books. If he wasn't accurate then I would have given up on the role. The fans did like the cameo and I'm happy about that. Plus we are going to get to see a different side of Danny, but that goes along with the storyline like in the comics” You said.
“I’m guessing, Ghost Rider is your favorite hero?” Benedict said.
“Good guess, but yeah. Since I was a kid, Ghost Rider has been my favorite. I have action figures and comic books. Anything related to him, I would buy it” You said.
“I know you will do great as Ghost Rider. Can't wait to keep working with you” Benedict said.
“Thanks” You smiled.
✯ ✫ ✯ ✫
Weeks Later… you have been doing interviews for your role as Ghost Rider. The fans are liking the outfit and Ghost Rider’s form. You are doing an interview with the cast
“Is Ghost Rider going to meet the Avengers?” the host asked.
“Yes, but not in a nice way. All I can say is that he will not follow Steve Rogers's rules” You said.
“I had to film a few scenes with him and Scarlett. We think the fans will like how our characters meet” Chris said.
“The fans can't wait to see that. Y/n, have you always been a fan of Ghost Rider or have you found out recently who he is?” the host said.
“I have always been a nerd when it comes to Ghost Rider. He is my favorite character and I'm glad the movie and the show will be accurate to his storyline” You smiled.
“He has told me many Ghost Rider facts that I didn't know. For his birthday, I got him a Ghost Rider poster and t-shirt, and he stop smiling about it” Scarlett said.
“That was a cool gift” You smiled.
Much later, you went out with the cast to eat. Some fans did take pictures with you then you signed a few autographs.
——
You are on set filming for the Ghost Rider show. You took a selfie with Elizabeth, Chris Evans, and Scarlett Johanson, and it was posted online. Everyone is liking the outfit of Ghost Rider. In the picture, you have on the jacket and you have the chains around you.
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callmearcturus · 6 days
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okay so PC Gamer just scattered a bunch of catnip for me with an article about What If Each Fallout Game Were A Movie, Who Would Direct It and I am going to read this live and judge it
because I'm having a relapse, we all understand this
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A focused, mature, pressure cooker of a movie that is short and stylishly violent? Better call the director of John Wick to take the directorial reigns. Personally, I find Leitch's movies tend to have rather underwhelming final acts, too, and also have a penchant for ending abruptly when you feel more could have followed, so he's the perfect fit for a game that's incredible until it very quickly ends without much fanfare. John Wick movies don't tend to be very wacky either, often depicting the hero's world as very serious (despite the ludicrous premise of the fiction), so again this feels a strong and apt choice for the OG Fallout. A Friday night action movie.
HMMMMMM. I feel like I disagree on the mode I would want FO1 to be in. Like, yes, you can play it that way, but FO1 is famously one of the first games to make Speech arguably the most important skill to have in a video game, so I dunno. I love Leitch and feel like while his sense of realistic-yet-stunning action is a trademark, I think the use of locations is even more of his thing, and when I think about memorable locations, I think more of FO2 than FO1.
I feel like I would give FO1 to some hyper-realistic scumbag who is more obsessed with Process than Enterta-- oh. Nolan. gdi I'd give FO1 to Chris fucking Nolan, him whomst I loathe.
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Who better to direct this expansive and often wacky depiction of the Fallout universe than the director responsible for epics such as Fear and Loathing in Las Vegas, 12 Monkeys, Brazil, The Imaginarium of Doctor Parnassus, and The Man Who Killed Don Quixote? Gilliam loves a good road trip in his work, too, which fits with Fallout 2's Highwayman-based exploration, and his penchant for vast vistas with wacky and absurd details feels perfect. The combat scenes wouldn't be as slick as Leitch's Fallout movie, but characterisation and a more rambling, philosophical, off-beat narrative would deliver. Plus, Fallout 2 even has a Bridge Keeper encounter that directly references Monty Python and the Holy Grail, in which Gilliam starred. Watch on a Saturday night for a bit of everything.
......... I straight up cannot argue with that. No notes.
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For a movie based on a game that is focussed almost entirely on squad-based combat in urban environments, combat where soldiers die in terrible ways and the horrors of war are all too apparent, I feel the director of The Hurt Locker, Kathryn Bigelow is perfect for this. Fallout: Tactics would be a war movie with a very tight focus and strong characterisation for just a handul of lead characters. Tense and at times adrenaline-inducing due to the flashes of extreme violence, but interspersed with soul-searching dialogue from its grizzled, war-scarred leads, this would be an erudite and focused Fallout war movie. Watch on a Monday or Tuesday night.
Looking at Bigelow's list of works is how I just now learned she also did Strange Days, so I think it's fair to say that this is giving her way too small of a pick. Give her FO1 and give Leitch FOT.
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It would be so bad. Forget about A-bombs, everyone in the movie would drop an F-bomb every other line. Don't watch on any night.
Fucking weak-ass pick. Think about the history of how FO:BoS happened, i.e. they were trying to slap the Fallout license onto a completely different style of game without any respect for the source material. They swapped out Nuka Cola for Bawls product placement.
Give it to Zack Synder.
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As the game that properly introduced V.A.T.S. system slow-mo to the Fallout universe, with kill shots shown off in glorious bullet time, there can be only one director for a film version of Fallout 3: the master himself, John Woo. Woo's stellar action movie work in titles such as Hard Boiled, Broken Arrow, Face/Off and Mission Impossible 2, among others, means the action in this game is off the charts. Slow-mo radiated doves and all! Woo handles the post-apocalypse war vibes well, too, thanks to his work on Windtalkers, while he communicates the hero's awakening into the future thanks to previous on Paycheck. A good fit for Friday night, thanks to the action, or midday during the weekend due to a longish, war movie-style runtime.
.....................
holy shit i cannot argue with that, that's genius. absolutely fucking yes. i think that's a perfect fit.
also, like, FO3 and Woo have the same "problem" for me, in that they know exactly what they are doing, it's just not my cup of tea, but there is a solid identity there.
yeah, fucking do it, give FO3 to John Woo.
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SHUT THE FUCK UP
WHO WROTE THIS ARTICLE, AND DID THEY WRITE IT FROM MY FUCKING ATTIC?!
Casinos, gritty environments, extreme violence and heist movie vibes mean I think of Guy Ritchie for this film adaptation. Ritchie's also a fan of slow-mo combat shots, too, so we've got the game's V.A.T.S. system represented well, too, while the game's macho factional warfare as undertaken by factions like Caesar's Legion and the NCR, is right in keeping with Ritchie's love of gang-based conflict. There's not much romance in New Vegas, either, which is a weak spot for Ritchie, but as shown in movies like Sherlock Holmes, Snatch, The Gentleman, and Lock, Stock and Two Smoking Barrels, he's good at holding together movies with various interconnecting narratives. His work on Aladdin also shows he can handle the comedic and wacky aspects of New Vegas, too. A mid-week action-comedy treat.
/rubs face
I am unfortunately a massive fucking fan of Ritchie movies. this is so powerful.
i think........... Ritchie is so thoroughly uninterested in saying anything philosophically profound, you cannot give him The Most Profound Fallout Game. like, I want to love this idea, I really do, but no.
....................... You need someone with snappy dialogue that actually means something, who is willing to veer into borderline magical realism, who loves an overdressed set, and who can manage a lot of different characters with well-reasoned motivations.
I think you need Rian Johnson.
OR DO I JUST WANT RIAN JOHNSON TO MAKE A VERSION OF "DEAD MONEY" THAT DOESN'T SUCK? WHO COULD SAY.
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I feel Ang Lee is a good choice for a Fallout 4 movie adaptation, having good form in handling large and sprawling fictions with plenty of characters and side-stories. Just look at films like Crouching Tiger, Hidden Dragon and Life of Pi as an example of this. He's got some form with action, too, thanks to his work on Hulk. There's probably more romance/relationship offering in Fallout 4 than in any other Fallout, and Ang Lee has form here too. The result, though, is a movie that ends up being a bit flabby and unfocussed at times, despite technically bringing more to the table than Fallout 3, and being funnier and lighter overall. Watch on a day off due to a chonky runtime.
what are you fucking talking about, Ang Lee's best movies are Brokeback and Sense & Sensibility, and his worst are probably Hulk and Gemini Man. Fallout 4 is the one where Bethesda just stopped pretending to give a shit about story and roleplaying, instead pivoting the game into a skinner box of tightly-honed but ultimately soulless mechanics.
I'm not even trying to mock Marvel, but I feel like the MCU's Design-By-Producer-And-Executive-Oversight is actually the answer here. It doesn't matter who directs it because the main voice will be a board room.
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oh shut upppppp
Fallout Shelter would in some ways be the most obvious setup for a movie: the self-contained story of a vault-dwelling society, interspersed with the surface adventures of random dwellers. Sounds a bit like the TV show when you put it like that, which is why there's only one Nolan for the job: Christopher! Yes, fresh off Oppenheimer it is time for Oppenheimer 2, focusing on the aftermath of all-out nuclear war (hell, Cillian Murphy can even have a cameo as a brain in a jar, I'm that generous). Moody, intense, riven with twists you didn't see coming, and with all special effects done for realsies, this movie could only ever be rad. The only downside is that, like the TV show Silo, you'd spend an awful lot of time indoors.
absolutely fucking not. the thing about Nolan is that his shit is so meticulous, it like.... pitches past hyper-realism and lands in this weird uncanny valley of "he wouldn't fucking say that" but it's for a character you've only known for ten minutes.
FO: Shelter is about emergent storytelling that feels almost accidental rather than arranged or scripted. you need someone who is hands-off the script but can capture a.... good moment..............
oh god, it's JJ Abrams, isn't it? god dammit. or, frankly? Spielberg. so I'm saying no to the director i hate and offering instead two other directors i dislike, but for different reasons.
yeah. yep. that's what i'm doing.
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SPITTAKE
As an MMO that takes many aspects of the Fallout universe to the extreme, it feels a movie version of Fallout 76 would be akin to a huge-budget, climatic MCU movie where it really helps if you've had previous with the series to get most enjoyment. As such, I feel the Russo brothers would take the reigns for Fallout 76. The result would be a jack-of-all-trades action-adventure that borrows bits of every previous Fallout to make something that appeals to a lot of people but, after watching, doesn't go down as something you'd rewatch for most all of them. Big, bright, wacky and action-filled, there's no doubting though that you get a spectacle and fun, though. Watch in two sittings over two nights (as the movie's runtime is 3 hours 47 minutes).
no. fuck you. i reject your premise. the Fallout game that shipped with no NPCs and expected the story to be entirely conveyed by set-pieces, environmental design, and audiologs?
resurrect Tarkovsky and give us FO76, desolate and beautiful with environmental shots that last seven minutes without a cut. because the only good thing about FO76 is the setting, the amount of effort put into building the actual space, so I want 90 minutes of film and seven pages of script.
Russo Brothers, get tf out of here
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clockwards · 1 year
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i watched all 15 seasons of criminal minds in 29 days. these were my thoughts
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Garcia being normal Garcia: 🤪
Hotch, quietly: remind me to have her drug tested
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Reid: Kevin and Penelope sitting in a tree? JJ, that's just dangerous, do you know the statistics on-
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"yeah I'm fine, he wrote me a letter explaining why he left, just like my father did when he left my mother and I" REID LMAO
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Gideon and Hotch giggling happily over charlie chaplin films <3<3 work dads
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man with multiple personalities: do I *look* like personality no.2??
Reid [staring directly into the camera]: 👁️👁️
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Reid making mini rockets and Hotch being a grumpy proud dad about it fhevfhhevdhsgdvsh THEM
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"If I weren't a lesbian, I would absolutely jump your bones" [aimed at Gideon]
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psychopath who only wants to talk to Reid: 😚
Reid: why don't i ever get any normal fans :(
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Random detective [about Reid]: where did you find this kid?
Rossi, whispering: He was left in a basket on the steps of the FBI
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Hotch: we do not have jurisdiction over this very personal set of cases
The Team: 🥺🥺🥺🥺
Hotch: ......okay just be quIET ABOUT IT
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Rossi: My wife always said I had a flair for the dramatic
Hotch: Which one?
Rossi: ...all of them 😀
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Morgan, Reid, Emily, Garcia [staring Hotch down]: we love and care for you
Hotch: im gonna kms
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Rossi, interrogating a suspect: I fucked your wife (real not fake)
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Hotch: Son, you're taking over the business
Morgan: Oh! A promotion!?
Hotch [dumping paperwork in front of him]
Morgan: Oh no! A promotion!!
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[during Hotch's review after The Reaper incident]
Strauss, to the team: 😡😡 Hotch 😡😡
Strauss, to Hotch: 😔😔 Hotch 😔😔
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Hotch: any word on Prentiss?
JJ: she's arguing with the doctors
Hotch, nodding: Good
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Hotch: There are lots of ways sons defeat their fathers
Reid, cheerfully: I just keep getting PhD's!
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[about budget cuts]
Rossi: Let's just hope they don't take the coffee
Reid, very seriously: I'd quit
Rossi: well yeah, that'd save them about 50 bucks a week
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[looking at a machine gun]
Reid: I don't think I have the qualifications to use that
Hotch & Morgan, in unison: You don't.
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[the most suspicious man alive, saying something extremely suspicious]
Emily Prentiss: yes sir I will follow you to this dark secluded secondary location
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Every member of the BAU: ily
Prentiss, with an arsenal of guns: BACK! BACK, STRANGE CREATURES!
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Strauss holding back the entire BAU by the scruffs of their necks like feral cats: I Wish I Had Dogs
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Morgan, sending all the press to Reid: 😀
Reid: No more FBI I'm becoming a criminal just to kill you
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Strauss: Please hire someone normal
Hotch: Here's Doctor Reid, a child who has never passed a field test
Strauss: I'm literally begging you
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Victim: what are you doing????
Unsub: well this is a *gun*, and inside of it are what we call *bullets*
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"a member of the team is in jeopardy"
me: is it Reid? I really hope it's Reid.
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Garcia: altruism is sexy
Hotch, very seriously: yes it is
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The BAU team's nosiness
VS
Reid's secrecy over a girl
- FIGHT -
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Random teen: Get fucked old man
Rossi: Gamer on gamer violence. This is so sad.
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Blake: I don't have any children...except Reid
Reid: I'm not your child though?
Blake: EXCEPT REID
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Anyone: I love you
Reid, just not like other girls: ....Thomas Merton?
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Blake: People just need to say what they mean
Reid: Life would be so much easier without chit-chat
[A Tale as Old as Time - Autism Bros™]
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Reid: I don't like technology
Garcia: Technology doesn't like you, genius
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Rossi: All of my marriages have failed, I'm not exactly what you would call a family man
Hotch: We literally have 5 kids together
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[on first meeting]
Hotch: I'm offering you a job hunting psychopaths
Garcia, caught trying to stop animal testing: I *am* a psychopath
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Rossi, joining the BAU: I have gotten a first husband, fourth wife, and multiple children just by entering this office. I'm the real family speedrunner
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Reid: My dad leaves and suddenly I've got new contenders lining up like it's the bachelor
Hotch: You're not even that great a son
Reid: You were literally first in line
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Bomb Squad: You called??
Morgan: Early bird gets the explosive worm, bitch
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Hotch: How long do you need to do this impossibly long task that no one else could complete?
Reid: Like 30 minutes
Hotch: Awesome. Do it faster
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Reid: I'm arresting you for murder
Cat: ...are we about to kiss?
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Cat: You have mommy issues
Reid: L + Ratio. You have daddy issues *worse*
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Morgan: It's my turn to be kidnapped and tortured
Reid and JJ: nnOOO MY BRAAAANDD
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Alvez: Why won't you be nice to me
Garcia: I'm always nice. Look, this is my nice face 😒
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Prentiss: This guy is probably a loner, definitely has commitment issues...
Alvez, just made a full-course meal for his dog: 😤
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UnSub: I NEED A DOCTOR
Tara, cocking a gun: I'm not taking appointments
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Reid: I need to take some time off to look after my mom
[is arrested for drug posession and murder in Mexico]
Reid: ........so how's my mom?
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The Team: We're so worried about Spencer in prison
Reid: I made friend :]
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Prentiss: Luke is snarky. You are snarky. Please just try to get along
Garcia: You don't understand. We cancel each other out
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Reid, entering prison: I am going to make So Many enemies
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Mr Scratch, doing anything: 😏
The Team: It's a trap. Let's go!
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Alvez: I can tell, you're a cat person
Prentiss: Got the nine lives to go with it, bitch
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Cat: I'm pregnant. It's yours
Reid, shocked: You mean you're not a virgin?!
Cat:
Cat: I wish I killed you the first time round coME HERE-
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Prentiss: I need a person I love and trust to relax with
Reid: ....are you gaslighting me into resting?
Prentiss: Yes. And it'll fuckin work.
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Barnes: Don't you want to be unit chief? Don't you have....ambitions?
JJ: I'm ambitious about killing you. Wanna see?
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Garcia: I hate newbie. He's terrible and stupid and has a dumb face and dumb thoughts-
Alvez: We literally just took a selfie together
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Alvez:
Tara: ur mom
Alvez: I DIDN'T EVEN FUCKING SAY ANYTHING?
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JJ, married with 2 kids: I'm a little bit in love with you
Reid, who took her on one date 15 years ago: 😯
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Rossi: You can't ground me! I'm your dad!!
Prentiss: AND I'M YOUR FUCKING BOSS. GROUNDED!
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[Luke and Matt go missing]
Prentiss: The boys! They took our boys!!
Reid: I'm.....right here?
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xx-vergil-xx · 17 days
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god Verg I love a Structure so much, it’s gonna be “despicite, dei, gaudete” for the WIP game & I would love to hear more about the said structure if you feel like sharing it!
hello!! an excuse to talk about my project? yes please thank you <3
so it’s three “layers” which are entangled (maybe laced is a better word — i’m still ironing out final structural presentation, but the core is there)
1. sopwith, a book published in 1950 about pilots in WWI — aiming for an american modernism style, steinbeck influences (god i love steinbeck) with a dash of the faintly surreal, though i wouldn’t call it experimental. presented in standard book style, not terribly long
2. the life of sopwith’s author, who was himself a pilot in the second war, discharged after a serious plane crash — sopwith is published after his stint in the air force and he spends the last six years of his life in a new york hotel (based on the chelsea) obsessively redrafting a second edition of sopwith and filling a horde of journals, which themselves are published 50 years later as an academic text (though the second edition of sopwith never sees the light of day). told in journal passages
3. the efforts of a lit studies doctorate to piece together what it was sopwith’s revised version (never published) was really trying to say while she struggles with her own psychiatric health and her relationship to literature and the world at large. told in footnotes on sopwith, journals, and letters to her brother.
that’s the simplest sort of breakdown — the lit. studies doctorate ends up living in the same hotel the author lived in while she’s working and enters a psychological spiral where she becomes entangled with those last years of the author’s life and the thing he was trying to excise via his book, so the lines get a little blurry as the whole thing progresses. there are lots of throughlines about doubling/communication/the effort of people to corral the world with the written word/etc — inspired a lot by jorge luis borges and also house of leaves. i’m still in the glorious haze of Throw It All On The Page so i expect there’ll be some. refinements? (please god)
despicite, dei, gaudete is the first thing the author ever wrote and published — it’s a novella about an odd family myth a grandmother is telling her grandson, but taking a borges tact what we read instead of the actual novella is the lit doctorate’s essay about it, an excerpt from the middle of which i shall offer you here :)
thanks much for the ask my friend <3 <3
The seemingly obvious moral is twofold: old gods are infinitely cruel, and splitting up in strange forests is a terrible idea (a fact any B-list horror film will readily remind us of). Little chou hears this story, and when the telling of it is over, we discover that chou is now an old man, telling the tale to his granddaughter, and we have been hearing the telling of a telling, itself impressed upon by dimly-recalled circumstance and the erosion of an old man’s memory. Now we see why the impressions of intermediate narrative — a family dinner, a bedtime, a certain firelit drawing room — are so loosely sketched, so half-filled and yet so elemental. They are the memories of a child.
Most take Despicite as Witten’s first establishment of in loco, absentia on the basis of the fact that the real narrative concealed within is the life of chou, understood to us by the particularity of the details he does remember: his mother’s hand vividly recalled, posed mid-stir over a soup pot, thought by many to imply both her early death and chou’s pursuit of the culinary arts; the flames in the hearth and the strange vision chou has of the stones blackened, suggesting at one time that the house burned down; chou’s exquisite ekphrasis of the ceiling in his childhood bedroom, so vivid one cannot help but think that this is where we find him now, perhaps confined to the same quarters he slept in as a child, an old man at the end of his life. Legion readers have pointed out the obvious Biblical influences, the echoes of Cain and Abel (raised as a Protestant in his hometown of Valentine, Nebraska, it’s no small wonder that Witten’s works tend to touch on Christian themes). The first brother, killed and then dismantled by the second, plays our ready Abel, and the second our more hapless Cain, whose inciting sin is perhaps his abandonment of his brother to the dark wood in pursuit of his own reckless belief. He then attempts to “hide” his sin by rectifying it, collecting his brother in an attempt to reverse his transformation into earth. It’s no great leap. Our Cain, of course, is not condemned to wander, but instead condemned to a miserable stasis, from which he similarly does not escape.
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iamsherlocked-1998 · 4 months
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Masterlist ✨
Hello! I´m Sarah.
I write only for Pedro's characters - not for Pedro himself.
I prefer one shots and littles stories.
I'm always open to requests, love have conversations.
Many of my stories include GN!Reader & M!Reader, they have LGTBI content (male x male). I don´t usually use original characters, but there are a few of then.
The stories may contains smut of varying degrees, violence and speak about sensible topics.
I love add gif and pics in my fics for made it more interesting.
My first language isn't english, please be patient with some errors in writing.
Please consider re-blogging it and leaving a comment, In fact I like to answer them. I also usually follow users who follow me❤
Come browse and have a good time 🥳
Din Djarin (The mandalorian):
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-Cold is a phase (series): A little Christmas story, although it has some angst at the beginning.
PART 1
PART 2
-A Harmless Indulgence.
Story with blind reader, small domestic moment.
-When the storm passes
Contains description of nightmares and post-traumatic stress.
-Infection (Dincobb).
Zombie AU, with a little surprise in the end.
-In good and bad times (Dincobb).
The marshal helps with Mando's injury.
-Winter days
Just smut without plot.
-The Unknown (series): With a OC, Mando meet someone special.
PART 1, PART 2, PART 3.
-The Cave.
My version of the living waters.
-The Sorcerer (series, crossover): Doctor Strange is coming.
PART 1, PART 2, PART 3.
-The Hangar (Dincobb): Peli found an unexpected guest in her workshop...
PART 1, PART 2, PART 3.
-Communication.
Grogu first words
-Very long night (Dincobb).
A canteen night...
-Stolen days (Dincobb).
Wounds heal and bonds are created...
-Together.
My version of the reunion in The Book of Boba Fett.
-Goodbye.
A little anguish.
-Darkness (+ 18).
This story contains violence and loss of self-control.
-Mistletoe (+18).
A special to celebrate the end of Christmas with something a little spicy, Dincobb.
Oberyn Martell (GOT):
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-Hot springs.
Just smut with our prince.
-IMAGINE (Dark, +18).
Javier Peña (Narcos):
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-Healing.
The reader is a victim of drug traffickers since childhood and know Peña. Obscenity ensues.
IMAGINES:
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-Joel Miller
-Break-up (multi characters).
-Sick (multi-characters).
-Din Djarin (Belong).
-Family.
-Earth.
-Dave York.
Marcus Pike (The mentalist):
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-Broken Branches
A halloween story with some smut.
OTHER ACTORS AND CHARACTERS:
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-Sherlock BBC (the smiling client).
A horror story based in the film.
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saraakpotter · 1 month
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y\n babysitting Loki and Thor for 4 mins
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y\c\n=your character name. your the actress and fans made this. (this is a start for a series and its not always the same story)
y\n was tiered. she just came home from filming y\m\m\n (your marvel movie name) she played y\c\n. she was Loki and Thor s sister and also the goddess of life. she quickly changed to her comfy clothes and opened her phone while eating the food she had cooked before leaving. Tom (Hiddelston) had send her a video ''y\c\n babysitting Thor and Loki for 4 full mins''.
y\n laughed at the title before clicking on the video. the intro came in that included some pictures of marvel movies and the name of the video then it started. the first was for Thor Ragnarok, it was the scene were doctor strange was talking about were Odin was.
"so earth has wizards now?" Thor said
y\n rolled her eyes: "just tell us were our father is!"
then it was time for him to bring back Loki.
strange opened a portal to were Odin was standing and Thor was about to go in "wait!" y\n said before he can go in   "something wrong?" asked Thor
"what do you think?" she turned her look to strange "Loki?"
"oh yes!" he opened a portal in which Loki fell from.
"I HAVE BEEN FALLING, FOR 30 MINS!" Loki shouts angry then pulls out his daggers. he wants to go forward when y\n uses her magic to make the daggers disappear Loki look at her confused."nope! not now." she says before Loki looks at strange with a threatening look.
"ummm.....bye!" strange says before pushing them into the portal.
The next video starts. its for (y\m\m\n:1). y\n remembers Thor s line! it was something humiliating for Loki. exactly then Loki made an innocent look at y\c\n but then she said "no Loki, no you cant stab Thor. again!"
"oh come on! he deserves it!" he says annoyed
"NO!"
he rolls his eyes.
the next videos were also from y\m\m\n. in this scene y\c\n was going to shield to check some files while leaving Thor and Loki alone.
"ok so i will be leaving for 2 hours! in that paper is everything you should not do" you said putting your cote on
"this just says 'no' you sure its correct?" Thor asks confused
"yeah i just wanted to stop you from making any possible mess."
in the next one y\c\n was reading a shield file when Thor and Loki come to her
"y\c\n i was thinking......" Thor starts
"no" she says not looking up
" you did not even listened!" Loki says
"i have seen your planes before, i dont need to hear this one!"
"but...." Thor tries to continue
"no"
"y\c\n....." Loki retries
"NO!"
the next one was also in Ragnarok. it was when Y\C\N and Thor were ,meeting Valkery.
" you know i wanted to be a valkery when i was younger!" Thor starts " but then i got older and found out they were only women s and.....i mean no...not that i have problem with women i love them! sometimes to much i just....."
"Thor.....shut up!" y\c\n says rolling her eyes.
"ok"
the next one was in the first parts of the movie. Thor was yelling at Loki " how could you? i thought you were dead! we mourned for you!" then he turns to y\c\n "can you believe him?"
"yes of course! he never dies!" you rolled your eyes at Thor s confused face
the next one was for 'Loki s1':
"wait so there are other versions of my brothers?" y\c\n asked mobius
"yes there is!" he answered
" oh no.....to of them are bad enough!"
the last  two ones were for for y\m\m\n: 2
in this one Loki hurt himself trying to protect some important object and y\c\n was healing his wounds. when it finished, she looked up and he smiled at her but she slapped him and then hugged him.
the last video was Thor snapping at Loki for something he did and ended lit by looking at y\c\n.
" i agree with Thor, we trusted you! how could you?" she shouted at Loki but before he could answer she turned to Thor and slapped him twice in the face "and....im the only one who can shout or hurt any of you! got it?'' they both nodded confused.
" now we will continue this later. we are in the middle of the road!"
the video ended with a 'thanks for watching'
y\n could not stop laughing and it got worse when she saw Toms text: i still think i didnt deserved the slap.
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invisibleicewands · 10 months
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Take Two with Lizzy Caplan
As actress Lizzy Caplan Zooms from her Los Angeles living room, a massive fiddle-leaf fig tree looms behind her. She takes no credit for its Seymour-like size. "I don't know anything about plants, and we don't even live here half the time," she says giving props to the woman who takes care of such things when Caplan decamps to London for the other half with her husband, British actor Tom Riley, and their toddler, Alfie.
Last year, a few months after Alfie's birth, that schedule was disrupted by a six-month residency in New York while she played the pivotal role of Libby in Fleishman Is in Trouble. After wrapping, Caplan had a few weeks to move the family back to Los Angeles and begin shooting the Paramount+ series Fatal Attraction for the next four months. And aside from coming down with Covid between jobs, she loved every intense minute of it.
"I had Alfie without either of these roles being locked in, and then when he was just a few weeks old I decided to do both of them back to back, which is such a rare occurrence: to know what I'm doing for a full calendar year," she says. "It was a godsend, honestly, to know just where we would be in the world with this new baby. It was a very strange year, and the challenge was everything that I hoped it would be. It's a moment where your identity is in such flux, and you don't know where it's going to land, and for me, figuring out how to be a mother alongside getting to feel creatively fulfilled in the job that I love was incredible."
First came Fleishman. The FX on Hulu limited series from showrunner Taffy Brodesser-Akner, who adapted it from her novel, is ostensibly about Toby Fleishman (Jesse Eisenberg), a put-upon Manhattan doctor whose wife, Rachel (Claire Danes), disappears, leaving him with their two kids and a mountain of questions. He tries to navigate his new normal with help from two college friends, Seth (Adam Brody) and Libby, who also narrates the story.
But as the eight episodes progress, the focus shifts to Rachel and Libby. "What's impressive about it is that it fully works as that fake-out, Upper East Side of New York story on its own," Caplan says. "You think that Libby's telling you a story about her friend going through a divorce, but the reality is, she is facing down her feelings about her own life and middle age and getting older and all of it, and then it makes you cry."
She doesn't usually watch her own work, but in this case, she rewatched it. "I'm in awe of all my castmates," she says, beginning with Eisenberg, with whom she starred in the 2016 film Now You See Me 2. "I give Jesse credit for shouldering it all, only to recede into the background for the quote-unquote 'important' parts. It's an egoless performance, as well as being my favorite performance of his; he's so exceptionally wonderful in it. I'm impressed by Claire, who sat on the sidelines and let everybody think about her [character] in a certain way, only to have this one episode to try to change everybody's minds. That's a scary idea for many actresses: 'You're going to be reviled for six weeks.' Adam Brody played a character that could have been two-dimensional, and he infused it with so much. Everybody showed up trying to make the piece better and nobody was looking out for themselves."
Caplan isn't on social media but became aware of the show's buzz in her own way. "It's been a while since I've done something that got so much feedback from friends and family. And they all felt exactly how Taffy wanted them to feel, every step of the way. What she's done is masterful."
Reached by phone in New York, Brodesser-Akner is equally effusive. "People in my life tell me to shut up about Lizzy Caplan," she says immediately. "I won't stop talking about how wonderful she is. When she is part of your project, she feels so wholly in — intellectually, physically — that she changes the nature of the project. Literally, this was a character based on me, and after day one, it no longer was. It was this wholly new creation."
Caplan was the only actress the first-time showrunner had in mind for the role. "The entire role of Libby is that you never see her coming, and with Lizzy Caplan, you never see her coming." Meanwhile, the actress had written to her friend and Masters of Sex executive producer Sarah Timberman, who was working on Fleishman, to tell her how much she loved the book — and that she wanted to play Libby. When Brodesser-Akner heard that, "I felt like I had manifested it," she says. "She's a very famous person that we all think is our great secret."
Ever since Caplan's first role, at the age of fifteen, in the NBC cult series Freaks and Geeks, her career has had a slow build. She won acclaim as the goth outsider Janis Ian in the hit film Mean Girls, while feeling like a Hollywood outsider in real life. She dyed her hair blonde and sprayed on a tan in an effort to fit in, but it was her 2009 role in Party Down that was the turning point. She shone as the sardonic (brunette) comedian Casey in the Starz series, along with a murderer's row of actors on the rise. But the show couldn't find an audience and was canceled after two seasons — until this year's reboot. (Heartbroken she couldn't join season three, which conflicted with the Fleishman shoot, Caplan did manage a surprise cameo in the finale, and hopes a fourth season will allow her return. Starz has yet to announce a renewal.)
Even with the greater attention (and Emmy nomination) for her turn as Virginia Johnson in Showtime's drama series Masters of Sex (2013–16), she has somehow remained an under-the-radar fan favorite. "It's the best version of doing this," she notes. "It's not toxic, it's very loving and people are very respectful." She adds that with Masters of Sex, "I did get an influx of women of a certain age stopping me on the street to tell me about their sex lives, which I really enjoyed."
When she comes across a project she loves, as with Fleishman, she reaches out to let the creators know. The first season of Hulu's Castle Rock moved her to email cocreator Sam Shaw, a writer on Masters of Sex, to tell him she was a huge fan. "I'll assume that's what led to the next season coming my way." The horror series was populated with characters from Stephen King's oeuvre; for season two she was tapped to play psychopathic nurse Annie Wilkes.
That role was first played to an Oscar win by Kathy Bates in the 1990 film Misery, which almost deterred Caplan. "But since somebody's choosing to believe that I can pull that off, well before I believe that myself, I'll swing the bat." Playing Annie, in turn, gave her the courage to take on the role Glenn Close embodied so memorably in the original Fatal Attraction feature. "Annie Wilkes loomed as large in my brain as Alex Forrest did."
Fatal Attraction showrunner Alexandra Cunningham, who developed the series with Kevin J. Hynes, first met Caplan six years ago. Caplan, a fan of Cunningham's series Dirty John, asked if they could meet up for lunch, which turned into a four-hour chat. "She's genuine and she's smart and she's funny and she's interested and she's lively, and she's got great stories, but she wants to hear your stories, and that really sticks with you," Cunningham says. "When somebody who's really good at acting is also just the greatest hang, I'm immediately like, selfishly, 'I've got to figure out how I can capitalize on this.'"
When Paramount reached out years later with the concept of reimagining Fatal Attraction, Cunningham thought the role of Alex would be perfect for Caplan. "She was always in the back of my mind, but you've got to come correct to Lizzy. It's got to be something that really checks a lot of boxes. This is a person that anybody would kill to work with, even if they don't know how great she is to be around." She had no doubt Caplan could take on the iconic part and make it her own. "The more Lizzy does, the more she can do. I believe nothing more fervently than that."
Updating the 1987 erotic thriller meant reimagining Alex. Despite Close's great efforts to portray her as a deeply complex woman who suffered from mental illness, the film made her much more malevolent; the ending was reshot to suit test audiences' desire for vengeance. Close has been open about her regret with how the role and outcome were changed, and Cunningham was determined to rectify that in the series.
Caplan was fully on board. "We were instantly on the same page about the kind of story we were setting out to tell," Caplan says, adding she still loves the film. But watching it, "I feel an unbelievable amount of compassion for Alex. All of the work Glenn Close did is right there on the screen, and Alex deserved the ending that Glenn Close wanted her to have; it was just a different time."
That compassion informs her performance. "It's not my job description to label somebody evil or crazy. It's my job to figure out how to make this person feel like the decisions she is making are the only sane decisions — that everybody else is crazy." The series reveals a shift not entirely unlike Fleishman's. We initially see the affair and its repercussions from Dan's perspective (as played by Joshua Jackson). As we pivot to Alex's version of events, the reframing is eye-popping.
For all the reassessing, Caplan notes that the film was a wild ride, "So this should also feel fun and scary." And Jackson (The Affair) was the perfect partner. "I adore Josh. I'm so happy that it was him," she says. "Both of us have done shows with a lot of sex and nudity and we know how to navigate that without it being weird, and find the humor, which is everything when you have to shoot scenes like that." Their fight scenes were another story. "I felt far more terrified and vulnerable with those, and they were horrible to shoot, but I always felt really safe with Josh." The two also bonded over being new parents.
Speaking by phone from London, Jackson is heartened to hear of Caplan's trust in him. "We had some deeply uncomfortable days, and to allow yourself as a woman and a stranger to be that vulnerable to a man, and being excellent all the time, I'm just super impressed with her," he says. Those scenes were so painful, he adds, "There were definitely some nights when I went home and it took some time to shake off what we were putting on camera," a feeling exacerbated by being away from his family for the shoot.
Caplan used to have a hard time letting go of her characters, but since having her baby, she says, "It was weirdly easy to slip into that mindset while at work and very easy to slip out of it when we were finished. That made doing Fatal Attraction a very different experience than it would have been had I done it years ago."
She has no projects ahead of her at the moment, beyond flying back to London in a few weeks. "I'm just chillin'."
Brodesser-Akner would be happy to remedy that. "Lizzy told me about having lunch with another producer, and I wanted to throw myself on her like a grenade and say, 'No, stay with me!' I want her to enact everything I write for the rest of my life." Caplan's portrayal of Libby, the apparent supporting role that turns out to be the center of the story, still astonishes her.
"Lizzy figured out how to slow her roll and then pull it out in the end," Brodesser-Akner says. "I've been to a lot of opera, and I have not seen anyone pull off an aria like she did." But that's Caplan's forte — a star in stealth mode.
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Doctor Strange 2 Spoilers
Can I just say how much I love the frustratingly static humanity of Stephen Strange and the sheer relatability of his films?
Yeah I know I know they’re actually very complicated films packed with totally new concepts and artistry and reality. But Stephen is so human. He is an arrogant man, built upon a throne of validation and sorrow that he refuses to yield. He’s brilliant, he’s lonely, he’s stubborn, he doesn’t actually change. I haven’t seen him change. “Oh but ‘Stories he abandons the path to healing his hands and becoming a surgeon again! He sacrifices (what’s speculated to be) years of his life dying at the repetitive hands of Dormammu!” Yes that most certainly is a change in lanes but he’s still in the same car; the world around him changed but he didn’t. He’s still arrogant, and stubborn, and lonely, and gentle. He’s shockingly gentle.
I have heard a lot of people use this as a criticism on Stephen’s development. To be fair of course, he is in a superhero movie he should change mid movie into a man people could look up to in order to be rightfully seen as a hero, right? I don’t know. I find his lack of “practical” betterment as it should be. Doctor Strange 1, in my opinion as someone who has no life experience that can be likened to Stephen’s, wasn’t about Stephen becoming a hero, it was about a person letting the escutcheon of vanity bleed and become vulnerable. Preferably for niceness in this case. Because Stephen was already kind, he didn’t need to learn that. He was a surgeon who held peoples lives on the line and refused—refused—to be the one responsible for their detriment. “You want me to screw up my perfect record?” “When I became a doctor, I swore an oath to do no harm. And I have just killed a man! I am not doing that again.”
And after seeing MOM, this really drives the point that he has always shielded people from truly “seeing through him” as The Ancient One would say, and therefore hasn’t actually changed just that much further. He let himself be consumed with the god complex of a rich-successful-surgeon because if he was a god then he wouldn’t fail to save anyone, no one including himself could be unlucky. Like his sister, his sister who died when they were just kids playing on a lake. Who he doesn’t talk about. Who he “failed to save.” “You want to go back to the delusion that you can control anything. Even death.”
At the end of the film, he doesn’t go back. Obviously, it’s a first installment of the new marvel hero franchise. But then we see him in Ragnorkak, and could have, let’s face it, easily “killed” Loki by making him fall into giant monster’s stomach, but instead he talks it out with Thor and helps them find Odin and leaves them be. He only wanted to make sure there wasn’t a threat. Such a simple goal, find the threat (Loki, Thanos, a bullet in a man’s brain) and eliminate it (help Thor and Loki, give up the time stone and die again, rush into emergency surgery). And I don’t have the time to get into him in IW and Endgame, and the affects on his sense of authority and ego shown in the chapel in MOM, and quite frankly I don’t think I’d do it any justice. He held the fate of half the universe with his shaking hands and with the questions of “what if I just looked at one more reality, one more outcome, what would I have found? What if it didn’t have to be that way and I stopped too soon? I caused so much suffering, I know it was worth the survival but should I be forgiven?” I’m still trying to figure out how that would be for him.
Though, maybe it’s comparable to how he was before. Questions he might’ve had before we met him. “If I had just said no to the lake would Donna be alive? Should I be forgiven for failing to save her? If I save other’s lives, would I still have to feel guilty? Would I feel better? Would they be better if I helped?”
And then we see him in NWH. He sees Peter hurting, in need of help, this kid has his future threatened and needs it fixed, and there’s no one else to do that than Stephen. His goal was so simple. Help Peter. Fix it, for the kid, because he’s good and he deserves it. Stephen was prepared to forget Peter, that means Stephen wouldn’t get praise or gratitude he could appreciate from Peter. He was trying to be kind, and he was gentle. But then the spell messes up, and he’s stern and stubborn, and acting all knowing like a god scoffing at a mortals pleadings for a different judgement. And then Stephen has to help Peter, the only way he knows how, destruction. He’s the same as he’s always been.
And now MOM, where his only goal, the entire movie, was to help America Chavez. To protect this kid, not to fail her when she needed help, when she had no other options than to ask him. “Well I could help but so could 50 other people.” “Come on Wong. Hasn’t he been through enough?” Stephen did everything he could think of to protect her, even messing with pizza poppa because he harassed her about the food. He was increasingly gentle with her. She was scared, Stephen could definitely understand the feeling and Wong telling Stephen that America reminds him of a younger Stephen, kind of makes her feel like family. Something Stephen has been afraid of from the beginning with Christine, and after his sister, being vulnerable, taking care and being taken care of. The most dangerous thing Stephen can imagine; happiness.
Stephen doesn’t really change all that much to me. To me he’s the same man from the moment we met him, until perhaps when he fixes his watch with his hands. Not his magic tying a tie for a wedding that is self induced torture because he failed to be the man Christine needed. His hands, his scarred, still shaking hands, fixing a watch he chose to keep broken so he never forgot his shortcomings. Put it in a box: the threat of tempting what ifs. “What if I had opened up more? What if I had really went back to my old life? What if I missed the reality where I didn’t have to leave for five years and could’ve been with Christine?”
I love Stephen, he’s so human that he’s annoying. I am aware he has many faults, and I’m not saying anyone has to like him or agree with me. I just happen to think he’s neat. Or maybe I’m just a marvel narcissist apologist.
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imdonnalynn · 10 months
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A little bit about me…
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Far as online is concerned, I would be recognized as a fanfiction writer. I started writing fan fiction 23 years ago on fanfiction.net. The first work posted online was Party with the Old Fly-Boys, fandom was JAG and the ship was Harm/Mac, that was September of 2000. And it went from there… Over time, I wrote 100 pieces of work for 26 fandoms ranging from books, television and movies and 27 different ships’. Since, my works have been purged (found only on my inactive LiveJournal) because they no longer reflect me as a writer. For years I’ve been trying to get back on the saddle, but my muse only goes as far as the ideas. Soon as I try to transcribe to paper or type it, I draw a major blank. Writer’s block for the last several years has been disheartening. I still try, leaving things in my drafts and such but I usually just end up deleting it all and starting completely over. Amazing how one can feel like they’re on top of the moon writing to not being able to muster even a drabble.
Outside of writing? I’m a full-time mom to 2 autistic sons. Wife to a marine veteran, Semper Fi and thank a veteran or active member for their service they will appreciate it. And to top that already full plate I am a full-time daughter to my mothers. If I’m not taking care of something to do with them then I’m dealing with the horde of animals, we have. 9 dogs and 20-something cats we have strays coming in all the time. I basically run a rescue all on my own and with my own money (but not a legit rescue just FEELS like I’m running a rescue).
What do I love?
Yellowstone (with all the strikes over I'm hoping Kevin Costner will now have time to film and they can continue the rest of season 5 without feeling rushed) 1923 (can’t wait for season 2, I’m beginning to lean toward Spencer and Alex being the grandparents of John Dutton III) Outlander (season 7 so far has been the best season since season 1 and 2) Reacher (long as season 3 still has Neagley coming back to do her usual bonding with Reacher I'll watch) The Terminal List (even with the shocking season 1 ending I’m looking forward to what’s next) The Good Doctor (I don’t mingle with the community much because autism is a triggering topic for me) Stranger Things (CAN'T WAIT FOR SEASON 5!) Marvel Cinematic Universe (I am an expert at MCU, come at me) Top Gun: Maverick (very, very, very, very good sequel, Top Gun is still in my top 3 movies of all time) John Wick (films/series) (these movies were more complex than people gave them credit for) Mission Impossible (films) (this saga of films has been going on for over 27 years, go Cruise!) Underworld (films) (could have been SO much better than they were. I'm in love with the idea of what these films could have portrayed, but with what we got I'm okay with them) True Crime Documentaries (as I’ve gotten older these shows appeal to me more) Paranormal (yes, I believe in the paranormal, wholeheartedly) Vampires (I’m in love with vampires, don’t like it, fuck off) Weather (used to be terrified of storms as a little girl but once I became a teenager I fell in love, I have even storm chased) Nature (I love nature, being in the mountains, beaches, wherever we should respect our world) Animals (I love animals more than people, I love human beings but I’m really sick of people)
Who do I love?
Beth Dutton from Yellowstone. I relate to her in so many ways, like her no bullshit attitude and utter dying devotion to family. Where we differ, I don’t smoke cigarettes, I don’t drink alcohol anymore, and I would LOVE to own Yellowstone Dutton Ranch GLADLY. She hates it and would have no qualm selling it once her father passes but while he is alive, she will defend it to her last breath. Beth doesn’t let anyone scare her, she won’t let anyone get that satisfaction from her ever again since her mother died and since she lost the ability to have children.
Wanda Maximoff from the Marvel Cinematic Universe. Most particularly in Doctor Strange in the Multiverse of Madness, and before you say anything let me explain. I have 2 sons, like Wanda, and a husband, like Wanda. And I imagine what it would be like to lose my husband and my children...the grief that would consume me would no doubt turn me evil, and I'm not using the word lightly. If I were in Wanda's shoes in Multiverse of Madness with that grief and guilt and the Darkhold in my possession anyone who stood in my way would be fucked, like the Illuminati. The only thing that would be able to stop me would be my boys, just like Wanda. And like Wanda, when she realized what she had become and how her own boys perceived her...it was enough to turn her away from the dark path and truly LOVE her sons...which is what I would hope I would do because I would only hope their love would be enough to bring me back from that place.
I CAN'T WAIT TO SEE WANDA AND HER FULL REDEMPTION ARC COME TO PASS!!
Why did I write and post this?
I managed to actually write it out fairly quick, so you damn right I’m posting it! May not be a story but its about me so I guess in a way it is a story.
Requests and Asks welcome!
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themculibrary · 4 months
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One Word Fic Titles Masterlist 2
part one
Action (ao3) - EmilyWeaslette mj/peter N/R, 95k
Summary: Peter stepping into the limelight, as seen through videos.
Anew. (ao3) - IViv tony/stephen M, 130k
Summary: In death, there was no glory, no redemption, no salvation.
Only darkness and ice—or that was what Tony thought. He closed his eyes in a Siberian bunker and opened them again on his 41st birthday, with War Machine flying into the distance.
Assemble (ao3) - Stand_with_Ward_and_Queen T, 201k
Summary: Ten years after Thanos' defeat, Clint Barton, with help from Stephen Strange and a SHIELD agent named Leopold Fitz, brings the Avengers, plus Peter Parker, Scott Lang, and T'Challa, from a few months prior to The Avengers Civil War to show them the future so they don't repeat the same mistakes.
Bulletproof (ao3) - foxxcub steve/tony E, 20k
Summary: At age fifteen, Steve Rogers had been in love with Tony Stark.
By age twenty, he’d (mostly) gotten over it. And then he promptly became Tony Stark's fuck buddy.
Ceasefire (ao3) - ipoiledi steve/bucky E, 4k
Summary: It's too hot out to be alive, is what it is.
Countdown (ao3) - ShesLikeTexas steve/tony, pepper/happy, bucky/natasha E, 96k
Summary: Mob Boss Steve Rogers kidnaps Tony Stark and gives him 365 days to fall in love with him.
Counterpart (ao3) - sara_holmes steve/tony M, 217k
Summary: coun•ter•part [koun-ter-pahrt] [noun] 1. a person or thing closely resembling another, especially in function. 2. a copy; duplicate. 3. one of two parts that fit, complete, or complement one another.
Just because Hydra used the DNA of a Captain America from another dimension to create a lab-grown, six-year-old super-soldier, it doesn't mean that said six-year old super-soldier is biologically Steve's, right?
(Where Steve wants to ban Clint from bringing things home from alternative dimensions, until he doesn't.)
Eternity (ao3) - STARSdidathing loki/tony T, 4k
Summary: Tony's been staying away for days at a time, sometimes longer. He won't tell Loki where he's been or what he's been doing, but Loki already knows the reason. Eternity is a long time to commit to one person.
Heat (ao3) - Deastar bruce/natasha E, 22k
Summary: Bruce tries to think of a different angle; there are some facts they’re stuck with, but they may be able to change how their captors perceive those facts. After a moment, he suggests, “What if we make them think—not try to hide that you’re in heat, that’s the truth we could build on—but make them think… you’re in an omega’s heat?” He can see that Natasha immediately likes the idea, but she’s turning it over in her mind, poking at the weak spots, testing the sharp edges. Imprisoned together in a cave, Bruce and Natasha turn their higher thought processes to escape. But not all instincts are bad instincts.
Heroes (ao3) - Overlithe sam/bucky E, 29k
Summary: It’s their first day off in a month and after an exhausting mission all Sam wanted to do was to stay home instead of being dragged by Bucky on a tour of DC’s touristic highlights. But a superhero’s work is never done, especially not when there’s explosions, problems you can’t punch, and a screening of the Greatest Film of All Time.
A slice-of-costumed-hero-life story about loss and hope, the past and the future, and killer bird gifs. (Set a few years after TWS & CA:CW and featuring BuckyCap and FalCap. Also, they make out while in costume, which I feel is the most important part of this summary.)
Homefront - copperbadge steve/tony E, 12k
Summary: Steve Rogers is a capable leader, a kind and cheerful man, a good friend, a strong role model, and a loyal soldier. He's also teetering on the edge of suicide.
Interlude (ao3) - sarahbeniel bucky/darcy E, 66k
Summary: Bucky and Darcy are having trouble communicating. When Bucky suggests they take a break, she assumes it's over. But sometimes a break is just what the doctor ordered…
Orgasmus (ao3) - OhCaptainMyCaptain steve/bucky E, 13k
Summary: It had always felt like his life was nothing but decision-making; what with work, taking out the dames, making ends meet all the time at home - Bucky was always expected to have the answers. That’s how society told him he needed to be. When he was at home, though, things were different. The second his shoes came off and that front door was closed, the only thing Bucky had always wanted was for someone to take care of him.
Ravioli (ao3) - monobuu bucky/tony M, 7k
Summary: Bucky attempts to get Tony’s attention by claiming Pop Tarts are Ravioli. Tony reacts as one might expect.
Run (ao3) - itsallAvengers steve/tony T, 6k
Summary: Steve took a long breath, shutting his eyes and putting two fingers up the bridge of his nose.
“So you’re telling me… you decided it would be a good idea… to start a fight when you were outnumbered… twenty to one?” He asked shortly.
Tony grinned then, and nodded his head.
Salami (ao3) - L1av steve/bucky E, 25k
Summary: Everyone hears stories about the idiots who have to go to the ER to get random objects removed from their asses. If someone told Bucky he’d be spending his weekend in the hospital for one of the most embarrassing occurrences of his life, he’d probably laugh in their face and tell them to go fuck off. But here he is, in the ER with eleven inches of packaged, cold salami stuck up his ass. To make matters worse, his nurse is really hot. Really hot.
Join Bucky for one of the most awkward and yet comical experiences of his life that leads to self-discovery, trust and maybe even love.
Spellbound (ao3) - missbecky steve/tony E, 31k
Summary: After their alien hosts witness yet another heated argument between Steve and Tony, they are hit with a powerful magic spell in order to teach them a lesson. Now they are stranded and alone on a hostile planet. One of them can't see and the other can't hear, and the only way back to safety is on foot. And the Forest is full of dangers…
Sprinkles (ao3) - The_Nerd_Alert steve/bucky E, 225k
Summary: When people asked him 'So Mr. Rogers… what is it you do for a living?', they expected some epic answer; something heroic and demanding, and completely fitting this Herculean supermodel standing before them. That was not the answer they got. Instead, Steve would just give them a knowing look. Steve would laugh. Steve would always answer with a huge smile, ready to take them all by surprise. What was his answer?
'I bake cupcakes for a living.'
Steve Rogers owns the best Cupcakery in Brooklyn. The garage that just opened across the street, however, may be driving business away with its seemingly dirty and rough-around-the-edges staff. Add in the stress of planning a wedding with his fiancée Sharon, plus a high-strung finance manager, and Steve was a nervous wreck. But when the drop-dead gorgeous mechanic with a sleeve full of tattoos and long brown hair comes into his shop one day with a nervous smile and two dollars in his pocket, Steve doesn't think anything could really come of this chance meeting. It's just harmless flirting. Right?
Boy was he wrong...
Targeting (ao3) - queenmab_scherzo steve/bucky E, 149k
Summary: Steve and Bucky end up playing for rival college football teams.
Winterheart (ao3) - orphan_account loki/tony M, 144k
Summary: For his crimes, Loki’s punishment began in a lonely and endless winter. For Tony’s sacrifice, his imprisonment began with a rescue.
A story of ugliness and beauty, inside and out, and learning what the word ‘monster’ really means.
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aelaer · 2 years
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Multiverse of Madness: Spoilerific Review Ahoy!
It's all going under the cut! Everything! All the thoughts about everything in this film! It's very long.
So I'm going to likely see it again on Saturday so my thoughts may change between now and then. I'll just reblog and add more thoughts if they do, as part of my brain throughout the first thirty minutes was just processing the fact that OMG I'm watching a Doctor Strange film again after so many years!
A video on YouTube that someone on Discord posted, by ComicBookCast2, said it perfectly: this movie is a stepping stone, an Iron Man 2, an Age of Ultron, a movie that has to exist in order to expand the greater universe. Those two movies are usually panned as not being some of the greatest, but I'd say of the three there, Doctor Strange in the Multiverse of Madness is definitely the strongest stepping stone movie we have. And I understand why Feige would want to use Doctor Strange as a character to open up this immense concept. Considering the importance of Iron Man and the Avengers in the overall MCU, that speaks to good things regarding Doctor Strange's future (especially as Benedict seems to continue to want to play him).
I'll start with all the side characters first:
America: I really liked America's arc in this film, how she basically started as not knowing how to control her powers to being forced to take control to save herself, and then getting a pep talk from the Best Strange to show Wanda what she was actually doing. That was a powerful climax, and a hugely emotional climax for the character. And in Kamar-Taj in the MCU, I think she has the capability to grow into the powerful comic book character that she is, and gain all the skills that she has as a young adult when we first meet her in the comics.
Christine: One of the first rumors I read about this film that completely bummed the hell out of me was that Christine was going to die on her wedding day, presumably from the creature that the toy companies call "Gargantos" but that really looks like a "Shuma-Gorath" but dies as easily as your Monster of the Week. As this didn't happen, I was bloody thrilled. I have no idea if that scene was actually filmed or not. I wasn't expecting to like her multiversal version as much as I did, though that she was also betrayed by her Stephen was definitely something else. It put Stephen in the same position as he was with his Christine, in a way. It made their last scene together all the more precious, I think.
Wong (and Kamar-Taj): I loved seeing Sorcerer Supreme Wong really lead the defense of the entire society, and I couldn't blame him breaking under pressure by seeing people he knew and cared for being tortured like that. In terms of who was Sorcerer Supreme, I think Wong really worked having the title here, because it let Stephen's job open to protect America (and explore the multiverse) as opposed to needing to stay with the sorcerers of Kamar-Taj to regroup once it fell.
It was also very enjoyable to see Wong's own badass moments, though I don't blame him at all for falling to Darkhold!Wanda. We got a good look at just how OP the Darkhold made someone who already had huge amounts of power. RIP Sara though, existing for just a couple lines only to burn to a crisp. Just like the London Master, Sol Rama, in the first DS film xD
I enjoyed the cameos by Hamir and Rintrah and I hope they survived the attack. It was also great to see the London and Hong Kong Sanctum masters. The little bowing joke was fun, as was that little payoff at the end!
Mordo: One of the earlier spoilers I read from this film was that Wanda killed our Mordo, and I was really happy to see that if it was filmed, it didn't make the cut, because our Mordo has the history with Strange that's important. I was totally tricked with Mordo. Like, I knew that he looked like the one that was sword-fighting him in the trailer, but then he was so nice and all and I figured "oh, this must be a different universe", and I honestly thought that the Illuminati universe was going to be another one.
Then nope! Here's Mordo and the Illuminati. His hand-to-hand fight with Stephen was just *amazing*. I didn't get Stephen's comments to him though, about him always hating him. That was part of the comic lore, but I definitely didn't get that feeling in the first DS film. It feels like something that happened behind the scenes between DS1 and IW, maybe things Mordo said to Wong, or if Mordo left behind writings--or something. Definitely seems like it's something untold that someone should write a fanfic for. Was very happy overall with his character though, even if I didn't get our Stephen's comments in the context of the MCU.
Loved Stephen's reaction to his first name lmao. Also found it very interesting that he called himself Baron here! I wonder if that will be the same case for our Mordo?
The Rest of the Illuminati: I'm glad they were just cameos and that they were the only cameos serving basically as obstacles for Wanda. I'm really glad. The only other cameo I'd have been fine with is Deadpool, and that's just because Deadpool's super amazing. I don't think it'd fit with the tone of the rest of the film though, so it makes sense he wasn't in it, despite rumors. Illuminati!Strange definitely fit with this gang, being about "end justifies the means", and them making the "hard decisions" that don't necessarily mean good ones. Illuminati!Strange in the comics, too, destroyed an entire Earth, though that was a "kill or be killed" type of situation the Illuminati dealt with in the comics. I like that this variant of superheroes exist, all with people who've made insane decisions somewhere in the comics or the MCU as part of it.
Black Bolt's death is one of the most gnarly deaths on screen ever, and you won't change my mind. That was insane.
Wanda: I don't remember where I said it--probably in a Discord chat--but I basically said that if the trailer of her attacking Kamar-Taj killed innocent people, that they really could not redeem this version of her as a hero in the MCU. And because she was so brutal and corrupted, because she hurt so many people, her destroying the Darkhold and (potentially?) dying was probably the best end that they could have given her.
I think I would have preferred a plot where she fought against the Darkhold's power earlier on, that someone had caught up with her earlier and that this movie was a path of redemption for her. But since they didn't go that route, I think the original MCU!Wanda staying supposedly dead is probably the cleanest exit they can give her because she at least realized the monster she had turned into and kept it so that others would not fall to the same fate ever again across the Multiverse. It gives her tragic fall a noble ending.
I do find it interesting that the Scarlet Witch is singular in the Multiverse (IIRC), but that Wanda Maximoff is not (as we saw). I'm not sure if they'll have people travelling across universes into the MCU to take the place of the dead characters we have if the actors still want to portray them, but that may be what we see with Wanda, especially since White Vision still exists out there.
I was very happy to see an non-corrupted Wanda too. I think it showed a great contrast of who Wanda was before the Darkhold (combined with her grief) corrupted her. My brother, who apparently really liked WandaVision (and went to see the film with me), said he really didn't like corrupted Wanda himself, and I wonder how many people were looking for redemption arcs in this film after that show, or how many were looking for Wanda to embrace the evil of the Darkhold.
Stephen: The one and only--only, not the one and only. I could see one of the re-shot parts immediately within the first few minutes with Defender!Stephen repeating nearly word-for-word what Stephen told Peter in NWH. And, honestly? Fucking brilliant. I was shocked he would be like that, but at the same time, he's had to make the hard calls before--especially in the name of keeping control. So seeing Defender!Strange look at America as, ultimately, a threat? Yeah, I see it.
But in having all other three Stranges--Defender, Sinister, and Illuminati Stephen--make the decision to sacrifice others for their own need for control was a great way to juxtapose how different our Stephen is. There was some loss of control with using the Time Stone, out of necessity as he saw no other way. But he continues to learn that he cannot control everything in NWH and even moreso in MoM, until we get to the finale where he goes against Wong's order and uses what he's observed, his cleverness, to tell America what no one else has told her. And his wisdom leads to the end of the conflict.
It wasn't an ending I was expecting, to say the least--but damn, it's satisfying that both the ending of DS1 and DS2 were not Stephen beating an enemy by hitting magic at it, but by using his head. Magic was still used (the Time Stone and the Darkhold, respectively), but the solution would not have come if Stephen wasn't clever about his creative thinking. And that's one reason he's so unique as a superhero--and more unique than his counterparts, who simply go for control and power.
So many other Stephen details and plot points I liked:
I'm glad we got clarification of Stephen's status amongst the normal people now. I feel like this happened after Infinity War in particular, when the Avengers had to tell people what happened and he started getting known. Then after Endgame it got really known.
The film seemed to clarify that Stephen was never Sorcerer Supreme because he never learned about the Book of Vishanti being real. That was a very, very appeasing fact to me. Yes, I love being right.
I loved that dreams were glimpses of alternate realities, because I have written this concept in fanfic (the Sherlock/Strange crossover). IMO it's not all dreams though, and I think some people are more likely to have these types of dreams than others.
I love that incursions (convergences in the comics) are a thing. I also love this because I have an unpublished fanfic that is leading up to this, so now I gotta really get working on that so I can publish it already.
I adored what little we got of Sinister Strange and could easily have an entire film about our Stephen and Sinister Stephen just outwitting each other in this epic adventure. Like, replace Wanda with Sinister Strange and there's a new favorite film xD But I get why they didn't do that lol. Still, it was great to get a glimpse of this unhinged, corrupted character. He's not the tragic, fallen hero of What If?; he's simply unhinged.
I'm still torn on the musical fight scene. My logic brain that has written thousands upon thousands of words of meta on magic and its inner workings went "this make no sense" but my visual brain went "omg look that's so cool and pretty!" So what I'll likely end up doing is writing that scene in fanfic with so much technical magic explanation that people won't know what to do with it. But that's not happening until the film's out on streaming so I can watch it over and over and over again. (And I get other pieces done first).
All the shots we have now of Stephen in everyday wear and formal wear makes me so so so happy. So happy.
So the film wasn't about Stephen- it was definitely more a film about watching things unravel from Stephen's POV. But I'm glad we got to know more of his character (DONNA FINALLY GOT A MENTION), and that he had a solid character arc and definitely an impact on the climax and ending. And that it wasn't a cameo-stuffed CGI monster battle. I'm happy it wasn't- I was worrying about that.
I don't know about how I feel with Stephen getting a literal third eye. I always saw it as something a lot more metaphorical, personally. But hey, it led to a verrryyy interesting ending hinting at a lot more Doctor Strange and, of course, a quick cameo by Clea! I am very glad Clea is not being played by Rachel McAdams. I would have liked an Asian actress but I figured that'd be a long shot.
Things I would have liked to see:
I think I would have still enjoyed Superior Iron Man. So long as he wasn't played by Tom Cruise. And knowing that he would die in the end lmao. But I get why they went with Reed Richards instead, new era of Marvel and all.
There was a rumor that one of the credit scenes was going to be RDJ coming back as a cameo as Iron Man and apologizing for having him die, and that Stephen would have been able to make a similar apology. A pipe dream, alas; I don't think RDJ's coming back for any cameos.
WHY THE FUCK WASN'T THE EYE OF AGAMOTTO EXPLAINED? WHAT THE HELL MARVEL? WHY DOES IT SUDDENLY WORK AS IT DOES AND DID YOU FORGET THAT THANOS CRUSHED IT IN INFINITY WAR?
Seriously, I'm still annoyed by this. I have to fix everything myself, I swear.
I think it could have been 15-20 minutes longer with some more downtime between the action, with more scenes between Stephen/Wong and Stephen/America, or Stephen/Stephen. The talk between the two Stephens was freaking amazing.
Uh yeah, actually, not a lot of complaints. I think the biggest one would have been a preference with Wanda not as the villain, but that would be an entire rewrite of the story and it's not that much of a deal-breaker to me since she got her alternate version as well as something of a way to make herself not terrible at the end.
When it comes to a rating, I think I'll need to sit on it a bit more. I think NWH still packed more of an emotional punch for me, but I still definitely enjoyed MoM. Maybe an 8? 8.5? I'll see it again on Saturday, I think, so we'll see how I feel then.
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Top 5 Best Films of 2022
After the bitter screed that was my Worst list, now comes my Best list! Told you I wanted to end the year on a positive note. Well, end January 2023, since that's when I ended up making this list. OK! Let's go!
5. Good Luck To You, Leo Grande
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One of two 2022 films in which a middle-aged white lady and half-naked black man sit in a hotel room talking about everything, weirdly. This one is a nuanced take on sex, age, and sex work, topics typically considered taboo. It could have easily slipped into stereotypes and/or being mean-spirited, but is a heartwarming two-hander that flies by.
4. Barbarian
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One of two mind-fucking 2022 horror films in which the basic message is 'men are Terrible', weirdly. Unlike the other one (Alex Garland's Men), Barbarian is enjoyable, elaborates on that message more, and gives more work to Bill Skarsgard, which is something I'm always up for. Plus, the end credits song is the best one since Edge of Tomorrow's. Fight me.
3. The Northman
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An intense slow-burner that is absolutely NOT for everyone (and I'm still waiting on the BBFC's justification for giving it a 15 and not an 18). Gutted that it bombed, but fair play to everyone involved for giving it their all. A passion project for director Robert Eggers and lead Alexander Skarsgard, and a scene-stealing Bjork, whose lines were also probably advice she gave to her son before he started university.
2. X
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The first film from Ti "I See What's Going On Over There, And I Am Absolutely Going To Make It My Business" West that I can genuinely say I liked. Really liked, in fact. Far more than I expected to. The editing is brilliant, and the gore is not restricted, which is the kind of thing I'd want from a '70s slasher throwback. This is how you do homage.
Honourable Mentions
Scream V: Honestly, this is mostly here because it used an Alkaline Trio song, and as a fan of the band, that's not something I'm used to and would like more of. Also, between this and X, Jenna Ortega has a promising career in film, and I look forward to seeing her in more things.
Doctor Strange in the Multiverse of Madness: Yeah, this surprised me too. The music fight is great, the body horror (when it gets there) is insane, and I overall enjoyed it. It was a blast.
The Unbearable Weight of Massive Talent: Don't look at me like that.
The Feast (Gwledd): Always happy to support local talent, always happy to watch a folk horror. Social commentary and an 18 rating also helps. And how often do you see a Welsh-language film being shown in largely-English-speaking metropolitan areas??
And now, my top pick of the year...
1. Hatching (Pahanhautoja)
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I was very lucky in that I didn't grow up with a fraction of the shit poor Tinja endures from her family, especially at an age where puberty is just around the corner. Still, this one hit me on a deeply personal level, and I still can't explain why. Maybe I don't need to explain why. What I do know is that this is a tight ninety-minute coming-of-age horror with a satirical take on influencer culture that is way better than any directorial debut has any right to be. And again, it's in a language that isn't widely spoken in Anglophone countries, so it being shown near me was a miracle, to be frank.
Thank you for reading and for your support this year! To read up on everything I've seen this year, click here. If you want to support me monetarily, there's the option to tip me or there's a Ko-fi link in my bio. If not, thank you for supporting me anyway!
Here's to the rest of 2023.
Love,
Mikey
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Star Wars (1977) #05: Lo, The Moons of Yavin!
Roy Thomas, Aug 10 1977
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I have to say I love that title already.
The cover is, of course, amazing. "Luke Skywalker strikes again!" that boy just can't stop striking. Han's defeatism. The Death Star in action, and shooting from two places at once! (And on the equator instead of the dish as we've seen in the movie.)
Luke has to shake off his grief over Ben and get shooting. We get the first instance of thought bubbles in these comics:
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Gotta love the awkward recaps. Leia joins in:
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... and so does Luke, reminding himself what the Force is:
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The narration itself helps out, too!
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"Mankind", huh?
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I'm not sure how this would work with how the ship's layout is presented in the film but whatever.
Our heroes get away and Leia expresses her theory that they are being tracked. This is immediately confirmed, similarly to the film:
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Of course, Tarkin's movie convo with Vader actually happens before Leia tells Han how easy their escape was, and Vader's response gets weirdly cut off; "this will be a day long remembered" and so on is moved to when the Death Star is approaching Yavin. In my opinion the original scene adapted by the comic flows better - and I have to compliment the composition here, too. The movie scene looks kind of claustrophobic with Vader and Tarkin standing right next to each other in a small space, while the comic takes advantage of its medium and puts them in the middle of a huge observation room. (I also like the odd halos and Vader's pose in panel 2, he's so excited.)
Meanwhile, Luke has a crush:
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Comic Luke is really into her, huh? Well, it works with what the movie gives us.
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Where did the table in panel 2 appear from? Never mind. Han sees Luke as a friend. ❤
They arrive on Yavin IV. I'm glad the comic is acknowledging that the Rebels set themselves up in a once sacred place.
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I understand Aphra senior's (is he a doctor? idk) frustration with them. Here, have an excerpt from Doctor Aphra's 2016 run:
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... anyway. Back to the comic we are actually discussing.
Leia is bordering on abusing her iconic line (she does actually say it in the film as well; it's really easy to miss though):
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Dodonna is all casual while delivering the briefing, what an icon:
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But he can do dramatic as well!
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After seeing Han off, Luke and Leia say their goodbyes and. Um. That's not a little peck on the cheek, with the handholding and romantic pink background, is it.
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The transition to the next panel is really funny though. It totally looks like Biggs is dragging Luke away from more kisses with Leia - where are my lukebiggs shippers at?
"Blue Leader" shows up (and changes hair color between panels but hey, styslistic choice). He's Red in the film and for fun I decided that Luke knows this. The Biggs reunion is a deleted and 20 years later undeleted scene - I am not a fan of reinserting it into the film without the set-up of Biggs' previous scenes but it is what it is.
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The leader talking about knowing Luke's father remains deleted though. Both versions are kinda odd to be honest - in canon he just takes Biggs' word for it (although without the previous deleted scenes we can assume that Biggs has been with the rebellion longer that the maybe several days it looks like originally). In the version shot he comes off as annoyed and doubtful, warms up after Biggs' line, and then tells Luke about having known his father - but without the realization shown in the comic. The leader's last line is also strange, even without the context added in the 2000s about Jedi not having children and relationships. What do you mean "original Jedi Knights"? Does he assume that many of the Jedi killed at the beginning of the Empire (which I don't believe was established lore either) had surviving infants? I don't get it.
Anyway, Biggs and Luke have their romantic goodbyes with several heartbreaking lines:
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(Seriously, what is more of a tragic romance than two childhood friends unexpectedly reuniting before flying off to battle for their cause and promising to catch up after? And Luke is only there because Biggs vouched for him? "We're a couple of shooting stars that'll never be stopped!" My heart...)
Threepio is unwilling to be upstaged when it comes to dramatically saying last goodbyes to your love:
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The lines "skyboy" and "let's get cracking" seem to be comic inventions and I love them dearly.
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Love the sassy narration. Perhaps both, indeed.
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oodlyenough · 1 year
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I posted 9,148 times in 2022
349 posts created (4%)
8,799 posts reblogged (96%)
Blogs I reblogged the most:
@annalyticall
@szczypawice
@vimesbootstheory
@professorspork
@gamingladies
I tagged 6,890 of my posts in 2022
Only 25% of my posts had no tags
#fanart - 2,883 posts
#arcane - 2,465 posts
#doctor who - 621 posts
#our hextech dream - 512 posts
#the pursuit of great - 487 posts
#get worse on purpose - 252 posts
#life is strange - 202 posts
#borderlands - 192 posts
#you still block with your face - 162 posts
#psychonauts - 151 posts
Longest Tag: 139 characters
#a dw ep having a bad title is nothing noteworthy but it is funny if they spent forever trying to decide and chose the blandest thing possib
My Top Posts in 2022:
#5
i dunno how long dracula is as a real novel but it definitely feels like i spent six months reading about 50 pages of it and the past week reading 300 pages of it
383 notes - Posted October 1, 2022
#4
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jayce using "partner" like twice an episode vs viktor never saying it once
458 notes - Posted January 12, 2022
#3
viktor at the council meeting in ep 9 is so funny because jayce is doing his best to be like "look I consulted with the Common Man and this is what the undercity needs" but his sample size is a guy who tried to kill himself thirty minutes ago and has two months to live and is therefore probably not in any mental or emotional condition to advise on public policy right now
679 notes - Posted January 21, 2022
#2
so many companions at that support group except the one yaz needed to talk to most, martha jones,
910 notes - Posted October 25, 2022
My #1 post of 2022
apparently I'm the only person for whom that article link loaded, so here is the text -- mostly press fluff:
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https://www.doctorwho.tv/news-and-features/david-tennant-catherine-tate-return
They're back! David Tennant and Catherine Tate return to Doctor Who One of the most loved pairings in Doctor Who’s history have reunited and are filming scenes that are due to air in 2023 to coincide with the show’s 60th anniversary celebrations.
The Doctor and Donna parted ways when the Doctor had to wipe Donna's memory, making her forget him, in order to save her life. He left her family with a warning: if ever she remembers, she will die. But with the two coming face to face once more, the big question is, just what brings the Doctor and Donna back together?  Russell T Davies, Showrunner says: “They're back! And it looks impossible - first, we announce a new Doctor, and then an old Doctor, along with the wonderful Donna, what on earth is happening?  Maybe this is a missing story. Or a parallel world. Or a dream, or a trick, or a flashback. The only thing I can confirm is that it’s going to be spectacular, as two of our greatest stars reunite for the battle of a lifetime.”
See the full post
1,787 notes - Posted May 15, 2022
Get your Tumblr 2022 Year in Review →
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presidentrhodes · 2 years
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multiverse of madness thoughts. spoilers obviously
1. i think critics are insane for the way they're ignoring benedict cumberbatch's performance. he gave each of the four stranges nuanced, distinct personalities that allowed them to shine through. even supreme strange and his "i'm ready" comment when facing death — a nice call back to stephen's "i am not ready" comment in the first movie.
2. wong had some good scenes but i am angry at how much they nerfed him. even if the scarlet witch is a super op character, wong is the sorcerer supreme ffs. he is supposed to be powerful and he didn't even get a single hit at wanda, just got thrown around a lot and it was frankly insulting.
3. they did mordo so dirty. first by not even including mcu mordo in the film, then by retconning his backstory. waldron is a fucking demon because one of the reasons why mcu mordo was so appealing was because his enmity with strange had a logical starting point versus the comics mordo. but of course waldron retconned it into the comics verse where mordo is just a bitter jealous man. i fucking hate this. chiwetel doesn't deserve this rat man's nonsensical writing.
4. master mordo was a cutie tho. my favourite bit was when stephen put that magic dampener cuff on him and they started throwing hands at each other. lol dumbasses.
5. the Illuminati were boring except captain marvel. i refuse to believe that she is dead given she literally is one of the most powerful beings in every universe. it was so good to have lashana lynch back ❤️
6. the sorceress sara was done so fucking dirty. they gave her a funkopop, they chose her name to tease sara wolfe (wong's interest) and then they killed her off so horrifically. i hated that so much. this film somehow relished hurting and killing bipoc and ofc you can't expect anything different when you consider the people in charge. it was nauseating and the more i think about it, the madder i get. 🥲
7. wendy was surprisingly good as a villain but then marvel did its thing and tried to excuse her actions every step of the way. like sorry u lost your imaginary kids. maybe seek therapy instead of trying to kill a literal child for your gratification. plus the justification she gave for wanting to kill America? nauseating.
8. i really liked america chavez. she may have lost her moms in the multiverse but I'm return she gained two incredibly tired dads 🥲🥺
9. one day marvel is gonna respect reed. one day. but let's talk about clea. one of my legitimate fear was that they'd cast some 20 year old to play her and it'd be just as iffy as their ambiguous age difference in the comics. idk how charlize will do as clea but im happy that she's at least bc's age
10. overall a very mid film that was both a doctor strange film but it also wasn't. i'll have more thoughts later but one thing is clear. waldron is a demon. doctor strange 3 should be about doctor strange characters so pls no wendy or loki or anyone else. jericho drumm, more mordo, clea and wong pls. would love to see america too and maybe vvd.bye
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