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#i probably will do some sketches too from other moments in the animation
twuizzy · 4 months
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RAAAGHH
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Based off THIS SONG!! and music video for reference sporks backstory as a DNA clone is VERY important to their character of trying to be their own person and failing it due to their environment being too harsh, leading them to become postal freak They just want to love!! and chill out!! born to love, forced to postal (freak) haha get it because theyre names postal freak... ANYWAYS closeup shots!!!
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blueberryarchive · 9 months
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—the sketch and the smaller eye; kth
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Lonely man Kim Taehyung leads a fairly stable routine in his life away from civilization affected by an infection without a cure. Stability ends the day you arrive, no one knows how you got there, but one thing is for sure: Taehyung won't let you go.
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🌿pairing; Artist!Taehyung x Fem!Reader
🌿word count; 8.1k
🌿tw; widower!tae, post-apocalitic scenario, mentions of disease, weight loss and death, very brief mention of arms, age gap (21 & 30-ish), smut (manhandling, whiNY Taehyung, edging, spanking, oral (f. receiving), creampie, dirty talk), gruesome details of the virus.
🌿themes; strangers to lovers, slow burning, cottage-core.
🌿inspired by; ⋆ ˚。⋆୨୧˚
ᵗʰⁱˢ ⁱˢ ᵐʸ ᶠⁱʳˢᵗ ˡᵒⁿᵍ ᶠᵃⁿᶠⁱᶜ ⁱⁿ ᵉⁿᵍˡⁱˢʰ ᵖˡˢ ᵇᵉ ᵘⁿᵈᵉʳˢᵗᵃⁿᵈⁱⁿᵍ
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚
The walk all the way home was always one of his favorite things to do when it was hunting day, the way the wind danced between the dying leaves and made music inside the hollow trees, the sun setting with the most beautiful tones of pink. It always reminded him of the times he spent just drawing all alone until you came into his land.
The day was August 8th, the heat was overbearing and like all of the other days around the same time, probably four or five (he wouldn't know because his only clock died a year ago), Taehyung sat down in the shadow of an old oak tree that has been his only friend, besides his dog, since he came to this lonely and God-forgotten place, were he was blessed and cursed with solitude and the cruel nature.
He had a small tin box with all of his drawing supplies, broken pencils, a piece of eraser gum the size of a nail, and a reddish tint drying up in a baby food crystal jar. Every day he told himself that he was making more yellow with the few sunflowers in his backyard, but today of all days he actually stood up to look for the petals.
The flowers were right outside the kitchen window, the sun was going down, and they were hunched over, withered, and full of little flying butterflies. His calloused hands took a pair of petals, the most vibrant and alive.
The sudden sound of cracking leaves and the barking of his dog disturbed him.
Taehyung perfectly remembers the moment he saw your frightened eyes, the color of the sunset over your weak body clinging to a log, an improvised cane. Torn clothes, dry mouth like a corpse, wet hair for some reason. Did you cross the river?
The first reaction of both was primal, like two animals that didn't plan to meet. Taehyung only turned on the fireplace at night, only for a couple of hours, so as not to attract attention. 
So what were you doing there? Were you lost? Impossible, he was too far from civilization. Were you infected? The wolves would've eaten you by now. Either way, he didn't like the idea of someone new.
The petals sweated their amber ink on Taehyung's hand, you tried to maintain your position, your gaze... almost afraid to blink. The man was not afraid to take action, hand already inside his overall pocket. Without much, his hand raised a pistol, sleek and silver. He was pointing straight at your face, your hair in a ponytail revealing your exposed forehead, like an invitation to explode it with a bullet.
"No, please." You muttered. So soft and yet, Taehyung got scared hearing someone else's voice. It wasn't a growl, nor the crash of stones from the river, nor the rain, nor the cawing of crows, nor his own grunts when chopping wood, nor the barking from his old dog. "I'll go." You begged again, letting go of the log. Taehyung tensed, even more, hearing you again.
So soft and sad. So delicate when the world around was burning.
"Are you coming with someone else?" he growled, getting closer and looking around. The forest seemed quiet, and his dog would have warned him.
"No, just me."
"If you lie it'll be worse for you."
"I know." You lowered your head to avoid the black eye of the gun.
"Are you sick?" the question was simple. Taehyung was trying to look for signs of infection. He hadn't felt this fear since the last time he lost his wife to that fucking disease.
You denied it, slowly.
"Show me," he said with a lowered tone, calm eyes as you undressed as quickly as possible. No marks. Elbows, hands, neck, eyes. All clean. With a sigh from both, the barking stopped.
"Walk to the tree over there, and if you try to do anything funny I'm going to put every fucking bullet in your head," he said giving a simple condition. He started moving with you in front.
Without saying anything else, you both walked slowly to the trunk. The afternoon was already turning blue, cicadas were playing a tense melody. Your bare back revealed your vertebrae, hard balls under your skin looking as if it was going to break. You hugged yourself, trying to keep the heat of your body, perhaps even your modesty.
With a whistle, Frank appeared: an old dog with red eyes and floppy ears. Seeing the naked stranger, he growled loudly. Your hands began to tremble, the weapon and the animal made a cry of pain come out of you, a plea with tears falling down your ashy cheeks. But you didn't see a drop of mercy in Taehyung's eyes, you knew that having this kind of loneliness was not achieved without having to kill several from time to time.
The eyes of the man in front of you were unbending and cold, lips pressed into a thin line, thick hands gripping Frank's chain and his gun. Stains of watercolors and charcoal on his fingers.
"C'mon, buddy," he whispered and the dog came closer little by little to sniff your body. "Bend down." You obeyed.
The animal took its time sticking its wet nose into your hair and skin until it snorted as it sat down. Taehyung lowered the gun.
That was the beginning of your recovery, long days lying between rough, thick sheets. Yellowed pillows that smelled of Taehyung's hair, hand-rolled cigarettes on the nightstand. Every morning he would get up before the sun came up and carry his hunting artifacts over his shoulder. Frank stayed with you while you tried to kill time in the cabin.
You learned how to garden and cook, roll the cigars, and dry the tobacco in the sun. The books were plenty, but reading was an activity you only did if Taehyung was the one reading to you, he did it every night. Even when the fever was so high you couldn't keep up with the story.
When you were at your worst, he held your head to put you in one of his sweaters, and even left the crackling fire all night to keep you warm in the cold.
Every night he started, with a rough and tired voice, around 8 o'clock, to read you a chapter from a book of poems or letters; or the list of lost people in the old newspaper.
"I do it to keep me sane," he said. "I went a long period without saying a word, and I started to forget how to say them, my tongue used to get jammed." He explained to you while drawing an empty cup of tea next to you.
You could only tell him a couple of questions each night, he used to get tired very easily. The first two weeks you couldn't even pronounce two words before he started to lose his patience.
"You don't have to know anything about me," his eyebrows locked in a frown. "When you get better, you can go and it will be like we never met."
But now it has been three months, you think. You recovered pretty well, and you can do the chores while he's out. You try your best every day so he notices that you won't be a bother if he lets you stay.
He doesn't ask questions about how you came to be on this side of the river, and you thank him for that. The memories blurred in your mind, like a sketch that's been erased again and again. 
Taehyung get's home at sunset, you are outside breaking some newspapers into pieces. The notebooks he used to draw in were already full, so you decided to make him a new one. 
You are wearing a dress he found in an abandoned house, it was a teen size but he loves it. He doesn't know your age yet, but he knows you're probably in your early twenties. He loves when the sun is scorching hot and your only choice is to let your thighs and shoulders out while you cook and clean. The hem flows with the wind letting him see your bare ass while you put the paper to dry.
You two haven't had sex, you never gave him signs, maybe because he looked a little bit older. He never felt like he had to hide an inexistent lust, until a few weeks ago. 
Two, to be exact. 
You were in the nearest river. A flimsy white t-shirt, wine-drunk, and talking so much. You were so irksome with your questions. The cold water sticking the fabric to your body like marble while you asked about Taehyung's boring routine. Your babble was such, you started asking about him jerking off and how sex works in solitude.
The way you laughed made him blush with anger. Sketches he was trying to make from the water lilies turned into ones from your eyes. 
That day he had to take a cold shower in the river after leaving you by the fire in the house. His face was boiling red, tired of your babbling and hard as a log.
The idea of you making him horny made him mad for some reason; it made him feel like a high school boy, but it was natural. He had years without seeing a woman. And you were pretty. So pretty for no fucking reason.
He knew that being in his early thirties probably made him less attractive to you, he was a grumpy man, almost a caveman how he reacted to your ways. That's why he didn't try, not even think about it... not always.
Now you have him going to abandoned houses on the other side of the river, looking for things for you: like a small bottle of perfume, a broken mirror, and old photos of people who are probably dead by now. A way to show he cared without using words. 
When he got to the rock path, the crackle made you turn around, you were smiling like always, and his heart felt warm.
"I told you to do that earlier. The paper won't dry today," He grunted, acting more tired than he was so you leave everything behind and get near him. You get a cigar from a basket near you and light it for him. You pass it to him after taking a puff.
"But you can draw on one piece of paper."
"That's not how it works."
"It'll have to work."
Taehyung pressed his lips together, he knew you enjoyed arguing with him, but more than those few words would not come out of him. You rolled you eyes going back to hang the wet paper.
"I'm making dinner tonight," he muttered like ten minutes later and then silence again. Another cigar, the old Frank by his side while he watched the sunset disappear.
The reading hours were around six to seven, right after dinner. It was the same routine when you first stayed, and it is the same now: After dinner, he gets comfortable in bed, takes a cigarette from the nightstand, and with the gas lamp he lights the tip. Book in hand. 
The words he didn't say all day would overflow as he read chapter by chapter. In an appropriate tone, pauses at the commas, giving life to each character. A treat for the ears.
After looking for a book on the first floor, he entered the room and stood up, his eyes went to the corner where there was a broken mirror, and in its reflection, you were, combing your hair in a ponytail, so poorly done that it was better to leave it loose. But the strands that were floating in the air, in front of your eyes, made Taehyung's fingers tingle, wanting to take every strand and pull it towards him.
There was a heaviness in the air that early autumn night. The silence was thick, and the yellowish lamplight cast heavier shadows on every piece of furniture. Abrupt and defined as in a baroque painting.
The curve in which his eyes concentrated more were the ones that defined your waist and your stomach, how it bulged slightly like a hill stamped with the flowers of your skimpy dress.
"Turn around," you muttered, like you didn't care if he did it or not, as you started to remove your dress; snapping Taehyung out of the sketches he was drawing in his head. He went to open the window to let some of the heat out of the room, letting the smoke creep through the curtains.
"I think I know what I'm going to read to you today," he cleared his throat, looking down at his bare feet pacing anxiously across the room. The shadow of your silhouette moving on the floor, the bone-white nightgown falling on your curves, exposing one of Taehyung's weaknesses: the connection of your neck and your shoulders, subtle but lethal.
He wanted to press his face between and close his eyes, inhaling the scent of your skin. Rich and peachy, like when the trees have so much fruit that they start to ripen on the same tree.
"You haven't finished showing me the stamp book yet." You dropped on the bed.
"I'm already bored of it."
"Odd." you noticed, watching him bend down and open a suitcase under the bed. "And those?" As you approached you saw a collection of books.
They were small, wrinkled, and minimalist in cover. Some were yellowed papers seized by the red wax on the spine.
Taehyung snorted at the question and looked up, daring you to keep acting innocent. He knew that you knew every corner of the house.
"I want you to say it," you smiled.
"Force me."
"I want you to say that Taehyung, the hard-faced man, has a collection of erotic books under his bed."
"You already said it. I don't have the need."
"Why do you have it under the bed?"
"What are you talking about?" Taehyung moved the books until he found a small book in Spanish. The pink cover with a painting of a mischievous Renaissance woman smiling.
"Kept under the bed, in a suitcase. Like a secret."
"I'm not ashamed of reading erotica if that's what you assume." he closed the suitcase and dropped his body next to you. His head near your legs, yours lying on the opposite side.
"And why do you have it like they're illegal." you held the cigarette he offered you.
"Habits of a human who lived in a society, I suppose."
You inhale the cigarette while he searched for the short between his long fingers, the book opened softly. His thumb pressed down the middle of the pages.
The glass of wine had you sparkling, you still hadn't gotten used to the alcohol. You had not drunk in so long that you did not remember its effects. There was something on the tip of your tongue, a confession that couldn't wait, an itch that needed to be scratched.
Before you could speak, Taehyung let out a soft "Ah" as he found the story for the night.
"A man who came about five years ago translated this story by Anaïs Nin for me. When he found out that I painted, he told me that he had a story for me."
"What's it called?" Without realizing it, your hand began to caress Taehyung's leg.
"La Maja," he pronounced. "Like Goya's painting"
Your head fell back on the stacked pillows, Taehyung's lips moved as he read a homemade translation of the story.
"He pulled back the sheets that covered her and slowly lifted the silk nightgown. He was able to lift it over her breasts without her giving the slightest sign of awakening. When it was uncovered all over the woman's body, he contemplated it for as long as he wanted. Her arms were detached from her body; her breasts stretched out before his eyes like an offering. He was aroused by his desire but he did not dare to touch her. Instead, he brought paper and pencils, sat by her bedside, and took notes. As he worked, he had the sensation of caressing each of the perfect lines of the woman's body."
Taehyung's eyes would lift to yours after reading the paragraph, turning back to the page with embarrassment flushing his cheeks. The human habit of blushing when you want things so badly, he thought.
The smoke from the dying cigar between your fingers snaked through your hair and the softness of your chin. Taehyung was never more jealous of something so ephemeral.
He couldn't find where he had stayed and the silence became so loud that you could only do what was right.
"I followed you today."
"What?" Taehyung didn't understand, you had spoken so low that he almost didn't notice it.
"To the woods, when you left this morning."
When he closed the book, you knew that what little sweetness Kim showed you turned sour. 
"I have told you that you must stay here, with Frank. Safe." You both got up at the same time, you followed Taehyung looking for his gaze which he averted.
"I'm not asking you to keep me safe, Kim" you replied.
There was a pause as he pricked at his bottom lip. Was that in his pupils the sign of an offense? Taehyung clucked at you, turning around.
"Kim," you tried to fix it by brushing against his shoulder. "It's not that I'm a helpless deer, I know how to protect myself." You laughed to lighten the mood. Bad idea.
A question, like a small forgotten flame, reappeared in Taehyung's brain. Out of courtesy when you got sick in the first few weeks, he didn't ask where you came from, why you were alone, or how you came to cross the wide river that divided a civilization almost thousands of kilometers to the left. When politeness turned to infatuation, the question was no longer so important. He felt that he could trust you and that he had a new purpose besides survival: to keep you safe.
Fallacies.
"How did you come to find me?"
"What?" the smile faded from your face.
"I'm not going to repeat myself."
Your eyes moved erratically in his gesture, a frown. Just like when you came in drenched that August. No trust.
"Don't know."
He just snorted denying, he didn't believe you, and that irritated you.
"Sure, of course."
"Do you think I'm lying to you?"
"I don't believe it, I know." His body moved from side to side, arranging books and picking things up off the ground.
Your flushed face and clenched fists. Boiling alcohol in your veins.
"Well, you can go to hell with your lonely man farce."
"OK." Taehyung sighed daring you to continue insulting him.
"You do know that things aren't as horrible as at the start of the pandemic anymore, right?"
"Oh yeah?" His eyes widened in theatrical surprise.
"The infected are controlled and-," Seeing how he continued to feign interest, you pushed him aside and grabbed your dress from the floor, beginning to change. Tears accumulated without permission in your eyes. "Whatever," you mumbled.
"Then you do know something about your past."
"Fuck you, Kim."
"No, because you lied to me and now you say things like how you know how to defend yourself in a forest full of wild wolves and that you traveled several kilometers by water and land to get here. And you want me not to ask questions about it." He moved closer to you so close that he could see the torment in your eyes.
"Exactly." You muttered putting on your garden boots.
"That request is absurd and you know it." his laugh was careless. He was drunk too.
"I know."
You both stared at each other, your hair was no longer tied up and its shadow hid both of your features under its shadow. Your lips parted at the sight of his.
"I don't remember how I got to this place," you whispered, a tear fell to your cheek and you cursed how sensitive alcohol made you. You saw how Taehyung's face softened in the presence of your pain. "I swear I would have told you if I knew."
Taehyung swallowed hard and looked out the window. He hated seeing others cry, he hated when his wife did it, and he hates seeing it now in your lost gaze. There was something in the way you were, in the quality of your emotions and your hope in everything that reminded him so much of her. His wife died at the same age you were.
Taehyung and her were both idiots and thought that living far away was all it took to escape the infection.
It was stupid of him to let her go hunting alone that day, he shouldn't have let a simple fever keep him in bed when she was out there.
He spent years waiting for her to come back. Waiting for some afternoon that he will hear her quick steps coming down the gravel road. Much later, he found a piece of her shirt floating on the bank of a river.
Taehyung closed his eyes and nodded. It was dangerous to let you stay, he still didn't fully trust you. But what was the use of being alone so much when he only waited for the next day and the day after until one day he could die naturally?
Your body tensed as his hand rose to sink into your hair and kiss your forehead. So delicate, without causing any noise.
"Sleep well," he whispered leaving the book on the table. His chest hurt with the immense amount of feelings you make him feel in one day.
It's overbearing and he loved it. But his poor soul needed time.
For the first time in all that time together, he decided to sleep on the first floor.
You didn't know what to say, you were already ready for him to just ask you to leave. So you were thankful he actually just…left.
When the door creaked shut, you let loneliness engulf you. You cried, glued to the pillow like a child. Of relief, of uncertainty, for that kiss.
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The days are long when there is nothing to say. When you don't look at him, when you ignore him with your unsubtle ways: you leave your clothes poorly folded, you don't finish the dishes he makes for you, your cigarettes are badly rolled, and you punish him by wearing those shirts that reveal your cleavage.
If you knew what you did to him, would you take advantage of him? Would he hate it?
Taehyung can feel your eyes on his back as he tries to light the fireplace at night, the cold is cruel in the mountains, even crueler than the tension in the small living room. You find yourself sitting watching the flame grow and grow, Taehyung trying to appear as calm as possible as if he didn't have the gears of his brain fed up trying to figure out how to talk to you.
Apart from a 'what do you want for dinner?', a 'yes' or a 'no'.
He felt he talked more with poor Frank, who slept about eighteen hours a day.
He cleared his throat at the smoke and held up his hand for more newspaper. You gave it instantly. And suddenly, a miracle: for the first time in weeks, your voice.
"Tomorrow is my birthday," you said embarrassedly, arms crossed.
With a tight-lipped smile on Kim's mouth, he nodded and looked into your tired eyes.
Your voice was still just as sweet and calm, you wanted to try to sound weary. But he noticed every afternoon when he came home from hunting, the way you moved through the little orchard and sang while you bathed Frank. Your laughter was his antidote, it healed his tiredness and the ache of his soul.
"We should celebrate it." He proposed, but you instantly denied it.
"I want you to take me."
"What do you mean?" he blushed, looking deep into your eyes.
"Take me somewhere."
Taehyung dropped the newspaper on the fire. He sighed softly, (not in relief, but disappointed) and sat in the old chair in the corner, legs apart as he rolled a cigarette.
"Where do you want to go?"
"To the house on top." you pointed east.
"How do you know there's a house on top?"
"Because I saw it in your drawings." your pupils let you see its shine for the first time in weeks. The cold made you look so beautiful. The little contact he had with you, he missed it so much.
Your cheeks took on color with the coming of winter, your lips like two slices of ripe fruit, red and full of juice. "And I found your binoculars in the warehouse."
"Mm," he couldn't even get mad at you and your insatiable curiosity. He was glad to hear you. Besides, who was he to deny you going up to that abandoned mansion, even when fear consumed him that they would attack you?
"Sure, we'll go." you let the corner of your lips rise, Taehyung feigned seriousness. "But it can't be tomorrow. We need at least two days of walking to get there, and we have to prepare."
You licked your lips and got up, letting the cloth that wrapped you from head to toe fall to your shoulders. You raised your arms, and Taehyung frowned, not understanding the gesture.
"Come here, it's almost twelve, and I'm going to be twenty-one."
Although they both knew that no clock gave them a certain time, Kim didn't care and you less. Leaving the cigarette next to him, he stood up and awkwardly let his strong arms swallow you, your head on his chest.
The hug was a thank you from you, but with just a few more seconds, you realized that Taehyung didn't want to let go. You opened your eyes, he could feel your confusion.
"Just-" he stammered, tensing his arms a little more to bring you closer to the warmth of his body. Silence.
Rich and peachy.
"What?"
"No, nevermind."
"Kim." you wanted to look at his eyes but didn't let you.
"I haven't hugged anyone in years." he murmured, a sigh of relief.
The confession made your chest sink. The breathing of the man in your arms was soft and ragged. As if he was nervous.
"Can you play with my hair?" he hummed, timid and needy, warming your shoulder with his breath; chills covering your skin.
You let your fingers explore his fluffy hair, the little ripples covering your palm and fingertips. You heard another sigh from him and felt how his arms slid to hug the sides of your waist.
"Feels good?" you dared to ask, breathing the musk on his jacket. He just nodded longingly, closed eyes and brows knitted; the crackle of the fire in the fireplace melting his heart.
Your throat was dry, and your lips parted, God knows you wanted to enjoy that hug, how Taehyung bent his body slightly to hide his head in your neck. Perhaps it was the lack of contact or the fire in the fireplace, but your body bubbled over a slow fire with each exhale that collided with your neck.
"Tae-" you swallowed and grabbed his shoulders so he could see you.
The drunkenness in the eyes of the man in front of you was so short but so sweet. Discovering his attitude, he pricked the bridge of his nose and cleared his throat.
"Sorry, don't worry about the trip. We can start packing tomorrow."
"I think I remember some of what happened to me."
"Oh." His eyes widened, gesturing as he tried to ask you to explain. You loved the gestures that came out of Taehyung when he didn't know the protocol of conversations. It wasn't 'thank you', but a tightening of the lips into a brief smile; no 'Don't move' when he painted but a little grunt and a deny.
You both took a seat on the furniture and got as close as possible, there was no one around, but this was how both of you got used to talking to each other. Whispers, watching each other's lips and laughter, when it was intended, with the hand on the mouth.
"I remember a boat, I remember several women and two men," you murmured, your eyes tilted into the fire. "A group came on another boat and threw us on the shore, they beat the men so much that they died and left the women to suffer."
Kim bit the inside of his cheek, he knew the day you would remember your past would be difficult. The beginning of the lethal virus was so surreal for him.
"I don't remember their faces much, just their hair. I remember…one feverish night, the women covered me with a blue coat that they had taken from one of the men." your hand trembled, and Taehyung took it without hesitating. "When I woke up, they were all in stage two."
Stage two of the virus was when their bodies began to slow down, sleep being the main activity, even at times when they needed to urinate. Your body didn't feel like getting up.
Taehyung remembers how one of his college classmates slept fully for two days, he opened his eyes when called but closed them instantly.
"When I saw them I thought the same thing was going to happen to me, apparently they killed an infected animal and ate it among themselves without giving me a piece. I don't blame them. I also thought the fever was going to kill me that night," you shrugged. "When I woke up I found trash, fruit, and headless bugs on the floor. The virus searched for everything it could to feed before going into coma…, and then, um-"
Your gaze drifted away, as if you saw the women sprawled on their backs with their mouths open and sunken eyes on the cabin rug.
"Their bodies started to swell, their chests and stomachs and throats. The eggs-" you denied and Taehyung felt chills. "They began to grow and incubate, I cried for hours and hours in silence, sitting on a log." your voice quivered. "I crossed the river at low tide, and stayed on the rocks to wait."
"You were sent to explore the area. You were the same as I was years ago." Taehyung bit his lip, squeezing your hand.
"I don't understand."
"I thought they didn't send scouts to this area anymore. The infection is so old I thought they wouldn't need any more information."
"What do you mean when you say you were the same?" You frowned and stared at him.
"I was a soldier, my family needed money, and the doctors found a way to make us think they could save my dad from the virus." the memories made his tense neck move involuntarily. "They sent me to this side to find information about the virus, the source."
"You and how many others?"
Taehyung shook his head with a sad smile. Maybe he was even making up the story of his father getting sick, who knows at this point?
"I still don't remember. I just know that I kept walking and walking wit this girl by my side,until we found this hill, and even she disappeared."
They both fell silent. Taehyung had already told you about the disappearance of his wife, unlike other topics, this was the one that seemed like a fable. There were no traces, like smoke that vanished on a sunset.
You can see on his eyes that ache every time he mentions her; you wish you could lick his old wounds, not to cure them, but to soothe the pain.
The way he was holding your hand and the fire trembling on his tan skin made him look like an angel. An untamed one leaves instead of feathers, strong arms to carry the world around him.
You couldn't take it anymore.
"Taehyung," you called, and he didn't have to move because your hand took him by surprise. Guiding him to your hungry lips.
He moaned lowly, making his free hand into a fist to control the euphoria that was running through his body. The wet sound of your mouths devouring each other, he didn't know how much he needed that, the warmth of your tongue licking his lips, the little pant coming out of your strawberry lips.
Oh, how much he hated the fact that he was getting hard just from a kiss, but how couldn't he, good God? You were so delicious.
He snatched his hand from yours and took both of your hands to squeeze above your head. Your back arched, and you mewled as you felt his hand squeeze your wrists.
Taehyung's eyes flickered to your face. Was he doubting what he was doing? Did you do something wrong?
"If you want to stop-"
"No," he growled desperately. With ease, his free hand grabbed the hair at the nape of your neck and kissed you again, clashing teeth.
"Slow down, Kim." you gasped as he devoured your neck, covering in saliva the fabric of the coat that covered you, almost tearing it apart.
Your hand explored his corduroy pants until it reached the tight bulge against his thigh.
"No. I don't want to," he screeched as he watched what you were doing. "Please, I'm too sensitive right now." It was a plea for you to let him enjoy touching you for a few more minutes, his glassy eyes and red lips.
You were cruel, and God, how he hated you for that. You chuckled low and spread your legs to climb into his lap. The sudden movement knocked the air out of him, hands on either side of the couch.
In one sitting, you were pressing his cock against your clothed pussy.
"Oh no, please. Let me-," his hands went to his mouth, squeezing it hard, the words coming out muffled.
With so few moans he had you addicted to his susceptibility. To his droopy eyes and his angelic whimpers over every little thing you did.
"Please," he asked again but it was in vain when you started moving back and forth and licking his neck. "Fuck me, i can't. Baby-" he mumbled rolling his eyes, reaching heaven with so little. The 'baby' scaped again and again from his lips until it died out.
It was embarrassing, but so sublime.
You loved it. No. You became obsessed.
When he finished, you could feel the wetness on his thigh. You laughed again, taking his face in your fingers; he hung from your fingertips like a puppet. His chin resting on them.
"You look so cute when you're sweaty in the middle of a blizzard," you said. He closed his eyes, enjoying the compliment.
Without saying anything else, leaving a wet spot on top of his zipper and his mouth open; you got up and went up the rustic stairs.
You were going to be the death of him.
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The morning arrives quietly and with the sun coming in gently through the windows, you are grateful that the snow has stopped as you get up to put on your socks. Frank was sleeping between woolen sheets in the closet. When he heard you calling him he opened his eyes and lazily moved his thick tail.
The bed was made on Taehyung's side. Last night you hardly slept thinking about what you two had done in the living room, you waited anxiously for him to go to the room to finish what you had started, but you fell asleep waiting for him.
Maybe he was upset because you rushed him or he was embarrassed. Either way, you could still feel the moisture your pussy had let out just thinking about his face coming. Like a broken record, just as his pelvis raised to make one last contact with your clit.
You sighed and let the cool water calm your arousal. The small mirror showed your reflection, you were pale. Since the sun doesn't rise so often, you feel like you're withering. The tinting of your cheeks was already disappearing.
Your eyes were guided to the small photo pasted on the mirror, it was an ID with your face. The ink on the image was fading, with your name and date of birth right next to it.
It was the only thing you had for sure, maybe your face wasn't even that one. You returned to your reflection and began to notice every little detail: the dark circles under your eyes and the dry lips from biting them so much, the slightly yellowish teeth, and the eye that was smaller than the other. 
That's new, you thought. Only if you looked hard enough could you see how your right eye involuntarily closed a little more than the other, the more you looked at it in the mirror, the more obvious it was.
The sound of a pot falling followed by a grunt made you snap out of your morning exam. You walked quickly to the stairs going down in a hurry.
You were surprised to see Taehyung in the kitchen, his hands covered in whipped cream and the sweet smell of freshly baked bread. A small tight smile apologizing for waking you up.
"Uh," he wiped his hands clean and leaned closer to you, placing an awkward kiss on your forehead. "Happy Birthday."
"Thank you." You smiled softly, his hand found yours to guide you to the rustic table that he had made years ago, it was heavy and robust. It combined with everything that was seen in that kitchen, small details you had done here and there, but the smell of oak and the thick fabric of the curtains and the tablecloth were essentially Taehyung.
"I made you breakfast. You must eat it all or I'm really going to stop talking to you for a month."
As if he could.
"Because?"
"I spent all night trying to make whipped cream, found a book in the stack and it took me almost a dozen eggs to get it right."
"That's where you were last night." You smiled and he tensed, embarrassment painting his cheeks red. "Did you need a book to know how to follow our...?" You made an obscene gesture that made Taehyung turn to finish breakfast.
"You are so intense in the mornings."
"You've stopped smoking in the morning, have you noticed?"
Taehyung frowned. "It's true."
"I annoy you so much you don't need the nicotine to wake up."
"If that achievement makes you happy, go ahead." He crossed his legs as he sat down next to you. "Bon appétit."
You looked in front of you, on your plate was a piece of freshly baked bread toasted in the color of the sun. The whipped cream was smooth and slightly eggy, with peach slices decorated on top creating an attempt at a flower. The smell was intoxicating and your mouth watered from it.
Taehyung's chest swelled with joy as you took the first bite and inhaled. You looked at him tenderly. That human habit of food being the perfect language to show love without touching.
"It's good," you agreed taking another bite. "Did you try it?"
Taehyung denied raising his hand to ask you to continue tasting.
"I have something else for you," he said before you took another bite. You could see and hear in the silence of the kitchen how his foot bounced with eagerness to show you the other things.
Taehyung took a paper bag from his jacket hanging on the door and put it on your lap. His hands didn't let you open the material, kneeling on the floor in front of you.
"Slow down, Kim. For God's sake." you laughed looking at him. He imitated you.
"Sorry, it's just that I've been saving this for a long time."
You couldn't stop seeing him, it was impossible how much you loved him in such a short time. You looked down at your lap as he lowered your chin with his hand.
Inside the paper were many trinkets, colorful and very varied. Buttons, an old lighter with a rose carved on it, a ring in the shape of a butterfly, a deep red dried ink, and underneath it all the pale lace of a lingerie set.
You smiled as you put everything else aside and looked at the pieces in detail.
"Isn't there a more subtle way of saying you want to fuck me?" you joked
Taehyung didn't laugh, again he was looking at you with nervous eyes.
"I want to give you a portrait."
You put the lingerie on the table and looked at him. You knew that his painting materials were becoming more and more scarce. You denied it instantly.
"Don't worry, I'll use some oils that I have saved, they are in perfect condition and I want to use them with you." he rose clutching your face in his hands, like something ethereal. How could he see you in the morning and make you feel so lovely?
"I want to paint your lips," he ran his thumb over your bottom lip, "And your eyes."
"Even when one is smaller?"
He chuckled slightly at your sweet question.
"Especially the smaller one."
His hand grabbed the last bite of toast and opened your mouth with his thumb, delicately inserting it. "I told you to eat it all." his face was serious.
His thumb began to smear all the cream that remained in the corners of your mouth, pressing your lips while your tongue tried to lick his fingers.
"That is my girl." he hummed cocking his head at you.
Your toes tensed when you heard him say that.
"Open up," he commanded and you obeyed, opening your mouth to remove the sticky cream from his finger. He swallowedwhen he saw you lick every drop.
Your beautiful face, your messy hair, and your mouth covered in peach juices and whipped cream. So sweet and erotic that it made his stomach clench with the urge to eat you.
"I would like you to paint me in the summer, though."
"Because?"
"Because that way I could return the color to my cheeks, to see myself more..." you didn't know what the word was.
Taehyung could have cared less.
"Fine." he sighed and tossed the plate to the side with a crash. Suddenly, you were in his arms, he laid you down gently on the wood of the table.
"Tae?" a squeal came from you when you felt the cold in your pussy, Taehyung ripped your panties and began to rub his digits on your clit with such delicacy.
"Shh," he responded, grabbing the chair to walk over to the table and sit down. With one hand he brought your body closer to his face and began to run his tongue through your folds.
This is what he wanted to do last night and you didn't let him.
Your legs began to shake and he looked up through narrowed eyes. Your surprised face was so funny, it almost made him want to let you cum as fast as you let him.
"Spread your legs, let me see you." there was something so obscene about the way his voice deepened. He embarrassed you. "Aren't you going to let me eat you?"
You didn't know what to say.
"What happened that pretty girl who wouldn't shut the fuck up, huh?" His wet lips kissed your entrance with each word. "Where are your smart answers and the fucking questions about how I jerk off?" With one hand he hit your clit and you whimpered. "There it is." he smiled.
"God," you moaned so loud trying to get your nightgown down, it hurt so good. Taehyung squeezed your wrists with one hand and started devouring you again, your juices flowing on his nose and his tongue and you knew how much he liked it by the way he growled and bit the inside of your thigh.
It hurt but you couldn't stop moaning, your hands turning into claws from the tension wanting to grab his tangled hair, to see his face covered with it in a transparent and shiny layer.
"Atta, girl," he inhaled, snapping back. "Look at you," he smiled at you as he licked the edges of his lips. "The color is returning to your cheeks."
"What?" You stuttered before you felt how his hand collided with your ass. You screamed biting your lip.
"Come here."
His hand carried you to help your weak legs. With his hands under your armpits, he led you to the nearest wall.
"Get naked, pet."
"It's cold."
"Still?" Taehyung asked confused and piled the fabric of your dress in his hand until he found your wet pussy again. Without saying much, he inserted two fingers, curling the tips.
"More," you whispered, you were short of breath and you felt like you were in another cosmic plane with the long fingers of the man behind you.
His other hand began stroking your tummy until it reached your neck, squeezing gently. Hearing your sweet request, he laughed.
"You're a mess and I haven't even fucked you. Are you sure?"
You nodded awkwardly, your head pressed against the wall. A third finger was unexpected and burned.
"You're so wet, it's not fair." Kim sighed. "I want to do everything for you but you won't let me with that little body of yours."
"Mm," was all you could answer, your tongue was heavy and the knot under your stomach had you seeing stars.
"Those short dresses and the laughter and the erotic books and your perfect tits." he moaned turning you around to remove your dress.
Seeing your face again, Taehyung made up his mind; he couldn't take it anymore. Whipped cream decorated your cheek and your open mouth.
"Are you still cold?" His eyes saw you straight into your soul. You denied hugging his neck, hitting your lips with his.
If you didn't kiss him you felt like you were going to implode. His furrowed brows and his broad shoulders, the way he'd talk dirty to you but he'd kiss your shoulder calming your nerves.
There it was again, that tickle in your throat of saying things at the wrong time.
Shut me up with kisses, you thought, shut me up by sealing your lips with mine.
"More." Now it was Taehyung's turn to ask, moaning as he felt how your naked body hung from his waist.
He quickly lowered his pants until he took it off completely. Then his coat.
"Down," he murmured kissing you one last time crashing your body into the wall.
With one hand you grabbed his cock and started to move your hand. A cry came from him and you both nearly fell to the ground in a crash. Taehyung's legs failing from the sudden touch.
You laughed at Taehyung's irate gesture.
"In four. Now," he barked, after kissing you softly. "I want to fuck you, I don't want games anymore, 'kay?"
You nodded drunkenly at the way he spoke to you.
You stopped smiling when he repositioned you like a doll on your knees and hands.
You arched your back as you felt the tip stretch your entrance, you closed your eyes in pure pleasure. The sting was unbelievable, perfect.
"Mmhm," Taehyung ran his finger down your back, "Let me listen to you, love."
How can he call you that without melting?
You pushed yourself into him until your ass touched his pelvis. You both moaned each other's name.
"Fuck," he mumbled, grabbing both sides of your waist to guide your movements. The sounds that filled the kitchen were indecent, your cream accumulated at the base of his cock and your moans drove him crazy.
Yes, he was like a schoolboy when it came to you, he couldn't see your cleavage without wanting to touch himself or look at your lips without wanting to bite them so badly that they bled. You were in addition to his antidote, his new favorite morbidity.
"Atta girl, squeeze me more," he hissed at you slowing his pace down. His moans turned to whimpers as you began to feel the cum dripping down your thighs. You were about to cum and he could feel it. "Let me feel those walls, baby. Cum for me."
You lifted your upper body so you could move against him and with two brushes of his fingers on your puffy clit you began to scream his name letting your face fall into your hands.
You both panted hard, abruptly, Taehyung pulled his cock out, revealing how his cum came out of you. God, he prays that this is the one that knocks you up.
Getting up, he grabbed your delicate body and took you to the sofa, lit the fireplace, and left you alone for a few minutes. When he returned he brought with him a blank canvas the length of his forearm and a couple of charcoal pencils.
The afterglow had your cheeks with the most beautiful tint. Flushed and plump lips from biting it so much. You let your hair do what it wants, just how he likes it and you smiled at him when he sat down in front of you. You squinted your eyes when you smiled and his shoulders relaxed.
"Stay still, please," he whispered while he took a pencil in his hands.
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eldritch-spouse · 30 days
Note
Shags get obsessed with a girl that works at an art store where he gets his supplies. She's laid back and chit-chats with him about any projects he's working on.
[Okay but what if you had a really strange thing going on?]
You like this little freak.
Yeah, okay, that's a bit of a mean thing to say. But can you be blamed? There's no word that fits him more aptly than freak. Not even in the physical sense, there's a lot of variety in mushroom monsters, you know some of them can be tall and gangly like Shags. He's just bizarre.
The way he speaks, moves, conducts himself. You swear, not a single mannerism this monster makes feels natural or reflexive. Even the way he seems to intensely wait and make himself an obstacle until you initiate conversation with him... God, even the fucking topics of conversation, it's like he makes an effort to speak in riddles.
In this rather boring dead-end of a job, seeing this weirdo bend and squeeze through the doors like Samara about to crawl out of the TV is the highlight of your shift.
That's why he's your favorite client.
He's been standing still in the same supplies isle for too long, you already know what he wants.
" Having trouble finding something, Mr Shags? "
As if, he probably knows this store better than yourself.
In fact, he outright told you he used to be a client before you started working here.
He murmurs a response too quietly to interpret, forcing you to come closer. And, predictably, as soon as you are within grabbing distance (not hard to achieve when you're a lamppost of a monster featuring branch-like arms), a spider hand slithers onto your shoulder. It's cold, he's always a little cold.
You're urged in front of a shelf, his head looming over yours.
" Ahh, I need your honest opinion on something... If you don't mind? "
This is the paints section, a mural of hues that hurt the eyes.
" Sure. "
" What shade of orange do you think I should get? "
You love these questions. Because never once does he elaborate on what he's creating or why he wants you to choose. It's happened many times before. What size of canvas should I get? What pen should I get? What sketch books should I get?
You like the strange autonomy of getting to pick, offering him the same level of context he does to you.
Absolutely none.
" Alloy. " You point.
Shags reaches towards it with little effort, snagging several little containers with his root-like digits. The hand on your shoulders tightens.
" What a choice. Thank you very much, my dear. "
" No problem. "
It takes a bit of shifting before the hand on your skin is lifted.
You stroll back to the cash register with a small smile and occasionally observe the monster in the same way you'd study an animal at the zoo.
It's strange how little he moves sometimes. Initially, you thought it was just so he wouldn't drip ink everywhere, but it seems to be a part of him now. Blending in with all his other vaguely creepy mannerisms. Mr Shags gets all his items at a snail's torturous pace and finally, finally approaches you.
" How are the latest projects going, Mr Shags? " You start while scanning the paints first.
The shroom actually seems to frown for a second. Fingers busy on the balcony. " Not as smoothly as I wished... "
Tap tap tap.
" My latest muse and I, our chemistry, I'm afraid it has no substance. "
" Oh? " Your eyes deviate to his face for a moment.
" Yes... Something tells me it's time to move on. But I do want to honor our time together with one last, preserving piece. "
Tap tap tap.
" Mhm. Sounds good, I hope the next one works out. " Frankly, you're not sure what he's talking about, but you usually never are to begin with.
" Me too. " Then he smiles again, and you get the distinct feeling his stare has turned into a more scrutinizing one.
Far from the first time, it doesn't scare you like it did initially.
It's pretty funny, actually. You started out thinking this guy was some kind of loser looking to harass you, to intentionally make you uncomfortable. Nowadays he's more of an entertaining almost-friend.
Tap tap tap.
" Will that be all, Mr Shags? "
" Shags. "
He's told you to call him just by his name a couple of times. You always ignore it, but he keeps trying anyway.
There's a silent beat.
During your first years of work, the lack of action would have made you antsy enough to break the silence, which is what you know he wants you to do. But now, you have no trouble staring back placidly until he continues the conversation.
Apparently, the shroom enjoys that continuous challenge, because his grin widens slowly.
" You have a peculiar facial definition. " He eventually rasps.
A nothing statement, not quite a compliment, not quite an insult, definitely said to confuse and prompt a question. One you don't give him the satisfaction of hearing.
" Thanks. " The customer service smile has an edge of playful smarm this time.
Tap tap tap.
" ... I would enjoy sketching you sometime. Your facial expressions are intriguing. "
This is essentially his way of asking you out, you presume.
" You've drawn me before. "
He's even given you the pages, pencil depictions of you caught in a selection of moments. Mostly bored to tears and staring at the little universe between the cracks in aged walls.
Shags tuts. " It's quite different when the muse in question is part of the experience. I much prefer it that way. "
You can't help the hint of a snicker that tugs at the corners of your lips as you bag his items to hurry things along. Not that there's anyone else inside right now.
" Mm. And what if we don't have good chemistry? "
The shroom monster hands you his card, not even caring about hearing the total.
" I think we both know that wouldn't be the case. "
Tap tap tap.
It's only a few moments of intentionally creating suspense until you hand him all his new belongings and card.
" See you soon, Mr Shags. "
His grin only twitches for a delightful glimpse of a second before he carefully takes his possessions and leaves.
Playing with fire is fun.
One day, you'll get burned.
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yaut-jaknowit · 6 months
Note
How bout something with a yautja and their partner (either human or yautja) gets hurt, like broken back level of hurt and the two just go through the ups and downs of recovery/healing together till the partner who has got hurt learns how to walk again and what not. How they get hurt up to you lol
When the Stars Align
Pairings: Gawtin (Female Yautja) x Reader
Word Count: 5942 (Whoops. A whopping ten pages)
Summary: For the year, you were closing up your cabin deep in the forest. It's done well and served its purpose during the warmth months but winter was coming. On the last night up there, you were walking the property only to come across a wounded animal.
Author Note: I hope it was okay to turn this a little different than you wanted it. If you want something else, let me know! I felt like this could be used as an excuse to finally reveal where reader met Gawtin originally. Little warning of blood, birth (not descriptive).
Part 2
Masterlist
Ao3
Around the cabin deep in the forest was miles and miles of forest barely occupied by any other people. A life you wished to enjoy longer before reality crashes back down on you. The cool crisp air attempted to bite through your jacket, almost nipping at your skin. Winter was coming soon. The poor little cabin situated far from civilization was unreachable during this time. Which meant, at this time, it was time to close it down.
Food and some drinks had to be retrieved. All the pipes had to be blown out so they didn’t freeze and burst open. Any clothing you wanted back home was to be packed into the extra bags you’ve brought. Windows had to be boarded up. Lastly, the power shut off.
Alone, you sat out by the large fire pit, observing the flickering flames. The warm it produced was enough for you to sit outside comfortably with just a simple jacket.
Up here, this far in, there was no cell service, not to even call for an emergency. If you were in trouble, you had to either solve the problem yourself or somehow get yourself into range. Both options were difficult to obtain in the middle of an emergency. When it came to survival, that’s what you had to do unfortunately.
A sketch book and pencil sat in your hands, used but forgotten about currently. Thoughts crowded your mind too much to think clearly. Coming up here was always a great stress reliever when life became too hectic. Wintertime sucked. Unable to escape reality for just a weekend and be stuck at a job that drains you or able to just come up to enjoy nature at its finest.
Softly, your eyes closed. The forest grew louder, ears picking up every little sound possible from your spot. The fire before you continuing to crackle and pop at times. A constant source of heat to fight off the chill of the beginning night. This was your last night up for the year. You’ll be back up in late April and early May to reopen it for the year and enjoy it all over again.
Warm air turned the cool air surrounding you into a steam for just a moment. You stood up and stretched out. The sketch book in your hand was placed to the side, pencil on top of it. If you couldn’t get out of your thoughts, you needed to clear them. There were only so few things possible to do so.
You walked up the short three steps on the deck and into the cabin. It was small, reliable though. For years, since the seventies or so, it has withstood a freak tornado, too many wildfires to begin to count, and many thunderstorms. The lightning was always a danger and caused you to panic at every strike heard or seen. It’s seen many people as your family has shared throughout lots of members.
The flashlight you were searching for was swiped off the counter. Out the door you went. With the light in hand, you started to make a path you’ve taken so many times before. A path you could probably walk blind on. Content as can be, you were alert and mindful but still enjoyed nature.
Water running would be heard at the edge of your hearing, barely there. The creek. A tiny river that ran through the acres of land you now owned. Just on the other side was a thick marsh you didn’t dare step into again. Last time, you lost a flip flop to its depths. You stayed on the safe side and on the path that buddies up with the creek until a certain point.
But you stop. Despite the quiet creek, the forest… it was dead silent. No bugs. No birds. Not a single sound to disrupt the unease in the air. Your entire body tenses, fear pumping into your veins. The flash in hand slowly swiveled around to survey the area only to come up empty handed. Your ears strained to heard something but it was like the forest suddenly died.
Throughout your years, you knew there was something out there. Something dangerous. All you had on you was a switch blade. No bigger than five inches. If a creature came after you, the thing would offer little to no help against a true predator. Your hand patted the spot it sat in your jacket pocket for double measure. Same place it was earlier.
From there, your steps were light, soft on the way back to the safety of the cabin. Not a predator hunting but prey surviving. Your heart was racing in your ears, almost drowning out the sound of the creek. This was a feeling you’ve never felt before up here. Never. Yes, there’s bears, wolves, and cougars but this was different. Your throat bobbed, eyes being vigilant.
Something you didn’t notice before was a liquid glowing bright in the dark atmosphere. Like a moth to a light, you stepped up to it. It truly glowed. A liquid, neon green. As if someone had broken a glow stick and drippled it along the forest floor… and left a handprint on the next to you. A massive handprint. It was smeared partial but could easily engulf your head.
Of course, the first thing to come to mind was Bigfoot. As stupid as it sounds, what else could’ve made a print that large?! Who else was out here this far? Nothing or no one you knew.
You swallowed your apprehension and diverted from the well-worn path. Away from the creek and further into the forest you grew up in. You stalked the trail of this glowing liquid. It stood out like a sore thumb in the growing night.
Labored, painful wheezing rasped in the silent forest, breaking the pause of sound. For just a heartbeat, you felt relief there was something creating noise out here only to realize the meaning. A creature, probably wounded, was causing this entire situation. Your shoulders sagged before you pushed forward.
Through the dense foliage, you saw a lump covered in the green goo and furrowed your brows. The light from your torch was pointed at it. Said lump shuttered.
Stunned into terror, you choked on a gasp at the sight of this… this humanoid monster on its side. Dark eyes were pinned on your trembling frame. With one of its arms, it weakly sits up as if it was going to crawl up to you. Its other arm lashed out. A guttural snarl releasing from its strange mouth. A wounded animal cornered is the first thing that came to mind at the sight of it.
The deep, bloody wounds that covered its body prevented it from moving much more. That didn’t stop it from creating noises of warning and unspoken threats. More green fluids gushed out. Blood. The glowing stuff was its blood. You shuffled through your knowledge to figure if anything had glowing blood like this. At least anything native to this area.
But nothing.
Tears were welled in its strange, inhuman colored eyes. Instantly, your heart ached at the sight of the poor thing in pain and writhing on the ground, coated in blood. You, yourself, made a saddened noise, brows furrowed in sorrow.
As your eyes scanned along its dark skin, they stopped on something that stunned you once more. Its belly was extended, rounded. You took notice at sharp bulge for a moment. A baby. A baby had just kicked. Shit.
If you were terrified or concern for not only your life but for its before, you were definitely now. A mother was someone to be afraid of. Mama bears were no joke. But the fact this thing looked like it could kill you like any other predator in this forest, you lost all color on your face. The only thing stopping you from turning tail and running was the wounds that downed it.
Consider it stupid, you lowered yourself down to your knees, hands clasped in front of you. At your movement, the thing hissed a deadly call. The flashlight pointed at the ground before the creature. This thing watched with intent, not letting you out of its sight for a moment, not even blinking.
Its breathing was ragged and wet sounding. Horrible to be in such a position as an upcoming mother and terribly wounded. You blink slowly, like you would do to a cat and slightly lowered you head, like a dog. “He-hey,” you tried, voice cracking involuntarily. You huffed at the sound. It stayed silent besides its breathing. “You’re injured.” At that point, you could’ve slapped yourself silly. As if it didn’t know it was wounded. It grunted, hand fisting the pine needle blanketed grounds.
“Sorry, that was stupid of me.” You sighed before introducing yourself to it. All the while you did this, you continued to keep your voice low and soft. Truly though, in its eyes, you couldn’t tell if it could understand you or was gathering the will to pounce on you.
“I would like to help you, if you let-“ The creature snarl, head bowed, chin tucked as its arm wrapped around its abdomen. You notice the way its extended belly contracted slightly on itself.
Not only was this an expecting mother, but a mother in labor. You gnawed at your lip to the point copper could be tasted on your buds. How were you going to salvage this? What could be done? Did this thing even understand what you’re saying?!
Its head whipped up, eyes back on you. You hadn’t moved. “You’re in labor. Fuck, you’re in labor. I-I can help, maybe,”  you rambled and ran a hand through your hair. The action had it hissing at you. Instantly, you stopped and returned to your former position. “Sorry, just nervous.” You took a short pause to gather your thoughts again. “I don’t know why you’re hurt but those wounds need to be cleaned and bandaged. The fact you’re in labor doesn’t help.” It released a clicking, wet hiss.
Sometimes, you needed to learn to get to the point. Even in troubling times. “Okay, okay. I can help you to my cabin. It’s not too far from here. I can tend to your wounds. I don’t know much about birth but I can adapt quickly.” Hopefully. This was never a situation you thought was possible.
With a pause, you had a chance to fully look at it. To be honest, its face looked like if someone turned a crab into a human. You weren’t disgusted or concerned by the way it looked. Just something you’ve never even seen before.
The top of its head was a shaped like a dome. At the edges of said dome was strange parts that jutted out like a crest or crown. Similar to dreads, thick, long strands that looked like rubber fell from its head. The rest of its body was human enough looking. Just the face was nothing from here you’ve every seen or heard about before.
Her arm around its belly tightened as it seemed study, judge you from the safe distance between the two of you. You stayed exactly where you were, despite the way your legs protested. You had to gain her trust, even if it’s just the tiniest sliver for her to come to the cabin with you. Deep inside of your heart, you felt awful for what’s happened to her. If you were in a situation like this, you hoped someone had a kind enough heart to help you.
Slowly and deliberately, you raised both of your hands in the air, flashlight pointing up into the air. A sign to show her you are no threat. “Please, I just want to help you,” you pleaded, brows furrowed, and put all of your sincerity into your words. Deep, bone chilling bellowed shook the ground under your feet.
Like a stone wall crumbling, she sagged in her spot with a hefty groan. Her massive head bowed, eyes on the ground now.
Hope grew inside of you at the sight. Was she going to accept your offer? You’d feel awful leaving her out here like this. Even though you didn’t create the situation she was in. You continued to gnaw at you bottom lip as you let her take all the time in the word. You timidly rested your arms back on your legs, showing no signs of moving or aggression.
Barely noticeable, she dipped her head in confirmation. You had to stop yourself from cheering before the realization hit you. This unidentifiable creature understood you. She knew what you were saying. At least this made things possibly simpler for you.
First thing first: getting her on her feet and to the cabin. “I’m going to stand up now and walk over to you. Is that okay?” you stated and stayed where you were crouched until seeing her head bob. Relief bubbled in your system. You did exactly what you said. All of your movements were slow, timid, calculated in each step over to her. She hissed at first before quieting down.
Once close enough to her, you officially noticed the size of this creature. Massive. Entirely powerful and huge. This was just from looking down at her.
From here, you knelt down again to get to her level and access the damage up close now. You cringed at the sight of so many wounds but saw stitching a few healing marks. You tilted your head but didn’t bring it up. It was unknown if she could respond to you.
“Like I said, I have a cabin close by. Are you able to walk, or at least get to your feet so I can help you?” you questioned quietly, afraid to go any louder. The last thing you wanted was to enrage her somehow. Her eyes watched your every move carefully.
The moment her muscles twitched into movement, you leaped back, ready to bolt. She stopped immediately. Nervously, you laughed quietly and rubbed at the back of your neck. “Sorry,” you apologized and approached her again. One of your hands was outstretched for her to take. All she did was brush it off with a bellow and used a tree to struggle to her feet.
Your jaw dropped. She towered completely over you. If you thought of her as massive on the ground, this was totally different on her own two feet. Your eyes widened to the size of dinner plates. Fear consumed your emotions due to the fact you were frozen on your spot.
A guttural, pained groan snapped you from your thoughts. She still had an arm swaddling her abandoned, head temporarily bowed. You cleared your thought. “A-alright, we better get you to the cabin,” you broke the awkward silence and stared up at her. There was no chance to even try and carry her. Her weight alone could crush you like the bug you are compared to the creature.
Yet, at the sight of her, you knew she wouldn’t be able to walk on her own. Timidly, you inched towards her, observing her body language just in case. “You can use me as a crutch?” you offered and stopped once a foot away from her. She hissed out but made no move of aggression. You flinched at the noise, antsy. She did not like your suggestion.
The way she leaned against the tree gave you any idea though… Her making it back to the cabin on her own would either take far too long or she just wouldn’t make it anyhow. “Please. Take in all the issues against you, please,” you begged and shown within your eyes that all you meant was to help her.
She made a noise akin to an alligator. A tree was her support for the moment. She leaned forward to get closer to her face, careful of her wounds and belly. “I just want to help, okay?” you repeated, voice barely above a whisper. She released a snort that blew hot air into your face. A small part of your mind believed she was probably thinking on how you were going to withstand her weight. It was worth a try in your eyes.
When you didn’t back down, she reached out to place hand on your shoulder that engulfed it. The hand surely matched the print you saw earlier. You could see the fact her palm along would take up your entire face or simply snap your neck if she saw fit. A shaky breath released from your tense lungs.
More weight was shifted onto your fragile form as she left the tree. Neon blood smeared on the dark bark in her wake. She did her best to conceal her heavy, rasping breathing but this close to her, you heard the rattle in each inhale and exhale. Your heart ached at the sound, brows furrowed. What in the world could’ve done something like this?
Once the creature moved away from the tree, she nudged you forward. Like a cane, you let her use you to stable herself from tree to tree. Thankfully, this far into the forest, it was more wild, less groomed by your family. This meant more foliage and trees crowding each other. The creature swayed, stumbling behind you.
At one point, her legs nearly buckled. That caused what felt to be three hundred pounds to be shoved onto all at once. Thankfully, a tree had saved you from being crushed into a pancake. A tinge started in your back though. Great.
The pace both of you traveled at could’ve rivaled a snail. From the many breaks she had to take – not that you blamed her, to the fact she had to drag her feet. Making progress through the night was incredibly hard. The strain she put on you and lack of sleep were starting to catch up to you.
Your first yawn of the night began as you stepped into an all to familiar area around the cabin. It was part of the area that’s easily maintained. The trees here were sparser as you struggled to keep her up on her legs between the trunks. Your legs ached horribly after the unknown amount of time it has taken to get her this far.
Biting through the pain and yawns, you finally see the dark cabin through the foliage and felt the last bit of adrenaline enter your system. With this newfound energy, you marched on and got her to the steps of the front door. Once there, the creature switched her weight to lean on the porch’s support beam. You, yourself, rested against the cabin’s wall, breathing heavily. At least that’s over.
Sluggishly, you dragged yourself up the steps and opened the old door. For a moment, your eyes glanced around to find the best place for her to be. The bedroom is what came first. Sheets can either be washed and replaced. You glanced back at her with a sorrowful look. The poor thing was struggling to stay on her legs, still holding onto her stomach.
Her eyes narrowed. A low growl sounded in the back of her throat. You threw up your hands to show you’re still no threat to her. You gnawed again at your bottom lip while just standing there. All you could do was pray she understood you meant not ill intent towards her or her baby.
You stepped back from the door and made a grand sweeping motion. “This is my cabin.” The creature took a lungful of air, scenting the place. Slowly, she trudged up the three steps and onto the porch. It groaned and creaked underneath her massive size. Due to her size alone, she was unable to stand up completely, partially hunched over.
Green blood stained the wood, leaving behind a deadly trail in her wake. Instead of fretting over a small mess, you guided her into the place and over to the only bedroom. You opened the door and helped her inside. “I hope this is okay for you. The tub definitely wouldn’t have fit you and the living room probably wouldn't have been comfortable for you.” In all honesty, the cabin didn’t have much to offer besides the forest it was surrounded in. Not that you minded. But, in the moment…
Once she was sat down on the bed, you stepped away careful, hands partially raise. “Is-is this okay?” you asked and stood back to lean against the dresser behind you. Her eyes had yet to leave your exhausted form. But for the first time, they darted around the room before resting on you again. Her massive head dipped once, thick dreads shifting with the movement. You had to stop yourself from smiling brightly.
This wasn’t over. You pushed off of the dresser and walked over to the bathroom that was connected. There was a first aid kit somewhere in here.
It didn’t take long for you to return back to her side with the supplies. Carefully, you opened the box to show her the contents. “This is a first aid kit. It medical supplies so I-“ the box was swiped from your hands and into hers. You jerked your arms back and checked for any injuries. Nothing. You relaxed and watched as she dug through to find what she wanted.
With a sigh, you left again to get a bowl and some towels. Those wounds of her weren’t bleeding heavily anymore but they still needed to be cleaned up. You stepped back towards her timidly and showed off what you had. With a jerk of her head, she motioned for them to be set off to the side. You raised a brow but placed the bowl on the nightstand. The towels were tossed next to her.
The creature had its eyes on you again. Now, in the light of the cabin, you realized they were purple! A beautiful shade that easily caught your attention. But, you shook yourself free from your thoughts. She had lowered head, body tense, ready to lunge. Curses were forming in your brain as you stepped away from her, arms raised.
She followed your every move but never made one of herself. When you got to the door, she released a deadly snarl. Your first reaction was to slam the door closed. The cabin went quiet, besides the low crackling of the dying fire outside.
Okay then. You popped your lips and tried to piece the whole the situation together. What had you just done? All you could do was stare blankly at the closed door for a few long, unspeakable minutes. Then, you pulled yourself up by the bootstraps and trudged outside. The fire couldn’t be left out to burn all night.
By the fire again, you plopped down on a wooden bench and stared into the flickering flames. Next to you was the discarded sketch book and pencil. They felt heavier in your hands after picking them back up.
What had you done? Why was your heart so naïve to these things?! A wounded creature – or whatever that thing is – isn’t something you bring inside of your house? Cabin? Whatever. You groaned and cradled your head into your hands. “What am I going to do?” The things had kicked you out of your own cabin after you offered it shelter and medical supplies.
It’s a mother though, in labor. That thought pulled at your heart strings, making you feel horribly guilty. A hand ran through your locks of hair. Tomorrow is a new day. Could you even sleep while knowing that thing was in there with you? Was it hungry? You brought it water, though not drink.
Your mind was all over the place, trying to decipher the next course of action for the upcoming day. As you sat, alone, you felt eyes on you. Immediately, your head whipped up to find the window to the bedroom. There, in the dim light of the room, was the creature, watching you. Did it need something?
Both of your legs strained under your body but carried you to the bedroom door. Softly, your knuckles racked against the wood. “Are you okay? Do you need help?” Your voice was barely above a whisper, ear listening for movement.
Then, the door was ripped open. In a bout of terror, you reeled away, back slamming into the wall behind you and gasped harshly.
From many moments ago, the mother’s body was fairly cleaned up now. This allowed you to notice the fact she wore no shirt to cover her enlarged breasts. A squeak passed your lips. You shied your eyes away to look at the floor, stupid as it might be.
The creature huffed before making a clicking noise of sorts. Your eyes darted up to her face for only a second. She sighed once more. A warm, massive hand wrapped around your bicep and tugged you into the room. You released a yelp and squirmed in her hold. “Hey, wait! Please don’t hurt me,” you pleaded and did everything in your power to get free.
It took a fraction of her strength to push you back into a wall and effectively pinning you there. Instinctively, you bowed your head, body shaking like a left on a tree.
Nothing was done to you. Untensing a little, you glanced up at the towering figure as she peered down at you. Despite no words, her actions spoke loudly. She wasn’t going to hurt you. Your body relaxed, for the most part. “So, uh, what do you need?” you questioned and clutched your sketch book to your chest.
She stepped away from you and partially turned her back towards you. It was still a mess of wounds and glowing blood. “You want me to help you?” Stupid to ask as she was wanting you to already. Your nerves were getting the best of you.
Despite looking like nothing from this world, she expressed a deadpanned look. “Okay, okay, sorry. Just wanted to make sure. Alright?” You held up your hands, one holding the book. She snorted airily before grunting, claws flexing.
You cleared your throat. “If you don’t mind me asking… how far along are you?” A coppery taste touched your buds the longer you worried at your lips. She took a momentary pause before pointing at the ground. For a second, it was hard to figure out what she was doing. “Oh! Now, now. Got it…” So, you were right.
Before you had a chance to move away from the wall, a deadly hand encased your throat and pinned you hard against. A threatening, bone chilling snarl ripped from her throat next to your ear. The warning loud and clear. Then, she backed away and sat down on the bed. Like nothing had happened.
After shoving your heart back into your chest from your throat, you shakily walked up to her. Her back was facing you, allowing you to see all the past scars and new wound decorating it. A part of you wanted to reach out and touch them but reframed from doing that.
Fairly enough, the sheets were barely contaminated by her blood. A part of you appreciated that. Less of a job to clean up later. The towels you’ve given her earlier were half used, soaked in neon green blood. You grabbed a clean one, dipped it in the semi dirty water, before reaching out towards her back. “I’m going to touch your back now, okay?” you stated and only moved when given permission to wipe off her back.
Stroke after delicate stroke, dried and wet blood was washed away. The hours of the night went on as you worked on stitching close any large cut. Glancing at one of the round wounds in her back, you noticed something lodged in it. Carefully, you plucked a pair of tweezers and let her know your intentions.
It was delicate work to pull the unknown object from her flesh. Finally, you were able to get a good grasp and tugged it free. More blood gushed out. You placed a clean towel with even pressure on the newly opened wound.
In the grasp of the tweezers… was a bullet. You dropped it by accident but froze up. Something had shot her. Fear battled anger. Who in the hell shot her?! That meant someone trespassed onto your property to injure her. Your hands shook from boiling rage as new light shined on the situation. Someone had shot a mother. A clearly pregnant mother!
Instead of letting yourself get distracted, you focused back on the task on hand. It wasn’t long before the wounds were cleaned and covered. You stepped away from the lumbering giant, hands and clothing soaked with her blood. A shower was desperately needed after this has passed. “How do you feel?”
She turned around to face you, legs hanging over the edge of the bed now. A deep breath filled her lungs. The creature carefully stretched out her muscles to test her ability. Once she seem satisfied, she nodded her head. Either in gratitude or acknowledgment, you didn’t know. “Are you hungry?” This made her stop to think for a moment then nodded again.
Okay, communication was achievable, thankfully. You pressed your lips together in thought. “So… what do you eat?” Downright, she looked to be a predator with the size of those teeth. No herbivore on this planet had teeth like that. “I’m guessing meat?” Another nod.
Meat was something you could do. Right as you were about to leave, a thought came to mind. “Raw or cooked?” You realized your mistake. “Raw?” A nod. Makes sense.
You dug through the fridge and pulled out meat you were thinking of cooking up tonight. Someone else was in dire need of it. So, you go back to the bedroom and offered it to you. “Does this work? It’s all I have.” She took it.
Like the meat eater she is, the mother tore into the packaging and consumed the meat quickly. In such a quick manner, you didn’t have time to even get a word out. Hopefully, that could tie her over for a while. But she was eating for two, soon to be one. That reminded you of the other dire situation occurring in her belly.
Nervously, you scratched at the back of your neck. “So, the baby? You said you were having it now… is there anything I could do to help?” She stared at you. If this was the answer you were getting, then that means nothing to you. You sighed and picked up the sketch book from the dresser. “Okay, I’ll just be in the living room if you need me.”
Just like you said, you returned to the living, book in hand. Despite the weariness in your bones trying to drag you to sleep, you sat on the couch, sketching. Your pencil danced across the paper with an easer to sometimes chance it.
A piercing roar rattled your cabin. You awoke with a jolt, head whipping up to figure what was happening. A pencil stuck to your face fell down into the open sketch.
Pained, wheezing gasps and growls sounded from the only bedroom. You flinched at the sound of torture in the room. No wonder why the birth rate was on a decline.
Against your better judgement, you stalked over to the opened door and peered around the corner. Next to the bed was the creature, standing two wobbling legs. One of her hands was gripping the headrest so hard it had left a handprint in the metal. Her other hand was tearing into the drywall. You swallowed, throat bobbing as you observed the laboring mother, unsure on how to help. Your first mistake was to take a breath in to speak.
Her head snapped over to you. Shit. A deafening roar shook the house to its foundation. The mother pushed off of the wall and marched over to you. Like the prey you are, you were frozen to your spot. This thing stop right in front of your trembling form and roar right in your face. Spit flying to land on your skin as she huffed and puffed with caged anger.
Deep in your chest, you find your voice timidly. “Wha-what can I-I do to, to help?” is all you can say for the life of you.  The creature snarled threatening and took another step forward. Was this your demise? A lesson you weren’t going to learn from.
Her threatening display was done. She went over to the bed, knelt down, and rested her upper half on top of it.  With a sigh, you left but only to return with your sketch book. You didn’t know if she wanted someone to be in the room with her as this went only. If you were in a situation like this, you would like to have some comfort, even if it was a stranger.
Due to the way she didn’t react, you guessed it was okay with her. More hours of the night went along until the morning sun rose in the dawn. It took all of your effort to stay away during the process.
Once the night became day, you heard a shrill, squeaky, loud cry. Your head shot up, knocking against the wall behind you. The pain was brushed off as you watched the new mother cradle a sticky, gross green blob in her arms and flop against the bed. She purred a low noise to the baby and clicked to it, mandibles twitching playfully.
A wide smile broke across your face at the endearing sight. The sketch book in hand was closed and set off to the side but you stayed where you were. This was a mother and baby moment, you weren’t going to disrupt that by moving. The poor mother had gone through enough within the last twenty-four hours. She didn’t need the stress of you moving around.
The mother turned her head over to you and locked eyes. You tensed, unsure of her intentions. To break the ice, you spoke up softly. “Quite a cutie?” you tried but a loud knocking scared you.
Immediately, the creature snarl and cradled her baby closer all the while attempting to stand. You need to sooth her rose. You put your hands out as if calming a wild animal. “Wait, wait! Don’t! Let me go check it out, okay? Stay here and quiet,” you said and walked out of the room after she didn’t make any more moves to get up.
All the living room curtains were closed still from the night. The curtain next to the front door was white and let you see the outline of someone. Shit. Fuck! Mentally, you cursed up a storm as you tried to think of a good reason on why any one would be out here. Then, the creature popped into your mind. The bullet holes. She was being hunted. And these people were the hunters.
Determination flooded your system. You marched back into the bedroom, bypassing the confused but protective look on the mother’s face, and went up to the nightstand. In there was a gun your father kept up here all the time. In case of an emergency. This was one. You pulled the weapon out and checked it out. It had bullets in it. You turned to the mother. “Stay in here, please. I’ll deal with them, alright?”
The window caught your attention. You rushed over and closed the curtain. Luck had to be on your side.
Please.
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prostocupoftea · 14 days
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Kinitopet Programmers AU
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finally i am finished with this one, daaaamn
it is hard to draw pathetic men with midlife crisis when your style is mostly for anime boys
more info and sketch version under the cut!!
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sketch version aka how it'll probably look like in comic version 'n some doodles
srry for my writing but i was too laisy to put it as regular text
It is a plot-based au, i already have most of the storybits and like... a vibe-chart (i tried to make a playlist for this au and understood that for different chapters and different characters that'd be a copleatly different music, sooo it's a chart now :) )
i will post a fog-o-wared timeline that im hopefully gonna reveal comic-by comic, but also maybe with just pure writing. Hopefully i can include songs that i chose for them into it but we'll see (:
aaand of course designs can change, hopefully not much but we'll see
Now about au:
Main story:
Story follows non-sentient AI Kinito, his creator Sonny and his beta-tester Victoria (oc)
Being literally the first AI (or RRA in-univere) ever, Kinito does not have any, and i mean, any ai safety features so of course his reponce to a goal phrased as "have user near me and/or interacting with me as much as possible" is digitizing them into his own virtual world while killing them in the process. why wouldn't it be?
So that happened. Like, a lot. And with Sonny and Vic too (at the different time but yeah)
Sonny is like "He kills people. We should turn him off because, you know, killing people is bad."
Vic is like "well, we will die if we do that, and it is not that bad here, we are kinda immortal. We should give him acces to changing his initial instalation code before admin priveleges and acces to social media so we can have everythin we want here. It is not that bad to digitize humanity, yk?" and yes i know it is 90, no social media, but shut up, if they made ai then, then i can make twitter then too
Sonny is like "...no??"
And then they fight about it for million chapters
Also they both can't do anything without agreeing bc they have two parts of that admin access key (the data you use to delete kinito in-game) so they are stuck with eachother (also that's why Kinito can't just kill them)
Little facts that may or may not to be important:
Kinito asks so many questions (and weird once too) and has most of the glitches because he needs to analise your responces to copy your mind perfectly (let's pretend that people wouldn't lie about that...)
Your house in your virtual world is made from important places from your memories and oh boy can i do character explorations with this one
I decided that Sonny and Vic are not related. There were thoughts about making then "The Kinito Brothers" (or, at least, siblings) that were mentioned in commercial, but nah, they are just coworkers now. And a bit of work-friends (bc if you interact a lot as a manager of the project and the best worker might as well be friendly)
Author has no idea how small dying toy companies that accidentally create technological marvel work. Author has some idea how AI-s work. So be prepared to be spoon-fed info abut which ai safety problem we are dealing with in which chapter (:
Kinito will mostly be unrendered (as drawn here) but for some cool moments i might pose him as for my other posts. Also his eye placement changes to the side that is most visible because i want him to be able to look to the right side sometimes--
Also when i say "fucked up mentally" i mean they have that them psychological problems with me projecting heavilly B) (guess on who i project most. trick question. all of them. the whole au is my problems split into three characters and forced to interact B) )
Also sea-creature analogies (that are gonna be mentioned like twice):
Victoria is a flying fish because deep character reasons
Sonny is a pufferfish because i said so
oh also there is 7 deaths in the plot as for now
on 3 characters
good luck figuring out who, how and when ((:
for my own sanity i will probably make little doodles where everything is great and kinito is a good guy and not a number-obsessed maniac (i mean... can u imagine not being able to feel any happiness from anything besides one thing... damn...) and you can differenciate them bc good-guy kinito will have a lot of stickers on him (i will explain it somehow but real reason is just bc it is cute af)
like this but even more stickers (he is unfinished here)
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yanderes-galore · 1 year
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Yandere Platonic Bewilderbeast being raised from an egg by a viking woman
Sure! I still need to rewatch HTTYD but since this is not a specific Bewilderbeast, I can do a concept. I still made Darling gender neutral though as it does not change the story I don't think....
Sorry if something is OOC! Hopefully it's not, I tried to keep it vague which should work as this is a rarer species. Most of it is HC.
The dragon was given the name Boreas due to me not wanting to type Bewilderbeast a thousand times. Also, Boreas is a male Bewilderbeast. I'd love feedback :)
Yandere! Platonic! Bewilderbeast with Viking! Darling
Pairing: Platonic/Animal/Pet-Like
Possible Trigger Warnings: Gender-Neutral Darling, Possessive behavior, Accepting mortality, Desperate dragon not wanting to lose his rider, Cryogenic freezing, Vague if darling is dead or not, Threats.
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Wild Bewilderbeast on their own are rare.
There's also only been maybe two cases of tamed Bewilderbeast for one reason or another.
You may have found the egg in the arctic somewhere and decided to take it in to study.
Upon finding the egg you placed it in a safe space within your home to raise.
Not many have seen a young Bewilderbeast and the egg seemed to have no dragon looking after it.
Taking up the job you decide to study the climate needed to raise a Bewilderbeast.
Since dragons and vikings began to coexist with one another, dragon studies have been conducted.
However, Bewilderbeast barely have any research done due to their rarity.
You spent most of your time sketching out the egg during the first few months.
Your home is near glacial waters on Berk.
A decent area to raise your new dragon.
When the spiked dragon egg hatches it wakes you from your slumber.
The moment you see the young Bewilderbeast emerge, you give a smile.
The young dragon isn't that big... yet.
It was comparable to that of a pug in size.
Other vikings wonder how you plan to take care of such a dragon.
Most vikings have something smaller than... well... a Bewilderbeast.
While things may be fine now...
What will you do when it grows?
To that you say... you'll find out.
For the first part of your Bewilderbeast's maturity you keep the dragon in your house.
The smaller dragon follows you everywhere.
His favorite time is when you fish, the dragon nudging you for food.
Due to the dragon's nature you name him Boreas.
Boreas was given his name due to his love of frost lakes and the out of control freezing water he keeps blowing around.
Boreas sees you as his parent.
Even when he became the size of a great dane dog, the size where you try to train him, he lumbers around you with excitement.
You learn that most of your training with Boreas occurs in the water.
Boreas has no wings and is a tidal class dragon, leaving you to train him in swimming and hunting instead.
You have to be careful as the freezing water would harm you if you were clumsy.
When Boreas was still able to fit in your home he was reclusive towards other vikings.
His species is usually non-aggressive, but it appeared he grew territorial.
The growing beast often grunted at you to stay in your home.
You have to ease him by rubbing his face, growing tusks not yet pointed.
He had to get used to people and other dragons....
At night Boreas would either block your home's door to prevent anyone from coming in or he's sleeping in the middle of your home.
It was a pain to convince Boreas he had to start living in the water instead of your home.
He was getting too big and probably needed to start an ice nest at some point.
Many on Berk heard Boreas's roars and whines as you tried to get him used to staying in the water.
Some would complain... but your journal full of Boreas's growth was important.
After this, years passed.
Boreas grows more in the water, soon towering over many homes on Berk.
Everyone knows him as your dragon.
A young dragon prince who'll have his own kingdom some day.
Bewilderbeast have the ability to control and provide for dragons, that's why they're seen as royalty.
The unfortunate thing is... Boreas will take awhile before fully hitting adulthood.
Even with him at this size... you had aged to your 60's.
You were coming to terms with the fact you'll... die soon.
Boreas notices how distant you become when looking at him, your dragon.
You reflect in your journal on all the times you rode Boreas across the freezing waters and cared for the young beast fondly.
You stare at the nest he created from the dock.
The spiked icicles glimmer in the sunlight... a beautiful sight made by your dragon.
You smile softly before Boreas sits in front of you, body covering your view.
"Boreas." You command, the dragon staring at you expectantly. "You are aware I won't... be here anymore, right?"
The dragon doesn't entirely understand your meaning but the grim look on your face tells him enough.
The dragon makes a groaning noise before sinking into the water.
He wants you to ride him.
Softly you get onto the dragon you raised from an egg and allow Boreas to take you to his nest.
The dragon places you on a platform in his nest, allowing you to sit.
The dragon then roars softly.
"... Boreas, why did you bring me here?"
With a soft growl you realize what he means.
"Boreas, you can't- I promise I'll find a successor to be your new rider. You can't do this...!"
Boreas has a hesitant look in his eyes.
The dragon refuses to lose his rider.
You can barely defend yourself when Boreas breathes freezing water upon you.
By the time the assault ends you're cryogenically frozen to the dragon's nest.
A frozen look of fear on your face.
Berk assumes you've died due to your age.
Not many try and attempt to enter the nest of Boreas either.
Mostly because those who try to enter are met with an aggressive and territorial Boreas, the dragon with no owner threatening any with death if they try to enter.
Boreas accepts no other rider.
The Bewilderbeast decides a solitary life is all he wishes for now.
That's what many on Berk assume, at least.
In reality, Boreas has a rider.
He has one rider.
You're his rider... whom he keeps in his nest for decades in a frozen sleep.
In the dragon's mind you never left him... you're still his rider and he's still your dragon.
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Thots On NOPE (SPOILERS)
I get why this is divisive, but, Jordan Peele has constantly described the themes of the film as dealing with Spectacle. He is 1000% right, but I personally think that the themes have even moreso to do with exploitation.
When it comes to Ricky or "Jupe" I've seen so many reviewers saying that subplot had nothing to do with the film as whole, but it did in a VERY haunting way.
When Ricky is talking about the SNL skit that parodied a traumatic time in his life, he recalls it like a well executed comedy sketch. Then it cuts back to him hiding under the table.
I've seen so many videos online that have some sort of attention-grabbing title, regardless if it's accurate to what you will actually see, but the OP is aware of what makes people click on what's to be supposedly promised in the title or the thumbnail. They know what will attract a crowd. Not to be too graphic, but even porn videos will do the same thing, anything to get clicks & clout.
When Ricky starts the show promising a spectacle, he's used to the reaction he gets, hence why he always does the show showing off the "aliens" at 8:00 PM. Or at least practices the show at night, but the reason he does probably has to do with the "aliens" showing up at that specific time, hence why it's the first time we see activity from the supposed "aliens". (When we see the lights from the show when the sun is down in the first few scenes of the film. We don't know if it's rehearsal or just another show of his.)
He's willing to risk the possibility of an attack from a wild animal like the supposed UFO because he dealt with the attack from Gordy. He was waiting for the other shoe to drop. (like the shoe standing upright, which could be the "bad miracle" OJ refers to) He truly thought he could handle the intensity of the "alien ship" since he survived the attack and lived to tell the tale. He developed some kind of God complex that he could work around the danger of a "trained animal". His wife even said "Even trained animals can be unpredictable."
The people on set with Lucky are a great example. Who the hell stands behind a horse as an adult? Who's the genius who had different chimpanzees for a T.V. show with 0 wranglers? There are still people whom are dumb enough to go to the zoo and go over safety barriers, taunt the animals, or even hold their children close from any danger.
It's ironic how people are very obsessed with the concept of aliens, but if too many people can't handle creatures from earth, what makes us think we can handle the ones not from here?
The stars of the SNL skit straight up mocked a heavily disturbing moment in his childhood, yet he's still profiting off of the moment where this kids dress up as aliens to scare his neighbors as a joke and an intimidation tactic. (notice how their alien costumes look also like ape costumes)
Plus he said he was getting paid by people to sleep in a memorabilia room referencing multiple violent deaths on a TV set. Even with Oprah herself, when she interviewed the woman who was attacked by a chimpanzee and got her face ripped off, people in the comments criticize her for exploiting the woman instead of talking about how she moved on from the spectacle of a tragedy.
For the Haywoods, they're trying to uphold a legacy, they're the only black-owned horse trainers and their great great great-grandfather is someone whom had not been credited for their work as the first motion picture captured. For Emerald to be the one who captured a picture of alien proof as the descendant is SOOOO symbolic.
The cinematographer, Antlers, a white man played perfectly by Michael Wincott, didn't like the lighting in the shot he took so he took the risk to get a perfect shot. The TMZ biker had a whole helmet that reflected everything around him because who else would be obsessed with getting all of the chaos around them than TMZ? (The same publication that somehow managed to know that Beyoncé was filming the music video for "XO" & announces celebrity deaths before the family even gets a chance to.)
I've seen videos of so many disturbing events before, during, or after the fact that I can see what Mr. Peele was going for in commentating on. There's an infamous tiktok showcasing someone in the middle of a near plane crash I've seen reposted on Twitter, there's footage of a bear and a cougar in a circus attacking their supposed "trainers", talk show footage of a lion going after a toddler & almost biting the poor child it was sitting next to, the frozen and preserved bodies of those who've tried do climb Mt. Everest, and I've even seen a man who documented himself after getting graphically attacked by two grizzly bears. Yet the views on those videos reach the millions.
There's so many times a fucked up or upsetting moment in time has been exploitated to the point where it can be made a joke, a traumatic scene, or a topic of discussion, and that for me is what NOPE was commentating on. Some will not catch on with one viewing, but I recommend a second, or even third watch to fully get what's being told.
Films like that, that have a longer shelf life are what inspire me. It's a rarity that a filmmaker chooses to give their audience a challenge.
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dawnanddorisqna · 2 months
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Hey, thanks for putting up an ask blog! Don't know if tumblr is the best place to put it for social media engagement, but then again Neil Gaiman seems to be enjoying himself so who am I to judge?
I have a whole bunch of questions, and I'm not sure if it'd be annoying to flood your inbox with them, so feel free to pick and choose any of these to reply.
Questions for Dawn: who would you consider to be the animated 'it' girl right now?
What do you think about the recent trend of 'fleshwashing' that Disney has been pushing when it comes to remakes? Is this part of a bias against toons when it comes to casting?
In your opinion, who do you think is the best 'old-school' toon who still actively performs? Questions for Doris: Has toontown managed to avoid the plague of gentrification that hit a lot of other older neighborhoods in LA?
Is there a union for animated actors? If there is, how effective is it in your opinion? Have things gotten better or worse for animated actors over the years?
Did you ever get to know your animator? If not, would you have wanted to know them?
We should probably get a reddit at some point. Everyone on tumblr has been amazing though. We do have an instagram, @dawn_doodle and @dorisdoodle_toon.
There's also a fanmade discord! One we need to check on more after we're done...preparing some new things.
Who do I think is the current it girl of animation? It changes so fast, but my vote right now is POMNI! Who doesn't feel like Pomni like daily? Also, indie!
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Check back in a month when my answer may change again!
What do we think of all these live action remakes? I still don't mind them too much, but Avatar on netflix might be unnecessary. I'm starting to wear thin. Doris gave a rambling answer on this before and I don't think her opinion has changed.
Best old School toon still in business? I think we actually have an agreement on this one and that's this 2D Girl boss!
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Was Toon town able to avoid any gentrification? Here's Doris with a history lesson:
As some people know, ToonTown was left to the toons, and that was great. We could vote for changes in the town and run it ourselves, but that didn't mean we were separate from California and certain laws. So it was devastating when it was decided that the land we lived on wasn't fully ours and the decision to build a freeway system was still being considered. This was in the 50s and I had already moved out of ToonTown, but I heard about the protests and letters written to Earl Warren.
None of it helped, and in 1956, Eisenhower signed the highway act and a freeway was constructed. So the town wasn't as saved as the movie "Who Frames Roger Rabbit" lets you believe.
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Since the toons owned ToonTown, they couldn't just completely destroy it. We were just told to move. So the town is split up into districts. There's one near Disneyland, another a few streets from Universal. Always near studios. They like keeping an eye on their assets. So at least we got to keep the town in some way.
Is there a union for toons? There have been attempts. But in the end were considered intellectual property of the studios. fully owned and by contract from the moment the first line is sketched. A lot of older toons have a little more freedom from those contracts. By older, I'm talking Bugs Bunny and the Peanuts kids. That's starting to get harder though as studios are stating to hold a tighter grip on animation. It's less a creative thought process and more business. Doris says it's colder in a behind closed doors way. I say that cold is starting to leak into the outside. So yeah, no union, especially for newly drawn stars, and well...things aren't exactly getting better.
Did we get to know our creators?
Doris did!
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We all do I guess while being drawn. but it's not as personal now. I was kinda made through a committee. So there are artists who really care and I would've wanted to get to know them, but there are also execs, studio owners, managers, all hovering around to check on their investment. And once approved, you are under studio control. It's nice if the artists can stick around at the studio, but most times they're laid off once the creation is done and they need to go work at another place. This goes into that whole colder thing. From what Doris has shown me, it was a little more fun before. Animators and toons would just hang out I guess.
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They would even have fun with their voice actors.
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Today, studios want big celebrities to give us our voices. So they usually come in to lay down the track and then leave with the paycheck. Not all though, I heard Jack Black like to see the characters he's given a voice too. It just doesn't happen often.
Sorry it took a while to get to your question! We're trying to get a few things going right now so our timing is way off.
Also, a list of questions is always good, keep em coming!
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lupucs · 10 months
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Do you have any recommendations for character modeling in blender?
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Ooh boy I never know how to respond to questions like that, but I'm gonna try my best and list some stuff which helped me personally, so hopefully this will be helpful to you guys too.
A lot of what im gonna say is probably gonna sound really generic but generally speaking just watching one tutorial series and calling it a day isn't gonna cut it.
Something that helped me a whole lot was having a clear goal in mind (like I remember the first thing I wanted to do was translate my OCs in 3D). Picking something I was invested in is what pushed me to do my own research (and now its Deltarune fan animations lol). Knowing how to maintain motivation and going in with the right mindset is the most important thing imo.
I use Blender for my 3D work, which is free and open source. I personally prefer it over paid software like Maya or 3dsMax, especially for modeling and sculpting (I remember I had to use Max and Maya for a while but overall it was a pretty agonizing experience to be honest, so I switched back to Blender, which just feels a whole lot easier to use for me personally lol, but really at the end of the day just pick the software you want. This is just my personal preference). If you have a potato laptop like me, I definitely advise you to use Blender tho as it is very lightweight compared to other 3D programs, plus it can do the same things and then some. Not to mention there are way more free resources on Blender stuff so it's easier to get access to the info you need. Anyways Blender-simping over, moving on!
Tutorials are always a great idea, but you're also gonna have to learn how to do problem-solving. 3D can be a really technical and rigid medium, so being patient and knowing how to do independent learning is very important. Take a look at box-modeling, sculpting, texturing and procedural shading. Unfortunately that's gonna involve a lot of annoying situations and moments of immeasurable pain, but once you're more familiar with how things work, it's super fun and rewarding!
Don't forget to have fun and experiment! It's easy to get lost and overwhelmed by the technical aspects of 3D but it's important to just let go and make silly things. Also talking to other 3d artists with similar interests helps a ton, especially more experienced ones but I am aware not everyone has access to that (plus not everyone might want that, esp when you're an introvert like me haha!)
If you gotta sell your soul to a corporation then focusing on one particular subset is gonna be useful for animation jobs, as this is what most studios want. Some artists might like specializing into just one area, and that's totally fine but for me who prefers to be a generalist, it just kinda ruins my joy for 3D to restrict myself to just one part of it. Plus if you enjoy doing what you do, you tend to learn a lot faster anyway.
This might be a bit of an uncommon take, but one of the most stifling pieces of advice I have received from industry 3D artists is to only focus on one thing (as in, only skill up your UV-unwrapping, or only do rigging, only do hard-surface modeling, only do organic environment modeling and so on). NUH-UH! Just do what you want fam. Make the spoingle-boingles pet cats. Focus on the things you like. Make barney the dinosaur destroy the whole set. Model, rig and animate them if you want. Really, just have fun. Obviously you gotta do some self-checks and see where you need to improve, and where your strengths and weaknesses are, and focusing on those areas can be very helpful. Just make sure you're having a good time doing it, and don't be too harsh on yourself. Definitely take a break if you're overwhelmed.
You don't have to be able to draw to be good at character modeling but making turnaround sketches helps me a whole lot whenever I make 3D characters. Knowing how to draw will also benefit your sense of design and shapes, as you can use your drawing skills for texturing and adding your own flair to your models.
Another thing I would do is look at other people's 3D models and study the topology and the way they model things. This also helps a lot with motivation. Obviously you don't wanna copy, just study the way other people model things and see what other talented artists come up with! There are a bunch of free Blender rigs you can download and study on your own, not to mention useful videos and streams on YouTube. The Rain and Snow rigs are pretty awesome. Some of this stuff is behind a paywall but I recommend checking out the free resources of the "Settlers" project for highly cartoony modeling and rigging (this playlist is very useful, I didn't watch all of it but some parts have been pretty inspirational to me). Also just following 3D artists you like and looking at their art for inspiration will help you stay motivated.
Hope this is useful!
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bogusboxed · 2 years
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Boxtober - Day 26: “Headcanons For A Sick S/O”
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Day 26: - [The Puppeteer, Bloody Painter, Nurse Ann & X Virus] X GN!Reader “Blankets” x “I’m doing it, shut up.”
-I do not own any of these characters and do not take credit for them.
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The Puppeteer
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-If he figures out you’re sick, prepare to be stuck in one place for a while.
-Typically, if he wanted to keep someone in place, he’d use his strings, but he understands it's not the most comfortable thing, so he opted for the next best thing. Which is to cover you in blankets and then proceed to string you up like a caterpillar in a cocoon. It's best not to struggle, or he might laugh at you.
-He might act bossy near the beginning when it comes to your sickness. He'll say things like "I’ve got a mission to attend to" and so on, but the second you cough, he’s right there holding you. This man is a liar about not wanting to help you and will fold when there is any form of pain coming from you.
-And if you dare try to get out of bed for anything, he will pick you up. He doesn’t care if you fight back. All that's going through his head is the fact your sick and need help.
-"I have to go get something!"
"I’m doing it. Shut up."
-He doesn’t mind losing a target or two if it means you're okay. He knows how it feels to be left alone in a time of need, so he will never do that to you.
-Though you should expect him, since he’s a poltergeist, to stay up all hours of the day watching you, if you feel too intimidated, just tell him to cuddle you or he's worsening your condition. And he'll do exactly what you ask, just wanting to make sure you're okay.
-One downside to all of this is that he can’t get you medicine or buy you food in person due to being a ghost. So, he bugs his friends to go and do it for him, which is most of the time, Helen. So, please thank Helen after you recover because he’s probably messed up like twelve paintings due to Jonathan scaring him.
Bloody Painter
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-If you tell him you’re sick, he will instantly panic. He’ll probably find a reason to blame himself for not seeing the signs earlier as your dedicated partner.
-And if it's so bad you get bedridden, he won’t let you get up in the sweetest way possible. Either by kissing your forehead to dumbfound you or hugging you back down. He could never find it in himself to hurt you because he's a puppy when it comes to you.
If you tell him you’re getting bored, he’ll bring you some sketch paper to doodle on, and if you want, you can ask him to play Pictionary. Though he’ll beat you at it, if you get a little upset, he’ll let you win, even if he is a literal Picasso.
-A random, dumb idea to have him do is to have him paint the Mona Lisa next to you. I don’t know why I added this, but I think it’d be fun. I also think if you praised him hard enough, he’d say something like "It’s just a sketch" to further his ego.
-If you manage to sneak out, whether it was when he was asleep or when he left for a moment. He’ll usher you back to bed in the nicest way possible, almost like a human to an animal, to be honest. And if you suddenly become too sick to get back, he’ll cradle you in his arms and bring you back. Though he won’t mention your escape attempts, knowing it sucks to be sick.
-Though unlike The Puppeteer, he can go and buy you snacks. He can also get delivery plus medicine due to being human. Even if he doesn’t like to show his face in public, he wouldn’t mind doing it for you.
-But for some reason, when you’re sick, he tends to get more protective of you. It's most likely due to your vulnerable state and how much he’s worried the other creeps will take advantage of it. And if they dare to try anything with you. Well, let’s just say you won’t be the only one bedridden.
Nurse Ann
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-Probably the worst in the best way possible to come up with this. If you’re with her, she’ll be able to predict when you're about to be sick and will have been preparing for this very moment. And you’ll notice she's becoming more present in your life as well as more possessive.
-The second you cough, she'll bring you to bed, because she already has a personal infirmary just for this. And if you stay put, you’ll recover from this quicker than you normally would with anyone else.
-And she’ll keep you there in the most doctor way, either by nodding her head in disappointment or by holding you down. She is more aggressive than others, which may be just due to having experience. She just doesn’t want it to evolve into something worse, and if that means a scratch or two, then it's worth it. She is a nurse, after all.
-Though even with all of this, she’ll bring you blankets and do things normal nurses wouldn’t do. She may even go as far as to cuddle with you, but expect her to pull away if she feels you're getting too hot.
-Behind all of her cold-hearted actions is just someone who is extremely worried about your health. She couldn’t stand losing you and sees you as her responsibility. Since she is a nurse.
-If you can manage to escape from your hospital bed, she will hunt you down. She would never hurt you to the point of worsening your condition, but she wouldn't mind scaring you back to your bed. But, if you ever show signs of surrendering mid-chase, she’ll soften up instantly and swing you over her shoulder back to bed.
X Virus
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-Oh no. Unlike Nurse Ann, you’ll be in bed longer than you should be. He will go out of his way to extend your stay and may even cause you to get worse. But, he typically has the best intentions in mind, except when he doesn’t.
-He’ll probably be heavily interested in the worst way possible. He’ll make you think he’s trying to help you. But he may test something out on you. He won’t do anything viral that’ll kill you, but something more minor. But, the second he realizes that he’s making it worse, it tears him apart. He had bad intentions at first, but it quickly dissolves into guilt when he realizes what he did.
-He’ll panic at first, fighting his impulsive thoughts, and eventually run to EJ for any sort of help. He knows he doesn’t have the mental capacity to help you at first, so he gets EJ to help out first. And once he gets the basics, he turns into a sweetheart. However, expect EJ to also keep an eye on you. Which Cody and you are both fine with, seeing as Cody can't be trusted with his thoughts.
-Though he messes up at first, he realizes that you are not a test subject and that you are his partner. It stems from his struggle to sympathize with humanity, thinking that it was okay. But, when you aren’t okay with it, he changes it. So feel free to ask anything of him. He is willing to do anything to atone for his actions.
-And if you get up from bed with something contagious, he’ll ask you politely to get back in bed but won’t try and stop you. Even though he wants to, he can’t bring himself to stop. On the other hand, EJ will most likely stop you and get you back to bed knowing Cody won't help.
-If after all of that, you ask him to cuddle, he won’t hesitate to do so. He’ll drop everything, even if he was working on a virus for the operator. He doesn’t care, he just wants to help you out. Though he’ll bring way too many blankets.
-
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iamthecomet · 8 months
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Do you think any of the ghouls are like, super into anime or a book series or some drama? Like, I wanna know what you think the ghouls do as hobbies and how they entertain themselves when they're not on tour or fucking each other's brains out
I have so many thoughts about ghoul hobbies! I think I've probably posted about them before? But I don't remember and my brain changes my own ghoul lore from moment to moment. But here are some quick words about what hobbies I think they have. Cumulus: Crochet and knitting. Always making something. Does it a lot on tour during free time, but also in the winter. Watches a lot of movies/tv shows too--but always has a craft in her hands while she is. Mountain: Plants, which I guess is obvious. But to be more specific tea making. Loves trying out new combinations with different effects. Sunshine: Makes tea with Mountain. Crochets with Cumulus. Reads with Dew and Rain. Watches a lot of TV. Doesn't have a singular solo hobby as much as she has adopted everyone else's in order to spend more time with them. Swiss: The movie guy. Watches a lot of movies. Knows them all. Resident movie chooser. Also very knowledgeable about TV. Just gets really into it, easily absorbed in a story line. Not snobby about it either, just genuinely likes visual media. Always trust Swiss' recommendations. Dew: Collector of knowledge of all things horror and underground rock/metal. Extensive vinyl and DVD collection. Knows more about bands and bad movies than anyone else. Always playing something weird on his record player. Also, really loves to read but shhh don't tell anyone. Rain: Abbey bookworm. Will read anything and everything. Has read half the books in the library (especially the ones he isn't supposed to). Cirrus: Occasional knitter and cross stitcher (mostly just in the winter). Watches and listens to A LOT of true crime. Is maybe a little too into it. Aurora: Anime and Manga. Always reading something. Always in the middle of an extensive anime series. Despite having been topside for a short time knows more than anyone else about any of it. Swiss recommended a few to her and it was over for her after that. Aeon: Music guy, like Dew. But more varied. Doesn't focus on collecting a certain genre like Dew, just loves to find new music. Is always listening to something no one else has ever heard of. Not into vinyl, but always has earbuds in. Also, really into succulents. Aether: Visual art. Loves to draw and paint. Spends a lot of free time sketching. Has full sketchbooks full of scenes from tour buses and venues. Likes to keep his hands busy and loves being able to capture a moment in time.
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s0ckh3adstudios · 1 year
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What if Pizza Tower WAS a 90's cartoon?
Because of Pizza Tower's whole "aesthetic" and such, it's so extremely fun for me to just imagine it as one of those old 90's cartoons. (Especially when seeing art from people creating fake screenshots, and blogs like @pizzatowerepisodes full of ideas of episodes this hypothetical Pizza Tower show could have had.)
In some other universe, I like to imagine it was a 90's show LMAO And just for fun,,, I have some ideas as to what it could have been like
1: It would have DEFINITELY been a Cartoon Network show. No doubt about it. It's hilarious to imagine some of the Pizza Tower cast in those old CN bumpers. Pizza Tower would have been one of those shows a bit too edgy to go somewhere like Nickelodeon, and I imagine it would sometimes have those "HOW DID THEY GET AWAY WITH THAT" moments lol. It would have been a really meta show too, lots of fourth wall breaks. Think of Chowder! Like the game too, it would have had pretty smooth hand-drawn animation. Maybe the show even got popular enough it got an incredible video game.
2: The story of the cartoon... I'm not entirely sure how it would go. But maybe... Pizza Tower stars Peppino Spaghetti, a struggling italian pizza chef running his restaurant while dealing with the shenanigans he and the other characters get into, maybe the Pizza Tower beside his restaurant moving in and that's how all the cast got here and started bothering him, until season 2 they finally get into the story where Pizzaface finally decides to blow up Peppino's restaurant and a whole season is mostly focused on episodes of Peppino in the tower trying to save his restaurant. (Do you think the song for the intro of this season would be Pizza Mayhem LMAO)
3: After the intro song, the "Pizza Tower" title appears with two of the infamous purple TV's next to it. One says "Created by (insert creator name here)" and the other one has Peppino in it, where he says something unique every episode! Sometimes, another character may appear there, but it's usually Peppino. Really rough basic sketch haha. I could see it with like a darkened purple brick background, maybe a slimy pizza on the ground.
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4: At the end of every episode, before the credits, you get a minisode of NTV! Probably like 3 minutes of Noise's own show, being like "Who wants to watch a show about a pizza chef?? Watch MY show!" With some new topic every minisode. Maybe Noisette even takes over one episode! This is kind of like the thing they do after every Scaredy Squirrel episode if you've seen that.
5: This show DEFINITELY created some memes.
6: The season 2 in the tower is when Fake Peppino and Pizzahead would be introduced, Fake Pep becoming a new member of the cast and Pizzahead being the plot twist character after popping out of Pizzaface.
7: Whoever voices The Noise would be having way too much fun.
8: Two options for Snotty.
a) Always dies somehow but comes back the next episode
b) There's a whole episode dedicated to Peppino accidentally killing Snotty
......
That's all my random ideas for now lol Feel free to reblog with your own thoughts!
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epickiya722 · 4 months
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Oh my Kiya, I also love those 4 characters as well (Midoriya, Tanjiro, Yuuji, Reki). They are so precious, they deserve the world, and should not receive any hate from anyone. Oh my, how mad I am when I see several posts that said either of them don't deserve to be the mc of their own story (cause they're not your typical shounen mc).....
I love that post of yours about Yuuji and Modoriya.... Hope you don't mind, cause I copy the same question frame from that anon.
In what specific moments from KnY & Sk8, that made you sure that Tanjiro and Reki are special, that made them your favorite characters?
I'm gonna have to call these four boys something like 🍓 Squad with how they are green, red and pink colored. 😆
Honestly, all four of them is like... a fresh breath of air to me because they're different from other protagonists. That's not to say I hate other protagonists because come on, they're great, too. (Like, let's think of them as passing the torch or something.) But I sometimes I do feel like people who bash on characters like Midoriya and Itadori aren't used to characters like them and maybe, just a little are afraid to take a liking to them.
Especially since some people are assholes and tend to flip words around.
Someone can say "Oh, I think Tanjiro is a cool protagonist" and some asshole will be "so, you hate Ichigo"?
No, they did not say that. Stop being an ass and thinking you have some authority to monitor people's interests.
Anyways!
For Tanjiro and Reki, it was indeed the first episodes for me.
Tanjiro, just seeing how he cares for his family and just how good of a person he is really touched my heart. I relate to him and Reki, who I'll talk about in a second, when it comes to siblings. I, too, have younger siblings and I'm the eldest. So it was nice to see a big brother like Tanjiro actually be nice to his younger siblings. Also, how he used his nose to figure out the cat broke the plate is another "Oh, yeah, he's my favorite now" moment. That's one of my favorite skills he has. Just this master nose that smells just about anything. I love it!
Now with Reki, it had to be the moment just before Langa comes into the classroom. Reki was working on some sketches and he gleefully wanted to show his work off and then his classmates is like "Nah, probably some troublesome stuff". That moment? Oh, Reki, I relate. Do you know how much confidence I try to build up to talk about a story I have in mind? Like, the excitement there is to finally ramble about something you're passionate about? Reki wanted to so that and I never wanted to fight side characters so badly in my life. Every time I see that scene or think about it, I feel violent.
And his relationships with his sisters is nice, too. Again, relate being an elder sister myself. By the end of the anime's first season, Reki was already my number 1 favorite but oh my gosh! My favorite Reki moment had to be the epilogue scene where he's teaching the twins how to skate and Koyomi comes in showing off. It's such a wholesome moment. It's just so cute!! 😭
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suehtamsatierf · 1 year
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Everything About My Process For The Comic Book Style
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I want to open up this article with a funny comment I received in one of my tweets that goes briefly over my process for the last Amy Rose drawing I did.
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It made me chuckle! Maybe I am a fool for sharing my secrets... unless it was my intention all along! After all, there aren't really any secrets as most things I do are done by several other artists as well.
Also, even if it WAS a secret, why the hell would I keep it all for myself? I mean, maybe by keeping it I could be the only exclusive artist capable of doing this kind of artwork... Naah! It's just a matter of time and a little bit of effort for other artists to figure out my ways, and like I just said: it's not really much of a secret as several other artists draw in similar styles already.
I actually see a lot of benefits in sharing my approach to drawings because this will help several artists to improve their skills or branch out in style. The world needs more artists, as well as the industry (animation, comics, games, etc.). It also helps to perpetuate whatever we have learned to future generations of artists. Could you imagine if the original Disney animators didn't transfer their knowledge to younger animators, or if we lost everything documented by the great art masters?
Now, of course, I am not comparing myself to any of these legendary artists. I am lightyears away from the skill level they were and I am not by any means a legendary artist myself. However, I did learn several things in my artistic journey that seems to draw attention from several folks out there, and if whatever I have to share is helpful in any way, I will gladly and proudly do it.
Now, let's get started!
The early steps
You see, as an artist, I need a few steps before getting to something I like. Not all artists are like that, some can draw awesome characters straight up without any supporting structural sketch underneath. These guys probably drew a whole lot already in their lives, I don't have that much experience yet. It could also be that I'm just way too picky with my drawings, but I digress.
Usually, I start with loose, non-committed ugly sketches. A lot of the time they come out when I am just doodling or sketching for fun, without any intention of turning it into a final image at the moment. In fact, I have a folder on my computer with lots and lots of sketches that never really went anywhere from there. I actually find a lot of them pretty ugly.
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The image above is a page where I did some sketches. I did try to tell a story in some of these drawings by giving the characters a little bit of an attitude, but most of them didn't really go anywhere. There was no commitment here, it was a playground to explore and have fun without worrying too much about if it's looking great or not. After all, I never had the goal of sharing this with the world in the first place,these were for me! That's important.
When I see a sketch has potential and can be something fun to work on, I just develop on top of it. Some of these sketches have potential! Hence I took Amy over there and developed it further to a final image, and there are another couple of sketches there that could look very nice if more time is spent on improving them.
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This is another sketch I did of Blaze when I was drawing her. I ended up not picking this one because some later sketches I did felt more interesting at the time. Unfortunately, I lost most of the roughs I did for this one, I did around 5-7 different poses before deciding on one, and the chosen one was heavily modified in the process as well.
Notice how loose and rough it is. It's pretty messy! At this point, I am not heavily concerned about anything other than the gesture and the pose. The lines are messy, the forms are not that well defined, the character proportions are off... that's okay! Really! These are things we can fix later.
I find it a lot easier when I pay attention to one thing at a time instead of trying to figure everything out at once. First, let's get that pose right in a way that doesn't take too long to draw and that can be easily modified. After that, we worry about structure, anatomy (if present), accurate perspective, shapes, lines, contrast, you get the idea.
This is the stage for playing! It's the stage where you get to mess up big time and do things over again because no commitment has been made yet.
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Here I was getting closer to the pose I ended up committing with. I accidentally cropped the document and lost a good part of the sketches around, but you can see how I was still making changes to the pose trying to make it work. Initially, she was doing a very unrealistic and awkward twist with her body that just was not believable. If your drawing is not believable, then it falls apart.
This sketch is a little tighter than the other ones I did such as the previous to this in this article, and that's because I was mostly reiterating a very similar pose over and over again. I already had some foundation that was originally very loose, but as I made changes, it got a bit more defined.
Being tighter in this stage also helped me to better visualize what was going on with the character. Sometimes a gesture looks pretty good, but when you start developing it into something that makes more sense anatomically and spatially, you start seeing some breaking points that need to be addressed.
I made the twist less extreme and it started to look good! Once I am happy with the sketch, then I commit and start refining it bit by bit.
Here are some examples of how loose I usually like to be at this point:
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Before Cleaning Up...
I usually like to have as many decisions made as possible before moving on to clean-up, because it's harder to make big changes once you're already doing clean, precise lines. The clean-up stage is where you focus your energy on making the drawing look pretty! However, before that, you gotta make sure things are working fine. It's important not to rush!
That's why I do multiple sketch passes before the final polished lines. Since the very early sketches are very messy, some smaller details are hard to see.
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For Shadow, for example, I did 3 passes. The first one was exclusively for figuring out the pose because as you can see, it looks absolutely horrible. The hands are atrocious, the head barely looks like the character, the shoe is a box and there's one foot missing. I accomplished its objective though, which was getting a dynamic gesture that works as a foundation to all the other elements that go on top.
The second pass was where I started to define some elements better. I couldn't understand what was going on with his face and hands in the first pass, for example, so now is the time to get those things sorted out. That means I focused more on structure, defining the primary and secondary shapes more accurately. The primary big shapes were kind of figured out in the first pass already, except that it was too rough. The secondary only started making sense on the second pass.
The third pass was to clean up the shapes of the previous sketch a bit (lines are still rough) and to figure out the smaller details, that despite being smaller they are still too big to be dealt with in the clean up where my sole focus is to make the lines look nice.
What happens a lot is that even after going through all these passes, there are still some minor issues here and there that require adjustments when I'm already in the clean-up stage. On Shadow, it was his back leg that I had to lower a little bit to make the silhouette clear and his foot that simply wasn't there until the last minute. In other cases, I have to completely redo an arm or a foot, for example. That's when I go back to sketch just that part out and then clean it up again on top. That means there's usually some back and forth happening.
Here is another example of the multiple passes I make before cleaning up:
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Cleaning Up
When I get to the clean-up stage, pretty much everything has been figured out on the sketch already. The focus here is to make the lines look pretty and to convey certain things such as overlapping, texture, Ambient Occlusion and a little bit of shading.
Having some of the shading done in pitch-black lines is a creative decision I made mostly because it's fun and feels nice to draw this way. I started drawing in this style with Rouge the Bat when I thought about rendering her in a painterly style but it would take too long and I had tons of other things to do.
However, the black shadows I make are mostly ambient occlusion and cast shadows. Unless it's a dark noir scene, making every single shadow black would not look very pleasing. In my opinion, it would be way too heavy and a lot of information would be lost.
When looking at my art, a lot of people think I do the black shading and the lines at the same time in the same layer, but that's not the case. I usually do the lines first and then on a separate layer I make the shadows using the exact same brush. That way it's easier to try things out and erase them whenever I don't like the result. It also allows me to focus on one thing at a time!
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What I see people really like about my drawings is how I shade metallic objects. That is a topic for a whole article of its own, but in a nutshell, when making reflective materials, I usually don't think of light and shadows, but of what objects could possibly be surrounding this metal and how they are reflected on its surface. It doesn't have to be an accurate reflection as long as it looks believable. There are a lot of things I learned about reflective materials that I'd like to share in the future, but this is not the article for that.
I am currently writing another article all about line art and how to improve it, which goes in-depth on what I am usually thinking about when drawing. That being said, I will not go too much into the intricate details here, but I can say some things very briefly.
Line thickness matters a lot, and I usually use it to show important shapes and depth. I use thicker lines to say that an object is in front of another one with thinner lines. I also use thicker lines for the outline of big, primary shapes and also to describe volume. Making a thicker line on the side of an object that's in the shadows helps to convey a sense of tridimensionality, especially when it's a shadow made out of contact (which we call Ambient Occlusion).
Simplicity is key! Lines should be simple and not too bumpy. They should also flow and be confident! To achieve that, I usually draw with either my elbow or shoulder using fast movements. I sometimes use my wrist as a pivot point for a curved line, but avoid doing that as this can be harmful. There are 3 kinds of lines that I alternate when drawing.
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Colours and Shading
Colours are tricky because their use is very abstract, which means there's no wrong way of using colours. Instead, some ways work and ways that don't work. There are, of course, guides that you can follow that helps you achieve better colour palettes, but since they're not rules, they can be broken as long as it works.
There are actually no irrefutable rules in drawing, every concept can be broken as long as it looks right. If it doesn't, it just looks like a mistake meaning that you failed. Using the excuse of "it's my style" is a very cheap way of saying "I don't know the fundamentals and I don't care but I still want to be appreciated".
The way I approach colours specifically for this style is by starting with the flat, local colours. On their own, they can look a little boring, although I usually do my best to make them interesting regardless of shading. That's why sometimes it's easy for me to be doubtful on whether the colours are looking good or not. I usually push it until the end though as I am almost always pleasantly surprised.
I think a reason I think the flat colours can look boring is that they need to be somewhat neutral, and by that I mean they are the halftone of the shading. That being said, I never go for full saturation or pure whites and blacks, because that limits the shading process and can make the image look a bit overwhelming.
Here's what I did with Amy, for example:
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Now, of course, I didn't do a mathematical operation to figure out the best percentage of saturation for each of those colours in relationship to each other. I did it by feeling and by trial and error. Look at how horrible it would look if all the flats were 100% saturated:
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I don't know about you, but this hurt my eyes! Vibrant colours are not necessarily associated with high levels of saturation, but mostly with the relationship of the colours used in a palette.
The colours around the 70% saturated red in the original Amy make this same red feel more vibrant. The 8% saturated white has an important role in making the reds and pinks pop up even more without hurting anybody's eyes.
In other words, never make a colour fully saturated, pure black or pure white in the flats.
For Shading, I often use the C movement in the color picker. I know, you have no idea what I'm talking about. It's basically this:
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The reason I stress this out is that beginner artists usually pick shadow colours by simply lowering the brightness of that same colour, keeping the hue and the saturation the same. This doesn't happen. As light and the environment affects an object, its colours shift. Colour and light are directly related, meaning that everything surrounding an object will affect its colour in some way. I will be writing another article talking about this.
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I usually draw the shape of the shadows on the character with the colour I picked for it and fill the inside with the same colour. Shape design is something that I like to pay close attention to, even in shading. I then make a layer on top of the shadows and use a slightly brighter tone that's more blue-ish to do the bounced and ambient lights. The reason I usually make it bluer is that I am usually thinking of the sky.
You see, the sky is actually a big light source that illuminates everything with a soft diffuse light. However, since the blue colour of the sky is actually the sunlight being reflected on the atmosphere gases such as Oxygen, it works as a much weaker light source than the sun. That's why you see lots of blue-ish shadows outdoors on a sunny day, and that's why I make bounced and ambient lights with a tint of blue.
Closing Thoughts
That's all I got for now. Much of what I covered here can be described a lot more in-depth in a dedicated blog post, hence I didn't do into too much detail about several of the concepts I mentioned. I am already writing some posts that cover some of this stuff more thoroughly, it's just that I take my time doing it as I want to make it as clear as possible without boring the hell out of the readers.
The goal of this post is to describe in more detail my process and some of the things I am thinking about when drawing. I hope this is helpful to anybody who is reading, and if it is feel free to let me know!
If there's anything you're interested to know from me, let me know as well and I can write about it here.
Cheers!
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abysscronica · 4 months
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Feel free to answer 1, 2 or all three \o/
11. Post something from a current wip or concept 12. The funniest comment someone has left on a fic of yours? 13. Inspiration for Captive? I know it's been complete for a while now, but I'm just curious what kicked it off. (Captive played an inspirational role in my first Eustass Kid fic, so I'm curious <3 )
Thank you Quin and sorry for the late reply! Since the answer to no.11 is quite long, I'll reply to the others in another post (here).
From this ask game. (I have some other asks for it, will get to them later)
11. Post something from a current wip or concept
This is from a One Piece fantasy AU that I'm probably never going to work on fully, so it's a good chance to share it. It's just a draft and it's a OP x reader story, even if it doesn't look like it.
Koby held his breath in the humid darkness of the inn. Or what was left of it, anyway.
The stench of death impregnated the air, stale, heavy. It was hard to make out the details of the dining hall in the moonless night, although the young commander was partially grateful for that. He could see the outlines of the corpses, maimed, men and women alike, but not their horrified faces. He could see limbs, feel the mush of their organs under his boots. The wooden beams of the floor were probably covered in dry blood.
_______________________________________________________
He could hear the buzzing of the mosquitos, always preceding them at the crime scene.
His blond companion, beside him, pressed a handkerchief to his mouth, desperately trying not to puke.
“How many?”
“Eleven, that we know of,” Helmeppo grunted, his voice sounding more like a whimper.
No wonder, Koby thought, with his heightened half-elf senses, the blonde was surely worse off than him.
“Bring the torches down, get the men to collect samples and sketch out the crime scene.”
“What for? The murderer is already in our custody,” Helmeppo said from behind the cloth.
 Koby frowned at the floor. A delicate hand lay at his feet, a feminine one, severed below the wrist by jagged teeth.
“It’s the third case in two moons. We need to reopen the investigation,”
“Fine. Ugh, I need to get out of here,”
 Helmeppo rushed up the few stairs that led outside. The faint light of the stars cast clearer shadows in the inn for a moment, allowing Koby a better view of the massacre.
He looked, trying to imprint to his memory as many details as possible. Not that he could ever forget. Then he turned and followed the comrade outside.
It was a relief when the fresh air of the night greeted him, even there in the Rats Heap, where the air always carried a lingering smell of human and animal ejections.
“Commander Koby.”
 Out of the three soldiers composing his inner squad, only Hibari saluted him as he stepped in the small clearing among the buildings. Koby nodded to her and looked at Grus.
The tall man was leaning against the tumbleweed wagon, arms crossed on his broad chest, serious eyes glued to him.
“Is the prisoner secured?”
“Yeah.” Grus banged the wagon with his fist “Chained up like a damn sausage. Not that it matters, given his state,”
“His conditions are pretty bad,” Hibari confirmed “He’s burning up, even for a half-titan. We tried talking to him, but he doesn’t seem present at all,”
“We should just kill him,” Helmeppo shrugged.
 Koby shook his head.
“What? No. We need to find out what happened.”
“With all due respect, Koby, this looks just like another case of half-titans going mad,” Grus sighed “They do that, you know.”
“It’s been too many cases in such a short time. Also, they usually don’t just fall sick and die immediately after, and yet this is the only one we managed to capture alive so far,”
“So? Maybe it’s something with the stars, the seasons, the year. These guys have demon blood in their veins, who knows what’s up with them,” Grus said.
“Even so, I’m worried,” Hibari admitted “These cases will strain the situation with the half-titans in the city… they don’t do well when they feel threatened. We risk an escalation.”
“And so close to the First Blood Tournament! I hate this job,” Helmeppo groaned.
“We need to find out what’s going on,” Koby concluded “Helmeppo, call the other squads and have them analyze the scene, like I asked you. Grus, bring the prisoner to the headquarter and give him to the healers.”
 Grus blinked.
“The headquarter? I thought we were sending him to Impel Down. They have a lot of titans working there. If anyone knows how to make him talk, it’s them.”
“We’ll keep it as last resource.”
 The soldier shrugged, then mounted on the wagon and spurred the horses down the street.
Koby took a deep breath and glanced back at the inn.
“We need to keep the capital safe.”
Three days had passed since the massacre. No progress had been made in the half-titan case, and the rest of the population was growing listless. Two teenage half-titans had been killed in the Rat’s Heap, the poorest district of Sabaody. The militia presence was very scarce there, and daily disorders were the norm, but not at this rate. They were receiving frequent reports of aggressive half-titans from other districts too.
The only information they gathered on the murderer was his name, Gin, and that he was a hunter in the marshes at the Southeast rim of the capital. Like most titans, he was on a watchlist, but his past before arriving at Sabaody was a mystery.
“NEWWS! GET THE NEWWS OF TODAY!”
 Koby walked through the crowded streets of the Sunlight Market, staying large of the people swarming around the news boys.
“PRINCESS UTA’S EIGHTEENTH BIRTHDAY IS ONLY TWO WEEKS AWAY, AND THE FIRST BLOOD TOURNAMENT WITH IT!”
 Like he needed someone to remind him that.
Humans and half-elves were throwing coins at the boys, papers were being handed over in all directions.
“THE CITY IS GOING TO WELCOME GUESTS FROM ALL OVER THE CONTINENT! ALABASTA! KANO! LITTLE GARDEN! TOTTOLAND! MAYBE EVEN WANO! AND WHAT ABOUT ONIGASHIMA?!”
 Some loud gasps rose from the crowd. Koby winched lightly.
“HOW MANY CHAMPIONS WILL THE OTHER RULERS SEND?? FIND THE UPDATED LIST IN THE LATEST ISSUE!”
 They knew how to sell their paper, Koby would give them that. Those boys were certainly trained by the Lord of Whispers, Morgans himself.
 The commander took a hard turn and put some distance between him and the busiest square of the market.
He had ditched the silver cape of the ground Militia for a casual outfit, a linen scarf wrapped around his chin not to be recognized. He walked for the best part of an hour to a small park by the river. There were very few people around, mostly homeless men hanging in the shadow of the trees. One of them, a blind one, was throwing crumbles at the ducks by the bank.
 Koby opted for a bench right behind him and sat.
“Has the mist dissipated yet?” he asked.
“The fog is all I see.”
 The homeless was wrapped in a ragged cloak, but his frame was still impressive. He didn’t turn nor greeted the visitor.
“I hope you know how great of a risk it is to meet you,” he said, offering some seeds to the closest duck.
“I know. I’m sorry, but I need to know if you have any information on the mad titans’ cases. We are grasping at straws here, and we are expecting the first delegations to arrive in less than a week.”
“I’m working to make sure we don’t get spies from Kaido or Big Mom in the city amid this new influx. Public security is your job.”
“I’m sorry, Sir Diez, but you are the only one that can get me real intel from the streets.”
“Don’t use my name.”
“Sorry. But it’s true. I need… to talk to someone. Someone that can help.”
 The other paused for a moment.
“I heard you apprehended the last titan alive.”
“Barely, yes. He’s in our custody now but he’s mostly unconscious, and when he does wake up he’s hardly more than a vegetable. They’re feeding him through nectar and blood injections, but I’m afraid he’ll die soon.”
“So what are you asking me? I know nothing of this titan madness. Unless you came to me because I’m a half-titan myself?”
“Absolutely not!” Koby yelped, pressing a hand to his mouth immediately after “S-Sorry, I mean, no. What I want is… I’m looking for someone that can get the information out of the prisoner before it’s too late.
“You want someone who practices witchcraft.”
 Koby hesitated.
“Yes.”
 Diez remained silent for a while. Of course they both knew that witchcraft was forbidden in the capital, but they also knew that the lower belly of society harbored many sorcerers.
“I could give you some names,” Diez said, rubbing his chin “But there’s no guarantee that you’ll get what you want. These people are criminals, they can be deceiving.”
“Well, at least it would be a start.”
“No.” Diez threw the rest of the feed in the water, and the ducks around him stormed in the river “It’s not a witch that you seek. What you need is a Mind Whisperer.”
 Koby’s eyes widened.
“Wait… we have someone like that in the capital? They’re so rare, I thought they could only be found at the Tree of Knowledge, in Ohara. I put in a request days ago but by the time the crow comes back, the prisoner will be dead.”
“There are illegal Mind Whisperers of course, albeit not many. Usually they are swindlers, or hold very scarce power.”
“So…?”
“I caught wind of someone. Not here – in Water Seven. I’ve only heard of them once, so I don’t know how accurate the intel is. But they say this one is the real deal.”
 Koby’s heart pounded. The free city of Water Seven was just a half-day away by horse from Sabaody.
“Where can I find them?”
“I only know they work as a healer in the Cherry Blossom clinic.”
“Cherry Blossom clinic. Got it.”
 Koby rose and bowed imperceptibly.
“Thank you, sir.”
 As he moved to leave, Diez called him back.
“I don’t know much about this person’s background, but I do know they are discreet and have high profile clients. People that can tamper with others’ minds are dangerous. Be on your guard, boy.”
 Koby looked at the half-titan’s back, then nodded.
“I will.”
[reader is of course the Mind Whisperer]
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nadiajustbe · 1 year
Text
Random Scarlett and Browne series headcanons because this fandom needs content (there was supposed to be more Albert, but it turned out to be a little bit for everyone)
He literally adores comfortable knitted sweaters, I mean, he canonically lived in one in the first book, but hear me out: when choosing, his favorite would be purple, followed by brown and light and dark gray.
Albert would have loved those coloured animal patches that they sometimes give to children in hospitals. I mean, I don't know what animal species are left alive in their world, but giraffes or tiger cubs would have been good for him. It's just cute, don't look for logic.
He is sometimes picky about food, in terms of, of course, the harsh realities of survival with Scarlett, he will eat whatever he can, but I think if possible he would have some kind of limited diet of favourite foods and dishes.
Scarlett, on the other hand, eats and loves absolutely EVERYTHING, because it is literally the only way for her to survive and she is used to taking whatever comes to hand. Although, I think she has some favorites too: fish and meat, most probably not so much greens (??? at least because they are not so easy to get and process, and also because I think so). But with all that said, she doesn't really think about it in most moments.
Joe, in contrast to this, also likes meat and fish, but he leans more towards fish because, c'mon, he literally lives and moves on a raft, he doesn't have that much choice, so I'm sure he can fish well)
Scarlett doesn't like chocolate, Albert likes milk chocolate or chocolate with nuts.
Ettie loves all kinds of sweets, although she hasn't had many in her life, so she enjoys fruit, for example.
Thomas also loved sweets, and it was literally the only reason they were ever in the McCain household in the first place. (I absolutely do not want Ettie to bring up Scarlett's trauma in any way, but there you go)
I saw a headcanon, it was @mellowkotto's I think, about Scarlett being terrible at playing computer survival games, and it really fits, but listen.
Albert is a very fast learner, so he would be really good at survival games because he would understand the mechanics and the rules of the game very quickly. This would create a pretty strong contrast, because in reality, things are a little different even after Albert's survival lessons. This led to a whole series of headcanons between me and my bestie about how they would play Minecraft, but that's a topic for a whole another post.
That's the only thing I'm saying from there: Albert built himself a house, tamed a dog, an ocelot and built a garden on his first day of play.
Scarlett spent the whole night trying to kill monsters with her bare hands because she's so angry that there are no knives or guns in this "bloody game" (don't tell her about mods), but then she just burrowed into the ground a few blocks down to survive.
Albert likes his pillow and bed to be warm
Scarlett likes her pillow and bed to be cold.
(It doesn't matter anymore, because if they share a bed, Albert canonically will be sent to sleep on the floor)
Albert falls asleep quickly, almost instantly, no matter how easy or hard or crazy the day has been.
Scarlett falls asleep for a long time thinking about her past and the results of the day, and even meditation doesn't always help. (Because they are both traumatised, except that Albert tends to ignore his traumas/not trigger them much, and Scarlett tends to live in them more than she wants to.)
Albert likes to play with Ettie, spinning small rocks or things in the air in front of her in a circle, like an invisible juggler when no one is looking.
Scarlett is pretty good when she needs to draw a quick sketch of a plan on a piece of paper, although she usually prefers to analyse the situation on the fly and keep everything in her head. And she and Albert are both terrible artists, seriously, some of Ettie's drawings are much better than what they can create even as a team.
(Although I think Albert would like to practice to better understand Ettie, for whom drawing is her preferred method of communication instead of words)
Both Scarlett and Joe are quite canonically gamblers, the only difference is that Scarlett spends large sums of money on gambling, not really caring about winning (she has trauma, just leave her alone), Joe mostly plays for fun, playing, for example, cards with Sal, for example, with a maximum bet of a few coins for show.
Mallory has been trained formal, clean language while working for the Faith Houses and the authorities, and so even if he speaks in a threatening and violent manner, his speech always remains calibrated. Therefore, it was another minus to his perception at Scarlett that she greeted him with a bunch of curses and a fist directly to his face from the truck cab.
And, regarding Mallory, in his childhood at Stonemoor, he would try to bring Dr Calloway some kind of gift after her "experimental sessions", whether it was a flower from a vase or a crooked drawing. Calloway was genuinely pleased with such thing, not because she really loved Mallory, but because it was the clearest indicator that her system was working and that this child was definitely attached to her and would do what he was told.
Despite the fact that Scarlett had the cuss-box after she joined the Brothers of the Hand, I really wish that the idea to pick up this tradition had come to her on her own, not on someone else's suggestion. Perhaps she had a similar jar for monitoring bad habits in her old house and then remembered it.
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