#learning and adapting and incorporating things

[thisisadonaldduckblognow]

bangs pots and pans

raph was never any less suited to leadership than leo

raph was never any less suited to leadership than leo

raph was N E V E R any less suited to leadership than leo

idk how many times i can say it before it sinks in that in rise there was never once any point where that was the point being made

if you just like leo’s character better than you like raph’s, that’s fine! if you just like it better when leo is leader, that’s fine! i have no issue!

but we need to stop trying to circle that leadership change back to somehow being about better or worse or ~more cut out for it~ because it sucks to throw the great job raph did through the series under the bus in order to prop up leo’s good qualities. 

they’re both great leaders. they both have strong suits and weak suits in the role, they both have growth and development when they’re in that role. they BOTH make on-screen mistakes in that role and aren’t very good at it at first! not getting a more in-depth explanation about it in the movie or series stinks and it’s very interesting to explore, but seriously. 

#rottmnt #rise of the tmnt #rottmnt raph #rise raph #like it's so...... #all of raph's growth as a leader and hard work at it was up and down about him growing as a leader #learning and adapting and incorporating things #when raph messes up the point is NEVER 'ohoho see he's just not as good at it or fit for it' #it's ALWAYS him learning something that he does better with next time #and in that vein leo showing those leadership qualities and potential! #is NEVER about 'oh he would be so much better at it than raph' #it's just about leo having that potential and that talent that went unnoticed! #and like. idk what to tell you leo was doing a not great job at start of movie like raph was doing start of series #if the point was always 'raph cant hack it leo was REALLY meant for this all along' then mayhaps... #one of the emotional high points and climaxes of the finale would not have been raph learning one more important lesson #and the team then fully unlocking the ninpo and rising to their potential #it probably would have been a finale arc about leo stepping up specifically in some way #and all this of course i say having put aside that leadership was never meant to be a big deal in rise anyway.... #pitting 2 bad bitches against each other like this for no reason like they're not both fantastic

[myfanfictiongarden]

Silly as it may sound, I’m absolutely obsessed with Disney’s The Legend of Tarzan!

Out of some random mood I decided to check it out (somehow never came to as a kid) and, goodness, its far better then one would ever expect. The humour, the action, the animation, characters, story arcs, the writing absolutely outdid itself. And every time I think it can’t get any better an episode follows that proves that it can.

Seriously, this show did a marvellous job and I can’t get enough of it.

#will probably write separate posts to it #about some of the episodes #how they incorporated things from the books #or the fact that we actually follow a married couple #with their everyday life #adapting to one other #learning from both sides #the show does not ignore they come from different worlds #or how Tarzan has big responsibilities to his gorilla family #or the fact that in the jungle everything wants to kill you #the historic aspect is also captured well #and none of the side characters are annoying #I love them all #what a hidden gem #underrated show #Disney the legend of Tarzan #the legend of Tarzan #tv shows #things i like

[just-late-roman-republic-things]

Today I am thinking about weaving.

I can knit and crochet, but those crafts didn't exist in Roman times. Any historically accurate Roman cloth must be woven. So when a little potholder loom jumped into my shopping basket for 50 cents, it felt like a sign I should learn.

One potholder that was 50% yarn and 50% weird gaps later, I looked up a tutorial, and realized why the damn thing was 50 cents. I needed a better, more adaptable loom. And, because I am a cheapskate and slightly loony, I decided to make one instead of buying it.

So, how does this thing work?

First, you string the warp threads up and down, around the pegs. Here, I made a zigzag shape. Then, you use a needle or shuttle to weave more yarn over and under the warp, horizontally, back and forth. This produces woven fabric.

Some looms weave from the top, some from the bottom. This Greek urn shows two weavers working from the top. The left weaver uses a rod to compact the woven fabric upward, keeping it even and sturdy. The right weaver is passing an oval-shaped shuttle through the warp threads to form another row.

Most Roman looms would have looked like this, with the finished cloth at the top. Unlike my looms, these are warp-weighted. That means you keep the warp yarns taut by hanging weights at the bottom, rather than through a bottom row of pegs.

Warp-weighted looms also have a big advantage over my little potholder loom: you can easily create multiple sheds.

A "shed" is a temporary gap between lifted strands and non-lifted strands. Instead of having to go over and under each strand individually, you raise the entire shed, then pull the shuttle or needle straight through. This saves lots of time! Then, to weave the next row, you close the shed, lift up a different set of threads to create a new shed, and send the shuttle/needle through the other direction.

On a warp-weighted loom, the sheds are opened by loops called heddles (H), which are attached to a heddle rod (G). When the rod is down, shed (1) is open (middle diagram). When you pull the rod up, shed (1) closes and shed (2) opens instead (right diagram). Most warp-weighted looms also have a pair of forks you can rest the heddle rod on, to free your hands.

Here, there are three heddle rods and sets of forks, the heddles are white, and the warp thread is red. This gives you four different sheds, and the potential to weave very complex patterns indeed. Not bad for a device invented over 6500 years ago!

I liked the multiple heddle-rod design so much, I tried incorporating it into my DIY loom, too. I've tested both yarn and paperclips as heddles:

I actually got both sheds and heddle-rods working, too. Which is pretty cool for a lap loom - every other lap loom I found only has one shed, so you have to go over-under the individual threads on alternate rows.* More time-consuming. However, the sheds here are narrow, and I'll need a smaller and smoother shuttle to pass through them smoothly. This wouldn't be an issue on a warp-weighted loom, where the warp hangs freely downward, and can move more flexibly with the heddles.

Anyway. I may get a "real" loom at some point, but I wanted to build one first, and I think it gave me more appreciation for just how resourceful ancient weavers were. They created technology, clothing, and artwork out of very basic materials, and civilization depended on these skills.

Now, I need to go finish the...whatever the hell it will be. Big thanks to Wikipedia and to the lovely Youtubers who make this craft easier to learn. I think it'll be a lot of fun.

(*Edit - found out a rotating heddle bar can make two sheds on a lap loom! Exciting!!)

#jlrrt essays #weaving #textiles

[spirantization]

I'm surprised at the hate that Sokka's character arc from NATLA is receiving. To me, Sokka's development and characterization was one of the strongest adaptations the series made.

In the original ATLA, Sokka's character arc revolves around him unlearning his own misogyny. He makes pointedly sexist comments throughout the early episodes like "Leave it to a girl to screw things up!", "There's no way a bunch of girls took us down!", etc.

Sokka's comments have a strong narrative purpose: they give a platform for women in the show (Katara & Suki mostly) to refute his attitude. Katara emphasizes traditional "women's work" (cleaning, cooking, sewing, etc), which forces Sokka to confront its inherent value. Suki is able to prove to him that women can fight too and he learns to respect female warriors. It's a great character arc and it's well-executed.

It's also characterization that is in direct response to the culture and feminism of the 90s and early 00s. The representation of women in the media at that time was...oof. It was not great. One-dimensional love interests whose only purpose is being saved by the male protagonist, mostly. Female protagonists were not as common, and certainly not ones who were depicted as being able to fight, and certainly not in cartoons. Female protagonists in animation were almost exclusively princesses.

ATLA was progressive in this regard. Katara was a complex female character in a time when there were not a lot of them, in media in general but especially in animation and kid's shows. (I grew up in the 90s; there were no characters like Katara in animation on screen for me.) ATLA incorporated the zeitgeist directly into the story, which is why we have Sokka learning to overcome his sexism in his interactions with Strong Female Characters.

If you go back and watch the original cartoon now, Sokka's sexism feels a bit dated. It's a very 90s, Girl Power, "girls can fight too" style of social commentary. It doesn't match with the media landscape of today. We've got 20 years of media with female superheroes behind us. If your message is "girls can fight too!" the response for the most part is going to be "yes, we know that. And?"

So imagine you're adapting the original ATLA for a live-action remake. You want to keep Sokka's character arc intact, but you want to update it for the 2020s. So what do you do? You look at the conversations that are happening today.

The 90s were about "girls can do everything boys can do", but the 20s are over that. The conversation is more about gender: gender expression, gender roles, gender dynamics. What does is mean to be a woman? What does it mean to be a man?

Sokka's character arc in NATLA is focused on this question: What does it mean to be a man? At the beginning of the series, it's his identity as a warrior that defines him. He needs to be the warrior, the protector, the leader. He's constantly trying to reaffirm this part of his identity, and it's completely tied up in his perception of his value as a man. Instead of his interactions with Suki being about "how could girls possibly be warriors", it shifts to Sokka saying "I'm ALSO a warrior" and trying to justify that to Suki (and mostly himself).

His arc over the series is about him accepting other aspects of himself and relearning how to define his masculinity. He can still have value as man without being the greatest warrior. He can still have value as a man by using his skills as an engineer. He can still have value as a man by offering compassion and kindness to others, like the little girl with the doll & Yue in her final moments. Instead of rigidly defining himself by a specific set of gender roles & expectations, he learns how to define himself through his own strengths and qualities.

I know there are a lot of people who are upset at this change to Sokka's characterization, and the most common thing I see is that it results in changes to Katara's character and her anger in response to Sokka's comments. I think there are valid criticisms to be made about how the show handled the adaptation of Katara's character, but I won't go there with this. In terms of Sokka and his characterization, it was well-done and thematically consistent with the original. It's not an exact port, and it never needed to be. It's still a feminist arc that centres on unlearning harmful misogynistic worldviews, but the focus has shifted from external (roles of women) to internal (his role as a man). And his journey is one that people would benefit from seeing represented.

#atla #avatar the last airbender #natla #netflix avatar #atla meta #there are many criticisms to make about the adaptation but this just isn't one of them

[blindbeta]

I've noticed that you are interested in stories with multiple blind characters and often propose adding more blind characters to a story as a solution. I really struggle with this because it's not as simple as that -- stories don't have infinite narrative space. The idea that every story has a large cast is influenced by the prevalence of long serialized media in fandom: webcomics, TV shows, etc. But many writers (myself included) write a lot of novellas and short stories which often only have a few characters -- maybe even only 1 or 2! Even novels don't usually have huge expansive casts -- maybe 5 main characters with some additional side characters.

Considering this, I don't understand how it's realistic for every story (or even, say, 50% of stories) to have multiple blind characters (without it feeling forced). This is compounded by the fact that most blogs that talk about other forms of representation say the same! So if I write a 2-character short story and the protagonist is a blind Latino man, does the second character also have to be a blind Latino man? It just doesn't make sense! This is just a general problem I've noticed in discussions around representation -- there's an assumption that every cast will have 10+ characters and narrative space to develop those characters, even though that's not realistic for most narrative forms.

Do you have any thoughts on this?

Writing Multiple Blind Characters in Short Stories

Hi Anon! Surprise. I write short stories as well. I have experience with this. I have never felt like my blind characters were forced or unrealistic, even with having several of them in the same story. I’ll try to explain what might help you.

First, the idea that multiple blind characters is forced or unrealistic comes from ableism. Think about why you feel there is a limit on disabled characters. If you can create stories, I would hope you are creative enough to consider the possibility that multiple blind characters could exist in the same place and time. Challenging this barrier opens up more possibilities, allowing you to explore different types of blindness, different reactions to it, different upbringings, and multiple ways of living, adapting, and navigating being blind.

Second, blind characters need access to their own community. This is where they learn how to be blind. This where they get support. This is where they might find understanding and belonging. You can find more information about community here in an excellent reblog. Also, here.

As you mentioned, I often suggest adding more blind characters when writers insist upon using stereotyped portrayals. Having multiple characters with different experiences helps to make your story more realistic and nuanced, contrary to what people might implicitly believe. Having more than one blind character is something I highly recommend because it helps with not having all your representation rest on the shoulders of one character.

For example, if you are worried a main character who has cloudy eyes might reinforce the idea that all blind people have cloudy eyes, having another blind character with a different experience may help. If one of your blind characters is naive and innocent, you might have another blind character who is brash, displays a lack of trust in others, and has a lot of shocking stories. Maybe they’re in a rock band together. They met while playing blind football (aka soccer) on a middle school team. They bonded over their pet cats and sour patch kids.

Or something.

Another important thing to remember when writing is that you have control over the story. Too many writers come to me feeling stuck because they feel they cannot change their story while also wanting to incorporate my suggestions. This makes it challenging to address implicit bias or stereotypes, much less guide writers in going in different directions.

Additionally, I feel uncomfortable with the complaints about other blogs in this ask. I feel like this isn’t really about me, nor is it something I can comment on. I will say that it sounds as if a bunch of blogs dedicated to helping people write marginalized characters are mentioning some of the same things. They are probably doing so for a reason.

However, while it helps, writing multiple blind characters won’t improve every story, which I explained in my review of the book Blind. I was not impressed with this book. I did not feel that the four blind characters were very good, nor did having them help with offsetting the portrayal of blindness as a miserable experience.

Conversely, one of my favorite blind characters is Toph Beifong from Avatar: The Last Airbender. Despite being the only blind character in the show, the writers did a good job with her. Would I have liked her to meet more of her community as she travels with the Gang? Absolutely. Even though I like her, she still never had access to her community after being isolated by her parents for so long.

So, no, you don’t need to have multiple blind characters if the suggestion bothers you this much. I even provided good examples of what to do, what not to do, and times where my typical advice was not as helpful for the resulting story.

However, please consider where these feelings stem from. Consider the origins of the idea that having multiple blind characters is unrealistic. Using the example you provided in your question, I wonder, would you say the same if both your characters were white and abled? Is there any way you can challenge the fear of seeming unrealistic? What about being considered unrealistic bothers you so much?

You don’t necessarily need to have characters in the story for them to exist. Even background characters can help. I will try to give some ideas for this:

Does your blind character have family they can talk about or remember? Are any of their family members blind?

Do they have any friends? Just because the friends aren’t in the story doesn’t mean they don’t exist at all.

Does the blind character have any formative memories or flashbacks?

Does the character who isn’t blind know any blind folks?

Your characters should have lives outside of the story. They should have memories and experiences that made them who they are. This is where you can have other blind characters. Perhaps this is how your blind character can have a community.

However, I would still like to see more blind characters interacting with each other. This is what I want as a blind person. If you don’t want to go that direction, that’s fine.

I hope this helps.

#blind #blind characters #writing blind characters #ask #scheduled post #writing more than one blind character #multiple blind characters #ableism #let blind people have friends and community challenge

[thatdeadaquarius]

@goldensunsetchild Asked:

Hello there! I know that you might be busy right now but I wanted to let you know an idea that I have, greatly inspired by your post: spanish reader who gets homesick but instead of getting depressed by it starts to do things they used to do back on their world. Dancing to their traditional dances while singing their accompanying songs, teaching the children the games they used to play when they were younger and also telling folktales to everyone who is interested in listening to. If you decide to do this idea and want to incorporate things from Costa Rica, please let me know and I'll help you with anything you need (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)⁠✧⁠*⁠。

(Content under cut)

HELLO YES SORRY IT TOOK ME SO DAMN LONG TO GET TO THIS!! 😭 /gen

I went to Costa Rica back in highschool in 2018? I think, and when I tell you I FELL IN LOVEEEE <3333

Costa Rica is a beautiful country and everyone was really nice, vibes were immaculate 🤌 ✨

☆

Sun: Costa Rican Reader! (you/they/them)

Stars: Sumeru cast

Comets & Meteors: Content Warnings: None known & Trigger Warnings: alcohol usage/drinking game.

Orbit: Headcanons-ish

☆

when u first crash landed in Teyvat, people luckily recognized you from when u were a player!

and u took in whatever culture and traditions everyone was so excited to show you as they were kind enough to give u clothes/food/shelter etc.

butttt… it did get overwhelming after a few months, and u got homesick more and more often :(

after all there wasn’t really an equivalent country to Costa Rica, and you couldn’t just take a plane back home, you were stuck here for… however long it takes someone to leave a video game universe??

You decided to actually do smth abt the crippling depression and “outsider” feelings instead of just rotting away, and went to Sumeru to get closer to the greenery of your home,

it made you feel a little better, but it could be the best, so u decide to lowkey force everyone in Sumeru to convert to Costa Rican LMAO

so ofc u did the most logical thing to convert ppl to a culture, the food!

u helped fund a small restaurant full of classic Costa Rican foods (coughandsoyoucaneatitwheneveryouwantcough)

(u still have the insane mora leftover from what u had in game so ur basically one of the richest ppl in Teyvat ngl 💀)

u recreated just the basic gallo pinto/casado with what was available (some beans from Natlan and rice from Inazuma/Liyue, the Ajilenakh nut from Sumeru acc kinda acts like plantains :0 and local fish/greens for salad)

Needless to say Sumeru is fascinated by the new cuisine and esp since its not a secret that you’ve funded it/made the menu from your homeworld

Alhaitham orders the casado most of the time bc he “admires the exact proportions, its all the nutrients you need, perfectly balanced” NERDDD

Tighnari likes barbudos bc there's not a lot of egg dishes in Sumeru but there are a lot of greens, so he “likes the familiar in unique combinations!”

unsurprisingly, Cyno likes Chancelta bc he can pick it up, eat it quickly, and go on with his patrol

Collei, Kaveh (and secretly Dehya lol) really like being able to munch and snack on sugar cane, (and the plantain imitation desserts!)

(u found sugarcane deep in sumeru forests, it was like on ur world, but sweet flowers sprouted out of the stalks too!)

You decide the next phase was to introduce dances and other fun stuff!!

Nilou was literally shaking with excitement to learn the traditional dances <3 (and also getting ur permission to add fun twists or Sumeru elements to them)

the kids that like to hang around and watch the troupe practice (and join) absolutely got obsessed with swing criollo, it was so cute to watch them all pair up and kinda trip over their own feet trying the footwork out

(u may or may not have teared up bc the band learned how to play a Spanish song for u guys to dance to, just for you)

teaching the theater troupes musicians how to adapt upbeat songs like Caballito Nicoyano or Ticas Lindas

omg getting Nilou Kaveh Faruzan Cyno Dehya (and Dunyazard!) to do the calipso limonense always cheers you up, (which is why they are so eager to do it when ur feeling homesick ❤️‍🩹)

Kaveh steps on too many people’s toes, Dehya gets dizzy from the spins/turns easily, Faruzan keeps spinning for too long, Nilou and Dunyazard are actually secretly latina bc they're so good at it (did they outdo you?? no, no they couldn't possibly-)

and Cyno just really likes the little dance line everyone makes lol

speaking of the General Mahamatra

FOR THE LOVE OF GOD

u CANNOT teach Cyno a new game from your home country, and expect him to NOT be the most competitive mf in Teyvat abt it

that's actually how u spread any games from back home, Cyno just does all the work for you and challenges ppl to things like jackses and no one knows what it is

which he then proceeds to strong arm them into learning and beat their asses at it

(yes Cyno wins against you a lot, sorry lmao)

You definitely had a drinking game centered around it one time and the consequences changed with each person who lost

like Cyno had to learn how to cook tamales that were edible, and more importantly..

Alhaitham had to at least attempt the swing criollo lol

(was it unfairly attractive? maybe. was watching Nilou, who was teaching him, and Alhaitham both do swing criollo 2x as attractive?? that's just for u and the Sumeru vision users to know)

SPEAKING OF ALHAITHAM

absolutely hilarious, yet also impressive?? how quickly he picked up ur slang

smug bastard picked it up based off sheer context/vibes too, u didn't even explain it to him, just u trying to go sit down in ur Costa Rican restaurant and he pulls u back before someone mows u down saying “hey, suave un toque-”

YOUR NECK FUCKING CRACKING BC U WHIPPED AROUND TO LOOK AT HIM SO FAST LMAOOO

(ngl u scared the fuck out of the poor scholar before he got all smug abt knowing slang)

accidentally spread this knowledge to other vision users bc he got in the habit of casually using it, tbh more often when ur not around lol (Alhaitham being caught having habits bc he's fond of other ppl?? never)

his favorite is “qué chante…😒 ” obv lol

so now the forest rangers use stuff like pura vida and tuanis sending each other off on patrols! Collei so cutely excited to explain to other Sumeru ppl or tourists where the words come from and what they mean, spreading ur Costa Rica agenda very well 👌

and the mahamatra like to use “Jale pa’la choza” when coming back from the desert to Sumeru city homebase! :)

ALSO bonus:

u absolutely got leyendas into the bedtime warning/ghost stories of the entirety of Sumeru children lmao

u start spooking kids like Dori (Nahida finds them fascinating)

and after awhile u notice Cyno and Dehya mentioning watching out at night for La Llorona or los cadejos 💀??

like you've genuinely made them paranoid, bc they wanna be sweethearts and protect you from them, like even if they don't believe they exist, they're worried you do and are trying to make u feel better lol <3

☆

an iced coffee? for me?? :O 

Blessed be Costa Rica, such a lovely country when I went, and as soon as I got off the plane coming back the first thing I did was make a Costa Rican meal the best I could

like got my mom to prep from dry black beans and rice etc. as fresh as we could get (nowhere near costa rica level btw) and made fresh guac and fried plantain chips and salmon I think? literally cooked the first night back bc I knew I missed the food already/knew id get sick

and I was RIGHT, that food I made was fine, but any other American food so bad I got nauseous

I literally got sick COMING BACK TO THE U.S like 😨???!!! I knew it was bad but not THAT bad lmao

and the first meal I had after that was still a homecooked meal, like my mom made it💀

love the coffee from there too, we even ordered coffee from the farm we visited when I got back to US it was so good (10x better than American obv)

THANK YOU BTW GOLDEN!! FOR BEING SO PATIENT AND LOVELY TELLING ME ALL ABT COSTA RICA <3333

I hope this did some amount of justice to ur beautiful home! :)

Safe Travels Golden Child,

💀♒

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/specifically this AU/fandom, please!")

♡my beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily

#genshin sagau #sagau #genshin isekai #genshin imagines #my asks #aqua asks #fuck i cant remember my tags #genshin impact #genshin impact sagau #genshin x reader #genshin x costa rican reader #costa rican reader #poc reader #gender neutral reader

[sapphic-agent]

Why & How Katara is the Strongest Waterbender

The ATLA fandom is funny. Because if there's one member of the Gaang whose skills are continuously doubted, it's Katara's.

No one hesitates in saying that Toph is the strongest Earthbender in the world. Aang has always been maintained as a natural prodigy. Sokka's strategic intelligence and cleverness are never in question. Most people are positive that Zuko would have beaten Azula if she hadn't targeted Katara and hail him as a swords master.

But for some reason, it's always Katara whose proficiency is either called into question or severely downplayed.

Some are skeptical about the legitimacy of her becoming a master in a short time. Others are certain that her victories are due to plot manipulation. Both of these arguments that ATLA is a kids' show which pushed it into giving her the win.

(Funny how ATLA is the greatest piece of media ever read until it comes to anything pertaining Katara's character lmao)

So I wanted to take a minute to talk about the progression of her waterbending skills and how she became Master Katara.

Pre North Pole

The first time we really see Katara practice waterbending is in The Waterbending Scroll when she decides to show Aang her limited very skill set. She noticeably has a difficult time with her bending, whereas he seems to pick it up rather quickly.

As we know, Katara has never met another waterbender before. She has no idea what their bending is supposed to look or feel like. And that's reflected in the moves she shows Aang.

I want to draw attention to Katara's stance here. She's stiff, even a little awkward. She's standing where more like an Earthbender. We see this repeated when she's practicing the Water Whip.

Even later when she does perform the Water Whip correctly, there are still traces of this.

You know how Iroh learned to redirect lightning watching Waterbenders? Well, my assumption (at this point I'm 80% sure it's meant to canon) is that Katara learned most of her bending by watching Aang and the Earthbenders they met around the world.

It makes sense, right? They would have been the closest thing to Waterbenders she could have learned from. She even asked Aang to teach her in the first episode. So the start of her bending began with incorporating the forms of Air and Earth.

And we see the results of that in her fight with Pakku.

Fighting Pakku

Katara's fight with Pakku is a great demonstration of his visually. He's a master, so he's already proficient at "push and pull." Katara is not. She's done it before, but it's not her go-to style when she's fighting. And we can see it in this fight.

Again, her stance is firm. She either blocks his attacks or bats them away. She doesn't reinforce and redirect them like he does hers. She isn't fighting like a Waterbender, she's fighting like an Earthbender.

Not to say this is a bad thing. Pakku himself even admits that she's good even though they both know she can't beat him.

Why am I bringing this up? Because one thing about Katara that's overlooked is her adaptability. When she didn't have a waterbending teacher, she made do with observing Earthbenders. She picked up Pakku's teachings even better than Aang had. And going forward from here it really begins to shine in her bending.

She completely dominates Pakku's other students and Zuko (twice). Why? What makes her so special compared to men who have been training their whole lives?

Because water is the element of change. By being so proficient in adapting (not just in her bending, but openly embracing different things and experiences and people), Katara unknowingly embraced the mentality of her element.

(It's actually a funny twist of fate because you could make the point that the North held its other Waterbenders back by being so bound to and unflinching in their traditions. It would explain why none of Pakku's students even stood a chance against her)

If you think about it, you could draw parallel to Yue explaining the history of Waterbending to Katara to the Sun Warriors explaining fire as an element to Zuko. In both cases, you can see that they're able to see and understand their element in a new light. Although it's more of a realization moment for Katara as she already knew about pushing and pulling and it's more of a lesson for Zuko who was taught something completely different.

Katara vs Azula (Round 1)

You know how I said people attribute her wins due to plot manipulation because ATLA is a kids' show? Well it seems like Katara vs Azula is the scene they focus on the most for that.

But let's be real, this isn't a fluke. The show purposely draws attention to Katara prowess and skills during this fight.

Azula is someone who's always in control. She's someone who goes into fights with full confidence. But she is completely thrown off by Katara's abilities here.

And this is something that persists throughout the entire fight. Katara completely overpowers her. At no point during the fight did Azula have the upper hand against her.

And remember, this is Azula's fight. She's the one who imprisoned Katara and Zuko. She's the one who attacked Katara and Aang to begin with. Sure, she was probably counting on her manipulation of Zuko working and him backing her, but there was no guarantee that he would be able to get away from Aang long enough to help her.

And right after this, Aang really struggles against Azula. He doesn't own the fight nearly as well as Katara does.

So, we know it isn't a fluke. The creators intentionally made Katara outclass Azula here. She's canonically the superior bender between the two of them. And that's not a small feat by any means. Azula at this time is one of the best Firebenders alive, probably fourth (after Ozai, Iroh, and Jeong Jeong (she could possibly be above Jeong Jeong)).

So what was the reason for this? Why was Katara able to outclass Azula so effortlessly?

Well here's where Katara's mastery of the meaning of her element comes into play again. She understands and excels in the concept behind water. Always changing, always adapting. She embraces water to its fullest capabilities (which also includes incorporating other elements into it; water would actually be the best element to do this with). The entire fight, she's switching stances and forms and keeping Azula on the evade. Whatever Azula throws back is dealt with without an issue.

And as we know, Azula (and most Firebenders) misunderstand fire as an element. She uses it solely as a destructive force, but it's also energy, life, and passion. This is also part of the reason Zuko lost so easily in the Northern Water Tribe; he also had the same issue. Katara's proficiency in water as not just a weapon, but an element, gave her the advantage over Azula she needed.

Katara vs Hama

A debate that comes up a lot is who's the better bender between Katara and Amon. To that I have always said Amon was taught Bloodbending, Katara just did it.

Let me reiterate: NO ONE TAUGHT KATARA BLOODBENDING. Hama explained the concept to her, yes, but never actually taught her. In fact, she did not expect her to pick it up without guidance. In her own words, "You should've learned the technique before you turned against me."

This was a technique that took Hama decades to learn. Tarrlok and Noatak were trained relentlessly. And Katara just... Did it. No guidance and no build up. This supports that Katara's adaptability and versatility in her bending is unmatched. She's able to comprehend and perform advance concepts with no training or teaching.

Now that we got that out of the way, this fight is so comprable to Katara vs Pakku. This is the second time she's fought a master and we can see how much she's improved. So much so that she doesn't even struggle against Hama.

At this point, she's mastered "push and pull." She's able to take everything Hama throws at her and send it right back with little to no effort.

But she takes it a step further.

Instead of redirecting, Katara completely stops Hama's onslaught. This undoubtedly is something she picked up from Earthbenders. It certainly isn't a Waterbending technique, yet somehow she made it into an effective move.

Look at Hama's face. She's completely thrown off by this. This was not something she ever expected out of any Waterbender. She was completely unprepared for Katara to be able to outmatch and overpower her.

Katara completely surpassed her, solidified by using the technique she invented against her.

I was going to talk about Katara and Azula's second fight, but there isn't much to add there. I already compared the difference in their skills talking about the first fight, and the Agni Kai is an escalation of that. The outcome of the Agni Kai was already decided and confirmed in the catacombs.

And that my friends is how and why Katara is the best Waterbender in the world

#master katara #katara of the southern watertribe #katara analysis #give my girl her due respect #katara is the greatest waterbender in the world #no i won't be taking criticism #argue with the wall #katara deserved better

[artistmarchalius]

Cockney Rhyming Slang! ✨

I’ve seen a good amount of rhyming slang from Hobie in fics and I love to see it! I love language and slang; I find the origins and usage of words fascinating, so I thought I’d make a little post about it to offer up some knowledge, tips and suggestions that I hope will be helpful or interesting to both those currently incorporating it in fics, as well as to those who want to use it but might not know where to start. Or even to those who don’t write but want to know!

So here we go!

First, a very brief history!

Cockney rhyming slang originated from the East End of London in the early 19th century. It was originally used by Cockneys so they could speak in front of the police without being understood and was very handy if you had some dodgy dealings going on. It has since passed into common language and is no longer restricted to use by Cockneys.

So you can see why it would make sense for Hobie to know a lot of it if he’s running around rebelling against a corrupt government run by supervillains!

How does it work?

Cockney rhyming slang works by taking a word and using a rhyming phrase of about two to three words to replace it. For example: “Daisy roots” means “boots” and “Ones and twos” means “shoes”.

There can be multiple phrases used for the same word, for example: both “Trouble and strife” and “Duchess of Fife” mean “wife”.

A Cockney rhyming slang tip:

A little shortcut to make your Cockney rhyming slang more authentic to a day to day Brit is to only use the first word in the phrase. For example:

If I wanted to write “Use your head”, I could write “Use your loaf of bread” and that would be accurate, but it would be even more accurate to just say “Use your loaf”.

Another example:

“I haven’t got a clue”, which if you’ve seen Across the Spider-Verse, you would know is “I haven’t got a Scooby Doo”, is commonly shortened to “I haven’t got a Scooby”. This actually threw me off when I saw it in the cinema and I never knew why until I learned about the “first word rule” in an East End documentary the other night 😂

Other examples:

Bread and honey = money. “I don’t have enough bread for that.”

Rabbit and pork = talk. “He don’t half rabbit on”. Chas and Dave wrote a song called Rabbit, which is a bit casually rude towards women as many things from the 80’s can be, but it did give us the line “You’ve got more rabbit than Sainsbury’s“ which I find quite funny.

Butchers hook = look. “Let’s take a butchers at that”

Donkeys ears = years. “I haven’t seen you in donkeys!”

I believe that back in the day, only using the first word of the phrase was an added level of secrecy to keep the police from knowing what you were talking about since it took away the rhyming portion of the phrase which the police might have been able to guess the meaning of. Only those who knew the rest of the phrase would know what the other was talking about. It has since become a more common practice to the point where many people don’t even realise they’re doing it (as I did until recently).

However, it is still perfectly acceptable to use the full phrase. For example, I’ve called someone on the old “dog and bone” (phone) and I’ve heard the stairs be called “apples and pears” but not really just “apples”.

Other examples:

Donkeys ears = years. “I haven’t seen you in donkeys!” as mentioned above. It’s also commonly mistaken for Donkeys Years. “I haven’t seen you in donkeys years”. Although technically it isn’t the full phrase, I’d say this still counts.

Shortening and adaptations:

Over time, some of the phrases have been shortened and adapted to form new slang. For example:

Bottle and stopper = copper (police). I’ve seen a lot of use of bottle and stopper in fanfics and that’s perfectly acceptable. However, the phrase is more commonly shortened to “Bottle” or adapted to “Bluebottle” or “Mr Bluebottle” due to the colour of their uniforms. Also, “bluebottle mob” can be used to mean the police force.

Another example of shortened and adapted Cockney rhyming slang is:

“Pork pies” = lies. More commonly shortened to “Porkies”. E.g. “she’s telling porkies.”

Here are some other slang words that have their origins in Cockney pronunciation:

Wotcher - an informal greeting originating from the Cockney contraction of “what cheer” (basically meaning “hello” or “what’s up?”). E.g. “Wotcher.”

Bruv/Bruvver - brother. Used the same way one would say “bro”. Bruvver is a cockney pronunciation of “brother” which has been shorted to the more commonly used “bruv”. E.g. “Good to see ya, bruv!”

And there you go, some quick knowledge about Cockney rhyming slang! I don’t claim to be an expert on the topic, a true Cockney would know far more than I do, but I thought I’d throw my hat into the ring and share the knowledge I do have in the hopes that it will help or entertain someone.

I’ll make another post going into police specific slang terms since that seems to be something that is intrinsically tied to the Spiderman experience, as well as Hobie’s, even more so as an anarchist arachnid, fascist punching punk rebel.

I might also make another post about general British slang words. Let me know if that’s something you’d be interested in or if there’s a specific area that you’d like to know about!

#hobie brown #cockney rhyming slang #hobie brown fanfiction #hobie spiderverse #spiderman across the spiderverse #hobie brown atsv #atsv hobie #atsv fic #fic help #spider man: across the spider verse #across the spiderverse #Spiderman #across the spideverse fanfic #spider verse fanfic #spiderverse fanfic #british slang #apologies if I made any mistakes #I can only speak from my experience of being British and surrounded by other British people

[phantoms-world-and-more]

Danny big brother to damian

Danal is a prodigy, he can adapt to any situation, follow muscle movements with ease. He has a laid back, sassy and cheerful personality, and is the nicest person in the league, but you piss him off may god have mercy.

When damian was born Danal fell in love with him and became more of a caretaker than talia when it came to damian.

Whenever damian had trouble with a movement Danal patiently helped him, when he hit his 'why' phase as a child Danal was the only one who could be around him. He was the only one who could get damian to smile, damian adored Danal and wanted to be like him. Strong and deadly but that didnt stop him from being kind and helpful.

Ra saw that while yes Danal and him butt heads more often than not, he was far more perfect as an hair than damian and decided to use that.

He planned to execute damian in front of danny to break him. What he didnt expect was for Danal to interfear and take the killing blow for him.

Damian had to watch his big brother, the person who tought him what love is, cared for him, gave him the best training, and now Danal gave his life for his. Danal told him in his last words how much he was proud of him. How damian is stronger than he thinks and how loving him was worth it even if it got him killed.

Damian believes a peice of him died with Danal that day.

No one checked if danal was alive after the final blow, but if they did they wound see there was a little bit of life left on him, so when talia took Danals body to the Lazarus pit it did something else.

DAMIAN:

After Danals death damin became the most aggressive person in the league, attacking anyone who came to close or bad mouthed Danal

He has a box in his room with things Danal owned/ made together / gift from him

When Bruce took damian and introduced him as brothers to the rest of the batfam he lost it, started yelling saying that their not his brothers

Damian resents talia for not helping Danal or at least not stopping him

Damian hates Ra more than anything

After damian warmed up to the batfam he refused to call them brother, he called them family but not brother

Damian refuses to tell bruce that he had another son, as a form of punishment for not being there for him

Damian has a map of the stars because Danal loved space

Damian tries to incorporate Danals fighting style into his, but since he didnt learn much he failed alot of the time, whenever anyone asked about it they were met with a knife

Damian agreed with bruce on how to love and is more familiar with love, and it confuses everyone where he learned to love

Damian is fearsomely protective of anything to to with Danal

There are 2 days of the year that people leave damian alone no matter what Danals birthday and his death anniversary

Danal showed damiam pictures of different animals as a kid and thats why he loves them

After a few years damian learns to some-what accepts danals death

Damian refused to blam himself for danals death even if he believes it to be true, danal wouldnt want that

Danals last words ring in his ear " loving you is worth eveything little brother, even my life, I'll never stop loving you

DANAL /DANNY

Danal woke in the ghost Zone after talia put him in the Lazarus pit with no memory of before, but subsequent knowledge of everything before; knew how to fight/cook/write/read/ be assasin/ what the Lazarus pit is but dosent know how he knowes this or have any memories

Danny wanders around encouraging ghosts till he finds the perfect place for his lair and builds it

He finds the fenton portal and decides to go through it

He discovered his obssession was protecting people he cared about

He traveled between the ghost zome and human relm with a lot more subtlety than the other ghosts

During his years as amity park protector he discovered new powers, he can change into a human form, ice powers, duplicates, something similar to clockworks ability to see everything, ghostly wail and how to control it, how to make portals throught the infinite realms and alot more

He always felt like something was missing and after protecting amity for a while he made a truse with the other ghosts and decided to traved the infinite realms

For reasons he cant explain he continues to train his physical body in the martial art style he knowes

He loves animals for reasons he cant say and loves to play with them

He has more allies due to them knowing what his obssession is

#danny phantom #fic prompt #daily prompt #dc x dp #danny fenton #batman #dp x dc #damian wayne #ra al ghul #talia al ghul #Danal al ghul #damian al ghul

[lunarmoves]

through pixel eyes (chapter one)

pairing: DCA sun/moon/eclipse x reader

mentions: kinitopet/virtual au, gender neutral reader, general creepiness

a/n: ignoring that it's 3am where i am... ch1's finally here! yippee!! ending is rushed but im tired so excuse it LOL pls check out the masterlist for more info on the fic (tags & summary). hope u guys enjoy! :D

word count: 5.3k+

masterlist

ao3 link

Click. Click. Taptap tap tap. Click. 

You chew aimlessly at the bottom of your lip as your mouse roves over to the latest email in your inbox, opening it with another decisive click. Perking up slightly, your eyes skim through its contents, mindful of the zip file attached to it at the top. 

Valued employee, the email reads, thank you again for your decision to assist Fazbear Entertainment in the latest beta testing stages for our developing proprietary technology. Attached is the file you are required to download to begin testing. As always, be mindful of the documentation you have signed previously; a failure to comply will result in immediate termination. Located at the bottom of this email is the submission form you will need to populate each time you conduct a run. If you have any questions or concerns, feel free to reply to this email. Have a Faz-errific day! 

You hum and scroll back to the top of the email again so you can look at the attached file. FazPals1.1_DCA.zip, it says. You click the download button, then lean back in your chair as you wait. 

For being such a large company, FazCo has a rather small beta testing team. You suppose it makes sense, though; their technology is so unparalleled that you are sure they’d want to keep information as closed off as possible. Hence why you’d been forced to sign all matters of forms—contracts, an N.D.A., and waivers, of all things—before they’d signed you on. You’re sure they are even more restrictive with their information after the pizzaplex burned down all those years ago. You’re lucky you’d managed to slither your way into their ranks to make the beta team, though you figure it helps that your resume is stacked with experience. 

You are certainly curious as to what they’ve been doing while they parade assurances that the pizzaplex will return “better than ever.” You have a vague idea from your past emails with management as you were being incorporated into the beta testing team—some kind of interactive game of sorts, you think—but they’ve been rather hush-hush about it. Your answer resides in the zip file that’s just finished downloading to your computer. You navigate to your file explorer and begin the extraction process for the files. Luckily, it doesn’t take too long. You scratch idly behind your ear, shifting your headphones a little to rest more comfortably atop your head. 

Okay. File open. Where is the— There! You double click on the FazPals_DCA.exe file to run it and begin installation. A brief glance at the time shows it is a little after six in the evening. You have quite a bit of time before you’ll need to head to bed. You’ll see how far into the program you get before you hit a checkpoint or something. 

You watch as a tiny pink and white bear on the installation window flips a pizza over and over while the progress bar steadily inches its way to full completion. It is oddly hypnotizing. And when the program finally finishes installing, the window closes. An icon of a cool crescent moon tucked into the burning yellow of a sun appears on your desktop and is labeled as FazPals. Nice. Thank you, fast WiFi. Without much preamble, you double click on the icon. 

A small window pops up in the middle of your screen. You glance through the text quickly. 

Welcome to version 1.1 of FazPals, your very own virtual desktop friend based on the hit characters from Fazbear Entertainment's Mega Pizzaplex! They are able to walk, talk, joke, tell stories, give fun facts, adapt, and play games! FazPals are like no other with their innovative adaptive technology! You'll learn from them as they learn from you!

Click the button below if you are ready to meet your new FazPal!

Not what you’d been expecting, but it sounds pretty cool. It reminds you of the Tamagotchis from all those years ago—only with the A.I. of Fazbear-branded technology. Well! No time like the present! You click the ‘Proceed’ button and the window closes. 

In the center of your screen, a small music box appears. It’s an unassuming little thing, wrapped in yellow with a red ribbon crossing over it to tie into a neat bow at the top. A crank awaits your click, so you do just that, watching as it rotates around and around until— Pop! The box opens and something jumps out of it with a flourish and a jingle of bells that echoes through your headset. 

The box disappears and you’re left to stare curiously at the little figure swaying animatedly on your desktop. He seems to look around a bit, then a small dialogue box flashes over his head. But before you can read its contents, the box disappears in a static puff. You cock your head slightly. A glitch, maybe? You file that away for later and instead observe the tiny, taut grin of the program. Your FazPal, or whatever. 

You recognize him from the pizzaplex commercials you’d seen on the television years ago—the Daycare Attendant. A fellow—fellows?—modeled after celestial bodies. You’re looking at the sun, currently, though his design is a bit different from what you remember seeing.

Before you can get a good look at him, however, another dialogue box pops up over his head with text accompanying a voice that chirps into your headset. You are momentarily surprised at the sound; you hadn’t expected FazCo to incorporate their voice module into the program too. 

“Hellooo, New Friend!” Sun exclaims in a slightly pixelated manner—hardly noticeable, really—as he waves a small hand. “My name is Sun, your very own F-FazPal!” There’s a slight glitch on the word that makes his voice deepen slightly, but it passes easily enough. “What’s your name?” 

Following his question, a window labeled ‘Name?’ pops up to his side with a textbox for you to input your answer. Figuring he isn’t going to proceed with his script until you type your answer, you take the moment to properly analyze his design. 

Detached sunrays of white and gold hover around his head, framing bright eyes and an equally as bright smile on a face split into a crescent. He’s rather lithe, with a red sash tied around his waist that’s adorned with small, golden bells. Another bell is tied around his spindly neck with a red ribbon, and those same ribbons are tied around his wrists. His torso is bare and colored in different shades of yellow. Puffy red pants cover his legs—triangularly shaped with sharp lines and edges. They are decorated in a design that reminds you of the circuitry of a motherboard—dissecting lines connected by small circles that start from his waist and make their way down the length of his pants in a trickle. Pointy shoes with little suns on their sides finish the look. 

He is all angles and unforgiving points, with a digitized sort of look to him that fits the whole ‘FazPal’ aesthetic, in your opinion. It’s certainly interesting. You like the futuristic feel to it. 

Pulling yourself back to the present, you type in your name. Sun has his arms crossed behind his back as he waits, swaying gently side to side. You hit enter and the window disappears. 

“Lovely name!” Sun chirps, his rays spinning around his head eagerly that you eye in interest. They look like floating pieces of fractured, stained glass, dainty yet deadly. “I’m sure we are going to be the bestest best friends!” You snort at the declaration. 

“To start our little quest of friendship,” Sun continues on, his head moving towards the dialogue box that pops up near him like he’s looking at it, eyes narrow. It’s honestly difficult to tell with that blank gaze of his. He returns his gaze to the front, where his eyes upturn into little crescents. “Why don’t we get to know each other? Sound good?” 

Another window appears with two simple buttons sitting next to each other under it: A ‘Yes’ and a ‘No’. You click the ‘Yes’ and Sun gives an excited little clap of his hands. It’s cute, in a way. “Wonderful! Okay! To start, what iiisss your favorite color?” The open window closes, then reopens to a textbox again with the new question displayed at the top. You hum and tap your chin thoughtfully, then let your fingers fly across your keyboard as you type the color in. 

You pause, however, before you hit enter and decide to tack on a ‘hbu?’ to your response. If only to satisfy your curiosity and really test the limits of FazCo’s ingenious A.I. Hey, you’re a beta tester—it speaks for itself! 

Sun grins even wider, if possible. “That’s a good one! As for me…” He makes a thinking gesture, eyes narrowing like he’s contemplating it deeply, then brightens up. No, literally. A lightbulb appears over his head for a quick moment. “I like all the colors, it’s so hard to choose just one! Normally, I just say ‘rainbow’!” He makes a little semicircle gesture with his hands around his head. Little pixelated sparkles wink into and out of existence near his fingers before he clasps his hands behind him once more. You’ve got to hand it to FazCo—they certainly know how to add some flair to their characters. “Next question! If you could have any superpower ever, what would it be?”  

You chew at your lip again as you lean back in your chair and ponder his question. Why is it when people ask you these kinds of questions you always blank on the answers? Sun is ever so patient as he waits, moving in that idle animation next to the open window. 

Ah well, it’s not like you’re answering an interview question or anything. You wing it. ‘probably invisibility, or something. hbu?’ And enter. 

“Ooh! Invisibility!” Sun nods like he’s giving his approval. “Good in the right hands! I would want the power to read minds, I think! All the better for making fantastic friends!” 

You make a small sound at that. Well, you suppose that’s one way to make friends, albeit not a very… stable foundation to base a friendship off of. Sun proceeds with his next question. “This one’s a bit of a tough one! What’s your favorite word?” 

‘Tough’ is an understatement. You’re stumped. You rake through your mind for a word and draw up nothing but blanks. You’re certain you have one, but you just cannot think of it at the moment. Shrugging, you type ‘idk. i can't think of one rn, sorry. do u have one?’ 

His head cocks to the side, grin curling at the edges. “That’s more than one word, New Friend!” Sun replies amusedly, then laughs—a loud, tinkering thing that cuts off a bit strangely at its end. “Kidding! I’ll let you off easy for that one!” He is quite good at adapting to your responses, you note lightly. Very intriguing. You wonder how that’s coded. “My favorite word is supercalifragilisticexpialidocious!” You blink in surprise. The dialogue box is barely able to hold the word inside of it. You didn’t quite expect him to say that, of all words, though you guess it makes sense for him. Sun doesn’t elaborate, just transitions merrily through the next part of his script. “Now, for this question, I need you to be as detailed as possible, okay? It is”—he pauses for a second—“essential.” 

You nod, but it’s not like he can see you, so you end up looking like a fool. Sun stares straight ahead and it… it feels a bit like he’s looking directly at you. You shift uneasily in your seat and watch his eyes go dark along with his white rays and wide smile. Abyss-like. Something drops in the pit of your stomach at the abrupt switch. His smile widens. It cracks like he’s on the edge of something hysterical. And when he speaks, it’s in a low, garbled voice that grates at your ears. 

“Where.” He grits out. “Are—” 

He doesn’t get the chance to finish. A glitch encompasses his body that makes his rays twitch erratically and his limbs to jitter about like he’s being electrocuted. You jerk back out of surprise and consider exiting the hell out of the program. But then he’s back to normal like nothing had ever happened. White eyes stare up at you with an equally as white smile. 

“Oh!” Sun exclaims cheerfully, swaying about gently. You’re taken aback and, quite frankly, confused out of your goddamn mind. “Silly me, look at the time! I’m afraid our friendship will have to wait! There’s someone else who’d like to meet you!” 

“What.” You utter the word mindlessly, eyes flicking down to the time on your computer. 6:59 P.M. Time sure did fly by through all of… that. You’re not entirely sure what to think of it. 

“Talk to you soon, New Friend!” Sun waves a hand in farewell, then spins himself around in a little animated tornado. You can only stare, oddly transfixed and still utterly flummoxed, as he spins around, and around, and around until the clock changes to 7:00 P.M. and he slows to an elegant stop. 

Only, it’s not Sun you’re looking at anymore. 

The rays are gone, replaced with a nightcap covering his head that’s adorned with twinkling stars and a little bell at the end. All the yellows have shifted to greys, blues, and blacks, though he still retains the golden bells, red ribbons, and red sash. His pants are a midnight blue with the same circuitry design, and his shoes now have little moons etched into them instead of suns. 

This must be the moon, you conclude once you’re done observing him. The other half to the Daycare Attendant you remember seeing via advertisement—the one who’d been in charge of naptime. 

You watch as Moon seems to look around. You’re not sure what he’s looking at, but you can only wait. Gentle ruby eyes move from your desktop icons to the open window that Sun had been standing next to. His smile turns jagged like the outline of a mountain. And then—

And then he slinks away, disappearing straight off of your monitor without a second look. You’re left staring at the open window, the cursor still blinking in the textbox and awaiting your input. What… just happened? You blink at where he’d disappeared off screen and wait a few moments. But he doesn’t come back. 

What the hell?

Five minutes turns into ten, which turns into fifteen and then twenty, but he truly does not return. You’re stupefied. 

Maybe you should restart the program? You nibble at your lower lip and right click on the FazPals icon so you can end it and then boot it back up again. Your mouse turns into that loading circle of death, and you swear you’re not holding your breath in anticipation or anything, but it sure does feel like it. 

Loading… loading… loading…

…

Nothing. Zip, zilch, nada. Moon does not appear. You groan and scratch at your ear again, shifting your headphones. Day one of testing and you’ve already run into a problem. Great. Well, it wasn’t like you’d expected everything to be smooth sailing. Still annoying, though. Just in case, you try restarting your computer. 

It doesn’t yield any results either, and you end up just watching some videos as you wait to see if the bug will magically fix itself. Spoiler alert, it doesn’t and you eventually give up as the clock ticks closer to midnight.

But well—you think as you slowly pull up the submission form FazCo had sent you for your job to fill out—you suppose this is why the program’s still in the testing phase. It obviously has some kinks that need to be ironed out. Hopefully it’ll get fixed up in the next patch update. Until then, you’ll just have to deal with it. 

A benefit of working from home? You get to set your own schedule. A blessing, at times. 

That unfortunately means you have to stick to it while ensuring you’re properly taking care of yourself, and going outside to get fresh air, and also getting all the necessary work done on time, and also— 

Well, you get the point. 

You wake up groggy the next day and stumble your way out of your room, just barely managing to step over the little Roomba aimlessly bumbling down the small hallway. At one point it was another product you were testing, but then it was given the green flag for mass production and admission to stores. The company let you keep the one they sent you. It was a little finicky, but it worked just fine. You named it Chicken Nugget a while ago—Dr. Nugget for short, because a Roomba with a PhD was just too amusing to pass up. You’re still musing over what area its PhD is in.

There is much to be done. Dishes from last night need to be washed, food needs to be prepared to last you a few days, timesheets need to be filled out before you forget your hours. It’s easy to multitask on household chores while you do your job. You're on the beta testing team for quite a few companies, so you’re kept busy evaluating their programs and products while you julienne onions and clean plates. You earn enough to live comfortably, and it’s all you can ever ask for, really. 

Eventually, after a long day of being a responsible human being and submitting numerous evaluation forms for various applications, you plop down in front of your computer with your headphones and turn it on. Evening has just started to creep in, turning the sky into a picturesque gradient of burnt mandarin and dusty magenta. Your desk is right by a window, so it’s nice to draw the curtains back and let fresh air circulate around the room from it.

Alright, computer on. You type in your password to log in and wait as it finishes booting up. First thing on your list—check your email. There’s nothing of importance, not that you’d expected anything, really. Oh hey, you’ve got a discount code for your next purchase at your favorite pizza store. Sweet. You save it for later. 

All you have to do is test FazCo’s program and then you can relax for the rest of the night. You preemptively open up their submission form and minimize the window, then double click on the FazPals icon. Hopefully you won’t run into any problems. Code is weird like that—working perfectly fine at one moment and doing fuck all the next. And it’s always a pain filling those surveys out when there’s an abundance of bugs and glitches to point out. It’s simple, but oh so tedious. You guess that’s what you’re getting paid for, though. 

Blinking back to attention, you squint at your empty desktop then double click on the FazPals icon again. Ah, there you go. Loading symbol. 

Instead of the little music box like you’d been expecting, Sun comes into view by cartwheeling in from the side of your monitor. It’s silly and you smile slightly as he jumps up to his feet and splays his arms and a leg out wide like he’s about to fall into another cartwheel. 

“New Friend!” he exclaims loudly alongside the text in his dialogue box, rays spinning rapidly about his head in delight. You wince slightly and lower your volume a bit. No need to kill your eardrums. “You’re back! It has been twenty-two hours, nine minutes, and thirty-seven seconds since we last interacted!” 

Your brow raises at his precision, but what else did you expect from a computer program? Sun relaxes into his normal stance and leans forward eagerly. “So! What do you wanna do?” A small, labeled window pops up next to him for you to type in. One of his rays twitches slightly. “For a list of activities I can perform, type ‘/help’!” 

You’ve already forgotten what he can do other than walk around and talk your ear off, so you do just that and the window disappears. You didn’t even have to hit enter. 

Sun beams. “For your present and future reference, I can tell jokes, give fun facts, play games, and storytell! Pick your poison, New Friend!” 

You ponder for a bit, then type ‘can u tell me a fun fact?’ in the new window before it pops out of sight, again before you can press enter. Huh. You make a note of it mentally. The back and forth with the windows is going to take some getting used to. 

“I sure can!” Sun does a little wiggle and stands at full attention with his arms crossed behind his back. “Did you know that neutron stars spin six hundred times per second? Pretty cool!” He seems very cheery today. You’ll have to keep an eye out for any more of that strange glitching from yesterday. “Want another one?” 

Eh, you don’t see why not. You shrug and click the ‘Yes’ button when it appears. Sun gives a little salute. “The most water ever discovered surrounds a black hole about twelve billion lightyears away! It has the equivalent of one hundred and forty trillion times the volume of Earth’s oceans!” You’re starting to see a theme here with his fun facts and it honestly checks out. Sun’s rays spin a little to the right as he tilts his head slightly. “That was two facts in one, technically. Just for you! Don’t tell anyone!!” And then he winks, accompanied by a little star spinning out from his eye. It’s a small detail, but it still makes you smile. Consider you charmed. 

“Alrighty! I have an idea of what we can do next!” Sun says as he skips away to the edge of your monitor. You watch him curiously as he sticks a hand beyond your desktop—somewhere offscreen?—and starts pulling over a large open window from it. Like he’s unraveling a spool of paper. He drags the window over to the center of your screen, then wipes his face with his arm and takes an exaggerated breath. “Phew! That’s heavier than it looks! Luckily, I’ve got these to help me!” He flexes his stick-like arms dramatically, posing this way and that like he’s a pro wrestler. 

You notice, as he poses, that another small window pops up—indistinct and unlabeled this time with a simple textbox for you to type in. But he… didn’t really ask you a question or anything of the sorts for you to respond to? You eye it for a moment, then decide to type a little ‘hi’ in it to see if it’s a bug or something. After waiting a few seconds to see if the window will close again without you hitting enter, nothing really happens. Oh, is it fixed now? You hit enter and the text disappears, but the window stays. You guess it is. Code, man. So finicky. 

Sun stops flexing to shoot you a bright beam with a spin of his rays. “Hello!” 

Okay, maybe it’s not a bug if he can still process your texts. Shrugging it off easily, you turn your attention to the window Sun had pulled over from who-knows-where. It looks like your computer’s Paint app. How did he open that? ‘what’s that for?’ you type into the textbox.  

“This is for us to play some games, silly!” Sun brandishes his hands towards the Paint window like he’s presenting a masterpiece. “How does Tic-Tac-Toe sound?” 

Well, not like you have any other ideas for what to do. ‘sure, let’s play.’ 

“Faz-tastic!” Sun claps his hands, then reaches into his pocket and pulls out a comically large wooden pencil from its depths. Seriously, it’s nearly the length of his arm. It’s like something right out of a cartoon and you grin at the silliness. He steps closer to the Paint window and draws four perfectly straight and intersecting lines—each of them the same length and splitting into the same sized boxes and everything. He then draws a perfect circle in one of the corner boxes and steps back. “Your turn!” 

You crack your knuckles and roll your shoulders. Okay. Time to lock in and kick this program’s ass. 

Except you don’t. 

You lose horribly. Seven times in a row, in fact. 

‘r u cheating? ur cheating, aren’t u,’ you type into the open textbox, which had remained in place all throughout your games. Unusual, but you’re not too bothered by it. After you lost the first few rounds, you started complaining to him using it. You figured you might as well. It’s almost like having a conversation with him and you’re pretty impressed by his verbal versatility. 

“Cheating?!” Sun squawks, offended. He splays a hand across his chest as he somehow manages to twirl his giant pencil in his hand like a baton. “A rulebreaker, I am not! I think someone is getting a little grumpy!” He gives you a pointed grin. 

You should have expected you’d lose to fucking A.I. software. You run your tongue over your bottom lip, where you’d been incessantly troubling it with your teeth throughout the rather merciless Tic-Tac-Toe beating you’d just received. You’re considering mentioning in the submission form that the program is too difficult to beat at games, but maybe you’re just that bad at them. Your ego’s definitely going through it.

‘i’m not grumpy,’ you grumble. Sun shakes his little digital head in good mirth, seeing right through you, of course. You switch topics. ‘let’s play something else. got any other games?’ 

“I sure do, Friend!” He uses his pencil eraser to clear the Paint canvas and starts drawing what looks like a game of Hangman. He gives you a sly smile. “Think you’re up for a real challenge?” Cheeky! 

After some rounds of Hangman and Pictionary (which, to your pleasant surprise, you’re not too bad at, but maybe Sun’s taking pity on you), Sun eventually closes the Paint window and makes a show of stretching languidly. “My time’s almost up, I’m afraid!” Sure enough, a quick glance at the time shows it’s nearing seven o’clock. Time flies when you’re having fun. “Make sure to stretch your back and arms out, Friend! Hydration is also important!” 

‘yes boss, u got it, boss,’ you reply before stretching out your arms. You have a water bottle on your desk that you take a quick drink out of, the liquid inside of the insulated material still cool and refreshing. You shiver a little and eye your window still letting the night air into the room. You should close that soon. And maybe turn on the lights so you’re not sitting in the dark illuminated only by your bright screen. 

Naturally, you do neither. Too much work right now.

Sun wiggles a little, then clasps his arms behind his back. “This was fun! I will talk to you tomorrow, Friend!” His grin widens, curling at the edges. “Don’t keep me waiting too long!”

And before you can really process the tone of that, he pulls out a red curtain from somewhere behind him. Shaking it out slightly, he pulls it up in front of him to block your view of his little figure entirely. You raise an eyebrow as the curtain wiggles and protrudes out like he’s changing into new clothes, before eventually it falls down and reveals Moon. His nightcap is pulled down to partially cover his glowing ruby eyes.

You lean forward in your chair, attention instantly grabbed. Will he work properly this time? You consider him for a moment as he simply stands there—sullen and, dare you say, annoyed. His eyes are narrowed and his mouth is pulled into a scowl. He shifts like he wants to move or leave, but something keeps him rooted into the same spot Sun was just in. His hands are tucked into the pockets of his pants (he has pockets??) and he slouches like a puppet cut from its strings.  

He’s not saying anything. Only glares off at a point somewhere on your screen. You bite the inside of your cheek and decide to take one for the (nonexistent) team. 

‘hi moon,’ you type into the textbox that’d remained even after Sun left. Pressing enter, you watch curiously as something tense seems to line Moon’s small shoulders and he moves his glare to the open window instead. 

His head twitches. “Hi,” he replies slowly in a raspy voice. It’s not what you’d expected, low and murmured like he’s speaking to someone in a dark and quiet corner. His gaze darts to the dialogue box that pops up next to his head and seems to narrow even farther. 

Oookay. He doesn’t say anything else. Is he still bugged or is he just programmed to be much quieter than Sun? You’re not sure if that makes sense for this type of program, though. You try to nudge the conversation again, thinking back to the list of commands Sun gave you earlier. ‘can u tell me a joke?’ 

Moon seems to look at you and it’s just as creepy as it had been when Sun did it. His scowl deepens. “No.”

You’re taken aback. No? Oh. Well. Maybe you should try something else? ‘can u tell me a fun fact?’ At least you know this command works for certain.

“No.” 

It’s like pulling teeth over here. 

You’re determined, however. This is your entire job. ‘what about a story?’

“No.” Moon bares knife-like teeth at you in aggravation and you’re tempted to do the same thing back. He doesn’t want to do anything! Something is definitely… off. You make a note of it to include in the submission form later. At least he hasn’t left your screen. You’ll take the win where you can. 

You’re stumped on what to do. The only thing you can think of is to keep inputting commands until something gives. Maybe things will sort themselves out? You try asking for a fun fact or joke again, but Moon still just scowls and answers in that same clipped manner. His fidgeting seems to increase. 

You’re getting close to calling it quits. ‘why don’t we play a game or something? tic-tac-toe?’

“P-Persistent little thing,” Moon growls into your headset and it’s such a reprieve from the constant rejections that you’re not even offended. You perk up slightly only to deflate at his following words. “Didn’t anyone teach you that ‘no’ means no?” 

‘no,’ you type as a response—partly in annoyance and partly just to be snarky. Moon twitches again, and then in the blink of an eye—he glitches. 

Similar to Sun, it spreads down his body in a wave and makes him jitter until he snaps back into place like a rubber band. He flexes his hands and takes a step to the side—tentative and exploratory. The window with the textbox pops out of existence and Moon gives you one final, narrowed glare before he just… leaves offscreen. Again. What the fuck?

You scrub a hand down your face and groan. You don’t expect him to return, but just in case you wait around a little and kill some time by filling out the submission form. Name, program version, strengths, encountered issues, and so on. You submit the form when you finish and roll your shoulders. Yeah, he doesn’t come back. At least there was some progress compared to yesterday. 

You end the day with a final squint at the FazPals icon and a shrug of your shoulders. Things could be worse, you suppose as you power off your computer and stare at your reflection through the dark screen of your monitor. Hopefully tomorrow brings more improvement. 

part two

#dca x reader #daycare attendant x reader #sun x reader #fnaf sun x reader #sun x you #sun x self insert #sun x y/n #moon x y/n #moon x self insert #moon x reader #dca x you #dca x self insert #dca x y/n #fnaf dca x reader #sundrop x reader #sundrop x you #sundrop x y/n #moondrop x self insert #moondrop x you #moondrop x y/n #moondrop x reader #shay scribbles daydreams #fazpals au

[novlr]

How do you best depict a language barrier? I have a character who doesn't understand much English and speaks even less, but most of the others don't understand a word of Japanese, which is what she speaks.

Communication is a cornerstone of any good characterisation. But for some characters there may be elements that block traditionally clear communication, and language barriers are just one example of that. Every interaction is filled with potential misunderstandings or revelations of clarity. Let’s explore how to bring language barriers to life in your writing, showing the struggles and triumphs that come with characters trying to connect across language and culture.

Understand the role of language in your story

Consider the cultural and geographical context of your characters.

Explore the historical ties or conflicts that might have led to the language differences.

Determine the significance of the language barrier to the plot—is it an obstacle, a source of conflict, or a way to deepen character relationships?

How can you use language to illustrate the power dynamics between characters?

What is the emotional impact of miscommunication on all your characters?

Why do you want to write about language barriers? If it’s just for the sake of a miscommunication trope, consider if there’s perhaps a better way for you to achieve the same aim.

Have you taken the time to understand the culture whose language you are trying to represent?

Characterisation through language

Incorporate a mix of languages or dialects to enrich the authenticity of the setting and the characters’ experiences.

Pay attention to the non-verbal communication cues that can transcend language barriers, such as body language and facial expressions.

Respectfully create characters with varying degrees of proficiency in the language they’re learning or interacting with.

Use language as a way to show a character’s adaptability, intelligence, or stubbornness.

Let characters’ reactions to the language barrier drive their development throughout the story.

Consider how language barriers may influence a character’s inner thoughts and how they perceive the world around them.

The mechanics of writing dialogue

Don’t overuse accents or continually spell them out. Use description to signal a character’s struggle instead of phonetically writing it.

Suggest broken language skills by using simple words, or incorrect grammar, but don’t resort to stereotypes.

If you choose to write an accent phonetically, don’t repeat this for every line of dialogue. Use it once as an example, and then use description to give the sense of it moving forward.

Balance readability with authenticity—make sure the dialogue is understandable to your audience in a way that is still respectful to your character.

Foster immersion through context rather than a direct translation of foreign words which often don’t hold the same meaning. Using vocabulary that characters and readers can deduce from context strengthens the narrative and characterisation.

Present the characters’ linguistic progression realistically, showing their learning curve and how it affects their interactions.

Non-verbal communication

Emphasise body language, facial expressions, and gestures to show communication without spoken language.

Use context clues and the characters’ surroundings to help convey meaning.

Explore how misunderstandings can arise from non-verbal miscommunications, but also show when non-verbal communication helps clarify things that can’t be conveyed verbally.

Consider the situational context that might enhance or impede non-verbal understanding among characters. For example, in high-tension scenes, even subtle gestures can carry heavy meaning.

Acknowledge cultural variations in body language and educate readers subtly through the narrative.

Describe the physical environment as it can also influence the way characters use non-verbal communication—proximity, personal space, and even the weather can all play roles.

The emotional impact of language barriers

Show how characters find innovative ways to express themselves and connect with others.

Describe the frustration, isolation, or desperation that characters may feel when they can’t communicate.

Use the language barrier to create poignant moments of miscommunication and resolution.

Show how shared experiences can forge bonds that transcend words and even serve as a foundation for trust.

Explore the characters’ emotional journeys as they navigate through their inability to communicate. This can lead to a deeper understanding of each other over time, despite the initial hurdles.

Consider the long-term effects of language barriers on relationships and character psyche, both positive and negative.

Research and authenticity

Study the languages you are writing about, including their structure and common phrases. If you’re writing a fantasy language, then research common language structures on which to base your characters’ experiences.

Understand the culture tied to the language to avoid stereotyping and to provide richer detail. For real languages, do research, for fictional languages, work on some deep worldbuilding for authenticity.

If possible, talk to speakers of the language you’re writing about, or speak to folks who have experienced a similar language barrier more generally.

Seek feedback from native speakers or cultural experts to ensure accurate representation and to honour the community’s linguistic nuances.

Be mindful of the socio-political influences on language and communication, presenting these complexities through your characters’ interactions either through worldbuilding, or researching real-world etymology.

#writing asks #language barrier #writing tips #writers #creative writing #writing #writing community #writers of tumblr #creative writers #writing inspiration #writeblr #writerblr #writblr #writers corner #writers community #writer #writers on tumblr #writing advice #writing resources #helping writers #help for writers #tips for writers #writing tips and tricks #how to write #writers and poets #on writing #writer stuff #let's write #resources for writers #writing reference

[nickeverdeen]

can u do hcs where five finds female!reader whose powers are very related to the four elements? When he finds her, she's very scared of herself because she accidentally caused a neighborhood to suffer an earthquake, so since that, five takes her under his wings and begins to help her understand her power. (like for example, he figures that her powers are very emotional related. And he starts to be her mentor, helping her control her powers so she doesn't cause a storm when she's sad or angry, or so she can't start burning things when she's panicking, for example)

Five finding female!reader whose powers are related to the four elements and he mentors her

Five stumbles upon you during one of his time jumps, witnessing you accidentally causing an earthquake with your elemental powers

At first, you are terrified of Five, mistaking him for someone from the government coming to take you away

Seeing the fear and confusion in your eyes, Five decides to approach you and offer his help instead

Five becomes a mentor figure to you, teaching you about your powers and helping you understand their nature

Five realizes that your powers are closely tied to your emotions, and he starts to teach you how to control them

Five teaches you techniques to regulate your emotions, preventing you powers from spiraling out of control

Together, you identify triggers that exacerbate your powers, such as anger, fear, or panic

Five helps you learn how to control your powers, starting with simple exercises and gradually increasing the difficulty

You spend hours practicing in secluded areas, away from prying eyes, to avoid causing any more accidents

Five is patient and persistent in his teaching, never giving up on you even when progress is slow

Over time, you learn to trust Five, knowing that he genuinely wants to help you

As you spend more time together, you and Five confide in each other, sharing your fears, doubts, and hopes for the future

Five provides emotional support for you - well he’s trying to - and helping you navigate the challenges of mastering your powers

You both establish a routine for training sessions, setting aside specific times and locations to practice your powers

Five encourages you to experiment with different techniques and approaches to control your powers, finding what works best for you

When you make mistakes or experiences setbacks, Five helps you learn from them and move forward

Five introduces “his student” to the theory behind elemental powers, teaching you about the elements and their influence on the world

You develop a rigorous training regimen to strengthen your control over your powers, incorporating physical, mental, and emotional exercises

Five simulates high-pressure situations to help you practice controlling your powers in stressful environments

Over time, your control over your powers improves, and you gains confidence in your abilities

Five encourages you to push your limits and explore the full extent of your powers, under controlled conditions

As mentor and mentee, you and Five learn from each other’s strengths and weaknesses, growing together in the process

Through your training sessions, together you both discovers new abilities and facets of your elemental powers

Five helps you fine-tune your control over specific elements, focusing on mastering one element at a time

You practice controlling your powers in different environments, from urban settings to natural landscapes, adapting to various challenges

Five teaches you how to navigate public spaces without drawing attention to your powers, blending in seamlessly with your surroundings

You maintain strict secrecy and discretion about your powers, avoiding unnecessary attention and scrutiny

Five creates safe spaces for you to practice your powers without fear of judgment or harm

Five teaches you techniques to conceal your powers from prying eyes, such as masking your energy signature or creating illusions

Five helps you overcome your fear of your own powers, showing you that you have the strength and resilience to control them

Five occasionally pushes you out of your comfort zone to help you grow and expand your abilities

In addition to mastering your powers, Five teaches you basic self-defense techniques to protect yourself in dangerous situations

You delve into the intricacies of energy flow and manipulation, exploring your unique connection to the elements

Five helps you harness elemental energy to enhance your physical abilities, such as agility, strength, and resilience

You discuss the environmental impact of your powers and how to minimize their footprint on the world around you

Five teaches you the importance of balance and harmony in using your powers, avoiding extremes and finding equilibrium

Five shares stories and lore about the elements, drawing from his own experiences and knowledge of the world

You experiment with combining different elements to create powerful synergies and effects

Five teaches you how to project and manipulate elemental auras to enhance your presence and influence

You practice creating elemental shields and barriers for protection and defense against external threats

Five helps you enhance your physical abilities using elemental energy, such as increasing your speed, agility, and endurance

You delve into the realms of the elements, exploring hidden pockets of elemental energy and phenomena

Five introduces you to elemental spirits and entities, teaching you about their nature and significance

You practice channeling elemental forces through rituals and meditative techniques, deepening your connection to the elements

You both discuss strategies for navigating elemental crises and disasters, from earthquakes and floods to wildfires and storms

Five shares knowledge about elemental deities and gods worshipped by ancient civilizations, exploring their mythology and symbolism just to understand this all a bit better

Five teaches you how to assess the environmental impact of your powers and take proactive measures to mitigate potential harm

Both of you explore the possibility of collaborating with elemental beings and entities to amplify your powers and influence

You work towards mastering elemental mastery, achieving complete control and mastery over the elements and their manifestations

Five encourages you to unlock your full elemental potential, pushing you to explore new frontiers and push the boundaries of your abilities

You both delve into your elemental legacy, exploring your ancestral connections to the elements and unlocking dormant powers within your lineage

Five helps you realize your elemental destiny, embracing your role as a guardian of the elements and a champion of balance in the world

Together, you and Five forge a new elemental legacy, leaving your mark on the world and shaping the course of elemental history for generations to come

#request #headcanons #the umbrella academy #five hargreeves #tuafivexreader #five tua #tua headcanon #tua five #tua x reader #tua #tua fanfic #five hargreeves x reader #five hargreeves x you #number five x reader #five x reader #five hargreaves x you #five hargreaves x reader #number five #five x y/n

[cursedvibes]

Two Types of Ultimate Strength in JJK

I wanted to take the time to break down the two types of The Strongest we meet in the story and the way these four people are representing them. In this case, "The Strongest" means: a person with the power to permanently change (jujutsu) society.

Raw Power

I struggled a bit with how to name the two categories, but ultimately settled on this. Raw Power refers to the people who get called The Strongest in text aka Ryomen Sukuna & Gojo Satoru. The strongest sorcerer in history and the strongest sorcerer of modern times. Their power lies in their attack strength and natural abilities. Their physical superiority lets them shape society and even affect things like the spawning of curses and the power-levels of sorcerers because the lethal threat they pose forces everyone to follow or die. In Sukuna's case there is basically only the option to die, although he did negotiate with the Fujiwara and they incorporated him into rituals and political plays (more like you would use an atomic bomb than him actively participating in discussions, I imagine), so he wasn't in kill mode 24/7. Gojo changed the behavior of curse users just by being born. He could kill the higher-ups at any point and put his own people in power to run society as he sees fit, nobody could stop him. He could block or instate any political system he wants. Recently it looks like that might actually be part of his plan.

Gojo and Sukuna have more differences though than Sukuna just being more destructive and forcing sorcerers to evolve or die. Gojo was special the moment he was born. Tengen literally designed him to be an indestructible weapon from a young age. He's smart too, but his physiology and innate technique already give him a huge advantage over anyone else and nobody besides Sukuna has even a chance at breeching that gap.

As far as we know, for Sukuna that wasn't the case. His cursed technique, Shrine, depends on taking other skills in and collecting them. Add onto that large reserves of cursed energy and quick learning skill. He has a strong understanding of cursed energy and the soul (without a physical advantage like the six eyes) and that is the basis for how he is able to perform techniques like an unclosed domain, turning himself into a cursed object and learning to regenerate his cursed technique after experiencing it once. It relies a lot more on experience and study than in Gojo's case, despite also having intrinsic advantages like his large cursed energy pool. He is also more adaptable than Gojo as his fight against Mahoraga shows very well. Gojo's attitude is more straightforward, but he also rarely gets challenged to do more than shoot his energy blasts very precisely and with a lot of power behind it. He rarely gets forced to rely on other skills or trickery. In that way, he's actually much more the brute force type than Sukuna.

Plotting

This is the category I made up for Tengen & Kenjaku. They aren't very physically strong, not in the sense that Sukuna and Gojo are. Actually they would very quickly die in a straight up battle against the two, but they are still more influencial than them. I mean, Tengen is the reason society exist in the way it does after all and Kenjaku is doing a very good job at breaking the system down. If Gojo and Sukuna are natural disasters that alter the balance of the world, Tengen and Kenjaku are the ones that guide the path these disasters take.

Tengen isn't a fighter, but she is still powerful through her understanding of cursed energy, huge energy reserves and mastery of barrier techniques. She created barriers around Japan to enhance the sorcerer and curse formation inside them (like a greenhouse for cursed energy). Society is dependant on her to exist as it is. If she's gone, all structure would collapse and curses would run wild. It would likely affect future generations of sorcerers as well. She is the reason Gojo even exist and Sukuna...well who knows what she did with him. She did all this "merely" through talking and building connections and subtly influencing people, like when she appeared in the Nara period and preached about buddhism and her vision for jujutsu sorcerers or how she facilitated the creation of the Big 3 and higher-ups and continued to guide them from behind the scenes.

Kenjaku is more of a fighter than Tengen, they know how to defend themselves, but it is not their first instinct and direct conflict is rarely their preferred plan of action. Due to having reduced their body to purely the brain, their physical capabilities rely heavily on the vessel they inhabit and even in the body of someone like Geto whose technique they use much better than the guy himself, they would still easily get killed by Gojo and they have to rely on Sukuna at the moment to not die to him. You can also see it in their fighting style. They rarely get close, instead prefer long-range attacks and tools. Their real speciality lies in using other people to let them do the work for them or enhance their plans in some other way. Even Sukuna and Gojo fall victim to that. Another specialty of theirs is the manipulation of cursed energy and the soul, only that in contrast to Sukuna they use it to create tools, recruit people and create barriers comparable to Tengen's (I think technically they could create the same thing Tengen does, they just lack the energy reserves).

However, both Tengen and Kenjaku get overlooked by history and their influence is pushed aside. Even when entire organizations criticize Tengen for very valid reasons, nobody takes it up with her or actually challenges her in a meaningful way because she is both illusive (the higher-ups are much more present) and also an integral part for the sustainability of everyday life. Take her away and society will crumble and most people don't want such radical change. Kenjaku wasn't known at all until recently except by selected "curse users", despite their clashes with the Gojo clan in the past (I blame Tengen for their late identity reveal). Their actions have great influence and at times even make it into the history books, but they aren't tied back to them personally, just their vessels.

TL;DR: Next to Gojo and Sukuna's very palpable, aggressive power, there is also a more subtle power represented by Tengen and Kenjaku that relies a lot more on manipulation and minimal, longterm actions than physical strength. All this can be seen in the way that both Tengen and Kenjaku often get overlooked, but have both influenced Sukuna and Gojo to a great degree and are even responsible for the rise and fall of jujutsu society.

Kenjaku and Tengen are both barrier users, a very defence-oriented skill, but furthermore heavily tied to mind & imagination and the manipulation of energy. The reason they are so successful is also tied to their experience. Gojo's and Sukuna's power allows them to skip the long game in most cases, while Tengen and Kenjaku rely on it to amass strength. I highly doubt Tengen was just born with the cursed energy reserves she uses for her barriers, she likely collected it over hundreds of years. Kenjaku's plans would also be barely effective if they only had one human life span to enact them. And the interactions with so many other sorcerers allow them to learn a lot more than the other two could ever hope to. Sukuna is kind of immortal now too, but if you take out the time he was just hanging around as a cursed object, he's actually pretty young compared to the Manipulation Duo.

Side Note: I think Maki and Toji could technically qualify too, they have the ability to facilitate change, but both haven't done anything with it so far, not on a larger scale at least. Toji killing Riko had major consequences, but he was ultimately a tool and a stepping stone for Tengen's evolution. I mean, isn't it a crazy coincidence that the people employing Toji have the same goals Kenjaku does? The Time Vessel Association also exists since the Nara period... either way, while Sukuna and Gojo are getting manipulated too, there is still purpose behind their actions. Both the Zenin massacre and Riko's death are more incidental. Their actions don't have the same consistency as Sukuna or Gojo, although Maki is still promising. She can still do something with her new powers. In terms of strength they don't quite measure up to the other two either. Maki might make it with a bit more training, but not based on what we've seen so far. So...I guess, they might be Type 3: unused potential.

#jujutsu kaisen #basically just my thoughts about how the physically weaker ones end up having more power over The Strongest #jjk spoilers #ryomen sukuna #gojo satoru #tengen #kenjaku

[aioliravioli-69]

Detective Noir AU

Alright, this au has been sitting around, waiting for me to finish it but chances are, I never will :((

So instead, I'll just post what I have so far

This was inspired by that one comment on the au post the author made(at this point you could consider me a stalker for the amount of hours I've scrolled through her feed💀)

First things first, none other than our main character himself, Detective Hollow!

I made him the detective in this one mainly because I was basing it off of the theory that if there was no heroine the keyholder would simply become the hero instead(don't remember where I read this but I'm guessing it was the webtoon comment section).

I also my have just really wanted to draw him in an overcoat

gonna be honest, I did little to no research going into this AU, the thing I most tried to learn about was the femme fatale so I could get a good view on how to design Buddy

Speaking of the femme fatale:

Seems like someone got caught in the spotlight!

And before you ask, yes, those are pants. Weird ones, but pants nonetheless. I swear, I hate lighting when it's from the front. Frontal lighting can go fuck itself. Please ignore the little help lines I put in

Honestly, Buddy's outfit was probably the hardest part of this one. I wanted him to look slutty, but I didn't want to make it TOO slutty, but I feel like I may have added WAYY too many folds in his pantsuit and I kinda messed up on the overcoat lol. The diamond on his chest was inspired by the diamond on the villainess key more than anything and I tried to incorporate that into his gloves too.

Anyway, have some potential outfit sketches I made:

the two I thought might come off as too slutty and

the ultimate winner of the outfit ideas

As you can see the diamond chest window and fur coat were a mut in this outfit and I'm pretty happy with the end result

Y'all know how the femme fatale usually has to seduce the main character a.k.a. the detective?

Well, y'all know me so have an extra just for you <33

But I'm not done just yet!

Remember how I said that I made Chase the hero because of the lack of a heroine in the story? Well...

I did some more surface level research(and I mean very surface level) and decided to adapt the trope of the girl-next-door archetype for him!!

Don't think it suits him, since they usually just sit pretty and wait for the detective to notice them, but they do have badass roles once in a while and I live for those!!!

The one Chase has taken on doesn't though sadly :')

I decided to go with Charlie Hollow for this one because it sounded more like something the timid and 'pure'(yuck I know, but sadly film noir movies often prop up comparisons between the femme fatale and the girl-next-door, this being one of them) girl next door would have

Overall I tried to make this one as cutesy as possible because, why not lol

Lastly(I apologise, I made this in a rush because I was running out of motivation)

The distance between Buddy and the detective sure did close QUICK-

Originally I was planning on adding Deacon as a police officer and now that I think about it I could technically fit Prunella in here as well, but I just don't have any willpower left to keep this thing alive

My art blocks been acting up recently and I can't even pick up the pencil without immediately wanting to put it down :((

I wish I could have continued this and maybe I will someday, but until then this'll just stay in my drafts

#cinderella boy #cinderella boy webtoon #buddy #chase hollow #detective noir au #I tried out a new shading style #I can't personally judge how it turned out #what do y'all think #I feel so tired rn #French - the bane of my existence and yet the love of my life #I FORGOT TO WATERMARK NOOOO #Eh who cares #hope y'all enjoy #I know this is a long ass post #sit down for it will you? #it's worth your time I swear #plss #I've been so inactive lately lol #I can't promise anything I'm sorry DD: #I am working on a fic and on some art for said fic #but I'm not sure how much progress I can make with school hounding my back #hope y'alls thirst for fan content was quenched even if just for a bit :)

[anarchywoofwoof]

i don't have a lot of time to elaborate on why, but this is an excellent article. i will highlight a piece that was also highlighted by a redditor that i find interesting:

Later, analyses found that climate models could predict something like the Pacific Northwest heat wave, but that they would be labeled as extremely rare—one in 100,000 years. It’s physically possible, but we hadn’t ever seen it. “That’s ultimately the thing that we are concerned about; when you start to see very extreme behavior in places that haven’t seen it before, this can compound vulnerabilities,” Shaw said. In places without the infrastructure to handle it, any given disaster will be that much more deadly and damaging. And gray-swan events are likely to become part of our climatic landscape. “Unfortunately, we are seeing the signal emerge.” As more and more events shatter records by unprecedented margins, trying to predict future scenarios blurs the line between fact and science fiction. Instead of being able to rely on statistical models or machine learning, which simply extrapolate based on what has already been observed, scientists need to incorporate the possibility of more gray-swan events. “Events like that truly push the boundaries of what our models are capable of,” Shaw said.

capitalism is not a system well-adapted to a world where you cannot use the past to predict the future. everything is based on risk assessment and the assumption that tomorrow will look something like today. so how, under this system, does things such as insurance work? we are already seeing insurance companies pull out of entire states due to natural disasters. this article is from September 2023:

where is this going exactly and what is the plan to address it? because it's happening rather quickly, as in, right now.

#climate change #climate crisis #global warming #climate news

[choicesficwriterscreations]

February MC of the Month: Cassie Valentine

Please welcome February 2024's MC of the Month! Each month, we highlight one MC or OC on our Meet My MC / OC List. They are selected randomly on the Wheel of Names, and eligibility requirements can be found here. We accept MC / OC profiles on an ongoing basis. Please feel free to send yours in!

This month’s MC of the month is…

@liaromancewriter's Cassie Valentine!

More below...

In your own words, tell us what you like most about your MC.

I love Cassie’s carefree approach to life. She loves her job and is dedicated to it, but that doesn’t mean she lets work take over her life. She doesn’t take herself too seriously, going with the flow when things go sideways. She also values her relationships and her “me” time. 

Do you feel your MC is like you at all? How are you alike or different?

I created Cassie to be everything I’m not and wish I could be. Over time, I incorporated some of Amanda Schull’s (her face claim) traits into her personality, such as her laugh and ballet background. 

There are two things we have in common: we both love what we do and cannot imagine doing anything else. We’re also both urbanites. I’m more introverted than Cassie (closer to Ethan’s personality, really), but my career forces me to work with people, and I’ve learned to adapt. It takes me time to open up to people, whereas Cassie makes friends easily.

What is most important to your MC? What is their motivation in life?

Cassie has always wanted to help people, and that’s her biggest motivation in life. It’s one of the reasons why she couldn’t see herself working in the family business. That motivation is what makes her a caring doctor (and why she and Ethan are the perfect match).

What are their biggest pet peeves/dislikes?

Cassie cannot stand inconsiderate people, especially when they’re rude to those less fortunate. She’s absolutely judging how her LI treats servers, janitors, and the like. She also doesn’t like the attention she receives from gossip websites and tries to stay under the radar with Max’s help. Being reduced to the “Valentine Heir” instead of an accomplished doctor is guaranteed to make her see red.

If your MC could change one thing - anything - what would it be?

Nothing. She believes in accepting oneself, whether it’s looks or personality. With the latter, she’s happy to continue to work on herself and adapt to feedback. But at some point, she is who she is, and she’s good with that as long as it’s not hurting anyone.

What is your MC’s favorite quote or song?

Her favorite song is “Dream a Little Dream” by The Beautiful South. Her favorite quote is: 

“And I’d choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I’d find you and I’d choose you.” ― Kiersten White, The Chaos of Stars

Is there anything else you’d like to share about your MC? 

Cassie’s personality is hugely influenced (and defined) by her being a twin. She and Max are incredibly close, and she cannot imagine who she’d be if he weren’t her literal other half. That is why it’s important to her that whoever she’s involved with romantically gets along with Max and vice versa. I’ve developed Cassie’s personality and background extensively, and it’s part of my Cassie Valentine collection.

#cfwc mc of the month #open heart #liaromancewriter #meet my mc #choices fic writers creations #playchoices #choices stories you play #february mc of the month