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#something about evil characters just resonates with me
zzthekaiju · 1 day
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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)
I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.
Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.
So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.
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This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.
My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.
The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.
Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.
But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.
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That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.
Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.
Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).
But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.
First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."
Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.
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Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.
Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.
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This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.
And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.
But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?
That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the moer sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...
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...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.
I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.
Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".
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Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.
But thankfully, our prayers might be answered:
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With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.
Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.
Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.
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dokidokitsuna · 1 year
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Knight Quartet Rebellion! So for a while now I’ve been thinking about a potential sequel series to Magical Friends (as all overly-ambitious artists do…) and recently I thought it might be fun to follow a completely different cast of characters and work with the Knight Quartet. ^^
Basically: while Morpho is busy managing the aftermath of MF’s finale, Galacta Knight somehow comes back from the ‘dead’ and plots his revenge…in his own silly, airheaded way. :9 He recruits Dark Meta Knight first, thinking he’s MK (did he go to the wrong planet…?) and then the two of them arrive in Dream Land to seek out the OG Meta Knight as a third ally (i.e. wreak so much havoc that he’s forced to join up with them just to put a stop to the destruction). Meta Knight is the primary POV, along for the ride on GK’s adventure, and over the course of the story he gets to know him better and starts to befriend him (kind of like Gryll vis-a-vis Magolor in MF).
Of course, this idea is a long way away from production. ^^; I haven’t even drafted a script yet, and I feel like I need more time to get used to drawing the knights and to work out their body language…just drawing these scenes was a lot harder than I thought it would be. For one thing, it feels like I may need to play around with different eye shapes to make them emote clearly…
Something you actually ARE likely to see in the nearer future is a series of test animations with these boys. ^^ Like, I envision KQR as a very battle-heavy series (honestly, it kind of has to be) and it’s about time I started practicing choreography. And designing movesets for these guys is gonna be a trip…in case you haven’t noticed, because they lack articulate arms and legs, a lot of the poses and graceful movements you usually use for swordsmen don’t actually work for them… 9w9 In the games, a lot of their maneuvers are either very silly (like the common ‘swish sword around super fast’ move) or very unrealistic (like how Morpho kinda just summons their swords repeatedly rather than actually manipulating them…the ‘double giant sword summon’ in particular is hardly swordplay; it functions more like a hammer swing)
All of ^that works for the type of series that Kirby is-- cute, goofy, abstract-- but personally I’d like for their movements to be either more grounded or more stylized, so you can actually take the fights seriously in a non-interactive medium. So I think I’ll start by studying their in-game movesets and re-interpreting them, and every time I get up to ~20 seconds of test animation I’ll upload it as a video. ^^ If nothing else it’ll be something to keep me animating on a regular basis, as per my New Years’ resolution~
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etirabys · 2 months
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meandering post about reading Orson Scott Card again
I've been offline starting at 9pm every day (except once. I was drunk at karaoke and asked for anons at 8:30pm) for six weeks, with the result that in befuddled boredom two nights ago I picked up Orson Scott Card's Songmaster from the house bookshelf.
I read Ender's Game and three sequels when I was a teen thought the books were mid. Since those are OSC's best works I assumed he had nothing more interesting to offer me and didn't try more of him for fifteen years, but Songmaster was compelling enough that I immediately afterwards picked up The Memory of Earth, the first book of a pentalogy.
TMoE is extremely my jam: after humanity blows itself up on Earth, AIs monitor thriving human civilizations in the planets that survivors managed to escape to, and suppress any tech that enables large scale violence by exerting low key mind control via satellites. But forty million years pass, many of the satellites break down, and the AI needs help from humans to restore capabilities. Because as its control wanes, people are starting to e.g. conceive of airplanes or bombs again, and override the injunctions against entering military alliances more than two edges of connection away.
The AI is worshipped as a god all over the planet, but the fourteen year old protagonist that becomes one of the AI's agents tells the AI from the beginning that he'll break with it if its morality seems wrong to him. I like the fourteen year old – unlike Ender or Songmaster's protagonist (adult minds piloting ten year old bodies), he's a normal gifted kid who's unpopular 50% due to his ego and big mouth and 50% because he's socially inept and offends people even when he's trying to be nice.
Songmaster is also partly about a permanent solution to large-scale violence, albeit through one guy who establishes a monopoly on violence and sweeps in pax galactica. Both it and TMoE are preoccupied with the eradication of suffering from evil / human violence, which is closer to my resonant frequency than narratives about defeating particular people or ideologies. At the moment I can't think of any other book with such an insistent focus on the matter than T.H. White's The Once and Future King. It's hard to make a compelling story out of, and I don't think Songmaster really succeeds, but TMoE's premise is well suited to explore that. (I'm also enjoying the matriarchal culture where everyone is expected to have multiple serial-monogamous marriages.) After reading 70% of TMoE last night I wrote:
Usually when I read fiction there's a small part of me going, how can I use this as fodder for my own growth, how can I remix or improve or react against this, how do the author and I measure against each other? (If the quality and content are at an anti-sweet spot, the small part becomes quite large and I feel all teeth towards the author.) But on occasion I read something so close that the absence of that measuring-feeling is its own sensation – ego departs, or at least is split across two bodies. There's just amity and recognition
And it's pretty interesting to feel this way about Card for, well, the reasons.
(If you're familiar with Card drama none of the following will be new to you; I'm coming to it fresh so the rest of this post is me going "uh... wow")
I vaguely knew he was a homophobic Mormon who'd gotten into fights about gay stuff, but I couldn't tell from the Ender books I read. But in Songmaster his issues spring off the page in such a weird way. Every fifth Goodreads review of this book is "Card, u gay?" because, well,
(One review, possibly from a fellow Mormon, that went "Card, it's so sinful of you to be this gay in your novel". Why did he write this book that would predictably make everyone mad...)
it's full of gay male desire. The protagonist (Ansset) is approximately a castrato and characters notice him sexually a lot. The first and only time Ansset has sex it's with a Kinsey 4-5 male character he loves, who's married to a woman but has fallen in love with Ansset. It turns out the drugs Ansset took to prolong his singing career painfully and only-kinda-figuratively explode your balls when you have your first orgasm and you'll never feel sexual desire again. (You'd think his loving teachers would have warned him of that, but, whatever, they didn't.) The other guy is literally castrated in punishment for inadvertently torturing a highly valuable castrato. It's pretty bald: GAY SEX IS ALMOST IRRESISTIBLY TEMPTING BUT YOU SHOULDN'T DO IT.
(Sidenote: both Ansset and the guy's wife are very close and have a "there's enough love to go around" attitude about the gay sex initially, before they go "wait Josif is a SERIAL MONOGAMIST... he can only love one person at a time... the moment he had the gay sex his marriage was destroyed". It's funny in a mildly stupid way that Card would set up this parable of homosexuality destroying lives and a marriage but almost everyone involved is peacefully ready to sail into an open marriage. I guess it makes sense if you want to say very clearly that THE GAY PART IS THE BAD PART)
which is fascinating to me, because... why would you tell on yourself like that
(81k also told me secondhand of an essay? interview? where Card openly says "we have to stand against legalizing gay marriage because everyone will get gay married and society will collapse", so that's informing my read of Songmaster as well)
I am pretty dang open about my personal life online but if I had a lot of feelings I thought were disgusting and immoral I would not write a novel dripping with those feelings before pointedly castrating the leads for them. Especially if it wasn't relevant to the actually highbrow themes of (checks notes) winning over your adversaries with kindness and never relinquishing your monopoly on violence. I would be so so so so embarrassed to let this go to print, it's so psychologically transparent, what was he thinking
(Well, I assume he's a very different person with different social incentives. For all I know, people in his church went "hey Orson we read your book and it's clear that you're gay but signaling strongly that you won't give into the gay feelings, we're here for you, it was really brave of you to publish this".)
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danswideslit · 25 days
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slime video analysed thru horror with a queer pov
kay it gets its own post because im stil aaa bout it
This is just what I remember/was able to brush up on, since I studied this in 2019, so if anything is outdated I apologise, feel free to correct me, I love to learn!!
also I realized it has all become a lil rambly as I couldn’t contain my excitement soz
So this is my essay on the parallels of queerness in the horror genre and how DanAndPhilCRAFTS - Slime (2024) could be analysed in this light, especially given the creators’ personal history with the topic.
Among the classic tropes of the horror genre, is the topic of losing ones innocence.
Most emphasised is the loss of ones virginity, as a synonym for the innocence, although the innocence as such has many forms. As mentioned in Scream (1996), you may not survive if you have sex, if you drink/do drugs, or if you claim to “be right back” or in other ways investigate to satisfy your own curiosity.
The parallels to the christian church and societal norms are already obvious. If you deviate from the path of purity, it will lead to death and suffering. The only way to survive the night, is to stay pure. Do not be tempted by mere curiosities, for they will be the death of you, essentially.
In the same light, Baphomet is most often portrayed with characteristics from both the male and female human anatomy, and can be used as a metaphor for the inherent evil of gender expressions beyond the societal norm.
In the same light, monsters in various movies are often shown with a deviance in gender and/or sexuality. This role of ‘sexual outsider’ has, for years, been a symbolism that queer people have connected with. The has only further skewed the ‘stay pure’ narrative, as it brings on an ambience of kill or be killed. An either/or of sorts. But it has also made monsters and villains walk the line between sexy and terrifying, which naturally leads people to be enticed. We are sexual creatures afterall.
Often the monsters have an aura of masculine energy, as they make people cower, and the stereotypical jocks abandon their hardcore exterior. This, on one hand birthed the “the boyfriend is the killer” trope, but it also gave way for diving into morality, how many crimes can a villain get away with, as long as the character resonates with the audience.
This is demonstrated in Jennifers Body (2009) which was, at first, marketed to the male audience, making the monster Jennifer an attractive young woman, essentially getting the film marked as “Twilight for boys” by film critic Robert Ebert.
The ratings, however, were lackluster and claimed the movie was neither funny nor scary and thus was unsuccessful. Jennifer wasn’t “as hot as you’d hope she’d be” and essentially the “lesbians-for-the-male-gaze” marketing to boys 17+ failed. 
However, many women and young girls between 17-25 saw the character of Jennifer as empowering and resonated with the film. My theory is that the men did not like being the victim, being killed my something that they are supposed to be worse than. But the women saw a strength in the conflict between what is essentially two sides of the same existence - on one hand the rage of the injustice and gender inequality, and on the other hand Needy, who follows every character trope connected to the “last girl standing.” Except even she is tainted in the end, killing Jennifer and losing her innocence. (more talk about innocence, murder/virginity bla bla bla, okay but this essay aint about that)
All this plays a role in how the queerness of DanAndPhilCRAFTS - slime (2024) can be interpreted. Throughout all four installments of the narrative, Dan is seen being guided by Phil and scolded when he doesn’t do it right. Phil seems not at all surprised when Dans glitter face turns satanic, and by the third video, Phil hands the control over as he gives himself away.
Essentially, the indoctrination of Dans role in Phils devotion is cult-like. Cults are often hidden behind a facade of “found family” before the true behind-the-scenes terror is revealed. Dan is evidently comfortable in letting a more experienced person guide the way, despite his own hesitance. He knows that he cant do this halfway.
also the idea of Phil rising from the dead, during Easter… Jesus Christ, where would we even begin (lol)
But beyond that symbolism, It is the hesitance in Dans nature that seems to point to the “purity being tainted” horror trope. Phils devotion to Him is evident, but Dan seems more so to be devoted to Phil. A follower. Believing whatever Phil believes to be true. A Billy and Stu, Scream situation, if you will. The subtext of two lovers and the blurred lines of love and death, which has been analysed and discussed a whole while by smarter people than me. 
Dans hesitance to follow Phil guiding him to the other (queer) side. The penetrative stab and the menacing disarray of emotions on Dans face afterwards. This was anything but a selfish act, but he gave into the curiosity, he is not the last survivor, he has joined Him. This ritual was giving into love, without trying to contain, rationalise, or diminish any part of it. 
(Kind of how like dan, selfproclaimidly, would still be a ‘Daniel in denial’ if Phil hadn’t come into his life, because Phil ‘led him astray’ but he’s very okay with it and he has embraced it, and he’s happier giving in instead of fighting it?? Too far??)
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artsyanapink · 11 months
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GANONDORF X READER
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I was in hospital for 30 hours and had to start writting the smut part while I was on morphine. Really great decision... 👍 Anyway it's my first Ganon fanfiction so I hope I wrote the character well. I Imagined Ganon in Hyrule Warrior while writting this.
Warnings: SMUT Dubcon (kinda, I just want to be dominated by that man 😳), lust potion and use of force (I like things kinky and hard sorry not sorry) I ain't into villains and bad guys acting like puppies, so don't expect fluffy stuff. He's a bad guy. Not the Demon King for nothing.
On AO3 as well
It's being three years since Hyrule fell. Three years since the castle darkened. There was no sight of the princess anywhere after the king falls. Rumors has it that an evil Gerudo man took the place of the late king and that was the reason why the sun was never in the sky, replace by black clouds, especially close to the castle.
You were always taking a walk in the shopping district of the castle, taking in the songs of the birds and the voices of marchands urging people to buy their stocks. Everything, you would buy it there. But not anymore.
With no more exchanges between the four cities, there was nothing to buy in Hyrule. It was a dead place no matter where you lay your eyes upon. You had to go by feet in Goron city for the spices, Zora domain for the fishes, Rito village for arrows, sugar canes as well as oil and Gerudo town for the fruits. Only apples were growing close to your home and it was getting dimmer and dimmer.
You made plan to get to one place each five days since the travelling was taking you two and a half. One if you were lucky to not incountered monsters lurking.
Today you would be going to Gerudo town to restock. You didn't dare go for some days after hearing more beasts were in the region. Hopefully today it would be calm. You changed for the heat while hiding your head from the gust of sand that were frequent and made your way to the town.
You knew you were closer when the dried grass started disappearing and the rocks made their presence known with their massiveness. They were huge. So big that they curved in the center, almost hiding the sun for any light to go through. And no sunlight in the Gerudo desert meant a chilling cold. Fortunately your clothes were warm enough to support the drop of temperature.
It wasn't warm enough however to keep you from the chill that went all the way through your spine. It seemed darker despite the sun hidden already and the shadow casted next to you gave you the affirmation you weren't alone. With small steps, you turned face to face with a enormous horse. His skin as black as charcol and his mane like fire. Your breath stucked in your throat when you saw the rider.
Ganondorf.  
You would prefer being embushed by ten bokoblins than with this devil. You had at least a chance of getting away with the first.
"What is a girl like you doing here at night?" His gruff voice made the hair on your body stand as his eyes stared at you in the darkness.
You didn't like the attention on you like this, especially from this type of person. You stepped back, hoping to skirt around the man. "Nothing that concern you, sir." But he moved his horse in your way, halting you as the animal tapped its left hoof angrily with a whinny. You almost tripped at its actions.
"I insist." Ganondorf got down his mount, the clacking of his metal armor resonating in the silence as he made his way to you. He felt something special about you and despite having his doubt about a mere hylian, he would get to the bottom of this. Just like the animal was, the man was huge. Some hair escaped from the shawl on your head, his own red free in the wind. "I think you know who I am."
"I really do not know." You wished he would leave you alone. Ganondorf was gorgeous in your opinion, yes, but a danger. An evil being. It wasn't recommend to mess or less talk with him.
He gritted his teeth. "Do not lie to me, little girl." He grasped your wrist forcefully and you let out a painful whine. "Lying to me is like spitting on my face. Showing dirrespect will get you nowhere." Your body struggled against his hold, profanities leaving your lips every second for him. His eyes widened suddendly when a light blind the both of you, but not enough for the man to losen his grip. "That mark—" A twisted smile appeared on his face at the middle triangle glowing on the back of your hand. "So the legend is true. It does exist."
Confused and scared, you didn't falter your movements. "What are you talking about?" Your eyes met, the claws of his armor leaving a gasp from you. "Let me go!"
"I can't do that now with you in possession of something so important." There was a pregnant pause as his eyes gazed over your form. "You could still proved useful after I've taken it." Your brows furrowed in confusion at his words.
"What—"
Ganondorf reached for the glow with one hand while the other was still holding you in mid-air. It felt like he was piercing your skin and you screamed, the light around you growing bigger. By the time the light dismished, your body fell limp. The triangle that was on your hand turned grey, getting a scoff from the man. He smirked nonetheless knowing he was closer to get the power he wanted and deserved.
"Just two more."
•°•°•
Your sleep was over when you were throw on something soft. The action making your body bounced and mind alert. The hair on your skin rose up when your eyes made out a figure.
How long was he there?
"Look who decided to finally wake up." He sneered. You jumped from the bed but a yelp left your mouth when you were held back, tangling on the side of the bed. A gold chain was on your ankle, great.
Your eyes glared at him after colliding with the bedpost. Anything to be far from him although you knew inside that wouldn't stop this monster. "You got what you want Ganondorf. Why am I still here?"
The man chuckled darkly. "Feisty, aren't we?" He started to take off his armor, only the armsets with the claws staying. When he turned around however, red flood on your face. He already seemed built but without a top? The man was buff with muscles, red chest hair contrasting with his skin color. Your eyes broke from the sight immediately, hoping the Gerudo didn't see that.
But, oh, he did. "Enjoying the view small one?" Ganondorf threw the armor far while approaching your form dangerously. His eyes slit, challenging you to lie to him again and that shut you up. It only left you angry at yourself for finding this evil king attractive.
"You will stay here to keep me compagny and do as I say. Better started getting obediant now."
Keeping him compagny? "So now I am your pet?" You murmured unhappy, yanking the chain in resilience.
Ganondorf smirked devilishly, lookind down at you. He sounded condescending. "If you want to call it that way, pet." He emphasized the last word. "But you will watch your mouth soon enough."
"Or what?"
The door knocked suddenly, catching you on guard at who it might be. However, by the smile widening on the Gerudo man, you weren't excited to know. A sheikah entered the room. They look at you briefly and then at him. "Lord Ganondorf, I had found what you requested." The sheikah bowed down, giving the man a vial filled with red liquid.
Ganondorf didn't even look their way, his amber eyes on the vial with a twisted expression. "You're still being loyal after all these years, Sheik. I'm surprised."
"I follow whoever is the enemy of the royal family."
"That'll be all." The Sheika left in a puff of smoke.
"What is that?" Your voice was hoarse from the anxiousness, your gaze between the vial and the man.
"Something to keep you in line. It will bring great excitement to you, don't worry." The Gerudo man thugged the chain toward him, resulting in your body sliding to the end of the bed like a doll. It's like you weight nothing. It got a yelp from you and a booming laugh from him. He gripped the ties harder, bringing your face closer to his after the man crouched. "Open wide." But your mouth stayed close. Ganondorf growled at your disobience, irritated. "Don't start again, girl." He grabbed your cheeks and pressed with his armored claws digging into the skin. "Drink."
You finally let go after looking at him. The liquid ran down your troat. Instantately you felt hot and lighthead. "That fast huh?"
You couldn't keep your eyes off Ganondorf, your silent attraction reavealing itself so easily. "I feel strange."
He positionned himself on top of you, chest in full view. "You understand the effects do you, princess?" That nickname was new but it didn't bother you much as it turned you on more instead. Ganondorf cut the clothes with the sharp tip before grazing your nipples, eliciting a loud moan from you. Your voice ragged and reaching for air. The man continued to massage your breasts. "How does it feels?"
"You bastard—AH!"
He smirked triumphally while sucking the sensitive part. His tongue was hot and moving fast against your nipple. Your breath quickened at the attention your body was receiving. You hate that you love this. "Don't stop..." You whimpered, hiding your face with your hand.
"What was that girl?" You were interrupted by his hand caressing your lower parts. "Mh." Ganondorf gazed down a moment, his grin larger. "You're enjoying this quite a lot I see." The squishing sound of your garment and the juices were making you even more embarrassed.
"Just...." You try to ignore his eyes lingering on you. "Please continue..."
"Certainly princess."
Your lower body was naked as the air caressed your pussy. The man didn't struggle to take off partly his robe, revealing his member pulsing in front of you. Your pupils dilated and your mouth opened. "It won't fit—"
Ganondorf hands grabbed you easily by the hips, putting you on his lap, just over his member. Your owns instantly placed on his shoulders to create distance. "You were so excited to continue this little game." His voice resonated in your ears like honey, earning another whimper.
"I—"
His armored hand grabbed your cheekbones with power while you watched him with a mixture of lust and fear. "I'm in charge here girl. Don't command me, a king."
The intrusion was sudden but weirdly not as painful as you had thought. Maybe because your juices were flowing and cascading down the interior of your thighs. "That's it." He groaned silently, closing his eyes. The man's hands moved to your waist, applying more force before bringing your down again.
Your gasps filled the room. You were shaking. "It's too much! I'm too filled!"
"Perfect." Ganondorf replied and smacked his hips into you repeatively. He grabbed your hair from behind, another moan leaving your lips in exctasy. "You're mine to keep." He rolled his pelvis, touching new parts inside you that made you see stars. "Your power is mine. All of you—" He growled, changing position so you were now crouched on top of him, his arms snaking around your body and entering deeper than he had previously. "Is mine."
Your eyes rolled to the back, tongue out and sweat running down your body. "More....More please." You whimpered, shaking.
The movement stopped suddenly as his grip on you losened. You watched him with confusion and despair. You were so close! "Why are you stopping?" Your hands were on his pecks, his breathing moving your whole body to the ryththm.
"Oh, don't worry, princess. We are far from finished." He explained smugly. You were roughly switched on your stomach, your eyes half-lidded from the potion and the pleasure. Ganondorf fondled with your buttcheeks and you were vocal again after metal slapped the flesh.
"Ah!"
The man hips collided with your back, the new intrusion farther inside you. He gripped one arm, arching your body towards him while the other hand rest on the redened flesh. "How do you feel?" He huffed, his pelvis either creating round movements or entering forcefully, eliciting shocks across your body. "I sense your lust from your part of the triforce." He groaned, slapping harder but slower.
"I can't feel like this—I can't—" You mumbled inconherently and before you knew it, white filled your vision.
You rested there on the bed, panting and disheveled as Ganondorf looked over at you one last time then left the room laughing with an evil smile on his lips.
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snakeautistic · 5 months
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I love finding characters I can relate (/project onto) within media. There’s something so comforting about seeing yourself on screen. I end up headcanoning most of them to be in-line with my identities (lesbian, wasian, autistic) because they are literally me in my head!!
Anyway here’s a long ass list of my favorite characters and why I head canon them as autistic for fun!! If you have any others you’d like to add I’d love to hear them. (And please note this is just my interpretation, and highly based on my experience with autism. I’m not saying they’re definitely autistic or that all the traits I listed are the dsm-5 criteria or something.)
Princess Bubblgeum from adventure time:
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This girl is peak evil scientist autistic. Her intense need for control, the way she carefully observes the citizens she created, an outsider to them, not quite like them… god it’s so perfect. I read her as being somewhat low empathy as well, it’s hard for her to change her perspective to that of others. Plus the fact her brother neddy is a pretty obvious metaphor for higher supports needs autism. I think they of represent how autism runs in the family and appears in all sorts of different ways in different people. They’re sort of two different representations of the spectrum.
Marcy wu from amphibia
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I mean this one is just obvious. The biggest nerd of all time. So obsessed with her RPG special interest that she literally sucks her and her friends into a fantasy world. She’s clumsy (just like me fr), very smart but super socially awkward, a little oblivious and naive. She’s terrified of change, especially if it means abandoning the few social bonds she’s been able to make. I honestly find it hard to believe this wasn’t intentional.
Entrapta from she-ra
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Another pretty overt example. I do have some issues with how she was portrayed in the show- (keeping her on a leash was weird.) but overall I really love her. She understands her tech, not people, and it can cause her to come into conflict with other characters. Their treatment of her makes me sad at times, but it’s realistic. I also love some of her other quirks, her love of tiny food, her exitable demeanor, ect.
Pearl from Steven Universe
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Peridot is the more obvious example of an autistic character in SU, and while I agree she’s coded that way, I personally resonate more with Pearl. She is not very socially aware, and bothered by disruptions to her routine/ broader life changes. She doesn’t like to break rules (despite being a literal rebel lol.) I find it interesting how she seems to have the poorest understanding of life on earth out of the gems, despite having lived here for thousands of years. She is graceful, but has an almost sort of awkward gangly-ness to her that I relate to. Her neuroticism is also very similar to how my anxiety disorder presents.
Pearl has a tendency to infodump, without realizing those around her are uninterested. Even her relationship with Rose struck a chord with me. The hopeless devotion to her, the way she followed along at her side. It’s how many of my friendships have been. Obvious it’s not exactly the same considering Pearl having originally been her servant, but while not being an explicitly autistic trait, that sort of clingy, starstruck relationship is something autistic people are prone to developing. She does little hand stims at times too that I love to see.
Poison Ivy (specifically the version in the Harley Quinn animated show)
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I’m surprised I haven’t seen more people mention poison Ivy. Fiercely intelligent and deeply introverted, she isolates herself from all people, and only connects with and understands her plants. (Which her deep affinity for can definitely be read as a special interest.) She very overtly has trouble forming relationships with others.
She’s blunt, socially awkward and a loner, has something of a flat effect and a monotone voice. Those around her initially read her as cold and impersonable.Her struggle with social anxiety as well as intense fear of failure/ low self esteem is also very relatable to me. She also often struggles to express/understand her feelings and emotions. Her radical political ideas and the fact that she’s literally an ecoterrorist paints her as having a very strong sense of justice and a somewhat black and white worldview. (Me)
Finally, her relationship with Harley just SCREAMS neurodivergent solidarity. Harley Quinn is (I think canonically) adhd, and they’re both outsiders in the world that found each other and just… get each other. She’s Ivy’s closest and only friend and amazing girlfriend and god it’s all so perfect.
They remind me a lot of the relationship I have with my best friend with adhd except theirs is gayer.
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wisecrackingeric-2 · 4 months
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LONG ASS MESSAGE UNDER CUT!!!!!!!!!!!! ITS A MASSIVE THANK YOU TO EVERYONE!!! I’ll tag everyone whose made a star for this drawing in the replies- if I’ve missed anyone or if you wanna be added, PLEASE LET KNOW!!!!!!!
At the time of writing this, there’s about 40 minutes let of 2023, and I’m VERY DETERMINED to get this posted before 2024 so I am in a bit of a rush so alas, this may not be as well-written as I’d like it to be but that’s the price I must pay alas HDNEHENEJDN
I wanna start this by saying I’ve always had a lot of anxieties surrounding the New Years, and things changing- even just seeing posts that were from the year prior always seems to give me anxiety. Things change, people move on, while I stay with the same interests- it’s always been something I’ve struggled with, but making this has helped me come to terms with all of that and I’m glad.
Theres no better words I can say right now other than; Thank You. Thank you so, so, SO much to my friends, both new and old- my friends who’ve been here since the very beginning and have stuck by me through this whole rollercoaster- and to all of my new friends, who it sometimes feels like I’ve known you all for at LEAST five years and not like, five months or something HDBWHNWUDNDHDJS thank you to everyone who has ever been kind to me, supported me and enjoyed what I’ve created- I’ve recieved probably the kindest words I’ve ever heard in my entire life this year. Thank you to the people who stuck by me when times got tough and helped me through my own seemingly very insignificant or silly problems HDNEJENSK
This year has easily been one of the best years of my life. 2022, to keep it short, was awful- I came out as a Transgender gay man to my parents and it went awful. I was dealing with the worst mental health of my entire life and there were times it felt like there was no hope. On top of all of that, my childhood dog passed away- so all and all, I wasn’t looking forward to the future. But my loving partner introduced me to Resident Evil, and as a result the community as a whole- and to say it changed my life would be an understatement.
I know it’s obviously no secret that I have a favourite character, Luis Serra Navarro- but to say his character has changed me as a person for the better would also be a MASSIVE understatement. I’ve never ever in my entire life resonated with a character so profoundly before- as a queer and trans man, I saw myself reflected in his performance, and that means more to me than words can even describe. His character encapsulated me in a way no other has done before, and genuinely helped me accept my autism, my queerness and my trans identity as a good thing- I could write absolutely ESSAYS on his character and I have. I’ve consumed more Don Quixote media than I think I ever would have otherwise HDNEHENEJD and to say I’ve genuinely become a more confident and happier person because of his character would, again, be SUCH an understatement. It’s truly hard to describe how much he means to me, but I hope my words give a good idea.
For the first time in a very, very long time, I get to look forward to my future. I don’t see my Queerness or my Trans identity as a setback anymore; I have things to look forward to, plans I’ve made and a future I can look towards. And I cannot thank my friends- all of you know who you are- André and Andrea and everyone in my life and this small little community I’ve unintentionally formed for giving me that opportunity. Words will never be able to describe how grateful I truly am, but I hope this is close enough.
Thank you for letting me fully indulge in my autism and enjoy Luis’ character to the fullest. I’ve never felt happier enjoying something in my entire life.
Thank you everyone. For everything. May you all successfully defeat your own windmills <3
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you're confused about your emotions ? me too babe, here's a quick reading
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I chose random images from my pinterest to read into your energy so you can choose randomly aswell, whatever speaks to you♡ also Idk what's with the 2016 songs today but I kept hearing random ones throughout this reading maybe there's some resonance for you
Pile 1
The Moon🌜
first off I'm hearing that song "we don't talk anymore" by Charlie Puth. So maybe you're dealing with some kind of loss right now, maybe a breakup, a fight with a loved one, a new chapter meaning you have to leave someone behind a little... if this is the case, or similar, allow yourself to be "thrown off" a little, those kinds of situations take adjusting and remember that nothing has to be forever. where I come frome we say : "thunderstorms clear the air" meaning that after a fight there's great potential for healthy communications and solving problems once and for all, for a peaceful and harmonic environment♡ A reading about your emotional state and I pull the moon, how well fitting. The answer truly lays on the inside with this one. no one can tell you how you truly feel exept for yourself! (and maybe your therapist) I think for most of you there's a new season starting and you're realising that it can't be all returning characters. Take some time to heal your relationship with relationships and analyze what and who is truly of good value to your life. you got this!
Pile 2
four of swords🗡 and page of pentacles🪙
for you I'm hearing that song "cold water" with Justin Bieber. And you actually need to take a jump into cold water. There's something you've been manifesting and now that it's slowly getting closer you're resisting the change. Maybe by refusing to let go ? It's like little kids now around Christmas, you can actually watch this happen with slight alterations, all the time. Their parents take them to the toystore so they can see what they like, and they child ofcourse find something but their parents tell them okay now time to go home and wait and see if Santa will bring it. But the kid clings to the shelves and doesn't wanna leave behind the thing they so desperately wanted. Little does it now that their parents just need to get them out of sight so "Santa" can buy the gift and deliver it WHEN IT IS TIME. let go of obsessing, overthinking and trying to "go the right path" and just let the story unfold, take it step by step even if its a little scary and you'll find yourself where you're supposed to be, you're so close already♡
Pile 3
seven of swords🗡
It's too heavy darling you can't carry all of that. You might think you do and you think you're so strong and abundant and successful for "having" all of that but then you wouldn't be feeling like this, would you? A burden, too much responsibility, too many goals or to do's for a person who only has 24hours in a day. I know the card typically speaks about actual betrayal but in this case it feels a little paranoid, like you're desperately trying to do it all on your own because your scared of beeing betrayed or someone messing with your vision or even catching evil eye. For you I'm hearing "Lady Marmalade" yk from Moulin Rounge !? I'm not sure how that fits in here and I never watched the movie but oh well, maybe you know what to do with this information. There could be something about sisterhood and sharing a problem (could be workload or talking about problems...). You might have that lonely wolf mindset, but no matter how strong you are, out there, beeing alone can get you killed. I keep seeing pictures of spiritual communities and churches, you might wanna be looking for something like a mediation or yoga class, bible study group, a coven.... depending on your beliefsystem! you're right not everyone is your friend but also not everyone is your enemy!
ps. reading back this comes off a little weird and I feel like I need to say this. please don't join a cult lol. If you are in some kind of group and things feel off, please take care of yourself♡
hope that helped <3
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nekropsii · 13 days
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“Bad Representation” is actually a topic I’m really passionate about and interested in, I could talk about it for ages. The way people handle “Bad Representation” as a concept is genuinely fascinating, too, so this is both an analytical fascination and an anthropological one.
For clarity, I thoroughly do believe there is such thing as “Bad Representation”, especially when it comes to expressions of pure bigotry from the person doing the representing… But I personally think everyone’s bar for what counts as “Bad Representation” is set a little bit too strictly, has no real account for capitalistic and/or historical restrictions - For Example: Language and common understanding of queer identity being far different in the 1950’s than it is now, and Studio Meddling - and also, interestingly, tends to take no account for the opinion of those getting “represented”, or the idea of individual satisfaction.
There’s been many, many times where a character is objectively pretty bad representation by modern standards, but discussion surrounding it takes no account for the concept of Resonance. Sometimes a character is not “Good Representation” as an objective concept, but they are relatable, likable, and quite fun to watch. I’ve seen quite a few instances of people talking down to the mentally ill or disabled for enjoying a Slasher in part because of their disorder/disability, or queer people for enjoying Hays Code villains. Sometimes a character isn’t written kindly, or isn’t written well, but they really resonate with you… And that counts for something.
One of my favorite characters - one who has helped me come to terms with my cPTSD and OSDD - is a representation of PTSD + DID that is objectively not very good. He’s basically a Vietnam War veteran, who gets an Alter in the middle of the war that is basically a self defensive Murder Mode. It’s literally the PTSD from The War and Evil Alter cliche, but there’s just some aspects that really hit for me, like the fact that he’s considered the nicest, kindest person in the cast, and the alter is portrayed clearly as being in constant self defense mode, thinking he’s still in the middle of the war, and also being quite silly. There’s several details I view as being done pretty well, a whole arc about him grappling with his mental health in a way I find quite fascinating and visceral, and I enjoy him quite a lot! But many would agree that he’s “Bad Representation” because of the War PTSD and Evil Alter tropes. Even I agree that those things kinda suck, but that’s not stopping the fact that this character has meant a lot to me, and that I really would not be the same level of okay with myself if I hadn’t discovered this character.
I’ve caught flack for this. I’ve seen many other people latch onto a character who is not executed very well because they find them personally relatable, or are using them to figure some things out about themselves, and also catch flack for it because the character is not “Good Representation” for a group as a whole. No account for Resonance, no account for Individual Experience. It’s a fascinating lack of a sense of nuance.
I think people have forgotten - or perhaps do not realize - that criticizing a base concept, or base execution of a concept, is different from criticizing individual experience. It’s like the difference between criticizing the makeup industry vs. criticizing someone’s personal choice to wear makeup. It is good to point out when something is written or executed poorly, but you do not know the reason why that one individual disabled person enjoys a poorly written character who shares their disability. I would even say that they probably know more than you do that it’s written badly, because they have lived that character’s disability and you likely have not. I think you should maybe step off if a blind person really likes Terezi or something. You do not need to patronize them by telling them that she isn’t “Good Representation” because her quirk isn’t screenreader friendly, and that her blindness has a magical workaround. I think they already know that these are facts about her that are true. They like her for a reason, and that reason is Resonance.
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sapphos-darlings · 20 days
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There's something I've been thinking a lot recently, about how lesbianism is truly a unique sexual orientation even among other minority ones, and how that affects our art and writing that should be about self-expression. Lesbians are so far in the margins, being first women, then a minority of women by being same-sex attracted, and then a minority of those ssa women by being exclusively ssa. That's not even mentioning other factors that might intersect, such as race or ability. This can leave us feeling isolated and scrambling for support and allies, and in my opinion, one can compromise too much while struggling to be understood, and even lose important parts of yourself in the quest for solidarity and inclusivity.
So, what I want to say to my fellow lesbian writers and artists:
Be bold.
Be honest.
Be unapologetic.
Question your motives and biases again to make sure you're not holding yourself back. Don't let yourself become your own lesbophobic call-out-poster or a narrowminded critic. Don't chew up your ideas, opinions and creativity just so some hypothetical audience would have easier time swallowing it.
Don't shrink back and lie to make your art appeal to others. Dare to prefer women and lesbians. Dare to put lesbians first. Dare to center lesbians. Dare to center lesbians like you and focus on topics that are important to you.
Personally for me becoming the loud and self-centered lesbian writer has meant that I've started to write lesbian/lesbian couples without feeling the need to "be fair" in terms of representation. I've started to write about explicitly homosexual experiences, where women love women not "despite their sex" but because of it, and are sure and happy about that.
I no longer cloak lesbian sexuality in "soft sapphic vibes" or leave it without a clear definition. I've started to exclude men from the women's stories. I've shed the need to include heterosexuals in main roles, even other women.
I started to exclude hyper feminine tropes just because I don't like them. I started writing masculine women and butches without worrying they are "too much". I create lesbian characters who are flawed, in pain, evil, complex and unlikable, and put them in thrillers and horror without worrying about crossing a line into that dreaded "too much".
I've pushed down many invisible walls by examining the ways I've people-pleased and shied away from how strong and unique the lesbian experience is.
Behind all those walls are stories I really long to tell, the kind that resonate with me, the kind I want to have in this world.
And I know no one else is going to depict lesbians like we do ourselves. No one else is going to tell our stories like we do, or paint us like we do, so let's stop wasting time pleasing others and start telling our own stories - unfiltered and proud.
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arnieb95 · 1 year
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Today I was thinking about why I love the magical girl genre so much.
Some might say it's the recognition of these characters having to grow up too soon, have too much weight on their shoulders at such a young age. This is certainly something a lot of us have experienced and something that is well worth exploring in all it's complexities in fiction.
However, this is something a lot of stories explore, almost every popular story you can think of has a young protagonist having to save the world. Why then is magical girl so special for a lot of people, why does it resonate with us differently, what sets it apart from these other stories?
To me, it's the theme of overcoming loneliness and sadness, not through strength or sheer force of will, but through kindness and love. Often, the magical girl protagonist is lonely, she doesn't have a lot of friends, or if she did her discovered powers and the weight of the task isolates her. This is common in other stories, like shounen, as well, but there is a big difference between how these stories handle it and how magical girl does.
The battle almost never hinges on just one character, there is no super-powered Naruto or Ichigo coming in and acting as a one many army against the forces of evil, there is no Luffy fighting on and winning after all his friends have fallen. The magical girl has a TEAM, she has friends fighting by her side the whole way through, never is she alone any more. The victory is not dependent on some lone wolf figure coming and saving the day, but a group of friends, a family, banding together which mutual love for each other and those who they are protecting. It is only as a team that they will win.
This theme of togetherness, not having to do it alone, is soooo comforting for those who have had to bear things like this in their lives by themselves. It gives us hope that we too do not have to bear our burdens alone, but there are others like us who know what we are going through and will show us kindness. They will pick us up when we fall, as we will gladly do for them, and together we will make it through whatever lies in our way.
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happy74827 · 8 months
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Lost On You
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[Rick Grimes x Female!Reader]
Synopsis: Drawn to his strength and resilience, you've secretly fancied the widowed sheriff turned leader. But with recent events turning his smiles into forced fake ones, all that's on your mind is to make it known that he's not alone {Takes place in Season 5}.
WC: 2067
Category: Hurt/Comfort, Slight Angst
This is officially my first Walking Dead fanfic, which I'm honestly surprised hasn't happened earlier, but I've recently rewatched season five, and it made me remember just how much I love Rick. So, here we are.
『••✎••』
The sun dipped below the horizon, casting a warm glow across the makeshift camp that had become a haven for the group after their escape from Terminus. The tension that had gripped them during their ordeal was slowly easing, and a sense of normalcy was tentatively settling in. Amid the camaraderie and relief, one person's heart was beating just a little faster than the rest – yours.
Ever since the days at the prison, you had found yourself drawn to Rick Grimes. His strength, his resilience, and the way he cared for his people… it resonated with you deeply. You found yourself admiring him from afar, with feelings growing with every shared moment. And now, as you sat by the campfire, watching Rick with Judith nestled safely in his arms, those feelings were impossible to ignore.
He changed, though. It was apparent in his eyes. Andrea had mentioned long ago how he was becoming “colder,” but you never saw it until now. Until you’ve (quite literally) were face-to-face with evil.
After the incident with Gareth and his people, Rick rarely smiled. And when he did, it was faker than Daryl’s chupacabra claim. Even when Judith giggled while tugging on his beard, or when Michonne and Carl had random competitions, he never smiled like he used to. The last time you saw him “happy” by definition was back when Hershel was still around.
Rick was no longer the man who gave you hope. You didn't know if it was the guilt of his past actions, the stress of the group's survival, or a combination of the two, but Rick Grimes had been lost somewhere along the road, and you wanted to find him.
Your gaze drifted down to your lap, where the remnants of a half-eaten dinner lay. You weren't sure what Carol had made tonight, but it was good. She was always an amazing cook.
Carol.
She was the only person who knew how you felt about Rick. It had been hard not to talk about it. You two were close, and it wasn't like you were a master at keeping secrets. Carol was, though. She had a talent for reading people and knew right away when you had developed a crush. She always teased you about it.
You were glad she didn't tell anyone, and you were glad to have her as a friend.
With the fire beginning to die down, and the food finished, the others began drifting back to their respective tents. First Michonne, then Carl, Daryl, Carol, and Tyreese. Sasha lingered for a bit, and eventually, Abraham and Rosita. Eugene and Tara had been gone all day scavenging for supplies, and Glenn and Maggie had disappeared into the woods an hour before. They had just recently returned, hand-in-hand, and were giggling and whispering as they headed for their tent.
As for you? Well, you were just waiting. Waiting and watching Rick. You didn't know why, exactly. Maybe you were hoping he would suddenly break out of this new, serious-all-the-time character he'd been portraying. Or maybe you were trying to figure out how to talk to him, how to tell him how you felt.
That thought sent your heart racing again. You took a deep breath and held it for a few seconds before letting it out slowly.
You couldn't help but feel like the entire world had been waiting for something to change. Waiting for a spark. And when you looked at Rick, you knew. You just knew.
There was something about him. Something special. Something you couldn't explain, but it drew you to him like a moth to a flame. He was the spark you had been waiting for, and the feeling was so strong you could hardly contain yourself.
Rick turned, and you met his eyes. They were a clear blue, a striking contrast to the dark hair that framed his face. His beard was starting to get long, and the curls atop his head were a bit wilder than usual.
Your eyes met his. The smile he gave you was weak, forced. You were tempted to stand up and give him a hug, just to make him feel better. But you didn't.
After a few moments of awkward silence, he stood up, adjusting Judith in his arms as he did so. She stirred, her eyelids fluttering a few times before falling shut once more.
"G'night."
"Night."
And then, he was gone.
You watched as the tent flap closed behind him. He had disappeared so quickly that you barely even had time to register what had happened. You felt like a part of you had just left with him. Your heart was beating a mile a minute. You had been sitting there, watching him, for a long time, and the sudden silence was deafening.
As you headed for your tent, the last of the campers called out to you.
"Night!"
You stopped in your tracks, turning towards the voice. Carl was smiling, waving at you. You raised a hand in response, flashing a brief smile before turning away.
"Night."
You were asleep almost instantly. The day's events had left you exhausted, and it didn't take long for sleep to overtake you. It overtook you to the point that you had slept in until after everyone else had gotten up.
Morning came and you exited the tent, squinting as the sunlight hit your face. The sun was high in the sky, and the others had begun the morning without you. You didn't mind; it wasn't the first time this had happened, and it probably wouldn't be the last.
As you made your way to the main area, you were greeted by several friendly faces.
"Morning, sleepyhead," Glenn teased. "We were starting to wonder if you were ever gonna get up."
You flashed a sheepish grin. "Sorry. I was just exhausted."
You scanned the area for a few minutes, noting that a couple of people were missing. Rick, for example, was nowhere to be seen.
"Hey, Glenn, where's Rick?"
Glenn glanced around the campsite. He scratched the back of his head and shrugged. "Not sure, actually. I haven't seen him this morning. Not since breakfast."
That was strange.
"I'm gonna go look for him," you said,
As you left, Glenn gave you the thumbs up in encouragement before his eyes flashed back to Maggie and Tara. Most likely retelling the events of the previous day.
You soon wandered through the trees, searching for any sign of Rick – or anyone for that matter. Both Daryl and Carol were also missing, but you weren’t concerned about those two. It was more concerning for those who stumbled upon them. Now Rick, on the other hand, he was different.
As of right now he wasn’t the man to mess with. Seeing how he handled those at Terminus, and hearing what had happened the night before from Michonne… you weren’t concerned about the possibility of him getting attacked or injured. Your concern fell towards his mentality.
He was “technically” the leader that everyone had listened and looked up to. Abraham made arguments, mostly of the importance of taking Eugene to DC, but Rick was the one who had the final say. That kind of power and responsibility to lead an entire group to their survival has heavy effects. And now, after so much loss and failure, it finally took its toll.
The sun shined brightly through the trees as you walked, and the air was warm. It was the kind of day you would have spent reading on your back porch, or maybe going for a hike. Before the world ended, anyway.
As you started walking, you couldn't help but notice the quiet. There was no sign of life anywhere. No birds, no insects, no Walkers. It was almost like the entire world had disappeared, leaving you all alone.
The forest became more thick and dense the further you walked into it, with the trees growing more close together. The sun still shined through the branches, but it was still early, and the shadows were deep.
You started your trail back towards the temporary camp when you noticed a noise coming from behind you. You spun around, heart pounding. It sounded like footsteps.
"Rick?"
There was no answer. Just the sound of the wind whistling through the trees.
"Rick?" You tried again.
Nothing.
The silence was unnerving. The sound of footsteps had stopped, and there was still no sign of life anywhere.
Then, suddenly, you heard a branch snap and everything that was peaceful turned into a war zone. You spun around fast with fists clenched. You didn’t even process what it was before you struck it in the face.
Your face fell once you opened your eyes to peek at the danger.
Ah, shit.
Rick straightened out, his hand running over his nose where you had accidentally struck. He seemed a little dazed, but otherwise was fine.
"Oh, god, I am so sorry," you said, wincing. "I didn't know it was you. I thought you were a… I don’t— oh, geez.”
Rick blinked a few times, regaining his composure. His hand fell from his nose, and he gave you a slight smile. Fake, again, but this time you didn’t blame him.
“What are you doin’ out here?” Rick’s voice was low, and he sounded tired. He didn’t look directly at you, instead choosing to gaze past you at the forest behind. It was almost as if he didn’t care to hear your answer.
And it was clear he wasn’t bothered by the fact that you had just punched him in the face.
You found yourself sighing at his words. It was a difficult question. One that had multiple answers.
What were you doing out here?
What was he doing out here?
Why were either of you out here instead of being with the group or resting up after the chaos of yesterday?
The questions buzzed in your head, but the answer was clear.
You were out here because of Rick. You were out here to find him. To talk to him.
You opened your mouth to respond, but nothing came out. The two of you stood in silence for what seemed like an eternity, and the awkwardness was palpable.
"You should be with the others.”
The words hung heavy in the air. They were simple enough, but the weight behind them was crushing.
"You should be with them, too," you countered.
Rick's gaze shifted to you, and you met his eyes.
The sun's rays broke through the treetops, illuminating his face. He looked tired. So tired. Rick had always had dark circles under his eyes, but the ones you were seeing now were new. They were a deeper shade than you'd ever seen, and they seemed to have grown bigger.
He was worn down, exhausted, and there was a hollowness to his stare. A dullness that had replaced the fire. And yet, despite all of that, there was still a warmth there. A sense of caring, of love, that was still present.
It was that warmth that gave you the courage to continue.
"I'm worried about you," you blurted.
His expression shifted slightly, his brows furrowing.
"You're worrying about me?"
You nodded, your eyes still fixed on his.
"Yeah. Yeah, I am."
He shook his head.
"You don't need to worry about me."
"Yes, I do. Because I care about you."
Rick stared at you for a moment. He seemed stunned, and the look on his face made your heart ache.
He let out a small sigh.
"You don't have to," he said, his voice quiet. "I'll be fine."
"You don't have to be the hero all the time, you know," you said. "You can let the rest of us help carry the load."
His eyes searched yours.
"You can't save everyone," you continued. "Sometimes you just have to accept that there are some things that are out of your control."
Rick became silent. You could see the pain and conflict swirling in his eyes. He wanted to accept your words, but the guilt was still eating away at him.
He closed his eyes, and the tension in his body seemed to ease a bit.
"I'm just… tired," he said. "I'm tired of seeing people die. Of losing people."
You placed a hand on his shoulder, giving it a gentle squeeze.
"I know," you said. "I'm tired, too."
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cosmic-ghost-hermit · 2 months
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Heyo! All the art on these readings is drawn by me. Take what you can from the reading and leave all that does not resonate behind but always be open to new perspectives.
The archetype reading was inspired by the deck I used today. The guide book uses examples from anime to fit the descriptions of the tarot cards. I thought that was really clever so I decided to build off that idea and tell you what archetype you are most drawn to wants to tell you. In short, this is really a message from a specific cards energy. I hope this helps anyone who might be struggling!
PILE 1
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Crystal: Tigers Eye
Character: Badtz-Maru
Archetype: The Empress
Astrology: Taurus ♉️, Libra ♎️, Pisces ♓️, Virgo ♍️
Dear pile 1, you are represented by the empress of this deck. The archetype you embody is someone who is luxurious, modest, kind and attentive. You care deeply for those you love and would do anything to assist them and make their life easier. You are a fantastic friend, partner and companion. You don’t necessarily have to be a woman to embody that energy. The message this part of you wants to tell you is that your kindness is being taken for granted. Your attentiveness is being discarded as if the love you gave isn’t worth anything. Your intuition is telling you to withdraw from the connection that is causing this. You maybe started this friendship or connection a while ago but you have started to notice this pattern from the other party in this relationship. They don’t return your love. They don’t say thank you when you go out of your way to be good to them. This doesn’t mean you should necessarily cut them off. Just don’t go out of your way anymore. They are undeserving if they cannot be grateful to you for all you do. I see if you did stop it would barely be noticed at first. However, the person will slowly realize how much you did to assist them. How much work you did was important and helped them get through the day easily. If they apologize and communicate they did wrong that won't necessarily be your queue to go back to scratching their back. You need to wait for them to lend their assistance to you. That will be your invitation to return to being kind. Until then use the extra time you have working on your passion projects and aiming for your dreams.
🖤✒️🔎💻🕋🛞♟️🎤🎼🎱🏴🪨🐕‍🦺🕶️🎩🐦‍⬛💣🎵🎶♣️♠️🏴‍☠️👁️‍🗨️
PILE 2
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Crystal: Flower Agate
Character: Keroppi
Archetype: The Devil
Astrology: Leo ♌️, Aquarius ♒️, Capricorn ♑️, Gemini ♊️
Hey pile 2! Your archetype is the devil. Don’t worry though, for this doesn’t make you evil or bad. All this communicates to me is you are an enjoyer of the darker parts of life. You enjoy what other people usually fear. This is definitely not something horrible you should shame yourself about. I see you probably enjoy altered states of reality or perhaps you are very free with your sexual expression. I see you like the taste of control, power and vengeance. Again not a bad thing in my mind. Humans have many states of being and no part of existence is incorrect. Your message from the devil archetype is not asking you to cold turkey your behavior. However, I think it is saying balance is super important when you dabble in darkness. You might be prone to addiction to literally anything you can get dopamine from. I am an addict as well. I know how hard restraint can be. Even doing this reading is giving me cravings to be honest so I know you deal with cravings constantly. Your cards are saying it doesn’t matter if you feed the addiction. You will always be starving for more. You will always be chasing something you can never achieve. Please take care of your body before the cravings lead to worse. When I was dealing with my addiction I ended up in the hospital multiple times. It would have killed me if I hadn’t stopped. It is okay to dabble in darkness but seriously I beg you, from the bottom of my heart please moderate. Moderation is key to keeping yourself safe. If you are meant to have the darkness, it will be in your grasp. If you are in need of a break. Trust the universe when it takes it away. You are not evil for needing. I want to reiterate that because I know how it feels to need something that hurts you.
💚🦈🪀🧃🍵🪦🥗🥒🥑🌪️🫒🍸🍏🥝☘️🌱🥈⚓️🪴🎍🐍🦎🚬👒🤢
PILE 3
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Crystal: Carnelian
Character: Tuxedo Sam
Archetype: Emperor
Astrology: Cancer ♋️, Aries ♈️, Sagittarius ♐️, Scorpio ♏️
Hey, pile 3! Your archetype is the emperor. You are a force to be reckoned with. A master of your craft and skilled beyond other people's wildest imaginations. You have a plan and have been putting so much energy into it. You know exactly what you want and exactly how to get it. Your cards are pretty straight forward just like you are. They are telling me that working hard is good! That your progress is fantastic and you have made it so far! However, the pace you are keeping at is almost unsustainable. You can’t juggle all of the tasks you are trying to keep under control. You cannot do it all by yourself. That isn’t logical! Humans are not solitary creatures. We need community and connection to continue on. Humans who have been left alone for too long go hecking crazy! You absolutely can handle all of it mentally. I am not saying you are incapable because you are SO CAPABLE. Rome was not built in a day. Masterpieces are not made out of minutes, they are made out of days or months or years. You are creating a masterpiece so allow yourself time to think about it. Allow yourself the space to brainstorm and be patient with your body and your creativity. Be gentle with yourself. You are only one person and the secret you are missing is that you are not alone. The silly little secret is that you don’t need to set a deadline for the greatness you are going to grow into. One of my favorite artists didn’t make it when he was 20. He grew into his greatness when he was 35. Does that make him any less of a great artist? Absolutely not!!! You are cool, awesome and wonderful! Why do you need to prove that when you already know it is true?
💙💤🌀🪬🌨️🧿💎🚿🧊🫐🌊🌧️🌬️💨🌏🦋🪼🐬🧢🫂🥶💠
-ghost 🖤🩵
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dreamlifebunny · 8 months
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Hi idk if this is a stupid question or not but I just want to know, I saw you had a gifts from the universe post or something like that and it talked about fictional characters and such, so with that does that mean I can manifest a fictional character into my reality? Like this reality? I was always told I couldn't do that and if I can omg I'm gonna cry happy tears haha 😭💖
hi hi! not a stupid question at ALL, seriously! you absolutely frickin' can manifest a fictional character in your reality! 🥰 isn't that so exciting!? your childhood dreams are about to pop off hehe. this is a much longer post than i expected because i kinda just rant, but i hope it's helpful.
so, i found reality shifting through the self-ship community, then i found law of assumption through the reality shifting community, and then found non-dualism through the law of assumption community. if there is ONE thing i want everyone to take away from ANY of these teachings/communities (regardless of which ones you follow and resonate with) it is that anything that you can imagine, you can experience.
we are the creators. we are the experiencers. we are. the thing about "fictional characters" is that, as the creators of our lives, we as humans have also created whole other worlds with lore and characters, right? if you are aware of the these worlds, their lore, their wonderful characters, then they absolutely exist, right now, because they were created by us. if you are holding them in your imagination, they are here, because you as imagination is all that there is. and that means, if you are imagining them to be in your "real world" reality, then they can absolutely show up here.
now if someone told you that you can't manifest fictional characters into your reality and they were in the law of assumption community, they do not understand what the law of assumption is all about. i mean, it's in the name of the teaching, "assumption," right? what you ASSUME to be true, will be true. if you assume that fictional characters can come into your reality, then that'll be true! eep i'm getting so exciting even just thinking about this, haha! i have nothing but respect and love for the reality shifting community because they opened up my societally-conditioned perspective to a lot of possibilities and changes, but a lot of people in the shifting community have many limiting beliefs about what is possible. the truth is, if you can shift your consciousness to be in a "fictional" freaking world, then you can do just about anything in this world too, right? people believe that they can shift to entirely "made up" worlds that they script, but they don't believe that they can alter their "current reality" with the same scripting techniques, even though they absolutely can and none of it is different from reality shifting to a "fake" world. it's all possible, regardless of the reality you are experiencing!
as proof from my own experience, i actually have a fictional character i brought into my life! in my case, i was hyperfixating on this fictional character who was an absolutely nasty evil dirt bag but i was sooo in love with him (classic lmao). in the beginning i wasn't even trying to bring him here, i was just trying to "reality shift" to meet him and come back to my "current reality" where i was safe because i knew he was a toxic man i should have no business being with haha. i knew i didn't want him in my reality because he was, well, evil, but i did wanna visit him and hang in a "different reality" for a period of time. i always told myself, "i wish there was a version of this character that would just love the shit out of me and not be so evil, one that i actually would love to have around every day..." and every night i would try to reality shift to a world to hang out with him despite this thought in my head. i never felt disappointed when i woke up in my CR because the joy i had was in visualizing hanging out before bed. it felt really real in the moment, just daydreaming and feeling silly and sweet, and it brought me so much happiness - as daydreams should!
i never ended up shifting my awareness to that reality, because something even better happened. since i imagined meeting him and spending time with him every night and persisted in the idea that i would eventually reality shift, i ended up manifesting a person into my life who had every quality that i loved in the evil character WITHOUT the evilness, and he ended up being my best friend and one of my partners! this person showed up in my life and completely flipped my world around, bring me everything that the fictional character had brought me in my imagination. like, everything, minus the bad stuff that i didn't want. it was the first case of manifesting that i had ever been super conscious of achieving, and it changed my whole perspective on the practice. i also immediately stopped caring about the old character i had been manifesting because i was so obsessed with this new person in my life LOL. it was pure magic!!
now, i realize that this is not at exact example of your question, as you're asking if you can bring a fictional character into this reality exactly as they are. and guess what? you absolutely can. the only reason i didn't bring this exact character into my reality was because i wanted a different version of him to show up, but if i had wanted him to show up exactly as he was, he would have! i wanted to give you this as an example of something like this so you can see the possibilities, but don't let the fact that it wasn't the exact fictional character deter you - my fictional person showed up exactly as i wanted him to, and yours can too! you can even make them better! 😎 hehe
this was a long-assed post, but i hope it brought some joy and excitement. please remember: you can do, be, and have any frickin' thing you want in this life, if your beautiful mind can dream it up! dream beautiful dreams and know that absolutely everything is possible! so much love 💗
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chaosroid · 5 months
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Ngl, kinda obsessed with the inherent queerness of Shadowheart's character arc. There's something about her experience of having to pretend to be something she's not, of people trying to change her into conforming to their expectations, that I really resonate with. Shadowheart's entire shtick is being this black sheep of the Sharrans much to the displeasure of her superiors. She is just so. bad. at being evil it's almost comical, but she's been gaslit for 40 years into thinking it's what she's meant to be and it clearly makes her miserable.
And that's not even getting into the mark they put on her hand that flares up to punish her, or the countless memory wipes she's endured to correct her 'frustrating tendency' to act according to her true nature and defy Shar's teachings, which really all comes borderline close to sounding like conversion therapy. They wanted to erase her identity so bad they tried to make her literally forget who she was. She has a birth name she no longer resonates with. She has religious trauma. She's bi/pan.
Anyway, what I'm trying to say is, I'm deranged about her and she makes me want to yell.
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nepentheisms · 8 months
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Volume 13 - Elendira's number, let's gooooo!
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So I was pondering the significance of Livio's big throwdown fight being against Elendira, and it hit me once I looked at it in terms of their abilities: Elendira's weapon is nails; Livio's power is regeneration. This is the Crucifixion battling against the Resurrection - a very Christian metaphor being used to illustrate the conflict of ideas between Knives and Vash. Elendira acts to help carry out Knives' condemnation of humanity; she brings death and visions of death in the wake of Knives' crusade to punish those he sees as sinners. Livio, in contrast, is aligned with Vash's mission to save humanity; he's an agent for Vash's message of redemption and life persevering.
To delve into Christian soteriology for a bit, the significance of the crucifixion in the New Testament is that it is the act of Jesus taking on the punishment for all of humanity's sins. "The wages of sin is death," as Romans 6:23 says, so Jesus dies, but then Jesus rises again to complete the path to humanity's reconciliation with God. The idea is that in becoming followers of Christ, Christians spiritually share in the experience of crucifixion, death, and resurrection with Jesus. To love Jesus is to be changed as though one were raised from the dead. The passage below from Paul's letter to the Romans is an example of that perspective.
Romans 6:4-6 (NRSV):
(4) Therefore we were buried with him by baptism into death, so that, just as Christ was raised from the dead by the glory of the Father, so we also might walk in newness of life. (5) For if we have been united with him in a death like his, we will certainly be united with him in a resurrection like his. (6) We know that our old self was crucified with him so that the body of sin might be destroyed, so we might no longer be enslaved to sin.
It's very appropriate that Paul's words get brought up here, because I think Livio can be seen as something of a Paul figure. He's a powerful member of a religious order that opposes the followers of the Christ figure, he plays a big role in the death of a "disciple," and he undergoes an intense experience that changes him into one of the most devoted followers of the Christ figure. And the stuff Paul wrote about being crucified with Christ? Livio sure went through a crucifixion alright.
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With all that said, when we bring Razlo into the equation, things get really interesting and a bit subversive when viewed through the lens of Paul's teachings in the Christian Bible. In stories that are more straightforwardly Christian in their messaging, a character like Razlo - a personality who acts as someone's darker half- would typically be treated as a force of evil to be overcome. This represents how the pre-salvation self is supposed to die so that a more Christ-like nature can take its place.
In Livio's case, however, Razlo is not extinguished after Livio chooses to live by Wolfwood's and Vash's example. Instead of being framed as the more sinful aspect of Livio that needed to be purified out of him, Razlo is portrayed as a powerful asset in preserving Livio's life, and that's something that really resonated with me - the way that Livio didn't need to erase his darker half but instead learned to work in harmony with it. In doing so, he found wholeness.
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