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#sorry this was a vent post
thediktatortot · 2 years
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Not people saying “Fandom has always been like this” in that vent post I made. No. It hasn’t always been like this. Fandom has NEVER been like this until recently and if you were in fandom pre-tumblr purge, pre-twitter, pre-netflix boom, pre-tiktok....then you would fucking know it was nothing like this.
We still had the drive to create. We still sold prints and charms and made zines...but it was never like this.
The introduction of streaming, binge shows that drop all at once, tiktok and vine RIP i still love u vine but you were the beginning of a particularly ugly era) creating this bite sized, quick paced ‘content’ era of creation and it bled out into fucking everything else.
Fandoms didn’t die down when the show ended or the season was over. You didn’t mass unfollow artist, writers or moots just because they changed fandoms. There wasn’t this need to please the algorithm in order for your posts to get seen by people and enjoyed.
Fandoms used to last YEARS. Star Trek is literally the oldest running fandom out there and you got people in there that could care less about the new stuff and still have been happily prancing through their fucking fifty year old fandom today. Hell, even SPN after all it’s fuckups and shitshows has a dedicated fanbase STILL creating tons of art and fic.
There is no patience anymore. No calm feeling of taking in fandom and friends at a pace that which doesn’t make you stressed and is still fun.
Do I blame fandom for this? Of course not, but people are complacent with it and start changing their vocab to accommodate and end up making the situation so deep it cant be fixed.
We call Art & Fic Content now, completely stripping the value of what it is to a level of consumerism instead of personal entertainment & community bonding.
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ilovethebittertaste · 2 months
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Behind every mentally ill person
Is a secret tumbler account they vent on to strangers
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I became so attached to my depression that I can't imagine my life without it anymore
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lulabyy · 2 months
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I wish I could sleep through my whole life and never wake up.
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bloggingboutburgers · 7 months
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When I talk about how I don't like sex, it's so people like me can feel "more normal" and not so "broken". Not so everyone else can feel "less normal".
Can't believe we still have to say stuff like that all the time in any context of advocacy but this isn't about making things worse for you. It's about making stuff a little bit better for everyone so everyone can be seen. Not even necessarily understood. Just seen.
(PS: I don't wanna put a disclaimer on literally all of my posts to say I mean no ill to allo people. That should be implied. With that said, to all the allo people who DON'T react like that: thank you. Y'all give me hope.)
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boopicide · 2 months
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i don't wanna die, i just wanna never have existed in the first place.
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interruptedsblog · 2 months
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I feel empty, I feel a hole in my chest while sadness and anguish are invading me. I don't have enough strength to get up, move, concentrate and eat.
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teaboot · 6 months
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Scooby-Doo villains had the right idea, I'm gonna start dressing up in elaborate costumes to scare off rich property investors and tourists and fucking landlords. My home town usesd to have almost no folks stuck on the street and now our whole downtown is a tent city. These people grew up here. You know who didn't? The retired millionaires renting out one bath no bed 80sq ft. broom closets for a grand and a half. Not to be all "get the fuck outta here" but damn go fuck up wherever you grew up, I gotta watch teenagers smoke crack now. Fuck
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turtletoads · 1 year
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thinking about those cora lives aus but they never explain how he’s alive, so i always assume its this scenario
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dreampearls · 11 months
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three of them
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sunlit-mess · 1 year
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something something
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creaman · 30 days
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—BECAUSE KUNG FU PANDA 4 KILLED MY GRANDMA, OKAY?
To preface, I watched this movie and I'm genuinely tweaking right now so I had to write down a very brief (lie) criticism on this film — which you should boycott, by the way.
Starting with the things I liked, before briefing my primary points of criticism:
Po's Character Regression
Po and Zhen's Dynamic
The Chameleon
I'd also yap about Lord Shen and the death of the art style and the entire narrative and pacing and use of the staff of wisdom but my therapist says being such a hater is 'unhealthy' or something. My heart is full of hatred.
SPOILERS for the entirety KFP4 for the 2 people who care.
KFP4 undermines and ignores the previous three movies — Unwriting character developments, outright removing the Furious Five, straying from the character design philosophies and is completely inconsistent with the established lore.
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Things I Liked About Kung Fu Panda 4
The Chameleon's character design
Visual gag in the Tavern where Po uses a recently thrown axe as a hat rack (made me laugh)
When Mr. Ping did this:
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so cute! the little heart!
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Po — Character Writing
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Po, as established in the previous movies, is confident in his abilities and identity — he’s learnt inner peace, he’s matured as a character. However, in KFP4, his character has completely regressed. He’s immature again (such as KFP1, possibly worse) and says verbatim, “only knows kicking butt and taking names” — UNLEARNING inner peace and insisting that “…being the Dragon Warrior is all I know.”
It’s childish, and sort of Hotel Transylvania-esque.
Which isn’t helped by the comedy, the dialogue — a large chunk of which are jokes in the style of:
Master Shifu says something philosophical
Po quips off of it / doesn’t get it (i.e. Whoa!! beat I don’t know what that means.)
Oh, it’s great, yeah, very tolerable. Po’s shenanigans are normally reeled in by the presence of the Furious Five who are generally more serious in nature, creating a much needed balance in the dynamic — So without them, it’s just Po becoming increasingly obnoxious and insufferable with every consecutive quip throughout the screenplay.
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Po and Zhen — Character Dynamics
[No more graphics sorry I'm too angry]
As if it wasn’t obvious that Zhen was going to be the next Dragon Warrior the second she was introduced.
Zhen, as a character, has no depth besides being a quippy thief. She quips, she steals. This character has no motives — it can be assumed that the writers intended on a ‘change of heart’ thing, but she isn’t established as evil, her working for the Chameleon is written as a (albeit poor) twist reveal.
By which point, her taking either side wouldn’t make sense, given that she has shown no loyalty or attachment to either Po nor the Chameleon.
The movie artificially strengthens their bond by having Zhen start opening up about her backstory out of nowhere for no reason but they have done nothing to grow closer to each other.
Small tangent, her backstory is exactly what you’d expect it to be with no subversions or even emotional weight. Woe is me I was so small and hungry I had to steal to survive. Glossed over in about a minute.
The majority of the dialogue between Zhen and Po is spoken exposition — explaining how powerful and badass the Chameleon is, explaining how ‘we have to go here to do that’ and ‘this place was cool until the Chameleon did such and such’, and the rest of their time together is spent engaging in filler chase sequences and fight scenes.
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The Chameleon
Where do I even start…
This is where it becomes apparent that the movie relies heavily on telling rather than showing —
She is the weakest villain by far, not only in universe but as a written character; which is particularly disheartening because I genuinely adore her character design and feel as though a shapeshifting character has great potential.
The movie artificially inflates her power by insisting through exposition that this is the most capable antagonist thus far (lie).
The audience is TOLD by Zhen and various restaurant patrons that the Chameleon is a powerful shapeshifting sorceress and that she 'dominates the city' whilst the film does nothing to showcase this.
'Dominating the city' meaning letting her henchpeople run amock and bully the civilians just like Lord Shen's wolves in KFP2... uninspired.
I just realised they didn't even give her a NAME what the FUCK is going on
She describes HERSELF as ruthless, clever and unsentimental when comparing Zhen to herself.
She says HERSELF that she’s “Stronger than every opponent you’ve ever faced.”
Let’s see what vile reprehensible things she’s done, shall we?
Gently push someone down some stairs
Her first appearance is through Zhen’s exposition, as opposed to the dramatic and memorable entrances of the previous villains. Her motives or character aren’t established until the final third of the film. She doesn’t even FIGHT anybody until the final third of the film; and even then, her fight sequences are uninspired and she never really poses a real threat. (She goes down in two hits.)
That being said, WE CAN STILL SAVE HER GUYS WE CAN STILL GET HER OUTTA THERE I'M COMING FOR YOU CHAMELEON I'M GONNA DRAFT YOU A PROPER BACKSTORY AND MOTIVE AND YOU'RE GONNA BE THE MOST THREATENING VILLAIN THUS FAR
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There's a scene after the climax of the film where all the kung fu masters and previous villains from the spirit realm bow to Po. I'm not going to provide my thoughts on this because I fear I may burst a blood vessel. Good day!
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Closing Statements
To put it simply, Kung Fu Panda 4 was my Megamind 2.
The film rejects its predecessors in every way. It really feels as though they brought in somebody with no prior knowledge of the franchise to direct the movie.
It's a film that relies heavily on telling rather than showing — banking on the previous three movies to carry it through the box office.
It's just really disheartening to see studio execs turn one of the best franchises into a safe sequel cash grab and regress every character's development.
Nevertheless. I do adore the chameleon's character design so I might do my own take on her character.
As far as I'm concerned, there is no fairy godmother, there is no tooth fairy, and there is no kung fu panda 4.
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lulabyy · 4 months
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For new year i wish to be finally skinny and mental stable or dead
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laurzzz · 26 days
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Robo-Boyfriends AU (My Sona Version) - Effort
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Woe word-less comic be upon ye! I think it's very fitting with my sona being mouthless LMAO. I haven't worked on RBAU in a short while so take this thingy before I continue to work on MO again :thumbsup::thumbsup:
Explanation/vent under the cut (it's VERY long, so know you've been warned)
I'm tired. I'm tired of pretending it doesn't affect me at all. I'm tired of not wanting to express genuine frustration on my blog. I've been trying my best to keep my blog and every other platform I have as a place of escape for myself. I want it to only be filled with mostly good and optimistic things. I already get enough crap and more in my private life, I don't want to see reminders of them in places where I want to escape. Which is why I've been pretending to not see the numbers, that I don't feel under appreciated, that I don't vent as much when I want to or when I do I'm quick to delete them.
I know that many artists online go through this and have expressed their frustration on this experience-- where they put in so much effort and time on their works and they barely get any feedback or interactions or when they do get feedback it's often on the works they don't even put that much effort in. I love RBAU and Cloud Nine.. they're my AUs that basically gained the most traction here but the time and effort I gave to making those comics and random pieces of gradient-themed drawings don't even compare to the rendered pieces or the animated works I've made for them.
As much as I appreciate the reblogs and comments on the posts that reached so many people, I often wonder why it's always the works that I didn't put my all into. It makes me feel discouraged... not in continuing to draw or make creative work, but to actually put in more effort. But if I'd do that--stop putting in more effort-- then I would only make myself even more miserable as I don't like stagnation. I hate stagnation. I hate getting bored of the things that mean so much to me. Sharing my art and improving on it means too much to me.
But it's weird because I tend to observe the interactions with other blogs. They look to put in so much effort and make such beautiful rendered pieces that I adore and yet they are appreciated as deserved. While there are artists who make "shitposts" (their words) who also gain so much traction and appreciation. This observation makes the voices in my brain start correlating the quality of my work to the interactions. If I'm being completely transparent, I get these thoughts a lot. But I also don't believe them. I don't want to believe them.
Before anyone starts saying "ohhh you shouldn't attach your appreciation of your work from external factors" etc etc-- I KNOW. I am FULLY aware. I'm completely aware and have rationalized this situation over and over. That this is just how the internet goes. That these are factors I don't have control over. That my work is gold and it doesn't have to be determined as such by numbers. That someday the people who appreciate my works will find me. I. Know.
Still, knowing these things doesn't make the feelings disappear. It's like I want to be mad, and cry at the same time but also understand that I just can't really do anything about this but let it be. It's as if the more I care about a project, the less likely people will. I don't want to pretend like I don't care about a project just for it to be appreciated. But I also don't want to feel as if I'm not getting as much appreciation or attention that I think my work deserves.
I've been experimenting with my works and how I post them here on Tumblr and on YT since last year. The ones that are shitposts are seriously what gets more attention AHAHAHA I am laughing with frustration. Look, I love making memes and poking fun with characters as much as the next viewer and artist but by god. I can't just keep churning out funny haha low substance stuff in exchange for interactions. That's not the kind of artist that I am. I like making things that has lore; that has depth to them. Like how I tend to make lore heavy AUs right after getting my silly, lighthearted works blow up just to remind myself that the relationship I have with my works will not grow if I keep chasing after the interactions, the numbers by prioritizing quantity over quality.
Or maybe people just don't like my ideas? I guess that's a possibility too. Maybe my ideas just don't resonate with people enough. It's not "consumable" enough. Or maybe they don't like my art/writing/animation style. Yet more factors that's out of my control. But I also get told that people like my art, my writings, my animations. And they mean so, so much to me. But it just doesn't add up sometimes, y'know? If people like my work and stick around because they like my art no matter the fandom then why don't I see it? Thoughts like these make me feel so ungrateful actually.
I'm sure there are many people who look up to me as an artist and think how "popular" I am. I've been told this so many times. And yet, I don't feel either of those as strongly. Hell, even as I type this long vent out, I feel like people will not even care. Or worse. Perhaps they may think I'm focusing on the wrong things or think I'm being insecure and jealous of other people's well-deserved appreciation from others.
For the record, I am not. I think every single (actual, not AI) artists put in so much effort and love to their own works most of the time and if they get appreciation for it then I'm sure as hell that they've been seeking for it too and now that they're getting it and it's there then they should bask in it and rejoice. They really should.
Sigh. This is getting far too long. I'll stop here. I hope my words and my thoughts came out clearly. I'm writing this out late at night. Don't worry, I'll still be putting in the effort I've been putting in lately. I'm still going to work on MO, and give my best to make Assassin Eclipse's design to be as on par with Assassins Sun and Moon. I'm still going to write and continue the lore in the fic. I'm still going to animate the lore-heavy Welcome Home animation I've been working on slowly day by day. I just wanted to let this all out. Venting it to my friends just seem to not be enough. I gotta express it where people can see it. I think this is just my last straw too. I've been holding out for so long and 2024 really hasn't been that kind to me lately that I just can't anymore.
Anyway, the next post will be much lighter, I promise.
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dhmis-autism · 1 year
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fav thing about that fight is that duck and yellow are very focused on each other during it (throwing blows, almost all ducks lines are just insulting him,ect)
red is just in the bg of that having a COMPLETELY different convo with. himself. its so fucking funnnyyy
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dinoserious · 1 year
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um
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