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sunlitmiracle · 10 days

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smashes my current interest together with my old interest (aka yet another "what Dungeon Meshi but Gamers?" AU)

Once when I was a child I had a complete crying meltdown over Creatures, because the manual insisted that the complicated AI of the Norns made them truly alive and 10-year-old me was freaked out at the idea of being solely responsible for making sure these real animals wouldn't die. The funny part was that this was the Playstation version of Creatures, which has no biochemistry and very basic AI compared to the PC/Mac games where players actually were debating whether or not it was true artificial life. A PSX manual gave me existential dread and it wasn't even telling the truth.

Anyway, kid!Marcille would also have a meltdown over the Creatures series, especially if she had the computer games and got to see how vastly different some breeds' lifespans are. Like in C2 where you have Norns that live for around 5 hours and Norns that live for 10, both of which are vastly more than Ettins who don't even live for 1.5 hours (and usually less due to radiation or starvation).

Lucky for her, having the computer version means she could download modified genomes made by other players that make creatures live longer or even outright remove certain death triggers. However I think she'd have more fun learning to read and edit the genomes herself, to get a better understanding of how the game works and how to change it to suit her own tastes. And because she could pretend she's one of the mysterious ancient Shee who created the Norns, Grendels, and Ettins and then vanished, leaving behind relics of their old society.

(Speaking of Grendels, she would unfortunately dislike them because they're the Designated Evil Species and she'd hate how they harass and attack her Norns. I think she'd also pity them though, because they get sick a lot and have short lifespans. Likely she'd just end up downloading/creating a genome without the aggression towards Norns. Ettins she'd like except for in C3 when they dismantle her meticulously-placed gadget setups, so she might mod out their hoarding compulsions too. Both of them would of course also live for however long her Norns would live.)

Also. While standard creatures' lifespans are counted in hours, if you modify the half-lives in the genome editor you can increase it to centuries. Or even just over a millennium if you set the half-lives to their max length (assuming you also leave the old age death trigger at its vanilla value).

and I like to think that elven Creatures players would pass around copies of what they consider a template genome that's appropriate to their own lifespans. Something that would make their creatures live for weeks or months of continuous play. I also like to think the Creatures DS Warp is still active in this AU because of the hilarious frustration when these long-lived Norns travel to worlds run by short-lived players whose Norns have vanilla lifespans, and vice versa.

(Most of the time in Creatures, offspring of parents with different lifespans will just have one or the other, but there's a chance the genes cross over right in the middle of the various age triggers and cause unstable aging rates. Like a Norn that goes through the childhood stages in hours but then has a very extended adulthood. Or a days-long childhood followed by suddenly dropping dead of old age once the vanilla adulthood genes kick in. Or, if the child has one parent's half-life decay rate and the other parent's age triggers, all sorts of odd things could happen. I once had hybrid Norns who lived for 20 hours and would die of organ failure before reaching the old age threshold!)

(Now that I think of it, Marcille would absolutely hate fast-agers. The first time she watches a creature hatch, turn old, and die in just one brief minute of life, she would be sobbing for days. One of the first things she'd learn to mod out would be mutations that cause the Ageing/Life chemical to decrease unusually fast.)

On a lighter note, while I don't know what her favorite designs would be I think she'd love choosing cute breeds to use in her world. Once she figured out how to give her creatures the comfortable life she wants them to have I can see her redirecting all her gene-editing efforts into changing color expressions. She might even learn to sprite or model her own custom designs.

#creatures #creatures games #dungeon meshi #delicious in dungeon #dungeon meshi spoilers #delicious in dungeon spoilers #(not directly but the Implications are there)#(later tags will be more direct about spoilers)#anyway all the PC Creatures games are on Steam and Docking Station is free #Caveat One: Creatures 2 does not run well on modern systems (though the Steam release is trying to fix that)#Caveat Two: The Creatures series was made during the 'spanking is acceptable' era so uh.#No sugarcoating it: Physical abuse is used as discipline.#(unless it's Creatures Village where they replaced slapping with a water spray)#I made a mod for C3/DS that just uses buttons instead of the hand; it was released for the CCSF 2023 community event but #I should re-release it here too someday. I should also revisit my slap-disabler mod and see if I can make it easy to install.#but that's a task for Future Me and not Present Me #anyway Sissel/Thistle is also a Creatures player but he cares more about micromanaging his population than caring for them #he removes not just their death triggers but also their drive to eat and sleep. they're permanently happy zombies basically #he doesn't make peace with Grendels and Ettins he just puts them in the airlock #he gets involved in the Creatures Abuse discourse and somehow makes everyone mad #however he is also a very prolific modder who has made all sorts of interesting animals and metarooms; ppl in the fandom respect his skills #and he does truly care about his vision of a utopian world for his favorite Norns #idk if any other dunmeshi character would play Creatures. Milsiril might like it?#Kabru wouldn't play but he'd get a kick out of reading the many ethical debates and drama between fans #everyone else I feel might be put off by the game's very slow pace or by the complexities of raising creatures #anyway hey I haven't posted on tumblr for months; I am sorry and this WILL happen again #Eventually i will remember how to Create Things #that is also a task for Future Me

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deadsetobsessions · 4 months

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Danny no longer has a haunt. So… he decides to find another one. And while he technically has a whole world (other dimensions aren’t an option because he’s going to stay near where Jazz’s grave is, damn it) there’s only a couple of other places with enough ambient ectoplasm to sustain him. Nanda Parbat, Tokyo, and Gotham.

Nanda Parbat had a weird old musty immortal that kept trying to summon him and exchange power for the ability to “take a worthy body and rain as much destruction” as he’d like. As if Danny would need a body to bring the world to its knees.

Tokyo… it’s too far from Jazz’s grave. He could ask Wulf or even open his own portal but when Danny tried it out, Tokyo was too peaceful. Obviously there’s crime, but nothing… nothing big like Danny’s used to.

Danny ends up picking Gotham, even if the sewer zombies and the weird group of rich fruit loops with an adoption problem creeps him out. So, he destroys the portal, packs up his parents’ house and sells it, and hauls ass to the cesspool calling his name. His family’s stuff is stored respectfully in a vault located on the deepest parts of his personal haunt in the Infinite Realms.

And honestly, he’s doing better. Sure, he’s got a shitty apartment near another revenant’s almost-haunt and he feels like he’s drowning all of the time, but Danny isn’t in danger of turning into Dan, he’s catching up on royal paperwork, and he’s got like a job as a barista. In his own coffee shop that paid for using his parent’s money (who, despite their hazardous everything, made a crap ton of money off of their more normal inventions).

Gotham’s got some pretty interesting local gangs, most of which respected the sanctity of Danny’s cafe. Sure, they tried blowing it up and tried extorting money from him in the form of “protection costs” but after three months of failure, they gave up.

(Really, the local gangs gave up when they saw him take three shotgun shells to the chest and continued to work.) (They didn’t know it never hit him. Intangibility is extremely useful.)

The Rogues, on the other hand, just gave Danny flashbacks. Their gimmicks are different, sure, but after years of Box Ghost, Skuller, Lunch Lady, etc., Danny’s more than done with costumed villains. They don’t bother him either. Some of the reason is probably due to Harley and Ivy, who had walked into the cafe and (because they were bruised and scratched up from a fight) triggered Danny’s mother hen tendencies. They were promptly fed and watered and caffeinated and their hyenas were also similarly taken care of. They declared the cafe under their protection and that was that.

Red Hood stops by, and begins to interrogate him. But when Danny met his… helmet eyes? The crime lord paused, paid for his coffee, and sat in a corner table of the cafe for the rest of the day.

And he kept coming back?

But Danny figures it’s because Hood was a revenant and people who had come close to death tends to feel more comfortable around him.

(Considering this is Gotham where people almost die every other day? Yeah, he’s pretty much friends with everyone. Or at least, less likely to get shot.)

(Hood does stay because of the King’s presence and the Pit calming itself, but also Danny’s hot and he’s got a sleeper build and Hood definitely did not imagine himself in the place of the heavy box he saw Danny lift effortlessly onto a table. No.)

But of course, the peace couldn’t last forever. But by then, Danny was so antsy, he welcomed the trouble with open arms.

It starts with a clown. Danny knows who he is. He knows who Danny is.

So, Danny has no idea why the clown thought it would be a good idea to aggravate the owner of Gotham’s official neutral grounds. See, Clovkwork? Danny’s learned how to gauge his own political importance!

“HAHAHAHAHA! COME OUT, DANNY-BOY! LET ME TELL YOU A JOKE!”

Danny comes out and grabs a chair, and with a flat expression, says, “you’re not funny and I hate clowns.”

And then he swings and slams the chair into the Joker’s face. Over and over again until Danny’s sure the clown won’t get back up. The thing about Gotham’s outdoor chairs is that they’re mad out of steel and are bolted down to the ground to prevent undedicated thieves (dedicated thieves can and will steal the bolted down steel chairs). The Joker’s hired muscle just watched this scrawny twenty-something year old yank the steel chair and take some of the fucking ground and the bolts with it and beat the fuck out of their boss who is the literal Joker.

They surrender on the spot and is taken to jail. Danny just smiles at the officers who come by and since he’s got pretty privilege and they don’t want to mess with the guy who, again, owns one of Gotham’s official neutral ground and also beat up Joker without breaking a sweat, the officers just lets him go with a warning.

And then the bats comes, and wow, Danny’s playing mentor to a formally dead person again!

But before that, the Red Hood asks for an autograph on the Gotham Gazette article with a picture of a tired Danny standing over Joker’s prone body. Then Hood stammers through asking Danny out (which Danny said yes to because he’s tired, not blind, and Hood is built like a brick house and HOT).

Batman interrogates him. Danny, who can tell that this man needs therapy and is Sad TM, tells Bats that Danny’s died before and that’s why he’s like this. He also calls Batman a furry, but like in a nice way. And then he kicks Batman out with a coffee and a file on Nanda Parbat.

Now, Danny’s got a date to prepare for and he realizes that maybe this is what Jazz wanted for him- to be happy and mostly safe and happy. (Or, happier, he thinks. It’s been a long time since he’s been truly happy, but this might be a good start)

#bamf danny phantom #danny phantom #dc x dp #jason todd #Jason takes him to a library and they pick out books for each other #Danny asks him on a second date and they talk about the book over coffee #and then they watch the stars (Danny uses his ghost powers to clear a patch of sky)#but Danny just kind of watches Jason’s face and goes yeah this is just as good #Danny dngasf #Danny will throw hands with a clown #Danny thinks the Gotham Rogues are kinda cute #with their gimmicks #unimpressed bc they’re kind of obvious #and he’s seen worse and better #danny is Gotham’s Mom Friend

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suiana · 1 month

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(yandere! infected harem x gn! reader) (HEAVILY inspired by LT may's book 'infected' on wattpad, go read it!!!)

This was exactly like a zombie infection. No, it was worse.

You couldn't even remember how it all started. You were just sitting in class one day, listening to your tutor yap about something boring when all of a sudden you heard people screaming.

The once peaceful world you knew was suddenly turned upside down. Everyone had changed for the worse, or better, if you see it from their perspective.

The infected, that's what people are calling them.

They're insane, crazy, obsessive. The epitome of what people once called toxic. But now, it's becoming the norm. And it's all because of that crazy scientist who developed this infection and made it an airborne virus.

You see this as something like a zombie infection. The people who're infected... they're practically... dead. Well, not really. They turn alive once they see their darlings. Right, darlings. That's what the infected are calling the uninfected.

But anyway, these infected people are practically zombies now. Like, enhanced zombies? Maybe? Their physical abilities are no joke, not to mention how much smarter they've all become. And their emotions... God, they're like a ticking time bomb waiting to explode.

The worst part is, the love emotion has spiralled out of control. All their passion, love, intrusive thoughts... They've lost all sense of rationality when it comes to their beloved darlings. They've become crazy in love for anyone they've had their eyes on prior to the infection. That's why the infected turn alive when they see their darlings. That's why so many people are going missing. That's why you call this a zombie infection.

Because somehow, someway, if you're uninfected and you get caught by an infected... Chances are, you're likely to turn infected as well. Apparently everyone breathed in the infection virus, some just react to it faster than others, hence the huge outbreak of infecteds. Those who didn't turn yet are apparently stronger in health or simply can't react to the infection.

And that's what brings you to your current situation. As an uninfected with their morality and common sense still in-tact.

It's crazy how the people you once called your friends are acting like monsters for their lovers now. You still can't wrap your head around that fact. But to everyone else who got infected it's nothing but a small step to get their darlings.

You can't stand it.

Why is everyone acting like this is something normal? Just a few weeks ago they'd all call this act immoral and simply insane! And now they're doing the same exact thing they vowed to never do? God you absolutely despise that scientist who created this infection.

The same can't be said for the people who are infected though, especially... your admirers.

Look! There's one right now.

"Darling! Has your infection kicked in yet?"

A cheery voice hums, a cute boy coming into view as he stares at you with the most lovesick eyes you've ever seen. Oh, right, forgot to mention but the infection takes place differently in everyone. Apparently it takes form based on your true personality, or whatever the fuck that means.

Meaning that if you were shy prior to the infection, you'd be more shy with your love. Your true personality would either turn you into a clingy wet kitten desperate for your darling's love or to a crazy homicidal maniac that goes insane if their love is not reciprocated. The infected would still be obsessive and possessive to a certain extent. But the rest of the traits are completely dependent on how you really were before getting infected.

And this guy was your friend who was super fucking clingy before the infection. Turns out he was in love with you and the infection just made things a hundred times worse.

"Um, no-"

"Why not? I can't wait for your affection!"

"Uh-"

"Pipe down shorty. You're making them uncomfortable."

Ah, how could you have forgotten that you not only had one admirer, but another one? Actually, scratch that. You had more than 2. Everyday there would be more and more people confessing their love to you, so much that you began to lose count of how many people held you in their hearts.

But there were 4 prominent people who stood out with their affections. And these 2 were it. Unfortunately.

Because even though one was more clingy and the other was more aloof, they had murdered the other admirers ruthlessly in cold blood. At least the aloof one had the decency to wash off the blood before coming to you. This clingy one came to you, all wide eyed and smiley, thinking you'd hug him when he was drenched in blood.

The fact that laws had been changed too didn't help either. People could now openly commit crimes that were once deemed illegal as long as they were proven to be done in the name of love. How cruel.

"Can you both just leave me alone?"

You grumble, glaring at your two admirers as you hide your face in your hands. You were so fucking tired of it all. Not only were you constantly on edge because you were uninfected and could be killed because you looked at someone a little too long, but you also had to deal with the weight of being so many people's obsessions.

This cursed dystopian world that changed in the blink of an eye... Ah, you had only wished you treasured the sweet days of the old world a little more.

#yandere #tw yandere #yandere x reader #yandere drabbles #yandere concept #yandere scenarios #yandere imagines #yandere infected harem #yandere infected harem x reader #gn reader #suiana rambling #suiana brainrotting

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overthinkinglotr · 2 years

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One thing I feel people miss about lord of the rings is that it’s sort of..........post-apocalyptic?

Like-- the world already ended, a long time ago, and the characters are surrounded by the ruins of dead countries. They spend most of their time journeying through places that are either abandoned (Moria) soon to be abandoned (Rivendell/Lorien) or half-destroyed and falling into decay (Rohan/Gondor.) The villains are creatures that Used to be Human; I feel like Lotr’s orcs/ringwraiths have more in common with zombies than they do with DnD-style orcs, because they’re a state that “normal” people enter when they’re corrupted by a supernatural force.

Even the Shire is surrounded by ruins-- the ruins of watchtowers, the ruins of the old Northern Kingdom, the ruined city near the Grey Havens. The people around there have an idiom “when the king comes back” that means the same thing as an idiom like “when pigs fly”-- “when a completely ridiculous improbable thing happens.” They’re so used to the disintegrated state of the world that the idea of a central government is fairy-tale-like and bizarre. They have their little mayors and thains; they don’t need anything else.

So yeah! I see people try to “modern-real-world- au” versions of Hobbiton by making it “a peaceful suburb” but to me, a modern au version of Hobbiton would be more like.......

You are a hobbit.

You don’t know much history, but you understand that there were Wars a long time ago that destroyed a great amount of life on earth.

You live in a little hole in the ground. You don’t know that long ago these holes used to be called “bunkers;” you decorate them with flowers.

When you want to say that something won’t happen, you’ll sarcastically say things “lol yeah SURE that will happen! And tomorrow pigs will fly, Parliament will come back into session, there will be a president in the White House, there will be a prime minister making speeches, and diplomats will intercede between all of them! ha! XD”

If you journey even a little outside of your home, you’ll find the ruins of old cities and skyscrapers. There are messages in the ruins that are written in languages you don’t speak. Human beings used to live here; they don’t anymore.

And you’re not supposed to leave the Shire because sometimes you’ll meet the things that used to be human, but aren’t anymore.

#lotr #overthinkinglotr #lord of the rings #anyway the setting is such an important part of the story ;-;

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thedevilspearl · 11 months

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asking them stupid questions — all brothers

a/n: having a hard time writing smut atm so here’s some silly headcanons with the brothers. i was really tired when i proofread this so there may be some mistakes.

tags: 2k words, no gender specified, reader x lucifer, mammon, leviathan, satan, asmodeus, beelzebub + belphegor. (belphie’s is a little suggestive).

𝐋𝐔𝐂𝐈𝐅𝐄𝐑

lucifer has had enough.

it’s been a long day and he wished for a quiet night in his office to relax with some tea while overlooking the bills his brothers have riled up.

but he’s quite distracted tonight.

peace and quiet is not an option. especially with you loitering, floating around his office and touching all the trinkets and décor. you’ve never shown interest in them before, but tonight, all of a sudden lucifer’s office is the most inviting place in the world.

“mc?”

“yes, honey?”

“is something the matter.”

there is a painstakingly long silence before you answer. “….no.”

letting out a little sigh, he asks, “are you quite sure?”

you hum with a subtle nod, barely looking him in the eye and he is now certain something is wrong.

“mc, please. if you aren’t feeling well, you can tell me about it. you don’t need to make this difficu—”

“would you still love me if i was a worm?”

“what?” lucifer’s voice croaks.

“it’s just that i felt sad thinking about how you might not love me anymore if one day i turned into a worm and couldn’t turn back into me.”

“mc, in what world would you ever turn into a worm?”

“most likely this one. remember that time mammon accidentally turned me into a sheep in spells class? i was cute as a sheep, so it was okay. but as a worm, i’d be small and slimy and gross. i’d be unloveable.”

“that is enough,” he rises from his chair, speaking with command but still gentle enough to not upset you further. “you shouldn’t think of such things. it is so silly of you to think i would ever stop loving you.”

“luci….”

“if i must spell it out for you, then yes. i would still love you if you were a worm and i would carry you everywhere with me to ensure you’re never lost or hurt. i would need something small and protective to carry you in, but yes. i will always love you.”

𝐌𝐀𝐌𝐌𝐎𝐍

“if there was a zombie apocalypse and i was bitten, what would you do?”

“hah?!” mammon’s face contorts at your random question. “what are ya talking about?”

“i’ve been thinking about that movie we watched….the zombie one. and just wondered what it would be like.”

“gave up on surviving already, did ya?” he chuckles, collapsing onto his bed beside you, his hand resting on your waist.

“no, but i wanna know! what would you do if i turned into a zombie?”

“well….what are the options?” his smirk earns him a playful smack on the chest. “hey! i’m serious. i’ll be so sad that i won’t be able to think straight, so ya need to give me some options.”

“fine,” you pout, scratching your brain for solutions. “i suppose the most humane thing to do would be to kill me. you know, to make sure i’m not forced to live as a mindless zombie eating other humans.”

“okay….”

“or you could tie me up, maybe chain me, and keep me alive by feeding me living people.”

“why would i keep ya around if you’re gonna stink like a rotting corpse?”

while mammon laughs, your brows furrow with annoyance, mostly feigned but there’s a small sense of hurt in there when you think about mammon not wanting to keep you after you turn into a zombie, despite it being completely logical and reasonable.

“hey,” his voice is soft as he leans over and kisses your cheek, “don’t worry. i’d handcuff us together and let you bite me. then we can be zombies together and never be separated.”

𝐋𝐄𝐕𝐈𝐀𝐓𝐇𝐀𝐍

movie night always means one thing, and that’s you and levi curling up with tangled limbs and a hoard of cushions and blankets. a joint blanket burrito with little space between you but that’s a good thing.

the closeness makes it cosier.

tonight, you opted for a more emotional movie. a romance, but romances are always emotional for both of you. that’s why you try your best to stay away from the romantic movies and stick to action packed fantasies or sci-fi’s that are the furthest thing from romance.

but there was a new and popular movie making the headlines and levi couldn’t wait to watch it. you knew watching it was a lost hope, and now you’re sobbing in levi’s arms watching the struggles the love interests are going through to get to each other.

“i’m so glad it wasn’t that difficult for us to be together,” you sniffle, feeling a wave of gratitude take over. “i love you, levi.”

“i love you, too,” his voice trembles and he quietly wipes his own tears.

“hey, levi?”

“what is it?”

“can i wipe my nose on you?”

“what? no!”

too late. you buried your head into his chest, wiping your face clean and covering his favourite shirt in snot.

“gross!”

“i’m sorry. i wanted to get a tissue but they’re too far away. i didn’t want to leave the burrito.”

“it’s fine,” he grumbles, begrudgingly patting you on the head to tell you it’s okay despite ruining his shirt. “let’s finish the movie.”

𝐒𝐀𝐓𝐀𝐍

“would you still love me if i told you the truth?”

satan tries to hide his piqued interest, like he usually does. he likes to come off as the too–cool–to–show–i–care kind of guy but the truth is, he is more invested in this truth than anything else.

he nonchalantly turns the page of his book and with a swipe of his tongue over his lips, he asks, “what truth?”

“that i’m really a lizard.”

well, he wasn’t expecting that.

he watches you intently over the pages of his book. you stop pacing around the library and make your way to him, showing no expression on your face. usually, he would be quite good at reading your face but in all honesty, he can’t tell if you’re serious or not.”

“a lizard?”

you nod. “a lizard.”

“you don’t look like a lizard.”

“that’s because i’m a lizard pretending to be a human.”

“a what now?” he shuts his book, sitting upright from his laid position. he tried his hardest not to give in to your silly but mysterious notion but he is far more interested in your explanation.

“you know about the lizard people, right?”

“i do not.”

“so i just exposed myself for nothing?”

“what in the devildom are you talking about?”

“it doesn’t matter. forget i said anything. if anyone finds out i told you, i could get killed.”

“please tell me that isn’t true.”

silence.

you refuse to even look him in the eye. surely, you are joking. there’s no way you’re really a lizard, let alone it be possible for lizards to be secretly living inside of humans. what kind of conspiracy would that be?

it’s unimaginable, even for demons. but whether the lizard thing is true or he’s falling for a joke, you still need an answer to your question.

“yes,” he pulls you into his side. “i would still love you if you were really a lizard.”

𝐀𝐒𝐌𝐎𝐃𝐄𝐔𝐒

“asmo,” you sing the demon of lust’s name, catching the attention that he would devote to you at any given moment. “can i ask you something?”

“go ahead, my dearest. fire away.”

he winks, hoping it would be something on the more flirtatious side, but instead you fill his mind with a grotesque image.

“what would you do if you could never touch me again?”

he immediately smothers you with a hug. “what are you talking about?! of course, that would never happen!”

“but what if?” you snuggle into him further. “what if you could never touch me?”

he hums, thinking of any solution to be able to touch you again.

“i’d cry,” he says simply. “i’d cry a lot.”

“aww,” you pout. “i don’t want you to cry.”

“and i don’t want to imagine a world where i can’t hold you like this,” he kisses your lips, “where i can’t kiss you like this,” he lifts up your hand and intertwines your fingers with his, “where i can’t hold your hand like this.”

“asmo….”

“i don’t know what would ever cause me to never be able to touch you again, but it would be the end of my world if it came true. i don’t know if i’d be able to live.”

“you’d still be able to see me and speak to me.”

“but not being able to touch you when i see you and hear you is the most painful torture imaginable. but you know what that means, right?”

“what does it mean?” you squeal and his hands tickle your sides.

“it means i need to do all the touching i can now to make up for it!”

𝐁𝐄𝐄𝐋𝐙𝐄𝐁𝐔𝐁

“hey, beel?”

“yeah?”

your quiet voices fill the dark path home from rad. beel always walks you home; be it in comfortable silence or deep conversations, you don’t imagine walking home any other way.

and the quiet air of the evening provides the perfect chance to ask him a question you’ve been waiting to ask all day.

“can i ask you something?”

“sure.”

“if i had five million cheeseburgers and you could only eat them if you slapped me in the face, what wou—”

“i’d slap you in the face.”

“i didn’t even finish my question.” you yelp, brows furrowing in frustration.

“you don’t need to finish it. i’d do anything to eat that many cheeseburgers.”

your feet plant in the ground and beel doesn’t stop walking until your hand which holds his pulls him back.

“are you serious?”

“uhmm….i think so?”

you’re grateful for the fact that he’s rethinking his answer but it was a shock to hear him say he’d slap you so firmly in the beginning. it was a stupid question to ask in the first place, but you never imagined beel ever wanting to hurt you.

he tugs on your hand and you continue walking with him, picking up the pace to get home.

“mc….” he asks. “did i say something wrong?”

his obliviousness to his own words is a harder slap in the face than the slap he promised those five million burgers.

“you said you’d slap me, beel, and it makes me sad.”

“hm….we can go halfsies on the burgers?”

“huh?”

“i’ll slap you and then we can share the burgers.” he promises. “you’d feel bad because i slapped you. and i’d feel bad because i slapped you. so to make it better for both of us, we can split the cheeseburgers.”

you look at him, astounded because you don’t know if his explanation makes his answer better or worse.

𝐁𝐄𝐋𝐏𝐇𝐄𝐆𝐎𝐑

a cuddling session in the attic with belphegor is exactly what you needed after a long, draining day. you naturally made your way up to him as soon as you had some free time, desperate for his warmth.

but belphie had a different warmth in mind with all the kisses he litters up and down your neck.

“belphie, i’m tired.” you whine, but still urge him on to kiss you harder.

“then close your eyes. i’ll kiss you until you fall asleep.”

your heart swarms with the thrill of his words, the promise of being here and showering you with affection even on your worst days.

“is something wrong?” he asks.

“no. why?”

“you’re not falling asleep.”

“that’s because you’re kisses are keeping me awake.”

“they’re meant to help you fall asleep.”

“i hate to break it to you belphie, but they’re having the opposite effect.” you tease.

“is that so?” he nibbles you ear. “what about this?”

you arch into his body, sensitive from his kisses and now the more urgent movements of his lips ignite a fire in your belly. his lips graze you, teeth nip you and tongue swipe over your skin. he sucks hard enough to leave bruises, and kisses softly on every mark he leaves.

“belphie….” the soft whisper of his name catches his attention. “how many ghosts do you think are watching us right now?”

he ceases for a moment, then lifts his head from the crook of your neck. “what?”

“what if there’s ghosts watching us right now? and what if they keep watching us while we….you know….?”

“i never thought of that before.”

“it’s weird, right?”

“definitely. let’s never have sex again.”

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bisexualnonsense · 1 year

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My partner made a comment about how this episode fed into “bury your gays” and like, while his heart was in the right place with the critique, I felt so strongly the opposite way

Like on its face, yes, two gay men died…. But like, in a show about a zombie apocalypse where we’re tracking at least 1 Major Character Death per episode, Bill & Frank are triumphant compared to every other character. They got to live to be old and gray together after a life of relatively peaceful flourishing. They chose their deaths on their own terms, a luxury most people don’t get in this world. They got to die together, in each others arms, neither left to live and suffer alone. They got to go with dignity, autonomy, and love, in peace, together. They got to choose. They made their end meaningful. They were happy and satisfied and fulfilled. Everything that gay characters are so often not afforded in life, much less in death.

Not only that, but narratively speaking, their deaths were used in exact opposition to “bury your gays.” The trope was created to reinforce that being gay is a sin, that gays must die as punishment for their evil ways. It’s intended to be a narrative consequence, the moral of the story, a warning to its audience.

But the deaths of Bill and Frank were used as closure to a story arc about living a happy, fulfilled life with your partner. Even further than that, their arc was used to demonstrate that there is meaning in life because we choose to create meaning, that purpose is found in each other, in loving someone, even at the end of the world. They are held up as an example of what to strive for, of a reason to keep living, of something to pursue. It is completely antithetical to bury your gays and is in fact a brilliant subversion of it in that it grounds the purpose of the narrative itself.

Tl;dr: TLOU really said love wins.

#the last of us #tlou #hbo the last of us #hbo tlou #the last of us spoilers #bill and frank #look I’m still a mess but I’m SO glad it didn’t end with bill getting shot and dying right there #the gays stay winning #the absolute best way to go is together with your partner in their arms in peace #this is my hill and I’m dying on it #this just means a lot to me ok #truly the representation we deserved #berry your gays

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nellasbookplanet · 8 days

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In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:

There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.

Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.

Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?

From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.

Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and was kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?

#cr spoilers #sometimes i think about how oryms backstory has it baked in that will was magically impossible to bring back #while yasha was simply not powerful enough in either magic or connections to bring zuala back #and by the time she was years had gone by and yasha had moved on and bringing zuala back would've been cruel and selfish #similar to how deanna was brought back but now she was left behind and alone #speaking of could you ever truly move on from grief in a world like that?#how do you accept the inevitability of death when it isn’t necessarily permanent?#no wonder delilah and sylas went evil to keep each other alive #no wonder laerryn accidentally caused the calamity in trying to break through the planes #the hubris of a world like this would be UNREAL #as would the bitter feelings from everyone who knows this power exists but can’t access it bc they’re like. a farmer #critical role #long post #nella talks cr #cr3 spoilers

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woahjo · 2 months

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The People We Became (Bakugou x Reader)

masterlist | ao3

Pairing: Bakugou x Reader

Summary: Zombie Apocalypse Au.

The world fell apart almost a year ago and you refused to go with it. Left alone and to your own devices in a world full of monsters, where the dead come back to life, you believe that maybe surviving isn't living.

When Katsuki finds you alone in the woods and on the precipice of collapsing from exhaustion, he decides to bring you back to the house his group calls home. Against your better judgement and hesitancy to become attached, you decide to stay. In this world, everyone has lost someone. No soul is spared the violence, and you start sleeping with Bakugou Katsuki to dull the ache. Somehow, peace finds you anyway, but not without sacrifice.

Chapter Content Warnings: fem!reader, gender neutral pronouns, strangers to lovers, violence typical of zombies, blood, gore, romance, slow-ish burn (for the emotional stuff), angst, kissin', questions of identity, loss, grief, graphic depictions of death and/or violence, mentions and descriptions of starvation/exhaustion typical of an apocalypse setting, very slight implications of possible sexual violence typical of an apocalypse setting, derealization, depersonalization, weapons (guns, blades, and traps), loss of identity

All content warnings can be found on ao3 with the rest of the series.

Word Count: 14.4k — 53k total on ao3

A/N: it's finally done... i'm sweating. i screamed. i cried. i bled. you know the drill. i am posting this a little differently than my other fics and series. only the first chapter will be posted here on tumblr (this post), with the rest of it broken up into chapters and posted on ao3.. purely because it was originally meant as a one shot and i don't like posting chapters on tumblr. it's not built for that and im tired. anyway, im nervous this is my new baby and im pretty sure my soul is somewhere in here. if u read this, pls come tell me what you think.. it fuels me. enjoy, cry, sweat, or whatever else you do when you read. as always, thank you and i love you.

Two hundred and seventy six. It’s been two hundred and seventy six days since the world completely went to shit. You don’t really count the initial outbreak. The initial outbreak was relatively contained once people found out about it. You quarantined. You stayed inside. All it really took were a handful of idiots. Someone selfish. Someone who panicked and ran instead of facing the world honorably, and that was it. It only took days to lose almost every semblance of a normal life and a week to lose everything else.

The light of your fire is dim, embers burning low as you sit in a foldable chair beside it. The chair is from a friend, someone you’re not with anymore and who went somewhere you couldn’t follow, and you've got a metal spatula in your hand. You're not sure why you grabbed it when you fled, but panic does weird things to the mind. You absentmindedly wonder why you’ve brought it along with you all this time. There’s no logical reason for you to tote the thing around. A friend had told you how strange it was that you thought to toss it into your bag and continue carrying it. This, along with a few other oddities, are all you managed to take from your house when the world fell to ruin. Everything else are things scavenged along the way or from people you'd met, joined, and lost.

Maybe it’s because the spatula is somewhat normal, like somehow when you cook the game on your makeshift tin over your shitty fire, you can pretend you’re in your kitchen. A smash burger sounds good right now, with grilled onions on a brioche bun like the ones from the place by your apartment.

The night is near silent and trees creak and crack like the hulls of great ships under heavy pressure, but the birds don't sing and nothing in the crowded wood you're taking shelter in makes a sound. Well, except for you and the gentle crackle of your fire.

It’s easy to miss the noise that used to irritate you when the world goes quiet. You used to hate the sounds and lights of passing trucks when they’d cross on the street below your apartment window. Now, you’d do anything for the familiar comfort. The world is so dark and quiet, like it’s holding its breath and waiting for this to be over. The silence is almost too much, so loud that it hurts your ears. You huddle closer to the fire, craving its quiet sound. Focusing on it lessens the anxiety of the other noises. The ones you don’t want to hear.

Your head is on a swivel. It has been for months. Ever since the outbreak, ever since the dead rose and began consuming and infecting the living, you've kept watch. A paranoid, never ending cycle that you suppose—if left on your own—will burn itself out. You swallow thick and return your attention to the fire, watching the tree line just in front of you for any hint of movement or monsters.

A branch cracks just behind you. A swift sound, followed by rapid footsteps. You stand, quickly turning your head, only to see a figure a few feet away from you. They move quickly and the dancing light of the fire obscures their features from view. Their eyes, most importantly. You can always tell if someone is dead or alive based on their eyes and the sounds that their joints make. In this light, should this stranger have that milky white film over them, you wouldn't be able to tell.

You make a small noise, something between a whimper and a shout, as the person comes to a stop in front of you and holds a flashlight directly into your face. You squint, panic in your veins as your eyes adjust as best they can to the sudden assault. It takes you a moment to realize that there is a gun pointed directly at your forehead. The living. This person is alive. You're not sure yet if encountering one of the dead would have been worse.

"Shut up and drop your weapon," he says in a hurried voice. It's aggressive and threatening. It comes from deep in his chest, like somehow fear has gripped and mutilated it into something violent.

You raise your shaky hands to your head quickly at the order, screwing your eyes shut in the beam of the flashlight.

"It's not a weapon!" you shout, voice cracking. "It's a spatula. It's a spatula."

The words are rushed and heavy, fear seizing your chest as you look down the barrel of the gun. The flashlight turns off, sending you back into the dark. Your eyes fight to adjust, catching the firelight that glints off of the barrel, and you begin to makeout the man’s features. He's big, blonde under the grime, you think. A man, not the best thing to encounter alone at night in times like these.

You see him hesitate for a moment, eyes darting between you and the silver kitchen item in your hand. You drop it quickly, hoping to appeal to his humanity.

"Do you have a weapon on you?" he questions, voice a little less urgent.

You shake your head in response and then shakily look beside the chair, choking out the word “ground”. There's a knife there and a pistol with no bullets. You're a poor shot and you had run out of ammo the previous week. He glances at it, the gun still raised at you, and sidesteps to grab the two items. When he does, he cautiously lowers the weapon and you start to lower your trembling hands.

Then, as if struck by some realization, the man stomps towards the fire and you jump as he does.

"The fuck are you doing lighting a fire this late?" he says angrily, opening the clip of your pistol. "And with no fucking bullets. Those things may be dead, but they can still fuckin' see. That's a good way to get yourself killed."

He stomps out the fire as he talks, urgently stamping out what's left of the low-burning logs.

"I didn't think there were many in the area," you justify, furrowing your eyebrows as you step away from him.

"And that's a risk you want to take?" he says indignantly. You wonder briefly what business he has worrying about you.

"What do you want?" you snap, "My food? Weapons? Life? What is it?"

The man scoffs, "Jesus, none of that. I don’t want your shit."

You narrow your eyes and take a step back. One thing this world has done is remove trust from every chance encounter, and that was already hard enough when the place was sane.

"Not all people who camp out in the woods are good," he says. "But I sure as shit didn't expect to find someone like you alone lighting a damn fire. Stupid."

"There were others," you say indignantly, like somehow that makes it better. "Force of habit, I guess."

The man pauses for a moment as understanding passes between the two of you. It's a relatable feeling. Everyone has lost someone now.

"Got a name?" he asks.

You hesitate in giving it to him and the pause causes him to roll his eyes. “You want me to call you Idiot-with-no-bullets instead?”

You give him your name and the man nods as if he likes the sound of it, turning it over in his head before inhaling.

"I'm Katsuki," he furrows his eyebrows. "You're alone?"

You nod, swallowing down the grief that pushes at your throat.

"Wasn't always," you respond, "but yeah. Now, I am."

He nods his understanding.

"Come with me."

"Where?" you say instinctively, a defensive edge to your voice. Katsuki looks at you as if you’re stupid, or maybe it's pity, like you're a wounded animal. Probably both.

"Where the fuck do you think?" he retorts. "We've got a camp a little ways from here. I saw your fire from the watch post we have stationed."

You look at him like he's a little crazy for even thinking to bring you. Kindness, especially the selfless type, is so rare now and you find it difficult to believe that he’s willing to take you there at no cost.

He scoffs and rolls his head over his shoulder. "Look, we've got men and women," then he pauses. "Used to have children. We're not gonna hurt you. World's gone to shit, do you really wanna keep at it alone?"

He's probably right. You've been alone for weeks now, exhausted for longer, and though your common sense tells you not to go off with a strange man in this kind of world, the promise of rest is far too tempting. You nod and glance back to your camp. A measly collection of supplies haphazardly put together. You suppose that it doesn’t look so promising.

"We'll come back for it when it's light," he says. "I don't know about you, but I'd rather not spend longer in these dark ass woods than I have to."

"Okay," you say. The presence of another person both sets you on edge and makes you feel the press of fatigue even more. A gun's barrel on your nose followed by the promise of safety and you're going with him? You must be stupider than a horror movie protagonist. "Do you take in a lot of strays?"

Katsuki looks over his shoulder and you think you see him smile a little at the phrase.

"If that's what you want to call it," he says begrudgingly. Then, with a softer tone of voice, barely noticeable with the quiet whisper you both have been speaking at. "I'm sure the others won't mind one more."

You nod a little and follow him through the wood, stepping over obstacles. Your eyes have adjusted to the dark, but you feel unsteady on your feet. Everything you’ve ever learned about this world tells you that maybe you shouldn’t go with him. What if they’re dangerous? It’s easy to lie about women and children, about a community that doesn’t exist. Or worse, it’s easy to fool yourself that where you are is good, but you don’t know yet if he’s the type to delude himself. He doesn’t seem it.

The two of you walk for what feels like forever, even if it is only a little over half a mile. Your feet have been aching for days and every step you take feels like a blade into the heel. Katsuki seems steady, his gun secured at his hip and a large knife in his dominant hand. He doesn’t have the flashlight out, but he seems sure-footed and takes every step in stride, as if he’s too heavy to be swayed by any missed step.

As you move, you can barely make out his back in the white tank top he wears. You use it as a landmark, following the glowing white as it catches the light from the moon. Like chasing a ghost through the trees.

Then, the wood eases up. The trees grow sparse and the suffocating humidity of the forest eases into a more breathable, open-air breeze. Katsuki steps out into a clearing. It’s relatively small, for how large the world is, but it’s some of the most open space you’ve seen in a while. The feeling of stepping out into the tall grass, where you’re both visible to any wandering thing, sends a rush of fear through you.

By the edge of the clearing, there’s a small house with a short steeple. It almost looks like a Christian church, but you get the sense that it’s likely a barn. That must be the watchtower and you wonder just how good the view of the forest is from up there if Katsuki managed to see the light of your fire. How many other people had seen your fires over the weeks and not made it out to confront you? How close had you come before to safety or annihilation?

"Hey!" a girl's voice calls. "He's back!"

In the near distance, you can see a large and dimly lit house. It looks a little worn down, but soft and hardly noticeable light emanates from it in a way that makes it seem inviting.You can’t make out its exact silhouette and night blurs just how broken-down it is, but you can tell that people live there in the same way you can tell when someone has just left a room.

Someone runs across the field to you both. It looks like a man and a woman, maybe around Katsuki's age. They move quickly through the tall grass and for a moment, the urgency that they move with frightens you. You worry that your presence will ignite some protective sort of panic. You linger back, letting Katsuki grow a little farther from you as they call out to him.

“Yeah, yeah," he half-shouts, no longer seeming to care about keeping quiet. Guess that's what happens when there's a group. "I found the fire I mentioned."

The two come to a stop in front of him, resting their hands on their hips as they catch the breath they lost.

"We started to get a little worried," says the girl. She's pretty, with big eyes and curly hair that looks like it probably used to be dyed. "You've been gone for a while."

"Well, I'm back," he says.

"And you brought a friend," the other man says, sounding shocked. His tone is noticeably kind. The boisterous type of kind and when he smiles, you can see that he has sharp canines. His hair is straight, sticking out in different directions, and tinged with red in this light.

"More like an acquaintance," Katsuki says. “I found them in the woods with a fire and an empty clip. Felt like their blood would be on my hands if I didn’t bring them back.” The red-haired man gives him a telling look and Katsuki scoffs in response and turns to the girl. "Get them settled, Mina, will you?" The girl called Mina nods and Katsuki takes off toward the house without another word.

"You're lucky," she says, pausing when you flinch as she steps closer. "You're gettin' the last solo room in the place. Kirishima, is it set up?"

Kirishima shrugs his shoulders. "You'd have to ask Izuku. He'd know all about that, but I can go check."

Mina shakes her head and turns her attention to you, giving you a quick once over with her eyebrows pulled together.

"You must be tired.”

When you nod, she gives you an empathetic smile and motions for you to come with her. "We'll fix that. You hungry?"

"What do you think?" you manage, saliva pooling in your mouth. "Do you have food?"

"Plenty," she smiles. "not quite enough for leftovers just yet though, don’t tell anyone."

You smile awkwardly. Who on earth would you tell?

"Sounds like a good deal," you say.

You follow Mina up to the house. Around it, there are a few parked cars. They look like they could pull out at any moment, and through the dust covered windows, you can just make out supplies in the back seats as you pass. In the distance, you can see the fuzzy silhouette of the barn you’d assumed was a watchtower in the dark of the field and you figure that maybe it used to be a place to keep livestock.

Mina doesn't say much to you as you pass through the field, and when you walk into the door, the first thing you notice is a large group of people seated at a dining table. They all look up at you when you enter and it's with a bit of shock that you register their faces as healthy. Well, healthier. These people live well. Something stirs in your chest, both anxiety and excitement at the thought of possibly having found somewhere safe. They blink at you for a moment, exchanging looks that all end up landing on Katsuki.

"This is the group. Well, most of us," Mina says pleasantly and with a light huff. "That's Izuku, Denki, Ochako, Sero, and you already know the handsome guy on the end there. Kiri's probably checking to see if the room is half decent.." They all greet you with a glad murmur. "Group, this is..."

She looks at you expectantly. When you tell them your name, you can't help but look at Katsuki who already knows it. He raises his eyebrows unconsciously and turns his attention to the glass in front of him.

There’s an awkward pause as you stand in the doorway, suddenly conscious of just how dirty you must look. Remnants of an older world, you suppose. No one really worries about things like that anymore.

“Uhm…” you search for something to say, but your people skills seem to have left you.

“You’re okay,” Mina says lightly. “Plenty of time to get to know you when you’ve rested and had something to eat.”

Mina sits you down at a chair that she pulls in from the other room. It doesn't match the other ones in the dining room, but you suppose no one is really thinking of the decor in their house anymore. It's only now that you realize the house has electricity.

"You have power?" you say incredulously, looking at the center light in the dining room on its low setting.

"Mhm," Mina hums as she sits down next to you and spoons a helping of vegetables onto your plate. "It's got a generator. We got lucky finding this place. I don't think many of us would be alive if we hadn't."

Those listening in the group nod their affirmation.

"It draws from well water too," she adds. "With the right care, the place practically runs on its own. Hard work but what isn't nowadays?"

“Like you do any of the heavy lifting," Sero scoffs across from her.

"That's not fair," Katsuki adds with a slick smirk, "you know damn well none of our vegetables would be so well socialized if she didn't use them like a damn diary all day."

The group laughs a little and Mina rolls her eyes and sits back in the chair. You avoid looking at anyone, shoveling the food into your mouth. You’re salivating an almost embarrassing amount, struggling to eat at a normal pace. There’s something about food cooked inside, about the way food tastes when you can smell it wafting in from the kitchen.

"Don't worry," she turns to you, as if you’re at all concerned with the implication that she doesn’t do much work, "they know we’d hardly have vegetables at all if it weren't my job to tend them. I used to garden quite a bit before all of this."

Sero tosses her a sideways glance and you get the sense that maybe it isn’t just her doing it.

"Mina does a lot of the garden stuff," Ochako pitches in, her voice hesitant. "We all sort of just do what we can."

You can’t really keep up with the conversation and instead just blink at her for a moment before turning back to your food. Maybe that’s rude, but you don’t have the energy to consider it. There’s food in front of you. Food that doesn’t taste like it’s been poorly slaughtered or rotting in a cabinet for months.

The group at the table with you shifts back into what you feel is their normal conversation and you watch them through your peripheral. You can’t relax yet, maybe you never will. Always on watch with your guard up.

They pass the dishes around the table, plates going from hand to hand over mismatched sets of silverware. The action feels strange to you. Your chest squeezes at the thought. Just a few weeks ago, you’d done this around a fire with the people you loved. You’d passed a too-hot-to-touch pot around a circle of friends, laughing quietly at the little moments of joy you could find. It feels far away now and jealousy rouses beside hope as you sit.

“So, where did you come from?” Izuku at the end of the table asks.

It takes you a moment to realize that he’s talking to you and there’s an edge to his voice that has everyone at the table sitting up with curiosity. You stare at him for a moment, exhausted and defeated and unable to muster the words.

“Leave them be,” Katsuki says, looking up from his plate. “They just got here. They’re probably freaked out.”

The table goes a little quiet, a hush falling over it. You look around as glances are exchanged before Mina stands up quickly and quietly claps her hands together.

“I think,” she says with an awkward laugh, “it may be time for bed.”

Mina turns to you. “I’ll show you where you can sleep.”

You nod, standing up and turning to the group with furrowed eyebrows. You want to thank them, to tell them that you’re grateful for the meal and their kindness, but the words don’t come. Instead, you meet Katsuki’s gaze, grateful for the intervention, but suspicious at such forthcoming kindness. He scoffs a little and turns away.

—

“It’s just up here,” Mina says as she guides you through the house.

You pass rooms with their doors ajar. They are lived in, with unmade beds and glasses of clean water on nightstands. It’s like something out of a life gone by, with a few less amenities. You can imagine a family moving through this house. Girls in school uniforms calling through the halls about a stolen hair clip. Now, you picture these people doing that. Living and not just surviving.

“The bathroom is across the hall,” she says. “You can take a shower if you want. I’ll leave a towel and some clothes in there just in case.”

You nod.

“No worries if you don’t,” Mina adds in a whisper. “When I first met everyone, I didn’t undress to bathe for days so… take your time. We won’t be offended.”

She shuts the door behind her when she leaves and you stumble back onto the bed, shocked by just how soft it feels after spending weeks on the floor. It’s not much, but it’s nicer than anything you’ve experienced in the last nine months, and there's a working shower. You haven’t had a shower since everything fell apart and the layer of grime on your skin is so thick that you can feel it. You haven’t felt safe enough to properly wash since you’d lost the rest of your group, only stopping to rinse your body in streams you pass if the thought occurred to you. The idea of running water and a shower is near euphoric.

You probably shouldn’t. It may not be wise to shower tonight. You still don’t know these people or what they’re capable of, but the temptation of being clean is too great and as soon as you hear Mina close the bathroom door and walk away, you hurry across the hall on the balls of your feet.

The bathroom looks old and the sink is white porcelain, eggshell now with a lack of care. The shower has a bathtub in it and though it’s cloudy, there’s a mirror over the sink where you catch the first clear glimpse you’ve had of yourself in weeks.

You don’t know who you’re looking at. The person in the mirror is nearly unrecognizable. Their eyes are wide and frightened, wild like an animal’s, and their face is covered in a layer of grime that looks like it can never be washed out. Their hair is unruly, sticking out in some areas and matted down with blood in others. This is a person you’ve never seen or met before. Someone you would have avoided only a year ago if you’d ever encountered them.

You reach up to touch your face, running your hand over the dried blood that has made a home on the underside of your jaw. How long has it been there? Have you always looked so unwell? So sick in mind and body? The promise of a shower grows unbearably pleasant.

The knob squeaks when you turn it, screeching as the pipes hum and clang to life. Water spits out in a few bursts before raining down from the faucet and hitting the back of the tub in a steady thrum. It sounds a little bit like music to you, constant and heavy, and it gives the impression of normalcy as you begin undressing.

The fabric of your clothes sticks to your skin, peeling from your body in an unbearable and disgusting way. You don’t look at your body in the mirror. In fact, you avoid it entirely. Not recognizing your face was enough, but your body—a part of yourself you never really recognized—would drive you over the edge.

Then, you pull the shower curtain back and stick your hand under the water, stepping into it fully with a deep sigh. The water is lukewarm. They probably turned off the heater to conserve power and allow the main generator to function for longer. That’s fine. Beggars can’t be choosers and everyone is a beggar nowadays. Besides, it’s warm enough outside that the water isn’t too cold as it is. In the winter, you probably wouldn’t be able to shower and the pipes might freeze entirely until the following spring.

There’s a normalcy that you settle into as you wash your body. You return to muscle memory, running your hands over your skin and scrubbing the grime out. It’s simultaneously like the first shower of your life and as if you’ve been doing it every day. You return to a state of pleasant, familiar humanity as you wash away dirt that has built up for weeks. You feel as it pours off of you, see it run down your body onto the porcelain of the tub and swirl down the drain. It’s dirt and dried blood that has been caked onto your skin. You worry that even after washing, it will leave a permanent mark.

The person in the mirror when you get out of the shower is in stark contrast to the person who went into it. They’re someone that you recognize. You could almost convince yourself that nothing ever changed. Your water-soaked skin is so familiar to you, that you could be getting out of the shower and dressing to go to work. If it weren’t for the look in your eyes, you could have fooled yourself. Something undefinable has changed in you, something that you will carry with you forever. You glance at yourself in the foggy mirror and think that there is no going back.

The house is quiet when you dry yourself and open the bathroom door. You step across the hall on the balls of your feet, careful not to make any noise, and when you push the bedroom door open, you do a visual sweep to make sure that it’s safe out of habit.

Your body is exhausted. You are so thoroughly tired that you think you could collapse at any moment, but when you sit down on the bed in your fresh clothes, you find yourself restless. This place is new to you and you’re unsure if the safe feeling is your mind playing desperate tricks on you or the real thing. The lamp by your bed is on, casting a yellow glow across the bedsheets and the dark wood furniture. Come to think of it, you didn’t get a good look at the house when you came in and the thought starts to bother you as you stare at the closed door to the hallway.

Someone could be behind it. They could be waiting for you to lay down, to sleep, before doing something awful. You almost feel guilty for thinking this way about them. They’ve fed you, given you a shower, given you fresh clothes. Luxuries you weren’t sure even existed anymore, yet you’re sitting here doubting them, wishing you had your pistol or knife.

The bedroom door creaks as you open it. You wince, nervous that you’ve disturbed the quiet peace of the house and that everything will come crashing down as quickly as it seemed to come together. The hallway is dark, save for some light coming from under two doors at the end of the hall. One of them turns out as you creep past it to the stairs, and you hear the distinct sound of box springs squeaking as someone crawls into bed. You let go of the breath you’d been holding, straightening up as you relax into the late-night environment.

The house looks old even from the inside. It gives the impression of having once been dirty and in near disrepair. There are dust stains and dull spots that no amount of scrubbing could get out. You can almost picture how this place may have looked when they found it and it’s entirely possible that it had been abandoned before the actual outbreak. Someone run out of their home for lack of money. What a trivial thing now.

The stairs are sturdy, probably held together so well by the foundation of the house, and they’re made of dark wood. They’re steep too, the kind that a baby or old person might trip over, and you hold the railing to calm the shaking of your legs as you slowly feel your way down. You can see the light on in the kitchen from around the corner, spreading out onto the floor of the old fashioned drawing room. Dishes clink in the kitchen, like someone is washing them, and you jump a little at the noise as you creep around the corner.

Kirishima is standing at the sink with his back to you, whispering something to someone beside him. The expanse of his back is broad, moving every time he goes to run his hand over the dish in front of him. Then, he turns to look at you and you see Mina pop her head around the corner.

“Oh,” Kiri says, “did you need something?”

You shake your head. “Not really, I just couldn’t sleep.”

Kiri nods sympathetically as if he knows the feeling. “Well, you look like you feel a little better at least.”

You pad over to where he’s doing the dishes and Mina offers you a soft smile and a knowing look. It all seems so normal. Doing the dishes, whispering quietly as they do. Something about it screams a kind of humanity you haven’t experienced in a long while, even with your last group.

“Are you sure we can’t get you something?” Mina says, furrowing her brows.

“Why are you all being so nice to me?” You ask. “You don’t know the first thing about me.”

“Is there some reason why we shouldn’t be nice to you?” Kiri says over his shoulder.

“No,” you shake your head. “I just think it’s reckless, that’s all. I could have been anyone.”

Kirishima and Mina exchange a look. They glance at each other, like they’re debating on saying something, and then Kiri turns and rests his palms on the back of the sink. He looks at Mina.

“We don’t usually decide to do this so quickly,” she admits. “We’re friendly, but nobody’s that friendly anymore.”

Kiri nods his agreement and you listen quietly, trying to determine if they plan to toss you back out into the woods in the morning.

“But, Katsuki doesn’t usually bring people in,” she continues.

“He’s a little more closed off than the rest of us,” Kirishima adds. “He’s a good guy, just takes a while to warm up, is all.”

“Mhm,” Mina says.

“What does that have to do with me?” you ask. “This is nice and all, but I’m sure you get why I’m wary.”

“He’s a good judge of character,” Kiri adds earnestly. “He doesn’t bring people in often, but when he does, he’s usually right.”

You nod, not quite understanding. Sure, you don’t plan to do anything terrible. In fact, you’re content to accept their kindness and stay, if they’d let you. Anything is better than being alone, but their blind trust in one man’s judgment of character makes you uneasy.

“He was alone for a really long time,” Mina adds. “A lot of us were. I got lucky meeting Kirishima early on, but Katsuki’s luck was a little less fortuitous.”

“So you all just… happened upon each other by chance?” You ask.

“Yeah, pretty much,” Mina says. “It was me and Kiri for a long time. Just the two of us. We’d found Izuku and Katsuki together a while later, but they didn’t seem to like each other all that much. We still haven’t really figured that out, especially because they’re so close now. Ochako and Sero ended up cornered together by accident. We found them just before we found this place, and Denki just sort of showed up here one day and promised to fix the generator in exchange for safety. That was months ago. We’ve been like this since.”

“So you’re all strays,” you say and Mina laughs a little and looks at Kiri.

“Sure,” she says. “We’re all strays. There were others too. Shoji. Jirou. She was Denki’s girlfriend.”

“I’m sorry,” you say with a frown. It feels pointless to apologize for the dead, if you get caught up in it, you’d be apologizing forever.

“Don’t be,” Kiri adds. “But best not to bring her up. It was pretty recent and Denki’s only just started to get over it.”

You swallow thick and nod a little.

“Anyway,” Mina says, “we can’t really explain it. We just trust him. We trust Katsuki. That’s all.”

“Hm,” you hum, understanding that to a degree.

You trusted the people in your group. If they believed in someone, you were willing to as well, so you suppose you can understand a little where they’re coming from.

“What are you talking about,” Katsuki rounds the corner, walking into the kitchen and putting his water bottle under the sink.

“Nothing really,” Mina says.

Katsuki furrows his eyebrows and then looks at you. He gives you a once over, taking in your new clothing before scoffing lightly.

“Don’t you look cozy,” he says. “You get settled?”

“When can I go get my stuff?” You ask.

“Someone’s eager,” he says through lightly gritted teeth. “Didn’t I tell ya we could go in the morning? Besides, what’s there really to miss in that lot of junk?”

“Katsuki!” Mina quietly chides.

“I have things I care about there,” you say. “Things I’m not ready to lose.”

Katsuki blinks at you for a second before swearing under his breath. “We’ll leave when you get up in the morning.”

“You don’t have to come with me,” you say, frowning a bit at his sour attitude.

“Like hell,” he scoffs. “What if the dead are waiting back there for you?”

“I made it this far on my own,” you respond.

Katsuki nods for a second. “I’m going. Come find me in the morning.”

He walks off and around the corner. You hear him go up the stairs, followed by the distinct click of a bedroom door shutting.

“Don’t pay too much attention to that,” Mina says. “It’s past his bedtime.”

“You’ll get used to him,” Kiri adds.

“Right,” you say, swallowing down your frustration in favor of trying to be appreciative of the help. You sway on your feet a little and then steady yourself. “I’m going to go to sleep. Thank you for the meal and the bed.”

Mina and Kiri nod, but you don’t stick around to hear a response. Fatigue creeps up on you. It ambushes your senses and you go from feeling dream-like to delusional in a matter of moments. You make your way up the stairs, your body feeling heavy as lead, and wobble your way into the bedroom they’re letting you stay in.

When your head hits the pillow, you’re out. The world around you fades to dark and just before you sleep, you swear that you can hear the sounds of cars passing on the highway. A busy night, Saturday maybe, and people go about their daily lives outside of the window the way that they always have. They live, never the wiser to just how quickly things fall apart and how little it takes for our humanity to leave us.

—

Mornings in this place are boisterous. The sun coming through the lone window in your room wakes you up and you can hear the calls of busy people getting to work outside. There are voices from the porch out front that your window looks over and though you can’t see them, you get the sense that they’re having a pleasant conversation.

As you rouse, you come to the realization of just how exhausted you’d really been. They probably saved your life by bringing you to this place, feeding you, and offering you a bed. In hindsight, it’s easy to see just how little you had left in you. You get the sense now that you’d been running on an empty tank for days, slowly coming to an inglorious, gruesome, sputtering stop.

Things seem a little clearer, like the sunlight is somehow less bleak than it had been the days previous and you feel a little bit like you have a new lease on life. There are no big emotions, no swells of hope or humanity just yet, and you dread the moment you are rested enough to let grief consume you. Right now, you can’t feel it, but there is a fear in you that as you get to know these people who live relatively beautifully in an ugly world, it will weigh you down so much that you’ll never be able to outrun it.

You wonder if they’ll let you stay. They very well may not, even with the way they were talking last night. Strangers are more dangerous than they’ve ever been and if they ask you whether or not you’ve killed someone, you refuse to lie to them. Sitting up on the bed, you mull over the very real possibility that you could be back out there on your own again in a matter of days and you don’t even have that many good acts under your belt to plead your case. You’re just a person and you’ve done what you needed to in order to survive. Now, you’re not sure if that’s enough.

You swallow thick, wandering over to the mirror on the dresser. It’s fogged, though less than the bathroom mirror, and you can make out your features a little better than you could last night. You feel a bit more sane, though you still don’t recognize the frightful and distrustful look in your eyes. Like a wounded animal. Inside your head, you acknowledge that you are completely different from the person you were two hundred and seventy seven days ago.

The voices grow louder as you climb down the stairs, more secure on your feet than you felt last night. You can hear them talking about the generator, as well as a name you don’t recognize.

“He should be back by now,” a woman says. “Shoto’s never gone longer than a day or two, max.”

“We shouldn’t jump to conclusions,” another woman says with a worried bite in her voice. Mina, maybe? “We’re only a few hours into the day. He probably got holed up somewhere.”

“Someone needs to go look for him,” a man says.

“And what? Risk getting yourself killed?” the first woman says. “No, it doesn’t make sense. We need you here.”

“You’d rather we leave him to die on his own?”

“No one’s fuckin’ dying.”

You recognize Katsuki’s voice.

“He’s perfectly capable of going on a gasoline run,” he continues. “He’s done it before.”

“I should have gone with him,” says the same woman.

“On that leg? You wouldn’t have made it halfway to town, let alone there and back,” his voice raises a little. “Don’t be stupid. He’ll be back.”

You clear your throat and step around the corner. The group turns to face you quickly at the sound, their eyes wide for a moment before relaxing. You can’t sneak up on anyone nowadays.

“Sorry,” you say, “I didn’t mean to eavesdrop. Is everything okay?”

It’s not your business, but you ask anyway, wondering for yourself about the safety of Shoto.

“Fine,” Izuku says, shaking his head. You recognize him to be the one who'd vouched for going after their friend. Katsuki takes a step away from the broad man as he says this. “Nothing for you to worry about. Did you rest?”

Izuku smiles gently at you, his chest inflating a little at the question. The movement broadens his shoulders and you realize that he stands almost a head taller than Katsuki. You look briefly between the two of them before nodding.

“I did,” you say. “Thank you.”

“Nothing wrong with a little hospitality now and then,” he smiles and you can’t help but furrow your eyebrows at the distinct hesitance in his voice.

“I don’t think we’ve met,” the woman standing across from Izuku says. “I’m Momo. Sorry I wasn’t there to meet you last night. I’ve been a little under the weather.”

You introduce yourself to her and glance down at her leg. Her ankle is swollen and wrapped in a bandage. Her sneaker laces are untied at the top to make room for the swelling and you can see that she’s guarding that side of her leg.

“Is it…?” you grimace, taking an instinctive step away from her. You almost feel bad for it, but sometimes good people make bad decisions when loved ones get bit.

“No,” she says quickly, “no, it isn’t. Caught an edge in an old chain link fence on the property a couple days back.”

Momo smiles slightly at you as if to reassure you. She’s really beautiful, with thick dark hair pulled back into a somewhat messy ponytail. Her eyes are bright, like she’s engaged in lively conversation, and you find yourself feeling a little sad for her. She’ll need medicine soon, if they can get it. Infections set in easily these days and you get the sense that even she knows that she may not have long without it. Maybe that’s something else their friend Shoto set out to find.

“I assume you’ll be wanting to go get your supplies?” Katsuki says, cutting the conversation short. Maybe he could sense the sour turn of thoughts.

“Ready when you are,” you respond with a nod.

Katsuki glances at Izuku, who gives him a slightly disapproving look.

“Someone get them something to eat,” Katsuki says. “...I’ll get my shit ready.”

“Fig jam…” Mina mumbles as she motions for you to follow her to the kitchen.

You oblige her, not exactly jumping to turn down a meal. She walks you into the kitchen and opens up a cabinet, where she pulls out a jar filled with a dark and seed filled paste. It’s a jam, sealed in a jar that looks older than what’s inside of it. The seal breaks open with a pleasant pop.

“This stuff is so good,” she says to you over her shoulder, pulling out a package of crackers that have likely gone stale. “You won’t believe it.”

She spreads the jam on a few crackers and sets it in front of you on a plate, pushing it across the counter towards you.

“It’s fig jam,” she says with a smile. “Homemade.”

You look down at the plate, your mouth watering at the prospect of something sweet like this. It’s been so long since you've had fresh jam. It could be as long as 10 years. You don’t think you’ve had it since you were a kid, when jam came easily and you preferred the processed brands at the supermarket to the ones your mom used to make sometimes.

You raise the cracker to your mouth and stuff it in with little grace. The sweetness spreads across your tongue as soon as you bite into the stale cracker. It fizzes and pops almost, the sugar melting across your tongue as the seeds crack softly between your teeth. The smile that hits your face is completely involuntary and though you know that nine months ago, this jam wouldn’t have been much, today it is something extraordinary.

Mina nods a kind of girlish agreement, like the way people used to when they had their friend try something at their favorite restaurant.

“We got here in the fall. I want to say late October or early November?” she offers. “We were starving and there wasn’t enough food to feed all of us. By that time there were like… nine of us.”

You listen as you eat your crackers.

“This place was in such an awful state,” she laughs. “I mean, really terrible. But, it was big and there was a fig tree in the back. A little thing, probably only a few years old and it had fruit on it. We ate so many of them that if the world were normal, we’d have sworn off of them forever. When we realized that the house actually had some old food in it,” she interrupts herself “-nothing good, canned stuff mostly- we decided to jar up the rest of the figs so that they didn’t rot.”

She smiles at you like it’s a pleasant memory, but you can only think about how hungry they must have been. Your stomach growls as you eat.

“I know it doesn’t sound like much,” she says, “but for some reason it’s a really nice memory. Honestly, we’re lucky we didn’t die.”

Mina laughs a little.

“I mean,” she continues, “we didn’t even clear the area before we started pulling at the figs and throwing them into our mouths.”

You tilt your head at her and furrow your eyebrows with a small smile.

“You’re really forthcoming with information.”

“You just seem a little hesitant, is all,” she answers.

“Can you blame me?”

Mina shrugs her shoulders but doesn’t really offer an answer. You assume it’s because she can’t, because Mina has the same doubts everyone carries with them in this world. All of the what ifs people would think about before they slept have become more prevalent than anyone would have ever liked.

“The jam is good,” you say, trying to be friendly in the same way she is. “Even if it is months old.”

“Things keep well in jars,” Mina defends softly, smiling a little as she gets another out of you.

This place feels like a little slice of paradise. A blessing from whoever lived here before and kept a garden stocked with vegetables. From someone who lived in an old house with stables and well-water, who kept canned food past its expiration date. It feels almost too good to be true, like these people live in a bubble bound to pop.

“You ready?” Katsuki thuds into the kitchen with an empty backpack slung over his shoulder.

You turn, startled by his sudden appearance and nod as you quickly finish chewing the last cracker. Katsuki furrows his eyebrows as he watches the way you scarf it down.

When you stand from the table, Katsuki turns on his heel to make for the front door and you follow with a light step. Mina says something about staying safe, but you don’t respond, glancing once over your shoulder at the girl.

It’s strange, the world has made you wishy-washy and uncommitted. You never used to be like that, never so distrusting as to second guess someone’s kindness the moment your back is turned to them, and you’re certainly not the type to be friendly one moment and closed off the next. Now though, you find that doubt creeps in easily through cracks and any foundation that didn’t exist before, seems to be swallowed before you can finish building it.

Katsuki leads you back across the small clearing you’d come through the night before. It looks different in the day, almost romantic, and it lacks any of the ominous feeling it had the previous evening. He steps over mounds in the dirt from moles and gophers that have made lawns their new home and you try to mimic his steps, sinking occasionally into a particularly soft patch of dirt. Every now and then, Katsuki glances behind him to check that you’re still there and you offer him a forced smile that he never returns.

You catch up to him when you hit the trees, sticking close at his side like something will come and take you away if you’re not. It’s unintentional, but you don’t have a weapon on you. Your knife is back at your makeshift camp, along with the unloaded pistol and your trusty spatula.

“How do you know where we’re going?” You ask in a whisper.

Katsuki tosses a look at you over his shoulder. “I’m good with directions.”

His tone is clipped, like he’s pissed about something, and your expression sours at it. Sure, you get it but it irritates you to some small degree. You hadn’t asked him to come along. In fact, you’d have been fine getting back here to collect your stuff on your own. You’d have asked for a knife and set out without a second thought, if only because being alone in the woods with some guy was less preferable than doing it by yourself. Of course, some guy also probably saved your life, but you’re not quite ready to relinquish your trust completely.

“Thanks for coming,” you decide. A peace offering.

Katsuki doesn’t answer and you furrow your brows a little bit. You wonder if he’s always been like this or if the end of the world brought on the loss of his manners.

Then, he stops, taking you by the arm and pulling you down beside a bush. You gasp and he puts his hand over your mouth to silence you. There’s the urge to bite him, to catch the fleshy bit connecting his thumb and pointer finger between your teeth and bite down till he bleeds, but you stop when you catch what he’s looking at.

Two of the living dead crouch by a tree, clicking their tongues as they eat something just out of sight. You furrow your eyebrows, eyes widening at the horror of it. For some reason, seeing them always brings about a round of momentary shock. You’ve yet to let go of the hounding thought that they used to be people and sometimes have to reorient yourself to the world you’re in now.

You catch Katsuki’s eye behind you, his calloused hand still clasped over your mouth, and nod your head. It’s a silent communication that you’ve seen what he has and he removes his palm from your face to grab a knife tucked into his belt, passing it to you quickly.

The two infected haven’t noticed the two of you yet, but they will soon, if only by the smell of your flesh which has yet to rot. You hear Katsuki let out a breath, as if to calm his heart, and do the same. There’s time to look at them like this and you’re struck by how human you can pretend they are in your head. Well, you suppose they were human once, now they’re a disease using someone’s skin as a mask.

Infected people aren’t quick, that’s one thing to be grateful for. Back when the outbreak first started, the CDC had released information on what to look out for in those who might have contracted the virus. The first was obviously a bite wound from another infected person, but you can tell from other symptoms. Early symptoms are average. Body aches, fever, lethargy, and delirium. All things you might see with a nasty flu. Then, infection of the wound site, twitching, foggy eyes—like low-grade cataracts—that develop within a matter of hours or days, severe disorientation, aversion to food, insomnia, with the final symptom being a coma that no one ever wakes up as themselves from.

These are the symptoms that people are conscious for. The ones they feel. The sickness that people tried to nurse others back from. There is no coming back though, not alive at the very least. The virus attacks the nerves throughout the brain and body, that’s what causes the twitching and convulsions. It’s what ultimately kills us, and it's what they think causes the bodies to come back.

Most infected will crack when they move. It’s the cartilage breaking down as the bones grind together and crack as they’re weakened from the marrow out. They twitch like rabid animals, unable to keep masterful control of their bodies because they are run like puppets from the brain stem. You don’t know if they think. If somehow the people they used to be are still in there, unable to stop themselves from consuming and spreading the virus to others. All you really know is that they twitch and click, functions of the brain that still remain. Tiny impulses sent through the synapses. You imagine it to be like the way you twitch when you sleep, an arm here or a leg there, the way someone might call out with their voice to a room with no one in it.

Maybe the infected think they’re dreaming. A nightmare that they never wake up from, like those of us who have to put them down. You could see it as a mercy from that perspective. You have an easier time rationalizing putting a knife in someone’s skull if you convince yourself that they’re silently begging for it.

Katsuki shifts his weight and looks at you. He mouths the words no guns and you nod, briefly wondering where the fuck he thinks you could have gotten a gun from.

Then, you kick off and run with Katsuki towards the infected. They don’t really have time to begin moving towards you both. You’re faster than them, but you hear the crack of their legs as they stand from their crouched positions, pulled in at the idea of their next meal.

Katsuki takes the farther one, sinking the knife into the soft spot of its temple with relative ease. You switch yourself off and take the one closest only a few moments later, sending your blade through the top of its skull. That happens to you when you have to do this. You turn yourself off for a bit, just so that you don’t have to remember the way it feels to hit the soft part of someone’s brain. You didn’t used to do that, only starting when you realized that there’s no going through this world anymore without it.

Katsuki wipes the blood on his pants. It’s brown, no longer oxygenated, and the area around you begins to reek. You notice, but for some reason the smell of decomposition doesn’t register in your brain and you continue on behind him.

There are a few beats of silence, save for twigs breaking under your feet, before Katsuki speaks up.

“You okay?” It’s barely above a whisper and you wouldn’t have caught it were you not listening for the distinctive crack of human bones.

“Yeah,” you say, continuing forward.

The campsite rounds into view and in this light, with your full night’s sleep under your belt, you can see just how pitiful it looks. A tent that you’d hastily put up before nightfall, the remains of your stamped out fire, the folding chair which has since been knocked over, and your weapons on the floor covered by a few leaves disturbed by the wind.

You snatch them up and move to grab your backpack out of the tent. The inside is shitty too and your torn sleeping bag hadn’t even been rolled out yet. You pick up the bag, returning to the folding chair as Katsuki begins to take down the tent. The polyester and nylon blend zips together as he makes quick work of folding it. Then, he kicks some dry brush over the remains of the fire, like he’s covering your tracks.

“The next person that comes through here might not be alone,” he says plainly. “And they may have more bullets than you did.”

“Right,” you respond. Your voice sounds a little far off and you settle your backpack on your shoulder in one quick motion.

“Got everything?”

You nod, following him as he heads out in the direction you both came from. The two of you pass the bodies of the infected you’d killed. The smell has permeated the air, lingering like how it does in cities, only less pungent. Their fogged eyes stare blankly at nothing, expressions plain and unreadable. You pass and try not to think much about it.

Katsuki is a few feet ahead of you and he doesn’t glance back to make sure you’re following. You could leave now and never get attached to these people. You could head off in another direction and never have to think twice about it. No more worrying about who you could lose, about who’s next to become one of the sick masses. Just you by yourself. Then, when you finally kick the can, someone else can put you down the way you did to those strangers.

Is there really a point to it anymore? To community or living in general. No one is as they once were. Does that make it fantasy to live in their beautiful bubble? Could you even find it in yourself to pretend again, to make nice and play house in that place? They saved your life, sure. They fed you, clothed you, bathed you, but for what point? Tomorrow, you could end up back in the woods, lighting fires with twigs you found in the brush, paranoid that someone would find you or the fire would spread.

You watch Katsuki’s back as he moves, shoulders shifting with each step. His shirt is stained, white turned eggshell from the wear and tear of time. It seems so off to you that he looks relatively clean, like he lives well.

Fear strikes you as you realize that your rambling thoughts have merit. Anything you fear now has become real and loss is so tangible to you that you can squeeze it in your hand. They could turn you out. Tomorrow night you could begin the starve and step all over again, moving from place to place, talking to yourself, filling your hours with paranoid thoughts like these that plague you when you’re alone. Is that worse than loss? If you’re alone long enough, you’d probably forget what you’re missing. Losing anyone else could make the wound fresh. For now, the hunger wins out.

Katsuki jogs ahead of you to get to the house. Momo is on the porch waving him in and he hurries up the steps and bursts through the front door. As you approach, you can hear voices, some of which are relieved, others hurried. When you enter the room, you find a man standing there whom you’ve never seen before, Shoto maybe.

“A plus one,” the man looks up, tilting his head at you in an odd way.

“Katsuki’s,” Kiri says with a low smirk.

Shoto’s eyes widen as he peers at his friend, clutching what looks like an injured shoulder. Katsuki just huffs his irritation.

“Well, that’s rare,” Shoto says.

“What’s rare?” Katsuki spits. “They were in the woods with a fire. What was I supposed to do? Let ‘em die?”

“Maybe,” Shoto says, a light smile creeping onto his features. Then, he turns to you. “What’s your name?”

You give it to him and he nods his head, tilting it at you again.

“How long are you staying?”

You’re not sure how to answer that question. In fact, no one is, and it feels like more of a test than it does a genuine inquiry. Kiri and Mina exchange a glance and Katsuki tosses a somewhat dirty look towards Shoto. Ochako gives Shoto a knowing glance and Sero and Denki shift uncomfortably on their feet. Then, Momo clears her throat, spurring Izuku to say something.

“Shoto,” he says. “You’re probably hungry, you should eat something and lay down. Ochako? Could you take a look at his shoulder?”

“Sure,” the girl says softly, giving a closed mouth smile to Shoto as she takes him by the arm.

She glances at you as she passes, almost like she’s too embarrassed to look at you fully in the face. You suppose this is what happens when people are forced to think about whether or not they will potentially leave someone else to die. It’s like the trolley cart question and though in this case there is always the possibility of a better outcome, it’s not likely in this world.

“Just until I’m rested,” you add with a small tilt of your head. “A few days.”

Shoto looks at you over his shoulder and gives you a small smile. It’s funny, you can see kindness there. His actions aren’t kind, but you can feel that he has kindness in him, though his rudeness stems from something different than Katsuki’s, you think. Like he’s strange in some way.

“I’ll start on dinner,” Sero says. “Kiri, give me a hand.”

The group disperses and you head upstairs without speaking to anyone else. A few days to rest and then cut the first people you’ve spoken to in weeks loose. What sort of idiot gives up something like this to avoid a little awkwardness? Not that you necessarily had your mind made up. You wonder briefly if you’ve just sealed your own tomb.

—

After dinner, you go upstairs to sleep after eating as much as they would offer you. Your stomach has ceased its constant growling and the shakiness that comes with hunger has receded almost entirely into the background. The bed is soft, with a slight dent in it from whoever slept in here before. The thought unsettles you that they’re probably dead now, but you try to push it from your mind as you steel yourself for what comes within the next few days.

You had volunteered yourself to leave. To what? Save yourself the embarrassment of pleading? Did you even want to plead? Why are you regretting not asking to stay? These people don’t know you, what trust can you have built with them in only a few days? Your skin crawls at the expanse of possibilities in front of you after so many weeks without any.

You think that if you let yourself walk away, you’ll probably die. You’re out of bullets and don’t know where to find any food except by luck. You can try to catch prey, but prey hides whenever infected are around, and they’re everywhere nowadays. It’s spring, water wouldn’t be a problem, but running water has its clear comforts. Then, there’s the possibility of loss. You’d come to care for these people if you stayed, you know it.

You furrow your eyebrows and look at the ceiling. There’s really no choice to be made. You’ll let them make it for you, even if you don’t know them. It’s their house and you won’t walk in uninvited or try to take it. You’re not about to become a monster just because the world is full of them now.

The darkness grows and your eyes drift to the dim light wandering in under the crack of the door. Hushed voices whisper in the living room, you can hear them. It’s a heated discussion, lively, but deliberately quiet. It’s been hours since everyone went to bed, yet you get the impression that many people are chiming in. You’re too nosey to leave it be.

You open the bedroom door silently, turning the cool knob with a wince as it clicks out of place. When you peer into the hallway, every upstairs bedroom door is open with the room empty. The light is coming from down stairs and around the corner, and you can see shadows move as you inch closer to the source.

You pause at the top of the stairs, knowing that they creak, and crouch by the bannister to listen. You’re out of sight. The only way they’d know you’re listening is if you made a sound, but you won’t. You’re good at being quiet.

“We don’t even know them,” someone says in a rushed whisper. “We don’t know what they’ve done before.”

“Everyone’s done things they’re not proud of now, Shoto,” a woman adds. It’s Mina. She’s spoken enough to you that you recognize her voice.

“I agree with Shoto,” says another woman, her voice higher pitched. She sounds guilty and her voice is tight as she speaks “We have no clue who they are. They could be dangerous.”

“You mean like me, Ochako?” A man adds. “I could have been dangerous.”

The group grows quiet for a moment.

“No,” Momo says. You recognize the cadence of her voice. “Shoto might be right, Denki. It’s been nearly six months since you got here and the world has changed a lot. We don’t- we can’t know for sure.”

“Can we really know anything for sure?” Another man adds, Kiri.

“What about you guys?” Shoto says, presumably to the rest of the group.

“I don’t know.”

“I’m hesitant, but I don’t know either.”

“Jesus,” another man with a baritone voice, harsher than the rest. That’s Katsuki, the first voice you’d heard of the group. “You guys make me a little sick.”

“That’s not fair,” Ochako says.

“No,” he interrupts. “It is fair. You guys want to… what? Send them back out there to die?”

“It’s not like that,” Shoto says.

“It is like that,” he says, raising his voice and then lowering it back to a whisper. “You didn’t see them when they got here, Shoto. They- they didn’t look… shit. The rest of you, you saw them. You really want to send them back out there to fuckin’ waste away? I don’t know about you all, but I won’t do that to a person.”

There’s a pregnant pause.

“Katsuki’s right,” Izuku says with a bit of conviction, like he’s finally made up his mind. “Sending someone out there alone is a death sentence. How does doing that make us any better than the people we’re trying to protect ourselves from?”

“What if there are more of them?” Ochako says quietly. “What if they’re not alone?”

“Trust me,” Katsuki says, “They were alone.”

“But what if they’re not?” She insists at a whisper, a bit of shame creeping into her voice. “What if people come for us?”

“See?” Shoto says gently. “There are so many what-ifs.”

“That works the other way too,” Mina adds.

You don’t listen to hear the rest of their conversation. They’re going to run themselves in circles debating about you. They’ll go around and around and land on whichever argument ends with the most votes. They’ll convince each other of one thing and it will happen totally out of your control.

The bedroom door shuts with a low click that makes you wince again. You think about the people who went to bat for you and the people who didn’t. You don’t blame those who opposed. You’d have probably reacted similarly if your old group were still alive and you understand very clearly why they do it. One person’s stupid reaction can be catastrophic and they don’t know enough about you to be certain that you’re not one of those stupid people. It’s how the world went to shit in the first place and though nine months ago you’d have surely condemned someone for making the same decision, you know that fear has warped humanity beyond comprehension. You didn’t get it until you lived it.

Still, Katsuki’s humanity feels intact somehow, more so than yours at least. His response is something you probably never would have said under the same conditions and you can’t help but feel some sort of fondness bloom in you for him. Call it connection, gratefulness for his willingness to stick his neck out for you, a trauma response. You still feel it. Mina and Kiri had said that Katsuki was a good judge of character and that’s why they were willing to back him. You wonder briefly if maybe Katsuki sees something in you that you don’t recognize in yourself anymore, or maybe something you don’t expect other people to recognize. What is it that he wants so badly to protect?

Someone stomps down the hallway, heavy boots against the old creaky floors. You hear the steps recede down the hallway, maybe a door or two down, before it shuts quickly. The sound makes you wince and you listen as the house grows quiet and then hums quietly with the sound of others coming upstairs a few moments later. Someone pads to the end of the hall, pushing the door open.

You hear a woman’s voice, so muffled that you can’t make out what she’s saying. Then, you hear the sound of a man’s affirmation before the bedroom door shuts and the visitor moves back down the hall to a separate bedroom. Information passing through the house.

Someone is moving around in a room below you and you figure that there are probably bedrooms downstairs as well. From the outside, you’d never guess that the place could house ten people. Inside though, the bedrooms are small. That’s probably why so many can fit. You’d guess that the place used to have multiple generations living in it, or maybe even rented out rooms to people for a few months. It sort of has a boarding house feel to it, like many people have come and gone even before people stopped staying in one place.

That’s a good thing to call it, the boarding house. It certainly has that sort of feel to it, many of its spaces undeniably communal.

You turn over in the bed, facing the bedroom door. The lights have gone out completely now and the house is quiet save for the occasional creak or thud from someone preparing to sleep. It’s been a long while since the sounds of living have been so prevalent near you. You’re eased by the sounds of the house settling, a familiar reminder of what living used to be. Your group had been on the road long before you lost them and the comforts of an interior are almost overwhelmingly nostalgic. You’re better rested to notice it now and shutting your eyes, you savor the feeling.

—

“Need some help?” You say.

Denki turns around, grease smeared across his nose where he likely wiped it with his dirty hands. He’s holding a wrench in a glove so tattered that it hardly counts as a glove anymore. He looks startled, amber eyes widening before he uses his forearm to brush stray hairs out of his face. The rest of it is pulled up into a messy ponytail, revealing the moist back of his neck.

“Oh, sure,” he says, a bit surprised. “Do you know how generators work?”

He crouches back over the machine and you step up behind him.

The machine is rusted near the bottom and between the exposed winding pipes. Its paint has chipped away, leaving the weather-damaged metal open for you to see. On the side, a fan-like piece spins slowly in circles and the machine whirs and sputters softly as it… generates power, probably.

“Not quite, but an extra pair of hands is always helpful,” you say softly, passing him a tool he’d been reaching for. “Did it break?”

“No,” Denki says, “but it’s probably on its last legs. The thing’s almost as old as we are, probably older, so it’s good to tune it up a bunch.”

You hum your agreement, tilting your head as you stand and watch him work.

You’re not necessarily comfortable with Denki, but he feels like a safe person for some reason. Maybe it’s because he’s got a sort of ditzy, non-threatening vibe to him. You can almost distinctly picture him tripping over his own feet and something about that makes you feel considerably safer than someone who wouldn’t. That and he was the first person you’ve come across this morning who you don’t think distrusts you too badly.

“Are you dodging something?” Denki smirks up at you from his crouch.

“Who on earth would I be dodging?” you snort a bit defensively.

“Shoto,” he says with a light smile. “He put you in a tight spot the other day.”

“Yeah, well,” you say, glancing over your shoulder. “It wasn’t anything he didn’t have a right to ask.”

“Right, but it sure was rude, huh?”

Denki laughs to himself a little and you’re surprised by how easygoing he is. You subconsciously begin to categorize him with Mina and Kiri. The dichotomy of this group baffles you a bit, but you can certainly see all nine of them as a collective. Tightly knit and well acquainted with the habits of others.

“Oh!” He exclaims, “I have something you can do for me.”

You tilt your head.

“There’s a bucket over there,” he says, pointing absentmindedly to a shitty plastic bucket against the side of the house. “We use the water from the creek as coolant. It’s not factory grade, but it does the trick. You wanna go fill it up and bring it back for when I’m done tuning this thing up?”

You furrow your eyebrows, not sure where the creek he’s talking about is.

“The creek is just over there,” he points behind the house to the edge of the treeline. “I know you can’t see it from here, but if you walk in a straight line, you’ll hit it. Katsuki should be down there too, so you can use him as a landmark.”

When you don’t immediately answer, Denki whines a little.

“I mean,” he says, “I’d go myself, but-”

“I’ll do it,” you laugh a little and Denki seems surprised that you do.

“Really?”

“Yeah,” you shrug. “I’d like to pull some weight at least while I’m here. Plus, I offered.”

Denki mumbles his pleasure and you walk to the bucket without another word and set off in the direction Denki pointed. You’re much more willing to go out to the treeline now that you have a knife back at your side.

The walk to the trees is longer than it looks, like how sometimes the horizon looks like something you could reach out and climb up onto. The walk stretches with each step you take and you become a little more understanding of why Denki didn’t want to do it himself. But the walk is actually pleasant, the warmth of mid May collecting evenly on your skin as the humidity grows more intense with the sun.

You wonder what Katsuki would be doing by the creek. Maybe he’s fishing, or crouched over himself sharpening an arsenal of knives that you think he might keep in a roll attached to his belt sometimes. You’re not sure why, but Katsuki sort of has that expression to him. He’s handsome, but the scowl projects something hostile that makes him seem unapproachable.

As you cross through the middle of the clearing, you could almost imagine that this is a normal day. Humidity collects on your skin, making you sweat a little as you dodge gopher holes and soft spots of dirt. It almost feels like summer camp, if it weren’t for the looming idea that you’re contributing to something you may not be a part of. Denki’s attitude though, has you hoping for a more favorable outcome, if you want to call it that.

You’re only a few steps into the line of trees when the earth dips into a sand-lined ravine. The trees leave room for the sun to beat down on warmed rocks, making the area seem brighter with their subtle reflection of the light. The noise of the creek drowns out the sound of your footsteps and you shuffle toward where the earth flattens just before the water starts. A little ways to your right, you can see Katsuki sitting on a rock in the sun, his hands dipped into a large bucket. You narrow your eyes as he pulls what looks like a cloth out of the water, rubbing the fabric together before dipping it in the cool water of the creek.

As you approach, you realize what it is that he’s doing. It’s laundry. On the other side of him, you can see a bin of what look like dirty clothes and water-soaked clean ones. Talk about misjudged character.

“Katsuki,” you say as you approach him, the bucket still empty in your hand.

He squints up at you, shifting his face so that it's in your shadow.

“You’re still here,” he says plainly, returning to his task.

“Clearly,” you respond, watching as he runs his fingers over the next piece of clothing in the bucket.

“Why are you down here? Did Denki pawn the generator water onto you?” He says, like he’s somewhat frustrated. “He does that shit to anyone he can.”

You shrug your shoulders and continue to stare at him.

“Are you just gonna stand there?” He huffs out.

“You’re doing laundry.”

“Yeah?” he furrows his eyebrows and looks at you. “So?”

“Nothing,” you say. “I just didn’t expect that.”

“Yeah well,” he stops for a moment like he’s struggling to find the words. “It needed to be done. Figured I might as well.”

“How progressive of you,” you joke with a straight face.

He looks at you out of the corner of his eyes and sighs, not justifying your comment with a response. You find yourself smiling a little bit.

“If you’re going to linger, sit down and do it,” he says. “You’re creeping me out.”

You oblige him and sit down on a rock next to him, far enough that you’re not touching, but near enough to hear him if you speak in a low voice. For some reason, you feel a sort of kinship with Katsuki. You’d thought longer than you’d like to admit about his willingness to vouch for you and find that you want to live up to his expectation of your goodness, even if it’s not what you believe yourself to be anymore. Maybe it’s because you’ve slept well the past few nights and feel more like yourself, but there’s a certain casualness to conversing with him that you enjoy. He’s not looking at what you could be, but rather what you’re showing him that you are. His lack of doubt in that is something you find relatively attractive.

You watch his arms out of the corner of your eye in between gazing at the treeline and the sky. Your field of vision catches on them, his sleeves cut short to expose his biceps, a bit muddied near the elbows where the mud has begun to stick.

Katsuki doesn’t seem all that bothered by your presence, but now and then you’ll catch the sideways glance he gives you, almost like he’s trying to figure out exactly why you’re lingering.

“How long have you been with them?” You ask, more as a way to fill the silence.

Katsuki’s hands pause as he thinks about answering, then, they continue their steady pace.

“A decent amount of time,” he says. “I met Izuku first, probably in November just before Mina and Kiri. The rest came later.”

You furrow your eyebrows.

“No offense,” you start, “but you don’t really seem like the group type.”

“And you don’t seem like the type who’d be alone,” he retorts, like your statement was stupid.

You press your lips into a tight line, not really knowing how to respond.

“Sorry,” he says, shaking his head a little.

“Were you?”

“What? Was I sorry?” He furrows his eyebrows at you.

“No,” you shake your head. “Were you alone? Before Izuku.”

He goes silent. You’ll take that as a yes, but you regret asking a little. It had just slipped out. If someone were to ask you something like that, you’d probably react the same way. That’s just as well, you don’t really need to know him like that anyway.

You wonder briefly if anyone does. He seems closed off, but Mina and Kiri spoke about him a few days prior like they knew him well. Well enough at least to allude to a history you’ll likely never be privy to. Then there’s Momo, who whispers little things to him that he answers in kind. Curiosity gets the better of you, if only to tease.

“Do you have a girlfriend?” you ask and Katsuki’s response is to rest his elbows on his knees and let out a dry laugh.

He turns his head and looks at you from the side. “And what the fuck are you asking me that for?”

“Just curious,” you say. “Is it Momo?”

“Momo?” He makes a sour face at you. “Yeah, right.”

“She’s pretty,” you say.

“Sure is,” he responds dryly. “If you’re into the mom type.”

“What? You’re not into moms?” You grin a little and Katsuki furrows his eyebrows at you.

“So you do have a personality,” he scoffs a little.

There’s a pause. You haven’t felt this in a while. The feeling of bonding with someone new, compatibility on the human level that feels nearly instant.

“I’m kinda serious though,” you say, tilting your head down to catch his eye. “Do you?”

You’re leaning a little closer to him now.

“You seen any nice restaurants to take a person out to these days?” he questions, clearly a little frustrated with you in the way someone gets when they’re a bit amused.

“You don’t have to take someone out to a restaurant to fuck them, you know?” You laugh a little.

Katsuki’s lips part and he swallows like his mouth has gone dry.

“Yeah, well,” he starts, looking away from you. “I’m a romantic. Sue me.”

He’s just full of surprises, isn’t he? You find that you’re captivated by this feeling, this humanity, that exists in him. It’s something alive between you both, something left behind from the old world, and you crave it the same way you crave food.

Katsuki continues scrubbing the clothes, rubbing the fabric together and then dunking it in the bucket before plunging it into the freshwater creek. You’re not sure why you do it, but the next time he looks at you, you kiss him.

It’s not as if you like him, but it’s something to feel. Some remnant of the butterflies you used to feel on dates and the kiss makes you feel like you could be close to human again. You pull away almost as soon as you put his lips to yours and you can tell that the expression on your face is one of surprise.

Katsuki blinks for a second, looking at you with his brows knitted together. The expression doesn’t leave him as he places a wet hand on the side of your face to kiss you again. It’s an anxious kiss, confused and slow but—like someone riding a bike for the first time in years—it quickly becomes something familiar. Muscle memory that you both let yourselves sink into.

You can feel his expression as he kisses you, something between confusion and desire, like his own actions are perplexing. You feel the same way, hesitant, but reaching in the dark for the promise of some sort of normalcy. You want to feel like a person again. You haven’t felt it in so long and you push yourself against him as the ache swells in you.

The two of you continue like this for a moment, Katsuki’s fingers pressing lightly into the skin of your neck. You moan softly as his tongue slips into your mouth, taking a sharp inhale at the sensation of skin on skin. The sound of the creek drowns out the clicking of your mouths, but you can feel the way he hums into your mouth. They’re little sounds, involuntary ones driven by the nervous, desirous feelings inside of you both.

Then, Katsuki pulls away, swallowing thick as he takes his bottom lip between his teeth for a moment. You appreciate the way they look. They’re swollen, anxious to continue and keep forgetting where you really are. He drops his hand from your face with a sigh and almost seems like he comes back to himself. You do the same, moving back into an upright position.

“Denki will want that water soon,” he clears his throat and motions to the empty bucket by your feet.

“Oh,” you say, laughing a little. “Right.”

You stand, dusting off the back of your pants and dunking the bucket into the water. It sloshes, the liquid hitting the back of the plastic with a satisfying elastic sound. You begin to walk away without another word, heading down the way you came to climb up the gentler part of the slope.

“Hey,” Katsuki calls softly. “You should stay. We talked it over last night. You can if you want to.”

The last part, he says facing the wash, his hands moving as if he hadn’t said anything at all. You don’t respond, knowing that the obvious answer is already yes.

Dread settles in your stomach. It’s an icky, swirling feeling that threatens to make you double over. You climb up the bank, the water in the bucket sloshing as you move through the trees and enter the clearing. The feeling doesn’t dissipate, growing as you leave the cover of the trees. You probably wouldn’t have kissed him if he’d asked you that earlier.

The boarding house comes into view and you can see Denki sitting beside the generator, conversing with who appears to be Shoto. They turn and Denki waves you down, Shoto turning away and starting around for the front of the house.

Denki jogs to meet you, taking the bucket from your hand. You flex your fingers as the weight is removed, wincing a little at how stiff they feel.

“Jeez, what took you so long?” Denki laughs and with your new information, you understand his willingness to be friendly with you a little better.

“I asked Katsuki for his life story,” you respond dryly, following him back to the generator.

Denki looks over his shoulder and laughs at you. “Did he tell you?”

You pause for a moment, watching as Denki unscrews something and pours the water in.

“Nope,” you say. “Not a thing.”

Click Here to go to the second chapter and find the rest of the series on ao3. The remainder will not be posted on tumlbr, but please feel free to reblog!

#bakugou x reader #bakugou katsuki x reader #mha x reader #bakugou smut #bakugou x reader smut #mha smut #bakugou fanfiction #mha fanfiction #my hero academia #bakugou katsuki #apocalypse au #tw.violence #tw.blood #tw.loss of identity #tw.derealization #tw.depersonalization #tw.exhaustion #cal.writing #char.bakugou

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sameheart-sameblood · 1 year

Text

Love in the Time of Cordyceps

pairing: joel miller x f!reader

summary: when the world ends, you promise you'll never love again. joel miller makes that rule hard to stick to

words: 7.1k

warnings: mentions of gore (pretty tame but still), swearing, sickness, angst, fluff, two dummies not realizing they love each other until one of them almost dies 🙄

a/n: this was supposed to be more angsty but then i remembered life is hard enough already. and i just want soft joel soooo here we are. also i meant to write 2k at most but boy do i love to ramble

read on ao3!

After the world goes to hell, you promise yourself you’ll never love again. A person, an animal, a place, nothing. Only a fool would choose to make themselves that vulnerable, needing every fiber of your being one hundred percent devoted to your survival and nothing more.

Was a life without love worth living? Every time that question enters your mind, you swat it aside. It’s like a nagging fly that buzzes around you until your persistence finally drives it away completely. Of course you could live without love. You’d been doing it just fine these past fifteen years.

Living without attachment proves useful in the new world you find yourself in. It makes the countless people you lose along the way easier to move on from. In the early days, your heart still twinges as the people around you drop like flies. Most fall victim to the bites of clickers, some to raiders’ gun, a few by their own hand.

The first group you had travel with is filled with Midwesterners who see the terrors of the new world and still somehow have a smile and a joke for you. Their joviality can’t save them, though. Clickers swarm you one rainy night two years after the fall of civilization. The sight of Gail, a woman who reminds you of your grandmother, having her stomach ripped out by an especially voracious clicker cures you of your need for any connections to the living.

Over the years, you make your way to the East Coast. Smiles, defiant in the face of adversity are replaced by permanent grimaces etched into the faces of everyone you meet. It seems as though every survivor has lost the ability for happiness of any kind. Good, you think, they’re finally learning. You wonder what took them so long.

Tales of peace the Canadian wilderness has to offer reaches your ears. In your heart you know it is most likely a tall tale spread by desperate survivors. But the good thing about a zombie apocalypse is you now have nothing but time on your hands. Working your way north, if all goes well, you’ll reach Saint John by May, continue to Port Elgin and then decide if you’d try for Prince Edward Island or turn east to Nova Scotia.

Plans are made to be broken, though, and yours, along with your ankle, break clean through one day as you make your way through Boston. It would have been over for you if not for the two survivors that find you nursing your injury in a department store that will most likely be swarming with clickers by nightfall.

The woman, after she puts her gun away, introduces herself as Tess. The man doesn’t offer his name, preferring to keep the barrel of his shotgun pointed at you. As they argue quietly over what to do with you, you observe their faces. Both are etched hard with years of loss and worry. Even harder than your joyless face. It’s impressive albeit in a sad kind of way.

Tess had somehow persuades the man to help you back to the Boston QZ. Joel. You hear her call him Joel. “Fine,” he had grumbles as he places your arm over his shoulder for support, “but if she scans red, I will not hesitate to put her down.” Oddly enough his threat somehow makes you almost like him. You sense a kindred spirit. Another follower of the “no love, no attachment” way of life.

You do not, in fact, scan red and are allowed to enter the QZ. An apartment is assigned to you, a crappy little studio with faded lime green paint. The old you would have adored it, called it quirky and planned out how best to decorate it with your meager funds. The new you just appreciates a safe place to sleep.

After your ankle heals, Tess invites you to join her smuggling scheme. Thoughts of Canada flee your mind for the time-being and you gladly welcome something to keep yourself occupied.

“But what about the cowboy?” you ask.

“Joel? What about him?”

Your eyebrows arch, “He threatened to shoot me.”

“Only if you were infected. Just don’t get infected.” She says it like you’re discussing the weather.

Joel allows you into the group begrudgingly, probably because he thinks they can use you as bait or a distraction if needed. Fine. Let them label you bait. You’ve been called worse before.

The first few months working together are tense. Joel reprimands you for the smallest mistakes and warns Tess you’ll get them all killed. At first, you bite your tongue, reminding yourself of the part he had in saving you. But one night after he scolds you for the millionth time about not checking your blind spots for clickers, you snap. “Fuck off, Joel! I survived the clickers for fifteen years. I think I know what I’m fucking doing!.”

He holds up his hands in surrender, wandering off with a hurt pout like he wasn’t the one who was just being the asshole. You wonder why your victory leaves you feeling hollow.

After that, Joel keeps his mouth shut around you. No nagging, no “helpful” tips. Just the bare minimum of whatever he needs to convey. You’ll never admit that it hurts. You don’t have to, though. Tess, at the end of her rope, explodes one night as the three of you eat dinner in awkward silence. “Couple of fuckin’ babies I’m working with,” she seethes. “If you don’t grow up I’m finding a new crew.”

It’s decided that you and Joel will do the next supply run to Bill’s. Alone. No Tess there to act as buffer between you and him. Joel grunts at that but doesn’t argue, always deferring to your leader. The trip to Bill’s goes as well as you can ask. There are no arguments between the two of you at least. You’re sure you even see Joel crack a smile. Of course it’s when you clumsily tripped over a raised tree root…But hey, progress is progress.

With the supplies in tow and Frank’s compound behind you, you actually think this trip might be a success. A gang of raiders lying in wait to sabotage you dashes your hopes of that. They had seen the two of you lugging your supplies and thought it would be an easy win. At first, they are correct. They outnumber you and Joel in size and wickedness. The four of them aren’t content to kill you outright. They tie you up and discuss what to do with you next.

Of course their attention quickly falls on you. The man with an ugly gash across his face leers at you. “Maybe we should keep her around awhile. She looks like fun.” Try as you might to act tough, that sends the blood rushing through your ears.

You almost don’t hear Joel snarl at them. “You lay one finger on her and it’ll be the last thing you ever do.” The venom in his voice snaps you back to reality. While their attention is on him, you discreetly start ripping at your bonds with the little pocket knife you thankfully decided to stow in your back pocket.

They beat Joel senseless by the time you get free. You honestly think you’re too late as you stab the goon nearest to you in the thigh, by some miracle hitting his femoral artery. The others turn to you, blindsided as you go wild at the sight of your bloodied and broken companion. Gash-Face comes roaring at you, all brawn no brains. The look of surprise as you lodge the knife in his neck makes you smile with sickening glee.

The remaining two corner you, murder in their eyes. Your gun is just beyond them, taunting you to come retrieve it. The only “weapon” you have is the belt you’re wearing, it’s clasp heavy and silver. You undo it and swing it at the nearest man. He grabs it, cackling victoriously as he uses it to pull you closer. In their grasp, you become the target of their blows. You curl into the fetal position, angry that after all the near death experiences you’ve had, this will be the way you go out.

A shot rings out, then another. Two thuds on the ground next to you make you open your already swollen eyes. As you look up, you realize your savior is Joel. Back from the dead. His face is covered in blood, like some kind of ghoul. But in that moment, you have never seen someone look more like an angel. The two of you limp back to the QZ where Tess nurses you as she simultaneously curses the deceased thugs.

Joel corners you in the bathroom the next day as you study your bruised face. “You could have run,” he hisses at you, making you jump. You don’t know what he wants so you just shrug. He invades your space, making you back against the counter. “Why didn’t you run?” His voice has gone low, anger simmering just beneath the surface.

Faces inches from each other, all you can muster is a weak, “We’re a team. I wasn’t going to leave you.”

Several emotions flicker across his face in quick succession. Anger, fear, worry and something you can’t quite put your finger on. Pride? Maybe that was you projecting but you hope you were right. Joel studies you for a moment longer, then reiterates, “Next time, you run.”

******

After that, things change. Joel is still a man of few words but the ones he does grace you with are softer and more intentional. Instead of berating you for the knowledge and skills you lack, he takes them time to teach you. He shows you how to identify fake ration cards and to spot the kind of guard you can bribe. Nights are spent with you following behind him like a shadow as he shows you all the secret ways in and out of the QZ. When your hands shake during target practice, he places his calloused ones over yours. It steadies your hands but frays your nerves, threatening to awake a feeling long thought dormant.

It goes both ways. Joel lacks attention to detail in certain situations and you show him how to read people and ascertain their flaws that can be exploited. During your runs you point out the flora that can be consumed safely or used as medicine. At Flynn’s, the only bar in the QZ, you teach him how to play pool. An essential to survival? No. But it sure helps you win a huge stash of ration cards from your fellows survivors. It also gives you an excuse to sidle up behind him and mold your body around his, all in the name of helping him get the “proper pool stance.”

Your excuses to fleetingly touch one another became more and more common. They are all perfectly innocent but carry the weight of something elicit, at least to you. Joel is never one to give away his innermost thoughts, happy to wear a permanent poker face. For all you know he couldn’t care less about you. Maybe he just knows keeping you alive is good for business and that’s why he takes a particular interest in making sure you’re safe. Whatever the reason, you hope he never stops.

******

During one supply run, a torrential thunderstorm forces you to spend the night at Bill and Frank’s. You know it makes Joel nervous to be indebted to anyone for such hospitality but you can’t hide your glee. A night there means a cozy bed and a hot shower, something hard to find in your home where the water runs tepid at best.

Afterwards spending way too long in the bathroom, you curl up in your bed, toasty and content, only to find sleep won’t not come. Your hosts are dear to you, even the grumpy Bill, but their snoring through the wall you share makes hopes for a deep sleep impossible.

After an hour of tossing and turning, you decide to go make your bed on the couch. As you tiptoe down the stairs you run into Joel, on his way up . “Going somewhere?” he drawls, exhaustion making his voice deeper than usual. You shrug, “Couldn’t sleep. There are two buzzsaws in the room next door.”

Joel chuckles, “I’ve had that room before. Can’t say it was the best night of sleep I’ve ever had.” You lived for these little snippets into Joel’s life before you came around, always eager to hear more. But the trek to the house through never-ending sleet and over the turbulent river left you more tired than you had felt in years. Right now all you want is to get where you could pass out immediately. “I’m just gonna make camp on the couch,” you say, stifling a yawn.

Joel shakes his head. “You take my room. The couch is good enough for me.” This man. Hadn’t anyone told him chivalry is dead. You sigh tiredly and beckon for him to come back up the stairs with you. “It’s a big bed. We can share.” There is silence behind you where there should have been footsteps. Joel’s smile disappears as his forehead creases in thought. “Please,” you pout, “I can’t sleep in my room and I won’t get any rest knowing you’re crammed on that dainty little loveseat.”

It takes far more coaxing than it should but finally Joel gives you a little nod and follows you into his - your - room. You gesture to the bed, “Care which side you get?” Joel thinks, then shrugs. “Left is good.” You flop onto the right side, eyes immediately drooping shut. Once again, there is no movement from your companion. Without opening your eyes, you chide him, “If you’re gonna be weird and watch me sleep all night then you can go sleep on the couch.” That got him moving again.

The sound of the shower turning on lulls you to a sleep that is disturbed only when you feel the dip of the bed several minutes later. You watch through barely opened eyes as Joel does a strange shimmy under the covers. It’s clear he’s trying his best not to wake you. The sight makes you laugh softly and his head whips to you.

“Thought you were asleep,” he murmurs.

You hum, “I was. You woke me up.”

It’s meant to be a joke but Joel grimaces. “Sorry.”

The sight is sweet and your heart flips, his frown making him look almost boyish. “It’s ok. It’s your bed.”

As you burrow into your cocoon of blankets, Joel props himself up, a pillow behind his back. He looks from you to the bedside lamp and back again. “You mind if I read for a few minutes?”

That surprises you. In all your time together you had rarely seen Joel do something just for the pleasure of it. There was usually no time. But Bill and Frank’s is a sanctuary and even the hyper-vigilant Joel Miller is able to slow down here. You nod enthusiastically, perking up. “What are you reading?”

It’s like you had asked him what his darkest secret was. He reddens, then finally grabs a book from the table. Pride and Prejudice. He stammers, “It’s just…I never had a lot of time for reading before and this was a favorite of…it was a favorite of somebody I knew.”

“You can read out loud to me if you want,” you offer with a grin. Honestly it was half in jest and half a serious hope. It had been decades since anyone had read aloud to you. Joel, always thinking you were making some sort of fun of him, smirks sarcastically. “Not a chance.”

Your glower slowly melts away at the sight of him putting on his reading glasses and settling in. Silently you curse as you feel your hardened heart crack just the tiniest bit. Idiot that you are, you try to talk yourself out of your own feelings. You aren’t attached to Joel. How could you be? He’s just a handsome, rugged man who keeps you safe and reads Jane Austen in his spare time. Maybe some lesser fool would fall for him but not you. No, sir.

The next morning, you find yourself curled into him, chest pressed against his back and arm draped over his side. Like a bomb diffuser, you carefully try to extricate yourself from the position, every movement slow and precise. Joel, still asleep, lazily grabs your hand, keeping your arm around him. He sighs contentedly as you settle back down and you swear under your breath, nestling your head at the crook of his neck. You are so that lesser fool.

******

The thunderstorms of summer give way to the pleasant days of autumn. Those good days don’t seem to last long enough. You should have appreciated them more while they were there but so is the way of being human.

Winter in Boston isn’t fun. Ok that’s an understatement. It makes you long for the soul-sucking, never-ending Midwestern winters you had lived through for most of your life. There is something about being next to the ocean that makes everything feel colder.

The nights are especially hard, the wind seeping through the cracks in the walls of your apartment. No matter how many blankets you tuck around yourself, your body never truly feels warm. Runs to Bill’s or anywhere outside the QZ become less frequent and more difficult. Only those deemed truly necessary are attempted and even then there is always a long discussion beforehand weighing out the pros and cons.

Runs between the months of November and January are too risky and after much debate, it is decided you three would lay low in the relative safety of the QZ. In the meantime, you’d assess your stockpile, make connections over the radio and wait for the spring thaw. With less food smuggled in from the outside, you decide to put your energy into earning ration cards. Even though no one could argue you don’t pull your weight in the group, you often feel like the weak link. Making sure Tess and Joel have a hot meal every night is the least you could do.

Joel had always told you to stay away from sewer work. It paid double what the other jobs did but at a high risk. Besides not being able to wash the stink off for days, the tunnels under the city were treacherous. Many had gone down there only to be blindsided by a stray clicker or jumped by a loner who made their home away from society up above. Some just got lost in the labyrinth, never to be heard from again. Or at least you had been told. You hoped those were just myths.

You and three other desperate souls are sent down to the sewers with the task of clearing the rubble from a recent cave in. A hard day’s work definitely but you were optimistic that you could get it done in a few hours time and be on your way.

The first few hours go well, the biggest pieces of the concrete being cleared easily enough. Your back aches and callouses quickly form on your palms. But still, all of that you can deal with, mollifying yourself with the thought of the stack of ration cards you’ll proudly gift to Joel and Tess.

Maybe if you hadn’t been daydreaming you would have heard the shouts of your fellow volunteers sooner. Finally coming back to reality, you move just in time to avoid another piece of falling rock. You save yourself from being crushed but lose your footing, coming down hard on your shin.

A stream of bright blood instantly trickles from the gash and you swear as you try to keep the tears that spring to your eyes at bay. Wanting to prove yourself, you brush off your group’s insistence that you go get it checked by the doctor. It doesn’t matter if you complete ninety percent of your shift. You still don’t get your payment if you leave early. So you suck it up for another hour, slogging through the muck as you finish the job. It’s fine, you tell yourself, it’s just a scratch. You’ll wash it off when I get home and be good as new.

With the job done and ration cards tucked away in your pocket, you hobble back towards your apartment. The thought of a shower, as lukewarm as it will be, is the only thing keeping you upright. That is until you feel someone putting your arm around their shoulder. Joel helps you the few blocks to your house, his icy silence hurting you more than the cut that now throbs with every jostle.

It’s only after you get inside and are deposited on the couch that Joel speaks. He rolls up the leg of your jeans, cursing as he sees the already festering wound. “I told you to stay out of the sewers.”

You suck in a pained breath as he starts wiping away the dirt. “I’m fine. It’s just a little cut. Besides, it was worth it,” you pull out the stack of ration cards and present them to him proudly. The sight gives him pause. But the look on his face isn’t one of gratitude, it’s worried exasperation. His signature grimace returns, “It’s not worth it if you lose your leg.” And people claim you’re dramatic.

Pushing him away with a shoo, you rise, limping to the bathroom. “I just need a shower. Then I’ll be right as rain.” As you peel off your now ruined clothes, Joel hovers on the other side of the door. “I can hear you pacing,” you call over the sound of the warming shower.

Even through the almost closed door you can hear Joel sigh. “I just think we should take you to the doc. Make sure you’re alright.” The water hitting you makes you audibly moan, the filth on your body washing down the drain and with it, the memory of the hard day. You appreciate the concern but all you want to do know is forget about the day. You call out to a still pacing Joel, “I’m fine. You worry too much!”

******

It turns out Joel worries the right amount. Of course he does. As eager as you are to forget about your day, it’s not long before you can’t ignore your leg. The wound is an angry red and the area around it has swollen, leaving it tender and throbbing. Thankfully you have Joel there to dress it because, honestly, you can’t stomach the sight of it. These past years have been filled with much blood and gore at your own hands. But there’s something different when it’s your own blood.

In any other circumstance you would have reveled in the feeling of Joel holding your leg so tenderly, his fingers brushing against your skin as he wraps the bandage around you. It would have driven you insane seeing him crouched in between your legs as he is now. But at the moment all you can think about is how you much pain you’re in.

You try not to show your discomfort, but your poker face is nonexistent. Joel’s eyes flick up to yours as you slowly exhale, trying to keep calm. Avoidance has always been one of your favorite tactics when dealing with uncomfortable situations so you pipe up, overly perkily, “See? All better. Now about those ration cards, I was thinking for dinner-“

Joel rolls his eyes, standing with a groan, his knees audibly cracking. “The only thing you’re gonna do tonight is rest.”

You slowly turn your body to prop your leg up on a pillow as he watches. Pouting has never worked on Joel but you figure it never hurts to try. “I still have to eat,” you mope.

“You will. I’ll open a can of soup or something.”

The disappointment is real and bubbles to the surface quicker than you realized it would. “I just wanted us all to have a nice dinner. You and Tess do so much and I feel like…” Thinking how you feel is different from saying it out loud and you have to psych yourself up. Joel’s softening gaze helps you continue. “I feel like I’m useless. I just thought this was one thing I could do to really contribute.”

The silence between you feels heavy as you avoid his stare. Finally, he speaks, confusion contorting his features, “Of course you contribute. We wouldn’t have kept you around if you hadn’t.” It’s meant to make you feel better but it doesn’t, especially in your current laid up state.

“So are you going to get rid of me if I’m no longer useful?” you gesture at your leg, feeling your eyes beginning to sting with tears.

Joel sits down next to you. Your fear has made you defiant and you meet his gaze, wanting to fight. But Joel speaks in a soft, level voice, as if teaching a child a lesson. “First of all, you’re going to get better. You just need to be patient. Second, you’re thinking there’s only one kind of way to be useful.”

“I can’t shoot like you two can. I can’t fight. I can’t threaten people into getting what I want. I can go on runs and earn ration cards. That’s it. I’m too soft for anything actually important.”

Joel frowns, “You say that like it’s a bad thing. ‘Being soft’ in a world like this is an act of defiance. It’s brave as hell. What you consider important? I don’t want that for you.”

Warmth spreads through your chest as you observe him. He’s trying so hard to find his next words, to make you believe his truth. “Me and Tess, we let the world harden us more than it needed to. It was easier that way. But having you around reminds us there’s still innocence and good out there.”

The angry tears have turned to ones of gratitude. The sentiment is too much for you, unused to such vulnerability from Joel. You give him a small smile and he returns it, leaning over to wipe a tear off your cheek. “You’re useful just being you.”

While you still wish you matched Joel and Tess’ levels of badassery, the conversation helps ease your mind. You might not think much of your survival skills but you remind yourself that you’ve stayed alive in a world that wants you dead. Fifteen years you’ve been fighting and surviving and that’s nothing to look down on.

“And for what it’s worth, “ he adds, “you scared the hell out of me the first time we met.”

You grin at him, shocked, “Really?”

He nods, smirking cheekily, “Really. Still do sometimes.”

******

Joel heats up a can of tomato soup for you to share. You try not to think of how old it must be as he prepares it. But actually, it’s not bad, the taste reminding you of your childhood.

It also helps that you’re sharing it with someone you care about. A part of you hates that how easily you’ve let him into your heart. The one thing you swore off all those years ago is now all you can think about as you watch him sitting across from you, ladling out the steaming liquid.

He catches you staring and breaks the silence, “Were you even going to tell me you got hurt today if I hadn’t run into you.” The fuzziness of your feelings for him makes your brain a little mushy and instead of having a grownup conversation, you reply with a childish, “No, I thought I’d let it be a soup-rise.”

Joel rolls his eyes in mock annoyance. You chuckle and continue eating your rapidly cooling dinner. You sober up a bit and add, “The extra ration cards will be good, though. Right?”

He nods, “Yeah. I think it’s soup-er.” His eyes flick up to yours as they crinkle, the only sign that he finds himself amusing.

After dinner, Joel excuses himself to go work his overnight shift. When he leaves and you’re left along, the throbbing in your leg returns with a vengeance along with a mild fever. Your usually chilly apartment now feels stuffy and you have to remove all of your layers except your t-shirt to be even somewhat comfortable.

Worry creeps in as you sit there, alone and increasingly unwell. You long for the company of Joel or Tess, anyone to reassure you that you’re fine. But you’re alone and the dark thoughts creep in, whispering in your ear that whatever is brewing is not good. Unsure of what else to do, you slip in to bed, hoping that whatever this is will be better by morning.

******

You don’t wake for two days. Or at least, you have no real memory of the past 48 hours. Later, when the worst is over, Joel will tell you the details of that lapse in your memory. He’ll recount how you faded in and out of consciousness, sometimes submitting to your fever for so long that he wasn’t sure you were coming back. His voice will waver as he remembers how bad it got and how fragile you looked…

But for now, he stays by your side, foregoing his own health to make sure you stay alive. The first thing you remember is waking up to the sounds of Joel and Tess arguing in hushed tones.

“We need to get her to a doctor. Now.” Joel’s voice sounds strained, like he’s trying desperately not to lose it.

Tess still maintains her signature composure. “We can’t, Joel. It’s too late for that.”

Joel must make some kind of face because Tess sighs and re-words. “It’s too late to take her in because if we bring her to the hospital all they’ll focus on is her fever. They’ve put people down for way less. You know that.”

In your addled state, you wonder who they’re talking about. Your throat hurts to much to speak up though and ask.

“The doc will give us the meds. We’ve bribed him before.”

Tess shakes her head, “Antibiotics are on lockdown. Shipments have been delayed because of the weather. No one gets any without FEDRA knowing. Breaking in guarantees we get caught. We’re no good to her dead. ”

Joel scoffs, “So what do you suggest we do?”

“She rides it out.”

“She’s been ‘riding it out’ for two days. Look at her,” Joel’s voice gets closer as he peers down at you, “she’s fighting but she’s losing.”

Oh. Fever may have taken hold of you, making your brain fuzzy and concentration near impossible, but you understand now that you are the subject of their argument. For Joel to sound so forlorn you must look bad.

If you’re dead soon, you want to let them know to leave it and just let you slip away. Your well-being means nothing if it puts them in unnecessary danger. Rule be damned, they’re your family now and you care about them. If you’re being honest, you’ve cared about them since you met them. It breaks your heart thinking you won’t be able to tell them that now. It nearly kills you right then and there to know you won’t get the chance to tell Joel you love him…

Opening your mouth to articulate all of that takes great effort and when you do try and speak, all that comes out is a strangled groan. The two rush over, Tess sitting down beside you. She takes your hand, an uncharacteristic show of tenderness. Yep, you’re dying.

“You’re ok, kid,” she whispers, “you just have to hang in there.” It would be easy to ignore reality and blindly trust her. But you’ve always been stubborn and so you shake your head and continue trying to speak. Again, nothing comes out but garbled nonsense as you writhe around trying to make your limbs do what your brain wants.

You must look a sight because Joel lets his anger overflow. “Maybe you can sit here and watch her die, but I can’t.”Heavy footsteps and Tess yelling are all that you can focus on as you fade back into oblivion.

******

Living is hard and unconsciousness is addicting. Peaceful and cozy are feelings you can scarcely remember having. It would be easy to stay in that enveloping darkness but the feeling of the back of someone’s hand on your clammy forehead pulls you back to the realm of the living. You grumble weakly as you’re made to come to.

Everything is painful. Stabbing jolts of electricity radiate up your leg from the cut. Your chest is tight, making breathing troublesome and your eyes can barely stand the dim, watery sun coming through the shades of the window. Someone places a damp cloth on your forehead to keep the fever at bay. Still out of it, you try and swat it away.

A gentle hand grabs yours, shushing you. “It’s alright. It’s only me.”

Joel. Maybe you have died and this is heaven. The man you love by your side, nursing you so tenderly. It’s more than you could have ever hoped for. This might be the afterlife believers talk about if only you weren’t in so much pain. The neurons in your brain begin firing more rapidly as your fever dies down. They remind you that you and Joel aren’t lovers. Your cowardice, disguised as intelligence, has kept you from telling him how you feel.

“What’s happening?” Your voice comes out croaky and soft but at least it’s intelligible. The bed dips as Joel moves closer to you. As you peer up through barely opened eyelids you can see him leaning over you. His tired eyes look down at you as he caresses your hair.

“You got real sick, honey. That cut you got festered and turned into a fever. We thought we were gonna lose you.” The slight falter in his voice makes your already tight chest contract.

“How long was I out?”

“Three days. We got you some meds, though. You’re gonna be ok.” He says it firmly, which does some good in easing your worry.

Trying to open your eyes a bit more you continue your questioning, “Where did you get the antibiotics from?”

Joel hesitates, “Bill and Frank had some.”

You try and sit up, angry that he made that trip and put himself in danger. Even now, you can see the snow whipping around outside your window. Knowing he made the trek there and back through that storm makes you curse. Joel tuts and puts a gentle hand to your chest, keeping you down and resting.

“It’s done. No use getting angry about it now.”

You glare up at him even though you’re really just upset with yourself. “Why would you do something so stupid?”

His smiles peacefully down at you, exhausted but eyes bright. “We’re a team, remember?”

It’s too much for you to handle. You cover your face just in time to hide the angry, relieved and grateful tears that spring to your eyes. Silent sobs wrack your frame, making you seize with pain.

Joel pulls you into him, shushing you as he resumes stroking your hair. You hide your face in his side, trying to regain your composure. Crying shouldn’t be something you feel the need to earn. But you’re all sorts of broken, so you take this rare opportunity to not judge yourself and weep with abandon. You almost died, for Christ’s sake. Surely that warrants some show of emotion.

After a few minutes, the tears stop and your breathing calms. Peeking up, you see Joel has his eyes closed. His face is the most serene you’ve seen it in ages, most of the worry lines softened. There’s still a few that refuse to relax, though. The crease in between his eyebrows remains stubbornly indented. You gaze up at him as he continues to run soothing patterns along your back.

Feeling the weight of your stare, he opens his eyes. Coward that you are, you glance away. “Thank you,”is all you can mumble out as he gazes at you. After a moment, you add a shy, “I would do the same for you. You know that, right?”

Joel pulls you gently into him, almost to remind himself you’re still here with him and that the danger has passed. He nuzzles into your hair, murmuring an affectionate“I know, honey. I know.”

******

After a few more hours and another dose of antibiotics, you begin to feel more like yourself. Joel still won’t let you get out of bed yet, except for a trip to the bathroom for a quick shower. Even though you’ve been dead to the world for much of your ordeal, you’re quickly getting bored with bed rest. But you’ve learned long ago that resistance is futile with Joel. So you shower like a good patient, scowling as the water hits your scabbing cut.

Once you finish, Joel hops in and washes the grime and worry of the past three days off. As you settle back in bed, you can hear him singing softly to himself. Through the patter of the water you can hear his soft rendition of Fleetwood Mac’s Songbird. It’s one of your favorites, too, and you hum along as you settle back into your pillow.

After a few minutes, sleep still won’t come. You toss and turn as Joel finishes getting ready for bed. He comes in to find you still awake. “I thought I told you to get some sleep.” He says it like a loving mother gently scolding their rebellious child.

You flail as you try and get comfortable. You shoot back a moody, “But I’m just not tired.” Joel chuckles as he sits down into the arm chair next to your bed. He smooths back his wet hair and gives you a faux stern look. “Your body’s been through a lot. You need rest.”

“What are you doing?” you ask.

Joel looks confused, wondering what he did wrong. “Sorry I just thought I’d sleep here tonight in case you need anything. I can leave, though.”

“No!” you yell out, completely abandoning any hope of looking cool. You give him an apologetic smile, “I want you to stay but you’re not sleeping in that chair one more night.”

Joel glances to the spot on the bed beside you, then looks to you for confirmation. He sighs, a smile playing at his lips. “If I stay will you promise to go to sleep?”

You nod very seriously. “Of course.”

Joel grins, knowing you too well to believe you. “Liar,” he chuckles but still gets up and makes his way to the other side of the bed. You pull back the blankets so can get in, then cover him up. Settling on your side, you watch as he suddenly looks lost, unsure of what to do now. It’s cute, this powerful man rendered helpless by something as innocuous as sharing a bed.

You can’t help but laugh at him and he looks down at you, eyes wide. Taking pity on him, you make a suggestion. “If you’re not tired you could read to me.” Joel opens his mouth to refuse but you blurt out a quick, “I did almost die, you know.” He glares at you but his lip quirks up. He grabs the book from the other room then flops back down in bed, opening to a spot in the middle.

Frowning, you reach out to touch Joel’s arm. “Do you mind starting from the beginning?” He rolls his eyes but flips back to the first page. You grin triumphantly as you settle into his side. Joel places his arm around your shoulder as he begins to read. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife…”

His southern drawl mixed with the Romantic Era style of writing makes for an amusing but pleasant combination. After a few chapters, your eyes get heavy and Joel feels you nodding off against him. Jane has just been invited to Netherfield Park but even that can’t keep you awake. Joel puts the bookmark in to save your spot and places the novel on your bedside table.

You grumble in weak protest as he tucks you in and turns off the light. “We can keep reading tomorrow. But right now you’re going to sleep.” Joel lies down beside you and with the pale light of the moon through your curtains you can see him studying you. He caresses your face and you close your eyes, delighting in the sensation.

“Don’t ever scare me like that again,” he whispers.

You force your eyes open, needing him to see the truth of it when you pledge a soft,“I won’t. I mean it.”

Joel nods gratefully and you reach out for him. He slides into your arms and you rest your chin on the top of his head. He’s watched over you for long enough. It’s your turn to take care of him and reassure him that, in this moment, you both are safe.

For most, an outright admission of affection is needed to understand how you feel about the other person. But you and Joel are cut from the same cloth, stubborn and slow to reveal your feelings. In this world, for people like you, ’I love yous’ are rare and replaced with actions and deeds.

You realize that even though you've never told Joel that you love him, you’ve shown it. Joel has been showing you all this time too and you were just too dull to realize it. While you know you’ll long to say the words to him soon, for now it’s enough to have him in your arms.

Joel’s breathing deepens and you feel him completely give himself over to sleep. Looking at his face bathed in the moonlight he looks like a new man. His edges soften and his vulnerability brims to the surface. It tugs at your heart and you understand how rare of a sight this is for Joel to allow anyone to see.

Smiling sleepily, you close your eyes and nestle into him. This feeling coursing through you is something foreign but familiar, an old friend you thought you had said your final goodbye to long ago. The love you have for Joel will leave you vulnerable. But it’s a price you’re willing to pay a thousand times over.

******

#im on a mission to make joel as soft as possible lol #joel miller x reader #joel miller x you #joel miller fanfiction #tlou #tlou hbo #pedro pascal #allie writes

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redbullgirly · 3 months

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Hellooo 👋, can you write enemies to lovers with fernando alonso maybe with some angst? 🤭

It's totally alright if you don't want to! Thankssss :))

EL DESTINO [FA14 oneshot]

Fernando Alonso x reader

Masterlist

Summary: Y/N works for Alpine, and even though Fernando Alonso isn't part of the team anymore, they can't forget their distaste for each other. The driver seems to think she's just an irresponsible party girl and Y/N doesn't like him because he's, well... annoying and mean and doesn't care about anybody but himself. Though could they be both wrong in their prejudices?

Word Count: 4.5k

Warnings: Not much, maybe they're kind of mean to each other and stupid at the start, but that's the point of enemies to lovers, right? XD

Author's Note: Hello Anon and thank you for the request! I didn't expect it to turn out so long, but hey XD. I hope you and everybody else will like it. Also I tried for a little bit of angst, but I'm not sure if I'm good at it... you can let me know :).

If anyone could read your thoughts at the moment, you’d probably end up locked behind bars and with the key from your cell thrown far away. Whoever's great idea was to allow the group of inexperienced interns to touch the important data and statistics deserved to rot seven feet underground. Chopped into small pieces. And doused in poison that eats their lifeless body until there's nothing left.

Okay, that's maybe a bit too violent, but still not far from the truth.

You rubbed your tired eyes, not caring about smudging the mascara anymore. There was basically no one left in the building, just a few mechanics desperately needing the cars to be in perfect condition tomorrow – or should we say today? And then there was you, who stupidly agreed to fix the disaster caused by too much excitement and not enough cautiousness. You knew the interns didn't do it on purpose, and blaming them wasn't going to help you, but still. It wasn't them who had to sit there long after their working hours ended, staring into a too bright computer screen.

When you finally managed to save all the damaged data, it was almost three in the morning, and before you made it back to the hotel, you weren't sure if it was even worth going to bed. Because of the emergency, you didn't have time to finish your usual duties. And even though it wouldn't be fair to want the analysis from you, that wasn't how the game was played in motorsport.

Legs almost giving out under you, you dragged yourself to the elevator. The poor lady sitting at the receptionist desk looked at you skeptically, but didn't say anything as you stepped in and pressed the button with the number of your floor on it. Generic music started playing, numbing your brain even more.

The metal door was about to close, but then a hand came between it. Before you blinked and processed what's happening, a man slipped into the elevator right next to you, pressing his own number.

You see, everything could have been fine. You could've just survived the thirty seconds of embarrassing silence, then mumble a polite goodbye and go to sleep in peace. But no. Fate apparently had other plans for you.

Because as the man turned to you and the bright light hit his face, you realized it wasn't just some stranger.

Suddenly, the silence shifted from the normal elevator weirdness to tension. You pressed your lips together, silently cursing the higher power that decided to mess with your life just today, when you looked like a zombie. With smudged mascara. Perfect.

For someone, maybe it would be a fulfilled dream to be in an elevator with Fernando Alonso. Two time World Champion, great driver, loved person. And a dickhead that almost ruined your whole career.

“You look like you had a wild night,” he murmured with a thick Spanish accent. You narrowed your brows, trying to control the anger bubbling inside of you. Was he trying to insult you? You wouldn't even be surprised.

“Perhaps I did, thank you very much.” Your voice lacked any signs of friendliness, clearly trying to provoke him. It was quite funny, really, how a minute ago you didn't have energy to think clearly, and now you were ready to argue with this man over anything. Almost like the magic of despising someone.

You noticed his jaw tensing and knew it wouldn't be good. But still, his words hurt: “Maybe if you focused more on doing your job instead of wild nights out, Alpine would do better.”

The sting in your chest was strong, but by some miracle the elevator finally stopped, and the robotic voice announced the twenty-sixth floor. Even life itself took pity on you, it seemed.

Without any other word, you turned away from Alonso and walked into the empty hallway, hearing a quiet scoff and then the door sliding closed again behind you, leaving you all alone in the darkness. How poetic.

Every door you passed looked exactly the same, and you just hoped you remembered your room number correctly.

You didn't even remember taking out the card and entering your temporary home for the weekend. You didn't remember taking your clothes off, removing the remaining makeup with a tissue because you were too tired for your usual skin care routine. You didn't remember responsibly setting up your alarm and then falling into the soft mattress.

All you could remember before the exhaustion took over were his words that cut deeper than he thought, and deeper than you'd like to admit.

-----

You couldn't believe it.

As you walked out of the debrief, you could basically feel everybody's frustration crawling up your spine, mixing with your own. The team, all the mechanics and engineers, pit crew members and marketing, hundreds of people worked so hard the whole week. And for what?

It was already bad when both cars didn't finish the last Grand Prix in Silverstone. But for it to happen again? That was downright embarrassing. Not only did it bring exactly zero points in the Constructors' Championship, but the drivers were angry, disappointed. You could see that in the team, the motivation level decreased quickly. And honestly, you couldn't blame them.

Last year, Alpine was the fourth-best car on the grid. Best of the rest, as they'd call it. But this season, everything was going terribly. You honestly weren't far from crying.

To lighten up the mood, some of your colleagues decided to enjoy a night out in Budapest before you'd have to fly to Belgium tomorrow, to prepare for yet another racing weekend. At first, you declined the offer, insisting you needed to catch up on some work, do analysis for the car and figure out exactly what happened to it. But then, one of the mechanics you were friendlier with saw your drooping shoulders, and pulled you into the club despite all your weak protests.

Soon enough, you let loose and after an hour, you were a few drinks in. Your head was spinning, a big smile planted on your lips and giggles coming out of your mouth uncontrollably. Not that you had low alcohol tolerance, but the last time you got properly drunk was some time ago. Perhaps you just forgot how it felt. The freedom, the sweet mist of oblivion clouding your mind.

Currently, you were sitting at the bar, sipping on a cocktail. You already enjoyed your time on the dance floor, which tired you more than expected. Thank God you went to the club right from the paddock, so instead of high heels that'd kill your feet, you had comfortable sneakers on.

As you waved at the young barman to give you another round of whatever he mixed for you before, you felt someone's eyes on your back. You didn't bother to turn around, thinking it was just another drunken man checking out half of the women in the club.

Then, someone stood behind you. “The drink's on me, hermosa,” the man said, voice smooth like honey. You froze. You knew that deep, thick Spanish accent too well. What the hell was Alonso doing here?

He clearly mistook your silence for an impressed one, or so you thought when he came to sit down next to you, his hand gently brushing your back. That was the moment you turned your head towards him, eyes wide, and his face dropped. So did yours.

You hoped for a split second you could pretend you were total strangers randomly meeting in a bar for just a little longer when he instantly frowned and his demeanor changed from charming gentleman to pain in the ass.

“Y/L/N,” he uttered it in a way that made you wonder if there was something wrong with your last name. “Guess I shouldn't be surprised to see you here.”

And here it was — the instant wave of anger and hurt he managed to bring up by just a few poking words.

“Says the right person.” You rolled your eyes, the flowing feeling the alcohol gave you before now gone. You felt like you were going to be sick. “I bet if it wasn't me you tried to hit on, you'd bring the poor woman to your hotel room tonight.”

“Careful, or you might sound jealous.”

“Oh, you wish, Alonso,” you laughed humorlessly.

The bartender chose that moment to bring you the requested cocktail you already forgot about. You gave him the cash, though you had no intention of actually drinking it. As always, Alonso left a sour taste in your mouth.

“I see you're drinking the team problems away,” he pressed harder, knowing damn well it was a sensitive topic. You gritted your teeth, reminding yourself to be the better person.

Then you looked into his dark eyes, and your self-control was gone. For some reason, you couldn't stand the look he was giving you. It was full of something that was too similar to disappointment. You hated people being disappointed in you, even if you hated that very person.

Out of nowhere, the alcohol kicked in, and you remembered why you didn't drink in clubs too often — it made you emotional. So stupidly sensitive that you couldn't stop your eyes from tearing up. You shook your head, opened your mouth, wanting to tell him something. Anything that'd make him just as much hurt as you were.

Instead, you bit your trembling lip and abruptly stood up. You almost knocked over the bar stool, though at the moment, you didn't really care.

Was it cowardly to run away from him and his harsh words? Yes, you knew that. But you did it in the elevator, and so you could do it again.

In a rush, you got through other people enjoying their night out, oblivious to the lump forming in your throat. You needed to get out, breathe in the fresh air and just forget about everything.

It was probably nearing midnight, and even though it was late July, you still shivered when you stepped outside the club. Just then you remembered you left your jacket back in the paddock. And you also realized the mechanic and his group of friends drove you here, and you had no idea where you were or how to get to your hotel room.

“Great. Just fucking perfect,” you mumbled to yourself, a few tears running down your cheeks. You wiped them away, willing yourself to calm down. Budapest couldn't be too different from other European cities, so you'd just walk to the nearest public transport station and then see what you could do from there. Yes, that was exactly what you're going to do, and it's going to be okay.

Having a plan calmed you down, at least a little. You walked in a direction you hoped would get you to the center and took your phone out. The battery was low, and you cursed yourself for not charging it during the day.

“Where are you going?” You winced and nearly dropped the phone when you heard the loud voice calling after you.

When you turned around, you already knew exactly who was standing before the club entrance.

“That's not any of your business,” you tried to sound tough, but it came out tired and weak. So instead, you lifted your head, trying to save the remaining bits of your dignity.

Alonso tilted his head, brown eyes studying you for a moment before he made a step towards you. “Don't tell me you don't have anyone to take you back to your hotel?” The undertone of his voice was strange, and if you didn't know better, you'd think it was worry seeping out.

“Oh, then I won't tell you,” you fired back, satisfied with your own answer as you turned around and left him standing there.

You made it around the block when a strong hand suddenly grasped your hand, and you screamed, prepared to fight whoever attacked you.

“¡Ay dios mío!” Alonso cursed and held his red cheek, where there was a clear hand print now.

You stared at each other in shock. You wanted to kill him for scaring you to death, but at the same time, you were relieved it was just him and not a creepy kidnapper.

“I'd say I'm sorry… but I'm not,” you managed to mumble. A weak attempt, you knew that. But it still seemed to wake him from his trance and make him scoff at you in annoyance.

However, he didn't let go of your hand.

“Let's go,” Alonso urged you back towards the direction you came from.

“I'm not going anywhere with you.”

“Y/N, if you think I would let a drunk girl wander around a city she doesn't know, alone, at night… then you clearly don't know me at all.”

It took a few seconds for his words to hit you, and all there was left for you to do was to look up at him with surprise written all over your face. That seemed to annoy him for some reason, but with alcohol still very much present in your system, you didn't have the capacity to think about it too much.

“Let's go,” he repeated, though this time you didn't protest when he started walking towards what turned out to be his car. You knew it very well, from the years you used to work together, for the same team. Silently, you wondered how the hell did he get it to Hungary, but you soon forgot about that.

Fernando unlocked the car and opened the passenger door for you. Your mom would probably tell you to be more cautious about getting into the car of a man you didn't like and were sure he didn't like you as well. But hey, it's still better than being lost in a foreign city, right?

So you sat down, and before you could reach for the seatbelt, he took it and strapped you himself, mumbling something about safety hazards with drunk people. You were so surprised by that unexpected action you didn't even have time to feel offended.

You closed your eyes, the comfortable seat making you sleepy. You heard him get in the car as well and join the night traffic. For a moment, silence reigned and for the first time in a long time, it didn't feel horrible and tense.

“Isn't it illegal to drive with alcohol?” you whispered, eyes still closed.

“I didn't drink anything in the club. Too busy with you.”

Just then, you realized you actually asked the question out loud.

“Sorry for ruining your celebration night. Probably didn't want to leave it with me,” you laughed quietly. When he approached you in the club, he thought you were a random pretty woman with whom he could share a drink and take her to his bed for a fun night.

“Whatever.” You could hear him shrug his shoulders. “Sorry for ruining your night. Though you don't have much to celebrate.”

That made you open your eyes and gaze at him. He was looking straight ahead, concentrating on the road ahead. The lights of the other cars occasionally landed on his face, and you wondered if he was always so handsome, or it were the cocktails speaking for you.

“Wow, even in an apology there's a hidden insult,” you snickered, though there was a small grin on your lips now. Yes, definitely the alcohol speaking for you, you told yourself.

This time, Fernando actually looked at you before he averted his sight back to the traffic. “I wasn't insulting you, Y/N. I was insulting the team.”

You raised your eyebrows, but didn't comment on it. It was pointless to argue over this, he had his opinion about Alpine and given the fact both your cars didn't finish two races in a row, you didn't have exactly the best arguments to convince him otherwise. After all, he was part of the team last year. And the year before.

For the rest of your ride, there wasn't much more said between the both of you. You were tired — not just because of the night out and drinking, but from the whole week, from the whole season.

Finally, he parked the car before a building you recognized. You didn't ask him how he knew which hotel your team booked, perhaps he remembered it was the same one as the year before. Honestly, you were just glad he helped you get out of the car and walked you inside.

Then, you found yourself in an elevator alone with Fernando, again. Though unlike a month ago, he gently held your hand for support this time.

You told him your room number and somehow, he got you all the way in front of the door. You thanked all the saints in the world when you dug the keys out of your purse. After three unsuccessful tries at unlocking the room, Fernando's patience apparently ran out. He took the keys out of your hand and silently opened the lock.

“Thanks,” you muttered, and let him lead you inside your own hotel room.

When the light switch turned on and illuminated all the papers lying around, he looked at you, flabbergasted.

“What's all this?”

You shrug your shoulders and look at him like he was stupid. Which he was, at least in your humble opinion. “Work. What else?”

“Yes, yes. But why is it… here?” He motions towards the desk, nightstands, and bed.

“Because I don't have time to do it all in the office.”

“You work overtime?”

Now you were starting to get irritated.

“Yes, I work overtime. Maybe if you weren't so insistent in thinking I'm a dumb party girl ever since I made one stupid mistake in your car's analysis a year ago, you'd see I'm actually trying my best.” You hated how hurt you sounded, pathetic in your own ears.

But honestly, who was he to judge you? You never actually stood up to him before, defended yourself against his mean words. You always sucked it up, let him complain about you to your boss, who almost fired you because of the driver's obvious distaste for you. And when he left the team at the end of last year, you never tried to contact him, talk to him. Fix your non-existent relationship.

Today, though, you had enough. Maybe it was the alcohol giving you courage, maybe it was his shocked face when he realized you actually did your job.

“Y/N, I-”

“Get out,” you said in a tone that didn't allow for any objections. Fernando seemed to understand, but the pained expression didn't leave his face when he slowly walked to the door. Like he didn't really want to leave, like he desperately wanted to tell you something.

You didn't care about him. He never cared about you before as well, did he?

And so, with one last, regretful look in his dark eyes, Fernando Alonso left your hotel room. When tears ran down your cheeks, you weren't sure why you were even crying.

-----

You were avoiding him after that. It wasn't the easiest thing to do, but you managed and after surviving the Belgian Grand Prix in Spa, you were excited about the summer break as never before. Almost a whole month without races, which meant you wouldn't have to meet anyone from the other teams, including Fernando.

Usually, the team worked tirelessly through the summer break — it was a great chance to have a proper look into the car's engine and come up with new ideas and improvements. God knew you needed that. Typically, you were amongst those loyal employees, basically living in the Alpine headquarters.

However, this year you really wanted a break. So you used your vacation days and stayed in your flat, finally sleeping like a normal person for once, eating home-cooked meals instead of team catering and enjoying the summer, though the weather could be better in England.

It was the start of August when you started finding flower deliveries on the threshold of your door. First, you thought it's a mistake, though what woman would refuse a beautiful bouquet of her favorite flowers. When it happened a whole week in a row, you thought about having a secret admirer or, in the worse case scenario, a stalker. Though, you still took the flowers inside every morning, cherishing them.

And then, one day, there was an envelope attached to the bouquet, and you had to curse yourself for being so, so stupid. Of course it's him, Fernando. Begging you to talk to him, to let him explain. One dinner, he said. One dinner, and then he'll let you go on about your life.

When he tried to write a poem in the middle of August, you finally gave in. You found his old phone number saved amongst many other contacts and sent him a simple “okay”.

The next morning, there was a time and address of the restaurant in the envelope.

You didn't let yourself get too excited about any of it. It's Fernando Alonso, the man who almost caused you to get fired from your dream job, the one that was so mean to you after making wrong assumptions about you and your way of life. Yes, he was trying now, but was that enough?

When the taxi dropped you off in front of the fancy restaurant, you took a deep breath. You had a simple dress on, light makeup, and a few accessories.

You walked into the empty restaurant. The waitress smiled at you when you told her the name of the reservation and led you to the only set table. You could see the deep brown eyes looking directly at you from afar.

Suddenly, nervousness settled in your stomach. If you didn't know better, you'd think this was a date — it certainly felt like one.

Without a word, he helped you sit down on a chair across from him and the waitress handed you the menu. It was without prices, but you were certain this place was lavish and expensive. Perhaps Fernando didn't want you to worry about it and let you order anything you wanted. And you tried not to be too impressed by that.

“You look very beautiful, hermosa,” he spoke after a minute of tense silence while you pretended to be interested in the menu. You didn't miss the fact he used the same nickname like that night in the club, when he thought you were someone else.

“Compliments won't make it easier for you.” Maybe you lied, because you liked him calling you beautiful.

“I know, but I couldn't help myself.”

The waitress came back with a bottle of wine that Fernando must've ordered before you arrived. You took a sip and it tasted like heaven. It almost made you forget about everything, almost.

“Please, can we talk?” You never heard his voice sound so… unsure.

“Aren't we talking right now?”

“Y/N.” The way he said your name was so soft, so delicate.

“Fernando.” You saw him flinch, and you realized it was probably the first time you called him by his first name. Suddenly, the whole situation felt more intimate.

He gulped, but there was determination written all over his face. Fernando Alonso wasn't the type of man to give up, you knew that. His amazing racing career was proof of that.

“Listen to me, please. I know that you have the right to never speak to me again after how I treated you. But I want to fix it, Y/N.”

Those brown eyes were going to be the death of you, burying themselves into your soul, your heart.

“I want to fix all of it, Y/N,” he repeated with all seriousness. “If you let me,” Fernando added.

And how could you say no to him? Deep down, you always admired him. Liked him, even. Before that fuck up with his car's analysis, you thought he might like you back. You always wanted his approval, and that was one of the reasons why his words and insults hurt so much.

Sometimes, people deserved second chances. Especially when they were looking at you like you hung the stars in the sky.

Slowly, you nodded. “I think I might let you, Fernando.” You smiled, liking how his name felt on your tongue. “But it's not going to be easy, I'm telling you that,” you warned him with a raised finger.

“I wouldn't dream of anything less,” he replied with a thick Spanish accent that was stronger when he felt emotions. Fernando returned your smile and clinked his glass with yours.

-----

Brazil was a good race. Both Alpine cars ended up in points and Fernando, your Fernando, got another podium. You clapped along with others during the podium ceremony, eyes just for him. A proud feeling settled in you, and as he accepted his trophy for well deserved third place, he looked down at the gathered crowd. Mostly people from Aston Martin, McLaren, and Red Bull.

And then there was you — in your Alpine t-shirt, clapping for the driver who scandalously left your team last year, without a care in the world. That was when he knew he loved you, and that he'll always will.

You knew you loved him too when, after all the celebrating around the circuit died down or moved to clubs and private parties, instead of going to his hotel room, he knocked on the door of yours. Checking on you.

“Hermosa, I hope you're not working.” He rolled his eyes as he stepped in, seeing you indeed staring into your notebook at some data he probably shouldn't see as a part of a rival team.

“But Nando, I need to finish these-”

He cut you off the best way he could — hugging you from behind, gently turning your head towards him and placing his lips on yours. You instantly melted into the kiss, giving up the fight before it could even start.

“I think you need to properly celebrate your boyfriend winning,” he smirked, biting your lip teasingly. You felt like a teenage girl when the butterflies took off in your stomach.

Fernando slowly walked you to the bed, never parting your lips, as if his life depended on kissing you. You sat on his lap, your hips grinding against his as you moaned into his mouth.

And he couldn't help himself. He wanted to take you out on a magical date and tell you there, but how could he keep it a secret when you were sitting on him, so beautiful that his heart clenched. Smart and pretty girl. His smart and pretty girl.

“Te amo,” he whispered into your sweet lips, and your breath caught.

You pulled back a little, looking at him, silently asking if you heard him correctly.

“Te amo, Y/N,” he repeated. You knew enough Spanish for your eyes to tear up. “I love you very much.”

There was a heartbeat of silence, probably the longest one in your whole life.

“I love you too. So much,” you whispered back. And then, for him: “Te amo, Fernando.”

Now it was his turn to tear up, hold your face in his hands and press your foreheads together.

Perhaps the fate and its plans for you weren't so horrible after all.

THE END

Author's Note: Wow, if you read it all to the end, thank you very much! I'll be glad for likes, comments, reblogs, follows and every other way of support. Let me know how you liked this story and if you'd maybe like another oneshot from this "universe" because I have to admit, this version of Fernando and Y/N kind of grew on me... Have a great day and see you at the next post! :)

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reds-skull · 27 days

Text

More Cyberknight AU sketches... I can already tell I'll have to do something with this universe, considering how much I'm thinking about the world building, plot, characters...

Speaking of world building, gonna write down some of it under the cut, if anyone's interested... (it turned out to be....... a lot..............)

Alright, so obviously there's a lot of influence of medieval knight armor, so my first line of thought was adding some sort of magic system. Initially I was like "well, can't use the magic system I have in my original stories, since Revenant AU is based on that, and if I do that again it would be way too similar". I considered scrapping magic off this AU completely, because I didn't think I could make a magic system different enough from rev AU to not be just the same thing but To The Left. And then it hit me.

COD already has a magic system. In Zombies.

Now, the Aether is not really treated as magic, more like scientific phenomena, but it's practically magic, taking to account the field upgrades, and its effect on living being (zombies, and special zombies like manglers, mimics, disciples...).

And the moment I thought about that, everything started clicking together.

Picture this, post apocalyptic world. Operation Deadbolt failed, and the Aether spread from Urzikstan to the rest of the world. Decades later, humanity found ways to ward it off, leaving swaths of land infected with the Aether, quarantined away from the remaining human cities.

This quarantine isn't perfect, however, and certain Aether forms threaten the delicate peace on the cities. This is where the Cyberknights come in.

Using Aether portals (the ones in-game), they teleport deep into Aether territory, and with motorcycles traverse the land, tracking big Aether forms that pose a big enough threat.

Scientists have found ways to build weapons made of Aether. The more in the metal, the better, so guns were now dwarfed by the power of swords and spears. These new weapons use the Aether of fallen enemies as a power source, for charging a powerful attack (in-game they're called Field Upgrades, and I'm giving them a lore explanation as to why it takes a while to charge them, and why it charges by killing zombies).

There are a few types of Aether forms: Aether-Mechanical (think the Manglers from the game), native Aether forms (Disciples, mimics, Aether worm), and infected Aether forms (humans turned zombies). Because of that, each unit must include at least one of each: a mechanic (in charge of equipment, and the mechanical nature of Aether-Mechanical forms), an Aether expert (for teleporters, and Aether forms in general) and a fighter (acting as sort of a tank as the others work).

I also thought a bit about the 141's weapons and field upgrades, so here's a little blurb on each:

Soap - Wields 2 short swords, the right with Cryo Freeze (Ammo Mod in-game), and the left with Napalm Burst. Field Upgrade is Frenzied Guard: Killing zombies grants a shield, but all hostiles are attracted to Soap once he turns it on. This Field Upgrade is usually reserved for fighters, which Soap used to be, but he's now acting as a mechanic for the 141 unit.

The blue and red in his design are for his ammo mods, ice and fire, and the helmet obviously resembles his hairstyle. Originally I went for something more Scottish, but it didn't look exactly like I imagined (Scottish warriors were notorious for not wearing a lot of armor, and they kinda scared other cultures, sometimes carrying the head of their enemies to intimidate others. So metal haha).

Gaz - Wields a spear, that uses Aether as a sort of magnetic force, meaning he can throw it and pull it back. Field Upgrade is Energy Blast: turning it on will create a force field around him, pushing and injuring anyone attempting to get close to him (this is a modified version of the Energy Mine in MWZ, just thought I can make it more interesting).

The purple on his belt are Aether crystals, as he's the 141's Aether expert. The "horns" on his helmet are actually a detector of Aether forms (and they're there to look cool).

Price - Wields a foldable shield, and a short sword, with Brain Rot applied to it (Brain Rot will make a zombie turn to your side for a short while, attacking hostiles for a few moments before their head explodes). Field Upgrade is Healing Aura, which will... heal everyone around him, obviously. Price is the fighter of the 141.

Price is nicknamed "The White Knight", as a well known fighter with a long history of felled Aether superforms. The piece on his right arm (his right), is his shield in folded form.

G.H.O.S.T. is a robot, powered by Aether, the first of his kind. This means he uses 2 Field Upgrades: Aether Shroud, making him go invisible for a short while, and Tesla Storm, which channels bolts of electricity through his body and his teammates', as well as his knives, so he makes sure to throw them in tactical positions before activating this. The electricity doesn't hurt his teammates, their armor makes sure of that, but it will kill lower Aether lifeforms, and damage the stronger ones. G.H.O.S.T. is the secondary fighter of the 141.

G.H.O.S.T. - Wields several knives, that use a similar technology to Gaz's spear, meaning he can pull them back at will.

[Edit: forgot to mention that the things sticking out of his forearms are his knives]

His design is based on the "Gilded Ghost" skin in-game, without the gilded part lol. The purple parts are the Aether powering his mechanical body.

For the story, I have something planned... but I don't wanna spoil you lmao. I was thinking a lot about Soap, who (if I make a fic which lets be honest I probably will) will be the POV.

Soap joins the 141 mainly as a mechanic. Each unit has a fighter, a mechanic, and an Aether expert. Gaz is the Aether expert, and Price is the fighter, G.H.O.S.T. acting as a support for Soap when the unit splits up. Soap comes from the northern territories, so he's very different from the rest in terms of his background, basically an outsider. He used to be a fighter, but a knee injury forced him to change positions. All members of a unit can fight, but it's not their main job, bar the fighter of course. He feels bitter about that.

He finds in G.H.O.S.T. an odd companionship, considering the robot can't feel. His AI is exceptionally advanced, so he does talk unnervingly, almost like a human. Soap often just rants, talking about his home city, about the life he used to have, and G.H.O.S.T. listens with no complaints, not that a robot can really complain.

It all changed on one fateful deployment, where Soap and G.H.O.S.T. get separated from the rest, and Soap finds the truth behind G.H.O.S.T.'s technology...

That's all I'm gonna leave you with for now, haha. As you can probably tell, I spent a lot of time playing Zombies in MW3 (idk I just find it a good way to relax), so I really enjoy trying to think of explanations for each mechanic, and how the world would look like 50 years in the future.

#call of duty modern warfare 2 #cod mw2 #cod soap #cod ghost #cod gaz #cod price #john soap mactavish #simon ghost riley #kyle gaz garrick #john price #cyberknights au #cod zombies #cod mwz #cod fanart

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