Stratham NH UFO SEEN After Karate Class
I remember the very distinctive backwards trapezoid wings. the front remembered me of a motorcycle helmet attached to an usually long neck in comparison with a human neck. It was winter with snow on the ground and it was nighttime. This was in Stratham NH.
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RentAFriendAnthonyGiarrusso
Greetings, I'm Anthony.
I believe a friendship doesn't just last a day, it lasts a lifetime!
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Museum-Worthy from AICP on Vimeo.
It's Hard to make museum-worthy art. It's harder to make museum-worthy ads. Enter the 2024 #AICPAwards by 11:59pm PDT on Tuesday, March 12th. Winning work will join the film archive at MoMA.
AICP Awards Entry Site: aicpawards.awardcore.com
Production Co: O Positive
Executive Producers: Ralph Laucella & Marc Grill
Producer: Grayson Bithell
Director: Brian Billow
Director of Photography: Bob Yeoman
Head of Production: Devon Clark
Executive Producer: Ken Licata
Production Supervisors: Deryck Highbridge, Ivan Zigas
Production Coodinator: Nicolas Laucella
1st AD: Paul Norman
2nd AD: Don Johnson
Creative Concepts & Consulting: BBDO
ECD, Writer: Marcelo Nogueira
ECD, Writer: Peter Kain
SCD, Writer: Dan Oliva
SCD, Writer: Scott Mahoney
CCO of the Americas: Chris Beresford-Hill
Editorial: Cutters
Managing Director: Craig Duncan
Executive Producer: Heather Richardson
Producer: Brittany Maddock
Editors: John Dingfield & Aaron Kiser
Editorial Assistant: Benjamin Porter
Color: Company 3
Head of Production: Blake Rice
Producer: Nick Krasnic
Colorist: Jenny Montgomery
Finish: Flavor
Managing Director: Neal Cohen
Executive Producer: Kate Smith
Producer: Brittany Maddock
Finish: Ryan Esboldt & Rob Churchill
Audio/Mix: Another Country
Managing Director: Tim Konn
Executive Producer: Louise Rider
Producer: Josh Hunnicutt
Sound Designer/Mixer: Logan Vines
Audio Assistant: Nora Strickstein
Additional Production Credits
Camera
B Cam Op: Eric Laudadio
1st AC – A Cam: Riley Keeton
1st AC – B Cam: Kyle Petitjean
2nd AC: William Hayes
DIT: Matt Love
Lighting
Chief Lighting Tech: Jeremy Launais
ACLT: Adrienne Subia
SLT: Anthony Peluso
SLT: Hootly Weedn
Grip
Key Grip: Robert Arroyo
BB Grip: Chad Pearce
Grip: Colby Dunford
Grip: Keith Markham
Art Department
Production Designer: Maia Javan
Art Dept Coordinator: Quentin Burchill
Set Decorator: Lulu Stewart
Prop Master: Matt Huish
Leadman: Chad Axman
Set Dresser: Roger Shay Barnickle
Set Dresser: Donald Ghio
Set Dresser: James Axle
Set Dresser: Collin Pulsipher
Set Dresser: Ryan Wallace
Script / Sound / VTR
Script Supervisor: Kristen Calabrese
Sound Mixer: Joe Hettinger
Boom Operator: Lucien Eagle-Jack
VTR: Tom Myrick
Make Up / Wardrobe
Key Make Up: Linda Barcojo
1st Make Up: Jennifer Gerber
2nd Make Up: Theresa Broadnax
3rd Make Up: Anna Novikova
Key Costumer: Laura Eckert
1st Asst Costumer: Craig Ryan
2nd Asst Costumer: Jed Carter
Location / Transportation
Location Manager: David Nakata
Gang Boss: Craig Ash
Electric Driver: Daniel (DJ) Hausfeld
Grip Driver: Gary Cheek
Art 5 Ton Driver: Darren Giarrusso
Chef Driver: Jesus de los Santos
Production Support
Craft Service: Danny Tilbury
Craft Service: Jayna Mims
Medic: Axel Montoya
On Set Layout: James Galeana
Site Rep: Christina Rusboldt
Compliance Coord.: Marques Jackson
Production Assistants
PA – P: Steve Rea
PA – W: Danny Kellermeyer
PA – C: Oscar Reyna
PAs: Honour Norman, Jackson Shane, Steven McAnnally, Caris Yeoman, Colby LeMaster, Ryan Llanes, Riley Aronson
0 notes
Museum-Worthy from AICP on Vimeo.
It's Hard to make museum-worthy art. It's harder to make museum-worthy ads. Enter the 2024 #AICPAwards by 11:59pm PDT on Tuesday, March 12th. Winning work will join the film archive at MoMA.
AICP Awards Entry Site: aicpawards.awardcore.com
Production Co: O Positive
Executive Producers: Ralph Laucella & Marc Grill
Producer: Grayson Bithell
Director: Brian Billow
Director of Photography: Bob Yeoman
Head of Production: Devon Clark
Executive Producer: Ken Licata
Production Supervisors: Deryck Highbridge, Ivan Zigas
Production Coodinator: Nicolas Laucella
1st AD: Paul Norman
2nd AD: Don Johnson
Creative Concepts & Consulting: BBDO
ECD, Writer: Marcelo Nogueira
ECD, Writer: Peter Kain
SCD, Writer: Dan Oliva
SCD, Writer: Scott Mahoney
CCO of the Americas: Chris Beresford-Hill
Editorial: Cutters
Managing Director: Craig Duncan
Executive Producer: Heather Richardson
Producer: Brittany Maddock
Editors: John Dingfield & Aaron Kiser
Editorial Assistant: Benjamin Porter
Color: Company 3
Head of Production: Blake Rice
Producer: Nick Krasnic
Colorist: Jenny Montgomery
Finish: Flavor
Managing Director: Neal Cohen
Executive Producer: Kate Smith
Producer: Brittany Maddock
Finish: Ryan Esboldt & Rob Churchill
Audio/Mix: Another Country
Managing Director: Tim Konn
Executive Producer: Louise Rider
Producer: Josh Hunnicutt
Sound Designer/Mixer: Logan Vines
Audio Assistant: Nora Strickstein
Additional Production Credits
Camera
B Cam Op: Eric Laudadio
1st AC – A Cam: Riley Keeton
1st AC – B Cam: Kyle Petitjean
2nd AC: William Hayes
DIT: Matt Love
Lighting
Chief Lighting Tech: Jeremy Launais
ACLT: Adrienne Subia
SLT: Anthony Peluso
SLT: Hootly Weedn
Grip
Key Grip: Robert Arroyo
BB Grip: Chad Pearce
Grip: Colby Dunford
Grip: Keith Markham
Art Department
Production Designer: Maia Javan
Art Dept Coordinator: Quentin Burchill
Set Decorator: Lulu Stewart
Prop Master: Matt Huish
Leadman: Chad Axman
Set Dresser: Roger Shay Barnickle
Set Dresser: Donald Ghio
Set Dresser: James Axle
Set Dresser: Collin Pulsipher
Set Dresser: Ryan Wallace
Script / Sound / VTR
Script Supervisor: Kristen Calabrese
Sound Mixer: Joe Hettinger
Boom Operator: Lucien Eagle-Jack
VTR: Tom Myrick
Make Up / Wardrobe
Key Make Up: Linda Barcojo
1st Make Up: Jennifer Gerber
2nd Make Up: Theresa Broadnax
3rd Make Up: Anna Novikova
Key Costumer: Laura Eckert
1st Asst Costumer: Craig Ryan
2nd Asst Costumer: Jed Carter
Location / Transportation
Location Manager: David Nakata
Gang Boss: Craig Ash
Electric Driver: Daniel (DJ) Hausfeld
Grip Driver: Gary Cheek
Art 5 Ton Driver: Darren Giarrusso
Chef Driver: Jesus de los Santos
Production Support
Craft Service: Danny Tilbury
Craft Service: Jayna Mims
Medic: Axel Montoya
On Set Layout: James Galeana
Site Rep: Christina Rusboldt
Compliance Coord.: Marques Jackson
Production Assistants
PA – P: Steve Rea
PA – W: Danny Kellermeyer
PA – C: Oscar Reyna
PAs: Honour Norman, Jackson Shane, Steven McAnnally, Caris Yeoman, Colby LeMaster, Ryan Llanes, Riley Aronson
0 notes
Museum-Worthy from AICP on Vimeo.
It's Hard to make museum-worthy art. It's harder to make museum-worthy ads. Enter the 2024 #AICPAwards by 11:59pm PDT on Tuesday, March 12th. Winning work will join the film archive at MoMA.
AICP Awards Entry Site: aicpawards.awardcore.com
Production Co: O Positive
Executive Producers: Ralph Laucella & Marc Grill
Producer: Grayson Bithell
Director: Brian Billow
Director of Photography: Bob Yeoman
Head of Production: Devon Clark
Executive Producer: Ken Licata
Production Supervisors: Deryck Highbridge, Ivan Zigas
Production Coodinator: Nicolas Laucella
1st AD: Paul Norman
2nd AD: Don Johnson
Creative Concepts & Consulting: BBDO
ECD, Writer: Marcelo Nogueira
ECD, Writer: Peter Kain
SCD, Writer: Dan Oliva
SCD, Writer: Scott Mahoney
CCO of the Americas: Chris Beresford-Hill
Editorial: Cutters
Managing Director: Craig Duncan
Executive Producer: Heather Richardson
Producer: Brittany Maddock
Editors: John Dingfield & Aaron Kiser
Editorial Assistant: Benjamin Porter
Color: Company 3
Head of Production: Blake Rice
Producer: Nick Krasnic
Colorist: Jenny Montgomery
Finish: Flavor
Managing Director: Neal Cohen
Executive Producer: Kate Smith
Producer: Brittany Maddock
Finish: Ryan Esboldt & Rob Churchill
Audio/Mix: Another Country
Managing Director: Tim Konn
Executive Producer: Louise Rider
Producer: Josh Hunnicutt
Sound Designer/Mixer: Logan Vines
Audio Assistant: Nora Strickstein
Additional Production Credits
Camera
B Cam Op: Eric Laudadio
1st AC – A Cam: Riley Keeton
1st AC – B Cam: Kyle Petitjean
2nd AC: William Hayes
DIT: Matt Love
Lighting
Chief Lighting Tech: Jeremy Launais
ACLT: Adrienne Subia
SLT: Anthony Peluso
SLT: Hootly Weedn
Grip
Key Grip: Robert Arroyo
BB Grip: Chad Pearce
Grip: Colby Dunford
Grip: Keith Markham
Art Department
Production Designer: Maia Javan
Art Dept Coordinator: Quentin Burchill
Set Decorator: Lulu Stewart
Prop Master: Matt Huish
Leadman: Chad Axman
Set Dresser: Roger Shay Barnickle
Set Dresser: Donald Ghio
Set Dresser: James Axle
Set Dresser: Collin Pulsipher
Set Dresser: Ryan Wallace
Script / Sound / VTR
Script Supervisor: Kristen Calabrese
Sound Mixer: Joe Hettinger
Boom Operator: Lucien Eagle-Jack
VTR: Tom Myrick
Make Up / Wardrobe
Key Make Up: Linda Barcojo
1st Make Up: Jennifer Gerber
2nd Make Up: Theresa Broadnax
3rd Make Up: Anna Novikova
Key Costumer: Laura Eckert
1st Asst Costumer: Craig Ryan
2nd Asst Costumer: Jed Carter
Location / Transportation
Location Manager: David Nakata
Gang Boss: Craig Ash
Electric Driver: Daniel (DJ) Hausfeld
Grip Driver: Gary Cheek
Art 5 Ton Driver: Darren Giarrusso
Chef Driver: Jesus de los Santos
Production Support
Craft Service: Danny Tilbury
Craft Service: Jayna Mims
Medic: Axel Montoya
On Set Layout: James Galeana
Site Rep: Christina Rusboldt
Compliance Coord.: Marques Jackson
Production Assistants
PA – P: Steve Rea
PA – W: Danny Kellermeyer
PA – C: Oscar Reyna
PAs: Honour Norman, Jackson Shane, Steven McAnnally, Caris Yeoman, Colby LeMaster, Ryan Llanes, Riley Aronson
0 notes
Paranormal (Data Dump) 3C
*
The scariest UFO experience was in early March of 2017. I left my house and there was a light drizzle. When I was inside my house, I felt like I needed to grab my umbrella from my car because I might need it in the morning. My umbrella was in my car because I left it there. However my car was parked a few houses down at my grandmother’s home. This was where I parked my car because there was no room in the drive way at my parent’s house and the community rule states that cars will be towed if parked outside between midnight and 6:00AM. I do not know what made me feel like I needed to get my umbrella for the morning. I just went. I walked in the drizzle to my grandmother’s home. The drizzle was starting to sting my face as I opened my car door. I reached inside and took my umbrella out of the car and opened it. I closed the door and locked the car. Then all of a sudden, a downpour of rain came out of nowhere as I stood next to my car holding the umbrella. It made me feel as if I was in a motion picture and the heavy rain happened right on cue as I opened my umbrella. I was still next to my car when I saw a rainbow orb. The orb was not solid. It looked like a regular rainbow, but with a sphere. Then a yellow beam shot out of the sphere. It shot out as fast as lightning, but it was a full cylinder of yellow light. The yellow color reminded me as a Dixon Ticonderoga pencil. The sound of this beam seemed to be 10 times louder than thunder. I could feel the sound through my whole body. I felt the ground wobble just like the time I ate at a restaurant in Rancho Marriage and there was a small earthquake. I nervously walked back to my house grasping the handle of the umbrella. The orb floated to the center of the community. It had gotten closer to me. Just like before, it blasted its beam into the ground. It made that super loud thunder like noise. The beam must have been hot because it seemed to be able to create a thick fog around where it hit. I was in front of my parent’s driveway and I saw the rainbow orb in the middle of the road behind my car in my grandmother’s driveway. The orb launched the beam down to the ground, shook the ground, and a loud blast sound was heard. Imagine huge plumes of white smoke before a car catches fire, but it was vaporized water vapor from the heat of the beam. The mist flooded the air. Then it started to come down the road closer to me. This was the first time I had ever felt like I was in danger from a UFO. I ran into the house. I did not look back. My shoes and umbrella were soaked. I am still puzzled on what happed to me that day. The next day was clear and sunny, all day. What made me have the urge to go outside in the drizzle the day before? Did the UFO have something to do with my desire for the umbrella?
*
On 5/6/17 I was driving home from 7-Eleven. I was in my car and I spy what some people call a UFO. This unidentified foreign object was a Mercedes Benz SLS AMG Roadster. It was black and its fold down roof was up. The convertible top was black. The SLS took a right turn and I followed in my car. We were heading west on the bridge over a river. I was admiring the SLS while driving upward on the bridge. This time I saw a real UFO in the sky. It was massive. It was circular with a flat top and flat bottom. Imagine an “Oreo” cookie with the diameter of three jumbo jet wing spans around 600 feet. The object was gold in color and had what looked like weld lines. The height was about 200 feet. I was now at the top of the bridge and the AMG super car I was to my left and the UFO was to my 10:00 position in the sky. I was headed down the bridge and in about 3 seconds the UFO faded into the sky as if its surroundings were being mirrored on the craft. I could still see the outline of the craft. I was at the bottom of the bridge and the trees are now blocking my view. I arrived home without incident. On 5/12/17 NASA claimed that they were testing a top secret aircraft. This raised a red flag because nobody tells about secret operation of any sort in the government. I was and still not sure if the two incidents were related, but I smell a conspiracy in development.
*
In October of 2017, I was on a cruise ship. Everybody had to gather at our muster station outside. I was standing in a crowd of people they are all focused on the musterer for a safety briefing. The musterer was showing how to put on the life-vest in case of emergency. At this time a commercial jetliner flew near a cloud and a gold disk shaped object appeared just below the front landing gear area of the plane. I thought the UFO appeared because the plane got close to it. I thought there was going to be an accident with the plane and UFO because of how close they were together. I would say that the disk was about 10 –15 feet long in diameter and reminded me of the shape of a hamburger made out of gold. The musterer was talking about life rafts and I saw two more of the same craft. The UFOs were zipping and zooming, similar to how wild animals play with each other. They were flying all over the place. Another commercial jet took off and barley missed another UFO again in a different spot. It was as if the UFOs were playing chicken in the airways of the sky. The three UFOs then flew in formation and headed for some nearby clouds. The safety briefing was over and I left with the crowd. This happened in Fort Lauderdale Florida.
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