#I decide what’s canon and what isn’t canon thank you very much

[bruisedboys]

I love ignoring canon like. no he didn’t die. no my favourite characters don’t live in an awful world where everything goes wrong. actually they live in a perfectly normal and peaceful world and live happy lives and none of them r dead :)))))

#this is about peeta and finnick mainly #but also the marauders. like no all three of them did not die way too young what r u talking about 🤨🤨🤨 #I decide what’s canon and what isn’t canon thank you very much #especially in my own fics 😌😌😌

[joelsgreys]

someone to be thankful for

DBF! Joel Miller x Female Reader

summary: It’s Thanksgiving—when dinner with your nightmare of a family goes south, you find comfort in the person you least expect it from: your father’s best friend, Joel Miller.

warnings/tags: 18+ only, MINORS DNI. (AU, NO OUTBREAK) non canon, DBF! Joel, AGE GAP (reader is in her 20’s, i do not specify her age, but she’s a recent college grad so do with that what you will, not everyone graduates at the same specific age ya know? Joel is in his mid-ish 50’s). Reader’s a teacher, she is visiting her suburban childhood home from a big city. Reader’s parents are religious and practice traditional-ish gender norms (i.e father is head of the household kinda thing) reader’s family celebrates Thanksgiving (sorry) several mentions of food and alcohol, reader’s parents suck, she has two brothers who come with names, a lot of her relatives come with names, watch out for Aunt Ines she’s a bitch. (TW) body/weight shaming (twice) PLEASE BE MINDFUL if this could be triggering. mentions of and implications of childhood abuse (not graphic) reader’s dad gets in her face, implied infidelity (reader’s dad), implied toxic marriage (reader’s parents). soft, caring, protective Joel. Joel’s recently divorced, mention of Sarah, mentions of the ex-wife. SMUT. oral sex (female receiving) p in v sex, unprotected sex (wrap it before you tap it) reader states she’s on baby blockers (birth control), creampie, DADDY KINK (bc reader clearly has a few daddy issues), LOTS of pet names (darlin’, baby, pretty girl, sweetheart, honey), size kink (ish?), cockwarming. think i got it all?

PLEASE HEED THE WARNINGS. if this isn’t your thing, that is fine but just keep on scrolling.

MOODBOARD FOR AESTHETIC PURPOSES ONLY, READER HAS NO PHYSICAL DESCRIPTION.

word count: 11.5k

a/n: yeah…idk. this was very delayed because it turned into a whole thing. if anyone actually reads all 11k of this, i will bake you muffins.

You take a deep breath and look in the mirror.

Skirt pressed, not a wrinkle in sight.

Hair brushed, not a single strand out of place.

Makeup done, not a blemish to be seen.

And somehow, someone will still find something.

Something to point out.

Something to comment on.

Something to criticize.

If not your appearance, it’ll be something else.

Because someone always had something to say.

“Should you be eating all of that?”

“Another year gone and still no boyfriend?”

“Don’t you want to get married?”

“When I was in my twenties, I had two children.”

Boundaries didn’t exist on Thanksgiving.

Actually, for your family, boundaries didn’t exist at all—somehow, they are still scratching their heads and wondering why you’d decided to up and leave the minute your high school principal handed over that diploma, your ticket to freedom.

“Sweetie!” Your mother’s shrill voice calls from the kitchen downstairs. “I need a hand! Our guests are going to start arriving soon and there is still plenty left for us to do before they get here!”

You groan outwardly.

There’s still plenty left to do?

How’s that even fucking possible?

You’ve been cooking and baking since sunrise.

“Don’t you think it’s too early?” you’d grumbled at five o’ clock in the morning when your mother had pulled you out of bed, declaring it was time for the big dinner preparations to begin—even though it’d be several hours before your family came over and gathered around the table to break bread. She had pulled the turkey out of the freezer a few days ago, a massive, thirty-pound whole bird that looked big enough to feed a small village. In addition, she had picked up a ham and a brisket. “Mom, why’s there so much food?” Rubbing the sleep from your eyes with the sleeve of your robe, you’d started making your way over to the Nespresso only to realize that the coffee machine was hidden behind paper bags full of groceries. “Are we cooking for all of Texas or something?”

“Very funny,” she had glared at you. “Of course we aren’t.” She started unwrapping the turkey. “We’re simply making sure we have enough food and that we have different options for everyone to enjoy, so knock it off with the wisecracks and get to peeling those carrots for me for the stuffing. There is not a single minute to waste today, you hear me, missy? We’re hosting a dozen people, so everything must be absolutely perfect. I won’t accept anything less than perfection today, do you understand me?”

Thirteen hours later, she’s still driving you insane.

You’re only home visiting until the end of the week and then it’s back to the Midwest. You can survive her for three more days, right?

You hear her calling your name and exhale a small, frustrated sigh. “I’m coming, mom!” you call back. It’s difficult to mask the annoyance in your tone of voice, but somehow you manage it. “One minute!”

Smoothing down your pleated plaid skirt, you take one last look in the mirror to make sure everything is in order—there is a loose thread on the sleeve of your brown, knitted sweater and you carefully snip it off with a pair of scissors before sliding your feet into the comfiest pair of ankle boots you’d packed and head downstairs, nose leading the way as you follow the warm, delicious scent of the made from scratch biscuits and rolls baking in the oven.

You find your mother standing at the center island counter garnishing a charcuterie board with sweet gherkins and sprigs of fresh herbs. She is donning festive apron embroidered with fall leaves over her designer dress; her hair’s still up in rollers. “Finally, there you are,” she huffs out loudly the second she hears you walk into the kitchen. Down the hallway, your father and two younger brothers are shouting at some football game on the flat screen television in the living room—men don’t lift a single finger on this day, at least not in this household. “I need you to start setting the table for me. I have place cards in that bag over there. Make sure your dad’s at the head of the table. Oh and don’t forget to bring out the children’s table for all your little cousins—” She glances up, letting out a small gasp when she sees you. “What in the world are you wearing?”

Frowning, you look down at yourself. “Clothes?”

Her ruby red lips purse together in a tight thin line.

“Honey, that skirt is too short. It’s inappropriate.”

You resist the urge to roll your eyes at her. “It’s like an inch above the knee, how is that inappropriate? It’s not like it’s a miniskirt, mom.” As she eyes your skirt with disapproval, you decide you’re not in the mood to argue and say, “Okay, fine. I’ll go upstairs and change into something else then—”

“No, no, forget it,” she shakes her head. “We don’t have the time for that.” Your mother whirls around, picking up the bag of place holders—she’d special ordered little turkeys carved out of wood. She also takes a marker and a notepad, shoving everything into your hands. “Here. I wrote down all the names of everyone who’s coming for dinner. The children get place holders too but make sure the little ones are sitting beside someone older to help them. Oh! Did I already mention putting your dad at the head of the—”

Tuning her out, your eyes scan down the guest list and if there’s one thing to be thankful for today it’s the fact that your mother’s given you the power to seat everybody wherever you want. Halfway down the list, you see the names of several relatives that you don’t want anywhere near you at the table. An Aunt Miriam who smells like the inside of a casino; a cousin Jennifer who refuses to acknowledge her forty-eight month old is actually four years old; an uncle Richard who always has one too many beers and winds up spewing antigovernment conspiracy theories, ranting until he’s passed out somewhere, such as on the floor of the guest bathroom.

You get to the bottom of the list and can’t help but raise an eyebrow in surprise. “Joel Miller?”

She nods, returning to her board.

“You remember Mr. Miller, don’t you, sweetie? He and your father went to college together—he’s one of his oldest and dearest friends. Don’t tell me you forgot about him? You’ve met him plenty of ti—”

“Yeah, I remember who Joel is, mom,” you mutter, cutting her off. “Didn’t he and the family move out to Arizona like, four years ago? To Phoenix, right?” You’d been away for college then. Taking a second glance at the list, you notice she had forgotten the names of Joel’s wife and daughter. Surely, it’d just been a mistake on her part, though. “I had no idea they were in town visiting. Dad didn’t mention it to me at all.”

“They’re not.” She lowers her voice, as if someone else is standing in the room listening. “Joel moved back to Austin, he’s been back for a few days now. He and Connie, they um—” Pausing for a moment, she reaches up and clasps the cross hanging from her neck before whispering, “They got divorced.”

Taken aback, your mouth parts slightly. “What?”

“I know. Joel and Connie were the last people that I ever thought would get divorced. Such a shame,” your mother remarks, shaking her head. “I ran into Mrs. Adler at the super market and she was telling me all about it. Thinks they could have saved their marriage if only those two—”

“Would get right with Jesus,” you finish, biting the tiny smirk tugging at the corners of your lips. “She says that about everything, mom.”

“Well, she isn’t wrong! The sacrament of marriage is a lifelong bond that shouldn’t be broken. It’s not right.” Dropping her hand away from her necklace, she crosses her arms over chest. “Anyway, Connie stayed in Phoenix. Sarah’s spending Thanksgiving with her. Your father didn’t want Joel spending the holiday alone and invited him over for dinner. That means I need you to be on your very best behavior tonight. I don’t want you embarrassing your father in front of his closest friend. Is that understood?”

You can’t help but scoff a little. “I’m not a child.”

She narrows her eyes at you and scoffs right back, planting her hands on her hips.

“No, you’re a smart aleck. Need I remind you what happened last Thanksgiving with Aunt Ines?”

Of course she didn’t have to remind you about last year’s fiasco with her insufferable bitch of a sister.

“That’s an awfully big piece of pumpkin pie,” she’d remarked loudly, eliciting snickers from everybody sitting at the table. “Don’t forget, dear—a moment on the lips, forever on the hips. And you have quite a few forevers on your hips already, darling.”

You had smiled sweetly at her, your fingers itching to fling your mother’s fine china at her. “I wouldn’t really worry about my pie, Aunt Ines,” you had said as soon as you realized that nobody, not even your parents, would be coming to your defense. “Much less when your husband’s stepping out and eating someone else’s pie when he’s away on all those so called business trips. Worry about that instead.”

That comment hadn’t gone over all too well. Three months later, Aunt Ines and Uncle Louis started to see a marriage counselor. Whoops.

“Well?”

“She deserved that,” you say, shrugging lightly.

“She’s family.”

“She’s a jerk.”

“You crossed a line.”

“She crossed it first.”

Before your mother can respond, the sound of the doorbell ringing echoes throughout the house.

“Jesus, we don’t have time for this!” Your mother’s eyes widen when she tries running a hand through her hair and realizes she still has her rollers in. “Oh no, people are arriving and I’m still not ready!” She makes a beeline for the hallway. “Get the door and greet our guests, I’ll be down in five minutes!”

She disappears upstairs into her bedroom and you hear the doorbell ring again. Your father shouts for someone to go answer it, someone other than him or your brothers because it is the end of the fourth quarter and they just can’t possibly miss that.

You make your way through the foyer and open up the front door expecting it to be one of your family members, but it’s not.

Your throat instantly goes dry at the sight of him.

He’s broader than you remeber, so much broader.

The fabric of his sage green dress shirt is nice and snug on his frame—stretched taut over the planes of his chest and his wide shoulders. He’s holding a box of store bought something or other but you’re much too preoccupied with the way the sleeves of his shirt are hugging his biceps to notice what it is although you assume it’s some kind of dessert. He looks far more delicious than whatever sweet treat could be in that white box he’s got in his hands.

After a minute, you realize you’ve been gawking at him and the heat rushes to your cheeks. “Hello Mr. Miller,” you greet him politely. “It’s very nice to see you again. Please, come on in.”

He smiles, his brown eyes warm and sweet behind his square, black-rimmed glasses. “You remember me,” he states and the syrupy richness of his voice sends a pleasant tingle up your spine. Stepping off to the side, you allow him inside—as he steps past you over the threshold, the tantalizing scent of his cologne almost brings you to your knees. Notes of a citrus accord like tart grapefruit, fresh bergamot mixed with the woodiness of vetiver and musk; it’s intoxicating, something you could easily get drunk off of if you’re not careful. “I’m surprised. S’been a real long time since you last saw me.”

“It hasn’t been all that long,” you reply, closing the door behind you. You speak to him in the steadiest voice you can muster, with nonchalance—as if you aren’t one missed heartbeat away from feeling like a silly little schoolgirl with her first crush. “Has it?”

He thinks about it. “‘Bout four and a half years.”

“That’s really not that long.”

“S’not,” Joel admits with a chuckle. “But with how much I’ve aged in that short amount of time, I just wasn’t sure if you’d recognize me, y’know? I look a lot different than I used to.” He pauses and laughs, shaking his head. “I must look like an old geezer to you now, don’t I?”

Grays lightly pepper his thick dark brown curls, his beard and his mustache. He’s got crows feet when he smiles, he has worry lines and creases between his eyebrows—he does look a lot older, but he’s so goddamn handsome, wrinkles, fine lines, and all.

You toss him a playful eye roll, prompting a grin. “I don’t think you look like an old geezer, Mr. Miller.”

“Well, you’re sure as hell makin’ me feel like an old geezer by callin’ me that, darlin’ girl.” He gives you a little wink and you’re not quite sure if it’s that, or if it was the way he’d used a pet name that knocks all the wind out of your lungs. “Please, just call me Joel.”

You nod and shyly agree to it. “Okay, then. Joel.”

“S’much better.” His grin widens and a prominent, deep dimple appears on the left side of his cheek.

There’s a silence that follows, but it’s not awkward or weird. It’s comfortable—being in his presence is comfortable. His sweet disposition makes you feel so calm, so at ease.

Joel’s always been a nice man of course, although your interactions with him had been limited—kind, quick hello’s in passing on Sundays whenever he’d come over to watch football with your dad, maybe a polite how are you here and there if you bumped into him at gatherings like a backyard barbecue or birthday party. But you’re older now, no longer the child who greeted her father’s best friend because it was bad manners if she didn’t. You don’t want to throw him that kind, quick hello or that polite how are you and then scurry off the way you used to as a little kid. You actually want to talk to Joel Miller.

But you suddenly remember he’s not here for you.

He’s here for your father.

Joel!” Your mother screeches, five-inch high heels clacking loudly as she descends the staircase. She had ditched the apron and hair rollers—and put on one too many layers of her heaviest perfume. With a delighted squeal, she rushes up to Joel and pulls him into a bone crushing hug, almost causing him to drop the box he’s still holding. “Oh, it is so good to see you! It’s been far too long!”

You force back a small, amused snort.

As if she hadn’t been judging the man for a failed marriage just minutes ago in the kitchen.

It’s performative, too over the top to be sincere.

“S’good to see you too.” He steps back and laughs as he adjusts his glasses with one of his hands. He holds out the box to her with the other. “Picked up a pecan pie on the way over here. I would’a tried to make it myself, but the kitchen’s still all packed up in boxes.” He pauses, laughing again. “Then again, I ain’t really much of a baker. Store bought was for the best I reckon,” he admits, sheepishly. When he shrugs his shoulders, his shirt strains a bit over his frame and even your mother can’t help but stare a little.

Lightly clearing her throat, she takes the box from him and reminds him, “Didn’t I tell you that all you had to bring tonight was a nice, healthy appetite?”

Joel lightly pats his stomach. “Brought that too. In fact, I didn’t eat a thing all day long. I’m absolutely starvin’ right now. Could eat a whole horse.”

“Good! Dinner’s going to be served soon. William’s in the living room with the boys, watching football game after football game. Come with me, I’m sure you’re eager to see him.” Your mother spins on her heel and hands you the dessert. “Sweetie, will you be a gem and go put this in the kitchen for me?” It isn’t a request, it’s an order masked as a request—it’s the kindest she’s been to you all day. She takes Joel’s arm and leads him down the hallway, calling out over her shoulder, “And please set the table!”

You do set the table, and when you do, you decide to sit yourself right next to Joel Miller.

Your mother lightly clinks her knife against the rim of her wine glass and clears her throat. “Everyone! It’s time to join hands and say grace before we dig into our meal,” she announces, her voice breaking through the loud, buzzing chatter at the table. She waits until there’s complete silence and then takes her seat, the chair adjacent to your father’s. You’re on his opposite side and Joel’s right beside you. “I think you should do the honor, William. You are the man of the house, after all.”

Nodding, your father begins the prayer.

“Heavenly Father, bless this food we are about—”

You’re not listening. You’re distracted by the jolt of electricity that zips through your entire body when you put your hand in Joel’s. His hand dwarfs yours and it’s rough and calloused, but somehow it’s the most gentle, soothing touch. Heat prickles at your face and neck when you feel him sweep his thumb across the back of your hand—you open your eyes and glance over at him, wondering if that had just been an accident. You’re convinced it was, until he does it again, running his finger over each knuckle one at a time. Slowly, like he’s savoring the touch.

Biting your lip, you give his hand a gentle squeeze.

His head is bowed and his eyes are still closed, but a faint smile tugs lightly at the corner of his mouth and he firmly squeezes your hand back. There’s an unmistakable desire that’s already burning deep in your lower belly, a flame you can’t extinguish even when the angel on your shoulder reminds you that not only is Joel Miller twice your fucking age, he is also your father’s best friend. His best friend.

“…through Christ our Lord. Amen.”

“Amen,” your relatives chime together in unison.

You force out the declaration. “Amen.”

“Amen,” Joel murmurs, opening his eyes. He turns to you and his gaze flits to your hand in his and for a moment, it almost seems like he doesn’t want to let it go. It feels like Joel doesn’t want to let it go—and he doesn’t. He doesn’t let it go until the sound of your father’s loud, booming voice announcing it is time for him to carve the bird startles the two of you apart. Clearing his throat lightly, Joel turns his attention forward and reaches for his cabernet. He gulps down half his glass in one easy swallow.

Dinner’s fairly uneventful.

You eat in complete silence, as does Joel.

Part of you wonders if it’s because you’re sitting in between him and your father, the only person that he’s most comfortable conversing with. Assuming this is the case, you’re just about to ask him if he’d like to trade places when he turns to you and says, “Your dad told me you went to school in Chicago.”

He’s just being friendly, you remind yourself when your heart starts to flutter wildly at the notion that he wants to talk to you. He’s friendly. That’s all. It doesn’t mean anything.

“Yeah. I did.” You pick up your glass of wine, taking a sip hoping it’ll ease the nerves. “I graduated over the summer and took a teaching job out there.”

“You became a teacher?”

“Yeah. I teach kindergarten.” You smile proudly.

“Can you believe that, Joel?” Your father lets out a scoff and shakes his head. “I spent thousands and thousands of dollars to send her to school. All that money and for what? For her to learn how to teach little ankle biters how to color inside the lines?” He rolls his eyes and gestures to your two brothers on the opposite side of the table. “Now my boys, they are smart. Chose good careers to pursue. Brandon starts applying to medical school in the spring. Oh and Matthew? He got early acceptance to Yale. He plans on studying law.” He shifts his attention over to you once more and shrugs. “Not too sure where I went wrong with this one.”

You stare at him in complete and utter disbelief.

“Dad.”

Chortling, he waves a dismissive hand. “Oh, come on, honey. I’m just kidding around. You know that I don’t mean it.” He then reaches out, pinching your cheek roughly. “Don’t be so sensitive,” he tells you before turning his attention back to his plate.

But he does mean it.

His comments hurt, and you hate that they hurt.

Joel nudges your arm with his. “Y’know somethin’, it takes someone real special to become a teacher, ‘specially to kids that age,” he states in a matter of fact tone. “Someone who’s real sweet and patient, someone real smart too. Someone just like you.”

Warmth radiates through your entire body. It’s not just his words, but it’s the sincerity behind them.

You shoot him a small, grateful smile.

The two of you wind up talking to one another.

Joel’s moving his contracting business, bringing it back to Austin from Phoenix to run it with Tommy, his younger brother who you vaguely remembered meeting a time or two in the past. He mentions his daughter here and there, but doesn’t bring Connie up once—perhaps it’s too painful for him? It’s hard to tell. He seems to be in good spirits and truth be told, it doesn’t appear he’s mourning his marriage; but it’s difficult to believe he’s not missing her, the woman he’d spent three decades of his life with. It shouldn’t even matter to you whether he’s missing his ex-wife or not, if there are residual feelings still lingering around. But it does matter and you don’t know why. Or maybe you do know why, but you’re too ashamed to admit it.

“Do you like Chicago?” Joel questions, curiously.

Shrugging, you respond, “Yeah. It’s a cool city.”

“You plan on stayin’ out there permanently?”

“I’m not too sure,” you admit. “It’s too expensive. I don’t want to live with a roommate forever. Unless teachers start getting paid more, I don’t think that I’ll ever be able to afford to live alone in Chicago.”

Joel seems hesitant about his next query. “Do you ever think ‘bout comin’ back to Austin at all?”

Suddenly, you’re not too sure about that either.

You’ve been itching to go back and get as far from Austin, Texas as possible, but now, it means being far from Joel Miller. There’s a deep, sinking feeling inside of your chest at the thought.

Realizing he’s still waiting for a response, you have no choice but to tell him the truth. “I don’t think I’ll ever come back here, to be honest. Not to stay.”

“Oh. I see.” He sounds disappointed. “Are you—do you plan on visitin’ home again for Christmas?”

“I do. I’ll be here for Christmas and New Year’s.”

He’s being friendly. He’s being friendly. He’s—

“It’d be real nice to see you again then.” Flushing a deep shade of red, subtle regret flashes across his features, as if he’d said it without thinking. Picking up his glass, he drains the rest of his wine and you can swear he’s nervous. About what he’d just said, and about whether or not your parents, who are in such close proximity, had overheard him. Because what business did he have in telling their daughter it would be nice to see her again?

They’re both much too preoccupied. Your father is attempting to be slick checking his text messages underneath the table and you can tell by the smirk on his face that it’s one of his secretaries. He’s got a penchant for perky blondes in tight pencil skirts. Your mother is well aware of this. She is also aware he’s on his phone, but she turns a blind eye just as she always does and distracts herself by being the perfect hostess.

Feeling foolishly courageous, you turn back to him and nod, heart pounding against your sternum. “It would. It’d be very nice, actually.”

Relieved, he nods and murmurs quietly, “We’ll talk ‘bout it later, then. That okay, darlin’?”

Not wanting to seem too eager, you nod again and turn away from him, teeth sinking into your lip in a futile attempt to hide the giddiness in your smile—but the soft chuckle Joel elicits under his breath is a clear indication that it’s useless.

He knows how he’s making you feel. He likes it.

Your mother returns from the kitchen carrying two baskets of fresh crescent rolls, one for each end of the table. She sets one of them down right in front of you and you reach out to take one when a voice, one that sounds as awful as nails scraping down a chalkboard, remarks loudly, “Should you be eating so much bread, dear?” Ines, who’s sitting a couple chairs down, next to your grandmother, looks over at you and raises an eyebrow. There’s a smug little smile on her face, almost as if she were daring you to run your mouth like you’d done last year.

For as much as it pains you, you make your choice and decide not to take the bait. You pull your hand out of the basket of rolls and pick up your glass of wine instead, chugging it down like it’s water.

Frowning, Joel picks up the basket and takes a roll that you assume is for himself, but it’s not. Putting it on your plate, he shoots her a frigid glare. “Don’t you listen to her.” He says it loud enough for her to hear him. “You just enjoy yourself, alright?”

Your aunt bats her eyes, innocently. “Well, I’m just saying. If my skirt was that tight on me, I would be thinking twice about what goes into my mouth.”

Hushed laughter sweeps across the entire table.

“Are you fucking kidding me right now?” You slam your empty glass down so hard onto the table that the entire dining room goes completely silent. The little ones at the children’s table stare with big and wide eyes, mouths full of food hung open because a grown up had just used a naughty word.

Your mother says your name warningly. “Don’t you start,” she hisses, shaking her head. “Be quiet.”

Angrily, you round on her. “Seriously? You’re going to let her say that to me? You don’t care that she’s making comments about my weight?” You almost laugh. Of course doesn’t care, she has never cared and she never will. “I’m your daughter! Would it kill you to defend me for once in your fucking life?”

“Shut your mouth!” Your father stands up, shoving a threatening finger into your face, so close the tip of it almost touches the tip of your nose. He hasn’t put his hands on you since you were nine, but he’s as drunk as he is angry, and you find yourself back in the shoes of the little girl who would curl up into a ball in the corner of her room as she begged and pleaded for him not to hurt her. “You hear me?”

Joel stands and walks around your chair. Placing a hand on your father’s chest, he mutters, “Hey now let’s take a step back from her, alright?” He guides him back down into his chair. “Ain’t gotta be in her face like that, Will.”

“I’m sick and tired of her ruining everything—can’t get through one dinner without her screwing it up! Always has to run that fucking mouth of hers! She still acts like a goddamn fucking child—”

You can’t bear to sit there and hear another insult.

Fighting back the hot tears that are threatening to spill over, you quickly stand up and rush out of the dining room. You make a beeline for the front door and step outside onto the porch. It’s about sixty or so degrees in Austin and the cold nips at your bare legs, but that’s the least of your worries. Without a place to go, you descend the porch steps and find yourself walking towards the swing that’s hanging from the old bur oak tree in the front yard. You had asked your father for a swing when you were three years old—it wasn’t until your brothers asked for a swing a couple years later that he’d hung one up.

You sit down, hands curling around the rope that’s so old and weathered it’s beginning to fray slightly but not so much so that you’re concerned about it snapping. You’re so busy trying to keep it together that you don’t notice the sound of crisp, autumnal leaves crunching under a pair of boots behind you. A hand gingerly touches your shoulder. You let out a startled gasp and glance over to see it’s Joel.

“Hey there, darlin’,” he says, gently.

You stare at him in surprise.

“What are you doing out here?”

“Needed to make sure you’re okay.”

“I’m fine,” you grit the lie through your teeth.

Joel’s expression softens. “You ain’t gotta pretend with me, sweetheart.”

His concern is genuine. It’s real.

You don’t quite know how to handle it. Accept it.

“It got real ugly in there, ‘specially with your dad.”

Tears prickle at your eyes all over again. “Fuck, I’m sorry, Joel. I’m so sorry.”

“Sorry?” Baffled, Joel walks around the swing and a minor labored grunt escapes him as he squats in front of you. “There’s a few people who need to be apologizin’ for what happened, but darlin’ you sure as fuckin’ hell ain’t one of them.”

It’s odd. Feels foreign, even.

You’re not used to someone being on your side—it prompts more tears to spring forward and despite your best efforts to fight them off, it’s useless. You manage to whisper his name. It’s a feeble warning, one that’s telling him to go back inside before he’s caught in the torrential downpour of emotions you are mere seconds away from unleashing on him.

But he doesn’t budge. He waits. Joel knows you’re about to break and he’s ready to catch the pieces.

Finally, a tear slips and rolls down your cheek, only to be followed by another and then another. You’re holding onto the swing for dear life now, emotions that you’ve been holding in for your whole life now coming to the surface. The rope digs painfully into the palms of your hands. He reaches out and curls his fingers lightly around your wrists.

“S’okay to let go,” Joel encourages you and you’re certain he’s not just referring to the swing. “Listen to me, darlin’ girl. I ain’t gonna let you fall, alright? I’m right here to catch you. You can let go. I’ve got you, okay?”

You allow Joel to take your hands off the rope and he guides them around his shoulders as you begin to crumble. Leaning forward slightly off the swing, you wrap you arms around him and bury your face into his neck. “Joel,” you choke out his name as he wraps his own arms around your waist, pulling you closer into him.

He feels like stability.

He feels like security.

He feels like safety.

Your entire body shudders as you cry, cry, cry.

“S’alright, sweet girl. I’ve got you. I’ve got you.”

He repeats his reassurance over and over again.

He wants you to believe it.

And you do believe it.

Joel’s as patient as can be. It’s growing colder and his knees are begging for a change of positon, but couldn’t care less about the discomfort. He rubs a soothing circle into your back and waits until there is nothing left except little hiccups and sniffles.

“Shit,” you mumble when you pull back and notice you’d left behind a wet spot on his shirt along with light traces of mascara. You wipe at your eyes with the sleeve of your sweater. “I ruined your shirt.”

“S’okay. Nothin’ the dry cleaners can’t take care of for me.” Joel chuckles and lets go of you. “You feel a little better now, darlin’?”

“I do.” You glance over your shoulder at the house, then exhale a sigh and turn back to him, admitting quietly, “I don’t want to go back in there, though.”

He rises to his feet and pulls out a set of keys from the pocket of his black jeans. “Well, y’dont have to go back in there,” he states. “Is there somewhere I can take you? Friend’s house, maybe?”

“My best friend Megan went to Puerto Vallarta for Thanksgiving. Most of my other friends left Austin like I did,” you explain, sighing again. “Anyone who didn’t leave is spending their time with their family tonight and I don’t want to bother them.”

Joel hums, mulling it over in his mind. “Well, don’t know how comfortable you’ll be with the idea, but my place ain’t all too far from here. Ten minutes or so. Less if there’s no one out on the roads.”

“Joel, that’s so nice of you to offer, but I’ve already ruined your dinner tonight. The last thing I want to do is put you out even more,” you say, sheepishly.

“Sweetheart, you didn’t ruin a fuckin’ thing for me tonight. And you wouldn’t be puttin’ me out at all,” he promises. “S’gettin’ late and truth be told, I just wanna get you somewhere warm.” Holding out his free hand, he adds, “And comfortable.”

“But Joel—”

“I can be real stubborn too, y’know,” he teases you with a playful grin. “We’ll be out here all night long freezin’ our fuckin’ asses off.”

He isn’t going to take no for an answer.

“Okay,” you relent, accepting the offer.

You place your hand in his and he helps you off the swing. He doesn’t let it go as he leads the way to a sleek, black Dodge Ram that’s parked behind your grandfather’s silver Mercedes. He gives your hand a gentle squeeze before dropping it. “Sorry, sweet girl. It’s a bit of a trip up into the seat,” he remarks, chuckling as he opens the passenger side door for you. He gives you a boost into the truck; the scent of new leather is mixed with that of his cologne. It is all man and couldn’t be sexier. “Good up there?”

“Yeah, I’m good.”

Joel closes the door and hurriedly walks around to the driver’s side of the pickup, climbing up into his seat with ease. “Seatbelt,” he tells you as he sticks the key into the ignition. The first thing he does as soon as the engine roars to life is turn on your seat warmer. He switches on the heater as well, waiting a minute before asking, “You warm enough?”

“I am. Thank you, Joel.”

“‘Course.” He nods and pulls away from the curb.

As Joel’s driving you further and further from your parents’ house, all you feel is sweet relief.

“M’sorry the place is such a mess.”

Joel leads you into his living room and touches his hand to the back of his neck, embarrassed.

Amused, you raise an eyebrow at him and say, “I’d hardly call cardboard boxes stacked neatly over on one side of the room a mess, Joel.” You take a look around his townhouse—most of his furniture’s still wrapped up in plastic, except for the black leather couch and the rustic, acacia wood coffee table. He has a flat screen mounted over the brick fireplace; he’s been sleeping on the couch, or at least, that’s what the pillow and Texas Longhorns fleece throw tells you. You turn to him. “If you want to see a real mess, you should see my apartment in Chicago.”

You watch him as he takes off his glasses and puts them down on the coffee table.

“S’it pretty bad?”

“My roommate’s a kindergarten teacher too. You’d be surprised at how many popsicle sticks two girls in their twenties can end up bringing home. Not to mention all the glitter.”

“If you’re tryin’ to make me feel better, it’s workin’ like a charm.” Joel picks up his blanket and drapes it over the armchair adjacent to the couch. “Go on and make yourself comfortable, darlin’. You thirsty at all? I’ve got water or I can make coffee. Also got a pack of beer in the fridge,” he adds, jokingly.

“What kind of beer?” you ask curiously as you sink down onto the couch.

He seems pleasantly surprised by your interest.

“Lone Star.”

“I’ll have one. If it’s not too much trouble.”

“‘Course it’s not too much trouble. Not at all.”

It’s hard not to stare as he walks away towards the kitchen. Your thighs clench together—his back, his shoulders, those unkempt salt and pepper curls of his that tuft at the nape of his neck right above his collar—this man is the epitome of utter perfection. Your mind wanders and you can’t help imagine the way your legs would look thrown over those broad shoulders. How his large hands would feel on your plush skin as they wrap around your thighs to hold them in place against his chest while he fucks y—

“Here you go, darlin’.”

Joel’s deep voice shatters your train of thought.

He’s standing beside you, holding out the bottle of beer, which he’d uncapped along with his own.

Blood rushes to your cheeks. “Thank you,” you say as you accept the beer from him, trying not to lose the sliver of composure that you’re holding onto—it wavers when your fingers accidentally brush his.

“S’it too cold in here for you?” he asks. “I normally keep the thermostat pretty low.”

“It’s a little cold,” you admit. “But it’s not a prob—”

It’s too late. Joel walks over to the fireplace and he manages to strike a match and light it with just his free hand. After tossing in a couple logs, he makes his way back over to the couch and he takes a seat beside you. “That a bit better, sweetheart?”

“You didn’t have to do that.”

He shrugs. “You said it was cold.”

He takes a long, generous swig of the golden lager before setting the bottle down on one of the green ceramic coasters on the coffee table. He sits back; an arm stretches out over the back of the couch in a casual manner and his legs spread open causing your thighs to clench together once more.

“You feelin’ alright?”

“Huh?” You then realize he is referring to what had happened at dinner. “Oh. Um. Yeah, I’m alright.”

Joel peers at you, his concern evident, clear in the depths of his dark brown eyes. “You sure?”

“No. Not really,” you confess, tracing the mouth of your bottle with your index finger. “But I’ll get over it. I don’t have a choice but to get over it.” Another lump starts forming in the back of your throat and you swallow it, quickly chasing it down with a gulp of beer.

“M’guessin’ your family’s got somethin’ to do with why you decided to leave Austin?”

“Bingo,” you deadpan. “I was so sick and tired of it all. How I was talked to, how I was treated. Like I’m such a fucking disappointment.”

He frowns. “You’re not a disappointment, though.”

“My parents think I’m a disappointment. My dad’s never told me he’s proud of me, Joel. Nothing I do, nothing I have ever done is good enough for either of them, but especially not for him.” There is a dull ache that settles in your heart and all you can do is silently will yourself not to breakdown again, not in front of him, at least. You sigh. “Do you know what it’s like, not feeling good enough for someone that is supposed to love you no matter what? Someone who’s supposed to love you unconditionally?”

Joel knows it’s a rhetorical question, he knows it’s not something you’re expecting him to answer.

But he does answer, because he does know.

“I do, actually. I know all too well what it feels like.”

He looks down at his left hand, which is resting on his thigh and you do too. Your eyes flicker over the fading tanline on his finger—where he once wore a wedding band. You don’t even think twice about it and reach over, sweeping your own finger over the patch of pale skin. Without missing a beat, you tell him, “You’re good enough, Joel.”

He can’t help but laugh a little. “She’d disagree.”

“She’s wrong.”

“You don’t know what happened.”

“I don’t have to know what happened.”

“That ain’t how it works, sweetheart.”

Stubbornly, you lift your chin. “I don’t care.”

Joel laughs. “Y’think you know me, darlin’? Y’think you know what kinda man I am? Hm?”

“I do know.” You place your hand on top of his and his jaw clenches. “You’re a good man, Joel Miller. I know that you’re a good man.”

“You couldn’t be more wrong ‘bout that.” There’s a brief pause and he hesitates before confessing, “A good man wouldn’t be sittin’ here just fuckin’ dyin’ to kiss his best friend’s daughter.”

You freeze and grip your bottle so tight, you would not be the slightest bit surprised if it shatters right in your hand. “You—you want to kiss me?”

“Since the moment you opened up that front door and said hello to me.” Joel shakes his head. “S’not right.” He’s riddled with guilt, with shame. He pulls his hand out from under yours. “I ain’t a good man at all. You’re half my fuckin’ age and I shouldn’t—”

You cut him off, softly uttering his name. “Joel?”

“Yeah?” His voice sounds hoarse. Strained.

“Can you—will you kiss me? Please?”

You need more than just his kiss, so much more.

You need him to unravel you in every way possible, but beggars can’t be choosers and if one kiss was all you’ll get tonight, then you’ll fucking take it.

Joel swallows dryly. “That really what you want?”

His eyes flicker down to your lips and then back to meet your sweet, innocent gaze.

“Yes,” you breathe in reply. “Please. Kiss me.”

He leans in, and there’s brief hesitation on his part and he stops mere centimeters from your face, his nose lightly brushing against yours. “We shouldn’t be doin’ this.” His warm breath fans over your lips; they’re parted, eager to meet his own. “I shouldn’t let this happen. I—I should take you back home to your family before I do somethin’ real stupid.”

Your heart sinks. “That really what you want?” you parrot his own question back to him and hold your breath, knowing there’s a chance his answer could be the answer that you don’t want to hear, the one that could end up crushing you.

Joel lifts his hand, cupping the side of your face in his palm. “‘Course it’s not what I want.” His thumb strokes your cheek, his dark eyes taking in each of your features. He’s studying, memorizing them, as if he’ll never get another chance to be this close to you again. With the line he’s about to cross, you’re both about to cross, that just might be the case.

The tension seeps through your skin and into your bones.

You exhale shakily. “Then just kiss me already.”

He moves his hand and gently curls it around your chin, holding you steady as he leans further in and closes the gap of space in between you. He moves slowly and he’s gentle—too gentle. You want to tell him you’re not made of porcelain, but you’re much too preoccupied with how Joel’s mouth feels, how perfectly it molds against yours. He delicately nips your bottom lip with his teeth. It’s a silent request.

He wants more, more, more. Your lips part for him, granting him the access he’s seeking. Joel doesn’t waste a single moment and he explores every inch of your mouth with his tongue, eliciting a whimper from you. Without breaking contact, he takes your beer and somehow he manages to lean over to set it down on the coffee table without dropping it. He then pushes you back into the couch and the next thing you know, you’re lying on your back and he’s settled in between your legs, using one of his arms to keep himself propped up, while the other wraps itself in your hair. Your own hands clutch at fistfuls of his shirt, fingers gripping the fabric so tight, the skin over your knuckles stretches painfully thin.

You whimper out again, the noise prompting a low growl to rumble through his chest—suddenly, he’s not being so gentle. He isn’t being rough. But he is hungry, he’s possessive, and he’s letting it show in the way he’s swelling your lips with his kisses, how his fingers are gripping the hair at the base of your neck as he firmly tilts your head backwards to give himself better access to your mouth.

Your mind is racing, and yet, you can’t think at all.

It’s not until his hips buck into you and you feel his bulge through his jeans against you that you break away from him. “Joel,” you gasp his out name. You grip his shirt even harder, chest heaving as you try to catch a much needed breath of air. You can feel the arousal pooling between your legs. The flames burning in the fireplace are nothing in comparison to the ones that are burning deep in your belly.

“Fuck,” he curses, pulling back. “M’sorry—”

The last thing you want is for him to be sorry.

“No! Please don’t be sorry,” you rasp, gazing up at him. Your eyes are glazed over with a lust you have never felt for another man before. “I want this, you know I want this—don’t you?”

Joel sighs, brushing a soft kiss to your temple. You wish he could take a peek into your mind, see how badly you want to be wrapped up in his arms—you want to get lost in his embrace, feel him all around you, inside you. You want him to write his name on your bare skin with his tongue, whisper his secrets into the spot where you’re aching for him most.

He sighs again and lightly shakes his head.

“Baby, y’need to think real hard ‘bout this—”

“I want this,” you repeat yourself. “I want you.”

Relaxing the death grip you have on his shirt, your hands release the fabric and move to the buttons. Your fingers tremble slightly as you undo each one of them; after an embarrassing fumble or two, you manage to get them all and push Joel’s shirt off of his shoulders. He sucks in a quick, sharp breath as your greedy hands begin roaming, exploring every inch of smooth, tan skin on his upper body.

Your touch erases all the uncertainty he’s feeling.

“Wanna feel you too, baby.” Joel takes the hem of your sweater and gestures for you to sit up slightly so he can pull it over your head. Carelessly tossing it somewhere behind him, he glances down, blood rushing to his cock as he takes in the sight of your supple curves clad in sweet, delicate white lace. “Christ, you look so fuckin’ soft.”

He doesn’t even realize he’s saying it out loud, not until he catches the flirtatious little grin tugging at the corners of your mouth. You sit up slightly once again and reach behind you to unhook the lingerie and take it off, adding it to the ever growing pile of clothes on the hardwood floor. Licking his lips, he meets your gaze for just a moment before dipping his head down, wrapping them around one of your hardened nipples. “Joel,” you mewl his name as he flicks the pebbled flesh with his tongue.

Joel releases it with a lewd, wet pop and he tosses you a smirk before he moves to the other to give it the same attention. He’s a biter, you find out as he takes it between his teeth, nipping over and over.

Your throbbing center clenches around nothing.

“Joel, please. I need you—I fucking need you.”

He tears away from your nipple. “Where, baby?”

You open your mouth to answer him, but your own gasp cuts you off as he starts trailing his lips down the length of your body until he comes to a stop at the waistband of your skirt. One of his hands finds the zipper on the side and he looks up at you, as if asking for permission. Desperate, you nod. Pulling the zipper down, he slides the skirt, along with the pair of lace white panties you’re wearing off of you and discards them, leaving you completely naked.

Your insecurities begin to trickle in, but Joel’s able to halt them right in their tracks.

“You’re too fuckin’ beautiful, sweetheart,” he says, his reassurance calming your nerves instantly. “So beautiful. So beautiful and so fuckin’ perfect.”

You watch as he makes himself comfortable—well as comfortable as he can—in between your legs. He shoots you a sheepish look.

“Knew I should’a put the damn bed together. But I been puttin’ it off and puttin’ it off all week long.”

You giggle breathlessly. “Who needs a bed?”

Chuckling, Joel feathers a kiss on your inner thigh.

Your smile is all but slapped right off of your face.

“Joel.”

Any traces of humor vanish. You’re both reminded of the next wall that’s about to be broken, the next line that’s about to be crossed.

He looks down and groans. “Such a pretty, perfect little pussy,” he remarks, his voice low, husky. “Bet she’s nice and wet for me, ain’t she baby?” He lifts his hand and drags the tip of his finger up your slit slowly, your slick coating his digit. He smirks up at you. “Oh, she’s fuckin’ soakin’, sweet girl. S’this all for me?”

Foreplay wasn’t in the vocabulary of guys your age and while part of you wishes Joel would hurry, you also find yourself enjoying the fact that he’s taking his time, teasing you—making you really want it to the point where you’re willing to fucking plead him for it. Joel Miller’s the only man you’d ever beg for.

He skims your other thigh with his nose and kisses it just like he’d done with the other. “Tell me darlin’ s’this where you need me? Right here?”

Frantically, you nod your head.

“Words, honey. Gotta use your words for me.”

“Yes!” you choke out. “That’s where I need you. So bad. Need you so fucking bad. Please Daddy—”

You freeze and momentarily, he does too. Truth be told, you wouldn’t really blame him if he just stood up, gathered your clothes and tossed them at you, demanding you put them back on and leave.

Joel raises an eyebrow. “Daddy, huh?”

Your face is on fire. “I—it slipped,” you stammer. “I didn’t mean to call you—I’m so sorry, Joel. I’m not even sure where that came from. I’ve never—”

You’re on the verge of panicking, then notice there is a certain glimmer in his eyes and realize he liked it when you’d called him that. You’re taken aback.

He fucking likes being called Daddy.

“Sweetheart, there ain’t nothin’ to be sorry ‘bout. I promise. You can call me that. But on a condition.”

You stare at him, no idea what the condition could possibly be.

“Ain’t allowed to call anyone else that. Ever.” There is a possessiveness in his tone and it nearly makes you come on the spot. “That understood?”

You nod obediently. “Yes.”

“Yes what?” he prompts.

“Yes, Daddy.”

“Good. That’s a real good girl, honey.”

For a split second, you can’t breathe.

This man will surely be the death of you.

Joel plants one final kiss, this one on your mound.

“Please,” you whimper, the heat in your lower belly growing and fizzling out to the rest of your body at the feeling of his breath over your aching core.

“Please what?” he murmurs into the sensitive skin as his arms curl around your legs. “Tell Daddy—tell Daddy what you need baby, so he can take care of you.”

“Your mouth,” you beg him, desperation mounting with each passing second. Your hips buck upward; his biceps flex as he tightens his arms around your thighs, pinning you down in place. “Your mouth—I need your mouth. Please.”

Joel moves his head to the junction of your thighs, his mouth hovering right over where you needed it the most. He looks up at you with hunger, like he’s a ravenous, starved man who hasn’t had a thing to eat in days. “What a good girl,” he praises, dipping his head even lower. His mouth waters at the sight of your glistening folds. “Bet you taste as delicious as you fuckin’ look, don’t you, pretty girl?”

He flattens his tongue and glides it up your slit, his fingers digging into the soft flesh of your thighs as he gets his first taste. You gasp out when it grazes your swollen, aroused clit and your head falls back onto the couch. “Oh fuck,” you whine, reaching for his hair. You weave your hands through his graying locks and pull his face closer. Another swipe of his tongue causes your back to arch up off the leather and the edges of your vision to blur.

He pulls an arm from around your legs and drags a finger down your drenched entrance, lips securing themselves around your clit. His gaze stays locked on you as he pushes his long, thick digit into you—you feel him smirk as he curls it upwards, pressing the pad of his finger firmly against the soft spongy spot inside you, making you see stars. Joel slips in a second finger and curls it along with the other to double the pleasure. He begins thrusting his digits in and out of your warm cunt, eliciting what had to be the sweetest sounds that he’d ever heard in his entire life from you. He combines it with with slow, firm, and precise stokes of his tongue on your clit.

“Fuck, yes, just like that,” you encourage him, your loud, breathy moans bouncing off the bare, freshly painted walls of his house. “Yes Daddy, fuck—feels so fucking good, please don’t fucking stop—”

It’s not like you have to tell him what to do.

Joel knows exactly what he’s doing, and he knows it too. He listens to every single one of your moans and feels every single buck of your hips. He is sure to pay extra attention to when your hands pull and tug at his curls; he remembers what combinations of licking, sucking, and fucking make you squeeze your plush thighs tighter around his head; reminds himself of which technique brings your body off of the couch, what makes your toes curl. Joel’s quick to learn your body’s cues, each and every last one. He already knows when to give you more, when to give you less—when he needs speed up, when it is time to slow it all down.

You sing his name over and over again, pressure of an orgasm already building between your hips. His tongue swirls around your sensitive little bundle of nerves as his fingers pump in and out of your cunt and you glance down. You almost choke when you catch a tiny glimpse of the muscles in his forearm, the way they flex underneath his skin with each of his movements as he’s fucking you. Your gaze flits to his face. His own eyes are fixed intently on you.

You’re milliseconds away from release.

“Joel, I’m so fucking close. I’m gonna come—”

His arm squeezes your thigh in encouragement.

One last, broad stroke of Joel’s tongue on your clit sends an overwhelming wave of pleasure crashing over you. Strangled cries tear themselves from the back of your throat as your velvet walls flutter and convulse, squeezing his fingers. Joel, who’s face is still half buried in your pussy, takes it upon himself to help you ride through the high. He peppers soft, delicate kisses onto your swollen clit as his fingers continue to slide in and out of you slowly. He waits patiently until your loud cries dissolve into nothing but breathless little whimpers before he crawls up, positioning himself on top of you, a hand on either side of your head. His beard and mustache glisten with a mixture of saliva and slick—and somehow it it ignites another fire and you’re ready for more, so much more.

“Sweet girl,” Joel murmurs. Leaning down, his lips meet yours and you taste yourself on his tongue

You place a hand on his chest, right over his heart, which beats strong and steady against your palm.

You start dragging your hand down his chest, your fingernails raking over his skin. It travels lower and lower, gliding over the softness of his stomach. He tenses when you brush the waistband of his jeans.

Tearing away from you, he grits out, “Baby. No.”

You immediately snatch your hand away from him.

“You changed your mind?” you question, stomach sinking at the thought of it being over already.

You’re just so fucking greedy for this man.

He offers reassurance—and an explanation.

“No, that ain’t it at all. S’just—” Joel pauses briefly and flushes a shade of red. “S’just that, well, I ain’t got condoms on me, darlin’.”

Relieved, you assure him, “It’s okay. I’m clean.”

“Me too. But that ain’t what I’m worried about,” he admits, his face going from red to maroon.

You smile, finding his embarrassment endearing.

“I’m on birth control.”

Joel clenches his hands into fists. His cock strains against his zipper at the thought of it—taking your cunt bare. “Y’sure you want this?” He rasps out. “I need you to be a hundred percent sure ‘bout it.”

“I’m a thousand percent sure, Joel. I fucking need it. More than anything I’ve ever needed in my life.”

That’s all he needed to hear.

Joel stands up, his gaze never leaving your own as he kicks off his black leather boots. You sit up, and it takes every ounce of strength you have in you to remain composed as he unbuckles his belt, unzips his jeans and pushes them down his legs. You bite down on your bottom lip and try not to stare at his bulge like it’s your first time ever seeing a dick, but if he’s as big as he looks in his boxer briefs, maybe this would end up being a lot more than what your body could handle.

He hooks his thumbs underneath the elastic of his boxer briefs and slides them off, allowing his thick, hard cock to spring free from its confinement.

You swallow harshly. He’s fucking massive.

“Like what you see, sweetheart?” Joel chuckles at the expression on your face as he kicks aside all of his clothes. His length rests on his lower abdomen and precome smears the skin there. Wrapping one of his hands around it, he gives it a couple strokes, just a hint of relief until you come into play. “Hm?”

Licking your lips, you nod and stand up. You take a couple of wobbling step towards him—Joel’s cock hasn’t been anywhere near you and you’re already fucking walking side to side. “Come here,” you say to him, taking both his hands in your own. You pull him back to the couch and gently guide him down into a sitting position. Swinging your leg over both of his, you straddle his lap. You gingerly place your hands on his shoulders, nails digging into his flesh softly when you feel him brush against your pussy; the contact makes you both moan in unsion. “This okay?” you ask him, breathily. You can’t be sure as to why you’re suddenly feeling a bit shy, like you’re not planning to ride his fucking soul out of him.

“More than okay.” Joel brushes your hair over your shoulder and then drags his hand down the length of your body, committing to his memory every one of your curves. “Gonna be a real good girl and ride my cock, baby?”

You gift him with a cheeky grin. “Yes, Daddy.”

The shyness begins to dissipate and you dive your hand between your bodies, wrapping it around his cock, causing his breath to catch in his throat. You lift yourself slightly off his lap, teasingly gliding the head of his cock down your drenched slit, then up, letting it graze over your clit, which is still senstive to the touch thanks to his lips and tongue.

Joel’s hands find their way around you, running up the curve of your spine. “Wasn’t aware that my girl was such a little fuckin’ tease,” he remarks in a low tone. He slides his hands back down and his large, warm palms cup your ass, fingers kneading flesh.

“Your girl?” you repeat, your heart skipping a beat, stomach fluttering at the idea of being his. “Is that what I am to you, Joel? Your girl?”

“S’that what you want, honey?” Joel whispers, his eyes finding your own, two hopeful gazes meeting in the deepest, most intimate moment that you’ve shared all evening. “Y’wanna be my girl?”

Leaning forward, your reply is preceded by kiss, so soft and so sweet his heart swells inside his chest.

“I do,” you mumble against his lips. “I really do.”

Still gripping your ass, Joel eases you up and lines himself up at your entrance. He bucks his hips and slides the head of his cock past your folds and into your heat. “Breathe, baby,” he whispers, his hands moving to your hips, thumbs grazing your skin. He slowly guides you further down his shaft, grunting as you sink down, taking him inch by inch. “Christ, you’re so goddamn fuckin’ tight—”

The initial stretch is almost too much for you. Your nails sink deeper into his shoulders as he pulls you down further down onto him. “Joel,” you whimper, biting back a loud cry. You’re fully seated, his cock completely sheathed inside you, his head pressing against your cervix. You’re so full of him.

One of his hands abandons your hip and slips over your lower belly.

“This where you’re feelin’ me, pretty girl?” he coos gently. “This where you feel Daddy’s cock? In your belly?”

“Yes,” you sigh out contentedly. “Feels so good.”

You lift yourself off of him, then slide back down in a slow, languid motion.

Joel’s head falls back onto the couch. “Christ.” He mutters the word, his chest heaving. Staring up at the ceiling, he takes a moment to catch his breath and silently wills himself not to explode. Once he’s managed to somewhat compose himself, he looks at you again, pupils blown so wide you can’t find a single trace of brown. “Go on, then,” he rasps. “Go on, sweetheart.”

The living room fills with the sounds of low moans and panting breaths as you move, alternating your maneuvers between rocking and bouncing on him in a frenzied, fast paced rhythm. The friction of his pelvis each time you grind into it winds up the coil between your hips and suddenly you’re desperate, so pathetically desperate for another release.

“Yeah, that’s it baby,” Joel encourages, feeling the beginning of his own climax building quick—much too quick for his liking. “Jus’ like that, honey. What a good girl you are for me, so fuckin’ good for me. Just like I fuckin’ knew you would be.”

“Fuck,” you whine. “You feel so good, Daddy. Feel so fucking good inside me—”

Leaning back, you firmly plant both your hands on his thighs and arch your body, head falling back as you pick up the pace. The burning fire casts a soft, orange glow around you and his jaw falls slack. His eyes drink in every single fucking thing about you, watch you with an adoration that, for the first time in your whole life, makes you feel wanted. Actually wanted.

“Joel,” you whisper his name over and over. You’re both beginning to lose track of where you end and he begins. You can hardly hear the praises that are spilling from his plush lips over the squelching wet sounds of your cunt sliding up and down his cock. There’s no chance to warn him—your mouth parts in a silent scream as you come undone on him.

“M’so fuckin’ close,” Joel grunts. He feels his cock twitch as your pussy grips him like a vice. “Where? Where do you want it, pretty girl?”

“Inside me. Please, I need you to come inside me,” you plead him, the innocent tone of your voice the last thing to push him over the edge he’s teetering on. “Fill me up, Daddy—please, want every drop of you inside me—”

Joel reaches for your arms and yanks you forward, into him. Throwing them around his neck, his own arms wrap around you and roughly slam you down onto him, holding you firmly in place. He bucks his hips upwards, balls tightening, his cock pulsing as he comes. Strings of hissed curse words and deep gutteral groans muffle when he drops his face into your collarbone. Still holding you in place, he spills his load into you, his seed filling you to the brim.

He sags back against the couch and pulls you with him. Wrapping his arms tighter around you, he lets himself stay buried inside of you, the primal in him relishing the heavenly feeling of his come dripping messily out of your pussy and all over his thighs.

“You alright, sweetheart?” he asks after a minute.

“M’perfect,” you mumble against his chest. You’re not sure if it’s because you’re coming down from a high or if it’s because he’s tracing patterns on your shoulder blade with his finger, but you shiver in his arms.

“Let me get the blanket—”

Joel starts to move to get up, but you stop him.

“No, please don’t,” you say, pushing him back. You put all of your weight onto him, as if he can’t move you off to the side if he really wanted to. “I—I want you inside me for a little while longer. Please.”

“But baby, you’re cold—”

You don’t bother explaining to him that you’re not.

“Just hold me. Please.”

And that’s exactly what he does.

Snuggling into him, you close your eyes and Joel’s hand strokes at your hair. Between that, the thrum of his heartbeat against your cheek and the sound of the fireplace crackling behind you, you’re nearly soothed into sleep.

“Joel?”

“Yeah, darlin’?”

“I hate Thanksgiving,” you admit, smiling tiredly to yourself when you feel a laugh rumble in his chest.

“Do you, now?”

You nod. “I do. But I’m really thankful for you.”

Giving you a gentle squeeze, Joel kisses the top of your head and murmurs, “Well, m’thankful for you too, sweet girl.” He pauses momentarily. “I ain’t all too sure how I’m s’pposed to just let you go home. I know I have to but—”

Lifting your head off of his chest, you take the side of his face and cradle it in your palm. You meet his gaze, heart sinking when you see the sadness that has replaced the lust from earlier.

He doesn’t mean home to your parents’ house. He means Chicago.

You graze his beard with your thumb. “I’m coming back in a few weeks,” you remind him, gently. “I’ve only planned to spend a week out here just for the holidays, but I can visit sooner. As soon as the kids go on winter break, I can come back to Austin.”

“You’d do that for me?”

“Of course I would, Joel. I’m not sure how it would work what with my parents and all, though. I don’t want them catching onto us.”

“C’mere.” Joel brushes your lips with his before he makes his promise. “I’ll figure it out, baby. Leave it all to me and I’ll figure it out.”

divider credit to @saradika-graphics 🤎

#asdfghjkl BYE #joel miller fanfiction #joel miller #joel miller x reader #dbf!joel #joel miller x f!reader #joel miller x female reader #joel miller x you #joel tlou #joel miller smut #joel miller fic #joel miller x y/n #joel miller au #dbf joel miller #dbf joel x reader #fic: someone to be thankful for

[cassiopeiaemiliagaunt]

Girlfriend | E.M.

Pairing: Eddie Munson x Fem!reader

Summary: Your boyfriend is very drunk, doesn’t recognize you and tells you he has a girlfriend. 

Word count: 1k

Warnings: this is literally just 1k of fluff. There is a tiny bit of angst about the upside down, but not really. A lot of mentions of Eddie being drunk

Author’s note: Canon divergence, it’s not really ST4 Vol. 2 compliant. Also, established relationship! :))

Disclaimer: GIF isn’t mine ;))

Eddie Munson, the notorious drug dealer of Hawkins High and more importantly your loving boyfriend, never drank very much. Sure, he’d have the occasional beer during Corroded Coffin band rehearsals or after their performances in the Hide Out, but he almost never got hammered. He much preferred the high of a – or several – joints, relishing in the fact that the hangovers weren’t nearly as bad.

Which is why you’re very surprised to see your leather clad boyfriend quite drunk during Steve’s party at Harrington Manor, as you liked to call it. It is the first time you’ve ever seen him like this.

It is a few months after the downfall of Vecna and the (hopefully permanent) closing of the Upside Down. Eleven expertly managed to defeat him and everyone’s wounds (albeit the physical ones) finally managed to heal. Emotionally though, you’d never forget seeing Eddie’s seemingly lifeless body getting dragged out of the Upside Down by Steve, mad at yourself that you couldn’t protect him better from those godforsaken demobats.

The weeks that followed were a blur of hospital stays, refusing to leave Eddie’s side, whispered love confessions in the dark and the newly reappointed Chief of Police Hopper clearing Eddie’s name. Once Eddie was cleared to leave the hospital, you went on your first date with him and you can’t imagine your life without him ever since.

Steve had decided to throw a huge graduation party. Everyone from the self-proclaimed Babysitters’ Club has finally graduated – including Eddie, you think proudly. For this occasion, Steve had decided to open his house to the Class of ’86. Though, you also think he needed an excuse to throw a party to escape from the everlasting trauma of the Upside Down. But you weren’t one to complain, ready to jump at the opportunity to forget everything supernatural for a second.

Which is how you end up with a very drunk Eddie in Steve’s well-equipped and fully alcohol-stocked kitchen. During the party itself he mainly hung out with the older guys from Hellfire, excitedly talking about the summer campaign they were planning. You on the other hand mostly hung out with Robin and Steve. You had done a few shots with them, but not too many. You could feel the buzz of alcohol, but you’re far from drunk.

“Hey hot stuff, how you enjoying the party?” you ask Eddie, grinning up at him.

“Yeah, sure,” he says, eyeing you warily. You wonder what is up with that.

“Maybe it’s time to go to bed,” you suggest. Steve had very kindly offered you and Eddie one of the guest rooms to share. That way you could enjoy the party to the fullest. Robin and Nancy would take his parents’ room to spend the night in and if other people wanted to crash, there was always the basement with the pull-out sofa and the couch in the living room.

“No, thank you,” Eddie mutters dryly at you.

You grow concerned. What could be wrong? Maybe he’s mad at you for something, but for what? You stand right in front of him and wrap your arms around his neck, gazing deeply into his eyes, hoping to maybe find and answer there.

“What’s wrong, babe?” you ask, growing a little insecure.

He quickly ducks out of your arms, keeping you at a distance. Your face falls.

“I have a girlfriend. She’s very pretty and I love ‘er very much so leave me ‘lone, please,” he says seriously, interrupted by a lone hiccup. This has your frown morphing into a smile. He clearly is very drunk. You can’t help but giggle.

“Oh, really? That’s nice. What is her name?” you tease him.

“Y/N,” he says proudly.

“What a coincidence, that’s my name too,” you wink at him.

He narrows his eyes at you, clearly not believing you. God, he’s long gone and has to get to bed very soon. A plan forms in your head.

“I know where your girlfriend is, follow me, ‘kay?” you tell him. He nods his head excitedly at the mention of his girlfriend, eager to follow you along now. He’s like a puppy sometimes, you think fondly.

You grab his arm and maneuver the both of you through the heaps of dancing bodies in the living room and up the stairs to the guest bedroom. Once you’re inside he looks at you expectantly.

“Let’s get you in bed, shall we? You need to sleep,” you tell him.

“But-” he starts, but you interrupt him. “If you go to sleep now, you can see your girlfriend tomorrow, okay?” you try to compromise with him.

“Yeah, ‘kay,” he mutters tiredly, the fatigue clearly kicking in. You watch as he takes of his tight jeans and leather jacket, getting into the bed in his shirt and underpants. You go into the guest bathroom and fill two glasses that you find there with water. You put one on the bedside table next to Eddie, the other one you place on the other side of the bed.

“I’m gonna sleep on the other side of the bed, is that okay?” you ask him, tentatively. You really don’t want to leave him alone in the room in this state. He gazes up at you tiredly and mutters something along the lines of “Only if there’s pillows between”. So you obediently make a wall of pillows in the middle of the bed, seeing him doze off. Then you quickly take off your pants and bra, leaving you in a t-shirt and your panties. You flick of the lights in the room and get comfortable in the bed. Luckily, sleep finds you soon.

---

The next morning you’re awoken by a whiny groan from the other side of the bed. You turn around to see him rubbing his eyes and gazing around confusedly. He looks at the pile of pillows between the two of you and looks up at you questioningly. You giggle, last night’s memories quickly flooding back.

“You didn’t want to sleep in the same bed as me, because you had a girlfriend named Y/N,” you tease him. He groans again his head falling back into the pillow he slept on. You only begin to laugh harder. He then looks up at you with a small smile and throws all the pillows somewhere in the room. He wiggles to lay next to you and wraps you in his arms, muttering “C’mere, girlfriend.”

You smile and let yourself be cuddled.

#eddie munson #Eddie munson fic #eddie munson x reader #eddie munson fluff #eddie munson x you #eddie munson fanfic #eddie munson fanfiction #eddie munson oneshot #eddie munson x female!reader #eddie munson x female reader #eddie munson x fem!reader #ST 4 #stranger things fanfiction #stranger things fanfic #stranger things fluff #stranger things

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?��

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

#tom riddle #tom riddle x reader #tom riddle x you #tom riddle x y/n #tom riddle fluff #tom riddle smut #tom riddle angst #(the trifecta) #tom marvolo riddle #voldemort #voldemort x reader #tom riddle imagine #tom riddle oneshot #harry potter fanfiction #wizarding world #ftltutbh

[saintsenara]

Thoughts on Ron and Hermione as a ship?

thank you very much for the ask, @thesilverstarling!

i’ll state my position straight away: book ron and hermione are the best of the canon couples.

they will have a long and extremely happy marriage made rich by great and stalwart love, lust, fun, and faithfulness, rather than held together by duty and couples’ therapy like so many readers and authors (including jkr, who seems to have decided to spend the years since the conclusion of the series failing to understand anything about her own characters) tend to think.

i will state another position straight away: lest i seem like i’m just a fan with blinkers on, i think this even though hermione is, by far, my least favourite member of the trio. if she were real i would detest her, and i dislike how she is treated by the narrative as always justified in her negative characteristics. i like fanon hermione - perfect and preternaturally good - even less.

as a result, i think that it’s ridiculous that jkr has said that she thought ron needed to ‘become worthy’ of hermione. they belong together as equals - which is what they’re set up in the narrative as being from the off - and i hate seeing that undermined.

because ronald weasley? he’s an icon. and he doesn’t get anywhere near the respect he deserves in fandom.

there are multiple reasons for this - ron’s narrative purpose is to be the everyman sidekick, and so he is able to be less special than harry or hermione (the helper-figure); the amount of aristocracy wank in this fandom means that the weasleys’ ordinariness is less appealing to writers than making harry have twenty different lordships and call himself hadrian; the narrative interrogates ron’s flaws - especially his capacity for jealousy - much more intensively than it interrogates either hermione’s (cruel, inflexible, meddling) or harry’s (reckless, self-absorbed, judgemental) - but one i feel is particularly significant is that ron is such a british character that many of his traits are not understood as intended by non-british readers.

in particular - as is outlined in this excellent meta by @whinlatter - ron’s sense of humour isn’t indicative of immaturity or a lack of seriousness, but is, in fact, evidence that he’s the most emotionally aware of the trio.

ron is shown throughout the series to understand how both harry and hermione need to have their emotions approached - and i think there is no piece of writing which says this better than crocodile heart by @floreatcastellumposts:

That was what she liked most about Ron, she thought vaguely. He was very good at being suitably outraged on your behalf. For Harry, for her, for Neville. That sort of thing mattered, when you were hurt or embarrassed or wronged in some way. You needed to have someone else on your side, to be as emotional as you felt, maybe even more so, so that you might feel a bit more normal. It was very decent of him, and she was not sure he realised he did it.

ron’s inherent emotional awareness is an enormous source of comfort to other people. he does the work which isn’t flashy or special - he makes tea and tells jokes and is just there - but which is needed in healthy human relationships far more frequently than a willingness to fight to the death for the other person.

[as an aside, this normality - even though i think it is assumed rather than justified by the text - is also what ginny provides for harry. if you believe that hinny are a good couple but romione aren’t… i can’t help you.]

but let’s look at some specific reasons why ron and hermione belong together:

their communication styles mesh perfectly. ron is the only person hermione knows who feeds her love of being challenged and debated, and who is able to engage in this way of communicating without becoming irate when she refuses to back down. ron is good at picking his battles, but he’s also good at recognising that hermione’s tendency to argue isn’t intended to be confrontational a lot of the time - it’s just the way she works through feelings and problems. he’s far more easy-going about her tendency to nag, interrupt, try to provoke arguments, or speak condescendingly than he’s given credit for - and hermione evidently respects this, since when he does tell her not to push a situation (above all, when she’s trying to needle harry into talking about sirius), she listens to him.

that ron and hermione’s tendency to bicker is taken by fans to be a bad thing is because it’s something harry - from whose perspective the narrative is written - doesn’t understand. harry is extremely conflict-avoidant - he tends to take being pushed on views and opinions he has to be insulting; and he has a tendency to assume that he is right which is just as profound as hermione’s. he and ginny communicate not by debating, but by ginny having no time for his rigidity and refusing to indulge it - but ron and hermione bickering about everything is not a negative thing within their specific emotional dynamic.

[as another aside, this glaring chasm in communication styles is why harry and hermione would be a disaster as a couple.]

they each provide validation the other needs. it’s clear - reading between the lines - that hermione is a tremendously lonely person. the friendlessness of her initial few weeks at hogwarts seems to be a continuation of her experience as a child, and - outside of ron and harry - that friendlessness endures through her schooldays. i’m always struck, for example, by the fact that, when she falls out with ron in prisoner of azkaban, she has no-one else to spend time with, and that this is only avoided in half-blood prince because harry decides not to freeze her out. i don’t think her friendship with ginny is anywhere near as close as fanon seems to imply (ginny has no interest in being nagged either), nor do i think that she’s anywhere near as close to neville (not least because she is so condescending to him) as she’s often written to be.

and this loneliness seems to stretch beyond hogwarts. the absence of hermione’s parents’ from the narrative is - in a doylist sense - clearly just a device to maximise time with the trio all together, but the watsonian reading is that she doesn’t have a particularly good relationship with them. hermione’s obviously upper-middle-class background - the name! the skiing! the holidays in the south of france! - can be presumed, i think, to come with a series of expectations from her parents which she feels constantly that she’s not entirely meeting, particularly expectations attached to academic success.

[for example, the grangers - were she a muggle child - would undoubtedly have ambitions for her to attend an elite university and then go into a prestigious career. tertiary education of the type that they’re familiar with doesn’t seem to exist in the wizarding world - most careers seem to be taught by apprenticeship - and this, alongside all the other divides between the magical and muggle worlds which contribute to the distance between them, would be one very obvious area in which she felt the need to prove herself to them.]

ron, too, has quite a difficult relationship with his position in the family - voldemort’s locket is not wrong to point out that he seems to receive considerably less of his mother’s emotional attention than ginny or the rest of his brothers - and he too is constrained by expectations which he doesn’t know how to explain he has no interest in - above all, molly’s desire for her sons to achieve top grades and go into the ministry.

he also suffers while at hogwarts from being ‘harry potter’s best friend’, something which harry never appreciates. but hermione does. she recognises ron’s jealousy and never allows harry to minimise it (and she and ron are very much aligned on having no respect for harry’s saviour and martyr complexes). she appreciates ron’s strengths - above all his kindness and his sense of humour - and makes him feel as though he’s achieved things with them. and ron does the same for her; he is hugely observant when it comes to her, and he challenges and defends her.

the two of them clearly spend a lot of time together one-on-one while harry’s involved in his various shenanigans (including outside of school - hermione has often arrived at the burrow days or even weeks before harry, and they seem to write to each other frequently when apart). they do this within a relationship which is fundamentally equal. one issue with hinny is that, post-war, harry is going to have to get used to seeing ginny as a peer, rather than as someone he has to protect. but ron and hermione never have that issue - equality is baked into their relationship from the off.

because, to be quite frank, fandom overstates the role that jealousy plays in their relationship. it’s true that ron certainly doesn’t acquit himself brilliantly when it comes to hermione’s relationship with viktor krum (it’s because he’s bi and doesn’t know it yet), and a tendency to externalise his insecurity into trying to make others also feel insecure is one of his primary negative traits (hermione does this too, via her patented lofty voice when she’s trying to condescend to people). but this is often taken as the initial red flag for how the relationship would crash and burn, and ron’s toxic jealousy is often used in fan-fiction as the trigger for emotional and physical violence towards hermione which, frequently, seems to drive her into the arms of either draco malfoy or severus snape… who are, of course, the first people we think of when we hear the words ‘not prone to jealousy’...

but i think it’s important to point out several things in defence of ron’s jealousy over krum. firstly, hermione evidently regards his jealousy as ridiculous - she’s upset by it, yes, but her upset must be understood as being caused by the fact that she wanted him to ask her out. she doesn’t think he’s being possessive, she thinks he’s being stupid. secondly, hermione is equally as jealous over ron’s crush on fleur delacour and relationship with lavender brown. she behaves just as cruelly when it comes to lavender as ron does when it comes to krum - and the narrative only treats her actions as more sympathetic or justified both because harry dislikes lavender too, and because, by that point in the series, jkr has dispensed with any inclination to ever criticise her.

but, outside of this teenage pettiness, ron is never jealous of hermione over things which matter. he is never jealous of her intelligence or competence or ambition or success (indeed, he defends her constantly from attacks designed to undermine her in these areas). for someone who struggles with being overshadowed by harry, he is never upset at being overshadowed by her. he is clearly going to be happy to support her in any of the career ambitions she can be written as having post-war.

and, on this point, i think it’s worth interrogating why so many readers still seem to feel uncomfortable with the idea of ron and hermione having a dynamic where she is the more ‘powerful’ one. [it’s always a bit trite to say ‘but what if the genders were reversed?’, but actually that’s not irrelevant here]. if hermione ends up taking the ministry by storm and ron becomes a stay-at-home father or has a job which is just to pay the bills, what, precisely, is wrong with that? why, precisely, should hermione regard ron making that choice for himself as a negative thing? hermione so often seems to leave ron in fan-fiction because of a lack of ambition - something which seems to be particularly common in dramione - but, in canon, she is shown to not particularly care if ron and harry do the bare minimum when it comes to studying etc. she nags them to do their work so they don’t get in trouble. she doesn’t nag them to do it to the same standard that she would.

and, actually, i think that ron being less ambitious than hermione is something which is key to how well they work. because ron provides not only emotional support, but emotional clarity.

hermione is shown throughout canon to - just as harry does - have a tendency to become obsessive to the detriment of her own health. she is also often - as harry is - emotionally or intellectually inflexible, and finds it hard to move on when what she feels or believes is proven to be wrong. both she and harry are micro-thinkers, who lean towards knee-jerk assumptions and stubborn convictions (and, indeed, hermione has a remarkably hagrid-ish tendency towards blind loyalty).

ron is none of these things. ron is a big-picture thinker (it’s why he’s so good at chess). he’s a pragmatist. he’s the least righteous of the three. he understands that faith and loyalty are choices, and that sometimes these choices will lead to outcomes which are bad or hard. he is the one of the three most willing to own up to having made mistakes. he is the one least likely to act on gut instinct (and, therefore, the hardest to fool - i think it’s worth emphasising that he clocks that tom riddle is tricking harry immediately, the only one of the trio to do so). he understands that things are a marathon, not a sprint. he is the least obsessive.

and these traits contribute to aspects of his character which are underappreciated. ron worries about hermione making herself ill during exams, or when she is using the time-turner, and makes an effort to get her to set healthy boundaries and redirect her anxiety. ron stands on a broken leg in front of sirius or goes into the forest to fight aragog not out of righteousness, but out of choice. ron takes over the burden of preparing buckbeak’s defence when it is clear that hermione is approaching burnout. ron is completely right that harry hasn’t done any long-term planning for the horcrux hunt, and his anger does force harry to tighten up after he leaves the trio. ron has a clear head in the middle of battle. ron makes harry and hermione laugh. ron is unafraid of human emotion. ron arrests harry’s tendency to brood over the little things by looking at the bigger picture. ron will always come back.

ron is bringing his politician wife regular cups of tea and making sure she doesn’t work all night. he is helping his lawyer wife to feel less upset over losing one case by reminding her that she’s won ten others. he is noticing stress creeping in and whirling her off for a dirty weekend, or even just a takeaway on the sofa. he is teaching his daughter to be proud of her ambition and his son to treat women as equals and both of his children that all you can do when you fuck up is apologise and try to do better. he is making hermione smile on the worst days of her life. he is helping her strategise her long-term goals when she gets stuck on the short-term ones. he is telling her straight when she needs to get it together. he is seeing a misogynistic head of department call hermione a ‘silly little girl’ and choosing to tell him exactly what he thinks of that.

ron is the ultimate wife guy. hermione is a very, very lucky lady.

#asks answered #asenora's opinions on ships #romione #ron weasley #hermione granger #ron is a wife guy #also may i be clear #ron is evidently unbelievably hot #the text says he looks like bill #who is so fit that harry can barely see when in his company #hermione you lucky thing

[beskarandblasters]

hey! could you please write a dom! joel edging fic? thanks! love your writing sm!

Playing With Fire

Dad's Best Friend!Joel Miller x F!Reader

Main Masterlist | Joel Miller Masterlist

Author's note: Hope it's okay I decided to do a dbf spin on this!!

Summary: You and your dad go over to his best friend's (and also your secret boyfriend) Joel's house to watch the University of Texas Longhorns game. Whenever your dad isn't looking you tease Joel relentlessly. But when your dad passes out on the couch drunk that's when Joel decides to punish you.

Word count: 1.5k

Warnings: reader is able-bodied, canon divergent, no outbreak, established secret relationship, drinking, age gap (unspecified), groping, teasing, edging, orgasm denial, fingering, oral sex (female receiving), vaginal sex, unprotected sex, creampie, no use of y/n

Ugh, football, you think to yourself. 

Your dad dragged you into watching football tonight and you’re not enthused to say the least. He pulls into Joel’s street and you let out a sigh. You couldn’t care less about the Longhorns game. 

“C’mon, honey! It’ll be so much fun!”

“Yeah, for you. I’m not into football.”

“Yeah but you like Joel! You’ll have fun with us.”

Your cheeks go hot at his name. You do like Joel, just not in the way your dad thinks. You and Joel have been sneaking around behind your dad’s back for months now and he couldn’t be none the wiser. And while you’re definitely happy to see Joel tonight even if it’s in the presence of your father, you’re not looking forward to football. 

Your dad pulls into Joel’s driveway and you get out his truck, dragging your feet to the front door. Joel greets you at the door with a beer in his hand and cheerily shouts, “Let’s go Longhorns!”

You roll your eyes and walk past him into the house.

“Yeah she’s not very excited,” your dad says, following you inside. 

“Oh she’ll love football by the time the game is over. I’m sure of it.”

You head into the kitchen and open the fridge, turning to call over your shoulder, “You bet!” sarcastically before scanning the shelves for a drink… And all he has is beer of course. You reluctantly grab two for you and your dad and head back into the living room, sitting on the couch between Joel and your father. Joel flips through TV channels and your dad stands up and says, “I’m gonna take a leak before the game starts.”

Joel nods in acknowledgement and finds the correct channel. And you’re bored already and the game hasn’t even started. So your mind immediately jumps to something fun; teasing Joel. 

As soon as you hear the bathroom door close you reach over and graze your hand over the bulge in his jeans. His breath hitches at your touch and he turns and glares at you, shooting daggers with his eyes.

“What do ya think you’re doin’?” he angrily whispers.

“Aw, come on. I wanna have a little fun.”

“You’re playin’ with fire there, darlin’,” he mutters.

You unzip the fly on his jeans and grope his cock over his boxers, pre cum already marking a stain on the fabric. You palm his cock until you hear the toilet flush. And before you could continue any further, Joel forcefully grabs your hand, places it back in your lap and zips his fly.

“Enough,” he says darkly. 

Your dad comes back into the living room and sits on the couch just as the game starts, suspecting nothing as usual. And just as you suspected it’s so fucking boring. Anytime your dad would get up to grab a beer you would return your hand to Joel’s groin despite his burning stare every time you would do it. Finally after your dad got up to get his fifth beer you went to return your hand to its rightful spot. But Joel grabs your wrist and says through gritted teeth, “Playin’. With. Fire.”

You sigh and roll your eyes, returning to leaning on the arm of the couch. Your dad gets back and downs his last beer. And not before long… he passes out completely. The game isn’t even over yet.

“Well would ya look at that. Your football buddy passed out drunk. Guess you don’t have to watch the game anymore…” you say snarkily, inching your hand towards his jeans again. 

He grabs your wrist again and forcefully drags you from the couch and down the hallway, leading you to his bedroom. Excitement pools in your stomach at the prospect of fucking Joel but also some fun finally. He opens his bedroom door and pulls you inside, shoving you down on the bed. Your face is graced with a wide smirk as he closes the door and stands in front of you.

“Wipe that smirk off your face,” he threatens.

“Or else what?” you counter.

“Or you’ll regret it.”

“Make me.”

He falls to his knees on the floor right in front of your legs. He spreads your thighs apart and snakes a hand up your skirt, hooking your underwear around his fingers and pulling them off forcefully. Your sex tingles in anticipation of his touch.

“I bet you want me to fuck you so bad,” he teases.

“Mhm,” you say confidently. 

“Well, too bad. Ain’t happenin’ for a while.”

You whine and he continues, “And your whinin’ ain’t gonna help.”

He brings his fingers to your cunt, which is already getting wet, and runs a finger up and down your entrance. He pulls his hand back and licks his fingers before rubbing his thumb around your clit. You moan at his touch and he says, “Better be quiet. Your dad’s just down the hallway, darlin’.”

You groan as his thumb picks up the pace on your clit. You can already feel yourself arriving on the brink of orgasm. Your back arches slightly and just as you think you’re about to cum, Joel pulls his hand away much to your dismay, chuckling at the look of betrayal on your face.

“Joel, please,” you whine.

“Gonna be doing a whole lotta beggin’, darlin’. Get used to it.”

You whine again but it’s cut off by Joel pushing a finger into you. He curls his singular digit upwards against your walls. You grip the sheets for purchase as he works your cunt closer to the edge. Your walls tighten up and just when you think you’re about to cum again he pulls away. You whine and beg some more while Joel looks at you with the hungriest expression in his eyes, like he’s getting off on your frustration. Actually, you know he is. 

This time he goes nuclear, sliding two fingers in and bringing his tongue to your clit. Your hands grip his hair as he fucks your cunt with his fingers and licks your sensitive bundle of nerves. The muscles in your core tighten in anticipation of a large release and if Joel takes this one away from you again you’re going to be heartbroken. You’re so close, teetering on the edge of orgasm and getting ready to soak his face. But just as you suspected, he pulls away when he feels you on the edge.

“Joel, please,” you beg, tears forming in the corner of your eyes.

“How bad do you wanna cum?”

“So bad, Joel. I’m begging you, please,” you cry out. 

“Hmm, I guess you’ve been a good girl. Bend over.” 

You couldn’t get up fast enough, scrambling to flip over for him. You bend yourself over on the bed and arch your back for him. He stands behind you and squeezes your ass while he gives his cock a few strokes. He gathers some of your wetness on his hand and slicks his cock with it. He hooks his hands on your hips and pushes into you forcefully, expanding your walls in one swift motion. You cry out at the new found size inside you and he clamps a hand over your mouth.

“What did I say?” he reminds you.

You nod silently and he slowly removes his hand from your mouth and returns it to your hips. He pulls you into him as he thrusts back into you, the tip of his cock brushing against your cervix with each movement from him. And thanks to all of the edging earlier you’re already so sensitive; so close.

“J-Joel, can I please cum?” you beg in a hushed tone. 

“Well since you asked so nicely, I guess,” he says, slamming his hips into you on the last word.

You come undone around him, your walls convulsing his cock like a vice. You do your best to control your moans but it’s hard. Especially after an orgasm that was a long way in the making. He doesn’t bother covering your mouth again as he cums, keeping the tip of his cock nestled by your cervix and his grips on your hips tight as he releases his load into you. He pulls out after he’s done and before either of you have time to say anything you hear your dad groaning from the living room. You spring up and turn to face Joel with wide eyes.

“Shit! What do we-”

“Quick, go in the bathroom and pretend you’re throwin’ up. I’ll say ya drank too much.”

You nod and head into the bathroom attached to his bedroom, starting to fix yourself up. You hear him call to your dad down the hallway, “Yeah she’s throwin’ up. Guess she can’t handle her alcohol. Must get that from you.”

That little shit. Whatever, at least you got out of watching football for the night. 

#dbf joel supremacy #joel miller x reader #joel miller smut #joel miller x f!reader #no outbreak!joel miller #dbf! joel miller #dbf!joel miller smut #dbf!joel miller x reader #joel miller fanfiction #joel miller x you #joel miller #pedro pascal characters #dbf joel miller

[lilspooky-doll]

True Happiness Headcanons

pairing — Aegon II Targaryen x Handmaid! Reader

themes — canon targcest, fluff, aegon is a soft boi, au! aegon, one bad word (that's it, just the one), female! reader, mentions of pregnancy and childbirth, children (warning in and of itself), some healing for Alicent, one mention of child death, just very fluffy headcanons

author's note — hello again, lovelies! this was going to be a two-parter but i decided to condense it down into one post. it wasn't realy as long as i though it was lol but, it involves the different headcanons of their lives from when they first met all the way into the bits of their lives that i didn't really touch on in the original parts. i have plans for a more canon version of aegon soon and it will be a very dark fic overall. so i hope you enjoy these little fluffy tidbits!!

ADOLESCENCE

Once Aegon trusted her, he started teaching her Valyrian in attempt to be able to speak to one another throughout the Keep without word getting back to Otto or his mother

Sure, his siblings could slightly understand what they spoke of but, there was no need to eavesdrop on something that was working

Aegon loves his hair being played with whether it’s just fingers combing through the strands or braids being plaited into small sections before gently being pulled apart

There has been a few times that he has fallen asleep with his head in her lap in the early days of them being close to one another

More open to one another, she taught Aegon how to braid hair so at the end of the day when they debrief about their days, she would play with his hair as he talked and he would braid her hair as she spoke

On rough days, she would read aloud or recite stories that her mother and father would tell her when she was young

Aegon would hoard his snacks that he would collect throughout his scheduled day and have her try some when they are together

When Aegon began to develop feelings for her, he would leave little bundles of dragon’s breath he picked throughout his day on her bed

She started reciprocating by leaving notes and poems in Valyrian under his pillow for him to find when he would rest for the night

Sporadically during the week, Aegon would take his supper in his chambers as a way of innocently courting her despite the differences in their statuses

She was the one to help Aegon with cutting his hair when the length began to bother him; the braided strands of cut hair are hidden away as a souvenir in her bedroom chambers

ADULTHOOD

Aegon is a giver in every sense of the word

He always tries to take care of her like how she takes care of him

He enjoys the warm feeling in his belly every time he saw her smile or laugh

Every few nights, Aegon would sneak them away to the pit for an evening ride on Sunfyre

The older they get, the more everyone began to notice how much he’s changed

He stopped picking on Aemond; 

He was able to maneuver things around for Helaena to marry Aemond; 

She would help him in her free time to catch insects to deliver to Helaena at the end of the day

They all begin to appreciate each other more

On days where there isn’t anything scheduled for them, picnics were organized for all of them in the Godswood and when Daeron is visiting from Oldtown, he is along for the trip

It’s the smallest things he does for them and they love how much he’s matured 

Aemond has thanked aegon for helping his betrothal

Alicent has walked in on them on multiple occasions

 She found them cuddled up on the couch him asleep and her playing with his hair; 

During a festival in the streets, she’s witnessed them dancing to the music and cheers that could be heard from the windows

Aegon has talking to Rhaenyra not long before their marriage as a way to bridge the gap between them

Rhaenyra’s shock receiving his letters wore off when she read that he had fallen in love with his handmaid and he planned to wed her much like she and daemon did

He offers Rhaenyra’s children sanctuary if Alicent or Otto ever tried to change the succession; this was his way of trying to ensure that he has no ill will towards her and her family anymore

She has them do their  wedding at Dragonstone under Valyrian tradition

Aegon uses a refitted ring of his for her to wear as a sign of marriage and he purposefully wears only one ring on his left hand

After the fight in her solar, Alicent still tries to force a betrothal upon Aegon

It immediately fails as every one of the betrothal letters Alicent sent out are either met with no response or word of outrage that she would try to arrange a second marriage; worried about another Maegor situation

Eventually, Alicent starts to love and respected Aegon the way that she does with her other children

Aegon didn’t instigate the nephews during that family dinner

Otto has tried to manipulate her but she’s far too aware of his games for his liking (gaslight, gatekeep, girlboss)

FAMILY

She became pregnant not long after their wedding and Aegon quietly announces the news to a select few people; in person: Aemond, Helaena and Alicent, by letter: Rhaenyra during a regular correspondence he has with her

After learning the news, Alicent starts to make an effort to know her and help her with what she needs as a way to make amends

Aegon handling her pregnancy like a pro 

Constantly he was catering to her every need and trying to make her comfortable

He always tried to make sure she didn’t get hurt while doing the few chores that she wanted to do (she comes from a long line of headstrong women who will not let a pregnancy stop them from doing what needs to be done)

He usually ended up just helping her with what she needed to do 

When it came time for their first born, Baelon, to make his appearance, she kicked out all of the maids and Maesters demanding only for Aegon to stay

Of course, he was well out of his depths but she tried to prep him the best she could the last several days leading up to the birth

Baelon was born with no complications with only his parents in the room and was never away from his mother despite the disgruntled protests that she used a nursemaid for the baby boy

Shortly after his birth, they set up a more secure and secretive correspondence between them and her family in hopes that if the time comes and Otto does something stupid, they could safely flee to hid away

Alicent is definitely a better grandmother than she was a mother

She routinely sets up for long relaxing midday activities for all her grandchildren so, she can spend time with them and the little cousins can grow together while their parents can relax worry-free

There’s 2 children who were born before they fled: Baelon & Alysanne. Once they settle on the homestead, they have twin girls: Laera and Rhaela with one more boy, Aerion

The children are raised with equal love from their parents and are raised under the belief that although they are technically royalty, they will learn to be kind and considerate of those around them

Raised to put the work into what they want just like their mother was raised before she left to work at the Red Keep

The Boys are strong but not emotionally stunted. They are taught that emotions are okay to have and apart of who they are

No toxic masculinity bullshit

The girls are taught to defend and protect themselves. They are physically strong and can use any weapon they can get their hands on if they need to

THE DANCE OF THE DRAGONS

The second they get to the Dornish marshlands, Aegon dyes his hair brown to hide better (brunette! Aegon all the way)

Once they settled on the family homestead, it didn’t take long for Aegon to fit in with her family

He actually quite likes the hard work that the family does everyday to make sure that everything runs smoothly

Aegon still keeps in regular contact with his family whether it be his siblings or even Rhaenyra; he always tries to maintain some semblance of what is happening with them as he escapes the plan that was to be forced upon him

When the plan Otto sets in place happens with Aemond as the usurper, they coordinate for all of the children from both his full siblings and half sibling to be safely hidden away on the homestead to prevent any possible bloodshed of the innocent

The plan went into effect too late as Lucerys was brutally killed on accident

As much as it pained Rhaenyra that she lost her children, she is happy that she can now safely know that they are away from this disaster

As a sign of thanks, Rhaenyra sent some of Syrax’s eggs so that Aegon’s children had a chance at being a dragon rider like their cousins

The Dance did not last long with Aemond as the usurper since he had no real standing like Aegon, first born son, or Rhaenyra, first born and declared heir

The Dance was more of a fight between councils and not nearly as bloody as canon

Once Otto was found to be the one pulling the strings, he was sentenced to death and the Targaryen children by Alicent bent their knee at Rhaenyra being the true Targaryen heir after Viserys

#aegon ii targaryen #handmaid! reader #hotd fanfic #hotd headcanon #house of the dragon #house hightower #house targaryen #aegon targaryen x reader #aegon ii targaryen x reader #aegon the second #headcanon #house of the dragon x reader #true happiness universe #au! aegon targaryen #hotd aegon

[ginnsbaker]

fic: if i bleed (you'll be the last to know) (7/?)

Part summary: Six weeks later, Leigh decides to throw herself a birthday party.

Pairing: Leigh Shaw x Fem!Reader | Word count for this part: 6.600+ | Warnings : None | Author's Note: Just a reminder that this doesn't strictly follow canon events. Borrowed some elements from the actual birthday episode, but it's going to go very differently for us :) Enjoy!

Masterlist | Part I Part II | Part III | Part IV | Part V | Part VI

-

Six weeks later

“Hey! Happy birthday, sweetheart!” Leigh’s mom calls out from the kitchen as Leigh hurries down the stairs. She runs straight into Amy’s arms, a ball of energy, drawing bewildered looks from her mom and sister. Ever since Matt died, they are used to Leigh either being too quiet or too snarky. Today, of all days, they were expecting her to be something else much worse. But it seems they're mistaken as Leigh turns to Jules, yanks her in close, and kisses her hair.

Jules and Amy share a look. To say this as an interesting development would be an understatement. It's her birthday—her first one without Matt, who had been at the heart of her celebrations for the last decade. They hope Leigh finds some happiness, truly, but these past several months have taught them to temper their expectations.

They keep their silent exchange to themselves, watching as Leigh picks up a croissant and takes a heart bite out of it, her face lit up with the widest smile. “Happy birthday,” Jules grins, pushing a small envelope towards Leigh. “Got something for you.”

“Thank you!” Leigh exclaims. She eagerly opens the envelope to find a bunch of homemade coupons, each promising some sort of favor from Jules, good for the next year. They range from “Will listen to your rants for 30 minutes, no interruptions” to “I will restart the book club you tried to get me and mom to do and actually read the books this time.”

Laughing, Leigh flips through them. “These are brilliant, Jules. Might have to use one today,” she says, already thinking about which one she'll cash in first. Then, she pulls Jules in a bear hug, as if it’s the most exquisite present she’s ever gotten in her lifetime. 

“You okay?” Leigh asks when she notices Amy staring at her.

Jules gives their mom a warning look as Amy struggles to come up with a response. “Nothing, I just… I didn’t think you’d be doing quite so well today. That’s all.”

“I didn’t either but we all make choices and I’m choosing to have a great birthday. So, let’s do this thing!” Leigh says in a manner that Jules feels too over the top. Amy starts laying out the plans for the evening and Leigh has a blank look by the time she finishes running them through it.

“I think I want a party,” Leigh announces. It’s met with astonishment, as if it’s the last thing her family’s expecting to hear.

“You do?” Amy.

“A party?” Jules.

Leigh isn’t perturbed by their reactions. “I do. I want a party,” she confirms. She delights at the dumb look on their faces as she reiterates, “Tonight. I want a big party.”

-

“You’re not having a big party.”

Danny calls her up the minute he gets her Facebook invite. He's partly furious about receiving the invite through Facebook, given that they’re “kind of seeing each other”, and partly incredulous because he couldn’t believe she’s making plans on her birthday without considering the fact that they are “kind of seeing each other”.

Leigh, phone wedged between her shoulder and ear as she flips through a recipe book on her kitchen counter, rolls her eyes so hard she worries they might stick that way. 

“Well, yes, Danny, that's exactly what I'm doing,” she fires back matter-of-factly.

Danny's frustration simmers on the other end of the line. He had already made plans, not bothering to consult Leigh because he assumed that their day would be spent together—privately, just the two of them.

“You didn’t think I’d have something planned?” he asks, more hurt than angry.

“Why would I think that?”

“Because we’re dating, Leigh,” he says, appalled that he needs to remind her. Leigh takes a second, biting her lip. Maybe it was a bit inconsiderate that she didn’t consider Danny when she impulsively decided she wanted a big celebration. But that flicker of guilt is short lived. 

After all, she couldn’t remember the last time she’s actually excited for something, the last time she thought, I deserve to be happy. 

“Yeah, well, I can still do what I want, Danny,” she retorts.

“Now you’re acting like a child,” he snaps.

Leigh feels a flash of anger, then something else—determination. “Maybe so. Come to the party or not, I don’t care. I'm going to have fun, Danny, with or without you.”

“Fine. Just don’t—”

Leigh doesn’t let him finish. With a press of a button, the call ends, his words cut off mid-sentence. Too often, she’s been criticized for not always following through with her declarations, but it's a different game when she's out to prove something.

-

Drew steps carefully around a minefield of clothes and makeup scattered on the floor to get to Leigh. She's curled up over her laptop, one leg propped on the chair, chin on her knee, in a posture that makes Drew wince. “For a fitness instructor, you're not exactly a poster child for back health,” he says, announcing himself to his best friend.

Leigh's head snaps up at Drew's voice, but instead of annoyance, a smirk quickly spreads across her face. “Good thing I'm not a fitness instructor anymore, then,” she says. Then she turns her attention back to her laptop as if he’s not there. Drew moves to sit on the edge of her bed, flops down on it like a ragdoll and stares at the cobwebs on the corners of the ceiling. 

“I know what you’ve been doing, Leigh,” he says.

Leigh is unphased, keeps typing. Then, as if she’s just heard his remark, mutters a distracted, “What have I been doing?”

“Avoiding. You've been avoiding writing about anything that's even remotely related to love or grief,” Drew says.

This time, Leigh stops typing. She sighs, a long, drawn-out exhale that seems to carry the weight of the world. “I’m busy, Drew. This gig is eating up all my time.” 

After leaving the Beautiful Beast, she took on a part-time job as a remote project manager. With Matt gone, she's left to deal with the debts they racked up together. She loved her studio job, really did, and wasn't fazed by the slim paycheck because it helped her mom out. Being surrounded by family has been a huge support (despite her occasional squabbles with Jules), but she knows she'll need to move out on her own again at some point. Ultimately, the pressing need for financial stability has pushed her to seek out better-paying opportunities.

Drew straightens up, leaning in with his elbows on his knees. “Bullshit.”

Leigh looks over her shoulder at him with mild irritation. “What do you want me to say, Drew?”

“You're meeting your weekly quota on other topics,” he points out. “Makes me wonder if bringing you back to the advice column was…premature.”

It sounds like a threat, but coming from him, she understands it as an early warning in case the senior editor begins to notice the issue. Leigh smiles thinly, her brow furrowed in confusion. “Why does it even matter which topics I choose to engage with? First off, I'm collaborating with other writers now; it's not entirely my show anymore. Secondly, I've been doing a good job—”

“A great job, actually.”

Leigh tilts her head, genuinely puzzled. “So, what's the problem?”

“They're expecting you to lead on those topics because you've lived through them. They're looking for more authenticity in the pieces,” Drew explains. 

Leigh looks out the window, seemingly lost in thought, then shakes her head slightly. “What, you want me to write about how I started picking fights left and right after Matt died? Do you want me to detail my attempts at fixing his depression, as if it were as manageable as setting a broken bone?”

“You don’t have to delve into the most personal details.”

“It can’t be authentic if it’s not personal,” Leigh sneers. 

“Just think about it, okay?” Drew presses, a little desperately.

Leigh chews on the inside of her cheek, mulling it over. There's a whole part of her story she hasn't even touched on with him—the string of one-night stands with Danny, the way she's snapped at anyone who dared to disagree with her in the past few weeks. She's been on edge, not really liking the person she's been, and the thought of putting that version of herself out there for everyone to see is nothing short of humiliating. 

As a writer, she knows what to say, the same way a psychologist would know what to do even if they don’t need to have all sorts of human experience to help someone in every situation. But she also questions her right to preach behavior to others when she's far from having it all figured out herself. Regardless of her indecision, she knows Drew’s not going to drop it until she at least tells him she’ll consider.

“Fine,” she says, with a nod. “I'll sift through the inbox and tackle the ones I feel up to.”

“There you go, that's my girl,” Drew says, visibly relaxing. But then, a moment later, he feels a stab of guilt for showing up mostly because of work. It's been a while since they've hung out, their usual brunch dates falling through one after the other, and their daily chats have shriveled up to a few messages a week, with mostly just memes from Leigh that Drew hardly ever acknowledges. Eventually, Leigh just stopped sending them.

Drew fidgets, avoiding eye contact for a second before it dawns on him—he hasn't just been busy; he's been dodging Leigh on purpose ever since he popped the question to his partner. He was worried Leigh wouldn’t take the news well, considering the things she’s been going through. But if he’s being brutally honest with himself, a part of him just didn't want her grief to dampen his excitement. He was worried her sadness might dampen his spirits, and in a bid to preserve his own happiness, he’d left her out in the cold. He hadn't stopped to think that maybe he owed Leigh more than just her column.

“So, uh, how’s it going?” Drew asks cautiously.

“It’s going,” Leigh offers. Heartfelt talks aren't their thing, so Leigh decides to brush it off fast. “By the way, I'm throwing a birthday party for myself.” It comes out a bit more cheerfully than she feels.

“A party? That's great, Leigh!” Drew exclaims. “And hey, if you need help setting up or anything, just let me know.”

“Yeah,” she forces a smile, not as enthusiastic as she was about the idea at breakfast. “It's tonight, though. You're coming, right? And bring anyone fun you know.”

“Wow, OK,” Drew nods before his face morphs into a grin, a mischievous glint in his eyes. “So, is this where you're planning to hard launch your new relationship? At your party?”

Leigh’s eyes sharpen into slits. “You know about Danny?”

“Jules told me,” he says.

Rolling her eyes, Leigh retorts, “Let me guess, she told you so you'd join the haters club?”

“Nah,” Drew shrugs, his smile bright and sunny. “Danny's okay, I guess. If you're happy, I'm happy.”

She hasn’t been not happy lately. It’s not all sunshine and rainbows, but it sure beats being on her own. So maybe she is—or at least, on her way.

“Thanks, Drew,” she murmurs thoughtfully.

Drew makes himself comfy, chin in hand, looking like he's all set for one of their marathon catch-ups. "So, how did you and Danny even start? Tell me everything."

-

Leigh's trunk is a one-can band, banging and clanging with every turn. Her groceries create a beat, something to fill in the lack of sound in her car. It’s how she drives these days—in utter silence. Before, she wouldn't even think of heading out without the perfect playlist, which often took her an extra five to fifteen minutes after settling into the driver's seat. But these days, as soon as the key is in the ignition, she twists it and takes off, not even waiting for the car to warm up.

Organizing a party by herself (with Jules' indispensable assistance, of course) and extending invites to her entire Facebook friends list has turned into quite the ruse. She's seasoned enough to temper her expectations—knowing well that not everyone who RSVP'd “yes” will show, and that some who didn't bother to RSVP might just surprise her by showing up. So, she's stocked up on as much food as her sedan can hold.

While Leigh's mind wanders to what snacks to whip up and what sauces to pair them with, she accidentally ends up on a lane that forces a left turn instead of going straight. This little misstep means she's got to take the scenic route home, which, by pure coincidence, takes her right past your clinic's street.

Her heartbeat quickens, though it shouldn't. There's no reason for it. She hasn't seen you in a month, not since the night she made a bold declaration on her bedroom door.

Leigh never planned on actually liking you as a person. Initially, her motive was purely to get a closer look, to dissect what it was about you that caught Matt's eye, what you possessed that she lacked. However, the answer to that mystery didn't remain elusive for long after spending a little time with you. You had this kindness about you, soft and easy, something Leigh’s always found just out of her reach. She prides herself on being decent enough but next to you, she feels a bit more like sandpaper to your silk.

Matt was like that too—gentle, easygoing. Leigh is well aware of her own rough edges, her sharp corners that don't quite align with Matt's smoother ones—and, by extension, yours. You and Matt had more in common than just interests; you both saw and reacted to the world in similar ways. Finding out that you and Matt were alike in important ways, in ways she wasn't, is something she's still learning to cope with.

As she nears your clinic, her eyes instinctively search it out, a habit she can't seem to break. 

This time, her timing is impeccable; just as she glides by, you step outside with a puppy in your arms, licking your face all over. You catch sight of her car from a distance, and you couldn’t stop the surprise that flashes across your face. As she drives past, you give her a little wave, puppy still in tow. Leigh cracks a small smile, then throws on her aviators, maybe trying to hide a bit more than her eyes. She sneaks one last look in the rearview, catching you watching her car disappear down the street before you head back into the clinic.

-

As soon as she gets home and is safely out of the car, she opens her messages.

The last text you sent her says, “I'm sorry. I hope we can still be friends,” sent three days after the encounter in her bedroom. She didn't respond to it, and you didn't push any further or impose yourself on her.

She wishes she had at least reacted with a heart or sent a smiley face to your message. Maybe then, inviting you to her party tonight wouldn’t feel so awkward. Nevertheless, she manages to type out a quick invite and extends to you the courtesy of bringing a plus one, someone you believe would be good company.

Your response arrives within five seconds of her hitting send.

“Thank you, I'll be sure to drop by :)” - Y/N

Satisfied, Leigh sets her phone aside. Now, she can focus on making those Deviled eggs.

-

The dress she's pulled from Jules's closet is a bold choice: deep black with a plunging neckline and a hem that flirts with daring. It's sexy, but not quite Leigh's usual style—and that's exactly why she loves it. It clings to her in all the right places, promising a confidence that Leigh isn't entirely sure she feels. Her hair, which is normally pulled back in a no-nonsense ponytail, hangs loose and wavy. She tops off her outfit with a slick of red lipstick and layers of dark eyeliner. 

With about an hour to spare before her guests are due to arrive, Leigh decides it's the perfect time to follow through on a promise she made to Drew. She logs into the shared inbox of the advice column she co-manages with two other writers at Basically News. Leigh scrolls through the submissions, Drew’s words playing on repeat in her head. He had a point. Maybe people don't always need the right answers—answers she hardly uses herself. Perhaps what they really need is someone to affirm what they're already feeling, to say it's okay to follow their gut, to be themselves.

She reads an interesting entry from one EspressoEyes:

“Do you think it's too much for me to give a puppy to this woman I like? I'm not even sure she likes me back (or like me in general 😣), but it's her birthday, and I feel like a puppy could be exactly what she needs at this moment.”

Leigh reads the message, a smile tugging at her lips despite herself. Personally, she muses, she'd welcome a puppy from just about anyone. But that's just her, especially with the rollercoaster of a year she's had—she's at a point where the gesture, no matter who it comes from, would be a welcome slice of joy.

Thinking it over, she starts replying, “A puppy is a big gesture—it can be an overwhelming gift for some. It might even be seen as too forward, especially in certain relationships.Yet, a gift is a gift. Sometimes, you need to just go for it, without apologies. If her feelings don't align, she'll let you know. She has to, because giving a puppy is essentially a love declaration, in case you hadn't realized. And who knows? She might feel the same about you. Just make sure she's actually up for the responsibility of a pet. They're for life, not just for birthdays.”

She signs off with her pen name—Gigi Herrel—a clever anagram of her name as it would have been had she taken Matt's last name in marriage: Leigh Greer. Though it never quite felt like her own. She only used it when she came back to Basically News in obeisance to his passing. Drew has granted her the autonomy to publish her responses without his oversight (“Just make sure your grammar is perfect,” he said), so Leigh doesn’t think twice before publishing her response.

Leigh moves on to browse through other submissions, this time, on those related to marriage and loss—the very subjects she promised Drew she would tackle. She’s been in those shoes, still feels like she's wearing them. With a deep breath, she clicks on one and dives right into it. Her first attempt at a response feels inadequate, prompting her to hit delete and start anew. This process repeats itself, one draft after another, until she has five versions sitting in front of her, none of which feel right. With a huff, she deletes them all.

Just then the doorbell rings, pulling her out of her advice-column vortex. Leigh glances around, momentarily disoriented. It takes her a moment to recall that there's a party happening downstairs, and she's meant to be enjoying herself.

-

She’s halfway down the stairs when Jules's eyes land on her. Leigh freezes, as if she’s been caught red-handed. “I…couldn’t find the coupon for borrowing your clothes.”

Jules just smirks and arches an eyebrow, taking in Leigh in her dress. “Oh please, as if I ever keep track. Besides, that was just gathering dust after my ‘slutty Halloween phase’ as you so lovingly called it.”

“Cool! Perfect!” Leigh says, ignoring the backhanded comment. Her focus immediately turns to the front door as another guest arrives. “Hey, Dad!” she calls out.

Leigh’s dad walks in with his partner, and she greets them with a warmth that's been rare these days. He hands her a large, beautifully wrapped box. Leigh grasps the gift with both hands, shaking it gently, much like a child on Christmas morning. She’s thanking them when an old friend from high school she hasn’t seen in forever walks through the door, a bottle of wine in hand. Her mom swoops in like a hawk, reminding everyone it's a dry party in support of Jules's sobriety, and the wine is swiftly traded for a mocktail.

For the next hour, the house fills up. Leigh finds herself out back, tending to snacks, when a small line of people forms to chat with her. They each ask if she’s doing okay, their condolences tucked neatly between cheerful birthday wishes. Leigh’s smiling, but it's so fake even she is not buying it, mentally blacklisting half of these people for next time.

Just when the parade of condolence callers is beginning to fray her patience, one of her actual favorite humans finally shows up, saving her mood from souring completely. Drew looks striking in a simple black polo shirt, so much so that it reminds Leigh of the time Matt got all jealous over him, until Leigh let him in on the secret that he plays for the other team.

He passes her a little envelope, his birthday offering—a gift card. Leigh’s barely expressed her thanks over the simple present when he jumps right into feedback on her latest advice column. 

“Read your puppy counsel on my way here. It felt a bit... casual, don’t you think?”

Leigh smirks up at him, arms crossed, the gift card crinkling between her forearms. “Just say it's terrible advice if that's what you mean.”

Drew purses his lips before relenting. “Fine. It was terrible advice.”

“Expect more of that if I tackle the stuff I’ve been avoiding. Still think it’s a good idea?” Leigh says, nodding like it’s exactly what she wants to hear. Drew lets out a sigh, swiftly steering the conversation away before their playful banter escalates into a disagreement. With Leigh, he knows all too well that the edge of an argument is always closer than it seems.

“Anyway, happy birthday, again,” he says, trying to lighten the mood again. “Ryan's tied up with work stuff, totally wiped, but he did wish you a happy birthday.”

Leigh’s face hardens slightly at the mention of Ryan. She’s been harboring this nagging thought that Ryan dislikes her, a suspicion fueled by a criticism she once shared with Drew in confidence, suspecting Drew might have passed it along. Drew, seeing her expression change, doesn’t rush to correct her assumption.

“He hates me,” Leigh concludes before Drew can even get a word out.

“He doesn’t—”

“What I don’t understand is why you couldn’t have kept it between us?” she demands, feeling betrayed.

“Because Ryan’s my person. I tell him everything. That’s how being in a marriage works,” he says, but the moment he sees Leigh's face fall, he wishes he could retract those words.

Leigh bristles, her voice rising, “I know how being married works!”

She's livid, because that should go without saying. How dare he imply that she no longer knows, now that she's only half of a whole—her best friend, of all people.

Drew exhales coolly, as if trying to douse the proverbial fire between them. “Why does it seem like we're always either fighting or about to fight?” he wonders aloud.

Leigh’s anger softens into something more reflective, and she sighs, the fight draining out of her. “I don’t mean to...” She trails off, searching for the right words. “It’s like I’m always ready for a battle. I don’t know why. It’s like I’m expecting it, waiting for it, at the end of every day.”

Drew lets the moment breathe, waiting for both of them to deflate completely before tacitly reaching out behind Leigh for a snack. “These are great, by the way,” he says between bites, acting like they hadn’t just been at each other's throats.

Leigh tries to match Drew’s candidness, but inside, she’s reeling. It bothers her, this pattern they’ve fallen into—her temper flaring up, followed by a quick brush-off, as if these outbursts are merely now a part of who she is. She hates that she’s become predictable in her volatility, that her explosions are met with a shrug and a wait-out-the-clock mentality from those around her. She’s tired of it, tired of being seen as a ticking time bomb, her anger and hurt dismissed as just Leigh being Leigh, waiting for the reset button to be hit so the countdown can start all over again.

But it's her birthday, and she's brought these people together on a Tuesday night for fun. She didn't gather everyone just to tell them, once and for all, that they need to stop acting as if her husband just died.

So, she goes with the flow, laughing when it's her cue, even though deep down, she feels more alone in the crowd than ever.

-

With the absence of alcohol, the party winds down by 11 PM. Guests begin trickling out as early as 10, and by the time Leigh is bidding farewell to the last attendee, she's already donned an apron, ready to take on the mountain of dishes left behind.

Which is to say, showing up right now pretty much means you've missed the whole party.

Pulling up in front of Leigh's house, the night already deep into its quiet hours, you’re running on the adrenaline of the day's emergencies. Two cases back-to-back at the clinic, one of them diving straight into surgery, left you no choice but to push everything else to the side. Suzie, who was meant to join you as your plus one, ends up stuck back at work, tending to a recovering St. Bernard, so it's just you and the sleeping puppy on your lap now. For her sacrifice, you promise to take her out to a nice lunch one of these days.

The puppy starts wagging its tail in its sleep, and you look down with a smile at the little dreamer. The decision to give Leigh the puppy wasn't made lightly. You've been turning the idea in your mind for a while now. Initially, you didn't even realize her birthday was coming up, and the invitation to her party caught you off guard, especially considering the somewhat unresolved way things were left between you two weeks ago. The timing of her birthday, your rocky history, it all made you second-guess whether a puppy was a good idea. In search of a voice outside your own head, you turned to a favorite advice column you often read in your spare time. To your surprise, your submission was picked up by one of the columnists, and the response you got wasn't just advice; it was the push you needed. You were lucky to be able to catch their answer, just before you got home to change for Leigh’s birthday party.

Trying to calm the butterflies in your stomach, you give yourself a quick once-over in the rearview mirror and apply a fresh swipe of nude-colored lipstick. With one last look, you carefully step out of the car, the sleeping puppy nestled securely in your arms. The moment you move, it stirs, burrowing deeper into your armpit, seeking refuge from the light of the street lamps.

Everything's too quiet as you walk up to Leigh's house. You anticipated some noise, music or chatter—anything to indicate the party was in full swing. But there are none. Could you have missed the party? Or worse, did Leigh get the date wrong on her invite? Hesitantly, you press the doorbell, instantly regretting it, thinking you might be waking up the whole house.

Just as you're about to bail, the door swings open and it's Jules.

“Y/N!” Jules nearly trips over herself getting to you, eyes wide when she spots the furball you’re holding. 

“Hi Jules,” you mutter sheepishly.

“Is that a…” she squeaks out, already reaching for a cuddle before you've even nodded. Jules is all over the puppy, who seems just as happy to be the center of attention. After a while, she looks up, a bit more composed but still glowing. 

“I didn’t know Leigh invited you. Too bad, you just missed the party. But you should definitely come in and say hi to Leigh,” she says. You want nothing more than to see Leigh again, even if only for a brief moment, just to accomplish what you came here for and perhaps wish her a happy birthday. But with the party over and you potentially being the only guest, it feels like walking into a situation you don’t think you’re prepared enough for.

Then, as the puppy licks Jules' face off, she pauses and looks at you funny. It clicks for her—no collar, no leash, just you and this puppy who appear no more than two months old.

“Oh my gosh, is this for Leigh?” Jules gasps.

You nod, feeling a lump form in your throat. “I-If she wants him.”

Jules looks at you, then at the puppy, her smile blinding. “Well, I want him. But if she doesn’t, I’ll be more than happy to be his mommy.”

You laugh at her enthusiasm. Still feeling skittish, you ask, “Do you think it’s an appropriate gift for Leigh?”

“You're a vet. It's kind of on-brand for you,” Jules quips.

You laugh again. “Really?” you ask, kind of hoping for a more solid reassurance.

Jules considers it for a second, before saying, “I can at least assure you it’s not unwanted.”

Good enough, you think. Jules hands you back the puppy and then says, “She’s in the kitchen. Look, she’s not exactly in a good mood, but I think you should go for it anyway.”

That’s two people egging you to go ahead with your surprise. It must be a sign from the universe. You make up your mind for the final time. “Thanks, Jules,” you say.

“Anytime.”

-

You tread lightly, making sure your footsteps don’t give you away as you approach the kitchen. Leigh is at the sink, doing the dishes, clad in a black dress that skims her thighs, her feet bare against the cool kitchen tiles. Her shoulders are slumped, her movements laconic, as if her body is there, but her mind is miles elsewhere. The expanse of skin revealed by her hair tied up in a high ponytail captivates you, holding you back from announcing your presence. You allow yourself a moment to take her in, thinking this might be the only chance you get to really look at her like this. 

You’re about to say “Hi”, when Leigh whirls around, startling you both. Leigh, not expecting anyone to be there, loses her grip on the plate she's holding, and it smashes loudly against the floor. 

“Jesus!” Leigh’s scream summons Jules and her mom into the kitchen. Meanwhile, you are trying to do damage control—holding the puppy with one hand and attempting to gather the ceramic shards with the other as Leigh continues to stare at you in shock.

Amy, wrapped in her robe, looks from the mess on the floor to you and then to Leigh. “What’s going on here?”

Jules is unfazed, simply watches the entire scene from a corner of the room, smirking. 

Your cheeks flush with shame, and you find yourself grateful to be still seated on the floor, your back turned away from Leigh's family.

“I’m so—” you start, but Leigh cuts you off.

“Okay, everyone just...calm down," Leigh says. She kneels down beside you, her hands joining yours in cleaning up the broken pieces.

“I'm heading to bed,” Jules says and then winks at you. “Happy to see you, Y/N!”

Amy wraps her robe more snugly around herself, then with a small, puzzled shake of her head, says, “Well, good night everyone. And happy birthday again, sweetheart,” before she walks down the hall and out of sight. Leigh gets to her feet, a slight nod of appreciation directed your way as she holds open a trash bag for you to deposit the ceramic shards. That’s when the puppy finally catches her attention. 

“And who's this little guy?” she asks, a smile starting to play at the corners of her mouth.

You clear your throat. “Uh, yeah. He’s yours if you want him. Don’t worry about refusing, there’s someone lined up to take him in case you’re not—”

But Leigh’s already gently taking the puppy from your arms, instantly cradling and bouncing him as though he’s a tiny human baby. It’s a sight both funny and utterly endearing, and you can’t help but let out a soft chuckle, feeling your heart grow a size or two.

“Who wouldn't want him? He's perfect,” Leigh says, her eyes not leaving him as he nestles comfortably in her arms. Hearing those words, you feel a wave of relief wash over you. She doesn't find it odd; she's already falling for him.

“Happy birthday,” you tell her, and when she looks at you, her smile is so bright it could light up the whole night. Right there is everything you hoped for. All you really wanted was to see her happy.

“Thank you so much,” she murmurs, clutching the puppy tighter to her chest. Then, cocking her head to the side, she inquires, “What's his name?”

The grin on your lips can’t be helped, and you’re hoping she wouldn’t see just how much she’s having an effect on you. “I haven’t named him yet. He was always meant to be yours, Leigh,” you say.

Her smile just gets bigger as she gazes down at the little furball in her arms, and you think this is exactly how things were supposed to go down. It’s one of those rare moments where reality lines up perfectly with expectation. 

“I think I’ll call him Logan.”

-

You and Leigh retire to the living room after she kindly offers to make you decaf. As you settle onto opposite ends of the couch, tucking your feet under you, Logan instinctively takes shelter in Leigh's lap, as if he already knows he belongs there.

“So…Why Logan?” you ask, after making a mental note of how Leigh makes her coffee: one cream, two sugars.

“Well,” Leigh says, her fingers gently stroking Logan’s deep chocolate fur, “he just looks like a little wolverine, doesn’t he? With that color and those defiant little eyes.”

The dots connect in a funny, unexpected sort of way. Leigh and comic books don't seem like the most likely pair. 

“Ah, like the X-Men character. I didn’t know you were a comic book fan,” you say.

She laughs, a sound that’s light and free of any shadows. “Oh, I wasn’t. Not really. It was all Matt. He had this massive collection, and he was pretty obsessed. I guess some of it rubbed off on me after all.” The mention of Matt doesn’t bring clouds into her eyes like you expected. She talks about him like she’s looking at something distant but dear.

“Thought you were bailing on me tonight,” Leigh , almost casual but there’s this undercurrent, like she’s really saying she’s glad you didn’t.

“I’m sorry. I got stuck at the clinic longer than expected.” Leaving her waiting, especially today, was never part of the plan. Your work as a vet often means unpredictable hours, but you hadn't expected it to stretch so far into the evening.

“It’s okay, you didn’t miss much.” 

Her casual dismissal makes you wonder, but not wanting to pry too much, you shift slightly, asking, “So, how did it go? Did you enjoy yourself at least?”

Leigh simply smiles and shrugs, an action that speaks volumes without giving much away. “This,” she nods down at Logan, “getting him from you, feels more like my birthday than anything else today.”

The conversation that follows is easy, skipping over the day-to-day stuff—nothing deep, but you're both there—really there—and it's nice. It feels like a fresh start, and you're deeply thankful for the second chance she's offering you. You promise yourself you won't mess it up this time. 

But just as you’re both delving into more personal topics, someone rings the doorbell. Logan perks up, his head tilted, ears alert. Leigh gives you a look, as if saying she's not expecting anyone else to show up this late at night. She puts the puppy down on the floor and when she opens the door, it’s Danny, looking sorry for himself. He’s holding a bouquet of roses in one hand and a bottle of wine in the other. It seems as though he has the whole evening planned out in his head—apologize, crack open the wine, and maybe be invited to Leigh’s bedroom afterwards.

Danny’s eyes find you and his face falls a bit. He wasn’t expecting company, certainly not you. “Leigh, can we talk?” he asks, then looks pointedly at you. “Alone?”

Leigh looks torn for a moment, glancing your way as if she's not ready to let you out of her sight. She insists it'll just be a minute, but you can read the room. This is something they need to sort out without you playing third wheel.

“It’s all good, I'll head out,” you tell her though you're staring Danny down, making sure he knows it’s not because of him that you’re leaving. Leigh either misses the whole glare-off or decides to stay out of it. Logan tries to follow you as you make for the door. It’s hard leaving him behind, but you know he’ll be happy to have found his forever home. You kneel down, giving Logan a soft kiss on the head, promising him you’ll be back soon. And then you turn to Leigh, a question at the tip of your tongue but she already knows what you’re going to ask. 

“You can see Logan anytime,” she says with a faint smile. “I might need your help with him sooner than you think.”

The moment you close the door behind you, Leigh's jaw sets in a firm line, bracing herself to confront Danny. Her main priority is to get Logan settled, so she decides that forgiving Danny might be the quickest way to send him on his way. But Danny’s focus now isn’t on apologies or making it up to her. He’s fixated on Logan, his brows knitting together in confusion and, curiously, a bit of annoyance. 

“Who gave you that?” he asks Leigh as if he’s just referring to an inanimate object lying around the house. He sounds like he's almost accusing her of something, and Leigh's baffled. 

“A friend gave him to me,” she says, nodding towards the door you've just walked out of. Danny's face twists up in an instant, like a storm cloud bursting. “A friend,” he repeats, and the way he says it, it’s clear he’s not just asking. He’s fuming with jealousy, and Leigh can’t wrap her head around why.

A gift is just a gift, right? Why would…

Oh.

Earlier, while she was reviewing submissions for the advice column, someone asked if giving a puppy as a birthday gift to someone they're interested in would be a good idea. She remembers how she happily encouraged them, telling them to go for it.

At this realization, Danny, the puppy, and everything else slide to the back burner. The only thing occupying her mind now is the deep, dark brown hue of your eyes, like rich espresso.

EspressoEyes. That's how the person behind the submission signed off. It's like a lightbulb moment, but softer—like waking up slow.

It's you.

Oh.

#unbetad #my writing #my fic #elizabeth olsen x reader #elizabeth olsen #leigh shaw x reader #leigh shaw x female reader #leigh shaw #sorry for your loss au #leigh shaw x you #wanda maximoff x reader #wanda maximoff x you #sorry i had to tag wanda x reader for visibility

[raven-at-the-writing-desk]

rabbit costume + luxe couture miss raven

Because I love the Alice in Wonderland aesthetic and White Rabbit Fest is running in EN right now… 😭 I decided to make a Rabbit Costume for my OC! Figured I’d also do the same for the event running in JP at the same time, Tapis Rouge in the Shaftlands.

Special thanks goes to @peripheralsanity for the super adorable bonus drawing of Miss Raven in her Rabbit Costume 😭 I wanna cram that bunny into my mouth like an Easter marshmallow…

My own doodles are below the cut, along with various design notes 📝

First up, the Rabbit Costume!

It takes a lot of inspiration from Alice herself: the bow in her hair, the dress, the apron. Miss Raven’s Heartslabyul dorm uniform design also pulls inspiration from Alice, so I tried very hard to make this look unique from that!

There’s a lot more bows, frills, and huge, goofy-looking accessories—like the rabbit ears + tail plus the shoes. The outfit also features a lot of pastel checkerboard pattern and shimmery makeup, like what is featured in Deuce’s Rabbit Costume. Upon closer inspection, there’s even more intricacies! Raven’s apron has heart-shaped pockets, the apron’s top has card motifs stitched into it, and the corset belt has a rabbit slowly dressing and then taking up a bugle to play. The transition demonstrates her own adaption to living among non-animals 😅

The rabbit on her skirt, chain, prize ribbon, and earring aren’t the White Rabbit but a cobbled together rabbit that’s missing an eye. The XO Rabbit poses as and stillinvokes the image of the White Rabbit, especially when it’s right next to a pocket watch. It fits Raven, who is someone not “organically” in the world of TWST (since she’s an OC).

I think my favorite part of this design is the super wacky and big hair. You may recognize it from the Hatsune Miku x Cinnamoroll campaign that was popular a while back. The shape reminded me of bunny ears, so I thought it would be nice to incorporate into Raven’s Rabbit Costume.

There’s so many strange things in clock town to observe! Miss Raven would have a fun time hopping around and seeing the sights… documenting them with Ortho, picking out clocks and other souvenirs with Silver, chomping through the local specialties with Epel. Ah, and as for Deuce 🤔 “Your son is trying very hard in his studies, ma’am,” she’d tell Dylla very seriously. “I commend him for his efforts.” (She very tactfully focuses on his improvements and personal growth over the actual numbers he produces.) Students of 1-A gotta look out for each other, right? Deuce fist bumps her behind her back or something to signal his thanks.

Miss Raven isn’t the athletic type, so I don’t think she would run in the relay race with them. (It would be hard to run in that dress anyway.) She can stick on the sidelines and cheer for them…!

Next is the Luxe Couture!

I actually made two variants. One is more inspired by the Fairest Queen’s raven and the other is similar to the SR and R boys’ huntsman-inspired designs.

The first has more of an old-fashioned movie star feel to it… which isn’t really what Vil invited the other students for so it falls outside of canon 😂 I just thought it would be cool to have a more personalized, glamorous fit for Raven.

She has much darker and more excessive eye makeup in this version. A bold, more confident look outside of her usual wheelhouse. Her hair is also curled into her face to resemble feathers, and her bun also has strands spiked up to look like feathers too. The dress itself is also very feathery, forming a train behind her wherever she stomps in her heels. The top of the dress also acts as a feather boa, making her appear larger and more intimidating than she actually is.

If you’re wondering why tiny skull earrings, it’s because the Evil Queen’s raven falls into a skull at one point in the movie 💀 since it’s so taken aback by what it is witnessing… That “wow!” but also somewhat scared feeling is very similar to how Raven feels entering Fairest City, so I wanted to include a skull in some way. If I made the motif too big or too obvious, then it might clash with the whole ensemble so I chose to go with an understated accessory instead.

This look is definitely the most “different” of the group, but I tried to keep some elements in common with the others. For example, Raven still has the lace curtain which appears from where her dress is slit. She also has sheer gloves that have been studded with little white rhinestones. The jewels aren’t as big or colorful as Vil’s, but that’s the point: to not outshine the star. Miss Raven is nothing more than the shadow that clings to its queen 😌

The more group-cohesive outfit is last!

It’s a similar double-breasted beige coat as Jamil’s, but it fans out into a dress + slacks at the bottom and has different sleeves. The puffiness of the sleeves at the shoulder and wrists make her seem large and in-charge! The buttons on her coat are large pearls.

I tried to maintain the huntsman’s color scheme throughout the outfit. Because of this, Raven’s belt is red and the lace in her dress is green. Her boots are similar to hiking boots (just picture them fancier in your head OTL I’m not great at drawing footwear).

We get her forehead in this design!! Her hair is pulled back into a “fancier than usual” ponytail, with her hair bunched into one loop before resuming as a normal ponytail. The clasp she uses is similar to the one Vil wears in his school uniform. Originally, I thought of just shoving an arrow through instead but decided against it since it makes the huntsman theme too obvious. The same reasoning came up when I considered giving Raven a small cocktail hat that looks similar to what the huntsman wore. Her head just looks so naked without something there 😂 but in the end I managed to refrain, and I think that helped the outfit look more clean and elegant.

Raven would be excited to visit Fairest City—it’s the capital of the entertainment industry! Though her main medium is quite different than that of films, she’s always wanted to visit for educational purposes. (Maybe she can learn from the scriptwriters there!) “At least one of you cares to learn,” Vil would tut. The trip’s a little stressful, trapped between Jamil and Azul’s petty remarks at one another and Ace teasing her for being the “odd one out” of the group—but hey, it’s all worth it for the experiences made there! I’d imagine that Raven loves all the pampering they get and all the important people they meet, it makes her feel like a real princess. Everywhere she looks, the streets and stores are shining too! Her raven blood is soaring. “I didn’t realize you had such excitable juniors, Vil,” Eric would chuckle. (“Waaaah, so cool! Like a prince!!” Raven would gush, earning eye rolls from her classmates and a groan from Ace.)

Walking on the red carpet wouldn’t interest her that much; she doesn’t like the attention so she tries hard to just fade behind the others and play support as best she can. Carrying Vil’s things or helping him with his makeup is no problem, just don’t thrust her under the spotlight and all the flashing cameras!

#twisted wonderland #twst #twst oc #twisted wonderland oc #Raven Crowley #my art #notes from the writing raven #disney twisted wonderland #disney twst #white rabbit fest spoilers #twst en #twisted wonderland en #tapis rouge in the shaftlands spoilers #gifts for the writing raven #fan art #Hatsune Miku #Cinnamoroll #Epel Felmier #Dylla Spade #Deuce Spade #Silver #Ortho Shroud #Ace Trappola #Jamil Viper #Azul Ashangeotto #Vil Schoenheit #Eric Venue

[mimsynims]

Fool For Love

part 6

~~~

part 1, part 2, part 3, part 4, part 5

~~~

Author's Note: Sorry it took longer than usual! The first bit I wrote was shorter than I wanted, so I kept writing - and now you'll get more than usual instead haha... (Sorry not sorry about sneaking in a bit of a side ship I have, but it fit in this part and I want Karlach to have her hot blacksmith - yay HeartForge!)

Thank you for the comments! <3

Oh, and as I think I mentioned before, this will of course stray from canon but I have and will use things that actually happen in the game too (act 1/2), just FYI.

~~~

Astarion x reader/Tav

Tags: angst, pining, pining while fucking, jealousy, minor Karlach/Dammon, eventual happy ending

Summary: You thought you knew what you were doing when you let Astarion into your bed. He doesn't have feelings for you, and vice versa. Only... now you do. And you're not handling it very well, making a rash decision you will regret. Is there a way to undo it?

~~~

It’s eerily quiet when you get back to camp. Not that you expected your friends to still be awake, but the silence feels ominous.

Or perhaps it’s just your guilt making it seem that way.

You’re not sure breaking things off was the wrong decision — the jury is still out on that — but you regret how it happened. Regret being so harsh.

Regret not waiting until morning to have the conversation.

A noise coming from the direction of Gale’s tent snaps you out of your musings. Your body tenses up, readying for battle. Scanning the area, your hand drifts down towards a weapon that isn’t there. You must have dropped it sometime during… during. It aches thinking back and you can’t bring yourself to go back. Not now, anyway. 

You spot a flash of purple and instantly relax. Gale must be awake still. 

Perhaps the gods decided to be lenient after the night you had, giving you the opportunity to stomp out at least one fire you’ve accidentally started before it becomes an uncontrollable inferno.

“Still up, Gale?”

“Tav!” He smiles. “Yes, but I was about to tuck in for the night too.”

His eyes roam over you, but if he suspects what you and Astarion were up to after he and the others left, he doesn’t mention it.

“So, Gale…” You clear your throat. “I actually came over to apologise.”

“Apologise?” He sounds genuinely surprised. “Whatever for?”

“I think I might’ve given you the impression that I’m interested in more than friendship. And that was careless of me.” And apparently, you’re too much of a coward to admit that you used him. “I’m sorry.”

Gale takes a moment before he answers. “You were careless, yes. But I think I may have an inkling as to why.”

“Ah.” Of course he does. “For the record, the circumstances surrounding that… reason, have changed, one might say.” Because you were acting without thought, yet again. “Which doesn’t affect things between us — you and me, I mean. I value our friendship dearly, but–”

“Tav.” Gale holds up a hand to stop you. “You don’t have to explain yourself to me.”

He sounds sincere, and searching his face, you find nothing to suggest otherwise. “Thank you. For what it’s worth, I did have a really nice time tonight.”

“Good. Me too.” A half-smile tugs at the corner of his mouth. “I can’t pretend I wasn’t disappointed when you invited the others, but in retrospect, I think you did the right thing.”

“You’re a good man, Gale.” A hug seems inappropriate, so you place a hand on his arm instead. “I’m sure someone better and kinder than me is waiting somewhere out there for you.”

His smile turns wry. “And I’m sure you and your ‘reason’ can sort things out once you both stop being stubborn arses.”

It’s probably because you’re still a bit drunk and in need of sleep, but you can’t stop yourself from bursting out laughing. “I think we would need a miracle for that.” Gale isn’t wrong, both you and Astarion are often too stubborn for your own good.

You expect Gale to at least chuckle, but instead, his expression softens. “It seems a miracle we’re all still alive, so who’s to say we can’t have another?”

He sounds so serious you stop laughing just as abruptly as you started. The hurt from before resurfaces, because there’s a bigger obstacle than stubbornness in your way. “I think I would need more than one miracle to accomplish what you’re talking about, and I doubt that I’m that lucky.”

Because even if you would talk, he still doesn’t love you, and in your current miserable state, you doubt that he ever will. To your dismay, you feel tears threatening to spill. Perhaps you should’ve waited until tomorrow to talk to Gale, after all.

Gale comes closer and puts a hand on your shoulder, squeezing it, sympathy plain on his face. “I’m sure that’s not true.”

This conversation has taken a turn you don’t want to face right now — and with Gale, of all people — so you just nod.

“Thank you for your honesty, Tav. Now off to bed with you.” Taking a step back, Gale lets his hand drop, Gale. “We both need all the sleep we can get, I think.”

“We do, yes.” You turn to leave but not before giving him another smile. “Thank you, Gale.” You don’t elaborate, but you can tell that you don’t have to as he bows his head in understanding.

“Goodnight, Tav. Sleep well.”

“You too, goodnight.”

As you walk over to your tent to change before going to bed, you think you see movement in the corner of your eye, but when you turn your head to look, there’s nothing there.

“And now you’re imagining things,” you mutter to yourself. “No more alcohol for you until we’re somewhere safe.”

Whenever that may be.

The following days go by in a whirlwind of events, and even if you somehow would have plucked up the nerve to talk to Astarion, you never get the chance. 

First, it was Elminster showing up to talk to Gale. You’re still not convinced it was a good idea to let him into your camp — most likely not, considering the message he was here to deliver.

You know you probably should’ve waited to let Gale have the time to process, but he insisted you press on and next thing you knew, your party was in the Shadowlands, facing goblins and driders and Harpers.

And Jaheira.

Astarion has been ignoring you as much as he can since the night, but you could sense his approval when you refused to drink the wine Jaheira offered you. Perhaps you can mend things between the two of you, in time. You desperately hope so, because a part of you already misses the chats. His embrace. The connection.

Last Light Inn turns out to be a place with many familiar faces, but after the long day you’ve all had, you decide to rest before reacquainting yourself with everyone — with one exception. 

To your — and Karlach’s — delight, you find Dammon in the stables outside the inn building.

You hide a smile when Dammon lights up at the sight of the Karlach. He may be greeting all of you, but his eyes rarely leave the Tiefling, even when he talks to you and the others. It soothes your aching heart to know that things might work out for at least one of you, even if your own love life seems doomed.

Somewhere along the way, she’s become one of your best friends. She deserves nothing but happiness, and it feels like she’s one step closer when Dammon tells her that he can craft an insulating chamber for the infernal engine. It’s not a permanent solution, but it’s enough, for now, to finally allow her to touch people again.

You stand back as Karlach instals the chamber; Dammon looks at her so intently it almost feels like you’re intruding.

The chamber clicks into place.

“Go on,” Dammon says, lifting a hand. “Give us your hand.”

Circumstances aside, it’s a lovely moment, watching the two of them.

“Damn. I’m good.” Dammon laces their fingers for the briefest of moments. “And you — you’re very touchable.”

They’re both so adorable you wish you could grab the others and leave these two be. And perhaps you also wish that this could be you and a certain vampire that is currently looking everywhere but at you.

Letting go of Dammon, Karlach turns to you with the biggest smile you’ve ever seen from her yet.

“Tav! I can touch you now!”

“I’m so happy for you, Karlach! May I hug you?”

“Yes.” Her smile wavers with emotion. “Please.”

Her skin is hot against yours but it’s not unbearable, so you wrap your arms tight around her, glad to finally be able to hug your friend.

“Thank you.” She sounds close to tears. “Talk more back at camp, yeah?”

“Sure.”

“Karlach? I need to explain the bad news too.”

You can feel a hitch in her movements and when she pulls back, her smile is strained.

She listens to what Dammon has to say, but you’re not sure she fully accepts it. You decide to leave it, for now, not wanting to dim her joy more than necessary.

Back at camp, Karlach keeps touching everyone here and there — even a moody Lae’zel accepts it, albeit reluctantly — and her happiness seems to lift the spirit of the others, too.

When everything calms down for the night, you seek her out. You can feel Astarion’s eyes on you, and in a moment of bravery, you decide you’ll talk to him after you’ve spoken to Karlach.

“Karlach? May I come in?”

“Of course! You’re always welcome into my tent, Tav.” She’s ever-moving, still brimming with energy. “Everything alright?”

“I’m fine.” You decide to get right to the point. “I’m actually here to talk about you.”

“About me?”

“It was impossible not to notice the chemistry between Dammon and you today. With everything that’s happened, and considering what the future seems to hold for us… I think you should seize the moment. Go and find him. Be happy, while we still have time.”

Karlach stops to look at you, uncertain. “You think he would want that?”

“I do. He looked just as smitten as you clearly are.” 

“He did, didn’t he?” Her expression turns a bit bashful. “I didn’t just imagine it?”

“No, definitely not. And we won’t be rushing out of here just yet, so if you find yourself inclined to spend the night with him…”

“Tav!”

You shrug, holding back a grin. “I’m just saying.”

“Right.” She nods to herself. “You’re right. I should go right now, shouldn’t I?”

“Yes. Go, shoo.”

She laughs. “So eager to get rid of me. Planning to seduce someone yourself, Tav? I’ve seen your looks towards a certain someone.”

You don’t bother holding back the curse as you both leave her tent. “Am I that obvious?”

“Yeaaah. But it’s fine, and I’m rooting for you.”

You look around, searching for the man in question. “Does that mean that everyone…?”

“Think so, yeah.”

“Fuck. Double fuck.” So everyone knows. And Astarion is nowhere to be found. Again. “He’s not here.”

“Wanna tag along to the Inn? Perhaps he’s there?”

You’re not sure you’ll be able to approach him if he’s there but not alone, but then again, there’s probably no use waiting in camp either. “Yes, why not?”

You tell yourself that if he’s not there, you’ll drink one beer — because gods know you need it — and then you’ll head back. It’s been a long day, and even with everything buzzing around in your mind like a swarm of hornets, you’ll probably have no trouble falling asleep the moment your head hits your bedroll.

It turns out that Karlach is right, Astarion is there. You spot him right away, sitting on a barstool, a goblet of wine in his hand. But he’s not alone. He’s sitting very, very close to someone. You can’t see their face, but the way Astarion holds himself, the way he moves his hand to touch their shoulder…

It seems he has found someone else to spend the night with.

As is his right, but the pain is more than you can handle. You won’t stop him, but it’s impossible to stay and watch it happen. The jealousy would break you. As unluck would have it, Astarion chooses that moment to glance over his shoulder, and before you have time to react, he sees you.

Leave. You have to leave. You spin around and flee through the door, almost bumping into one of the Harpers. You’re making a fool of yourself, but you’d rather have that than seeing a smug expression on Astarion’s face.

Half-running towards camp, you decide it’s time to get over yourself. Astarion clearly has moved on — and so should you.

~~~

#astarion #astarion ancunin #astarion x reader #astarion x tav #bg3 fanfiction #bg3 fic #bg3 astarion #bg3 spoilers #bg3 tav #fic wip

[tkaulitzlvr]

Can you maybe write 2010 toms reaction and hc's for the reader being pregnant?

UNEXPECTED - T. KAULITZ

synopsis: you have to tell tom some unexpected news, and his reaction isn’t what you had hoped for.

content: angst

a/n: thank you so much for the request, i am so bad at head canons so i just did a fic, i hope that’s okay!!

my hands shakily clutched at the test, tears rolling down my flushed cheeks as i hoped that somehow, my eyes were deceiving me. positive, the test reads, the eight letters staring back at me, reminding me over and over that they are very real, and i can’t back out of this.

tom and i were always careful, using protection every time we had sex to stop things like this from happening. we were young and foolish, as every 21 year old is, not ready to welcome a child of our own into the world, the thought of it scaring me so much, never thinking that it would become a reality so soon. it wasn’t that we didn’t ever want kids, but tom was constantly on tour, away from home for weeks and though i always went with him, it just wouldn’t be right to take a child with us. we had always discussed starting a family, both of us coming to the mutual conclusion that now just wasn’t the right time.

which is what terrified me even more, tom’s reaction worrying me as i just couldn’t guess what it would be. he was currently at the studio with the band, and he would be home any minute now, evening dawning over us as he had no idea of the news i was about to bring to him.

i sat on the couch, the test stuffed into the back pocket of my jeans, my eyes fixed on whatever was on the tv, but my mind was elsewhere, waiting for the door to open and tom to walk through it, praying that he wouldn’t freak out. there was no time left to just hope, the door handle turning as tom steps through, baggy jacket clad to his figure, reminding me just how cold it is outside. he takes his shoes off, announcing a quick “i’m home my love”, before entering the living room, a smile appearing on his face once he sees me.

he walks towards the sofa, sitting down beside me and embracing me in a hug. my body begins to shake as i can no longer hold back the tears, tom noticing and quickly pulling away, studying my face and the sorrow etched upon it.

“baby, what’s wrong?” he replies, concerned, holding my face and kissing my forehead, attempting to wipe the tears as he awaits my response.

“you promise you won’t get mad?” i manage to let out between sobs, my words almost inaudible, yet he clearly understands what i say, his eyebrows furrowing slightly.

“what? why would i be mad? you can tell me anything, you know that.” he says, much more composed than i am, his heart aching to see me in this state. “now what’s wrong? please, talk to me schatz.”

my eyes meet his for the first time, bloodshot and glassy, whilst his hurriedly scan my face, the worry only increasing in his own as every second passes that i don’t confess. i can’t bring myself to say the two words “i’m pregnant”, because the second i do, it will truly become real, my mind in some twisted sort of denial, telling myself that if i don’t admit it, it will somehow go away. so, instead of saying what is wrong, i decide to show him, reaching hesitantly into my back pocket and placing the pregnancy test in his hands.

he looks downwards, finally seeing the reason why i am so upset. his body tenses up, his mouth hanging open in shock the only thing he is able to do. i cant tell if he is happy, excited, or completely angry, all i know is that he cannot believe his eyes. the tears continue to spill down my cheeks, praying that he will reassure me that everything will be okay, but the twisting feeling in my stomach provides me with the terrifying realisation that i’m not going to receive that comfort.

“please say something.” i whisper, my voice shaky as he still hasn’t moved or even looked at me, his eyes fixed on the pregnancy test in his palm of his hands.

“is this real?” he mutters, refusing to look at me, his hands trembling a little.

“it’d be a pretty fucked up joke tom.” i reply, angry at his ridiculous question but not in any position to consider causing an argument, knowing that is the last thing i need right now.

“i just- i don’t know what to say. i’m not ready for this.” he confesses, finally looking upwards as his gaze meets mine, his eyes now glazed with tears, yet he isn’t sad - i see a glare within them that cannot be mistaken for anything else but anger.

“i’m not either tom, you know this. i don’t know what to do.” i put my head in my hands, sobbing even more now, my breathing fast and irregular. my mind longs for any sort of comfort from him, even a little reassurance, a half-hearted ‘it’s gonna be okay’, even though it would be a lie, it would be the most perfect one he ever told, because it would give me a million times more consolation than i am receiving right now. but he stays silent, biting his lip, almost as if he is stopping himself from truly speaking his mind.

“i can’t do this.” he finally says, standing up and walking out of the living room, exiting the house as he closes the front door behind him with a slam.

my breathing begins to quicken, my heart rate increasing as the worst possible scenario is suddenly becoming true in front of my eyes. if me finding out that i was pregnant wasn’t enough, tom leaving only placed the cherry on my cake, a sickening sense of guilt now punching me in the gut, stabbing a knife in the wound as i begin to feel nothing but completely stupid for letting this happen, blaming it all on myself. my sobs are muffled within my hands as my head rests there, my entire body trembling as i long to be in his arms, him telling me that it would be okay, that we would get through this. instead, the cold air is my only company, leaving me in it’s icy embrace, giving me the constant reminder that i am alone.

it is this reminder that sticks with me until my eyes begin to feel heavy, my body falling into a deep sleep, providing me with a temporary distraction from reality.

warm hands. two large, warm hands are what wake me from my sleep as they caress my face gently, contrasting with the coldness of the entire house.

“love?” i hear a familiar voice whisper, finally opening my eyes to see tom kneeled beside me, his own bloodshot from crying.

“why are you here?” i ask, anger quickly filling my veins, the reminder of how quickly he left, betrayed me like it was nothing, flooding my memory.

“i’m sorry. i shouldn’t have left like that. i was just so shocked, and i backed out, and i shouldn’t have. we can talk about this, if you’re ready to.” he softly says as i sit up, moving his hands off my face.

“you left me.” i mutter, the tears already threatening to fall. “i wanted your support, and you left me. you fucking left me when i needed you most! do you know how shitty that feels? all day, i’ve felt guilty, and i find the courage to tell you and then you fucking bail on me?”

“i know and i’m so sorry my love. i didn’t expect it, i reacted in the wrong way-”

“what you think i did expect it? you think i’ve been throwing up for the past two weeks and i wanted it to happen? do you know how hard it’s been to hide my suspicions, because i didn’t want to scare you until i knew for sure, and then you run away because you didn’t expect it? the one time, the one time i fucking need you here and you leave me.” i sob, my voice breaking as i shake my head, standing up and walking away, tom quickly following me to the kitchen where i stand, my front against the counter, head in my hands.

he says nothing, but wraps his arms around my waist from behind, his thumbs running along my stomach comfortingly, lips pressing small kisses on my shoulder as i slowly begin to calm down. we both stand in silence, tom never loosening his hold on me, finally speaking up once my breathing has slowed a little.

“i’m sorry. i’m so so sorry. you didn’t deserve that at all. i promise you, i’ll never leave you like that again, not for a second.” he whispers, turning me around so that my chest is flush against his, his arms securely around my waist.

“why did you do that tom? you have no idea how scared i am.” i say, my words slightly muffled as my head is buried into his t-shirt, my arms clinging onto his neck.

“ i’m so sorry. i’m sorry.” he keeps repeating, kissing my forehead over and over between his words, never once letting go of me.

“what are we going to do?” i sigh, appreciating the fact that we have made up, but knowing that it doesn’t change the situation or make the reality any easier to swallow.

“i don’t know baby, i don’t know. but whatever you decide, i’ll be right here, always. i promise, i’ll always be here.” he affirms, and the sincerity of his voice tells me that i can believe every single one of his words.

“i love you tom.” i say, the words slipping from my mouth naturally as they are the only ones that come to mind.

“i love you too.”

requests are open! keep sending them in!!

#tom kaulitz #tom kaulitz x reader #tom kaulitz fluff #tokiohotel #tom kaulitz angst #tomkaulitz #kaulitz #kaulitz twins #bill kaulitz #tom kaulitz smut #tokio hotel

[kitixie]

Little Girl Gone (pt 2)

Little Girl Gone / T.S. (part 2) 

part three here

Synopsis: You agree to meet up with Tommy for dinner, but when it doesnt go to plan you find yourself in a dangerous situation.

warnings: violence (not extreme, very canon typical), tommy is not nice but i promise it'll make sense later, cursing

word count: 2.4k

taglist: @budugu , please let me know if youd like to be tagged!

information: Thank you all so much for reading, it warms my heart to know someone enjoys my writing! please leave a comment if you have a critique or anything else to say!

Around 4:30 the following evening, you began to get ready for your dinner with Thomas.

As you brushed and styled your hair, you thought of his strange mannerisms from the night before. He had seemed off towards the end of the conversation, and that was something that never happened, as nothing ever threw Thomas off. Just as the final touches of your hair and makeup came together, you realized the time. You had been so lost in your thoughts and in your indulgent hair care and makeup routine, that you had spent an hour primping and priming. Now only thirty minutes away from Tommy’s arrival, you needed to pick out a dress.

To a man, picking out a dress for dinner may seem like a small task in the grand scheme of his day, but all women know this to be false. First, you pick a dress. Then, you have to pick coordinating stockings, an overcoat, sometimes an undercoat, a bag, gloves, and depending on time of day, a hat. So what most men would deem as a quick process, isn’t a quick process at all. You did happen to be in luck though, as your favorite dress was one of the only items of clothing you’d hung up in your small closet after you moved in. You had your stockings from the night before, and they were a perfect match for your skin tone so that was also an easy choice. You decided to forgo a handbag, as you’d just be going to the Shelby’s, so you wouldn’t need any money. For shoes, you settled on a pair of well-broken-in kitten heels. This outfit was out of your recent rotation, given the odd jobs and such you had been working after your fathers death and mothers disownment, but Tommy always dressed to impress, so you thought you should too. Following that train of thought, you added a pair of your mothers white satin gloves, and awaited his arrival at your place.

6:00 pm

A loud knock sounded through your apartment, and you quickly jumped to open the door. There, in all his glory, stood Thomas Shelby. Looking good as ever in his black suit with a pressed white dress shirt, this time his hat folded in his hands.

“Y/N, you look lovely this evening.”, he remarked, eyes scanning you from head to toe.

“Thank you Tommy, you look handsome, as always,” you blushed, feeling the heat rise to your cheeks.

Tommy smiled, offering his hand to help you out of the door and down the stairs of your apartment. You accepted his hand, loosely holding it in yours, before dropping it to turn around and lock the door of your home.

Once the two of you had made it to Tommy’s car, he opened your door.

“Always the gentleman, aye Tommy?”, you laughed, giving him a soft smile as you stepped into the car and sank down into the passenger seat.

“For you, yes, always.” He nodded, reciprocating your smile, and gently closing the door.

He rounded the car, getting in on his own side and starting the engine up. It gave a sputter, then turned over, allowing him to put it in gear.

“I could take a look at sometime that if you’d like Tommy.” You spoke softly, wanting to offer your help.

“How do you know anything about automobiles? Did you work as a mechanic in your time away, Love?” He joked, a small laugh followed by a toothy smile coming from his mouth.

“Yes, actually. I did.” You said sternly, not appreciating the mans sarcasm.

“And what else did you do in your time away? I suppose you also learned to train horses, or fire a gun?” He joked again, clearly not understanding your short tone of voice.

“One of those I did, the other I am still clueless about. Feel free to guess which.” You stated, now having grown angry at his teasing.

Tommy feigned a sigh, followed by his imitation of a horses neigh. The two of you remained silent for the remainder of the ride to Watery Lane, only for the conversation to be interrupted by Tommy as the two of you pulled up to park in front of the house.

“Just so you know, Arthur and Pol are here as well. They wanted to hear all your stories about your time away as soon as I told them I was bringing you over.” He spoke, his gaze remaining on your face.

“Okay, Tommy.” You spat, still quite upset about the conversation at the beginning of the ride.

Before he could ask any questions, you pulled open the door to the car, getting out. He tried to catch up to you, but you made it to the front door of the Shelby home before he did, and let yourself in the house. Old habits die hard, as they say.

Once inside the home, you surveyed your surroundings. Not much of the decor had changed, a few updated photos here and there, but mostly everything was still in its rightful place. You made your way through the house at a leisurely pace, admiring all the once familiar details that now seemed new. You made your way to the dining room, while Tommy still trailed behind you, watching your every move.

“Oh dear, it is so lovely to see you again! It’s been so long, how are you?” Pol said, quickly rising from her chair to give you a warm, yet firm hug.

“I’ve been good Pol, thank you. How have you been?” You returned, not only as a formality but because you were genuinely interested in her life.

As Pol rattled off her answer, talking about ‘business this’ and ‘this family that’, you noticed Tommy move behind you. He came around to your left side, pulling a chair out. You remained standing, not wanting to sit if that was where he had wanted to sit, but the soft hand on the small of your back encouraged you to take the seat. You briefly nodded up at him and gave a soft smile, then continuing to listen to Pol.

After Pol had placed food for everyone on the table, you all began eating. Someone had made a delicious meal, one of your favorites. You first assumed it was Pol, but when you complemented her, she quickly told you ‘Oh dear, I didn’t make this’ and cast a look at Tommy from across the table. You didn’t put any effort into figuring out what that glance meant, rather you just enjoyed the food and answered their occasional question. The questions weren’t anything to outrageous, until one came tumbling out of Arthur’s mouth.

“So, Y/N, what made you come back to the grand ol’ town of Small Heath?” He said, smiling at his question.

“I, uh,” you swallowed. You had truly hoped no one would ask, but you should’ve expected it. You cursed yourself for not preparing an answer ahead of time.

Your mouth ran dry for a moment as you tried to formulate what to say that would keep you out of the most shit. You didn’t want to blurt out the truth, but they most likely already knew it anyways, they were the Shelby’s after all.

“My mother and I had a disagreement about my…life plan.” You spoke, satisfied with your answer.

“What life plan, dear? What does that mean?” Pol added to the questioning.

“Probably the same life plan that included her learning about cars and horses,” Tommy said under his breath, but not nearly quiet enough, as the entire table heard him.

“Now Thomas, you know women can do what they choose.” Pol reprimanded, giving Tom a stern stare.

“Yes, women can.” He spoke, “but not Y/N.”

“And why not Thomas? Am I not a woman?” You said, letting your fork clank against your plate. He had your full attention now, and not in a good way.

“You are, you’re just…different.” He spoke, his gaze now on you instead of Pol.

You scoffed, and shook your head at him. You couldn’t believe what he was saying. You didn’t recognize the Tommy in front of you, your Tommy, the one from 5 years ago, would have been uncaring about your interests, and glad to have someone be so knowledgeable about certain topics. You just stared at him for a moment, waiting on him to say something, anything, that would explain his previous remarks. But nothing ever came, and when you realized nothing ever would, you stood from the table, thanked Pol and Arthur for the dinner, and headed for the door.

Once outside the Shelby house, now all alone, you began walking. You were initially going to go home, but the dwindling liquor supply in your own cabinets encouraged you to find The Garrison. You walked down the streets, that still held a handful of people, mulling your thoughts. Tommy acted like a real jackass, especially given that he was the one who invited you over. By the time your anger had mostly settled, you reached the doors of The Garrison.

9:00 pm

You’d been sat at the bar of The Garrison for around an hour, and were plenty of drinks deep. You now held no anger towards Tommy; hell, you could barely picture his face in your mind. You hadn’t intended on getting drunk tonight, but the lovely barmaid by the name of Grace had been giving you all your drinks ‘on the house’, and who were you to turn down free alcohol? Especially given how you’d left your purse at home because you were ‘just going to the Shelby’s’.

A loud grunt came from behind you, followed by a man sitting down on the stool next to yours. You gave him a quick glance and nod, not recognizing his face. 

“What’s a pretty lady like you doing at the bar all alone, aye?”, he questioned, breathing his hot, putrid breath into your face. 

“One, I’m not alone. Two, none of your business, aye?” You said, hoping to be forceful enough that he got the hint and left you alone. 

Unfortunately, he did not. The next thing you knew, he had his fat arm wrapped around your waist, pulling you closer to his barstool. 

“Now listen here, little lady,” he breathed, “You can come to the back alley with me on your own will, or I can make you.” He threatened, brandishing a bowie knife from his waist. 

You sat for a moment, considering your options. You knew you definitely were not going into that alley, even if you had to die bloody for it. You quickly came up with a plan in your head, and before you could talk yourself out of it, you acted. 

“Fat chance, ya bastard. Now let me go,” you said loudly, hoping to draw some attention. 

The man laughed at you, and moved his hand up to grab your shoulder, encasing your frame in his large arm. There was no denying he had size on you, but you had speed. And speed always won. You quickly ducked under his arm, knocking your barstool over behind you. You grabbed his wrist as you slipped out of his hold, bringing his hand to the middle of his back. 

“What do ya say now, you piece of shit,” you laughed in his ear. 

Faster than you expected, he ripped his wrist from your hands, and turned to face you. You heard a loud pop, then the feeling of pain registered on your face. The fucker had just backhanded you infront of the entire Garrison. You gave a small chuckle, which spiraled into a full out laugh, leaving the man utterly confused. You turned your eyes up towards him, feigning doe eyes at the man, before you placed both hands on his shoulders. You moved in closer to his body, and before he could realize, you hooked your right leg behind his knee, and shoved his shoulders as hard as you could manage and still stay upright. 

The large man tumbled to the ground, hitting his head on your now discarded barstool. While you had the chance, you snatched the knife from his hands and knelt down on top of his large body. You pressed the edge of his blade against his own neck, feeling a sense of pride swell through you. You had just taken down this very large, muscular man in front of an entire pub. But before you could get any witty remarks out to your fallen opponent, you heard one thing. 

“Y/N, what have you done?” 

Fuck. Tommy had found you, and no less, found you on top of man, with a knife against his throat, in his brothers pub. 

“Y/N, get off of him. Now.” Tommy spoke, his voice sounding closer now. You turned your head to look at him, finally taking your eyes off of the assailant for just a moment. 

Tommy was standing right behind you, with a look similar to what you could assume the wrath of God would look like. He stood poised, with his hands behind his back, peaky hat on top of his head, hiding his eyes. You turned back to look at the fallen man underneath you, seeing his own look of fear on his face. Then you noticed drops of blood splatting onto the man's face. He wasn’t bleeding, you hadn’t cut him, this much you knew. You tossed the knife to the side, far enough away where neither of you could reach it, and felt for your own face. A warm spot of blood came back on your hand; He had cut the corner of your eye open when he backhanded you. You felt angry at first, then ashamed. This man had cut you, and you kept fighting him like a crazed person. Hot tears bubbled at the corners of your eyes, before you climbed off of the man. 

Tommy grabbed you, helping you to stand on your feet. You were still trying to hold back the tears in your eyes while he gently held your chin, looking over your wound. 

“Love, go to the office. Wait for me, I’ll be there soon.” He spoke, softly. 

You mustered a nod, and scuffled your way to the back office, to wait for him. 

#thomas shelby x reader #tommy shelby x reader #tommy shelby imagine #tommy shelby fic #tommy shelby x you #thomas shelby x y/n #peaky blinder fanfic #thomas shelby #tommy shelby

[audhd-nightwing]

au where when tim finds dick and asks him to be robin again, dick is like “no but also are you okay?? where are your parents?” and proceeds to adopt/kidnap him

dick sends clark and diana to babysit bruce and tries to dissuade tim from being robin, but he’s a stubborn little shit so blüdhaven gains a new vigilante alongside nightwing (dick won’t let tim be bruce’s robin, not robin in general)

dick isn’t a cop because fuck you dc he would never idgaf what you think it’s wrong and goes against so much of his character!!! i hate cop!dick so much, he isn’t real to me

dick is a part-time college student majoring in human biology and minoring in psychology while training to be a paramedic. tim moves in with him (a small studio apartment) and they forge some records and IDs so tim can go to school in blüdhaven (not that the schools really care)

tim likes to read dick’s college textbooks & notes (if eligible) and spends most of his free time in the library or taking photos across the city. dick is 19 and tim is 14. jack and janet don’t even notice tim is gone

they both have enough to live comfortably but dick only uses his own money (from his parents) and tries to teach tim about like. class differences and how much normal stuff costs (i love timmy but he is a lil rich boy)

dick can cook and clean (which is CANON thank you very much), but his room is basically an organized mess (adhd-ass), while tim is used to needing his room to look perfect and deep cleans like once a week (trauma & he has a touch of the ‘tism)

when dick kills the joker, thinking tim is dead, tim gets to him in time but dick doesn’t let bruce resuscitate him and joker stays dead. this leads to post-pit jason going to blüdhaven instead of gotham.

part of him feels vindicated that his big brother the golden boy killed the clown, but part of him feels like he was replaced by tim. either way it drives him to blüdhaven. he observes nightwing and the new robin for a while, realizing that shit, this robin is just a kid. he can’t hate the new robin for something that’s not even the kid’s fault

he has a mess of complicated emotions about dick, though. again, he’s glad dick avenged him, but is mad he replaced him, and is a better brother to this robin than he was to jason. jason wanted that fun older brother. he got it for a little bit but it wasn’t nearly enough time, and then he fucking died

anyway, this of course leads to a confrontation between red hood & nightwing and robin. jason considers messing with them but decides to just get it over with (so he can yell at dick) and takes off the helmet. dick recognizes him immediately, and tim figures out who he is by dick’s reaction.

queue jason failing to be mad at dick when he starts sobbing and hugging him, and tim jumping in and making it a group hug. they bring him back to their apartment and give jason the guest room (they often have titans friends over), while jason is still like “…what just happened”

him and dick do talk later that night, and dick pretty much tells him everything. jason does the same “so they’re even”

jason goes back to gotham to protect crime alley, he has a couple safe houses set up around the city, but he visits blüdhaven whenever he can. similarly, when dick and tim are free they visit jason in gotham, at his main safe house that only they know about

going back a while, tim is kidnapped by joker while helping bruce with a case in gotham. he goes missing and bruce calls dick to see if he went back to blüdhaven, which he obviously didn’t, and dick speeds to gotham and finds joker, who tells him tim is dead and taunts him about jason. dick beats the joker to death, and doesn’t let bruce revive him, even if he has to live with what he did

after that bruce cuts contact with dick, but tries to stay in contact with tim. tim, however, is pissed at bruce for how he is treating dick and similarly cuts contact with bruce. both boys stay in contact with alfred, though, and sometimes he will update bruce on how they are doing

after jason settles into gotham, he joins dick and tim on one of their visits to alfred (while bruce is away/at work) and gets to reunite with him. alfred agrees to keep red hood’s identity a secret from bruce until jason is ready to tell him, but encourages him to do it soon because bruce misses him terribly

after blüdhaven is destroyed, dick is a wreck, so they move in with jason at his apartment near crime alley. nightwing is out of commission for a while (mentally AND physically) so robin patrols with red hood, who agrees to be as non-lethal as possible around him

dick is in a depressive episode for a while, so jason plays the role of Big Brother to tim (and dick if he’s being honest) until he feels a bit better. he’s actually the best at helping dick when he’s upset (aside from alfred ofc) and forces his ass into therapy with dinah

therapy and spending time with his brothers helps dick a lot, and he manages to force both of them to see therapists as well (not dinah cuz like. bias and legal stuff. but they find some good ones)

jason actually talks to harley sometimes (she’s calmed down a lot since the joker died and she started dating ivy), and she’s stable enough to give him solid advice occasionally. regardless, she’s a great listener and will always let him rant to her

okay flashback time again: when dick was living in titans tower in nyc, he attended college at hudson university. after about a year there, he moved to blüdhaven and transferred to blüdhaven university

tim moves in with him after dick’s been in blüdhaven for a few months. he finishes sophomore year at BU and starts paramedic training, deciding not to return to college. he’s 20 as of March and tim is almost 15

it’s around this time that jason (18) shows up- after dick’s finished sophomore year at BU but before he finishes paramedic training. after blüdhaven is destroyed, dick stops his paramedic training but eventually picks it back up again in gotham

ANYWAY so yeah the three of them share an apartment in park row

dick finishes paramedic training and starts working with gotham emergency services / thomas wayne memorial hospital (leslie’s clinic), and often helps anyone he comes across for free (he always has first aid supplies on hand & their apartment is hella stocked up)

dick and jason also often make meals for nearby homeless shelters (tim would help but he is a terrible cook, instead he manages to trick rich assholes into donating to and funding shelters, food pantries, schools, etc. in park row)

idek where i’m going with this anymore, just the three of them being brothers and visiting alfred. bruce focuses more on damian and cass, but occasionally they will all work together on a case (bruce has given up trying to get any of them- mostly jason- to move back to the manor)

damian and cass will drop by their apartment from time to time, as will alfred. jason, after watching over robin while nightwing was down, has stopped killing (for the most part) and focuses more on community support than beating up criminals

nightwing has become a sort of medic vigilante of sorts, he bounces across the city helping anyone who is injured (mostly abusive victims / those who can’t afford healthcare and are too far from leslie’s clinic to go there / homeless kids who can’t go there without having CPS called / etc)

he mainly patrols park row, but if he has time he will venture further out into the rest of gotham. tim is still robin atp, but he eventually changes his vigilante identity from robin

tim and steph still meet and become friends, but instead of working with batman as spoiler, she works with nightwing, red hood and robin. also, she is never robin, but she is batgirl for a bit

babs is oracle (okay timeline wise idk if she gets shot by joker before or after dick kills him soo i’m just gonna say before) and she helps out both the bats (bruce, dami, cass) and the birds (dick, jay, tim, steph)

steph ends up moving in with babs (who is very excited to have a little sister). this is when babs gives her batgirl, which she eventually (with permission) gives to cass.

sidenote: babs & dick are Best Friends like ride or die and that’s part of the reason dick killed joker- tho he doesn’t tell her that. they see each other all the time (the boys’ apartment building has an elevator) and stay in contact throughout all of this

robin and spoiler meet when the boys move back to gotham, and the two become fast friends. spoiler runs into red hood and robin one time and tim is like “hi S, this is my big brother!” and she’s like “your what.”

once dick is back as nightwing, he meets spoiler as well (who has told them her name is steph atp) and she’s like “i’ve heard all about you from your brothers :)” and dick is like “🥹 really?”

after that the boys tell steph their identities- “didn’t you die?!” “yeah, long story”- and she does the same- “wait is your dad that knockoff riddler guy?” “unfortunately, yeah”- and she crashes at their apartment sometimes after long nights of patrolling

it’s MY au so i say that cass found damian, understood what talia was trying to say when she saw her, and steals lil dami to arrive on bruce wayne’s doorstep. alfred opens the door and she basically shoves damian at him and then runs into the manor and launches herself at a very confused bruce with a hug. bruce is just like ‘okay i guess this is my daughter now’ and then alfred walks in with damian and he’s like ‘…i guess i have another son now too’

this all happens while tim and dick are in blüdhaven and jason is in gotham avoiding bruce like the plague. babs doesn’t tell them because she can be evil sometimes and wants to see their live reactions. imagine their surprise when the boys go to visit alfred and find two assassin children (cass is 19 but shush)

when bruce is lost in time, jace fox takes over as batman while tim, dick and cass go look for him. jason and steph stay and guard gotham and tim gives robin to damian so he can help them (and not go stir crazy without his dad). huntress and the sirens also help out in place of the three vigilantes looking for bruce

they find him faster since there’s three people looking, and everything pretty much goes back to normal after that, aside from jason being damian’s favorite older brother (instead of dick, bc he was never the batman to damian’s robin)

another sidenote: i am totally just ignoring jack and janet drake’s existence bc i don’t wanna deal with them yk? also crystal brown is alive and a decent mom, steph just moved out cuz she wanted more independence

rough age timeline rq

dick is 19 when he kidnaps adopts tim who is 14

jason (18) confronts dick (20) and tim (15)

cass (17) & dami (7) - jay (19), dick (21), tim (16)

blüd destroyed - dick (22), jason (20), tim (17)

tim (17) and steph (17) meet as vigilantes

cass (18) becomes orphan

dick (23) returns to nightwing - jason (21), tim (18)

tim becomes sparrow- robin is put in storage

the boys meet cass (19) & damian (9)

steph (18) moves in w babs (26)

steph becomes batgirl

future timeline

steph (19) gives batgirl to cass (20)

cass (21) becomes black bat

bruce gets lost in time

dick (25) jay (23) & tim (20) give damian (11) robin

#my au #my writing #ramblings #dc comics #dick grayson #tim drake #dc au #batbros #batboys #jason todd #stephanie brown #bruce wayne #alfred pennyworth #dc #dcu #batman #barbara gordon #damian wayne #cassandra cain #wtf do i name this #dick adopts tim au #i guess #dick and tim #dick and jason #tim and jason

[koolades-world]

Hi :) is hug deprived anon no longer anon, back with another request (if you want to write it obv! No pressure, as always!)

So, this MC is pretty strong as humans go. A bit above average in height, isn’t chiseled and buff like Beel but does have a lot of functional muscle strength. The sort of person who was always the one people back in the human world would call on to lift heavy things, move furniture, carry boxes, etc.

Likewise, their personality is kinda like Beel’s—in that they’re generally helpful and protective, mild mannered, about as talkative as he is. MC grew up a bit too fast though. They were too helpful, given responsibilities before they were ready, put in charge of others because they’re reliable. Their peers and adults alike would confide in them about their issues when they were still too young to handle them well, which they took with the same gentle, old-soul competence that makes it easy for people to rely on them as always.

They’re used to carrying heavy things (including people) both physically and emotionally. Good at it, too.

But then, they arrive in the Devildom and make friends with the bros, helping them like in canon as this MC would instinctively do, but also… these demons are bigger and stronger than them. As much as MC still falls into the babysitter/therapist role emotionally for them, the demons protect MC physically.

This is a huge, life affirming relief to MC! It’s so nice to have other people to take over being the protective strong one for once! It’s so nice to have help! It’s nice to feel cared for.

So, how do you think the bros would react to this MC leaning into their demons babying them? Maybe eventually getting a bit clingy with them? Mc being like, oh, you want to help me? You’re protecting me, you’re carrying stuff for me, you’re genuinely asking how I’m feeling?? Thank fuck! Yes, I am babie, pls carry me

If all the bros are too much/impractical for this one, it’s also totally good if you’d rather write this with just Beel and/or Mammon. Lucifer could work well for this too, now that I think of him. Do whatever you like! Have fun! :)

hi!! great to hear from you :) thanks for always being sweet, it always makes my day to see you <3

decided to do beel, mammon, and asmo because I figured he could be fun to write and felt like he's almost an unlikely pick

enjoy <3

Strong Mc who enjoys being babied

Mammon

when he's around, which is basically all the time since you're attached at the hip, he doesn't want you to lift a finger

he's absolutely determined to make you feel special and treat you like gold

would give you the world if you stared at it for even a second too long

he doesn't care that you're taller or more buff than him, you're baby

you work so hard and he wants you to know that

please he'd stop a moving car or an angry satan if you asked

while he knows he's not helpful academically, he is willing to help you in any other way possible

you want to go shopping? take goldie from him you can carry her

you need someone to carry the bags? that's what he's here for

you need someone to tell you how your outfits are? he's got you

he's so whipped

Asmo

this seems unlikely but i think people tend to forget that he's pretty strong too

he's more powerful than beel and it's so funny to me to think that the little twink is more powerful than the body builder work out brother

he would take full advantage of this to catch you by surprise with hugs from behind that lift you off the ground

is overjoyed when you say you love them and that he can hug you whenever he wants

expect lots of surprise hugs

when the two of you are out in public, and someone is trying to both you for whatever reason, he won't hesitate to sock them in the face

while he hates to talk about his own feelings because of the implications that holds for him, he's very emotionally available for you

he will be your ultimate hype man

if you want, he will literally just carry you around while you nap, mindlessly scroll, or do whatever

he will continue on with his day as normal as if he isn't carrying you around like a baby

he's just underrated in general

Beel

to be honest, this is new for him too

it's rare for him to meet someone cut from the same cloth as him but he doesn't mind, and actually likes it

because of this, he knows exactly what he can do to help you, or ease your burdens

he knows how tough it can be to carry around something emotionally

always there to talk things out with you

or, he can be your shoulder to lean on

honestly whatever you need him to be, he can be

he's always willing to help and lets you know that

will give the best piggyback ride you've ever had, and will give them whenever

he understands how you feel and is glad he's able to give you the solace you deserve <3

#adhara! #obey me #obey me! #obey me x reader #obey me asmo #obey me mammon #obey me beel #omswd #obey me shall we date #obey me! shall we date #obey me satan

[strawberrystepmom]

senku x f!reader. reader has a background in agriculture. reader is referred to as princess in jest and the unpacking of the reason it upsets reader follows. reader and senku are both 25. post canon au where he and the other ishigami village settlers find a small settlement in california. robert is an oc created specifically for the au. wc 1.7k

divider thanks to @/cafekitsune as always

“You and Gen have a lot in common.”

Snorting at Senku’s words, you dab at the droplets of sweat on your hairline with the back of your gloved hand. He hasn’t been superbly helpful weeding the carrot patch but at least he has been decent company, the two of you working in parallel worlds and occasionally exchanging remarks about what you’re doing. This is generally how things just go when you’re together.

You won’t go so far as to say that you enjoy him, you barely know the man who stepped foot on shores not far from where you are now a little over a month ago, but it’s pleasant to have someone around who will listen to you ramble about whatever has been on your mind. You don’t judge him and he has never judged you, a silent mutual understanding that people will be people, the thread that ties the two of you together.

It doesn’t mean he isn’t observant, though, and he’s all too apt to share said observations with you.

“Why do you say that? Is it because we are both charming, hilarious, and beautiful?”

Senku chuckles while you wipe your free hand on your pants. Very glamorous, you think and laugh to yourself quietly. The sun hangs high enough in the sky you know it’s midday and you offer small waves to everyone who passes by you, smiling big enough people can see it even from a few feet away. You don’t have to do this but you go out of your way to do it, something that always strikes Senku as funny.

“Humble, too.” The scientist remarks and you look up at him, noticing he’s jotting notes away in a leatherbound notebook he swiped from the medical barn.

He has a makeshift ink pen, an invention of his own making, and he’s jotting down thoughts of how to improve the settlement. Watch towers, another well, perhaps mechanized farming equipment to keep you from having to do as much heavy lifting as you do.

“So you agree?” He chuckles again at your words and keeps scribbling, raising his brows. “You know I don’t point out the obvious, princess.”

The recent nickname makes you scoff but your cheeks warm. He heard the village doctor and navigator, two of your closest friends, call you the name in jest and he couldn’t possibly let it go considering what an apt descriptor it is.

“Don’t call me that, it’s bad enough that they do.” Sighing, you reposition your sunhat before leaning down to dig up another weed. “There’s nothing princess-y about me.”

Tossing a carrot down, you decide to rest a moment and sit down next to him in the yellowing grass. The weather is still moderate and pleasant but six weeks from now, it’s likely a small blanket of snow and frost will cover the world and your plants in the process so time is of the essence with the less hearty members of the settlement garden. You feel Senku looking at you but don’t entertain him by glancing back, situating yourself and stretching your legs out in front of you.

“No?” Senku shoots back and you groan, laying back in the grass and closing your eyes. He looks over you and shakes his head, placing the notebook on his thighs where his legs are crossed. “Let’s be honest with ourselves here. If this were thousands of years ago, you’d be in a big tower in a pretty dress waiting for some muscle-brained knight to come and slay a dragon for you.”

You want to be offended but you’re instead curious about what exactly makes him feel that way and how it relates to you and Gen at all.

“What do you mean? I can take care of myself and have managed to do it pretty well so far.”

Senku shakes his head. He can tell you aren’t offended thanks to the lightness in your tone and he appreciates that you don’t read between the lines considering there are none when he comes to him. He says what he means and you listen to it appreciatively.

“I’m not saying you can’t, I’m saying you inspire that kind of action in people.” He shrugs. “Think about the stories I know you used to read. A princess never has to ask for devotion, she simply gets it.”

Raising a brow, he meets your eyes and glances further out in the distance where one of the villagers he brought with him, Ginro, slumps in the fields while pulling weeds. The blonde man keeps glancing in your direction and waving before tilting his face downward to make sure you notice that he’s doing what you asked him to.

“I’ve never seen Ginro work so hard,” the scientist sniffs and you laugh louder than intended, bringing your hand to cover your mouth to stifle the noise.

“Not very fair of you to start with the easy target, Ishigami.”

He snickers and looks across the settlement, seeing if he can spot any of the others he has brought with him that have been more than happy to assist with anything you ask them to. You flash a smile, flutter your lashes if you have to, and shit seems to get done. It’s how you did things before you were petrified too.

“I overheard Hyoga arguing with Robert about being the one to escort you on the next foraging expedition.”

Thinking about the white haired man you feel a little uncertain of yourself and you look away. You find him extremely handsome despite his evasive nature and the two of you have only had a handful of conversations but he’s surprisingly helpful when necessary, you simply go out of your way trying to avoid asking for his help because he makes you nervous. Robert, on the other hand, is an issue that has followed you even thousands of years into the future (pro tip: don’t get petrified and then depetrified near a man harassing you in a club) but he insists on being your personal security whenever he can.

You make a note to genuinely contemplate trying your luck by asking Hyoga personally to accompany you but for now, you turn your attention back to your spiky haired companion.

“No you didn’t. Besides, we haven’t even planned a trip before winter even though we need to make one.”

Senku purses his lips and continues to look around the lands surrounding him.

“When have I ever lied to you?”

Considering his question for a moment, you hum and tilt your head. He hasn’t lied to you but this specific instance feels like a stretch.

“So you heard Big Mouth Bobby mention me and now I’m a princess? Seems like that criteria is a little unfair.”

Senku shifts where he sits and stretches his legs out in front of him to match your position. You shade your eyes from the sun with your palm and look up at him to find he’s glancing over his shoulder at you, shaking his head.

“You seem to think I’m telling you that it’s a bad thing people like and want to be liked by you.”

Shrugging, you settle back against the grass and kick your feet gently. He watches your every move and you feel observed and viewed rather than enjoyed, something about him that always makes you squirm despite yourself.

“Maybe you’re right.”

Senku smiles.

“I’m always right.”

You laugh and shake your head, shutting your eyes to keep from being further intimidated by his weighted glance. If he has any other assessments he’s clearly going to keep them to himself so you press forward, sun warming your face while you speak.

“I don’t get how that relates to me and Gen being similar though. Is he a princess too?”

A chuckle from your companion. At least you can always make him laugh even if you know your other charms won’t work on him. Looks have no effect on Senku nor do fluttering lashes or cute, coy smiles - he judges people off of their character only and you admire the depth it takes for him to do so.

“Oh yeah, that.” He picks his notebook back up and begins scribbling again. “You’re both very persuasive and understand people better than they think.”

Giggling, you sigh contentedly and even Senku finds himself a little bit drawn to the sound. You are charming and sweet and funny and perhaps a bit too honest beneath the slightly self deprecating humor you use to keep people from knowing who you really are. Even Senku can acknowledge all of these things - they’re true, after all. Proven and quantifiable.

“Well, thank you. The power of people skills can never be underestimated in a world where half of the people you meet want to kill you and the other half probably want to kill themselves because we don’t have social media to numb their brains.”

Again with that too honest humor. The scientist shakes his head and scribbles down a doodle for the vision he has for the tower he’s going to build in the coming weeks, halfway between your fields and the little cabin you call home. It’s the perfect position to see the entire settlement and he assumes the only reason you don’t have one yet is that you’ve lacked the people to assist with making it.

He may not be a muscle-brained knight, saving you while you sit forlornly in a tower, but he can be the genius that builds the tower you’ll help create the future society all of you will someday live in from. It’s a far more noble cause if you ask him.

“Keep it up.” He adds simply and you shield your eyes from the sun again, opening them to meet his. You offer a thumbs up and a grin and he shakes his head.

“I am going to tell Gen you called him a princess, though.”

Senku scoffs and leans back, still glancing down at you.

“Well then you’d be lying and it isn’t good to lie, now is it?”

You sit up, ready to argue back and forth but you’re interrupted by Ginro calling your name from a distance and approaching you, three carrots in his fist. Senku rises to standing and reassuringly pats your shoulder with the hand not holding his notebook.

“Looks like your savior is on his way, princess.”

You sigh, shaking your head and waving the scientist goodbye when he parts, watching him leave before plastering on your best persuasive smile and greeting Ginro exuberantly.

#senku x reader #ishigami senku x reader #senku ishigami x reader #kendall writes

[saintsenara]

Riddle’s extremely fearful and aggressive reaction to Dumbledore when he thinks he’s a doctor (and the fact that he assumes this at all and believes he is being lied to) has some pretty dark implications (which of course no one follows up on). Do you have thoughts?

thank you very much for the ask, anon!

and yes - this has occurred to me too... which means that my thoughts come with a trigger warning for the sexual abuse of a child, and are under the cut.

the relevant scene in canon is, of course, this:

“I am Professor Dumbledore.” “Professor?” repeated Riddle. He looked wary. “Is that like doctor? What are you here for? Did she get you in to have a look at me?”  He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling.  “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!”  He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school - your new school, if you would like to come.”  Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious.  “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course - well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!”

the surface-level reading of this scene - which is clearly what the text wants us to go for - is that riddle thinks he's about to be institutionalised for being "mad" - and, specifically, that he thinks that what dumbledore has been told is his "madness" is actually his magic.

[he is also clearly meant to be read as panicking a little bit that he's fucked around torturing his fellow children and is now about to find out...]

that riddle accepts he's a wizard so easily - and that he is so reassured by dumbledore agreeing that he's not mad - is something the text wants us to read as sinister. him immediately describing himself as "special" is set up as a precursor to the adult voldemort's delusions of grandeur - which the entire arc of the series, ending in his death as an ordinary man, is designed to undermine.

but i've always disliked this reading. the eleven-year-old riddle - a magical child raised around non-magical people - is objectively correct to describe his powers as "special" [in that they make him identifiably different from the crowd] within the context in which he lives. the word choice is nowhere near as deep as dumbledore decides - he's clearly known since he was very young that he's a wizard, but he didn't have the precise language to describe this fundamental part of himself until dumbledore offered it; prior to that, "special" is a perfectly reasonable alternative term.

and, in always knowing that he's a wizard, he also knows that he doesn't have a mental illness - but he must also know that this is something it's near impossible for him to prove.

in the real world, if i spoke to a patient who told me:

“I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

then i would be correct to describe them as experiencing psychosis. and i might - depending on their other symptoms - have reasonable cause to admit them [voluntarily or not] for psychiatric treatment.

riddle is - of course - demonstrably not psychotic. but it's not unreasonable that mrs cole would assume he is - the world she lives in, as a muggle [even if she's a religious one], is one in which people do not possess the ability to move objects or control animals with their minds, and if one of her charges is convinced that he can, then she's justified in seeking medical intervention.

[that psychiatric treatment in the 1930s can be described without exaggeration as inhumane is another matter...]

which is to say, i think we can easily suppose that mrs cole has - prior to dumbledore's arrival - succeeded in having riddle "looked at", and that the idea that he's mentally ill and should be committed to an asylum has been mentioned before. i think most of us would be instinctively [and angrily] wary of doctors if this happened to us, regardless of how nice the doctors in question were.

and maybe that's all there is to it.

and maybe it isn't...

in the doylist text, the eleven-year-old riddle's personality is the way it is because he's the villain of the series. where harry is preternaturally capable, even as a child, of all the things the series defines as admirable - above all, enduring difficulty without complaint - riddle is preternaturally incapable of them. he's meant to come across as unambiguously sinister - and the fact that the text repeatedly emphasises that he has control over his unpleasant traits invites us to view him as someone who is acting with full agency. that he lives in an orphanage is a trope which the text uses, like a campy horror film might, predominately to underscore how creepy he is - and the text, in keeping with its general lack of interest in states and their institutions, never really prompts us to interrogate the impact of his childhood upon the course his life takes.

[this is despite the fact that voldemort's reliving of the night he killed the potters in deathly hallows is an incredibly accurate depiction of ptsd...]

but it's also the case that the eleven-year-old riddle's behaviour and personality fits a pattern we might expect to see in a child who is being abused, sexually or otherwise:

he's aggressive, he has a hair-trigger temper, and he becomes distressed even by behaviour - such as dumbledore speaking mildly and calmly - which would not ordinarily be expected to provoke such a reaction.

his broader emotional state is fractious. his mood changes sharply, he seems to feel emotions very profoundly, he struggles to control his emotional response to things, he's extremely easily irritated, he's attention-seeking - and he particularly seeks negative attention, and he's very highly-strung. his admission in deathly hallows that he feels calm before he kills - or before he otherwise eradicates a threat or a problem - comes with the flip-side that he's someone who appears, when things aren't going well or he finds himself in a situation which he can't control, to become quite anxious. which is a trauma response.

he's extremely isolated. the text presents the fact that he has no friends as a deliberate choice - "lord voldemort has never had a friend, nor do i believe that he has ever wanted one" - and his relationship with everyone else he ever meets, including his fellow orphans, is defined by the text as exclusively involving him controlling, manipulating, and punishing them. or: he is always the more powerful person in the pairing. but this need for control can be read as self-protective just as easily as it can be read as sinister. there are hints in canon that riddle is not just some malevolent force in the orphanage preying on mild-mannered innocents. for example, billy stubbs, the owner of the rabbit he kills, is targeted by riddle as revenge: “Billy Stubbs’s rabbit... well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it? [...] But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before." on the rare occasions billy turns up in fics, he's usually - i find - written very like neville - sweet and guileless and a bit pathetic. but the alternative reading - especially when we take into account that riddle attacks the rabbit rather than billy himself - is that billy is someone he would be afraid to physically confront. indeed, it's striking that voldemort - at all stages of his life - is described as being quite physically fragile. not only is he very thin, but he's always cold and his heartbeat is described several times in canon as irregular. i think this is supposed to be a comment on the physical changes he undergoes the more horcruxes he makes - although the idea that the soul would affect the heart doesn't actually align with how the series understands the soul to relate to the body - but it can also be interpreted perfectly legitimately as something he was experiencing prior to splitting his soul. i am committed to the headcanon that riddle was quite a sickly child - and that this is one of the things which drives his fear of death - and i'm also committed to the idea that his obsession with magic is because the enormity of his magical power makes up for his physical lack. he can defeat - and humiliate and frighten and remove the threat of - billy or dennis [or even an adult man?] with magic. without it, if they were to physically overpower him, then he wouldn't be able to throw them off.

he is extremely nervous about being alone in a room with dumbledore - someone he doesn't know, and who he assumes is connected to a profession [and, maybe, who knows any other doctors he's been previously made to see...] of which he is frightened.

he doesn't trust or confide in anyone - which, as a child, means particularly that he doesn't trust or confide in adults in positions of responsibility. he's clearly uneasy with the idea of finding himself in the subordinate position in an adult-child relationship when dumbledore offers to take him shopping for school supplies - potentially because he's worried that dumbledore will try and dictate or restrict what he's allowed to buy unless he behaves in a certain way... and i am always very struck that dumbledore says in half-blood prince: "He was very guarded with me; he felt, I am sure, that in the thrill of discovering his true identity he had told me a little too much. He was careful never to reveal as much again." this is presented in the text as evidence that dumbledore is the only person of whom voldemort is afraid - by which the text means that voldemort acknowledges that dumbledore knows that an ordinary man, mortal and unimpressive, lurks behind the mask of unassailable power he has created for himself; and which the text thinks is a good thing. but we can also read it as a self-protective act on riddle's part. in his excitement, he offers dumbledore information [that he is known to be a liar, that he is in trouble a lot, that mrs cole dislikes him and is disinclined to believe anything he says] which would give dumbledore - or anyone in a similar position of power and presumed respectability - cover to abuse him, safe in the knowledge that he would be unlikely to be believed if he reported it.

he doesn't appear to feel safe in the orphanage and he's frequently absent from it - by his own admission, he spends a huge amount of time wandering around london on his own, which may even involve him staying away for several days at a time. nobody appears to notice or care about this.

he's very independent - which the text again presents as evidence of his deliberate self-isolation and rejection of the bonds of love and friendship - and his independence is unusual for a child his age [i.e. that he is capable of doing all his own shopping for school].

his knowledge of violence - i.e. how he designs the trip to the cave to be maximally psychologically devastating for dennis and amy and devoid of repercussions for himself - is also more advanced and methodical than would be expected in a child of his age. again, the text uses this to emphasise how inextricable the child-voldemort is from his adult self - and also, to some extent, to underscore the intellectual brilliance [his magic is also more advanced than is normal for a child] which his narrative archetype [the exceptional villain who is defeated by the everyman hero] requires. but we can also read it as evidence of his own victimisation. a common sign that a child is being sexually abused is that they display a knowledge of sexual behaviour which is more advanced than is reasonable for a child of their age - for example, knowing in detail how a sex act is performed, or fluently using sexual slang which they have no chance of knowing either from age-appropriate settings like school-based sex education or conversations with a parent or trusted adult, or from the sort of enthusiastic hoarding of rude words and phrases all children enjoy as they grow up. riddle's precise, clinical knowledge of how to manipulate, frighten, torture, and control can be seen as something similar. if he can - at eleven or younger - methodically break down another child until they're "never quite right" again, then this is because he's learned how to from someone.

he keeps secrets. and he also goes out of his way to extract them. his grooming of ginny in chamber of secrets - he manipulates her into confiding things she wants to keep to herself, promises he won't tell anyone, and then uses the threat that he will to get her to do his bidding - is an absolutely textbook example of how abusers use the idea of secrecy to control their victims. it doesn't make his abuse of ginny any less inexcusable if we assume he learns this from being on the other side of things.

dumbledore understands his little cache of objects as trophies he's taken from victims - and the text takes the view that dumbledore is correct in this assessment. that hoarding trophies is something widely associated with serial killers means that this is yet another thing which underlines how creepy - and how like his adult self - the child-voldemort is. but it's also the case that the adult - and teenage - voldemort places a lot of emphasis on gift-giving as part of his control over other people. the two most obvious examples in canon are wormtail being given his shiny hand as a reward for helping voldemort get his body back, and slughorn being buttered up with crystallised pineapple before voldemort asks him about horcruxes. the text thinks this is sinister - and one of the reasons it does this is because gift-giving is a grooming tactic. the text also clearly thinks this isn't behaviour voldemort has learned from the other side. and yet a common sign that a child is being abused is if they have possessions it doesn't make sense for them to own [i.e. a child from a low-income background who is suddenly decked in designer clothes] and which they can't or won't explain how they came by. riddle's cache isn't luxurious - although he's so poor that a yoyo or a mouth organ probably is a luxury to him - but there's also nothing in canon which precludes the objects being presents, rather than stolen goods. if the spell dumbledore uses to make the box rattle is caused by a statement which is both relatively ambiguous and dependent on dumbledore's subjective personal morality - is there anything in this room he's acquired through nefarious means? - then the spell would still work as it does in canon if riddle was an abuse victim given the objects as "rewards". dumbledore's tendency to locate right and wrong in the individual and dumbledore's belief that good people should steadfastly endure misery means he can be written entirely canon-coherently as someone who would think a victim who appeared to collude in their own abuse - such as a victim who "offered" a sexual act because their abuser promised them something if they did - was behaving consensually, manipulatively, and nefariously. and it's worth noting that when riddle doesn't know what dumbledore has done to make the box rattle, he is "unnerved". when he realises dumbledore thinks he's stolen the objects - and that he has no interest in forcing him to admit this aloud - he is "unabashed". perhaps because he's just received proof that an experience he doesn't want to talk about is still secret...

on the other hand, the objects could indeed be stolen - because petty criminality and anti-social behaviour, especially in pre-teen children, is also a sign of abuse.

he can be extremely obsequious - when dumbledore tells him to watch how he speaks he becomes "unrecognisably polite", he ruthlessly flatters slughorn, and he is cringingly deferential to hepzibah smith. the text understands this as evidence that his apparent charm is only superficial - another trait associated in the popular imagination with serial killers [and it's striking that so much about the young voldemort - handsome, charming, seemingly quiet and polite, true evil lurking underneath the mask - is exactly like the pop-culture persona which has been created for ted bundy...]. voldemort himself agrees that his charm is performative in chamber of secrets: “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted." but his obsequiousness is also a fawn response - a way of minimising a threat by attempting to please the person issuing it. he becomes "unrecognisably polite" - after all - in response to this: Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts - ” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ”  Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognisably polite voice, “I’m sorry, sir. I meant - please, Professor, could you show me - ?”  riddle could reasonably interpret what dumbledore says here as a threat to prevent him attending hogwarts - even though dumbledore evidently doesn't mean it in this way - and he switches to being fawning because this is something he really doesn't want to happen...

do i think that any of this is what the text was actually going for? no. and nor do i think that reading riddle as a victim of abuse excuses the violence which the adult voldemort goes on to perpetuate.

but i think it is a reading of his characterisation which is both canon-plausible and interesting - a strange, sickly child with a reputation for cruelty and dishonesty being abused by the respectable doctor who is constantly called in to treat his coughs and wheezes, who buys him little presents and charms him into telling him secrets, who then [to paraphrase the teenage voldemort] feeds him a few secrets of his own, safe in the knowledge that nobody will ever believe him if he tries to get help.

and i also think this a reading which is sincerely important.

a significant contributor to the prevalence of child abuse - no matter what exact form this abuse takes - is that we are culturally conditioned to imagine that both the abuser and the victim will look and behave in a certain way if the abuse is "real".

and this means, all too often, that we take child abuse more seriously when the victim is "sympathetic" - when they're from a stable home, and their family are respectable, and they do well in school, and they're polite and sweet, and they look innocent, and they behave perfectly appropriately for their age, and nobody would ever dare to say that they come across as older than they are, and they're white, and they don't have a history of lying, and they don't have a history of attention-seeking, and they don't have a criminal record, and they're not abusive themselves, and there's absolutely no way of suggesting that they colluded in their abuse, and the perpetrator was someone who looks like a child abuser.

someone who is creepy, low-status, ugly, unpopular. someone who everyone can tell is socially abnormal, someone who nobody would ever intentionally permit to be around their children. not someone who is charming, well-respected, attractive, rich, popular, trustworthy. not someone who has a loving family and a happy home. not someone we might be friends with.

but many perpetrators of child abuse are these second group of people. and many victims of child abuse are "unsympathetic", when their social positions and reputations are compared to their abusers' own.

they lie. they steal. they're attention-seeking. they're vindictive. they have trouble distinguishing between imagination and reality. they're violent. they're bullies. they hurt animals. they abuse other children. they take drugs. they're mentally-ill. they come from broken homes. they're in the care of the state. they're dirty. they're poor. they're odd. they're behind at school and badly-behaved in the classroom. they do things which allow their abuse to be dismissed as something they brought upon themselves - they speak or dress in certain ways, they pose provocatively in pictures and post them on the internet, they are known to be sexually active outside of the context of their abuse, they lie about being over the age of consent, they engage in sexual behaviour with an adult abuser in a way which appears [even though it isn't, and there's never a circumstance in which it will be] to be consensual or for their own personal gain, they are flattered by the attention they receive from someone who is important or attractive grooming them, they have complicated - and not always wholly negative - feelings towards their abusers.

and they are still - unequivocally - victims, and what happens to them is still - unequivocally - abuse.

tom riddle is an unsympathetic victim - not only of any potential abuse, but also of the horrors of his life which are explicit on the canon page: that he is raised in an orphanage; that he is grieving; that he knows nothing about his family; that he is thought to be mad.

the absence of any institutional response to his childhood experiences - dumbledore, by his own admission, discloses nothing about riddle to his fellow teachers - is a flaw repeated again and again in the worldbuilding of the harry potter series.

hogwarts - and the wizarding [and muggle] state more broadly - doesn't intervene in any case of neglect or abuse, from harry to snape to voldemort's own parents. the series' individualistic morality means that we aren't supposed to interrogate these collective failings. and the series' black-and-white view of good and evil - and its general belief that violence is fine if the person it happens to "deserves" it - means that it has no interest in examining the ways that poverty, isolation, and neglect are risk factors; that straightforwardly unpleasant people can still be victims; that victims can go on to become perpetrators without their victimhood ceasing to matter; and that the abuse of children usually takes place not in silence and secrecy, concealed in ways which make it fine for adults not to notice it and not to intervene, but in plain sight.

this is knowledge it never hurts to refresh. thinking about lord voldemort's childhood might be an usual way of doing so... but it is an effective one nonetheless...

#asks answered #asenora meta #tom riddle #lord voldemort #if wizards had the concept of safeguarding it would be a game changer...