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#Or at least where the particular *terms* you are using come from
macgyvermedical · 4 months
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Study Strategies
For everyone asking "What does 'playing' with the material even mean when it comes to studying??"
Well, basically when you think about the material in a way that applies to your real life or interests, or that entertains you.
Writing a tumblr post about it (my blog started out as a study tool when I was in nursing school, because I re-wrote what I was learning in fandom/fic terms)
Talking about it or explaining it to a friend that is NOT in your field of study
Trapping your blorbos in a weird situation they can only get out of by learning the material (I once went through a whole scenario in my head about my blorbo getting injected with insulin and his friend having to figure out how long they had to give him sugar before they died to learn insulin onset-peak-duration)
Flash card "war" where 2 or more of your friends bring their flashcards and every time you or a friend puts down a card, the one that gets the answer the closest first wins the cards (google allowed)
Make a comedy routine about the material using only jokes that would be funny if someone understood it
Order a list of facts from least to most interesting- bonus points if you do it with a friend and you both have to agree, bringing your own arguments to the table as to why a particular fact deserves a certain rank
Finding an old textbook on the material at your school's library and figuring out what still holds up to today's knowledge
Find a group of people on the internet that are really interested in what you're studying and get the latest in DiscourseTM
Make the most misleading fact sheet you can make on the subject, with everything you say being technically true
Make a fact sheet that holds up to the reading comprehension of tumblr dot com
Basically anything that reframes studying from "I hate this and it takes up so much time" to "something I was probably going to do anyway for fun, but this time with more [subject]".
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wheeboo · 1 year
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seventeen and saying “I love you” for the first time
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PAIRING. seventeen (ot13) x gn!reader GENRE. fluff, slight angst?, headcanons/scenarios, established/implied hidden relationship, idol au WARNINGS. some kissing, consistent terms of endearment, just absolute softness dude. WORD COUNT. 3.4k
requested by anon: hi hiii i love your writings and i see the reqs is open. so how do you think svt would say 'i love you' for the first time? like, they're people who's being supervised all the time and very busy, so they're pretty hesitant about whether the relationship will work out or not but then he realizes that it means so much to him after some time.
notes: i hope i manage to capture ur request well aaaa i’m not confident. for this i wrote a lil scenario under each member instead of the usual long ass descriptions, but i thinki veered off the request oops and they get more silly as you read more LOL. sorry this took such a long time and if it seems repetitive! i started running out of ideas alksjderj
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choi seungcheol
“Y/N, you don’t need to𑁋”
“cheol, I insist,” you bring your hands to his shoulders, directly him to lay down on the bed. “just rest up, please. let me cook for us tonight, okay?”
seungcheol could only watch as you disappear into the kitchen, coming back in with a steaming bowl of soup. the constant practice and performances ultimately made the stress hit him at once. and you being you, took this as the opportunity to take care of him.
you sit down at the edge, carefully lifting a spoonful of soup and before bringing it to him, grinning at the satisfied hum that leaves his lips.
as you continue feeding him, you ramble on about your day, and he could only listen. it’s these moments he’s grown to cherish where the stresses of his other life dissipate and he lets himself be taken care of, but these burdening feelings for you lingers. 
you’ve constantly assured him that taking care of him was a way to show that you want this relationship as much as he does, despite all the consequences. it always brings a certain flutter to his heart, almost like a hug he’s always needed. he’s known the feeling for a while now.
he doesn’t realise you’ve finished talking as he sees you stand up, but he’s quick to grab your hand. 
“wait, uh,” he starts, and you see the hesitation flicker in his face for a moment. pursing his lips together, he looks back up at you with nothing but adoration. “you know that I love you, right?”
you blink, nearly dropping the bowl from the way your hands grow limp at his words.
“well,” you smile shyly. “now I do.”
yoon jeonghan
“angel? what are you doing?”
“me?” you ask as if it wasn’t blatantly obvious you were the only person in the room. “just folding your laundry.”
jeonghan can’t help the smile to his face as he enters into the bedroom, placing himself down next to you at the edge of the bed. he could lay down if he wanted to; he finds his body exhausted from rehearsal. but he doesn’t want to lay down yet, at least not without you.
“what do you say I drop by your dressing room before your performance?” you ask him with nothing but hopefulness. 
he lifts a brow. “are you sure? don’t you have work tomorrow?”
you smile at him, folding up his last shirt. “nope. called in sick so I can attend your stage. thought you’d need me to charge you up with energy, you know?”
jeonghan’s heart does a particular leap. for nearly every performance that you visit him at, he finds himself continuously clinging onto you for good energy and support. he does it out of spite, simply because he loves the feeling of your body, your warmth, your love against him, like a constant reminder that you are there, and you are real.
“I think I’d love that very much.” he sits closer to you, snaking an arm around your waist once you place his folded shirt down, pulling you closer to him.
and he knows he’s done for when he hears those giggles leave your mouth.
so he leans in close, whispering something in your ear he has always wanted to say for the longest time now.
“but not as much as I love you.”
joshua hong
no matter what day it was, joshua always finds himself waking up in the mornings before you do. even after an exhausting day of rehearsal the previous night, he still wakes up before you.
his eyes flutter open as he peers in your direction, a soft smile crossing his face at the sight of your chest heaving up and down rhythmically. he doesn’t want to disturb you, but you’re just so darn cute and beautiful, and the rest of the day is fortunately free for the two of you. 
“sweetheart,” he lets a finger poke lightly at your nose, smirking to the way it crinkles from his touch. “wake up, remember it’s my day off today?”
“mmmh,” you grumble, playfully batting away his hand with yours. “ten more minutes.”
joshua knows he can’t get himself to resist you, so he lays back down in bed directly across from you. he doesn’t fall back asleep, instead only lets his eyes wander admiringly over your features, and he thinks he can wake up like this next to you for the rest of his life, even with his busy career. 
he knows the consequences when it comes to love, but he’s willing to love you to himself all he can.
leaning in, he presses a tender kiss to the top of your forehead.
“I love you.” he mutters quietly, and he catches sight of the subtle lift at the corner of your lips.
wen junhui
you find jun napping soundly on the couch. or so you think he is, because the moment you approach up to him, you find a pair of arms lodging around your waist and pulling you into the couch, a surprised yelp leaving your mouth. 
“jun! oh my god𑁋what are you𑁋”
“you’re finally home, my little blanket~”
“you are ridiculous,” you murmur annoyingly, but end up naturally relaxing in his arms anyway like you always do. pressing up against him, you let your head fall to the crook of his neck, where it seems to fit perfectly. “long day today?”
you feel the rise and fall of his chest, a deep sigh leaving his lips. 
“just tired,” he responds. “but better now that you’re here.”
you smile against his skin. “you know you count on me for anything, right?”
there’s some silence, a silence thick with unspoken thoughts, but it’s mainly jun who can feel it. he knows he can, knows he can tell you anything that comes to his mind and that you’ll listen. it’s just... a bit terrifying being this intimate, this in love with you knowing it can jeopardise his career. but he’s already in deep. he knows he is.
“can I tell you something?” he asks, voice laced with nervousness.
he feels you nod in his embrace.
taking in a deep breath, he pulls back to be able to see you.
“I... I love you,” he confesses, feeling the heaviness lift off his heart. “been wanting to say that for a while.”
and if it was possible for your heart to smile as well, nothing stops you from kissing him.
kwon soonyoung
“would we still be together if I was on a five-year long tour?”
“mhm.”
“what if I had to move countries?”
“of course.”
“even if I turn into a tiger?”
“surprisingly, yes.”
a pause.
“...would we still be together if I wasn’t an idol?”
“a million times yes, soonie.” you grab his soft face in your hands, giving a gentle squeeze to his cheeks. “I can assure you we would still be together no matter what.”
that was all the reassurance he needed. soonyoung can’t help the excitement bubbling in his chest as he’s quick to lean in and pepper your face with kisses, causing chuckles to elicit out your lips as you fall down on the couch behind with your boyfriend hovering above you, staring down at you with loving eyes and a goofy, lovesick smile.
“gosh, I love you so much, Y/N,” he mumbles against your lips. “and I’m gonna tell you that for the rest of the night.”
jeon wonwoo
“no, no, what if someone saw us? I should have been more careful, I’m so sorry𑁋”
“Y/N,” wonwoo’s voice is firm and demanding, and you make yourself shut up. “it’s okay.”
“but𑁋”
“darling,” he grabs your hand into his, letting the other drift up to cup your cheek softly. “we’ll be okay, I can promise you.”
“I𑁋but what if this ruins your career?” you ask him, feeling the way his fingers are caressing over your knuckles. it calms you down just a bit. “what if me accidentally holding your hand just...”
wonwoo sighs and leads you over to the couch where you both settle yourselves down next to each other. he knows the probable consequences of getting caught, but he cares more about you than what some stupid news dispatch claims. they can say anything, and he’d still be willing to protect you more than himself. 
“don’t be scared, okay? even if we were caught...” he hesitates, lips forming a thin line as you wait for him to continue. “it still doesn’t change the fact that I want to be with you, because I love you, and I want this. I want you.”
you feel your lips quiver, some streams of tears running down your face. you can’t get the words out, so you bring him in your embrace for a warm hug, hoping to convey how much you love him as well.
lee jihoon
“babe, this sounds great.”
jihoon just smiles proudly, posture leaned back in his chair as he watches your head bob up and down to the melodies and the sound of his beautiful vocals traveling throughout his studio. you have a hand at the tip of his knee, giving him gentle squeezes each time you got more into the music.
if only you knew that you were a source of inspiration for too many of his songs. too many that he could count.  
“thank you,” he says sheepishly. “I managed to whip it up in two hours and was thinking about bringing up with the others.”
“if I love it, I’m sure they will too,” you reach over to grab his hand ressuringly. “and I’m not being biased, I’m serious.”
there’s a particular shift in his grin that you notice. it feels more... fond, moreso admiration even though you should be the one admiring him for this. though jihoon has his challenges in voicing his emotions, sometimes you can just tell from his face.
“okay, I should head home,” you stand up, giving him a kiss on the cheek. “call me later, alright?”
“text me when you get home safe,” he tells you, helping with grabbing your belongings before walking you to the door. once you’re in the door frame, he lowly mutters out under his breath, “...I love you.”
you catch it, but just barely, yet you unconsciously respond with, “I love you too,” before turning back to him with a look of shock and wide eyes. “wait, what?”
xu minghao
a yawn leaves minghao’s mouth as he inputs the code to his apartment. but when he steps inside, he’s immediately met with the familiar aroma of food lingering around him coming from the kitchen. when he walks himself into the kitchen, his eyes grow wide.
“Y/N?” his voice makes you freeze as if you were caught committing a crime, letting his gaze fall to the dining table. “what’s all this?”
“shoot, I didn’t expect for you to come home early,” you scratch at your head, placing down the dish in your hands before walking up to him. “I... uh, tried cooking some of your favourite foods. it was supposed to be a surprise.”
minghao just smiles and approaches up to the dining table with you cowering behind him nervously. his eyes scan over the array of dishes meticulously prepared with love and care, feeling like a fresh wave of home hitting him.
“you know you didn’t have to grow through all this trouble for me.” he turns back to you.
“I know, but I do,” you tell him with a heartfelt smile. “it’s just... a way to show how much I care when you’re gone, since you always come home tired.”
his face only softens. stepping up to you, he places both of his hands firmly at your waist, and he feels you tense up for a split moment before finally relaxing. brushing back some stray hairs from your face, a grateful sigh leaves his lips.
“I love you,” he tells you, suddenly feeling a weight lift off his shoulders. “thank you for everything you do for me.”
kim mingyu
“gyu, get off me.”
“no can do.”
“but you have to go to work.”
“you are more important than work.”
you haven’t had your morning coffee, and your puppy of a boyfriend won’t get off of you, finding most of his body sprawled on top of yours so you’re basically flattened to the bed. at least he had the decency to give you some room to breathe and move, but just barely. 
he’s clingy, but not this early in the morning𑁋well it’s usually after you’ve had your morning coffee, but it’s clear you haven’t yet and he’s been glued to you since the moment you woke up. you feel his lips meet the skin of your face, planting soft kisses on your cheeks and forehead to try and coax a smile out of you.
“you’re... suffocating me, gyu.” you squirm just a bit, before his arms circle around you, and you find himself laying right next you on the bed.
“sorry,” he nestles himself up against you. “just don’t want to leave you.”
you run a hand through his messy hair, peering down wonderingly at the way he’s cuddling himself against you. “is everything okay? you’re not usually this clingy. well, you are it’s just𑁋”
“if I say it, will I get a kiss?” he sits up in bed, gazing at you with those desperate eyes that you just have to cave in.
you sigh. “yes, you big boy, I’ll give you any kiss you want.”
mingyu bites at his bottom lip nervously, knowing he has to get it out or else he can’t take it anymore. it’s all that ever clouds his thoughts whenever he takes a single glance at you. he knows it all: the consequences, the hate comments, but the only thing that could break his heart would be to separate from you.
and so he leans in, his breath grazing against the skin behind your ear.
“it’s a secret, so don’t tell anyone,” he whispers. “but I love you.”
lee seokmin
“seokie?”
immediately, seokmin takes his attention of his phone to turn towards you, a mixture of worry to his face. he sets his phone on the bedside table to give you his undivided attention. 
“what’s wrong, sunshine?” he asks you, already opening his arms for you to settle in.
you give in, allowing the protection of his arms encircle around you.
“nothing, it’s just...” you glance up at him. “do you think you can sing me to sleep?”
for some reason the simple request was enough to send seokmin’s heart into overdrive. nothing but a wide smile crosses his face as he nods, allowing you to settle back down on the pillow as he props himself up on his elbow next to you.
he starts to hum a slow lullaby, containing a familiar melody of a seventeen song that you recognise. his voice carries an undertone of affection, his words unspoken yet deeply felt. he watches the way your eyes flutter to a close as he begins to reach the end of his lullaby. if it was possible and if you’d let him, seokmin knew he could do this for the rest of his life. he wants to use his voice to not only bring joy to his fans, but to convey the love in his heart. 
at the very last line of the song, he leans in close to be able to whisper in your ear. 
“I love you so much, sunshine. dream about me, okay?”
boo seungkwan
“Y/N, what are you doing here?” there’s a mixture of surprise and a hint of panic in seungkwan’s voice as he notices you standing at the entrance of the rehearsal room. luckily it was only him and his members in the room.
“I was in the area, so... I brought you some food,” you hold up a bag from behind your back. “wish I could have brought more for the other guys, but... yeah.”
his eyes widen from your thoughtfulness as you reach an arm out to transfer the bag from your hands to his, and he swears he can feel his heart swell beyond his own chest. 
you peer behind him to the other guys laughing and minding their own business, while seungkwan in front of you seems completely frozen in time. there’s a blush to his cheeks that you notice and reach out to pinch, making him come back to reality.
you give him a smile. “I’ll see you tonight, okay?” 
but as you are about to turn around, he exclaims, “wait!”
and when you look back at him, he feels his tongue go dry. he’s been rehearsing this line for the past few weeks𑁋in front of the mirror and everything𑁋but your gaze on him always makes those words land right at the tip of his tongue, unable to come out.
“uh...” then he steps up closer, glancing back towards the guys before back at you. even though it may not be the right time and the right place to say this, he does anyway, “I love you, thank you for the food.”
you can’t help the chuckle to your lips as his face turns even redder, and the kiss that you place to his warm cheek doesn’t help at all. 
vernon chwe
“hey, babe.”
“hey.”
it’s the only exchange you and vernon share before he drops himself on the bed, letting his head rest in your lap, a contented sigh leaving him. naturally, you run your fingers through his hair. you can tell that he’s tired from today.
you and vernon have always had the ability to see how the other feels without words. he can see a quiver to your lips and tell you are frustrated, or you can collapse in his arms and he’ll let you hold him while he’s doing something else to recharge.
but he’s been too quiet lately, you’ve noticed, only exchanging the simple hello’s, goodbye’s, and kisses to each other’s lips without saying anything more since he had to rush work. it’s been troubling you, but him laying in your lap has relieved you... sort of.
“everything okay?” you ask him. “you’ve been... awfully quiet today.”
“yeah, just... work, you know?” he answers, but you can sense the hesitation in his words.
you think for a moment, before asking, “want to talk about it?”
vernon pauses, and you feel like you can physically see him thinking. he sits up from your lap, criss-crossing his legs together before turning around and facing you.
“um, you don’t have to respond, but uh...” he rubs the back of his neck meekly. “...would you freak out if I told you that I love you?”
you stare at him blankly, or lovingly, you don’t know, but you feel your heart doing jumps inside your chest and it’s starting to hurt. 
“I’m freaking out from how long I’ve waited for you to say that.”
lee chan
“I love you, Y/N,” chan announces... to the mirror at himself. “or should it be like, ‘I’m in love with you’ or ‘I want to spend the rest of time’𑁋agh, that sounds so cheesy.”
he brings his hands up to his face frustratingly. why is it so hard to simply say how he feels about you TO you? he’s known how he feels for a long time, even with the other members constantly telling him how he has to be careful and all that, or how something like this could make or break his career, but chan know they’re just looking out for him. 
he’s been torn between his career and your relationship, knowing both are equally important to him. but the longer he’s been with you, the more this feeling bubbles inside of him.
“I’m in... love with you,” chan tests. “I love you with𑁋”
“chan?”
“𑁋oh gosh!” chan yelps out, turning his body around and noticing you through slightly open doorway of the bathroom. 
you furrow your brows, eyes flicking over your boyfriend’s forced smile. “are you okay? I thought I heard muttering.”
“yeah, I was just... rehearsing my speech,” chan pauses for a second. “...just in case we win today?”
you roll your eyes. “cute,” then approach up to him, fixing some of his strands of hair with your finger. “I wish I can make it to your stage to support you, but I know you’ll kill it anyway.”
you tell him something about your work, but chan only keeps his eyes fixated on you. and as you were about to leave, he swiftly grabs your hand.
“Y/N,” chan starts, and you see him noticeably swallow. “you know you mean a lot to me, right?”
you turn back to him, intrigued. “I sure hope I do.”
“okay, and since you mean a lot to me, I know you’ve been my number one support,” he continues, feeling all the words spilling out. “and you’re just... so pretty, so funny, you always make me smile, and I think that... I love you. not think! I do... love you.”
you could only stare at him, wide-eyed, pinpointing the vulnerability in his own eyes, and you feel your heart swell enough to bloom a smile on your face.
planting a kiss to the corner of his lips, you utter out, “I love you too, chan.”
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taglist (open) ʚɞ @enhazen @haowrld @ylliris-hanniehae @icyminghao​​
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olderthannetfic · 17 days
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hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused
--
A big factor in LJ's greatness is timing and nostalgia.
It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.
LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.
I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.
People often remember this phase but not the early days of suckitude.
This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.
There are people who talk about Tumblr the way my cohort talks about LJ...
And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.
Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.
What life phase you hit a site at matters.
--
With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.
The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)
Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.
Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.
But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.
--
The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.
On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.
--
But could we use Tumblr pretty much how we used LJ?
We could.
I do.
--
The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:
Heavily text-based
It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.
You could follow the discussion
Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.
The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"
All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.
On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.
(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)
It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.
--
These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.
For me... yeah, Tumblr functions almost exactly like LJ.
Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.
People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.
--
So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.
Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.
We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.
--
Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.
The missing piece is people.
When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.
--
Threaded comments are different and better.
LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.
A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.
--
So by all means, people, weigh in about what made LJ great or how the culture felt at the time...
But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.
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kakiastro · 8 months
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Will I be Famous?
Astrology of Fame
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When it comes to if you’ll be famous, there’s several indicators that can show you having the potential to be famous. Obviously, it’s still going to take work to achieve this but you’ll have certain advantages based on your chart
Leo + 5h placements + Leo degrees (5°, 17°, 29°) + Sun aspects
- Leo is the sign of fame. If you have any placements in Leo then yes, you have the strong potential to be famous or well known.
- The 5h is Leo house so even if you don’t have any planets in the sign of Leo but have it in Leo house, you still have strong potential for fame.
- Leo degrees is also a big indicator.
5°- short term fame. You can be famous forever but you’ll always be known for this one particular thing or a few, and won’t be in the mainstream media as much unless it’s about that thing you did
17°- moderate fame. Being more well known in the mainstream media. You’ll have quite a few well known projects that you’ll be famous for.
29°- long term fame, you’re constantly in the media and you have a long range of projects
-having close aspects to your Sun also influence if you have fame energy.
Example: Sun conj MC indicates being well known on in your chosen field.
Saturn + 10h + Capricorn placement and degrees (10° and 22°
-Saturn rules over your career and public image. Saturn also rules over our legacy after we retire. “What will people remember me for?”
-having your planet’s especially your personal planets (big 6)in the 10h can indicate being well known and highly respected.
-Now Saturn is long term fame but it’s also the planet that takes a long time to get to where you want to go. Consistency, Strong work ethic, being responsible are the keys for success
10° is the degree that represents respect and long term goals
22° is one of the most notorious degrees. It’s named “kill or be killed” degree. Now this doesn’t mean you will be killed or you will kill someone (I hope not anyway lol) I personally look at this degree in what are you willing to sacrifice or not to achieve your goals?
Uranus + 11h + Aquarius Placements + degrees (11°, 23°)
- Uranus rules over society, networking, and social friend group. It also rules over your collected wealth. Taurus and 2h rules over the wealth you are building but Uranus and 11h is what you have built.
-have your personal plant placements can make you very influential to a large group of people. Remember Aquarius is Leo sister sign. Leo is the stage but Aquarius is the people. Part of being famous is your fans and fandom. Uranus is a generational planet so having these placements means you impact on your generation.
Example: I’m from the Uranus Aquarius generation so being well known on social media and influencing large group of people. It’s in the 7h (placidus) and 8h (whole sign) so I’m building a business that talk about occult topics . I also talk about healing a lot on this blog
11° means you’re good at connecting with people, you may know all kinds of people for different purposes
23° means you are the one everyone knows or at least heard of. People go through you because you are the networker.
Venus + 2h and 7h + Taurus and Libra + degrees (2°, 14°, 26°, 7°, 19°)
-Venus is a huge fame indicator. Beauty and looks is a huge part of being famous. You can use your Venus sign to your advantage by matching the energy of the sign and house it’s in.
Example: if you have Venus Aries 5h, wearing reds, oranges, yellows, bangs or side parts are some of the ways you can show this energy
-libra rules over one on one connections and partnerships. It’s how we connect with people up close and personal. This is where enemies reveal themselves openly.
7° is one of the degrees that rules over beauty and aesthetics, may be really charming
19° is one of the karmic degrees. It’s the partnership degree. You may meet lots of past life people in this lifetime. You may end up being with a past life partner. This is also the business degree.
-Taurus rules over all of our finances and the things we are building in our life. It also rules fashion but more so our physical beauty features such as dimples ect; while Libra is the beauty and aesthetics.
2° is known as the powerhouse degree. You have the power and energy to build an empire if you want too.
14° and 26° are both the fashion, pretty face degrees. There’s also a natural beauty energy.
Do you have any of these placements?
Have you booked your reading with me yet?
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cooki3face · 10 months
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your first time alone with your spouse 🖤
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I finally sorted out a content schedule for my tarot readings, Instagram page, and TikTok account so I’ll be posting large tarot readings every other day, and in the days in between I’ll be posting things like channeled messages from your person and three card pulls over on my Instagram and TikTok. If you don’t follow me on my Instagram account already go check it out, @cookiefacetarot where I post channeled messages from your person, divine masculine and divine feminine channeled messages, divine masculine and divine feminine energy updates and affirmations for those of you who are in high-level soul mate connections or twin flame connections. I’ll also be doing mini-channeled messages from Spirit as well as horoscope forecasts on Mondays. I love you so much, thanks for reading this little blurb before I get into the reading! 🖤
***
i.
I'm so excited about these readings, I can feel the love and the energy entering the room. 🥹
This person is going to spend a lot of money to make this night extra special, they may go the extra mile to figure out where you're going to go, where you’re going to honeymoon, they’re going to be thinking about the food, the music, it’ll be a whole production. I’m also hearing spirit telling me that you’re not going to want to make a spectacle of your marriage or your wedding night right away. There’s something specific coming through for a handful of you about the things you’re going to achieve with this person or the moments you’re gonna share together that you’ll want to wait to share with the world because you never want to take something that’s developing or is meant to be protected and give everyone access to it right away. Your first pregnancy you’ll probably want to wait a while to announce. Your engagement you’ll probably want to keep a secret for a while or at least until you guys are married, you guys may marry very quickly because you guys just can’t wait. I’m hearing “private until it’s permanent”
I see this person not making quick moves or even having any particular intentions toward you or expectations for this wedding night. We all know what goes on between a couple on the night of the wedding but I see this person really wanting to slow down and enjoy your energy and enjoy the energy that comes with being married. The sun card in reverse talks about one’s inner child. You may have known this person for a long time here or had a very long process of coming into union with this person once and for all and this is such a wish fulfillment for them and they could’ve dreamed of the day you were married a long time. This person values you, they want to spend time with you. I’m hearing “Life isn’t near long enough a sentence to be with you.” If this person could they would ask for more time when it was their time to pass on so they could spend it with you. This person adores you, this person wants to go where you go.
I see this person going out of their way to use their connections and resources to make this night as special as they envisioned it to be. They’ve been manifesting a long-term commitment with you for a long time and then getting it is proof they're meant for something in this life or that the universe loves them I’m hearing. This person fully intends to sit with you and enjoy you all night long. I hear you guys staying up all night together and talking about your memories, laughing, genuinely enjoying your time together, and shifting into the energy that will be there and be shared within your life together. There’s genuine love here, genuine affection, and support. This person couldn’t be happier and they may tell you this that night. You guys could share a lot of intimate embraces this night as well. Feeling each other's skin, feeling each other's touch in deep profound ways because you know that the worst is over and your time to be together and spend the rest of your lives together has finally arrived. I’m hearing “At Last” by Etta James but particularly Beyoncé’s version because I prefer it. When you’re really in love you listen to Beyoncé’s version. When it’s bittersweet and you want to cry a little you listen to Etta’s version.
This night will give the two of you the space and the time to finally be done with any heartbreak and really truly put the past behind you and rejoice now that your connection is harmonious and has reached the point the two of you’d been wishing for and working towards all along. This connection will be so harmonious and you guys will compliment one another so well and empower one another that this single connection will birth an entirely new reality for the two of you. Enlightening the both of you spiritually, giving the two of you the power to join forces and go after life as a unit and bring prosperity and abundance most people could not even dream of. You and this person will be a power couple or may even grow to do something that will help many people. Individually and together. There couldn’t be a better match.
This Union will bring about such powerful change and enlightenment and alignment for the two of you. Bringing about the release of any self-limiting beliefs and fears. I’m hearing once the two of you are open, you’ll remain that way. Your higher selves belong to one another, you’ll feed off of each other's energies, ideas, courage, and love.
You’ll be rich together. In love and in finances.
The months of August and September as well as the fall and winter months and those seasons may be significant to you or connection. 🍂
***
ii.
This person wants to love you down pile two. I see this person planning a really intimate and romantic wedding night with you. They know they want to make love to you. I’m also getting you’re going to look so good on your wedding day that this person is going to want to get hot and heavy as soon as you guys get in the door. This person is so passionate about you. And not in a negative way like that’s all they see you as but they’re so passionate about you, nobody turns them on like you do and they’ll instantly be ready to show you just how much. With the fool card in reverse they could’ve been holding back all day or for a really long time, the two of you could’ve waited till marriage to be intimate or could’ve abstained from sex for a little while while you were waiting to be married.
This person has very romance novel esc fantasies about you lol they may enjoy romance novels or enjoy romance as a genre as a whole. And I think this person feels as though they’d be taking a risk by coming towards you in this way or revealing how much they desire you to you pile two. You may not have ever seen this person in this light or seen how passionate they can be or what the other side of them is like. This person could be like night and day. Very sweet on the surface, very passionate and sexual within. You may not have had a lot of sex with this person, your relationship could’ve been really emotionally intimate or really heavily influenced by emotions and just being sweet and gentle with this person but this person desires you in ways you don’t know the real scope of I’m getting. This person craves being one with you and I think that their sexually charged energy is really a deep desire to be extremely close to you and become one.
This person wants to feel deeply connected with you and on your wedding night, they will. You’re this person's ten of cups. You’re this person's true divine love and harmonious connection. This person knows your the one and has known it for a long time and the way they see it, no matter the distance, no matter what happens, you’ll always be their person and they’ll always love you no matter what. The wish fulfillment of being wed to you only makes them wish to be close to you more, which only makes them happier. This person could really like it when you do things for them or really enjoys it when you take care of them, it makes them feel incredibly special and loved. This would be the person who would take care of you for the rest of your days just to return the smallest gesture you did for them like three years ago, January 2nd at 3:30 pm because they love you so much.
This persons feels indebted to you for the rest of their life just because you exist and it’s an honor to be indebted to you in their eyes. The appreciation and devotion this person has with you is truly unmatched. I’m hearing “I wouldn’t rather be any place else or with anybody else.” This person could’ve told you this before or had been telling you this for a long time.
This person has never had to think about if you were the one or not or question their love for you. They’ve always felt safe by you, they’ve always wanted nothing more than to be loved by you.
***
iii.
I see you getting everything you deserve on your wedding night pile three, you could even be nervous or unaware of a surprise or something that's being prepared for you behind the scenes by your partner but it'll be everything you could ever wish for. You could be heavily manifesting a specific outcome but your person really has your back and they’ll come through for you. You may not have met the person you’re going to marry yet but this person is going to invest so much time into really getting to know you and really studying you. This person will be so incredibly romantic and creative. This person knows what you need. You may even be stressed out while planning the wedding or on the day of the wedding and you may even have conflicts with others, guests, a mother-in-law, a father-in-law, or even have some disagreements with your partner about what is that you want to do but I’m hearing that this person knows you beyond your fears and they may even know you better than you know yourself and when they come to the rescue and plan things out for you you always really enjoy what they’ve put together even if you were worried about it in the beginning.
You could be really particular about things and sometimes indecisive but this person knows you so well that they bring your deepest manifestations to fruition without you even having to communicate what you need and what you want. This person completes you, the two of you fit together like puzzle pieces. I’m hearing this person is going to make your wedding night extremely relaxing for you and make your honeymoon extremely relaxing. They may draw you a bath the first night, help you take your shoes off, or help you take down your hair, take the clips out of your hair, and get unready. This person will help you decompress before they help themselves decompress because in this person's mind their purpose is to make sure you’re cared for and happy. No ask is too big for this person.
You may have trouble in your love life or have had bad experiences with relationships and not getting everything you deserve but this person isn’t going to be like that for you and that’s why you’re marrying them because this person will show up and prove to you how worthy you are of care and affection without you having to ask for it or compromise. This person would never let anyone hurt you, and they would never hurt you. I hear they’d do a good job of standing up for you and showing the world and everyone else how much they love and appreciate you. You’re a top priority to this person. There’s nobody better. There’s nobody more worthy. You may cry a lot or be someone who is very emotionally driven and very easily stressed out or moved and this person will be the most perfect support system. I’m hearing you don’t need any more friends and family lol this person IS friends and family.
This person moves mountains and any blockages out of your way. This person is very passionate about you. Whatever they can do to make your life soft and easy they will. I’m hearing “spoiled.” This person is going to spoil you and really make sure you feel overly loved and safe. Especially heard and seen. You may have grown up being ignored or invalidated constantly by parents, family members, or even friends and this person is going to allow your inner child to heal and allow you to shed the limiting idea that you’re really not truly worth being listened to or that other peoples needs are more important than yours. You’re the whole world to this person, you could not ask for a bigger role in this person's life.
This person is going to be very gentle and patient with you. Any time you have a hard time expressing yourself, they’re going to be there to help you and understand what’s going on. Anytime you’re stressed out and can’t handle the weight of something they're going to be there to carry it with you. This person is going to allow you to be able to pause and release things and receive effortlessly. Don't settle. This person will come.
***
Beautiful piles today, these were all very sweet and emit such strong energy of safety and stability and I can’t help but be happy for everyone lol I love you. Thankyou for coming to visit me, make sure you come back soon and bring your loved ones. If you’d like to book a personal reading with me you could find my booking link in my Instagram bio. Thank you. 🖤
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book 7 part 8 thoughts!!
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***THIS POST CONTAINS MASSIVE SPOILERS FOR BOOK 7 PART 8 OF THE MAIN STORY!!*** Please note: this is NOT meant to be a summary or a translation; these are only my initial thoughts on the events that roughly unfold. There may be details overlooked or misunderstood in this post, so PLEASE do not use this as a translation.
Right off the bat, we're starting off strong with a video presentation from Idia!! He uses many MMORPG terms and analogies to better explain his concepts, even referring to allies as "party members".
The video is ~3 minutes long and the artwork used are Takashi Mifune-sensei’s LINE stickers. Yana says she is particular about functionality like Idia is, so she is pleased that they were able to implement this video. “Please watch Idia’s debut as. YouTuber!”
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AGKVTIUOD8VQFVE IDIA SHROUD ASKS US TO LIKE AND SUBSCRIBE IF WE LIKED HIS PRESENTATION....... . . .. ...... .. . . . . .. . . . . I'LL GIVE IT TO YOU, IDIA... You popped off on the editing fr...
Idia tells us that there the population of Sage’s Island is roughly 20,000!
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He basically explains his plan to defeat Malleus. Idia's going to fuck around with stuff in his own dream to make cheat codes to debuff Malleus (ie remove his invincibility). The others shall distract Malleus so he doesn’t catch onto what Idia is up to. Yuu, Grim, Sebek, Silver, and Ortho will infiltrate the dream worlds of classmates, "wake" them, and then recruit them to their cause. They will then lure Malleus into Idia's dream, at which point all the recruited students will JUMP HIM 🤡 Truly, the power of friendship but the NRC way…
Idia grants everyone the ability to DREAM FORM CHANGE!! By saying that phrase, it opens up a menu where you can magically change your outfit in an instant. The NRC boys are becoming magical girls… ✨
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akjlfabidfbefeqof Grim has fun changing into his various Anniversary outfits! Ceremonial Robes, Labwear, Apprentice Chef...!
Silver and co. hop into Epel's dream! (Idia keeps in touch with everyone via his tablet while he stays behind in his own dream.)
Everyone at NRC seems to speak in the same Harveston dialect as Epel. And, well... here's apple boy...
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IS THAT EPEL’S HEAD ON JACk’S BODY????????!!!!!?!?!?!!!?!?
THIS IS LITERALLY THE BUFF NATSUKI DDLC MEME 😭 I MEAN I WAS KINDA EXPECTING THIS BUTNIT FLOOKS SO FURGINGNGGGF GS CURSED
Anyway, the group just casually walks up to Epel and tells him everything is a lie??? And when Epel's world starts to go all wibbly wobbly, a dream!Rook and dream!Vil show up to praise him. Rook says he has heard rumors that Savanaclaw wants to recruit Epel for their own dorm, while Vil praises Epel as being both strong and beautiful, a perfect fit for Pomefiore.
I like that the implication is that while Epel still has a desire to be in a "tough" dorm like Savanaclaw, this dialogue seems to also say that he now also finds value in Pomefiore. This is why dream!Rook and Vil are tugging Epel in opposite directions; his soul must like BOTH options. Further proof is that Epel is still a Pomefiore student in his dream, he is not in Savanaclaw. To keep him under the sleep, the dream is trying hard to appeal to both sides of Epel's wishes.
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So we battle the fake Rook and Vil!! Then Epel's memories come flooding back to him; the cracking glass effect is so pretty and calls into mind a mirror shattering as Epel gains his lucidity.
(Rook and Vil get similar "glass breaking" scenes upon waking, so I'm only going to comment on Epel's here and leave it at that!)
Cut to black to explain the situation to Epel!
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Ortho invites Epel to join their "party" in Idia's dream! Then I believe he uses Epel's dream data to project a hologram of buff!Epel to remain in the dream while Epel joins the gang to hop into the next dream.
Next up is Rook's dream, and--
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YUP, THAT'S A YEEHAWING ROOK HUNT IF I'VE EVER SEEN ONE 💀 I thought for sure his in-game 2D model would have larger arms (like, at LEAST Leona-sized arms, if not Jack-sized)... I guess not though, because we cannot have nice things/j
I love the extra detail of the leaves being stuck in the brim of his hat!! dfhlbafbiapia and bro just walks around with a quiver of arrows and a bow strapped to his back at all times...
ahbfg8yoadf9pbaegpb ROOK JUST DROPEPD A FUCKING BOMBSHELL ON US???????? Apparently Vil is a student at RSA and is besties with Neige???????????? BRO'S HEAD IS FR WRITING OUT FANFIC ABOUT HIS TWO MOST BELOVED IDOLS HOLDING HANDS AND GIGGLING TOGETHER
Uhhhh long story short, Rook runs off to his room and we chase him. What we find is--
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YEAH THIS IS ROOK'S ROOM??????? It's probably what is depicted in his Savanaclaw Dorm Uniform SSR too. Note the split bed and the completely different carpets in the SSR artwork.
AEBFYVQEVYOFBQB THE WAY THE ROOM IS PERFECTLY SPLIT DOWN THE CENTER AND IS JUST STACKED WITH MERCH (including Tsum Neiges and Vils????????!????!?!?!?!?!??!!!!)
Rook starts to chuckle menacingly and pops off about his hyperfixations to us???? Then he wrangles us all to sit down and watch DVDs with him for the next *checks notes* 5 HOURS?????? AM I READING THIS CORRECTLY????? Rook... HONEY... THE WORLD IS ABOUT TO END, WE DON'T HAVE TIME TO DO THIS...
We keep trying to talk to Rook, but he isn't quite waking up yet. So we have an aside with the gang and Epel suggests... RECREATING OUR VDC PERFORMANCE??????? ? ?? ????? He shows Silver, Sebek, Grim, and Ortho the dance moves and the show goes on!
Rook is lured to the VDC stage and we get a new Absolutely Beautiful rhythmic with our current squad! Unfortunately, the vocals are the same as book 5, so we do not get a new variation with Epel, Sebek, Silver, Ortho, and Grim singing.
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I love Love LOOOOVE that Epel is the center here!! He took the initiative to suggest the idea as well as teach everyone, and now he's REALLY walking the talk by serving as the "leader" of the group.
Watching the NRC Tribe makes Rook's head hurt and he starts to remember...!!
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Well, wouldja look at that... Here comes dream!Neige and RSA!Vil to distract Rook. They say they are inspired by the NRC performance and start to perform Everyone Yahoo! This entrances Rook, making our task of "waking" him all the more difficult.
aihfboyfpie LMAO THEY'RE SO DRAMATIC?????? Vil steps up to defend Neige, and Neige is all like, "Nooo, Vii-kun! If anything were to happen to you, I'd be crushed by sadness :((" ROOK... IS THIS WHAT YOUR MIND COMES UP WITH...
Rook points an arrow at them and cries about how he betrayed Epel... (AYO LIKE THE HUNTSMAN????) and now he has to destroy Vil and Neige, who are "proof" of his betrayal. It makes him cry even more because he can't think of harming them, even if it's just a dream...
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Anyway, time to pummel the sparkly duo! You can see from the battle sprites that RSA students seem to use REAL ASS SWORDS to channel their magic instead of magical pens. Man... Imagine being handed a writing utensil and then glancing over at the next guy and seeing them holding an ACTUAL WEAPON.
If you look closely, you can tell that Neige and Vil's pommels, grips, and rain guards are slightly different. Apparently, every RSA student has a unique one? WOW, I feel like NRC got ripped off then??? Cuz only the dorm leaders get unique items or staves to channel their magic and everyone else has the same standard issue magical pen but with a different magestone color. The only exception to this for the average student seem to be Diasomnia kids, who have baton style magical pens in their dorm uniforms.
Rook fully awakens and we rinse and repeat what we did with Epel (cut to black to explain things to him, make a hologram Rook to leave behind, and invite him to join us).
The last part of the update has us venturing into Vil's dream.
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OMG, WE'RE IN FAIREST CITY??? AT QUEEN'S FILM STUDIO???? We just visited this place in a recent event! What perfect timing... I see you, clever TWST devs!
I swear that Vil's outfits are getting worse with each new one I see him in, but that's probably just my fashion sensibilities clashing with his 💦 I thought from the initial silhouette that we would be getting a slightly older Vil to show us how his values have changed since book 6, in which Vil declares he is always beautiful no matter what. Him being older would truly drive that point home; I feel this was a missed opportunity but maybe it wasn’t possible because these dreams don’t seem to be taking place in the “future” but mostly center on the present or past? Something, something, magic limited to what can be imagined and maybe the magic can’t reach that far “ahead”?
aefyeyovfyvqvf HIS NEW HAIRSTYLE KINDA LOOKS LIKE CROWLEY'S, DOESN'T IT...
Here, Vil seems to be highly popular + considered fairest of them all. Additionally, a certain SOMEONE has been relegated to being his mere assistant (and uh, Vil is somewhat demanding of them):
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VIL... THIS ISN'T HELPING YOU BEAT THE MEAN GIRL ALLEGATIONS, SWEETIE...
On a more serious note, I think this raises an interesting point about Vil’s character. Try as he might to get over his envy of Neige, it’s clearly still something so deep-rooted in Vil, right up to the end of booo 5. Now this element also permeates in his dream world. Neige “has” to be demoted in so Vil can stand on top—but is that really “fair” to Neige?? Is it truly Vil’s jealousy that informs the dream of this, and thus the dream is spinning this shallow, easy victory for Vil’s satisfaction??? Because the noble Vil I know of in book 5 wouldn’t consider this a real “win”. Very fascinating topic to ponder!
Vil has Neige toss us out, which Neige does. The dream is preemptively acting this time, with dream!Neige coming at us. We make a getaway and somehow whack the head of the announcer + have Rook usurp his role.
As Vil is walking down the red carpet, Rook announces the various sins that Vil has committed. Vil panics and demands that someone shut Rook up, but then he starts to realize things aren't quite right.
We try to intervene, but Neige gets in the way and ultimately Vil is pulled deeper into his own darkness. Everyone else plunges into the dark with Vil?? I was worried that we'd have another battle map segment but thankfully there was none!!
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We're back in the VDC backstage hallway area and stumble across a horrifying sight. Neige is on the ground (next to an empty bottle of apple juice) and all Seven Dwarves are surrounding him and sobbing. Ortho runs a scan on his vitals and Neige... FLATLINES...
WHAT DOES THAT MEAN?????? THAT VIL ACTUALLY INTENDED TO KILL NEIGE IN BOOK 5????? 💀 Dude... No wonder why Vil was feeling so guilty and screaming that his actions were so "ugly"...
Epel uses his UM to encase Neige in a magical glass coffin to keep him safe. Then they run out onto the VDC stage and hear the announcer declaring that NRC has won. Vil is there soaking up all the attention and praise until we confront him.
Just as he is starting to "awaken", the darkness comes back and Vil alone is taken.
What I find really adorable here is that both Epel and Rook rush to his side and try to pull Vil out of the darkness. They're... OFFERING THEIR HANDS... TO HELP HIM OUT OF THE MIRE... OFFERED HANDS... A MOTIF THAT HAS BEEN IN TWST SINCE THE PROLOGUE... 👁️
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Vil finally faces off against his Phantom. Like Idia in the last update, Vil willingly assumes his OB form to do battle. These fights seem very symbolic in the grand scheme of things. Idia and now Vil, confronting the worst, most unsavory parts of themselves, their inner demons, and rising victorious, proving that they have become better people… It continues the little bits of character growth that we’ve been seeing in each of the past books!!
He rises from the darkness and joins up with everyone else after conquering the fight!! The update ends here.
Okay, there's a LOT to talk about????????
The highlight for me was definitely Idia's presentation. It was very fun to watch because of the slick editing and it was a silly way to lay out the plans. I appreciate that we get to see Idia's strengths on display here; he can get long-winded and throw in lots of eccentric gamer slang, but you can also see how quickly he's able to tailor a complex plan together while accounting for many variables. adfhlboafoiyebif I UNDERSTAND THE IDIA HYPE NOW, I UNDERSTAND IT ALL...
(Side note: I did not know where to insert this, so I'll do it at the end! BONUS POINTS TO IDIA FOR RIGHTFULLY CALLING MALLEUS SHALLOW 💀 because his understanding of constitutes as happiness truly IS shallow. Once again, Idia slays with his brutally real words...)
I already said my parts about Epel and Rook's dreams when they happened. It was great seeing how their characters have developed, especially Epel! I never much cared for him, but I really appreciate all that he has done this update.
This pretty much confirms that future updates will have us visiting every remaining classmate's dreams and "waking" them. Admittedly, I'm both excited and worried??? Because that's a TON to cram in, and I worry that not everyone will get proper screentime or development. On the other hand, I'm hype to see what their dreams are like and what other limited SSRs the game might throw at us.
I feel like with the reveal of Vil OBing to fight his Phantom/"inner demons", we'll get similar scenes with the other OB boys coming to terms with what they've done and where they can go from here. This... might lead into the highly desired and speculated about Overblot series of SSRs, which I theorize will be the limited SSRs for each of the OB boys. I'll definitely be keeping my eyes peeled for those, TWST... I wonder if we'll get a Neige card eventually too??? Since we did see his battle assets exist this time. Will Chenya get one too, assuming he comes in a futureHeartslabyul update??
Aaaaaah, next time... Scarabia... 🤡 I'm so hype for that, Scarabia is like my second favorite dorm next to Octavinelle!! (SPEAKING OF, WILL WE FINALLY GET EEL FORM CARDS FOR THE TWINS...)
I’m sliiiightly concerned for Silver because bro used his UM no less than, what? 4 or 5 times this update alone??? He used his UM to enter Yuu’s dream and then Sebek, Lilia, AND Idia’s. Presumably, he also has to use his UM no less than 13 more times (12 more for the remaining boys + 1 more time to return them all to Idia’s to ambush Malleus). And even worse, he has to transport an increasing number of people each time. HOW TF IS SILVER NOT OVERBLOTTING????! 😭
bxjsgwjwnwkcbjsbs This update was nonstop WTF moments sandwiched between genuinely heartfelt moments. It’s been really rewarding to follow along and see how the Pomefiore boys have changed since we first met them all the way back in late book 4, early book 5. Looking forward to seeing how the other boys play out!! (… Book 7 is fr about to be 200+ parts long 😭)
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vivwritesfics · 7 months
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Easy Mornings
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Honestly not sure how I feel about this - uni work is killing me and this is all I got rn
Maxiel x reader
Waking up beside somebody you love. There's no better feeling. Y/n opened her eyes and looked at the man sleeping beside her. The other side of the bed was empty, with the cats sleeping on the very end of the bed.
Y/N was sleeping in the middle of the bed, as she always did. On this particular morning she woke up sharing a pillow with Daniel, one arm draped over him.
She sat up slowly and slipped out of the bed, using Max's empty side of the bed. She gave Jimmy and Sassy a stroke, pulled on one of Danny's discarded shirts and made her way out of the bedroom.
Y/N loved living in Monaco. She stepped out onto the balcony and looked out over the country. From the apartment they had a lovely view of the harbour, of the yachts and the sparkling water.
What a beautiful place to live. After a year and a half of their relationship, Max had asked them to move into his apartment. Danny agreed instantly, and Y/N was quick to follow. That was the only thing that would have held her back, if Danny didn't want to move. If Daniel didn't want to, Y/N wouldn't. It wouldn't have been fair for her to live with one and not the other.
After making herself a coffee, Y/N walked around the apartment, searching for her other boyfriend. Well, we'll use the term 'search' loosely. Y/N knew exactly where Max was, but she didn't want to interrupt him.
Situating herself in the kitchen, Y/N texted Max. She made herself and Danny breakfast as she waited for Max to text her back. Eating her own, she walked back towards the bedroom and around to Daniels side of the bed.
"Danny," she whispered as she placed the bowl of cereal onto his bedside table. Y/N gently shook his shoulder as she called his name, trying her best to wake him up. "C'mon, Danny. I brought you some breakfast."
Daniels snoring stopped as his eyes opened. His face was still pressed into the pillow as he stared at her with his brown eyes. He blinked. Once. Twice. And then he grabbed her and pulled her onto him. He wrapped his arms around her and pulled her back into the bed with him. "You," he took a moment to yawn. "You should come back to bed with me."
His eyes were closed once again. Y/N let out a laugh as she turned in his arms and kissed his jaw. "Right, Max?" He called, reaching past her, towards the other side of the bed.
"Max isn't here," Y/N said as she rolled in his arms again and looked up at the ceiling.
Daniel let out something close to a whine. "Where is he then?"
"I think you know."
Danny knew exactly where Max was. It was where Max always was when he got a free moment. On his sim rig, ignoring everything.
On days when they all had to get up early, Max was right there with them, getting up, getting dressed and rushing out of the apartment. On their lazy days Max was still up early while Danny and Y/N slept.
It was why Max was the very best of the very best. Why he was twenty seconds ahead of the car in second place at every race.
Once Daniel had tried to join Max on this rigorous sim racing regimen. It was when he'd been placed back into AlphaTauri and just before his crash and injury.
The crash had been terrifying for Y/N. It had taken her back to 2018, before they'd all been together and she'd watched Daniel go into the back of Max. After the race Y/N had caught Oscar and pulled him in for a hug, relieved at least one of them was okay.
When Danny came out of the hospital, Y/N actually liked having him around. And I say actually because she wanted him in the car, on the track, but she loved having him there with her.
Suddenly, the lights flickered off in the bedroom. "What the hell?" Y/N whispered. She stood and went to flick them back on, but nothing happened.
"Fuck!" They heard from further in the apartment.
With nothing but boxer shorts on, Daniel struggled up from the bed. He gave Y/N a kiss on the forehead and walked out of the room.
Y/N didn't follow him. She sat herself back on the bed, getting under the covers as she waited for her boys.
The door swung open once again and Daniel walked in, leading Max in by the hand. "Look who I found," Daniel said and sat Max down onto the bed. "Poor baby had his sim racing go down when the power cut."
"Maxie," Y/N said and pulled him back on the bed. She lifted the covers and he crawled underneath, taking his place on her left.
She wrapped her arms around him and Daniel got under the covers on the other side. "I was winning as well," Max said with a pout.
"Oh I know," Y/N said and kissed him.
Max didn't let her go, and Daniel had to join in. For once they were getting a cosy morning together, all because of a little power cut.
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galedekarios · 9 months
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just musing about gale and his parents:
we only have a handful of conversations where he mentions his parents and when he does, it's usually only his mother, morena dekarios.
his mother is mentioned at several points in the game. during a custom protag playthrough, he mentions her in a datamined conversation that appears to be bugged/broken:
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and he mentions her at the end of the game as well when he proposes to the player:
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i was also able to find another mention in a banter with karlach that usually happens for me shortly after recruiting her:
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from gale's origin, this aspect is explored even more deeply:
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there's more, of course, and it very clearly shows that the bond he shares with his mother is a deep and loving one from both sides. it's also very interesting that he is called dekarios after his mother and not--even though naming conventions could certainly vary even in waterdeep--after his father.
who he doesn't mention at all.
the only time we do get a vague mention is during a conversation with the protag after saving mirkon from the harpies:
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after that, i haven't been able to find any reference, indirect or direct, to gale's father in the game.
so, here we enter theory territory:
i feel that, from a narrative point of view, in keeping with what i think gale's themes are, gale's father may have abandoned gale and his mother when gale was still young.
gale's character is rife with what might be interpreted as abandonment issue and it makes sense to me at least that those weave through his life up until the point where the protag meets him in the game.
another theme with gale is that he appears to have a lot of female figures in this life, who all had a profound impact on him, whether that impact is positive or negative: morena, tara, and yes, mystra.
it feels like to me that he had no father figure--and i use that term a bit more loosely here--until later in his life with elminster. this is already hinted at in a game with a custom protag, but all the more solidified in a gale origin playthrough:
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i think without directing telling you, the game does allow you to sort of guess at that part of his background in this way, and understand why gale is as he is as a consequence. you can also understand why he acts as he does with elminster. seeking his approval. yearning for it. being extremely hurt by elminster having to see him like this when mystra sends him to gale to deliver her... instructions. this almost pointed absence of a mention of his father in all his comments (and tara's too, now that i think about it) when it comes to family is glaring to me.
being left, being abandoned, makes it much more understandable to me why he doesn't speak of him at all: if gale's father had died, it would make more sense to me that he would remark on it or share it in some way or another. it might have come up in a banter with wyll, perhaps, who is struggling with the expectations his own father had placed on him.
"he died when i was still very young." perhaps, or something along the lines of, "i barely remember him; he died when i was only a child.", etc etc etc.
YET if gale's father indeed abandoned his mother--who he holds in such high regard, and not to mention his own hurt--i can easily see and understand why he wouldn't waste a word on him.
anyhow yes, this is long and ramble-y, and i 100% might be reading too much into what may be a simple oversight, but it was interesting to me and i still see it as tying in with the theme of abandonment, even though we don't know the reasons for it in this particular case.
was it not wishing to deal with a child with magical talents he couldn't control yet? was it for another reason entirely?
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vidavalor · 3 months
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The romantic implications of improper use of apostrophes
A short, little meta on rings and apostrophes...
Ok, remember Mr. Arnold of Arnold's Music Shop and his thoroughly relatable reasons for never wanting to go to one of these annoying Whickber Street Thingamajigs again? The second of his reasons, in particular? Note who the camera cuts to when Mr. Arnold brings up "improper" use of apostrophes:
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Crowley's little eyebrows and squirming, as he is thinking about how he is guilty of improper apostrophe use just the day before-- "technically", as they'd say. Mr. Arnold bringing up apostrophes is a wordplay clue to hidden language-- "improper" apostrophes in shop signs, which is to say in shop language and names. There's only one scene in the series where that's a thing. It is also the only one that would justify the Crowley reaction shot in the Mr. Arnold scene... and the implications are pretty romantic.
It's this scene:
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When Crowley adjusted the name of the bookshop when Aziraphale called from Edinburgh, he changed it in such a way as to denote a sense of ownership through use of apostrophes. Crowley knows that the place is really called A.Z. Fell & Co. and he could have said that or just his usual way of referring to the place: "booK.shoP." The choice to answer in such a way as to reference to whom the bookshop belongs when he suspects that this is likely Aziraphale calling is a nod to the our car/our bookshop acknowledgement that they have going on.
Because Aziraphale has acknowledged that the bookshop is theirs, it belongs both to "Mr. Fell" and to Crowley, but the wordplay joke is that, when spoken aloud, you can't hear where the apostrophe falls. (That you refer to where an apostrophe goes as to where it "falls" also makes this an even more amusing word joke.)
Meaning: Fell's Bookshop sounds identical to Fells' Bookshop... the latter of which would, of course, denote that the bookshop belongs to more than one person who happen to share the surname of Fell.
Crowley gets squirmy when Mr. Arnold brings up apostrophes the next day because he's thinking about how he was subtly referring to himself as Aziraphale's spouse when Aziraphale-- wait for it, my fellow word nerds-- gave him a ring (on the phone) from Edinburgh.
Aziraphale apparently heard it as intended-- or, at least is on the same page-- because, as we looked at it in other metas that I'll link at the bottom of this one, Aziraphale's use of "la jardiniere" in the French he spoke to Crowley ties to the French cooking term "a la jardiniere," which has a specific definition that resulted in Aziraphale subtly referring to Crowley as his spouse.
Aziraphale also gave him a flirty little smile and that knowing "but you understood me" after saying so, knowing that Crowley heard more than what he had translated back:
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Not to mention to ring a bell... Crowley ringing the bookshop bell on Aziraphale's desk when he came back in 2.01; Shadwell on exorcising demons by "bell, book and candle"; God's cheeky interest in Pavlov's experiments in S1... the sexual euphemism that is to "ring my/your bell"... Mr. Arnold mentioning signs in shop windows and Crowley was looking through the window into the bookshop when Aziraphale rang the bell to wrangle the angels and demons, furthering the ring-related wordplay. A sign doesn't have to be paper hung in a window relaying information-- it can be your partner saying he's "had quite enough" and trying to take control of a situation. A sign of things to come.
I'll leave you with the paralleling scene from 1.01 when they first talk after having their romantic evening ruined by the start of Armageddon. Crowley gives Aziraphale a ring on the phone while what is in focus on Aziraphale's side of the conversation is his angel ring. When they meet the next day off of this phone call, church bells are ringing in the scene. Wordplay inspired by the visuals, as well as the first use of ring (phone, communication)/ring (jewelry) in the series:
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I doubt it will be the last. 💞
Metas about Aziraphale's French in S2:
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max1461 · 28 days
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another linguistics question, do you guys make distinctions between the accents of non-native speakers and accent from within the native speaker group? if so, how do you tell yhem apart, and what are some distinctions between them? I assume there's some kind of structural difference between the two
Yeah, so the first thing I should clarify here is that there is no technical difference between a "language" and a "dialect". Linguists often use the term "language variety" to be maximally clear on this point. French is a language variety, Bavarian (traditionally called a dialect of German) is a language variety, California English is a language variety. One language variety can be part of another: California English is a variety of English, "English" itself being a broader variety with many sub-varieties. We might further split California English, perhaps into Southern California English, Northern California English, and California Central Valley English, or some such. In the extreme, we can look only at the speech of an individual person; this is called an idiolect. Every human being who speaks a language speaks in their own unique idiolect, which differs from the speech of other humans in various ways. An idiolect is also a language variety.
Now, linguists do make a distinction, a very important distinction, between native and non-native speech. Roughly, a native speaker is someone who acquired a language by exposure during childhood. They were not explicitly taught the language, but picked it up by virtue of being surrounded by people who speak it. Human children seem to have various sorts of special cognitive mechanisms for acquiring language in this way, many of which we lose as we get older. This early period of life in which humans are primed for language acquisition is called the "critical period". There is a lot of debate about what exactly defines the critical period and when it ends (it's more of a gradual taper than a sharp cutoff), but there is basically no debate over the idea that children and adults have at least some fundamental differences when it comes to language learning. A non-native speaker, then, is someone who learned a given language in adulthood, after the critical period of language acquisition.
When linguists speak of a language variety, by fiat they take that variety to be defined by the speech of its native speakers. That is to say: the grammar of English is defined to be that set of rules which describes the speech of native English speakers. Where different varieties of English disagree, a thorough descriptive grammar will make note of that variation, and researchers will zoom in and study on its own terms the grammar of each relevant sub-variety. Every human is, by definition, a perfectly fluent speaker of their own idiolect in any language they acquired during childhood.
So, you asked about the difference between native and non-native "accents". In light of all the above, there are two differences:
First, there is the difference between native and non-native speech in general. Non-native speech is characterized by certain artifacts of the adult language learning process, including carry-over from one's native language(s), which broadly do not affect native speech. Thus, a non-native "accent" is different from a native "accent" in various empirical ways which are pinned down and studied in the field of second language acquisition.
By virtue of the way we have set our definitions up, above, native "accents" differ from non-native ones in that a native "accent" is in fact synonymous with a language variety; rather than being an imperfect specimen of some predefined standard language, it is a definitionally perfect exemplar of a particular linguistic system in its own right.
You could, of course, take up the linguistic system represented by the speech of some adult learner as an object of study in its own right, and some people do. But by and large, the standard which is taken up in linguistics is "language varieties are defined by the speech of their native speakers". I think this is a quite reasonable place to draw a line, especially in light of the empirical differences, as mentioned, between native and non-native speech.
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lunastrophe · 3 months
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BG3 Drow Lore 🕷️ Minthara's alurlssrin
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Alurlssrin is a drow term Minthara uses to describe the bond she shares with Tav - but what does it precisely mean?
🕷️ Alurlssrin In BG3 - alurlssrin appears in some specific Minthara’s lines, when the player character romances her. According to Narrator, it is …a word used rarely, describing the deepest bonds of trust and love.
When asked about it, Minthara says simply that alurlssrin means “love” and confesses that she never really expected to use it. In another line, she seems to be convinced that alurlssrin is the kind of bond that can be life-lasting.
When Tav tries to reciprocate, saying: I alurlssrin you too, Minthara – with a hint of amusement – explains that alurlssrin is a noun.
The alurl- part may suggest that this word means “the best” kind of an emotional bond, or something close to it (alurl – “best, foremost” in Drowic).
🕷️ Alurlssrin And Ssinssrigg - in R. A. Salvatore’s The Legacy, it is stated that …there is no word in the drow language for love. The closest word (...) is ssinssrigg, but that is a term better equated with physical lust or selfish greed.
Ssinssrigg is another term that appears in one of Minthara’s lines, when the player character romances her, but does not have her high approval. She says then: What we share is no more than ssinssrigg, a passion that burns fierce, but has no foundation.
But... since according to drow lore, there is no word for “true” love in Drowic – and the closest term is ssinssrigg - where did alurlssrin come from?
🕷️ Drow Words For Love - alurlssrin was first mentioned by Ed Greenwood in his post (TheEdVerse, Twitter, Jan. 2023) about Eilistraee and drow words for love:
Eilistraee knows all the drow words for love, and the elvish ones, too. The Drow words are: alurlssrin = unselfish, deep love, raggath = act of love (lovemaking), lurraggath = act of love (sacrificial or noble deed), ssinssrigg = passion, lust, greed, longing, love.
(Among elvish words for love, apparently also known to Eilistraee, there is nor = love, essence of passion. It also appears in one of Minthara's lines, when she calls her lover ust-nor - thank you to @vspin for messaging me about this!)
It seems, then, that alurlssrin is a drow word that is known to Eilistraee and most likely to her followers...
...but Lolth-sworn drow – or at least Menzoberranyr drow – do not know / use it. 🤔 So how is it possible that Minthara, a (former) paladin of Lolth from Menzoberranzan, is familiar with it?
🕷️ Alurlssrin In Minthara's Vocabulary
I have a feeling that alurlssrin appears in Minthara’s lines simply because a drow word for deep, true love was needed for the dialogue. Still, I tried to come up with some more lore-adequate explanations:
🕷️ Some Very Old Word – perhaps in Menzoberranzan, alurlssrin is a half-forgotten archaism that is no longer regularly used, but an educated (or bookwormish) drow can still stumble across it in centuries-old books and figure out its meaning.
🕷️ Language Of Heretics – as a paladin of Lolth, it is possible that Minthara came to contact with Eilistraeans – or with their culture – at some point. She might be even trained to recognize this particular kind of “heresy”, learning symbols and words popularly used among the followers of Eilistraee... alurlssrin included.
🕷️ Not So Unknown Anymore – language tends to change over time, and between the quote from The Legacy and the events of Baldur’s Gate 3, there is a gap of over 130 years. Maybe during this time, alurlssrin term became less unknown in Menzoberranzan? Although considering its connection to Eilistraee and her cult, this may be the least likely explanation.
Regardless of everything, the fact that Minthara calls the bond between her and Tav alurlssrin is certainly meaningful. Typically, many drow like her might not be exactly (or at all) familiar with a sheer concept of deep, unselfish, lasting love...
For more of my drow lore ramblings, feel free to check my pinned post 🕷️
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weirdmarioenemies · 19 days
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Name: Legsit
Debut: Yo-Kai Watch 3
Look at this! Look at this!!! This is the little guy from emergency exit signs and stop signs and various more of our favorite signs, but this time you can BEFRIEND them! You can run all around town with this absolute icon of an icon! You can take Legsit for a walk across the crosswalk... and you can even teach it to jaywalk! A new thrill it would never dare to experience without your help!
Legsit is an incredible kind of design, the one that's so simple, barely a change from its inspiration, but the inspiration is what's so creative. Legsit is basically JUST the little guy from the sign, with only a little wispy head to differentiate it, but how many times have you seen it used as an actual character, with its origin tied to its gimmick? I have actually long ago had the idea of a Walk Sign Guy as a character (in the context of a boss that swings the sign itself as a weapon, and can call upon the red Stop hand to freeze its opponent) and it is so awesome to see this concept come to fruition in something big, and with its own flair!
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By default, Legsit is in its iconic Static Running Pose, though it is not afraid to actually move around, too. It looks good doing it thanks to being tastefully cel-shaded! What if there was an animal that was cel-shaded in real life? Just one. Not even a translucent invertebrate like you might expect, but like, one particular species of vole. Pretty cool!
In terms of gameplay it's very straightforward. Its specialty is to make itself and allies faster like they gotta get outta here. I'm done talking about gameplay already, it's really about the visual novelty there. Now I will talk about its anime appearance, because yowza!
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The anime reveals that inside the exit sign is a whole other world, one populated by a whole civilization of Legsit! They each take turns posing in the sign, but when not doing that, they just Hang Out. Some of them play on 3DSes, some lounge about, some play guitar, and some barbecue various meats that are most certainly radioactive! Would you eat Legsit's Famous Toxic Kebab? I sure hope not! Because they were saving it for me.
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Legsit represents the creativity and wonder that can be found everywhere in the world, and NOT just if you know where to look! I can assure you that anywhere you look, you will see at LEAST a few things that are waiting for someone to appreciate them in just the right way. Maybe you will be the first to discover the potential of something overlooked, and if you're not the first, then that's great too! It means the world is full of beautiful minds!
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unbidden-yidden · 9 months
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In Judaism, one alternative way of referring to converts is "Jews by Choice."
If a parallel term exists in Xtianity I am not aware of it, but I would like to propose that it really should exist, albeit not just in reference to converts but to all Xtians. Every Xtian should get the opportunity to fully understand their faith in context and to make an informed decision to choose it for themselves. As it stands, many Xtians are deeply ignorant about Jewish history (before and after the formation of Xtianity), the original cultural context for the stories in the Old Testament, the cultural Jewish context that Jesus existed and taught in, the critical historical (scholarly) read of these texts, what they probably meant to the Israelites who produced them, and what they mean to Jews today and how we read these same texts differently in our religious context.
This creates a problem, where Xtians are taught only the narrow band of context that their church deems it important for them to know, and even that is frequently inaccurate or so limited in scope as to make it inaccurate by omission.
And this is because the reality is that the Tanakh (that is, the Hebrew and Aramaic scriptures that the Old Testament is based on) does not naturally or inevitably lead to the Jesus narrative. If you are starting from a Xtian perspective, and especially if you read the New Testament first and then and only then dive into the Old Testament, the Jesus narrative is obvious to you because you are looking for it, expect to see it there, and are coming at these texts with that reading lens in mind. And it's not that you or anyone else is nuts to see that narrative there - there are plenty of solid Xtian reads of these texts that make sense if you already believe in Jesus as presented by the New Testament.
But what the vast majority of Xtians aren't taught is how to approach the Tanakh from a Jesus-neutral perspective, which would yield very different results.
Now you might fairly ask, why would they *need* to approach the Tanakh with a Jesus-neutral perspective? They're Xtians! Xtians believe in Jesus, that's what makes them Xtians!
My answer is multi-pronged: First, I believe that G-d wants a relationship with all people, and speaks to us in the voice we are most likely to hear. That's inherently going to look different for everyone. And that's okay! G-d is infinite, and each of our relationships with G-d are going to only capture the tiniest glimpse into that infinite Divine. Therefore, second, when approaching religion, everyone sees what they want to see. If you nothing religion but find your spirituality in nature, you're going to come at these biblical texts with that lens and take away from them similar things that one might take away from other cultural mythologies. If you, like me, are coming at these texts with a Jewish mindset, you are going to come away with a portrait of Hashem and our covenantal relationship as Am Yisrael. And, of course, if you read with a Xtian lens, you're going to see the precursor narratives leading up to Jesus. That reading bias is not only understandable but good or at least deeply human. Everyone sees what they want to see in these texts. There is no objective or flawless way to read them, and to claim that there is, is to claim that not only is there only one answer, but only one kind of relationship that G-d wants to have with people, that you personally happen to know what that is, and that everyone else is wrong. I am sorry, but if you believe that - if you truly think that you in particular (and/or the people you happen to agree with) know the mind of G-d, then you do not worship G-d. You worship yourselves, because to know the entirety of G-d would require you to be G-d. There's a term for that. That doesn't mean there aren't wrong answers too. But it does mean that there is no singular unimpeachable reading of the texts. What you see in these texts then, says far more about you than it does about the texts themselves or G-d.
So the question then becomes: Why do you want to see this? (Whatever your "this" is.) If your read of these texts is something you choose, why do you choose to see what you see? And is it a meaningful choice if you are not taught other ways of knowing, other perspectives on these texts, and to think critically while exploring them?
Judaism inherently teaches a multiplicity of opinions on the texts, and maintains that they can be read to mean different things, even at the same time by the same person. Deep textual knowledge and methods for learning more, asking questions, challenging accepted answers as a way to discover new meaning, and respectful disagreement are baked into our culture and methods. Some Xtians of some denominations have analogous processes, although on the whole still emphasize correct unified belief over correct action with a multiplicity of belief. I am not suggesting here that Xtians stop approaching their own scriptures as Xtians or adopt Jewish methods instead. What I am suggesting is that Xtians should be taught a fuller picture of these texts and learn other perspectives so that they (1) understand their own beliefs and why they believe them (or after further inquiry if they believe them), and (2) understand and respect that this is what they are choosing to believe and that it is not the only thing one could reasonably believe. Because (3) if not, they are more susceptible to having their faith shattered at random by something unexpected, and will connect less to their faith as a relationship with G-d and more as an obligation based on an unchallenged world view.
And, frankly? (4) It will help them to be better neighbors, to love their neighbor as themselves, and to give to others the respect that they would like to receive.
Being taught the historical context, Jewish history before and after Jesus, the differences between the Old Testament and the Tanakh, the timeline of the development of Xtianity in relationship to rabbinic Judaism in the wake of the destruction of the Second Temple, the development of church doctrine and the various splits amongst the denominations, and Jewish readings of the Tanakh would give clarity and desperately needed context to Xtians about their religion. Is there some risk that some people, upon understanding these things would drop out of faith entirely or, like me, discover that they are actually meant to be Jews? Yes, definitely.
But let me let you in on a little secret: you don't want those people to begin with. You really don't. Because the reality is that if a person is not called to relate to G-d through Jesus, eventually that person will learn this about themselves one way or another. If they are given the information and tools to make a meaningful choice, they will part company on good terms. If not, they will likely become disillusioned and leave the church in pain, anger, and even trauma. They will bring that out into the world with them, and spread the bad news about the Good News making it even more likely that other people who were already on the fence will jump ship on bad terms. You cannot trick people into a meaningful relationship with G-d. You can only give them the tools they need in order to explore on their own and the rest is between them and G-d.
And the bottom line is that you don't need to and should not be afraid of knowledge. If your faith cannot stand up to scrutiny, then it deserves that scrutiny tenfold. The people you lose from the flock? You would have lost them anyway, because we aren't in the driver's seat here. G-d is. Hashem called me to be a Jew with just as much love and desire to connect as G-d calls Xtians to the church and to Jesus. A faith examined is a faith deepened or exposed in its weakness. And if it is the latter, don't you want people to know this sooner rather than later in order to fix it?
So my proposition and wish for Xtians is that they become Xtians by Choice. That they delve deeply into the origins and context of their faith so that they can be 100% certain that they understand their Xtian faith and why they choose to relate to G-d through that lens.
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cy-cyborg · 2 months
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Dealing with Healing and Disability in fantasy: Writing Disability
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[ID: An image of the main character from Eragon, a white teenage boy with blond hair in silver armour as he sits, with his hand outstretched. On his hand is a glowing blue mark. He is visibly straining as he attempts to heal a large creature in front of him. /End ID]
I'm a massive fan of the fantasy genre, which is why it's so incredibly frustrating when I see so much resistance to adding disability representation to fantasy works. People's go-to reason for leaving us out is usually something to the effect of "But my setting has magic so disability wouldn't exist, it can just be healed!" so let's talk about magic, specifically healing magic, in these settings, and how you can use it without erasing disability from your story.
Ok, let's start with why you would even want to avoid erasing disability from a setting in the first place. I talked about this in a lot more detail in my post on The Miracle Cure. this line of thinking is another version of this trope, but applied to a whole setting (or at least, to the majority of people in the setting) instead of an individual, so it's going to run into the same issues I discussed there. To summarise the points that are relevant to this particular version of the trope though:
Not every disabled person wants or needs a cure - many of us see our disability as a part of our identity. Do difficulties come with being disabled? absolutely! It's literally part of the definition, but for some people in the disabled community, if you took our disabilities away, we would be entirely different people. While it is far from universal, there is a significant number of us who, if given a magical cure with no strings attached, would not take it. Saying no one in your setting would be disabled because these healing spells exists ignores this part of the community.
It messes with the stakes of your story - Just like how resurrecting characters or showing that this is something that is indeed possible in the setting can leave your audience feeling cheated or like they don't have to worry about a character *actually* ever dying. healing a character's disability, or establishing that disability doesn't exist in your setting because "magic" runs into the same problem. It will leave your readers or viewers feeling like they don't have to worry about your characters getting seriously hurt because it will only be temporary, which means your hero's actions carry significantly less risk, which in turn, lowers the stakes and tension if not handled very, very carefully.
It's an over-used trope - quite plainly and simply, this trope shows up a lot in the fantasy genre, to the point where I'd say it's just overused and kind of boring.
So with the "why should you avoid it" covered, let's look at how you can actually handle the topic.
Limited Access and Expensive Costs
One of the most common ways to deal with healing and disability in a fantasy setting, is to make the healing magic available, but inaccessible to most of the population. The most popular way to do that is by making the services of a magical healer capable of curing a disability really expensive to the point that most people just can't afford it. If this is the approach you're going to use, you also typically have to make that type of magic quite rare. To use D&D terms, if every first level sorcerer, bard, cleric and druid can heal a spinal injury, it's going to result in a lot of people who are able to undercut those massive prices and the expense will drop as demand goes down. If that last sentence didn't give you a hint, this is really popular method in stories that are critiquing capitalistic mindsets and ideologies, and is most commonly used by authors from the USA and other countries with a similar medical system, since it mirrors a lot of the difficulties faced by disabled Americans. If done right, this approach can be very effective, but it does need to be thought through more carefully than I think people tend to do. Mainly because a lot of fantasy stories end with the main character becoming rich and/or powerful, and so these prohibitively expensive cure become attainable by the story's end, which a lot of authors and writer's just never address. Of course, another approach is to make the availability of the magic itself the barrier. Maybe there just aren't that many people around who know the magic required for that kind of healing, so even without a prohibitive price tag, it's just not something that's an option for most people. If we're looking at a D&D-type setting, maybe you need to be an exceptionally high level to cast the more powerful healing spell, or maybe the spell requires some rare or lost material component. I'd personally advise people to be careful using this approach, since it often leads to stories centred around finding a miracle cure, which then just falls back into that trope more often than not.
Just outright state that some characters don't want/need it
Another, admittedly more direct approach, is to make it that these "cures" exist and are easily attainable, but to just make it that your character or others they encounter don't want or need it. This approach works best for characters who are born with their disabilities or who already had them for a long time before a cure was made available to them. Even within those groups though, this method works better with some types of characters than others depending on many other traits (personality, cultural beliefs, etc), and isn't really a one-size-fits-all solution, but to be fair, that's kind of the point. Some people will want a cure for their disabilities, others are content with their body's the way they are. There's a few caveats I have with this kind of approach though:
you want to make sure you, as the author, understand why some people in real life don't want a cure, and not just in a "yeah I know these people exist but I don't really get it" kind of way. I'm not saying you have to have a deep, personal understanding or anything, but some degree of understanding is required unless you want to sound like one of those "inspirational" body positivity posts that used to show up on Instagram back in the day.
Be wary when using cultural beliefs as a reasoning. It can work, but when media uses cultural beliefs as a reason for turning down some kind of cure, it's often intending to critique extreme beliefs about medicine, such as the ones seen in some New Age Spirituality groups and particularly intense Christian churches. As a general rule of thumb, it's probably not a good idea to connect these kinds of beliefs to disabled people just being happy in their bodies. Alternatively, you also need to be mindful of the "stuck in time" trope - a trope about indigenous people who are depicted as primitive or, as the name suggests, stuck in an earlier time, for "spurning the ways of the white man" which usually includes medicine or the setting's equivalent magic. I'm not the best person to advise you on how to avoid this specific trope, but my partner (who's Taino) has informed me of how often it shows up in fantasy specifically and we both thought it was worth including a warning at least so creators who are interested in this method know to do some further research.
Give the "cures" long-lasting side effects
Often in the real world, when a "cure" for a disability does exist, it's not a perfect solution and comes with a lot of side effects. For example, if you loose part of your arm in an accident, but you're able to get to a hospital quickly with said severed arm, it can sometimes be reattached, but doing so comes at a cost. Most people I know who had this done had a lot of issues with nerve damage, reduced strength, reduced fine-motor control and often a great deal of pain with no clear source. Two of the people I know who's limbs were saved ended up having them optionally re-amputated only a few years later. Likewise, I know many people who are paraplegics and quadriplegics via spinal injuries, who were able to regain the use of their arms and/or legs. However, the process was not an easy one, and involved years of intense physiotherapy and strength training. For some of them, they need to continue to do this work permanently just to maintain use of the effected limbs, so much so that it impacts their ability to do things like work a full-time job and engage in their hobbies regularly, and even then, none of them will be able bodied again. Even with all that work, they all still experience reduced strength and reduced control of the limbs. depending on the type, place and severity of the injury, some people are able to get back to "almost able bodied" again - such was the case for my childhood best friend's dad, but they often still have to deal with chronic pain from the injury or chronic fatigue.
Even though we are talking about magic in a fantasy setting, we can still look to real-life examples of "cures" to get ideas. Perhaps the magic used has a similar side effect. Yes, your paraplegic character can be "cured" enough to walk again, but the magic maintaining the spell needs a power source to keep it going, so it draws on the person's innate energy within their body, using the very energy the body needs to function and do things like move their limbs. They are cured, but constantly exhausted unless they're very careful, and if the spell is especially strong, the body might struggle to move at all, resulting in something that looks and functions similar to the nerve damage folks with spinal injuries sometimes deal with that causes that muscle weakness and motor control issues. Your amputee might be able to have their leg regrown, but it will always be slightly off. The regrown leg is weaker and causes them to walk with a limp, maybe even requiring them to use a cane or other mobility aid.
Some characters might decide these trade-offs are worth it, and while this cures their initial disability, it leaves them with another. Others might simply decide the initial disability is less trouble than these side effects, and choose to stay as they are.
Consider if these are actually cures
Speaking of looking to the real world for ideas, you might also want to consider whether these cures are doing what the people peddling them are claiming they do. Let's look at the so-called autism cures that spring up every couple of months as an example.
Without getting into the… hotly debated specifics, there are many therapies that are often labelled as "cures" for autism, but in reality, all they are doing is teaching autistic people how to make their autistic traits less noticeable to others. This is called masking, and it's a skill that often comes at great cost to an autistic person's mental health, especially when it's a behaviour that is forced on them. Many of these therapies give the appearance of being a cure, but the disability is still there, as are the needs and difficulties that come with it, they're just hidden away. From an outside perspective though, it often does look like a success, at least in the short-term. Then there are the entirely fake cures with no basis in reality, the things you'll find from your classic snake-oil salesmen. Even in a fantasy setting where real magic exists, these kinds of scams and misleading treatments can still exist. In fact, I think it would make them even more common than they are in the real world, since there's less suspension of disbelief required for people to fall for them. "What do you mean this miracle tonic is a scam? Phil next door can conjure flames in his hand and make the plants grow with a snap of his fingers, why is it so hard to believe this tonic could regrow my missing limb?"
I think the only example of this approach I've seen, at least recently, is from The Owl House. The magic in this world can do incredible things, but it works in very specific and defined ways. Eda's curse (which can be viewed as an allegory for many disabilities and chronic illnesses) is seemingly an exception to this, and as such, nothing is able to cure it. Treat it, yes, but not cure it. Eda's mother doesn't accept this though, and seeks out a cure anyway and ends up falling for a scam who's "treatments" just make things worse.
In your own stories, you can either have these scams just not work, or kind of work, but in ways that are harmful and just not worth it, like worse versions of the examples in the previous point. Alternatively, like Eda, it's entirely reasonable that a character who's been the target of these scams before might just not want to bother anymore. Eda is a really good example of this approach handled in a way that doesn't make her sad and depressed about it either. She's tried her mum's methods, they didn't work, and now she's found her own way of dealing with it that she's happy with. She only gets upset when her boundaries are ignored by Luz and her mother.
Think about how the healing magic is actually working
If you have a magic system that leans more on the "hard magic" side of things, a great way to get around the issue of healing magic erasing disability is to stop and think about how your healing magic actually works.
My favourite way of doing this is to make healing magic work by accelerating the natural processes of your body. Your body will, given enough time (assuming it remains infection-free) close a slash from a sword and mend a broken bone, but it will never regrow it's own limbs. It will never heal damage to it's own spinal cord. It will never undo whatever causes autism or fix it's own irregularities. Not without help. Likewise, healing magic alone won't do any of these things either, it's just accelerating the existing process and usually, by extension making it safer, since a wound staying open for an hour before you get to a healer is much less likely to get infected than one that slowly and naturally heals over a few weeks. In one of my own works, I take this even further by making it that the healing magic is only accelerating cell growth and repair, but the healer has to direct it. In order to actually heal, the healer needs to know the anatomy of what they're fixing to the finest detail. A spell can reconnect a torn muscle to a bone, but if you don't understand the structures that allow that to happen in the first place, you're likely going to make things worse. For this reason, you won't really see people using this kind of magic to, say, regrow limbs, even though it technically is possible. A limb is a complicated thing. The healer needs to be able to perfectly envision all the bones, the cartilage, the tendons and ligaments, the muscles (including the little ones, like those found in your skin that make your hair stand on end and give you goose bumps), the fat and skin tissues, all the nerves, all the blood vessels, all the structures within the bone that create your blood. Everything, and they need to know how it all connects, how it is supposed to move and be able to keep that clearly in their mind simultaneously while casting. Their mental image also has to match with the patient's internal "map" of the body and the lost limb, or they'll continue to experience phantom limb sensation even if the healing is successful. It's technically possible, but the chances they'll mess something up is too high, and so it's just not worth the risk to most people, including my main character.
Put Restrictions on the magic
This is mostly just the same advice as above, but for softer magic systems. put limits and restrictions on your healing magic. These can be innate (so things the magic itself is just incapable of doing) or external (things like laws that put limitations on certain types of magic and spells).
An example of internal restriction can be seen in how some people interpret D&D's higher level healing spells like regenerate (a 7th level spell-something most characters won't have access to for quite some time). The rules as written specify that disabilities like lost limbs can be healed using this spell, but some players take this to mean that if a character was born with the disability in question, say, born without a limb, regenerate would only heal them back to their body's natural state, which for them, is still disabled.
An external restriction would be that your setting has outlawed healing magic, perhaps because healing magic carries a lot of risks for some reason, eithe to the caster or the person being healed, or maybe because the healing magic here works by selectively reviving and altering the function of cells, which makes it a form of necromancy, just on a smaller scale. Of course, you can also use the tried and true, "all magic is outlawed" approach too. In either case, it's something that will prevent some people from being able to access it, despite it being technically possible. Other external restrictions could look like not being illegal, per say, but culturally frowned upon or taboo where your character is from.
But what if I don't want to do any of this?
Well you don't have to. These are just suggestions to get you thinking about how to make a world where healing magic and disability exist, but they aren't the only ways. Just the ones I thought of.
Of course, if you'd still rather make a setting where all disability is cured because magic and you just don't want to think about it any deeper, I can't stop you. I do however, want to ask you to at least consider where you are going to draw the line. Disability, in essence, is what happens when the body stops (or never started) functioning "normally". Sometimes that happens because of an injury, sometimes it's just bad luck, but the boundary between disabled and not disabled is not as solid as I think a lot of people expect it to be, and we as a society have a lot of weird ideas about what is and isn't a disability that just, quite plainly and simply, aren't consistent. You have to remember, a magic system won't pick and choose the way we humans do, it will apply universally, regardless of our societal hang-ups about disability.
What do I mean about this?
Well, consider for a moment, what causes aging? it's the result of our body not being able to repair itself as effectively as it used to. It's the body not being able to perform that function "normally". So in a setting where all disability is cured, there would be no aging. No elderly people. No death from old age. If you erase disability, you also erase natural processes like aging. magic won't pick and choose like that, not if you want it to be consistent.
Ok, ok, maybe that's too much of a stretch, so instead, let's look at our stereotypical buff hero covered in scars because he's a badass warrior. but in a world where you can heal anything, why would anything scar? Even if it did, could another healing spell not correct that too? Scars are part of the body's natural healing process, but if no natural healing occurred, why would a scar form? Scars are also considered disabling in and of themselves too, especially large ones, since they aren't as flexible or durable as normal skin and can even restrict growth and movement.
Even common things like needing glasses are, using this definition of disability at least, a disability. glasses are a socially accepted disability aid used to correct your eyes when they do not function "normally".
Now to be fair, in reality, there are several definitions of disability, most of which include something about the impact of society. For example, in Australia (according to the Disability Royal Commission), we define disability as "An evolving concept that results from the interaction between a person with impairment(s) and attitudinal and environmental barriers that hinder their full and effective participation in society on an equal basis with others." - or in laymen's terms, the interaction between a person's impairment and societal barriers like people not making things accessible or holding misinformed beliefs about your impairment (e.g. people in wheelchairs are weaker than people who walk). Under a definition like this, things like scars and needing glasses aren't necessarily disabilities (most of the time) but that's because of how our modern society sees them. The problem with using a definition like this though to guide what your magic system will get rid of, is that something like a magic system won't differentiate between an "impairment" that has social impacts that and one that doesn't. It will still probably get rid of anything that is technically an example of your body functioning imperfectly, which all three of these things are. The society in your setting might apply these criteria indirectly, but really, why would they? Very few people like the side effects of aging on the body (and most people typically don't want to die), the issues that come with scars or glasses are annoying (speaking as someone with both) and I can see a lot of people getting rid of them when possible too. If they don't then it's just using the "not everyone wants it approach" I mentioned earlier. If there's some law or some kind of external pressure to push people away from fixing these more normalised issues, then it's using the "restrictions" method I mentioned earlier too.
Once again, you can do whatever you like with your fantasy setting, but it's something I think that would be worth thinking about at least.
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morrieandlicky · 8 months
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Sweet Moments Between Maurice and Alec That You Have Not Seen Before (From E.M. Forster's 1st Draft for Maurice)
Context: Forster's first version of Maurice, finished in 1914, has a rather different ending than the final published version (no hotel scene, and no boathouse reunion). See here.
Forster's first draft for Maurice is, in my opinion, the rawest in terms of boldly displaying the love shared between Maurice and Alec. This version shows much more of Alec's emotion and tenderness, as well as of Maurice's sentiments and affection towards Alec. It is definitely not as subtle as the final version, with quite a few straightforward declarations of love.
Hence, I'm disappointed that Forster did not manage to integrate at least some of these 1914 texts into the final version: it would've made the love between Maurice and Alec much more pronounced and convincing, as well as made Alec a character with more depth and feelings.
Having read Forster's first draft for Maurice, I share below some of these moments between Maurice and Alec that are not in the final version (ordered on how lovely I think each moment is. Bolded texts are the highlights).
1. After running into Mr. Ducie in the museum and Maurice bursting out to Alec.
M: "I'd possibly have blown out my own brains."
A: "Why?" he asked, stopping dead.
M: "I should have known by that time that I loved you."
A: "You can't, sir, you couldn't."
M: "I love you, sir be damned."
A: "Maurice"—never before had the word been spoken—"you're an angel."
M: "I don't want to hear that."
A: "Maurice, Maurice" his voice failed also; he had once said the rest to a woman. "Maurice - what you've said I feel. Understand?"
M: "I think so, but I want to be sure. Remember those rose bushes in the other rain? - Look at me hard - That's right. That'll do. It's settled." (Maurice is referring to the moment when Alec ran in the rain across the rose bushes at Penge just to see Maurice's face.)
2. The conversation after Maurice refuses to stay the night with Alec—a scenario that only happens in the first draft in 1914. Be prepared for tears.
A: "Come just for a little to me."
M: "If I came it would be for ever."
A: "Ever's the best."
M: "Why, man, you sail Thursday."
Alec found no answer.
...: here's when Maurice explains in a long paragraph why they can't be together because of their class difference and the fact that they're both men. But in this long paragraph Maurice pretty much brings up wanting to marry Alec—"We can't have the particular thing we want (which is roughly speaking marriage) unless we sacrifice something else"
M: I thought from that letter of yours you might want me to come. But, Alec, come where to?"
A: "I'd know if you weren't a gentleman," Alec said. "We'd a' found work together as mates."
M: "Yes, and if you were a gentleman, I'd take you this minute to my home.
A: "I'd a' been what young Clive was to you, then."
M: "He's a saint and we aren't. Leave out him."
A: "I'd a' been yours till death, then." ("I would've been yours till death, then")
M: "Out there if you get a chance to marry, take it. That's what I wish.
A: "Maurice, what'll you do without me, dear? Have you no other friends?"
Maurice dared not look forward to his own future. He rushed on the parting.
M: "And if there's ever a child, I shan't ever have that, so remember me."
A: "I'll remember you, child or none. God bless you. O God bless you, and be with you if I can't."
3. Right after Maurice puts his hand on Alec's back in the museum
"Yes, awfully serious," remarked Maurice, and rested his hand on Alec's shoulder, so that the fingers touched the back of the neck, doing this merely because he knew that he loved Alec, that he loved him not as a second Dickie Barry, but deeply, tenderly, for his own sake, beneath weakness and vulgarity.
4. In the museum, Alec in pain and acting cute
[Alec] had bitten his lip, his eyes were red too; face and body were cramped with pain.
M: "Alec -"
A: "Alec am I?"
M: "I'm sorry I used that other name of yours."
A: "Don't speak to me," he growled, "let me go, you calling me Alec when I"
M: "Did you give me away then on purpose?"
A: "You're correct.
M: "Was it to get money - or only to do me harm?"
A: "I couldn't say."
M: "Come, let's get away where we can finish our talk."
A: "What? What do you say?"
M: "Come along, Alec."
A: "Do you call me that still?"
M: "Come away, man, don't break down for God's sake...." He took hold of [Alec's] arm. The touch was not reminiscent; it hinted at a relation to come.
A: "Oh but you must, I want it." Alec yielded.
5. Maurice at night thinking about Alec's letter
He tried to forget the treacherous letter, but it stole back to his mind, and he suffered most during moments in bed, when it masqueraded as a real love letter, and offered him the completeness that Clive enjoyed with Anne.
(This is brilliant writing because we, as readers, know that Alec's letter is a love letter, yet Maurice's "muddles" prevent him from seeing it as a love letter, and it is only at night, when he's craving Alec's presence, that he's able to allow himself to see the truth and succumb to his feelings for Alec.
Here, again, is also a suggestion of Maurice wanting to marry Alec, like how Clive married Anne)
6. One version of Maurice's and Alec's first night together
A: "Good evening - sir, said the low voice. Was you wanting something? Couldn't you sleep?" It was the gamekeeper.
On your rounds? gasped Maurice, trying to sound natural, and felt corduroys. Their touch disconcerted him. Whither was he tending from Clive into what companionship?
A: "Just wait till I've set down my gun - eh aren't you trembling?"
M: "So are you - ah don't."
A: "Don't you like that?"
M: "I don't know."
A: "Christ you're fussy. Don't you like me to touch you."
M: "That's you lad."
A: "Yes."
Side notes: hopefully these will shut all the detractors (of the relationship between Maurice and Alec) up—namely Clive apologists, Clive+Maurice shippers, and all of those dark academia classist out there.
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heartsteellerr · 4 months
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How they spend valentines with you
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Content; 100% fluff, all characters are written romantically, OOC, some characters are written short based on me not knowing how to type/write for them Warnings; GN reader Characters; EVERYONE (Heartsteel, KDA, True Damage)
Indoor dates; Aphelios, Akali, Senna, Yasuo
They choose to spend their valentines day with you indoors; either because they simply prefer it that way, or just want to spend it alone with you ⎯ away from the eyes of onlookers who are desperate for gossip.
Aphelios and Yasuo are introverts at heart, so being away from people is like a blessing to them both. How they'd choose to spend the day with you depends on the current mood they're feeling, for example: wanting to do something that doesn't require much work like watching a movie is one of the go-to's he'd do for valentines. Or on the more rarer occasions where he's wanting to feel genuine and sincere, he'd take some time off idol work to compose a personal song for you ⎯ one that isn't technically sung by him (most likely asked one of their members to sing in his steed) but can be used for karaoke, or background music during dinner.
Akali and Senna are the same as the other two ⎯ both being introverted but also not really? In the pre-tense of it she simply has a hard time getting along with people but would put up some sort of effort when it comes to you. However on this day, she'd much prefer to spend it alone with you. The list on what you would do with her varies on the basics of what most couples do on this day: movies, snacks, dinner, etc. I feel like in a way, Akali would want to spend valentines like how regular couples would ⎯ setting aside her role as an idol.
Outdoor dates; Kayn, Sett, K'Sante, Evelynn, Kai'Sa, Ekko
Kayn and K'sante are the types who'd want to make this day as memorable as he can for you; spending however much money he can offer to spoil you for the whole day. Though I can only imagine for Kayn he'd chooses to spend his money on bringing you to a concert that both you and him have been waiting to attend, whereas for K'Sante he's the type that'll carry all the bags you've bought and take you to a fancy restaurant to dine in.
^ You can also say this would be something Evelynn would also do for you, in terms of taking you out and spoiling you, then bringing you somewhere fancy. She has the power to do so, so why not use it to her advantage, no? At the end of it all you'd both be sitting in a high view building, watching as the city lights coat the streets before calling it a night with sweet kisses and longing words to each other.
^^ Kai'sa somewhat doing the same as what Kayn did, however, instead of just attending 'a' concert ⎯ she'd be giving you tickets to hers and her group's concert instead (i'm sorry idrk how to write for her)
Sett on the other hand is taking you on a walk. Yes, a walk. Varying between places like parks or a walk down the streets ⎯ to taking you on a hiking trip to the mountains. Of course he isn't gonna force you to keep climbing when you're getting tired, but instead of taking a break by sitting down somewhere, he'd continue the walk with you on his back or shoulders. To him it's a win-win situation: You get to rest for a bit, while he continues to walk and show you the amazing view of the place AND technically speaking, this would count as a workout for him, right? I will say at the end of it all, he'd have at least one or two things prepared when the walk is over (your gift).
Ekko is a man who's lived in the street since he was a kid; dealing with hardships and whatnot through out his life already, he'd hope to at least spend one of these days, this day in particular, where he can spend money on you. That's his wish, and with the amount he earns as a Idol ⎯ well, i guess you can say a part of his wish did come true.
A mix between both; Ezreal, Yone, Ahri, Qiyana
In the case of becoming hit stars, and especially being the fans' faves; Ezreal and Yone's schedule are so packed, they have to plan their valentines day to be both indoors and outdoors. For Yone it'd be indoors > outdoors, starting his valetines indoors first because there were still some things he needed to check over before going outdoors with you to spend the rest of your valentines day with him. Ezreal's valentines, however, started off with an outdoor date in mind but then switched to indoors the moment fans caught sight of him and he had to cancel it all ⎯ making him somewhat depressed for the most part because he tried so hard to make this day perfect for you both, but seeing as it was still a day you can spend together, outdoors or not, he's happy as long as he's with you.
^ The same can be said for Ahri, she has plenty of fans who'd want to talk and take pictures of her when she's outside so the outdoor date she had in mind suddenly turned indoor the moment fans caught wind of her activities.
^ As for Qiyana, it'd be similar to Yone but not exactly ⎯ she'd want to spend the day resting a bit longer in bed with you during the start of the day and then spend the rest outdoors; via going to a club or a bar.
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