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#Story writing
bravo4iscool · 2 days
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Hey , you can just say Au, where call-off-duty work in an office (more precisely, according to my idea, they get a new job), they come to a new place, they are met by the boss (Reader)
Tall,fem! reader, who is dressed in an office suit(?) (I really don't know what they're wearing), a bright blue shirt with a slightly open fly, a jacket, and a skirt just above the knees (damn,shit what's it called? A pencil skirt? Bro I don't I know, in general, the skirts that office women wear in movies :/)
(König, Soap, Ghost and, and others, you can choose any, honestly it doesn’t matter to me!:)
this is amazing! i really like this request🤭.
and yes they’re called pencil skirt hahaha.
(i hope you can forgive me that i didn’t include könig. i’ve never played him and don’t know much about him, that’s why he isn’t present here😭)
i hope it turned out the way you imagined it :)) (this is all in the same universe btw!!)
tag list: @yazt09 @blackhawkfanatic @bumblebeesfromvenus
(masterlist | join my tag list!)
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simon “ghost” riley
he didn’t want to take the job. he never was one for office jobs or generally any thing involving sitting and writing.
he didn’t push all the paper work down to poor recruits because he felt like it. he hated paper work with all he had and now he was sitting in a office, in some chic skyscraper, waiting for his new boss to arrive.
damn price for throwing this job at him.
simon was sitting at his desk, playing around with the pen in his hands. he felt so free to already do background checks on all his coworkers but while he searched everything for intel about you—he found nothing. not even a single crumb. that was weird…
and then you walked in. blue blouse, a damn right pencil skirt and your hair pulled into a neat bun. you have a bunch of files under your arm and your phone in the other hand.
you walk straight towards his desk and he doesn’t know what to think. you were so, so—he couldn’t find the words. he’s never met anyone that held themselves the way you did.
you smile at him and plant the files in front of him. “lieutenant riley?” you ask and he nods. “great! john told me you’d be here today. i have this bunch of mission reports that need to be looked at.”
again, simon just nods and grabs the files. “and then?” he finally finds his voice.
“you need to look for any discrepancies. these files are maybe the only change we can win this case,” you explain. “you’ve been in the military for long, haven’t you?”
“yes ma’am.”
you give him a relieved smile and simon feels like he’s been struck by lightning. “then you know what to look for, right?”
“absolutely,” he confirms and nods.
you wipe a strand of hair out of your face. “amazing! let me know if you find anything.” you pat his shoulder and turn to leave. simon wants to start reading already but then you stop. “oh, and lieutenant riley,” you catch his attention. “i’m glad you’re on board for this case.”
simon smiles and gives you a small salute. ‘call me simon,’ he thinks but then you’re already gone.
john “soap” mactavish
“you recommended me to a law firm?” soap raises his eyebrow in a questioning manner. simon nods and crosses his arms in front of his chest.
“‘s the same one i work for,” he tells his best friend with a shrug. “i’m sure they’ll be happy t’ave ya.”
soap frowns and plays with the rim of his whiskey glass. “why would they? i haven’t studied law.”
simon huffs and rolls his eyes. “‘nd ya think i did? they’re workin’ on expandin’ their military law wing. they need more experts than j’st me,” simon explains while he downs his glass of whiskey.
the younger man thinks for a second before he signs. “they’re paying good?” he asks and his best friend immediately nods.
-
soap was here. he really was here waiting to meet the boss of the law firm. he didn’t know much about her, expect from what simon told him…
after a few minutes he hears the door behind him open. “sargent mactavish,” a friendly voice calls out and soap stands up to turn around.
towards him walking are you, your signature pencil skirt and blue blouse. today you fly was slightly open and soap needed to force his eyes back onto your face. holy heaven, you were something.
“hello ma’am,” he clears his throat as he extends his hand. “a pleasure to finally meet you,” he says and you smile while you return the hand shake.
you walk around him to take a seat behind your desk. “the pleasure is all mine! i’m glad lieutenant riley recommended you. your war crime wing is expanding and when i told him he immediately thought about you!”
you quickly sort through a couple of files before you look at him again. “if i understand correctly you and lieutenant riley served together?”
soap nods and folds his hands in front of his lap. he was having a hard time to concentrate. you were just—you were a woman. a real woman.
“great!” you smile. “i will show you your workplace then!”
kyle “gaz” garrick
“simon,” you sigh. “are you really trying to convince me to hire your whole team?” you tilt your head at the lieutenant in front of you.
he shrugs, “maybe…”
“i though you and john were mastering the work alone?” you lean back in your chair. “i can always send one of my people over.”
simon shakes his head. “i want kyle,” he says—his voice barely leaving room to argue.
you sigh again and massage the bridge of your nose. “simon…”
“j’st f’r this case,” he tells you. “ya can let ‘im go after that.” the look in his eyes is pleading and you curse yourself for letting him have such power over you. “i need him.”
“this case,” you agree after a few moments of thinking. “and this case only.”
-
you walk into the office you have simon and john for their work. you open the door and three pairs of eyes snap towards you.
you give simon and john an acknowledging nod before you turn to the third man—must be kyle. “sergeant garrick?” you ask and he nods. “good. there are a few things we need to clarify before you’re allowed to work on the classified files,” you explain and gaz shoots a look towards simon. the older man gives him a small nod and gaz stands up.
“of course ma’am,” he slightly bows his head and crosses his hands behind his back. he was having a hard time concentrating… he knew about you from what soap and simon had told him but damn. that skirt was wrapping around your hips like it was tailored just for you and the way it highlighted curves–gaz felt like he was living a dream.
you immediately notice the way the sergeant is looking at you and you clear your throat. “sergeant garrick, you might want to look at my face when i talk to you.” his eyes widen in shame and he's lucky one can't see when he's blushing.
“of course ma'am. i apologize!” he trains his eyes on you, trying to ignore the way soap was snorting out a laugh behind him. he thought he was being subtle. probably not so...
captain john price
“lieutenant riley told me to deliver these files to him,” price groans when the woman at the reception didn't let him through.
“i’m sorry sir but i’ve not been told about that,” she gives price an apologetic smile and continues typing on her keyboard.
price groans and massages the bridge of his nose. “this has to be a joke. either, you let me through to lieutenant riley or i’ll make a way myself and i don’t know which one you’d like better!” he bangs his hand on the counter.
when he gets nothing more than a scared look he takes a deep breath and just pushes past the counter. “everything you have to do yourself,” he whispers under his breath.
moments before he sees simon a voice bellows through the office space. “excuse me sir,” price twirls around. “i believe my receptionist asked you to remain where you were just minutes ago.”
price frowns and tilts his head. “and i believe i asked to speak with lieutenant riley since he requested me to deliver these files personally.”
you shake you head and walk towards him. “i didn’t know that lieutenant riley runs this firm.” a smirk creeps onto your lips when you notice how the shock slowly shows on his face. “captain john price? or am i mistaken?”
price clears his throat and shuffles uncomfortably. “indeed ma’am. i am captain john price.” his eyes dart from your hips to your eyes and back to your cleavage. that blue blouse was really…working for you.
you nod and purse your lips. “well, captain price… in my law firm i believe in respect and respectful conversation.” you cross your hands behind your back. “what you are doing right now—“ you look him up and down “—is not respectful in any way.”
the captain swallows and averts his gaze. he’s never felt so ashamed before. what were you doing to him?
“everything you want to give to my lieutenant to can give to me.” you extend your hand. “or you learn how to talk and behave in the correct manner.” you raise you eyebrow in a questioning manner.
you know you got him when he takes a deep breath and straightens his back. “of course ma’am. i apologize.”
“great.”
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xisadorapurlowx · 5 months
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humanizationofit · 13 days
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This is me btw
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dungeons-and-dictions · 8 months
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itsbansheebitch · 3 months
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"Character doesn't act traumatized"
The flaw with the criticism of "this character isn't acting traumatized, you need to show how this event changed them" is that a lot of people experience EXTREME traumatic events and think it's normal. Their behavior might change in subtle ways, but they mostly just continue with their life.
This is especially true in children/young characters. See example here:
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slayingfiction · 1 year
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Feelings Wheel
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This is the feelings wheel by Geoffrey Roberts, shown to me by my therapist. My initial thought was, "what amazing synonyms to use for diverse emotional vocabulary!"
More than that, this wheel is great for understanding your characters inner motivations and reactions to situations. For example, if a character constantly feels helpless, then their overarching characteristics will be that they are fearful.
Characters who are less emotionally aware may use words and act in the inner most circle. Those much more aware of their emotions may describe themselves or express and use words from the outer most circle.
Hopefully you guys find this as helpful as I did! Let me know down in the comments.
Happy Writing!
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writerthreads · 4 months
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Super detailed character profile chart
Character Name:
First Name:
Last Name:
Nickname (if any):
Basic Information:
Age:
Gender:
Date of Birth:
Place of Birth:
Nationality:
Physical Appearance:
Height:
Weight:
Build:
Hair Color:
Eye Color:
Scars or distinguishing marks:
Personality Traits:
Positive Traits:
Negative Traits:
Background and History:
Family Background:
Parents:
Siblings (if any):
Childhood:
Education:
School/College/University:
Major/Area of Study:
Favorite Subjects:
Least Favorite Subjects:
Career/Profession:
Current Occupation:
Previous Jobs (if any):
Career Goals:
Hobbies and Interests:
Hobbies:
Interests:
Relationships:
Marital Status:
Romantic Relationships (if any):
Friendships:
Closest Friends:
Relationship dynamics:
Strengths and Weaknesses:
Strengths:
Weaknesses:
Goals and Ambitions:
Short-term Goals:
Long-term Goals:
Fears and Insecurities:
Common Fears:
Insecurities:
Quirks and Habits:
Quirks:
Habits:
Beliefs and Values:
Religious or Spiritual Beliefs:
Moral Code:
Political Views:
Favorites:
Favorite Foods:
Favorite Books:
Favorite Movies/TV Shows:
Favorite Music:
Favorite Color:
Dislikes:
Disliked Foods:
Disliked Activities:
Pet Peeves:
Miscellaneous:
Talents or Skills:
Secrets (if any):
Motivations:
What drives the character forward?
What are their ultimate aspirations?
Character Arc:
How does the character change or evolve throughout the story?
Feel free to adapt and expand upon this template!
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night-owl-writes1 · 5 months
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little-hermit-crab56 · 6 months
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I've been writing for a while so I thought I'd share some writing tips I've learned along the way.
1. Never sacrifice the flow for a quirky line.
That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.
2. Dialogue is a dance.
Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.
3. Show don't tell is a guideline, not a rule.
Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.
4. If it's boring to write, it's probably boring to read.
If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.
5. Everything needs to have a purpose.
I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.
6. You don't need to explain everything all at once.
I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.
7. Write in a way that comes naturally.
I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.
8. Try to make us feel connected by cutting out certain words like "felt".
"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.
9. We don't need to know every physical detail of your character.
I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.
10. You're allowed to be vague.
Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.
11. Writing is a skill that takes practice.
Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.
12. Leave your work to rest.
I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.
And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.
Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.
I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.
I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.
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lyralit · 2 years
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ʀᴇᴍɪɴᴅᴇʀꜱ ꜰᴏʀ ᴡʀɪᴛᴇʀꜱ <3
it's okay to stray from your story. go write that short fic you can't take your mind off of! give you—and your characters—a break.
you! won't! always! make! your! word! count! -- you don't need to keep stretching sentences because the scene you finally got right is a hundred words too short. sometimes it's better that way.
the "rules" and "tips" are just ~guidelines~ (especially for people who like to swear by them) -- writing has no laws. especially first drafts. scrap the grammar, scrap the emotional tips, write it because it feels right, not because someone else says so.
every writer procrastinates. it's not easy being a writer.
take time off for yourself. the only thing harder than writing a story is to keep pushing it when you need a break the most. come back to it later. I promise there will be no dumpster fires when you're gone.
all writing is "real" writing. I don't think there's an explanation here?? fiction writers are writers. nonfiction writers are writers. fanfic writers are writers. (like how all reading is real reading!! in every format, too!)
it doesn't need to be perfect. honestly, it might never be. but it can be really close to it. if you're not satisfied with it, move on and come back when you're ready.
you are just as skilled as any bestselling author. remember that everything you read has been heavily edited by teams of people! their first draft could not even be as good as yours is now.
not using clichés is cliché. you will find one in any story. no one can bring you down for liking a certain trope. just because it's common doesn't mean it's bad!
no writer is fully well-rounded. dialogue will be easier to write for some, and description for others.
and, finally, no one knows what they're doing. trust me. we're all stumbling around blind here.
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bravo4iscool · 5 months
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simon riley is the type of man to hold you when you cry. he holds you close, his hand on the back of your head, maybe even crying with you.
you punch him and hit him and you (almost) scream but he just lets it happen and has his arms around you.
he lets you scream it out, just whispers comforting words from time to time.
“i’m here, it’s okay.”
“let it out.”
“am sorry darling…”
he’s probably more quiet than any other person potentially comforting you but his presence alone already calms you down.
he will hold you till you’re too exhausted and fall asleep and he will hold you until you wake up again.
no matter how long you cry or how hard he will be there and he will hold you, no matter what.
REQUESTS/ASKS OPEN!!!
(masterlist)
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xisadorapurlowx · 5 months
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projecttreehouse · 2 years
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how to write convincing dialogue
did you know that show, not tell applies to dialogue, too? while dialogue can be used to further your narrative, it can also be used to showcase your characters. here's how:
-what is your character hiding? most people don't say things at face value. they hide what they mean within their words and tone, but in writing, you can't verbally hear the character's tone. ways to convey non-verbal tone include: contradictions between words and actions, context behind the words (ie. the scenario, character's actions and feelings), syntax (ie. fragments, repetition, awkward phrasing). also consider who the character is hiding information from: is it the reader? the characters? both?
-favorite words or phrases. does your character use a certain phrase or word a lot? do they often put their prepositions at the beginning or the end of the sentence? these are questions to ask when you're arranging the syntax of the dialogue. everyone has a specific way of talking. make sure you give each character a distinguishable voice.
-personality. this is how you can create a distinguishable voice. is your character confident? are they shy or hesitant? do they repeat the phases of others because they have nothing to add to the conversation? are they confrontational or do they beat around the bush? ask questions like these. if your character is confident, they may make bold statements and appear sure of themselves unlike shy characters who use words such as "maybe" or "should" or "think." to boil it down, think active wordage versus passive.
-observe others. don't look solely at television or other books. sit at your local coffee shop and listen in on conversations, then try and break it down. are they hiding anything? do they frequently use any words or phrases? how would you describe their personality? the better you get at breaking down conversations, the better you can create convincing ones, whether shallow, deep, or as a narrative device, because even if you use your dialogue to move your narrative along, it should still be compulsively convincing.
one way to tell if you've ticked all these boxes is if you can tell who is speaking without any tags.
happy writing! if you have any questions about how to implement any of these tips, our ask box is always open.
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call-me-jmd · 6 months
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You Know You're A Writer When You:
Start Writing
Check If The One Thing You Wrote About Is Real (For Example: A Flower, No I Will Not Tell You What One)
Get Distracted By Social Media Or Something (Totally Not Why This Post Has Been Written, What Are You Talking About)
70% Chance Of Losing The Writing Motivation, 20% Of Forgetting What You're Doing In The First Place, 10% Of Keeping The Writing Motivation.
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slayingfiction · 2 years
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Writing about body pain
Body pain happens all the time in real life. When writing your story, you want to bring your characters to life. By creating characters and an environment that is immersive and realistic (as possible), it helps your readers relate to your characters. This is a quick guide to body pain, that is especially useful for all those adventures your characters will be going on. No one survives a dragon attack or war without some kind of injury. At the very least, some muscle soreness.
3 stages of healing:
1st stage: Acute This is the start of the process after getting hurt. Depending on the severity, often lasts up to a week. Characteristics: severe pain, inflammation/swelling, dark bruises (red, black and blue), muscle weakness, muscle spasms, reduced range of motion.
2nd stage: Sub-Acute This is when your body is starting to heal the tissue by creating scar tissue to replace or repair damage. Can last several weeks Characteristics: reduced swelling, bruises are clearing (yellow, green, brown), range of motion is starting to improve,less pain than before.
3rd stage: Chronic This is the final stage of the healing process. It can last months, if not years. Your body is finally adapting to the changes. Pain is no longer associated with the injury, but instead how the body healed. Characteristics: no bruising, little to no swelling, mature scar tissue (usually tough, and harder to move than other tissue), pain is more of an ache, not sharp. If not taking care of, mature scar tissue can cause muscle tension and reduced range of motion. Pain mostly comes on at the end range of a movement, or with stretching.
Visceral Pain:
Visceral pain is organ pain. When one of your organs are causing problems, or are in pain, it typically feels more like a dull pain, or a pressure. The pain is usually vague, so it’s hard to tell where it’s coming from. Thankfully, visceral pain usually follows typical pain patterns, and you can easily find charts online. Example: Lung and diaphragm pain is usually around your neck and shoulders.
Nerve pain:
Nerve pain happens when the nerve is being pinched, compressed or was directly injured. Characteristics: shooting, tingling, zaps, numbness, stabbing or burning. Numbness is not like an analgesic. It can be a reduced sensory feelings, meaning you may not feel it if someone touches that part, but it can be very painful. Nerve pain will follow the length of the nerve.
Bone and joint pain:
These pains are directly associated with a trauma. Pain is localized to the specific bone or joint. Characteristics: Usually described as a sharp pain, especially with movements involving the painful area.
Muscle Pain:
Muscle pain is extensive. Muscles work hard to protect your body while injured. Muscles will tense when the body is in pain, which usually results in more problems. This pain can be caused by overuse, injury, emotional and physical stress, or compensation for other injuries. Characteristics: deep steady aches, sharp, shooting pain, soreness, burning in muscles, spasms. Muscles will have two main problems if not injured: tension and trigger points. Trigger Points (aka knots) happen in very tense muscles. Trigger points follows specific patterns in each muscle. Example: a trigger point in the upper traps muscle is felt in the head, neck and shoulders. Pains and tensions like these can often be the cause of headaches.
Pain priority:
Your brain processes pain in a specific way. Most often, your brain is so busy running everything, when it comes to experiencing pain, it can’t do it all at once. Thankfully. This means, if you have pain in your neck, your back, and your feet, there will usually only be one as the most painful while the others are background pain. The worst pain will usually be associated with your activities, and which part of your body you’re using the most. When getting rid of one of these pains, the next most painful one will be most noticeable. Have you ever had pain on one side of your body, then had it fixed with physio or a massage, then all of a sudden you notice pain somewhere else? It may not be new, it’s just that your body wasn’t focusing on that problem.
Let me know if this was useful to you, or if you have any questions or comments. Please let me know if something I wrote is wrong.
Follow for more writing tips :)
Happy Writing!
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deception-united · 4 days
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Online Writing Resources #2
Vocabulary:
Tip of My Tongue: I find this very helpful when I can't think of a specific word I'm looking for. Which is often.
WordHippo: As well as a thesaurus, this website also provides antonyms, definitions, rhymes, sentences that use a particular word, translations, pronunciations, and word forms.
OneLook: Find definitions, synonyms, antonyms, and related words. Allows you to search in specific categories.
YourDictionary: This website is a dictionary and thesaurus, and helps with grammar, vocabulary, and usage.
Information/Research:
Crime Reads: Covers crime and thriller movies, books, and TV shows. Great inspiration before writing a crime scene or story in this genre.
Havocscope: Black market information, including pricing, market value, and sources.
Climate Comparison: Compares the climates of two countries, or parts of the country, with each other.
Food Timeline: Centuries worth of information about food, and what people ate in different time periods.
Refseek: Information about literally anything. Provides links to other sources relevant to your search.
Perplexity AI: Uses information from the internet to answer any questions you have, summarises the key points, suggests relevant or similar searches, and links the sources used.
Planning/Worldbuilding:
One Stop for Writers: Literally everything a writer could need, all in one place: description thesaurus, character builder, story maps, scene maps, timelines, worldbuilding surveys, idea generators, templates, tutorials... all of it.
World Anvil: Provides worldbuilding templates and lets you create interactive maps, chronicles, timelines, whiteboards, family trees, charts, and interactive tables. May be a bit complicated to navigate at first, but the features are incredibly useful.
Inkarnate: This is a fantasy map maker where you can make maps for your world, regions, cities, interiors, or battles.
Miscellaneous:
750words: Helps build the habit of writing daily (about three pages). Fully private. It also tracks your progress and mindset while writing.
BetaBooks: Allows you to share your manuscript with your beta readers. You can see who is reading, how far they've read, and feedback.
Readable: Helps you to measure and improve the readability of your writing and make readers more engaged.
ZenPen: A minimalist writing page that blocks any distractions and helps improve your focus. You can make it full screen, invert the colours, and set a word count goal.
QueryTracker: Helps you find a literary agent for your book.
Lulu: Self-publish your book!
See my previous post with more:
Drop any other resources you like to use in the comments! Happy writing ❤
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