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#but is it original? creative?
orchidbreezefc · 7 months
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i made a variant of [link: two cakes] to illustrate a related principle
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tizzymcwizzy · 7 months
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for anyone that doesn't know, i recently started school again! (that's why ive been so mia) so ill be posting class projects whenever i finish them,,, this was a figure drawing assignment :)
you can get a print of this here!
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pen-of-roses · 6 months
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Do y'all ever think about how cool it is that art inspires other art inspires other art inspires other art in an endless cycle
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kaizestar · 1 month
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is this relatable for anyone else…
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tanaor · 2 months
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Want quick tips to add instant chemistry to the relationships of your characters??
(🥳With examples🥳)
First of all, I want to say that you can also use most of them for platonic/ non-romantic relationships, so feel free to use this tips however you think they might work better in your story. So, without further adue, let's get to the tips!!!
Make your characters LISTEN to each other. Like, if A tells B they're not a morning person, B could make some coffee for A or lower the volume of their alarm.
This might sound quite obvious, but show that you characters care for each other. It might be as simple as one of them giving the other a glass of water when they feel a little dizzy, but it works wonders!
Make your characters physically close. When you are emotionally close to someone, you tend to be physically close too. But here is the thing. Make your characters react like it's second nature: "how would I not hug B when I haven't seen them in days?" or "Of course I'm gonna take A's hand when I feel insecure".
They don't have to be constantly thinking about each other, but when they do, MAKE IT MATTER!! For example, character A is out shopping, and they see B's favorite cookies. B didn't have a good day, and A knows that. But A also knows B is gonna fucking love the cookies, so they buy some.
Let them believe and trust each other. Also applies if one of them is a little distrustful: let your characters rely on one another, even if at the start they aren't as comfortable doing it. For a distrustful character, letting the other one help with chores might be a HUGE thing.
Other tips for writers: previous | next
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Fanfuckingtastic writing advice!!
Beating yourself up about your writing DOES NOT HELP YOU WRITE! Cut that shit out, be nicer to yourself, take breaks, and remember it's a marathon not a sprint and also nobody likes running ¯\_(ツ)_/¯
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yeehawpim · 7 months
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tell me a story
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jgmartin · 10 months
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me, after clearing my schedule to write:
uhhhh it was raining... and dark (and also night) and um... cold i guess?? anyway, something dramatic~ happened
me, stuck in traffic on my way to work:
Rain tumbled through midnight leaves, casting the forest in liquid moonlight. A low growl shook the horizon. Death had come.
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welcometogrouchland · 1 month
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[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post
#dc comics#dc#damian wayne#dick grayson#talia al ghul#batfamily#dc robin#nightwing#anyway. yes im a self-indulgent ''dick as damians secret third parent'' truther#like i DO think it's way more complex and nuanced than the schmoopy affectionate fan portrayal of it#they're brothers they're father and son they're partners they're the dynamic duo except only in past tense etc etc#but consider! I'm not immune to schmoopy affection in fanworks. it compells me despite itself#anyway it's technically not that crazy when it comes to dick and damian. they hug! often! at least they did#it's not as big a leap to these types of scenarios#also talia ''somewhat absent for complex reasons on both her and damians part but very loving and loved by her son'' al ghul#you will always be famous to me#son of the demon origin...bwahhh#anyway. someone made a comic kind of like this/like a post i made abt this topic#but way funnier bc dick and talia starting trying to beat each other up#so go look at that as well#anyway. it's been a somewhat difficult few weeks so I'm. desperately trying to take it easy#i got some reading with me (first vol of kevin smiths GA run that i found second hand and jaimes BB run vol 2!)#so we'll see how far i get through those. considering there's demons in my head telling me to re-read things (LET ME OUT!!!)#when i finish GA and BB i do plan on rereading robin 2021. as a treat to myself#it's a run I've really warmed up to as time went on#I'm keeping up w/ the current b&r run even though it is. admittedly very slow w/ some weird dialogue#i read it for the damian content more than anything. also nikas back so that's neat :]#idk I have a feeling that after absolute power shakes out we might get some more creative team switch ups#so if anyone at dc is interested in taking over the reigns on b&r...that could be very neat#(it's me they should hire me. please DC i have ideas listen to my red hood pitch PLEASE-)
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shesnake · 9 months
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24 hour time loops: not long enough to create or undo anything permanent, crazy-making but often still funny
365 day time loops: the most fucked up shit you could possibly imagine
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sas-soulwriter · 6 months
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What to give a fuck about,while writing your first draft!
I`ve posted a list about things you don´t need to give a fuck about while writing your first draft. Here are things you NEED TO CARE about! (in my opinion)
Your Authentic Voice: Don't let the fear of judgment or comparison stifle your unique voice. I know it´s hard,but try to write from your heart, and don't worry about perfection in the first draft. Let your authenticity shine through your words.
Your Story, Your Way: It's your narrative, your world, and your characters. Don't let external expectations or trends dictate how your story should unfold. Write the story you want to tell.
Progress Over Perfection: Your first draft is not the final product; it's the raw material for your masterpiece. Give a fuck about making progress, not achieving perfection. Embrace imperfections and understand that editing comes later.
Consistency and Routine: Discipline matters. Make a commitment to your writing routine and stick to it.
Feedback and Growth: While it's essential to protect your creative space during the first draft, be open to constructive feedback later on. Giving a f*ck about growth means you're willing to learn from others and improve your work.
Self-Compassion: Mistakes, writer's block, and self-doubt are all part of the process. Give a f*ck about being kind to yourself. Don't beat yourself up if the words don't flow perfectly every time. Keep pushing forward and remember that writing is a journey.
Remember, the first draft is your canvas, your playground. Don't bog yourself down with unnecessary worries.
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blue-eyed-author · 6 months
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Dear fellow writers,
‘Said’ is beautiful. Please use it more. It isn’t anything to be feared of hated. It’s not boring or overused. It makes all the other dialogue tags more special when they’re used on occasion.
‘Said’ makes your writing less cluttered. It can be a simple way of reminding the reader who is talking without bombarding them with synonyms.
“Use it along with action to make it more interesting,” she said, picking up her pencil.
He smirked, and said, “Or with expressions and body language.”
“Or,” she said, “just as a quick reminder of who is talking.”
“And if you know who is talking, a dialogue isn’t always necessary.”
Of course you can use other dialogue tags, but please don’t exclude ‘said’. It’s heartbroken from being ignored.
‘Said’ is beautiful.
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joseefinwrites · 1 month
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Ultimate "Know Your Character Inside Out" Template
The ultimate template for creating a character, without losing your mind, while you're at it.
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Character Background Template ... (open)
1. Name:
2. Age:
3. Gender & Pronouns:
4. Physical Appearance:
   - Hair color:
   - Eye color:
   - Height:
   - Build:
   - Distinguishing features (scars, tattoos, etc.):
5. Background and Upbringing:
   - Where were they born and raised?
   - What was their family structure like (parents, siblings)?
   - Describe their childhood environment and upbringing.
   - Were there any significant events or traumas in their past?
6. Education and Skills:
   - What level of education did they receive?
   - Did they excel in any particular subjects or skills?
   - Have they pursued any additional training or education since then?
7. Personality Traits:
   - Describe their personality in a few words.
   - What are their strengths and weaknesses?
   - How do they typically react under stress or pressure?
8. Motivations and Goals:
   - What are their short-term and long-term goals?
   - What drives them to pursue these goals?
   - Are there any fears or insecurities that motivate or hinder them?
9. Relationships:
   - Who are the most important people in their life?
   - How do they interact with family, friends, and acquaintances?
   - Do they have any romantic interests or significant relationships?
10. Past Experiences:
    - Have they faced any major challenges or setbacks in the past?
    - How have these experiences shaped their beliefs and values?
    - Have they experienced any significant losses or tragedies?
11. Worldview and Beliefs:
    - What are their core beliefs and values?
    - How do they view the world around them?
    - Are there any cultural, religious, or philosophical influences in their life?
12. Inner Conflict:
    - What internal struggles do they face?
    - Are there any unresolved issues from their past that continue to affect them?
    - How do these inner conflicts impact their decisions and actions?
13. Connection to Outer Conflict/Plot:
    - How does their personal journey intersect with the main plot or external conflict?
    - What stakes are involved for the character in the larger story?
    - How do their goals and motivations align (or conflict) with the central conflict?
 
(Shorter) Knowing Your Character Inside Out Checklist
Personality Traits:
   - Introverted/Extroverted
   - Optimistic/Pessimistic
   - Assertive/Passive
   - Empathetic/Self-centered
   - Logical/Emotional
   - Adventurous/Cautious
   - Honest/Dishonest
   - Ambitious/Content
Beliefs and Values:
   - Religious beliefs (if any)
   - Moral code
   - Political beliefs
   - Views on relationships
   - Attitude towards authority
Fears and Insecurities:
   - Common fears (spiders, heights, etc.)
   - Deep-seated insecurities (failure, rejection, etc.)
   - Traumatic experiences (if applicable)
Desires and Goals:
   - Short-term goals
   - Long-term aspirations
   - What motivates them to pursue these goals?
Strengths:
   - Intellectual strengths
   - Physical abilities
   - Emotional resilience
   - Social skills
   - Unique talents or abilities
Weaknesses:
   - Personal flaws
   - Areas of vulnerability
   - Bad habits
   - Limiting beliefs
Backstory:
    - Family background
    - Childhood experiences
    - Significant life events that shaped their identity
    - Education and career path
    - Previous relationships
-Josie
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fiendishartist2 · 2 months
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redraw of this post from bunnyfarm's release
kofi|instagram
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achronicleofblasphemy · 3 months
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Don't go anywhere.
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tanaor · 2 months
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Want simple tips to heavily improve your skills with character voice??
(📝Note: character voice is the way you convey your character's personality though their pov or dialogue when you write. No two characters speak the same📝)
I speak from experience when I say character voice is hard to get right. Characters, like people, have lots of layers that affect the way they see the world around them and how they interact with other characters. That's why character voice is so important in stories, and why if you write it in a compelling and effective way it will hook people into your story. I hope you learn something new in this post!!
When writing character voice, there's a list of things that you should take into account:
Where are they from? Their past and what they've lived plays a huge part in character voice. Maybe your character grew by the ocean, and so they compare things from the present to the beach, the rocks or the sea itself. You will rarely read about a sailor that is an expert in pants and compares scents to flowers. They might, instead, talk about how a house smells like the wet wood of a ship.
Think about how their personality shapes their language. If they are insecure, they might end most of their sentences with "isn't it?" or "right?" and ask a lot of questions, whereas if you have a confident character, you might find them saying things like "we should do this" or "that will be fun" instead.
What their "lense" is. This is more of an ethic aspect of the character. What have they learn it's okay, and what do they find uncomfortable? Would they find it gross if their friend left laundry on the floor?
Give them special traits (both for dialogue and narration). Maybe character A quotes a lot when they narrate and uses long paragraphs, or maybe B speaks about their past a lot and uses popular sayings. Personally, one character of mine has the tendency to repeat himself when he speaks, as in "yeah, yeah, I'll do it" or "no, no, no. Never" because he is really enthusiastic, and it fits really well with his character.
Pay attention to how they would talk about themselves. Maybe your character doesn't like people to know they're sad because it makes them feel vulnerable, so they will just say they feel annoyed or don't want to talk in that moment. This also means that they will not tell the reader something they are not comfortable saying in the first place.
How is their education? Education is also very important in this context. Did they went to university and have a rich vocabulary and structured sentences, or where they rised in a little farm far from town? You can also play with both a bit: maybe your character did go to university, but maybe they also came from a low income family, and characteristic of both things merge when they talk. Example: long, structured, sentences but a simple and sight forward vocabulary.
That's all for now and happy writing!!
Other tips for writers: previous | next
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