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#definitely not because i need to put him in a Situation
kolsmikaelson · 3 days
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— PATRICK ZWEIG NSFW ALPHABET
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NOTES — obsessed with him <3 need more gifs of him too
WARNINGS — 18 + content mdni, not proofread
join my taglist or follow @rodrickhefley to see when i post
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A = Aftercare (what they’re like after sex)
he’s sweet, no matter where you are he’ll make sure to clean you up and he’ll always make sure to get you water. he’ll do anything you ask of him really. 
B = Body part (their favorite body part of theirs and also their partner’s)
his thighs are his favorite. he loves the way that you love them. he also really likes his arms too. your hands are his favorite, he loves the way they wrap around his cock or the way they tug at his hair when his head is buried in between your thighs. 
C = Cum (anything to do with cum, basically) 
loves cumming in your ass, there’s something about the extra tightness that gets him everytime. 
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
fantasizes about he and art fucking you. he and art had messed around, a lot, when they were younger and still doing challengers together and even now that he’s found you, he still misses those times and would love to have art join you two. 
E = Experience (how experienced are they? do they know what they’re doing?)
pretty experienced. he definitely knows what he’s doing and how to figure out how to get you going. 
F = Favorite position (goes without saying)
he loves when you’re on top, riding him. he loves the view of your tits bouncing in his face and how he has the ability to kiss or nip at them at any point. 
G = Goofy (are they more serious in the moment? are they humorous? etc.)
i think it goes back and forth. let’s say, he’d gotten jealous because some guy was hitting on you, he’ll take you back to your place and fuck you till you know you’re his, but other times it’ll be soft and silly and unserious, you’re just a mess of limbs tangling together. 
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
i think he keeps it trimmed, so that it’s not too much out of control. 
I = Intimacy (how are they during the moment? the romantic aspect)
so romantic. sometimes with how hard or rough he goes it’s harder to tell how romantic it is, but there's always those telltale signs such as him always making sure you get off before him, usually before he’s even fucked you, unless you’re both too needy to wait, but even then he’ll still make sure you cum at least once. 
J = Jack off (masturbation headcanon)
not huge on it anymore now that he’s older, but if he’s out of town for a game and you weren’t able to come with he’ll resort to that in the middle of the night when he’s missing you. 
K = Kink (one or more of their kinks)
spit kink, praise kink (receiving), choking, he loves shoving his fingers in your mouth if you’re being too loud. 
L = Location (favorite places to do the do)
his car. doesn’t matter if you’ve pulled over and are on the side of the road or safely parked in your garage, doesn’t matter he’s obsessed. 
M = Motivation (what turns them on, gets them going)
winning. the more he wins the more pumped up he is, and seeing how proud you are each time he wins really gets him going. 
N = No (something they wouldn’t do, turn offs)
no piss kink (or any other bodily fluids excluding spit and cum), and nothing that’d put you in any real danger, sure he likes choking but in intervals, he makes sure it never lasts too long. 
O = Oral (preference in giving or receiving, skill, etc.)
he’s a god at giving head. he’s so good at it and he knows it. i don’t think he prefers it either way, you’d both keep it pretty even in giving and receiving.  
P = Pace (are they fast and rough? slow and sensual? etc.)
depends on the situation! sometimes he’ll have a rough time and go slow and sensual other times he’d fucking into you like a jackhammer. 
Q = Quickie (their opinions on quickies, how often, etc.)
sometimes (before a match) it’s all you have time for so he’s definitely not against them, but he does love taking his time with you
R = Risk (are they game to experiment? do they take risks? etc.)
to a certain degree. but he’d likely try anything once as long as his partner was sure they wanted it too. 
S = Stamina (how many rounds can they go for? how long do they last?)
he can usually last 2-3 rounds before taking a break until you’re ready again and he can go for a couple more. 
T = Toys (do they own toys? do they use them? on a partner or themselves?)
oh yes. once you’ve moved in together he’s got a drawer in the nightstand full of different toys. he’s got a fleshlight, rarely uses it though because why would he when he has you right next to him <33. but he’s got different vibes and dildos to use on you as well. 
U = Unfair (how much they like to tease)
biggest fucking tease ever. will edge you till you’re on the brink of tears just to stop touching you and rip your orgasm away from you. but he’ll whine like a bitch in heat if you try to tease him back. 
V = Volume (how loud they are, what sounds they make, etc.)
not super loud but not super quiet. he makes sure you’re aware he’s loving what you’re doing. 
W = Wild card (a random headcanon for the character)
definitely asks you about art, trying to feel out what you’d think about having a threesome, eventually going as far as to ask what you’d think about adding him into your relationship (you agree because in the time you’ve known him you’ve fallen for him the way you did for patrick.)
X = X-ray (let’s see what’s going on under those clothes)
decently big, i’d give him 5/6 inches soft, and he’s thick as fuck too. 
Y = Yearning (how high is their sex drive?)
pretty high. he feels that sex is the best way he’s capable of showing his love, he’s not the best with his words. 
Z = Zzz (how quickly they fall asleep afterwards)
he passes out as soon as he’s done cleaning you up and getting you some water. the moment his head hits the pillow and has you wrapped up in his arms again he’s done for. 
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emeraldspiral · 1 day
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So another interesting thing about Jane Eyre is it's take on relationship inequality.
Like, Jane is 18 at the beginning of the story and Rochester is said to be something like 35-38. And it's not casually brushed aside like that was normal back in the day. It wasn't. Concerns about the age gap are raised within the text. But the story emphasizes that Jane feels comfortable accepting Rochester's proposal, despite the age difference, the class difference, and him being her boss, because Jane feels that Rochester regards her as an equal. When they converse, Jane doesn't feel any tension, like she has to impress him or try to read his mind and say whatever he wants to hear. She feels that he respects her and values her thoughts and isn't compelled to use his power against her if she says something to displease him. Around the midpoint of the story, Jane believes that Rochester is going to marry another woman, and resolves to leave because she's heartbroken, believing that because she is poor and plain Rochester can't possibly be as hurt by their parting as she is, and he'll forget her and move on long before she does. But it turns out to be the opposite. After finding out about Bertha, Rochester begs Jane to stay and insists he'll be miserable forever without her, while Jane, still thinking she's too poor and plain to ever attract someone like him again, resists all temptation and leaves him. And she does this specifically because she feels that if she were to compromise her morals and self-respect to be Mr. Rochester's mistress, then he would lose respect for her and the relationship would fall apart. It was only by maintaining her integrity that the relationship could stay in-tact when the reconciled at the end.
St. John Rivers on the other hand, I don't think is given a definite age, but I think he's intended to be a much younger man, probably in his early 20s. He is poor and without relations aside from his sisters or any other connections, just as Jane. Jane finds out they're actually cousins at the same time she learns she's come into a vast fortune that was willed to her rather than the Rivers, but decides to share her fortune equally with them. So she arguably had more social capital, even though she made an effort to put St. John on equal footing with her, because the money was hers by right and she could've presumably cut him off at any time, just as easily as Rochester could've terminated Jane from her job.
And yet, Jane's relationship with St. John is vastly more unequal than her relationship with Rochester. Even though Jane practically worshiped Rochester but only cares for St. John as a brother and is acutely aware of his faults, she still finds herself desperately craving his approval in a way she never did with Rochester. And St. John is willing to exploit that intentionally. He asks her to do things she doesn't want to and make sacrifices for him just because he knows she'll do anything to please him, and that's why he thinks she's the perfect wife for him. Where Rochester tries to explain himself and persuade Jane not to leave him by addressing her concerns, St. John basically tries to command Jane to marry him and refuses to accept her "no" as final. He withholds affection from Jane as a tactic to get her to compromise in order to reconcile with him when he's the one who should be apologizing to her and considering her needs and not just his own. Jane knows that she can't ever be happy with him because he doesn't respect her and his lack of respect only makes her want to seek his approval, which he is all too happy to exploit for his own benefit.
But Jane ultimately stays firm and rejects St. John's proposal of a loveless marriage, just as she rejected Rochester's proposal of an unlawful marriage, because both situations were doomed to fail if she didn't put her own self-respect first.
So this novel from 1847 was really saying that power dynamics aren't pure black and white. Age and class and wealth and status can be a factor in making a relationship unequal, but you can also be equal on pretty much all social axis and still have inequality in a relationship. What's really important is that there's mutual respect.
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lynzishell · 1 day
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OC Deep Dive Questionnaire 💛Atlas & Asher🩵
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✨TYSM for the tag @raiiny-bay, @zosa95, @dandylion240, @sirianasims, and @hannahssimblr 🤗💖
Of course, I went overboard with this, so grab your favorite beverage and let's dive right in, shall we? ☕💕
-what common/uncommon fear do they have?
💛Atlas: [Pointing to Asher] Water. 🩵Asher: You can’t just leave it at that. It’s not like if you set a glass of water on the table, I’ll run screaming. I have a fear of drowning, so I don’t like to be submerged in water. You’re never going to catch me out swimming. Probably not on a boat either, while we’re at it. Not taking any chances. 💛Atlas: Fair enough. But you won’t even put your face under the water in the shower. 🩵Asher: That’s because it reminds me of being submerged in water. Anyway, this conversation is making me sweaty, and there just happens to be water on the other side of this fence, so let's change the subject. Next question.
-do they have any pet peeves?
🩵Asher: Oh, Atlas fuckin’ hates mindless small talk, like the kind you use just to fill the silence, or because you awkwardly feel like you need to talk to the person next to you. Seriously, he’ll like you a lot more if you just sit next to him in silence for an hour. 💛Atlas:  Very true. And yet, your record for silence is, what, twenty minutes?  🩵Asher: Maybe. But I don’t make mindless small talk. 💛Atlas: Yeah, I do like listening to you ramble on about your latest obsessions. You get all animated and excited, it’s really cute. 🩵Asher: You’re really cute.
-what are 3 items you can find in their bedroom?
💛Atlas: Uh, I don’t know, what’s in our room besides the obvious? Probably too many electronics. 🩵Asher: Right, between the computer and the switch and my drawing tablet and our phones... 💛Atlas: And your sketchbooks and pencils. How many pencils does someone need? 🩵Asher: I don’t have enough; I’ll tell you that much. Count yourself lucky that most of my art supplies are scattered between Lex’s place and my parents’ house. One day I’ll get it all organized in one place, but that day is not today.
-what do they notice first in a person?
🩵Asher: Hm. That's a good question. What did you notice about me first? 💛Atlas: Your hair, obviously. 🩵Asher: [laughs] 💛Atlas: But no, I would say your eyes. I’d never met anyone with such pure gray eyes before, they’re striking. Your eyes are very expressive too. And you make eye contact with people more than anyone else I know. Like, whenever I talk to you, I always feel like you’re really listening. 🩵Asher: [smiles] I am.
-on a scale of 1-10, how high is their pain tolerance?
🩵Asher: Oh god, mine is probably like a 5, and Atlas’s is probably a fuckin’ 8 or 9. 💛Atlas: I would’ve said 7, but we can go with 8.
-do they go into fight or flight mode when under pressure?
💛Atlas: I think my first instinct is freeze, but then probably flight. Depending on the situation, I’ll walk away or hide away. 🩵Asher: Mostly. But with James, you definitely went to fight. 💛Atlas: That was different. I don’t care if people hurt me, but I’m not going to let them hurt the people I love. Ash is definitely more of a fighter than I am.  
-do they come from a big family/are they a family person?
🩵Asher: I don’t come from a big family, it’s just my parents, me, my sister, and my niece, but we are very close. But honestly, family isn’t just about relatives. Chosen family is just as important. When I say my family is the most important thing to me, I don’t just mean them, I also mean Atlas and Lex and Dawn and Phoenix and Aspen too. And Jasper, obviously. 💛Atlas: Exactly. If we’re talking about relatives, I come from a very large family, but I will never see or speak to any of them again, except for Dawn, of course. A few years ago, I never would’ve considered myself a family person, but Ash’s family taking me in changed all that. I’d definitely say I am now. 🩵Asher: I love that.
-what animal represents them best?
💛Atlas: Oh, that’s easy. Ash is just like Jasper, his border collie. Playful and energetic, friendly, intelligent, hardworking, and he loves to snuggle. 🩵Asher: Hm. I think for Atlas, I’d say a deer. 💛Atlas: A deer? 🩵Asher: Yeah, like, you’re quiet and cautious, a bit anxious with a tendency to hide, but you’re also beautiful and sweet. 💛Atlas: You make me sound more like a bunny. 🩵Asher: No, definitely not a bunny. Have you ever come upon a big buck deer? They’re majestic and intimidating, and they’ll kick your ass if they have to. They’re… survivors.
-what is a smell that they dislike?
💛Atlas: Ammonia. 🩵Asher: No one likes the smell of ammonia. 💛Atlas: I know, but when I was a kid, at the end of every school year, we’d have to clean our desks with this ammonia spray. Twenty kids spraying ammonia in an enclosed room. It was awful. I’m sure they had the windows open, but even still, that smell is seared into my brain, makes me want to gag just thinking of it.
-have they broken any bones? if so, how?
🩵Asher: Okay, story time! So, when I was ten? Eleven? Something like that. Anyway, I was dancing around in my room, as one does, and I tripped on a book, one of many scattered around my disaster of a room, and tried to catch myself as I went down. Bad decision. I’ll spare you the details, but the pain I felt in my wrist was horrible. I literally saw stars. And then I almost puked when I looked at it. So, of course, I started screaming for my mom. She came running in, and I told her that I’d broken my wrist. And what did she do? She yanked on it and snapped it back into place! Because apparently, I’d just dislocated it. But, fuck, it hurt. If a broken bone is worse than that, then I hope I never break one. 💛Atlas: I broke a toe once. Stubbed it on the corner of my bed when I was in college. I wasn’t good about taping it up or anything either, so it healed a little crooked.
-how would a stranger likely describe them?
🩵Asher: For Atlas? One word: quiet. How they interpret that quietness varies though. Some people think he’s really shy, others think he’s just aloof. But he’s actually neither. He’s introverted and pensive, sure, but he’s also very warm and enjoys chatting with people if it’s a more meaningful conversation, y’know. Like, when we first met, we would talk for hours and hours. 💛Atlas: That’s true, but you’re such an easy person to talk to. I think that’s what people would say about Ash. He’s just very relaxed and friendly and has a way of putting people at ease. He’s good at connecting with people and getting them talking and making them laugh.  
-are they a night owl or a morning bird?
🩵Asher: Probably night owls, I’d say. Atlas prefers starting his day later and working late, if he has the option. 💛Atlas: Yeah, but these days, it feels like I’m working all the time. But even still, Ash starts his day earlier. I don’t know. I think he’s somehow both. He has no issues with mornings, but he also gets a burst of energy in the evening and sometimes it’s hard to get him to come to bed. 🩵Asher: To sleep, anyway. 💛Atlas: [laughs] Right.
-what is a flavor they hate and a flavor they love?
💛Atlas: Ah, Ash hates vinegar and anything pickled. And he loves warm spices like cinnamon and cardamom. 🩵Asher: Oh my god, and Atlas is fuckin’ backwards when it comes to this. He likes bitter flavors to a strange degree, like super bitter beer and strong coffee and he’ll only eat chocolate if it’s the super dark stuff, otherwise he hates it. He doesn’t like sweets. No sugary drinks or candy or even pastries.
-do they have any hobbies?
🩵Asher: We both love gaming and dancing. Otherwise, I like to draw and spend time with my dog. My favorite is taking him down to the beach to play fetch, he loves it there. 💛Atlas: Yeah, and I don’t know, I like to stay active because I feel like I’m constantly at a desk otherwise. I used to rock climb a lot, but since we climbed Mt. Komorebi, we took a break and never really got back to it, so I pretty much just run and work out at the gym occasionally. And I like to sing. 🩵Asher: Seriously, I wish you could hear him. He has the most incredible voice. 💛Atlas: Aw, thank you.
-boom, surprise birthday party! how do they react to surprises?
💛Atlas: Ash would love it! He’d be so stoked that everyone showed up for him like that. 🩵Asher: And Atlas would probably dump me on the spot if I ever did that to him. 💛Atlas: I don’t know if I’d dump you, but… okay, yeah, I probably would.
-do they like to wear jewelry? if so, what is their favorite piece?
🩵Asher: I don’t think I’ve ever seen Atlas wear any jewelry. 💛Atlas: No, I’ve tried, but I could never get used to it. I’d always end up taking it off by midday. 🩵Asher: I can see that. I wear earrings, but that’s it. I used to wear a necklace that an ex gave me, but I threw it out when we broke up. I wanted to throw it into the ocean, but I didn’t dare to walk out on the dock [laughs] so I tossed it in a dumpster instead. 💛Atlas: I didn’t know that. Which ex? 🩵Asher: Elias. 💛Atlas: Ahh. Yikes. 🩵Asher: Yeah. Anyway. Next question.
-do they have neat or messy handwriting?
💛Atlas: I think we both write fairly neat. 🩵Asher: I think so too. Yours is all sharp angles, but it’s not sloppy. 💛Atlas: Yeah, and you have a strong preference for uppercase letters. Sometimes it’s rushed, but it’s never messy. Actually, I’ve never thought about it before, but I really like your handwriting. 🩵Asher: I like yours too.
-what are two emotions they feel the most?
🩵Asher: [points to Atlas] Anxious. 💛Atlas: All of the time. 🩵Asher: And, hm, we can only pick two? I’d probably go with either introspective or focused. 💛Atlas: That’s probably right. For you, I’d say, passionate or inspired and then maybe playful or energetic or something like that. Okay yeah, passionate and playful.
-do they have a favorite fabric?
💛Atlas: Probably cotton, I guess. 🩵Asher: Yeah, same. I don't know. Never really thought about it, to be honest.
-what kind of accent do they have?
🩵Asher: I don’t know. Do we have accents? I mean, I guess Atlas gets a hint of a drawl when he drinks, it’s pretty cute. 💛Atlas: I do not. 🩵Asher: You do! I never told you because I didn’t want you to get self-conscious and try to stop. 💛Atlas: It’s a good thing I don’t drink often, I guess. 🩵Asher: Whatever. I love it. 💛Atlas: And I love you. 🩵Asher: I love you too.
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And I love them too!! 🥹
Okay, whew! What are the chances anyone actually read all that? I really can't just be normal about these things, can I? Oh well... Now it's your turn!! I'm gonna tag @madebysimblr, @crownsofesha, @xldkx, @honeyjars-sims, aaaaaaaaaaand @igotsnothing 🤸🏻‍♀️💖 Answer them normally, or have a little fun with it, or ignore me completely, that's fine too (no it's not) 🫶🏻
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hongjoongsslvt · 2 days
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One bite ||Jeong Yunho (MDNI)
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Pairing: Jeong Yunho X Fem! Reader (Non-Idol AU)
Warnings: Vampire Reader, Demon/Incubus Jeong Yunho, Deaths mentioned, Mentions of Blood, Strangers to lovers, thats all i can think off.
word count: 1.76k
✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧
I finally put my headphones down, recognizing that I had streamed for over 6 hours, which was definitely one of my longest streams. Leaving my gaming desk, I dressed in a black overside tee and off-white sweatpants, combined with shoes and a baseball hat. I look at the wall clock that hangs directly next to the front door.
2:13 am. A great time to go prowling around the city looking for some fresh blood.
This is the society in which vampires, demons, angels, and other races live in secrecy alongside humans. So it is inherently difficult to obtain adequate nourishment, especially for vampires, whose primary source is blood. Pacts play an important function in this context.
Pacts ensure that no race exploits other races in need of nourishment.
Vampires can feed on anyone of any race, but a pact-bound vampire can only feed on its pact mate; the blood of any other living thing becomes poisonous.
I wander around town alleys, watching intoxicated folks brawl and lie around with no care in the world. I never fancied alcoholic blood, but I'm not in a position to pick favorites. It's easier to feed off a drunk than a sober individual because there's no screaming or running away.
I take a turn down the dimly lit alley, looking around for individuals or surveillance cameras. None. I proceed a few meters forward and notice a strong stench of blood. The sweetest smell I have ever encountered in my decades of life.
I see two bloodied bodies: one tall, well-toned, and the other unidentifiable and clearly dead.
"Hey, "Are you Okay?" I ask the tall, toned man.
No response.
I let out a heavy sigh as I shred the linen at his thighs, sinking my teeth in, soaking up the wonderful blood and injecting a small quantity of my fluid.
Yes, vampires can inject fluid into the region to heal the bite mark and remove the evidence. While pure-blooded vampires can heal anyone, human or vampire, as long as they are alive, the other vampires can only heal less sever wounds, the bite wounds.
I cease feeding off of him, feeling full and satisfied, and wait for the fluid to work its job. I plopped him over my shoulder and walked discreetly back home, avoiding congested areas to avoid raising suspicions.
Placing him on the couch, I prepare the water for the bath while keeping an eye on him. It wasn't the finest idea to drag an injured stranger into my home, but the sweet, addictive taste of his blood overruled my reasonable reasoning. Well, if he is good and keeps his mouth shut, it will be a win-win situation for both; otherwise, what a waste of such sweet tasting blood.
I was quickly brought out of my thoughts as I heard the person groan and wake awake.
"Hey, how are you feeling?" I inquired, studying his pale skinned face, which has the nicest but most gorgeous features. What a lucky find.
"Who are you?" the man asked, standing up, his body towering over mine.
"You first, because I am the one who saved you," I answered, looking straight into his eyes. His frightening atmosphere may have worked on others, but not on me.
"I am Jung Yunho," the man said, reclining back on the couch. "Is that enough?"
"Come on, I know that you are definitely not human" I say, checking if he takes the bait, "You gotta be careful, that body is almost unrecognizable"
Despite his calm demeanor, his face was filled with misery and hatred, and he spoke with a heavy sigh.
"I am a demon, An incubus to be precise, that body has brutally murdered my foster family"
"Rest easy, I made sure not to leave evidence" I remarked, setting down a pair of clothes and a towel, "Go get a bath, you are dirty, and I hate messy stuff in my room"
He nods quietly and enters the bathroom, while I clean the couch and vacuum the house.
3:44 am.
I plop down on the couch, searching through websites to update my book collection with new releases.
"I never thought your clothes would be almost perfect fit, how tall are you?" He asks, drying his hair with a towel.
Now that I can see clearly, this man is one of the most stunning people I've ever met, with breathtakingly beautiful body proportions and an ethereal face. I hurriedly return my gaze to the screen, hoping not to be caught salivating over his appearance.
"Probably 180 or 182 cm, so yeah, i am shorter than you by mere centimeters"
"So, since you knew my identity, its only fair to tell yours"
"I am Y/N, a Vampire, purebred," I add as I pay for the books I've opted to read. "Well known to people by the name Lynn, the streamer"
"YOU ARE THAT STREAMER??" Yunho shrieked, almost deafening my hearing; his eyes were filled with joy as he plopped right next to me on the couch, unwittingly releasing his tail and horns.
"You have no idea! I'VE BEEN A FAN OF YOURS FOR A LONG TIME," he said, going into detail about my previous streaming aliases and so on.
"Easy now boy, Put those horns and tail away" I say while asnwering his never ending questions.
----------------------------------------------------
I normally stream for 20 to 25 years before taking a break and starting again under a different identity so that people don't have suspicions about my race. However, it is only effective against humans, who have significantly shorter lifespans.
"I have a deal, Since you have no where to go, you can stay here, but in return, let me feed on your blood" I' proposed.
"You do realize that biting an incubus is equivalent to forming a pact?" He questioned back. "You have no choice but to feed only on me and same is the case with me"
I really screwed up; I forgot that feeding off a demon is basically forging a pact, now I am at the mercy of this Incubus.
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The days passed pleasantly; I did my daily streaming, with Yunho occasionally joining in and playing with me. Well, thanks to him, more specifically for his honey sweet voice, which brought in more subscribers and hence more money.
Once a stranger, he now assists me with my daily activities and keeps the room clean. Despite being told that his voice and game play alone are enough to cover his living expenses, he persists on doing it nevertheless.
It's adorable to see him play with his Spider-Man-themed game station and his toy collection; the once-empty guest bedroom has become his land. I look around the house, only to realize that it no longer reflects my tastes, but rather 'our tastes'.
Yunho, the more I got to know him, the more perfect he appeared to be. He took sure to keep his blood in blood packs in case he had to go outside for longer than intended, brought back plushies or anything with phrases like "This looks like you" or "This reminds me of you." My life suddenly feels really lively, and I'm wondering how I've managed to remain alone for so long.
and by the time I realized, i fell for him. My first love.
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One thing I've noticed about Yunho recently is that he's becoming paler by the day and spending most of his time curled up on his bed, and I haven't fed off of him in a long time. Unlike humans, I don't have to worry about a demon fainting or dying from blood loss, so I'd feed on him heavily at first and then stop until my desire returned.
"Yu, you gotta tell me what's wrong, I can't figure anything out unless you say so," I plead as I sat next his curled up figure on the bed.
"Its nothing, I am just having a little trouble, call mingi over and ask him to bring some meds yeah?" He whispered and shooed me off his room.
That's not it. I have to know what's wrong with him
I picked up the phone and instantly dialed Mingi's number.
"Dude, since you are the same kind as Yunho, tell me what's wrong with him" I said. "I know he spoke about his illness with you"
"Did you ask when was the last time he fed?" He inquired
Oh, the wheels in my brain started turning.
"Well he need to because the fluid provided by vampire is kind of like food to us incubus to live , but what we really need to stay healthy and replenish our powers is of course, sex" Mingi says.
"I'll call you back later," I quickly cut the call off.
"I have been feeding on him all this time and forgot that he needs to feed as well," I mentally slap myself before returning to Yunho's room.
"Yu, I have to feed off you," I add, to which he agrees and lies on his back, raising his wrist. "Do it"
I take his hand, but instead of biting my teeth into his wrist, I grasp both of his hands and straddle him. Yunho instantly stiffens and stares at me, puzzled.
"I really appreciate that you are trying to get me to feed off you, but Y/N, I want to do this with love, I dont want to just have sex for feeding, I dont want to impose on you and make you uncomfortable, I am fine with just your fluid" He looks at me with tears in his eyes.
"I love you Y/N, I genuinely do, I don't want to impose on you, you were there for me when I thought it was the end for me, and as time sped by, I got to see a lot of you. The streamer, the clumsy girl, the tech nerd, the loving one, Of course, you don't have to receive-"
I closed his mouth by kissing him. His lips felt unbelievably soft and full, and hot breath swept across my cheeks. It was a quick kiss, but long enough to let him know the feelings were reciprocal.
"I love you too, Yunho; only after meeting you did I realize that having a pact is a blessing, not a shackle; all of my lonely days are now replaced with joy and laughter; it's as if I've found everything I've ever hoped for in my life. You put life back into my spirit.
I grind my hips against him, leaning onto his body, unable to surpass the sweet whimpers.
"Yu, please~"
✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧
REBLOGGING IS MUCH APPRECIATED ฅ^•ﻌ•^ฅ
DO NOT PLAGIARISE
✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧✩₊°.⋆☾⋆⁺₊✧
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nunalastor · 2 days
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Hello! A continuation of Snow White + Tangled AU (and I really need a name for this, I welcome suggestions)
When Lucifer regains consciousness, he realizes 3 things. 1) Lilith's office is destroyed. 2) His...Lilith lied to him. 3) He took off his ring for the first time since she left, and he doesn't know what to do about it.
He just doesn't understand, what did Lilith gain by lying to him? What did she gain by giving him false hope that one day he would get his daughter back? What did she gain by reassuring him by telling him that everyone in hell was looking for Charlie?
He thinks about it and...believes he could understand her. He definitely would have understood if she had told him she didn't want a baby, he wouldn't have demanded anything from her. If Lilith just wanted to rule hell she could have done it, he would have been happy to give Charlie his full attention, he would have let Lilith remain as free as ever while he was a father. So, yes, he understands that it wasn't a priority for Lilith to find Charlie, but why take the option away from him? Because that's all Lilith did, right? She just lied to him when she said they were looking for her daughter, right?
Definitely...her daughter had been kidnapped by that sinner, perhaps with some terrible ideas in mind...Lilith just took advantage of the situation...right?
He can't...he doesn't want to think about that right now. He puts his ring in his jacket and goes to look for some toys, clothes and photographs to take to his daughter. He promised to bring her proof.
When he returns to the hotel, he shows his daughter all her things, everything he treasures, he tells her that her room is intact and that she can go see it if she wants. Her daughter looks at everything almost with...indifference, she touches the dresses and thinks the toys are cute, she looks at the photos and says she recognizes herself in them, but she doesn't seem to feel anything.
He understands, their time together was so short, he doesn't expect her to run into his arms (he definitely does). He tells her that he knows it will take time, but that he really wants to be a part of her life. He tells her that he is very sorry for the terrible experience she had to go through, he apologizes for taking so long to find her, and that he really wants to be her father.
It is to this that he gets a reaction from her. Charlie frowns, closes her eyes and takes a deep breath. When she looks at him again, she tells him that she will be... happy that they can start getting to know each other, that he can visit her whenever he wants, even if he is not very busy, she will reserve a room for him in the hotel so that he has a place to arrive. But he must understand that she will also be busy, she has a business to run.
She also asks him not to attack her father when he sees him. He tries to protest, but she interrupts him and asks him to understand, regardless of what he believes or what the truth is, the only father she has ever known is Alastor, and that if he wants their relationship to move forward, he must accept that Alastor was, is and always will be part of her life. She tells him that this private meeting between the two of them was Alastor's idea, so that they could talk calmly and determine the basis of their relationship.
Lucifer doesn't want to agree to that, but for now he'll accept it. He just has to show HIS daughter the life that sinner took from her by kidnapping her. He will give her everything she could want.
---
Charlie is...uncomfortable with all this sudden attention.
It's not that she's used to being ignored, quite the opposite. Her first years in society she had respect and attention for being the daughter of the Radio Demon, until she began to garner her own respect. And contrary to what most people in Hell may think, his father was not a heartless monster, he was simply very selective about who showed that soft side.
What makes her so uncomfortable is that the King's attention feels so...false? Like he's overcompensating for something.
That kind of attention is what she saw in some sinners who approached her hoping to get something from her father. That kind of attention where they just give you things and pretend to agree with everything you say.
She didn't want that kind of relationship with the King. She sincerely hoped that he would try to get to know her, and in turn she would get to know him, but even when he pretends to agree with her, it seems like he wants to impose his ideas on her, and frankly, she feels suffocated.
Aunt Rosie always told her that actions mean more than words, but she had to learn to identify when someone was sincere in both their words and actions.
Her father, for example, has always been sincere, not because his morals tell him to, but because he doesn't see the point. Yes, her dad may be sadistic and manipulative, but he is not a liar. He can be brutally honest, or he can disguise the truth, hide or omit information or be quite vague with his answers, but with her he has always been brutally honest.
When she first asked him where babies come from, he told her that there was a method in the human world, but in hell sinners couldn't have children, so he had no idea where she came from. Now, how did she get to him? In a basket.
And after the King's visit, when he told her that she was a princess, she asked her father only two questions.
Would anything have changed if he had known that she was a princess?: "Definitely", her father had no problem admitting that he would have taken advantage of the situation if he had had that information. Perhaps he would have kept her hidden until he realized that no one was looking for her and raised her to hate royalty, convince her to take the throne or give it to him.
Will things change at all now?: "It depends on you", her father doesn't see the point in things changing, she is his daughter, and if she wants the King to be her father or if she wants to be a princess (they are two different things) depends exclusively on what she wants, and as long as she wants him to be part of her life, he will be there to support her.
Charlie didn't need more, her father stepped back and let her make her own decisions. But always at a respectable distance to help her if necessary.
The King seemed quite sincere in his words, but his actions tell her otherwise.
He talks about how he misses her every day, but he never did anything to find her. She wasn't hiding in a tower or some nonsense like that, she was right there, in hell, convicting with the rest of the sinners.
And he seemed sincere when he said he wanted to be part of her life, but it seems like he just wants to buy her off by giving her nice things, say he was a good father, and leave her in some room in his palace.
She can't just have her father deal with the King the way he dealt with freeloading sinners. She simply cannot eliminate the King like she did with sinners who thought she was an easy target.
She supposes she will have to put up with the King until he gets bored. But the moment he does something stupid like trying to put a fountain of champagne or a mountain of caviar in the hotel lobby, she'll kick him to the other end of Pentagram City.
👀
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cynthiav06 · 3 days
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The entire Fandom needs to listen to this:
Percy having a thing for Rachel was so absolutely deserved like he should have been head over heels for her. Here's why?
First meeting? Runs her through with Riptide, and where anyone would have spent the whole time yelling and arguing, Rachel quickly gauged the situation, helped Percy hide, deviated the skeletons from their orignal path all at the same time.
Percy is so awed and he should be and Rick Riordan doesn't do justice to the whole thing.
It ends on Percy saying he owes her one, almost an indication that they would meet again.
Yet Percy is terrified of running into Rachel again because he isn't sure if he could answer all her questions, most definitely because he doesn't want to drag her into the whole thing. So much so that when he sees her at Goode, he calls her "my redheaded nightmare " .
Not only has he thought of her since they last met, but he may or may not have dreamed about her, not to mention he remembered her full name after listening just once.
When he does meet her again she yet again warns him about monsters hence saving both of them.
The most important thing is Percy, who all his life has been judged blamed ridiculed, and mocked is for the very first time understood so instantaneously by Rachel. She who has been put in mortal danger every single time she meets him doesn't blame him, doesn't judge him for it, and openly takes the blame for the burning school. Even Annabeth's first response to seeing the smoke is blaming Percy despite being around him and knowing well enough for 3 years; she chooses to blame him as if she doesn't know that it's never Percy's fault. Yet Rachel, someone who he has met only twice and that too for meager few minutes, understands him and his situation so well.
All the people in the Fandom ask yourself this: Will Percy Jackson not for all that he is be absolutely head over heels and in awe of someone like that?
He can barely give her any answers at the moment, but she agrees to a death quest to help him save the world.
Throws a literal hairbrush at the Titan King and stands her ground.
Stays by him and comforts him through his depressive thoughts about dying due to the prophecy.
Falls in love with him despite knowing he has little time left.
Does her best to help him while still keeping his mind off from spiraling into dark thoughts.
Rides a literal helicopter mid-apocalypse to get to him just to warn him of the dangers?
Percy would be so absolutely over the moon in love with Rachel, were Uncle Rick not so fixated on Percabeth agenda.
The last bit is for toxic Annabeth stans:
Rachel is a genius too.
She is ambidextrous and can draw with both hands and legs; probably has exceptional memory, and her composure and quick thinking are on par with Percy himself.
I hate bringing this to looks, but I will if I get to shut up toxic fans. Annabeth is certainly beautiful, and her grey eyes are quite unique, but Rachel is the most underrated and definitely the most beautiful out of all Percy Jackson females.
The woman literally won genetic lottery with red hair and green eyes, and the only reason Uncle Rick doesn't rave about her beauty is to not make Annabeth insecure.
Also, for those overly concerned about the Oracle celibacy thing, I will address that in my next post and how it's not a problem at all.
Expect more Pjo-centric posts along with Perachel headcanons and more.
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licorice-lips · 3 days
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Hi, everyone! So, I know there's a lot of controversy about Rhys's behavior Under the Mountain (at least in Brazil fandom it's a hot topic), a discussion that is valid and definitely needs to be had, so I did a lot of research on the subject and compiled the three texts that influenced me the most into a compilation that I'll share here — along with my thoughts and additions.
These texts that serve as my supports were made here on Tumblr and can be found under the following titles, although the third one is the most comprehensive of them all:
*Rhysand's Defense Post (The author had only read A Court of Thorns and Roses when she wrote this).
*The Difference Between Tamlin and Rhysand: The Man on the Throne and the Man in the Arena — Acotar and Acomaf's Excerpt Analysis (The author was following the small teaser quotes for A Court of Mist and Fury and analyzed them).
*Understanding Tamlin and Rhysand — A Post-Acomaf Reconciliation of Rhys's Actions Under The Mountain in a Culture of Defeat.
In addition to discussing Rhys's behavior, however, I'm also going to discuss Tamlin's behavior and compare the two. It's going to be quite fun… Just a heads up that I don't want any hate messages. Do you want to share your thoughts agreeing or disagreeing? That's fine, but with respect. Any offensive comments will be deleted.
Now here's my defense post for Rhys:
Leadership is a heavy burden. When you're a leader, especially when it's not your choice but comes to you because of the family you were born into, for example, responsibility can be a burden. But when you're a leader, there's something very important to consider when making a decision: those who follow you.
All of Rhys's actions as High Lord of the Night Court must be thought of to put the well-being of those he is responsible for first. And when he, Tamlin, and the other High Lords are Under the Mountain, he decides that he will be Amarantha's whore to ensure that his Court is in the best possible condition within the situation — he lets himself be raped to ensure that his people and his family remain safe when he could have done nothing.
But from the moment Feyre strikes the deal with Amarantha, he is the only one who is truly in a position to make a difference: the other High Lords do not have enough of Amarantha's trust for her not to suspect anything if one of them tried to bargain with Feyre as Rhys did, for example. If any other High Lord — Kallias, Thesan, Helion, etc. — tried the same thing as Rhys, Amarantha would have been suspicious.
So in this case, he is the only one who can truly act.
But he doesn't have to. The point is that his Court is reasonably safe because of his role in the court Amarantha built, so Rhys doesn't really need to help Feyre win. But he does it, not because he wants his power back, but because he's the kind of leader who will do everything achievable to change — for what he believes is the best — the lives of his people.
And I'll talk about how admirable that is later on when we're talking about the culture of war and defeat, and about Tamlin's behavior. So, he decides to act, and he tells Feyre in A Court of Mist and Fury:
"I decided at that moment that I would fight. And fight dirty, and kill and torture and manipulate, but fight. If there was any chance of freeing us from Amarantha, it was you." (A Court of Mist and Fury, page 550, Brazilian edition)
He knows, then, that the fight he would have to wage was not the beautiful, heroic, noble thing we're so used to seeing: Rhys knew that his actions to ensure victory — for Feyre and Prythian as a whole — would be horrible and would probably haunt him for the rest of his life. He knows that. And he doesn't excuse himself for a moment. He doesn't invent, he doesn't embellish, he doesn't paint himself as a hero. He knows he's not and he really isn't a hero.
A hero is someone who sacrifices themselves in a grand gesture to save the entire population, a true hero doesn't really sacrifice one person to save others. And while Rhys does have his own share of sacrifices, that doesn't excuse him from the horrible actions he took Under the Mountain:
So, the first part of his questionable behavior in Under the Mountain comes to light: the moment he twists Feyre's injured arm to convince her, to scare her enough to accept his bargain. This is a minor moment and my description alone makes it understandable: he does what he does to keep her alive and charges an insignificant price (which he planned to release her from later, as he himself says) to keep up appearances.
And Rhys needs to keep up appearances because his whole game to defeat Amarantha depends on how he appears to her and to other people: no one can notice while he moves the pieces on the board to bring the advantage to them. No one, not even Feyre, who is the "lamb to the slaughter," so to speak. And she can't know for several reasons:
Feyre is not in a mental condition to act and pretend to hate him as much as he needs her to pretend. So if she knew what he was doing, she would probably let something slip, or wouldn't be convincing enough, because honestly? Who could?
Rhys spent the last 50 years fighting alone and being surrounded by people who constantly despised him for being Amarantha's whore or for those who tried to ingratiate themselves with her through him, so he doesn't trust others easily, even though he was falling in love with Feyre, as he says in ACOMAF.
He couldn't trust that Feyre wouldn't trust others — Lucien and, therefore, Tamlin — with this knowledge. With their mutual hatred, they would surely end up messing things up.
Feyre was there to protect the High Lord who killed his mother and sister — and Rhys didn't know that Feyre didn't know the history behind his and Tamlin's relationship — so, in theory, it made sense that he wouldn't want to show his "true face" to her.
That's exactly what the book is about: like a retelling of Beauty and the Beast, the book is about how appearances deceive. If Feyre found out that Rhys is a decent person right away, it would be the same as throwing the whole intention of the story out the window.
So we have the second — and most controversial of all — point: the dance and the wine. I'm not going to mince words about this: It was sexual harassment. Period. But with this, Rhys manages to:
Get Feyre out of her cell, which is driving her crazy, as she says in this part: "I was alone, locked in silence — although the screams in the dungeon continued day and night. When they became unbearable and I couldn't ignore them, I looked at the eye in my palm." (A Court of Thorns and Roses, page 356, Brazilian Edition). And let's face it, anyone would go crazy in an environment like that.
Keep an eye on Feyre so that no one else could harm her — something he disguises with a comment about not liking others to touch what's his — and that's a curious thing because Feyre never expresses concerns about being abused by others after Rhys starts taking her to these parties (it's also interesting to note that despite the various traumas of what happened Under the Mountain, Feyre never showed any signs of trauma from sexual abuse, as far as I know — and again, not that this excuses Rhys, it's just a factor to point out that maybe she understood his game better than we did).
To leave Tamlin full of anger — which he claims is the main reason for all that theater during A Court of Thorns and Roses — so that he wouldn't hesitate if he had the slightest chance to kill Amarantha in the end or between challenges, no matter as long as he didn't hesitate. Because from Rhys's perspective, Tamlin is the noble golden prince who might spare Amarantha's life to demand some kind of trial or something. Which I consider he might have been dumb enough to do too.
Divert Amarantha's attention, as, thinking that Feyre was already humiliated and abused enough during those nights, she wouldn't give Feyre those ridiculous tasks anymore (like cleaning that filthy hall or collecting lentils from Rhys's fireplace). And if you reread ACOTAR, she really never gives those small tasks to Feyre again after that.
Send a message to those who could read, as Rhys himself says: he crowns Feyre every night, and for the cruel ones, this would be a subtle kind of mockery, but for those who could see beyond the evil, Rhys was declaring Feyre the champion of them all. He declared that he believed in her and in her potential to free them all.
Convince Amarantha that he's still playing on her side — a belief that was shaken by Rhys betting on Feyre in the first task and closing that bargain to heal her arm. This might be the most fundamental of all points: the one that allows the game to continue toward victory. He needs to prove to Amarantha that he's doing it for fun, out of cruelty, considering Feyre as the whore of the whore, someone lower than the lowest of courtesans. Thus, Rhys clears the way to act when the time is right.
By taking Feyre with him to those parties, he moved not one, but six pieces of the game to be in his favor. He killed six birds with one stone. Strategically, it's an incredible tactic, by the way. But morally, this act leaves something to be desired.
So why the wine and the dance? Because Rhysand plays with appearances. Everything in his game depends on it.
Feyre wouldn't play the whore of the whore while conscious, no one with a shred of self-respect would accept that without knowing the reason behind it, and Rhysand, for the reasons I mentioned, wouldn't tell her anything. So he makes her drink the wine to keep the whole purpose of that show and keeps her close to prevent her from being touched by anyone other than him.
But besides that, the wine is a form of escape, a way to forget about the horrors, as Feyre herself says at the end of the chapter where all this happens:
"[…] and I began to long for the moment when Rhysand would hand me the goblet of faerie wine and I could let loose for a few hours." (A Court of Thorns and Roses, page 381).
In fact, Rhys sees it this way: when he is forced to kill the High Lord of the Summer Court (not Tarquin, but his cousin from whom he "inherited" the title, Nostrus), he himself drinks the wine with Feyre — it's an escape from the character he so carefully plays because not even Rhys can bear everything without letting the facade fall, even if only a little.
Note: not that I'm saying this would be a healthy way to deal with all that trauma and accumulated stress, but considering the place they were in and the situation, perhaps it was the most… effective way.
I have to say, however, that all of this doesn't justify what he did: it was still sexual abuse and it's still very bad and very serious. However, I need to point out to you: what we do to survive often does not reflect what we would be in a normal situation (normal being their everyday life without Amarantha, in this case).
When we are confronted with a situation like this, where to survive we end up needing to do something horrible, many say they would never do and would take the noble path of dying before giving up their values and principles, which is great, it proves that you have a very good character. The problem is that Rhys doesn't have the choice to think only of himself and how much this abuse will cost his dignity and principles because every decision he makes affects his people.
So here's my question for you: could you love someone who chose to preserve you instead of saving thousands of innocent — children, women, and men — who are under their responsibility?
Because I couldn't love someone who did that. And that's how I make peace with what Rhys did to Feyre Under the Mountain: I couldn't love someone who condemned the world to save me from abuse that I know I can endure — even if it causes me terrible harm.
Of course, it's entirely valid if you decide not to forgive him for what he did, because, after all, it's a morally gray action when you consider the whole situation they were in and what Rhys did. So, no one is really wrong for not forgiving Rhys for what he did, but those who forgive him aren't wrong either. It's very important that we understand that.
Now, an argument that is often used and that annoys me every time I hear it is that Sarah "changed Rhys and Tamlin's personalities because of shipping", so she ignored everything Rhys did Under the Mountain to make him the hero just because fans liked him. There are so many things wrong with that that I don't even know where to begin, but let's analyze all of Tamlin's, Feyre's, and Rhys's behavior throughout the ACOTAR and ACOMAF stories and show why I know Sarah did absolutely everything with careful consideration:
There is a trait that is very striking in Tamlin from the beginning of the ACOMAF story and is especially explicit when Alis tells the whole story about Amarantha, Tamlin, and the curse, which is the fact that Tamlin can't deal with the consequences of his actions:
The first time he does this is at the beginning of the curse when he gives up sending his soldiers to die for him, thus Tamlin simply gives up not only freeing himself but all of Prythian, all the people who live there, and still condemns the human lands in the process. He only started sending the soldiers out of desperation after 46 years, look at Alis's speech:
"For two years, he sent them, day after day, needing to choose who crossed the wall. When there were only a dozen left, Tamlin was so devastated that he stopped. He canceled everything." (A Court of Thorns and Roses, page 294, Brazilian Edition).
The second time I can point out is Feyre herself (this because I'm ignoring the events during her stay in the Spring Court, as I don't remember what happened): he takes Feyre to Prythian with the intention of making her fall in love with him, but at the first glimpse of direct danger from Amarantha — in this case, the scene where Rhys makes him kneel — he sends her away.
He gives up saving Prythian because he can't stick to the decision to put Feyre in danger so that she could break the curse, so much so that he condemns himself for it, because Feyre only doesn't say that she loves him — and breaks the curse — precisely because she's leaving:
"— I love you. — He said, and stepped back. I should say — should say those words, but they got stuck in my throat because… Because of what he needed to face, because maybe he wouldn't find me again, despite the promise…" (A Court of Thorns and Roses, page 261, Brazilian Edition)
These are the main events, and perhaps I could list more for you if I reread A Court of Thorns and Roses. But what does this show us? That every time Tamlin makes a decision, he freezes and backs down at the first sign of an obstacle. He retreats and avoids anything that shakes him.
So it makes sense that Tamlin's reaction Under the Mountain is paralysis — a common behavior among leaders in times of war and defeat, by the way, which aligns not only with Tamlin's personality but also with the reaction of a true leader in such a situation.
Alright, let's stop there and go back in time to analyze Feyre's behavior:
Right from the start, we learn that, even being the youngest of three sisters, Feyre was the one who, when they were starving, took action and sought a solution, which shows us right away the kind of person Feyre is: she's the kind of person who acts when forced to face danger, whether it's something intangible, like death by starvation, or tangible, like Amarantha.
This is proven repeatedly throughout the books: when she seeks answers with the Suriel, when she tries to fight off the bastards who tried to rape her at Calanmai (because paralysis can also be a reaction to abuse of that kind), when she goes to Under the Mountain to fight for Tamlin without even hesitating, when she heals from the traumas of Under the Mountain as soon as she has something to focus on, something to dedicate herself to.
And this is one of the fundamental differences between Tamlin and Feyre: while he paralyzes, she acts, and whether we like it or not, differences create friction. Especially with what happened Under the Mountain because she and Tamlin were separated, and neither of them experienced trauma together. Paralysis generates a different trauma from the trauma of someone who is acting, so the end of their relationship begins when she goes to save him Under the Mountain — and Tamlin freezes.
Then we have Rhysand, who is exactly like Feyre: he acts when confronted with danger or defeat and has thousands of actions of his that exemplify this:
As soon as he becomes High Lord, he bans the wing clipping of Illyrian females regardless of the reaction of the Illyrian lords or what they thought about it. It's not that he doesn't care: Rhys, unlike Tamlin, is willing to pay the price that comes when a decision is made.
He becomes Amarantha's whore to protect his people from her getting too close to them. He doesn't care about the cost to himself simply because Rhys knows he's doing some good for his own people by letting himself be raped.
When he sees in Feyre the chance to do something to free all of Prythian, he goes all in knowing that that game would be total defeat or victory. He acts.
When Hybern starts threatening Prythian, he is willing to do whatever it takes — lose a potential friend, hand over the city he loved with all his heart to horrible women, give up his own life — so that they wouldn't fall into slavery again.
When the war comes anyway, he faces it head-on and uses every card he has to stop the King of Hybern: monsters of all kinds, all his power, his own life, and the truth about himself, about who he is.
And these are just a few examples. The fundamental difference between Tamlin and Rhys, just like between Tamlin and Feyre, is how they respond to situations and traumas.
Quoting Teddy Roosevelt (btw, this is a direct translation of the Portuguese version of the quote, so it can be different from the original):
"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat."
Feyre and Rhysand are the ones in the arena, they are the ones who fight to be able to act in the face of evil — Amarantha. And it's interesting to note that those who condemn Rhys for the dubious actions he took Under the Mountain never say anything about Feyre committing murder there as well, which is a crime as heinous (or at least should be when it comes to innocent people) as Rhys's.
I'll tell you why: when we're faced with a gray and complex character like Rhys — and we don't know his heart, instead we're "infected" with the main character's partial view — we tend to connect him directly with evil, instead of understanding that this character is neither wholly good nor bad. We forgive soldiers for killing people in a war — that's also a combat in Under the Mountain, so why can't we forgive both Rhys and Feyre?
We forgive Feyre because we know how sorry she is, we know her heart, and we love her. But Rhys? He's the High Lord of the Night Court — which alone triggers some unconscious alerts within us — and he's playing dirty, hiding, and being a horrible person, so why should he be forgiven?
That's what our brain unconsciously thinks sometimes, and it makes us judge some characters more severely. Understanding the duality and complexity of a character is not an easy task; it requires a lot of empathy and an open mind.
But why am I saying this? Because it's important to understand: Rhys and Feyre are extremely similar, and they understand each other at a fundamental level because of that. Tamlin, on the other hand, has a completely different personality. He's the one who freezes, who paralyzes.
Rhys and Feyre experience the trauma Under the Mountain together, so Feyre and Tamlin are separated, which, combined with the glaring difference between the two, makes it difficult — perhaps impossible — for them to heal together because, out of loyalty to the character's nature, Sarah can't make Tamlin talk about what's happening like Feyre needs.
Even after Under the Mountain, Tamlin's instinctive action is to freeze. So he doesn't talk about Feyre's nightmares, he pretends not to see her despair, he turns away from her need to talk about the subject — because looking at her trauma would be the same as acknowledging his own.
And he can't do that because it's part of his nature to freeze. But this isn't healthy, hence the explosions of anger, and hence he locks Feyre up the moment she tries to assert herself: these are the consequences of forcing someone who deals with PTSD by freezing to actually deal with their traumas (that and the fact that he's horrible).
I can understand that (not in his relationship with Feyre, I'm talking more generally here, about him as High Lord, he can rot otherwise) but I can't forgive it like I did with Rhys because, unlike the actions Rhys took, paralysis only allows evil to continue to grow and end up imprisoning us (this is, in fact, one of the reasons why Tamlin didn't try to fight like Rhys while Amarantha was killing Feyre: his lack of previous action left him unable to take action when it was time to "put up or shut up").
While Tamlin's paralysis pushes us down while doing us harm, Rhys's actions, as horrible as they may be, are done in the hope of something good, they're done to move us forward. I can forgive him because I'd rather be someone who does horrible things in the hope of creating something better than be someone who allows evil to continue to grow until it imprisons me.
It's that simple.
And Feyre is exactly that kind of person. She needs to act, she needs to talk about it to heal. She needs to have a purpose, not be coddled like Tamlin — and his trauma — wants her to be.
The relationship between her and Tamlin becomes abusive the moment he tries to stifle her feelings to maintain a state of paralysis. And that's something you'd expect from a character like Tamlin, that's how he was built. But this happens long before Under the Mountain: I remember that on the first day Feyre yields to the dresses Tamlin gave her in ACOTAR, I think it was the morning after Calanmai, she warns herself to be gentle, to be kind, when dealing with Tamlin and Lucien.
But after Under the Mountain, Feyre can no longer accept that her feelings be stifled simply because her traumas are consuming her from the inside out. So she fights back. And that's what completely ends their relationship.
But the point is: both Tamlin, Feyre, and Rhysand follow exactly the line of their personalities throughout the story. They are those kinds of people from start to finish. There's an evolution, of course, but it's an evolution of beliefs, opinions, and perceptions — their essences remain the same.
That's why Sarah is brilliant in these books: by being completely faithful to her characters' personalities, she created a story that discusses abusive relationships, the varied responses of certain types of people to trauma, and the various reactions of leaders in times of war and defeat.
But the point is: none of them were changed to fit a ship, simply because they weren't changed. All three of these characters act exactly the way they should within the limits of their own personalities.
Rhys is the High Lord who plays dirty to create a better world, and Tamlin is a leader who can't make a tough decision. And there's another fundamental difference between them:
While Rhys knows that, from time to time, he'll be forced to make decisions that will end up harming part of his people (and will choose the lesser of two evils), Tamlin still struggles with the enchanted vision of a superhero who saves everyone without exception. And when that doesn't happen — because it's never possible to save everyone no matter what you do — he prefers not to act.
I think the two things that illustrate very well the kind of person Rhys and Tamlin are is the Illyrian tradition of cutting the wings of their females and the Tribute:
Rhys risks a revolt to improve the lives of his people and sticks to that decision, willing to pay the price for it if the result is a better life for the Illyrian females, while Tamlin fails to abolish an extremely unnecessary tax because his inability to act makes him cling to archaic traditions like the Tribute.
So, yes, I forgive Rhys for what he did Under the Mountain, because I couldn't love someone who freezes and leaves me to die. I prefer to love someone who cares so deeply about something — a dream — that they're willing to fight and play dirty for it. And then go to battle to defend it.
Hope you enjoyed it! Feel free to point out points that I didn't comment on; I'll try to respond to everyone's comments!"
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funnywormz · 1 day
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I think this shitshow with Toshiro stems from the trend of people INSISTING that interpersonal conflict must be a moral failing. Like I think there's something to be said about how people afford so much less patience to people who are autistic in the "wrong" ways, but also Laios and Toshiro just clash on a fundamental level that has nothing to do with that. Hell, you could read Toshiro as autistic as well. People related to Laios' side of the argument but instead of getting any nuance out of it they started projecting their experiences with ableist people onto Toshiro.
AGREE AGREE AGREE. i think that Fandom Brain gets people very used to thinking of conflicts in terms of "who is the bad guy and who is the good guy", so when they encounter a more nuanced conflict they don't really know what to do. i don't think toshiro is a bad person at all, in his conflict with laios he's just exhausted and starving and has been pushed to the limit and from his perspective, laios doesn't even seem that emotionally affected by the situation. i don't think what he said was right and it was pretty cruel, but i don't think he's a villain or deserves to be permanently hated as a character just bc he fucked up this time lol
also yeah you could definitely read him as autistic, and i think that highlights an issue in the autistic community in general bc like....... a lot of autistic people have conflicting needs which can lead to conflict between them/make them unable to stand being around each other. and it's not because either of them are neurotypical or bad people, they're just incompatible. like autistic people who loudly stim vocally and autistic people who meltdown when they have to be around loud noises, for example. it doesn't mean either of them is bad or not autistic, just that they have conflicting needs
i 100% agree with the last part too. i disliked toshiro at first myself bc i had been (and still do ngl) projecting onto laios hard and the conflict they had reminded me of times when people have been mean or angry at me irl for social blunders i've made unintentionally, or when someone i thought liked me/was my friend turned out to actually hate me. it's a common experience for autistic people and that scene resonates with that! but i think it also helps to take a step back from projecting our own traumatic experiences onto the scene and just look at it objectively. laios isn't perfect either and he's the one who actually starts the physical fight by slapping toshiro (i feel like i don't see many people mention this lol). i feel super bad for him in that scene but he's not a perfect victim and has done things wrong himself too
as an autistic person i've also been in situations where i can relate to toshiro too lol, like where someone is overly physically and emotionally familiar with me when we don't know each other well and i've wanted them to back off but haven't been sure how to say it without hurting their feelings. this kind of conflict is far from just being a "neurotypical vs neurodivergent" thing as a lot of people portray it in the fandom
idk i just wish people would think a little more deeply about the scene and put their own emotions and experiences aside to instead consider the conflict with the added context of the individual characters and their respective cultures + the situation they're in. people don't have to like toshiro but i wish they wouldn't paint him as a villain or make up awful shit about him just to justify their feelings when he isn't even that bad of a dude in canon yknow 😑. also we literally see him at rock bottom struggling and freaking out and i think that's important to remember. in a different context i doubt he would have ever said those things to laios
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petit-papillion · 2 days
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It might be me but lately all videos I’ve seen of Charles he’s basically getting mobbed. Maybe it was always like this but it seems extreme. The other day Alexandra walked away from the cafe on her own and Charles picked her up from the side of the road a bit away from the cafe because the cafe/car was once again completely surrounded by people. I hope he starts either taking a bodyguard around or just stops stopping so much for people because the constant mobbing seems terrible
No, it's definitely not always been like this. And I think that especially in Monaco there has been an increase in fan presence, with last year people absolutely crossing the line by harassing him at his home. From an interview with Monaco-matin last May:
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Now granted, when he goes to lunch with Alex and Leo at what is basically a tourist attraction and sits out on the terrace for the world to see, he should expect there to be a crowd. Not condoning people crowding him the way they do, but he should know beforehand this will not be an easy in and out.
The same goes for when he is in Maranello, especially when Charles himself has said that's where he will be, you can expect there to be fans outside the factory.
In some hotels it's been getting extreme (I can't quite recall whether it was last year or the year before in Mexico or Brazil that it got quite crazy already), but I think that also is a matter of the hotels needing to manage this better. In Montreal there are a lot of fans, but they have them outside, with barriers, so the drivers can go up to them and sign in peace (or go straight in if they're tired). Versus what we just saw in Shanghai where Charles was driven to the point where he batted away someone shoving a mini helmet in his face to get signed. I've NEVER seen him do something like that before. And he should just not be put in the position where he is being mobbed like that in a hotel lobby.
So yes, while some of these situations could be resolved by hotels being better prepared, Charles could also do with a bodyguard. Or at the very least, ask the fans to leave him alone at certain times, like when he's having dinner in Monaco. I think he may be reluctant to do the latter, because he does go to a lot of promotional events as well, and then he wants to be seen/photographed for his personal brand and/or a sponsor. Plus let's face it: he also loves all the attention, knows it won't last forever, and never forgets how much it means to fans to meet him or get his autograph/selfie.
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riri-twix · 2 days
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Can We Become We?
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Chapter 2: Just an Arrangement
Summary: Satoru, Suguru, and you are forced into a marriage by your families for economic reasons. Satoru who doesn’t know what it’s like to love or be loved. Suguru who believes he is undeserving of anyone’s love. And you who didn’t want to love in the first place.
The three of you agree to stay out of each other’s business, and save the relationship acts only for the elders who imposed this on you. But what happens when feelings for each other start to develop?
She/her pronouns for reader | use of y/n | no smut in in this chapter
You can also read it on ao3 here
Satoru was leaning back onto the couch, a foot over his knee, and an arm slung around the back. He looked relaxed on the outside, but on the inside, there was a knot in his stomach, only growing tighter by the second.
His expression is blank, turning his head left, then right, then left again, as he follows his father. The man has been pacing back and forth in the living room with quick, determined steps for the past five minutes. It was almost like being caught up in a tennis match, Satoru thought.
“Twenty minutes!” His father grits out, his voice rising in pitch as he struggles to keep his anger under control. “They said they’d arrive in twenty minutes!”
And it’s only been twenty-one. Satoru rolls his eyes and sinks further into the couch. His dad was always on a rush in every situation, always trying to control everything and everyone in his life.
This is just a dinner, for crying out loud. Satoru throws his head back on the couch and closed his eyes, trying to ignore his father's bitching about everything. He needs learn how to relax.
“You should stop stressing, baby.” Came the voice of his mother. He was almost certain that she didn’t even look up from her phone as she said that. “It’s not a good look on you.”
“Oh?” There was a smirk to his father’s tone. “Then what is?”
“Hmm?” Okay, now his mother definitely put down her phone. “I have a few ideas. Maybe… I can try them out…”
Eww. If Satoru could roll his eyes while they were closed, he would’ve done it a million times. Instead, he takes a deep breath and lets it out in a loud gag, taking the liberty to even stick his tongue out for better efficiency. An opportunity to piss off his parents? He’ll take it.
“Satoru.” He could almost feel the glare his father sent his way.
“Yes?” A smirk plays on his lips, satisfied that he was able to get on his father’s nerves. “You know, you could just get a room. Then you won’t have to worry about me bothering you.”
Before his father could throw a shoe or the closest object at Satoru’s head, a number of footsteps walks into the room.
“Sir.” Satoru’s eyes peel open when he hears the smooth, even voice of their butler addressing his father. “The Geto family is here.”
Satoru feels his body freeze, a wave of uneasiness washes over him, churning over and over in his stomach as the retreating footsteps of the butler fade away. The steady beating of his heart grows louder in his ears.
The whole point of this gathering was for him and his… fiancés? To meet before tomorrow’s public wedding. He knew that. So why was he feeling so nervous? He takes a deep breath, trying to calm himself down, but the more he tries to focus on his breathing, the more he feels the tension rising inside of him.
“You must be Suguru.” The words come out of his father's mouth like clockwork, a well-rehearsed tone that Satoru has heard so many times before. Used for formalities, always accompanied with a jarring, toothy smile. Fake as shit.
“The pleasure is mine, sir.”
Satoru can’t, and for the most part, doesn’t, stop himself from lifting his head the moment that soft voice fills his ears. His eyes automatically land on Suguru, who had his head bowed politely at his father, before straightening up again, a friendly smile on his face.
His face immediately contorts in distaste. Because what the hell’s up with those bangs? And also because he doesn’t know what else to do. He exhales a scoff through his nose and throws his head back again, silently hoping that no one noticed the way his face grew hot.
He didn’t want to look at him anyway. And he definitely did not, in any way, want to look at the way Suguru’s shoulders and chest complimented him so perfectly in that light button up, tucked in neatly under those deep blue pants-
ThE pLeASurE iS mine, SiR. He mocks in his head, interrupting those unwarranted thoughts. Pathetic. He was probably just like every other person who meets his father. None of them give a shit about how stingy or ruthless he is, just interested in the money and power that came from being connected to him.
Suguru didn’t know what to expect when he walked through the automatic sliding gate of the big, no, ginormous Gojo estate. He’s only ever seen places like these from the outside. The air inside was heavy with the smell of leather and rich mahogany, a far cry from the familiar scent of his own home.
It didn’t fit with him. He didn’t belong here.
He hadn't spoken a word to his parents since they told him the news, stuck in a state of shock and disbelief. His appetite had faded so much that he could hardly bring himself to eat. He spent the last two nights tossing and turning, his mind plagued by his own thoughts of what was going to happen.
Still, he thought, none of that was a good enough reason not to make himself look presentable. If there was one thing that Suguru couldn’t do, it was being rude enough to show up as a guest without attempting to look decent.
And now, Suguru's heart raced as he stood before Satoru's father, feeling as if the older man was staring directly into his soul. He tried to keep his emotions in check, leaving the smile on his face as he fought the urge to flee.
His eyes flicker briefly over the older man’s shoulder, falling onto the exposed throat of the man he was to marry, his head flopped back over the couch.
His gaze quickly returns back onto Satoru’s father when he realises that its rude not to focus his attention. He takes a deep breath, hoping that he doesn't seem too nervous as he clears his throat and tries to steady his voice.
“I apologise for being late.” He offers, stepping to the side to introduce his parents. “This is my father, and my mother.”
His parents step up, both giving a small, polite bow, introducing themselves as they did. 
But Suguru can’t focus on the words, his curiosity distracting him from the conversation taking place in front of him. He leans slightly to the side, trying to get another peek at Satoru. He wonders what’s going on through his mind, but the sight of his expressionless face makes it hard to tell. But one thing was clear. Satoru wasn’t happy.
Suguru opted to furrow his eyebrows instead of rolling his eyes. Because of course the prodigal son wouldn’t be happy about marrying some no body whose family owns nothing but a farm. Suguru almost scoffed out loud. Used to own nothing but a farm. Now they had nothing.
Suguru was nothing. And compared to Satoru, he might as well cease to exist. No doubt, Satoru hated his guts, all because his parents were petty enough to sell him off.
If he were Satoru, he would’ve hated himself too.
“Please, don’t wait for an invitation.” Suguru looks back to Satoru’s father, who now had an arm wrapped around his wife’s waist beside him. When did she get there? The older man gestures towards the cream-coloured velvet couch. “Please take a seat.”
His parents don’t need to be told twice, quickly scampering towards the seat with small ‘thank you’.
“Satoru, you’re an adult, for Christ’s sake. Sit properly in front of our guests.”
Suguru watches in silence as Satoru's father scolds him, before his feet finally start moving. He makes his way to the opposite end of the couch Satoru was on. The white-haired man sighed, long and loud, before straightening his posture. He doesn’t even glance once in Suguru’s direction.
Suguru suddenly feels insulted. Sure, he gets it in a way, that this wasn’t Satoru’s choice and all, but he didn’t get much of a choice either. Did he think himself all high and mighty that much? And why the hell was he wearing sunglasses indoors?
Suguru swallows his pride. Breath in. Smile.
He doesn’t know why he was taking Satoru’s bullshit personally. It’s not like they were in this whole thing for love. The least he could do is tolerate. Maybe, he thinks, hopefully, he silently prays, you’re not going to be an asshole as much as Satoru. Then at least it will be easier for him.
“This way, please.” The voice of the butler who had just recently escorted him and his family, catches Suguru’s attention.
“Ah finally.” Satoru’s father sighs, clapping once and rubbing his palms together. “Our bride is here.”
You and your parents were the last to arrive at the Gojo estate. You didn’t want to be here, didn’t want to meet your ‘soon-to-be husbands’ or their parents. It doesn’t matter what your parents say, or how childish it is, you’re going to frown through this entire gathering.
Unfortunately, that was easier said than done. Because your jaw dropped open in awe the moment you were let in through the gates.
The house, if you could even call it that, was big, huge in fact. So large that you imagine you could fit your entire home five times over, and still have room to spare. It wasn’t surprising, considering that the Gojo family was well known for their wealth.
By the double front doors, you were greeted by an old, but not that old looking man. Your eyes trail from his face down to his clothes, taking in the formal black suit and small bow, and you realise he must be the butler – they even had a butler.
He guides you in, leading you down the hall into a large room that looked a bit too formal to be called a living room, where you find yourself standing before a six-person audience. All heads turned to you.
After a quick scan of everyone’s faces, your eyes fall onto Satoru. He looks at you with hard, judging eyes, his expression impenetrable behind the sunglasses that cover them.
You can't help but notice the uncanny resemblance to his father - the imposing figure seated on the opposite couch - with his white hair and angular jawline. His full lips and sharp nose, on the other hand, seem to be a hallmark of his mother's features.
Your gaze then shifts to Suguru, who looks at you with a curious gaze. His striking beauty is almost otherworldly, with peaceful, cat-like eyes and a delicate jawline. A gentle masculinity softened so slightly by feminine features.
He's the type of gorgeous that you can't look away from, and you feel yourself drawn to him, almost instinctively.
Both of them, Satoru and Suguru weren’t the creepy old men you were dreading they’d be - thank God. And although they seemed like complete opposites, were equally handsome.
And just like that, the frown that has long since left your face, decides to make a re-entrance. Because what the hell? You were against this whole thing. You were forced into it, expected to go along with it like it's some kind of game. You can’t be thinking like that about the men who didn’t even choose you.
“Well? What are you waiting for, dear?” Satoru’s mother smiles too tightly, her tone way too sweet. “Come and have a seat. Make yourself at home.”
No introduction where needed, because apparently your parents had already met the Gojo’s before during business. Like this is any different.
While there was plenty of free space, it almost seemed like she was being overly obvious for you to take the seat between Satoru and Suguru. So you do. But you make sure to leave a comfortable distance on either side. You suppress the urge to run your fingers over the velvet.
“Aren’t you all just so cute?” Satoru’s mother coos, pulling out her phone. A flash of white momentarily blinds you. “This is going to be perfect for my page.” She beams at her screen.
“Why don’t we all head over to the dining room?” Satoru’s father suddenly suggests. “Let’s give the kids some alone time to get to know each other.”
Your parents all voice their agreements, following Satoru’s mother as she leads them out of the main hall. But Satoru’s father stays behind. Something feels off. He doesn’t say anything. The silence stretches on for what feels like an eternity, and you start to wonder if he is ever going to speak.
Satoru wanted nothing more than to throw his head into his hands. He knew that this was just the way his father was before starting one of his ‘I am too important for this world’ speeches.
“Listen closely.” Satoru’s father starts, his tone low and calm, yet there’s a hint of warning in it. It reminds you of how Vito Corleone talks in the Godfather, just without the Italian accent. “My family’s reputation,” Satoru lets out a groan at that, rolling his eyes dramatically as his father continued to talk. “And my reputation. They are very important to me.”
You’d be lying if you said you didn’t feel a little bit intimidated.
“I’m pretty sure they know that, dad.” Satoru grits out, huffing and turning his cheek to the side. “Who doesn’t?”
“Precisely.” His father arches one of his snow-white eyebrows. “Tomorrow is your wedding-”
“Pretty sure they know that too-” Satoru cuts in, earning himself a pointed glare, but he doesn’t give two shits. It kind of makes you feel a bit better, the way Satoru was being so nonchalant.
“And many important people will attend, including the Gojo family elders.” His father goes on. “You three, and I mean you two in particular,” He uses two fingers to points at you and Satoru, “would do well to know what you’re dealing with now. Fix those attitudes.”
A pang of irritation spikes up. Is he the one to talk about attitudes? Because you could list down a number of things he needs to fix. The first one being to find himself a therapist.
“I don’t want the elders talking badly about us. They are in charge of all our affairs and if they sense any problems, it won’t be good.” Satoru’s father huffs, throwing his hands in the air. “You look like you’re going to be attending a funeral rather than your own wedding!”
And just like that, Satoru snaps.
“Why do they care?!” His voice was loud and filled with venom. “Why the fuck, do they give so much shits about our lives?!”
“Because our family name is one of the most influential throughout all of Japan!” His father spits right back. “And I will NOT have you taint it!”
Your muscles were tense the entire time, heart caught up in your throat at the rising tension. Satoru doesn’t respond, and his father suddenly turns around, taking a deep breath as if to compose himself.
“I don’t care how much you hate it.” He says, calmly. It was as if the yelling that happened seconds ago never existed. He flashes a smile over his shoulder, that almost made you believe it was real. “Act like you want this. You understand?”
And with that, he leaves.
Your eyes dart over to Satoru. His hands were clenched so tight that his knuckles turned white. He was gritting his teeth, the gaze of his sunglasses planted firmly on a spot on the floor. You instantly felt a pang of sympathy at the unfair treatment he got. Did this happen to him all the time?
A part of you wanted to reach out and comfort him. But you also know that getting involved might only make the situation worse.
Satoru finally speaks, his voice sneering. "Listen, I'm telling you from now.” He says, “I don't care why you're here or what you want from my father and this family, but this” He gestures sharply towards the three of you. "Will never be anything more than an act. You won't stick your noses into my life, and I won't stick mine into yours. I don't care what you do, just leave me out of it."
Despite the harsh tone in those words, you felt a wave of relief wash over you for some reason. That didn’t sound all that bad. It hits you that maybe, just maybe you could do that. You can go through the motions without having to actually share any part of your life with them. Shoko and the girls might not need to crash the wedding after all…
“I don’t have any disagreements.” Suguru voiced out, lifting the remaining weight off your chest. No one was opposed to this.
“Me either.”
The person staring back at you in the mirror was… beautiful. You didn’t know you could even look like this.
The light grey wedding dress had a beautiful flowing skirt, draping down to the floor and swirling around your legs as you move. The delicate fabric is a perfect silhouette that falls on you, hugging your body at the waist where a white, silk obi belt is tied in a lovely bow. Several silver outlines of betta fish were adorned the belt, each one catching the light in just the right way.
“You look gorgeous, sweetie.” Came the hushed whisper of the maid doing the finishing touches.
I know, you wanted to say. But the words catch in your throat. It would probably sound rude, even though you could see yourself as clear as day. “Thank you.” You replied instead.
A light knock came from the door. And with it, the beating of your heart only grew louder.
It was time.
A young lady guided you down a wide hallway, fixing and adjusting the back of your dress as you walked, until you reached the opening of a large, opulent lobby, where your father was waiting for you.
He linked arms with you, smiling warmly at you. There was a look of affection filled in his gaze. “I remember the way I used to carry you on my shoulders like it was yesterday.” He whispered, stroking your cheek. “I can’t even carry you anymore.” Words that did nothing to suppress the loathing for him that started days ago.
You don’t say anything, just nodding and turning your head slightly to the side. You didn’t want to start crying, and you didn’t want to forgive him for this either. And with that, he walks you through the double doors.
The buzzing chatter that had filled every corner in the room, suddenly went silent, and all heads turned to you. The whole lobby was filled with large, round tables, every single chair occupied. You silently questioned if the Gojo family had invited the entire population of Japan here.
Your eyes finally settle directly ahead, and there, standing at the end of the aisle, you see them. Satoru and Suguru.
Satoru was wearing a pure, white kimono underneath a white haori jacket. His hakama pants were a baby blue. As for Suguru, he was dressing in the exact same outfit, except it was darker. His kimono and haori jacket were both black, while his pants were a dark grey.
As if their hair wasn’t already enough of a difference.
You’ve been to a couple of weddings before, you’ve seen the way the groom would look at the bride with a love only told from fairytales, or the way the bride can’t stop the smile from forming on her face. Both of them showing nothing but pure happiness.
Chin up. Smile. You felt the corners of your mouth lifting upwards, grinning as best as you could.
But, even with the way Satoru’s face was lit up with a grin that made his face look even more boyish than before, and even with Suguru’s eyes closed into upside down crescents. Anyone could believe it was real, but you knew. There wasn’t a single trace of real happiness on their faces.
You heart started to beat heavily in your ears. Focus on getting one foot in front of the other. Each time you took a step, it was in sync with the pounding in your chest.
Step.
Step.
Step.
All eyes were on you, wide and unblinking, you could see their mouths moving, sharing whispers. But you couldn’t hear anything. Only the inhale and exhale through your teeth, your eyes set on both the white fluffy hair, flowing freely, and the dark strands that were tied into a perfect bun.
You swallow thickly as a wave of nausea washes over you. Your stomach churned over itself, then over again like a tidal wave washing onto the beach. Sick. You were going to be sick.
You don’t even remember when your father had left your side, waving you in the middle of the two men. You keep your head straight ahead at the priest, unwilling to look at neither Satoru nor Suguru.
Something catches your eye. A small detail you couldn’t have noticed from afar. Satoru’s haori. It was embroidered with light blue outlines of betta fish. And Suguru’s too. All over it, outlined in a magnificent purple. Just like his eyes.
You wonder who chose this specific fish-
“Y/n?” The priest snapped you out of your thoughts.
You blink. Was it your turn already?
“Opps, sorry.” You let out a nervous chuckle, and straightened yourself. “With this ring and binding, I promise to be there for you both, day or night, in richer or poorer, in sickness and in health.” You recited your practiced vow with a beaming smile, looking up at Suguru, then to Satoru.
You watch as Satoru reaches for the ring, a small smirk on his face as he takes your hand and slides the band onto your finger in a smooth and effortless motion. You felt a tingle at his touch, but you pushed it away as he released you.
Suguru follows, grabbing the ring and sliding it onto Satoru's finger, his smile bright and warm as he turns to you with a sense of excitement. He almost makes you feel like this whole exchange was natural.
You were next. You breathe in, your hand trembling ever so slightly as you reach out for the ring. Taking Suguru’s hand, you place the golden band on his finger, marking the official completion of the ceremony.
The audience bursts into a round of cheers and applause, filling your ears like distant echoes.
That’s it. It was done. You were now tied to them, and they to you.
chapter1, chapter2, chapter3, chapter4 (coming soon)
taglist: @keira80808
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cinamun · 1 day
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Finally Mercy!! It’s like I knew she was going to do it once the bomb dropped about Jackson and she was still there with him but seeing actually happen is wild and I had to go back like 10x. All I really have to say is hurt people hurt people and Bishop should’ve took the warning after the tv threat cuz maybe she wasn’t joking. Should’ve definitely left after the first assassination attempt. He thought he could still get in her head even after finding out her secret and well…she got in his chest. It’s crazy to think all that time she was allowing herself to go through all that as a punishment when she had it in her all along but it took Jayce finding out about Eva to make her remember why she did it. I can’t wait to see how Mercy continues to develop after this. And there’s still so many other situations to check in on still! Way to wrap up a story arch we’ve all be waiting for while still keeping us on the edge of our seats for a new one to begin! Your writing and directing is phenomenal. I’ve been here since Indya was pregnant with Hope and I always say this needs to be a show or a physical visual novel!
Side note: do you ever get nervous or anxious about publish big scenes that you’re unsure how it’ll be recieved? Or excited to publish scenes like this where you know it’ll blow the rrr doors open? This had to be hard to sit on for two weeks!
"He thought he could still get in her head even after finding out her secret and well…she got in his chest."
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Say it again for the villians in the back!!!
Listen, she gave him 3 whole opportunities to do what he said he was going to do, which was take her home:
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Maybe he was feeling himself a lil bit after putting the math together. Who knows, but what I do know, is that's exactly where he fucked up. He left her without a choice. At least, he left her FEELING like she didn't have a choice.
Anyway, THANK YOU for the kind words friend. Yes I was super nervous about this and didn't finish the dialogue until this morning tbh lol I also get excited because I absolutely LOVE the suspense and psychological shit that fucks with our perception of reality. Writing this arc has been super fun and we're STILL not done. I would say what makes me nervous is the subject matter. Anytime we get into heavy subjects I worry about triggering folks or losing folks. I try to be mindful of that but I also just write what comes to mind and hate to censor myself even when I think of wild shit.
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yandere-paramour · 3 days
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Heyyyyy. So I wanted to know how it will be if Atalanta and Vivien met darling’s parents, and the parents were like “ yes my daughter has told us everything about you” . And I mean like EVERYTHING like darling said told their parents everything about them( including how they treat darling) but you don’t have to add that if you don’t want to. Hope you’re doing well btw ☺️
Vivien is sweating bullets. In my version of the story, Darling has no idea about his murders because he generally only eliminates the scum of society or people who hurt/upset Darling. However, Vivien will immediately freak out and think that everyone knows what he did. His eyes are wide, he's sweating, he's fidgeting, he is literally doing everything to make himself seem more suspicious. And he worked so hard too! He put on a nice shirt and combed his hair all nice, AND he brought Darling's parents a cake he baked. He wanted to make a good impression so bad and now everything is ruined! He doubts Darling will visit him in the maximum-security prison he is definitely getting put in. Vivien's thoughts are spiraling when Darling's Dad says "She told us all about the fresh strawberries you grew for her :D She says you're such a great horticulturist". He just stares for a second, then he snaps back to his regular easy-going personality. But late that night he's lying awake in bed thinking that he needs to calm down and probably not commit any murders for a while. Just in case.
Atalanta brought a very expensive bottle of wine to meet Darling's parents. As the day grew closer, she researched them extensively, trying to discover anything they might bring up. She wants to make sure she seems perfect, and everything seems to be going okay, but the situation has an unidentifiable weird vibe. They all sit down to dinner and open the bottle of wine. I doubt Darling would actually say out loud what Atalanta has done; I think there's a higher chance the parents would read between the lines or make up their own terrible conclusions. When they say this, Darling freezes and Atalanta's carefully constructed smile drops off her face.
After a full 30 seconds of tense silence, Atalanta speaks, setting down her fork, "Darling, I believe I heard Abebe call for me. Could you go see what he wants?"
"But-"
"Darling." Atalanta shoots her eyes to the side, giving Darling a look.
Darling blanches, hurrying up from her seat to go check on the guards stationed outside the suburban home. When she leaves, Atalanta turns her attention back to her in-laws. She expertly picks up her wine glass, swirling the golden liquid a little.
"Now, I truly believe I heard you wrong. What was that you said?" One could never say Atalanta wasn't kind; here she was giving them a second chance.
"I'm going to the police about what you've done with my daughter," Your father hisses, standing out of his seat, "You won't get away with this, you bitch."
Atalanta takes a sip of white wine, the corners of her mouth turning up into a small smirk, "Oh Richard... Who's going to believe you?"
Your father turns an angry red and your mother tries to pull him back down, looking between him and Atalanta in fear.
"Thank you for having me in your lovely home," Atalanta stands up, inclining her head in respect to her elders, "I'll send my precious Darling in to say goodbye. I suggest you stay quiet, if only for your own self-interest. I am extraordinarily lenient with my Darling, but that benevolence does not extend much farther. I'd hate to have to arrange some sort of "accident". I expect Y/N to be back in the car in five minutes.
She smiles, showing off her perfect teeth, "Please have a good night and a pleasant tomorrow."
Atalanta walks away, leaving your terrified and fuming parents in her wake.
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home2venus · 2 days
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SWALLOW YOUR PRIDE
── ˖✮⋆˙꒰ pairing ꒱ ˒˓ jungkook x han so-hee ˒˓ seven music video universe  summary. a missing scene from the seven music video, from the perspective of freshly heartbroken jungkook genre/tags. pining, post-break up, (not so) unrequited love, incredibly whipped jungkook ─ this is jungkook's perspective of my other seven fic! read them here ⋆。°༄˖°.🪐
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Jeon Jungkook may have fucked up.
He’s not afraid to admit that, and neither is anyone else. Latto had cackled when he told her what happened, all broken up about being broken up with. She’s usually pretty cool about things, on his side, but she’s real with him too. The guys were kinder about it, but the general consensus was that Jungkook has maybe, definitely, fucked up.
So, it’s a messy situation, but it’s not impossible to fix. Jungkook’s a crafty guy, and he’s dedicated to everything he puts his mind to, so he’s sure that if he really tries, and really works hard he can fix this. He wants to fix it, desperately, because... well, because of everything. She’s everything.
She was everything. 
He needs to fix it. He needs to fix them. He can fix it, he knows he—
“Should leave her alone, right?”
“What?” Jungkook asks, snapping out of his thoughts. He’s sitting at a barstool, head in his hands with his elbows resting on the counter. He looks over to Latto, supremely unimpressed.
“She doesn’t want you, baby,” Latto shrugs, leaning next to him, eyes scanning the dancefloor absently as though she’s not actively ruining Jungkook’s life, “Give her some space, at least, before you rocket back into shit.”
“I need her to know—”
“You need to not push her into filing a restraining order,” Latto insists, rolling her eyes fondly. Jungkook pouts slightly, and she pats him on the shoulder, already walking away from him. He watches her leave, a little miffed and a little resigned because Latto is probably, definitely right, but he doesn’t want her to be.
“Then what should I do?” He yells at an already halfway gone Latto.
“Go home?” Latto yells back, “Go to therapy?” She disappears into the crowd, but he can hear her laughing to herself. 
So, Jungkook goes home. On the same train that he always does. At the same time as he always does. Jungkook, from the future, would like to claim that these factors make what happened next 100%, completely, absolutely, not his fault.
Jungkook steps on the train, emptier than usual but still bustling with people, and grabs the first empty seat he can find, sighing with relief as he just narrowly avoids standing in the shadow of a fairly gross looking businessman. He readjusts, stretching slightly as the train begins to move, and as he settles in his seat, he looks around the train and—
“You have got to be kidding me.”
Han So-hee is still as beautiful as the day they met, and still as devastating as the day she left.
“Um,” Jungkook says, and she rolls her eyes, beginning to stand.
“Excuse me,” So-hee starts to stand, looking to the people around her, “Do you want my s—”
The train shakes abrubtly, slamming her back into her seat, and she sighs, resigned and exhausted. She settles back into her seat, putting her earbuds back in with a pointed glare at him.
“Don’t say anything,” She bites out the words, like they’re painful, and they are painful, but more for Jungkook than her. Jungkook just nods, quiet and understanding. So-hee blinks, a little taken aback, but then she just rolls her eyes and returns back to her phone. Jungkook returns back to his too, but it’s absent, like he’s not fully there because he isn’t.
A different Jungkook wouldn’t have listened. He would’ve kept talking, pestered her into laughing and letting him back into her home, like he always did after arguments. But, current Jungkook knows he can’t do that anymore, that he did it one too many times, during an argument that was a little too serious, and now he can’t go back to her home, to what he always considered home, because he pushed her too far.
She gets off before him, because she always does. He can see the exact route she’ll take home in his head, memorized from nights where they stumbled back home together, drunk and giggly.
“I love you,” Jungkook says. He’s not sure if she hears him, but it doesn’t matter. He just needs to say it.
Through the departing train’s window, he watches her glance backward at him, before disappearing off the platform as a whole, into the streets of the city where she lives without him. 
Jungkook goes back to his apartment, and he realizes that he can’t live without her. Jungkook also realizes that she can live without him, that she doesn’t need him in the same way, and he wants to let her have that. He wants to try again, but he doesn’t want her to hate him.
So, Jungkook resolves to let her leave. 
Unfortunately, nothing is ever that easy. But, Jungkook would like to say that it’s not his fault.
Jungkook takes the same train he did when he was with her, because that’s the train he’s always taken, so he sees her constantly. Okay, whatever, that’s fine.
But, Jungkook goes to the same restaurants that he used to go to in university, back when him and So-hee would spend weekends and nights finding new, exciting places to eat, because he always goes to the restaurants. So-hee goes to them too, because she found them with him and has all the rights too, so he sees her at the restaurants and it’s hard to explain to every old woman behind the counter that no, they aren’t together anymore and haha, yeah, it’s all good, he just misses her more than he thinks he would miss his own lungs in his chest. So, he just... doesn’t tell them, and neither does she, and everyone still thinks they’re in love, so sometimes they sit across from each other in a restaurant booth to avoid any questions.
For practicality’s sake. 
Um. Anyways.
He sees her at the laundromat, and at this point, he misses her like the Earth would miss the Sun if it imploded in the sky. She’s in an old blue denim jacket from years ago, with her hair loose around her shoulders and messy as she slams around a laundry basket, clearly sick of him. He can’t help himself from looking though, swinging his legs atop his own washing machine, watching her load her clothes into the machine. His eyes catch on a faded sweatshirt he used to have years ago, his university logo faded and worn on the front of it, and he immediately averts his eyes. If she knows that he knows, she’ll give it back, because she’ll be embarrassed. The sweatshirt is proof he’s still something to her, he’s still useful, so if she gives it back, it’s one less sign that she doesn’t actually loathe him. He wants her to keep it, so he doesn’t say anything, not until the room starts to flood and they’re pushing at the ceiling.
I love you, he almost says when they make it out, and she starts on her way home, still soaked and angry. 
I love you, he almost says when he texts her about the police assuming her laundry was his, because his wallet had still been in her laundry basket. 
I love you, he almost says when she opens the door and lets him, and the laundry but mostly him, into her apartment and offers him coffee on instinct. 
Her cats brush at his hands and he coos at them like everything is normal, and she asks him about Jimin and work and if he could talk to the others about bringing her neice into the studio, and when he agrees, she says that she literally loves him, and Jungkook shatters.
“I love you,” Jungkook says, and So-hee doesn’t say it back, but she smiles a little bit, and lets him leave on his own, without slamming the door behind him. 
Things aren’t perfect, she doesn’t run back to him with open arms and beg to be married, but when he enters the place they used to study late into the night, begging the shop owner for just one more ramen bowl and a few more minutes, she takes her bag off the opposite seat, and doesn’t glare at him when he accidentally mumbles to himself too loud while working.
It’s not perfect, but it’s close, and missing her when she’s close is better than missing her when she’s far. At least she’s still in reach, and at least she still lets him look at her.
“I love you,” He says, without even thinking about it, and she doesn’t even look up.
“Yeah, yeah,” She says, the first aknowledgement since she broke up with him months ago, “Have you considered putting that energy into a job?”
“You’re better than a job,” Jungkook says, teasing but light, like she’ll shutter away if it’s not just a graze of a joke. She gives him a look, and he thinks shit, because oh no, oh god, he’s fucked it all up again and he—
“I’m better than everything,” She says back, a small smile playing on her face, a clear indication of her joke, “Get a better excuse.”
Jungkook misses her more than anything. Her eyes, and her hair, and her hands, and her cats, and her food, and her brain, but more than anything, he misses the way she makes him laugh out of nowhere.
He laughs, because of course he does, loud and disruptive, and it turns into choking giggles when the old ladies nearby shush him loudly. His eyes are shut, blinking rapidly to get away his tears, even though it really wasn’t that funny. It’s a mix of shock, and delight, and nostalgia making him inconsolably laugh, but his distraction stops him from noticing the way she grins fondly.It’s not an I love you, but it’s close, and he missed it. He missed everything about her. All he wants to do is get it back, and actually see it, see her, again.
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itsdefinitely · 7 months
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and to you, character i like, i bestow upon you the highest honor i can give. grey hairs.
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ocdhuacheng · 14 hours
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I have… lots of thoughts on milsiril and kabru and the commentary on mixed-race family/adoption, in particular white parents with children of color. I think it’s really cool kui incorporated this into the story because lots of (particularly white) people just think adoption is this pure altruistic thing and don’t think about the negative affects it has on kids (again, kids of color) to not have people of their own culture to grow up with.
#I’m white so I can’t pretend this is something I am able to fully understand#and I feel like it’s not my place to write an essay on it? I’m sure poc could do it a lot better than me#but someone who is close to me is a poc in a kind of kabru adjacent situation#and I don’t want to give details bc this is personal and (obviously) not just to me so I don’t really want to talk about it too much#my point is. kabru ans milsiril just hit me really hard#I really love that kui made their relationship a relatively good one for the most part but she doesn’t just pretend it’s perfect#because it’s like. even if your parents are the best they can possibly be.l#if they don’t understand your culture that’s still a huge loss isn’t it?#and milsirils parenting skills….. definitely need a lot of work even if she means well#and the description of her adoptions as a ‘hobby’ makes it seem rather flippant imo#(not sure if that was just a translation thing tho)#but my impression is that kabru does still think of her fondly and is grateful for her taking him in and teaching him things#at the same time he does voice his frustrations about the cultural disconnect between them and her being ‘overprotective’#but yeah#like that kind of thing needs to be talked about I’m grateful that she not just doesn’t shy away from it but puts it in your face like that#.txt#dungeon meshi#oh also clarification#when I say kui talks about this stuff I do mean as an allegory#bc while I don’t think it is at all a coincidence that kabru is dark skinned and milsiril is white (coded?)#their skin color doesn’t really come into account here#it’s really the disconnect between elves and tall-men#but look me in the eye and tell me that’s not what she was going for
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8rujaa · 16 days
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my therapist really saved me….
#tw abuse // tw sa#i can’t sleep bc i keep thinking about this.#like i probably would’ve not been here if it weren’t for her#i started seeing her january of 2023… my life has changed entirely since then and she was definitely the one who got the ball rolling#literally so much has changed since then and it’s all because of her#i was so dissociated during our first few sessions#thanks to her i was able to get diagnosed and medicated for adhd. i was able to realize i was in an abusive situation and plan a way out#i was able to focus on myself and my healing and she’s helped me reframe so much of my negative thinking#i was able to process a lot of emotions and become a better version of myself with each session#she’s truly incredible.#i remember the first comment she made about the relationship had been ‘’so it’s like there’s an imbalance of control in the relationship’’#i had put my partners on such a high pedestal that i had no idea they could be doing anything wrong#and i asked her what she meant and she said ‘from what you’ve been describing it’s sounds like a strict parents and child type of dynamic’#she told me they didn’t need to understand why i wanted to leave and they didn’t need to make that decision. if that’s what was going to be#best for me the only thing i could do is let them know my reasoning and simply leave. i didn’t need their permission.’’#i remember being so confused at that realization bc like… i had been putting their emotions over mine the whole time i had forgotten simply#doing what’s best for me was an option… l#ever since then i’ve been putting myself first and it’s been a steady uphill from rock bottom… i’ve made an incredible amount of progress#when i first started with her getting out of bed and walking to the kitchen was incredibly difficult and took all my strength.#yesterday i conquered a mountain!!!!!!! i hiked all the way to the top!!!!! :D#me a year ago thought it was going to take me years and years to recover. as soon as i left i made leaps of progress#im incredibly proud of myself and grateful for her. and my reiki lady she’s also been a great great help.#the silver lining is i realized who really matters. and the relationships i cared about deepened.#my sweet virgo friend was the one who was always like ‘THATS A GROWN ASS MAN WHO CANT UNDERSTAND BASIC CONSENT???’#LMFAO i would be like ‘but he has trauma and bla bla bla’ she looked me dead in the eyes and said#’jess you said with your last boyfriend that you would never make excuses for a man who was hurting you again. stop defending him.’#she’s really a gem and i treasure her with my life. i hope she knows i love her. she’s family at this point#she’s also literally saved my life before (like deadass called 911 for help)#im glad i had the support system i had. that was a rough situation with so many layers and im glad i got through it#my 22nd year of life was by far the worst of my life and i don’t ever want to put myself in that situation again. im glad i learned.
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