#first one is a venom reference because i think some of the similarities are fun and the potential

[geomimetry]

some more sillies

#first one is a venom reference because i think some of the similarities are fun and the potential #i think alan was probably a big nerd even by architect standards #and kind of married to his work also surpassing even architect standards #wouldnt it be funny if architects are nothing like alan has described them and really hes just describing how he views the world #neurodivergent alan anyone?? #the second one is also a meme #that i find hilarious #subnautica #subnautica below zero #al-an #robin ayou #alyou

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

#dungeon meshi spoilers #mithrun #dungeon meshi #this has been rotating for a while but i wanted to check my evidence before getting into it thanks user angelspenance for posting that meme #half of this is just the text and the other half i'm sure has been said before but it's making my brain [radio static] so here this is #someone did for sure mention this but i do find it very cute that in his fucked up conjured world meant to portray his ideal reality #his teammates came to visit him. like part of the fantasy was then explicitly that they cared about him and were his friends. even though #he says he tried to see the worst in them. #hm it does feel important to note that i do also believe 100% in mithrun suicidality--his desire to be eaten does seem to focus a lot on #wanting it to be Over. wanting not to be left incomplete and empty anymore. #but that loops back around a bit to the hole in your heart that appears when you feel unloved. it's many things and the same thing at once #snakes #long post #severe problems #meshy

[philosophika]

Writeblr Positivity Tag

Hi @inkovert! Thank you, as always, for the tag. Just a quick shout-out; if you don't know Inkovert yet, please please please go check out their WIP, My Dearest Enemy. Also, do you like having in-depth discussions about writing with other up-and-coming authors? Participate in @inkovert's Spilled Ink Saturdays. The first session (on book-to-screen adaptations) was a lot of fun!

✦ What motivates you to write?

I agree with @inkovert. It's not that I'm motivated to write, exactly... It's more that I feel I... have to? There's a sort of internal inertia that keeps pulling me back to fiction. Maybe it's obsession? Maybe it's Maybelline? 💃😉 No, but seriously, I think it may be connected to this weird instinct I have to document things? To give you an idea of what I'm talking about, when I was in my mid-twenties, I went through a terrifying break-in. I kid you not; there was a literal man with a balaclava crouched in my shower in the middle of the night. How did I respond? By screaming, obviously. But after the screaming? I called up my boyfriend and narrated every single detail of what I saw and heard while trying to escape the house with my family. In my mind, I felt it was critical to tell him what was going on, not because I thought it would help catch the culprit(s) (we didn't know if there were more), save us from whatever bitter fate awaited, etc., but kind of in the same way people carve "I was here" into walls? If I was going to die (which was a possibility; a friend's father died in similar circumstances at around the same time), I needed someone to know what I'd seen, to know that I'd seen... So, do I write because I'd die if I didn't? No. I write because I'm going to die anyway. Because I know I'm going to die.

✦ A line/short snippet of your writing that you are most proud of/happy with. If not, maybe share a line of someone else's work you love (just please credit them):

I can do you one better! Because @inkovert kindly tagged me, I'd like to return the favour by referring you to their Wattpad page, where you can read their current WIP, My Dearest Enemy

✦ Which OC makes you smile every time you think/talk about them, and what are they like?

Haha, I don't know if any of the OCs in The Sorcerer's Apprentice make me smile. They all worry me a lot. By accepting an apprenticeship with the sorcerer Valeriano, Altaluna is heading straight into a nest of venomous vipers, and they are going to maim her; they are going to maim her for life. Every time she feels optimistic or wow-ed by the glitz and the glam of her new environment, I cringe internally. My poor, sweet summer child! Valeriano, on the other hand, is a monster, so it's hard to smile when thinking of him. Hmm... maybe the only character I genuinely smile around is Cucufate, the talking monkey. He's the only character whose behaviour and snide comments can be underplayed as just 'animal antics,' which means he's the only character who can get away with giving people a little of what they truly deserve. It's hard not to love him for it.

✦ What process of writing do you enjoy the most?

Again, I have to agree with @inkovert. The editing process means no blank page, and no blank page means (rejoice!) no existential suffering. My first drafts are always shit and a disappointment. But my second drafts? Dost thou want to live deliciously? With the second draft, I know where I'm going, what's happening, where to trim the fat and everything I need to make the story what I wanted it to be in the first place. Usually, I downright discard the first draft and write the entire story from scratch, but better, so much better. And editing the second (or sometimes, third) draft? Pure, unadulterated bliss. Goodbye, low self-esteem, goodbye doubts; cue me some Nina Simone, why don't you?

✦ What part of writing do you think you are the best at? (Yes stroke your own ego it's okay)

Editing, re-drafting. I'm good at figuring out what's wrong and have no trouble whatsoever massacring my darlings.

✦ What is something in the writeblr community that is most enjoyable?

The community! I love participating in tag & ask games, reading people's work, celebrating my mutual's triumphs, and sharing my progress. I don't have any writer friends outside of Tumblr (apart from academic writer friends, though they're a very different kettle of fish), so I really appreciate being able to log on and be met with all this creativity.

✦ A writing tool/device you use that helps you with writing? (It could be speech to text, a writing program etc)

Okay, so first thing first: I have ADHD. Any thought I have is an explosion that simultaneously sends spin-off thoughts in every imaginable direction, which, in turn, send spin-off thoughts in every imaginable direction, and so on and so forth, and on and on, until some of the spin-offs reach a dead end and their line withers, and/or I reach the limits of my capacity to hold all these thoughts in my mind and spontaneously combust. Instead of trying to fight this multi-generative tendency (this leads to a state of paralysis where I can't do anything), I've found a way to let the 'explosions' take the lead without overloading my systems, so to speak. Basically, I figured that if I stored every direction my mind went in somewhere other than my mind, I could let it do its thing without risking burnout. For that, I use MindNode, a visual brainstorming software. And let me tell you, it's been a life-saver. Now, when considering a scene, I document every possible route available to the characters and/or the setting, assign each ramification a score (for example, +1 Worldbuilding, +1 Foreshadowing, +1 Symbolism, +1 Character Development, -1 Cliché, -1 Undermines Tension, -1 Repetitive, etc.), and then choose the one with the highest score to write out. This method is obviously quite time-consuming, but it does have some unique strengths beyond helping me deal with my ADHD: (1) it ensures that there are no superfluous scenes in the grand design, (2) it ensures that all scenes are layered and fulfil multiple story functions at once, (3) it discourages going with the first option that presents itself (usually cliché, in my case), (4) it encourages out-of-the-box creative thinking, (5) and, finally, it's likely to lead to scenes that surprise you, the writer (for example, I was shocked by how many routes led to my character's death, lol). So, yeah, MindNode has been very helpful to me.

✦ A piece of worldbuilding that you like in your own story? (It could be the magic system, a particular place in the story, a law, etc)

I love the magic system, but I'm not sure I'll reveal anything more about it before publication than I already have in this post. You're just going to have to wait and see ;)

✦ Tag some people whose works you love/have been your biggest supporters:

I follow TONS of talented writers on this site, among them: @inkovert, @that-chibi-writer, @tate-lin, @kingkendrick7, @ettawritesnstudies, @blind-the-winds, @aquadestinyswriting, @avrablake, @alinacapellabooks, @lordfenric-writes, @moonscribbler, @cee-grice, @sender-paulson, @sarah-sandwich, @liv-is, @athenswrites, @junypr-camus, @rubywrite, @winterandwords, @salmonandfox, @merlina87, @songsofsomnia, @words-after-midnight, @lucianinsanity, @talesofsorrowandofruin, @nanashi23, @sam-glade, @at-thezenith, @kestalsblog, @kaatiba, @theunboundwriter, and so many more!

#thank you for the tag! #Loved this #Also a quick apology to anyone who has answered an ask I haven't reblogged yet! #I'm working my way down the list and will get to you asap :)

[cyncerity]

okay was rereading how Tommy and Ranboo met and fun question I have is clothing.

What kind of clothing does everyone wear? Like Boggins wouldn't wear green and such like leafman and I know I've got the actual movie for reference, but like what's your take?

Like Bugfolk would surely be different too right?

Also also I just wanna know, what kind of fur is ranboos jacket made from? cause its half black half white and my first thought was: hehehe skunk jacket.

And also while we're on the the topic of clothes: weapons and armour.

What do you imagine each races preferred choice of weaponry is and made from what? Cause I'd imagine certain bug folk would have natural defence mechanisms like spiders and venom ya know? So would they still use a weapon?

Where as I kind of imagine boggins bigger and bulkier so they'd probably prefer hand to hand combat but then again also they ride bats in the movie so theres that as well as leafmen and their bows on hummingbirds.

Curious I am :3

Don't have to answer them all but thanks for your time ��🍭🍭🍭🍭🍭

ALL WONDERFUL QUESTIONS THANK YOU

ok first with the clothes: boggins wear lots of furs and weird armor-esqe things (like the shells of those spikey circle plants as shoulder guards [i don’t know what the spikey plants are called but if you google that they’ll come up sorry for my non american readers who have no fuckin clue what i’m talking about] or like bug shells as shields). bone jewelry/accessories, giant stitching, lots of sacks, bandages, belts, lots of overlayed raggedy fabrics. i took a lot of inspiration from viking type clothing. basically the boggins wear all this because their part of the forest doesn’t have much/any sun and they mostly live underground or in the trunks of dead trees where it’s very damp and cold.

as for leafmen, they don’t wear clothes. they’re perfectly built to survive in their natural habitat and since they’re basically sentient plants there isn’t really a need for clothes anyway, if you get what i’m saying. they all have different types and patterns of leaves which can look a lot like clothes and provide some extra support like clothes do, but they don’t put anything extra on their bodies unless it’s practical (like bags) or pretty (some leaf men wear jewelry).

as for bugfolk, they’re somewhere in between. most of them only wear clothes for an aesthetic or for practical reasons. Like, a warm weather bugfolk that lives in the bogs would probably wear a coat. but most of them are kinda like cartoon animals in the sense that they wear whatever clothes they want. like, think of the mickey mouse gang, and how some wear pants and no shirt, shirt and no pants, etc. that’s how bugfolk are. they just mix and match.

also thank you for the Ranboo skunk jacket comment i didn’t even think about what his clothes would be made of but yes canon it’s skunk fur now.

as for weapons, i’ve had some ideas about those too >:)

ok so first off, big folk with natural defenses probably either don’t carry weapons or carry small ones. bugfolk that can fly probably only carry small weapons as well as to not weigh them down, given that it’s almost always a better option to fly from danger than fight. ground dwelling bugfolk are probably the more bulky and tough kind of bug (ants, beetles, etc) so they are probably gonna be fine in a fight without a weapon but probably carry bigger ones to be safe. also bugs are strong, so i can totally imagine an ant carrying around a sledgehammer double it’s body weight like it’s nothing just in case lmao. but all in all, most of them probably just carry the equivalent of a pocket knife or maybe a machete or something.

as for boggins and leafmen, i actually have a couple of visual references i pulled from pinterest! most of the time they use very similar types of weapons, but created very differently and sometimes with very different purposes. Boggins, being much bigger and tougher than leafmen, create weapons that are mostly close range, giant, and pack a powerful hit. Leafmen, being more nimble and fast than boggins, create weapons that highlight their best way of fighting, which is mostly long range. Both use long (like a bow and arrow) and short (like a sword) range, though.

starting with boggins, they love using bones in their weapons. they also use a lot of belts, straps, and bandages in their weapons along with their clothes. all in all, their weapons aren’t as well put together as a leafmens, but they focus more on brutality, size, and endurance than making their weapons look pretty. all in all they make the scariest fuckin weapons ever and this is definitely part of the reason leafmen think they’re bloodthirsty monsters.

leafmen, however, have a lot more class with their weapons. it’s way more civilized, and they have more complex and harder to craft weapons. i especially like the idea that they have things like the first picture made out of vines and stuff that they can use to swing and maneuver through a fight, which a boggin can’t do cause they’re not as nimble.

the movie itself also had this little piece of concept art, which also highlights the differences well;

and thank you for asking questions!! i love putting a needless amount of effort and thought into world building so when i get questions like this i get super excited hskdlskjs

so please ask more if you want to!! i’m working on drawing stuff for the other asks but i wanna talk about everything!!

#cyncerity #mcyt g/t #mcyt gt #epic au #beckyu my beloved <3 #thank you for always sending the most awesome asks every ily!!

[quinloki]

Ship It, Ship It Real Good (Part 1)

Okay, so I have two OCs that are kind of similar in that they're both reptilian-people, snake variety but I based them off two very different things. Starting with the female. And you know me, I run long-winded so sit back and make yourself a cup of something warm, this'll take a while to read.

Her name is still a work in progress but for the time being I'm calling her Avalon, Lon Lon as a nickname. Avalon means apple and she does like to eat them, fangs notwithstanding. Technically speaking, she's based on a lamia however, if one were to look up what a lamia traditionally is—she isn't that.

Lamias are demonic snake women, think centaur but instead of a horse's body below the waist it's a snake body. Lamia are always female thus the upper body is always that of a woman. Like Medusa, women were given an unfair curse to be these demon snakes.

Traditionally they are hideous to look upon, they absolutely reek, their bite is horrendously venomous, and they devour people (usually men). Now, I had never heard of these things before until I watched some anime that I would like sponged from my memory (not sure if that's the proper phrase but you probably get the gist). The one good thing about that anime is that it gave me an idea for a snake woman.

I may or may not have stolen the coloring of the anime lamia for my own but I'm choosing to refer to that as "inspiration" because I then butchered their idea further. Because that's what I do, I borrow ideas and then mutilate them.

Anywho, enter Lon Lon, the fun-loving but continuously hunted Snake Woman. Avalon ate the Hiss-Hiss fruit, a rare Zoan-type that allows the user to turn into the mythical Lamia or Demon Snake-Woman. As with most Zoan users she has her regular human form (which I have yet to develop at all) and a hybrid form along with the full-blown lamia form.

Avalon, being the inexperienced devil fruit user that she is, and also being a rather unlucky lass to begin with had a bit of a hiccup first time using the devil fruit. She managed to bypass her hybrid form (also need to develop that) and is currently stuck in full lamia form.

I wish I could draw better because I can see her perfectly in my head and I can't figure out how best to describe her in words, but I'll try:

Waist down, her snake body is predominantly bright crimson red with some purple highlights and a pinkish underbelly. At her waist she developed flaps that look like she's wearing a skirt but really they're more like the webbing between a fishman's fingers/toes. Lon Lon is an aquatic sea snake that took to land more than the water, but the skirt webbing at her waist allows her to glide through the water easily.

For some reason, water doesn't bother her like it does other devil fruit users. It is unknown if this is because she's a sea snake lamia or if it's because she's been in the lamia form so long that she is slowly turning into the lamia in full.

Upper body from the waist up she is extraordinarily pale, not quite albino but she's often mistaken as albino. Her hair is snowy white and long enough to reach her belly button. She has little horns the grow on her forehead and they resemble jewels as the ends are rounded instead of pointed. On top of her head going down as a line on each side are a row of pointed horns. Nothing too pronounced, she can cover them with her hair if she gets creative (which she often does, she is very self-conscious about her horns) but it has been said that it looks like she grew her own little tiara of sorts.

She doesn't wear any clothing at all—she doesn't need them! She has strategically placed scales: larger scales that serve as armor on her sides from waist to underarms, and then her boobage area has scales covering the underboob all the way up to cover nipple and areola fully. They kind of grew in like a bra so she's modestly covered and protected and clothes rub weird against the scales so she just slithers around in her birthday suit. She has a few scales, very small ones that go on the sides of her neck just like her side scales but much tinier. Her upper body scales are silvery-white so at first glance you'd think she was totally nude until light hits and you realize she has scales.

She ended up stranded on an island somewhere and I headcanon that after Law loses to Blackbeard and Bepo whisks him away to safety, they end up stranded on an island. Bepo is not a ship, at some point he has to make landfall because he's going to get tired and he needs to get Law out of the ocean. They stop at the first island they come to.

Exploring the island brings them face-to-face with Avalon. She was probably munching down on an apple and Bepo probably ran into her first and panicked. Law shows up to see the commotion and honestly? Finds her fascinating but in a creepy-Law kind of way, like he wants to figure out why she is stuck in the full lamia form and why she seems to be waterproof so really what he sees is a living experiment.

She likes Bepo enough to not eat him and she tolerates Law enough to see if he can fix her. I have a bit more about her but it's still in development, but I see her traveling with Law post-Blackbeard battle. I don't ship her with Law either, I want to ship her with the other snake OC I have—she's more tame than that one, so he needs her.

I see Law and Avalon as being allies right now because he needs one but they could become good friends. Law would like it pointed out that when Avalon goes to sleep, she hisses her tongue out every time she exhales. If you fall asleep next to her, she will tickle your eras unwittingly in her sleep with her tongue. It's kind of adorable and Law will not admit to it being adorable, but it's adorable.

xD I have been effectively info-dumped \o/ and I love it =3

I love Lon Lon, and not just because I do like snakes, but also because I feel like if I ever got a Zoan fruit I'd be stuck in a fully-transformed state. Or, worse maybe, only able to change like, one limb at a time, be thrown terribly off-balance by it and accomplish little more than falling over.

The point when she comes into canon events is interesting to me. I love the late-game vibes of it, but I also really like that despite being her "first contact" there's no romance between her and Law or Bepo. I write so much romance/smut anymore that it's refreshingly different to see that ^_^ (Not that I don't like the first contact -> lovers pipeline, don't get me wrong).

You descriptions are always so good too. If I was a better artist I could probably translate them into picture form better, but gah, just thank you so much for sharing, and pardon me while I get to the other three asks you sent in XD

Ship it Good ask game

#thecrimsonacademic #quin answers #Ship It Good #oc ship

[onenicebugperday]

Have you ever done a post about distinguishing brown recluses from wolf spiders? That's kinda my last major barrier of spider fear bc I have definitely killed wolf spiders on accident confusing them for actually dangerous ones. :'(

It's actually super easy to distinguish the two when you know what to look for!

I'll focus on your location that you shared via IM in terms of wolf species you may encounter, but the following info is true of all wolves within the brown recluse (Loxosceles reclusa) range anyway.

Before I get into that, though, for anyone who may want to know how to ID a brown recluse, make sure you're even in their range. Their range is relatively small:

(map source)

If you're outside of this range, it's very VERY unlikely that any spider you encounter is a brown recluse. There are some other Loxosceles species found in the southwest US and into California, though, and they look similar. As far as I understand, there isn't really enough data on the effects of their venom to say whether or not their bites are medically significant like the brown recluse’s may be, but if anyone's seen any research on that, feel free to tell me how wrong I am.

Anyway, here are a male (top) and female brown recluse:

Photos by eattaway92 and wildcarrot

And for size reference:

Photo by catenatus

So! Some things to note. First, there aren’t really any markings on their body except for the famous dark violin shape on the cephalothorax and sometimes a slightly darkened stripe on the front of the abdomen which is super visible in this photo:

Photo by ryandove

Second, the legs are long and spindly and don’t look hairy unless you’re very close up. The way they hold their legs is often almost crab-spider-like. Third, the eyes! This is, I think, the most obvious way to distinguish them from wolves. Brown recluses have only six eyes, grouped in pairs, so it looks like three black dots if you’re viewing it from a distance. Here’s a close-up:

Photo by salticidude

Wolves will not have the violin shape. Almost all species of wolf you’d encounter will also have other markings on their body, especially dark stripes on the cephalothorax. Some may have an abdominal stripe similar to the recluse, but it’s usually much less subtle.

Here are two of the most common wolves in the southern US, Rabidosa rabida and Tigrosa annexa:

Photos by sambiology and cavemander17

You can see the body and legs are far more robust, more densely haired, and the markings are pretty wildly different than the recluse which is fairly plain. There’s no wolf spider I know of that looks even remotely like a recluse as far as markings go.

The big thing though!! Are the eyes. Wolves have eight eyes, but two are comically large cartoon eyes that face forward. Even on the very tiny ones, you can still see their big eyes. Prepare yourself it’s very cute

Photos by annikaml and feistyone

If I’m ever not weeping about wolf eyes, just assume I am dead. Anyway, beyond all that, size in particular is not a very good indicator when trying to differentiate, because wolves have a huge range from the size of your fingernail to practically the size of a tarantula. Let’s admire this one just for fun

Precious :) Carolina wolf photo by afroherpkeeper

Recluses are a lot more consistently sized as adults, about the size of a quarter.

I would also like to add that while recluse venom can potentially be harmful, most bites do not require medical attention and heal just fine on their own, especially for healthy adults. Serious reactions happen in something like less than 1% of bites.

Also, they’re called recluses for a reason. They’re nocturnal, non-aggressive, and tend to avoid people. Most bites happen because they got caught in bedding or clothing and accidentally pressed against someone’s skin, so they bit as a defensive reaction so they could escape the big scary predator about to smoosh them. If you capture them in a cup (wear gloves if you’re afraid!) and put them outside away from your house, it’s very unlikely you’ll see them again. No need to kill them!

Wolves, of course, are capable of biting, but their bites are not medically significant.

Hope this was helpful!

#the more you know #technicolorama #spider #arachnids #bugs #brown recluse #wolf spider #rabid wolf spider #Tigrosa annexa #carolina wolf spider #bug death #bug fear #long post

[ghosttoasties]

grimsley ramblings 4

Much of the imagery that I enjoy using in pokemon fanart comes from the character's names. Even if it's just silly immersion for me, in reality their names have backstory. It's also cool finding connections between characters too.

I like thinking about Grimsley's different names in other languages. In Japanese, giima can trace back to the plant vaccinium wrightii, which are related to blueberries (and are similar in color to him). It also can be the shortened form of "boogeyman," featuring the middle syllables. In kanji, breaking it down can mean "devil" and "deceit." It makes sense since the JP name for Dark type is "evil."

In Korean, it's a shortened form of the fruit blackberry, which could be read as "Blairy/Blaley." I'm fond of this one, because blackberries have colors similar to a roulette wheel, a theme present in Grimsley's suit. Very neat! Blackberries when first discovered were used as medicine, as it would seem to "magically" cure health issues like ulcers, venomous bites, and sore throats to name a few. This notion is seen again in folklore: if gathered under a certain moon phase, the fruit was thought to protect against spells and curses. They were also used to make indigo dye! Reminds me of someone...

In German, Astor is possibly referencing the plant family of asterids, which can include plants such as daisies, forget-me-nots, eggplants, peppers, morning glories and so forth. It is also stated that it can be a reference to the Astor family, who have roots in Germany and became one of the wealthiest families in history. They made an impact in places like the UK and the US in politics, public works, and other business ventures. This circles back nicely to Grimsley because one of the family members, John Jacob Astor, was one of the first founders of the New York Public Library. If you do not know him, he was actually the first multimillionaire ever, having a ridiculous monopoly on fur trade, was a huge real estate mogul, and unfortunately smuggled drugs. The family has since declined, but they have made their mark throughout history. Distinguished, I guess you could say.

In Spanish (and possibly my favorite), his name is Aza. It's taken from the azalea flower. The name of the flower itself comes from Greek, meaning "dry," since the flowers don't enjoy very moist soil. The flower blooms here in North America, including Mexico, and come in all kinds of colors. Interesting to note, they're also poisonous. Bees that have drunk its nectar go mad. When it comes to azaleas, different countries have varying symbolism. China in particular thinks of it as the "thoughtful" plant. The flower was also infamous in other places for being sent in black vases as death threats due to how poisonous they are. It blew my mind reading that because in other countries, like Japan, there's huge festivals centered around the flower. Last thing, it also can be taken from the word azar which means random, or chance. A usage could be «es un juego de azar» meaning "it's a game of chance." Pretty on the nose but I think that plus azaleas make it so perfect and simple.

I could go on for days about this! I could also talk about how all the Unova Elite Four names relate to each other in some odd way (for example, both Shauntal and Grimsley with forget-me-nots, Caitlin with orchids, and Marshal with lotus flowers, and etc etc). But for the sake of keeping this post a healthy length, I'll make other focused on the four of them. Most of my information hunting started from bulbapedia and it lead to subsequent further research, which has been really fun.

Those are just some localized names that stood out to me. I can't really go a day without seeing these plants and not think of him. The fondness of viewing azaleas at plant shops and buying blueberry sweets are my own amusing way of finding comfort in these stressful adult days. Thank you reading if you did. If there's any info you'd like me to expand on, include, clarify, or fix, please feel free to let me know as I tend to read a lot of articles and can be kind of scrambled.

💙💗

#pasta jargon #uhh yeah #constantly thinking about azaleas and forget-me-nots #man oh man i just love research #and learning #one of my college professors had recommended me for a phd program because of it #i didnt do it cus i loved animation more #but those words stuck with me because everything made sense #im a sponge for things i care about and won't rest until i know everything #ok ok ok fine #grimsley #my bf would want me to tag him cus i'm too nervous about everything #den markings #just a crop of a thing i did idk if i'll ever post it #faith grimsley ramblings

[minor-solemnity]

Curiosity pt.6

“Are you implying that I’m not good enough to blackmail?” Which well, that maybe isn’t what you should be annoyed by.

A month passes. You don’t talk in class, just keep your head bowed low, eyes fixed firmly on the ground. You ignore Tom in the hallways and in the lessons you share. You suppose that you should probably revert to calling him Riddle, but referring to a man you’ve had sex with by their last name, even in the comfort of your own head, makes you feel dirty.  

He tries to talk to you twice. He doesn’t try a third time.

You don’t tell Marie or Stephanie what’s transpired between you and Tom and eventually, they stop asking. You’re content to let them believe that whatever courtship or relationship they thought had been budding between the two of you had died. It’s easier to pretend that you’re just sad that you’ve missed your chance with Hogwarts’ most sought after bachelor. The truth is so much more complicated. 

The last of the bitter Scottish winter gives way into Spring and with it comes blue skies, crisp winds, and luscious greenery. Stephanie’s attention is fixed firmly on the final quidditch matches of the school year and Marie begins her yearly fretting over exams. You’re left in blessed peace to ruminate on and stew in your own misery. 

It’s far too early on a Saturday for you to be up, but the Great Hall is always empty until at least nine on the weekends and you’ve taken to avoiding large crowds lest you accidentally run into him. As expected, you’re alone save for the ghosts this morning. You’re stirring honey into your tea when a shadow falls over you. You don’t look up. The shadow coughs politely. You glower at your tea. The shadow sighs and there are footsteps and the sound of someone taking a seat opposite you. When you finally look up, Tom is watching you intently. Merlin, it’s so frustratingly easy to get distracted looking at him. The first thing you notice (and you hate that you do) is that he looks somewhat tense. His expression is a mask of polite indifference and his hands rest casually on the table in front of him but there is a tautness to his posture, as though he’s steeling himself for a fight. 

You think that that should please you. At one point, it definitely would have done, but right now you’re still too raw from the events of a month ago to feel anything other than resigned fatigue at his appearance. “You’ve been ignoring me.” He says, and though his tone is placid you can detect a hint of something hard lacing his consonants. 

“What good observational skills you have. Though that’s hardly a surprise, seeing as I’ve been on the receiving end of your interest for months at this point.” The anger at your own stupidity and his manipulation rears its head once more and you’re somewhat taken aback by how much venom has crept into your voice.

“Perhaps, if you’d let me explain-” 

“No.” You cut him off, gathering your things and shoving them into your bag with more force than is strictly necessary. “No, I will not let you explain. I think you made yourself perfectly clear the last time. You have what you want, your curiosity is sated. You have your own blackmail material on me, should you ever feel the need to use it, and all it took was-” You can’t finish the sentence. All it took was a little flattery and his clever tongue touching and playing with you until you’d… Really, it had taken nothing at all. “I don’t know what else you could possibly need to explain to me. I understand what I am to you and what this entire thing was about. Now, if you don’t mind, I’d appreciate it if you just leave me alone.” You don’t hang around to see understanding dawn on Tom’s face, nor do you hang around to see resolve settle firmly on his shoulders.

Fifteen minutes later you’re sat with your arms wrapped tightly around your knees underneath a yew tree by the lake, your bag thrown haphazardly a few feet away. You stare at the lake and determinedly blink back the tears that are threatening to spill down your cheeks. A horrible mix of embarrassment and anger is bubbling in your stomach and your hands shake as you reach down and tug blindly at strands of grass as if they are what your ire is directed at. Merlin, you’ve been stupid. Incredibly, horrendously stupid. You’d known that Riddle was bad news. You hadn’t trusted him from the moment he’d smiled down at you that evening in the dining hall. Almost every meeting between the both of you since had been a constant push and pull, neither of you willing to back down or give way… And now…

Now he has the information that he wanted and the game is up. You’ve lost. And all because somewhere along the line you had forgotten exactly why it was that he’d been interested in you in the first place. You’d let your imagination get the best of you and for a moment you’d let yourself believe that it wasn’t about Mr Larkins anymore. That he was there because of you. Just you and not the secrets that you had tried so hard to keep.

Merlin, what was he going to do with you now that he knew. Blackmailing a teacher (and you have to admit to yourself now that that was exactly what you had been doing) was a serious offence. Enough to get you expelled for sure. Muggles went to prison for blackmail, didn’t they? Would you be sent the Wizengamot? Or would Tom just hold it over your head for eternity? Surely not. He had no use for you now, after all; you can’t keep kidding yourself that he liked or wanted you. You can’t keep kidding yourself that that was part of why this was so painful. 

Beyond the fear you feel for your future, rejection is a bitter pill lodged in the back of your throat. 

“You might appreciate it if I left you alone, but I’d appreciate it if you stopped running away from me.” Tom’s voice is conversational, cheerful almost. You let out a strangled scream of annoyance. He hums a soft little laugh in response. He settles himself down beside you, long legs stretching out in from him, crossed over at the ankle. You notice he’s holding the folder. “You honestly think I’d blackmail you?” He asks, still in that conversational toned and you feel your hackles rise.

“Are you implying that I’m not good enough to blackmail?” Which well, that maybe isn’t what you should be annoyed by.

“You seem intent on misunderstanding everything I have to say, I see.” He says and, at last, something approaching annoyance enters his voice. Out of the corner of your eye, you can see that he’s frowning slightly. As in the Great Hall, his posture suggests he’s at ease, he’s taken his tie off and the top two buttons of his shirt are undone. But something is lurking beneath his relaxed exterior that suggests he’s nervous. “I have no intention of blackmailing you. At first, perhaps, but not any longer. And…” You drop the pretence of not looking at him entirely and turn full to face him. He doesn’t look at you and you get the impression that whatever he’s trying to say does not come easily. “I apologise if that’s the impression I gave you.”

Your eyes widen in surprise at the apology, which whilst stilted, appears genuine. Then, almost immediately after narrow in suspicion and indignation. “What other impression could you possibly have given me? Apart from, maybe, toying with me for your own amusement.” You ask acidly.

His jaw clenches and you notice dimly that he’s making hardly any effort to hide his emotions. He’s almost an open book. Which is… strange. You’re reminded of all the times that Tom’s treatment of you has left you feeling confused. Confused because he doesn’t act the same way around you as he does with the rest of your peers. He’ll put on a facade of politeness, sometimes, but it usually unravels within minutes. You’ve watched him charm and flatter the worst of your professors, that small careful smile never faltering until they’re putty in his hands.

He’s tried to intimidate, taunt, and seduce you but he’s never tried to charm you. The realisation hits you harder than you’d like. But so what that Tom doesn’t seem to think you’re worth the effort? Does it matter that he drops his perfect little persona around you? Yes, the quiet, treacherously hopeful voice in your mind whispers, yes it matters. Of course, it matters.

“That we were having fun, perhaps?” He says at last and he looks pained just saying it. As though telling you that some part of him had enjoyed your company and had assumed that you enjoyed his is physically uncomfortable to admit. Maybe it is. “That I believed you and I had some level of understanding regarding our relationship?” 

You ask incredulously, “Has this been your way of flirting with me, Tom?” At the sound of his name on your lips, he turns to face you and you can practically see him come undone. His throat constricts around a swallow and you can’t stop yourself from tracing the column of his neck to where his collarbones, surprisingly delicate and sharp protrude from the collar of his open shirt with your eyes. He follows your gaze intently. “You never tried to charm me.” You murmur, finally bring your gaze to meet his.

“I’ve only ever been honest with you,” He replies, his voice equally soft. An admission that his persona is mostly a lie, used to trick and manipulate everyone else. Maybe that should put you off, make you turn away from him for good. It doesn’t. “You can’t blame me for wanting to know you when the few things I did know were so interesting. You can’t blame me for liking you more when I found out the rest.” It’s strange, knowing that the parts of you that usually stop people from liking or trusting you are what draws him to you. Then again, maybe it isn’t strange at all. You’re remarkably similar in so many ways, after all. “I thought, perhaps, that you regretted it.” Regretted me, is what he means. Is what he won’t say. Is what you hear nonetheless. 

You’ll need to talk more later; you need to know what he intends to do with the knowledge of your blackmailing schemes but later. Right now… You lick your lower lip and you don’t miss the way he tracks the movement. “I don’t. Regret it.” He nods once, a short decisive shake of his head. You’ve made up your mind. “You should kiss me now.” And he does. He shifts and suddenly you’re being dragged to his side, one large hand curving around your waist and another cupping your jaw, his fingers tangling in your hair. 

You feel like maybe, you’ve just won the best kind of game there is.

(part 1) (part 2) (part 3) (part 4) (part 5) (part 6)

#tom riddle #tom marvolo riddle #tom riddle x oc #tom riddle x y/n #tom riddle x you #tom riddle x reader #tom riddle imagines #tom riddle imagine #tom riddle fanfic #tom riddle fanfiction #minific

[jayz4dayz]

5 for Meariri?

Of course! This was a lot of fun to write! 

Prompt: “Wait a minute. Are you jealous?”

Jealousy 

It was hot. Hot and sticky and miserable. Truth be told, Mary wished Kirari would have chosen a less humid location for a getaway. Technically, Mary wasn’t even supposed to be there considering this was a student council event. She wasn’t fond of a single person on the council aside from Ririka, who was the only reason why Mary agreed to go in the first place.

She just couldn’t say no to Ririka who was so excited to go and was happy to invite her to come along. Besides, sharing a hotel room alone with her girlfriend and relaxing without the burden of school work for a few days didn’t sound like a bad idea at first. Anyone would have jumped at the opportunity to go on an all expense paid trip to an exotic tropical island in another country with their significant other after all.

What Mary wasn’t prepared for was the blazing hot sun, humid weather, and having to shop for a new bathing suit and temporary clothes with Ririka because their luggage got mixed up with someone else's at the airport.

What she certainly wasn’t prepared for was the overly flirtatious clerk at the swimsuit shop who was all too eager to help Ririka find a perfect fit. Ririka was oblivious, of course, and didn’t understand that the young man was heavily flirting with her. But Mary knew and it was starting to piss her off the longer his eyes greedily awaited for Ririka to exit the dressing room in a bikini she had picked out.

“I don’t know, it looks a little tight in the bust,” Ririka said shyly from the dressing room.

“Oh yeah? Why don’t you come out? Then I can see if you need a bigger size or maybe take your measurements,” the man grinned, reaching for the handle of the door.

“Um, no. I think the fuck not,” Mary stopped him in his tracks. “I’ll be the judge of that, thank you.”

The man raised a brow at her. “Alright, ma’am. See if your friend needs a bigger size then.”

Friend. The word made Mary bite her tongue for she wanted to say she was much more than Ririka’s friend. It left a bitter taste in Mary’s mouth as she grumbled, walking into the changing room.

Almost instantly, her sour mood shifted the moment she saw her girlfriend shyly holding her arms as she looked at her reflection in the mirror. The bikini was an aquamarine color and fit her body near perfectly. It showed off her well toned stomach and seemed to fit in all the right places. She was stunning as always, only now even more so.

Ririka smiled slightly, blushing when she saw Mary’s wide-eyed expression. “H-how do I look?”

“Hot,” Mary breathed out. “I-I mean you look great!”

“Thank you, love. Do you think it shows off too much of my body though?” Ririka asked, lowering her arms.

To Mary, it didn’t show off enough. Not that she’d ever admit. However, it was revealing enough that she knew people would definitely look twice if they walked past Ririka. It was hard enough for her to keep her own eyes off of Ririka, but perhaps that was only because she was her girlfriend. Besides, Ririka was going to be wearing this bathing suit for one reason and one reason only: to swim. It was either this or a wetsuit, which both Kirari and Mary discouraged her from doing since the ocean water was relatively warm and it would have just been a hassle.

“Would you like a one piece instead?” Mary snickered.

Ririka pouted. “Well, not really. I kind of wanted to get a tan.”

“Babe, you don’t tan. You burn,” Mary scoffed. “And this’ll mean you’ll need to put on extra sunscreen.”

“Hm, maybe you’re right. I’ll just get a one piece,” Ririka agreed, beginning to strip down.

“You could get both,” Mary suggested. “One for the beach and one for the pool at the hotel or for other occasions. That is if it’s in our budget.”

Ririka grinned. “Money’s not an issue, so I think I will! Thank you, dearest.”

Mary maintained her tsundere attitude, rolling her eyes when Ririka briefly pecked her lips. However, she failed to hide her blush or the smirk that made its way onto her face from the sudden affection from her lover.

“Yeah, yeah. Let’s just hurry up so we can meet the others at the beach spot,” Mary chuckled.

Ririka’s hand intertwined with Mary’s and she grinned as they walked along the sandy sidewalk. Seeing Ririka smile warmed Mary's heart; she rarely saw her girlfriend smile. She was used to seeing the creepy smile of Ririka’s mask, something Mary was grateful Ririka left behind for this trip.

Mary received several glances from onlookers, which she normally wouldn’t pay any attention to. Until she realized they weren’t staring at the two of them, they were staring at Ririka. She was in her two piece and Mary supposed that and Ririka’s platinum hair drew a bit of attention. She protectively held her girlfriend close to her, scowling at whoever stared at her for too long.

Ririka paid no attention to that or the people who looked at her. She only smiled brighter, thinking Mary was only being extra affectionate to her which she’d gladly accept. She’d never deny it since Mary typically only showed her affection when they were alone or occasionally when they were with friends.

“Clingy today, hm?” Ririka teased.

“Maybe,” Mary grumbled, her cheeks reddening.  

Ririka recognized that tone of voice. Mary was greatly irritated by something. What it was, Ririka couldn’t figure out yet. It was hot outside and she knew how much Mary hated hot weather, but soon they’d be in the cool, soothing water of the ocean. So she didn’t dwell much on the thought.

Once they arrived at the location, they were greeted by Kirari and Sayaka. Kirari immediately handed her sister a bottle of sunscreen, to which Ririka began to complain. The two started to bicker while Sayaka insisted for Ririka to apply sunblock. The conversation bored Mary, so she walked over to an empty area and took her beach towel out of her bag. She laid it across the sand before sitting down, watching sea birds dive into the ocean.

Eventually, Ririka walked over to Mary in defeat, plopping down on the towel. She laid her head in Mary’s lap and pouted, looking up at her.

“Riri, you’re gonna get sunscreen on my jeans!” Mary laughed, brushing a loose strand of hair out of Ririka’s face.

“Kirari put too much on me,” Ririka cringed, trying to rub the whiter areas on her arms that still had sunblock on it. “I don’t burn that badly.”

Mary snorted. “Yeah you do. Even worse than I do.”

“Whatever,” Ririka groaned. “I want to swim eventually. Maybe I’ll see some fish.”

“Nah, chances are you’ll only see Midari trying to drown,” Mary replied. “If you’re lucky, you’ll see Yuriko-senpai drown trying to save her.”

Ririka looked out at the shore, seeing Midari chasing Yuriko with a dead or perhaps horrifyingly still alive sea jelly as the poor girl shrieked and tried to evade her. “Hm... or Yuriko will try to drown Midari herself.”  

“Yeah and Midari would probably let her,” Mary snickered as she too watched Midari torment Yuriko. “Maybe that was her plan all along, the damn masochist.”

“I don’t know,” Ririka sighed in disinterest. “Will you go swimming with me?”

“Later maybe. I don’t wanna get covered in sand if I can avoid it,” Mary responded curtly. "Besides, then I'd have to change out of my jeans which I really don't wanna do."

Ririka grinned, wrapping her arms around the blonde’s waist. “Do you want to just stay like this for a while then?”

“I can get used to this,” Mary smirked in agreement.

And so they did, enjoying the ocean breeze and each other’s presence. For a while at least, until Kirari and Sayaka returned. Mary only glared at them as they approached, hoping they were only coming over to grab something from their bag or that they’d walk right past them.

“We’re playing badminton,” Kirari announced with her signature sly smile, wrapping her arm around Sayaka.

“That’s nice. Have fun, I guess,” Mary raised a brow at them in dismissal.

Sayaka’s face was bright red, regardless of her efforts of trying to remain in her professional Secretary persona. “T-the President is referring to the four of us.”

“Tch, I’m not playing against her. She never plays fair for gambling or sports,” Mary scoffed.

“Your incapability in athletics is no excuse for accusing me of not playing fair, Saotome,” Kirari faked a pout that made Mary’s blood boil.

“We’ll play only if I choose who’s on each side,” Ririka chimed in. “And Mary is very athletic, Rari. Her flexibility is impeccable.”

Mary’s face felt hot as Ririka winked at her, catching on to the double entendre. “T-thanks.”

Kirari pursed her lips. “Very well then. I have no issue with this.”

Ririka grinned and looked at Sayaka who was still practically attached to Kirari by the hip. “Sayaka, are you alright with being my partner for this?”

Mary instantly felt a stab of betrayal and she could tell by Kirari’s sudden shift in expression that the feeling was very much mutual. The younger twin squinted at the blonde, silently voicing her displeasure with this sudden arrangement. Mary shot back a sinister glare with just as much venom.

It was clear neither were expecting Ririka to choose Sayaka. It would have been less surprising had she chosen Kirari, even. Perhaps this was all for Ririka’s entertainment, knowing that Kirari and Mary would rather eat sand than pair up together for anything.

Sayaka gave Kirari a look of panic to which Kirari gave a slight nod, kissing Sayaka’s forehead before releasing her. Sayaka’s expression immediately softened.

Sayaka gave a light smile. “I would be honored to be your partner, Ririka-san.”

Jealousy tugged at Mary’s heart. She despised feeling jealous of Sayaka, someone she knew followed Kirari around like a lost puppy and devoted her life to her. Maybe it was because she knew Ririka shared the same face as Kirari that made her feel like Sayaka was some sort of threat. Mary of all people knew that Ririka and Kirari were two very different people, regardless of their similar features. Yet it still got under her skin.

“Now that it’s settled, I’m going to ask Runa to be the score keeper,” Kirari spoke up; her tone was bitter.

Mary sighed, getting up and dusted off the sand from her legs. She watched as Kirari and Sayaka walked towards the volleyball net which she was sure they were going to use for their game.

Ririka smiled mischievously at her to which Mary responded with the roll of her eyes. “Was it really necessary pairing me up with Kirari?”

“Of course it was,” Ririka nodded. “You said you wanted things to be fair. Had Kirari and I been on the same side, there would be an unfair advantage since the two of us are unstoppable at pretty much every sport. Had I paired us with each other’s significant other, all of us would be distracted. This pairing assures that Kirari won’t try to cheat because you’ll be there to catch it, though I’m not sure how she could cheat in badminton. Regardless, this will be a good way for the two of you to work on your team work skills and maybe help you bond with each other.”

It made sense at least, but the last thing she wanted was to be on the same team as Kirari Momobami. Hell, she would have rather been paired with Sayaka and accepted whatever loss they took if the twins dominated in the game. She couldn’t have cared less about victory or loss seeing as how she didn’t even want to play in the first place.

Being paired with Kirari complicated things. She knew how competitive Kirari was and she did not want to hear Kirari’s constant complaints and reminders of how shitty of a player Mary was if she didn’t put any effort into the game.

So Mary was trapped, and very much frustrated with the whole situation. All she could really do was sigh and grin and bear it for the time being. It was just one game after all. How bad could it be?

Mary severely underestimated just how competitive Kirari was and Ririka for that matter. Her girlfriend was right in saying that she and Kirari would have absolutely had an advantage had Mary been paired with Sayaka. In all honesty, it looked more like the twins were going against each other rather than all four of them.

Mary and Sayaka couldn’t keep up with how fast Ririka and Kirari were. Their speed and accuracy was almost inhuman; Mary and Sayaka more or less gave up and just watched the twins compete. It’s not like they were able to attempt to score anyway; Kirari and Ririka were always quick to beat them to it.

Because of the twins rarely missing a hit, the game stretched on far longer than Mary wanted. Both sides were tied and still needed several more points to win. Even Runa looked like she was growing bored, scrolling on her phone since she knew this game wasn’t going anywhere.

The only good thing about this was that Mary got to watch her lover sweat and see those beautiful muscles go to good work. She looked so beautiful, even like this. Her eyes had a fiery tint to them, glowing from her competitive spirit. It made Mary's core burn with desire.

Ririka was panting heavily by the time Runa called for a break so the twins could catch their breath. Mary and Sayaka were hardly breaking a sweat, not that they had a reason to anyway.

“Sayaka and I haven’t scored a single point, so I don’t understand why you didn’t just ask Ririka to play with you,” Mary commented.

Kirari panted, tying up her hair that had long since fallen out of its braids. “I’m beginning to regret not doing so. You haven’t been very helpful.”

“Because you won’t let me hit the feather thing!” Mary shouted in defense.

“It’s called a shuttlecock, heathen,” Kirari huffed. “And I know you’d likely intentionally miss and allow the other team to score so you can get this game over with.”

“Honestly at this point, yeah,” Mary confirmed. “I just wanna be done with this and spend the rest of the day with my girlfriend.”

“Well I refuse to lose in front of Sayaka,” Kirari muttered. “So you’re sorely mistaken if you believe I’ll concede to defeat so easily.”

Mary sighed. “If I make an effort to help you win, do you think the game will end sooner?”

“Perhaps, but if we lose even after you give your all, you know I won’t let you hear the end of it, don’t you?” Kirari smirked.

“I expect nothing less and I really don’t give a shit,” Mary grumbled.

“Oki! Let’s resume!” Runa shouted in a clearly faked cheerful tone. “But I’m changing things up. The team to score the next point wins!”

“Why the sudden change of rules, Runa?” Sayaka asked.

Runa sighed. “I’m tired of being the scorekeeper and I wanna go swimming, so let’s get this over with.”

That news was music to Mary’s ears. Now that it was just one point she had to worry about, her mood finally turned competitive. She wanted to end this. She wanted to win this not just to keep Kirari off her back, but to impress Ririka as well.

Everyone got into position. It was Ririka’s turn to serve and Mary didn’t keep her eyes off of her. Ririka glanced over at Mary, giving her a quick smile before serving. Kirari was quicker than Mary, hitting the shuttlecock back onto the other side. Mary rolled her eyes and watched as Sayaka hit it next, sending it towards her.

After sending it back and forth several times, things became rather intense as now all four participants kept their eyes glued on the shuttlecock flying through the air. Mary knew Sayaka was expecting her to always send it to Ririka, so she decided to catch the violet-eyed girl off guard.

Thwack. Sayaka and Ririka watched as the shuttlecock glided through the air. Mary watched as if it were in slow motion as Ririka ran to hit it and surprisingly didn’t miss. However, she crashed into Sayaka in the process, falling on top of her. It wouldn’t have been as bad had Ririka not accidentally placed her hands on Sayaka’s breasts, making the entire scenario all the more awkward. Both Mary and Kirari watched with wide eyes, completely ignoring the fact that the shuttlecock had already landed in their zone.

“O-oh my god, I’m so sorry, Sayaka!” Ririka squeaked and instantly lifted her hands, her face turning bright red from embarrassment.

“That’s… that’s…” Sayaka couldn’t even finish her sentence for she also was too embarrassed.

Mary snapped out of her gaze when she heard laughing next to her. She snapped her head towards Kirari who looked all too amused by this.

“Ara, ara, what I would give to be in my dear sister’s position right now,” Kirari grinned cheekily.

"Does that not make you even a little bit mad?" Mary hissed.

Kirari chuckled. "Of course not. I find this to be quite amusing."

"Of course you do," Mary growled.

“Ririka-chan’s team wins!” Runa announced, startling all of them. Apparently they had forgotten she was there. “Game over! Finally.”

“Good,” Mary grumbled, storming off away from them.

She heard somebody call out after her, but she paid no attention to it. What happened was a complete accident, she knew she shouldn’t have felt angry or jealous. The fact that it happened to Sayaka and not her was perhaps what made her the most upset. But she knew she had to let it go. It was a stupid thing to be upset over.

She plopped down onto her beach towel with a huff, glancing towards the crashing waves in the distance. She saw Midari’s arms wrapped around Yuriko’s waist as they allowed the water to rush past their knees. Mary wished that was her with Ririka right about now. Perhaps not in the water, but instead in the comfort and privacy of their hotel room.

“Are you alright? You looked really upset,” a familiar voice said from behind.

Mary slightly turned her head and her face softened upon seeing her girlfriend. “Yeah, I’m alright. I’m just tired.”

Ririka knelt down, her cerulean eyes full of concern. “Are you sure there’s nothing bothering you? You can talk to me, you know.”

‘Yes, the fact that I haven’t had a damn minute alone with you yet today and people left and right have been looking at you in a way only I should be,’ Mary wanted to say.

Mary shook her head. “Like I said, I’m tired. Don't worry about it. Do you still want to go swimming?”

“Of course!” Ririka grinned. “The badminton game really made me hot so I want to go cool off. Are you going to join me?”

“Maybe I’ll dip my toes in,” Mary smiled, hoping to lighten the mood. “But don’t push your luck.”

“Alright, I’ll see you there then,” Ririka said softly, kissing the top of Mary’s head.

Mary watched Ririka walk over to the shore before wading her way into the water. She chuckled when she saw her dive into a wave and move her platinum hair out of her face when she returned to the surface. She looked happy. Seeing that made Mary happy. Though her day hadn’t gone as planned in the slightest, she was at least relieved Ririka was having fun. She rarely got a break like this and genuinely had fun. School work and helping Kirari run their psychotic family was stressful enough on top of maintaining their position as top gamblers. Ririka deserved a chance to breathe and be herself for once.

Mary got up and rolled up her pant legs before walking over to the shore. She noticed that Ririka had swam much deeper into the water, but wasn’t too concerned. She shivered slightly when the cold water touched her feet, but it was refreshing nonetheless. It was hot anyway, so it felt nice.

She stood there for a moment enjoying the breeze and the shifting sand beneath her toes, finally feeling calm. That is until she saw a lifeguard run past her and into the water. She was swimming closer and closer to where Ririka was which caused Mary to panic.

All she could do was anxiously wait and watch as the lifeguard tugged Ririka parallel to where they were until they reached the shore. Mary sprinted to them, still in a panicked state of mind. Ririka held onto the lifeguard’s arm, her face red either from exhaustion or embarrassment… or because the lifeguard was very attractive.

“I-is she okay? Is she hurt? What happened?” The blonde asked frantically.

The lifeguard gave a friendly smile. “Your friend got caught in a rip tide, but she’s alright now.”

“I-I’m sorry, I didn’t know,” Ririka stuttered in embarrassment.

“Don’t worry about it,” the lifeguard assured her. “Just be careful swimming in this area of the beach. Alright, beautiful?”

That was it. That was the comment that made Mary nearly lose it. It was too much. With all that had already happened, the flirting from the clerk earlier, the looks from people on the street, Ririka falling on Sayaka, and now the attractive lifeguard flirting with Ririka, Mary's jealousy had finally gotten to a point where she was about to snap if she didn't get so much as a minute alone with her girlfriend.

“Thanks for saving my girlfriend, ” Mary said in the nicest tone she could, emphasizing on the word 'girlfriend.'

“Just doing my job,” the lifeguard nodded. “You two have a good day now!”

Mary crossed her arms, trying her hardest to not let her inner emotions show.

“Mary?” Ririka asked with caution. “You okay?”

Mary huffed, looking up at her. “Yes. I’m perfectly fine.”

“Wait a minute. Are you jealous?” Ririka smirked.

Mary’s face turned bright red. “No! I just...yes. A little.”

Ririka knew that was an understatement. She took a step closer to her lover, looking down at her. Mary was pouting and refusing to look at her now. Ririka placed a hand on Mary’s cheek, turning her face to look at her.

“You know I only have eyes for you,” the platinum haired girl whispered seductively.

“I-I know that! I’m not doubting your loyalty or anything! I just don’t like people looking at you the way I do,” Mary admitted, placing her hand over Ririka’s lovingly.

Ririka chuckled. "There's so much irony in this situation."

Mary raised a confused brow. "Huh?"

"You think I don't get jealous whenever someone looks at you with lust in their eyes? There are girls and boys in school including in our friend group who I know would give anything to be in a room alone with you," Ririka explained.

Mary was all too aware of her popularity at Hyakkaou. Heck, every Valentine's Day she received love letters from people she'd never even met. Being a top gambler had its perks, but Mary didn't necessarily consider that to be one. Especially now that she was no longer single and had to reject people instead of just brush them aside.

"Our friend group? Who?" Mary asked with a bewildered expression.

"Ryota," Ririka said softly.

"Okay, Suzui doesn't count. He gets flustered around everyone. Remember how much he blushed when he saw you without your mask for the first time? He's just a bundle of awkwardness," Mary explained with a scoff. "Who else?"

Ririka hesitated. "Yumeko."

Oh. Now that Mary could understand. Yumeko was a touchy person by nature, but she was different around Mary. Perhaps it was because she had feelings for her or maybe it was because she was close to Mary. Whatever the reason, Mary could see why Ririka could be jealous of her.

Mary rubbed her neck awkwardly. "Yeah, okay. I can see that. I've never had feelings for Yumeko though."

"Really?" Ririka asked with wide eyes.

"I care about her and all, but she has a hard time with boundaries. You always respect my boundaries and care about how I feel. Even today, you checked in on me when you felt like something was wrong," Mary blushed.

"And something was," Ririka nodded. "Communicating is important, my love. Without talking to me about these things, our relationship wouldn't be solid. We agreed from the start to be honest with each other about everything, right?"

Mary smiled fondly. "Right."

"So be honest with me now. You haven't gotten what you've wanted all day," Ririka sighed, placing her hands on Mary's hips. "What would you like to do now? What do you want?"

Mary licked her lips and breathed out. "You."  

"I'm all yours," Ririka whispered.

Ririka's eyes sparkled with desire. Her eyes fluttered shut as she pulled Mary close, pressing their two lips together. Mary smiled into the kiss and the world around them fell away. All they could hear was the crashing waves behind them. It was a moment, a single blissful moment that felt like a lifetime. Kissing Ririka always had that affect, like she was the only other person in the world.

The two broke free for air and pressed their foreheads together.

"I want more," Mary panted. "Somewhere alone with you. Do you think we can go to the hotel?"

"Hm, perhaps. Though the rental car is closer, don't you agree?" Ririka smirked.

The heat between Mary's legs grew more prominent now and had this been any other time, she would have obliged. But she wanted absolute privacy with no risks of being intruded.

Mary shook her head. "No, I want to be alone in a room with you. I need you, Riri."

Ririka grinned, briefly kissing Mary's lips once more before holding her hand, gently tugging her to walk away with her.

"Then what are we waiting for?"

#kakegurui #mary saotome #ririka momobami #mary x ririka #meariri

[bluerose5]

Guilty as Charged

[You can also read it here on AO3.]

Word Count: 1,210

"I don't get it."

Thane glanced over at Shepard out of the corner of his eye.

"Get what?" Thane asked, hesitantly poking at the mystery slop that Mess Sergeant Gardner had thrown together for the crew.

It had taken a lot of persuasion on John's part, but he had eventually convinced Thane to emerge from Life Support long enough to share a meal in the Mess. They had already touched on a number of topics. Future missions, past achievements, current struggles. Stuff like that kept them talking for a while, but the lapse in conversation was inevitable.

Surprisingly, the silence between them turned out to be more comfortable than awkward. Side by side, their legs would bump against each other underneath the table. Oftentimes, when they would reach out for something like a napkin or some silverware, their fingers or arms would brush. Skin against scales like a gentle caress.

Despite how his heart raced at every touch, Thane tried to maintain his composure. Abandoning his food, Thane gently pushed his plate away, opting to take his cup of tea in hand instead. He cradled it, careful of the heat as he lifted the drink to his lips.

Once he took a sip, he spared another glance in Shepard’s direction, curious as to why he hadn't replied yet.

The answer to that wasn't quite what Thane expected.

Shepard hadn't replied because he was too busy staring at Thane’s lips instead. The attention made Thane's body warm. His scales started to take on a thin, glossy sheen of venom, causing them to become more vibrant and iridescent. In the light, they downright glistened.

Of course, as soon as Shep realized he had been caught, he cleared his throat and averted his gaze.

"Just, you know—" John trailed off with a shrug. "I don't get why people call you a 'bad boy.'"

"Oh?" Thane regarded him questioningly, head cocked to the side. "I would ask who called me such a thing, but I don't need to. Let me guess. Kelly?"

"Kelly," John agreed.

"Hmm..." Thane thought it over, then shrugged. "Maybe she thinks that because I've killed people for a living."

"Thane," John huffed. "Let's be honest here. I kill people for a living, but when I do it, people either call me a war hero, a war criminal, or a terrorist. Nothing in between."

Well, he couldn’t really argue with that.

"I just don't understand why people label you a 'bad boy' when you're anything but." John continued with a shrug. "I mean, your whole philosophy is about making the galaxy better. What's so bad about that?"

Thane chuckled, setting his tea aside in order to give John his full attention.

"Does it really bother you that much?"

"Nah," John said, "I was only curious more than anything."

"Fair enough."

Then, Thane recalled how John was staring at him a moment ago, full of desire and longing. It made Thane feel wanted in a way he had thought he was done with. It felt almost selfish to pursue him, but Thane knew that was ridiculous.

Kepral's Syndrome didn't magically stop him from living his life, despite his most recent actions suggesting otherwise. His emotions didn't automatically stop developing. John was aware of his condition. He could decide for himself what that would mean regarding whatever this was between them.

Besides, Thane wanted to do something bold for a change. He wanted to make the move.

Reaching out, he placed his hand on top of Shepard’s. John tensed slightly at first, only to relax when Thane gave his hand a gentle squeeze.

"Too much?" Thane asked.

John instantly shook his head. Turning his hand over, he laced their fingers together.

"Not enough," he countered, sounding somewhat breathless, even to Thane.

It only bolstered his confidence.

Leaning in closer, Thane lowered his voice, fixated on the man before him.

"If you'd like," he said, his voice reverberating with emotion, "I could give you a private demonstration."

He slipped his hand free and grabbed his dishes. Shepard followed his lead as they trashed their scraps and placed everything in the dishwasher to be cleaned, shuffling over to the side of the Mess. They attracted a few stares, but nothing too concerning.

John furrowed his brow at Thane and asked, "A demonstration on...?"

As he trailed off in confusion, Thane smirked. He closed the distance between them, hands upon John's hips as he pointedly met his gaze and then eyed his lips.

Shifting closer, Thane heard the slightest catch in John's breath, their lips only about an inch apart.

But the kiss wasn't going to come. Not yet, anyways.

Thane took a deep breath, delighting in how elated he felt just from their proximity alone.

"Only on what we've been talking about for the past several minutes," Thane answered. "Give me some time, and I'll show you how bad I can really be."

John’s eyes widened, pupils blown, but he didn’t back down from the challenge.

“Is that a threat or a promise?”

“Maybe it’s a little bit of both.” Easing the edge of his shirt up along his sides, Thane’s fingers skirted along the sliver of exposed skin right above the waistband of his pants. John shivered but stayed in place. “It wouldn’t be any fun if I told you, though, would it?”

“No,” John breathed. “I guess not. I mean, there has to be some anticipation, right?”

“Right.” Reluctantly, Thane started to pull away, but John didn’t let him get far before he was closing the distance between them again. “Now, if you’ll excuse me—”

“What?” John pouted. “You’re leaving already?”

“Blame yourself,” Thane told him. “I’m doing that thing that you mentioned the other day about spending more time with the crew. Garrus and I talked shop some. Now, he insists on joining me in Life Support to ‘fix’ the specs and modifications on my rifle.”

“And you’re letting him?” John asked, both incredulous and amused.

“Sure, why not?” Thane rested his hand on Shepard’s arm, stroking his thumb over the rough skin. “If he starts to do anything too outlandish, then I’ll put him in his place, simple as that. Besides, have you seen how... intense he gets while he works? Very focused. Real good with his hands, too.”

“Ah, so the truth finally comes out.” John tsked at him, feigning disappointment. His arm flexed the slightest bit as Thane started to trace his fingers along the outline of his muscles, mesmerized by the strength hidden beneath the surface. “You’re insatiable.”

Thane didn’t know whether John was making the reference in relation to himself or Garrus, not that it mattered much.

“Guilty as charged.” Thane didn’t even bother trying to hide it. There was no point to. “Although, I’m certain that similar could be said about your feelings towards our resident turian.”

“No comment.”

“Of course not,” Thane said. Eventually, he took Shepard’s hand in his own. “Regardless, you’re more than welcome to join us, you know.”

“Three’s not too big of a crowd?”

“Nope. If anything, we can always make room for one more.” Together, they walked out of the Mess hand-in-hand, ignoring the eyes that followed them. “Just try to keep up.”

Shepard chuckled.

“I’ll do my best.”

#mass effect trilogy #mass effect 2 #mass effect legendary edition #shrios #mshrios #shakarios #mostly shrios but with a dash of shakarios thrown in at the end #because it wouldn't be my work otherwise #thane krios #commander shepard #john shepard #thane x shepard #implied thane x shepard x garrus #my writing #my fanfic #polyamorous negotiations series #polyamorous aliens

[incorrect-ikevamp-quotes]

hi I'm back again. Anyways; as always you don't have to answer if you don't wish! How do you think the residents would react to a young Pureblood MC? (I'm talking about young like a minor.) With that Gen Z in a nutshell personality. Obviously no romantic feelings, just in your opinion how do you think they'd react? all of my questions are just "coincidentally" oddly specific aren't they, totally

Oh shit whaddup I love the idea of Gen Z MC!!! Young pureblood it is, here we go! I’m going to be moving from the assumption that they’re like Comte/Leo; very sympathetic to humanity and sometimes have existential crises (trauma babeyyyyyyyyy). As such, I’ll also be assuming she’s not super close to her family given she rejects the larger vampiric hierarchy/superiority paradigm, memes and modernity, all that jazz

I hope this fits the bill! c:

Under a cut bc is a lonnnnnnng boi~ Click after Napo to see everyone else’s! No explicit triggers that I’m aware of, but if anybody sees anything I missed feel free to let me know

Comte’s reaction:

Absolute baby, he has decided this is his grandchild--no he will not change his mind or take constructive criticism. Get’s ESPECIALLY concerned when he starts to see signs of that “nothing in life matters 😎” nihilism, but doesn’t pester them about it or becomes naggy. Growing up he had similar issues with the prospect of eternal life surrounded by creatures with a mortal lifespan, so he doesn’t judge. He’s more like nah we all hit that vibe, let’s see if we can get their mind off it c: I feel like Gen Z really understand and appreciate the importance of culture and art, so I feel like they would bond a ton over trips to museums/plays/concerts! Invites them to tea time if he ever sees them particularly silent (ah yes, repression) or particularly tired, and does his best to ensure their safety without being intrusive (has briefed the men to escort/accompany her as needed, though Sebas usually does it).

If he sees fangs out around baby he will thrash the shit out of the perpetrator--unless it’s an accident. No excuses. That’s a child. Doesn’t give a FUCK if they’re another pureblood even with all the arranged marriage bullshit. He said what he said. (Remember that biting between vampires or vampire + human relations is considered something that’s only done between intimate partners, so he is having none of that for a minor)

Leonardo’s reaction:

Also certified granddad, but he’s the one that enables shenanigans and is just like “oh worm” when it comes to the existential dread (it’s a Tuesday). At first though Leo is basically that meme like: (Stupidman = Leo, Maddie = MC)

Not all purebloods are necessarily dangerous, but most are either incredibly indifferent to the plight of others (especially humans) or actively range from like playing social mind games to being sociopathic murderers/etc. the list goes on. As such, Leonardo is suspicious to no end until he sees that the kid really doesn’t have any ill will in her. She jokes with Sebas (they quote vines on the daily) and works with him normally; even when Leo asks Sebas he’s just “????? bro she’s just my kouhai, thanks for worrying tho”. One day he’s tasked with escorting her to grab groceries and assorted things for the mansion, and she freezes in place before bolting across the street. Turns out she saw a kid trip in the road and fall, and a carriage was moving fast from the other side--it likely wasn’t going to be able to stop. She scoops up the kid and holds them close, and when the parents try to thank her profusely she just seems more uncomfortable with the praise than triumphant. She didn’t want the kid to get hurt. If she could do something about it, it was as simple as that.

From that point on they’re hella chill and hang out together, usually just bonding in silence. If they’re an artist, he’ll offer them pointers and technique manuals--will help however he can. If not, they’ll just be reading together in the library now and again. If she falls asleep, he’ll tuck her in and watch over her (cue red eye meme when the door opens, but then it’s just Vincent so he c:). He’ll often pay close attention to her eating habits to make sure nothing’s amiss with her health since she’s still a growing pureblood. If she struggles with what she is a lot (given she’s sympathetic to human beings) he’ll synchronize his Rouge drinking with hers to make sure she doesn’t starve herself ;-;. Even if she’s just forgetful about drinking/eating, he’ll do what he can to make her life easier (that’s how he shows his affection uwu)

He will, of course, also tease her about being a baby until she kicks him in the shin while Comte sighs and tells him to knock it off with a smack upside the head

Napoleon’s reaction:

Not granddad energy, but you better believe he’s in a weird territory between sheer admiration and “I am your older brother now, eat your vegetables” “But I don’t even need vegetables” “Eat your vegetables and I’ll take you to a crepe shop” “............deal” 

Basically it’s unlikely MC is super close to her siblings or even has any (pureblood children are a rare feat) so she’s like......wary, but then she just ???? this is.....kinda nice? Just having somebody that cares in a chill way, but still fully encourages her to throw men across the street if they’re hurting women/children (high fives her every time). He’ll often invite her to the swordplay lessons with the kids alongside Isaac’s teaching; she’s free to join in the learning, or honestly just hang out with people closer to her age (he’s v concerned about her having friends that she can relate to and talk to freely). 

Protective in a subtle way, like Leonardo. Escorts her places and helps her carry groceries without fail when Sebas is running other errands. She becomes his crepe shop cover buddy whenever he has an intense hankering for sweets: “wanna go to that crepe shop around the corner” “you’re just too chicken to go alone, fool” “do you want crepes or not nunuche” “............BOKBOKBOK” “aight that’s it **gives her a noogie**” (they go anyway and have a marvelous time rating the crepes from best to worst, they got a whole list goin’) 

Glares Arthur down if he so much as LOOKS in her direction

Mozart’s reaction:

Mozart is just the “what is with this sassy, lost child?” meme. Doesn’t dislike them, but they are just not remotely threatened by his haughty disdain by any extension. And he HATES IT. The MC is always just “Okay, boomer” and he just ?????? He doesn’t know what it means but it’s openly dismissive, so he mad.

Like idk if y’all know this meme, but it’s the same energy as:

It’s only when he notices she’s always punctual and careful with his requests that he starts to warm up. For example, she makes him a mocha by combining the way he likes his coffee and hot cocoa to perfection when he falls asleep at his piano. (She feels bad for him after Comte explains because--though he’s got a stick up his butt--he’s clearly distressed in his new surroundings ;-; Plus, the kind of perfectionism Mozart exudes is an extension of internalized shame, and when she begins to see that she really shifts her approach.) As such, he begins to soften to her presence. He begins to see that she isn’t indifferent to his existence, it’s more that she sees no need for intimidation and believes admiration is earned (basic respect isn’t a privilege, it’s a right). When he figures that out, he stops being so barbed and terse--starts to relax. Offers to let her stay and listen to his pieces if she wants, and she’s honestly touched given his clear struggle with vulnerability. Cuddles with Schelm at the window as he plays, and they become good friends. 

As a result, Mozart becomes fiercely protective despite her sturdier nature as a pureblood and has hissed venom at Arthur about the fact that she is off fucking limits. Doesn’t leave her alone in the same room as the other men unless it’s with Jeanne or Comte; he don’t trust like that.

Arthur’s reaction:

Sweating a lot at the sudden collection of baleful eyes sticking to his back everywhere he goes, but figures he brought it on himself to an extent. That being said, he can’t really get a word in edgewise given she just walks away when he tries to engage in conversation or compliment her.

Tough nut to crack this one, but he doesn’t let it discourage him. The only way she’ll give him the time of day is to play chess--and she kicks his ass soundly every single time. He’s fascinated by her extensive analytic ability, but she keeps silent about her strategies and thinking. Dazai and Theo always love to watch him get his ass handed to him, but he considers it a really interesting experience; it gives him insight into her mind, no matter how much she tries to hide. Patient, efficient, brutal--this kid has seen some shit, probably.

It’s after that point he just concedes she probably won’t let him in, though it doesn’t diminish his curiosity about the future; and perhaps traces of dread. What does the future look like for both her and Sebastian to be that stoic and aloof? It worries him...

Vincent’s reaction:

Vincent is v v impressed by her sense of self, and honestly sees a lot of Theo in her. She’s a little more reticent than Theo, but she has this same commitment to protecting the vulnerable and penetrating through the lies/shitty convictions of others. She is not a person who bends easily, but even so there’s a quiet kind of gentleness to her: she always chats to him v calmly, asks if he needs anything and is doing okay, doesn’t get impatient when he drops things or forgets his apron for the laundry. I think he would respond very positively to her presence, even if it wasn’t intentional. He just brightens up like a little sun and asks her out to picnics for fun; he has no greater intention than enjoying her smile and silly antics (he doesn’t always understand the references, but the way she executes it with so much dry wit--like Theo--makes him laugh). He just feels the warmth of family/familiarity around her ;~;

Ironically, they’re both exceedingly concerned for the other because they’re too self-sacrificing jkashlgdks like this is 100% a case of “I can’t let a young lady risk getting hurt” “Vincent I’m literally indestructible please just let me do this” “But it still hurts” “But I don’t want you to scar--” (This conversation extends so long that the author felt it would be more beneficial to add an etc. here). 

He admires her and trusts in her abilities more due to the nature of her maturity, treats her like a cherished friend and sometimes younger sibling (not condescending but very indulgent; gives her the last of his sweets for example, or pats her on the head when she’s feeling gloomy--more of a wholesome puts her first). But make no mistake, he will throw hands in milliseconds if she gets ganged up on or can’t handle a threat--he just lets her handle most things bc she’s capable~

Isaac’s reaction:

Torn. Because on the one hand, she’s very serious and conscientious about her work--doesn’t want to inconvenience or trouble anyone--and he relates to that heavy.

HOWEVER.

She’s also got insanely chaotic energy when the mood strikes, so when Dazai starts doing his random shitfuckery you better believe MC is upping the ante. (I’m talking AH. ENSLAVED MOISTURE. levels). So Isaac essentially oscillates between thankful for her fortitude to bashing his head against a table for every second he knows her.

In all seriousness though, I would see Isaac as being pretty concerned. Like Vincent, they’re both self-sacrificing to a fault--and he doesn’t want that for her, especially given how young she is. Often tells her not to overdo it or to ask for help if she looks overwhelmed, though it’s not condemning; he says it softly with a neutral look on his face. (He considers it a Certified Mood^TM). He just wants to give back all the care she puts into helping around the house. He doesn’t feel right watching a kid work so hard without reminding her that she should find time to have fun and live for herself too. There will be plenty of time when she’s older to get serious.

He has a fairly easy time interacting with her because of his experience with kids; he takes her seriously (when she’s not clowning) and treats her autonomy with respect. If anything, she’s probably the protective one. She knows he’s an aberrant so she pays laser attention to when he’s suffering and brings him Rouge (not scared because she��s stronger than him and not human lmao, and she sees no need to put Sebastian at risk). When that uni pres pesters him, she goes cold and angry and asks the man to step off when she sees him start to downspiral. They’re essentially on equal footing (he has more life experience, she has more bodily strength/confidence). They're just chill and kind with each other (babies of the mansion, beloved by all).

Theodorus' reaction:

Because he is a manchild, he will be chill/generally indifferent until Vincent starts being indulgent with her (bro-con). He won't be violent or anything like that, but he will pout a storm and try to verbally shoo her away. Because she's a woman, intelligent, and likely a feminist--this will become hilarious because she will not remotely take him seriously. She will just ignore him or roast him in seconds before moving on with her day. Otherwise he doesn't care much because he doesn't have time to play babysitter (unless there's no one else to help).

At the most, he'll make sure she's safe and use the excuse that Vincent would be upset if he did anything less. If she likes/loves dogs and plays with King while she's there, he'll soften up and thank her for taking care of him. If she makes hella pancakes, he'll be the proudest about it--ruffling her hair. If she protects Vincent in any capacity, he'll be torn between jealous, grateful and impressed; he likes a kid that can hold their own and take responsibility within their abilities.

So their relationship is v much like a chill uncle with their niece; fond, but not necessarily super close or spend a ton of time together. He has his priorities, but he won't be an asshat (mostly).

Jeanne's reaction:

Jeanne is confused on so many levels. He doesn't dislike her spunk he's just staggered by her level of sheer reckless, righteous rage. (And he's a bit wary in the face of another pureblood as a potential enemy) but after a bit more time around her he relaxes. She's fairly simple to understand when you get to know her; cares about others to a fault, existential dread, overworks herself. Stays watchful, but he just treats her like the younger kids that Napoleon brings by the weapons shop when they need armor for practice. It can get a little funny because he’ll just be like “uhhhh uh kids like sweet stuff right? Here have some of the macaroons somebody brought by earlier, I don’t like ‘em that much anyway.” And she just “??? Thanks???” He doesn’t mind being around her, just doesn’t really know what to say so they often fall into comfortable silence after exchanging small talk. She likes that he isn’t complicated; what you see is what you get with Jeanne. It’s nice not to have to keep her guard up every second of the day,

When he sees her feeling particularly down, he’ll take her to that little field of white lilies behind the mansion during a full moon night. The silver light seems to make the petals emit an ethereal glow, and she makes him a flower crown in thanks. He listens kindly if she wants to talk, and if she doesn’t--that’s okay too; he’ll just give her a head pat.

Honestly he finds a lot of relief in the fact that she's a pureblood, because he feels less nervous about her being fragile or her getting fatally hurt when he’s not around. Will still be very gentle with her and protect her when she’s in proximity

Mission Status: Fucking Wholesome

Dazai’s reaction:

Big brother time? It’s big brother time!!!! He instantly makes it his subtle mission to look after her, though he’s v lowkey abt it. She takes one look at this depressed mofo climbing in through the window and just goes “aw yeah, this guy FUCKS” and they become besties at a glance. They basically make a game out of who can be the most absurd whenever they’re in the same room. Comte and Leo find it utterly hilarious, Napoleon is digging a grave for Isaac in the backyard (we all know his heart won’t be able to take it. Mozart is probably next. A moment of silence for our fallen.)

I just imagine them like that one post (@/acoolguy):

Dazai: You ever have to shake your leg because there’s a rock in it? MC: That’s your bones Dazai: Every day I learn some more

He’ll always share treats with her and brings her along for walks if she’s feeling wanderlust; he knows how hard it can be, how restless the heart becomes so far from home. He does his best to distract her with their ongoing jokes, but one day it starts raining very suddenly while they’re out. He rushes her under the nearest tree with broad, broad leaves and settles his haori/overcoat over her head. He looks incredibly serious as he looks to the sky--almost glowering at the dark clouds gathering, He doesn’t look at all like his usual fun-loving self in that split second, even though he’s back to his good-natured chirping “Guess we’ll just have to wait out the downpour. MC, are you cold? I should have been more careful.” She shakes her head and shares the coat with him, holding it out insistently until he relents. Their hands brush and she notices they’re freezing, but she doesn’t say anything. She seems to sense he has a lot on his mind, and leans her shoulder against his. The silence feels fragile; she doesn’t want to risk shattering it--shattering him. It is often said that it is an act of great courage to wipe away someone’s tears. But it can also be an act of great gentleness to turn away, to pretend one cannot see them fall (whether visible or not).

One day, after MC returns to her own time, Dazai returns to his room to find two shadows hanging from his window. Though a little crude--they’ve obviously been made by a beginner--it’s clear what they are. Rain ghosts. (Sebastian later explains it was MC’s wish that he have them, and Dazai only smiles very, very gently in response.)

Shakespeare’s reaction:

MC gets one look at him and knows something’s off. She can’t quite tell what it is, but he doesn’t feel like the rest of the family. She can sense something behind him, something lurking; but she can’t quite place it. (Comte has mentioned before that purebloods can sense each other, so I imagine MC knows right off the bat he isn’t a normal sired vampire--she just doesn’t know enough to identify exactly what it is.)

That being said, she is sus. He keeps talking like some kind of weird ass court jester/fae, and she hated his work when she had to do it for school (only enjoyed the Hamlet memes because, let’s be real, that shit is uproarious). When he tries to coax her to see Vlad with him, she says “'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, yet you cannot play upon me.” And he just freezes in place before he starts laughing. Considers their battle of wills well-played, and warns her not to go out alone--doesn’t bother her again. Though sometimes enjoys listening to her conversations with others for good roast material. (No he is not taking notes, no this new chara is just fire and feral for no good reason--nothing to do with MC)

Sebastian’s reaction:

The l o r e, MC. Give him the forbidden pureblood lore. Will be incredibly curious and ask about what vampires are like outside of the mansion, for science of course. If he senses discomfort though his questions will die down completely--it’s not his intention to make her uncomfortable. He’s just curious! 

Despite his stoicism he’s actually a very, very understanding and warm person.  Will listen to any teenage jadedness or hopelessness with fond patience, recalling the days he was similar. He’ll offer what advice he can. He’s not one to be preachy, but if he sees someone at a loss, he’ll offer what he thinks might be a productive direction for them. Given her removal from her home and parents--even though she’s already well into high school--he’ll sympathize deeply with her position. Will be a firm but gentle guardian (hello Mansion Mom #2), offers her candy every time she does a chore exceptionally well or offers assistance without prompting. She’s sus and takes it reluctantly at first, but after she tries one in private secretly loves them. Sebas is just silently “you like krabby patties don’t you, squidward”. If she’s honest, she’s comforted by the sense of normalcy and care he gives, the harmless joking and easy respect for others (unless otherwise provoked).

When she finds out about his hobby considers him to be a Fucking Nerd^TM and wants to shove him into a locker, but in reality is endeared by how much he genuinely cares about the men. She thinks it’s a harmless fascination, and she senses the oddest...ephemerality about him. Because of this, she becomes pretty protective; he’s a human and he’s too nice for his own good. While she identifies in one sense, she worries in another. Pureblood are sturdy, but humans can’t necessarily sustain that kind of constant self-giving for long...

Also bc my tag game too strong adding it here: #i love the prospect of pureblood MC trying to bring Sebas and Napo together #MC: bruh i got this #Sebas, full of gay panic: wait, MC nO--

Meme tl;dr in the tags also for your enjoyment! I’m sorry this one took a little longer than most to finish!

#asks #ikevamp #ikemen vampire #ikevamp headcanons #ikevamp napoleon #ikevamp mozart #ikevamp leonardo #ikevamp leo #ikevamp arthur #ikevamp vincent #ikevamp isaac #ikevamp theo #ikevamp jeanne #ikevamp jean #ikevamp dazai #ikevamp comte #ikevamp saint germain #ikevamp shakespeare #ikevamp sebastian #gen z pureblood mc #i had a lot of fun writing this! I hope this met your expectations friend! c: #comte and leo: uwu grandparents #mozart: okay BOOMER #napo: HAHAHA shithead siblings i love it #arthur and shakes: wouldn't you like to know weather boy. 'where are your parents??' (parts one and two) #vincent and isaac: BRUH S A M E S I E S #theo: **meme voice** 'is there anything worse than a rapist?' BOOM 'a child.' 'N O!' #jeanne: endearing but out of touch uncle while dazai is WOOOOO LET'S DRINK BLEACH uncle #sebastian: ah yes ty for the modicum of brain cells and competence that also shatters gender norms my good bi bitch #**Gilligan's cut to MC and Dazai wearing sunglasses and matching hats that read 'i put the (me) in disappointment'**

[joachimnapoleon]

May I ask you the question on a rather delicate topic (which bothers me from time to time, when I stumble upon Murat’s mentions in Poniatowski’s biographies etc.)? It is often repeated that they resembled each other in some areas, like their love for parties, dances, horses and women...

So my question will be on that, latter topic.

We all know about Caroline, but what about other women in Joachim’s life? Did he have other significant “love interests”? Was Caroline the first woman he proposed to? Did he... cheat on her???

If you know anything on the topic could you please share it with us? ))) (Because I am very curious why did prince Murat earn such a reputation ;)

Thanks in advance!

Oooh this is going to be a fun one. :)

Murat did acquire quite a reputation for womanizing. Napoleon would say on Saint Helena that Murat "needed women like he needed food." On another occasion (and for some reason Napoleon returned to the subject of Murat's sex life on numerous occasions) he exclaimed "How many mistakes did Murat not commit in order to establish his headquarters in a chateau where there were women! He needed them every day, so I readily tolerated a general having a whore with him, in order to avoid this inconvenience." (From Gourgaud's diary, 3 April 1817.) Apparently Napoleon was quite fixated on this subject because Bertrand records similar remarks from him in an undated note assumed to be from some time in 1820: "Murat supposedly needed a woman each night, but every woman was good to him, and nothing stopped him, whether she had the pox or not." (Vol. 2 of Bertrand's Cahiers de Sainte-Hélène, pg 438) Which is likely a reference to one of Murat's more well-known mistresses, Madame Ruga, a lawyer's wife, whom he met (and possibly fell in love with) in Brescia.

But I'm getting a bit ahead of myself. We'll get back to Madame Ruga.

Murat's early life is very poorly documented. Some of his early biographers allude vaguely to him womanizing while he was still a student in the seminary, and even claim that he fought a duel over a young woman before abandoning the seminary to become a soldier. Take it all with a grain of salt. The first actual evidence of Murat having an attachment to a woman, lies in his letters referencing a young woman named Mion Bastide, from his hometown. It's hard to tell how deep his feelings for her ran; he repeatedly asks his older brother for news of her--and also what her "intentions" are, and if she is flirting with the young men of La Bastide while he is away on his military duties. Perhaps they had spoken of marriage at some point while he'd been home. Anyway, he eventually got tired of her not responding to him and moved on. While a captain in the chasseurs à cheval, he apparently had an affair with a woman named Eléonore; I haven't come across any details about this, but his attachment to her was strong enough that he kept a pocketwatch with "Joachim Murat, capitaine de chasseurs à cheval: Eléonore to Joachim - do not forget her" inscribed inside; he only relinquished this watch during the 1812 campaign, as a gift to a Cossack.

During the Italian campaign, Murat had affairs with two men's wives; the aforementioned Madame Ruga, and one Madame Ghirardi (more on her shortly). Madame Ruga is described in Desaix's notes as "young, pretty; wife of a lawyer; like all the Milanese, loving pleasures, having suffered from the venom"--"the venom" (le venin) being a tactful way of saying she'd had venereal disease, which she soon passed on to Murat. "Murat is ill," Napoleon writes to Josephine on 22 July 1796; "the goddess of the ball, Mme Ruga, properly gave him une galanterie," which is another lovely old-fashioned euphemism for giving someone VD. Napoleon continues that Murat "is furious; he wants to put his adventure in the gazettes." But in typical Murat fashion, his fury burned out quickly, and he seems to have been quite infatuated with Mme Ruga--he continued the affair, which is probably what spawned Napoleon's later disgusted recollection on Saint Helena. He even temporarily neglected his duties, until Napoleon sent him a mild reprimand, to which Murat replied with indignation. "I have never had any idea which could be the least disfavorable to you," Napoleon responded drily on 21 June 1797, "but I thought that you were more necessary to your division than to your mistress in Brescia." When Murat was sent back to Italy in 1800--months after marrying Caroline--there's a very good likelihood that he resumed his affair with Mme Ruga. At any rate, they maintained contact for some time; she delivered a letter to Eugène de Beauharnais for him in 1805.

Now on to Mme Ghirardi. Apparently he also met this woman, wife of a General Lechi, in Brescia. Eventually Napoleon sent Murat to Rastadt for peace negotiations at the end of the Italian campaign. According to an article in the January 1908 Revue Napoléonienne, this is what happened next:

But Murat's conquest does not intend to let him go. Desperate to hold him back, she follows him. The beauty flees from Brescia, crosses the Alps and falls into Strasbourg; when Murat returns from Rastadt to Paris, she settles there with him and stays in the same hotel, rue des Capucins-Neufs, number 20. The adventure here is complicated by a comic novel. The husband, worthy and notable citizen of Brescia, makes a lot of noise about his misadventure and instantly demands the lost object. He brings his complaint to Milan; he comes as far as Paris to address a mournful petition to the Directory. He begs Barras and his colleagues to set themselves up as defenders of outraged morality: "Put this young woman betrayed by a vile seducer on the path of righteousness and virtue, give a mother to an innocent child; it is an honest husband who asks for this act of justice. He will be able to publish it throughout the Cisalpine and to his fellow citizens who expect it from you." (...) A singular crossover facilitated the outcome. While the husband brought his action in Paris for restitution of wife, Murat, perhaps judging that the follies of youth should not be prolonged, adopted the part of bringing the fugitive back to Brescia and resuming his military career in Italy.

Napoleon writes to Berthier to inform him that Murat is coming back to Italy to return "this heroine of Brescia," take a vacation in Rome, and then rejoin the army. And that is the last we know of Mme Ghirardi and her affair with Murat.

The short answer to your question as to whether Murat cheated on Caroline is, unfortunately, yes.

And, not to make excuses for him, but it's hard to see it turning out otherwise given that Murat was pretty set in his ways by the time of his marriage. He had long since gotten into the habit of flitting from one woman to another, and he was in his early thirties when he finally married. On top of that, his military duties made it inevitable that he would spend long periods far away from Caroline--which he did--and I just don't think he had either the self-control or the interest in remaining faithful after awhile.

(I'm just going to excerpt this next part from a post I did on Murat's relationship with Caroline awhile back, since it fits in perfectly here.) 

They endured a long period of separation very early in their marriage–the first of many, adding up to several total years spent apart between 1800 and their final parting in May of 1815. Murat was sent to take command of a force in Italy in November 1800 while Caroline was pregnant with their first child; they did not see each other again until May of the following year. There are a couple of letters within Murat’s published correspondence that hint that, though he at first attempted to remain faithful to his wife during this interim, he may have given up on the endeavor prior to their reunion. The diplomat Charles Alquier, who befriended Murat in Italy, wrote to him in April 1801, lamenting not being able to spend a few days with him in Florence, teasing that he “would like to witness your gallant successes there and hear you talk about your marital fidelity, without believing it in the slightest.” The following month, after the arrival of Caroline, Alquier teases Murat again along these lines, in a postscript that reads “It was about time that Madame Murat arrived in Florence, or your hard-pressed fidelity was about to escape you.” He had almost certainly resumed his affair with Madame Ruga during this period.

There is a rather fascinating little affair that takes place early in 1806, in which Napoleon and Murat were having a simultaneous affair with a young woman named Éleonore Denuelle de la Plaigne, who was staying with the Murats at Neuilly at the time. Napoleon abruptly put an end to his affair with her when he discovered that she was also sleeping with Murat. Éleonore gave birth to a baby boy at the end of the year, and Napoleon believed the child was probably Murat's--up until he saw the boy in person prior to embarking for Saint Helena. What's particularly fascinating to me about this episode is the fact that Caroline pretty much arranged this affair for her brother--the Bonaparte siblings were so hell-bent on getting Napoleon to divorce Josephine by this point that some of them were acting like glorified pimps, hooking Napoleon up with girls left and right in hopes that he'd eventually produce a baby and prove that he wasn't to blame for the lack of an heir. But the timing of Murat, a man of proven fertility (he had four children by now), swooping in to plant a few seeds of his own at the same time that he undoubtedly knew Napoleon was bedding Éleonore just... let's just say I have theories about this. Suffice to say I think the Murats' sexual dynamic took some interesting twists and turns, and I'm fairly convinced that they each weaponized the other's sexuality on occasion--the Éleonore affair being the first example, and Caroline's affair with Metternich later on being another. This is totally, 100% my own personal theory and there's no way in hell to prove it either way, it's just my own reading of the situation given my current understanding of the personalities involved.

Anyway. The interesting thing about Murat's alleged affairs is that so few of his mistresses have been written of by name, the ones above being the exceptions. I've seen it written that he had a brief fling with the actress Mademoiselle Georges--who also allegedly had a short affair with Napoleon--but it's another one of those things that isn't well-sourced, at least from what I've found so far. As for his mistresses in Naples, I haven't come across the name of a single one. General Guglielmo Pépé only refers to them in the most general terms, remarking that King Joachim considered it dishonorable to refuse to grant a woman a favor "even were she not his mistress," and that he was especially susceptible to the "entreaties of the ladies about the Court". He also recounts Murat telling him once that "The Queen does not much like my giving audience to ladies," to which Pépé rejoined, "I pity the Queen if she notices the gallantries of Your Majesty." But I do find it extremely interesting that there seems to be absolutely no information whatsoever on any of Murat's alleged mistresses in Naples, which makes me wonder if his reputation in that area might be a bit exaggerated and if a lot of his so-called "gallantries" were simple flirtations. He never stopped being a massive flirt or enjoying having women's eyes on him. "He was very vain," Madame Fusil, an actress who met him in 1812, wrote of him, "and he liked women to watch out for him." 

I hope I didn't forget anything! And thanks for the ask! ^_^

#asks #Joachim Murat #Caroline Murat #Caroline Bonaparte #Napoleon #Napoleon Bonaparte

[giantroboticplatypusbutt218]

Diversity win! The cannibalistic man-eating alien parasite is bi! 

Venom 2 thoughts under the cut (there are many):

I liked the second movie. Similar to the first, the pacing is weird, some of the scenes and dialog were weird... a lot of things were weird, basically. But, it adds to the charm, I guess. Again, keep in mind that I liked the movie, because I’m about to start complaining a lot. 

The movie was not as gay as I was hoping for. Like, all the stuff I saw teased beforehand was there, but in a different way. Yeah, Venom and Eddie act like a strange couple... the few times that they’re actually together in the movie. Yeah, Venom says something about coming out... “of the Eddie closet”, referring to not being restricted by his rules. Yeah, Venom tells Eddie he loves him... passively, and Eddie has a brief moment of ‘wut?’ before it’s basically glossed over. Throughout the movie they’re clearly supposed to be like a married couple... but only “like”. I can’t say I didn’t expect the movie to not be as gay as people were hyping it up to be, though. People here have a tendency to take crumbs and rave about the delicious cake they had.

I feel like there really should have been more done to sell Eddie and Venom being a perfect match by the end, especially with them defeating Carnage through the Power of Love. Dan’s like, “Look, Kasady and Carnage aren’t going well together, but you guys are perfect for each other” and then Venom and Eddie are like, “Hell yeah we are” and go to fight them, despite Eddie barely managing to give Venom an apology for being a dick like an hour prior, and Venom straight up not giving Eddie an apology for beating the shit out of him before their break up. 

Speaking of their fight, that was brutal. Uh, I don’t know if it was framed to be humorous and I just didn’t catch it, but the people in the theater were laughing. Like yeah, some of their arguing was humorous because it’s funny that Venom doesn’t care about eating people but is too emotionally attached to a couple of chickens to eat them, but Venom breaking Eddie’s nose and other shit didn’t feel very funny to me. I will say, I’m glad Eddie fought back. Yeah, them fighting in general is bad(that was the whole point, that’s why they broke up) but Eddie actually managing to get Venom back made their relationship less abusive and more toxic. I think them being on more equal footing is important to the whole “they’d be a good couple if they worked out their issues” thing the movie was trying to do. 

Still, the movie didn’t resolve anything when it came to Venom and Eddie, really. Venom got to eat a couple people, but he’s going to get hungry again and Eddie is still not cool with Venom eating heads. Eddie managed to apologize to Venom for not admitting how much he helps, but it took so much effort and was under the pressure of needing to fight Carnage so it doesn’t feel genuine enough. Venom still needs to feed and Eddie still needs to appreciate Venom’s help. They’re still at the place they were during the fight but they just sorta made up long enough to kill Carnage. Eddie’s apology felt like the first step in working things out, not a grand leap that sorts out their shit enough to defeat Carnage with the Power of Love. 

I also have to mention how conflicted I feel. Like, yeah, Venom is a cannibalistic man-eating alien parasite, AKA, not the best LGBT rep to ever exists... but imagine if he didn’t love Eddie? I just can’t see Venom as being 100% straight, even if I know him being bi is very othering. It could possibly help if Eddie, the human protagonist, was clearly Bi as well... but he’s really not. Not opposing Venom’s love isn’t the same as reciprocating it and even if he does love Venom back... it’s still not a good look for your Bi character’s only same sex love interest to be a tentacle monster.

Okay... thoughts on things that aren’t Eddie and Venom...

I’m really happy Dan didn’t die and that Anne and him are getting married. By extension I’m glad Eddie didn’t get back together with Anne, which the end of the last movie seemed to be pushing would happen. I was genuinely concerned that Dan would die so Eddie could end up with Anne, but instead they took the good route and actually had Eddie and Venom have to accept that Anne moved on and her relationship with Eddie wasn’t healthy. 

I’m also really happy that Dan Did A Thing during the climax. He did Two Things, actually. He may hate dealing with alien nonsense but he was there to help in the end, just like how Anne was in the first movie. Sadly, unlike the first movie, Anne didn’t Do A Thing during the climax. No... she was a damsel in distress. But, you know, a woman kidnapped her so it actually wasn’t sexist, right? (That’s sarcasm, btw.) 

Speaking of sexism... uh... I’ve never seen so many women fridged in such a short time before. Kasady killed both is mom and grandma which sent him to the mental institution, and Eddie’s mom died during childbirth which was used to spur Venom into attacking Kasady. While it wouldn’t be fridging because it didn’t motivate characters through trauma, the first movie also killed two female characters, Maria and Skirth. Of the eight notable female characters we’ve seen/heard of, only two are still alive by the end of the second movie. Three even died before the first movie. Compare to notable male characters, which there are way more of, and only four died, all of whom were villains. I’m just saying. 

On a lighter note, I liked a lot of the stuff with Kasady and Shriek. They were fun and their love was genuinely sweet, even while they were brutally slaughtering innocent people. 

That was short, but back to complaining... I really feel bad for Shriek. It was probably the point but she really didn’t deserve the crap she got as a kid. Neither did Kasady but he needed some serious intervention and not just... straight up abuse. Meanwhile, correct me if I’m forgetting something, but I don’t think Shriek was actively antagonistic to anybody. Like until she was being dragged away from Kasady she wasn’t the one to actually strike(shriek?) first. It really feels like her villain origin story wouldn’t be an origin story if fictional mental healthcare wasn’t so absolutely dogshit and abusive. By the way, add Venom 2 onto the pile of movies that give me a fear of being sent to a mental hospital because writers decided that “crazy” people are pique horror and so too would be the place they’re sent to. 

It’s taken me a million years to actually talk about Carnage because he really did not get any time to be an actual character. Hardly anything stood out about him. At least with Riot there was a hint of deceitfulness going on with him making Drake think they were a team when really he was just using him to get into space, but Carnage had nothing interesting going on besides letting Shriek live the first time she accidentally hurt him. Besides being pretty strong and Venom’s “child”, he’s got practically nothing going for him. 

Look I know I had barely anything nice to say but I swear I did enjoy this movie. I’d say I liked it so much that the bad stuff stood out more because it interrupted my enjoyment... maybe. I don’t know. 

#Random Thoughts #Complaining #Long Post #Okay I've been writing this for too long and I need to go to bed now... #Just wanted to get my thoughts out while the movie was still fresh on my mind. #Venom: Let There Be Carnage Spoilers #Venom 2 Spoilers #Spoilers #Venom: Let There Be Carnage #Venom 2

[stina-is-a-punk-rocker]

'birds of prey': a cinematic masterpiece

It's been a little over a year since Birds of Prey came out, a couple of months since I watched in on a whim, and I'm still not over this film.

Too many men people get pressed whenever you say you like this movie. "It's objectively bad," they say. "It's campy. It's too divergent from the canon. It's SJW propaganda."

Who gives a fuck, Richard? Who gives a single flying fuck?

I'll preface this by saying, my knowledge of the DCU is flimsy, at best. I've watched a couple of movies. My mum used to watch Smallville. I watched the pilot episode of Gotham. And I know enough about it to get the few references sprinkled in other media. But I draw a complete blank when it comes to the comics. So the canon of the comics had no effect on my enjoyment of the movie. Which I did. A lot.

I walked in blind when I watched Birds of Prey for the first time. I was unaware of the controversy surrounding it, and the only reason I even gave it the time of day was because I was bored.

I watched Suicide Squad circa 2016, and positively abhorred it- the only good thing about it was the soundtrack (the best songs are always wasted on the worst movies. Case in point: Twilight). And the not-so-casual misogyny was just... Yikes.

And then, we got Birds of Prey.

Since watching the film, I did a bit of research (see: Googling 'birds of prey movie reviews' and clicking on the first few results that popped up). The response was mixed- which honestly came as a surprise, since I thought it was great, and mine is the only opinion that holds weight.

I've read and watched a lot of those reviews. I watched the CinemaSins video. I watched the CinemaWins video, because CinemaSins has taken a major nosedive since I first started watching them.

Were all the negative reviews not-so-subtly indicative of the (predominantly male) critics' misogyny? I dunno; how did they talk about similar male-centered action films? I don't think it's fair to scream, "SEXIST!" just because someone didn't like the movie. Critics hated Venom (which was admittedly pretty meh. I still enjoyed it, though), but it was still pretty well-received by viewers.

I saw one review say that Birds of Prey was 'for the birds'... I'll let you unpack that yourself.

And yet, though I try to keep an open mind, I find it unfathomable how anyone can dislike Birds of Prey.

One of my favorite parts about the movie was the female gaze present throughout its entirety. I've seen people bring up the obvious change in Harley's costume- which I'm a bit iffy about, to be honest. Don't get me wrong- I love her choppy bangs and fun pigtails and the whole fluffy top thing she's got going on, but a whole lot of the critique towards her getup in Suicide Squad comes off a tad too slut-shamey (that isn't a word? Well, it is now).

Her outfit wasn't the issue. It's how she was framed.

In Suicide Squad, we get loads of shots of men leering at Harley, and a little too much emphasis on her breasts and arse in almost every scene she's in. As opposed to Birds of Prey, where Harley's still sexy (I'm seriously concerned for the straight men who found Harley unattractive in this film... You good, Pete?), but we focus on her face instead.

That part where Harley gives Canary a hair tie in the middle of a fight scene? Brilliant.

The characters have depth (a lot of reviews disagree with me. Well, what do I know? I am but a lowly STEM student). One of my favorites was Canary (and not just because I found her insanely attractive)- I love, love, love her arc in the film.

I've seen people complain that the villain didn't really get all villainy until towards the end of the film; which, if Sionis had to put on the mask for you to finally see him as the bad guy, then you've clearly missed most of the film. He's literally introduced while he's peeling the skin off of someone's face. Not to mention that one particular scene at the club- I won't go into too much detail, because it could be triggering to a lot of people- but it chilled me to the bone.

Following up with the villains: "All the men are bad guys," they say. "The whole film is feminist propaganda," they say.

And me posting this on International Women's Day is a bit on-the-nose, I'll admit, but this particular critique bothers me. Because those men aren't unrealistic. They aren't caricatures of men in the real world. We all know men just like them. A lot of them hit a little too close to home for me.

I've seen people complain that women touting the film as feminist turned them off from it- which, I dunno about you, but seems problematic to me on so many levels. Sure, not everything has to have a political agenda, but it's hardly like Harley & Co. scream, "GIRL POWER!" every three minutes.

(Also: it's funny how way more people get mad about poorly executed feminism than actual issues a lot of women in the world face, but that's a topic for another day.)

The diversity was just- wow. Getting not only one but FOUR Asian characters with lines? Hollywood, am I dreaming? The LGBTQ+ representation (not going into Sionis and Zsasz being queer coded)? Holy shit, yes! Maybe I'm getting too excited about this- Hollywood's a lot kinder to us minorities as of late- but it still fills me with joy whenever I see people like me onscreen.

Another complaint that springs up with regards to Birds of Prey is the skewed order in which Harley narrates the events. Which is kind of one of her defining traits- she's an unreliable narrator. And she makes it pretty obvious (this video explains it better than I can). The cartooned beginning was engaging, as corny as some of it was (loved the style, too).

The fight scenes were thrilling to watch. Not a single minute passed by where I was bored (my eyes usually glaze over during prolonged action scenes in films, which did not happen in this case). The comedy was well-timed and bold; the cartoonishness added to its charm.

And this is probably not even significant, but I adored the color scheme. I loved the bright, shocking colors; the emphasis on the pinks, reds and blacks.

And, finally, how could I go without mentioning the soundtrack? It was divine- I listen to the Birds of Prey album on Spotify almost every day; Lonely Gun and Experiment On Me are among my most-played songs, and the rest of the music is just as delightful.

In conclusion: go watch Birds of Prey if you haven't already. It's the closest thing to a spiritual experience I had last year.

#birds of prey #harley quinn #suicide squad #movie #movie review #dc comics #dcu #feminism #international womens day #women #action #margot robbie #joker #canary #huntress #feminist

[illinformedcomicfan]

Why does the Spider-Man in your profile and banner have the colors flipped?

I see you asking, my devout follower. Begging, praying that I give you the answer to this elusive, long-running mystery. Well, it’s been about a week now. That’s basically a year in these COVID-19 times, so I figure it was time for an answer. Sit down my friend. This is not simply sPidEr-MaN wItH tHe cOlOrs fLipPeD. Let me introduce you to one of the greatest and most underrated characters in Spider-Man comic book history. Or in comic book history as a whole, really if you want to go that far. I present, Web-Man. Now I see you asking. Who the fuck is Web-Man?

He wonders that himself every day, as well.

Web-Man’s a weird character. At first he seems pretty simple. You saw the image and probably thought “That looks like an evil version of Spider-Man that has the colors of the suit flipped”. And that’s correct. It’s that simple. But the circumstances of his creation and history (or lack thereof) are what interests me most and how crazy they are, so let’s take a trip down... well not memory lane because I’m sure you didn’t even know he existed until now. He represents such a weird phenomenon of superhero comics history that I love explaining him. The Trope of “Opposite Bad Guy With Different Colors”

This is a well-known trope in superhero stories. It’s a great storytelling and visual element that’s easy for audiences to wrap their head around. There’s a good guy. There’s a bad guy. The bad guy looks pretty visually similar and tends to have the same base powers as the hero but they’re eviiiiil. It sounds cheap, and to some extent, it kind of is, but opposite villains are so fun that no writer, or fan can resist them (especially when they’re done well). There’s so many examples of this that it’s almost absurd. Every superhero you can think of most likely has an opposite. -Zod is Superman But Bad -Bizarro is Superman But Bad (sometimes) -Superboy Prime is Superman But Bad -Cyborg Superman is Superman But Cyborg Bad (You get the point by now) -Reverse Flash is Flash But Bad -Black Adam is Captain Marvel (Shazam) But Bad -Owlman is Batman But Bad -Sinestro is Green Lantern But Bad -Malcolm Merlyn is Green Arrow But Bad -The Frightful Four are The Fantastic Four But Bad -The Crime Syndicate is The Justice League But Bad The biggest example of mass-media cape stories these days, the MCU, tends to pull this trick often, and most of the time they get a lot of shit for it regardless of how well made the actual movies are, and rightfully so in some cases. -Iron Monger is just Iron Man But Bad -Abomination is Hulk But Bad -Whiplash initially has the cool electric whips at the start but then he gets a suit of armor so he just becomes Iron Man But Bad BUT Also Has Whips -The Winter Soldier is, to some extent, Captain America but bad (This isn’t a slight against the movie or Bucky’s character, just another example) -Yellowjacker is Ant-Man But Bad -Kaecilius is Doctor Strange But Bad (and Mordo is going to be Doctor Strange But Bad 2.0 in the sequel) -Killmonger is Black Panther But Bad SPOILER FOR WANDAVISION -Agatha is Scarlet Witch But Bad

By now no further explanation is needed. You already knew that there’s a very common trope of The Good Guy But Bad. Thing is, when most people think of Spider-Man But Bad, they tend to think of Venom, who is sort of the gore body horror sci-fi 80s version of Spider-Man But Bad. At some point he gets enough of his own lore and enough of his own comic series that he kind of loses that, but that original context is always tied to him. There’s never really been a straight, 1:1 opposite of Bad Spider-Man that’s taken off in popularity. Tarantula sort of fits the bill? Maybe? Not really? Especially with that name and get-up.

But the concept of Web-Man, Spider-Man But Bad With The Colors Flipped, sounds so simple and surefire that it’s a wonder why he never took off. You’d also believe that, due to it being SO PAINFULLY OBVIOUS, he was created early. On the contrary, it took about 15 years after Spider-Man’s introduction for Web-Man to hit the pages of a comic story. The most wonderful (or most horrendous, depending on how you want to see it) part of him is that he’s not main 616 Marvel universe canon. Spider-Man But Bad!... of Earth-57780

Created as a tie-in to the Spidey Super Stories segment of The Electric Company’s children program, this comic ran for a good few 8 years, in what was basically a more over-the-top and zany version of Spider-Man for the kid audience of Electric Company. (Fun fact, the Spider-Man of this reality was part of the Spider-Verse events that have been a part of Spidey comics for a few good bit of the 2010s now.)

In August of 1977 with #25, Marvel editor/writers Jim Salicrup, Nicola Cuti and Bill Mantlo, along with artist Win Mortimer introduced Web-Man in the lead story “Spider-Man and Web-Man”. 

Created by Doctor Doom as an evil clone of Spider-Man (a couple years after The Original Clone Stuff, and some 17 years before The Clone Stuff Everybody Hates), his deal is pretty simple as you can see from his masterful and devilish creation by Marvel’s resident supervillain. (Side note, I love the sheer power visible in the panel where he breaks the containment tube).

Endowed with Spidey’s knack for quips, fast zingers and the ability to piss off pretty much everyone he runs into, Web-Man robs an armored car to get Spidey’s attention. What follows is some pretty cheesy but endearing joke-exchange and fast paced action. They go back to Doom’s lab, and the best part of the story? He’s not even the only Web-Man in it.

Yes, that’s right. It’s not just ONE Web-Man we’re dealing with. It’s TWO WEB-MEN.

Unfortunately, in a pretty uncharacteristically Spidey move, he brutally and violently viciously maims and murders the two misguided souls. Ok, its not really that graphic or serious in the story, but those were real dudes with like, meat and bone and feelings. And now Spidey’s recklessness has cost them their life. Pretty uncool, Peter.

After that, regular Spidey beats Doom and presumably sends him off to jail. There’s no follow up to the Web-Men or how precisely they ceased to exist beyond “Spider-Man broke the mirror”. A fun and breezy story to kill time with. What boggles me the most, is that in the 41 years since, he hasn’t come back a single damn time in literally anything.

Requiem For A Web-Man

(Before you ask, yes, I made that edit. I have a bunch of them)

Web-Man never returned to Spidey Super Stories. He was never introduced in a 616 Spider-Man comic. He’s never been in one of the cartoons, movies, games, or external media. The closest thing we have to a mass-media version of him is his design is one the featured alternate suits in the great Spider-Verse movie. Even then, that’s all it is. A funny nod in the background. I even doubt that the producers of the movie actually intended that as a Web-Man, Earth-57780 reference more than they just went “Haha wouldn’t it be funny if one of his suits just had the colors flipped?”

And it’s that lack of return that both baffles me, and that I understand. He’s not exactly the most creative idea. His design isn’t new or a twist on the classic costume. His status as a villain doesn’t really achieve anything that guys like Venom and Carnage already don’t do, and better than he does it. There’s really no reason to bring him back in a big story. Then again... does there really need to be?

In a genre with talking dinosaurs, mutants, like 7 different Superpeople, legions of super-heroes, gods, dragons, magic, vampires, aliens, stories that ask us to pretend that Darkseid, Thanos, and Mongul are different people, but most importantly, where there’s half a dozen stories (one of them an Oscar winning movie) all focusing on the core idea of “There’s infinite versions of Spider-Man with countless variations meeting up!”, I find it hard to believe that there’s really no plausible way to bring him into the spotlight again.

To quote his character bio on ComicVine (which I swear a million times I didn’t write, but I love) “fans are eagerly waiting for a new appearance where he returns as a hero, not a villain.”

Web-Man is such a fun and absurd example of the Opposite Villain, that I hope he at the very least gets referenced, or lord willing, actually make an important appearance in a Spider-Man story before I die. He deserves to. (Credit to my good pal Nutz, who introduced me to Web-Man so many years ago. I thought he was joking and that he wasn’t real, but he ended up leading me to find one of my most favorite forgotten characters in comic history, and one I proudly use as my internet avatar everywhere I can.)

#superheroes #superhero #spiderman #spider-man #spiderverse #spider-verse #milesmorales #peterparker #webman #web-man #comics #comicbooks #doctordoom #marvel #marveluniverse #spidey #mcu #marvel cinematic universe #avengers #fantasticfour #superman #batman #dc

[foxfire-midnight-wings-writing]

Spider Virgil! (Introduction)

So, I guess this is a bullet fic? I always liked to write like these but never knew they had a name lol. Anyways, lets go!

If you’d like to talk more about this AU, you can send me an ask at @foxfire-and-midnight-wings​ or on here. (Preferably only using this one for asks that could bring potential to expand on the story or universe, with the other one for smaller asks and non-canon talk)

[Next]

[Fanfic Masterlist]

Warnings: super long post, talk about spiders and spider traits (fangs/venom, extra eyes, extra legs, etc.) and the usage of them, talks of spider and snake bites/venom (aka non-sexual biting), general anxiety thoughts and cognitive distortions

[This is basically an AU where Virgil has some spider-like traits, similarly to Remus and Janus with their respective animals. No one is unsympathetic!]

- - - -- - - -- - - -- - - -

First off, he has a little set of extra eyes underneath his 'real' eyes (only four eyes in total)

He got nervous before introducing himself to the other sides (aka the ‘light sides’) so he had Janus and Remus help him use makeup to hide them.

Janus & Remus understand bc while they like their animal traits they know he's always nervous about them.

While Remus only hides his octopus tentacles, Janus tends to hide his fangs, most his scales that aren’t on his face (ex: neck and shoulder), and his extra arms around many of the others.

Virgil has setules so he can climb walls and stuff, which is how he gets up and sits on places that shouldn't be sat on.

Also, he has 4 spider legs that are connected to the muscles on his back

One pair is positioned just underneath his shoulder blades, the other pair is around his mid-lower back

When he’s not hiding his legs, they usually are positioned as if they were giving him a weird hug (top are resting on his shoulders, bottom are wrapped a little bit around his torso)

Also fangs!

He has extended canine teeth that (surprise!) connect to a pair of venom glands on his neck

This means that his teeth are really sensitive too, though, which can suck at times

He had a bad habit of instinctually injecting venom into meat and stuff he eats, but luckily it doesn’t hurt him. Now that they’re all older though, all the ‘dark’ sides were able to adjust to their animal traits or habits.

In this case, that meant he trained himself not to automatically inject his venom into stuff

Remus was the first to find out about venom milking, because it’s Remus

Because both Janus and Virgil have fangs + venom, he knew that they were constantly worried about accidentally hurting someone and not having an antidote. So he brought up the idea to them

Luckily, they were all young when they discovered this so there weren’t any inappropriate jokes about it, but Remus makes them a lot in the present (along with the vore jokes, which everyone hates)

Basically, for those who don’t really know, the way people make antidotes and medicine to help with venom from animals like spiders and snakes is through extracting the venom by a process called “milking”

So they ended up experimenting a lot and they eventually made their own antidotes to both Janus and Virgil’s venom

And once they both also learned how to bite things (and as a result each other) without using their venom

(Snakes and spiders can do what’s called a “dry bite”, basically they bite without injecting venom into what they bit)

This revelation ends up with Janus and Virgil often threatening to bite the other person, sometimes if they fight they actually do

The antidotes have been helpful on the few occasions one of them injects a tiny bit of venom by accident (which was extremely rare, and only ever happened when they were younger)

Virgil and Janus still regularly milk and make their antidotes, and they usually keep some of both in all three of their rooms for emergencies

(sometimes they do it just because they can, and end up giving it to Remus so he can do weird experiments with it in the Imagination)

Also, the hissing? Janus is a snake, so that makes sense. But Virgil?

Well, after a little research, they ended up finding out that spiders make a low hissing noise called “stridulation”. So technically, spiders hiss too.

Virgil uses that against Remus when he tries comparing him to a kitten, and he threatens to bite him

[The Present Situation w/ the Other Sides]

- - - -- - - -- - - -- - - -

He was planning a big reveal for the ‘light’ sides at one point (before he was accepted) but he never went through with it

Because Accepting Anxiety happened, he was worried he'd lose the friendship/acceptance of the others due to his traits. (Anxiety and cognitive distortions, y'know? Plus, he saw how freaked out Patton and the others were by the spider decorations in his room, how could he expect them to react any different to him?)

And so he continues to hide them and his other abilities

which is an absolute pain because while he can easily cover up his extra pair of eyes, he has to be very careful about not showing anyone his fangs

And don’t get me started on how hard it’d be for him to get into his jacket and positioning it just right so his legs aren’t being squished but they aren’t very visible

Fun fact! That’s why he always appears on the stairs. he can easily hide them by leaning against the wall or positioning his back to where no one can see them

But he still gets little urges to do things spider-like because of his anxiety.

For example: crawl up the wall and go in corner = no people = safe

So to fill that little spider instinct to crawl up places to get away from people he takes to sitting in places he shouldn't.

Top of the fridge, the counter, anywhere he can get while being able to reason his way out of being questioned on how he got up there

To his surprise, no one stops him. If anything, Patton calls it cute and Roman basically encourages it

And so things go on like normal, and he always takes off his makeup once he's in his room.

Sometimes he indulges a bit and climbs the walls

He has a small resting area that looks similar to a hammock (but it’s practically a nest of blankets) that’s connected to his walls. Sometimes he’ll sleep up there because it’s off the ground and away from everything

he tends to lay on his stomach and to spread out as much as he can when up there

(Janus and Remus find it hilarious, but Virgil points out that Janus can’t say anything because he does that too)

No one has seemed to catch on that he has spider traits, and he is extremely relieved about that

Then Janus comes along and introduces himself to Thomas and the others.

And then Remus joins in too.

And while none of them are on bad terms, Virgil gets more and more worried someone is going to point out their animal traits and ask him if he has any.

And he worries because he doesn't know how to respond

He can't just say

"Oh yeah, all the 'dark' sides have animal traits and I've just been hiding mine from you in fear of rejection and that you'll all hate me. By the way, my anxiety is making me not say anything about this because I'll have a panic attack just thinking about telling you, and so I haven't said anything about it, and the more time that passes makes the anxiety about telling you guys worse which causes me to put it off even more. And it causes a spiral from there that often makes me whole myself up in my room for days on end."

So he tries to prevent anyone from asking about the 'dark' sides by making it seem like he left them on extremely bad terms.

It takes a minute for Janus to realize it’s not the normal banter they throw around, it’s something more desperate and anxiety-ridden

Janus catches onto his plan very quickly, and when he can he gets Virgil alone with him and Remus to talk it out.

Virgil tells them about his fears of rejection and how none of them know about his spider traits (especially because they went to his room once and Patton was freaked out just by the spider curtains, making his fears worse)

So they all make an agreement to help Virgil hide his traits and to make a plan to help the others not ask them about each other

And then Remus just goes "so you're saying I can fuck with my brother? That's the plan, right?"

Cause he is so on board as long as he can cause chaos.

And what better way to cause chaos than by pretending to be in an arguement or on extremely bad terms with a close friend, forcing the others to watch it happen and be uncomfortable as they argue back and forth

Janus just agrees because he likes being dramatic and it's not like they didn't banter a lot before now, they just get to make it public and more "serious" than before

(They all know it’s just because he wants to be part of the Drama™)

They make a list of things they can and cannot make jabs/remarks about

And then they prepare for the chaos

(Note: This is not them being “unsympathetic”, they all agreed on the plan and all know what they are signing up for. The entire purpose is to make the others think that they have bad relations with each other, which some may interpret the arguing/jabs as the characters being “unsympathetic”)

[The Chaos Time Begins]

- - - -- - - -- - - -- - - -

So this all happens before Selfishness v. Selflessness, right?

Which is what makes the entire courtroom scene funny to the ‘dark’ sides, bc they all were planning to have that be when the drama really started to take off

When in the courtroom and Janus makes the comment about Virgil’s name, he really wasn’t expecting that, but after the initial panic passed he was like ‘I mean, alright I guess’

He didn’t really want them to know anything about his full name (Virgilius), but it wasn’t going to really hurt him

(He just wanted to avoid any of the references or jokes Roman and Logan would definitely make because he already got enough of it from Janus and Remus)

and the plan worked! almost a little too well, though...

After the courtroom scene ends, there’s a couple days of silence where everyone just. Doesn’t talk about it. At all. The ‘dark’ sides were prepared for this, so it’s not too bad for them, but it makes Virgil feel very awkward when around the others.

Then, after the third day of awkward avoidance, Patton and Roman gather all of them in the living room to try and make sure everything is okay.

Unfortunately for them, Patton had also invited Janus up there because he saw the tension between him and Virgil

And Janus physically restrains himself from showing how excited he is because this is the perfect way to make the Drama™ officially known

Virgil is just chilling on the couch waiting for everything to spiral, because while he appreciates the effort, the fighting is completely intentional. So there’s no stopping it now

It goes about as well as you can expect

While everyone else except Janus starts talking, Janus just patiently waits until someone brings him into the conversation to start making jabs. (mainly because he knows that the others actually have stuff they need to talk through first, before he derails the conversation)

They all are able to get to a good conclusion about the situation, misunderstandings are talked through, and now all that’s left is dealing with Janus

And as soon as Patton starts talking to Janus, he gets excited because the show can finally begin

Roman: Now, I know not all of us really like him, but- Virgil: like him?! That’s funny, princey, because I really fucking hate him! Janus: Oh, come on, Virgil! Just lighten up a little. You’re seeming a little... dark. Virgil: Don’t. Patton, trying to prevent them from arguing: Hey, now, kiddos! Let’s take a moment and just step back to breathe, yeah? We don’t want this to- Janus: become a truth-telling session between us and Virgil? Patton: become an arguement.

The others try to help Patton defuse the situation, but it doesn’t work. If anything, it makes the situation worse because Janus uses them as fuel for some of his arguments.

Virgil: Yeah, keep talkin’ pal! I’m sure they really want to hear it from someone who makes it his job to harass everyone Janus: Well, sorry about that Sir Emo, but I couldn’t hear you over the sound of you leaving us. Oh, wait! Sorry, you don’t want to remember being a ‘dark side’, now, do you? My apologies! Roman, frantically glancing between the two: Wait, wha-? Virgil, standing up: Oh shut it, you treacherous snake! Like you ever even wanted me there. You’re probably glad I’m gone, huh? The cold from your room is starting to affect your heart! Not like you had one, though. Janus: Why, you-!

They start arguing and slowly they start getting louder and louder

Eventually, they’re yelling insults at each other, and everyone else is at a loss for what to do

Then, in what seems to be the ending of the argument, Virgil yells “I never wanted to be there with you in the first place, you bastard!”

Janus takes a moment to pause, and then he just says “Right, of course. My bad, Virgilius”

The living room is quiet as Janus sinks out, and Virgil just stands there shaking

He knew it was going to happen, and he knew it was just his name, but the acting and drama was becoming a little too much. It started to feel too real to him, and he knows that’s just his anxiety speaking, but he still feels the tears gathering in his eyes

Patton tries reaching out to him, but Virgil says “I’m going to my room” in a broken voice

The others watch helplessly as he leaves, and eventually they all break off to their own rooms to think about what just happened.

#sanders sides #virgil sanders #janus sanders #remus sanders #logan sanders #roman sanders #patton sanders #spider virgil #animal traits series #ts sides #ts sanders sides #ts virgil #ts janus #ts remus #ts logan #ts roman #ts patton