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#free ai
trendstips · 2 months
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그림만 올리면 게임으로 만들어 주는 AI가 있다고?
안녕하세요! 어렸을때 혹시 좋아하던 게임 있으셨나요? “마법의성” 이라는 노래도 게임에서 모티브를 따서 만들고 , 슈퍼마리오, 버블버블 등등 아직도 많은 2d 게임 캐릭터들이 사랑받고 있는데요 , 이제 그림만 올리면 게임을 만들어 주는 AI가 만들어졌습니다 . 20만 시간 이상의 게임영상을 학습시켰다고 하는데 ,, 놀라운점은 그림만 올려도 뒤에 배경을 예상하여 게임 배경을 생성을 해준다는 겁니다 지니(Genie)**는 구글 딥마인드에서 개발한 생성형 AI로서, 단순한 이미지만으로도 플레이 가능한 2D 가상 세계를 만들어내는 놀라운 능력을 갖추고 있습니다. 지니는 아직 개발 초기 단계이지만, 이미 게임 개발, 가상 현실, 교육 등 다양한 분야에서 큰 잠재력을 보여주고 있습니다. 지니의 주요…
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mysharona1987 · 2 months
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They have turned the Palestinians into actual Guinea pigs for the military industrial complex.
We will see the robots and miserable remote controlled dogs at the next big BLM protest on American soil soon enough.
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god-of-prompt · 6 months
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150+ Awesome ChatGPT Prompts - Best ''Act As'' Free Prompts
Explore God of Prompt's collection of 150+ free awesome ChatGPT prompts to turn it into your personal assistant! Use ''Act As'' for any kind of workflow! Bookmark this page to never lose these golden prompts <3
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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sayruq · 9 days
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A little-discussed detail in the Lavender AI article is that Israel is killing people based on being in the same Whatsapp group [1] as a suspected militant [2]. Where are they getting this data? Is WhatsApp sharing it? Lavender is Israel's system of "pre-crime" [3] - they use AI to guess who to kill in Gaza, and then bomb them when they're at home, along with their entire family. (Obscenely, they call this program "Where's Daddy"). One input to the AI is whether you're in a WhatsApp group with a suspected member of Hamas. There's a lot wrong with this - I'm in plenty of WhatsApp groups with strangers, neighbours, and in the carnage in Gaza you bet people are making groups to connect. But the part I want to focus on is whether they get this information from Meta. Meta has been promoting WhatsApp as a "private" social network, including "end-to-end" encryption of messages. Providing this data as input for Lavender undermines their claim that WhatsApp is a private messaging app. It is beyond obscene and makes Meta complicit in Israel's killings of "pre-crime" targets and their families, in violation of International Humanitarian Law and Meta's publicly stated commitment to human rights. No social network should be providing this sort of information about its users to countries engaging in "pre-crime".
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heritageposts · 23 days
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[...] During the early stages of the war, the army gave sweeping approval for officers to adopt Lavender’s kill lists, with no requirement to thoroughly check why the machine made those choices or to examine the raw intelligence data on which they were based. One source stated that human personnel often served only as a “rubber stamp” for the machine’s decisions, adding that, normally, they would personally devote only about “20 seconds” to each target before authorizing a bombing — just to make sure the Lavender-marked target is male. This was despite knowing that the system makes what are regarded as “errors” in approximately 10 percent of cases, and is known to occasionally mark individuals who have merely a loose connection to militant groups, or no connection at all. Moreover, the Israeli army systematically attacked the targeted individuals while they were in their homes — usually at night while their whole families were present — rather than during the course of military activity. According to the sources, this was because, from what they regarded as an intelligence standpoint, it was easier to locate the individuals in their private houses. Additional automated systems, including one called “Where’s Daddy?” also revealed here for the first time, were used specifically to track the targeted individuals and carry out bombings when they had entered their family’s residences.
In case you didn't catch that: the IOF made an automated system that intentionally marks entire families as targets for bombings, and then they called it "Where's Daddy."
Like what is there even to say anymore? It's so depraved you almost think you have to be misreading it...
“We were not interested in killing [Hamas] operatives only when they were in a military building or engaged in a military activity,” A., an intelligence officer, told +972 and Local Call. “On the contrary, the IDF bombed them in homes without hesitation, as a first option. It’s much easier to bomb a family’s home. The system is built to look for them in these situations.” The Lavender machine joins another AI system, “The Gospel,” about which information was revealed in a previous investigation by +972 and Local Call in November 2023, as well as in the Israeli military’s own publications. A fundamental difference between the two systems is in the definition of the target: whereas The Gospel marks buildings and structures that the army claims militants operate from, Lavender marks people — and puts them on a kill list.  In addition, according to the sources, when it came to targeting alleged junior militants marked by Lavender, the army preferred to only use unguided missiles, commonly known as “dumb” bombs (in contrast to “smart” precision bombs), which can destroy entire buildings on top of their occupants and cause significant casualties. “You don’t want to waste expensive bombs on unimportant people — it’s very expensive for the country and there’s a shortage [of those bombs],” said C., one of the intelligence officers. Another source said that they had personally authorized the bombing of “hundreds” of private homes of alleged junior operatives marked by Lavender, with many of these attacks killing civilians and entire families as “collateral damage.” In an unprecedented move, according to two of the sources, the army also decided during the first weeks of the war that, for every junior Hamas operative that Lavender marked, it was permissible to kill up to 15 or 20 civilians; in the past, the military did not authorize any “collateral damage” during assassinations of low-ranking militants. The sources added that, in the event that the target was a senior Hamas official with the rank of battalion or brigade commander, the army on several occasions authorized the killing of more than 100 civilians in the assassination of a single commander.
. . . continues on +972 Magazine (3 Apr 2024)
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my-autism-adhd-blog · 5 months
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ROAST HIM GROK
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ai-dream · 6 months
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lastoneout · 2 months
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please have this recreation of the infamous low-quality cabbage I made myself in 20mins for my twitch streams bcs I somehow convinced myself making it from scratch was easier than just cutting it out of a screenshot
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warandpeas · 6 months
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Anything You Like
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trendstips · 2 months
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https://www.ailab.website/tired-of-ai-that-gets-text-wrong-want-smart-text-and-calligraphy-heres-the-ai-for-you/
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thedailyplatypics · 11 days
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ARTISTS, STOP POSTING TO DEVIANT ART
(Gen Ai/BDS)
Learned today that DeviantArt is owned by Wix, an Israeli company listed under boycott by the BDS Palestinian human rights organization.
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Under Wix, who acquired DeviantArt in 2017, DV has been pushing Israeli occupation propaganda and allowing Generative Ai to completely takeover the platform and be sold on it.
It’s clear that under Wix, DeviantArt DOES NOT CARE whatsoever about the art or the artists it was originally created to cater towards. It only cares for profit.
Even if you are not well-versed on the current politics surrounding the Israeli Occupation and the erasure of Palestine for some reason, everyone can agree that Wix has changed DeviantArt for the worse and the best case scenario is that they sell it to someone who actually cares for art, not profit.
I absolutely adore to death so much of the art there, but for now I will stop posting my art there and I suggest that other artists do the same. They DO NOT DESERVE YOUR ART.
Please transition towards using alternatives like Tumblr, Insta, Twitter, and Newgrounds. Newgrounds especially is the best alternative to DeviantArt. Please suggest other alternatives as well.
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midnights-dragon · 6 months
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don’t let the critics trick y’all on this one bc the marvels is so fucking good I’m so serious. “oh it’s rushed” “oh it’s not serious enough” “oh the villain is cookie cutter” you know what. is it not enough that movies can be fun anymore
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gojoest · 6 months
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canon sukuna throwing you these perfect smut lines for free
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sayruq · 23 days
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A new investigation by +972 Magazine and Local Call reveals that the Israeli army has developed an artificial intelligence-based program known as “Lavender,” unveiled here for the first time. According to six Israeli intelligence officers, who have all served in the army during the current war on the Gaza Strip and had first-hand involvement with the use of AI to generate targets for assassination, Lavender has played a central role in the unprecedented bombing of Palestinians, especially during the early stages of the war. In fact, according to the sources, its influence on the military’s operations was such that they essentially treated the outputs of the AI machine “as if it were a human decision.”
During the early stages of the war, the army gave sweeping approval for officers to adopt Lavender’s kill lists, with no requirement to thoroughly check why the machine made those choices or to examine the raw intelligence data on which they were based. One source stated that human personnel often served only as a “rubber stamp” for the machine’s decisions, adding that, normally, they would personally devote only about “20 seconds” to each target before authorizing a bombing — just to make sure the Lavender-marked target is male. This was despite knowing that the system makes what are regarded as “errors” in approximately 10 percent of cases, and is known to occasionally mark individuals who have merely a loose connection to militant groups, or no connection at all. Moreover, the Israeli army systematically attacked the targeted individuals while they were in their homes — usually at night while their whole families were present — rather than during the course of military activity. According to the sources, this was because, from what they regarded as an intelligence standpoint, it was easier to locate the individuals in their private houses. Additional automated systems, including one called “Where’s Daddy?” also revealed here for the first time, were used specifically to track the targeted individuals and carry out bombings when they had entered their family’s residences.
The Lavender machine joins another AI system, “The Gospel,” about which information was revealed in a previous investigation by +972 and Local Call in November 2023, as well as in the Israeli military’s own publications. A fundamental difference between the two systems is in the definition of the target: whereas The Gospel marks buildings and structures that the army claims militants operate from, Lavender marks people — and puts them on a kill list. In addition, according to the sources, when it came to targeting alleged junior militants marked by Lavender, the army preferred to only use unguided missiles, commonly known as “dumb” bombs (in contrast to “smart” precision bombs), which can destroy entire buildings on top of their occupants and cause significant casualties. “You don’t want to waste expensive bombs on unimportant people — it’s very expensive for the country and there’s a shortage [of those bombs],” said C., one of the intelligence officers. Another source said that they had personally authorized the bombing of “hundreds” of private homes of alleged junior operatives marked by Lavender, with many of these attacks killing civilians and entire families as “collateral damage.”
Remember, the Israeli occupation government considers all men over the age of 16 to be Hamas operatives hence why they've claimed to have killed over 9,000 of them (which matches the number of Palestinian men killed according to the Ministry of Health). So, when the article speaks of 'low level' or 'high level militants' they're likely speaking of civilians.
If Israel knew who Hamas fighters are, Oct 7th wouldn't have caught them off guard and they wouldn't still be fighting the Palestinian resistance every single day.
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inkskinned · 1 year
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the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.
people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.
"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."
the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.
the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.
at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.
"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.
this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.
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