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#he was actively encouraging people to act shitty to each other
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RTC Sleepover Headcanons!
They always go to either Constance or Mischa’s place for obvious reasons
Mischa carries Ricky up and down stairs you can fight me over this
The whole choir learned sign language so that they can talk to Ricky
Sometimes when they’re doing things Ricky gets really excited and just signs stuff really quickly and only Ocean and Constance can understand him because Ocean is just Like That and Constance helps Ocean whenever she’s having an anxiety attack or asthma attack and Ocean signs really quickly when she’s like that
Literally any time Ocean or Mischa needs to get away from home because of their shitty parents they just go to Constance’s house and she’ll text the group chat for an impromptu sleepover
This extends to any member of the choir actually
Onto actual sleepover activities! Whenever they’re at Mischa’s house Constance brings a duffel bag full of board games
She also has a guide for multiple things including:
Anxiety attacks
Asthma attacks
CPR
How to treat burn wounds (from the time Ocean and Noel tried to make cupcakes)
And minor injuries
Mischa has a DDR machine in his room and he’s the freaking best simply because it’s loud and pisses off his parents
At some point during the night Noel and Ocean start arguing and they settle it with a DDR battle
Ocean wins every single time because Mischa always ends up trying to encourage Noel and he always gets distracted
Ocean is definitely either aroace or a lesbian ace so somehow during the night someone’s choice in dating material always ends up getting insulted
Including Mischa
Especially Mischa
They have a fun game where Ricky will sign something as fast as he can and the others have to decipher it
Mischa’s parents hears yelling and they’re very concerned but when they look it’s just a smug looking redhead and an effeminate boy yelling over a game of Monopoly
Either that or a bunch of odd children yelling at a kid who’s signing as fast as he possibly can
Safe to say they don’t open the basement door during sleepovers
They order 5 pizzas every time because they all have vastly different pizza orders except for Ricky and Penny who somehow have the exact same very complicated pizza order
Penny is a cuddly sleeper
She once woke up somehow holding the entire choir
They all love it they don’t even try to hide it
Penny and Mischa love horror movies
The only thing that Ocean and Noel have in common is their hatred of horror movies
Penny: *gasps* That’s such a cool effect
Mischa: Oh my god there goes her head
Ocean and Noel, clutching each other: TURN IT OFF TURN IT OFF TURN IT OFF
Constance and Ricky have a respect for the genre but they still cling on to each other like their lives depend on it
Ricky’s favorite horror movie is Killer Klowns From Outer Space
When they’re at Constance’s house her parents feed them the best food ever
There are always attempts to bake because some people (*cough cough* Ocean and Noel *cough cough*) can’t learn their lesson
Ricky and Penny are the taste testers
Ricky is brutally honest
Ocean: Alright Ricky, how does this taste!
Ricky: *signing* This tastes like shit
Ocean: *instantly crumbles*
Ocean and Noel are fire hazards
Ricky likes to sit on the counter
Mischa knows it wouldn’t go well if he tried to help so he just stands by with the fire extinguisher
Ricky paints everyone’s nails
Penny braids everyone’s hair
They always joke about opening up a salon
Ocean keeps some clothes at Constance’s house since she sleeps over a lot
They used to play a game where you would act out a scene from a movie until both Noel and Mischa acted out horrible death scenes in one night
Yeah Constance’s parents banned that game
Constance has a bunch of Mario games
Ricky likes the ones where you can turn into a cat
They do game nights every now and then and if Noel and Ocean get paired together you better start saying your prayers right then and there
Someone ends up crying every time they have a sleepover
Usually Ocean
Penny’s favorite new saying is “It’s not a party until Oceans full on sobbing on the floor”
Mischa is the mama bear fight me on this
He will cradle whoever’s crying like a baby
One time he ended up crying and no one knew what to do until Penny just walked over and picked him up so easily
Homegirl is surprisingly strong
Constance has a Wii and Mischa and Penny are forced to wear the wrist straps every single time
Constance has a supply of puzzles for Ricky
He just seems like a puzzle guy
Constance’s parents once came in to check in on the kids and found Ocean and Noel having a heated argument so they came in and put them in separate rooms
Both broke down crying after five minutes
Arguments happened a lot less after that
Ocean likes catfishing creeps on Tinder
So does Noel
One time Talia FaceTimed Mischa during a sleepover and everyone was so surprised
Mischa: Meet Talia!
Everyone, in unison: She’s REAL?!
Ricky managed to figure out a way where everyone can fit comfortably on the bed
Penny is in the middle always right next to Mischa
Ricky curls up at the end of the bed like a cat
Noel and Ocean talk to each other in their sleep
They also sleepwalk
Once they somehow managed to sleep-switch clothes and everyone was so confused
Everyone has a spare inhaler even though Ocean always has one on her
Except for Constance who has FIVE-
Ocean and Noel have frequent anxiety attacks so everyone else is well versed in how to deal with them
They played spin the bottle once which led to Noel and Mischa AGGRESSIVELY MAKING OUT INT THE MIDDLE OF THE CIRCLE
“You know you don’t have to-” “JUST LET ME HAVE THIS”
Ocean, who snuck downstairs to get a midnight snack:
Penny, who standing in the middle of the kitchen with a bag of popcorn:
New headcanon: Ocean has diabetes
For the first like 15 years of her life everyone just thought that Ocean fainted really easy
Constance has a stash of snacks in her room for Oceans blood sugar
She thinks her parents don’t know about it but her parents just let her have it cause they worry about Ocean
Let’s be real, everybody worried about Ocean
Girlie has diabetes, asthma, and she’s just fragile as fuck both mentally and physically
Mischa is surprisingly over protective over her
Ocean, doing her own version of “How to Catch a Predator”: There it is. Predictable
Mischa: What?
Ocean: The creep I’m catfishing sent me a dick pic
Mischa: He did WHAT-
Movie night is, of course, a regular thing
Ocean is a surprisingly big fan of romcoms
This was so much longer than I anticipated but I hope y’all like it???
I might end up making this a fic??? If I do I’ll post the link to it here
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auteurdefeu · 7 months
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Can I ask to hear some of the thoughts about the crackship polycule
Alright, so. Welcome. This is gonna be a doozy. I will do my best to explain the timeline @turtlelover59 and I came up with and keep it PG-13 because it is A Lot at times. This started off as an idea about Fix&Pasha being FWB with Hunch, who is in an open relationship with Dan, and then it spiraled from there.
(I headcanon Dan as gender-fluid but will be using they/them pronouns in reference to them for this :p)
> Pre-Canon, Hunch and Pasha had feelings for each other in the countless times they crossed paths at work, but they never acted on it, putting their work first. Hunch always asked for her input on his cases when he could because she was so much smarter than her shitty desk job seemed to account for. He was truly fascinated by her, but he never found out her story until much Later.
> Hank made a point of mentioning that The Fix worked for several people at the table of PIs so I’m choosing to believe he was hired on occasion by Hunch, who took up a few important cases that needed someone eliminated. We all know Hunch’s track record in fights, so,,, he calls up someone capable, and their interactions were limited to that.
> Canon Shit Happens, Hunch realizes his feelings for Dan and helps to set up Pasha and Fix before he eventually gets with Dan. Around this time, Fix and Hunch also start getting closer, as a “friendship therapy” sorta thing, talking about their experiences on opposite sides of the law
> Dan learns about Hunch’s former crush on Pasha and teases him about it, encouraging him to follow through on it if she was open to it. Similarly, Pasha and Fix discuss their lack of romantic experiences before getting together and upon mentioning how she used to have feelings for Hunch, Fix gets curious heh. After much discussion, they propose having a few no-strings-attached Meetings to Try New Things (you can guess what I mean) and it’s absolutely fine, things are going well
> Surprise, strings are attached. Pasha and Hunch finally start to develop the relationship they were too scared to try all that time ago, and it’s around that time that Dan is invited to join a few of their Meetings, not wanting them to feel left out. Hunch is beginning to realize just how much he likes The Fix, while Fix is having a time-period-typical crisis about liking Men, and the fact that the last time he liked a man (M. Bition) his feelings were used and manipulated to get a job done
> Communication is hard especially for men so they just don’t talk about it until Hunch gets himself into trouble because of course he does. It's not until after they have him patched up and stable again that one of the Wayward Interests (their name is Skipper, a pirate interest, they'll be relevant later) tells Hunch how scared Fix was. Hunch had no idea Fix could be scared of anything, let alone for him, but they finally talk and realize just how much they mean to each other and make things official between them
> After the last bad injury, Hunch starts using his walking cane! (yes I'm projecting chronic pain onto him) He's had it for a while but was too stubborn to use it and thought people might view him as less capable because of it, but he does need it. His partners actively encourage the use of it once discovering he needs it (and tell him he's very handsome with it<3) and Fix goes as far as to get him a fancy one so he feels more inclined to use it. This means so much to me.
> Uncle Hunch and Auncle (genderfluid aunt-uncle) Fucks. Hunch gets along with all the kids, utterly adores them. He puts on little cloud-puppet shows for them, always having some sugar-coated stories of cases to tell. Dan always pretends to hate them, calling them little shits or rapscallions, but they love playing with them, chasing them and spinning them around, making them laugh. Skipper, the pirate interest, quickly becomes their favorite because the kid keeps challenging them to fight and is incredibly cocky and adventurous. Their stubbornness is perhaps a bit too similar to Hunch.
> While Hunch and Fix are developing their relationship, Pasha and Dan find themselves with more time together. Dan helps out with the kids as much as they insist they don’t like them, but could also be found helping around the kitchen (Fix and Hunch are banned. Hunch gets distracted and mixed together horrible things and then the appliances are all just too small for Fix so he breaks them). Not only that, but Dan’s into fashion and likes helping Pasha find outfits… especially for an upcoming Nondescript Fancy Party. While Fix and Hunch are playing catch-up in their relationship, Dan and Pasha dance the night away tonight and Dan realizes their feelings might be more than just Sexual Attraction.
> Dan and Pasha, as pleasure and passion, aren’t exactly sure what they are but there’s something there. They’ll figure it out in time… as far as they’re concerned, they’ve got all the time in the world. It would be absolutely terrible if something awful were to happen to The Four that deeply traumatized them and set them back from any advancements in their relationships because they had to be more concerned with processing their own shit first.
It gets way darker from there so I’ll leave it with that vague ominous mention. Somewhere in the mess of events, Hunch and Dan get engaged as well, and eventually unofficially adopt Skipper. Their jobs aren’t exactly kid-friendly and they’re both workaholics so they wouldn’t be able to fully accommodate having a kid but in their many visits to the orphanage, Skipper started calling them mama (Dan) and papa (Hunch, of course). To throw in some more fun things while we’re here, Anna has a sort of maternal relationship with Hunch, very much a tired mother making sure he doesn’t do anything too stupid. I’m all about those found family vibes if you couldn’t tell. Hunch also gets a little stray cat! This is not important at all, I just love cats.
Just a. a glimpse at the few things that I am leaving out for the sake of my sanity and the sanity of those who made it thus far in reading. The unmentioned timeline includes, but is not limited to, a near death experience, a brutal murder, extreme manipulation and child endangerment. It got REAAAAL bad and it keeps getting worse unfortunately. I adore these four but for some reason they can’t ever be happy… but! I’m writing something perhaps a bit more hopeful for ao3 to spread my silly gay agenda.
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bowiebond · 2 years
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Okay okay but Patrick and Billy are juxtaposed because Billy’s abuse made him act out and headstrong while Patrick’s abuse maybe him more reserved and polite. Patrick is pretty much the older brother figure to his friend group while Billy is an older brother. Patrick tells Andy to cut it out when he takes his jokes too far but Billy would push chests and empty threats to make someone shut it. They both share a protective streak surprisingly. Patrick follows along with his friends because he believes he’s doing the right thing by avenging his friends girlfriends death.
I imagine Patrick was friendly with everyone on the team, but not friends. Not close enough to delve into his shitty dad and have anyone bring up his black eye. Lucas even says he knew it was something more, but Patrick and him weren’t close enough for him to bring it up.
Billy had his lackeys, sure, but he wasn’t friends with anyone either. People flocked him like sheep for popularity or to fool around with. No one knew about his dads abuse because he didn’t let them. He probably saw it as weakness, and he wasn’t close enough with anyone to talk about it.
So we have two boys experiencing a similar traumatic home life, both playing basketball but not being close to anyone on the team, but their abuse provoked them in different directions. Billy snapped his teeth at the bars of his cage and refused to be seen as weak, while Patrick played it off like it wasn’t happening, pretended to be normal. It’s not like he could have become an aggressor either, not as a black kid, so it’s easier to fawn and be the perfect son and classmate. Athletic, friendly Patrick with enough of a backbone not to be completely walked all over.
So when Billy and him become unlikely friends, their activities are usually things that burn off the resentment in them. Their frustrations at the world and the shit hand they were given. They shoot shit, break cheap plates and throw rocks in whatever lick of privacy they could get in a small town in the middle of nowhere. I imagine they probably got high together on occasion too, Billy encouraging it to help Patrick let lose. Billy’s Camaro smells like weed for a few days after, but it’s worth it to watch the thing slowly fill with foggy white smoke, Patrick giggling at nothing as they lounge in the back sheet, legs stretching over each others and Billy’s knee hooked under one of Patrick’s.
Billy’s dad can’t know about Patrick because he’s one of those ‘some people you don’t associate with’, and Patrick’s dad can’t know about Billy because Billy is a ‘city boy with no virtue or value, even on that damn court, son’.
It’s a mutual secret, and they’re just fine to keep it that way when Billy’s hand lays across his thigh, putting the blunt between his lips, and just watching him take a drag. He doesn’t move his hand, and they don’t bring it up when Billy takes the blunt back and proceeds to blows smoke in Patrick’s face, grinning when the other coughs and waves it away.
They’re just fine to keep these little hangouts to themselves.
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beachesgetpeaches · 11 months
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I can't deal with the two extremes at this point. I've seen some act like Matty is a godsend that never did anything wrong, because it was all an "act". I've seen the other side act like he murdered someone.
There is a middle ground. He might just be an immature asshole that made shitty edgy jokes. He wouldn't be the first. He won't be the last.
More than anything, and this is just my opinion, I feel like a lot (not all) of Swifties are upset, not because of what he said or did, but because he makes Taylor look bad and it calls her activism into question. Some of them seem to think liking an activist makes them an activist or morally superior.
This is probably all over the place, but that's kind of how I feel. Matty is an ass, as always. But Taylor was never an unproblematic champion of marginalized communities.
I think at this point, fans might just need to accept that maybe they aren't amazing people, and maybe it's okay to just like their music or...stop buying it. Taylor breaking up with Matty tomorrow won't make her a better person.
Sorry, that was longer than I meant it to be.
I actually love that my ask can be a place to vent and share opinions so no apologies needed for the length. But I agree, there are two extremes which kind of just seem to feed each other... and it's not constructive at all.
It also means that if you say something that disagrees with one extreme you are likely to be treated as the other. Though in this case I've gotta admit that I've seen more of it from the "hate matty" side than the defend side - though this could just be the side of the internet I am in.
And with that kind of mindset it means that people who are in the middle (which I think is the closest to the truth, not to idk pat myself on the head or anything) and recognise that Matty has fucked up, and that we should criticise some of his actions, while also maintaining that he is not actually racist/antisemitic/islamophobic/thedevil/etc... those people are being ignored. Or worse, they just get bunched with the other extreme side and called racists, white-feminists, and yknow the rest.
Not to mention that I do think Matty in his statement to New Yorker was onto something with how he said "let me get as close to X as possible, so you can see how good I am"... kind of like, look at me calling out what everyone else is calling out to prove how moral and good and worthy I am. When, in fact, all of those reactions are doing nothing because ultimately Matty (in this case) is actually not a racist, has stood for things that need standing up for, and is actually not actively harming people. Beyond hurting feelings of people online (?).
(and I guess here I understand the wish from some fans that he addresses things or apologises, but I can't speak on t1975 fandom account since I have not been a part of it for the many years they have been active)
Either way, to me it seems that people still have not learned to listen/read for themselves instead of reiterating the things they read without forming their own opinion.
@yallcantread has made a few really well written, well documented posts about this specific topic, which I would encourage people to read through.
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mppmaraudergirl · 2 years
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I’m kinda confused by Daphne actions & that Lily POV depicting her a caring friend with innocent intentions. Like that mansion stuff was such a clear move of marking her territory. She pulled him into the very next room and she straight up lied saying she knew the room was silenced when she didn’t in fact know. She then proceeded to pressure him into sex- yes he definitely could have said no and he’s responsible for that- but she basically just kept getting physical until he obliged her.
But the thing that really gets me is her reaction after. Why is she laughing like a hyena when finding out they were overheard? James had expressed his unease about doing it in the first place and explicitly brought up silencing, clearly caring about his privacy. Daphne also just saw James & Lily during the photo shoot and deduced they have feelings for each other. So if “she wouldn’t have done what she did” why is she so GIDDY about them being overheard having loud sex? Why would she tell James in such in offhand manner, barely containing her glee, when she knows the news will probably upset him? That’s how calculated mean girls behave, not someone who cares about friendship with James or Lily.
First I think it's important to consider that we've seen all of the James and Lily development, and Daphne has not. The only time Daphne has seen Lily and James interact is that night that Lily shot James down. Then what did James do after that? Why would she feel the need to mark her territory when Lily has already rejected James?
In all the time she's known James, he has never come close to having feelings for a woman. His focus began and ended with one thing. Why would Daphne assume that wouldn't be true for Lily? (Ie he got shot down and got over it) James won't even admit it's different with Lily lol
Yes she made a bad assumption that both of them could have verified before acting on. All she did was start kissing him — I'm not sure I agree that she pressured him. James had the automony to leave after he voiced his discomfort, but he was an active interested participant. If the room had been Silenced or even Lily not involved do you think he would've been as mad?
As for why she reacted the way she did with James it's because she genuinely thought he wouldn't care. She references after that they've been heard before and he didn't care then. She did a really shitty thing discounting how James' feelings might have changed. We don't know how that conversation went where Daphne was told about the lack of Silencing, but we can guess that Lily would've been trying to not outwardly react and give herself away.
It is also during that conversation with James that she realizes the full extent of what might be happening between James and Lily (although I'd argue most people wouldn’t expect James to do what he did if he had feelings for Lily) and that what she saw at the shoot was something more real than she assumed it was.
This is not to say Daphne is guiltless. She was not a good friend in this scenario. She encouraged them to make a bad, reckless choice—not in a way that shows her lack of care for Lily, but to show her lack of understanding James.
This was my intention when writing this particular subplot. I can acknowledge if it didn't land as well as I intended so you've given me something to think about!
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thefanficmonster · 3 years
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Power Couple
Corpse Husband x Reader (Female)
Warnings: Swearing 
Genre: Fluff, Humor
Summary: Sean, Felix, Dave, and Joel welcome Corpse’s girlfriend to a game of Party Animals. It’s her first time playing and she has to deal with a lot more than just the controls and objectives - her boyfriend being a cute, cuddly sweetheart with ulterior motives to his clinginess.
Requested by @susceptible-but-siriusexual. Thank you so much for your request! Hope I captured what you wanted and how you wanted. Feel free to send any other requests you may have XOXO
It’s been one hell of a day. Had to correct twice as many documents as I was originally supposed to at work; found my car with a flat tire in the parking lot as I was about to go home; argued with my boss over the phone while stuck in a traffic jam. It’s been a rough twelve hours, but it has led me here and that’s what I’d rather think about.
By ‘here’ I mean I’m sitting on the couch in Corpse’s recording room, my computer in my lap, my screen displaying the screen to the game Party Animals. The suggestion was Corpse’s. He immediately picked up on my below par mood and wasted no time finding a solution to bright up the remainder of the day, shadowing the shitty portion of it. I am not what you would call a gamer. Sure I’ve played Among Us with Corpse and his friends a few times. Even that I struggle to do because I’m internally fangirling over all the people in the lobby. Yeah, dating a youtuber doesn’t mean you automatically stop gushing over the many content creators on the platform you’ve been watching for quite some time now. Corpse knows how nervous I get so he’s always near me when we play with Sean, Felix and the other. All he has to do is give me that encouraging smile and wink of his and I’m good to go. Side note: massive props to him for going easy on me in Among Us, getting teasingly called ‘simp’ by his friends in the process.
“You’ll love it.“ He promised me over and over again as the game was downloading on my computer.
“I don’t doubt that, Corpse. But I am going in completely blind and I seriously don’t wanna embarrass myself.“ I mumble a quick ‘nor you‘ under my breath, hoping he doesn’t catch it because I’m in for a pep talk if he does. 
To my dismay, he does, “Listen here, you couldn’t embarrass me even if you actively tried to do something outrageous. Most likely scenario, I’d join you in the act.” He ducks in front of the couch so we’re at eye level, his hand coming up to cup my cheek in the sweetest, most comforting gesture ever. “We’ll show em who’s the boss at stealing candy.”
I can’t help but laugh, feeling unable to express just how much this man means to me. Words can’t do the feeling justice.
“Y/N!“
“Y/N!!“
“Corpse Wife has arrived!“
Hearing all the greetings lights a flame in my chest, the warmth spreading all the way to my neck and cheeks. “Hi guys! Missed playing with you!”
“We missed you too!“ Dave, the only one of the gaming gang I’ve actually met in person, replies to me, his words along with all the others’ wrapping around me like a comfort blanket. Despite them knowing I’m a fan of theirs, they’ve always made me feel welcomed, comfortable, nothing less than them.
“You know anything about this game?“ Felix asks me.
I shake my head, almost forgetting he can’t see me, “Corpse told me it’s funny and cute. It sounds like the perfect game for me.” 
“Oh no, this is a game of survival. Survival of the fittest!“ Sean shouts excitedly, a bang following his shout I can only assume was him hitting his desk.
“I’d like to think I’m pretty fit.“ I shrug my shoulders, laughing along with the guys.
“This is the only way to find out if you actually are.“ Joel’s voice comes through my headphones in the form of a tease.
Sean mumbles quietly to himself as he’s deciding how to separate us in two teams. “Guys, a little help here. We all suck at this game, it doesn’t really matter who’s in which team.”
“Actually...“ Felix trails off, “Corpse and Y/N are the ultimate power couple in Among Us. Chances are they will be in this as well. So, the only logical move would be to...“
“I’m taking Y/N, you take Corpse.“ Sean declares. “Joel, Dave, who do you guys wanna be with?“
And the game starts. Sean, Joel and I are the Meowfia while Corpse, Felix and Dave are yet to choose a team name. We throw around snarky, cocky comments at each other, taunting the opposite team as we struggle to take the candy to our respective sides of the map.
“Don’t you dare pull that lever, Dave!“ I launch at Dave, knocking his cute avatar away from the lever, buying Joel and Sean some time to steal back the gummy bear Corpse and Felix took from us.
“Y/N! Joel is out! Help me!“ Sean is freaking out now. I ditch Dave’s unconscious body and run to Sean’s aid. 
As I’m helping him push it towards out area a member from the opposite team latches onto my avatar, weighing me down and hindering me from doing anything.
“Hug!“ Corpse laughs as he has literally turned into a koala, holding onto my avatar.
“Corpse, you know you are actually supposed to hinder Y/N, not hug her. It’s cute though, don’t get me wrong.“ Felix laughs as him and Sean continue to struggle over the gummy bear.
“Nah, his tactic’s great. I can’t do shit.“ I desperately try and shake him off, “Babe, this is unfair. I can’t even be mad at you!“ I whine, staring to panic now that Dave is back to life and Joel is nowhere to be seen.
The round is won by Felix, Dave and Corpse who, if I might add, didn’t let go of me for the rest of the game.
We switch maps, now every man for himself. We’re on the submarine, recreating the Hunger Games with cute fuzzy animals. The thought passes through my mind, causing me to giggle.
“Y/N, you sound exactly like I’d imagine your avatar to sound. You’re so cute.“ Sean’s avatar circles mine a few times as he laughs.
He’s not wrong, my pale blue puppy is indeed cute. Apparently immortal as well.
“How is Y/N still alive?! Holy shit, her and Corpse really are a power couple.“ Dave shrieks when he sees me pick up the freeze gun. “NOOO!“ He shouts, devastated by the fact I shot him, sending him straight to his death.
“Chill, Dave. It’s all cool. Nothing personal.“ I struggle to hide my laughter, “No hard feelings, right?“
“Of course not, love.“ I can tell he grits the sentence through clenched teeth.
“Aw Dave, you are such an ice guy.“ I giggle, now shooting Joel with the gun.
“Someone take that gun from her!“ Sean cries as him and Felix race up the submarine.
Suddenly, the avatar of my boyfriend again wraps itself around mine. I hadn’t seen him in a while, considering Sean knocked him into the ocean earlier in the round. 
“How are you still alive?!“ I try to spin my puppy to get him to let go but he holds on tightly. “Babe, I swear, you are cute and I love you, but this is ridiculous. How and why are you alive?”
“That’s his superpower! He never fucking dies.“ Felix laughs, letting out a yelp when he briefly slips while climbing.
“Immortals!!! Immortals!!!“ Sean breaks out into a song, a song I really like, breaking the restraints I had on my laughter.
“Drop the gun or we’re dying together.“ He says almost seriously. Even though I can only see the back of his head I know he’s grinning.
“A Titanic/Romeo and Juliet mashup? Why not? I can live with dying a double historical death.“ Even though I appear accepting of his offer, I’m still trying to set myself free.
In the end, Sean claims his first win of the game and the rest of us are dead at the bottom of the ocean. Corpse and I did indeed die a Romeo and Juliet/Titanic death, getting everyone in their feels. We make a deal to get together and play again as soon as possible and we all go our separate ways, exiting the Discord call.
*Later that night* 
After a dinner consisting of takeout and two thirds of a shitty romantic comedies, Corpse shifts from next to me, starting to get up from the couch. I am surprised to feel jolted out of a half sleep as the room is now completely silent, the TV being turned off.
“Hey where’re you going?“ I ask groggily, rubbing my sleepy eyes.
“I have some editing to do. Don’t worry, I won’t stay up too late.“ He kisses my forehead before grabbing his phone from the coffee table.
Just as he’s about to walk away, I wrap my arms around his legs. He laughs, catching onto what I’m insinuating. His chuckle brings a smile to my face and butterflies in my belly. No matter how long we date for or how much time we spend together, some things never change. 
“Payback, huh?“ He asks, the smile audible in the question. I keep my eyes shut but nod, my arms still around his legs. “Alright, you koala. You’re coming with me.”
In his recording room, he settles in his chair placing me in his lap in a way that my legs dangling off to the side, my side leaning against his chest, my face hidden in the crook of his neck. We’re both comfortable, content and relaxed.
I don’t know when exactly it happens, but all my mind has registered is a quiet ‘I love you’ and the soft touch of Corpse’s lips on my temple. I manage to reply with an ‘I love you too’ before my sleepiness consumes me, my body completely relaxing against his, the warmth of his body, his scent, the sound of his breathing making me feel safe and loved: the two feelings I want him to feel with the same intensity when I’m in his arms.
Something tells me he does.
@simonsbluee  @save-the-sky  @hacker-ghost  @itsminniekat  @bi-andready-tocry  @imtiredaffff  @jazzkaurtheglorious  @hereforbeebo  @fandomgirl17 @chrysanthykios  @annshit @i-cant-choose-a-username-help
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bakugohoex · 3 years
Note
I was rewatching death note and when L did his monster speech this request was born! So the idea is Bakugo and iida (separately ) with a s/o who has trust issues and is liar ,nothing extremely serious like betraying them! More like smaller stuff? They probably confront them asking why they lie so much!”
({and btw if you haven’t herd L’s monster speech you should for inspiration buts that’s your choice! Have a happy holiday!✨)
“y/n just tell me the fucking truth for once”
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pairing: katsuki bakugo x female reader
cw: this long sorry, violence, language, some topics of abuse but it isn’t in detail, kissing and fluff 
word count: 5200+
a/n: hi sorry i don’t write for iida cause i find him really annoying and i don’t think i have the facilities to write him, but i do write bakugo so here it is, also i love the L speech sm and anything in italics is either a reference to the speech or directly incorporates the speech, have a happy rest of the holiday as well 
summary: in which you were raised by villains, by being saved by the heroes, the trust issues and lying you were brought upon reflects you now, bakugo grows ever more frustrated at your lying and all your truths come out
↞ back to my hero academia masterlist
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The echo of the wind bashing against the windowsill roared through the commission, the white walls cascaded around you, it was painful and enduring at how you sat in the middle of the silent room. Waiting. No. Watching, you were listening and seeing those around you, a muzzle around your mouth to surpress your voice. Your wrists coated with the metal handcuffs, you were trapped, and you being stalked by those around you.
“Miss Y/l/n, we have found your family.” The voice is loud and monotone, you didn’t care, fuck your family, fuck what they did to you, fuck them.
Unable to move your hands to put a middle finger up at the camera, one movement causing an electrifying bolt run through your arms. You hated being here, you would rather fend for yourself on the streets than be involved in a hell hole like this.
“No words of happiness.” The sound of a certain pro hero caught your ears, the one who had captured you, held you against your will, locked you in this room. Number two pro hero Hawks.
“You can kill them for all I care.” Your voice dripped with malice not looking up at him.
Monsters who will not show themselves and will cause trouble.
You heard him say something quietly behind him before the jingle of keys were heard. He walked to the handcuffs undoing them, the muzzle clenched against your face, leaving sore marks, he grabbed at it making you face him. You were about to activate your quirk, but he quickly let go making you stop.
“We’re sending you to UA.” You eyes widened, what did a shitty school like UA need with a villain like you.
He looked at your sore wrists, before the signs of the bruises vanished underneath your thumb which you had been rubbing against the purple. He watched you touch your neck which had bruises from being pushed to the ground, all disappearing in a single touch. “A school like that doesn’t need me.”
“Of course it does, your quirk can be used for good.” He softly speaks sitting beside you on the white floor. The room was suffocating, and you wanted to leave it as soon as you could.
“I can’t, I know how to kill, I was raised to kill.” You put your hands to your face, getting rid of the cuts that erupted on your face, with an instance it was all gone. “If I touch you and activate my quirk, I could break you.”
He looks at your tired eyes, a child broken and used by your family to become a villain. “I’ll make a deal with you.”
It gains your attention and with an instance you look at the man, he holds his hand out you grab it with ease, his fingers were soft, you could imagine them breaking under your touch. He guides you out of the room, you walked past to where many other rooms which you assumed where blank and lifeless. Before seeing a window, it was to another room, you saw a woman in bed, she was bandaged up but the silver around her wrist made you in an instance know who it is.
“Your mother she’s dying, the families she ruined wont get proper justice, but I’ll let you go in, you can scream, shout hell you can kill her yourself, but you will join UA.” The sound of being able to kill her, kill the woman who had stolen you away.
“She’s not my mother, she found me.” They were never your family; they had seen you at such a young age and stolen you to indoctrinate.
Monsters who abduct children.
He nods already knowing, “we’ll lock the door.” All that flashed through your eyes was murder, she had taken it all from you, you never wanted to see her family, her stupid husband and her stupid son, you hated them all and you were going to kill her.
The sound of the door locking made you move towards her, she looked up thinking you were hear to save her. “My daughter.” The words were careless and made you angrier.
“I was never your daughter…” You pause her frail fingers had started to wrinkle and her face becoming grey and hair patchy.
“Y/n.” He breathing was rough, but you didn’t care, with an instant you went up to her exposed hands.
A smile formed on your lips, maybe you were a sadist, but you could do one last villainous action, make her fie even quicker, make her beg for forgiveness. Then you would go to UA, you would forget about the torture, forgot about them. You would become something a lot more than they had ever expected.
“I’m going to kill you.” It was comical but her face fell.
“You heartless bitch.” She shouted, “you fucking bitch, no wonder nobody loves you.” You didn’t care about her words smiling away.
The way her fingers cracked under your touch, each bone breaking the screams filling the room. You didn’t care touching even more of her before you moved directly to her heart. Hawks had heard the screams ignoring it maybe it was wrong of him to let you do this. But you deserved justice, your hand moved on top of her chest.
“Y/n…please.” She begged it was heaven in your ears, the woman who had tormented you was begging for you too stop and what else could you do but disagree. She had clinged onto your wrist, tightening her grip, unable to use her own quirk due to the medication, this was your only chance.
Hawks knew it was over, opening the door to see you walk out, he looked at you expecting some emotion but was brought with happiness, almost joy. “Where are the other two?” 
“You’ll see them again when they’re locked up, but that’s it, you cant kill them.” You nodded, you’d find a way, you’d find a way to kill them both, but you kept your composure.
The day flew past he explained how you’d have to lie, pretend your life was normal. But the main thing he wanted you to know was.
“If you kill any of them, I’ll be the one to kill you Y/n.” You nod, you had a straight face for most of his lecture, but you felt like he was trying to replace the adult figures you had had in your life. “If you get into any trouble, call me or just want to know how to act human, I know you haven’t been in the best education, but this is a fresh chance.”
“Okay.” It was simple and whilst sleeping in the commission in a much better area with colour and natural light. You watched the sky, watched how the stars danced around the moon, you admired it from a far but oh how you wished to see it up close.
The night was calming, and you were restless, but it wasn’t out of fear of going to UA, it was of fear they would find out who you were. Find out you were a villain, find out that you had caused deaths along the way. You were confident in your abilities, but they were new people, you had been surrounded by A rank and B rank villains all your life. Hell you had been classed as an A rank villain but now you would become something in life.
Hawks hadn’t bothered to tell you about your real parents, all that was known was you had been on the streets, you were a nobody and you would remain like that if you tried hard enough. The night had led to a lack of sleep with tossing and turning, the nightmares blaring through your head. The torment the way they would use your quirk at the tender age of five to kill and kill again.
Monsters who devour dreams.
The sound of coughing woke you up in your slumber, you hadn’t grown close to the winger hero. But he was trying, he gave you your new uniform, helped you pack a bag with everything and even gave encouraging words along the way.
The uniform was gross but after being trapped for weeks in solitude you were finally getting human contact, experiencing the world. “I’ll help you settle in; the teachers know your…past.” You nod, he was avoiding it and so were you, the drive being filled with silence.
Your gaze had been out the window, the hues of red and yellow cascaded through the sky, it was beautiful. A month ago the only thing you had seen was thick concrete walls, murder only occurring inside of the building you had called home for years.
“We’re here.” He whispers opening the door for you, taking your bags he watches you hit the air and feel the sun, “I think that’s the first time I’ve seen you smile.”
Your surpress the smile looking down, “make friends Y/n.” You nod, you were able to make friends, of course you were it was the not sticking out like a sore thumb that bothered you.
These people will have known each other for a month’s now but you, you weren’t normal. Hawks gave a smile walking you inside the building, “I’ll go drop your bags off to your new room once you’ve settled in.”
You walked past the doors, before arriving in front of a humongous door, shrugging at how Hawks spoke about the class. “The league tried to get them.” You mutter out. “They had talked to Shigaraki about it prior, we were going to go with them but my bro…he got sick.”
It was a lie of course; it wasn’t that he had gotten sick. You had touched him; broken his arm and you had been punished in an instant. You were made to sleep in the rain, eat off the ground, it was torture and you had felt sucked to death.
Monsters who suck blood.
Hawks nods, you misspeaking made you nervous, this was the first time you would be talking and listening to people who you weren’t about to kill. The door opened and you didn’t dare face the class, the teacher who you assumed was Aizawa stood in a sleeping bag, you dismissed it knowing how powerful his quirk was.
“We’ve got a new student today, Y/n Y/l/n and pro hero Hawks is here.” The shock on there faces was something, but it felt more to Hawks than it was to you.
“I’ll be leaving I’ll call tonight.” You nod at Hawks watching him leave with your stuff, your bag hanged loosely on your shoulder. You analysed them all, scanning up and down before you saw the boy who you knew Shigaraki had captured, the Katsuki Bakugo and Izuku Midoriya who your ‘parents’ had told you about.
You stopped staring at them, Izuku looked down not meeting your gaze whilst Bakugo scowled at you, “why don’t you introduce yourself?”
“Oh umm…” You stuttered Hawks had made you practice a fake backstory but, in an instant, it was forgotten, “I’m Y/n Y/L/N, I moved here with my family a…and ugh.”
Monsters who always tell lies.
You didn’t know what else to say, refusing to meet their gazes as you looked out the window, the birds chirping, petals falling in the August heat, it was beautiful, how life spewed out into the world. But also how easily it was to destroy life, how in one touch everything could break and deteriorate, “Y/n.” Aizawa had been repeating your name but you hadn’t gotten out of your daze until the third time.
“Yes.” You whisper.
He points to a seat behind Bakugo and in front of Midoriya, “go sit behind Bakugo.” You nod, walking past them all, they seemed already accustom to their friends. This was going to be a lot harder; it wasn’t like you were infiltrating it to gain anything. You going against the indoctrination and being the opposite of what you had been brought up to be.
You felt someone tap your shoulder as Aizawa went to what looked like sleep, quickly turning around to meet the green haired boy. “I’m Izuku Midoriya.”
You pretended to not know him, smiling as you introduced yourself again, “Yeah I heard.”
“Why did your parents move?” A blonde boy shouted, you saw the black in his hair, it was a look, but you had seen a lot worse hairstyles.
“Oh, work.” It was an easy enough lie which nobody would be able to see through. “We move around a lot.”
He doesn’t say anymore, as some of the girls come around the table, all introducing themselves, you smile thinking this had become easier by the minute. As quickly as introductions had occurred between the whole class, the day had begin to conclude and all that was left was training.
You didn’t have a hero costume so remained in the UA uniform; it was easy enough. With the odd amount of people, Aizawa had made you stay beside him. “I want you to break all of their left legs.”
Was this a trick or a ploy? You were happy to accept knowing this to be an easy enough thing to do, you saw how they had all began to bunch together. It was paced easily, skimming through each and everyone of them, jumping onto the high buildings as you touched all their left legs with ease, even Midoriya whose quirk you had known to be superior had not been paying attention, you easily touched it before hiding it. Your last victim was Bakugo who seemed to be jumping around, you saw how he stood in front of Kirishima in the open area, well you were going to make this a show.
You already heard the screams of some of the class and whilst being distracted you touched the blond’s leg, having assumed it was the wind he ignored the feeling. Ready to attack just as you bounced back to Aizawa.
In an instance you saw the class cascade onto their left knees, the shouting and tears flowing from some of them. It was quick enough, and you almost felt the thrill of killing from doing this small action.
Even Bakugo who had tried to not become grounded was repressing growls at the pain, “What’s ha…” You heard Momo ask on the ground, even the boy you had known as Endeavor’s son had collapsed onto the floor.
“It’s good, and you can heal them as well.” Aizawa ignored the class taking it as an endurance test.
You nodded about to go reverse it, “no let them feel it.” He had stopped you, you spaced in and out watching them on the floor, you stood in silence, it was easy enough to be stealthy even the invisible girl was easy to get after seeing the gloves floating about.
Aizawa after a couple minutes let you touch there legs again, all regaining strength again. They were all a bit out of it but Bakugo seemed the most pissed at you, not understanding your quirk. The class stood in silence looking at you, you didn’t look at them, wanting to leave and just look out at the sky for a bit.
“Y/n, was that your quirk?” The questions cascaded out, but you refused to answer, you didn’t care if they knew but you felt anxious and untrustworthy of these people. They could end up using it against you, hell they might even try and cut your hands off, so you’re left quirk less.
You had heard it happened to Overhaul so what would make you think that these groups of future pro heroes wouldn’t do it you. “No.” Is all you say, it was a lie, and you were going to stick by it forever.
Lying monsters they are much more cunning than other monsters.
Look into the horizon and see hope, “can we go now?” You muttered to Aizawa, he nodded, you didn’t stop to talk to them instantly leaving.
You didn’t want to face the question and answers, you wanted to be alone. You understood after all these years of being isolated, making friends, being around other people had took a toll on you and you wanted to curl up into a ball.
You grabbed your bag changing as quick as you could, instantly walking past the class who had just arrived to change. You saw the message on the phone Hawks had given you a number and floor of where you assumed your room was.
Whilst walking towards where the dorms were you heard the shout of your name. Turning around you were met with Todoroki, “oh hi.”
“Your quirk its…” He trailed off not knowing the words.
He joined you in the walk to the dorms, “you can say villainous, I can kill people with it.”
“I wasn’t going to say that but at least you’re on our side.” He smiles out before talking about the class and how impressed they were with your quirk.
All you could think about were the words he had said though our side, what did it mean? Were there sides to this world, were you going to remain on the side of justice or go against Hawks and run and kill and be killed by him.
You had ignored everything else he had said, “I’m glad I’m on your side as well.” It was a blatant lie, but you were trying, trying to put on a façade. You tried to understand him, understand the emotions that were around you. But you didn’t understand it, didn’t understand how something has harmless as you had done had made them impressed. If they wanted to be impressed, you could kill someone. If they really wanted.
They pose as humans even though they have no understand of the human heart.
Todoroki talked about how meals worked and the works and before you knew it, he had dropped you off directly outside the dorm room. “I’ll come get you for dinner.” You nodded before sucking in a breath. You had your own room, your own sanctuary, you could make it look however you wanted.
You walked inside seeing your bags to the side, a desk and a bed it was normal and empty. Hell if you knew what to do with the room, you had no pictures to put up, no possessions only the new clothes Hawks had brought you. It was barren and you expected it would remain this way.
You laid on the bed, feeling the soft and warm covers, it was a new experience, the rags you had slept in prior being nothing compared to this. It was comfort that you had never experience, the few hours later bringing the half haired boy to your room.
You had put the clothes in the designated area and been waiting on the bed, staring out of the window. It was getting dull and wearing the clothes that fit too right, you opened the door to see Todoroki.
“We’re waiting downstairs.” You nod, pulling at the sleeves of the shirt as you followed the boy. He made conversation which you gave small yeah back too. You were eating for the sake of it, eating to fuel you it wasn’t to satisfy or pleasure you it was to make you stronger. That’s how you had been brought up and that’s how you seemed to remain.
You saw the class crowding a table, a confusion settling on your face. Even the angry Bakugo was perched on the table, Todoroki coughed, and everybody turned their backs. “She’s hear.” Mina squealed, “we got you a cake to celebrate you joining our class.”
Your face fell in confusion, why were they being nice? You had hurt them and now they had gotten you a cake, you had never had a cake, always being told it was bad for you and would ruin your quirk.
“A c…cake.” You stuttered.
“Yeah, a cake, look its got frosting.” Ururaka smiled moving to show you the cake.
It was Midoriya the next to speak, “we think your quirk is really cool and don’t want you to think we think it’s a villain quirk or something.”
Your eyes widened; the cake had blue frosting but the sound of Midoriya repeating what Todoroki spoke out too you. You took a deep breath before faking a smile, everybody seemed to believe it and your next words, “thank you guys so much it means a lot.”
Bakugo knew, Bakugo saw how your eyes were lying, how your face might have been smiling but inside you were dying. Those eyes of yours, the way your upper lip twitched whilst cutting the cake. He saw it all and, in the end, he saw how your fingers skimmed the knife, as if you were thinking about murder. But what did he know about an extra like you.
They eat even though they’ve never experienced hunger.
A couple weeks had passed, and you seemed to have settled in, well that’s what Hawks had assumed after every daily call with you. His words echoing in your head, one murder and you would die yourself. You had grown closer with all of them , specifically Mina and Kirishima, but Bakugo was another story, he was scowl every time you looked at him, everytime you tried to make conversation. You both hadn’t shared a single conversation only being around each other due to your mutual friends.
The day Mina had asked to study in your room had brought Kirishima, Sero, Denki and Bakugo to your room. You hadn’t expected all of them, but you put on a fake smile again, you didn’t need to revise, hell if it wasn’t for your quirk, you’d still be academically smarter then the rest of them.
You didn’t confess to this truth only accepting them inside the barren room, you hadn’t gotten time to print out the pictures you had taken with the class. As much as the villain inside of you hated to admit it you were enjoying your time. You had thought the first night at UA, that in a month you’d have killed them, the villain in you would come out and you’d stop all their hearts, but now, smiling with them maybe things were different.
Or maybe you were lying to yourself, because to Bakugo you still showed the lying nature, your eyes were filled with lies and could dare look at you. It was only for Kirishima who had dragged him alone, he wanted to ask why you lied, why you didn’t tell the truth? A true pro hero would never go to this extent, but he had no proof, it was in his head.
It was all true, you had continued this lie, making up about how your parents and you were distant, but you had a brother who you were close with. The brother who had stolen you had never been close with you, he hated you, resented your quirk and had killed anybody around you to prove he was the better child.
You imagined him locked up right now, locked away in the hell hole, it was callous, but you relished in his pain. Mina had begun asking questions which you ignored thinking, you zoned out looking out of the window. He was probably chained up, sobbing at how he regretted it all. Regretted hurting you, you bet he didn’t even know that you were the one to kill his mother.
It was comforting but you knew you would have to surpress these thoughts to seem normal. “Sorry, I spaced out, say that again?” You quickly spoke.
Bakugo had noticed you space out, noticed how your lips twitched upwards into a cruel face he had seen that face before. Seen it on every villain he had even encountered and the fear that filled him, startled you all as he knocked the books to the floor.
You continued helping Mina ignoring the boy who continued looking at you. He didn’t bother helping Kirishima, only glaring at you, it wasn’t like he cared if you trusted them or not. But you were no hero to him, even if Deku and Todoroki told you, you were a hero, you would always be something villainous. The night fell and they all left, Bakugo having glared the entire night, it was unnerving, and you were fearful he was catching on, but you dismissed it. It was easy to not overthink these types of stuff, you could always threaten the boy.
They study even though they have no interest in academics.
The late night was unnerving you could feel Bakugo’s presence surround the room, you jolted up. Looking around, feeling watched, before you noticed the hoodie Bakugo had been wearing draped over the chair. He might be awake, he could be, you didn’t care, you got up stretching before grabbing the hoodie and creeping out the door.
You were on the same floor as the boy, so in a quick few steps you arrived at his door. You knocked hesitantly, maybe you should’ve waited. You shook your head, knowing that the feeling of his hoodie in your room made you on edge. You knocked again, and on the third a sleep Bakugo opened the door.
They seek friendship even though they do not know how to love.
He rubbed his eyes before noticing who it was, “what the hell do you want?”
You scowled looking at him, “you left your hoodie in my room.”
You pushed it on him about to leave, but instead he grabs your wrist, “we need to talk.”
“We can talk in the morning.” You were fearful not of him but the threat he knew your secret, knew everything about you.
He ignored you dragging you inside and shutting the door, “sit down.” He mutters, you oblige sitting on the edge of his bed, he had been wearing a black shirt and shorts, you didn’t look at him, instead looing around his room. You see a picture of what looks to be his parents, he was the spitting image of his mother. He looked angry in it but even then, it was a family picture filled with love, something you would never have.
“Why do you lie?” He meets your gaze.
“L…lie, I haven’t.” You lie out.
“I see it in your eyes, you have this face and I’ve seen it on villains, who are you?” His voice had become harsher and you felt intimidated. Fuck, you had killed people and a rowdy blond boy was making you scared.
“I told you…”
He interrupts you, “Y/n just tell me the fucking truth for once.”
“Bakugo I don’t know what you’re on about.” You say acting dumb to leave this situation, “I’ve tried to be nice to you but you jus…”
He speaks over you to make you shut up, “you don’t want to be friends, what are you Y/n?”
His voice was eery and he continued to spew out the truth, “you’re a villain aren’t you.”
You take a deep breath the tears about to brim from your eyelids, “I’m the monster, parents tell their kids about.”
Bakugo watched the tears flow out, he didn’t know what to do, he brought his hand to your face wiping the tears with his thumb. “Y/n tell me the truth.”
You look a mess, but you didn’t care, and you confessed it all, you didn’t lie or skim over the truth. You told him from the moment you got taken to the moment you killed the woman who had made you call her mother.
You expected him to push you away, tell everybody instead he sat in silence. Before bringing you into his arms, “I shouldn’t have called you a villain.” It was a soft side to the boy who had been known for being aggressive, after hearing your sufferings he understood, and he wanted to make sure you were always safe and protected.
“I am a monster though.”
He makes you look up at him, holding your face in his hands, “you’re not, the monsters are those people.”
You don’t speak instead leaning your head against his shoulders, you had never been this vulnerable with anyone. He held your head onto his body, moving onto the pillow to let you lie down on him, he brought you comfort, let you cry on him. You weren’t a villain; you weren’t a villain and if Bakugo believed it then you weren’t a villain to the boy who had been surrounded by them just as much as you had.
After that night Bakugo and you had grown into a strong friendship, it was shocking to the class who had never seen you even talk. The way he would come and make you coffee in the morning, walk with you to each class. Sit beside you in at lunch, even go as far as it train with you just so you felt included.
But seeing how you both talked and smiled at each other, for the first time you had a genuine smile on your face, a genuine laugh that wasn’t filled with lies from your past. They watched how the two of you grew over the course of the next month, how the two of you grew closer and closer. It was unfathomable but you had made a true friend, a friendship that wasn’t based on lies, maybe one day you’d tell them all.
But at the time being you were content with having the angry boy be remotely nicer to you than anybody. It was Mina who had noticed how Bakugo would open the door for you or hold your bag occasionally. The unusual behaviour making everybody think he was sick, but all you saw from him was kindness that had evolved for you.
What they hadn’t realised was how at ease you both had gotten into a routine of sneaking into each other’s rooms. How you’d hold onto each other, talk and vent about the past in each other’s arms. Friends don’t do that; friends don’t hold and comfort each other like you both did.
On one of the many nights you both spent together, his arm around your waist, you looked at him. Looked at his fiery red eyes and fallen blond hair, he had become something more to you. Somebody who you could trust with your life.
“Stop looking at me, its creepy.” He scolds, you laugh at the boy bringing your hand to his hair.
You feel him stare down at your tiny figure, “I thought you were a real bitch the first time we met.”
“You don’t think that anymore.” You pout out nearing closer to his plump lips.
“I still think you’re a fucking bitch.” He laughs, cocking his head back before bringing it back to your face, the gap having narrowed and all you could see was his fiery eyes stare back at you. “You’re my bitch...though.”
You nod not making a remark as the gap closes between you. Your lips moving together in an instant, it was long awaited and seethed with love and hope. But most of all it proved the woman who you called mother wrong, you weren’t heartless, and you have the love she spoke about from Bakugo.
Monsters who always tell lies.
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Concepts in Action (Glee)
Follow-up to Concepts of Insanity, spawned by a talk with @jwmelmoth
Slighty different mood than that one, but same base principle.
Returning to the loft after skating should be a relief after the awkwardness of doing such a loaded activity with his ex. Except it doesn't feel that good, and he's got some uncomfortable suspicions regarding Blaine's backpack.
“So, dad. You brought Blaine. Exactly when's his ticket back?”
“Day after tomorrow, same as mine.”
“Right. And where is he staying?”
“Well...” His dad's facial expression answers that question in a way that makes Kurt's heart sink.
Fan.Tast.Ic.
“So when you said I could return my present if I wanted to, exactly how was that supposed to work? It isn't, is it? I'm stuck with him whether I want to or not.”
“Kurt!”
His dad's voice is full of surprise and a bit of censor, but Kurt isn't going to let that influence him. His dad's crossed a line, and Kurt's not going to pretend otherwise.
“Remember the first Christmas after mom passed away? How you sat me down and apologized for my presents, before I'd even opened them, because you just weren't good at buying gifts? And remember how I told you that anything you'd gotten me would be perfect, because it was from you and I loved you? Yes?
“Okay. I still love you, but I'm taking the rest of that back. You coming here to tell me you have cancer was bad enough. Finding out you consider my ex an acceptable 'gift' for Christmas goes from bad to really shitty, and I don't know what you were thinking. Especially seeing as apparently you felt it was okay to tell him about your cancer before telling me.”
“I didn't want you to be alone.”
Kurt just stares, unable to process.
“I have cancer, and I knew you'd have a hard time to deal. I brought Blaine because I figured you'd need the support, the comfort.”
“And you brought my ex for that?”
Then again, support wasn't Blaine's strongest suit even when we were together, was it?
“Hey, you're the one who told me he wasn't just your boyfriend, he was your best friend too.”
“Yes, but that was before” he cheated on me “we broke up.”
His dad still doesn't seem to get it and Kurt can't take it.
“You know what, I need some air. I'm going to take a walk. You stay here, make sure Blaine stays out of my bedroom.”
Kurt starts out with going around the block, but he's still upset after and takes another loop, this time longer. It takes half an hour for him to feel ready to go back inside and deal.
Sitting on the couch with his dad and Blaine as they watch baseball is annoying as hell. Any other time, he'd take the closeness and read Vogue, especially now that his dad has admitted to knowing about it. But with Blaine actually watching and interacting with his dad about the game Kurt feels uncomfortable not doing the same. So he tries. Once he gives up and reaches for his magazine he heard his dad and Blaine joke about having bet about how long he'd hold out.
And then the next hit comes.
“So, Kurt, I know that this might be a bit weird for you, and you can totally say no if you want to,” sure, just like I could return the 'gift' of your presence, “ but I'm applying to NYADA for next year.”
Kurt sighs silently. Of course he is. The thing is, he can see it, the way Blaine probably assumes it'll play out. Blaine moving to New York, going to NYADA, buddying up to Rachel just like in high school... Kurt being expected to just take it, regardless of if he had been accepted or not. Any contacts Kurt might have gotten supposed to be at Blaine's beck and call, Blaine talking his way into Kurt's classes trying to replace him, like he had in Glee and with Cheerios... Kurt bending over backwards to make Blaine happy, just like in high school.
Because there would never be a chance of him being allowed to continue to say no to Blaine with them at the same school.
Thank god that's not going to happen.
And really, what was Blaine trying to do here? Pretending that Kurt's opinion mattered? The time for that would have been months ago, before applying.
“Oh really? You know what, I think NYADA might be perfect for you.” Not in terms of actual schooling, maybe, as Kurt's had the blinds torn off regarding Blaine's talent, but for the rest... He imagines Carmen Tibideaux subjecting Blaine to some of her special treatment. The definition of Karma, surely.
“Really?”
“Oh yeah. From everything I've heard you'd get along really well with the dean, and well, Rachel seems to thrive. Good luck.”
With no encouragement to keep talking about NYADA Blaine wanders off to grab something to drink and Kurt refocuses on his dad, trying to squeeze out as much of this visit as possible.
“Hey Kurt? What does NUY want with you?”
Kurt turns his head so fast it feels like he's in danger of whiplash.
“Are you going through my mail? Stop it!”
The words come out hard and he can see both his dad and Blaine react. He doesn't care though.
“You know, you going through my personal things wasn't cute when we dated either. Back then I just cared more about keeping the peace than about keeping my privacy. Since that's not a problem anymore, let me just be clear. I might be allowing you to stay here, but that's not an invitation in any way. Not to snooping, not to feeling at home, and not to getting back together.
“This is my home, and you are – putting it kindly – a guest. Behave with the decency I know your mom expects of you. If you can't do that then leave.”
He wishes Blaine would, but knows it's not likely.
“Buddy...”
“Kurt! You can't mean that you'd throw me out. Where would I go?”
Blaine looks like Kurt has done the verbal equivalent of throwing a bucket of ice water in his face. It has no effect on Kurt's resolve though.
“I neither know nor care. You either respect my home or you don't stay in it. This is New York. There are thousands of hotels and hostels.”
His dad just stares at him, as if he doesn't know who Kurt is anymore, and it hurts. Out of all the people liking Blaine better than him Kurt had never figured his dad would be one. And yet here he was, feeling the same way as he'd once felt with Finn.
“Buddy, you're being a bit harsh here, don't you think? Yes, I'll admit that maybe bringing Blaine without warning you was a little...impulsive, but why are you so angry? And don't be so hardnosed about getting back together, for your own sake.
“Like I said earlier, love's important. Holding on to love is important. I don't want you to throw away what you and Blaine have, not when you never know what will happen, or how long you'll have that opportunity. It's a cruel world, Kurt, but having someone to share with makes it better.”
Kurt takes a deep breath and tries, really really tries to keep his bitterness in. He's not doing that great a job.
“Holding on to love is important, sure. But there's such a thing as holding on too long and too hard. Blaine and I broke up for good reasons, and I wish you'd respect that.”
It's like his dad isn't even hearing him though.
“You know, your mom and I found it hard being apart too.”
Kurt did know. As a kid he'd loved hearing about his mom's semester in France, and he'd been told enough to know that it'd been tough. He'd read some of their letters to each other though, and he doubts either of them dealt the way Blaine did.
“So? Yes, being apart is hard. But that isn't an excuse for everything. I didn't want to get you involved in all of this, but since that's obviously not going to be an option anymore, fine. Blaine cheated. He felt I didn't pay enough attention to him, you know, between finding a job and a place to stay, and making enough money to pay the bills, and generally trying to make myself a life here after he practically pushed me to go here.
“And so he went and found someone else to give him that attention.”
He practically spits out the last sentence. It feels good to finally allow himself to say it, but the look on his dad's face doesn't feel as good.
If he was less angry maybe he'd be able to stop himself, worry about his dad's heart. But the anger's been simmering too long for that.
“That's why we broke up, and that's why I find the idea of getting back together objectionable. And you can talk about holding on to love until you're blue in the face, but I'm not the one who needs that lecture.”
He swallows down the lump in his throat, but goes on.
“As for the rest of it, are you seriously suggesting I take back my cheating boyfriend because that's better than being alone? Or because I don't know how long I'll live? Because if you are... What's next, dad? Telling me I should marry him because you and mom didn't get enough time together?
“If any of those things are going through your head you are also welcome to leave. I'll never not welcome you in my home, dad, but I need you to respect me. I need you to not act like you're putting someone else's son above yours.”
That's a warning that hits the target, and it's obvious that Burt Hummel remembers a row of uncomfortable talks about Finn. He deflects by turning on Blaine though.
“You...”
“No, dad. It is over and done with. Leave him be. Just... Just leave it alone. I don't want to take anymore fighting. Please?”
They stare at each other and for a while Kurt wonders if he should have done as he normally does and just backed down. Swallowed down his hurt and anger and frustration, kept quiet about the injustices done to him, and just pretended to be okay. Tried to not upset his dad, and risk his health.
Except he's done that for years, and it's clearly not working. His dad's health has failed again, with the cancer – and no matter how good the prognosis, or the treatments available, a cancer diagnosis is a health failure. Plus his dad is trying to fix him and Blaine, out of some misguided idea that they're going to be the next Burt-and-Lizzie, and he never would have done that if Kurt'd been honest about the cheating instead of blaming distance.
At least Kurt hopes he wouldn't.
“Sometimes, dad, first loves end. They end because of death, or because they're not meant to last, or because of something else. And then you meet someone else, and they make your life amazing. I'm not going to deprive myself of that by holding on to something that's ended. Just like you didn't. You found love again. I will too.
“I just need to be allowed to do so.”
They keep staring at each other, and then his dad nods. Kurt can't help it, he throws himself in his dad's arms, with tears already beginning to fall.
As they hug Kurt hear Blaine muttering in the background about finding a hotel, but he doesn't care. The door to the loft closing feels like it's closing on him and Blaine too, and it's such a relief.
After several minutes they let go. Both need to remove traces of crying, but that's good.
Once they're seated again Kurt searches for something to talk about, but his dad beats him to it.
“So, NYU? Or should I pretend I didn't hear that?”
“No! I have been thinking about things, about school, and I was an idiot for not applying to more schools last year. So, I did some research and then I did something about it. I've applied to half a dozen schools, and I've already been accepted to one for the fall semester. I don't know if there's any school willing to take me for the spring, but if there's not I'll just keep working and try to save up money.”
“And what about NYADA?”
There's no judgment in his dad's voice, and Kurt smiles as he tries to describe the situation diplomatically.
“It's...not looking as good in my research as I thought, so while I did reapply there I'm not sure I want to go there. I really shouldn't have listened to Rachel last year, because as it turns out? NYADA actually isn't the most prestigious school for performing arts, and it's probably not even the best for me. I guess we were both a little starstruck, you know?”
The game is back on, but they ignore it and talk, and it's everything Kurt would have wanted.
O--o---o--O
Months later as classes start up Kurt receives voicemail after voicemail about Blaine starting at NYADA, about how bad it is that Kurt's not been accepted, about them meeting up. Kurt ignores them as he did the calls and walks into vogue.com with a smile.
He doesn't feel the least bad about not getting in. Hell, he didn't even apply for the fall semester.
No, Kurt's happy where he is, with his job at vogue.com, a spot at the New School and a couple of scholarships helping pay the way. Oh, and a new boyfriend, which also contributes to his happiness.
Turns out? Acting in new ways can get you new and rewarding results. All you got to do is try.
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tenthgrove · 3 years
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La Squadra Autism/Neurodivergence Headcanons
I’m currently feeling sad because ableism is a thing, so to comfort myself I’m smacking La Squadra with the autism hammer. Here are my headcanons for who in La Squadra is autistic.
CW: ableism, ungodly amounts of self-indulgent validation
Ghiaccio
I’m not the first to suggest this boy is autistic, and it’s part of the reason I love him so much.
Very intelligent, but struggled in school due to his neurodivergence and was mislabelled as a disruptive problem child, even when he genuinely tried to please people.
Not diagnosed since his family didn’t know anything about autism and his teachers wrote him off as ‘naughty’, but after he joined La Squadra, Gelato was like ‘hey you should look into this’. Ghiaccio’s realisation was pretty much immediate.
His loud volume doesn’t always mean he’s angry. Remembering the volume that normal people speak is a genuine difficulty for him.
His main stims are pacing and leg-bouncing (I feel you man). His current main hyperfixation is linguistics.
He sometimes gets overstimulated, usually visually (bright flashing lights etc) so he prefers nighttime. Also, emotions make him anxious, both his own and other peoples. Rarely, he has been known to go non-verbal. Usually tries to hide himself away when this happens.
Used to be better at masking but made the conscious decision to abandon it once he realised the stress it was causing him outweighed the benefits. Risotto actively encourages him to be himself.
Still suffers ongoing problems with anxiety and self-esteem due to ableism he faced in the past. Incredibly grateful to his team for giving him the first environment that is accepting of him.
Risotto
Okay, hear me out on this one.
A combination of autism and solitude left him with no idea how to interact socially as a child. He didn’t realise there was anything different about him until he left home at 18.
Didn’t even know what autism was until he was well into his 20s, at which point he had the classic ‘oh’ moment I’m sure many of us can relate to.
The years between joining the mafia and getting put in charge of La Squadra almost broke him for this reason.
Eventually however, he came to learn social rules by utilising his strengths- impeccable attention to detail and a logical way of thinking. He interprets a social situation not by instinct like a neurotypical person would, but by reasoning.
Ironically, he actually mastered this to the point where his reading of body language is better than the average neurotypical. This can be seen in the way he analyses Doppio. Note how he verbally explains the process in a deductive manner.
His go-to technique for masking is to just not speak. You can’t say anything weird if you don’t say anything at all.
Hyperfixates on certain eras of history. When he does speak, he occasionally can’t help but slip in bits of information about the stuff he knows.
Doesn’t have many overt stims. Instead, he d̵̡̺͙̍i̶̧̝̹̘͌s̶̤̖͂̓͊͘s̶͇̏̄̌͛o̸̦͔̙̍̍̊ĉ̸̰̥̬͛́̐í̶̱͖͙͉a̶̞͕͆͆̔̽t̶̫̬̘̊́̏ͅé̵̩̕s̸̨͎͍̦̈́̒.
Gelato
The best part about a character with no canon characterisation is that you can project on them however you want.
Autism and ADHD combo baby.
Only person on the team with a childhood diagnosis, not that it did him any good. His parents just wanted a label they could stick on him to explain his different behaviour, and were disappointed when they realised he couldn’t be ‘cured’.
Similar to Ghiaccio, he was mislabelled as a problem child, but in adolescence he increasingly used rebellion as an active strategy to protest against the shitty way his family treated him. This went on in an endless spiral of his parents treating him worse and him acting out as a result until they finally disowned him at 17.
Being an autistic extrovert, he often seems weirdly excitable when meeting new people. But each night he lies in bed and thinks about every social situation he’s ever fucked up.
Eventually did learn to do a decent job of masking (mostly just by channelling Sorbet’s energy) but he doesn’t like it and only bothers for his Passione superiors.
Has a lot of stims and is incredibly fidgety. Used to have quite overt vocal tics but now they only come out if he’s especially anxious.
Would have adored the modern self-led neurodivergence movement. All the rainbow infinity badges. King.
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antialiasis · 3 years
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Morphic: the Musical
The Thousand Roads forums have a fanfic music thread. While I don't really do those kinds of threads usually because I don't really listen to a very wide variety of music and generally have a hard time associating music that already exists with unrelated fiction, one of the questions in it is this:
Talk about what would happen if some Broadway hit-maker scooped up your fic and turned it into a script. What songs would be in it? Describe a dance number/dance battle?
And immediately, the musical analysis glint lit up in my eyes. This question was presumably intended in a lighthearted jokey sort of way - imagining some fight staged as a dance battle, a hypothetical Broadway hit-maker doing the adaptation. But that's not enough for me, say I! Musicals are a good and interesting medium for serious fiction that I care about and I am going to serious this up.
See, to me, the musical format has two major strengths as a narrative medium. The first is that it can explore the inner worlds of characters in a pretty unique way. Characters get to monologue in a sort of heightened, non-literal manner, intensified by music: we can learn what they're about, what makes them tick, what's going on in their heads in a particular moment, in a way that wouldn't really make sense presented as actual inner monologue in another medium. The music aspect itself then adds a layer to it that's impossible to replicate in any other.
The second strength of the musical format is that it's really good at highlighting recurring themes, parallels and contrasts. Reprise the same melody, the same lyric, a parallel but opposite lyric, and you've instantly connected two things together. Is there a character arc? You can highlight what has changed. Are there two characters going through something similar? You can draw that out. Is there a recurring theme throughout? Use a recurring lyric, a recurring melodic phrase! Nudge the viewer into forming connections! Delicious! And you can do subtler things on the music level itself - particular instruments with particular connotations, recurring motifs...
So naturally I decided I should think up what a musical adaptation of Morphic would be like. It'd be a fun exercise in putting all my thoughts on musical adaptations into practice, but also an interesting way to help sort out some of my thoughts about characters arcs, etc. for the actual Morphic rewrite. And in the process, I may have gone slightly overboard. I regret nothing.
(I'm about to spoil most of the fic here, if this wasn't obvious)
Morphic: the Musical - tracklist
(Note: this musical is not sung-through; there are regular non-musical sections with regular dialogue in between. Morphic would almost definitely not make for a good sung-through musical.)
Act I
[Intro song] (Brian)
A monologue by Brian at the TV studio as he tries to work through what to say, how to explain or justify any of this (which conveniently serves to exposit to the audience as well as introduce his character). He makes nervous false starts and cuts himself off, starting the verse over each time, and through these false starts we learn what's going on, that the press has been calling them Pokémorphs, that this was all Dave's idea, that alcohol was involved, that it was meant as a basis for further research, that there were never supposed to be *children*, that he doesn't know what he'd even do with a kid, that Dave roped him into going on this show because he couldn't.
[Dave song] (Dave)
This musical properly introduces us to Dave via Jane walking out on him followed by this song, wherein he contemplates chucking baby Jean out the window. It's a dark rock song with big emotional contrasts and raw lyrics that is almost definitely my favorite song in this musical in the hypothetical reality where it is an actual musical and I didn't write it, because I am me. Probably starts with a couple slower lines of desperate disbelief before launching into wild anger about fuck that fucking whore, followed by what I will be referring to as the everything-is-shit verse (please bear with me), just a general cynicism rant about why the world is a shitty place not worth living in, followed by him wildly fantasizing about killing his infant child. What a delightful human being that I adore. The song ends abruptly, he's standing there staring at her in his arms for a moment, then he silently goes to feed her. On the soundtrack you probably might think he just did it.
Fatherhood (Brian)
A montage song covering the timeskip, which probably reprises [Intro song]. Brian initially has no idea what to do with his new squirming horrorblob child and is convinced he will screw it up the way he tends to screw up everything. Makes a couple of false starts again, but then gains confidence as time passes as he genuinely bonds with Gabriel and legitimately thinks he's a pretty amazing kid. There's a repeated line along the lines of that Gabriel's a weird, weird kid, but he's his, initially in a tone of "oh god I'm responsible for him what do" but towards the end is said with pride and fondness.
[Villain song] (Isaac and Jacob)
A duet between the two brothers, exploring what makes them tick. Isaac is all about this heavy pressure and sense of responsibility, originally imposed by his father, that he continues to impose on himself. He's been appointed to take over leading the family/cult and was raised with that constantly in the back of his mind as his future, and he believes that they're God's true righteous people and he cannot go wrong. He has dreams with some regularity that he interprets as visions from God, as he has been encouraged to since childhood by his father. When he has one about murder, it frightens him but he sees it as basically a divinely-appointed mission.
Jacob privately doesn't really believe any of that. He is trapped in this cult and goes through the motions but is not actually driven by any of the things that are driving Isaac. He's fairly quiet for most of the song - as Isaac is going on about his vision, Jacob has a line here and there obliquely challenging it, but Isaac has an answer for everything, and he doesn't press it, instead moving seamlessly on to suggestions for how he should do it. Jacob gets a quiet variant of part of the everything-is-shit verse from [Dave song], expressing the same kind of cynicism in a more reproachful, apathetic way - all in his own head, of course.
Just Like My Hero (Jean and Will)
Jean sings about how she is just like her hero, Sarah Hooter! Starts off describing how they look the same, moves on from there to how she will torch anyone who's mean, etc., just like her hero. Halfway through, Will joins in, and it becomes a counterpoint duet: Jean may be immature and ridiculous, but he deeply wishes he was confident and adored and nothing would get to him, and he admires and envies that about her. His just like my hero has a bit more of an ironic vibe, he'd hardly properly call her his hero, but he looks up to her more than he'd normally admit nonetheless.
Storming the Castle (Jack and Gabriel)
Jack and Gabriel are playing a D&D game with their friends, arguing about the best course of action. Jack is eager to waltz into the bad guys' fortress, storm the castle, while Gabriel urges lying low, says they're too weak. Jack wants to take the leap and try it; Gabriel insists no, we're not taking the leap, it's stupid. "It's brave!" Jack counters. (In the end, Gabriel gives in and they go ahead with it, and it goes fine.)
Unique (Mia and Lucy)
Mia and Lucy play one of their games. The song is about how Lucy needs someone like Mia to challenge her and let her actually indulge her powers, which are otherwise unsettling to people and she's ashamed and self-conscious about them, while Mia needs someone like Lucy to get a real outlet for her hunter's instinct. The word the lyrics are built around is unique; by being the precise way they are, they are each the only person who can provide this for the other.
Mia doesn't sing. She speaks her lyrics in her usual monotone, not even rhythmically. They also don't rhyme. It's technically a duet but really it's just Lucy singing and Mia talking.
[Peter/Katherine song] (Peter and Katherine)
A counterpoint duet between the siblings, contrasting their experience as Pokémorphs. Peter can pretty easily hide that he's different and be treated mostly as a normal kid, and feels free in his privilege, not confined quite the way the others are, able to be a bit reckless and incautious. Katherine, meanwhile, has a very different experience, being extremely noticeably different, getting stared at, and struggling with basic activities, and feels a huge sense of responsibility weighing her down, worrying about Peter and grounding him and reining him in. There's a lyrical contrast involving something something bird freedom plant rooted down something.
Brian's Death (Isaac and Dave)
This is one of those mostly-instrumental pieces that they include on the soundtrack anyway, but Isaac gets a couple of sung nondiegetic lines in here, a sort of frantic excitement, realizing in a brief panic that he shot the wrong guy before rationalizing that God must have planned it this way.
Dave is probably also in there screaming and attempting to call the police, because I am always in favor of screaming and panicking on musical soundtracks.
The Funeral (Gabriel and Jack)
Begins with Gabriel at the church during the funeral, singing about his vague discomfort being there, but slowly becomes increasingly frantic and anxious, working up to a breakdown where he exits and finally manages to cry for his dad. There's a verse about little things, how they ordered pizza the night before he died, etc., culminating in the bit about him having been in the middle of this mystery novel and never getting to learn who did it; the verse trails off quietly there, backing instruments gone, as Gabriel breaks down. Jack follows to comfort him.
Act II
[Montage song] (everyone)
A montage of the days after the attack, where everyone gets a couple lines about how they're coping, scared and grieving.
Dave's lines are like, spoken slightly too desperate annoyance at having to do some work that Brian didn't get to finish, or rebuking somebody who asks how he's doing by saying he barely even knew Brian. He is not singing along with this kind of grief-porn bullshit, fuck you.
[Villain song II] (Isaac and Jacob)
The brothers come up with a new plan. Isaac is agitated, reprising some of his bits from the original villain song in a quicker, more frantic tempo, while Jacob picks up the slack, walking him through a new idea. Isaac takes to it with conviction and goes back to the original melody/tempo, talking again about his God-given purpose. Jacob does not join in with any of that, only with the bits about the actual plan.
The Kidnapping (instrumental)
I'm just going to say this is on the soundtrack too and contains panicked Gabriel noises because I want it to be.
Storming the Castle Reprise (Jack)
Jack tries to rally the others for a rescue mission, echoing the D&D game from Act I. The lines about storming the castle and taking the leap make a reappearance.
Just Like My Hero Reprise (Jean)
Jean, on the bus, miserably contemplates how she is unlike her hero. Again, it begins with a verse talking about how she looks - not a thing like Sarah Hooter anymore - but then moves on to how she's scared and pathetic and running away, unlike anything a hero would do.
Church Sequence (Will, Jack, Mia)
A single track, largely instrumental/dialogue/sound effects, with a couple of brief song snippets:
- Will reprises "Just Like My Hero" as he wills himself to go on. He is cut off mid-line as he is shot.
- Mia slits that guy's throat and she actually sings a few words, for the first and only time, before she is also cut off mid-line by a gunshot. The line is something about, like, warm blood in her face or the guy's satisfying death throes, reprising part of the melody of "Unique".
Strong (Gabriel)
Gabriel discovers his powers. Starts slowly, calling back to the bits from "Storming the Castle" about lying low, being weak. But as the song continues and he makes his discovery, the tempo builds, and he starts reprising Jack's bits instead: he is strong, taking the leap, storming the castle.
Perish Song (Lucy)
Another brief reprise of "Unique", distorted and deafening and terrifying, mourning her sister.
[In the Hospital] (Jack and Gabriel)
The two of them work out their feelings about what happened. Includes Jack going "It was stupid" (i.e. the rescue mission) and Gabriel responding "It was brave", echoing the bit where they said the opposite in "Storming the Castle". Jack blames himself for how it all turned out, feels stupid and weak, while Gabriel actually felt kind of awesome. (This is also calling back to their opposite bits of "Storming the Castle".) They end with a shared duet verse as they realize they've both got that same innate desire to fight and win. Possibly calls back to the weird, weird kid line from "Fatherhood".
Eulogy (Dave)
Dave's eulogy for Mia (which also touches on Will, but this is Mia's funeral). It reprises "Unique". There will never again be anyone like the two of them, two of the only truly unique people on this Earth. (And, while he doesn't say it straight out because hahahaha, he needed Mia, too).
Taking the Leap (Jack and Gabriel)
Jack's suicide attempt and his swirling inner turmoil as he tries to talk himself into taking the leap once again. Gabriel, of course, comes in with don't take that leap. Am I overusing this one line by putting it in like half the songs in this thing? Well, who's going to stop me.
[Peter/Katherine song reprise] (Peter and Katherine)
The two of them contemplate indefinite house arrest (in contrast to the freedom Peter's enjoyed most of his life) and Katherine's failure to stop all this (despite her sense of responsibility). In the end, they both find their own ways to accept the new state of things and support each other through this.
Finale (Dave and Jean)
After Dave breaks down on his couch and Jean comes in to ask what's wrong, Dave sings a reprise of the everything-is-shit verse, going over the many things he's angry about, because that is the only emotion involved here clearly. At the exact point where Dave's song originally went from there to fantasizing about throwing her off the balcony, Jean throws her arms around him and sniffles "It'll be okay, Dad," and after a stunned "What? Jean, I'm--", he continues with a slow, hesitant *inverted* reprise of the everything-is-shit verse, "Everything'll be fine", constructing a little fantasy reality for her (and himself) where everything turns out all right in the end. It's backed by, like, a simple, quiet, slower piano rendition of the original melody, and trails off at the end, never quite coming to a satisfying conclusion before he tells Jean she should go back to bed.
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breath-of-void · 3 years
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Black Widow and Pamela Halpert
So I recently came upon a series of tiktoks denouncing Pam Beesly from The Office. As a concept, I absolutely love the idea of deep diving and challenging our previously held beliefs about beloved fictional characters (there are countless cries to reevaluate Jim, also from The Office, as an unmotivated time waster rather than the cool guy we used to think he was). But this creator and plenty in the comments touched on things that, while they may make her a flawed person at worst, do not make her a bad character. 
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I am by no means saying that she is wrong for her assessment and at the end of each video she does encourage discourse which is good. This just sparked a primal need in me to give my amateurish take on how we treat female characters in the media. 
Pam, like every other character on The Office, is flawed. She does bad things, she has a shitty attitude, and, one could argue, she cheats on her fiancée. That being said, that is no reason to denounce her as a character and I actually think it’s important to have characters like that. 
One of the biggest complaints most people have with her is that she constantly flirted with Jim while being engaged to Roy. As younglings, we all thought it was cute and that justice was served when they finally got together, but growing up, we realize that it was kind of a shitty thing to do. But I would like to counterpoint and ask... is it?
I mean, yes, actively making googly eyes at another potential suitor especially when it’s clear that he has the hots for you when you are committed to someone else is bad, but it ignores greater context: Roy’s treatment of Pam and Jim’s own autonomy. 
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Roy was undoubtedly neglectful of Pam and was initially supportive of her friendship with Jim SO THAT SHE WOULDN’T BOTHER HIM FOR ATTENTION. Is it truly a crime that she sought solace from the one person in the office that she could get along with? If we changed the scenario to make Jim female (we’ll call her Jill) would their friendship then be considered flirty? If Pam and Jill were doing everything she and Jim were (nix the one or two kisses they had) then they would just be the two mean girls in the office playing pranks on the uptight assistant to the regional manager. Of course, it is fact that they were indeed flirting with each other (or more accurately and it is my personal belief that Jim was flirting while Pam was simply being friendly UNTIL it grew into something more.
A lot of people also tend to think of Pam as manipulating Jim’s feelings for her to gain, basically, a second boyfriend while her shitty fiancée was an ass to her. This might very well be true, but heck if Jim didn’t have a part to play in it. This idea of “manipulating his emotions” is ludicrous because Jim is a grown man who should know better and, at some points (such as when he started dating Katie and Karen) we see that he does. At best he is culpable in feeding the fantasy that he and Pam could be together despite her engagement and, at worst, he is too naïve to live. Pam didn’t manipulate him. She didn’t hide her relationship status or anything and, in fact, told him more than he needed to know about it. Several times, she would leave with Roy or act relationship-y with him in front of Jim. He was her friend, and if there was ever a chance of them being more then Jim was just as responsible for that.
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So where does Black Widow fit into this? 
Well, she didn’t kill Dreykov’s daughter and I’m still salty about it. 
The idea that a flawed female character cannot be rooted for seems ingrained in our enjoyment of TV. See, the worst thing we know that Natasha has done (in the MCU not the comics) is, you know, murder a little girl. At this point she was not brainwashed, she did it because a job needed to get done and what’s a little collateral damage. What makes it worse is that her target survived so she basically just murdered a literal child for no reason. Bummer. She’s grown since then, and the knowledge that she did something like that will forever haunt her. No matter how many good deeds you do, or how many worlds you save, how do you cope with the fact that you set off a bomb point blank on a child?
But they backed out of it. In the end, turns out, she’s okay. Slightly charred, but otherwise vibing. The idea that Dreykov turning her into a weapon was Natasha’s fault is laughable because I would like to know what shred of evidence led us to believe he wasn’t going to do that anyway. Girl was destined to become a Widow whether she was his daughter or some orphan. That fact that she had to be mentally subjugated cemented that for me. I’ve complained about this before, but the identity of Taskmaster didn’t matter when they had no goals of their own. If it were that the girl survived but dedicated her life to killing Natasha for what she did and keeping the Widow program going, then that would be a suitable trade-off, but she didn’t care. As it stands, the worst thing Natasha has done... doesn’t exist anymore. The kid didn’t die and now that the brainwashing has been erased, she’s going to be taken care of. 
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Did I just want to complain some more about Black Widow in this rant about Pam? Possibly.
That being said, a realistic depiction of a flawed woman should not be decried. Especially when, and let’s be honest, Pam really isn’t that bad. When all is said and done, Pam is no more mean nor petty than the rest of us. In the aforementioned tiktok, her cattiness to Kathy was cited and... so what? I’m sure there are plenty of us who thought of being or even were catty to whoever our best friends were dating because we wanted them to ourselves (whether it be platonic or romantic). 
Audiences tend not to like when women who are TOO flawed but still called good. Not that it’s always done right and discourse around this type of thing is important, but when there calls to cancel Pam, an ordinary woman whose list of crimes include being snarky to her best friend’s girl, kissing her best friend while super drunk and bullying the office joke, it’s time to evaluate why. It’s not so much that I think Pam is good, but I don’t think there’s enough wrong with her to call her bad.  
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stellar-imagines · 4 years
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HEADCANONS REQUEST: ❝studious but rebellious.❞
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[ Fandom: Boku no Hero Academia ] [ Characters: Bakugou Katsuki, Todoroki Shouto, Kirishima Eijirou ]
「Headcanons of Bakugou, Todoroki and Kirishima who's studious, mild-mannered, and the typical perfect student but is secretly rebellious, tomboyish, fierce and fiery.」
BAKUGOU KATSUKI
♤ This guy probably thinks that you're a shitty model student. You were the typical student who's gentle, encouraging, helpful and kind to everyone. Anyone would find it easy to talk to you given how bubbly and mild-mannered you were on a daily basis. You always arrived at school on time, dressed properly, did your homework, actively participate in class and performed well during hero training. Now we all know that Bakugou has a superiority complex and he was a bit pissed that you were so good at everything. He sees you as a rival but he has never actually said it to your face.
♤ He would compete with you without you knowing at all. For instance, after midterms when Aizawa handed back your papers, Bakugou is already looking through all his papers, satisfied with how he had performed. He would then proceed to approach you and demand you show him your scores. Gets cocky if he actually surpasses you and angry when he failed to beat you. Because of this small exchange you have with one another, you became friends. 
♤ Gets along with you better than anyone expected. You were normally studious and looked like the type of student who would be sophisticated and disciplined, someone like Iida or Yaoyorozu. He probably thought that you would be a person who prefers studying, reading books, and all that. Bakugou was kind of surprised that you were actually pretty tomboyish. He knew this from hearing you talk about your hobbies and the things you loved to do. 
♤ He wasn't sure what kind of acts were considered rebellious. Bakugou had this certain image of you as the person who would never break rules or bother other people and act like a responsible person even outside of school. You would sneak out of your room and make a midnight snack. When you're at the movie theater, you would sneak in some snacks inside your bag. 
♤ Though, you weren't the kind of rebel who's a troublemaker ― someone who doesn't like to follow instructions and causes inconvenient disruptions. You're not really everyone's typical girl who loved dressing up and pretty clothes. You were more on the tomboyish side, preferring pants over skirts and t-shirts over blouses. Make-up? You think it's better spent on food! Bakugou thinks you're absolutely right.
♤ Bakugou has no certain preference when it comes to girls. But he definitely likes someone who's too prudent and someone who would want to live their life in their own ways even though their acts are considered rebellious. It's a bonus that you're fierce because you can put him in his place if he gets out of hand. But when it comes to sparring, he won't lose. Lowkey thinks that it's hot when you show your rebellious, fierce, and fiery side. He would rather die than admit that to you.
TODOROKI SHOUTO
☆ Todoroki is not a competitive person like Bakugou and he's the type to not really care whether you're actually really smart or not. You both like to share notes with one another and study together. He really likes having you around during study sessions. Sometimes studying alone can get a bit boring. However, even with you around, it's not like you're both going to talk anyway. But you both were comfortable with the silence and can genuinely enjoy each other's presence without having to talk.
☆ He does think that you're the epitome of a model student. A student who is on the top of class due to your outstanding grades, possessing and overall charismatic feel, kind-hearted, and excels in everything you do. Despite your popularity, you're also humble, never boasting your grades, and never looked down on people. Todoroki finds himself admiring you for this. You didn't look like the type who would be reckless and tomboyish so he just assumed that you were what everyone sees you as.
☆ This boy is initially surprised that you were actually quite rebellious at times. When you both started dating and hanging out a bit more, he learned a lot of different sides that you don't normally show to everyone. Even though it was surprising, it's not like he didn't like you any less. He feels like a very special person as he's probably the very few people that knew how you actually are. Before you both even started dating, you got along very well and went out on a few dates. 
☆ Behind closed doors, you were completely different. But not different to the point that would make Todoroki question himself if you're actually the same person. You reveal to him that you might be very diligent when it comes to studying but you really hate doing housework and sometimes argue with your mother over it. At home, you would play games, watch anime, and read manga. 
☆ You're not competitive when it comes to school but you were certainly competitive when it came to games. Todoroki was a bit overwhelmed by your sudden change but he kind of likes that you're comfortable enough to let loose in front of him. Instead of dressing up like girly girls, you always wore sweaters and pants around him. If you were to ask him for one of his hoodies, he would give it to you without asking anything.
☆ Todoroki loves you so much that when you break a few rules a couple of times, he wouldn't even say anything much. You're not rebellious to the point you commit weird acts. Studious and mild-mannered but at the same time, fiery, tomboyish, and rebellious ― he thinks its an interesting combo and that you're unique.
KIRISHIMA EIJIROU
♡ You're his lifesaver. He can't say that he's smart but just like a majority of students in the world, he struggles with a few problems related to studies. Kirishima would always ask you questions and even plead that you tutor him before tests and help him with homework. You were the perfect teenage girl in his eyes. A model student who's good at everything you do, be it studies or even sports.
♡ Super proud of having you as his girlfriend. You're smart, pretty, kind, and reliable. A student that a lot of people looked up to, not only because of their outstanding grades but also because they act humble despite their popularity and smarts. Kirishima's not dating you because you're smart or anything, he's not that type of person. He enjoys spending time studying with you because you somehow make it fun and much more enjoyable.
♡ Kirishima is a bit surprised to know that your hobbies are different from a normal girl's, you preferred playing games over shopping like normal girls. You'd spend most of your money on games instead of makeup and pretty clothes that girls prefer. When going out, he wouldn't have to think about what girls normally liked and could invite you to things that he also enjoys. But of course, he would ask you where you wanted to go beforehand.
♡ Similarly to most, Kirishima didn't expect you to be the rebellious type but he isn't complaining or anything. He's actually pretty happy about it. Since you're very studious and mild-mannered at school, he expected you to be the type of person to stick to the rules. You have confessed the little rebellious acts you've done before, like sneaking out from your house to go to a friend's party.
♡ Sometimes, you'd drag him into your antics, doing weird things in public. He knows how rebellious teens act but you weren't like those people. Driving over the speed limit, shoplifting, smoking and drinking alcohol, even blowing off homework in favor of using social media, and skipping school. Kirishima trusts you and knows that you wouldn't do anything too extreme. And if you happen to do something that might potentially harm you, he's there to stop you.
♡ Best boy to play games with but not only that, he's just super fun to hang out with. No matter what kind of things you like, he's the type of person who's very flexible and willing to get to know a person more despite having different hobbies and interests. Kirishima is very interested in learning different things and supportive so your somewhat contrasting personality doesn't really bother him.
Total: 1390 words Published: 11.09.2020
Thank you for requesting! 。٩(ˊᗜˋ)و*。 Honestly, this is basically me in a nutshell but I'm not that rebellious. Sorry but we don't write for Denki. Hope you liked it! ― author Lou
Thank you for requesting it! Surprised that there were a number of similar requests. But we hope you enjoyed this! ― author Natsuki
Requests areopen! Matchups are closed!
Please do not mind the grammar mistakes and typos.
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androgynousblackbox · 3 years
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What the fuck has lily orchard done thigh?
I’ve kept hearing she did things like this:
Do you think Lily Orchard pretending to be someone else, using that persona to try to pressure that person into sending them nudes, having her other persona tell someone 'you're making Lily suicidal', etc. (that whole drama saga is TL;DR I can't fit into one ask) is something people should still hold against her?
And more and I just have to know, what the hell has she done? Eva use this only seems like the tips of the iceberg
OH BOY, where do I start? Well, that message you are quoting refer specifically to Tara Callie. Who is Tara Callie and what that has to do with Lily Orchard? A long time ago, before Lily came out as trans, she made up this fake girlfriend named Tara, that had a whole backstory about how she had a romantic relationship with her younger sister that died during a snowstorm by trying to reunite with her and also raped some homophobic girl until that girl accepted being a lesbian. Tara also supposedly had sex with dogs, if I remember correctly. This Tara person would frequently talk with this other person, that since then I think doesn’t want to get involved with the whole issue, so let’s call her B. B was friends with Lily and Tara. Tara was the instrument through which Lily gain access to nudes from B (by being accepted into a very small group of queer women) and Lily guilt tripped B more than once into performing sexual acts or engaging on sexual roleplaying for Lily’s pleasure, despite how uncomfortable B felt about the whole thing. B was a lesbian and Lily was still presenting as masculine at the time, so use another woman’s encouragement was the only way to get her to comply. B didn’t felt attracted to Lily on that way at all so even after Lily came out as trans, so Tara was still useful. This continued on for a long while until Lily realized that B wasn’t going to play WoW with her as she wanted because of not having the right equipment, so Lily just ended the friendship with B, leaving her hurt and confused. Great fucking reason to just abandon a friend But Tara was still around for some time more until Lily suddenly said that Tara had died and everyone close to Lily cried for her. Then Tara came back. Then Lily told everyone that she had been arrested for possesion of CSEM (and obviously Lily had nothing to do with that). Then Tara came back. And then I think she died or something, but if you ask Lily about her she will deny ever knowing any Tara or will say that she was a violently abusive person that she is glad to get rid of. Now, how do we know that Tara was a sockpuppet of Lily? Besides the fact that they talk the same way about the same topics, the fact that the father of Lily came out saying that he has never seeing any Tara while Lily was living on his house, there was other red flags such as: -Her profile picture literally just being a random picture you could find in google. -The online activity of Tara still being active even after supposedly being send to prison. -All the online activity of Tara revolving around Lily’s online presence. And I mean everything, from defending Lily in arguments, editing pages for her (again, even after being send to prison), speak for her, about her, without having any other social media, hobby or anything at all that wasn’t about or included Lily., -Lily is infamous now for creating sockpuppets account to try to circunvent blocking or fight her own battles whenever someone either tries to bring her past up or disagrees with her. You can usually tell because Lily is actually very lazy setting them up: they are going to be newer accounts with either no images on the profile and header, or the most generic ones possible, with literally no other purpose than to send asks, reblog from Lily or otherwise defend her. But that is not all, my dear anon! Because this was shitty, right? Very shitty and questionable and horrible. But then Lily pulled a similar shit at least two other more time with different people in different ways. With an artist, Lily would pay them extra on each comission in order to recieve bestiality porn that the artist was incredibly uncomfortable doing but had to because, you know, money equals food and all. When this artist finally said enough and told what happened, Lily, who before was all too happy to defend said artist, now turned around and said they were a junkie alcoholic liar that nobody can trust because you can’t trust addicts when they talk about being abused, can you?  Then her ex wife, Lizzy Orchard, who at this point have been villified by Lily and her audience to hell and back for at least a year, harassed so horribly that she had to get out of tumblr, told her story on twitter about how Lily would manipulate her into, again, either accepting things Lizzy didn’t want to accept sexually or drawing sexual material for her despite how uncomfortable that made her. Since then Lily has tried to spin to tale to make it Lizzy’s fault for not making clear she didn’t want that, for saying that she was fine when she wasn’t (you just have to love that victim blaming language, I swear, this is almost textbook example), but also accusing Lizzy of being the actual sexual predator who lies to cover herself up. One story would have been bad. Two stories is... eeeeh, this is reaaally not a good look on you, maybe consider step away and reflect or something. But three all different people telling a similar thing? On different time periods? Having different relationships with Lily but all being manipulated for the same purposes? Yeah, not. This is the doing of someone who knows exactly what she is doing and will do it again the moment she thinks she can get away with it. That is a predator. So yeah, until Lily properly adresses and apoligizes for ALL of this bullshit, until she does some fucking serious accountability, which I don’t see happening any time soon, people have every right to still hold it against her, especially when Lily is STILL shittalking those people to this day.
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4homiesfilm · 3 years
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5 Things - Devin 
April 9, 2021
And so it begins…
Well, I’m missing you all a ton right now, wishing I wasn’t back in shitty, smelly, stinky New York but still on the lake, ripping an apple bong, and trying to shimmy. Anyway, here are 5 things inspiring me right now, that I want to share, and hopefully some of my excitement and inspiration will rub off onto you...
1. “Films aren’t just for telling stories — they should create an impact that encourages other people to make work.” -Mati Diop. 
This wasn’t intentional, but in many ways this may just be the perfect quote to kick off this little weekly experiment of ours. This is what I want to do in general, with each film I make, but it’s especially relevant to the film we started making on this trip. Like I said the night we delved into the dark depths of how hard life has been the past year or more: we can help each other, and we can do so by inspiring one another. Mati is the perfect symbol of this for several reasons. When I first saw Atlantics, a little over a year ago, it made me think of Alisa and her style, particularly her Cuba doc. Both those films moved and inspired me in strangely similar ways, and so I had to tell her to watch it. I think it’s safe to say that Mati’s film also inspired Alisa, and then she urged all of us to watch it last weekend, and the excitement was then spread through all of us. This is so cool to me, and gives me so much creative energy. I could say so much about the film itself, and all the different aspects that moved me and blew me away, but just this rippling impact that it had on all of us makes me so happy. However, one of my favorite aspects is the music, so I will add this quote from Mati as well (which is from the same article, linked just below the quote): 
“Fatima is by far one the best musicians and artists of my generation and embodies the music of my time. I chose her because I wanted the music of the film to bewitch the audience like a djinn [genie] would, she also has an understanding of the complex geopolitical landscape of the film. My [way of telling stories] is fed by a lot of different references — European Gothic and the romantic movement, as well as my African and Muslim heritage — so I think the film is really a strange aesthetic combination. Fatima and I have a very similar hybrid culture.”
The full interview: https://www.vogue.co.uk/arts-and-lifestyle/article/mati-diop-interview
2. Lee Chang-dong (aka... Director Dong) 
Wow, he has been such a profound source of inspiration for me these past few weeks. Each film of his we watched - and for Thomas and I it was three, yes three damn films! That’s like half his filmography! - had something different and new that blew me away, whether it was particular moments or something larger, something deeper pulsating underneath the surface. This interview he did after Burning’s release is fantastic, and these are the quotes that particularly stuck out to me: 
“To me it seems that films these days are becoming more and more simple, and the audience seems to desire simpler stories. Of course, films sort of shape the desires and the demands the audience makes, so I kind of wanted to go against this trend and see if a film can sort of throw endless questions at the audience. Endless questions about a larger mysterious world. This film is the result of that experiment.”
“[Hae-mi is] also the only character in the film who persistently pursues the meaning of life. The moment she disappears, I wanted the audience to sort of feel her absence and ask themselves what she represents and has been searching for — her presence in this film is very important, even when she's not there. The dancing in this scene really signifies her entire presence in the film.
When she's dancing the Great Hunger dance, searching for the meaning of life and really seeking true freedom, you see her doing that dance surrounded by both the lies and natural beauty that we live in. The scene being set during sunset, you see light and darkness co-existing, and you see the moon in the sky and you also see the grass swaying in the wind, you see the livestock, the farm and, of course, the Korean national flag, which symbolizes politics. You see all these elements that represent aspects of our lives — even the Miles Davis tune. I thought that through this scene I could portray and combine all of these elements together in the most cinematic way possible, so that the audience can really feel the potential of cinema as a medium and the unique aesthetics of cinema. So from the beginning to the end of the scene, I didn't want it to feel like it was directed or staged; I wanted it to feel as if we were able to capture this slice of life very coincidentally, and to capture Hae-mi's pursuit of freedom.
...The moment I thought of this image was when I first knew I could make this story into a film.”
Full interview: www.hollywoodreporter.com/amp/news/oscars-interview-lee-chang-dong-burning-1167869
3. Tsai Ming-liang. It makes me so excited that What Time Is It There? connected with Thomas the way it did, because this guy is one of my absolute favorite filmmakers. Watching that film was so inspiring and such a great way to end the trip, because it made me so hopeful about the future, and all its possibilities. In so many ways, Tsai makes the films I want to make. You all have to watch Rebels of the Neon God and Vive L’amour. Here is a quote by Tsai which is so similar to how I think about the films I make:
“When I was younger, I wanted to be a painter and I have always enjoyed looking at paintings. Viewing a film is admittedly a different experience from viewing a painting, but in my films I am continually trying to develop an experience for my audience similar to that of viewing a painting. I am more like a painter who is using the language of filmmaking than a storyteller who is using the medium of film.”
And here is Tsai talking about his star and muse Lee Kang-sheng, his star and muse who has been in every one of his films, which I also find so fascinating and, again, inspiring: 
“It’s not about a face being pretty; it is about how you frame it. The reason that I always cast Lee is his face. His face inspires me to look at film in a different way. Thinking about it, over my twenty-year career in feature films, it was never about the story, it was about filming Lee. 
[His face] evoked a particular sensation that touched me deeply, while the professional actors that I auditioned did not touch me as much. Ordinary faces, and ordinary people, tend to leave a stronger impression on me. When I chose Lee to be my actor, there was a lot of criticism. People complained that he did not have the face of a star. He wasn’t big or muscular. Yet, what deeply touched me was precisely this sense of ordinary-ness in his appearance. He was natural. Lee’s appearance in my films actually changed the whole path of my development as a filmmaker away from standard, industrial-style films and in another direction. 
As we have continued to collaborate, Lee has aged and his body has changed a lot. Usually in the film industry, when an actor ages and changes, the director will get a different actor to perform. Rather than choose that path, I chose to accept these changes and to allow the audience to watch as someone gets old and sometimes gets sick. I am using the changes in the body of Lee to have a conversation with the world. He will always be my actor. Using Lee throughout my career has been a kind of constraint because I could easily have used other professional or “star” actors. Placing this constraint upon myself was an active choice: a choice that was not driven by market forces but by what I wanted to achieve in my films.”
Here’s the full article: 
https://www.cineaste.com/fall2019/painterly-poetics-tsai-ming-liang-and-lee-kang-sheng
4. Our film, which I’ll be posting many stills from in the coming days/weeks, but for now, here are these three. 
It felt so good to be working on something new with all of you, and just be in that process, and see what comes out of it. I think we got some really exciting stuff, which I have to now go through and explore, but just the act of filming it and working together put me on such a high. Particularly that first night, when we got the blue shots of the lake (the boat going by, the green light of the other dock turning off) and then filming Thomas eat the enchilada...I get a specific creative rush when filming something that feels so exciting and new, and it’s a rare feeling, and I felt it then, and in other fleeting moments while filming for those days and nights. This is just the beginning...
5. Planning our next trip. Whether it be a road trip or just another week or so at the lake, I just want to be together again.
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baegarrick · 4 years
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idk if you've read/seen the book/movie but just... love, simon zukka au ?? sokka as simon and zuko as bram because blue spirit ( though if we r going for it personality-wise maybe switch their roles? idk ! ) — also in this one the friends are exponentially better
ok im so sorry I haven’t actually seen love, simon or read the book but.... I HAVE ACCESS TO WIKIPEDIA SO LETS GO
ok so I was considering Zuko as Simon bc of the musical thing/the loving parent (Iroh), the girl he sees Sokka (Bram) kiss is Suki.... but also bc I just love writing Zuko (maybe I’ll parse that out at the end)
BUT lets go with Sokka as Simon bc I also love writing the Gaang
Sokka is Simon
Katara is both Nora and Abby
Jet is Martin
Aang is Nick (but slightly also Abby)
Zuko is blue/Bram
Suki is Leah (but slightly also Nick)
Toph is Ethan (sorta)
Haru is Lyle
Ok so, obv this follows the plot of the movie/book. Sokka is a gay + closeted junior, not that his dad isn’t loving, but he’s in the military, and occasionally makes homophobic jokes, and Sokka feels like he has to be tough for him, esp. since his mom died. But he really likes making people laugh and so he joins the school musical, which is a comedy this year.
His best friend is Suki, who he’s known since he was a kid, but he’s kinda been withdrawing from her since he got to high school. He loves her, he really does, but everyone always thinks they’re dating, and it kinda makes him uncomfortable. He tried to like her, when they were younger, but he just... isn’t into girls. His friend group is Suki, Katara (his sister, and it was the two of them against the world since their mom died, but he’s pulled away from her too), Aang (a transfer freshman from out of state), and Toph (who spent up till 8th grade at a private school).
Also in the musical is Zuko, a hot senior who’s like.... super lofty. He gets really into theater, but he rarely interacts with people outside his friend group, like he’s better than them or something. (Mai and Ty Lee are also there, they’re Zuko’s friends.) Not in the musical, but in one of the other clubs Sokka is in, is Jet. He got kicked off the football team for being too rough with the other team last year, so he mostly just hangs out behind the bleachers smoking.
Sokka’s on the school’s tumblr one day (shut up, Katara, I don’t have a tumblr!!) when he sees someone posted an anonymous confession saying they’re gay but they really don’t have anyone they can talk to because of their family situation. Sokka gets their email (BlueSpirit) and start emailing (BoomerangDude) them for a couple of months. He learns that Blue’s family has really high expectations of him, and since he’s only a year away from college he can’t mess them up because if he does he’ll be cut off, and he can’t afford college if that happens. He’s got a sadistic little sister (who isn’t actually terrible, she’s just got her own shit going on, and if shoving Zuko in the warpath of their father takes the spotlight off of her, all the better) who would absolutely out him if she knew, a girl he’s pretty sure wants to date him (Mai), and an after-school job (the tea shop) thats cutting into his extra-curricular activities.
This is.... really similar to Sokka, actually, and he likes making Blue laugh (they switch to chatting online sometimes, like discord or some chat app), and Blue has a lot of insights on things Sokka likes (some of the same music,
Meanwhile, Sokka ends up going to this tea shop he heard about from Blue (it had been a slip, Zuko had NOT meant to say too many personal details, but he’d mentioned getting some kind of boba drink) and studying there with his friends. While he’s there, he’s surprised to see Zuko, who he’s never spoken to outside of the musical they’re working on!! (At some point, Zuko checks his phone and laughs, and Sokka’s like, oh no, I’m crushing on.... TWO DUDES???? BAD SOKKA). He starts to wonder if maybe.... Zuko is Blue?? it generally sorta fits, he knows Zuko is also a senior, and the tea shop Blue mentioned.... (to be fair, though, they see like three other kids from school there, so it’s not really a niche place)
Before Sokka can test out this theory, though, there’s a Halloween party which Sokka goes to with his friends. (They go as the Power Rangers.) He sees Zuko there (he’s in some some Kabuki costume), but with him is.... Mai from the play. They’re making out, and Sokka feels his stomach drop-- he’s not gay and Sokka’s crushing on a straight guy. He gets drunk. He throws up in the bushes outside, and Katara finds him, chews him out, and then sneaks him back home.
He emails Blue again, drunk, and says some stupid stuff like he wishes things were easier, and that he thought he knew who Blue was, but he didn’t. (Blue doesn’t reply.)
He’s checking his email on a school computer in the library when the bell rings, and he doesn’t log out properly, and Jet, who is skipping class, finds Sokka’s emails. He confronts Sokka about them, and says he won’t reveal Sokka’s secret... if Sokka helps Jet get with Sokka’s hot sister. Sokka hates the idea, but also, the idea of being outed is really terrifying. So he says yes, and tries to talk up Jet to Katara, who’s a little surprised bc while she thinks Jet is hot, Sokka was super against Jet whenever she mentioned it. Katara is involved in school politics, and convinces Jet to pretend to be interested to spend time with her. (he ends up running against her...)
Around Thanksgiving, with all their extended family there, ribbing him about getting a girlfriend (asking about Suki), Sokka leaves and goes to sit on the roof. Katara finds him there, and demands he spill whats up and why he’s acting so weird, especially about Suki. (she looks freaked out for a moment, and is like.... oh my god, sokka, is suki pregnant?????? sokka blanches at that) He admits he’s gay, and she hugs him, and they stay out there until their dad sticks his head out the window and calls them inside.
Feeling guilty about Jet, Sokka admits to Blue their emails might have been compromised. Blue starts to back away, taking longer and longer to answer emails.
At a football game, Sokka runs into Haru, who starts asking him stuff, and Sokka wonders if he’s Blue, but it turns out Haru is interested in Katara. Upset, again, that he doesn’t know who Blue is, he encourages Jet to “go big or go home”-- and so Jet asks Katara out by bribing the kid who does the scoreboard to switch out his campaign ad for asking Katara out. Katara is shocked, as she thought Jet was really interested in her campaign. She slaps him.
Mad that Katara wasn’t interested after all, and from the slap, Jet outs Sokka anyway, posting the emails on the school’s gossip site. Katara, who was mad at Sokka, instantly forgives him and is on a WARPATH against Jet, but Sokka just wants it left alone. Suki shows up a few hours later, and finds him on the roof. She admits that she had a crush on him, which was why she never said anything when people asked if they were a couple, but she knew Sokka wasn’t interested in her, so she never pushed it. She’s sorry she made it difficult for him to come out to her.
Blue is upset their emails have leaked, and deletes his account.
He comes out to his dad later, in the car, on the way to school on the last couple of days before winter break. His dad takes it well, and apologizes for all of the jokes he used to make-- it doesn’t make it right, but it was the kind of things he and the other soldiers used to say to each other. He ends up taking them to this tea shop he heard about (it’s Zuko’s/Iroh’s shop), and while there, he comes out to the owner of the shop, Iroh, as sort of..... practice. It’s liberating and also terrifying. Iroh is super cool about it, and tells them about his own son, who passed away a few years ago in an accident, was gay. It’s way later than Sokka thought, and when he looks up from the conversation with Iroh, Zuko’s standing in the doorway. not wanting to deal with people from school, Sokka leaves the tea shop without waiting for his dad to follow him.
The next couple of days at school are rough. His friends stick by his side, but Jet’s friends are obnoxious and loud, and Katara punches one of them. She goes to the school, but they’re eternally unhelpful bc.... what can tey do... its not a school website..... Later, Toph tells Sokka she’s a lesbian, and it’s not that she’s hiding it, but... it’s already tough enough when people treat her like she’s glass because she’s blind. They all go home for winter break, and when they come back, Sokka is refreshed and determined not to be put down by a couple of assholes.
He’s wildly surprised when Blue posts on the school’s tumblr that he wants to meet Sokka at the school’s carnival. This draws a crowd, which makes Sokka worried he’s gonna be pranked, but when he sits down on the Ferris wheel, he’s surprised that Zuko from the tea shop/musical sits down next to him.
Zuko says he’s sorry for ignoring Sokka’s emails, and he’s sorry that Sokka got outed to the school, and it wasn’t his fault that Sokka was blackmailed, and he should have reacted better to it. Sokka apologizes too, because Zuko shouldn’t have to be outed either, which... is why they’re here? Zuko blushes, and says he came out to his uncle, who’s letting him stay with him, since he’s tired of going home to his shitty dad, and that he might go live with his mom while he’s in college. He admits the Mai thing at the party was a drunken misunderstanding, and that he likes Sokka. He thinks he’s funny, and they like the same things (theater, music, strange taste in food...), and he’s hoping after this... Sokka might like him too? (they kiss on the Ferris wheel, and Katara takes like, 30 pictures.)
....
alternatively////
Zuko as Simon au-- bc I just wanted to write it out. he lives with his uncle, who’s the loving parent here, not Ozai!! (or his Mom/stepdad but I kinda forgot they existed for like 5 minutes)
Zuko is Simon
Katara is Abby (she’s his lab partner, and they have the same temperment)
Azula is Nora, but she doesn’t really play a big role (she’s an asshole, but also she’s 14 and is Going Through Things. she’s also in the closet and in love with Mai, but she doesn’t know it yet. it takes her a couple of years to figure that out.)
Mai is Leah
Aang is Martin (but less of an asshole. just the embarrassing + frustrated bits.)
Sokka is blue/Bram
Suki is the girl at the party Sokka kisses
Ty Lee is Ethan
---
I HOPE THIS WAS OK, like I said I haven’t actually seen the thing, but now I actually know what the plot is about!! <3333
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