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#that it went further then just being out of character. it was actually the writers just fully getting rid of a character
sad-trash-hobo · 1 month
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If you really think about it. Bucky went missing at the end of winter soldier, and then 2(?) Years later, they found him during civil war. Then he immediately goes into cryofreeze after that. Sam and Steve go on the run for 2 years, and then come back to Wakanda for infinite war, and Steve sees bucky again. But was that the first time he saw Bucky again? And then Bucky gets snapped and is gone for 5 years, and then he comes back, and almost immediately, Steve goes back in time.
So, if Steve did visit Bucky in Wakanda, assuming that Bucky was under for even just 6 months, that's really only 1 and a half years that Steve could visit him. And in that amount of time Steve just? Got over the fact that Bucky was back. After finding Bucky and going into shock over the realization and letting Bucky kill him, because Steve didn't know he was gonna live, he fully expected to die, and then he just. Maybe visited him? And then lost him again and was depressed over it and then finally got Bucky back, but there's no big scene for their reunion. I'd even say that his reunion with Sam was more important, and I love Sam, but focusing on Bucky right now.
Best friends since childhood, Bucky Barnes and Steve Rogers were inseparable on both school yard and battle field, Bucky was the only commando to give his life in service. And then per Steve's timeline, not even 10 years later, maybe 3 years for Bucky, he just. Leaves Bucky.
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strwbrryeyes · 2 months
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𖦹°。⋆ ushijima as a best friend
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⟡ cw: fluff, friends to lovers, growing up together, lmk if i miss anything
⟡ a/n: hi. sorry. im sick again. and writer block. i tried. im very bad at shiratorizawa.
⟡ best friend series: semi, tendou || masterlist
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best friend ushijima who you met in kindergarten when you fell off the swing set seat a few swings away from his own.
best friend ushijima who you immediately became best friends with after he got off of his own swing to help you up. he gave you his spare cookie.
best friend ushijima who you quickly became attached to causing everyone around the two of you to notice the dynamic of him being quiet and preserved and you being slightly loud and obnoxious.
best friend ushijima who took an interest in volleyball at a young age and who you watched in awe at his natural talent.
best friend ushijima who the first time you saw cry was because he was being made fun of at volleyball camp for being left handed.
best friend ushijima who you stood up for by throwing a volleyball at any bully (you didn't even play volleyball at the camp you just decided to go with him one day to avenge him)
best friend ushijima who signed you up for volleyball manager in middle school without asking you first because he thinks of you as his "guardian angel". you didnt protest you just found it as a way to spend time with your best friend and to not be bored.
best friend ushijima who ran into oikawa at a game in middle school and was in immediate awe at his hard work so when he went up to talk to oikawa to ask if he wanted to preactice together one day he was shocked to get an immediate no.
best friend ushijima who was still stunned by the time you walked over to him and oikawa so you dragged him away before waving bye to oikawa. oikawa became a reoccurring character in your lives but we won't get into it.
best friend ushijima who met tendou and immediately invited the both of you to his house to meet. you two hit it off.
best friend ushijima who again signed you up for volleyball manager without asking in high school but it was expected.
best friend ushijima who you visit at his dorm in school everyday along with tendou to mess with him.
best friend ushijima who made time his daily runs to make sure he's staying consistent.
best friend ushijima who in your second year of high school asked you how you felt about him becuase he had a suspicion that you had a crush on him. you did.
best friend ushijima who said he also had a crush on you but decided that you both needed to focus on your own goals first before becoming official and you agreed.
best friend ushijima who you still weren't official with but who would still buy you little gifts to reassure you that he still liked you.
best friend ushijima who in your third year of high school worked harder than ever on volleyball (until he got to the big leagues ofc) because he wanted to make a name for himself.
best friend ushijima who immediately went to you crying after he lost nationals. this was the second time you've seen him cry in all the years of knowing him.
best friend ushijima who after graduation invited you to move in with him while he furthers his volleyball career and while you further whatever your career is so you can still make time to see each other.
best friend ushijima who finally asks you out properly by leaving bouquets of your favorite flowers all over the apartment leading to your room where he was standing in a suit holding out a necklace with his name on it. "i've made you wait long enough, please do me the honor of being mine" "wakatoshi, you make it sound like you're proposing to me" "do you want me to? i can go get a ring" "no it's okay! of course i'll be yours" best friend ushijima who is now boyfriend ushijima who actually proposes to you after a month because when you know you know. it was even more extravagant than when he asked you out.
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b0bs0ndugnutt · 7 months
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Because the “shrodinger’s queerbait” nonsense will never go away, indulge me an analogy (and a long post).
wlw ships are the “made from scratch” cake in a world where we only ever expect cake mix from the box.
Say you have a show where, in the first interaction between a male and female character, there is a red box. It could be a Betty Crocker box of cake mix. Because all it takes is just one smile — one wink — one raised eyebrow— and the fans don’t question it. We’re clearly making a cake here. The box is red.
Meanwhile, you have two female characters building their own relationship that have elements that could build to romance. There are eggs in the fridge. A few more episodes, there’s flour in the pantry. Sugar. Baking powder. Queer fans start whispering…we could be making a cake here. Other fans scoff “you will read into anything. They’re just eggs! Everyone has eggs in their fridge!” Maybe so, maybe not. They are written off as discrete ingredients, nothing to see here.
That red box is still sitting in the pantry. Obviously we’re going with that one, and it’s definitely cake mix. That guy and girl stood next to each other again.
The wlw relationship is now full-on batter. It was a cake recipe all along, but it’s not baked yet. The crowd that wrote off every ingredient is now saying the writers are just going to “squander” that box that could be ready-made cake mix or that they’re being “forced” to bake a cake with the very ingredients the writers deliberately bought and put in their pantry.
Now it’s in the oven, the cake is baking. That crowd will still insist it’s forced, or maybe its actually something else, or it’s rushed, or it’s pandering. Whether the writers painstakingly built a pantry to make the cake they truly wanted or they were cultivating good ingredients and realized they had the fixings for a more decadent cake and went there, it doesn’t matter. It’s still a recipe. One that fans who always have to piece together ingredients had hoped for or saw from the get-go, despite being scoffed at and disparaged. Just because that crowd didn’t see (or refused to see) those ingredients as part of a whole, doesn’t make it any less of a recipe.
And wlw fans shouldn’t have to keep writing essays to demonstrate that the wlw “cake” has all the ingredients every cake mix does, or keep pointing out that fans were ready to believe a cake was being baked when they saw a nondescript box, but that they’ll do anything to discredit or doubt the cake from scratch that’s now cooling off on the counter.
It is partly a function of heteronormativity from the audience in immediately seeing romance in any whisper of interaction between m/f characters and passing off all charged interactions between female characters are sisterly or platonic. And it also comes from writers, who are either being cautious so as not to spook corporate overlords or audiences, or who are preserving plausible deniability.
To take the analogy further, box cake mix is fine! It works! It is, practically speaking, what a lot of folks know by default. I thought I was a Duncan Hines girl once myself. Vanilla cake mix has the ingredients measured out, it’s a safe bet, it tastes like cake.
But it doesn’t mean every red box is cake mix. And it doesn’t make the cake that had to be pieced together from scratch due to censorship, caution, time, narrative build-up, what-have-you, any less of a cake.
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forbidden-sunlight · 4 months
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yandere!athanasia de alger obelia with fem!reader headcanons
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Warning: OOC, obsessive behavior, implied violence, mention of death, stalking, implied manipulation.
There may be possible triggers in this story.
If you do not feel comfortable venturing any further, please hit the 'back' button on your device or computer and read something much more pleasant than a possible series of unfortunate events.
You are responsible for your own Internet consumption!
Hey guys, hope you all have had a lovely winter solstice and a Merry Christmas! Somehow, this fic got deleted, so I'm re-uploading it! Special thanks to @lxdymoon0357 for helping me write this fic. Check out their content, it is amazing!
Just a heads-up, I am temporarily removing Loving Promise on a Broken Ring from the masterlist so that I can polish it to be the best version it can be. When it's ready, I will post the fic back onto the blog. I will be posting a couple of fics in 2024 here and on my other blog, @an-idyllic-novelist.
These headcanons can see read as either romantic or platonic :)
With that being said, sit back, relax, and let's dive inside the pages of novel.
Amongst the supporting characters Anthanasia had read about in The Lovely Princess, there was one person who had stayed beside the original First Princess of the Obelia Empire even when it seemed like the entire world was against her: [First Name] [Last Name].
[First Name] [Last Name] had come from a well-known family, trained by Felix Robane himself until she was worthy enough to be sworn as the ‘sword’ and ‘shield’ of the First Princess, her personal gaurd. Although Jeannette had won over Claude’s affection with her unrealistic optimism and kindness, [First Name] was not swayed over to the female lead’s side. Nor did she believe Anthansia would try to poison her own half-sister out of spite. In fact, she had been the only one.
Regardless of what the knight believed, however, the First Princess still died by the Emperor’s hand. The loss of Anthansia drove [First Name] to commit suicide in her grief, and then she disappeared for the rest of the novel. After Chapter 9 in The Lovely Princess, the novel’s world revolved around Jennette Margarita and the male lead.
…Which is complete and utter bullshit! [First Name] went through so much character development in the spin-off stories featuring Anathansia, which she had actually enjoyed reading a lot more than the original content. Why would the author throw that out of the window again like she did with Lily’s character?! Augh, stupid book, stupid writer!
Now that she had been reborn as Anthansia, she refuses to allow events in the novel’s timeline that will endanger her life before and after she turned eighteen. Anthy's initial plan had been to steal as much as she could from the Ruby Palace, hoarding it in a secret area until there was enough funds to escape the country.
Plan A went up in smoke because she had met Claude four years earlier. Now….God, she had to act cute and try to make sure he doesn’t get bored of her or else he’ll kill her! He’s a meanie! A tyrant! What kind of asshole would just sit and watch his daughter drown in the lake or carry her like a sack of potatoes! If there’s anything that was remotely positive about this series of unfortunate events is that she got to know Felix.
Felix was nicer than Claude, and he was the one who had recognized [First Name]’s potential to become her knight!
Maybe. Maybe if she played her cards right with the Emperor and Felix, she’ll get [First Name] to come to her palace sooner!
But if Anthy does that, then [First Name] will have to go through two, or even four years of training under her Daddy’s personal guard until she is deemed qualified to protect a member of the royal family! Argh, even calling Claude that name is embarrassing enough!
And yet…
If she does change the story even a little bit for the sake of her survival and bring her favorite character here sooner than how it’s written, then…[First Name] won’t throw her life away as she had done in the original work. She’ll get to live a comfy life here, train to her heart’s content, maybe even join Anthy for tea parties! Anthy would like that very much, and she definitely wouldn’t tell her to take ten steps back when they walk through the palace together.
Then when the time is right…when Anthy is able to leave the palace and allow her half-sister to become the new princess in everyone’s lives….she’ll bring [First Name] with her. After all, there’s no other reason for Anthy to stay here except for Lily. And a lady always needs an escort wherever she goes, right?
….Right?
Athanasia de Alger Obelia will use her intellect and charm to ensure that you, her most precious knight and favorite character, will survive the series of unfortunate events that were written in this crappy novel world. Even if it means she will have to play the part of a sweet and cute daughter in front of the man who had caused her death in the first place.
If she wants to go for a stroll in the garden or gets dragged to go on a boat ride with Claude, make sure to stay nearby. She doesn’t want to lose sight of you.
Athy will insist that you come to her tea parties too. She would love to see you in a dress, but knows it would damage your reputation if she began to treat you, someone of a lower status, as an equal…even though she desperately wants to.
When there is time in her busy schedule, she will come and seek you out at the palace training grounds. She wants to see how you are progressing under Felix’s guidance and be assured that you aren’t being treated badly by the rest of calvary. If you are, just say or point your finger at the culprit. She will handle the matter personally.
No hard feelings if she becomes a little bit clingy though, okay? Athy adores you, and it’s normal to spend a lot of time with a person that you like from morning to night. Just don’t leave her for side. That’s all you have to do….if you want to survive in this hellhole. Don’t even think about asking the court magician about the princess’ behavior towards you. Luca will just shake his head in pity, wondering how in the world did the princess become so infatuated with someone like yourself and not see Duke Alpheus’ son stares at Her Highness with that same disgusting expression.
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celaenaeiln · 2 months
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Ive been reading the older comics (1950s) of World’s Finest, and I just realised Batman is so smiley and full of expression while Superman kind of isn’t. Is there a reason for this change or is it just the authors and time changing haha
YES!! Yes to both but I have so much to say about this because it's not just about time changing, but the way real life changed is intertwined in the comics in their character growths.
Batman
Let's start with the grim avenger. Here's the thing - the grim avenger wasn't grim because he had Dick Grayson by his side and I'll explain how the medal ages and Bruce's happiness is connected to how close Dick was to Bruce and the relationship Dick had with Bruce influences his view later on of his father in comparison to how the rest of the batkids see Bruce.
As you said, Bruce was the happiest he's ever been in the 1950s. He and Dick had the time of their lives, sunshine, glory, joy, adventure - you name it and they had it all. This was the Golden Age.
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Batman (1940) Issue #46
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Detective Comics (1937) Issue #95
But as time passed, Dick eventually began to grow up. When the Teen Titans first formed, the Golden Age of comics transitioned into the Silver Age as Dick began to work more independently from Bruce but was still close. The Bronze Age was when Dick was on the cusp of leaving and then just left (1970s-1985s).
The reason I'm bringing this up as to why Bruce changed, it has to do with Dick. When Dick went off to college, Bruce actually shut the cave down and moved out of the manor with Alfred because he didn't know how to be Batman without Dick. He said he was going on a little soul-searching to find himself again.
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Batman (1940) Issue #217
But real-life readers got really mad this and said, "Bruce was always a grim detective. When he was with Robin, he was too happy! We want to see him angry like he used to be!" So the writers realized that Bruce turning away from Batman was huge mistake so this set forth the grim avenger batman thing again.
Dick also feels the same way, that him moving to college was what changed the dynamics between them.
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Secret Origins (1986) Issue #13
Granted Bruce is mad that Dick decided to drop out of college in favor of being Robin but it's also about the fact that Bruce wouldn't have responded like this before. Something's changed. And overall it can be summed up to Bruce being angry, frustrated, upset, and lonely with Dick gone, those emotions compounding into a new or renegaded form of Batman, Dick coming back and realizing - he doesn't want to be controlled and he doesn't want to be this new darker version of Bruce. The change in idealisms were Dick is more light-hearted and Bruce is slowly becoming Darker weighs on Bruce too.
Bruce's pov of the situation -
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Batman (1940) Issue #138
Dick's pov -
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Secret Origins (1986) Issue #13
Dick didn't want to be like Batman, Bruce was already upset but Dick's gradual distance from who he was turning into combined with his frustration of himself - it led Bruce to become the person he is now, someone he doesn't like and it's this circling self-hatred of what he become that keeps him perpetually angry and moody.
It's so important to talk about this because it's not just a time change, it's actively part of the comics. It's part of who Bruce is and why he is this way now. To explain more on what I said and elaborate further on what you said about Bruce becoming less smile-y :
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Batman (1940) Issue #359
He lashes out at Dick, feels bad about it, and grumps over how he can't trust anyone in the world and this just keeps continuing over the years.
Tim and Dick actually talk about this too, the idea that Bruce was different with Dick then he was later on. Going on a slight tangent here but during one time in Gotham Knights Dick gets "dismayed" at Tim because Tim questions Bruce's morality and Dick's like "How dare you! He's a good person, he's amazing." And Tim's just like "No, he's not??"
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Batman: Gotham Knights Issue #26
Dick grouches about this with Barbara and she tells him -
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Batman: Gotham Knights Issue #26
slayy
Again what she says "First of all, the Bruce who raised you and the Bruce who works with Tim are not exactly the same man. Tim has had a very different experience, and is likely to have very different thoughts and beliefs."
Tim says it too in Batman: A Lonely Place of Dying when he's comparing Dick and Jason's Robin eras -
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Batman: A Lonely Place of Dying
And Dick talks about it again with Checkmate in the Checkmate (2006) comic about how he used to make Bruce laugh. He's quiet for a moment and then they talk somberly about how Bruce never laughs anymore.
So to sum it all up, the reason Bruce changed was because Dick drifted apart from him as he aged and he grew more independent, and Bruce as a result felt stifled and upset by this change and grew more independent too but in a darker way, and all these changes between Dick and him as well as within himself led to him being gloomier and grumpier. The authors also played a big part in acknowledging Bruce changing as a result of Dick leaving but also due to the readers' responses of having Batman return to his stern countenance of a time before Dick came along. Hence the decreasing medal ages that went from a happy Bruce Wayne to the sad and waspish one we know now. But maybe it also has to do with the fact that Bruce and Dick stopped getting to ride the backs of dinosaurs, fight pirates, and play prince and the pauper with real princes lol.
Superman
Clark is a very different story and I think it's because of how it's the reverse of Batman. In the beginning Clark was very - stern? He definitely wasn't smiling or laughing or fuzzy feelings but it wasn't the author's intention for him to be any of that. In the beginning, Superman was portrayed be a powerful and virtuous hero, fighting for truth, justice, and the American way. This portrayal was aimed at providing readers an uplifting and optimistic character during hard times because he was created in 1939 and it was the end of the Great Depression (1929 - 1939) and the beginning of WWII (1939 - 1945). The fact that it was the end of the great depression only made it worse because the depression only ended due to millions of men and women going off to fight war. So it was just VERY upsetting times and therefore Superman was a symbol of hope - for the war.
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Superman (1939) Issue #12
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Superman (1939) Issue #8
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Superman (1939) Issue #34
But as soon as the war ended, you see a shift in the way Superman is written.
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Superman (1939) Issue #36
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Superman (1939) Issue #76
I guess it all comes down to this - Clark's writers were focused on his deeds. It was about solving problems and that's it. Whereas with Bruce, the focus was on solving problems but it was done through his relationships. He relied heavily on Dick as a partner and best friend and they were able to share their difficulties and have fun whereas Clark had no one, except Lois but in civilian identity. Because of this, it wasn't until later comics when writers started introducing new elements, exploring different aspects of his character, and adapting to the changing cultural and social contexts that these interpretations have included moments of joy, personal growth, and triumphs, as well as challenges, conflicts, and moments of introspection.
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Superman: Heroes
It was both the ending of the war and gradually interacting with other characters that made his personality lighter and funner to read. You can even think about it this way - as Clark started to rely more on people, he started to open up and become more light hearted as the years passed but as Bruce began to distrust people and rely less on others, his personality grew darker and angrier. Bruce and Clark went through the same personality changes but Bruce started pretty early on with Dick and lost him leading to a downward turn in personality whereas Clark started with no one then gained Lois and Jimmy Olsen causing an upward trend. Two sides of a coin.
Moral of the story folks: learn to rely on others or end up like Batman.
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bbanghiitomi · 5 months
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| when things don't go your way
synopsis: what do you call someone you're not dating but someone in your arms? hanni asks that question herself often but always comes to the same answer: which is you.
— nonidol!filmstudent!phanni! × nonidol!journalismstudent!fem!reader
ლ⁠(⁠^⁠o⁠^⁠ლ⁠) ლ⁠(⁠^⁠o⁠^⁠ლ⁠) ლ⁠(⁠^⁠o⁠^⁠ლ⁠) ლ⁠(⁠^⁠o⁠^
honey ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ
y/n, are u not coming to see me?
i miss you already...
haven't seen you for a month.
how's ur org doing?
received.
you find yourself smiling as you read her messages, it seems like just the casual hi and hello's, the simple updates that friends are supposed to be sharing with each other aren't enough to satisfy the pham's need to be able to see your face, hear your voice and touch you. she's right actually, the last time you've seen each other was a month ago, before your journalism organization started being busy once again and her life has been a lot more boring ever since. there have been lots of restless nights where you think to yourself that there's no such rest as good as hanni's hugs, you really need her embrace, her arms around your waist.
god i miss her…
you can't help but think to yourself whilst you sit in one of the journalism organization room swivel chairs, working in front of a computer for the next online publishing of the university's news publishing website. it's almost 9pm, the lights are dim and the last person who you were with inside the room was the radio broadcasting group's director — danielle marsh, who then left with the sports writer kang haerin. they've been going in and out together for the past couple of months, which went unnoticed by some members of the faculty as it was seen as “typical” and very on character for them to do so.
you weren't new to that thing too, it's pretty obvious they've got a thing for each other and they're pretty open about it if anything.
unlike you.
just seeing the two made you miss hanni so much more, and it's quite selfish to think of such things because everyone, including the sane part of your brain knew that there's nothing between the two of you except for friendship — worn like a cloak to hide a secret. you can't remember why this whole arrangement between you and hanni started, when did you start sharing kisses? when did you start taking her home? what was the reason you visited her place even if it was late at night? why were you even so adamant about being there for her when she needs someone? why did both of you agree not to put any meaning behind these things? those thoughts were at the back of your mind, it shouldn't matter actually and when you think about it you try not to pry yourself about how it should matter that much — at the end of the day, things are not going to change.
if the walls of your room could talk, your secrets would no longer be something shared between you and hanni.
well, you've been on thin ice for such a long time — at this point, you assume that everyone in your organization and her club already has an idea about your relationship with hanni and are quite in a stump about it but that's too far from the truth, in fact — there were hardly anyone who notices the little things you do. everytime you think about her, the shared secrets together, the things about you that only she knows — you can't even find a reason to hate yourself for entertaining something people won't find appealing. it's been so long, why would you even go back to where it all started to stop this from escalating even further when you could just go with it until the end.
you know, you're going to hold onto this till the end, thinking that there will be that time where you and hanni can settle things down and accept what needs to be accepted and leave what needs to be left behind.
maybe, things will get better eventually…
you just hope you can stick with this until — you can finally call her… yours.
honey ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ
hm…
i'll think about it.
miss me already?
the org's doing just fine, hbu?
sent.
you drop your phone on the table as you close the tabs of the computer and then turn the computer off. you stay on the chair for a few more minutes, waiting for her reply as you fiddle the hem of your shirt with your fingers. quite nervous, confused as to why you were nervous — you can't help but just laugh, not having any explanation as to why you're suddenly acting like a giddy teenager girl over your so-called "friend".
crap… you think to yourself, it's really late now but you were hoping to see her again, at least even for just an hour or-so.
i wonder what she's up to now.
honey ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ
oh! the club's doing well!
we just finished our project and were hoping to release it soon.
you know how giddy i get about it, right?
i wish you were here with me so i can tell you all about it.
received.
you feel the familiar heat crawling up to your cheeks, you tap at the screen only for a few seconds and then pick it up. you wonder why, even before you kissed her, no matter how many times you tried setting yourself up with other girls — it wasn't effective at all. behind those words you told other people is hanni lingering at the back of your mind, the image of her face clear in your eyes until you just gave up, leaving yourself falling into her arms.
just how many times have i tried?
i can't even remember.
you thought then just gave up.
honey ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ
yeah…
i wish i was there, where are you anyway?
i mean, maybe i can come and see you.
right?
sent.
you stare at her message for a few seconds then you stand up and grab your bag that's been left unattended on the floor for a few hours since you first started working on the articles. you have absolutely no idea about what you're doing, it's just you doing whatever once again and doing it in the most random time ever but that's just because you missed hanni so much.
it won't hurt, right?
spending just some time to see her again.
honey ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ
wait, really?
i mean…
that's great!
but what about your roommate?
will minji not look for you?
received.
that's the thing, minji has been your roommate for almost two years — yes, that long. she's practically like your sibling at this point, one that you can always trust and lean on when you need a shoulder to hold onto or someone to cry on. minji used to be also a part of the film making organization in your university. she used to work with hanni on some projects for school until she left to focus on writing her own stuff on her own accord. so, minji is someone hanni already knew before she met you.
minji knows your thing with hanni and is at first troubled by it, but then it's not like it's something unethical, right? it's just secrets and a relationship with no label, it doesn't hurt anyone aside from you and hanni. that's the thing, minji feels bad that you subject yourself to self-harm — which is a relationship where you have no right to feel jealous about. she knows it sucks, how many times have she asked you: “what’s really between you and hanni?” and you always answer her. “nothing, we're close friends.” even though she's seen you cuddling with hanni on your couch, awfully closer than normal.
she worries your mother might find out even before you make it official between the two of you,
you know, she knows you're screwed if it were to happen.
minji has basically given up prying her way into your business but still tries to watch out whenever you feel sad or frustrated. she's always there when you need her — she's obviously a great friend that even your parents trust.
honey ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ
nah, don't worry
i’ll tell her.
she’ll be alright.
where are you?
sent.
honey ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ
great, i’m here at my condominium
just, you know? waiting…
hope you come here asap
;)))
received.
you grab your backpack and sling to your shoulder, making your way past the rows of computers lined and exiting the room. you see the dim corridor, your eyes follow along the lines of doors and the straight path to the stairways, and under the dark hall the pictures of when you first met hanni lingered at the back of your mind, right at the end of the corridor.
r u carps, min?
hey minji,
bro
i won't be home 2night
take care of the dorm and heat up the pizza
i got some money under the flower base and just take it to order sum whatever…
lov ur roommate, y/n
sent.
and with a blink, you come back to reality and start running your way to the stairs and reaching the ground floor — rushing as soon as possible to get to the open parking lot where your scooter is parked, you open your top box with your keys and immediately place your bag inside before locking it once again.
r u carps, min?
dude wtf?
why now? ur mom will be here tomorrow.
y/n?
hey!
BRO!!!!
ur such an asshole
you know that?
come on…
ur dead
received.
as the engine ignites, all your worries are pushed back behind before the motor accelerates and you finally find your way outside the campus then to her condominium.
“you’ve been away for so long.” hanni grumbles, arms wrapping themselves around your torso, you laugh at her expression, a cute pout adoring her pink lips and her eyes full of stars inside of them. it's almost like she has the universe in her pupils. “only for a month by the way, i’m guessing you really feel lonely here.” you tell her, raising your brows at her direction with a smile on your lips. she nods, snuggling closer to your body on the bed, she feels like a koala the way she couldn't let go of your figure.
“of course! aside from my parents, you're really the only one i want here with me.” she says, well it's nothing but the truth but hearing it made something inside you tremble. it's something you cannot understand but something you feel very deep inside, you only smile at her.
she could bring anyone she wants here.
and you would still not be able to tell her nothing, because you have no right to do so.
she's free to do whatever she wants to do.
and that must be your fault, right?
you place a hand on top of her head, patting her soft hair under your palm. “seriously, this is why you feel lonely. having a friend or two here other than me wouldn't be so bad.” you express out of genuine feelings, though it's nice to know you're the only one she wants, you can't help but feel guilty that you're making her wait or expect too much to the point she's not allowing anyone inside of her life aside from you.
at the end of the day, you only want her to be happy.
but that's not the case, for a relationship that doesn't have any label — hanni seems committed to it.
you haven't even said anything but she's already sure she's yours, and it honestly makes you feel bad even if it is a mutual feeling you two both share.
“i really only want you…” hanni buries her head on your neck, snuggling close for warmth and you can't help but wrap your arm around her, to keep her close as if anyone was going to take her away from you if you don't. “it's okay, i won't be away for any longer anymore. i promise.” you whisper, you feel hanni nod her head and feel her lips against your skin as she speaks. “promise me you’ll be here with me forever?” you look down on her, eyes directly on her cheek, her face hidden on your neck. “i will.” you smile at her.
maybe, you are really that tired that when you open your eyes it's already 9am in the morning yet hanni is still wrapped around your arms. the sun shines so much brighter on days like this, it must have been her presence beside you and everyday should have been like this if things were different.
there is still a chance for you to change it.
you start to see it.
“are you sure i can come to you and minji’s place today?” hanni asks, looking up from her plate of food, she tilts her head as she asks, eyes meeting your own pair. “well yeah, you know minji would never mind.” you say, bringing your utensils down before smiling at her direction. “besides, it’s not a busy day today.” you add.
you take the helmet in hanni’s hands and help her wear it on her head, making sure it's strapped tight. as your hands let go of the helmet, you notice hanni staring at your face and you raise your brows at her. “what?” you ask. hanni giggles and shakes her head. “nothing, i just… feel giddy about being with you today after what felt like forever.” she says and you almost saw the entire galaxy inside of her eyes the way it shines, the wait the light sparkles, you can't help but be mesmerized.
you nod at her and place a kiss on her cheek. “of course, it's not everyday we get to be like this together.” you huff and hop on the motor, hanni follows and wraps her arms around your waist.
when you get to your shared apartment’s front door you notice the weird aura of the place, you hesitate to open the door as you stand still looking at the wooden entrance, hanni peeks behind you and wonders why you haven't touched the doorknob.
now… i must be paranoid.
it's oddly quiet or somehow, there's a strange presence looming around the place and you don't know what it was.
you take the doorknob in your hand and feel its cold surface, sending shivers on your spine. you twist it and enter inside, slowly stepping a foot and looking around to see if anyone beside minji is present, hanni follows quietly but is still confused. your eyes widen when you spot your mom standing by the living room and seemingly pacing around, in panic and quite in a rush, impatient.
you feel a rush of adrenaline pumping in your veins as you immediately take a step back, pull hanni outside then close the door gently. “w-what’s wrong? is there an intruder inside?” hanni asks, worried that there might actually be an intruder, which ironically turned out to be your mom. you laugh sheepishly and scratch the back of your head. “uh no? i just remembered that minji wasn't around and… we can go grab food somewhere before coming back—” your words are cut off when the door opens to, none other than minji.
“minji..?” hanni looks behind you, to the door as minji stands with a hard expression on her face.
“where have you been?” minji asks, her tone is strict and impatient for an immediate answer, her eyes bore behind you and then dart back at hanni. “and why is hanni here?” she adds to the pile of questions.
you turn around and shake your head. “ah, i didn't know you were here… crap, i was at her place yesterday and i thought i’d hang around with her here ‘cause you wouldn't mind, right?” you shrug, minji kept her serious face but sighs, rubbing her temple with her fingers. “y/n, i won't of course. but you know who will?” she says, clearly frustrated.
hanni squints her eyes at minji. “who?”
“her mom, she's here today, waiting for y/n inside.” minji answers, you flinch at the idea before turning your head at hanni who frowns and looks away. “i didn't know she'd be here!” you whisper aggressively, rubbing your face with your hand.
“dude, i messaged you yesterday. you didn't even bother reading it.” minji argues, which was the truth but you were riding your scooter to hanni's place when you received the message — it was the reason you didn't have the time to read it.
with your face buried on your palm, you grumbled. “dude, i was riding my scooter that time…”
hanni sighs and places her hand on your shoulder, you put your head up and look at her. “i’m leaving for now i guess, you'd be in more trouble if she sees me.” hanni says, giving you a small smile.
you furrow your brows, you think to yourself that there must be a way — there's something you can definitely do, doesn't matter what there has to be something!
you stare at her, pursing your lips before reaching out for her hand and shaking your head. “no, you'll stay. don't worry i’ll take care of this, please just stay.” you tell her, minji’s expression turns into confusion — as if, your ways of salvaging you and hanni's relationship seemed absurd to minji's level of understanding.
“wait? y/n are you crazy? you're gonna get you both in trouble!” minji says, already scolding you even before the trouble happens. you look at her and shake your head, holding hanni’s hand tight. “no, that's my mom — i know her, we’ll be alright. i promise.” you look back at hanni to give her a small smile again, caressing the soft skin of her hand under yours to soothe the unstable feeling stressing her out.
the door opens once again but this time it's your mother who exits and her eyes dart at the three figures standing. “y/n? where have you been, young lady!” she yells, you laugh and look at her with a sheepish expression before pulling hanni slightly closer beside you. “i stayed somewhere only for a night. i swear, no troubles.” your mother seems to notice hanni’s presence beside you and raises her brow towards hanni, her scary aura unchanging.
hanni took a deep breath, opening her lips as if about to say a word but she fails miserably when your mother glares at her. “and who is this girl?” your mother asks, her voice asking irritatedly. you look at hanni before wrapping your arm around her torso, getting a look of doubt from your mother but mostly directed to hanni, who gulps a lump inside her throat. “hi — i’m y/n’s —”
“she's my girlfriend, mom.” you grin at your mother, hanni and minji both looked shocked at the sudden revelation — you were confident, this time you’re sure and there's no way you’ll take it back again, not this time or never again. hanni looks at you and her eyes shake when it meets your mother's gaze.
“oh, what..?” minji mutters, feeling her head spinning, she blinks in confusion and looks at the three people all facing one another. hanni blushes, aggressively gripping the hem of your shirt, looking up at you as if you said something crazy which is indeed crazy, out of character even.
“oh, really?” your mom adds, her voice softens but her eyes remain the same.
hanni looks at your mom, nodding her head gently.
“yes, i’m your daughter’s girlfriend, ma'am. nice to meet you…” hanni smiles, still quite hesitant, like a curious cat dipping its paws in something it doesn't know — but in hanni’s case she has her hand sticking out for a handshake.
somehow, your mother's eyes softened or is hanni just deluding herself into believing so?
she hopes, your mom did — because she shouldn't be seeing things, she's still sane after all!
yes, your mother did soften her gaze.
hanni may not be that crazy after all.
just a little, just for you.
“yeah! you're okay with it, right mom? hanni’s a very nice girl and she lets me sleep at her place when i stay at school late and she cooks me breakfast and she helps me with my homeworks. she helps me clean my room, helps me with my laundry and —” even before you finish rambling about how hanni basically keeps your life stable your mom raises her index finger to your way to shush you down before she steps forward to take a closer look at hanni.
your mother looks at hanni’s hand and reaches for it before shaking it, feeling hanni’s sweating and trembling hand. “nice to meet you, is my daughter too much work? i know she's a little handful sometimes.” you slump your shoulders as you mother jokes, hanni laughs— you notice the change in her voice, feeling your girlfriend starting to relax herself. “she isn't, i’m happy to be helping her.” hanni answers, feeling her cheeks flush and her blood boiling on her face.
“that's good to know, she's very dependent.”
minji nods and huffs. “yes, she is!” you roll your eyes at her.
you mother lets go of hanni’s hand and turns away to walk inside the door, but before she enters she calls for minji. “help me arrange the table.” she says, to which minji followed almost immediately.
hanni feels like laughing, there's a certain type of warmth blooming inside of her when she realizes what just happened. she blinks only for a bit, trying to do something to make sure she isn't daydreaming or dreaming whilst asleep — and she had just confirmed that she is indeed awake, none of what happened was fake and the warmth of your arm proved it.
“hanni.” you call out to her. hanni puts a hand on her mouth and looks up at you, starstrucked to actually see your mother up close.
“i’m your girlfriend?” she asks, to make sure you're not bluffing.
you smile and nod, giving her the type of gaze that means “i love you”.
“you are, you're my girlfriend.” you tell her.
hanni feels like crying this time, there's something about it that she can't explain — something about finally being able to hold onto something that isn't a thin thread of hope for something that will break apart in no time, without her knowing. something about finally being able to actually express her feelings without holding back sends waves of relief inside of hanni.
why has she not thought of this earlier? why didn't you tell her that earlier?
hanni embraces you in a tight hug, her face buried in your shoulder as she sobs. “oh my god…” you feel her speak. you laugh, petting her head. “hey now, i promise i’m not lying.”
hanni sniffs and looks up at you. “i love you.” she whispers, eyes covered with tears and cheeks are bright red, before breaking into a wide smile. “i love you too.” you tell her back before giving her a small kiss on her lips.
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the-orion-scribe · 6 months
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An essay on Ford and Mabel
To commemorate my 1000th post, I decided to embark on an essay on the limited Ford and Mabel bonding in the show!
Among some of the shortcomings in the show (including Wendy being chaffed as a main character), there aren’t as many moments for Ford and Mabel to bond over, compared to Ford with Dipper. Well, it’s also due to the short runway we have from A Tale of Two Stans to Weirdmageddon, but for rather odd reasons, Ford didn’t get a lot of screentime and often holed up in his own lab. Even Roadside Attraction did not even drop any mention of Ford. As a mutual lamented to me, it’s likely the case of Ford, like Wendy, being another character whom the writers had a purpose for (as the answer to the mystery of Stan and the Portal), but didn’t know how to write outside that purpose.
Of course, some argued that, for plot reasons, this is so that Mabel gets duped by Bill since she didn’t know about the Rift from Ford. Or that Ford just overlooked her when he offered Dipper the apprenticeship. As such, there is a main misconception that Ford didn’t care about Mabel at all compared to Dipper. Or, in some ridiculously extreme cases, that he hates her. While I guess this was extrapolated from what we might have gleaned in the show, I don’t agree with such extreme views.
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People forget that Mabel was actually the first twin he interacted with, and it was largely positive. When Mabel stated that his six-fingered handshake was one finger friendlier than normal, Ford laughed and said he liked her. Given how much he was shunned by many others for his extra fingers, it probably warmed him to hear someone saying something positive about his anomaly. It seemed initially set up that Ford and Mabel should get along fabulously. Even Mabel went as far as to knit finger puppets for Ford and while he sounded rather hesitant in Journal 3, we later glimpsed a scene in which both bonded over something similar (a hand turkey).
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Which brings me next on Ford’s journal entry about Mabel. (I also noted he interviewed, or wrote about, Mabel before Dipper). His interview with Mabel sounded largely positive given he remarked how he was “instantly charmed” by her “enthusiastic” personality. Ford also considered her as an “odd specimen” (almost certainly a compliment), and also hoped to seek her help to repair his own coat.
I suppose this interview probably shaped some initial impressions for Ford about Mabel. “Overall positive but somewhat ambivalent/not-really-comprehending how she ticks necessarily” is much of how I would define Ford’s attitude toward Mabel - he likes her, but doesn’t especially identify with her because the traits he admires in her are almost inversions of some his own.
At this stage, one could also take that with his remark in Dipper’s initial assessment about how he “possibly takes after Stanley” as Ford initially trying to identify with Mabel the way he ended up identifying with Dipper, such as him enthusiastically commenting about her sweet tooth and hair curls being a Pines trait. Of course, as it turned out in the show and in Journal 3, his perceptions of the twins shifted and he found himself relating more to Dipper especially when he looked back on Dipper’s entries and additions, and the events of Dungeons, Dungeons and More Dungeons.
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I have to admit that when I first read this part, I thought he remarks he himself needed further psychological testing and not Mabel. For some light-heartedness, I rather think of it that way, but there’s something deeper in this for the two’s psychological profiles. First off, the tests were flawed, given Rorschach testing blots should be less definitive, but it probably reflected Ford’s possible lack of comfort with ambiguity, and the preoccupation he had with death and destruction for so long. As for Mabel, it shows a certain degree of wilful misinterpretation, trying to see things through a particular positive lens and has a sort of fear of unpleasantness that manifests in a possibly neurotic drive to control reality around her, which finds its ultimate expression in Mabeland.
This is rather important as something I would delve into deeper later on in this essay, which gave Ford an impression that Mabel’s psychology, while odd, was overall positive and not much to be concerned about. He clearly recognized Mabel’s social ability as a valuable skill, and may see her lack of cynicism as something of an asset too, as we later see in The Last Mabelcorn. I suppose Ford neglected to do a deeper dive into her psychology given the fallout we would see in Dipper and Mabel Vs the Future. He might claim to have 12 PHDs, but I doubted one of them is in psychology.
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We move on to the Last Mabelcorn, which is where we see Ford interacted more with Mabel and offer a bigger insight into how he feels about her. First, he agreed with Mabel when she stated she was probably “the most pure of heart in the room” and entrusted her with the unicorn mission, even knowing that the unicorns were difficult (and frustrating). As such, he equipped her with Journal 1 and a crossbow for the mission. Obviously this was for her safety, as well as trying to give her as much help as he could regarding unicorns, even though he himself had little success (Ford mentioned of an arm-wrestle with a unicorn in the blacklight edition which I doubted went well). At the end of that episode, he directly told her that she is a good person, even without being aware of the struggles she had gone through with her morality moments prior. And after the episode he even regarded her as an expert on unicorns given she managed to defeat one, and allowed her to write an entry in Journal 3 about unicorns. I needed to note that Mabel was the only person who wrote in Ford’s Journal after Dipper returned Ford the Journals (and before their recovery in Weirdmageddon). This rather showed how much Ford really trusted Mabel, especially when he regarded his Journal as his “important scientific documents”.
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Dipper and Mabel vs The Future is more contentious in this regard. We see how plenty of fans often using this episode as proof that Ford doesn’t care about Mabel just because he only asked Dipper to stay in Gravity Falls, and waved off concerns that Mabel would be all alone in California. However, we need to relook some bits of this in context.
Dipper: There’s also Mabel. She’d be all alone in California. Ford: Mabel will be fine on her own. She has a magnetic personality. I watched her become pen pals with the pizza delivery man in the 60 seconds he was at the door.
From this, we can see how Ford cared enough to observe Mabel’s social skills with the pizza delivery guy, plus probably witnessed plenty of instances of Mabel handling herself without Dipper’s help. I guessed that was further underlined by her success in the unicorn adventure, and thus he genuinely believed that Mabel could take being without her brother outside of the summers.
Dipper: Gosh, we’ve never really been apart before. Ford: And isn’t it suffocating? Dipper, can you honestly tell me you never felt like you were meant for something more?
This is another contentious bit, I admit. It sounded like Ford considered Mabel as a stumbling block in Dipper’s future. Well, I concede Ford isn’t perfect. Again, this is one of those times Ford was projecting his issues with Stan onto the younger twins after finding out how similar he thinks Dipper is to him (possibly aggravated probably by Stan blatantly aligning Mabel with himself, ex, telling Dipper that he belongs upstairs with “me and Mabel”). At this point, he was just extremely clueless about the nature of her and Dipper’s relationship, and how it was much healthier than his was with Stan, probably even at that age.
Nevertheless, to say that he didn’t care about Mabel at all is simply a misguided oversimplification. He cared about them both so much. His traumatic experience with his own twin just tainted how he saw the twins’ bond being something that could be potentially suffocating. He did sort of have a point though; Dipper and Mabel couldn’t force each other to stay glued at the hip forever or it could potentially stifle their individual dreams if handled badly. But the twins were only 12 and had a lot of growing up to do together. It wasn’t a great idea to separate the twins at this point, which was something Ford forgot.
Mabel wasn’t forthright about her feelings about leaving Gravity Falls and growing up until she blew up at the end of the episode. We see how she maintained that mask of optimism throughout the show, even when she was worried about the Grunkles’ falling out and the parallels she found between her and her brother back in A Tale of Two Stans. That mask began to slip when she realized growing up wasn’t as great as she thought, and Ford didn’t know how badly Mabel would take it.
Ford thought he was doing Dipper a favor by giving him a head start on his studies. This is probably a bit too charitable of an interpretation, but one could, I suppose, see Ford's “something more” remark as “Dipper more than just half of a set” instead of “implying that Mabel is in some sense inferior than her brother.” As said earlier, he even believed Mabel would be fine and thrive on her own, too. That the two could have reached a compromise if needed.
We can probably conclude that Ford actually did not disregard Mabel or see her as the "inferior twin", but he just found trouble trying to connect with her despite his initial positive impressions. At the same time, due to Mabel's outward outgoing personality, he overestimated Mabel's confidence in being on her own, and also (subconsciously) projected his own issues with Stan on the younger twins. Not to say Ford was a bad person by any means, but he was misguided in some of his assumptions and impressions.
On a tangent, I say the recent fan episode Return to the Bunker tried its best to imagine how Ford and Mabel might go on an adventure together. However, it instead exaggerated too much of his flaws (e.g. his trust issues) and it became more of a Ford bashing episode. Yes, we know Ford isn't perfect by any means, and he might be unfamiliar with interacting with others like Mabel.
Yet, as we also saw from the canon (the show supplemented by Journal 3), he could get along well with Mabel, especially in such a desperate situation like confronting a Shapeshifter (how he dismissed the others' suggestions is really beyond me). We even saw how Ford was willing to give up himself to Bill in WMG when Bill threatened to torture or even kill the kids.
I supposed the writers of that fan episode did read J3 but took the wrong lessons. While definitely an attempt to show Ford's flaws, the episode instead went the other extreme. Ford could sometimes be insensitive (like the remark he made about "suffocating"), but not anti-social or downright unpleasant.
There is definitely potential for more positive Ford and Mabel bonding moments that could further underscore that Mabel could cope well on her own (from what we saw in The Last Mabelcorn). From what @hkthatgffan also told me (and on Reddit), when Lost Legends was coming up, everyone thought, from Hirsch's hint through his emojis, that we might finally get a Ford and Mabel bonding story but instead we got an (admittedly) half-hearted attempt to redeem Mabel from her role in WMG.
I supposed another angle could be Ford and Mabel also coming to terms with their roles, given Ford is partly responsible (and even took some blame himself), and both can overcome the trauma together. I don't doubt these are already concepts being explored in various fanfics and fanarts. And here are some other ideas from Reddit.
Let me end off with some parallel scenes between Ford and Mabel, which show how similar both are. We need to also remember that it's not exactly Dipper-Ford and Mabel-Stan, but rather Dipper and Mabel paralleling each of the Stans in different ways. That is probably another essay for another time.
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This essay is written with assistance from @jacky-rubou (who already provided an initial essay for me to work from) and @callipraxia who is able to offer more insights.
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tobiasdrake · 1 year
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And then Steve's ending sucks and is bad.
Steve's ending infuriated a lot of Stucky shippers for obvious reasons. But. Like. Here's the thing: From a filmmaking standpoint, the Stuckies are right. Sending Steve back in time just doesn't work for multiple reasons, both in and out of universe.
This is going to be a longie.
#1 - Time Travel Doesn't Work That Way
The first problem is the in-universe one. This ending is so busted that the directors and writers actually have separate interpretations of what happened, and they're both wrong.
According to the directors, Steve created a parallel timeline where he's lived with his Peggy. He used the time machine to return to this timeline and go to that bench, but only once he was super old for, uh, some reason?
Problem is, according to this movie, you can't do that. You can't make a new timeline without removing an Infinity Gem from it, and also making new timelines is bad, remember? Further, the film gives no indication that Steve time traveled here. He doesn't appear on the Quantum platform. He's not wearing his time suit. He's just chilling on a bench, staring at the horizon.
The reason the film gives no indication for how Steve arrived here is because of the writers' interpretation: Steve arrived in the past of this, the main timeline. Steve himself was Peggy's mystery husband back in Winter Soldier. Old Steve has always been here, waiting for this moment.
That's actually worse than the directors' explanation. The movie has been very clear on the point that you can't directly change the past. Even after they prune the timelines, Loki didn't actually escape in 2012. That never happened. The events of the Time Heist never happened, from a historical perspective.
The internal logic of Steve's jaunt doesn't work out, no matter which way you slice it.
#2 - The Future is Scary and You Should Run Away
The second problem is what it does to Steve as a Man Out of Time. The white-hot core of this character direction is that he is an old man living in a world he doesn't recognize, and having to adapt to changing times. That's something we all have to deal with eventually.
So what is Endgame's final statement on Steve's efforts to fit into society? It's that he can't. Trying to live in this world he doesn't know is a futile gesture. In the end, Steve gives up, sinks his head in the sand, and rejects modernity. He embraces the shallow image of a woman he once loved was attracted to and lives out the rest of his days in a reactionary fantasy world.
I guess there is no value in changing and growing to adapt to the new world around you. What a shitty ending.
#3 - To the End of the Line
And finally... yeah. I'm sorry to tell you this, but the Stucky shippers were right. Not necessarily about Steve and Bucky's relationship being canonically romantic. But about Steve and Bucky's relationship being the driving emotional throughline of the entire Captain America trilogy.
In the end, this ending is the epitome of the problem with the way writers write platonic relationships versus romantic ones. Throughout the trilogy, Bucky is the most valuable and important person in Steve's life.
Steve defied orders and officially joined World War II, venturing deep into enemy territory alone, for Bucky. He was ready to die for this man. He laid down his shield and accepted the Winter Soldier's violence out of love for the man behind his eyes, and that sheer unrelenting loyalty brought him back from the monster he was programmed to be. Steve went to war with the Avengers out of love for Bucky.
And whether you take that love to be romantic or platonic, it doesn't change the fact that this is what drives the films. Not Peggy. Never Peggy. The films occasionally pay some attention to Peggy and Sharon, but they aren't actually interested in using these characters as characters.
(In fact, they're so disinterested in Sharon that she drops off the face of the universe in Infinity War and Endgame. Not even a namedrop. The moment the filmmakers decided to send Steve back to Peggy, Sharon ceased to have any value as a character and was consequently erased. They do not care about these women and their stories. The Carters are just the obligatory love interests.)
Instead, Peggy is merely the symbol of what could have been. She represents the life Steve lost, but is barely treated as a person in her own right. She's just a picture in his wallet that he can pine after. She doesn't move the story along, and his feelings for her rarely amount to more than Steve being sad for a little bit and then continuing along with what he was doing.
And this is how it always is. The best friend is the diehard series-defining relationship that moves mountains and saves the universe. And the girlfriend is just there, getting little focus or development. Steve and Bucky prove their importance to each other again and again, but no attention is paid to why Peggy is important. "She's a woman. He's a man. What more do you need?"
I'm not, personally, a Stucky shipper. But "I'm with you to the end of the line," still meant so much to me. This was the emotional core of the Captain America trilogy, right up there with "I can do this all day." Steve suddenly quitting on the future, quitting on Bucky, and running off to bury his face in Peggy's bosom felt like a betrayal of everything the films have ever told us about these characters. Peggy just wins. Because we need to marry him off somehow if we're going to tie up his journey!
It is neither a joke nor an exaggeration to say that the trajectory of Captain America throughout the MCU was ruined at the very last possible second by the straight agenda.
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markantonys · 22 days
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anyway, wotseries did a nice summary article of everything we know about s3 so far! most of it is already known, but there were a couple new tidbits i found interesting.
a baby was needed on the caemlyn palace set
rafe is the lead writer for episode 3x04; i think in previous seasons he only wrote the finales and the pilot, which makes me wonder if 3x04 is some kinda Big Deal episode. ooooh maybe this would point to rhuidean (which we know is either ep3 or 4)? he's said many times that TSR is his favorite book, so i could see him wanting to personally write the rhuidean episode.
rammy park, lead writer of 2x06, is the lead writer for 3x06. i'm very excited since 2x06 is my favorite episode so far!
they now have the writers for all the episodes if anyone is curious in digging further, but these were the ones that stood out to me
wotseries has reported "a question of crimson" as the 3x02 title and "he who comes with the dawn" as 3x08, but they said there's a possibility they're actually switched. and while HWCWTD does sound naturally like a Finale Title, if 3x02 is an intro to the waste/aiel prophecies and 3x08 includes the coup with elaida the red ousting siuan, i actually could see the titles being the reverse. (and all this with the caveat that episode titles are subject to change before the final product airs.)
the cairhien set was taken down after s2 filming, so likely no cairhien in s3
nuno lopes filmed at tocnik castle, and you Know my mind immediately went "spooky forsaken meeting place?" when i googled pictures, just to affirm my personal pre-drawn hypothesis that he's playing asmodean.
josha was in slovenia at one point, which is largely used for two rivers filming. flashback or dream/TAR sequence? i suppose there's also a chance he was just on vacation, they didn't explicitly say he was filming just that he was there.
wotseries expects fares fares to return!!!! very exciting if true!!!! glass columns, maybe, or an AOL cold open
they listed a bunch of cast/characters they expect to return, so i'll list only some of the less obvious ones: padan fain, valda, logain, adeleas, verin, tomas, nyomi (no word on yasicca), ryma, ila, raen, aram
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nordidia · 6 months
Note
Do you think CJ and Raph ever talk about their experiences with PTSD/anxiety together or even share advice on coping? Or do you think Raph would rather not? Explain your reasoning in your essay below
(i typed an entire novel and then accidentally closed chrome and it deleted everything let me try doing this again i barely remember what i said ok so. also this is just me blabbering idk guys im not a rise writer im just some opinionated guy online and you can completely disagree with me and i dont say what goes or not ok? ok!)
i dont think raph would go to him with his issues but i think it'd defo get talked about through asking CJ about things and checking up on him etc. and i think CJ would give raph alot of insight and advice on how to deal with anxieties and traumas,, tho alot of their convos would just be one of them saying something vile and the other one going "oh. is that not normal?" and the first one looking at the latter like this
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but all in all i think they'd definitely help eachother with dealing with stuff... i think especially raph will assist CJ in just taking the blow on how much there is to unpack... his entire life has been a big traumatic event, i imagine suddenly living a sustained life without having to fight for survival every day would be a lot for him to deal with, especially the confusion and grief over what he has lost (maybe what he has lost feels a bit like pointless grief to him now? which is a trauma in itself) and also grieving what he never had. as we know, grief is also things we shouldve had but never got, and i think all the hamatos would be really helpful in dealing with that.
tho CJ seems to be a bit of a hardass on stuff like this which is incredibly understandable when you've had to fight for everything with zero stability at all anywhere you went. i could see him confiding in raph about it, but not only him if im honest. but there is an undeniable security about raph i think that the characters i the show feel, and i think CJ would seek the stability and consistent reliability that raph provides.
i also like that CJ doesnt seem too scared about calling out people when they do wrong, i can defo see CJ bluntly telling raph that bad coping mechanisms is stupid and makes things worse and worries everyone around. (this is ofc hand in hand with the good ol' HC that raph bottles shit up/avoids talking abt things. personally i think he never shuts up and frequently rants about stuff and lets his family know whenever shit is up but he avoids going too deep so his family thinks he's being fully transparent when actually he's just not voicing the worst shit. this is so real to me no i do not need therapy shut u)
i definitely think raph would confide in CJ about the krang thing. CJ is the one who knows the most about it, i can see raph going to him to just get a bit more information about what was going on, and also a bit of relief hearing that it didnt go as bad as it couldve gone... CJ being experienced with krangification would absolutely soothe worries and make him feel less alone about knowing what he knows and having gone through something thats a step further than his brothers
IS THIS A GOOD ENOUGH ESSAY i have academic anxiety dont grade me please its 4am i have taken melatonin pills im on my last leg help m *ficking dies*
edit: GOODNIGHT LOL
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gigigle · 1 month
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I really hate how ursa is done in the comics idk
Like I'm done with the arranged marriage and her and ikem but I hate the other stuff.
1. Her and azula
I kinda wish they made her and azulas relationship more complex and nuanced instead of it being that ursa loved her all along and never favored zuko
Because I just think that's a little lazy. I feel like if ursa had favored zuko it would've made sense like if we keep the ikem part of all of it then I think it would be interesting that ursa favored zuko because he reminded her of her past and ikem. Also that with zuko she could at least pretend he wasn't ozais.
But with azula she couldn't pretend at all. And then coupled that with the fact that azula had a spark in her eyes that zuko didn't and she saw how ozai reacted to that and how he treated zuko that she would feel like she would need to protect him even more. I think it would be an interesting thing if zuko reminded her of her old life while azula reminded her of her present life.
And that would cause a rift between them. And then we would have azula acting out for her mothers attention and acting more and more similar to ozai which would just further increase the rift. Because ursa would struggle to separate her daughter from her abuser like she can with zuko. Especially since azula would also spend most of her time learning from ozai and listening to him.
Im also not saying she would a horrible mother either. Because I think even with this scenario that she is still nuanced because she got forced into a situation she would have never chosen and is just trying to get through it day by day. I think it would be that like ursa, azula was just a casualty of azulon and especially of ozai. Because had ozai not been there I think she would have been a much better mother.
Like idk I just feel like with how the comics wrote ursa and ozais relationship this would make even more sense than her being just a slightly flawed mother but she was trying her best. Idk I'm not very articulate.
2. The forgetting thing
It sucks. I hate it so much actually. It's just so bad, like I feel like the writer couldn't think of anyway to make it make sense that ursa would never go back to her kids but tbh I can think of some ways.
Like ursa is definitely terrified of ozai and he knows where she went and she would still go back to her hometown.
So maybe ozai knows this and every now and then he sends soldiers around there to just do a bit of patrol maybe even have them raid her parents house as a way of telling ursa that if she does something her parents and ikem are gonna be the price. Which I think would work.
Also I think with azula and zuko that she just kept telling herself that zuko had Iroh and that azula was ozais favorite. She probably just repeated those constantly like how zuko does with azula always lies. And soon after like a year she believed it.
Also I think she wouldn't get any information on them because ozai would make it harder and like we see in canon not that many know of or recognize azula and zuko. Like in the beach episode kids who seem to have noble parents don't even know about them so I think it would make a lot of sense that the royal family is way way way more private esp during ozais reign. Because yk ozai killed his father,stole his brothers birthright, and In ozais opinion had a failure of a first born. And maybe ursa was also too terrified of what shed find out or just to leave hir'a/her hometown.
Also part of me thinks it was lazy writing so that they wouldn't have to have ursa have difficult conversations about why she never went looking for them or just a conversation with azula because we never actually get a real ursa and azula convo.
3. Kiyi
I hate her. Like she just feels like such a a replacement and lazy writing. Like they wanted zuko to have a healthy brother sister dynamic with someone and they didn't know how,didn't think of, or just didn't want to write that with pre established characters, they decided to make a character that was everything azula wasn't and was the perfect little sister and daughter.
Like I think she could be fun but I also think she was just so that zuko could have that dynamic without having to put in the work of writing azula a semi redemption arc or smth.
But also I think maybe they could've given zuko that brother sister dynamic with katara or toph. Like we see zuko jealous of sokka and katara and maybe we get stuff we're zuko and katara will act like sibling or like the relationship he always wanted with azula but then gets reminded that he can't have that.
Also It feels like a way to also give ursa the perfect daughter but I do think rewritten she could work. I think she's a fun concept.
End
Tbh I just wanted to rant because I feel like so much was done that was just kinda boring and lazy.
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akiizayoi4869 · 1 year
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Zuko did not realize that Azula was also being abused by Ozai
So I don't know why, but some people seem to think that Zuko realized that Azula was being abused by Ozai just like he was. While this would have been lovely to see in his character arc, the reality is that he didn't realize it. Why? Because the writers themselves don't seem to realize that that's how they wrote Azula. If Zuko had somehow come to that conclusion by the time he defected, he would have done one of two things: left Azula a letter saying goodbye and explaining why he's leaving, or just straight up taking her with him, even if it's against her will. But he doesn't do either of these things. Instead, he continues to seek out the rivalry he had going on with her to prove that he was better than her. Which shows that Zuko himself was still very much in the cycle of abuse and didn't actually break free from it.
Do you really think that a guy that says "Katara, how would you like to help me put Azula in her place?" realized that his little sister was being abused? That sounds like a guy who feels like he can take on the person who dared to be better than him because they actually worked their ass off. And as much as I despise the comics, they further prove my point.
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Had he realized that she was being abused too, he wouldn't have blamed Azula for everything that went wrong in his life because she had the audacity to be born. Like she could control that. He wouldn't have placed her in an asylum for a year and never even bothered to check on her. He wouldn't have allowed his friends to constantly antagonize and attack her whenever she had hallucinations during they're search for Ursa. She wouldn't have been kept in a straight jacket. For fucks sake, he wouldn't have put her right in front of Ozai, her abuser, just so that way he could get some information about Ursa's whereabouts.
So in conclusion, Zuko did not realize that Azula was abused. And until the writers themselves realize this, he never will.
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insertdisc5 · 11 months
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Devlog #14: Big News Incoming and Illustrations
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Hello everyone! Welcome to this month’s devlog!
If you just stumbled upon this, I am Adrienne, also known as insertdisc5! I’m the developer, writer, artist, main programmer, etc of the game. The game being In Stars and Time, a timeloop RPG, which is also the next and final game in the START AGAIN series, following START AGAIN: a prologue (available here!).  You can find out more about In Stars and Time here!!! 
LET’S GET TO IT. This month has some Big News about Big News Incoming! And also some illustrations!
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The Big News Incoming first: In Stars and Time will be a part of Future of Play Direct on June 10, 8:00am PT | 11:00am ET | 5:00 pm CET! Future of Play is part of the Summer Games Fest and showcases a lot of incredible indie games, so I hope you’ll tune in. There might be a little something for you to see :> And...
In Stars and Time will also be a part of The Mix on June 8th! The Mix is an amazing games showcase over in LA. There will be a lot of press there, so I’m very excited to get some eyes on ISAT! Please stop by the booth and say hi to the lovely people from my publisher, Armor Games Studios, if you get the chance!
Alright! That’s it for the big news. Now for other big news.
Porting the game to Switch seems to be close to done! Currently, the porting team is taking care of optimization thingy things. The game is playable, but tends to drop frames every so often, so the team is optimizing the game to make sure it’s playing smoothly so Switch players can have the best possible experience! And…
The (hopefully) final round of Japanese localization is underway! Last April, the localization team sent back a couple of sentences that should be reworded now that they have further context. Now that those changes are implemented, they are playing it one more time to make sure everything works as intended!
I sadly don’t have a Fun Gamedev Thing to talk about this month (or… last month either…) because I moved elsewhere back in April and have been taking care of many things so my move went smoothly. Did you know that moving and getting used to a new town is hard work? So, here’s some things I posted on social media in the last couple months!
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Here’s an illustration I drew a while back but only posted recently! I imagine that during their journey, everyone must’ve shared a bed at least once. This is also an occasion to show everyone’s sleepytimes clothes. Siffrin on that honk shoo honk shoo fit
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Like many people, I have seen the Barbie movie trailer. So of course I had to redraw these iconic frames.
And someone over on Tumblr asked me about how I picked everyone’s names! Here it is copy-pasted for your convenience.
Siffrin: i think. i will wait until the game comes out before saying how i picked their name. ask me again later (it’s not a spoiler its just silly)
Mirabelle: her name was actually Prunille for the longest time, but I kept mixing it up and calling her Bonnie… so I went looking for another fruit sounding name (prunille>prune>plum in french) and Mirabelle fit her perfectly :> (Mirabelle is a kind of plum!)
Isabeau: it’s just a nice name. It actually is a girl name but i refuse to accept it because “beau” is the masculine form for “beautiful”, but either way it fits his character pretty well…
Odile: old sounding french name. that’s it. when i was early in preproduction her name was Isabeau actually (and she had a WAY different personality)
Bonnie: it’s a nickname and not their full name. have i said their full name yet? (checks the wiki) i did. Boniface is just a name that I had never heard before, and I could easily imagine Bonnie not liking it because it sounds “old and lame”. i think as they get older they would like it more and more
This is also a reminder that In Stars and Time has a wiki page. I am so grateful that this is a thing someone made. You know you've made it when your game has a wiki page!!!
That’s all I have to say for today! Let me know if you have any questions, or if there’s any aspect of the game development struggle you’d like me to talk about! See you next time!!!
AND DON’T FORGET TO WISHLIST THE GAME ON STEAM ALSO IT REALLY HELPS BECAUSE STEAM’S ALGORITHM IS MORE LIKELY TO SHOW OFF GAMES WITH A HIGH AMOUNT OF WISHLISTS THAT’S THE REASON WHY GAME DEVS ALWAYS ASK TO WISHLIST!!! OKAY BYE!!!!
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betterbemeta · 4 months
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I feel like some things in the Jurassic World movies are actually a step backward in the science-fiction zone from Jurassic Park III. I think that was the one where it was revealed that the raptors had a 'language' and complex communication that implied not just 'intelligence' but 'sapience'-- and I understand that some people felt this jumped the shark a little.
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(yes I know its a dream sequence, SHUT UP, they went there,)
But I remember seeing it when I was little and it made perfect sense to follow the original beats of how the raptors were scary in previous movies because they could interact with human environments like doors. They could use deception, 'tactics' and could not easily be contained.
If you're implying that these are beings that can reason, and further acting as if this reasoning ability is more threatening than the reasoning ability of a chimpanzee or something, then you're not afraid of 'what' is hunting you, but 'who.'
And that they could have reasons beyond being hungry bloodthirsty animals to be aggressive toward you.
That you have imprisoned 'people' and not 'animals' or even 'beneath animals' (creatures that have no natural existence, creations, toys, etc.)
But there's something disappointing to me about the stuff with Blue and Chris Pratt and all of that. It feels more like the fantasy of an animal tamer at a circus who has mastery of dangerous creatures (something that most modern circuses have cut) than it feels like a relationship with an intelligent creature capable of complex communication.
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(Tell me how this is different from the image of a 'lion tamer' with a chair between him and his 'beasts?')
It doesn't even feel like the level of communication that you should be having with your dog, or cat. But the raptors of course obey Chris Pratt's fantasy expertise and fantasy rules surrounding their social behaviors because the point is to depict Chris's character as skillful. 'The right way to approach raptors' is whatever the writers want it to be, unlike real dogs, cats, horses, bears, big cats, etc.
In reality, there are a lot of failed 'animal whisperers' out there, hucksters that fake being an animal behaviorist to impose fantasy-like rules on animals while abusing them, and dominance-based trainers who get sued for animal abuse if they aren't attacked by the animals first.
The Jurassic World movies seem to mitigate this idea with that the raptors are not natural creatures (but living 'in the wild' seems to be a conclusion for at least one of them?) and that they vary in intelligence level, with Blue being the most intelligent. My issue with this is that complex communication required for coordination also requires multiple parties that understand it. Why aren't the raptors basically having constant misunderstandings between their differing mentalities, or misunderstanding their handler who doesn't seem to vary his approach between them?
Basically my point is. The place Jurassic Park was going, it was fine. You made Frankenstein's Monsters, classic sci-fi dilemma. It kind of sucks that they downgraded Dinosaur Frankensteins into... the emotional replacement for circus animals in the modern day when we know dancing bears and elephants aren't ethical. However 'cool' they are on their own, that type of creature in a narrative is there to demonstrate the bravery of their 'tamer' and any 'trust' the animal has with that tamer is just the same. It's not about any creature actually making its own decisions, let alone a highly intelligent one.
It doesn't really matter that Jurassic World movies try to have it both ways, with some lip service to 'respecting' the raptors, and sometimes other dinosaurs, showing the antagonists being 'disrespectful' by contrast. If we continued the themes from JPIII, the type of 'respect' that is supposedly the 'good' position, is not the kind of respect you'd want to give to a person.
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anoray · 11 days
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Okay, not to be obsessed with the final episodes of The Bad Batch, but there are some thoughts that keep nagging at my brain about the debate over "who is CX-2" and I must spew them forth.
I totally get why some people don't like it when SW characters come back from the dead and I agree it should never be done frivolously. That said, I'm scratching my head about the opinion that Tech should not be CX-2 and he should stay dead because his character arc was perfectly wrapped up with his sacrifice to save his Batch family. To this I say: Really? How so?
I could understand and agree with this take if Tech had always held back in dangerous situations and he never wanted to risk himself until he finally stepped up in that moment to save the others--but I recently rewatched all the TBB episodes (as well as the initial arc from TCW), and this has never, ever been the case. Tech is almost always the one literally out there with his ass hanging in the wind or directly in the line of fire while his mind and fingers race to bring the power online, or download the vital data, etc., so the others can move forward. Notable examples include the Zillo beast episode in which Tech went all by himself to get the power online even when they all knew something horrible had killed the former crew, and in the mining episode, Tech dove in immediately to help Omega when she fell into the abyss. In other words, Tech has always been the opposite of a coward or one to step back to save himself.
So I really don't get what in the heck it supposedly changed or wrapped up for Tech's character arc when he executed Plan 99 to save his squad. I see ABSOLUTELY NOTHING. Just like his sacrifice did absolutely nothing to save Omega from the Empire in the end. Is that really a worthy death for one of the Batch? Not in my book.
So what would be an impactful and meaningful character arc for Tech? Well, I'm 99.9% sure that what would be hardest for him to be subjected to (and hopefully endure in the end) is losing what makes him feel unique and special: aka his BRILLIANT MIND. And what more horrible, awful way for Tech to be tested and grow as a character than to have his beautiful mind hijacked by the Empire to further their own tyranny even as they pit him against his loved ones and everything they stand for.
I'm not saying Tech has to be revealed as CX-2, but so far it makes the most emotional and narrative sense based on all the breadcrumbs the writers are tossing at us along the way. Of course, CX-2 could be Cody and Tech is still in a vat on Tantiss while Hemlock experiments on taking over his mind to turn him into a CX as well. But the TBB series is about, well, the Batch, not Rex and Cody. Ergo, a Cody reveal wouldn't gut the Batch to their emotional core the way a Tech reveal would, so right now my money is still on Tech. It could be that Cody is being saved for something else up Filoni's sleeve.
Either way, if Tech's gifted mind has been sabotaged by the Empire, this seems like an actual character arc rather than having him die via a sacrifice that he would have made without hesitation going all the way back to Season 1. To quote Chopper: BLAH BLAH BLAH. In contrast, not only is a hijacked Tech deeply affected, it also generates significant emotional collateral damage to the Batch. Tech and all of his family/squad would have to struggle to deal with the consequences, such as whether or not he can even be saved and how much of the damage to his mind is permanent.
If Tech is alive and the Empire has done something like this to him, it is certainly possible the remaining episodes will not fully answer whether or not Tech is salvageable. After all, the SW writers had no problems with having Ezra Bridger and Thrawn vanish for years before we found out what happened, but I very much hope they won't leave us with this kind of cliffhanger again!
Anyway, my whole point is that the possibility that Tech is alive does not necessarily equate "ugh here we go again, no one in SW stays dead." A narrative choice by the writers to bring Tech back does not automatically erase deep and lasting consequences for either Tech or the rest of the Batch. Death is not the only way for characters to grow, and it seems to be used way more than it should be for this purpose in my humble opinion. I guess we'll just have to wait and see how the story concludes in the finale and whether the onscreen hints about Tech's possible not-dead state were simply red herrings.
As far as other character arcs go for the finale, all Omega has ever wanted from the very first show is to be part of her Batch brothers, to belong. So the most difficult test for her would be that the squad is finally reunited, but now she must leave them. It seems quite possible that her interactions with the Force sensitive children on Tantiss will make it clear that none of them will ever be remotely safe unless they find the few Jedi who are helping such children in the aftermath of the Purge. No doubt Ventriss would come back into play if this is the ending for Omega. In a happier ending, the Batch would go with Omega to continue to help rescue Force sensitive kids from the likes of Cad Bane, while Rex and Echo most likely continue helping clones.
I think Hunter will definitely have to choose to confront the Empire head on in a way he has always resisted to protect his squad. After all, Echo left the Batch to join Rex because he got tired of waiting for Hunter to come around to doing more to fight for their clone brothers, as well as others being hurt by the Empire. I only hope this doesn't cost Hunter his life, but if it does, THIS would be a sacrificial death that completes the character's arc.
Meanwhile, Crosshair's redemption arc is well under way and he continues to be one of the most interesting characters in the series. The best part of Season 3 for me has been Crosshair rejoining the Batch and I very much hope his curmudgeonly efforts to be a better person won't be the cause of his demise.
As for Wrecker, he has grown as a character over the series and no longer is just Mr. Boom Boom. He's showed a lot of street smarts dealing with the likes of Fennec in that Space Florida episode and he seems to look more before he leaps into the fray with his fists and weapons...although I do like the fact that Wrecker still enjoys opening up a can of whoop ass more than anything :)
Okay, so 3 more episodes to go and we'll see how much of what actually happens blows my essay today about Tech and the finale out of the water.
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Ace Writer Wants to Write S*x Scene
Anonymous asked: Hi, thanks for what you’re doing. You’re really great. How do you write s*x scenes? Graphic s*x scenes? I want to write a story about love, but I don’t know if I could do the s*x scenes as I’m asexual, but I know that love stories include s*x. How do I do this without messing it up?
Note from WQA: Words were censored in this post due to previously being asked to do so. Now that content filtering has been around for a while, I'll stop, but I'm leaving this post up as is... Okay, first things first... love stories do not have to include s*x and many actually do not.
When it comes to writing romantic fiction, there are different "heat levels" that dictate how much s*x the story contains. The exact definitions vary from place to place, but generally they are:
Mild/Clean- Nothing beyond a bit of hugging, hand holding, and kissing. Nothing you couldn't see in a Disney family movie. Anything more can only be gently hinted at having happened off the page, but never openly discussed. The reader is not privy to the s*xual desires of characters.
Warm/Sweet - A little more hugging, hand holding, and kissing that can lead to "fade to black"/"behind a closed door," but only if love has been declared by both partners. S*x can be implied after the fact through word play, such as: "We went into the bedroom and fell into a world of our own making." However, s*x is not openly discussed and the reader is not privy to s*xual desires of characters.
Sensual - Plenty of romantic interaction and making out, s*x can occur on the page between characters who have declared love, but not in graphic detail. Description of the act focuses more on character emotions and sensation. Body parts can be named, but only using proper names (no coarse words).
Steamy - Consummation is described in graphic detail, with coarse language being acceptable. Participants are not necessarily in love but eventually will be. However, s*x is not the primary focus of the story, and is only used to further the emotional journey.
Erotic - Heavy emphasis on s*xual activities, which are longer/more involved and described in graphic detail using coarser language, sometimes exploring acts that are considered more graphic, experimental, or taboo.
So... as for how to write a scene were s*x is described on the page, I can't tell you that because I don't write it. But what I can tell you is you can absolutely write good ones even if they're outside your range of experience. Google is your bestie when it comes to finding out how to write them. There are tons and tons and tons of romance writers who have written guides on how to write great s*x scenes. Just Google that, and you'll see them. I think it's also helpful to watch movies and TV shows that feature s*x scenes if you want to write them.
I hope that helps! ♥
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