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#the writers forgot to age him they can deal with the consequences
fleurfay · 1 month
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Writeblr Intro (cuz i forgot about this)
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AYUP everyone my name's Fleur, i'm a 19 years old woman, im cishet and painfully neurodivergent (AuDHD and MADD). Im also brazilian and christian so there's that! (Trilingual beast coming at ya!)
I've been a writer since who knows when, started to write fanfiction in the worst fandom i could've started (...the beatles), went to an amazing fandom -that turned out to not be that amazing but my writing and storytelling evolved exponentially so im grateful- to now being more focused in original works
I'm currently writing a book with my friend (@serenity-of-waffles)*, an original story all in portuguese - mother language inbound - and i might probably work in scripts for comics, animations and maybe games????? Let's see-
yeah im an artist too hehehe
Genres i enjoy reading/writing: Fantasy, Scifi, Romance, Thriller/Suspense, Horror, Slice of Life, Supernatural
Here comes the lists of things i like to see in a book and that i tend to write it in my own stuff:
FOUND FAMILY!
A good well written romance sometimes doesn't kill ^.^ (im a cliché beast, careful)
Tragic Backstory? Sign me in
NEURODIVERSITY
Supernatural ocurrences and creatures. Analog Horror, Psychological Horror as well
Super heroes? Yes
Mythological metaphores
I write for both Youth and Adult (im a sucker for children's books they can get so dark suddenly and is amazing)
Mystery elements yesyesyes a good suspense
Deep relationships
Consequences. I love consequences.
Historical plots and period inspired fiction
Super powers, creatures, magic, a whole well made worldbuilding (Tolkien wannabe)
SOOOO what am i looking for??
FRIENDS! People to rant about my silly stories and worlds!
More writers to follow and engage and and- ykwim
Current WIPS? hmmmmm
• A Flake of Rouse - A story (in brazilian-portuguese sorry fellas) about the idea of "what if the monarchy in Brazil never ended in 1889?". A narrative about folklorical creatures, fantasy and magic, inspirations on steampunk and art-deco, 19th/beginning of 20th century at its best, the pure juice of Brazilian culture and history. (Fun fact: I names this fictional era Isabelian Age, inspired by the Victorian Age-) A grand adventure following the native descendant girl called Aurora and her journey to save the country against evil forces and hidden enemies of the crown and the empire. • Eden Fables: The Inkweaver's Diary - (*NOT WRITING ALONE) So this one i won't give much detail, just know that me and my friends we're going absolutely insane over this book and the entire possible series and is our child, you're not fucking ready. The best fantasy book i ever written in my life TRUST ME. Blame Tolkien and C.S Lewis for inspiring us so much- (sorry for the vague synopsis muahahahah) A story of a boy displaced in time and space as he finds his heart and returns to his throne, finding a family along the way while dealing with the craziest adventures.
• MaxSeven - This one is my new story, a space opera retro-scifi with retro-cyberpunk and internet aesthetics elements. Very inspired by Star Wars, Akira, Dune, Evangelion, Pacific Rim, Megaman, etc Seven is an android forgotten on a dumpster, with a mysterious story lost long ago in his driver. Till one day a bratty engineer called Maxivo finds him and decides to fix him, an act that turns him into a target against the Order of Ômega. What will this friendship that's about to blossom create in this galaxy imbued in chaos? We might discover soon.
OOF DAMMT I SPOKE A LOT HUH SORRY IM A TALKER! Hope to find more writer friends along the way ^.^
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astraaeterna · 4 years
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the embodiment of the “morons to lovers” trope :^)
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Hi, yes, I know it’s been two and a half years. It’s been two and a half years but I’m still not over that shitshow that calls itself ‘Avengers: Endgame’.  
You know what irritates me the most? Above Tony’s death, above that shitty ending, above Professor Hulk and Nat’s self-sacrifice and Gamora who isn’t our Gamora but a different one and all those bad, bad character arcs in general?
What irritates me the most is that stupid, dumbass, ill-conceived 5-year-gap between Infinity War and Endgame.
It’s shock value. Nothing but pure shock value. There was not a single braincell involved when the writers decided to go with that route. They only had one question in mind and that was “how can we shock our audience the most?” and yes, congratulations, mission accomplished you fucking idiots!
But how, how on earth do you plan something like that without a single thought of the consequences? How do you write a world where half of the population of the entire universe vanishes and then of a sudden reappears 5 years later as if not a second has passed for them, without answering the questions of
1. Hey, what’s with all those who have moved on meanwhile? Who have found new families/lovers/made a new life? Being suddenly confronted with their old family/loved ones being back? Just… you know… 5 years younger, which can, depending on age, be quite a huge deal?
2. What’s with those who couldn’t move on? Who might’ve harmed themselves because they couldn’t go on with having everyone lost?
3. What’s with those who did blip and then suddenly have to orient themselves within these new circumstances?
4. And so many questions that were already asked post-Infinity War: didn’t technically more die due to accidents during the snap? Not to mention that the world in itself must’ve changed a great deal when this many people disappear suddenly. Economy, living conditions, environment in general—where’s the world building? Where are the explanations?
5. Is the MCU aware that every following movie/series plays now in 2023? Considering how often they already messed up with the numbers I wouldn’t be surprised even a single bit if they forgot. (Which is extremely embarrassing for such a huge franchise.)
Like, ‘Spiderman Far From Home’ technically should’ve answered all those questions, instead they just made jokes about it, like that one boy explaining that his younger brother is suddenly older than him. Was that supposed to be funny? It’s not funny, it’s confusing, it’s weird, it’s life-changing!
Those writers really didn’t think even a single bit when they decided to go with that 5-year-gap. They could’ve done 5 months instead! 5 months would’ve been still shocking, because none of us would’ve expected this much time to pass until the Avengers avenge, and they still could’ve easily shown how in that time Thor developed depression, Clint went murdering people, Bruce experimented on himself a bit too far (though, rather not to be honest, fuck that Professor Hulk bullshit what the hell even) etc.
Sure, we wouldn’t’ve gotten Iron Fam which is a pity (unless they made Tony survive wielding the gauntlet and giving us a view into the future with happy retired Iron Fam, thank you very much), but all in all still much more reasonable than letting 5 years pass unnecessarily.
Honestly, fuck Endgame solely for that alone. Fuck the writers. And fuck everyone who approved going with that incredibly bad route of wannabe story telling.
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shades-of-stony · 3 years
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Heavy Angst (And Not-So-Heavy but Still Angsty) Stony Fanfics!
I’m absolutely love a good Tony whump and hurt story so prepare to see a lot of those here! Get your tissues ready!
Push by phoenixreal
Summary: Tony Stark was known for pissing people off, it was a given. Then, after the man everyone thought was nothing more than a selfish prick decided to nearly kill himself saving Manhattan from a nuclear bomb, even the most sure of Tony's bastard status had to rethink it. And then, his team who were sure they had him pegged, they were invited (ordered) to move into Stark Tower with him. To their surprise, they found he had furnished full floors for each of them, somehow knowing their tastes exactly, including a floor dedicated to the resident Asgardian who would only be there some of the time. Surprised, and please, they all wonder at the enigma that is their host. After a couple months, Pepper Potts stops coming around so much, and they realize that something has exchanged between them because they are rather professional to each other. Pepper still frets over Tony, but instead tells the others to keep an eye on him rather than doing it herself. They easily forget that Tony is, and always has been, simply a human civilian. Then things get strange when they find themselves locked down within Stark tower, and after a harrowing viewing of a mysterious video, they find their resident playboy is completely gone.
Note: Prepare to cry and be hurt! This fanfic dabbles with Tony’s insecurity, self-worth, and issues. Please heed the warnings!
The words you choose to say by masterlokisev159
Summary: After the SHRA, the events around Steve’s death and Tony discovering he deleted part of his brain, Tony finally decides he's done enough. With Osborn taken care of, Tony leaves the Avengers and decides to quit being Ironman effective immediately.
He tells himself it doesn't hurt when Steve agrees. Why should it? After everything he's done, the team's better off without him.
However before he can truly move on, there are things he needs to take care of, and it's not long before he realizes he's dangerously close to losing his company. He's desperate and willing to do anything to keep it together.
So when, after months of silence, Steve asks him to drop everything and come work for Shield, Tony finds he doesn't have a choice. He agrees, no matter how much he knows he shouldn't. His reputation isn't exactly the best after the SHRA and he's heard stories of what he'd done as Director. He's knows what he's done. He's knows he's responsible for what happened to Steve.
He just wishes someone had warned him first. He hadn't been prepared to deal with the consequences.
Note: A 1000/10 angst fanfic that made me weep at 3 am in the morning. HIGHLY RECOMMENDED. READ IT AND PREPARE TO CRY BUCKETS
Protocol SOTERIA by GoldenFinches
Summary: Friday's primary objective at all times is to protect one Anthony Edward Stark. And she will fulfill that objective no matter what it takes. Even if it means including certain people she thought she would never have to deal with again.
(Basically the Rogue Avengers get some sense knocked into them with the help of Friday and handful of videos.)
Note: A HIGHLY RECOMMENDED ANGSTY FANFIC. I CRIED SO MUCH READING THIS. 
Straight to Voicemail by YouMakeMeDokiDoki
Summary: "I DID!" Tony screamed, cutting Steve off mid-sentence and whirling around to glare at him. 
"I CALLED YOU! EVERY SINGLE ONE OF YOU!"
Or
The one where no one answered their phone and things got out of hand. 
Note: this will absolutely break you heart.
Sunshine and Luck by ImportedfromMunich2
Summary: Months after Siberia, Steve and the rest of the defectors are pardoned and allowed back onto the Avengers, with the help of Tony Stark. Now that they're back - nothing is the same as before. Tony is even avoiding Steve at all costs.
Then one night - Tony barges into Steve's bedroom while he sleeps, and they have spontaneous, passionate sex.
Only, the Tony Stark he just fucked isn't from this universe.
Now, Steve has to find a way to explain to Tony that he had sex with his counterpart from another dimension.
Note: A good Steve whump fic! 
When You Mess With Him... by REM_It_Up
Summary: During an event with the Avengers, Tony is kidnapped by an unknown group of men right in front of the team. The group who took Tony taunt the Avengers by leaving small clues to Tony's whereabouts. When the kidnappers finally get in contact with the team, they are forced to watch Tony get tortured on camera.
The Avengers desperately search for their missing friend before they never see him again.
The kidnappers are smart and fast, they have everything figured out in order to get away with their plan...They just forgot one thing--
Colonel James Rhodes
Note: Now this is really heavy! Brace yourselves for a kidnapped and tortured tony! Also, protective honey bear aka Rhodey bonus here!
To Need is Not To Want by Brixon
Summary: All his life Tony has been used as a means to someone's end. Always someone's tool in a game. Carelessly thrown aside, once they had no longer use of him. He keeps it bottled up because, because he's Tony Stark. But he's always had this desire that one day someone would come who would stay because they wanted and needed him. He thought he had that with the Avengers, but after everything with the Accords and everyone leaving after Civil War that hope of having something of his to stay was gone.
Despite being burned constantly, Tony still has this wanting. So when Ryder, an old college friend, comes back into his life and actually seems to want to stay because he wants AND needs Tony, Tony is beyond thrilled. Because Ryder is staying. It doesn't matter if the bruises stay too.
But what happens when the Avengers return and Tony finds himself wondering once again exactly what he wants and what he needs.
Note: I’m sure, from the summary, you can tell that it’s a heartbreak here. 
Hiding Things Is All Too Easy - Until It Isn't by audhds
Summary: Tony hasn't been the same since Bucky arrived at Stark Tower. That much is obvious. But Steve is overjoyed to have his best friend back and is somewhat oblivious to how Tony is withdrawing away from him. Because surely Tony is just overworked as usual. He must be quiet and jumpy because he is sleep deprived. And of course he has a few cuts and bruises on the visible parts of his skin - he fights and works for the Avengers as a living. It's part of the job description. Until it isn't.
Will Steve discover the physical and mental trauma that Tony is going through before it is too late?
Note: This is even heavier! Please read the tags carefully! Also, this has some serious Bucky bashing! If you are a Bucky fan but still interested in this, please prepare yourself. 
No Trait As Much As This by KandiSheek
Summary: Tony gets hit with truth serum. It's a terrible time for everyone.
Note: A bit lighter than the others but still angst nonetheless. The added truth serum element makes this even more interesting!
Good For You by @orbingarrow
Summary: Steve doesn't understand why Tony dates people who abuse him. Tony doesn't understand why Steve cares.
The rest is bad choices, good choices, rehab, milkshakes, paintball, YouTube videos, couples therapy and learning to put the past in the past. Or: How Tony finds his happy ending.
Note: Another Tony-in-abusive-relationships fanfic!!
hold the things you wanna say by SailorChibi
Summary: Tony is still a consultant, and between SI, the team and SHIELD he's overworked and exhausted. That's okay.
He and Steve have been having sex for weeks but that's all it is, just sex, and Tony wants more but he'll never get it and that's okay. Really.
What's not okay is the fact that Howard Stark has somehow appeared in the future and is the same as always.
This is definitely going to fuck up his schedule.
Note: Anyone up for some Howard-travels-to-the-future fanfic?
Childhood is the Kingdom Where Nobody Dies by MemoryDragon
Summary: Seven-year-old Tony Stark wakes up on a Hydra base, lost, afraid, and alone. He has to overcome his fears before it's too late for the Avengers and Captain America.
Note: De-aged Tony just screams heavy angst and hurt!
Advanced Protocol by masterlokisev159
Summary: The Incursions are coming. The Illuminati have surrendered and everyone has come together to take one last stand.
Everyone except Tony. And Steve is tired of waiting. He wants answers.
There's something the Illuminati aren't telling him.
Note: If you don’t know what the Avalon is in Marvel, I recommend you search it up, or you could read this fic. You will be heartbroken with what you find. 
Flower Child by itsallAvengers
Summary: The point was this, though:
In a hundred million universes, in a hundred million different lives, there would never be a single one of them in which Tony Stark deserved anyone like Steve Rogers. Ever.
So this? Nonsensical.
Note: Another fanfic that highlights child abuse and Tony’s insecurities! 
What Pays All Debts by KandiSheek
Summary: No one is supposed to survive the date written on their skin. And yet Tony's numbers keep piling up.
Note: Angst + Death dates? You could probably foretell how much of a gut-wrench journey this is.
Falling Into You by sabrecmc
Summary: Tony and Steve end up as fuck buddies after the events of The Winter Soldier until Steve calls it off. When Loki's spell wipes all of Steve's memories since the last time Loki was in town, Tony decides it will be so much easier to just not tell Steve they had something of a relationship. Spoiler: It isn't.
Or, how Steve fell in love with Tony and forgot about it, and how Tony fell in love with Steve and realized it.
Note: There are just something about amnesia fanfics that makes it so goddamn heartbreaking. 
Art Freaks and Comic Geeks by Coil
Summary: Tony Stark had made himself a phenomenally renowned writer. The world had fallen in love with the heroes that appeared in his novels; captivated by his vivid words of life and colour.
His next ambition was to publish a comic book series starring the much-beloved heroes of his novels. There was just one problem. Brilliant as Tony may have been with his words, his skills in the field of drawing were less than great. It didn’t help that he barely knew what his characters ought to look like in the first place.
Enter: Mister Steve Rogers – an up-and-coming artist/illustrator with the potential to be brilliant.
Their paths happen to cross at Comic-Con.
Note: this is a much lighter angsty fanfic but is still angsty. It is a Modern AU mixed with Artist!Steve and Writer!Tony.
Unwritten Endings by XtaticPearl
Summary: Tony takes the bullet meant for Captain America at the end of their war and through his death, brings together the team again. Only, he isn't really dead and when he comes back, the equations between the team-mates begin to alter and reform, writing a new story altogether.
Note: Of course, you can’t have an angst fanfic rec without a fake death fanfic!
WIP
Need Is Just A Word by masterlokisev159
Summary: A month has gone by since the war and Tony has never felt more alone. of course, with the unrest within the government, the disappearance of the Avengers and the obvious lack of Steve Rogers, it was only a matter of time before the UN finally flipped out and decided to act on the last available Avenger. Too bad they didn't realise a promise had been made by Captain America to be there when Iron man needed him.
Note: a gut-wrenching Post CA:CW fanfic where tony is suffering the consequences of the civil war.
Take me out tonight by masterlokisev159
Summary: When Steve gets invited to a formal party with the government, Fury tells him he can bring a plus one of his choosing. While listening quietly in the corner, Tony heaves a sigh of relief because the team could really do with some positive publicity and any of the Avengers are a good choice for Steve. Tony just wants Steve to be happy after all, even if he knows Steve's gonna pick Natasha. He knows Steve doesn't like him and he's aware there's never going to be anything more between them. They're barely even friends really.
So of course he's absolutely shocked when a gold filigree letter rests in his palms two days later. He's the worst person for this.
Why on earth did Steve choose him?
Note: AHHHHHHHH, INSECURE TONY IS JUST A FAVORITE. Also, confident!Steve that knows who he wants is just a whole new mood!
The Soul Stone's Sacrifice by masterlokisev159
The soul stone demands a sacrifice that Tony and Steve are not prepared for, but in the end, one life is sacrificed for the many. Steve lets Tony go for the last time and mourns a future they never had.
That is until Tony comes back.
Note: A scenario where Tony and Steve where the ones to go to Vormir. 
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dontcallmecarrie · 3 years
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Replying to @kine-iende​ [hope this works and you see it, still trying to get the hang of how tags work] who said:
Thank you, author-person, for this incredible detailed answer. (Also i don't mind being tagged - or not) With Tony being so aware of the dynamic between those rivals, Justin ending as a villian is less going a betrayal from almost-family and more of a 'natural phenomen' he should have seen coming. Because as always:rivals ^^
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To be completely honest, if this AU were a tv show the ‘Justin Hammer accidentally founded Cabal’ reveal would’ve been the huge plot twist revealed at the end of either Season 2 or 3, and it’d be a major shocker for the Avengers...but not Tony.
also just realized I somehow made an AU where the protagonist basically becomes a villain out of Spite™ and I’m not sure if that’s the weakest origin story ever, or what
After all, if this were a tv show, it’d be centered around the Avengers, and the main season one conflict would be in seeing how Tony fits in the team— which would get resolved eventually, but not before the audience gets a good look at their dynamics. Like, the chemistry between Iron Man and Captain America, how easily and seamlessly they work together without needing more than a word or two because they’re on the same page, or Tony’s cordial yet distant academic respect for Bruce [which gets contrasted with Iron Man’s uncharacteristic instant bromance with the Hulk], or... well, the list goes on.
Not to mention that having a common enemy alters their dynamic as time goes on, because while if this’d been a one-off things would’ve still been rocky between Tony and the team, whereas having to constantly coordinate because new intel indicates that their last enemy was actually connected to something bigger and that means even more teamwork...
So by this point they’ve got a good idea of their characters, how they roll, how they react under pressure and during downtime and throughout all this, Justin Hammer would make cameos because he’s SHIELD’s main weapons supplier [...among other groups, which in and of itself foreshadows some of his shadier connections later on] and between him and Tony, they’ve basically cornered the market on experts in that field— which comes in handy when we’re talking about alien tech. 
Justin wouldn’t get much screentime compared to the others, but enough for the Avengers [and the audience] to see he makes for a very good foil for Tony, with their differences being highlighted all the more due to the similarities. After all, both come across as good people: Tony’s very friendly to anyone who isn’t on his shit list, and Justin acts very polite and gentlemanly to strangers [and is 100% a mom friend to anyone he cares about]. Tony’s a hero, though, while Justin’s long since made it clear he was a businessman first and foremost.
Through all this, Justin and Tony’s dynamic is intentionally kept vague— one moment they’re perfectly friendly, the next they'll be at each others’ throats and, again, sometimes can get misinterpreted as something else. 
Then the Reveal happens, and suddenly all those past encounters and hints come up and it’s so obvious in retrospect but—
Who would’ve expected it?
Tony. 
Tony’s the only one who’s not surprised by what the latest intel’s hinting at, obtained from an intel broker who turned up dead not long after [...because said broker’d also been messing with HYDRA, but that’s the plot twist that comes up in the next season]: nothing specific, nothing concrete, but something that ties a good chunk of the previous Villains Of The Week together to reveal a far, far greater threat. 
The Cabal, and while some of its members have long since become familiar names— e.g. the Fantastic Four normally are the ones who have to deal with Victor Von Doom, but not always— its founder had been a mystery for the longest time. A mystery that has just been ended, except nobody could have expected to see the name on the file.
Everyone else’s caught flat-footed and going through several permutations of ‘oh shit’, meanwhile Tony just leans back, scrubs a hand down his face, and looks out the window with a low whistle.
“Well played, Justin. Well played.”
.
Which is when the audience learns more about their very strange dynamic, which gets revealed to have started out a rivalry during their childhood [and has now basically escalated to the most high-stakes game of chicken there ever was, but shh].
Here’s the thing: if Tony were to call their rivalry off, Justin would stop.
But...
Tony can count on one hand how many positive constants he’s had in his life: Jarvis’ [and, after his heart attack, JARVIS’] presence, and his rivalry. Those are the two things that’ve been there for him through thick and thin, the only two safe places where he knows where they stand, knows they won’t try and tear him down and that means something. 
JARVIS will never leave him [not this Jarvis, at least], but... this rivalry’s been a thing since before he met Rhodey, since before his parents died and Tony’s not entirely certain just how much it’s shaped him, but he can count on one hand how many people give a damn about him and want to see him succeed and— 
Tony’s not sure he has it in him to call it off. Not at this point. 
Not when part of him knows why he did it, because— well, every superhero needs an adversary, don’t they? For a moment, he’d been surprised Justin had the guts to do this, but it makes complete sense the more he thinks about it and Tony knows just how little respect Justin has for the others, of course he’d be the type of guy who’d go “ugh, fine, if you want something done right, gotta do it yourself”. 
.
also, before this all seems very one-sided, I think I forgot to mention that Justin’s really benefiting from this rivalry too— not as obvious early on, but it gives him something to focus on and work towards. 
Something that kept him from depression when he thought too much about his past life and discovered just how much he’d forgotten, was still forgetting, something to keep him from being bored when he looked up one day and realized— he didn’t actually have any goals in this life, did he? 
Not when his life thus far had been dictated by his parents, and he’d been okay with following along to their script for him because if it wasn’t him, it’d be his sister or an innocent child who’d be forced to live up to their impossibly high expectations as the heir to Hammer Industries... but it was something he was resigned to at this point, not something he was particularly happy about. 
This time, he... didn’t know what he wanted in life. Nor did he remember what he’d wanted last time— had they wanted to be a doctor? Teacher? Writer? They didn’t remember anymore— and it’s startling to realize that he couldn’t remember the last time he’d smiled if he wasn’t talking to his little sister. 
Justin’s never been one to seek out the approval of the adults in his life— the fact that he was surrounded by Parents of the Year [note the sarcasm] probably had something to do with that— and remembering a past life means he sees everyone his physical age and lower as kids, so he doesn’t see many people as equals.
...and then Tony decided he’d like having a rival.
At first, yeah, it was confusing; even as an adult, Justin didn’t entirely get why, but it was. Something.
Something good, and gets even better because this is something they both decided, that had nothing to do with the meticulously-annotated plan his parents had for his life, and while at first it was weird, Justin found he was actually enjoying himself [for once].
To the point where he found himself actually getting honestly, genuinely invested in said rivalry, and if he sometimes found himself trying to drill self-care into Tony sometimes, well, those bags under his eyes made them look bad, okay? It was self-interest, nothing more, really!
Really.
So when Tony went and became a superhero, Justin found himself taking a step back for a moment as he paused to consider his actions.
Paused before taking the plunge, because this was it, was serious, was pushing the limit and going past the point of no return. Was he really willing to do this?
A moment to consider things, deliberate on the possible consequences and what could happen— then he gave a sharp, decisive nod.
“Yes, we’re doing this.” 
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the-trashy-phoenix · 3 years
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Supernatural season 2 review (part 2)
Link to part 1:
Irene and I have finished watching Supernatural season 2 (we're already on season 3), so here it comes my review on it. I like this season more than the first one: we already know this supernatural world and have learnt to love the brothers, and since the big bad guy isn't dead yet we want to see what happens next. The plot evolves from the first season, we understand many things we didn't before and it is all suddenly way more interesting (meanwhile I feel like the most interesting thing in the first season were the single episodes). Sam's psychics abilities have a purpose and we learn there's sort of a pattern involving other people, the same age as Sam, who have all the same destiny: to become warriors for an upcoming war. In this season we have the chance to see more of Azazel (the yellow-eyed demon), what he's capable of and what he has done to Sam (and the consequences of it, including how Dean has to deal with all of this, meanwhile being in a terrible position). At the end of the season, even if he's been defeated by John himself, we know Sam is not back to normal (and we also know the truth about Azazel is not totally revealed, since we now know Mary had already met the demon before the night she died).
Season 1 ends with the car accident, so the first thing we see in the first episode of the second season is the brothers and John in the hospital. Dean is almost dead and has no chance of surviving, but John makes a deal with Azazel and dies instead of Dean (sacrificing the colt too). I understand why John would do that (one of the not-many-things I understand about his behaviour), but I also think this is one of the many things he has done that leads to Dean suffering and blaming it all over himself. No wonder why this boy behaves the way he behaves: he has all of this emotional pain he carries with him since he was basically four years old. Of course Dean doesn't talk about his father's death and acts like it's not affecting him, although it does, a lot. Sam's reaction is different, but I think it was very appropriate: the thing is most upset about is the fact that he and his father had never actually gotten along very well and that they had a fight right before John's death. I also think that both brothers haven't had quite the opportunity to grief from their father's death (just be sad for his absence and think about their true feelings for him), because they were to focus on bigger events involving John's last moments with them. Another thing that keeps them occupied is the main problem in this season, Azazel and all that he causes.
There's a thing I forgot about and that, as I rewatched the season, surprised me: Dean already wants to quit hunting. The fact that he is even more fed up than Sam shows us that in reality, as much as he wanted to be like his father and behave like John told him to, he doesn't want to live the life he is supposed to live (and we can also see it in episode 02x20, in which Dean sees what his life could have been without the death of his mother and demonstrates lots of courage by choosing to return to his normal life anyway). Knowing both what Dean wants and all that things that happen later in the other seasons, this makes me very sad.
Since we're speaking of Dean, I was left a bit shocked by his lack of hesitance on killing the people with the Croatoan virus (02x09). I get that he wanted to stop the virus, but they remained people, and of course when Sam gets the virus he doesn't kill him, which is more than understandable, but it also means that he could've at least waited a bit more before killing the others.
Since I've seen all of the other seasons rewatching 02x13 has been pretty funny, especially because of Dean. He keeps telling he doesn't believe in the angels’ crap and, well, we all know he's gonna change his mind. I also like that Sam is still faithful after all he's been through and especially since he's in this position of supernatural-slightly-demonic powers.
Speaking of which, John leaves a message to Dean before dying: if he can't save Sam from his powers he has to kill him instead of letting him become evil. This leads Dean to have two big thoughts hunting him, his supposed duty to kill his brother and his guilt for his father's death. I always feel like all the responsibilities grow on him and I would love it if he could have a way to release these feelings in some ways, but of course he never does it properly. It turns out Sam agrees with his father and tells Dean to kill him, but Dean has no intention of doing it (reasonably). In this season we can see how much Sam is scared of his psychic abilities, almost as if he's scared of turning in a monster (and we can see it clearly in what I think is the saddest episode of the season, 02x17, in which Sam has to kill the girl who turned out to be a werewolf).
I like how the writers have developed the jail theme, having episodes 02x07, 02x12, 02x19, in which the brothers have to face justice for what they've apparently done. The thing I like the most about these episodes is the fact that we know the Winchester have been in trouble with the law for good reasons, it is frustrating (but in a good way) to see the other people mistaking them for the bad guys (till a point they're even called monsters) and we can't even be mad at the cops, because they don't know the truth.
In this season there are introduced some new characters. First of all, I have to mention the trickster, not just because he provides the most senseless episode of the season (02x15, which I love), but also because I know his time on Supernatural is not over yet, fortunately. We also meet Ellen and Jo Harvelle, a mother and her daughter who own and manage the Roadhouse, a bar attended mostly by hunters, in which we find another character, Ash. I like all three of them for different reasons. Ash, the one with less screen time, is not as important as the other two, but he gives some funny moments and he's a smart guy (and I like the scene where Dean compliments his hairstyle). Ellen is a sweet and strong woman hurt by the death of her husband and a caring mother who doesn't want her daughter to have the same faith as her father. Jo, my favourite, is a passionate young girl who wants to follow her father's footprints and become a hunter. I honestly like her character a lot and the dynamic she has with dean in season two (end especially how they don't make out the second Dean enter the bar), they care about each other (Jo probably more than Dean does for now) and I love the fact that he has a girl in his life he doesn't just want to fuck (or viceversa), but who he can also kinda rely on. The only thing I don’t really get is the way she treats him after she finds out her father was with John when he died during a hunt (and that John was probably a part of what caused his death). I understand that she probably thinks (like her mother) that Dean would do the same thing with her, but it’s not like he has already done it, and he actually doesn’t know anything about what happened to her father.
There is also another character who's introduced in the first seasons but who has much more screen time in this one: Bobby Singer. He's one of my favourite characters on Supernatural ever and, I mean, who doesn't think it the same way? He's a loving, but also grumpy, old man who can perfectly sostituite John in his father role, indeed he's much better than him. He doesn't treat Sam and Dean as soldiers, but as his children first, and he cares about what troubles them and what inner thoughts they're facing. And that leads us at the end of the season, when Dean has already made the deal with a demon to bring his brother back to life (a thing Dean has condemned before, especially because his father did the same for him, which demonstrated a bit of hypocrisy, even if it's comprehensible). Bobby is mad at him and for good reasons: he understands Dean wanting Sam back and doesn't blame him for it, but what worries Bobby the most is the little (almost non-existent) care Dean reserves for himself. His self esteem (which is talked about more in the third season) seems so low he doesn't even care if he ends up in hell (and that he will in about a year). All he's been good at is being a good soldier and keeping his brother safe, protecting him, so when he faces the fact he hasn't saved Sam he can't live without bringing him back to life, even if that means sacrificing himself in the most terrible way. Sam now has to live with the weight of his brother's death and trip to hell (beside worrying about the upcoming war with the demons who escaped hell), but these are the main themes of season 3.
- Carly 💚
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Exactly!!!! They 100% act like they're self righteous but like hello??? There's like a bunch of people who would also literally die for them and they're just like "oh cool!! It's whatever- they can die cause it won't be us right? And let's not bring them back but holy shit Sam died guess we gotta destroy the world to bring him back" - friend nonnie. (I'm in complete belief that Case deserved better. Cause the inches years are stupid and he does everything for them)
I love Cas so much and I have this conversation with my little brother a lot, as much as I love this show and will until I die, the writers only care about Sam and Dean and they only care about each other (since you said current watch I’m assuming you have seen farther than six if not sorry I don’t want to spoil anything for anyone!) Ash, Ellen, and Jo: ash died in the fire and jo was hunting and Ellen was out at the store okay so we got to “fake deaths” idk what to call them we learn they aren’t dead but ash is dead and no one ever says anything! Until they need him in heaven and while they are there they talk to Pamela which we never hear about after she dies and then she’s gone, then when Ellen and jo die we never hear about them again until the titanic episode with Balthazar (and maybe some other visions or something I think?) and then they are gone again. I was gutted when Charlie died as a queer female I loved her she was a very relatable loved character and she died in a bathtub, after running from people on her own she died when she’s needed to die for them, Dean blanes himself but then the show moved on and it’s like she never mattered again. Bella: I loved her actually she was a very honest character she deserved to have her parents killed (like really they were gross) and she decided to make the best of what she got and then because she was a little girl and tried to fix it, she made a deal then she tried to compromise to save herself and Dean let he die. Dean also killed the mom (I can’t remember her name she was a monster and when her son got sick she fed her kid fresher stuff but then Dean killed her because she was a monster) but said he wouldn’t and that had no consequences he killed someone because they “might do something again”, then the whole thing with Jesse! He decided to disappear and now that Lucifer is dead he doesn’t have powers and now he’s alone in Australia (unless he talked to his parents but how does he explain getting there or what happened all those years!) they don’t care. Bobby is one of my favorite characters he’s a father figure to me and no one cares about him. There’s an episode on it where he tries to eat something (pie maybe? Or cobbler idk) from his neighbor and he can’t because everyone is asking for something from him and it’s like very relatable that everyone wants something from you without giving something or even checking in without needing something (which is why I loved the poker game aging episode because we see Dean and Bobby talking bitch that was the only time I really remember someone talking to him without it being hunting related. Another thing is when Bobby died and Garth tried to help people Dean yelled at him to stop being Bobby and said that other people knew Bobby too (or something similar to the extent of other people needed Bobby not just you) and I sorta was like man I hope Dean had realized that before hand but idk if he did.
All of the angels got fucked over: Samandriel, Castiel was brainwashed and he wasn’t helping after the artifact was sold, Gadreel, sacrificed because his ark to help Dean was done which sucked because he just wanted to prove himself, Balthazar, man I like him and I was sad he died just like personally sad he wasn’t just a helper and was a very dynamic and loud character and I feel like he got shot down because they couldn’t use him, Castiel, he was introduced and was supposed to “fly away” and leave but then they kept misha around had the whole ark with the Claire getting possessed by him and then jimmys whole thing and then they realized they made him too powerful because they thought it was a little time ark and then had to nuke him because he could have just fixed everything, Gabriel, where do I even start with him I love him so much, as a person with an older brother (and older cousins who acted like siblings due to how we grew up) I was always picked on my cousin is two or three years older than me but acts like she’s amazing at everything (even though she didn’t graduate) and was used to hearing everyone argue all the time to each other, about other stuff, about family stuff, literally anything. So I really related to Gabriel and I was so sad when he had everything happen to him like I can’t even go into it right now because I’ll be sad, Michael, Michael really does reflect Dean, self righteous and feeling the need to do everything (they found a way to put Lucifer in the cage and he said he needs to fight him because god said if that’s not Dean Sam and john idk what is) and honestly I felt for him and I wished we got more of him, and I know no one wants this but Lucifer, I love how he plays by his rules and doesn’t let anyone tell him that’s wrong or anything, so the opposite of Dean and sorta like Sam (with the demon blood being the exact opposite of what he was told to do by Dean and he did it anyway) and I feel like if the show worried more about better character than only on Sam and Dean it would have been better.
Idk I love the show but sometimes I’m like that’s out of character for them (like Adam wasn’t even a thought for them ever they forgot until the fucking play) and then I’m just like I don’t know what they change so much to fit the episode and I’m just tired of getting sad every time someone dies and happy (then sad) when ever someone that I love *might* come back, then probably die again but whatever l. I could write more but idk I have more characters that deserved better but whatever.
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x5red · 5 years
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Sixty fun & fascinating facts about the classic Supergirl (2 / 4)
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Welcome to part two of a fun four part series to mark the sixtieth anniversary of the classic Kara Zor-El’s debut in DC Comics in May 1959 -- sixty fascinating facts, one for each year since her introduction.
Compiled below is the second set of surprising or unusual trivia super snippets about the original intrepid Argo City teen who leapt from that crumpled Midvale rocket ship. Covering her original Silver and Bronze Age incarnation, in comics and on screen, each factoid is calculated to intrigue and delight – hopefully even seasoned Kara fans will find a few morsels of trivia that had previously escaped their attention.
Enjoy…
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16. She has a criminal record.
One of the nice things about being a superhero is that you get to smash up entire city blocks, throw large vehicles around with gay abandon, and generally cause billions of dollars worth of mayhem to major public infrastructure – all without consequence. That is, assuming you don’t do any of those things in San Francisco. In Adventure Comics #399 (Nov 1970) Supergirl detains some fleeing gangsters by using her super-strength to block the ends of a road bridge. At the story’s close, after dealing with urgent matters elsewhere, she returns to the bridge to be met by members of the San Francisco Police Department, who charge her with criminal damage to public property and obstruction of traffic. (The cops do at least thank her for capturing the gangsters, but only after they insist she fixes the bridge..!)
17. Her mother didn’t originally have a name.
The bond between Kara and her deceased Kryptonian mother is a big part of modern Supergirl mythos, but surprisingly when Supergirl was first introduced Kara’s mom played such a small role in her origin that writer Otto Binder didn’t even give her a name. In the original telling (and subsequent re-tellings) of Kara’s origin story, Kara’s mom was simply “Zor-El’s wife”. The name “Alura” first crops up in Action Comics #291 (Aug 1962), but subsequent stories couldn’t decide on a consistent spelling: one L or two(?) When reader Glen Chihara complained in Adventure Comics #384 (Sept 1969), DC standardised the name as Alura with one L. Readers then had to wait until Krypton Chronicles #3 (Nov 1981) for Alura’s full family name, Alura In-Ze, to be revealed in a Roots-inspired mini-series dealing with Superman’s family origins.
18. She was originally intended to be a major character in the Superman III movie.
Flushed with the success of the Christopher Reeve Superman movie, and with a sequel close to completion, producer Ilya Salkind started to sketch out a potential future direction for the movie franchise. His initial story outline for Superman III, penned in November 1980 then updated in March 1981, envisioned a tale centred squarely around romance -- romance between Superman and Supergirl..!
A flashback reveals another escapee from Krypton, a young Kara Zor-El, crash landing on Brainiac’s planet (”all black and sinister”), where she is raised to be his future bride. Preferring to seek romance elsewhere, the adult Kara flees to Earth, where her attempts to blend in among the locals are unsuccessful, drawing the attention of the Man of Steel. Kal-El falls in love with Kara, but their courtship is cut short when -- inevitably -- Brainiac shows up to claim his bride. Of course Superman wins the day, with help from Supergirl, and the movie ends with the suggestion that the cousins will likely marry.
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19. It is against the law for her to marry Superman.
Around the world the law varies regarding whether cousins can marry, but Krypton law, it seems, has no such ambiguity. Action Comics #289 (June 1962) saw a young Kara play cupid by trying to find a love-match for her cousin. Naturally all her attempts fail. “If I ever did marry, it would be to someone super and lovable like... you!”, announces Kal-El as he looks deep into Kara’s eyes, “We can’t marry because we’re cousins! [...] We’re both from the planet Krypton, where the marriage of cousins was unlawful!”
(It is worth pointing out that, at the time the aforementioned tale was published, DC claimed Kara was only sixteen years old.)
20. Her Supergirl costume is super-flexible.
As the 1960s wore on, and DC allowed the Girl of Steel to age from a schoolgirl into a college student, Kara’s Linda Danvers identity took on a more contemporary look. Thanks to 60s fashions, this meant short sleeves and even shorter skirts. Inevitably fans started to ask how Kara could conceal her superhero attire beneath her increasingly diminutive mod wardrobe, prompting one of DC’s trademark ad hoc and post hoc explanations in Action Comics #342 (Oct 1966.) Her costume, it seemed, was super-flexible -- the sleeves could be rolled up tight to fit snugly under whatever swinging 60s threads Kara happened to be wearing at the time, even t-shirts.
21. She liked her men to be rugged.
The Silver Age was full of wonderfully strange stories, and the one featured in Action Comics #320 (Jan 1965) was no exception. Laying a trap for the Maid of Might, a genius in robotics named Skoll secretly scans Kara’s mind to create a perfect robot mate. The scans expose her various likes and dislikes, including the fact that young Kara has a thing for rugged looking men. An unwitting Supergirl falls in love with her manufactured mate, of course, but its robot programming is a little too good -- it exhibits genuine affection for Kara, causing it to betray Skoll and sacrifice itself to help Supergirl.
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22. She owned two cats, both named Streaky.
Streaky the Super Cat arrived in the Supergirl canon just a few short months after the Girl of Steel’s comicbook debut. Readers had already begun to write in to DC to ask when Linda (Supergirl) Lee would be getting her own super pet like Superboy’s Krypto, and in Action Comics #261 (Feb 1960) DC obliged. The oft-impetuous Streaky was Kara’s faithful companion throughout her 1960s adventures, last appearing in Adventure Comics #394 (June 1970), after which writers simply forgot about him. What happened to the Feline of Fortitude is a mystery, but by Daring New Adventures of Supergirl #6 (Apr 1983) Kara seemed to be referring to Streaky in the past tense. During this issue Linda adopts a new stray cat (or was it the other way around?), christening her Streaky because, "she reminds me of a cat I used to own!"
23. Helen Slater auditioned for the role of Supergirl wearing a home-made costume.
As a test of invention and imagination, director Jeannot Szwarc asked all potential Supergirls to improvise a costume that symbolised their own idea of the Maid of Might. Slater rose to the challenge, quickly pulling together a basic superhero outfit that apparently wowed Szwarc: “She had improvised a costume with tights and sort of cloak. I just looked into those blue eyes, with that jaw-line and everything. She had it. There was just no contest with anyone else.”
24. Technically, she’s a cyborg.
In the early 1970s Supergirl narrowly dodged death when a treacherous boyfriend tricked her into drinking a potion that stole her super-powers, then lead her into an ambush of a hail of bullets. The Girl of Steel survived, but as a consequence she suffered from sporadic bouts of super-powerlessness for months afterwards. In Adventure Comics #402 (Feb 1971), scientists from the Bottle City of Kandor -- ever keen to help -- devised various bionic replacements to compliment Kara’s unreliable abilities, including an external exo-skeleton for strength, jet-powered boots for flight, and surgical implants to replicate some of her other former abilities. Eventually the effects of the potion wore off, and Kara’s true Kryptonian abilities returned, but there’s no record that she ever had the bionic surgery reversed.
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25. Superman didn’t trust her with his secret identity.
Many fans agree that the Silver Age Superman was not always be nicest of guardians to the teenage Kara Zor-El, but even by the cruel standards of the time, the tale that unfolded inside Action Comics #258 (Nov 1959) was particularly harsh. Superman had thus far not trusted the secret of his dual identity to Kara. When Kara reveals her own identity to Krypto the Super Dog, Superman punishes her with banishment to an asteroid for a year. (Yes, a year!)
A crisis back on Earth, however, saw Kara return temporarily to help her cousin, after which Kal-El arranges a test to prove definitively that Kara can’t be trusted to keep her own (and therefore his) secret identity. His plan backfires, however, as not only does Kara manage to successfully protect her own dual identity, but in the process she exposes Kal-El’s own secret. Her cousin admits defeat, and Supergirl’s asteroid exile is rescinded.
26. She was a great student, but a lousy employee.
Kara’s everyday life during the Bronze Age can best be summed up as restless and volatile. She tried her hand at a variety of careers, but usually stormed out spectacularly after clashing with her bosses. Kara sought employment as a news camera operator in San Francisco, a student councillor in Santa Augusta (Florida), and a daytime soap actress in New York. Each time she quit in a fury, often uprooting herself to a new location to start afresh in the aftermath.
In-between her failed career attempts Kara returned to education. After quitting her camera operator job she enrolled on a Drama course at Vandyre University (San Francisco), and then after spectacularly abandoning her acting career she became a mature student majoring in Psychology at Lake Shore University (Chicago.) These bouts as a student seemed to be the only times that Kara was content with her life as Linda Danvers, although she never quite mastered balancing her private life with her duties as Supergirl.
27. The flying effects in 1984′s Supergirl movie were superior to the Superman movies.
Despite them wowing audiences, and making a whole generation believe that a man could fly, Jeannot Szwarc wasn’t happy with the flying effects done on the first two Superman movies. Szwarc, who directed Helen Slater’s Supergirl, recalled in a 1999 interview with Scott Michael Bosco: “They were very much in love with this guy who had worked on Superman, but I felt that what we wanted to do, the image quality was not sharp enough. It looked too fuzzy. The whole system relied on being able to use zooms and I don’t like zooms. I wanted to achieve a more graceful flying style.”
Szwarc instigated a re-engineering how the effect worked, and, after a lot of experimenting, was able to devise a new system of screen trickery to make his Girl of Steel swoop majestically over the Midvale landscape. The end result was so impressive, it even drew plaudits from Superman director Richard Donner according to Szwarc: “I know that when Sidney Furie was going to do Superman IV: The Quest For Peace he called Dick Donner for advice, who told him to talk to me because he thought the flying in Supergirl was unbelievable.“
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28. She inspired the writing of the Wizard of Oz.
In a magical tale published in Adventure Comics #394 (June 1970), at a time that marks the borderlands between the Silver and Bronze Ages, Kara and Streaky are whisked by a tornado into a strange land. There they meet three other stranded characters: a robot, a cowardly monster, and a creature without any memory. To get home the five must journey into the Emerald Pyramid to find the Mysterious Motr of Doom. In the pyramid they encounter a human who was transported into this strange dimension from 1898′s Chicago. It is only after the adventure is over, and everyone is returned to their rightful time and place, that Kara reflects that the human she saved was likely L. Frank Baum, the author who would go on to write the Wizard of Oz books.
29. Her creation was inspired more by Fawcett Comics‘ Mary Marvel than Superman.
DC and Fawcett had famously engaged in a long and bitter legal battle during most of the 1940s over the character Captain Marvel (no, not Carol Danvers -- the character today known as Shazam!) At one point the lawsuit even threatened to see DC Comics stripped of its Superman copyright thanks to a legal slip-up by the syndicate handling Superman’s newspaper strips. By 1959 DC had come out on top and Fawcett had ceased to publish the so-called Big Red Cheese and all his spin-offs, including the character Mary Marvel, Captain Marvel’s superheroine sister.
But DC couldn’t help but note how popular the Marvel Family had been with both girls as well as boys -- at its height outselling even Superman. So, while looking for ways to revive flagging superhero sales, DC took a leaf out of Fawcett’s book by introducing their own version of Mary Marvel. They even assigned the former Fawcett Comics writer who had created Mary Marvel, Otto Binder, to work on her. The result was, of course, Supergirl !
30. She was actually created by Mort Weisinger.
The names most closely associated with the creation of Supergirl are, as every fan knows, writer Otto Binder and artist Al Plastino -- but are these two DC contributors the true originators of the Girl of Steel..? Interviewed in fanzine Comic Crusader #15 (1974), Otto Binder gave Martin Greim a glimpse into the true origin of the Maid of Might. “Mort [Weisinger] kept pooh-poohing Captain Marvel, saying it was a bunch of junk. Mary Marvel was a crazy idea! So, a couple of years went by and one day Mort said to me, ‘I’ve got a great idea! … Supergirl!’ Of course, I didn’t say, ‘You don’t mean Mary Marvel, do you Mort?’ To me, it was like reliving the past.”
So it seems it was Superman editor Mort Weisinger who invented the Girl of Steel -- Binder and Plastino deserve all the plaudits, of course, for turning Mort’s idea into a reality.
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We’re half way through the sixty now. Remember to check out part three when it’s published for even more cool Kara content.
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carabas · 5 years
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This is my letter for the Black Emporium, a Dragon Age rare pair fanfic and fanart exchange, signups are going on now through Sunday if you want to join. So, dear writer,
Hello! Thank you for offering to write for one of these ships! Everything I’ve got to say here is absolutely optional - I hope this is enough to give you a starting point if you need one, but if you’ve got your own idea already, fantastic, do that, anything with these pairings will make me happy. I can’t wait to see your spin on these characters.
General likes/dislikes:
I’m easy to please when it comes to rare pairs! I like fluffy and lighthearted, bittersweet, dark and twisted, and everything in between. I like everything from G-rated gen to explicit PWP, introspective character studies or trope-filled pining or plot-filled adventures or whatever else is your favorite style - however you like to write, I like to read it.
Please take these general likes as prompts for any of my requests:
Some things I particularly like: Shapeshifting, possession, magical mishaps - pretty much anything using the quirks of magic or spirits or the Fade. Dreams. Altered states. Slice of life. Loyalty, and oaths of loyalty. Competency. Possessiveness. Sharing a bed. Huddling for warmth. Voyeurism and exhibitionism. Mirrors. Voice kink. Blood kink. Bite marks. Blindfolding as an expression of trust. Nonpenetrative sex. Creative applications of magic.
Some things I’d rather not get: Please no major character death, including those deaths that can optionally happen in canon (like killing any of the companions, leaving Hawke or Alistair in the Fade, etc). And please no Tranquility.
About the Wardens or Inquisitors: I’m not looking for my Warden or Inquisitor here, so please feel free to use a generic one or your own.
Requests:
Flemeth/Solas: I could listen to these two talk about worship and gods and the People forever. I'd love to see them interacting as Flemeth and Solas rather than Mythal and Fen'Harel, when they're being apostate hobos rather than gods. The Mythal he knew is dead, but a part of her still exists, the same but different; she still calls him old friend, they still have each other as this connection to the past when the rest of the world's changed so much. When did she first meet him as Flemeth? Did they meet in the Fade when she was younger, or only when he woke from uthenera?
Morrigan/Male Mahariel/Zevran: How do Morrigan and Zevran relate to each other when they're both in love with the Warden, beyond just the jealous banter the game gives us? I'm not interested in my own Warden here, so please feel free to write about a generic Mahariel or your own - what I'd really love is a focus on Morrigan and Zevran, or Morrigan/Zevran, whether that's on the road during the Blight or seeing all three of them still together post-game. I'd love to see Zevran joining Morrigan at the Winter Palace, in his element with all the plots and assassinations; or Zevran as another father to Kieran, and Mahariel telling Kieran the kinds of Dalish stories and lullabies that Zevran never got to hear from his own Dalish mother; or anything else with this trio.
Mouse/Jowan or Imshael/Jowan: Just throw a demon at Jowan and I'll be happy. Dreams, possession, weird Fade sex? I always love a good deal with the devil. And given Imshael's obsessive focus on choices with heavy consequences - Jowan makes so many terrible choices with the best of intentions, what a treat he'd be for a "choice spirit." And whatever Mouse really is, an apprentice or a liar or playing a role so well he forgot it's not real, I'm not particular - I'd love to see him again. Jowan may have never gone through his Harrowing, but did Mouse haunt the Circle enough to be aware of him?
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tessatechaitea · 5 years
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Team Titans #24
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Zero Hour is here, business itches!
Ending sentences with "bitches" has always been a super fun way to emphasize a sentence and pretend that you're about to cap a motherfucker in the ass. But since I'm trying to stop using the word "bitches" and my friends all keep yelling at me that my replacement word, "retards," is way worse, I needed to come up with a word that rhymes with bitches. I'm not sure "business itches" works perfectly but it almost sounds like I'm jazzing up bitches in a white person trying to be more urban kind of way. And I don't mean "black" when I say "urban," although I wouldn't argue with somebody who says I did just that. I don't have time to go to law school at one of the top fourteen elite colleges just to learn how to argue that lies are truth and truth are lies! But I do have time to say, "We'll just have to agree to disagree!" What about "Zero Hour is here, Quidditchers!"? No? You know who the most tiresome people in the world are? People who constantly declare that we can't say anything anymore. You can say whatever you want! But you're expressing something inherent in yourself when you go to bat for specific things you want to keep saying. I don't know what the things people can't say anymore are because they never tell you specifically the things they want to keep saying that they can't. Which seems telling, doesn't it? It's as if they want their argument to seem reasonable by including a bunch of things that they can't comprehend people being angry at them for saying. Maybe things like "kittens" or "can of beer" or "onstage masturbation cage." But they never say anything that makes me think, "Whoa. You shouldn't say that," when they say that people can't say anything anymore. Give me some examples! But you know you won't get any examples because then they'll have to defend wanting to say some things that might make people ask, "What kind of person wants to keep saying that?!" Some dumb people might feel the gears in their brain beginning to spring to life, leading them to respond, "But didn't you just say you're not going to say 'bitches' and that your friends yell at you for saying 'retards'?! See? You can't say anything anymore!" To those people, I'd just like to point out that A. I just said both of those words so you're wrong and B. I've made the personal choice not to use certain language in casual ways. My use of the word "retards" in the previous context was carefully chosen for the joke. You'll notice I didn't call anybody that no matter how slow the gears in their brains took to spring to life. Plus, I have also used the word "dumb" at the beginning of this sentence which would get some people up in arms at me. But even if they messaged me and said, "You're an ableist motherfucker, you motherfucker!" (but with a word that probably isn't shaming people who fuck mothers. I actually don't know any curse words that somebody can't make problematic with a hot take!), remember that thing I said about law school? I don't have time to learn to argue these things! Maybe at some future date, I'll come around to their way of thinking and stop calling stupid morons dumb (and maybe morons too (and stupid? Is stupid bad?!)) but until then, I don't feel like I can't say it just because some people get mad at me for saying it. I'll take the verbal haranguing and just get on with my life. And if I feel that they've made a great point, maybe I'll apologize. I mean, I won't apologize or admit I did anything wrong! But maybe I'll surreptitiously change my behavior in the future! We can't all be fucking Tumblr saints like Wil Motherfucking Wheaton! Man, I really heard it that time. The term "motherfucker" is really problematic! The people with the slowest gears in their brains probably just finally spat out the term "virtue-signaler" after reading all of that. Interesting how a certain type of people who think they can't say anything anymore have come up with a specific term to shout at people saying things they'd rather those people didn't say. It's weird how they ignore how being angry that they can't say certain things sort of signals their anti-virtue? I mean, that might not be true but there's an easy way to prove me wrong: be specific with the things you can't say when you say you can't say anything. If you just want to call your dog fat in public, you might want to realize that, by not expressing that specific expression, people might think you want to spout the n-word willy-nilly. See how maybe you'd want to clarify that? Unless, I mean, is it possible you just want to go around saying the n-word? Normally, I'd actually type out the n-word in a conversation like this. But you can't say anything anymore! Without consequences, I mean! You know, I think I'd be fine with their argument if they just added "without consequences" to the end of it. It would be a hell of a lot more honest. "But it makes life so hard when you have to deal with repercussions!" For transparency's sake, I just did a search of the word "nigger" on my site and found it used in seventeen different reviews (eighteen counting this one now too, I suppose!) which seems like an awful lot (even considering I've got over four thousand reviews. That's less than half of a percent! I guess I have to admit to being 0.5% racist now. Hmm, that seems like a lot written out like that. I am the monster everybody has been telling me I am!). Most of the entries seem to be discussions on the conservative use of the word thug as a stand-in for the n-word or discussing the "euphemism treadmill." A few of them are discussing Quentin Tarantino. At least one was me parodying Xbox users. Obviously none of them were derogatory or meant to be hurtful. But a few may have been too casual and edgelord-y in the mentioning of the word. I'd say out of those seventeen uses, only one really made me cringe. It was less the usage of the word and more the anti-Tumblr rant I went on that day. I almost sounded like one of those assholes who blames their retreat into right-wing fascism on being called out by social justice warriors! I must have had a bad day where somebody complained that I called a woman a barn owl and I had and I knew that I shouldn't have and I was acting defensive. Sorry about that, Internet! I'll do better! I was going to link to some of those posts but then I thought, "Why should I?! If somebody is so obsessed with my use of a word, they should have to damn themselves by typing it into the search bar!" See? Sometimes using a word is a necessary evil! Now that I've completely ruined my reputation and confused people with my personal non-rhyming slang "barn owl," I should probably read Team Titans #24. According to the cover, it has dinosaurs!
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The weirdest part of Zero Hour was the laugh track.
Proclaiming the story you just spent years writing was so terribly written that only idiots would enjoy it might not be the great meta-dialogue you thought it was. The editors at DC were like Australians importing foxes and cats to get rid of their imported rabbit problem. But instead of using invasive species to manage other invasive species, they decided using time travel and alternate timelines were the best way to cure the DC Universe of a time travel and alternate timeline problem. You would have thought destroying all of the alternate Earths would have taken care of the problems with alternate timelines. But you and the DC editors forgot that terrible writers would still use alternate futures of the same Earth to prop up their inability to write well. But also, since Crisis fucked up so many characters' points of origins (see my non-existent Infinity, Inc. reviews in an alternate timeline where I actually purchased those comics), Zero Hour was needed to just restate all the origins of all the characters. What better way to do that than to fuck with the main DC timeline?! What could go wrong (aside from losing all of the Hal Jordan fans)?! Monarch explains that to create a world where he controls everything, he had to send 600 Team Titans into specific points in the past to change things just the right way for events to bring him to power. It's a good thing that, naturally, events happened to bring him to a point where he could send 600 Team Titans into the past to change the future that made his future control of everything possible! Fucking time travel. Suck every dick! The issue begins like any other confusing, contrived, and convoluted Team Titans issue:
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With a boy just recently resurrected getting trampled to death by mammoths.
The randomly resurrected people and feral mammoths probably weren't specifically part of Monarch's plan. But when you fuck with time, you're going to have to deal with some truly fucked up consequences. Herald and Bumblebee save the rest of the pioneer family from being killed. But afterward, the racist pioneer calls Herald a derogatory name and he's all, "Their remarks were offensive as hell!" And Bumblebee's response is, "You've become so political since you reached legal drinking age." What the fuck kind of response is that?! How is not wanting to be called a racial slur political?! And why the fuck would turning twenty-one make any difference?! Maybe it would make more sense if I knew anything about Herald and Bumblebee. I think they were important to the Titans in the early series which I never read. Meanwhile, dinosaurs are rampaging around Seattle's Capitol Hill district. And then Hero X, a Team Titan, gets eaten by a pterodactyl. I feel like it's supposed to be a funny moment but the laughs from the laugh track are missing and, I mean, a character just died. And that shouldn't be funny, even if the character was some jerk named Hero X. Unsure what might be happening, Bumblebee and Herald decide to take the Team Titans back to New Jersey to regroup with the other teams.
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Ha ha! Automation! Artificial Intelligence hasn't gotten any better in the future if it's coming up with terrible super-hero names like that. Also, not everybody is there, Herald. Have you forgotten about poor Hero X already?!
Ugh. The same boring dinosaur fights around earthquakes with Titans saving people at the last second happens over and over and over again. Finally, Terra says, "I think we were being manipulated like pawns on a chessboard!" And, in the future, Monarch answers her! "Oh, if you only knew the extent of it, Terra! How my confusing and contrived and convoluted plan worked to a tea! Or is that a tee? Oh, fuck it! Who cares?! I am Captain Atom and I will...I mean, I am Hank Hall, also known as Haw, and I now rule the world! I think. How does time work again? Shouldn't my plan have already come to pass since I'm in the future? Why am I the future me that existed before I changed the past and still exist now that I've changed it? No, no! Don't think about it for too long! Just think about the name I'll use after Monarch. It has to be dignified and glorious and intimidating! So far I'm having a tough time picking between Bloodfestor and Extant!" Team Titans #24 Rating: F. What a terrible fucking end to a mostly terrible comic book. And I don't feel like I'm being mean or that my rating would hurt Jeff Jensen's feelings. He's the guy who called his own run on the Team Titans "confusing, contrived, and convoluted!"
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southsidebitvh · 6 years
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Yo, guys
Listen, I am probably gonna get hate for this but let me just explain something.
I have seen a lot of people in the tags and on Tumblr who are not thrilled at all with Betty's storyline. You guys think that the show writers are tackling the situation of "Dark Betty" all wrong.
Here is the deal, almost nothing is without eventual consequence. Do you seriously believe that this show is gonna positively promote Betty being an underage cam girl?? Do you think their goal was to positively promote underage stripping?
No.
As much as it looks like this show has no inhibitions about what Betty is doing, it's only just beginning to tap the surface of Betty's issues. We don't even know what's going on with her! We know she takes adderal for attention deficit. We know she talks to Kevin about her curiosity with BDSM. We know she kept the black hood for some shady reason. Otherwise we don't know much about Betty's mental health. However, we do know it's not in great condition.
I get that what she is doing from about every standpoint (especially a viewers) is really messed up, but that's kinda the point.
Betty Cooper is sick. She needs help, but we haven't reached that point in her story. Right now Betty Cooper is exploring the "dark" places of her mind and trying to figure out what it is that she thinks she wants or needs. She isn't in the stage of her story where she gets legitimate help and develops healthy coping skills.
On that note, here comes Chic showing his sister his work which is his coping mechanism. I really don't know what the writers were doing with that one, but let's be real. Chic has never had a sister and maybe because of the way he was raised there weren't very many boundaries between him and his "foster siblings" or wherever he grew up. Also, Betty asked him. She was the one who asked him to "compare scars". Chic didn't just drop a bomb on her. She dropped a bomb on him.
Betty is going down a "dark" path, but it's not something you as a viewer should shy away from. The truth of the matter is that real teenagers do this. People have said "it's like the writers forgot Betty is 15/16". No. They did not forget. Teenagers post inappropriate pics of themselves online and then lie about their age. Teenagers explore their sexuality by joining chat rooms and they watch and even film pornography. It's incredibly messed up. However, Betty is representing one of the many teenagers who explore their sexuality in ways that are frankly disturbing and illegal.
I am a junior in college and a theatre major. I can appreciate storyline's like Betty's because as much as it's cringey and painful to watch it's sharing a truth. It's sharing a truth about mental illness and teenage sexuality and curiosity.
Betty will get help. There will be consequences for whatever actions she decides to take. Undoubtedly. Mental illness is tricky and the writers are purposefully demonstrating that to the audience by making Betty's illness mysterious to the viewers and hidden from most characters. Many people can hide their mental illness remarkably well.
I have heard "I just want "Dark Betty's" storyline to end". I think if Riverdale is tackling mental illness then it's gonna be a journey to recovery and it should be. We only saw bits of it in Season 1 and it's growing much more clear in Season 2. This is not something the writers or viewers should want to rush, because mental illness is not something that can be "fixed" with a boyfriend who kisses your scars. It's a life long illness and it's a life long struggle.
I just beg for you as viewers of Riverdale to open your minds to the horrors of what mental illness can do to a person or even just the horrors of how some teens go about exploring their sexuality.
There will be a lesson learned down the line, but for now we should empathize with Betty. She is a young teenager who feels so alone and confused. She was traumatized by the "Black Hood" (who is probably not finished with her). Her parents are all sorts of screwed up. She just found out she had a long lost brother and now she has met him and believes he's got something "dark" in him as well. Her sister joined a cult and didn't even call her to tell her about giving birth to the twins (and mind you Betty had been super supportive). Jughead had been pushing her away since he joined the Serpents and moved to Southside High. Archie can only be there for her for so long before he falls into bed with Veronica. Veronica spends more time with her shady ass parents, Kevin, Josie, and even Cheryl than she does with Betty anymore.
Just give her storyline some patience. It's gonna be a wild and uncomfortable ride, but Riverdale has never been a show about comfort and fluff (even though we all wish it was to a certain degree)
In conclusion, all the Cooper's need counseling.
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Late last month news broke that British sci-fi and fantasy author Brian W. Aldiss (8/18/25 – 8/19/17) had passed away at the age of 92. Best remembered as the author of the 1969 short-story “Supertoys Last All Summer Long,” which the feature film A.I. ARTIFICIAL INTELLIGENCE (2001, Dir. Steven Spielberg) was based on, Aldiss, like many science-fiction writers, also occasionally dabbled with the subject of dinosaurs. This includes the short-story “Poor Little Warrior!” originally published in the April 1958 issue of The Magazine of Fantasy and Science Fiction and two novels, An Age (Faber, 1967 – released in the US under the title Cryptozoic! by Avon in ’69) and The Malacia Tapestry (Jonathan Cape, 1976).
Because I haven’t read either of these novels, this post will focus on the short-story “Poor Little Warrior!”, which I have read, and its curious legacy as the originator of a trope found today principally in kaijū movies concerning the presence of dangerous super-sized exoparasites living on the bodies of giant monsters.  
Falling firmly into the ‘time-traveling big game hunter’ sub-genre which began with Ray Bradbury’s “A Sound of Thunder” (1952) and was initially continued with L. Sprague de Camp’s “A Gun for Dinosaur” (1956), Aldiss’ “Poor Little Warrior!” is closer in spirit to that of de Camp then Bradbury as it is less concerned with the question of the mechanics and consequences of time travel in and of itself and more intent upon using the conceit of man going back into the past to hunt dinosaurs as the basis of a short morality tale – in this case about the dangers of biting off more than you can chew.
The protagonist of Aldiss’ story is a nebbish, hen-pecked man named Claude Ford who has decided to try and shore up his masculinity by traveling back to the Jurassic and bagging himself a brontosaurus. In this one respect Aldiss’ story is like Bradbury’s “A Sound of Thunder” in that his brontosaurus, like Bradbury’s T. Rex, is more of a giant monster then an actual animal being described as possessing “eyes [which] gleamed with the liveliness of a week-old corpses’ big toe” and breath which reeked of “compost,” the body of the sauropod is seen as the embodiment of biological horror having “come full circle and finally disappeared up its own sphincter.” Naturally such a behemoth is also adorned with super-size exoparasites, lice in this case, described as being as big as crabs and “living in those gray walls and canyons” which make up the dinosaur’s elephantine hide.
After several paragraphs of nervous deliberation Ford finally man’s up and does the deed, shooting the brontosaurus. However as he moves forward to claim his prize he is suddenly besieged by the giant lice! Aldiss, as narrator, describes the scene…
“You [i.e. Ford] struggle and scream as lobster claws tear at your neck and throat. You try to pick up the rifle but cannot, so in agony you roll over, and next second the crab-thing is greedying it on your chest. You wretch at its shell, but it giggles and pecks your fingers off. You forgot when you killed the bronto that its parasites would leave it, and that to a little shrimp like you they would be a deal more dangerous than their host. You do your best, kicking for at least three minutes. By the end of that time there is a whole pack of the creatures on you. Already they are picking your carcass loving clean.”
While an evocative ending Aldiss’ idea that giant dinosaurs would harbor giant exoparasites is pure fantasy. As Brian Switek explains in an article for Smithsonian Magazine, the evidence that lice even existed during the time of the dinosaurs is incredibly slim with only a single fossil having been recovered so far. Significantly however this fossil specimen represented a type of lice that today is most commonly found on birds, thus bolstering the case that dinosaurs and birds are evolutionary relatives. In either case, the fossil louse in question was as tiny as its present day counterparts, not the crustacean-sized monstrosities featured in Aldiss’ short-story.
However, with this tale Aldiss introduced a trope – that of the giant exoparasite – which has continued down to today and found a special home in the realm of kaijū movies. First seen in THE RETURN OF GODZILLA (1985, Dir. Koji Hashimoto), this film opens with journalist Goro Maki coming across the fishing boat Yahata-Maru floating out at sea, seemingly abandoned. Maki boards the vessel and finds the crew dead with the exception of one young man, Hiroshi Okumura, who is injured and in a nearly catatonic state. Suddenly a giant sea louse – referred to in Godzilla lore as a Shockirus – attacks Maki and nearly does him in only for Okumura to come to and save him at the last minute. Eventually it is revealed that the Yahata-Maru had a run in with Godzilla and we are lead to infer that the giant sea louse fell off of Godzilla’s skin and onto the ship where it proceeded to slaughter the crew.
More recently this same idea showed up in both the films CLOVERFIELD (2008, Dir. Matt Reeves) and PACIFIC RIM (2013, Dir. Guillermo del Toro). In CLOVERFIELD, the twenty-something New Yorkers who are our protagonists quickly learn that while the giant monster attacking the Big Apple maybe easy enough to avoid, a much more imminent danger is posed by the German Shepard-sized alligator-jawed parasites which have hitched a ride on the kaijū and are now running through the city’s abandoned subways. Likewise in PACIFIC RIM, skin mites the size of Shih Tzus live on the kaijū. When the kaijū dies the skin mites do as well unless immediately soaked in ammonia.
Aldiss’ “Poor Little Warrior!” has been reprinted numerous times over the years, but collections which would most likely be of interest to readers of this blog include the anthologies Behold the Mighty Dinosaur (Elsevier / Nelson Books, 1981), The Science Fictional Dinosaur (Avon Flare, 1982) and Dinosaurs! (Ace Books, 1990).    Images: 1) Is this fossil evidence that dinosaurs dealt with lice? 2) The Shockirus almost does in Goro Maki in The Return of Godzilla. 3) The dangerous exoparasites from the film Cloverfield. 4) The skin mites from Pacific Rim                           
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missallycat · 7 years
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Relationships and revival metaphors
warning, this will be LONG and rambling (but fun if you like to analyze)
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I was rewatching the revival once again, fourth fully including the musical, I’ve watched certain parts (ahem Logan parts ahem) more times but the revival as a whole including the unusual musical (I’ve come to the conclusion, the musical is hilarious, what I can’t understand is how the biggest grumps (Tom and Sophie and Gypsy) and the most honest person with Taylor (Babette) are so starry eyed over this… maybe it is to enhance Lorelai’s mortification but the musical was meant to be bad, hilariously stupid just like many other Taylor ideas,to the power of 10, but my peeve is them all being so on board with it given the way they are). I still come to the same conclusion and theory. The engagement of Logan is an arrangement. Yes of course this is only a theory and as all theories it could be wrong but the way things are put in the revival I see a few things that make me say this with a lot of certainty:
- We don’t see any interactions or even know anything about Odette, not even her face, there are no photos no knick knacks of a woman, no nothing not a trace of hers in his apartment. Sure she hasn’t moved in yet but really? no presents? no photos? Logan has photos in his apartment, of his adventures and places but no portraits of a girl, no couple photos, no stuff that’s clearly been bought by a woman in his apartment? How is that a relationship? - He’s been single all these years he hasn’t married anyone he hasn’t had one serious relationship with anyone apparetly (or else he’d be married already, because the Huntzberger pressure to increase the family should be heavy) since Rory, for 10 years and when we see them we have to assume their relationship isn’t new because of the domesticity the way they behave around each other the comfort they take in their interactions.
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I think Logan was waiting for Rory to go back to him. Now, I’m not saying he waited pining away for her behaving like a monk (lol) because that would be unrealistic in this day and age, but he was waiting for her. While I don’t agree with some things in the revival and even though I love the characters and the stories created by ASP, I’ve come to the realization is more my desire, my wishful thinking, what I would have wanted to see, that could have suited the story as well, but it isn’t MY story to tell, and if I really think it through from the characters POV and the writers POV it does make sense. He’s giving into his family, not to maintain his status quo in money, after all we know he can certainly work on his own, but is about him giving into the desires of his family because, why not? If he can’t have the relationship he wants with the woman he loves, because she still keeps a (small) length of space between them, still keeps him a little at arm’s length in a way, then why not try and keep the family happy even if he could keep postponing the marriage, they could be engaged forever and eventually end it. She could have her own reasons as well.
Let’s put this Rory and Logan thing in time. We don’t know how long they had this Vegas thing going on, if it started like that from the begining, if it’s been steady for how long or if it’s been on and off. He is engaged and she knows it perfectly well. However his engagement seems very bizarre because is almost like it was non existant.
We have this idea of Rory and Logan together when we see them in the revival, they look so in tune so perfectly happy with each other and with their routines and their domesticity already in place, they look married, actually, or like a couple who has been living together for quite a while. (yes and them BAM Vegas and such but more on this as we go on)
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Someone once asked if there were parallels between Romeo and Juliet and Rory and Logan like ill fated lovers the world separating them… I think that’s a little much, life happens, sh*t happens, we all have to take responsability for our actions and behave like adults and be aware that our actions have consequences.  I think these two are not ill fated lovers, no, I think they make or break their own lives due to fears in one side or resignation and why nots, in the other that result in lack of communication because they are afraid to burst their bubble, him of having her in any terms possible, her of having him but no strings attached (the roles have reversed from the original show but pretty much they both want the same, each other).
However I see a few things that could be taken from Shakespeare if we want to draw some parallels… Odette to me, the fact they never show her face that we barely hear her voice once, that she doesn’t have an actual real presence, reminds me of how Paris was only a prop to force Juliette’s hand. Romeo and Juliette’s Paris, if we think about it, doesn’t really have a story or anything much, because he wasn’t relevant, is the same with Odette and who’s to say she’s not in it for the same reasons, to keep the family at bay and to prevent them from forcing a more permanent setting while staying in this arrangement and keeping the family happy.  Paul would be Rosalynd; someone quickly forgotten as soon as love comes by, someone who doesn’t appear to have relevance any longer.
I do have to say though that I also have my suspicions about Paul, why would this guy, any guy regardless of how much of a doormat he may want to be, would accept to be in a relationship with someone he NEVER sees? They don’t live together and she forgets about him even while he’s in the same house… how does that work? We don’t know how their previous two years were but he alludes to the fact that he doesn’t see her much. Who would be so much of a saint or so much of a doormat to take that? To be in a relationship with someone they never see and who constantly forgets about him…? Is Paul some sort of shield for Rory? We know they have said that at the moment we see them they’re going through the motions, and ASP has said is a bad moment for Rory… so perhaps the relationship was real in some way but Rory actually kept him as a sort of shield but forgot about him in every other way when he wasn’t present right next to her?? Paul could be Romeo’s Rosalynd, someone that was a relationship but faded into non existence the moment true love comes around. And lets face it, if anyone is actually braver in the story is Juliet more than Romeo…
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I don’t think, however that Rory and Logan themselves fit so much in the Romeo and Juliet metaphor but they have some resemblances in their relationships during the revival. I am convinced that both Odette and Paul are symbols. Paul is a symbol of how much Rory is lost in herself and is trying to keep this guy as an anchor to prevent her from drifting but she doesn’t really care about him, she’s just there and keeps him around because he’s her excuse for not getting involved, her excuse for not fighting for what she actually wants with Logan, he’s her symbol of stability to show that she’s a mature adult because she’s with this guy who is stable and kind and serious… but forgettable.
Odette is the symbol of status the Huntzbergers want for Logan, the rich heiress marrying the rich heir, to give pedigree, to bring more heirs to the name, to bring potential more successful business deals, to take an international market perhaps, both families want the convenience of a union that would be profitable for them, economically beneficial to them (I’m having Sabrina flashbacks here hehe). They want this beneficial relationship and engagement. And if that were the case (“engaged to a girl who lives in another country, smart”, zero photos or things of her in his apartment, her being in there right within earshot distance when he’s talking to Rory) who’s to say that Odette isn’t in it for the same reasons Logan is? 
Maybe to have a relationship that isn’t serious for them but keeps the family at bay (why not marry them already if Logan was ACTUALLY moving on with his life and trying to forget Rory?) while they are together but not so much (the old arrangement you have your things I have mine, we each have our lives but are also together to keep the elders happy) And if they were all in this agreement, who’s it hurting that Rory and Logan are together? Truth is Odette is a symbol to create the conflict to put a body (but not a face) as the bump in the road that always prevents Rory from fully commiting to Logan, because if you add someone else to the mix, even if the someone else is in the practicalities, nonexistant, then you’re not the one with commitment issues, is just that you are not IN the picture. However THERE IS NO PICTURE. Odette is a metaphor for the invisible thing, a bump, an obstacle that Rory and Logan can’t seem to be able to throw aside to really be together, him because he’s leaving the decision to her because he already asked and every time he tries to know more she shuts down, Odette and Paul are each shields of a kind, the difficulty they need to overcome, the problems where they need to shed light in order to get past them. There’s a reason why Odette is literally nobody, she’s a non existent conflict, she’d dissapear as soon as they spoke clearly to each other.
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Only Rory doesn’t know that because she cuts Logan off when he wants to explain about Odette, and she doesn’t want to tell him about Paul yet she freaks out when she finds out Odette is moving. If she didn’t care, if they were only in this vegas, sex buddies relationship why would she care that he’s engaged to someone else? why would she care and freak out about her moving in? why would she ask about not wanting to find another girl’s things when she’s staying with him? why would she care if she didn’t want him fully, in an actual real relationship the same way he wants her? Is perfectly clear Logan has been waiting for her and is still waiting for her to make up her mind. 
“The twilight zone: he was willing to wait 40 years and come back as an old man just to spend those last few years with her”. (I know this wasn’t ASP’s season but who knows if she had brought this story to the table for discussion and they decided to use it? They do mention the Twilight zone in earlier seasons so this could have very well been ASP’s idea to bring later on). He might have come to the end of it now that he kept waiting and she said goodbye to him. However I think it will be on Rory this time that this goodbye isn’t forever. This baby, their baby was concieved out of love. And while the man in her life is secondary, as much as I love him, he’s secondary to the story, he will be there for her, he has always been there for her, he’s waiting for her to give him a sign to reach out her hand. He will never force her because he knows that doesn’t work with her, he’s always asking for her permission and her approval before he does anything concerning her.
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When he and the boys arrive to surprise her in fall, he’s waiting in the background then he approaches carefully and presents her with the hat and coat, he could have easily put the hat on her, told her to turn around to help her in the coat, yet he pauses to look at her, to give her a questioning look “is your call, Ace”, he’s always allowed her to call the shots, is no different with this small gesture, she can say no and they’ll go away but she accepts it because she’s not ready to say goodbye to him, she’s not ready to let go of him for good, she doesn’t want to but she can’t utter the words that would keep him by her side for real, fully and for good. This pregnancy is important to her path because Rory needs to focus on her life, this new relationship, this mother-child relationship that will come is what is going to re focus her life, that is going to be her new anchor to get her to find her path. She’s nervous and scared sharing the shocking news but she’s her mother’s daughter after all, she will go through with it and she’ll find her own path, and secondary to that path will be her relationship with Logan, because the more important will be the mother and child.
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The conversation with Christopher is a clear sign of what will come, she’s asking him, begging him to tell her, why didn’t you fight for me, why didn’t you stay next to me, why did you let others make the choices for you. She doesn’t want to be this person anymore, and that’s her great fear, that she will become this figure in the back, this cookie cutter mold that just because her mom did it in a way that she must be the same, she wanted her father in her life, she yearned to have him there, no matter how much her grandfather and her mom had been the parental figures in her life she wanted her dad, she doesn't want to be in this preordained path and to just accept that her child will have the life she had, as wonderful as it was, and she will find the fight inside her to do things her way, she’ll find the fight in her to not let anyone run her over this time (Mitchum, Shira, Elias Huntzberger). Brave Rory, determined Rory has always made up her mind and kept it, she needs to find it again. The conversation with Chris about Lorelai, “yes she’d back you up”, that it was meant to be, but that doesn’t mean it will be the same for her because she knows Logan WOULD fight her on being a part of the life of his child and Logan isn’t an inmature 16 year old boy he’s a man with a well positioned status and more important a man who loves her and would want to be a part of the life of his child, and if she lets him, to love her fully and be with her, be a permanent full part of her life. She always yearned for her father and she never filled that gap. Richard was a father figure of many sorts but he came when she was already a teenager, Luke was more like a pal than a father figure and even he didn’t help bring Rory up, he was though a stable figure, not an authority figure but a stable friend, a part of her support system. And that’s what she needs, the full picture and she can get it because is in her hands, she’s not going to shut Logan out because she knows what it was like for her. She’s going to give him the choice, and he will choose her and their child.
Now, Jess. I watched the revival once more and got to his part and I have to admit it, I don’t hate Jess, I don’t even dislike him, but his extreme fans make me want to reduce the (albeit little) importance of his character in the revival, because he does have a significance there. 
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He is family now, (ASP’s ONLY words on the Jess subject) he came, he listened to her woes, he does know a little about her because whoever knows Rory knows her passion for words, and he comes from that world of words, so he took a chance and gave her an actual good advise. I don’t think now, after putting a pin (A GIGANTIC ONE) on the extreme Jess fans who think he’s God come to live and Rory’s saviour (and apparently she’d be the Virgin Mary because according to them the baby would be his so it would be an immaculate conception all over again) I don’t think now that it was a command or just a random idea, I do believe he listened to her and he knows, coming from that world that she needs to find her footing into writing what she knows, the idea had to come from someone who wasn’t so much involved, and Jess’ job was that, to come and listen for once, and to be a friend who gives advise, nothing more. And let’s face it, if we go to the nitty gritty they don’t really talk personal things and she barely touches him, she grabs his jacked while jumping up and down. Is odd for someone who hasn’t seen a friend in four years, it gives you the impression that they’re not really close or that the relationship between them is not one of much trust.
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The look through the window is not longing is regret, because he could have been a part of that world WITH her but it was never in the cards, and I think that now after seeing her again he’s also closing this chapter, maybe with a regret of what might have been, but closing this chapter and finally moving forward himself. He said it himself when she asked him about what was going on with him, he said “nothing stable” that means there IS someone just not someone he thinks worth mentioning or discussing with her, so he is involved with someone, much like Rory with Paul. However since they aren’t in that close contact he just gets away with saying as little as possible on the subject, and finally realizes his role was that, to be the last drop that spills the water in the glass, to be the friend who gives good advise then goes his way again (I do NOT include season 7 in good advise he came, yelled and went away that’s not advise that’s not even conversation in the subject). Is clear they aren’t close because she hasn’t asked him to read her pages, he hasn’t asked him for advise, she goes to Logan, and she doesn’t really discuss what light would she show him (Jess) in her book because it was so brief it doesn’t really matter that much. 
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We see the difference in communication and closeness when she randomly bumps into Dean. She hugs Dean. SHE HUGS DEAN!!! She knows all about his wife and his kids and his life, they obviously keep in touch, and when she discusses what she would say of him in her book, jokes aside, she says “you were the best boyfriend you made me feel safe” she knows all about Dean’s life and his wife and his kids and his sister yet about Jess she only knows what she’s been told they haven’t seen each other in four years or more and they still don’t discuss much details “nothing stable nothing permanent” that means Jess DOES have someone just nobody of importance, yet because we don’t see her the whole issue isn’t made this big thing the way it is made with Logan simply because there’s a name and a specific openly discussed situation.
And we come back to Logan. I think Logan shares some personality traits with other men in the show. He’s loyal, loving, he loves Rory and doesn’t want to force her hand by making her do something she doesn’t want, but he also can’t really communicate so well because of the way he was brought up, he loves Rory he’d do anything to make her happy including trying to stay away from her if that’s what she wanted, he has always shown her this world of adventure and he has had his many flaws but he has grown from those, he has learned from them and he always looked for Rory to try and be better for her. For him this woman doesn’t want anything from him as others usually do, the status, the money, the hot guy to brag about, so he wants to give her the world but she’s scared of being trapped inside a family with so much power and money because she doesn’t trust herself to not relive her terror… her grandmother’s life, she doesn’t want to be the "bored society wife” role, and wait a lifetime to have an individual life. She’s been raised in a way that committing to someone equals the end of her freedom the end of herself and she needs to learn that’s not true. She’s been raised to be afraid of loving someone deeply and staying forever because other than her mom, she didn’t have a stable figure close growing up. 
She thinks Logan is gong to make the choices for her when he never has. Rory shares a lot of traits with both Christopher and Lorelai, she has the lack of commitment skills of her parents, she has this fears that she won’t be enough like her dad, and Logan is a lot like Lorelai, this force of nature that comes into her life and suddenly an entire world of adventures shows up to this little bookworm and she’s happy experiencing all, but she’s always afraid she’s going to get steamrolled, she’s going to get overwhelmed by money, that’s why she pulls away like her mother, like her father. Logan shares traits of Lorelai and Christopher as well but also has the good qualities of Luke and Richard a bit without being exactly a mirror of them, just as Rory isn’t a mirror of her grandmother and doesn’t want to be, nor is she a mirror of her mother.  Lorelai Leigh is her own person even though she loses herself from time to time and I think that this story of the baby would be the key piece of the puzzle what would force her to develop her strenghts and finally stand on her own two feet. 
Is not about the guy, like ASP says, although the guy is a big part of the picture but is about Rory standing on her own, Rory solving her own issues so she can finally realize she’s stronger than the trappings and that Logan wouldn’t make her weaker, all the contrary he’d make her stronger. Despite the fact that her love life is secondary to the story, this child will bring her back to her path.
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If we go back for a moment to the Oz metaphor, for when she says goodbye to the guys like Doroty from the Tin Man, the Lion and the Scarecrow… Dorothy needs to find her way back home and she’ll find it with the baby, the baby will be sort of her red shoes, she’ll find her footing because everything changes and is not about the guy although in this case is not like in Lorelai’s; he’s not an immature afraid teen and neither is she, she’s not a force of nature, he is, she’s undecisive, he isn’t, she’s not as confident as she was in the past when she confronted Mitchum when she kept her distance from him, she got crushed because she respected him and he thought her untalented but she’s finding new footing and she is a writer, she can be a writer and still be a reporter. (Season 1 her interview with headmaster Charleston maybe I’ll travel the world and write books about what I see I just want to make sure I see something). She didn’t want to marry him because she thought he would keep her from the world when in reality he wanted to share the world with her. I think once she finds her path “back home” we’ll see that the full circle has come, only what happens after the start point is going to be different this time. Because Rory’s “home” is not stars hollow, is her own confident, stubborn, feisty self, ready to fight the world and eat it up. She’s now forced to find new footing because this new life is going to require her growing up, she’s leaving the land of childhood but this time she’s going to the adult world to find that her love is waiting for her, only now it has to be on her to say the word and get him back.
She would tell him because “why didn’t you fight her why did you just let her, did she push you away” she’s making this new path because she’s finding her footing and the baby though is something scary (“I want to remember it all”, she’s leaving the life of immaturity she’s leaving Oz) is a new adventure and she’s not going to be frozen in time anymore. To me the fact that the only permanent figure for her was Logan and the fact that Lorelai is now in this new path as well (she’s actually now fully committed to Luke, not because of the piece of paper but because they finally found permanent footing and open communication) means she can’t stay in Oz she can’t play childhood life in her childhood bedroom she needs to move forward and for Rory that means physically out of Stars Hollow. In her growing up that this new relationship of mother child would bring, the way things were led in the revival I strongly believe that she would go back to Logan not because of obligation but because she’d realize that the excuses and the barriers are flimsy and the fact is that she always goes back to him and he always wants to go back to her because they love each other, they belong together. To me the baby would be the final piece of the puzzle to get Dorothy out of Oz and into the real world, with her child, with her own life, with her love.
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More Teen Wolf Plot Holes!
Part 2 to this post:
Derek’s “evolution”: As soon as Derek re-ages his wolf has yellow eyes instead of blue, and then he slowly starts losing his wolf abilities (Because apparently now your eyes being blue is tied to your strength, not having killed or your level of guilt?) Also, did de-aging trigger the evolution somehow? Why? We know various other people who could do a full wolf-shift, supposedly without going through this bizarre process.
Then Derek spends a period of time losing his powers, thinking it’s something Kate had done to him… (and again, we know other characters who could full shift: Talia and most notably Laura. If losing your wolf was part of the “evolving” process, how would Derek not have known about it?) And then somehow dying triggers the final state of his evolution? Did Laura and Talia (and Malia, etc) die as well? Or was the timing a coincidence? And somehow evolving cures the fact that he spent at least a few minutes being dead from blood loss?
Actually nothing about his evolution makes sense, and none of it was explained.
Healing: The amount that a werewolf can heal changes a lot depending on the needs of the script. Ex: Derek’s impaled in s1 by Peter (as a beta) and is completely fine an episode later. The tips of Derek’s claws go into Boyd’s chest in 3A and he’s done.
Braeden: In 3A Braeden has magic –(she touches Lydia and Allison’s arms and brands an image of the Nematon onto them) and when she comes back later it’s never mentioned again (The writers really should think about writing down card for each character about whatever special powers they are giving them so they don’t forget about it). Braeden also has scars up her throat from an alpha’s claws, which apparently didn’t turn or kill her. Kate has her throat clawed by an alpha, and it did.
Malia: I already talked about it but her being able to be in high school with a nine year old education really bothers me. Even forgetting that she spent 8 years in the wild, she should literally be in fourth grade and there’s no way a couple months’ worth of offscreen studying would have caught her up sufficiently. Seriously, whyyyyyyyyy? Howwwww?
Also, Malia’s age, as shown on her birth certificate, makes her 13 years old when we’re introduced to her. However, she’s apparently supposed to be 17 or so, the same as the rest of the characters.
Ages and time in general (nobody knows how time or calendars work in the writing room, do they?): There’s a discontinuity between birthdays given in the show and external materials, such as the TW calendars (which are said to be the real-life ones, ya know, the ones everyone uses). The ages listed also suggest that basically everyone will be graduating at 19 years old, which is incredibly uncommon, and especially odd considering Allison made a big deal about being “older” than everyone else in s1, which wouldn’t be true according to what we’ve been shown.
Important detail: Allison is freaking out at turning 17 years old during her sophomore year in s1, because she hates being “so much older” than everyone else. Lydia turns 17 only several weeks later during s2, in March of their sophomore year.
Meredith is the Benefactor: So many issues and just… how does a banshee magically control computers and printers?
Stiles & the pack after the Nogitsune: Everything he did while possessed… How have they not delved deeper? How has nobody shown the nightmares, the panic attacks, the trauma of the entire pack, the grieving process?
The pack is a bunch of kids, god dammit! And when you’re a kid, a goddamn breakup almost kills you, let alone watching your best friend/close friend being possessed and killing people and watching your ex-girlfriend/girlfriend/best-friend/close friend die in front of you!
Like, this makes me so mad! Like… NO! I don’t care about gory scenes and epic fights if you’re not giving me the aftermath of all that. If you’re trying to be realistic, if you’re trying to put all these supernatural creatures in real life, then give me real reactions and consequences! Don’t just give me a time jump and tell me they forgot about it and moved on. (arghhhhhh)
Paige: Ok, a serious question now: WTF happened after Paige’s death? ‘Cuz like, bites and scratch marks from giant wolves are hard to hide and miss… So… What did her parents thought when they saw her body?
I’m assuming that, ya know, someone found her body, called the police, took her to a morgue so they could find out what the hell happened… Did they just told her parents it was a “mountain lion”? Did they buy it? Didn’t they… I don’t know… questioned Derek, her at-the-time boyfriend? Didn’t they questioned why was she, an apparently perfect student and perfect kid, at the school in the middle of the night? Alone? Like???? Does anyone knows? Do the writers care?
Other important details that we won’t ever have answers for:
Why was Danny writing a paper about telluric currents for a chemistry class? Wouldn’t this topic be more adequate for a physics or geography or geology class?
Also, why was Lydia’s mom subbing a biology class for Harris when he taught chemistry?
How does Ms. Morrell works at echo house and beacon hills high yet no one has brought her up on child endangerment?
Why did Jennifer needed to poison Danny, considering he doesn’t interact with Scott that much and his paper on telluric currents wasn’t being taken seriously?
The overwhelming lack of funerals and wakes and memorials (teen wolf is on a very short timeline, where the fck are all the funerals?).
Why some werewolves can survive impalement multiple times and others get killed by things even a human could conceivably survive for at least a while (see: Boyd’s death vs Peter surviving getting his throat slashed).
How the hell did Peter pass a credit check to rent an apartment after being either comatose or dead for the past 6+ years? And, because I’m talking about Peter, how the heck nobody cares that, you know, a comatose patient with little to no chances of getting better simply got up and started walking and talking? Like… he just left! No questions asked. A freaking patient disappeared from the hospital, his nurse got killed and nobody comes asking for answers?
Where is Isaac’s CPS case manager? Who was he living with? Derek? Ms. McCall? Some random people? How did Chris got away with taking him to France (and leaving him there)? Did he adopted/fostered him? Why didn’t Isaac, Chris or Derek ever mentioned this?
Where did those japanese internment camp messages on Allison’s phone come from and why was Allison’s phone turned off for that entire episode?
Seriously, what the hell is up with Deaton?
Why aren’t there any security checks and security guards posted at Beacon Hills High? With the amount of missing, dead, hurt (and much more) students, that school should have police at the door, police patrolling the hallways, cameras everywhere and a very strict policy of no backpacks/bags and sharp objects within the school perimeters!
How could Malia just walk out of Eichen House all by herself. Was she just like, “lol, I’m a minor and checking myself out ‘cause that’s how it works”?!? Also, if there’s no key to that cellar door in Eichen House, how does everyone but Stiles get in so easily?
How is the Beacon Hills hospital still open, it should have been sued to hell and back by now, with all the people disappearing from it, being murdered in the hallways, and bodybags plus bodies going missing from the morgue!!!
Do Boyd and Erica’s families know their children are dead? Are they still “missing”? Like, after all this time, they are probably presumed dead, right?
How have any of the kids not failed all their classes yet? I mean, between not dying, lacrosse, dramatic + romantic moments and fighting the bad guys, how do this kids have time to do homework, study and go to school? And why the heck the school doesn’t call their parents about their kids constantly leaving the classroom, just like that? Without any permission or anything?
Why does Derek not know ANYTHING about what werewolves can do? We know he was born one but he didn’t know how to train a bitten wolf, or if it was even possible; he never showed them how to do the healing trick, which leads me to suspect he didn’t even know anything about it until Scott or Isaac showed him; he didn’t know Peter was the Alpha; didn’t know Paige could die from the bite; didn’t know some humans might not WANT the fucking bite; or that burying Peter wasn’t enough to keep him from coming back from the dead. Basically, DEREK DOESN’T KNOW ANYTHING, EVER!
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10 Clever Ways to Spot the Best & Worst Dog Trainers on the Web Or in Your Town!
Many average trainers teach "average group classes," charge you an "average price" and have, well... that "average" knowledge and skill about dogs, dog training, dog behavior and canine psychology. Most owners who don't know better or who don't really care about these facts, just settle with such trainers and end up with "average results" or even worse-NO RESULTS-in training their dogs! In contrast, the Master Minds I'll be describing in this chapter aren't your average at all and are known to beat the odds.
So who emerges from the pack? There is an amazing energy and spirit about these individuals which you'll notice right away that goes far beyond dog training. In fact, they know it is much more than dealing with dogs, and this is where I'll open your eyes to the traits and qualities of the SMARTEST and the most successful dog experts in the business. Because of their knowledge, skill and persona, they are not only making it--but making it big with class and integrity. Again, don't forget that I'm referring to the SMARTEST, so you don't think that they just got lucky for being at the "right place," at the "right time" or by meeting the "right person." Even if that was the case for a few to some degree, before you know it, they took over and kept on paddling on their own.
I learned a long time ago that if you want to get better in anything, you have to put your ego aside and learn from much better and smarter minds than yourself.
Sometimes this simply came down to hiring the best expert money can buy. (I've also learned a lot from the worst-of-the-worst. After all, this is where you learn what NOT to do.) After studying those who were considered to be as the "real deal," I've noticed that they all came from a totally different class and mentality, and it's no wonder why their success rate was so hard to ignore. When put through the test, they all possessed these ten qualities about them:
1. They Care about You, Your Dog and Their Reputation
You see, it's not always about how much you know or how great you are, but it is also about how much you "care." This simply means these trainers are truly nice people. The old saying, "nice guys finish last," isn't their motto. Studies have shown that nice people live longer, are happier, get more referrals, are always surrounded by friends and relatives, rarely get sued, and rarely get killed. Some may also have a great sense of humor. Sorry, only some. We all know someone with a sense of humor and know that this shows that they love what they do, don't let things bother them as much, and care to make others if not laugh, at least smile here and there. Why the majority of dog trainers are so rude, mean, and disrespectful and act like Mr./Mrs. Know-It-All, is beyond me. It's no secret that most of the time you can tell a lot about someone the minute you talk to them on the phone or in person. That again is, if, you are even able to reach any of them on the phone. Which brings up the fact of caring, once again.
Those who truly CARE not only will get back to you, but often try to reach you immediately. They know that you may need help right away!! You'll soon find out that most dog trainers leave you hanging and you start to grow gray hair waiting for a call back or an e-mail.
Once you are finally able to get a live person on the phone, make sure you get a good vibe from the very start, if not, why bother? This simply means no matter how good they may be, you will be stuck with a jerk, psycho, weirdo, nut job and the list goes on and on. Women are much better than men with their intuition. They say, "It has to feel right." Or "I didn't get a good vibe from him/her." If it the person makes you feel uncomfortable by being too pushy, rude, condescending, or there is something you don't like about him/her, then you could be stuck with this person in your home, in private, or for six to eight weeks down the line.
Top trainers usually answer your tough questions with patience and respect and don't mind or get offended by how much you challenge their knowledge or expertise. These individuals don't just deliver, but often OVER-deliver. This is because they care about their image and their reputation and truly want to stand out from the pack. They know going that extra mile WILL get them that extra attention. After all, how many times have you hired a painter, a contractor, an attorney, or even a babysitter who disappointed you with their poor work ethics? They did a poor job or didn't care much. As some say, "They just go with the flow," and never care about any constructive criticism from ANYONE. You simply don't see that "wow factor" or that "pizzazz" in their work. Noooooooo, I didn't say pizza again. So put down the Parmesan cheese.
If you've already hired a dog trainer in the past, you probably went out of your way to make sure you were hiring a "pro," just to find out that they were definitely a "pro" but also a pro in doing a lousy job or a pro in--"ripping you off!" How fast someone gets back to you, or even if, they even bother to get back to you are all the qualities you should look for. For example, a lot of group class trainers if they don't have a class starting soon, or their class happens to be full, won't even bother to call you back. They even get lazy to mention this on their answering machine. This would never happen with those who actually care about you and your dog.
Once you get to actually talk to these individuals, you can't help it but notice how honest, caring, genuine, and professional they come across.
Whether it is in person, on the phone, or by e-mail, the ones who know they are on top of their game never sound pushy or desperate. In fact, they know not everyone recognizes, appreciates, or even deserves the very best. This is just a fact of life. Those who are among the best-of-the-best in the world of dog training, are considered to be as remarkable teachers/counselors and don't get mad when I add this-even great therapists. The truth is, that the majority of dog owners have no technique, get nervous, act tense, are too harsh with their dog, get too loud, or they can't get firm enough if and when needed. And what's even more sad is none of the trainers who they even hired in the past, bothered to point out their GOOD qualities either. Everybody knows it's not that hard to point out someone's weaknesses. What makes a good trainer brilliant is his/her ability to praise the owners' good habits while correcting their mistakes in a courteous manner. Unfortunately the majority of dog trainers lack people skills and are famous for treating the owners like dogs. I had to learn this the hard way. So the ones that DO make a positive impact among dog owners are the ones that know there is a difference between insulting someone and giving a critique.
You see, there are thousands of great "trainers" out there, thousands--but only a few great "instructors!" Training and teaching the owners is where lies the real challenge.
2. Their Training Method Is Backed by Common Sense
As a writer I hate saying this, but please don't believe everything you read-especially things that just don't make any sense. If you don't see any logic or rationality behind it, how do you suppose your poor dog is going to make any sense out of it? Here's an example. I have a client who owns a Cocker Spaniel that was vicious toward dogs and children. The behaviorists advised her to do lots of parallel walks with bag of treats to use when she ran into other dogs and kids. The dog would stop eating the treats and STILL lunge at any dog they encountered. I guess he saw them as a dessert after those yummy treats. Again, there was no common sense behind the behaviorist's advice, was there?
When in doubt, always ask yourself: Does this seem rational? Am I getting anywhere with this? Are people going to laugh at me?
Even with what you read in my book or on my website, observe it with an open mind and maybe TRY it first, and then be the judge. Once you try something, then you can be certain whether it did or did not work for you and your dog. Otherwise you are just relying on assumptions instead of facts. The same rule applies if you are instructed by your trainer, see it on television, were instructed by your trainer in a group class, or even if it comes from someone with a Ph.D. you need to stop and ask yourself where's the logic and practicality behind their advice? Be smart about it and don't let others brainwash you by trying methods that have no rationality to support them. Smart trainers don't mind asking you, "Does this make sense to you?" or "Do you see the logic behind what we are trying to accomplish?" Again, if it doesn't make any sense, please don't make a fool out of yourself.
Smart Dogs - Dumb Trainers:
Trainers who recommend that you should bark at your dog, growl at your dog, yelp like a dog, or ignore your dog's bad habits such as jumping up on you, barking at you, don't make sense and their tactics won't work. If they do, knock yourself out. Folks, we were taught to use common sense from a very early age in kindergarten. In case you forgot, the teaching was:
"Stop and Think." It wasn't "Go for it Chopper! Then we'll think of the consequence." (Now for some of us, getting the lesson afterward works much better. I guess as long as we "get it" that's all it really matters, doesn't it?)
3. They Have an Uncanny Ability to Pay Attention to Details
Yes, details my dog-loving friend. These experts are like a sponge and absorb everything and hardly miss even the smallest details. ( I've been told that I'm like that. Just in case it will come as a shock for those of you who prefer to hire me in person.) Whether people request that I go to them or if they prefer to send their dogs to me to be trained or rehabilitated, like a skilled crime scene investigator, I'll ask questions and then observe everything for myself, and I do mean EVERYTHING. By now, you should have gotten an idea of what I'm referring to by paying attention to details. If not, please be sure to read the chapter on (Questions you need to ask before hiring ANY expert.) But let me be a bit specific. I observe your technique, your posture, voice tone, attitude and overall perception. Are you firm, easy-going, loud, harsh, stubborn or depending on your mood, a mixture of all? How about too nervous, scared or maybe you think that saying "NO" to your dog might hurt his feelings and we may never see that tail wag again?
The importance of such details is why I cannot emphasize enough how crucial working with an expert in "private" really is. Because of my attention to details, even if I train your dog WITHOUT your involvement, I'll still manage to accomplish much more compared to a group class full of twenty dogs.
All the topnotch trainers you study, you'll notice that every single one of them have trained their own dogs WITHOUT any distractions first. So why should it be any different with you?
Top trainers always introduce distractions to their dogs systematically and this is why you truly see a huge difference in their dogs' performance and command response. They strongly believe that it's not fair to expect you or your dog to learn properly in an unfamiliar setting with lots of different distractions, and anticipate seeing a real difference in the dog's learning progress. It's even worse in group classes where there are lots of other dogs distracting you by constantly pulling on their leashes, barking, whimpering, lunging, or acting hyper around each another. Bottom line, by working in private, you'll see things from both the owner's and from the dog's perspective. Hiring an expert in private is the only way you'll be able to ask questions that pertain "specifically" to you and your needs. Top dog experts know this approach is THE BEST and fastest way to get maximum results and swear by it.
4. They Will Make Sure You Don't End Up With a "Half-Trained" Dog
This means you see a "practical" approach behind their training technique. Remember, your method has to work anywhere and anytime, or else you're wasting your time and setting yourself and your poor dog up for a failure. Allow me to clarify. These trainers will make "sure" that your dog is NOT just another half-trained dog. You know the ones that:
* Mind their owners in a group class, but act like idiots at home. * Listen perfectly when you have treats, but ignore you otherwise. * Listens only when the trainer's around, but hardly at all at other times. * All training goes out the window when you run into strangers or other dogs.
That's what I mean by a "half-trained dog." Elite trainers always prepare you and your dog to become street-smart. Competition training, show confirmation, agility training and making your dog do tricks sure look cute and are even impressive, but are not applicable out in the real world. The majority of dog owners do not seem to really care for them anyway. Always remember this: If your training technique can't be applied in your home, in your neighborhood, or on your day-to-day routines, sorry, you can't refer to it as "real-life" dog training. This means you've been wasting your time and money with the wrong method, wrong trainer, or with wrong group classes.
You see, if a method is effective, you'll see it working immediately, and if it's just nonsense-- you'll see it too. This is how top experts often deliver jaw-dropping results within seconds.
I always tell my clients: "By the second lesson, we could talk about how bad your dog used to behave, and how he has changed for the better already." If you've paid attention to my video clips on my site, you may be surprised to learn that most of those dogs have been trained by me in matter of minutes. I get the dog under control immediately and make them mind me on the spot. The rest is just polishing up, and making sure the dog obeys the owner. After all, it is NOT my dog and the dog should obey the owner.
5. Their Training Method Even Works from a Distance and Off-Leash
Only a few get to this level. You want to eventually have COMPLETE CONTROL of your dog without even being leashed anywhere, anytime and in front of the most tempting distractions the outside world throws at you. This means across the room, across the street, in the backyard, front yard and even from far away with just the tone of your voice. I said your voice, not screaming from the top of your lungs. Top trainers proudly advertise this specialty and can pull it off with their own dogs. Only true professionals can deliver such results. You'll find that most trainers are considered as part-timers and hobbyists. That sad truth is, amateurs rarely are able to get your dog reliably off-leash trained.
It's no secret that there is a leash law. Which is why having your dog completely
"off-leash trained" isn't just cool these days, but a NECESSITY!
You and your pooch need to be prepared for that "what if" moment. What if your dog bolts out the door, manages to slip out of her collar, lunges and breaks her collar, attacks a dog, a cat, or maybe everything was fine and your dog was running free enjoying herself, when all of sudden ________ (you fill in the blank). The fact is, no matter how careful or responsible you may be, your dog will STILL GET LOOSE and will make a fool out of you. Only a very small percentage of trainers have the expertise to teach you the true art of off-leash training; make sure you look in the right places. A huge list of my clientèle includes those who are dying to get their dogs completely off-leash trained. This is because the trainer in which they've worked with, didn't have a clue on how to get his/her own dog off-leash trained--let alone be able to help someone else with it. Or, you see the trainers' dog was truly the only real "trained dog" in there, but they just can't get the poor owners to achieve the same results with their dogs. How sad and pathetic!
6. Your Dog's Age NEVER Matters to Them
Whether be a ten week old pup or ten years adult dog, your dog is smart enough to learn what is right and what is wrong. What is acceptable and what isn't. Your dog's annoying bad habits such as: Barking, Jumping, Growling, Snapping, Bolting and Not Being Fully House Trained, along with any other bad habits or even responding to your daily commands aren't impossible tasks for the real experts to overcome. This means that they are well-educated and experienced in solving your dog's day-to-day issues and love to take on the challenge. Why let your older dog or your young puppy run your life for you, when you are the one who is paying all the bills and providing everything else? The least your dog can do is to respect and obey your commands and respect the rules of your house. Is that too much to ask?
7. They Gladly Accept Even Hard-to-Train Breeds
Real experts in dogs are skilled, versatile, and welcome the challenge of working with stubborn AND dominant dogs. It doesn't really matter to them whether your dog is labeled as aggressive, un-trainable, red zone, or hopeless. They are willing to accept the risk and give you and your dog another honest chance. Pit Bulls, Rottweilers, Akitas, Dobermans, German Shepherds, Bull Dogs (English or American), Chow Chows, Shar Pei, and those giant breeds that look like Pit Bulls on steroids. I am talking about: Presa Canario, Cane Corso, Argentino Dogo and Kevin Salemo, are just to name a few among the hard-to-train breeds. You may find this hard to believe, but even Labrador Retrievers can be a challenge to train. This is because they are known to be very strong, hyper, over-friendly and easily distracted.
You see, when a dog expert is willing to accept a case of an aggressive, sensitive, overprotective, excessive barker, whiner, or even one that's a bit unpredictable, that's when they HAVE TO rely on years of experience, knowledge, skill and even their instinct. This is because they are a true dog lover and don't discriminate against certain breeds and experienced enough to take on any challenge. Small, big, scary, wussy, mixed, pure breed or not, it doesn't make not one bit of difference to them. A dog, is simply another dog to them.
8. Their Method Might Be Firm, but It is Also Kind
Let's face it. No parent can ever raise a child properly without being firm and kind. Firm alone may still get you some results, but that "kind" is what makes it more of a loving and healthy relationship. I met a trainer years ago that had a super dog. This dog was one of the most well-trained German Shepherds I have ever seen. The sad part is, when his trainer would release him and send him off to play, the dog would still stand there and look at him for another command. Yes you guessed it. The dog became a soldier, a robot that just couldn't have fun anymore. He wouldn't even want to or even knew how, to play with my dogs. How sad. I told the trainer that you are definitely this dog's master, but not his best friend. He shrugged and said, "Kevin, you can be his best friend. I don't really care about stuff like that."
In order to make sure you don't end up with such a dog, you need to make sure you are also your dog's "buddy." When your dog makes a mistake, you need to correct it at that "exact" moment, and also praise and reward it lavishly on the spot. As long as you don't confuse firm with harsh or abusive, you should be fine. Just don't forget. Firm could be a simple as tugging on the leash when you catch your dog misbehave, and follow it with praise and affection when you see him obey or stop an unwanted behavior. It could also be to stop your dog's lunging, jumping, barking, snapping or even crotch/butt sniffing. Just holding tightly on your dog's leash for your life isn't training, that's called restraining. Do you want to train your dog or restrain it? That's what I thought. Now you'll always know when you see a true pro. They make working with all dogs seem so easy, that you swear they can even do it blindfolded. Your dog will listen and obey them without any yelling or the need of excessive force.
You'll see the smoothness and the flow in their technique, as your dog performs at his best right before your eyes--as if it is "their" dog and NOT yours.
This simply reflects the fact that they've worked with thousands of different breeds of dogs, have years of hands-on experience, and possess that amazing ability to accurately read dogs' temperament and body language with no effort and be able to apply their training technique on your dog. Their uncanny ability to read dogs so well and have the confidence and the skill to back it up, is why they are so well known for delivering such outstanding results.
9. They Let You Experiment with the Use of Different Training Tools
You can gather the best dog experts in the world, don't provide them any leashes, no collars, no harnesses, no whistles, no ropes, no toys, no treats and no tennis balls--they might as well be in their swimming suits. Then throw in some unruly dogs in there. You'll see that there won't be much that anyone can do. Unless one of the possess some kind of mind control like Criss Angel over the dogs and people, which I really would like to see for myself to believe, there isn't much any of these top experts can do without the right training tools.
Think about it for a moment. Can you do YOUR job without your pen, paper, phone, a desk, your vehicle, your computer or the certain tools and equipments that make your job run easier and smoother? Maybe you can. But you might as well be traveling back in time with your time-machine hundreds years back. Don't you agree that certain tools DO work better and faster? It's not much different when it comes to dog training tools. If there is a tool that works best on your dog, these trainers will let you try it. They truly use every weapon they can get their hands on and make sure you are able to control your dog in ANY situation and are happy with your results. This is because they always think outside the box.
Diverse Trainers know from experience that there isn't that "one magical tool" that works on every dog, every time. They improvise to make sure what works today, also does tomorrow!
After all, why use a tool that stopped working, was never effective in the first place, or doesn't even seem to faze your dog when you REALLY need it to work? Again, I am referring to see if that tool of your choice is truly as effective around strangers and the dogs in which your pooch is not familiar with. Let's not forget the cats, kids running around, or the joggers. Every one of these examples are considered as your daily distractions, don't they? Most trainers these days will have a nonsense tool that might have worked with a smaller, less dominant, less hyper and not as aggressive dog, hoping it will have the same effect with a much larger, stronger and far more aggressive dog. It reminds of "Bringing a knife to a gun fight." What's sad is that the majority of these trainers will stubbornly refuse to let the poor clients be diverse by trying a different tool. This especially doesn't make sense to me when you've exhausted the use of many different training tools up to this point and are desperate to try anything that would work.
In conclusion, this all comes down to finding a tool that is a best match according to your physical strengths, limitations, coordination AND your dog's size, speed, breed, prey drive and how much your dog responds to you with and without challenging distractions.
10. They Rarely Give Up and Follow a "Diverse Method"
Topnotch trainers never believe that your dog cannot be trained. Their way of thinking is completely different. They focus more on HOW they can help you train your dog. This means they are willing to explore different methods if and when needed. In a nutshell, what makes these trainers brilliant is their ability to mix different methods of training to custom fit what works best for you and your pooch. All that really matters to them is making sure that the method works-and it works "every-single-time." Sometimes this means you need to get firm with your dog, and sometimes you should ease up and cut him some slack.
There you have it. Now do you believe me? Didn't I say that they truly make only one percent of the dog experts in the industry?
You'll agree with me that, there are many trainers out there, but only a few masters. These are the true qualities of the legendary dog trainers. Such greatness is extremely hard to come by. As I mentioned earlier, I strongly believe that they make less than one percent of dog experts in the industry. They are surely the most highly paid canine experts money can buy. In meeting these individuals I found them to be amazing. They were excellent trainers and amazing instructors. They were extremely confident, and sometimes even a bit cocky--but always backed it up with their knowledge and skill. This reminds me of my what I always say,
"It's good to be humble unless you are pressed against the wall and only then should you be able to CRUSH your competition." Or, "Act strong when you're weak and weak when you are strong." ( That last one isn't mine. I borrowed it from a boxing movie.)
Most of these individuals have dedicated years of their lives in making a difference by helping dogs, dog owners, and even other dog trainers. Remember, there is a big difference between having a well-behaved dog and possessing the technique, the knowledge, the patience, and the proper communication skills to TEACH it to others. These experts have mastered all of ten of these principles! This is why they are incredibly successful and come highly recommended by everyone. If you are a trainer reading this, to become one of the greatest, you need to improve in all of these ten areas. That's right. Not just good, better, or excellent, but to be among the greatest icons, dog phenomena, and the true legends. Teaching group classes on the side every Wednesday night at seven won't do it. Visit
Is there a legend in your town? Maybe, maybe not. Most of my clients travel hours to work with me. Some even have me fly to their city and sometimes even COUNTRIES because they weren't impressed by any other expert locally, or were told that their dog was hopeless.
There are lots of experts, but only a few legends. Isn't this true in any profession? More
Kevin Salem is considered to be one of the brightest minds in the world of dog training and one of the pioneers in his field. It's hard to paint Kevin's image with the same brush as others, as his unique way of thinking, writing, and philosophy truly makes him distinct. http://www.bonelessone.com
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Most readily useful Relationship Publications for Partners
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Most readily useful Relationship Publications for Partners
Most readily useful Relationship Publications for Partners
It seldom occurs that in relations between two different people all things are like sleep of flowers. More regularly it is the exact opposite – you need to over come Difficulties, resolve conflict situations and find a real solution. Then we look for help of buddies and parents, resorting to assistance from household psychologists and psychoanalysts, but there is however yet another faithful associate – a guide.
Therapy relationship publications are popular and notable for the variety. Numerous writers are not just authors, but psychotherapists that are also well-known psychiatrists. In publications, they offer guidelines in accessible language, render support and respond to the burning questions. We’ve made a range Of the relationship books that are best for partners.
Relationship publications for males
Taoist Secrets of Enjoy: Cultivating Male Sexual Energy by Mantak Chia
The guide seamlessly combines the most recent systematic achievements with the knowledge of ancient Taoist intimate traditions. It expounds a straightforward, available and interestingly effective strategy that permits a person of any age to meet female’s imagination and drastically increase the quality and amount of love games. Those that have learned the Taoist manner ofsexual kung fu increase their vitality and life span. This might be an understandable, competent and fascinating guide for males who wish to certainly master their very own sexual potential. The book additionally addresses the nagging issues of impotence, sterility and reduced sexual intercourse.
The person’s Help Guide to Women by John Gottman
This is actually the results of a 40-year study that first provided an answer that is scientific to your concern by what females want. Also it revealed exactly exactly what males should do to attract women and build strong relationships. The writer regarding the written guide, Dr. John Gottman, is renowned for having the ability to anticipate the chance of the divorce proceedings of maried people by having a precision of 94 %. And also the primary supply of their knowledge is a laboratory that is scientific. The guidance provided on these pages is based on real life and research relationships – both bad and good, as well as remarkable.
The Book of females: Celebrating the Female Spirit by Osho
This guide informs that a lady is really an unique creature by nature. And she must be loved, because women and men should make an effort to develop their interior possible. This book will be helpful for both males and females. Guys shall be in a position to draw insights that are valuable a better comprehension of the femininenature, have no presssing problem featuring its development, & most notably – to not humiliate or steamroll over a lady.
Relationship publications for females
Fascinating Womanhood by Helen B. Andelin If you search the web for reviews relating to this guide, you will notice that so lots of women suggest it. a large amount of actual life tales, clear directions and detail by detail suggestions make “Fascinating Womanhood” an essential guide. It’s important to stress so it’s meant solely for females and reveals the secrets associated with the male heart. It is very important when it comes to therapy of relationships, particularly considering that the writer Helen Andelin could be the mom of eight young ones plus a exemplary instructor. She’s got one thing to inform the globe!
Some might genuinely believe that the writer with this guide is just a supporter of exorbitant obedience to males. But, the mindful audience will truly comprehend that just a man that is strong build family members relationships. Consequently, we highly recommend that every females read this wonderful bestseller.
Behave like a girl, Think Like a guy by Steve Harvey
It is no key that lots of effective and women that are intelligent issues in their own families. How does this take place? The responses to these concerns are provided by an amazing and internationally recognized writer – Steve Harvey. He informs ladies about guys effortlessly and accessibly. This book in some places in regards to the therapy of relationships is funny, but uncommon presentation of The material will harder make you think. Numerous visitors believe that this can be the most effective guide about relationships.
Mcdougal has were able to expose many areas of male therapy. Some Women say that they read this written guide in one single or two nights, which shows A material that is really interesting. It’s one of several most readily useful relationship advice publications. There isn’t merely great deal of helpful information, but additionally suggestions that may help you totally replace your life and relationships along with your cherished one. “The guide that saves a relationship” – this is the way individuals call this bestseller around the internet. It really is perfect perhaps maybe maybe not just for partners, also for teens.
That you don’t know any thing about males by Steve Harvey
This can be another good relationship guide for females. Harvey inside the work opens ladies’ eyes to your rich internal realm of guys. Exactly exactly exactly What should you anticipate from the man as he is twenty, and exactly how to construct a relationship as he is fifty? How come a mistress be needed by him? Why do bachelors perhaps maybe maybe not marry? Just what does it simply take to create intercourse great? These and lots of other issues are seriously answered by the writer inside the guide. Harvey advises reading the guide to both young unmarried girls and also to women with connection with relationships.
Have the man: Use the tips regarding the Male Mind to Find, Attract and Keep Your Ideal Guy by Matthew Hussey
Matthew Hussey is just a relationship that is mega-popular in the usa. Hussey developed their program that is own the Guy”, which assisted an incredible number of ladies round the globe to locate their love. Virtually every web page offers a particular technique which allows any woman to be more self-confident and – we quote – “a dream that is real any agent associated with more powerful sex “.
a bonus that is nice the guide is links to your video clip classes of this author. After each chapter, the writer informs in regards to the subtleties of specific practices on certain examples and once once again describes in more detail the essence of their theories. The guide is preferred also to those individuals who have very very very long discovered a person of aspirations and gladly reside in wedding.
Cross country relationship publications
Males come from Mars, ladies are from Venus by John Gray
John Gray, a superb US family members psychologist and intercourse specialist, developed a guide which was translated into a lot more than 15 languages and had been offered in multimillion-dollar version. “Men come from Mars, ladies are from Venus” – may be the no. 1 relationship that is best-selling of them all. This very very very first guide regarding the writer that is american posted in 1993. For longer than twenty years, it offers perhaps perhaps not lost its relevance and ranks being among the most popular publications about therapy of relationships.
Everyone understands just exactly just exactly how different males and ladies are of course, and John Gray describes in what exactly we have been various and exactly how to conquer these dissimilarities. You will be provided not only an analysis that is theoretical of therapy among these distinctions, but additionally a training guide on producing and keeping relationships that may be called love. Therefore, it is simpler to check this out relationship guide for partners along with your partner.
“Males come from Mars, ladies are from Venus” is written in a language that is simple rather than humor that is lacking mcdougal illustrates theses by real world circumstances where in actuality the audience acknowledges yourself, and also this is the primary advantageous asset of the guide. Regarding the samples of life circumstances the writer programs us the real difference when you look at the male and female knowledge of the exact same things. And most importantly, John Gray forces us to work right here and from now on. The guide steers visitors to alter their life for the higher, comprehend and love each other. Truly this might be one of several relationship books that are best for partners.
The 5 Love Languages by Gary Chapman
“The 5 like Languages” is really a helpful relationship guide for partners, which in the viewpoint of most visitors has radically changed their lifestyle. In purchase to know the therapy of relations between women and men, definitely check this out masterpiece. Lots of women state which they started initially to read this guide only once they certainly were from the verge of breakup. Nevertheless, following the reading their own families not merely forgot concerning the divorce or separation but in addition radically changed the relationship between wife and husband. Written in the and that is lucidunderstandable language, this guide about therapy of relations is universal. Featuring its assistance, you shall manage to know very well what your loved people want, and in addition how exactly to satisfy these requirements.
Gary Chapman is a health care provider of philosophy and another of the very famous family members counsellors in the us. The bestseller “The 5 like Languages” is written minus the fluff and it is a genuine web page turner.
Its principle that is main lies its name. Every one of us has certainly one of five types of love:
words of support;
time;
gift suggestions;
help;
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The guide is distinct in quite practical directions for action, and it also does not provide abstract and great bits of advice that aren’t feasible to execute in true to life. To replace the therapy of relations within the household – undoubtedly look at this guide.
The skill of Loving by Erich Fromm
Finally, we provide to your attention the job of this outstanding speculator for the 20th century – Erich Fromm. He could be a well-known thinker that is german In the field of sociology, philosophy and psychology, one of several founders of Neo-Freudianism and Freudo-Marxism.
In addition, it had been he whom introduced the idea of “consumerist society” in the 1920s. ” The skill of loving” is just an understood relationship book. Fromm had been able to check out a lot of things from a totally various standpoint|perspective that is completely different. Despite philosophical training, he were able to compose an easy-to-read mental work about love being an part that is integral of heart. Although, unlike all Previous books, ” the creative art of Loving” contains lots of definitions and has now a medical approach. But, reading the guide would be interesting not just for psychologists, but also for any reasoning individual.
When you look at the viewpoint of several contemporary masterminds, this guide is unlikely to reduce its value in hundreds of years, as it product reviews underlying issues of mankind. It broadens your head, impacts the concealed realms of therapy and possesses numerous smart ideas that enable you to definitely have a look that is fresh love.
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