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ittsybittsybunny · 3 months

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ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

#atla #avatar the last airbender #avatar the last airbender tv #atla tv #spoilers #natla #i loved it i hated it i mostly sat through it #i would like a season 2 though #aang #katara #sokka #zuko #iroh #uncle iroh #azula #ozai

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swimmingelectron · 2 months

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And firebenders can tweak the electric signals in someone's body-

But this made me think. Waterbenders can control water molecules and can bend anything the water will bring along. That is why they can bend blood. But waterbenders are also capable of NOT picking up objects that the water is carrying. So they can also dehydrate people, flood their lungs, flood their bladder, flood their digestive track, in turn giving someone diarrhoea, they can give someone a cough and a cold by increasing the volume of their mucus.

This means waterbenders would make great medics, btw. Any water is potable water. Everything is a water container. The most powerful water bender should be able to turn water into ice or steam, access groundwater in the deserts, and be able to make canals and streams.

The earth bender can bend a select range of minerals, but if they work really hard on it, they can bend any of them. Like toph did.

Strong earthbenders should be able to manipulate the very structure of molecules of the minerals so that they can sit on top of one another in a way that makes them pliable, malleable, strong, springy, etc to form the right shape and the right type of earth.

Like the water benders, they have the ability to add pressure and also control the movement of the rocks. Boomi and Toph already demonstrated what crazy fighters earthbenders can make. But i also think about how easily they can poison someone, oversalt them (dehydration 2.0), and calcify organs while the person is alive. They can cause bone cancer, they can break teeth, crush bones to powder, and puncture the internal organs. Manipulate bones did not even cover it.

They could manipulate armour to move to fight wars for the country. They could set flintstone fires without being there. They could weave metal into fabric. So many possibilities. I'm not even mentioning the industrial use, i believe LoK covered that?

Air benders and fire benders are different. Fire bending is easier to cover on an atomic level.

So they can bend heat, basically, right? But also, for some reason, they can channel electricity. The conclusion i am coming to is that they have command over the kinetic energy of individual electrons. That is why it is hard to master.

But this opens possibiliti3s. So i joked that they could modify the electric signals in the brain, but they literally could. But they can do so much more. Because this isn't atomic, it is subatomic. Yes, they can heat (and cool) things. Yes, they can use electricity. But if they can move electrons? So much more. They can change the properties of things. I can't even begin to list them. They can cut things, they can mend things seamlessly, and they can perform alchemy, changing the very structure of the atom. But that means it is an extremely volatile ability. Even the strongest bender would have to work these things one at a time or risk radiation.

Lastly, we have airbenders. There's two things that could be manipulating just air. One, they can move only free atoms. Which actually fits in with the heirarchy of molecular bonds of earth bender, molecules of water benders, airbenders with free atoms, and firebenders with subatomic electrons.

The other one would be the ability to create vacuums in space, and the air follows the small vacuums. Seeing how rigorously airbenders train, that seems the likely option despite the harmony from the other one. And then, the air bicycle is not possible. Which means. The airbenders just were into aesthetics and acting like a cult. Oh well, that's ok.

Aang has proven that airbenders can lift things with air. Heavy, dense things. They can probably aerosolise any atoms. Basically, they could pick atoms to put next to each other and let them form molecules. Airbending air out of lungs is probably the easiest thing. They can literally travel to space and make their own space suit. Out of air. Their scuba diving gas tank can be made out of literal air.

#i can't type at the speed of my thought #hit F to pay respect #atla #avatar the last airbender #katara #toph beifong #atla zuko #aang #atla boomi #legend of korra #waterbending #airbending #firebending #earthbending #i should learn physics before i open my mouth but that comes with the territory of being a writer #atla headcanons #if you read even the tags #here's a potato #i wonder if there exist other types of benders that don't realise they are benders

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someonessleeping · 18 days

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20 Years Later with New Characters, New Stories and New Stakes.

MY SLIDESHOW PITCH FOR AN AVATAR-VERSE FILM AND SERIES.

(disclaimer: this is not an avatar-centred story)

"When you base your expectations only on what you see, you blind yourself to the possibilities of a new reality" - Zaheer

NARRATIVE TIMELINE

PROTAGONISTS

SUN WARRIOR - "Surviving, that's all that matters."

WATER ATHLETE - "Losings not something I want to get used to."

SAND BENDER - "See, all those fancy moves got nothing on a little wink and smile."

NON-BENDER - "I'd close that big hole in your face before you say something I don't like. You don't know anything about me."

AIR NOMAD - "I won't give up on people because they didn't give up on me."

ANTAGONISTS

The Painted Lady - "If you know who I am then you know this won't end well for you...any of you."

Earth Kingdom Service Man - "Maybe it's time we bend fate to our will."

Air Bending Inventor - "We won't lose to this, not to them, we've been through much worse."

Water Tribe Assassin - "Finally, a challenge!"

Indigenous Fire Nation Enforcer - "No one gets to escape their past, even you!"

THE WORLD (70s Aesthetic)

Fate of the Four Nations (ANIMATED FILM) - "If we weren't all complete and utter failures we wouldn't be here would we."

Scourge of the Painted Lady (SEASON 1) - "You mustn't surrender yourself to fate."

Secrets of the Si Wong Desert (SEASON 2 PART 1) - "I'm sick of all this peace and love -I WANT WAR!"

Fury Unleashed (SEASON 2 PART 2) - "It's all been leading to this. Now show me who you are."

ADDITIONAL INFORMATION - Including soundtracks and episode structure.

ADDITIONAL LORE (Not Necessary Reading)

Thank you for making it this far, I hope you enjoyed my pitch. If you have any questions or queries I'd be happy to answer them.

Some more illustrations.

#aang #korra #avatar the last airbender #animation #film #legend of korra #avatar korra #avatar aang #tv shows #paramount pictures #atla

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yikes077 · 2 months

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Rewatching the animated series, and I know it’s just bc character design and stuff, but thank god the four elements chose the specific national areas they did. I mean, water benders without blue or grey eyes?? Fire nation without the edgy black spiky hair?? The animals that teach bending really went “they match the colour aesthetic so they’re cool. They can learn earth bending”

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745voiceofthepeople · 27 days

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In a world where Azula defeated and imprisoned Zuko and Katara after the final Agni Kai. Azula’s speech is based on the final speech of Constantine XI in 1453. Tentative idea I had for an Azutara enemies to lovers Au. A preliminary excerpt is below.

A servant ran over to Azula, as she watched the approaching army batter against the walls of Caldera city. The army was led by Avatar Aang and it combined the Earth kingdom, the Water tribes and the forces of the white lotus (along with her treacherous uncle)

“Pri- Fire lord Azula, the city is falling, you must use the tunnels to escape, now your majesty!” The servant shouted. She was one of the remaining few in the palace. The panic in her expression evident to all the at gazed upon her.

Azula stood upon the battlements. With her solders (few though that they were) turning to her expectantly. A hush fell over the city’s defenders. Bleak and all consuming.

As Azula looked out at the approaching army. Then at her own skelton forces manning the cities walls. The measly lot her father had left Azula before he went to undergo his foolish plan in the Earth Kingdom.

But as Azula tuned her contemplation back and forth, she realized that her mind felt lighter, clearer than it had in days.

Azula dwelled on the events of the last week or so in her mind. She was an abandoned by her father. The one individual l Azula thought would be on her side. More fool her. Just another one of her betrayers in the long line. Azula wondered what Ozai felt being in such vaunted company as Mai or Ty Lee, or Zuko, or her uncle. Azula smirked lightly as she imagined the gasket her father would undoubtedly blow. As well as the one Zuko would wear in turn.

Speaking of her brother, treacherous son of bitch that he is (full offense intended mother!) Azula had defeated him during an Agni Kai. Along with his Water bender friend. Who weirdly put up a greater fight than her brother. During Sozin’s comet of all times!

Though admittedly Azula was distracted by the Water benders… aesthetics during the battle. She knew the president and the laws Sozin had set up. Yet despite this, and her… mental state, Azula had found the Water witch to be… pleasing to the eye. Even when she was hurling icicles sharp as fangs at Azula’s neck. Perhaps especially so.

It felt like the pleasant warmth of a campfire for Azula to be honest to herself. Honest of her interest in the fairer sex . Especially after so long in denial. Until only a few hours ago in fact. The new Fire lord, expected to die in battle soon anyway. So she could afford the cost of honest words for once in her life. They remained the knowledge of Azula and hers alone.

Azula turned back to the servant knowing that they expected an answer. She shook her head slowly. A melancholic smile grazing the Fire lords beautiful face. Azula chuckled without humor. “No my dear Okanu. It is not my place to abandon the city in her hour of need”. Azula said. “I will meet the forces of the Avatar and my traitor uncle head on. For there is little time more for schemes. But you may leave and go to your family. My civilian subjects have already been escorted out of the city. You will join them”.

Small mercies indeed Azula thought. It wouldn’t due for her to drop the ball and get all her subjects killed in the cities sack. In the first several days of being Fire lord! The Earth kingdom forces hungered for battle and vengeance. A hunger Azula knew they would take out on the cities inhabitants. Had she not made sure to move them away from the city.

“But Fire lord” - the servant Okanu started.

“I give you one last order Okanu, you are banished from the city forever, now join your family”. The servant appeared at once resigned and grateful. After bowing one last time, Okanu turned and left.

Azula turned to her men stationed on the walls. Just outside of the gate. That was being battered by the Avatar’s forces in this very battle. Azula briefly considered the strangeness that neither the avatar nor his companions used their bending to destroy the walls. Perhaps they were still tired from previous battle? Or mayhaps they were simply waiting her out? Or perhaps they feared ahead would execute Zuko or the Water bender girl.

Azula looked her men over, scanning her eyes of their faces. Fear and doubt was the most prominent reflection. That Azula was sure would also be mirrored in her face. If she were not so skilled in clouding her features.

Azula opened her mouth and began to speak to her troops. She considered, there was time for fear and time for awe.

“Once this city [Caldera city] mastered the entire universe. She placed beneath her feat the Fire islands, Yu Dao, Makapu, Omashu,Gaoling, and all the lands of the Earth kingdom and the Si Wong desert. Our empire, presently humbled, did fell the continental walls of Ba Sing Se, Rivaled the great conquerers of old, Repelled the Water Tribe invaders during the eclipse, Slayed the Avatar’s (for a time), seen the Air Nomads retuned to dust, tamed the stubborn lands of Earth, and cast out our empires traitors. She is now finally, to be devoured by the house of Avatar Aang. And as my city falls…I will fall with her”.

Azula held up her hand and a beautiful sword made of the purest blue flame appeared. A speck of shining azure against the inky darkness of the night. Azula breathed deeply to calm the panic that nearly overwhelmed her and charged down from the walls. Straight into the forces of the avatar. Though Azula did have troops stationed to ambush the invaders at the flanks. She wasn’t a fool after all, and the enemy forces would burn for every inch of this city. For every inch of her home.

#azutara #azula #Katara #tentative fic idea

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wildestgirls · 2 months

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Oh gosh oh gosh oh gosh, I'm in desperate need of Eric headcanons, darling. If you don't mind, of course...

Erik Headcanons

yes ofc!!!! 🩷cw: eating disorder

occasionally models his own clothes and gets his brothers to model for him

very thin very soft hands

probably tried coke or the demon equivalent

the sorta guy to like obsess over a stranger if they do one nice thing for him randomly

fucking hates hats and will never wear one cuz they mess up his hair

one of the things I headcanon the most for him is that by the start of the first game he's recovering from an eating disorder which developed from abuse from his mother

wears the most make-up out of all the boys but not that much mostly just for dark under eyes

despite that has perfect shiny skin and a great skincare routine

He has a man crush on Asami from Legend of Korra

Water bender!!!

Despite that he does not drink water- it's always wine, soda and coffee no matter what

get into random kids shows from watching them with Matthew and Damien- Ever After High and Monster High are his faves

He's a big fan of Cleo and Draculaura

he mains Pauline on mario kart but King Boo is second if she's not on it

Used wax strips himself once and Sam started pissing him off so he slapped one on his leg

He loves to travel! His least favourite place was probably Paris because of how crowded it was

He's so into Lana Del Rey's music and like her whole music aesthetic

Listens to her and ABBA mostly

He can do amazing eyeshadow and paints nails very well

He does Mika's hair when she asks

Pretty much just Mika's personal stylist and beautician

THAT'S IT RN IDK IF ILL ADD MORE TO IT!!!

#seduce me the otome #seduce me #seduce me the demon war #seduce me erik

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kind-hufflepuff · 8 months

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WATER BENDER PANSY PARKINSON

#aesthetic #harry potter #harry potter ships #harry potter aesthetic #hogwarts house #ship #pansy parkinson aesthetic #water bender #alta au #water element #black mare animagus #pansmione #pansy x hermione #water tribe

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valleydean · 2 years

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Raise the Black

coming to ao3 september 2022 a deancas pirate au by valleydean (emmbrancsxx0) playlist | ko-fi

SUMMARY: Nassau, 1717. Captain Dean Winchester of the Impala is a born and raised pirate, committed to disrupting commerce and civility on a global scale. After a battle at sea with the Royal Navy, Dean discovers a stowaway on his ship: Castiel Novak, an officer from Carolina with a secret. As their relationship grows, so does England’s determination to end piracy in the New World. This is the story of how men can become legends and how love can ignite a revolution.

PREVIEW:

“Because,” Balthazar said with a shrug, “you’re the most luminous captain—or, should I say, commodore—on this island. The highest earner, the highest success rate. You’re practically a myth. Even in the short time I’ve been here, I’ve heard the stories about you and your family.”

A muscle in Dean’s jaw jumped, his entire body coiling. He knew the stories. He didn’t need them recounted, but Balthazar did it for him anyway, as if it was a tale on par with Odysseus and Hercules.

“How does it go? That Poseidon fashioned your father from reef and seafoam—his agent on the land, tasked with defending the god’s kingdom by feeding as many of its adversaries to the water as he could? But he needed a weapon, so the king of the ocean sent him a woman, and that’s how you came about. Half-man, half-sea.”

Airily, he continued, “It’s quite charming, isn’t it? The belief the others have in you, the so-called Sword of the High Seas.”

Dean hated the fairytale. He was just a regular guy, nothing more. But pirates would believe anything, and Sam always said it was good to let them spread the story. That they could use it as a shield against their enemies—but Dean wasn’t a shield.

That was the second half of the story, the one that Balthazar hadn’t seemed to have heard about yet.

That one day there’d come another, a protector; and that together, the two of them would unite the Pirate’s Republic. That no one would ever have to worry about empires or shackles or colonial rule ever again. Some people even said this newcomer would be Poseidon himself, raised from the water.

It was a bunch of bullshit. Dean was no savior, and he certainly would never fight in the service of a god or a king.

“Yeah, and what does that make Sam, huh?” Dean answered dryly. “A musket ball?”

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TAGGED: @lovercas @donestiel @wanderingcas @thetiredstuff @skella-bro @casthegrumpy @celestialcastiel @bluefirecas @jiminthestreets-bonesinthesheets @that-one-fandom-chick @haru-park96 @alejandriaiqq @no-aesthetic-all-aethetic @amirosebooks @epple-benene @agus-likes @the-ship-haz-sailed @justkissalreadyforfucksake @madimoo31 @an-angel-in-love-with-a-hunter @gracelesstars @bazghetti @wayward-waffles @theojaxons @jenmishrob @all-or-nothing-baby @auttownblue @leftistdean @sargafust @wannabe-loser @jessalrynn @splicedthoughts @castielss @that-dumbass-on-a-horse @passionfruixts @fabreagab @princesswinchester100 @superduckbatrebel @hopefuldreamers-world@theangelwiththewormstache @casandeans @mylovelydame21 @confusedisaster @superduckbatrebel @destielwentcanonomg @highest-brightness @i-put-the-ayyy-in-asexual @darkacademiagay @imthedoctorlove @freckledean @youcanteverknowenough @chicken-kebabs @myguardianangelisatrickster @hotactiongirlcoded @wingsandimpalas @casandhumanity @tploz @dontsgotalifee389 @on-a-bender @castiel-mybeloved @siriusseverusdeservedbetter @doctorprofessorsong @castielshotgirlsummer @toomuchheartcas @paintdriesfaster @lesbiancowboyy @angelinthefire @transdeantruther @fluffy-alpacaness @rogue-cas-whore @winchester-derangement-syndrome @lizzybennettdarcy @kineticpassion @i-love-books-and-so-do-you @dascean @llamasdumpsterfire @psychicbouquetblaze-stuff @im-some-lionheart @charlie-bradburi @bunnymcbunnister @demonicwhitewolf @gothanna @afeelingsosweet @sinnabonka @artsymoth @cassandrablah @sweetpeaalena @savingpeopleshippingthings @goiwantamuffin @rauko-is-a-free-elf

Please let me know if you’d like to be tagged in chapters or if you’d like to be taken off the list.

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just-jae · 9 months

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Eyo- So this is why I love OG Naruto

CW: Cursing.

Random projectile vomiting what I love about the first part of Naruto. Mostly from memory (so like, a decade+ ago) I decided to play the the Chunin Exams Arc while writing this to refresh my memory bc honestly, even though I dipped after tasting Shippuden and don't even care to aknowledge Boruto (even if it's good, i don't care) the fact that Part 1 is still so enjoyable shows how it's virtues were in that it actually executed, not just in what it promised. I'll probably be editing this as I rewatch-- like, apparently Choji and Neji also have arm wraps :,V

The theme around hard work. It wasn't a "Work hard to earn a comfy life/ those at the top deserve it" theme it was a "Go after what you love, be passionate, be persistent, build upon yourself to overcome obstacles," kind of hard-work theme. It encouraged chasing your passions and applying yourself to challenges. There was value in just doing that, even if you failed. The meaning and value in your life was tied to your own efforts and decisions, not your status or position in a heirarchy or social conscience.

Positive Father Figures: Forget that Naruto punches his dad in Shippuden. In the first episode, Iruka emotionally adopts Naruto after opening up to him and allowing himself to relate to Naruto as a fellow human being who was suffering and responding to that suffering in similar ways to himself. Before, he pretended not to understand Naruto for the sake of "evil demon kid" narratives and ignoring his own grief. Iruka scraggling Naruto's hair like a big bro/dad wasn't just a bonding moment; it was a found family moment. When Naruto hugs Iruka in the Forest of death, you can tell he adores that kid and is ready to sign the adoption papers.

One of Naruto's icon characters is Ichiraku, the ramen guy who basically serves as Naruto's Grandad. He fills this kid with soup ramen near-every damn day. He's probably why Naruto loves ramen so much.

The spooky, nature-y understones and setting: Giant dark forests, thematic, nature-inspired ninja techniques, the spooky music, the semi-traditional japanese instruments in the sound track (flutes, drums, lutes, etc.) It's got electric guitar too but the traditional texture of the music made it earthy and cultrally touching in the same way that Avatar: The last Air Bender's natural and spiritual eastern inspiration colored it's visual and audial aesthetic. The "HUH"s and "HUAH"' in the background music added so much bomastic, earthy energy, I LOVED hearing them. I'm telling you there's a healthy reason why I like screaming/yelling/hollering. I haven't articulated it yet, but Naruto's soundtrack scratch that itch well.

Horror: Naruto is one of the few anime I've seen with undertones of horror, without being a horror genre show especially for an action-oriented shonen inspired by feudal-age folklore hybrid with modern aesthetics like military vests and tvs. The realistic visual tone that Naruto leans toward compared to modern anime only helps this and makes how dark it gets believable when you consider how culturally and morally grey the base populations are. Sometimes the cultural vices are the main drive in a character's backstory, like Gaara, who's village was crumbling after betrayal and unreliable leadership reinforced the trust and connection issues that left him alone on a raft in hostile waters with the boogie man as his raftmate to where he couldn't even fathom caring for someone else. Bc of this, him being fucking insane, while Naruto wasn't made sense. It felt like the worlds they were in naturally led to the horrors.

Smarts and thoughtfulness being used to win battles. Earlier in the show, things weren't so flashy, not even elite ninjas were shown doing anything nearly as wild as what happens in the second and following parts. The limits of these abilities left room for the characters to use their heads to not only work around their limits but use them to their advantage to bamboozle and have some kind of chance even against physically stronger opponents.

The significance of jutsu also felt more thematic and narrative in nature. The First Hokage's super power was growing giant trees with his chakra.

Which not only suggests he created the very forest Konoha resides in, but also pointed to his approach to leadership, which was giving himself and his clan to stegnthen and lift everyone else up, not just through mixing blood with other clans but through building stregnth and resikience through connections and mutual care.

Much better than the brightest, fastest, most destructive energy bomb or powerup.

Look at the reaper death seal justsu and tell me that wasn't more terrifying than the tentails. Imagine how scared someone is using that jutsu. A demon ghost lady is gonna use your soul as a glove to grab someone else's soul, eat it, and then take you with her... him? It/they-- qhost.

Which leads me to another thing- vulnerability coupled with power. The imagery of the reaper death seal, reainforced a sense of vulnerability that is necessary for the power the user gains.

Gaara's insomnia and dangerously narrow buffer between him and Shukaku lead to him spazzing out in pain whenever something triggers an episode of whatever-the-fuck. Leaving him in a a state of disarray and uselessness.

He was supposed to be the nuke that destroyed Konoha but was too busy chasing after anyone who had a chance of beating him up. And then freaking out over hugs. His invulnerable body came with a trade off of a vulnerable and volitile psyche.

Even Zabuza only survived Kakashi because Haku incapacitated him with needles to his neck and then took care of him afterward.

The conversation between the 1st 2nd and 4th Hokage's was like. "Yo it's my bros!" "Hey bro. Sorry bro." "Bro i don't wanna fight you. But this is so cool. I miss you bro." "me too bro."

Now more character-specific stuff:

Rock Lee is my all-time favorite character. Not only is he the embodiment of part 1's major theme, but I just loved his design and voice acting (the green bodysuit could be awkward at times, but everything else is just pure "That's my son look at him go" vibes).

It's a simplistic, agile, adorable character. Pure serotonin. The way his hair flipped around when he fought was great, the (OMO) face, the scrawly, lanky body that moved a little too sharp bc he was legit always ready to explode-- just great. Rock Lee is so pasionate and just loves living. I got the sense that he isn't training just to prove ppl wrong. He loves the ninja arts, and learns to love taijutsu for its own sake not just for the sake of other's approval or besting someone in combat.

Kakashi Hatake was like the reassuring character. His calm and focused approach to conflicts and danger were a nice balance to everyone else's bamboozlement and dramatic/passionate personalities. Kakashi also comes off as a reality check sort of character. He's the one who makes team seven realize the mortality of ninjas via a monument echoing real-life monuments dedicated to fallen soldiers and victims of war/terrorism. You can tell that he cares about ninja as people despite his laid-back demeanor, and expects his team to understand the importance of respect for fellow ninja. His experiance with the inner workings of Konoha also make him more realistic and aware of the world's greyness. He knows how politically corrupt things are and wants his students to hold on to their morality instead of tossing it away to follow orders.

Zabuza- was not just eye candy-- okay Zabuza was 99% eye candy for me (looked a bit starved but-- damn Kishimoto knew what he was doing with that one)

Zabuza's situation of being emotionally dishonest with himself ties back to the whole vulberability associated with power thing. His cold world veiw ablut using and being used made it more obvious that he and Haku genuinely cared for eachother bc they acted in ways that didn't fit that narrative. This big, sharktoothed "Demon of the mist" having a soft spot that also had a soft spot for him was like 🥺

Tenten's affinity for weapon-weilding was legitimately cool and gave me mechanic vibes. They could have been so creative with that. But for now it's just sitting on its hands. I also just love her character design. She got those BUNS.

The Sand Siblings were my favorite team. They were scary as hell. Gaara was just danger personified. He was bloodthisty with a power that enabled it. Carrying around a gourd that reeked of blood-- like-- Garra was one of the horrors of the forest of death and the way he act and the way his siblings talk about him suggested he was chaotic and couldn't nessecarily be trust to keep to the plan. And I loved that he was this tiny scrawny thing with no eyebrows and eyeliner panda/racoon eyes. Some of his expressions were like- EXPRESSIONS dude.

He used have more expressions than 😐 and 😑. He was unintentionally adorable-- you can tell he was meant to look creepy and otherly but came out a little critter. His hair wasn't even meant to be red, that was an animation error. Like, a character even calls him a runt, Kiba's like "Oh no he's too small to be picking fights, run little dude" so he's canonically a little guy. Littler than normal.

Let me tell you, when I was scrubbing through the episodes (bc they spend so much time wasting time on nothing) my eyes would hook on a thumbnail of Gaara, and it'd be 2 seconds of him not reacting to something, and it'd be worth it everytime. Instant serotonin.

Seeing the smallest, most baby-faced member of the group, who looks even tinier with a giant gourd go:

Is just wild. At least for Naruto. And the fear in the other characters is just- a lot. He's not animated in a cuetsey way either. Like, he's not a loli character. He's a little eldritch horror. And I love that he's not infantilized or cutyfied by the creator for being tiny.

Kankuro was also pretty spooky. Not only did his technique look painful as a papercut, but his main puppet (Crow?) somehow managed to give off body-horror vibes.

They really milked it's spookyness by emphasizing the mechanical side of it (the clicking and the way it jerked) and its use of poisoned everything to make even the tiniest nicks a big deal.

Temari was the power house, aesthetically. Like, it's not even a girl-power thing. She just has shoulder-snapper posture. Her eyes , are this dark blue that I've rarely seen in a character design. She's got big sis vibes (bc she IS the big sis). Like, she's gorgeous.

And her explosive hair went well with her chaotic wind specialty. She just fucks the entire landscape up with the goddamned air dude.

The GODDAMNED AIR.

AND THEN LATER WITH THE FERRET-- LIKE DUDE.

Anyways...

Orochimaru as himself is a creep, at least later on-- mostly bc so much of his character is spent obsessing over a little boy's body- obv. this was meant to be creepy, but it's like, pedo creepy, not spider on the wall/ posessed doll creepy. His introduction as the Grass lady, and this slippery immoral scientist who wanted to catalyze a war was a great time He felt like a force of nature.

I dont have Grass Lady photos yet but this is the next best thing lmao. As the mysterious grass village lady, he was HORRIFIC. I really wish she and her team had been real characters instead of just a skin for Orochimaru to hide in. The way she's introduced is exactly the reason why ninja are traditionally thought of as practicing dark, evil arts. Bc they did dark, evil, spooky shit like pulling at their eyelids and being gross with their tongues. The organs and spooky singing in the background, the predator/prey theme, knowing about Naruto's seal when (at this point) so few others did. On top of that, ya'll gotta know that I'm a sucker for those conical sedge/ coolie hats. The fact that Grass LAdy had a long face and droopy eyes made it all the better. Like, how many other feminine characters have those features? All the character designs of the Grass Village team and the relation of grass to snakes and big hats was pretty neat imo.

Kiba Inuzuka honestly seems like he was inspired by Princess Monoke, which is pretty neat on its own, but i honestly don't feel like Kiba really fits into a ninja village. He's loud and bombastic and rarely uses clever or sneaky tricks. It's just brute strength and prey drive. Which isn't to say he shouldn't be in Naruto, but that maybe he could have been from a different village? Or just not necesarily a ninja. Idk. I love that he's this wild-child who's entire theme is dog.

If a dog were a dude.

If only they were good at drawing dogs though.

Hinata was one of those characters I didn't realize I identified with. A LOT. If Rock Lee is who I aspired to be, Hinata was who I actually was. Not just in demeanor (I too skalked around in a jacket no matter the weather) but also in circumstance. Struggling with comparing yourself to others, or others resenting you for the way you're treated (I was the baby of the family) or constantly dealing with people who think they're better or scold you for poor performance, being pushed into something you didn't even really care for. It was all very relatable, and I didn't even realize it at the time.

The fact that they were willing to give her those "ugly" veins left an impression on me too. Bc, that was her kickass look. It wasn't cute, and she didn't have a delicate, pretty style of fighting. Even though she got beat up she really threw hands in a way that felt realistic. Homegirl was just tryna get by despite being surrounded by assholes, and the moment she stood up to Neji, who was in the middle of phsychologically manipulating her into an anxiety attack (not a literal attack but same energy) was like 🥳. I can respect that. Even though she lost, it really felt like Neji learned there'll at least be trouble if he tries that shit again.

Shino was another favorite (I'm gonna end up going through every character at this rate). Especially with his english dub actor. For much the same reasons as Kakashi. Shino was reliable and cool headed. He didn't strut power or look to intimidate anyone, he just paid attention and tended to his bugs-- which, the fact that he cares for and works with a bunch of bugs is oddly endearing. It's like meeting a cat person who's just really good with cats but doesn't gush over them. He comes off as sensitive, but not obsessive.

His angry-neutral design is pretty neat too. Big Soundwave vibes.

Sakura's wake-up call is honestly pretty iconic. She was a bratty character who realized her flaws on her own instead of being told "Hey, be better you goof", She reflected on how she's been up until the moment when it was all on her and she was eating dirt. Sakura getting serious and learning to be proactive, now that she didn't have anyone as a crutch or a scapegoat, was a pretty awesome moment. And even though The show could have done more with her in that regard, I still appreciate that they went there. Watching Sakura with empathy (especially now that we as a society aren't starving for strong female characters like we used to be) makes me notice how realistic her nievety and dependance is. And also how funny she is at times. Even Ino realizing having that wakeup call like "Bro I'm being stupid, I can't let this girl die over a crush". It even feels like their feud isn't just about a crush but just social insecurity. Sakura used to be shy until she met Ino. Ino enouraged her to be proud up until attention started to be drawn away from her toward Sakura. This also suggested that Ino actually did look down on Sakura and was using her to feel better about herself. Sakura outgrowing Ino put her in a position of facing her own flaws or reframing Sakura as an enemy who didn't deserve to be loved.

And when the reason they were enemies (Sasuke) no longer justified being a dickhead (letting Sakura fucking die) Ino not only had to face her own inadequacy but allow herself to care for Sakura again, from a more genuine place.

I wish they had done more with that, but the fact that they did that in the first place was iconic. There's nothing like having to learn that the world you were raised in is not reality. Breaking out of a sheltered and shallow worlveiw is its own struggle. Its a learning curve, and it leaves you emotionally and socially unprepared when you thought you finally had everything figured out. Sometimes people hold on to bratty behavior bc they think their only other option is getting bullied and hating themselves. Sakura's snootiness comes off just makeshift confidence she learned from assholes. She didn't look down on Naruto bc she interacted with Naruto, she looked down on him bc that's what she's been taught to do about people like Naruto. The whole village was like that. Which is realistic. We just aren't told nearly as much of her perspective as other characters, but her learning how her words impact people, and how dishonest she is about her own competence is worth exploring.

The themes in Naruto were pretty nuanced-- even if the character's dialogue was exposition hell (they spend so much time verbally explaining things that dont need to be explained in such a longwinded manner), they were human condition themes, not just a power fantasy or a romance, or a black and white, good and evil conflict. Ninjas are already pretty shady, with Naruto being the most overtly good character in the show. Everyone else's morality (beside's Lee) is questionable at one point or another-- in fact I think even Lee was introduced as an intimidating upperclassmen. It feels true to life that regular people are actually pretty mean and flawed, which makes Naruto's themes hit harder bc you know it's not just one special character going through a special time, making friends with other 100% good people. Its life. Its people dealing with life. Like, these assholes love and hate eachother at the same time all the time. Some of Naruto's friends did some morally questionable shit. Like Shikamaru pretending to be asleep during the attack on Konoha. We still love the guy, but, get the fuck up dude.

Looking back, this just makes me realize that I've always had an interest in thematic/psychological horror and character realism. I can't stand gore/torture, but spooky grass women that infect you with curses, cursed puppets that spazz and split their faces open, and tiny murderous gremlins who nearly give people heart attacks just bc they thought he was gonna do something, being my favorite characters of Naruto is pretty telling.

Add the inky, Hidden Rain water Clones to the list too.

Iruka needs to get a pen. Reaper needs more soul spagetti and Naruto needs to give back SOME of Garra's personality. Just a little. Let him be a little bit of a little bitch.

#naruto part 1 #chunin exams #forest of death #garra #kankuro #Temari #sand siblings #sabaku no gaara #kakashi hatake #rock lee #orochimaru #Grass village lady #horror #hinata hyuga #kiba inuzuka #shino aburame #Zabuza

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natlacentral · 3 months

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How the Costume Designer Behind Netflix’s ‘Avatar: The Last Airbender’ Brought the Iconic Animated Looks to Life

Farnaz Khaki-Sadigh explains why Aang's outfit was so hard to perfect and shares the easter eggs hiding in the show's fashion.

2005’s Avatar: The Last Airbender is one of the best examples of world-building put to screen in television history—thanks in large part to the show's fashion. The Nickelodeon animated series pulled its viewers into the magical universe of “benders,” by giving each of the world’s four nations—the Fire Nation, the Earth Kingdom, the Water Tribe, and the Air Nomads—a distinct, recognizable aesthetic inspired by Asian and Indigenous cultures. The original ATLA also handled intricate character arcs and heavy themes around war and colonialism with a nuance that both kids and adults could appreciate, and the gorgeous 2D animation sucked every viewer deeply into the fantasy world. So Netflix’s new live-action adaptation had a tall order to meet when it came to bringing the beloved cartoon to life.

The streamer met the challenge with an impressive, charming flair by gathering a talented cast and crew filled with fans of the original cartoon, including costume designer Farnaz Khaki-Sadigh. While speaking with Marie Claire over Zoom, the Emmy winner—who previously worked on sci-fi/fantasy shows like The 100 and R.L. Stine’s The Haunting Hour— shared how she was able to successfully infuse real-world cultural inspirations into all of the outfits. It's something she hopes has lasting effects outside of Hollywood: “I hope that it inspires [viewers] to learn about other cultures and different parts of the world, to want to go visit them and understand them,” she says of the new series.

Here, Khaki-Sadigh chats about her favorite costumes from the original series, her months-long research process, and the practicalities she considered while designing real-life versions of Team Avatar’s looks.

Marie Claire: How familiar were you with the original animated series when you got the opportunity to work on the Netflix show?

Farnaz Khaki-Sadigh: I watched it a dozen times before I even got the job. When it was first announced that they were going to do a live-action series, I was like, ‘I want to work on this.’ This is a dream job.

Now knowing you're a fan, how did you approach honoring the original show while putting your own spin on the live-action clothes?

FKS: I definitely wanted to pay homage to the original. I think a lot of that comes through with the color palettes that we've chosen. [Also] keeping the silhouettes of the original animation and then breathing life into it with real-world materials and inspirations from the various cultures. The animation is more of a broader reference of the Asian and Indigenous cultures, so we went in and did a bit more specification—to give it a more dimension and narrow each culture in the show down to a specific group.

With the Southern Water Tribe, for example, we did take a lot from the Inuit culture. But I also learned that they did a lot of trades with certain other Indigenous groups and Northern Vikings, so we have a lot of those influences coming into [their clothing] as well. With the Northern Water tribe, we went a little bit more towards the Siberian Indigenous groups, such as the Yupiks and the Turkic tribes, to give it more variety and differentiation between the two fictional tribal nations. Then with the earth-benders, we see other cultures referenced. Omashu is very much based on Southeast Asian and Indian cultures. Whereas, there are smaller towns that we see in certain episodes that are based on other Asian cultures and Asian countries. So we brought in some Korean influences and some Vietnamese influences [for those]. We wanted to give [each nation’s aesthetic] a broader spectrum as opposed to just unifying everything under the one umbrella.

What were some of the challenges you faced in bringing these animated looks to life?

FKS: It was definitely a lot of trial and error. You want to be authentic, but then you also have to take into consideration the fact that it is a show, and it is present-day as opposed to the mid-1800s, when the show is technically based on. They used a lot of materials back then that we don't use in the present-day. So it's just finding a balance of making the costumes look like they belong in that time period, but they're still comfortable enough for actors to wear today, and that they can move in it and fight and do all of their actions. We tested a lot of things. We built mockups and had stunt performers try to do fight moves in them to see what we had to change. Like if the weight of the armors were too heavy, or if they didn't sit properly, and [the actors] couldn't move their arms a certain way to do the bending that they needed to do. And we adjusted accordingly. We had a good enough chunk of time to do these trial-and-error runs to make sure that, once the garments were actually put on the performer, they were actually functional for them, and they could move and perform in them.

Is there a character who you really loved designing for, or one of the costumes that you're really proud of?

FKS: I cannot pick a favorite, to be honest. Every time a costume was done, and we would see it for the first time on camera, I think I cried a little bit because it felt so good. It felt surreal as a fan too, just to see everything come to life.

Aang has the most recognizable look out of all of the characters. What was the process of figuring out his costume?

FKS: That one was the hardest one because it is one of the simpler ones out of all of them. Just because it's simple, it doesn't make it easy. We had to go through so many different materials to make sure that it flowed and moved with the air-bending. Then we had to make sure that the colors worked with the animation, but were also realistic at the same time. They had to work within our Air Nomad world, especially since the Southern Air Temple was based on Tibetan monks and their aesthetic [on the show] was pulled from that culture and their color palettes. We decided that, within the Air Nomads, we couldn't use any synthetic materials or anything that came from animals, just because of what that culture is based on. Everything had to be natural fibers. For the color of the Cape, I think we went through anywhere between like six and 10 different fabrics. We made so many different capes for him because the color kept shifting under the lights. So we had to find the perfect material and the perfect color, that moved, looked great, and didn't change color under the camera lights. One of the simplest costumes took us the longest time to figure out, but it was worth it.

The show also has so many great accessories from Katara’s necklace and Sokka’s bone choker to the Fire Nation crowns and helmets. What was the process of figuring out which accessories from the cartoon would be brought into live action?

FKS: We wanted to feature anything that was really iconic to the characters. Katara's necklace is a very big part of her character. It's a memento from her mother that sort of brings the North and the South together. It's all those little things that really made the characters in the animation. You look at that piece and you know exactly who that person is without them actually having it on. So those are the elements that we wanted to include.

Did it ever get overwhelming to handle something on this scale of world-building?

FKS: Absolutely, all the time. I did so much research and so much reading and talking to people from those cultures and learning from them. I probably spent like three or four months before I started the project—just between prepping for my interviews and then prepping to start conceptualizing once I had the job. I was constantly trying to learn more about the materials that were used and why they were used, and why certain cultures used certain colors and what it represented. There's how the materials moved; how the garments moved; how different ranks and social status affected and influenced the garments in that time period; the wars, the trade routes, and what was and wasn't traded, what was traded for what...all of those things. It really was a historical study of the cultures within the story as well as in real life. For example, Kyoshi is very much based on Japanese culture, and specifically Samurai culture. There's actually a group of female warriors in Japan called Onna-bu Geisha. A lot of the inspiration for the Kyoshi Warriors comes from those female samurai warriors.

Are there any looks you're looking forward to bringing to life in future seasons?

I'd really love to do Ba Sing Se. That would be a world that I really would love to create, because I think there's just so much there that we can play on. I would love to do Ember Island. That was a really fun storyline in Book Three, and I think it would be really fun to realize that.

#natla #atla #avatar the last airbender #netflix avatar #netflix atla #avatar netflix #atla netflix #farnaz khaki sadigh #interview #marie claire

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