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athousandbyeol · 9 months

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discussion #8 (only friends): topmew are fighting a losing battle from the beginning [episode 1 recap]

there are so many things to unravel and i don't even know where to begin. i was quite overwhelmed and underwhelmed during the premiere of only friends. i couldn't fathom everything that was happening as episode 1 was A LOT, but i'll try my best to gather everything that i see from these two episodes in two different posts (and will try to be as coherent and concise as possible).

as always, my discussion posts are always welcomed to incite more discourses everywhere. i hope it can provide a bit of clarity to the thoughts or questions everyone has especially about topmew.

please take this with a grain of salt :)

let's begin.

episode 1: the game begins

topmew's first encounter; the baseline of top's interest in mew

so, it turns out, top and mew met way before boston introduced them to each other! that was a very pleasant surprise. and also very essential to the 'possible' topmew love arc.

i believe, during their first encounter, top was possibly annoyed by this guy (mew) who happened to bump into him and spill the drink all over his shirt. but as mew poorly attempted to fix the mess, top was more interested in mew's white wristband.

this is when things get interesting. white wristband means celibacy; mew isn't interested to be 'hit on'. but top outwardly said, "you're wearing a white wristband. i guess i can hit on you." at this point, top is really colour blind

but what top said there showed his egoistic/self-centred nature. i guess when top said this to other people, they might immediately agree to 'get laid' by the top tier. but clearly, mew (and ray) wasn't succumbing to top's ego. and this somehow challenged his pride even more. their first encounter was a moment of sparked interest in top— he wanted mew more than ever. who is this guy? why is he so hard to impress?

topmew's second encounter; they kicked off (together)

as they met again the second time, the spark was mutual. mew was interested this time, probably because he saw top's persistence as a 'challenge' that he wanted to take on. he was flattered, yes, when top said he was cute, but he also knew he couldn't let those words cloud his judgement because, at the end of the day, top was still a stranger with a name.

these stealing glances; both of them were checking each other out, kind of like a player looking at their opponent, trying to study their enemy's face/appearance so it would be easier for them to strategise and take aim for the upcoming battle. but it was also a moment of blooming intimacy between them. the distance was nonexistent and it was clearly intentional from top's behalf. he just wanted to be there, present and close and reachable to mew. top wanted to make himself bigger than anyone else in the room. it was his way of saying just look at me and no one else. and oh, did mew look at him all right.

the push and pull game continued as top complimented mew, saying he was cute with the glasses. i don't know if it's intentional how frequently the 'i can read people well' and 'i know what people are thinking' is repeated in episode 1. i guess it's a foreshadowing that 1) mew's judgement of top will be entirely wrong (perhaps mew has always seen top as someone who's a bit suspicious but kind. but that will change once he knows top and boston are fucking behind his back while top 'deemed' to pursue mew as his boyfriend) or 2) mew has been right all along (he knows top was playing with him from the get-go so he tricked top into his 'game' and played him too). i think it'll be a mixture of these two (and possibly more) because mew is proven to be VERY cunning, deceiving and manipulative too.

i have to say, i think top does like mew, but not romantically (not yet). in episode 1, i think top just likes the idea of winning mew over. i believe it's fairly easy for top to get whatever he wants, given that look and status of his. however, he has never met someone like mew who didn't see those things as charming or a good enough reason to have a steamy hook-up for the night. and this tallies with what mew said in episode 2, "you aren't entirely my type."

at this point, top just wanted to prove to boston that he could have his way with mew. mew wouldn't be so difficult to lure because look at him? doesn't he look gullible? i think these are top's initial thoughts as he observed mew from afar. he truly believed that mew would eventually give in if top played his cards well. (but mew isn't as easy as top and boston think he is.)

so that's when top used one of his tricks, "i have a headache. sorry because i have to crash at your house for a while." this is clearly top 1) putting mew at ease by coming over to mew's house (mew's territory), just to make mew comfortable of doing 'it' at his own space (again, an act of manipulation that read gentleman-ly, but not really), and 2) giving mew the idea that mew is in control and he can stop if he doesn't want to (which to an extent was valid, but top was hoping they won't stop because he wanted to do mew there and then and there was no way top would leave this house without having a taste of mew).

topmew's first kiss; a silent demand of agreement

as i've mentioned, top only wanted to have sex with mew and that was it. he didn't have other intentions to be in mew's house other than getting in mew's pants and giving him a 'good' time.

from the way top behaved around mew, it was like a hunter studying his prey. again, in this hunter-prey/hunter-hunter relationship, of course, one will have the upper hand over the other. but it's different when it comes to topmew. it's because, in actuality, both of them are hunters. yet, top and mew delude themselves into believing mew is top's prey and top is mew's prey. thus, this is one of the reasons why i equate their relationship as fighting a losing battle. if both of them are hunters, is it possible to benefit anything from each other aside from gaining new skills? i don't think so. this isn't a beneficial relationship. both of them will end up hurting each other the most to determine who's the better hunter.

however, as top and mew were kissing, it was mainly controlled by top. as this was in top's element, he had all the benefits. and he believed, with his good kissing 'skills', it would be enough to bend mew in his direction and give in.

at one point, mew was about to admit defeat.

here, i think mew was a bit dazed. none of his past lovers (?) were this bold and top took him by surprise. it was also evident when top first kissed him. it took about 2 to 3 seconds for mew to respond as he finally could register whatever was going on right now.

there was hesitation, but as mew was also equally intrigued by top, this wasn't as bad as he thought it would be.

drawing boundaries; another challenge for top to partake

the sexy times ended as quickly as they began. mew wasn't ready to do it with top. i'm glad they retained this part. it provides so much depth to mew's character. also, it makes sense because their first time will be very special for mew as it'll confirm his feelings for top, and it'll also be one of his tools to 'guilt-trip' top into thinking, "you've destroyed my trust in our relationship," aka the confrontation scene.

i think it's very valid how mew wants his first time to be with someone he knows— likes. he doesn't want to do it with a stranger, even though that stranger is very handsome and charming like top. and it's also funny to me that top insisted—

—they can do it even without knowing each other.

this already sets top and mew apart; top doing this so casually with anyone as long as he 'comes', for the sake of his pleasure and to set his mind off of his problems, and mew wants to do this only with people he knows/likes because it's what he believes is appropriate/true. it shows how different their understanding of sex is, and possibly how love works. what top said here also amplifies his need and frustration to have things going on as he planned. he didn't want mew to ruin it even though this involved mew. he just wanted to taste mew— why is it so difficult?

and this line knocked me off GOOD because it's going to be so pertinent as the series progresses.

side note: i have a tiny feeling that mew will end up being like boston at one point in this drama to get on top's nerves. it might be one of his ways to play top at his own game; sleeping around with no strings attached, with no names acquired, with no feelings tied. top uses sex as a relief and confidence booster, so mew will also use sex to break top's heart. and this will tear top apart. i hope it will.

ice cream; a motif of gaining composure and masking anger

i see this ice cream scene for two different reasons.

from mew's perspective, the ice cream acts as a 'cooling effect'. he was definitely 'heated' from the intense make-out session with top before. so the ice cream helped mew regained his composure and set his virtues straight again; no one-night stands in my watch, ever. not even with someone like top. he's levelling his head again so that he won't act on impulse— it's one of mew's ways to gain back the control he has over the game.

as for top, it's very interesting how the camera focused on top's mouth first.

i think it's clear as day: top IS mad. he is beyond pissed. he didn't get what he wanted. and mew had the audacity to offer him ice cream? that's why the camera focused on top's mouth; we didn't get to see his eyes because the eye is the beholder of emotions. if his whole face is shown, it's easy to detect the anger in top's eyes. it's very smart directing in my opinion. i absolutely adore this shot.

then, this scene progressed with mew saying some interesting things. i think it might be another foreshadowing that mew will be the obsessive/possessive type when he likes something/someone. and top keeps on playing this confident and understanding guy in front of mew despite knowing mew might get the gist of his dishonesty. but, again, at this stage, top doesn't really know mew to make that judgement. it's safe to say it's his constant perception of mew; he won't know. he's too nice/gullible to read through my lies. again, it's top thinking he's still in power; but in reality, mew is also controlling him.

when they're sleeping on the bed, mew glanced at top. i think it was an invitation. didn't you say you want to cuddle? why should i go to you? you have to go to me. again, this clearly shows who's more powerful in this relationship; it's mew.

also, i think it's quite baffling how easily top agreed to mew's needs here on the bed. i guess it's because the bed/sleeping is top's weakest point (point proven in episode 2 when it's confirmed top is an insomniac! i freaked out while watching it last night because my assumption came true t_t).

so, being here with mew on the bed, when top has always been battling with those nightmares— of course, he would be at mew's mercy. mew was giving him a lot of things here; comfort, solidity, company, safety and warmth. these attributes helped top to get a good sleep and keep those devils astray. (i believe this is one of the things top //genuinely// likes about mew. mew helps him sleep better. mew helps top with his sleeping problems. mew offers him safety, something he has been battling with for a long time.)

"it all depends on you," mew's way of saying, are you up for the challenge?

previously, i thought only ray would be the volatile/unstable character in this drama, but i think mew also fits this category.

he puzzles me because at one point, it looked like he was about to take top in, but then i see him pushed top away especially when top was getting closer to him. i don't know what he's trying to do here; if he's ever genuine in wanting top to 'woo' him, or it's just mew wanting to have some 'fun' time by playing with top's ego.

mew said this relationship could work, but it depended on top. if top was sincere and diligent enough, mew might let top in. it's just another way of mew luring top into his trap, again, wanting to be the controller in this relationship. mew didn't want to give in that easily. if top wanted him, he had to keep trying.

i guess mew is holding onto this belief; if you want me, come and get me. i won't do the work. it's entirely on you.

this somehow also makes me believe top and mew are each other's mirrors. whoever top is, mew is like that too. whoever mew is, top resonates with his traits too.

"will you be my boyfriend?" top challenging mew's 'kindness'

the public proposal. honestly, i believed mew wouldn't say yes (but he DID. i kind of blacked out yesterday because of it).

but what was the purpose of it? well, i think it's just to prove boston wrong (again).

boston said they are the same; they don't do love. they don't settle. they won't have as much fun if they decide to be a faithful lover and only do it with their respective partners. this ticked top off because in no way top ever wanted to be equated to boston; he is a man of his own. he's number one. how dare boston thinks they are the same?

side note: this bombastic side eye reminded me so much of akk :') i have to say, akk and top have this similar boyish charm that is absolutely gratifying. however, akk is a certified green flag while top is mayday mayday red alert all the way.

hence, top decided to go to lengths; he asked mew to be his boyfriend publically.

i'm not sure about this, but i think there's a tendency for a public proposal to be successful just to 'save' face, and that was what mew told top in episode 2. he wasn't comfortable with these grand gestures because mew wanted his potential lover to respect him. clearly, top's proposal wasn't an act of respect as it was spontaneous and 'impulsive'.

but in one way or another, top did win this round because mew said yes— and that was all that mattered to top— winning mew over.

conclusion

episode 1 set the foundation of the characters and their dynamics with each other. however, i also believe episode 1's common theme is to let the games begin. i see this in topmew, sanray and bostonnick too. but i'm sorry for not diving deep into other pairs because my brain isn't brain-ing at this point hahahahaha.

i'm curious to see how far mew and top are going to lure each other into their 'territory' just to have the upper hand in this so-called 'game'. but again, as i said, they're just battling a losing game. they both will lose in the end, literally and figuratively.

[1 | 2 | 3 | 4 (i) | 4 (ii) | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12]

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queen-simia · 3 months

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lrb: honestly all of this and more has me nervous about the two leads and their relationship in the upcoming comic. folks who know me and my particular leanings will be kinder, I know, but once it escapes containment, all hell may break loose

thought barf below the cut

I already know Virgule will probably be polarizing. he's pansexual by nature as an incubus (when sexual energy is your food, it's best to be omnivorous, knowhutimean), which I already foresee as Problematic™... and he's technically genderless but identifies as masculine, though I write him harder on the camp/femme side. all that plus the fact he's an inhuman being (a demon, to be specific) adds up to poor Virgule potentially being a hate lightning rod ("she should know better as an ace! aces get coded as robotic/inhuman all the time, why would she turn around and do the same to gncs and pans if she claims to care so much???").

the funny thing is, Virg's camp and charisma are all based directly on the stage persona of a straight cis man: Dylan Charles Germick (Planet Booty's front man). and that persona is played as fully sex-positive and lovingly as possible, and is derived heavily from Prince (who was straight *and* very genderfucky, as you know). so, it's not like Virg's character background lacks nuance or is just "lol them silly sex-hungry fairy boys~" but I can easily see how critics could jump to that conclusion

and there's a not-insignificant plot point early in the story that involves consent and boundaries that Virg starts out on the wrong side of (and also introduces the possible interpretation that his feedings may involve dubious consent). thaaaat's gonna be fun to deal with~ 🙃

but again! it's not just for salaciousness! it's to establish a strong part of the dynamic between Virg and Sonrisa re: trust and expectations. could it be done differently? ...not really, given the context of the story and the characters' natures...? it's something I've agonized over in the years I've been developing this story, trust me. :p but it's definitely something I know will be a sticking point when it comes out. maybe it'll cause a fall-off in readership, maybe it won't, but I've been online long enough to anticipate the worst

sorry to say it's stuff like this that had me wondering at several points whether I should bother at all. but, I'm stubborn and vain enough to want a story centered around a short, fat aroace woman that doesn't view any of those traits as negative that I'm going to do it anyway.

tbh I already know having Sonrisa be fat is going to attract loads of mouth-breathing chuds—already inoculated against that 1) from First Contact's 4chan reception of my buff strong-featured Femshep, and 2) lived experience as a fat chick. that funnily enough will hurt less than any potential queer audience blowback. I guess because while it's undeniable I'm fat, my relationship with queerness is much more tenuous.

I already feel like I'm treading on toes as not just an aroace (who, like our bisexual cousins, are already regarded as Schrodinger's Queers), but a demiaroace who seems to prefer mascs ("why don't you just admit you're straight, gawd"). thing is, my lived experience is very much *not* heteronormative, to the point where I've cried and had depressive episodes over possibly having to marry someone I don't love just to survive... and that was *before* I knew asexuality even was a thing. I've experienced medicalization of my lack of sexual attraction. I've lied about my orientation to avoid awkwardness, both socially and medically. I have more in common with your flagship queer identities than I do with straights... but because the four people I've fallen in love with—and only one of whom I've actually had sex with—over 43 years of life happen to be cis men, it still doesn't feel like enough.

so I guess I fear if I tell my story in a way that offends people who are "worthier" queers than myself, I'll have proven myself even less deserving of inclusion than before.

fat-shaming? used to it, next. betrayal of found family? utterly shattering.

bah. still gonna draw my dumb comic. just... still pretty nervous about it, I guess.

#personal blog #out of the ether

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allthingskenobi · 3 years

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Obi-Wan in Exile – Vader

(Originally published on AllThingsKenobi.com December 13, 2020)

Welcome to the first in a series of looks into Obi-Wan Kenobi’s time in exile on Tatooine between Star Wars Episode III: Revenge of the Sith and Star Wars Episode IV: A New Hope. We’ve tried to mine as much Legends and canon material as possible to help guide you through some of the period’s most common and repetitive themes so that when the new Obi-Wan Kenobi series airs, you’ll be ready.

Not everything he ever did in the entire 19 years will be explored here, but as we said, we’ve tried our best to pick out the most prominent and impactful moments to give everyone a better understanding of exactly what one hermit had to endure out there all alone in the sandy deserts of Tatooine.

While Vader himself was not a common reoccurrence throughout Obi-Wan’s exile, the threat of him certainly was…well until now that is. As Vader so often does, he’s recently made his way back to the forefront of the story and will seemingly loom very large over the upcoming series, thus moving us to start with exactly what that might mean for Obi-Wan and how it might work with the canon boundaries we currently have. Yes, we understand that canon can change and probably will, but we do love a challenge.

“Vader,” Obi-Wan muttered. “Vader’s alive.”

DARK LORD: THE RISE OF DARTH VADER BY JAMES LUCENO L

Let’s start at the beginning. We have one instance in Legends where we see Obi-Wan learn that Vader survived Mustafar and it comes mere months after his exile on Tatooine begins. He first hears the name “Vader” mentioned again on the HoloNet during one of his trips into Mos Eisley and nearly faints before panicking to find a way to take Luke and run. (1) This early recognition seems to be reconfirmed in later canon as one of Ben’s greatest fears in the third year of his exile continued to be “sand crunching beneath heavy black boots, a dark cape billowing in the desert squall, the mechanical wheeze of a respirator.” (2) So will we see Obi-Wan only just learning of Vader’s fate in the tenth year of his exile? I’d say that’s highly doubtful unless the show provides a flashback for us—which we will gladly accept.

“Instead, Padmé was dead and Obi-Wan was running for his life, as stripped of everything as Vader was. Without friends, family, purpose…”

DARK LORD: THE RISE OF DARTH VADER BY JAMES LUCENO L

At the same time, Vader was also very convinced that Obi-Wan was still alive and would remain so despite his greatest efforts. Because if there was one thing Vader was good at it, it was holding a grudge like he held a lightsaber, and he would expend quite a bit of energy over the 19 years between episodes III and IV searching for his old Master. (Just ask anyone he comes across in the comics.) Oh, and let’s not forget that it’s also Vader who would later inform a disbelieving Tarkin, in no uncertain terms, that Obi-Wan was still alive and on the Death Star. (3)

“No, I can’t [leave],” Ben said, firmly. “I must be here.”

KENOBI BY JOHN JACKSON MILLER L

“The core of Anakin that resides in Vader grasps that Tatooine is the source of nearly everything that causes him pain. Vader will never set foot on Tatooine, if only out of fear of reawakening Anakin.”

DARK LORD: THE RISE OF DARTH VADER BY JAMES LUCENO L

Now that we’ve established that they both knew of each other’s survival, it begs the question as to why their paths never actually crossed in 19 years. Personally, I think it’s fairly simple: Obi-Wan would never leave Tatooine and Vader would never go anywhere near it. We will discuss Obi-Wan not leaving Tatooine more in-depth at a later time (and yes, we know what Ewan said about having a ‘rollicking time’), but Vader would canonically never visit his home planet until well after Obi-Wan and Luke were both gone. (4)(5) And by then it was much too late.

That brings us to the most recent ‘Obi-Wan Kenobi’ news and how that fits in with what Legends and canon have told us so far. We received a lot of exciting and thought-provoking announcements in a short amount of time, and frankly, our minds haven’t stopped spinning since. Could the show undo what we currently assume to be true? Yes. Could the show work within those same parameters? Also, yes. Do I personally have any idea what’s going to happen? No. DO I THINK THE SHOW IS GOING TO BE AMAZING NO MATTER WHAT? Y E S. The goal of this exercise is to simply try and reconcile the new details to the existing Star Wars lore because I think that’s what makes it interesting. So you can take it or leave it. The choice is yours. (Until it isn’t because the show has aired and this is all pointless.)

HERE WE GO.

“[Deborah] Chow confirmed that audiences will “definitely see Obi-Wan and Darth Vader get into it again” as we see the blue blade of a hooded Obi-Wan clash with the fiery red blade of Darth Vader.”

“McGregor knows the battle will be eagerly anticipated, and he’s looking forward to performing it just as much: “Having another swing at each other might be quite satisfying for everybody. We hope that you enjoy it as much as we’re going to enjoy making it.””

DEBORAH CHOW AND EWAN MCGREGOR DURING THE DISNEY INVESTOR’S REEL

Not only was the “Hayden Christensen returning as Darth Vader” bombshell dropped in our laps, but we were also fed the above morsels (not once but thrice) and told to digest them. Our first reaction was a hearty and well-deserved cry of rejoicing until the realization of what this could all mean set in and it turned into a hearty and well-deserved sob.

There’s hardly a way to be disappointed in the fact that we will see Ewan and Hayden not only together again, but “getting into it” as well, but we do have to wonder what this means for the moment where Obi-Wan and Vader face each other again on the Death Star. The moment is not only pivotal to Episode IV, but I would argue, the entire saga. And it’s made even more impactful by the fact that the two men have not physically confronted each other since their fateful battle on Mustafar.

What we do know, and that which should not change, is that Vader never knew where Obi-Wan was hiding nor that he had Luke, his son, with him. That tells me two things: whatever kind of “rematch” happens here does not endanger Luke’s safety in the long run nor is it probably something that would occur more than once. I think what we’re going to see happen is isolated and “unexpected,” occurring only once ten years into Obi-Wan’s exile.

You: But, All Things Kenobi, if they could never physically meet on Tatooine or elsewhere, then what does this all mean??

Us: Do we look like Deborah Chow or Ewan McGregor? Do we have all the answers for you? NO! But can we try to help ease your mind until the show airs and I’m proven all sorts of wrong?? YES! SO PUT ON THAT TINFOIL HAT AND LET’S DO THIS!!

“I sense something. A presence I’ve not felt since…”

STAR WARS EPISODE IV: A NEW HOPE C

“Obi-Wan once thought as you do.”

STAR WARS EPISODE VI: RETURN OF THE JEDI C

Instantly our minds turned to these two particular comments from Vader in Episodes IV and VI. They’ve always stood out as peculiar, demanding explanation, but even more so now. The first is a vague, open-ended statement that leaves us to assume they hadn’t met again since they parted on the slopes of Mustafar. The second is a seemingly wistful reminiscence of a memory Vader has of his old master.

Luke had just finished making a heartfelt plea for Anakin to remember his “true self” then says, “come with me.” Where did Obi-Wan make the same appeal to only be shunned by Vader as well? Is it possible the series will show us this after all these years and possibly solve the riddle of both enigmatic statements at once? Is it possible that any such conversation might quickly devolve into another lightsaber-fueled clash??

“Count Dooku was Yoda’s apprentice.”

“And Count Dooku has fallen to the dark side.”

“All of us have apprenticed to Master Yoda.”

“He cannot be held accountable for Dooku’s descent.”

“But they are connected. Profoundly.”

THE CLONE WARS 6×11 “VOICES” C

A distinct bond exists between each Padawan and Master and unfortunately that bond does not disappear when one or the other becomes a Sith Lord. Despite the bond between Obi-Wan and Anakin being firmly closed at both ends, there’s no doubt that a presence remains. And even the most sturdy walls might crack from time to time.

Even after 19 years apart, Vader is quick to recognize when Obi-Wan is nearby and goes so far as to know his intent. “Escape is not his plan. I must face him alone.” And he’s right. (3) As for Obi-Wan, the Force has plagued him with dreams and visions, even showing him “a limbless wreck hanging in a bacta tank, necrotic skin pallid and scarred.” (2)

Could their strong connection be the vehicle that allows Obi-Wan and Anakin to confront each other once more? Within the Force they could not only converse, but we could also see them “take another swing” at each other without any physical consequences no matter who “wins.” The mental toll would also make for great drama for both men and bring a new perspective and emotional weight to several scenes in the Original Trilogy.

“If you loved me, Obi-Wan, you would have killed me.”

STAR WARS: DARTH VADER 24 BY KIERON GILLEN C

Finally, it’s quite possible that Obi-Wan might not physically be involved at all in their “rematch” and it might be entirely from Vader’s perspective. One theory could be as simple as the fact that Vader once had a training droid whose deadliest combat setting took the form of his former master. (Oh, Anakin.) (6) Another theory, and a much more likely one, could be that Vader has a Force vision or dream that allows him to recreate and relive various moments between himself and Obi-Wan, including, but not limited to, another lightsaber battle. This would be interesting to witness as every time it occurs, it means that Vader is wrestling with Anakin.

Although the Obi-Wan that continues to exist in Anakin’s psyche doesn’t seem too different from the real thing, just imagine Ewan McGregor getting to play Obi-Wan from Anakin’s point of view…I’ll just drop my mic there.

Star Wars: Darth Vader 24 by Kieron Gillen (2016) C

Star Wars: Darth Vader 5 by Charles Soule (2017) C

Citations:

(1) Dark Lord: The Rise of Darth Vader by James Luceno L

(2) “Time of Death” – From A Certain Point of View by Cavan Scott C

(3) Star Wars Episode IV: A New Hope C

(4) Star Wars: Darth Vader 2016 by Kieron Gillen C

(5) Star Wars: Darth Vader 2020 by Greg Pak C

(6) Star Wars: The Force Unleashed (2008) by Haden Blackman L

#Obi-Wan in Exile #Obi-Wan Kenobi #Kenobi Series #Anakin Skywalker #Darth Vader #long post #text post #crossposted from wordpress #allthingskenobi

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arabian-bloodstream · 3 years

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Why in Angela Kang I Trust

Maybe because I've been bruised and battered by showrunners and exec producers when it comes to couples and have also been rewarded (very, very, VERY rarely -- OK, like once), that is why I'm feeling positive about Caryl with regards to the spoilers.

Lemme give a bit of my history. I've had sooooo many couples, it's not even funny. I'm beyond a couple-girl. I've been involved in Harry Potter, Game of Thrones, The Vampire Diaries, Veronica Mars, The 100, Star Wars, Buffy the Vampire Slayer fandoms (and many more). Yeah, so I've been through some ups and downs in the fandoms themselves and with the end result of the product/my couple preference.

Two of the things that these fandoms taught me were (a) critical analysis of the product taking *everything* into account and not just my couple, and (b) how to deal with spoilers to keep myself sane.

NOTE: This is how I deal. I'm not telling anyone else how to feel or deal. This is my bag and what works for me and why I'm personally totally, 100% positive about Caryl despite the recent spoilers.

In one of my fandoms, I was heartbroken by how an episode played out. It made no sense to me. I had analyzed everything, paid attention to all the road signs... how could I have been so wrong? How could she choose the other guy??! It took a few weeks, but I re-thought everything and realized that I had been so focused on analyzing MY couple that I had ignored the OTHER couple. I had ignored the other aspects of the show and that other aspect mattered. It was like a bomb went off in my head. Suddenly something so obvious was now so clear to me.

From that moment on when I analyzed the show, I analyzed every character, every aspect of it and I gotta tell you all I just about nailed every character plot point. Not the twists/turns, but the emotional, character beats? I was right as rain on those. Because here's the obvious thing, no showrunner/headwriter is ever going to write for ONE character, ONE couple. They are going to write for every single character, every single couple. And if they are good writers they aren't going to take fanfic-like shortcuts to get them where we would like them to be, they are going to dig deep and explore who they are as characters to bring them organically to where they belong.

So... The Walking Dead. Angela Kang. Daryl Dixon. Carol Peletier. Caryl. (FINALLY! Ya'll say.) Angela Kang is a GOOD showrunner/headwriter. She brought TWD back from the disaster that Scott Gimple had made of the show. Seriously, I think 3-4 seasons went by and only 2 months had passed in that time. It was mostly a slow-moving morass of nothing happening with most characters doing nothing, barely connecting. Blech! It was mostly just not good. She whipped this show into shape.

Kang also took a long look at Carol, Daryl and Caryl and realized that in order to get them where they needed to be... which was TOGETHER ROMANTICALLY, they needed a helluva lot of work because Gimple had done ABSOLUTE SHIT with them for about 4 years. They had barely a handful of scenes over that time period, had been mostly separated and both characters had been decimated in completely different ways.

Carol's grief, guilt and horrendous actions had been completely and utterly sublimated. She told no one (including Daryl) about what happened with all of the children she had lost by her hand or through she felt because of her. So what did Kang do? She used the relationship that Gimple had begun with Ezekiel to create this fairytale fantasy that Carol could escape to since she couldn't be with her Alexandria family anymore because of that grief and guilt. She gave her that respite and escape until she was ready to live with the reality of all she'd done.

And then she opened the door to that grief and guilt with Henry's death, destroying that fairytale/fantasy so that she could finally begin to heal. And that is what we are finally getting now, a healing Carol. She's not whole yet, but she's stronger and she is healing. She's no longer hiding in some fantasy, she's no longer drowning in grief. And she's with her family again. She's come home.

I'm sure just as Kang looked at Carol, she also looked at Daryl and saw how Gimple had turned him into a monosyllablic follower. So, through the last two seasons, she's been building him up as the leader who's stepping up and also... HE SPEAKS! That's really the big thing, but it's such, such a big thing.

Finally, Caryl. To begin with, Kang's first episode made it perfectly obvious that it was a Zeke/Carol/Daryl triangle. However, because it's been sooooooooooooo long and the Caryl crowd has been battered for so long and the ABC crowd is so loud and even the media doesn't immediately jump to it despite the popularity of Caryl the obviousness of it just wasn't obvious. But the way Zeke proposed to Carol to which she did not say yes, his undying declaration of love to which she did not respond in kind to the way she curled up (yes, curled up!) against Daryl to tell him about said proposal and his response, clearly not happy about it, but willing to give her the go-ahead if she was happy was so obvious. I mean, DUDE! Yeah, that was textbook triangle material with the guy proposing being the clear loser in the equation in the long run. And that was Angela Kang's first episode as showrunner!

Everything that followed--the secret visits to him, her cutting his hair, her trust in him and vice-versa--to her leaving Zeke behind in Hilltop and going with Daryl to Alexandria, yeah, all of that was clearly going to be how that "triangle" ended based on that first episode. But so many Caryl fans were heartbroken, upset, furious about the Carol/Zeke spoilers. Of course, they were. We had no idea what Kang had in store. We'd been burned and battered and used and ignored by TWD, AMC, Gimple, et al. How could we possibly know that Kang had a plan all along and that the Carol/Zeke relationship was about paying time and attention to Carol's character and establishing a subtle triangle with Daryl in which he would emerge the victor?

But that's exactly what Angela Kang did. And then in season 10 she made it clear numerous times that it--only her second as showrunner--would feature the relationship of Carol and Daryl at the heart of it. So I have a few points I want to make regarding the upcoming spoilers taking ALL of the above that I've written into account:

1. Spoilers are tricky things. You simply can not know what is what until you actually watch the episode and even see the full arc play out. When you have a good showrunner/headwriter who has a plan and knows the path planned for the characters--one who has proven they know what they're doing--wait until you see what they are actually doing before assuming the roof is falling in. At least that's my philosophy.

2. I mentioned how the obviousness of the triangle aspect set-up in Kang's first episode as showrunner was so missed and a part of that is because of the fact that there is too much ambiguity in how Caryl and Daryl see one another. Is it friendship? Is it a mother/son (pfft! So fucking ridiculous!) relationship? Is it a sibling-like relationship? Or is it romantic/sexual? (YES, IT IS!) This very well may be what answers that question. (It’s the last one. It’s definitely the last one.)

3. 10x18 is STILL a part of season 10. According to Angela Kang, the heart of season 10 is the relationship of Carol and Daryl.

Finally, there are two characters left from the first season of this ten (of eleven) season show. Carol and Daryl. There is going to be a spin-off featuring Carol and Daryl. A character that Daryl has some sort of history with when he thought he lost Carol when she was married to someone else (after he had lost Rick) is NOT going to suddenly, randomly become the ONE to come between Carol and Daryl.

It doesn’t matter that this character is coming back in the final season. Sorry, not sorry, but it just does not. Carol and Daryl are the ONE for each other. This character is just another Ezekiel, a part of their story. Angela Kang has been organically, effortlessly rebuilding Carol and Daryl, and Caryl back up from the neglect and abuse that they suffered (especially Carol and Caryl) under Scott Gimple.

This is why I trust in Angela Kang.

#twd spoilers #caryl #caryl positivity #carol x daryl #daryl x carol #carol peletier #daryl dixon #the walking dead #in angela kang I trust #angela kang

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skyeblue379 · 3 years

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So let’s talk about the newest episode of WandVision there is of course a spoiler warning from this point on

First let’s talk about theories disproved

So the town is made up of the citizens of westview( as far as we know ) the fact the several citizens actors such as the milkman, mailman , and “norm” were shields of agents in previous movies is a conciedence

It’s looking like Anges is a regular citizen not Agatha Harkness, who in the comics was one of the original witches of Salem, a mentor of scarlet witch who was eventually killed by her when she went crazy and almost destroyed the multiverse, but as she was not one the citizens who was identified there is still a chance but we’ll have to wait and see

Okay so let’s talk about what still up in the air theory wise and what we do know thus far

Let’s talk about Mephisto

i still believe that this is how Marvel is choosing to introduce him since he plays an important part in wandas story arch in the comics ( for those who don’t know Wanda creates the twins using a bit of his power/soul and he arranges for them to be stolen by his minion Master pandemonium who uses them as Arms to try and regain Mephisto’s stolen power ( yes you read that right the 80s were wild)

I still believe that he is the one orchestrating everything behind the scenes but I have a new theory on who he is or at least one I have seen but I’m sure is out there cause let’s be honest I’m not that creative lol

I think during the aftermath of the snap Mephisto took advantage of the chaos to take the identity of Hayward the new leader of SWORD

Think about he could’ve seen that there was a chance to take power in the upcoming new agency and knowing marvel they might pull an ego, he might’ve had a had in hand in Maria’s death to make sure that he got control of SWORD and to have Monica have a personal investment in this fight

If we go with this theory that explains why he seems to have vendetta to make out Wanda as the villain and dangerous and why we didn’t see the “ footage “ of Wanda stealing visions body my guess is he is trying to alienate wanda from everyone else so she’ll have no where to turn

The reason I think this isn’t entirely wanda is because while in the comics Wanda is one of the most powerful mutants in the entire multi-verse thus far in the mcu she hasn’t shown that level of power and while I would LOVE if they gave Wanda the power and recognition she deserves I don’t think that’s going to happen given The writers treatment Of the marvel women so far and if given the chance they will make the all powerful villain who manipulating the poor defenseless female who couldn’t help but fall for his evil schemes * cue southern lady hand to forehead swoon*(oh I’m going to piss off some fanboys with that one lol) but really think about it Hollywood as a whole doesn’t like bestowing the mantle of most powerful on women or POC especially in action movies which , whether or not you want to admit it , as a genre is engineered to please cisgender straight white men but that’s a whole other debate and I’m already going off enough tangents as is

I don’t think that it was wanda who left the boundary or if it was I don’t think it was entirely of her own volition I think it was a tactic to further villify Wanda in the eyes of SWORD and cementing the distrust of her by them so Hayward can weaponize SWORD against Wanda and Vision

Expanding on that based on what We’ve seen so far from the eps and the previews it’s going to end up being a battle between SWORD/ Mesphisto who is manipulating everything and everyone to make it seem like it’s Wanda controling the town against Wanda and Vision, with the help of Darcy, agent Jimmy Woo, and Monica after they begin to realize what’s happening

Moving on to Wandas role

So I agree with Visions assement that while Wanda Wasn’t initially consciously aware of what was going on she “ woke up “ at some point is now actively manipulating her surroundings and while she doesn’t want to directly hurt anyone as evident by her protecting Monica while sending her flying through walls and the barrier which could’ve killed her but should’ve at least broken a several bones but she came out with out a scratch

We can see that she knows what she’s doing is wrong but the looks of guilt when confronted with what she is doing she is trying to make sure the citizens are living as normal as possible as seen when she mentions making sure they mow their lawns and make it to their dentist appts and she thinks by controling them she’s making it easier on them but she knows it’s wrong like for example when billy and tommy ask her to bring sparky back to life the look on her face when she tells them there are certain things you can’t mess with and Vision walking up right as she says that I’m guessing within the next couple of episodes she admit to herself that what is happening is wrong

The Twins

So far in the series we see that Billy and Tommy at least posses some of their mother’s power as seen as they can age up seemingly by will power

In the comics billy becomes Wiccan , who takes after his mother’s powers and tommy is speed who inherited his uncles super speed but we have yet to see if these powers will transfer into the show

Side note if they try and change wiccans or speeds sexualities which in the comics wiccan was canonically gay and in a long term relationship hulking, who he eventually married , and Speed who was bisexual and in a relationship with prodigy I will riot

I’m guessing that mephisto is going to take the twins leading to Wanda joining dr strange in his show traveling the multi-verse in trying to find them or some version of them since we can only assume that’s how they are introducing the introducing mutants to the mcu

Speaking of introducing mutants to the MCU

So at the very end of the episode they get a surprise visitor- quicksilver (which several ppl saw coming ) we see that the X-mans Quicksilver arrive at the door

While I am glad that they are reintroducing Quicksilver as his early death was my biggest problem with age of ultron, we will have to wait and see how this pans out in regards to the series as a whole

When we hear the knock we are being lead to assume same as vision that it is another diversion by Wanda which we’ve seen her do several times at this point she seems as confused as he is so I don’t think he’s appeared by her powers proven by the fact when he introduces himself as her brother she’s visibly thrown and understandably confused before hugging him

My guess is that Mephisto( who in the comics also has the power to manipulate reality tho not on the scale that scarlet witch does which is why he needs her) brought him in to distract Wanda and Vision from discovering the truth

Now we can only assume that because of his appearance that other X-men and ppl from that universe will make an appearance in the mcu but to what extent we can’t be sure yet it will largely depend on what actors agree to resign on to their contracts to continue playing their characters so we can assume that Wolverine will not be making an appearance as Hugh jackman has previously stated that he will not be reprising the role but with everyone else’s we will have to wait and see

Let me know what you guys think what you agree or disagree with, further theories etc

EDIT: I apologize it’s been almost a decade since I’ve read the series of comics feature the storyline that WandaVision were based off it was pointed to me by @Hapllucigenia123 that there were a few inaccuracies in my post

the guy with the baby arms was master pandemonium who while he was working under the direction of Mephisto is not him

the twins were made purely out of fractions of Mephistos soul in the comics and he arranged them for them to be kidnapped in order to regain the power he had lost

This doesn’t change my theories much since I don’t believe they are going to have master pandemonium appear in the series because he was a middle man and the writers are going to probably have a bigger villain name to help draw in more views.( also don’t think theyre going to have anyone use the twins as arms cause I don’t see it being taken seriously in this day and age but imagine the memes if they did lol but I will go back and fix the information when I can thank you again @hapllucigenia123 who can also be found in the comments if the tags don’t work

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punkpoemprose · 3 years

Text

December 1st- Lights Out

Universe: 1970′s AU (The Great NYC Blackout of ‘77)

Rating: M (Mature, Sexy times)

Length: 3077 Words

A/N: So here we are again. Advent fics, and also decades AUs! I wrote from 1900 to 1950 for last year’s advent and I did 1960 in the spring, so here we are picking up where I left off! If you can guess what company Anna works for in this fic I will give you a cookie and a sticker.

Lets see if I can finish at least the decades this time around, shall we?

Anna sighed as soon as she walked through the front door of the apartment, letting her hair fall out of the low bun she’s had it up in all day. She knew that it was probably silly to keep it up. After all she hated it being that way, but she wanted to make a good impression at work. The better she did, the quicker she could get a good reference, and the sooner she could get out of the city.

She was a bit amused though, despite the hairpin headache it had given her all day, that a coworker had compared the look to something out of the sci-fi flick that had come out some months back. She hadn’t seen it yet, but she imagined that being compared to the princess in the film was probably a good thing, she did know that it was exceedingly rare that a princess was evil or ugly. Her experience with children’s content was, of course, what she’d in part been hired for in the first place.

She shook out her hair and heard some of the little metal bobby pins fall to the floor, they clattered and skidded, undoubtedly falling into cracks and corners she didn’t have the time, energy, or light to locate. She knew that she’d find them again someday, but she hoped that it would soon be because she was busy moving furniture into a truck and her belongings into boxes. New York was interesting, to say the least, but she’d decided that she was much more of a small-town gal than a city chick.

She gathered up the rest of the pins in her hand as she raked her hair through the long and snarled mess. Those pins that hadn’t jumped ship with the initial shake had found themselves tangled in the waves of descending hair and were sometimes angrily biting at strands and taking pieces with them as she removed them. She could already feel her headache easing as her scalp tingled and readjusted to the natural weight distribution of her hair.

The worst part of her job was not the headaches, the hairstyles, or even the momentary concerns that maybe the princess she looked like was the rare evil and cruel type. No, it was much more mundane and far more upsetting, the factor being, of course, the hours. She had been working since noon and it was one of the rare days that she was able to get home before nine at night. Of course, she had expected this when she joined on the CTW’s education research and grant writing division. Kid’s television didn’t exactly make itself, much less make itself educational, but she was looking forward to going elsewhere and working for a less high-profile program and company. A nine to five, she thought, would suit her just fine, especially if it meant that she’d spend more time actually working with kids.

She kicked her shoes off and let herself breathe for a moment before turning around to lock the apartment door behind her. Kristoff has been asking her to be more careful lately with the door, and on the subway, and doing just about anything. They weren’t in a particularly dangerous area of the city and the office she worked out of was only two subway stops from their apartment, but she understood the worry. She was young and pretty in his eyes at least and there was talk in the news about some psycho attacking women. She couldn’t let herself give into the fear of it though, she was done being afraid. She had spent too much of her life being scared and lonely to let it ever happen again.

The bathroom door opened on the opposite side of the room and Anna grinned at the familiar creak of the hinges. She turned and saw Kristoff, fresh from the shower with steam rolling out from behind him, looking as happy to see her as he felt seeing him.

“There’s takeout in the fridge,” he said, looking a bit sheepish, “I was going to cook but I didn’t know when you were getting home tonight and I forgot to pick up the egg noodles on my way back from the shop.”

She wondered how he’d react if she told him that he was the only thing she was hungry for. She’d forgotten to call him to let him know that she’d had a sub at the office while finishing up on some research for an upcoming episode about astronomy, and while she appreciated his efforts at takeout, she didn’t need to eat. She was much more interested in the feast for the eyes before her. She was starving for his attention, to let her hands wander down his chest and to the towel slung low over his hips the way her eyes were traversing the same path.

They were both working crazy hours, saving up as much as they could for their dream of moving to the suburbs or to upstate or wherever they could both find jobs in their fields with a nice little starter house that they could set up a life in. Consequently, they’d both been too exhausted lately to spend their time together doing anything other than eating, sleeping, and maybe listening to the radio before falling asleep. The monotony of it was more exhausting than the workload, particularly when she spent a fair amount of her day wishing for the opportunity she now found before her.

She saw him grin when her eyes wandered back up to his. She knew that he couldn’t have planned to be just getting out of the shower when she got home given he hadn’t known when she would get home, so she called it kismet instead. She shrugged off her blazer, barely turning as she hung it up on the coatrack and returned the smile, throwing in an eyebrow raise for good measure.

It made him laugh, and that let her know that she had looked exactly as mock-lascivious as she’d meant to. She’d learned that when it came to Kristoff, she never really needed to try to flirt, he just gave her the love she needed on demand. Any flirting between them was, at this point in their relationship, mostly for the laughs.

As she stepped forward to meet him she watched as the room went from softly lit to pitch black in an instant. It caused her to jump about a foot, rush forward, trip, and encounter Kristoff who had been, in return, crossing the room to get to her. The impact wasn’t gentle, he was normally her favorite pillow, his largeness being mostly a virtue given the fact that despite his muscle he was overwhelmingly soft, but she had never run straight into his chest before. It was a bit like what she felt running into a padded wall would feel like.

“Oof.”

His grunt of discomfort was a strange comfort when compared to the more concerned sounds, shouts, and confused cries that came from the surrounding apartments and the street below. That, Anna realized, meant that they were certainly not the only ones who were out of power.

“Sorry!”

She offered the apology meekly as his arms wrapped around her. He gave her a little protective squeeze and she rested her weight against him a bit more fully, still recovering from the impact of their bodies that had her a bit shaky on her feet. Normally she enjoyed the sensation of him thoroughly wrecking her, but crashing into him unexpectedly was significantly less enjoyable.

Power outages weren’t exactly uncommon in the summer as everyone ran their fans and air conditioners, but it normally wasn’t something that lasted exceedingly long. This already felt different though, particularly as Anna heard the hollers and shouts coming from through the window from the rest of the block. Whatever had caused their power to go out was not localized to their apartment or building it seemed.

She let her eyes drift over to the window as they adjusted to the darkness they’d been plunged into. She could see past the no longer running fan that there were no lights to be seen in the park across the street from it, nor were there any beyond it.

“I think it’s the whole block,” she said quietly, “maybe even more. There’s no lights in the park and I can’t see any light past that either.”

They were both quiet for a moment as she felt him turning to look as well, turning them together to the side so that they could both look through their dark window, into the dark city beyond.

“Crap,” he groaned, “Might be the whole borough.”

Anna shook her head. That would be insane. They were in Manhattan, it was massive, and for the sheer amount of different areas it contained there was really no logical way for her to wrap her head around the power being out across it.

“If Manhattan is out, the whole city might as well be. I don’t know what it would take for it all to go out.”

Kristoff sighed and Anna’s eyes finally adjusted well enough for her to see his grumpy expression, or at least the shadowy set of his displeased jaw. They sat like that for a while, eyes adjusting to the dark, waiting for the power to click back on and for them to be proven wrong about any more than just their block being out. It didn’t return after minutes passed like hours, and they were forced to move from their standstill.

“Well… guess it’s a good thing that Elsa bought us candles for an apartment warming gift. Do we even have a lighter?”

Anna sighed, “Honestly I don’t know? I think I have a box of matches in the drawer next to the stove because we needed them when the igniter wasn’t working. One of us needs to take up smoking if this is going to become a more frequent event.”

That, she was pleased to report, made him laugh again. She stepped out from his arms to bump into furniture in her search for the drawer containing the matches. She never truly realized how many obstacles their apartment contained until she crashed her hip into the table edge, bumped into a basket of laundry she’d only half folded, and stumbled across a chair leg.

“That seems like an extreme option. We could just buy a lighter and not smoke. I know you don’t like the smell. You always complain about it when we go out to eat and someone lights up at a table near us.”

Anna hip checked the counter by accident but managed to find the drawer handle with one hand as she rubbed the now sore skin through her pant leg with the other. Somewhere on the other side of the apartment she heard Kristoff open the closet door and make a valiant attempt to dig through out-of-season coats, miscellaneous pieces of décor, tools, and sundry to find candles that, like everything else in their apartment, he couldn’t see.

For her part she was rummaging through the junk drawer, fingers making contact with buttons, patches, glue bottles, tape dispensers, and all manner of unnecessary-until-they’re-necessary items. She always told herself when she went into the drawer for something that she needed to clean it out, but it was one of those tasks that never made itself a priority.

“I don’t like it, but I’d probably have a lighter in my pocket if I did.”

She could practically feel his eyes rolling when her fingertips brushed against the rough, sandpaper-like striker of the matchbox. Her hand wrapped around the little box, and she was grateful to feel something rattle around inside. It would have been just like her to have thrown an empty box back into the drawer, and she couldn’t help but appreciate past Anna for leaving her at least a few matches.

“Found them,” Kristoff called just as Anna was about to do the same. It was a small mercy, she thought, that they’d managed to be prepared despite not intentionally preparing for anything. She held the match box up in the dark and shook it hard, the rattling heard across the apartment even with their neighbors still grumbling and shouting.

“Great,” he replied, hearing the sound or seeing the movement confirming the existence of the matches. “Though you should know… Anna I think I lost my towel somewhere near the closet.”

***

The lights hadn’t come on. They’d spent hours in the living room, reading, lazing, complaining about the heat as they read and lazed and sweated in their underclothes. The possibility of going out and seeing what everyone else was doing was offered and quashed by them both on a few occasions, ultimately with them both deciding that they wouldn’t be leaving the apartment that night, nor would they be doing so in the morning, even if the power was back on.

“I deserve a day off,” Anna moaned as Kristoff’s hips rolled into hers.

They’d went to bed innocently enough, planning to sleep in and catch up on rest. The plan had lasted all of a few moments until Anna took advantage of Kristoff spooning her to press her rear suggestively into his crotch. She thought that they deserved some sort of prize for making it into bed in the first place. She’d wanted him since she walked into the apartment, and though he’d managed to put on underwear out of the half-folded laundry basket after losing his towel, Anna had been more than willing to spend the rest of their evening on the couch in candle light.

Their current arrangement was better on their backs, and less likely to start a fire.

“You do baby,” he agreed, his voice deep as they engaged in the only agreeable activity a young couple could possibly agree on when it was late, the power was out, and there was nothing to be done about the heat.

His hands were on her waist as she moved above him, his fingers pressing into her skin as he helped her find a rhythm. She loved the way it felt to have him below her, to give him the pleasure he deserved while taking it for herself.

“You deserve a day off,” she added, “We can spend the whole day in bed.”

He groaned and she felt his fingers squeeze a little tighter at the idea of spending a whole day alternating between making love and napping. Though, she supposed that he might also be reacting to the fact that she was speeding up her pace, riding him hard and fast, trying to make up for weeks of unwanted celibacy in one night.

She was full of him, each time she rolled her hips and sank down on him brought her closer and closer to the edge. She’d spent hours daydreaming of it, feeling the stretch of him filling her, watching the euphoric daze come over his features as he let her give herself to him again and again until they were tired and sated. To see it now in the dim flickering candle light brought an intimacy that she hadn’t imagined before, the light dancing over his kiss swollen lips as he groaned and panted along with her.

“Anna, if you keep doing that I’m going to…”

She rocked her hips and his rolled in return, seeking just the right angle together and finding it as the friction of their joining brought her to her climax before he could achieve the same. She kept her pace, riding out the euphoric sensation as he panted out her name. She let him take up the lead then, letting him set the pace as she moved along with the urging of his hands on her waist.

“Kris,” she encouraged, “Gosh baby you make me feel so good. Please come for me.”

She settled her hands on his shoulders, using him for support as they sped up and worked together to find his end.

He came for her, his grip tightening and his eyes fluttering closed as she watched his face. That was her favorite part of being on top, the view it afforded her of his features softening as she felt him go pliant below her.

They stayed like that for a moment, his hands on her hips and her just holding his shoulders for support, watching him. When he caught his breath and her thighs began to shake from the effort, he pulled her to his side and kissed her lips softly, almost chastely.

“I hope the power stays out,” Anna teased as she got comfortable on the bed at his side, “I know we agreed not to go to work tomorrow, but I think I could live without electricity if it meant more of this.”

Kristoff chuckled against her ear as he pulled her back into him. It was too hot for it, too hot for what they’d just done, but a slight breeze through the window cooled the sweat on their bare skin and made it bearable. She felt him kiss her throat and she hummed appreciatively at the contact, her arm settling over his where it crossed her stomach.

“Or we could just move sooner than planned. Imagine all the free time we’ll have together when we’re on the same schedule. I’ve been looking at jobs North of Albany and I think with our savings we can live on one income for a little while if you want to move up the timeline.”

Anna smiled at the idea.

“Want to hear something crazy?”

He didn’t speak but instead she felt him nodding behind her.

“I’ve been thinking the same thing. I’ve been looking at open positions upstate too and Fisher Price is looking for someone with an education background to join their research and design team. I was thinking about calling about the position and setting up an interview, but it just seemed like it was a little fast.”

“Anna that’s not crazy… baby that’s wonderful.”

“You’re wonderful,” she teased, leaning back into him and turning her head to give him a peck on his arm.

He laughed and kissed her on the top of her head in retaliation, and as they quieted and dozed off to sleep, Anna could not help but to think that maybe the blackout was fate after all.

#kristanna #kristannaadvent2020 #frozen fanfiction #kristanna fanfiction #1970's AU #Blackout of 77 AU

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yodawgiherd · 3 years

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Rome pt.2

>>>Read on AO3<<<

Rating: M

Setting: Historical Rome

Second part of the Rome AU =) Stay cool.

The sun was hot, but Eren was used to that. Under the protection of the villa’s roof, the heat was not even that bad, other things irritated him way more. If he were to name one that pissed him off the most at this very moment, it was sitting right next to him. His father, Grisha, half-drunk as usual, yammering on.

“As I was saying,”, he continued whatever train of thought went on in his head, “If they increase the taxes again, I’d have to sell some of my farms.”

Money, yes. That was the one thing that concerned him. At least Eren was not the target of his father’s speech this time, it was old man Reiss, sitting across the table and somehow paying attention.

“We should put some pressure on the senate,”, Reiss said, “They can’t keep pushing at us forever.”

His father nodded at that.

“Power to the people! That’s right! We should…”

Turning off his brain, Eren filtered out his father’s voice, a skill he was proficient in, eyes searching for the last occupant of the table. The blonde girl, Reiss’s daughter and heir, Historia. One of his closest friends, and by the will of both their fathers, his future wife. No, he did not have a say in this, and neither did she.

Kicking her lightly under the table, he made her look up, doing a grimace afterwards to express just how boring the money-talk was. She hid her smile under her palm and kicked him back, much stronger. Eren couldn’t stop himself from grinning. Historia was great, really fun and everything, but there was a little problem neither his nor her father knew that would complicate their upcoming marriage. Eren himself discovered it by accident and had sworn not to tell anyone. As they still had time before being seriously pressed into tying the knot, they decided to just wait it out for now. There was time for everything.

His father finished another long monologue, draining his wine cup afterwards and reaching out. A slave immediately jumped in and refilled it, which made Eren’s stomach churn. He hated slaves. No, that came out wrong. He didn’t hate the people themselves, he hated the system of slavery altogether. Their family, as a rich patrician one, understandably had plenty of slaves, and it was a topic of many arguments between Eren and his parents. Even as a child Eren never understood why it is okay for a human being to be owned by another one, just because one was born wrong, conquered, or in debt. His father originally dismissed all that talk as a child’s words, but as Eren grew, so did his hatred for slavery. The idea of not being free just because someone decided it is that way upset him to no end. But he was not the head of the house, that was his father, so technically he could not do anything. He was not even the heir to their villa, that was his half-brother Zeke, currently a Tribuni in the Roman legions, winning fame for himself on the frontlines.

A sudden burst of laughter got his attention, as both Grisha and Reiss laughed out loud, with Historia having a tight-lipped courteous smile herself. She was very good at pretending that she is interested in whatever bullshit the two of them were talking about.

“I do understand that,” Reiss was just saying, wiping tears from the corners of his eyes, “When Historia was a child, she brought home a homeless orphan and wouldn’t stop crying until I gave her a place in my household. Now, what is her name….”

“Ymir, father.”, his daughter quickly offered, “She is my best friend.”

“I do not believe in associating with the lower classes myself.”, Grisha said, “Eren also had a small episode when he tried befriending some slave girl, but I quickly got him out of that.”

Oh yes, that was a great memory. Even now, years later, Eren remembered coming home and telling his mother all excitedly about this nice girl with strange eyes that he met, and that he gave her his candy. He remembered being all giddy when he asked if he could go and see her again tomorrow, perhaps bring her some more candy, so that she would tell him her name. And most of all, he remembered the pained expression that his mother had during that talk because unlike Eren in his childlike ignorance, she knew very well what Grisha’s reaction will be once he finds out.

“It was not easy,”, his father was just saying, “But a highborn must know who to make friends with, and it is not slaves.”

He turned towards his son.

“Tell us Eren, how did I stop you from seeing that slave girl again?”

As if he could ever forget.

“You threatened that if I ever went to visit her, you would buy her yourself and then have our house guards drown her in the Tiber.”, meeting his father’s eyes, it took everything Eren had to keep his voice calm, “And I would have to watch it all.”

“Exactly. And even with all the crying and locking yourself in your room, you obeyed in the end.”, looking back at Reiss, his father continued, “Principles must be taught to the youngsters, otherwise they would just get out of control.”

Sometimes, at nights especially, Eren wondered how that girl was doing, if she was even alive. Being a slave in Rome, mortality rates were high. Back then, she was working in a brothel, so was she a prostitute now? Did he maybe see her sometime when he was out drinking with his friends? Would he recognize her? Would she recognize him? No, he had to stop himself. This train of thought always made him angry, because it only reminded Eren of what his father robbed him. Maybe he could have had a best friend in that girl, just like Historia had in Ymir. Instead, he would never see her again.

Standing up abruptly, the eyes of everyone present swung at him.

“May I be excused, father?”, seeing the hint of irritation in Grisha’s eyes, he scrambled for an excuse, “I would like to take a walk with my lovely fiancé.”

That worked, so after being officially allowed to leave, he and Historia disappeared behind a corner where they shared a long exhale.

“God that was boring.”, Eren said, rubbing his forehead.

“You tell me. I almost fell asleep.”, she sighed, “I wanna do something fun.”

Now that was a language Eren spoke well.

“I’m in. Let’s grab some friends and live it up! Where did you leave Ymir?”

“I think she’s in a pub here somewhere, not far.”, Historia grinned, “Not like Ymir will be hard to find.”

Eren mirrored her smile, remembering just how loud the tall girl could be.

“You’re right. Let’s go then.”

Two of the taverns they checked lacked the Ymir factor, but the third one looked promising. Right from outside, they could hear loud voices, and when they entered their suspicion was proven right.

“I’m just saying,”, Ymir shouted over the ruckus, “You would look great at the chariot races!”

“I don’t think I’m good enough driver to…”

“Wait, who said anything about the driver? You would be pulling the chariot!”

The table erupted into laughter, while Jean, the butt of this joke, mumbled something and hid his reddened face into a cup of wine.

“That joke is so old…”, he sighed, but no one listened.

Ymir was the first one who spotted them, bolting from her seat and sweeping Historia in a hug.

“You’re finally here! We all missed you so much!”

When there was not any response from the table, Ymir turned towards it with a dangerous gleam in her eye.

“I said, we all missed you. Right?”

This time there were affirmative sounds from everyone. Nobody wanted to get on Ymir’s bad side.

Scooting over to make room for the newcomers, they ordered another round and the conversation flowed. Ymir wanted to know what their fathers were talking about, but Historia simply waved her hand and claimed that it was the usual boring stuff. While she was talking, Eren looked around, taking in this group of friends. He and Historia were the only highborn here, the rest of them were plebians. His father would never allow him to hang out with slaves, but he gritted his teeth and stayed silent while Eren surrounded himself with the lower class. It was a small victory, but Eren also genuinely found them much more interesting than any of the patricians. Now that he had the time to take everyone in, he noticed that one person was missing, so turning to Jean, he asked.

“Hey, where’s Armin?”

“Working tonight.”, his friend replied, trying to take another sip of the wine but realizing that his cup was empty. The discovery made him frown.

Armin was an interesting fellow. Part-philosopher, part-medic, he made his living by treating the filth of Rome. Slaves, lowborn, all these that would get rejected by any respected doctor flocked to Armin and he helped them all, whenever they had the money to pay for their treatment or not. In all honesty, Eren thought that Armin was probably the best person he knew, far nobler than him. The art his friend practiced, medicine, also highly interested him, but as with most things in life, Eren didn’t get a choice in his future career path. His brother was a soldier, so he was going to be a politician, Grisha decided. Easy as that. Which meant that Eren’s medicine studied were limited to the times when he visited Armin, trying to learn as much as he could form his friend.

“Do you know where he is?”, Eren pressed on, getting Jean’s attention, that was still focused on his somehow magically empty cup, back.

“It’s Uuuhh…. Hmmm….”

Eren had to suppress a sigh here.

“Come on Jean…”

“Oh right! He’s down in the pits tonight, treating the gladiators that get gutted there.”

The pits were a chain of tiny arenas where slaves, madmen and animals were pitched to fight each other to the death for the entertainment of the unwashed masses. It was like the Colosseum, only a hundred times smaller. Armin often worked there, as even the victors of these matches hardly ever escaped unscratched. The losers usually didn’t need medical attention anymore.

“You’re right, the pits could be fun!”, Jean went on, standing up and swaying only lightly, “Gang, let’s see some blood!”

As nobody wanted to be called a wuss for chickening out, they left the tavern in a sound of chairs dragged over the ground and the clink of coins, heading through the streets towards the pits. Jean led the way, as even drunk he could navigate the gutters the best out of them all. Eren fell in next to Ymir and Krista, the two of them inseparable as usual.

“I do hope that you are taking good care of my fiancé.”, he said to Ymir.

She turned to him with a wink, dropping her hand low and possessively squeezing the blonde’s butt, making her jump with a squeal and quickly retaliate with a well-aimed punch at the taller girl’s shoulder. This was the small secret that he and Historia had from their parents, who were so sure about their future marriage. Historia was, unluckily for her father, mostly interested in women, a fact that was rare but not unheard of. The problem was that while her family might not have that big of a problem with her orientation as it was, they would require her to have an heir. She was, after all, the only living offspring Reiss had. But that was a hurdle she and Eren would cross once they got there, and it was not here. Yet.

While they were consumed by this petty bickering, back and forth, Jean reliably led them through the labyrinth of Rome, finding his way with ease. Left here, right there, turn that corner and they were approaching their target, easily heard from the excited shouts that were up in the air.

With an excited shout, Ymir broke through the group, dragging helpless Historia with her, disappearing between the spectators. The rest followed soon after, their own excitement in various degrees. Eren himself had mixed feelings. He did not mind the duels, per se, but it was another business that was partly made up of slaves being forced to participate. The thing was in full swing, meaning that seeking out Armin right now was most likely impossible. He would be running between here and there, hands full of dead and injured, and hardly needed Eren to make his job even harder. With nothing better to do, he elbowed his way towards the edge of the ring, joining Jean at the railing.

“Hey.”, an unknown voice to his left, “You wanna bet?”

Turning, Eren saw a scrawny man with parchment and several purses hanging from his belt. A bookmaker. Before he could tell him that no, he does not want to place money on the lives of people, Jean butted in.

“Sure!”, he pushed past Eren, smelling of wine and sweat, “Who’s fighting?”

“The next bout is…” the bookie blinked at the parchment a few times, “Siren versus Cyclops.”

“Siren?”, Jean snorted, “Who the fuck takes such a name?”

It wasn’t unusual for the gladiators to have a nickname, some ancient beast or hero. But Siren was not a monster known for its martial prowess, so Eren had to agree with Jean here. It was rather strange.

“Oh, she didn’t choose this one, it was given to her.”, the bookie quickly supplied.

“So you… Wait a second.”, even with his wine-addled brain, Jean caught up on the unusuality, “She? Her? This fighter is a…”

“Woman.”, the bookie nodded, “But she is not to be underestimated.”

Laughing, Jean pulled out a few coins and handed them over to the bookmaker.

“Sorry, but I’m tight on the money now, so I’ll be taking the sure way. My coins are on the Cyclops.”, turning towards Eren, he nudged him, “What about you? Don’t want to make some easy denars?”

Maybe it was the old habit of disagreeing with Jean on almost everything, maybe it was something else, but Eren reached into his own purse, pulling out a generous number and putting them into the bookie’s eager hands.

“My money is on the Siren.”, he announced, making Jean’s grin widen.

“Dude, woman gladiators are a joke, don’t you realize that?”

Seeing that Eren was not changing his mind, Jean shrugged.

“Guess you don’t mind losing those then.”

“We’ll see how it goes.”, Eren answered, turning back towards the arena. Just in time too, as the combatants were being ushered in.

First in was the Cyclops, large and imposing scarred man, armed with a net and a trident. Raising those weapons, he was greeted by booming shouts coming from all sides, probably a fan favorite. Then the challenger appeared. The woman was lightly armored, most likely relying on speed over brute strength. She was armed with a short sword and a dagger, holding these with an experienced grip. The full helmet on her face prevented Eren from seeing her face, but her body was lithe and crossed with several prominent scars, marked just as her opponent was. She didn’t generate nearly as much hype as he, and there were several laughs heard from the audience. Eren and Ymir were probably the loudest supporters, cheering her on. Cheers or laughter, Siren didn’t seem to care either way, completely ignoring the crowd and keeping her gaze on the opponent.

Once the signal was given, Cyclops was the first to move, poking at his enemy with the trident, abusing the reach he had over her closer ranged blades. But Siren was too fast, easily dodging and batting aside the strikes, moving between them, fluid like water. A few minutes into this dance, the crowd was getting bored, and demands for more action were thrown into the ring. If there was no blood, there was no fun. While Siren ignored those, just as before, Cyclops obeyed, abandoning this safe approach. He stopped using the net as a shield and utilized it as a weapon instead, swiping at his opponent. It was easy to get tangled in it, and once Siren would be caught, a single trident stab would end her. The problem was, she did not get caught. Turning on the aggressive mode, she weaved in between his attempts, slashing at him. Not drawn too close, Siren’s attacks were shallow, more like scratches, but they still hurt and the blood that colored the sands was a proof of it. Cyclops was getting desperate, None of his attacks connected, it looked like he was striking a ghost. The metallic teeth of his trident were always late, the net too slow and clumsy to capture someone as elusive as her. Overwhelmed, Cyclops screamed in defiance before betting it all on a single last thrust, putting all of his might behind it. And for the first time, he aimed true. The spikes of his trident hit Siren in the hip, leaving behind three identical red paths, dripping blood. Unluckily, this also put him directly in her face with nothing to block. Cyclops had about two seconds to celebrate his luck when a short sword was slammed right into his throat, toppling the large man over. Stunned silence followed.

First one to wake was Ymir, shouting her support even louder. She laughed, hugging Historia while her eyes quickly found the bookie, gesturing for him to come closer. Jean on the other hand let out a tired “Fuck me.”, before dropping his head to his hands. Siren herself took a step back, cleaning her blades on the dead man’s body. Hooking a hand under her helmet, she pulled it off, shaking her hair free and revealing her exotic visage. The way the sun glistened on those midnight strands prompted another comment from Jean, who stirred from his defeated slump.

“Damn, would you look at that.”, he said, half-turning towards Eren, “Now it’s easy to see why they call her Siren.”

The girl was indeed alluring, just like the mythical creature, even with her face twisted into a dark grin. Making a very rude gesture towards the crowd that doubted her, she reserved a single wave for Ymir, her loudest supporter, before turning away and ducking into the old door that led into the bowels of the pits. Free from her spell, now that she was gone, Jean moved his attention to Eren, now fully.

“Well, there goes my savings. Say, my good friend, now that you won, would you lend me some coins? It’s not like need them anyway, right? Eren? Eren!?”

But the lucky bet winner did not hear any of that. He was staring at the door where Siren disappeared, completely obvious to his surroundings. Why? Because he knew that face. He knew those almond-shaped grey eyes, albeit now they were much wilder than before. He knew that dark hair, now chopped short, not nearly as long as it was before.

He knew who Siren was.

#aot #snk #fanfic #eremika

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cobraonthecob · 4 years

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A Character With Chronic Running Away Issues Paired with a Character With Abandonment Issues????

For those who have seen my reblogs with RWBY and A:TLA, you all know that I adore Bumbleby but despise Kataa/ng, even though both pairings have one character with chronic running away issues and the other has abandonment issues.

GET READY FOR THE META NO ONE ASKED FOR

So why do I support one and not the other? (warning: I am not friendly to Kat@ang here)

Well...it’s because they’re in way different ballparks. Kataan/g happens when both are still 12/13 and 14/15, while Blake and Yang are about 19 by Volume 7. So for starters, there’s a massive maturity gap that almost shoots this comparison in the face right here and now. But wait! There’s more to this!

which is why i don’t like Ka/tara and A@ng getting together at such a young age, but then again, I don’t like the pairing at all, but we can talk about that another time

Now that we’ve addressed the maturity gap, let’s get into it!

For starters, Blake and Yang’s relationship started as good friends and then progressed into love interests and possibly girlfriends by the time of S7 (they haven’t quite jumped out with “we’re dating” but I personally think they’re taking it slow lol, ask me for my thoughts about it), so they kind of have the advantage of time on their side while Kata/ra and A@ng have only three seasons of development.

That being said, Kata@ng had 3 seasons, which is more than enough time to get both sides of their relationship but nooooo. We only see Aa/ng’s side of the romance, and Kat@ra for the most part acts like a mom, is uninterested, or straight up tries to let him down gently, and after the disastrous Ember Island Players kiss, which happens to be their last one-on-one interaction before the epilogue I want to pretend doesn’t exist, Katara and Aang’s friendship plumments badly. Heck, their last interaction ever ends badly, with the entire Gaang arguing with A@ng about how to end the war!

what I’m saying is that Kat@ra and Aa/ng had a strained friendship before they did that cursed kiss while Blake and Yang’s friendship continued to build and then blossom into romance

“But Nightfalcon, what about the abandonment issues?!”

I’m getting there, be patient!

Now for the actual getting together - how do we make these two characters fit together?

By making both characters recognize their faults.

Blake herself knows she’s in the wrong, she addresses her chronic running away issues, starting in Volume 2, in Mountain Glenn, where she says it herself: “But I am! I do it all the time! When you learned I was a Faunus, I didn't know what to do, so I ran! When I realized my oldest partner had become a monster, I ran! Even my Semblance! I was born with the ability to leave behind a shadow of myself; an empty copy that takes the hit while I run away!” (taken directly from the RWBY Wiki). She feels guilt for running away in Volume 3 after the Fall of Beacon, but she internalizes this anger, which pops out at bad times, and she takes her guilt, buries it in anger, and isolates herself. After Sun is injured, Blake believes she’s the one at fault, and when she explodes at him and tells him why she isolates herself, Sun tells her that she’s in the wrong for isolating herself, but then tells her that he would always be there to protect her and be there for her, and that Yang would too (OK I’ve got a whole meta about Sun and Yang and Blake and why they’re amazing relationships but that’s a whole ‘nother meta).

By having Chronic Running Away (CRA bc that’s getting to be a mouthful) character openly address their faults (and others calling them out on it), you’re one step closer to making a ship sail much more smoothly.

Then there’s Yang.

In Alone Together, Yang talks to Weiss that she’s not upset solely at Blake, she’s upset that Blake didn’t feel safe enough to trust them to stay by them, and that they (whether if Yang was referring to just herself and Blake or herself, Ruby, and Blake [as Weiss was taken to Atlas]) could’ve been there for each other. She gets to address her anger and explain why she feels that way, and Weiss lends a listening ear and some advice for her.

Eventually, the two are brought back into the same space, and spend the next few volumes patching up their relationship, or at least, the best they can, up until the fight with Adam, which puts everything on the table, and in the aftermath, Blake promises Yang she wouldn’t leave her and Yang understands and assures her that she already trusts/knows that Blake wouldn’t leave her.

TL;DR: Blake recognizes that her CRA issues are bad, and tries to make amends, Yang gets to vent her issues with Blake’s CRA issues and gets emotional support from Weiss and Ruby. Blake promises not to run, and Yang tells her that she’s not worried about Blake running away because she knows that Blake knows that team RWBY will always be there for her and that there’s a support system in place for Blake that she probably won’t feel the need to run. (seriously if you haven’t watched this show already, please do. It’s really great)

A:TLA, as wonderful as this show is, doesn’t do that for Kat@ra and A/ang.

From memory, The Storm is the episode that really touched on Aan/g’s flightiness, but Katara coddles him in that one, trying to tell him “it’s not your fault, if you hadn’t run, you might’ve died as well” which can be taken either way (IMO she’s right and wrong at the same time. Yes, Aa/ng might’ve died, but also, he needs a solid kick in the pants sometimes, I’ll talk about it later)

The next time his flightiness rears its ugly head, it’s in The Desert. After Appa is stolen, Aan/g runs off to go look for Appa, and Katara is left with Toph, Sokka, and Momo to try and get out of the desert on foot. The entire day turns into a trainwreck, as Toph has extreme guilt for failing to keep the sandbenders from taking Appa (it isn’t her fault but that’s another meta) and Sokka (and Momo) drink cactus juice and is as a result, mentally incapacitated. With the dire mission of getting the news of the eclipse to Ba Sing Se, Katara’s the only one clear-headed enough to lead the way through the desert. Once A/ang does come back, he’s still upset from his inability to find Appa, and lashes out at the others for not caring to look for Appa (even though he’s far away and that no one has a means of transportation to find Appa). Tensions are already high in the group - with dwindling water supply, they have to make it out of the desert fast, but the rest of the team is losing hope - Toph because she feels like a failure and Sokka shaking off the effects of the cactus juice, and Katara looks so tired. When Aa/ng snaps at her, she doesn’t snap back, only quietly telling A/ang that she’s trying to keep this group together enough for them to survive. A/ang running away this episode is not addressed in favor of the team getting out of the desert alive.

Finally, in the finale four-parter, Aan/g runs away again. This time she can only hope that he’ll come back and do his job, but she’s got other stuff to worry about, like the upcoming fight with Azula.

Afterwards...

they don’t talk about it.

YEAH YOU READ THAT RIGHT. They don’t talk about it. They don’t address the running away issues, they don’t address when A@ng kissed her without her consent twice, they just hug on a balcony and then kiss symbolizing a marriage, because I definitely signed up for East Asian Jesus making out with his mom! Definitely! They don’t talk, Katara becomes a silent character and it gets even worse in LoK ~

*Nightfalcon proceeds to take a few minutes to scream*

And of course, no one else really calls out Aa/ng, except for Toph in Bitter Work, but that was more on his fighting/bending style and not on him in general.

The only other really memorable time where Katara’s abandonment issues are brought up is when she’s ranting at her dad in The Awakening, where she takes issue with both him and A/ang leaving her, and for the most part, Hakoda does give her the support she needs.

Heck, in the finale arc, Zuko tells her that it’s probably for the best that Aang is given some time alone to run to his room and meditate. probably because the last time Katara and A/ang were alone, A@ng kissed her without her consent and I’m going into full speculation territory but what if Zuko knows and doesn’t want that to happen again?

So Katara is repeatedly told by the narrative that Aa/ng is the type to run away when things get tough, and that she should let him.

I see both sides of the issue, and I get it, but when it comes to pairing people off in a relationship, well, they shouldn’t have gotten together.

Anyways, Aan/g is also twelve and has proven numerous times to be unable to support Katara emotionally, and has kissed her without her consent twice, while Katara is 14 going on 28 because of the war, losing her mom and stepping up as the mother figure for her entire family, and later because Aang isn’t allowed to grow up at all, along with other symbolism that shoots Kataa/ng in the foot.

TL;DR: Katara and A/ang never really talk about A@ng’s running away issues, and no one comes up to support Katara (they do validate her but it’s not a whole support system she can fall back on fully), and Aa/ng is way too immature for a full on relationship at the time of the show’s end.

So what was the point of this rambly mess? It’s to show how to write a relationship where one character has a tendency to run away while the other one has abandonment issues. I like Bumbleby because Blake acknowledges that it’s a flaw of hers and she actively works to toning it down and Yang has a whole support system and both get to talk about it and aaaahhhhh the communication between them, while you have Katara and A@ng never addressing the issue because Katara’s so gosh darn afraid of stepping on his feelings (see: The Waterbending Scroll) and no one fully provides support for her (Hakoda keeps getting separated from the Gaang and she and Zuko became friends at the end of TSR, and only had an episode between that one and the finale arc so it left a lot unexplored of their friendship) and Aan/g is therefore taught that it’s a-OK to invalidate the feelings of the person you like because you’ll get them in the end!

#nightfalcon posts #nightfalcon rants #atla #a:tla #anti kataang #anti aang #aang salt #sort of #just covering my bases #atla salt #a:tla salt #rwby #bumbleby #bumblebee #blake #yang #katara #long post

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lacquerware · 3 years

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2020 Recap - My Year in Gaming

2020. What a year for video games. I had big plans for last year, but in the end I did very little besides play video games, and I don’t think I’m alone there since we were all stuck at home looking for a way out of reality. I wanted to do a year-end recap as I’ve done sporadically in past years, but this one will be different than the typical “Games of the Year” format because despite all the games I played in 2020, almost none of them came out in 2020, and some of the things that defined my year in gaming weren't even games.

Resident Evil 3 Remake (PS4)

RE3 was one of the only games I played in 2020 that didn’t coincide with the deadly pandemic's spread across the US. RE3 is, of course, a game about the spread of a deadly virus in Anytown, USA. It was an appetizer, I guess.

When the Resident Evil 2 remake dropped in 2019, there were some things I loved about it, and a few things that felt like steps back from the original. I feel much the same about RE3. I had also theorized that a Resident Evil 3 remake would be better off as RE2 DLC than as a separate full-length game, and considering how short RE3 turned out, with some of the best sections of hte original cut entirely (namely, the clock tower), I stand by my theory.

Oh well, at least Jill gets this rad gun, which for the time being is the closest thing to a new Lost Planet we can hope for anytime soon.

Sekiro (PS4)

Sekiro is the first video game I ever Platinumed. This is partly because conquering the base game was such a spartan exercise that going the extra mile to get the Platinum didn’t seem so bad, but it’s also surely a result of the pandemic. I needed a project and a big win. Who didn't?

I wrote at length about why I like Sekiro more than every other modern FromSoft game, and also about the game’s cherry-on-top moment that reminded me of blowing up Hitler’s face in Bionic Commando. Please read them!

Death Stranding (PS4)

Release date notwithstanding, this was obviously the Game of 2020. I wrote about it here, here, and here. This game bears the distinction of being the second one I ever Platinumed. It took 150 hours. Only then did I learn I had a hoverboard.

Streets of Rage 4 (PS4)

This is the only 2020 game I played for more than a few hours. In fact, I cleared the entire game at least five times. I still don’t think it captures the gritty aesthetic of the prior Streets of Rages (nor even tries to), but this is probably the best-feeling bup I've played. Huge bonus points for finally bringing back Adam, but in the end I found it hard not to pick Blaze every time.

Blaster Master Zero 2 (Switch)

What impressed me about this sequel from Inti Creates was that it wasn’t just more of the same, even though that would've been fine. BMZ2 builds on its already excellent predecessor with a catchy new format where players can freely cruise the cosmos and stages take the varied form of planets—some big and sprawling, others short and sweet. Hopping at will from planet to planet without ever knowing what experiences and treasure each one held felt like system jumping in No Man’s Sky and island hopping in The Legend of Zelda: Phantom Hourglass, both of which felt like opening presents.

Dragon Force (Saturn)

Charming, satisfying, and addictive as a bag of chips. Unlike a bag of chips, when it’s over, you can do it all again. And again. And it’ll be different each time! This might be the first strategy game I've truly loved. Better late than never.

The PC Engine Mini

The PC Engine/TurboGrafx-16 Mini seems a particularly justifiable mini-console for people outside Japan because so many missed these consoles entirely, the games are hard to obtain, and the lineup includes titles spanning the entire convoluted Turbo/PC Engine ecosystem—the TurboGrafx-CD/CD-ROM², Super CD-ROM², Arcade CD-ROM² and SuperGrafx, in addition to plain, old standard HuCard games. I myself didn’t know the first thing about these systems before. It’s like reliving the nineties again for the first time.

Most of the titles included are simple action games that don't require a command of Japanese, but make no mistake: being able to understand Snatcher and TokiMemo does make me feel like an elite special person worth more than many of you.

(Side note: From a gender representation perspective, the difference between Snatcher and Death Stranding is stark. Virtually every interaction with every woman or girl in Snatcher is decorated with ways to sexually harass her. Guess someone finally had a conversation with our favorite auteur.)

A Gaming PC

I’d threatened to transition to PC gaming for years after beholding the framerate difference between the console and PC versions of DmC in 2012, and last July I finally took the leap, buying an ASUS “Republic of Gamers” (ugh) laptop with an NVIDIA GeForce RTX 2070 Max-Q GPU. It seems like consoles are getting more PC-like all the time, especially with all these half-step iterations that splinter performance and sometimes even the feature set (à la the New 3DS and Switch Lite), so with the impending new generation seemed like a fine time to change course.

In the half-year since, I’ve barely played a single PC game more recent than 2013, but just replaying PS3-era games at high settings has been like rediscovering them for the first time.

I also finally experienced keyboard-and-mouse shooting and understand now why PC gamers think they're better than everyone else. Max Payne is a completely different game with a mouse. Are all shooters like this??

The USPS

Early in the year, I rediscovered my childhood game shop, Starland, which is now an online hub known as eStarland.com with a brick-and-mortar showroom. To my delight, it has become one of the best and most modestly priced sources for import Saturn games in the country, and I scored Shining Force III’s second and third episodes, long missing from my collection, for a mere ten bucks each!

In June, I treated myself to a trio of Saturn imports from eStarland: the tactics-meets-dating-sim mashup Sakura Taisen 2, the nicely presented RTS space opera Quo Vadis 2, and beloved gothic dungeon crawler Baroque. Miraculously, this haul amounted to just around thirty dollars total. Less miraculously, they never arrived. This was the second time I’d had something lost in the mail in my entire life, and also the second time that month. Something was wrong with the USPS, and it wasn’t just COVID pains. We would soon learn Trump had been actively working to sabotage one of the nation’s oldest and most reliable institutions in a plot to compromise the upcoming presidential election.

Frankly it’s a miracle there’s still such a thing as “delivery” at all, and a few missing video games is the last of my worries considering what caused it, but nevertheless this was an experience in my gaming life that could not have happened any other year. I won’t forget it.

*By the way, USPS reimbursed me for the insured value of the missing order, which was fifty bucks. So I actually profited a little off the experience.

Mega Everdrive Pro

I love collecting for the Genesis and Mega Drive, but I will not pay hundreds of dollars for a video game that retailed for about sixty. The publishers never asked for that, and the developers won’t see a (ragna)cent of the money. I'm also far less inclined to start collecting for Sega CD, since the hardware is notoriously breakable, the cases are huge and also breakable, and the library just isn't that good.

Still, I'd been increasingly curious about the add-on as an interesting piece of Sega history, so when I learned Ukranian mad scientist KRIKzz had released a new Mega Everdrive that doubled as a Sega CD FPGA, I finally took the plunge into the world of flash carts. This has proven a great way to play some of the Mega Drive’s big-ticket rarities I will never buy—namely shmups like Advanced Busterhawk Gley Lancer and Eliminate Down—as well as try out prospective additions to the collection. I never would have discovered the phenomenal marvel of engineering and synth composition that is Star Cruiser without this thing, but now that I have, it’s high on the shopping list.

The Mega Everdrive Pro is functionally nearly identical to TerraOnion’s “Mega SD” cartridge, but slightly less expensive, comes in a “normal” cartridge shell instead of the larger Virtua Racing-style one, and supports a single hardworking dude in Ukraine rather than a company with reportedly iffy customer service.

Twitch

Getting a PC also resolved issues that had long prevented me from achieving a real streaming setup, and much of my gaming life in 2020 was about ramping up my streaming efforts. I even made Affiliate in about a month. Streaming has been a great creative outlet and distraction, as well as a way to connect with other people during the COVID depression and structure my gaming time. Find me every Monday through Thursday 8-11pm Eastern at twitch.tv/lacquerware.

Metroid: Other M (Dolphin)

PC ownership also gave me access to the versatile Dolphin emulator, liberating a handful of great Wii exclusives from their disposable battery-powered prison.

One of the Wii games I fired up on Dolphin was Metroid: Other M, a game I’d always wanted to try but had been dissuaded by years of bad publicity and the fact that I never had any goddamn batteries. I know I should temper what I’m about to say by acknowledging that I was playing at 1080p/60fps on a PS4 controller so my experience was automatically a vast improvement over that of all Wii players, but I’m increasingly confident Metroid: Other M was the most fun I’ve ever had playing a Metroid game. I haven’t decided yet if I’m willing to die on this hill, but I will just say that if you like the Metroidvania genre in general and aren’t particularly attached to the Metroid series’ story or its habit of making you wander aimlessly for hours, there’s a very high chance you will enjoy Other M—especially if you play it on Dolphin.

Don't Starve Together (PC)

Don't Starve is the only game my friend Jason plays, so last year I tried to get into it with him. I respect this game's singular devotion to the concept of survival, but make no mistake: every session of Don't Starve ends with you starving to death. Or freezing. Or getting stomped by a giant deity of the forest. The entire game is staving off death until it inevitably comes. Even when death comes, you can revive infinitely (in whatever mode we were playing), which means even death is not an end goal. There is no end goal. You don't even have the leeway to "play" and create your own meaning as you do in similarly zen games like Dead Rising.

Don't Starve is a game for people for whom hard work is the ultimate reward in and of itself. Don't Starve told me something about Jason.

G-Darius (PS1)

In the early fall, Sony announced they were dropping PS3, PSP, and Vita support from the browser and mobile versions of their PSN Store, and since the PS3 version of the store app runs like a solar-powered parking meter in Seattle, I decided this was my last chance to stock up on Japanese PSN gems.

Among my final haul, the PS1 port of G-Darius proved an instant favorite. Take down the usual cast of mechanized fish in a vibrant, chunky, low-poly style that perfectly inhabits the constraints of the original PlayStation hardware. I believe this is the first Darius game that lets you get into giant beam duels with the bosses, which is quite definitely one of the coolest things a video game has ever let you do. The PS1 port is also surprisingly feature-rich, including some easier difficulty levels that present an actually surmountable challenge for non-savants.

This one’s coming to the upcoming Darius Cozmic Revelation collection on Switch alongside DARIUSBURST, a good-ass romp in its own right.

Red Entertainment

In my effort to shine a tiny spotlight on some of the unsung Interesting Games of gaming, I found myself drawn again and again to the work of Red Entertainment. First there were cavechild headbutt simulator Bonk’s Adventure and twin shmups Gates of Thunder and Lords of Thunder on the PC Engine Mini. Then I streamed full playthroughs of the PS2’s best samurai-era, off-brand 3D Castlevania, Blood Will Tell and the Trigun-adjacent stand-‘n-gun, Gungrave: Overdose. Then I was dazzled by Bonk’s Adventure’s futuristic spin-off cute-‘em-up, Air Zonk, which was also sneakily tucked away on my PC Engine Mini in the “TurboGrafx-16” section. It turned out all these games were made by the same miracle developer responsible for Bujingai, the stylish PS2 wushu game starring Gackt and a household name here at the Lacquerware estate. How prolific can one team be???

Month of Cyberpunk

In November, I started toying with the idea of themed months on my Twitch channel with “Cyberpunk month.” It was supposed to be a build-up to Cyberpunk 2077’s highly anticipated November release, but holy shit that didn’t happen, did it? Still, I always find myself gravitating toward this genre in November, I guess because I associate November with gloom (even though this year it was sunny almost every day). A month is a long time to adhere to a single theme, but cyberpunk is such a well-served niche in gaming that I could easily start an all-cyberpunk Twitch channel. The fact that we’re so spoiled with choice makes Cyberpunk 2077’s terrible launch all the more embarrassing. Here are just some of the games I played (and streamed!) in November:

Ghostrunner Shadowrun (Genesis) RUINER Remember Me Transistor Rise of the Dragon (Sega CD) Shadowrun (Mega CD) Cyber Doll (Saturn) Binary Domain Shadowrun Returns Blade Runner (PC) Deus Ex: Human Revolution Deus Ex: Mankind Divided Observer

Shadowrun on the Genesis gets my top pick, but the two most recent Deus Ex games are great alternatives for those looking for something in the vein of 2077 that isn’t infested with termites.

Lost Planet 2

Every year. I played through it twice in 2020.

Dead Rising 4

I slept on this one too long. While it's a far cry from the original game, it's easily the most fun I've had with a Christmas game since Christmas NiGHTS. This is the game a lot of people thought they were getting when they bought the original Dead Rising with their new Xbox 360--goofy, indulgent, and pressure-free.

Devil May Cry 5: Vergil (PS4)

Vergil dropped for last-gen consoles in December and breathed a whole lot of life into a game that was already at the head of its class.

Nioh 2

I’ve only played a few hours of Nioh 2 because I promised my friend I’d co-op it with him and wouldn’t play ahead. But he’s a grad student with two small children. Nevertheless, Nioh 2 is my Game of 2020.

And that's it! Guess I'll spend 2021 playing games that came out last year, and maybe eventually getting vaccinated? Please?

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dudewantscupcakes · 5 years

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Calling it right now: Luka will sacrifice himself for Marinette/Ladybug in the “Miracle Queen” finale.

Was thinking about this theory way too hard on my Sunday afternoon, and felt the need to share the pain with Tumblr (you’re welcome!).

Spoilers (for Love Eater/Heart Hunter and Kwami Buster) and pain under the cut!

It’s already been well-established in the prior episodes that Marinette relies on Luka for emotional support (see “Captain Hardrock”, “Frozer” and “Silencer”), and some have pointed out this moment in “Desperada” as an indication that Luka has caught onto Ladybug’s secret identity:

I firmly believe the interplay of Luka and Marinette’s relationship, as well as this possible identity suspicion in “Desperada” serve as foundation for what’s to/has unfolded in the season 3 finale. This, what we’ve seen in “Love Eater/Heart Hunter”, and the alleged fact that the Miraculous crew were “moved to tears” by the final episode all point towards this conclusion: something tragic will happen in the finale, and they’ve developed Luka as the perfect martyr.

Disclaimer: Before Luka fans get mad, please understand that this is not a Luka hate post. I’m also a Luka fan, and I want nothing but the best for my guitar playing, slightly cheesy, teeth-rottingly sweet boy. But the (unfortunately shallow) character arc for Luka seems to foreshadow nothing but bad things for his future :( I hope I’m proven wrong when the finale airs in December, but until then, I am convinced bad things will happen to him.

Ok, let’s start from the beginning. “Love Eater/Heart Hunter” (I’m going to call the episode Heart Hunter from now on) starts off with Marinette’s narration, and it’s interesting to see who they choose to focus on the most during her monologue:

“And some have nothing to lose”, Marinette narrates as we see a happy Luka. He’s humming what is likely one of his drafts of Marinette’s ‘melody’, looking cheerful as usual.

What do we cut to in the next scene?

We all know that Marinette is (almost unrealistically) superhuman when it comes to multitasking and coping with pressure. But we are also reminded at certain points in the series that she’s only human. Despite her ingenious plans and effusive energy, she also makes mistakes and sometimes needs help from others. This scene where she trips while she’s carrying a stockpile of boxes for her parents (bless her soul) is a perfect microcosm of what the writers are trying to convey with Marinette’s character design: she often carries more on her shoulders than she can handle.

And guess who appears to help her out?

As I’ve mentioned before, from the storywriter’s POV, Luka serves as emotional support for Marinette. His prior development in “Silencer” showed just how far he was willing to go for Marinette’s happiness: even though he was controlled by an akuma, the passion and devotion he felt for Marinette was all from him. And this scene in Heart Hunter is a reminder of his ‘role’ when it comes to Marinette. He is her support.

Notice how the frame also includes the guitar in his basket. Luka is not a man of many words, choosing rather to express himself through music. In a way, his guitar is his soul, the medium he relies on to communicate his emotions – especially towards Marinette. The scene focuses even more on the guitar as he uses it to strum a song for Marinette, which becomes important at the end of the episode.

But before that, we get this adorable sequence:

Luka gives her a helmet and drives her to the hotel. Marinette hangs onto him from the back while wearing said helmet. Why include the helmet sequence? Other than instilling a message of bike-riding safety (Which is actually very important! Falling on your head without a helmet sucks, not that I’d know.), I think the animators were trying to hint at something else. Keep reading.

The rest of the episode unfolds badly for Marinette. She third-wheels on Adrien’s date with Kagami, sees Cat Noir growing distant from her, and suspects that she’s put Fu in danger. It’s a lot for person – let alone a teenager – to handle, and cracks start to form in her façade of nonchalance.

Who appears again when her stress is at its worst?

Other than the obvious fact that Luka comes to the rescue, let’s note how the guitar is not only a part of the frame this time, but its visual focal point:

The animators really want us to focus on that guitar, huh? If you’re still skeptical, guess what happens when Luka walks over to Marinette.

His bike falls over, the camera pans over to the guitar (again!) falling along with the helmet. And they’re both conveniently placed at the dead center of the camera shot. Why focus on the falling bike and the scattered items? Because they’re supposed to tell us something.

They fall when Luka loses his grip on the bike as he walks over to comfort Marinette. It shows how focused he was on comforting Marinette, prioritizing this over salvaging his items from the fall. As I’ve said before, Luka is a passionate, devoted person. And he feels these emotions for Marinette, almost putting her on a pedestal of sorts for the sake of making her happy (letting her go after Adrien in “Frozer”, resorting to criminal acts for Marinette’s sake in “Silencer”, etc.). This scene is a perfect visual illustration of the extent Luka is willing to go to for Marinette’s sake. He’s willing to ‘take the fall’ for her when it comes to making her happy.

The guitar is an obvious symbol of Luka himself, given his penchant for the instrument. But what about the helmet?

This scene shows the answer. Luka is giving her protection and will continue to do so into the next episode (hence why the episode ends on this scene). At this time, he’s protecting her in an emotional way, literally shielding her from the rest of the world as he embraces her and lends a listening ear.

The episode concludes with a shot centered around Luka, and I think that’s something significant to note. Heart Hunter starts and ends with shots focused on someone who honestly wasn’t that instrumental to its plot. Why? Because Heart Hunter is only the first part of a two-parter finale, and these shots serve as foreshadowing for Luka’s importance in the second part.

I mentioned before that Luka may suspect Ladybug being Marinette, and this is the perfect place for the writers to tie that back into the storyline. Marinette has just been driven over the edge due her thinking she has failed as Ladybug, and Luka is offering to listen to her problems. Whether Marinette will choose to disclose her identity in the process of alleviating her anxiety is admittedly still uncertain. But given how the finale provides the perfect opportunity for this drama to go down (see my comments about the crew’s reception to the finale) I am thinking that Luka will be let it in on Marinette’s secret in the next episode.

This, along with the consideration that Luka has already wielded a miraculous, makes me think that Luka will hold a significant, protective role in the upcoming story: a tragic hero’s role. Luka’s altruistic characterization, as well as Heart Hunter’s unsettling imagery point towards the possibility that he’ll put himself in danger for Marinette/Ladybug’s sake.

My shot in the dark is that he’ll attempt to wield both the ladybug and cat miraculouses in order to defeat Hawkmoth and Mayura; who may attempt to use the miraculouses they’ve just stolen from Fu. Marinette has been shown to be able to handle using multiple miraculouses, but it’s also been explicitly stated that this is a dangerous practice that requires physical and mental fitness. I am not so sure if she meets the latter requirement at this point in time due to the events of Heart Breaker, so Luka may offer to help her out. And she may let him help her.

Even though Marinette was successful in using multiple miraculouses in “Kwami Buster”, we also saw how exhausting this was for her. I can’t even imagine what doing the same would do to Luka, especially if their battle against Hawkmoth/Mayura is prolonged (as they are always in finales). My guess is that Luka will suffer consequences similar to Emilie’s, going comatose as a result of misusing miraculouses. For the writers, this is the perfect hurricane of drama needed to stir up the fandom but not jeopardize their future seasons/the love square: have the secondary love interest find out Ladybug’s identity, and then remove him from the equation once and for all by having him make the ultimate, tragic sacrifice for Ladybug. After all, he has “nothing to lose”, right?

Again, this is not a Luka hate post, and I want to make that abundantly clear. I personally hope I’m reading too much into this and that I’m proven wrong in December. But how the writers have characterized Luka so far in the series and in Heart Breaker makes me really anxious. :(

Prayer circle for Marinette AND Luka.

#miraculous ladybug #ml #luka couffaine #marinette dupain cheng #lukanette #love eater #kwami buster #ml 3.25 #ml spoilers #love eater spoilers #heart hunter #heart hunter spoilers #s3 spoilers #kwami buster spoilers #spoilers #miraculous theory

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photolover82 · 3 years

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The Masked Singer Season 5 Episode 2 Recap: It’s Group B Time, let’s meet them! (Commentary & Guesses)

Hello my fellow Masked Singer fanatics! Welcome (or welcome back) to Ana’s Masked Singer recap, where I, Ana (nice to virtually meet you btw), recap every single episode of The Masked Singer. Here we are again with season 5, but this time another group, Group B, which consist of Black Swan 🖤🦢, Piglet 🐷, Chameleon 🦎, Grandpa Monster 👹 👴, and Phoenix 🦜.

So, let’s begin with the first eliminated contestant of Group B:

The first eliminated contestant was:

*DRUMROLL PLEASE*

Phoenix 🦜

Commentary: Ok, so this wasn’t surprising whatsoever, she sang Tik Tok by Kesha and you can obviously tell that she isn’t a singer at all. Like idk how else to explain it to you guys, but I guess she was talk singing... kind of like Wendy/the lips last season... so it was kind of easy the moment she opened her mouth to start singing to recognize immediately who it was...

Having said that, she was revealed to be (as I knew, this one wasn’t hard)...

*DRUMROLL PLEASE*

Caitlyn Jenner

Hehe I knew it! Again, like Wendy Williams aka the lips, this was way too obvious. She already walked around Hollywood Blvd with the Don’t Talk to me hoodie on so I knew she was going to be on the show but the min I saw Phoenix, the clues, and the moment she opened her mouth, I was so certain it was Caitlyn. No, I am not a big Kardashian/Jenner fan tbh but I used to watch the show way back when.... like in 2016? I am not sure, but I recognized her voice immediately.

Now onto my guesses for the remaining 4:

1. Black Swan 🦢🖤

Commentary: So she sang Barracuda by Heart and damn, she got a strong voice! It’s a really amazing voice, even though the song choice wasn’t my favorite, because it didn’t suit her voice completely and showcase her range, but she was badass (can I say that? Whatever, this is my show, I’ll say it, it’s not THAT bad of a word) tbh. In certain parts, she was like screaming a lot and I was like um maybe this isn’t her best song choice but her voice is amazing! She gives me Seahorse mixed with Flamingo vibes, I love her!

I think she is singer extraordinaire:

Jojo (not Siwa but we have another Jojo on our hands)

Reasoning/Clues: there are so many clues that match but her voice is the main thing that clicked for me that it was her, but let’s look at those clues so you can get the picture:

Wanted Poster with RV highlighted= she appeared in the movie RV with Robin Williams

She talks about being trapped and someone else’s prey and then getting out of it= she was trapped in her record label & there was controversy surrounding it and she had to sue her label for not releasing her music

A 5 on a watch= she toured with 5th harmony and has released 5 albums

Cluedledoo (Rooster) clue= she covered a monster= she covered one of T-Pain aka the Monster from season 1’s songs

2. Piglet 🐷

Commentary: He was my favorite of the night with his rendition of Speechless by Dan + Shay! You guys know if you have seen my recaps in season 3 (or even last week with Robopine) that I have a soft spot for a guy who has a super silky voice, like either boy band type or R&B smooth af kinda vibe (i.e. Fox in season 2, Turtle in season 3, Robopine in season 5).... or should I say any guy who can falsetto and Piglet is giving me those boy band smooth vibes, I love it so much! His voice is soooo familiar I am so sure about this one by the way.

My guess and I am so sure of this is:

Nick Lachey

Reasoning/Clues: This one I recognized immediately, the voice was really easy to figure out, but these clues also are pretty convincing (oh and he was on Ken’s show, I Can See Your Voice, so it’s not surprising that he would be on this show):

The clue package had a dating show vibe = reminiscent of Love is Blind, the Netflix dating show he hosts with his wife Vanessa

The world saw his heart break= he had a very public relationship with his ex-wife Jessica Simpson and they even had a reality show together called Newlyweds

Cluedle-doo clue: “knows how to stay cool even in the heat”= referring to his past aka his boy band 98 degrees (get it? Because that’s the heat and they are cool because they are a boy band... well played Masked Singer well played... I wanna meet whoever makes these clues because they are great with puns and they seem super clever)

3. Chameleon 🦎

Commentary: Chameleon surprised me I am not gonna lie. I thought he was going to be another athlete like Whatchamacallit last season or White Tiger from season 3 because he was so tall but nope he surprised me with his rendition of Ride with Me by Nelly. He seems like a legit rapper and I liked him a lot than I thought I would honestly so this guess isn’t totally out of left field.

My guess is that this is...

Wiz Khalifa

Reasoning/Clues: so yeah, the voice and the height kinda gave it away to me (Wiz is 6 foot 4 inches and his body type matches the chameleon), but also yeah clues I have to give you guys some logic bombs instead of being like eh that voice and height BOOM WIZ KHALIFA... yeah no it doesn’t work like that, so here are the logic bombs hehe:

Dice with 2 and 3 on it= he did a song with Miley Cyrus called 23

007 clue= he has a song called (yes this is real, look it up) James Bong (omg I am trying not to laugh while typing this but whatttt?! Google really is a gem omg 😳😂) and he played James Bond in the music video

His love of technology & “put tech in technicolor”= apparently, the guy is a huge tech geek and has said it in a lot of interviews (wow humans are so complex and cool, I would have never thought that this man is a tech savvy guy... but the more you know I guess <P.S. I Googled half of these things... like idk this off the top of my head duh, I usually go by voice with my guesses and then I google the clues>)

4. Grandpa Monster

Commentary: He sang Mambo No. 5 and yeah it’s a basic choice for a song, but I liked it. He is not my favorite by any means and now that I listen to it again, I can only hear this person and I am not a fan of him like whatsoever (even tho I gotta acknowledge he has changed and I have *I KNOW... I HATE ME TOO* agreed with stuff he has said in his podcast un ironically.... yeah I am so sorry, I hate myself for saying this too... anyways let’s just get to the person I mean

I have a sneaking suspicion that it is (unfortunately):

Logan Paul

Reasoning/Clues: Yup, um... I really hope I am wrong but honestly ever since someone said it in the YouTube comments section of his performance, I can’t un hear it and I am shook honestly (at least it’s not his brother... I mean we can get worse, and he has respected the pandemic and not been a prick like his *cough* brother *cough*... just saying.. oh and if you don’t know what I am talking about or who this is, he’s a YouTuber who got into some um controversy because he filmed a dead body in 2018 so there’s that... oh and his brother has done a billion worse things than him, but you can Google that one if you are interested in finding out more because it’s too much for me to talk about and we are not even talking about Jake (that’s the brother))... Anyways, sorry, I ramble, but ugh the clues seem convincing and it irks me that it is because I am not a fan of neither of these guys and I don’t want them in the show but whatever I guess he’s the lesser of 2 evils:

He was a troublemaking fool as a youngster= yeah probably regarding that suicide forest video a couple of years ago (that ok, lemme give him credit, he has apologized for it and has kind of proven himself... yuck I hate saying that, I am NOT defending him I swear)

Acting out for all eyes on me= he used to be very well known for pranks on his channel back in the day (before the incident) and he did some stupid stuff for clout lemme tell ya (I never liked these guys, like ever, I thought they were weird.... not my demographic I guess, I wasn’t 12 nor a boy)

6 in Xs and Os like football plays = he did play football 🏈 in high school, he was so good that and actually attributes playing football for long term brain damage he has that makes him as the Wikipedia article says it (I am legit gonna quote what it says because I thought it was fascinating) “affects his ability to have empathy and a human connection with others.” (Mind you, he himself claimed this according to this article)

“Acting out”= he has acted in a few things before and starred in The Thinning

Web with the shooting star= he is a web star, get it? YouTube... web star... hehe again these clue writers are *chef’s kiss*

Cluedle-doo clue: he has trained for battle= now his new thing is boxing and he has trained for actual fights before, his first one being against British YouTuber KSI which he lost... oh and I almost forgot, how can I forget this cute little detail.... he is set to fight Floyd Mayweather this summer apparently... OH AND DID I MENTION HE IS MAKING 5 MILLION DOLLARS FROM THIS DEAL?! He’s winning either way with this fight like damn... but that wasn’t part of it, I just thought it was trippy... again I say, Google is a gem, u find some interesting reads

Ok so that’s it (what a great note to end on lol)! I hope you guys enjoy! Sorry for it being so long and taking so much time to do.. it’s been a crazy last couple of days! I will try to get the next one this upcoming weekend so I’ll see you guys then. (Ohhh btw I now live tweet the show on my Twitter- @photolover82 so if you want to follow me on there and live tweet with me, that can be fun!) Bye guys and don’t forget to like, comment, and do all the social media-y things, you know the drill!

#the masked singer #themaskedsinger #celebrities #music #the masked singer season 5 #hollywood #caitlyn jenner

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elixir448 · 4 years

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Good Girls 3x06 Thoughts (Will I ever get these up after the episode? Nope)

Good Girls 3x04 and 3x05 Thoughts Here

So lemme tell you.This post was basically finished and then I accidentally deleted it and have spent the last few hours typing it all out again. I’m just...yeah.

Dean and Au Jus

I know that a lot of people feel that Dean talking about cancer and chemotherapy costs would have been the perfect moment for Beth to scathingly bring up his lie about having cancer. While I acknowledge that it could have worked and all of us have been wanting to see this since he blurted out that he had cancer in season 1, there are a few reasons why I wouldn’t have wanted the issue raised in this scene:

1. I think it would have trivialised the depth of such a betrayal.

2. This scene was about Beth’s reaction to Lucy’s death and having to dig up her body, clean her face with baby wipes and then take a photo of it in order to unlock her phone and convince her kind-hearted boyfriend, who she loved, that she is still alive and wants nothing to do with him. This has nothing to do with Dean or his lies and it has everything to do with Lucy and the weight of her death on Beth’s shoulders. Why should it be about Dean? Despite the fact that he is in the scene, it actually has nothing to do with him.

3. I do wonder if the cancer lie will ever be addressed, mainly because I think Beth felt so guilty over Dean being shot by Rio that she essentially let it slide. Even in 2x05, when she finds out that Dean had multiple affairs rather than just one, she pointedly does not raise it. Perhaps it’s because she only found out about it in the lead up to her confrontation with Rio and Dean in 1x10, so bringing it up would essentially force her to think about Dean being shot before she even had a chance to confront him about it personally. I do think that Beth and Dean are going to go their separate ways this season, romantically I mean. There was some unconfirmed information floating about that the show was looking to cast an actor as young Dean and I think, if that’s true, any flashbacks probably would have been as a prelude to these two ending their romantic relationship for good. If it is true, I’m even more annoyed that the last few episodes couldn’t be filmed. Anyway, the way I see it, when Beth and Dean’s romantic relationship ends as a storyline, I think it will be a decision borne of weariness rather than resentment.

Also, I just need to say that I kind of love that Dean is getting so many scenes with Au Jus and kind of love seeing him with the bird. He seems like such a proud father. I’m more invested in this storyline than I am in the four star hot tubs storyline and Gayle tbh. For now anyway.

The Hills

I’m really starting to understand what Manny meant when he said that he was most interested in what the writers are doing with Stan in this season.

As soon as Stan told Ruby that he might be able to become a cop again, I knew that he wouldn’t return. At least not immediately. There are probably two main reasons that will stop Stan from returning to the police force:

1. Disillusionment with law enforcement. In season 2, we saw Stan being confronted by a federal agent (Turner) who was threatening and absolutely willing to use underhanded tactics, such as false testimonies, to get Stan to do what he wanted.

2. Stan views himself as morally compromised and unfit to protect and serve. He knows that he’ll abuse his position and help Ruby if she needs it again.

Beth actually says to Ruby in this episode that Stan can’t be a cop again. Even though he obviously doesn’t know about this, I can really see the entire situation, and everything that has happened since they robbed Fine and Frugal, lead to a pretty tense conversation between Beth and Stan in the next episode:

Lemme tell you, I gasped when I saw this promo image for 3x07, especially given the fact that Reno has said that we’ll get to see a little of Beth and Stan interacting in this season. It’s actually one of my hiatus wishes and I feel like we’re all anticipating their scenes together. I mean, Beth and Ruby have been best friends since they were teens. Stan and Beth have probably known each other for ages and we saw some tension in the last season, stemming from Ruby’s betrayal of Beth to save Stan. Correct me if I’m wrong but I think the last time we saw these two interact was in season 1, so it’s about time we see them talk face to face.

Of course, it’s been a few episodes since we saw Stan as a security guard in the strip club, so I’m really excited to see what happens there, the introduction of Onyx and more scenes with Krystal. I think Onyx may be introduced in the upcoming episode?

It was also so good to see more of Harry again. Danny Boyd Jr is such a talented and cute little actor. Like, he’s so small!

I LOVED the scene where Ruby points out the reasons why Stan is a cop (protect and serve) at his core. He doesn’t want to be involved with their shady stuff but he always gets dragged in. I would give anything to see a scene where Stan defends Ruby so staunchly to someone because I have no doubt that he would and I need it. Grabby hands.

Mick

Give the guy a hot tub!!!!!!!

I’m telling you. I screamed when Beth blurted out “I have herpes!” Oh my god. I died. Yeah, your husband won’t be happy about it. Nor will your crime husband.

I’m also just going to reiterate that I don’t view any of what Mick’s doing as a betrayal of Rio. What Beth was trying to do in this episode was in an attempt to get the cops off their collective backs and, if he gets a free hot tub out of it, good for him.

I guess we’ll have to see where it all goes but I’m not convinced that Mick is going to betray Rio in some profound way. Hell, I’m not even convinved that Rio doesn’t know about all this.

Beth’s character progression

God, Beth did so much in this episode. She really got down in the dirt herself and dug the dirt away from the Lucy’s body, asked for some wet wipes to clean her face, while trying her best not to be sick, and then took a picture of Lucy’s face. Even thought she has gotten her hands dirty, with regards to her role in the crime world, this is the first scene where she physically gets her hand dirty when she’s not gardening.

@captainallthingspurpleme wrote a great short post summarising the girls’ actions in this scene and absolutely nailed it! I don’t want to reiterate because I think it’s worded a thousand times better than I could articulate it.

I think Beth’s breakdown in this episode was so earned. We so rarely see her emotionally lose it, especially not in front of other people. The fact that she’s breaking down in front of Dean of all people, from whom she has been repeatedly proven to be emotionally and intimately removed from, shows how torn up she is over everything that has happened.

Despite this, she somehow manages to process it and file it away and is back to business in her next scene with the girls, where she texts Max, takes charge and tells him to come over in a moment of decisiveness and then deals with him. In the Good Girls 3x02 thoughts post I wrote, I talked a little bit about how ruthlessly pragmatic Beth can be, her ability to process horrible things and compartmentalise and how we see this happen with everyone in her life except for Rio. We’ve seen it after she processed that Dean had cheated on her, when she processed that fact that Mary Pat was extorting them and accepting how similar they were, when she found out about Dean faking cancer and when she processes Turner’s death. She always gets back to business. I think we’ve seen it again in this episode, with regards to Lucy’s death. While I don’t think she’s dealt Lucy’s death mentally, not even a little bit, I do think she has compartmentalised it which is just so Beth, as I point it in that previous post, but it’s underscored as being even more chilling in this episode, particularly with the last shot where she appears to blend into the pitch black behind her:

I’m sure everyone has read it already but @foxmagpie wrote a fab post about the lighting of Beth and Rio throughout the episode and how it relates to Beth’s character development so, instead of reiterating her analysis, I’ll just leave a link to it here.

Beth and Rio

I’ve seen that people are displeased with the screentime that Rio has had, which is a totally valid opinion. I’m personally really happy with what’s been happening with his screentime. @pynkhues wrote an amazing post during hiatus about why she thought Rio would become a POV character and have more scenes in season 3. She hit the nail on the head! I think the writers have really delivered on this front because Rio does have his own POV now, we’ve seen him interact with his family, we’ve seen him operate outwith the girls, his boys have returned and we’ve had a glimpse into how many people he seems to ‘employ’ and, if Manny is to be believed, we are also going to find out more about the people to whome Rio answers / owes debts to. I’ve been wondering who these people are since he mentioned it. Are they larger scale crime bosses or are they corrupt big wigs in political or federal circles? Does he owe them a debt of money, potentially due to his absence while he was under Turner’s thumb, or have people in the crime world put two and two together and realised who was feeding names to the FBI? I don’t imagine that giving such information to law enforcement goes over well amongst criminals.

I’m going to start by discussing the first scene between these two, which is really weighted. It reminded me so much of 2x07, where Beth and Rio’s feelings, both generally and for each other, bubbled to the surface in a rare moment of emotional honesty.

This scene starts with Rio’s car drawing up and Mick approaching Beth. It’s hilarious to me that Rio decided to wait in the car instead of dealing with her drama (petty AF) but also really emphasises the fact that Rio’s doing his best not to give Beth an inch. He’s trying to maintain the faux gulf that has developed between them. He’s also failing because, let’s be honest, Rio didn’t have to come at all; he could have sent Mick or one of his guys just like he did in the last episode but he didn’t and there are potentially a few reasons for this:

1. It’s possible that Rio anticipated that there might be problems and that he would have to step in to handle it because...well, Beth is his problem to deal with. His rotten egg. Not Mick’s.

2. He definitely knew that Beth would be feeling the weight of Lucy’s death on her shoulders, which I’ll discuss later in this section.

3. Maybe he just wanted to see her, even if he didn’t want to / couldn’t justify speaking with her. There’s something so tragic about the fact that, even if the drop had gone smoothly, Rio would have sat in his car and just taken her in because he can’t help himself.

Also, side note here, but I honestly love that Rio was watching from his car as Beth mouthed off to Mick. It’s so funny!

It was only upon rewatching the episode that I realised it’s actually raining in this scene. When Rio approaches Beth to sit down, at the picnic bench and under the tree, they are both protected from the rain and it kind of makes it seem as though they exist in their own personal bubble, even though Mick is stanidng less than a few feet away from them. Rio clearly brought Mick in an attempt to exert a level of control over his interaction with Beth and also to non-verbally remind her, and himself, that this is just business.

I’d also like to take a minute to discuss the significance of the setting, which is a picnic bench that is not Beth’s backyard but in a separate, meaningless location.

This is the last time Beth and Rio were at a picnic bench:

Compared to this:

God, these two messes are such a mess.

The difference between the two scenes is so stark, including the obvious differences in lighting and their comfort levels with one another. Not to mention the fact that in the image from 2x08, Rio sits on the tabletop in a higher position (which makes sense because Rio retained much of the power throughout season 2, even after Beth took the pills and strong-armed him into a 50/50 deal) but they look at each other directly, unafraid, comfortable and happy. In this scene, Beth and Rio sit on more equal footing but look away from one another in opposite directions, sobered, worn and quiet.

It really highlights the fact that, in season 2, the distance between these two was being abolished but now they’re back to trying to hold one another at arm’s length. It’s clear that they’ve been through too much at each other’s hands.

When Rio sits down, there is a long, weighted silence. Rio adjusts himself on the bench and stares at his lap and waits. This is so important. When Beth eventually breaks the silence by saying (about Lucy) “She was a good person” and sniffling quietly, Rio seems completely unsurprised. He knew she was going to bring up Lucy and her death. He knew and he still let her take the lead. He repeatedly says in this scene that it’s just business and yet his actons suggest otherwise. Why sit next to her, why let her bring up Lucy when you knew she was going to? And perhaps more importantly, why not immediately discuss business? He responds by saying “she seemed like a really sweet girl”. Even though he views ordering Mick to shoot Lucy as business, he doesn’t invalidate how Beth feels about it. In fact, he’s almost gentle with her. He’s been gentle with her in this season but always as a manipulation tactic, always to make her more fearful. But in this scene, he’s honestly gentle and patient with her.

He knows she’s crying in this scene. Her voice breaks, she sniffles, she wipes at her face and he can’t look at her. I think, despite everything, Rio struggles and doesn’t know what to do when Beth is in pain.

In fact, he doesn’t look at her at all until he says “I got my own debts to pay aight” and then “Oh, you still think you get a say in this huh? Nah, see that ship sailed when you put three slugs in me”. It’s so clear that, in this scene, Rio has to summon enough anger to be able to look at the tear tracks on Beth’s face. This is followed by Rio saying “You, me, we” while still looking at her but then his eyes deviate downwards before he says “It’s just business” because it’s dishonest. It’s such a callback to the scene in Rio’s car in 2x12. This statement also seems pretty out of place in this scene, almost as though Rio’s been thinking too long and hard about it and had to say it in order to convince himself.

Beth seems genuinely hurt (I need to write a separate post all about this) and her eyes flicker over to Mick, absorbing Rio’s non-verbal reminder of their relationship being a business one. She then looks at Rio again and we have a shot of him looking away from her again, rocking his jaw and he almost seems angrier than when he was raising his voice, probably because he knows that he slipped again, despite everything he was saying.

When the sneak peek came out before the episode aired and Rio said, “so who’s the boyfriend?”, I was really confused. I was momentarily transported to fanfic land where Beth meets someone new and Rio is jealous haha. Seriously though, the word sounds so foreign coming out of Rio’s mouth, as the words boyfriend/girlfriend have never been thrown around in conversations between these two. It made me think, and probably made a lot of other people think, about how these two compare to a conventional romantic relationship.

The music is also incredibly weighted in this scene. Loving all the piano they’re using!

Moving on to their final scene in the episode, I love that Beth knows that Rio’s going to be his usual pissy self and want an invoive and then the way he scrutinises it. Omg, it was so cute.

Also excuse me sir but did you just compare your relationship with Beth to that of a boyfriend and a girlfriend? Again, the word boyfriend sounds so foreign and new coming out of Rio’s mouth. When Beth replied by saying, in a very feminine tone might I add, “he got over it”, I just about died. God, these two messes are using another couple’s relationship to address their own relationship. You bloody messes. I’m shaking my head. And the fact that Rio replies “they always do”, I am shaking my head again. Hahaha. Lol. Imagine these two ever being over each other. They really can’t be compared to other romantic relationships because they’re too stupid.

Also, Beth and Rio are dressed so similarly, all black, in their scenes together but particularly in this last scene.

I think that the way they are positioned is, again, so significant and obviously different to their first scene in the episode. In this final scene, Rio is once again positioned above Beth, standing while she is sitting. In the first scene, he sat down next to her, waited for her to speak and listened but he also lost control, even though Mick was there, and seemed to internally berate himself afterwards for it. Now, Mick is still there but Rio is taking extra precautions by avoiding even sitting down and keeping the interaction as short as possible.

They are also finally facing one another and Beth has regained the power and confidence she didn’t seem to have in the first scene, even thought she isn’t delivering the full amount of money. Like I said, I think she has processed and compartmentalised Lucy’s death and that possibly has something to do with it, as well as the fact that she probably feels powerful knowing that she’s deceiving Rio.

By having Beth and Rio face one another in this scene, while wearing such similar clothing, it really depicts them as two sides of the same coin, as almost but not quite mirror images of each other, as counterparts.

#nbc good girls #beth x rio #gg season 3 #annie marks #ruby hill #stan hill #ruby x stan #dean boland #au jus

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itsclydebitches · 4 years

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RWBY Recap: “Cordially Invited”

Only a week late, folks! Can’t say I’m surprised, what with the holidays underway and my normal schedule all topsy-turvy. Still, at least now there’s a little something to fill the RWBY-less hole this Saturday. Always a silver lining.

We begin the episode with our group discussing their upcoming dinner---Oscar included! We’re off to a great start. We learn that Jacques supposedly just wants to “break bread and hash things out,” but anyone with two brain cells to function together know that’s a load of BS. What frustrates me is Ruby’s attempts to spin this as a good thing because they supposedly want Ironwood to start “opening up” to “these people.” Yeah... there’s so much wrong with that. Normally Ruby’s optimism is one of the personality traits I love most about her, but lately that optimism has been twisted into naivety at best, that pro-protagonist perspective at worst. We saw this in Volume Six where the optimistic “We’ll find some way into Atlas!” became an attack on Argus. Now, Ruby’s “Maybe this won’t be so bad!” is functionally an attack on Ironwood. The responsibility lies with him to achieve that good outcome: he needs to open up to the horrendously corrupt abuser that Weiss at least suspects might be involved with Salem. Note that Ruby doesn’t extend those same expectations to herself and her team. She doesn’t claim that they all should “open up” to Jacques in the name of crafting better relations. No, she immediately jumps to having Weiss spy on him in order to get ahead in the game. For the record, I don’t give a damn if the group commits “bad” actions against Jacques (more on that below) because again, Jacques is an evil, corrupt abuser. Rather, it’s just that continuing issue of hypocrisy. Ruby expects Ironwood to “open up” to him and make peace over dinner, but only expects herself and her friends to give him what’s for. Insert [Ozpin and Ironwood must never keep secrets or tell lies, but we’re allowed to] here. Same song, different tune.

Oscar at least points out how idiotic that perspective is from a practical perspective. He doesn’t call Ruby out on the expectation that Ironwood make nice with the man they want to keep Weiss five billion feet away from, but he does acknowledge that such expectations can’t be fulfilled at this time in this place. Jacques has tailored this dinner to benefit him and him alone. He will control the conversation, so good luck getting around that.

Weiss: “I think my dad would do whatever it takes to win.”

Ruby: “And we should do the same.”

Granted, “whatever it takes” comes to mean spilling some food which obviously is in no way comparable to Jacques’ entire existence. The viewer doesn’t know that’s coming though. When we first hear them, these lines are another nod to the closing gap between the “heroes” and the “villains”---whether we’re defining a “villain” as someone like Jacques or someone like Ozpin. The theme is there. The group is willfully adopting the same choices as those they oppose. If Ozpin is going to lie to us then we’ll lie to Ironwood. If Jacques is going to do whatever it takes then so will we. Which isn’t necessarily a bad thing. As I’ve mentioned in non-recap metas, RWBY has now created a harsh world where by-the-book heroics will only hurt you in the end. If Ozpin had never kept secrets I don’t believe he would have achieved that extraordinary time of peace. If Blake and Yang hadn’t killed Adam they still would have a murderous abuser stalking them. We clearly have a story where the concept of a lesser evil exists...it’s just that we’re continually turning around to insist that the group is somehow better than everyone else for also doing what they have to to survive.

Which brings me to the fact that if Blake and Yang told everyone else about Robyn, we get not indication of that here. The only nod to last episode’s huge decision was Robyn’s shock that Jacques doesn’t already know what the Amity tower is for, but she’s cut off before she can reveal anything in front of Ironwood. So until proven otherwise... here’s another secret. Not just from an adult in a position of authority, but from the rest of the team as well. Given that Blake hid her faunus status and time in the White Fang, Yang continues to hide her knowledge of the Spring Maiden, both of them are helping to keep at least three major secrets from Ironwood, and are now keeping the Robyn secret from everyone else... no leg to stand on. Not to be dramatic on main, but if either of them ever pulls another, “How dare you keep secrets?!” I’m gonna go absolutely feral lol.

Anyway, back to the plot.

There are no new models of the group in fancy dinner clothes. I in no way had my hopes up for that, but it was fun seeing the posts theorizing about it and I can understand others’ disappointment. That definitely would have been a nice surprise, if an insane amount of work for what amounts to ten minutes of screen time.

Instead everyone just shows up in their normal gear and we get a telling exchange between Ironwood and Winter where she informs him he’d have to pay her to smile. I’m really glad she got a lot of attention this episode, both because we expect as much with her returning to the Schnee manor and because, if she’s going to become the next Winter Maiden, we really need to develop her character some. Even just setting up that she might become a Maiden demands that Winter be more than just Ironwood’s second hand and Wiess’ big sis. Who is she on her own? We start getting a glimpse of that here.

Before her outburst though, the group arrives en masse looking like a small army knocking on Jacques’ door. They’re greeted by Whitley who comments on that, asking Ironwood how large he thinks their dining room table is. Absolutely humongous, obviously. Not really the point though. This is clearly Rooster Teeth poking fun at their own massive cast, which would be more enjoyable if the number of characters didn’t constantly hinder the story. Personally, I’d prefer that they actually tackle underdeveloped or mostly dropped characters (like Maria) rather than just joking about it, but anyone keeping up with these recaps already knows that. If we’re not going to get a better structured story I’ll take some jokes here and there. Laugh about it when you can.

Although, I will say that Rooster Teeth does a good job with a minor character here, namely Klein. Whitley makes a dig at Weiss over how he was let go. Wonder how that could have happened. Klein, to my mind at least, was always meant to be a one shot sort of deal. He was introduced to help Weiss escape and once he’d achieved that was no longer useful to the story. It makes sense that we left him behind, but it’s nevertheless wonderful to get a bit of closure. Sad closure, but closure nonetheless. Now, if Rooster Teeth wants to keep him out of the picture we technically have a complete story. We know who Klein was, what he did, and what happened to him in the aftermath. Yet by keeping him alive and away from the Schnees, there’s always the potential that we’ll run into him again someday. I’m quite satisfied with that balance. It’s much better than what I was expecting, namely for Weiss to return home and conveniently not run into him because that would complicate things. Here we’re given an in-character explanation for his absence. Of course Jacques would fire him.

Finally, in the realm of massive casts and character development, I’ve got to admit that I’m disappointing with Penny being there. Simply because it once and for all shatters the hope that this well-executed frame job will amount to anything. If she’s attending a dinner with Jacques Schnee then things are fine. I said that I wasn’t convinced of this “Penny might be deactivated!” consequence before and I’m definitely not convinced of it now. Theoretically another consequence could have been Ironwood losing his council position, but we don’t see that either. Jacques references Ironwood’s inability to catch whoever hacked them at Beacon and his inability to catch whoever attacked Robyn’s supporters as reasons for being untrustworthy, both of which stand without the frame job. It’s incidental. Tyrian could have just killed everyone as Tyrian and it would have had the exact same effect. All the framing has done is make Penny sad (which hasn’t led to any development yet) and get Pietro to spill the beans about her aura (which could have happened in a thousand other ways). I was so pleased at this setup and the ingenuity of the villains, wondering what sort of impact this framing would have, but now we see the impact is minimal at best. If you frame a character for murder but have no other major character questioning their guilt and they’re out in public two episodes later... what was the point of the framing? Penny’s presence here is disappointing. Not because I don’t love Penny, but simply because of more missed opportunities. At this point I’m wondering why they bothered to bring her back at all. We’re not going to have Ruby grapple with the resurrection of her friend. We’re not going to deal with Penny taking the heat for Tyrian’s murders... Why is she here?

Also, not to distract from these important questions but... that.

That.

Friends, I cannot quite convey how confused I was at first. This is obviously supposed to be akin to the Jaguar ornament but... that’s a raptor, right? Have we seen raptor-type grimm? Am I missing something?? Yes, yes I am. Turns out RWBY Rex is a thing I never knew about and I can now only assume this is another Easter egg. Either that or I’m still missing something. Which is always possible. Either way it made me laugh.

The group heads inside and then splits, Ironwood, Clover, Winter, and Penny going into the dining area. Clover makes a quip about needing luck and Qrow points out that he’s already been invited. I can easily see why so many people are shipping them, but as a hardcore ozqrow shipper myself I’m already biased to view this as friendship. Maybe if we see more of Clover and he doesn’t die like everyone thinks he will I’ll find space in my heart for a dual ship. Either way it’s sweet. As much as I’d like Qrow to acknowledge the best friend he already has two feet away in the body of a kid he hasn’t treated particularly well, I’m nevertheless here for Qrow having healthy and supportive relationships.

We also get to see him refusing a glass of wine. Thank you! Again, it’s pretty late in the game to introduce this and we’re still given no insight into why Qrow is willing to battle his addiction now when he’s succumbed to it for most of his life, but at least they’re maintaining the work needed to stay sober. Qrow politely refuses the offer (from a faunus waiter. No surprise there given Jacques’ racism) and removes himself from temptation by offering to patrol the grounds. Very nicely done. The other Ace Ops join him, warning the newbie huntsmen not to wander off, not to break anything, and make sure you’re available if Ironwood needs you.

To which Yang provides the counter point that they should wander off, they should break things, and all the rest. Jaune later says, “What was that about breaking things?” Admittedly, these lines originally rankled. Because as much as Jacques deserves all the snooping and breaking our team can dish out, I maintain the position that they need to act more responsibly, especially now that they’re officially on the job. We’ve already got Blake and Yang deciding to go behind their bosses’ back. We don’t need them aggravating a situation when they’re the ones who want Ironwood to do that “opening up.” Jacques controlling the situation aside, Ironwood is even less likely to make headway if his guests are off causing trouble.

Which is why I’m so thrilled they didn’t. I’ll be blunt and say straight out that this was a fantastic way to do things. They’re allowed to get food. Nothing wrong with that. We already know Nora is a big eater and tends to be impulsive. If she just happens to pile a plate crazy high, it just happens to hit another guest, and she just happens to douse Whitley in wine? Well... who could have seen that coming? It’s a way of causing mayhem without endangering others or their mission. It achieves the one very specific thing they need: give Weiss an opening to sneak off. No one went overboard. No one else actually snuck off to break things. It was an all around smart plan. Unlike the group attacking Cordovin or Weiss dumping a racist in the trash when they’re supposed to keep a low profile, this is the kind of decision making I can get behind. Something that demonstrates the maturity the group continues to insist they have alongside keeping their playful personalities.

Also, just look at Ren’s smile. That might be the first smile we’ve gotten from him all season. That’s a blessed image, right up there with Oscar stealing hors d'oeuvres the second he walks through the door. Our farm boy is hungry and he’s going to milk Jacques’ wealth for all it’s worth.

The other thing this scene gives us---besides the joyous image of Whitley drenched in wine and Weiss’ amusement over it---is the split screen technique. On the whole I think Rooster Teeth chucks this in too often. There have been many times since the beginning of Volume Six, especially during fight scenes, where the split screen doesn’t feel necessary to me and is even at times quite distracting. Here though? I think it works. The split screen montage used to show the many people involved in, say, a heist is a pretty common technique and it adds another spot of humor to this situation. They’re plotting and executing their food spill with all the sincerity of a bank robbery. I’m here for that.

As Weiss heads upstairs we turn our attention to the meeting with Jacques. It goes about as well as anyone expects. A lot happens in that short span of time though. Robyn sarcastically points out that she should just be happy to have been “invited to the table” and though there’s another black woman across from her, it stands out to me that Robyn, a comparatively dark skinned woman to the rest of the group, says this while the shot poises her between two very white, powerful men. Even the phrase “invited to the table” has gender and racial implications for the audience watching, outside of Robyn’s in-world characterization as a Robin Hood type focused on class. Going off of these themes, we also hear Ironwood reassuring Jacques of their safety by claiming that “Penny is completely under my control.” This, hands down, is the worst thing I’ve seen Ironwood do this volume. Sure, things like the embargo and the supplies have objectively worse consequences, but the story has done a lot to demonstrate the “greater good” justifications behind those choices. We might not agree with Ironwood, but we’re supposed to understand that (until proven otherwise) he has good motivations. Here? That comment is pretty horrible. Ironwood refers to Penny as if she’s a weapon or a tool, a young woman who he believes he literally has control over. It’s a fascinating look into his perspective and a pretty logical one as well. Here’s a man who has put so much faith in his technology, from amassing an army to protect his kingdom to relying on prosthetics to get around. He asked his team to create a new security measure and they did... they just happened to create a person along with it. I’m not sure Ironwood fully understands that yet. He trusts Penny enough to bring her into his own inner circle, but he likewise thinks he can manage her like he would a gun or a vehicle, dictating whether she has friends and announcing that she is under his control. I hope that this is something the writing explores and helps Ironwood work through, rather than just letting it sit as generic evidence that he’s a bad (as opposed to flawed) person. I think Ironwood would realize his mistake and work to correct it if someone pointed out the issue, in the same way we’ve seen him considering, settling, and agreeing with the issues the group has seen fit to yell at him lately.

What interests me most about this whole interaction is (shocking) this continued debate regarding secrets and trust. Overall Rooster Teeth has actually succeeded in creating a decently complex situation here. We know that (again, until proven otherwise) Ironwood has only good intentions and we likewise know that Jacques is now connected to Salem. The information the audience has makes us biased. We know who is supposedly good and supposedly bad. At the same time though, the actual issue appears to be removed from that. Jacques’ side---notably expressed through a new character who acts as a more neutral party---points out that from where they stand there’s no reason for this embargo. We know there’s a reason. Ironwood knows there’s a reason. Because we all know about Salem. But the other council members are making entirely reasonable demands given the information they have: why are you continuing to hurt both the people and our relationship with others? What’s the justification? You can’t give us one? Then why in the world would we let you keep doing this? It puts us in the discomforting position of knowing Jacques is an evil slim ball manipulating the conversation while likewise having to admit that his side has a point. You can’t just announce Salem’s existence because that would make things exponentially worse, but keeping her secret has its definite downsides.

Where Jacques’ party doesn’t have a good position is in his insistence that because Ironwood hasn’t caught these various perpetrators he can’t be trusted, equating trust with results. There’s only so many ideas, resources, and luck that can lead you to catching someone like Tyrian. I understand that knee-jerk reaction, the idea that because someone hasn’t succeeded you should replace them with someone you assume will, but in situations like this you only have so much control over the probability of success. Claiming that Ironwood not catching criminals is indicative of an inability to lead is flimsy, but as we’ve seen, Jacques is a manipulator. He tosses these assertions out as if they’re facts. He and the others continually cut Ironwood off, refusing to let him defend himself. It’s not at all surprising that Winter, someone who suffered under his abuse, eventually explodes with, “You can’t just buy trust like everything else! You have to earn it.” Winter is someone I’m particularly interested in seeing react to the group’s secret keeping because from her perspective, she and Ironwood have earned the group’s trust a hundred times over. Again, provided the story isn’t hiding something from us and Winter is secretly in on some plot with Ironwood, we’re seeing this volume how she’s done the work her father couldn’t and it still wasn’t enough. Her peers, including her baby sister, still decided they weren’t going to trust her with secrets that are intimately tied up in their current work and choices.

Frustrating moral questions aside, something I really loved about this scene was the character setup and the cinematography. Having Jacques with his two allies on one side, Ironwood mirroring that on the opposite end of the table, and Robyn sitting poised between the two, the audience still unsure whose side she’ll fall on. That aerial shot showing off the distance between them all? Excellent visual storytelling.

We get a quick conversation between Winter and Penny which I don’t have too much to say about. Merely that I love Penny for checking up on Winter and I love Winter for correcting her assumption: I’m not saying you wouldn’t understand because you’re a robot, I’m just saying these problems are very specific to me and being in this place. That was particularly reassuring after Ironwood’s comments. Penny ends the scene by saying she doesn’t understand why Winter wouldn’t want to follow her heart. Perhaps an odd comment coming from someone who almost blindly obeys the orders she’s given even when she doesn’t agree---such as not making more friends---but then, it may well be a ‘do as I say, not as I do’ situation. Just because Penny isn’t sure how to always follow her own heart doesn’t mean she can’t encourage others to do the same.

We return to Weiss who, after getting past a curious server, makes it to her father’s office. I feel like this is the scene people are most invested in, considering that I’ve seen a LOT of posts lately trying to demonize Willow for her comment about Whitley. Here’s what people need to remember about Willow moving forward: she’s as much a victim of abuse as Weiss is. She is, presumably, Jacques’ first victim, fully entrenched in his abuse by the time her kids started coming along. As a mother does she have a responsibility to her children? Absolutely, but that doesn’t erase the fact that she’s simultaneously a woman attempting to survive domestic abuse.

(That’s another stunning shot hell yes.)

Initially Weiss takes the side of the posts I’ve seen, painting her mother as someone who made a conscious decision to let the abuse happen---another abuser herself, one out of passiveness. “Some of us are trying to do something about it,” Weiss says, emphasizing that she’s better because she’s doing what her mother never could: fighting back. Ignoring for a moment the highly dubious insistence that abuse victims must simply ‘do something’ about that abuse (it’s not that simple at all), Weiss quickly realizes that she was wrong. Her mother has been doing something, namely setting up hidden cameras around the house for some spying of her own. Why? “For our safety.” To make sure that if Jacques ever goes farther than he already has, Willow will know about it and can take appropriate steps. Is taking precautions against something worse better than leaving a situation that’s already horrific? Of course not, but as said, abuse isn’t just something you can fix. Even if you know it’s happening. This is a woman doing all she can and what someone is capable of in an abusive relationship is based on them and that context, not what others believe is fighting back “enough.”

Willow then reassures everyone, Weiss and the audience alike, that she doesn’t expect Weiss to be the family savior.

Willow: “You haven’t come back to stay, have you?” Weiss: “No.” Willow: “Good.”

That first line potentially reads as a plea. We might have gotten a scene where Willow is disappointed that Weiss isn’t coming back because she doesn’t want to face this family alone. While a very human and understandable desire, it’s likewise not okay to expect another abuse survivor to return to their abuser after they’ve gotten out. In that hypothetical scene the fandom would have a basis for going, “No. That’s... not okay.” But we don’t get that. Willow is thrilled that Weiss both got out and has no intention to return. She wants her daughter safe. That parental instinct outweighs any selfish, human desire to not suffer this situation alone.

Keep the above point in mind when we read the line, “No matter what happens, Weiss, please don’t forget about your brother.” Willow isn’t telling Weiss to return to the house and save him. She’s not even telling her to forgive him. Just don’t forget him. Remember that he’s not a mini Jacques. He’s another young abuse victim. He’s just like you. When we look at the family dynamic it’s clear that in some ways Weiss had a leg up from her brother that helped her get out. Namely, she had Winter. They’re the ones who are close among the siblings and thus Weiss had a role model to follow. Winter, however she managed it, got out and forged her own path. We then see throughout the series how closely Weiss emulates that, from going into combat herself and having Winter train her. The two actions---fighting and escape---are connected in Weiss’ Volume 5 short. Winter tells her that if she wants to get out she has to get better. That’s your route.

In contrast, Whitley has shown no interest in combat and thus doesn’t have that path to emulate. He’s not a girl and is thus automatically treated as the next Jacques, not the next Winter or even Willow. Most importantly, Whitley doesn’t have a close relationship with an older sibling to guide him.

That’s all Willow is asking of Weiss: be for Whitley what Winter was to you. Don’t forget about him. Don’t pretend he doesn’t exist. Don’t fall into the lie Whitley himself believes, that he’s set to be the next Jacques. He’s really an abused 14-15 year old who has suffered through everything we have. So if there ever comes a time where Whitley falters in this belief or you’re given an opening... please treat him like your brother, not your father.

I think that’s a perfectly reasonable thing for a mother to ask and we can easily see via Weiss’ expression that she’s coming to all these realizations too.

“Of course [Whitley doesn’t want anything to do with you.] You left him alone. With us.” That’s not an accusation, it’s a fact. As established, Willow is happy that Weiss got out, but like with so much in RWBY the best decision doesn’t mean it’s a consequence-free decision. In this case the consequence is that Weiss and Winter left their little brother alone with their abuser. They had to for their own mental health and their safety, but they nevertheless did it. So if there ever comes a time when they can help alleviate that consequence, please do.

It likewise doesn’t escape my notice that, again, Whitley is a guy. Just like the fandom was unwilling to accept Ozpin as an abuse victim, people seem hesitant to accept Whitley as an abuse victim either. From what I’ve seen (and there are admittedly always exceptions) Whitley’s shitty behavior hasn’t gotten an a fraction of the sympathy Weiss’ shitty Volume 1-3 behavior got. They’re three years apart at most. If Weiss is a victim then so is her little brother. Don’t let the Jacques’ genetics and learned behavior fool you.

Finally, we end on Watts. The man who continues to be THE most dramatic bitch in this entire series.

We watch as he shuts down the system keeping Mantle warm. Rather than rain, snow starts to fall. Whether this will be just another generic thing going wrong to make the people angry and Ironwood seem incompetent, or whether there’s a more dangerous downside here (we did hear from Weiss about the deadly temperatures...) remains to be seen.

And that’s it. You know, I think that’s the first time in nearly two volumes where I ultimately had more good things to say about an episode than bad. It’s a holiday miracle!

Until next Saturday ;)

#rwby #rwby volume 7 #rwby volume 7 spoilers #mymetas #rwby recaps

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jeanvaljean24601 · 4 years

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Unsolved Mysteries

”Unsolved Mysteries“Boss Offers Updates on Cold Cases and Talks Tackling Ghosts in Upcoming Episodes。Since its debut “Unsolved Mysteries” has been sitting atop Netflix’s “Top 10” queue and while executive producer Terry Dunn Meurer is obviously “thrilled” with the reception of the streaming revival, Meurer also admits the production team “would be happier” if they could have solved the majority of cases explored within.

But perhaps they still can. The 33-year-old series never had the online support of millions of armchair detectives on social media before, nor quite the international reach of streaming giant Netflix. These things combined make for a pretty impressive army of concerned citizens looking to right a wrong.

Despite the decision to ditch its previous formula of actors recreating each mystery in favor of additional interviews with family members and other loved ones of victims, the purpose of “Unsolved Mysteries” remains the same today as it did when it began: to investigate cold cases and reignite hope when there often is none. And occasionally, it will even continue to dip into the paranormal, such as with UFO cases and ghost stories, the latter of which will be included in the upcoming batch of episodes Muerer says have been shot, edited and delivered, and are going to be released “sometime later this year.”Here, Meurer provides Variety with updates on some key cases and offers a look ahead at the next batch of episodes, including whether or not they will look into ghosts.

How do you go about choosing each case?We get story submissions, and we have a database of hundreds of story submissions. It is really challenging to figure out which cases to produce. We knew that we had an order for six [episodes]. So, out of that six, we wanted to make sure there was a variety of categories. There’s unexplained deaths and a missing person and a murder and paranormal. It’s always important to have a variety of categories — there’s something for everyone. Then we wanted to add in some international stories. Out of the 12 [episodes] that we’ve produced, three of them are international. Two of the international stories will be in the second [batch of episodes]. Then we look at every other kind of diversity: We’ve got international versus domestic, we have rural versus urban, we have age diversity, we have ethnic and racial diversity. They all have to have a lot of twists and turns and need to be very intriguing. If they’re intriguing to us, we know that they’re going to be intriguing to an audience.android box

There are also stories like the case of Patrice [Endres]. Is it an unsolved mystery? The internet seems to believe her husband Rob did it.It’s totally an unsolved mystery. Jeremy Jones has not been ruled out as a suspect in this case, and neither has Gary Hilton. We really try and present balanced cases. As far as I’m concerned, Rob is innocent until proven guilty. We take everyone’s interview at face value. Rob’s a character, but he was very, very honest with us in his responses to the interview, and we believe him. We respect him, and we respect everyone we interview. As Mitch Posey, the investigator says, “Everybody remains a suspect until the case is solved,” but it is an unsolved mystery. Who abducted and killed Patrice? That’s the mystery.

What did her son Pistol [Black] think of Rob’s interview?

We haven’t spoken to Pistol. We’ve spoken to Pistol’s dad, Don, but we haven’t spoken directly to Pistol. We know he’s doing fine. With any of these stories, there’s always information that we can’t include. I wish there were a few other things that I wish we could have included. I think he’s pleased with how the story came out, but we haven’t gotten any comments from him about Rob.

How has social media changed the reception of “Unsolved Mysteries” in 2020?

It didn’t exist when we did the original episodes. The show would air on a certain day at a certain time on a network, and you could watch it once. You couldn’t rewind it. I guess you could tape it off the air. And then it would air again, usually in the summer, and that was it. Now the old episodes have been streaming, so people have an opportunity to look at those in more depth again if they want to. We didn’t have the kind of commentary, and the kind of armchair detectives who jump in and really do try and solve these cases and come up with theories. It’s been amazing to see the reaction on social media.

How many email tips have you received?

There’s probably around 2,000 tips and comments at this point [on unsolved.com] but not all of those are credible leads. Somebody asked me, “How many credible leads have you gotten?” I don’t have an answer for that because I don’t know. We pass the leads if there’s law enforcement involved. Like in the Alonzo Brooks case. We’ve been sending leads to them for Alonzo. I’ve been working on the [Rey] Rivera case. And then the lead for Endres is going directly to the Georgia Bureau of Investigation. We know they’re working the leads we’re giving them, and I’m sure they’re getting leads of their own, but we just don’t know. There’s just no way to quantify how many credible leads there are. But a lot has come in. It’s been very active.

How do you assess a credible tip?

If someone names a name, that would be a credible tip [or] if somebody said, “I was a witness.” If somebody who was at the party where Alonzo was said, “I was a witness to what happened to Alonzo,” that would be a credible tip. We haven’t gotten that yet, let me be clear about that. Anything that has specific information is great. If somebody called and said in the Rivera case, “I own that money clip” or “I know where that money clip is,” that would be a credible lead. Or in Endres, if they said, “Oh, I know that blue Lumina with the wildlife tag.”

There’s some vague tips that come in that are very difficult to follow up on: “I know who killed Ray Rivera.” We email back and we say, “Could you give us more information? Can you give us some details?” We don’t pass those leads onto the FBI or to the law enforcement because we know there’s nothing they can do with them. We try to get whoever submitted the tips to give us more specific information as they can. We would rather have law enforcement vet the tips. We’re not investigators, and you never know what they’re going to see in a tip that we aren’t experienced to see.

How many people do you have reading tips on staff?

There’s a team of about five, six people on different shifts so that we have somebody on the website all the time, going through the tips. And we still have tips and leads in cases getting solved from the original shows. There’s a 30-year-old case, it’s probably going to get solved in the next month or two that we’ve been working with a detective on. I kind of always refer to it as a living, breathing television series where it has a life of its own. You never know when you’re going to get a phone call from the French police and they say, “You know what? We found Xavier [Dupont de Ligonnès].” That’s the mission of the show is to solve these cases. That’s the goal.

What’s the old case that you think is going to crack soon?

There was a young man who committed suicide in a church in Idaho. He’s a John Doe — he’s been a John Doe for 30 years. And the investigator in this police department of relatively new investigators decided he wanted to try and solve this case. My understanding is he went to the file, which was in a box, and the only thing that was in the box — the only information in the box — was a VHS copy of “Unsolved Mysteries.” He reached out to us and said, “Do you have anything? Do you have the note this man left behind? Do you have any of the details from the case?” And we actually had it, which was surprising to me after all these years. We gave him the information we had, and this investigator has been working on it. He just recently, in the last couple of weeks, reached out and said, “I think that we might have figured out who this man is.” My heart goes out to people who don’t know what has happened to their loved one. Even if they’ve passed away, they need to know. Solving these John and Jane Doe cases are really, really important to me.

Can we run through each new case? The world is really eager for updates on every episode. What’s happening with Rey Rivera?android tvbox

There’s been a lot of conversation around the note that he left behind, and also the helicopter theory. When you have a case this mysterious and you cannot figure out how Rey came off of that roof and landed where he did — I was up on that roof and I’m baffled — I think people look for stuff. “Well, what other theories are there if he didn’t come off the roof? Well, maybe he was dropped from a helicopter.” That theory has been circulating.

I know with Patrice Endres, the GBI hasn’t shared the tips that have come in on that particular case. [People are] hoping to find Patrice’s wedding ring or somebody who knows what happened to that. Or the blue Lumina. Somebody could connect that to someone that. That would be great, but we don’t have any specifics on that case.

Alonzo Brooks was probably [the case] we’ve received the most emails on. Lots of theories that we had already heard when we were producing the episodes, but there are some new names that have come in and that we forwarded onto the FBI.

Has no one come forward who was at that party?

There were a lot of people there at that party, somebody witnessed what happened. We just hope that they’ll come forward. The FBI offering that $100,000 dollar reward, which they just announced in the last month. That was so incredible and hopefully motivates somebody to come forward with what they know in that case, because somebody knows.

Was the Brooks case reopened because “Unsolved Mysteries” was digging around? [Editor Note: The reward was announced before the show launched.]

We’re told that, when we were producing the episode over a year ago, the FBI started to look at it again and reopen it. But they just recently made the announcement that it was reopened and that the reward was being offered. Because we reached out to the Kansas Bureau of Investigation and the FBI about the case. At the end of the episode, Billy Brooks, Alonzo’s brother says, “This case needs to stay open. It should never have been closed.” And then, there you go. The case was reopened right before the show premiered. We feel like there might’ve been a connection, and we’ve been told there was a connection, our producers.

Yeah. You know, people always say “sad” and they say “tragic” and that’s really true, but the show gives people so much hope. And the Brooks family has hope — Maria, Alonzo’s mom; everyone has hope. Rodney [English], who was his childhood friend, reached out to us by text and said, “Are there really a lot of tips coming in?” They’re so excited. I hope that their hopes aren’t dashed, but that’s what the show does. I think the audience hopes these cases will get solved. They get invested with these characters and they want to see closure. We want it for the families, but we also want it for the audience.

Do you personally feel that Brooks was where he was located the whole time, despite not being found by the KBI?

I go back and forth on that, honestly. That’s one of the most mysterious aspects of this case. Was Alonzo’s body there all the time, and was it underwater and then [it] popped up when a rainstorm came along? Or was his body placed there? We just got a tip from an entomologist, she was looking at these photos of Alonzo’s clothing and there were maggots on that clothing. She said those maggots often can tell a story of how long that body had been exposed. We passed that on to the FBI, and hopefully they have somebody in their system that could take a look at that. It’s probably not going to solve the case, but it could answer the question that you’re asking, which is: “How long was Alonzo’s body there?”

And what is going on with Lena Chaplin’s case?

Well, Lena, we just would hope that someone would come forward and say where Lena is buried. That would be the dream in that case.

Xavier, we got the most interesting tip. Somebody was actually in Chicago, I think they were on Lake Shore Drive, and they heard this guy talking French and they looked at him and they had just seen the episode. They sent us a photo, and it really did look like Xavier. It was striking. So we sent that tip on. But again, this is just a stranger — we don’t have a name, we don’t have anything specific. In the Xavier case, what we’re hoping for is that he’s remarried or he has a girlfriend or he lives next door to somebody or he has a coworker who absolutely 100% knows that’s him. We need a very specific lead, because those leads come in from all over the world. Xavier looks so much like so many other people. With Netflix’s global reach, if Xavier is going to be found, we’re really hoping that the Netflix audience will find him. If he’s alive. That’s the mystery. Did he kill himself after he went through the elaborate work that he did, or is he out there somewhere? So we’re hoping he’s catchable if he’s alive, because of Netflix reach, global reach, or national reach.

In the next six episodes, will there be a ghost episode?

Yes. But I’ll qualify that and say it’s an unusual ghost episode. That’s all I’ll say. It’s different. A bit different.

How has working on this show for so long changed you?tvbox

I don’t know that it has. I guess it makes me more cautious about myself and my children. I think that the scarier stories for people are the ones where somebody is doing everything right, and something goes wrong. But I’ve loved “Mysteries” from the time I was very, very young. I was a Nancy Drew fan and Agatha Christie fan. Recently in looking back, I’ve thought, “How lucky am I that I could take this passion of mine, which is mysteries and intrigue, and twists and turns, and actually have that be my career and almost my life’s work?” We’ve been producing “Unsolved Mysteries”, involved with the brand, created the brand and then been managing the brand for 34 years. That’s probably unusual in the television business where you’re involved with brand for that many years. So it’s been very gratifying, the number of cases that have been solved and the people that we feel like we’ve helped. We just want to keep it going. We just want to keep following more cases. I still have hope. I don’t think it’s changed me a lot. I still have as much hope as I did back when we did the first special that we’re going to solve a case. And I still get that same feeling of excitement when we do solve the case and we get some leads come in. It’s very exciting. And we just very hopeful. So we may maintain the hope that we’ve always had that we can keep solving cases.

“Unsolved Mysteries” is streaming now on Netflix.

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lady-griffin · 5 years

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The Price of Subverting Expectations/Plot Armor

This isn’t really meant to be a criticism of S8E03, “The Long Night” – just a problem I think the show has been having, lately and me venting. I did really enjoy “The Long Night” overall though.

I’m all for subverting expectations and pulling the rug out of character’s beliefs, especially if a character thinks they have the final tool or weapon to save the world and it isn’t or completely fails - that can be really great.

That can be great for a story. No doubt about it. The problem is you can’t keep having a character a centimeter from death and then have them be fine afterward and not really pay it off.

I’m specifically talk about Jon Boy, but also the general feel of Game of Thrones these past seasons.

Jon has been close to death, even dying, and making it through – “no problem.” The “no problem” is that we the audience knows he’s not going to die because he has to survive and kill the Night King. The prime example of this, is when Jon somehow survives the Wight Hunt and gets back to the wall in the last minute.

I’m not mad at him surviving. I’m annoyed they made such a big deal of him “almost dying,” when we all knew he wasn’t going to die in that episode.

Showing these characters, a centimeter to death and then have them “barely escaping” time and time again, doesn’t build up the suspense, it just makes their plot armor obvious. Samwell was the MVP of that in this episode.

And maybe having plot armor for the character whose has been building up to a great moment, is cliché and boring. But it also works. Sometimes when you’re building up to a great moment, you should deliver that moment. And each time they don’t deliver, I think well they’re waiting to deliver in the future and so far…

Maybe they will deliver that great moment…but three episodes to go and I’m not all that optimistic.

Don’t get me wrong, I loved Arya killing the Night King. 100%. I really did love that moment. It was fantastic!

But then means Jon only survived all of this because A. He’s a main character B. You needed us to think he would kill the night king, so it would be a twist in the end…

And the main character reason is fine, it’s the second reason that bothers me.

Maybe I’ll think differently when I rewatch the episode, but even just him being in the Gods Woods and the Night King being distracted by him – would’ve felt more honest to the momentum of his character.

Daenerys not being able to kill the Night King, however worked really well in my opinion. A great subversion. And I was actually surprised to learn, so many people still thought that it was going to work. Like I thought it was built up so well and to a point, that of course it wasn’t going to work. So, I’m glad to see other people were surprised.

The episode made the Night King’s army so relentless and so inevitable that Arya just stabbing him made it feel “easy.” And it clearly wasn’t. The rest of the episode shows that it wasn’t. So, there’s that weird imbalance in there.

And I honestly thought there weren’t going to be that many deaths in this episode, because you still need characters in the show and I think there’s more death in the future.

Or else what’s the point of them surviving something 99% the unnamed characters didn’t?

Like Varys better be more than fucking pivotal in the upcoming episodes, like if they just give him a witty line or two and that’s it – than they should’ve killed him in the crypts.

And this isn’t a new problem, I have yet to see a compelling plot reason for why exactly Bronn is still alive. Killing him in the Train Loot Sequence, I still think would’ve been the best option – maybe I’ll be proven wrong, but you got to make those who survive actually matter to the plot at this point in the game.

And I shouldn’t want more major characters’ deaths. I should be so sad by all these deaths and desperate for GOT to not kill anymore.

Like I was surprised they killed Lyanna Mormont. I know others weren’t, but I was. And I hate that death and I love it, I’m sad thinking about and want to rewatch her epic scene.

I’m so beyond sad Jorah died and that death surprised me as well. I honestly thought he would’ve been with Daenerys to her end. And the scene where she’s crying and Drogon wraps around them, I loved that. That’s heartbreaking. That’s what I want.

And even with deaths that I knew were going to happen, like Theon’s, I’m still sad over it. Him trying one last futile attempt to stop the Night King. Bran telling him he’s a good man and all of that.

But then, they make it feel a bit less impactful, when like 90% of the named characters are still standing.

There should be weight to those who die and to be fair there absolutely is, but you also need weight for those who survive. If there aren’t pivotal scenes for the characters who survived in the upcoming episodes, then you should’ve given me a heartbreaking goodbye to them in this episode or before.

This show that loves to subvert expectations and have twists, should be doing that with its deaths as well or get back to doing that. Take a page out GRRM’s work.

I should be beyond shocked that they actually killed Sam Tarly or Gilly. Like if they had done that, I would’ve been floored. That to me would’ve reinstalled that anyone can die. That really anyone can fucking die in this world.

I’m not saying I want those two to die, but like you need to make them not dying, fucking matter or at least stop showing them almost dyingt to build suspense when we know it’s not going to happen.

I just really hope that a lot of these characters are going to be impacting some huge things and being in conflict with one another in the last three episodes. Like I want the drama and the tension. I want to think that anyone can die.

I want to be heartbroken of those who died and so happy for those who survived.

#Game of Thrones #GOT #GOT spoilers #GOT s8 spoilers #The Long Night #Jon Snow #Theon Greyjoy #Arya Stark #Varys #Samwell Tarly #Bronn

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