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#but it turned out okay!!!
mushyooms · 6 months
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day 21: chains
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demigod-of-the-agni · 11 months
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Quick little drawing of our favourite queer Spideys 😌
Guys you can use this as a banner or a background or a header or whatever, as long as it’s credited you’re free to do so <333
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mroddmod · 10 days
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everyone be quiet i'm manifesting
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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radioroxx · 1 month
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this is kerdly 2 me. btw
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lilybug-02 · 2 months
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Pain is a great motivator…
Part 26 || First || Previous || Next
—Full Series—
Meanwhile Toriel:
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(Loud noises don't wake her up usually.)
Artist note: I’m so proud of this :))) I know it’s a lot of dialogue and reading, but dialogue is grueling work for me. I’m glad with the art and for the amount of pages I made in such a relatively short time span -w- page 5 was super fun to work on. A lot of blood, sweat, and hours here... :) The backgrounds were a big bore tbh, but I finished them! Yippie!
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queerdraws · 2 months
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Fanart for a snippet of my most favorite heartbreaking moment from swordsmans's fic bone-breaker ospreys mate for life (rated E)
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nipuni · 5 months
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The heart of the universe 💫
A speedpaint video of this will be available at my Patreon on december 1st!
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the-phantom-peach · 8 months
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Meeting the Light Dragon ✨🐉
[tagged as spoilers!]
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mothmothwoth · 2 months
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Welcome home neighbor! It’s so quiet
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egophiliac · 8 months
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starting off with an amuse-bouche of some of my initial favorite bits! y'all, this update was WILD.
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rosekasa · 5 months
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i think what i adore about ladynoir beyond high school age (18 and over) is the opportunity it leaves for some of the most DELICIOUS best friends to lovers scenarios. because, like, two people who've been fighting side by side for years? who've known each other long enough to make jokes about it, haha remember when we were fourteen and you-- we AGREED to never speak of it!!!! who've spent so long learning each other inside out, even, in chat noir's case, getting over feelings, that the idea of anything romantic between them is so far off the radar that they don't feel the need for certain boundaries, because why would it matter if they made jokes about how attractive they find each other, about getting married, about how they could totally mess with the rest of the miracle team by pretending they're hooking up because it's so far out of the realm of possibility.
but then there would be that imperceptible shift. the moment where one of them makes a joke and it feels just a bit more loaded than it should. gazes lingering where they never lingered and playful smiles turning curious. the sudden awareness that, while maybe they were cuddling on a rooftop with their best friend, they were also wrapped up in the arms of someone they trust with their lives, and is extremely attractive, and, wait, if the only reason it was platonic before was because there were no feelings, what does THIS mean?
THE TENSION. THE PINING. THE INHERENT MESS OF BEING IN YOUR TWENTIES. PLEASEEEE
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chisutofu · 10 days
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baskeigh-ball · 1 year
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Went and hurt my own feelings with this one, oops
I never planned on making fanart for @somerandomdudelmao's series but I recently made a connection between it and that one tweet that permanently altered my brain chemistry so I couldn't NOT make something
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ourobores · 1 year
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DECEMBER
chandrama deshmukh, a teaspoon of stars / claude monet, snow scene at argenteuil, 1875 / counting crows, a long december / anna mary ‘grandma’ robertson moses, snow ball / natalie diaz, manhattan is a lenape word / laetitia de haas, birds in a winter garden / fritz ward, love letter from inside fatherhood / nate klug, advent / serhiy shyshko, saint volodymyr's hill / w. s. merwin, song of three smiles / charlotte joan sternberg, home through the pines ii / mike chasar, conches on christmas / alfred sisley, la maison sous la neige, 1878 / robert creeley, the door / claude monet, the magpie / sarah kay, winter without you
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samgatinho · 10 months
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FOR EPISODE 22!!!!
ok we ignore the fact that mumbo made his thumbnail + title abt the base . no its not bc i dont know how to draw buildings or smth. totally. no.
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