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batfamhyperfixation · 1 year

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Tim jokingly sends Bernard:

Basically every night, but one night, he forgets to, and at first Bernard doesn't think much of it, but he still texts Tim anyway because they always talk before bed and say goodnight to one another, but cause Tim silenced his phone during patrol, he doesn't answer so Bernard slowly starts freaking out. After a few hours of spiraling and no replys from Tim, he goes to the manor and sneaks in cause it's past Tim's 'allowed to have people over curfew' and when Tim isn't there (cause Tim is patrolling as Red Robin, hence the curfew), Bernard goes into full panic mode, and he finds Red Robin on the street and Tim, obviously worried about Bernard, asks what is wrong and Tim doesn't know whether to laugh at how funny the situation is (and how paranoid his boyfriend is) or cry over how much Bernard cares for him, and so Tim is like "of course I'll help you, let's not get dramatic, I am sure he is not dead, oh, I'm sure he's okay, probably even closer than you think" and now he can't take out his phone cause Bernard will recognize it, and they won't actually find Tim cause Red Robin is Tim, and so they just go on an adventure all night and by the end of the night, Tim finally tells Bernard, and Bernard doesn't know whether to break up with him because he saw Bernard going through panic attacks and freaking out and he still didn't say anything, or if he should hug him and tell him how he's so glad he's okay, or if he should bombard him with questions about superheros, supervillains, and the like. He settles for a hug, a free pass for something major, and a discussion on a rooftop over 24 hour minimart coffee (that tim had to pay for).

#tim: so you broke into my house without being caught #tim: my house that is protected heavily as we are both super rich and heroes so we have it everything from security alarmed to boobytrapped #bernard: oh it wasnt too hard; i know your family is targeted a lot and i also know if you were taken there would be traps to trip me up #so once you anticipate for it it is a breeze to get it #Tim: i think you will have to show me one night when i actually am home; you know obviously for safety reasons so we know weak spots #when alfred and bruce go to wake up tim one morning and find him cuddling with bernard they do a full interrogation #and when they find out how easy Bernard bypassed everything without help they have him test the new traps and security systems every time #and if he can get through it without trouble then his reward is he gets to sleep over (but the door has to remain open and they will get #checked on by Alfred throughout the night)#but Bernard gets through without trouble every time and they even think its Tim giving him insider information but they find out it is #just because Bernard 'conspiracy theorist' Dowd is prepared for everything #and so they literally get to spend every two weeks watching movies and hanging out all night just cause no security can stop Bernard #bruce had to move it to only weekends so Tim wouldnt be staying up all night on school nights watching movies with Bernard #he usually doesnt even see Bernard bypass security he just walks in 5 minutes later to find Bernard and Tim sitting on the couch together #tim drake #bernard dowd #timbern #timber

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winged-bat · 2 years

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a short thing of random thoughty thoughts

• Damian uses tone indicators (the /j, /srs, /g thing) bc he needs people to know his threats are legit, also he has a hard time with emotions and telling them apart so it’s helpful for him and he sometimes has a hard time getting things across in the right way so it makes it easier for him to be understood

• Tim has so many overdue school library books in his room that they have essentially become his, he doesn’t even remember checking them out but they’re there

• Most places/teachers always have music playing in the background and Damian always tries to fine a taping pattern that goes along with the beats of the song/instruments playing

• Damian has a pin collection of just ones he finds cool, he had some of his school backpack once but one of them fell off once and someone almost took it so he keeps them safely in his room now

• Bruce uses military time bc alfred does and he got used to it, this in turn leads to them only using that so everyone else grows used to that time system and its the only one they can work with and that makes sense to them

#sorry for being mia for like 2 weeks #ive been stressed #i painted my room and i have to go though and organize everything #i still need to finish that #and then i almost got behind on my school work #i had a confusing math test today and i have chem test next week #also i had to talking in front of the class on wednesday and i only had a day to get my info together #my presentation lasted the whole class it was an argument thing #oh and my school does these tradey sweeps and its so annoying #they’ve done them every period all week this week #also i have to do the pacer in pe next week #and ive not been wanting to my assignments lately but its fine #since its colder now ive been not wanting to get up ti go to the bus so i end up only having like 15/20 minutes to get ready #but im getting a hair cut this weekend so im looking forward to that #hopefully its not terrible #anyways sorry for ranting in these tags #batfamily #batfam #damian wayne #tim drake #robin #red robin #hcs #batfam hcs #bruce wayne #alfred pennyworth #batman #goodnights and hopefully ill come back on here in the morning as well ✌️

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lehguru · 5 months

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THINK YOU NEED SOMEONE YOUNGER + ONE PIECE MEN

they start to realize they might be a little too old for you ft. crocodile, mihawk, smoker, shanks, doflamingo, corazon

info: will do this for other fandoms too i think, angsty on some; not proofread

crocodile never felt insecure, at least when it came to your relationship. after he left impel down and came to look for you, things got a little... weird. he was avoiding you. you knew it wasn't because he didn't want to bring you into his business (he did it more than once), it was something you didn't really understand. before you could even confront him about it, he said out of nowhere one day: "did you... get with anyone while i was away?" he looked at you with a hard stare. "someone... younger?" you almost laughed at his question, but you held yourself back. your arms circled his waist and you rested your chin on his chest. 'i don't know anyone younger that is as attractive as you, sir.' he grinned, holding the back of your head with his hand. "good."

mihawk noticed how you and zoro interacted during his time at the island. he wasn't suspicious that something was happening, he knew you would never cheat on him or break his trust; but... a thought started to spread in his mind like poison. once zoro and perona left, and you two finally managed to carry on with your married life alone, he asked you one day while you drank tea together. "how do you feel about me being... older?" you looked at him with raised eyebrows and 'the only thing that matters to me is you. i fell in love with your personality and the way you treat me, not your age.' he hummed, a deep sound that you know reverberated on his chest. even if it was faint, you could see a soft pink dusting his cheeks.

smoker didn't think about your age gap until he overheard some of the new recruits talking about you two. captain smoker having a younger partner is a little weird isn't it, was what they said. when he was back home and you were resting against his chest, softly playing with the hair on the area, he told you about it. you looked up, your eyes shining, 'old pan makes good food'. the laughter that left his lips was one that he always reserved for you, his most sincere and genuine laugh; he pressed his lips on the top of your head, murmuring praises and love confessions against your hair.

shanks really didn't care about it, not as much as other members of his crew did – with how well they knew their captain, the man would be destroyed if you decided to leave him. 'she might go for a younger guy, when your thing doesn't get up anymore.' they usually voiced their concerns in the form of jokes, so they wouldn't be too harsh on their captain, but it was effective. those comments made him start to realize what you two were – lovers. one day, without telling you, he and the crew left. simply left the island, leaving you behind with only an note written "don't look for me." in a messy manner.

one thing about doflamingo is that he gets whatever he wants whenever he wants. and since the moment he laid eyes on you, you were his. the people that tried to comment on your age gap always "mysteriously" disappeared, even if they were from inside his organization. no one could talk about him and his partner like that. if he ever brought up the topic, it was only to test if you were seeing anyone or wanted someone younger (he knows you don't. he knows everything); your praises towards him and your love always left him pleased – he would give you the same in return.

corazon is frequently insecure about your relationship. he wonders if you really love him, if he's good enough for you, if he's being a good boyfriend, if he missed any important date that he should've remembered – your age gap (made worse by your height gap too) is only another one of those concerns. no matter what you say, he often asks you if you wouldn't want to be with someone younger and with a better family than him. one day, after he asked that for the millionth time, you answered: "we can have a family of our own, rosi. you deserve happiness. you said once i made you happy, so i will stay. the only way you're going to get rid of me is if one of us is gone." he chuckled and smiled widely, as he often did around you and law, hugging you tightly against his body. 'i adore you. with all my heart and soul, i love you.'

2023 © content belongs to lehguru, but the characters used in them belong to their respective creators!!

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tildexart · 4 months

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The Magnus Archives (Season One) Production Design Project

Hello everyone! Let me introduce myself- I'm Tilda (or Tilde), and I'm want to be a production designer.

Production designers create the overall look of a piece of media. From costumes, lighting, environments, props, etc., these designers make sure that everything looks cohesive and sets the mood.

So, I thought it would be fun to put my skills to the test by designing season one of The Magnus Archives. My winter break started as soon as I became interested in the show. Needless to say, a new obsession and an abundance of free time go well together.

You may have seen these illustrations posted separately, this is a master post of the whole project. My thoughts, processes, and critiques are all included under the cut. If you read them, I hope you enjoy! If, not, thank you for supporting my work regardless.

The Characters

When designing these characters, I tried to avoid being influenced by fan interpretations. Though, that was a challenge (especially with Jon and Sasha). I found that I looked to my friends for inspiration. Certain elements (Jon's glasses) were based off of what they wore.

Pinterest was also useful for finding clothing and pose references. Some looks were based off of different actors- in particular, Tim was inspired by Nicholas Galitzine and Elias inspired by Matthew Lillard.

Jane was the most fun to design! I believe in making terrifying characters actually terrifying.

Elias's design needs the most work. Having now finished the show, I see that it doesn't fit him. The purple is overly saturated, especially compared to the set. He looks out of place! I'd reverse the color palette to mostly green/yellow with purple accents instead. Although, I will forever defend the purple tint in his gray hair.

The Set

Jonathan's office was a treat to design! Balancing the color and clutter was especially important. This room is meant to be claustrophobic and uncomfortable, but not overbearingly so.

The wood looks to be full of splinters, but not so worn that it can be thrown out. The chairs offer no back support, and the shelves make the room smaller. The goal was to represented Jon's mind. Intricate, messy, and suffocating (Note: that is more of a season two description).

One goal was to capture the look of an actual archive. Valuable times was spent researching the different kinds of storage, files, paper, etc. The texture and color had to be accurate.

A split-complementary color palette of blue-green, yellow-green, and red was used. Of course, I had to get green in there, and the varying hues and desaturated reds worked well for the wood and filing supplies.

Jane's ashes and the Web lighter on the desk place this set at the end of season one. I find details like this to be important, it's one of my favorite parts of design. There is much needed abundance of eye imagery as well. Most obviously in the carpet, but eyes are carved into the table and watch from the shelves.

My main critique is the lighting- the filters used could be adjusted as to not distort the colors of the boxes. They look inconsistent. The Web lighter could also be more obvious, yet it is small and pixelated.

The Props

I designed these as I re-listened to season one, and it is the most recent piece I finished. Combining the details described in the show with what the objects would have realistically looked like was interesting. That was most useful for the clown, the Ming vase, and Ex Altiora.

Each of these objects came from a specific time with a specific look. Ex Altiora was bound in calf leather from the 1800s, so those books were referenced. Same with the frills on the clown's outfit.

The Ming vase was especially interesting, as it is from the Jiajing period. When looking at photographs of Jiajing vases, I found that many of them lacked handles and had an hourglass shape. That was fascinating to me, as many artists depict a standard oval-shaped vase. Also, the vase's design is described as straight lines that create distorted patterns when looking at it. That effect was achieved using chromatic aberration and the liquify tool (chromatic aberration was used to create a vertigo effect on Ex Altiora).

My critiques are... nitpicky. minimal. The shading on top of the garbage bag is unnatural. The thickness of the gold engraving on Ex Altiora is uneven. The "I" in "Immediate Consideration" is not capitalized. Other than that, I'm happy with how the props look.

Conclusion

First off, if you read everything, thank you!! It is a lot, I know.

My greatest takeaways are that 1) ask for critique, always 2) research skills are necessary for design 3) references are your friend! Seriously guys, use your references.

I hope you enjoyed this project and I'm excited to share more of my work in the future!

#and before anyone asks #i am not doing this for any other season #feel free to ask any questions about this project!#tma #the magnus archives #tma season one #production design #tildexart #tilda rambles

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fuckyeahgoodomens · 2 months

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Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)

HEAVEN SENT

Gifted a vast creative landscape from two of fantasy’s foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2.

It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchett’s untimely death in 2015, Neil Gaiman decided he wouldn’t adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that.

For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting – David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale – and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers.

Aziraphale’s bookshop was a set design triumph.

Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: “The idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.”

Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omens’ first outing, he’s also shot three other Pratchett stories – TV mini series Hogfather (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010).

He relishes how the authors provide a vast creative landscape for him to riff off. “The great thing about Pratchett and Gaiman is that there’s no limit to what you can do creatively – everything is up for grabs,” he muses. “When we did the first Pratchett films and the first Good Omens, you couldn’t start by saying, ‘Okay, what should this look like?’, because nothing looks like Pratchett’s world. So, you’re starting from scratch, with no references, and that starting point can be anything you want it to be.”

Season two saw the introduction of inside-outside sets for key locations including Aziraphale’s bookshop.

From start to finish

The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the “immensely complicated” shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburgh’s Pyramids Studio. Much of the action in Good Omens takes place on the Soho street that’s home to Aziraphale’s bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen.

Finney brought over many elements of his season one lensing, especially Mackinnon’s emphasis on keeping the camera moving, which involved lots of prep and testing. “We had a full-time Scorpio 45’ for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera – Ed Clark and B camera Martin Newstead) all the way through, and in any one day we’d often go from Steadicam, to crane, to dolly and back again,” he says. “The camera is moving all the time, but it’s always driven by the story.”

One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility.

The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.

A more complex decision was finding the right lenses for the job. “You hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,” Finney explains. “If you only have one set of this exotic glass, it’s no good for the show.”

He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: “They had a really nice look – they’re a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When you’re dealing with a lot of wigs and prosthetics, we didn’t want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. They’re also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).”

The Supremes were paired with a selection of filters to characterise the show’s varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowley’s present-day storyline.

Finney worked closely with the show’s DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.

Maximising minisodes

Episodes two, three and four of season two each contain a ‘minisode’ – an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. “Douglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so we’d instantly know we were in a minisode and not the present day,” Finney explains.

One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: “The Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.” The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities.

Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.

The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the show’s DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the show’s colourist, Company 3’s Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. “There was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,” Finney recalls. “Then we’d add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.”

Establishing the show’s lighting was a key part of Finney’s testing process, working closely with gaffer Scott Napier and drawing upon PKE Lighting’s inventory. Good Omens’ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings weren’t as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures.

Inside Crowley’s treasured Bentley.

Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. “We worked out that what was needed were 12 SkyPanels per 20’x20’ silk, so each one was a block of 20’x20’, then we scaled that up,” Finney recalls. “I wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because we’ve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles – PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.”

On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Astera’s Titan Tubes came in handy for a fun flashback scene with John Hamm’s character Gabriel. The DP remembers: “[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabriel’s journey through his consciousness has a different colour to it.”

Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the “Body Snatchers” minisode, shot in Stirling. “We took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.”

Shooting on the VP stage for the birth of the universe scenes in episode one.

Sky’s the limit

A lot of weather effects were done in camera – including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the show’s skies. “Gareth is a very artistic colourist – he’s a genius at changing skies,” Finney says. “Often in the UK you get these very boring, flat skies, but he’s got a library of dramatic skies that you can drop in. That would usually be done by VFX, but he’s got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.”

Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. “This means VFX sequences often need extra work when it comes back into the timeline,” says the DP. “So, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. It’s quite a long grade process but it’s worth its weight in gold.”

Shooting in the VR cube for the blitz scenes .

Finney took advantage of virtual production (VP) technology for the driving scenes in Crowley’s classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. “We pulled the cars in and out on skates – they went up on little jacks, which you could then rotate and move the car around within the volume,” he explains. “We had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates – either CGI or real location plates –projected 360º around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; we’d use a green screen frustum.” Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots.

John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.

Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right – a new technique for Finney. “We had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.”

Bringing such esteemed authors’ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphale’s adventures to life once again. He adds: “What’s nice about Good Omens, especially when there’s so much bad news in the world, is that it’s a good news show. It’s a very funny show. It’s also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. It’s a hopeful message, and I think that that’s what we all need.”

Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.

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beiasluv · 2 months

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arrow and papaya | o. piastri (81)

a/n: recap. they got drunk at the award. Now it’s 2024 silly seasonnn

oscarpiastri and 3 others

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oscarpiastri evening hit 🎾

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yourinsta thanks a lot 😔

oscarpiastri anytime 😎

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"We Can Take The Fight!" | Oscar Piastri And Lando Norris On Challenging Red Bull In 2024

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yourinsta 34m | oscarpiastri 13m

yn: go to bed :(

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read 22:28

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georgerussell63 53m | yourinsta 25m

f1gossips

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f1gossips McLaren and Mercedes claimed their testing spots today at the Silverstone circuit. Hoping to see great results from mclaren and mercedesamgf1 !

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Behind The Scenes F1 Drivers Opening Titles

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yourinsta 2h | landonorris 34m

oscarpiastri

Bahrain International Circuit

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oscarpiastri testing ✅ karting ✅

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landonorris winning ❌

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yourinsta

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Woweee never thought I’d be this far with arrow and papaya 😩😩

– @jsjcue @namgification

anyways, y’all know what to do 👹👹🔪😘😘😘

today’s a great day to take care of yourself!!!

#formula 1 #f1 x reader #f1 imagines #f1 #lando norris x reader #oscar piastri smau #oscar piastri imagines #oscar piastri #oscar piastri x reader #lando norris x you #lando norris imagines #f1 fanfic #lando norris #landoscar #jeddah gp 2024

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selfmadesaviour · 1 year

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tag drop.

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icescreamaree · 1 year

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got my blood did and i? FAINTED?? very unpleasant experience!! my condolences to everyone who faints. feels BAD.

#ive gotten my blood drawn before and never even felt woozy before #but this time i forgot to eat breakfast and boy that sure mattered #never not eating before blood test again #she was taking my blood and i felt really nauseous and dizzy and thought to myself #theres no need to mention this itll pass #it did not #she finished and was like how are u feeling :)#and i was like hmm kinda dizzy and put my head down as instructed and next thing i know #im being shaken awake by her and another nurse(??bloodtaker??) calling my name #sat there for like 5 min with an ice pack on my head then left and got lunch at tims cause by god....i needed sustenance #also this was like 45 min before my shift started so i ate then walked into work like hey everything is normal :''))

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impyssadobsessions · 10 months

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DP x DC idea/prompt Okay Wayne Industries has hired a new employee that's Phenomenal at their job. They have every program and software up to date- everything working smoothly without any interruptions or delay. Only strange thing is no one has ever seen them. They work strictly remotely due to disability. However, they are not on record to exist except for the last few years. Sam, Tucker, and Danny are runaways, running from GIW. They had to leave everything behind to keep themselves, the ghost zone, and their love ones safe. They're too young and have no way of actually being hired without finding out. Thankfully one of them is great at hacking, and he's been dreaming of working there for a while and now he has the perfect opportunity to show his skills AND work for company. However despite all his skills- They don't go unnoticed. A certain Tim Drake and the rest of the Batfamily had already figured out this "new hire" wasn't who he said he was. In fact, they may have found out it was a group of runaway teens before the second week. Now the only question they have, is why? Also Tim thinks its fun to test Tucker's skills and purposely throws viruses his way. Sam and Danny are probably focusing on doing the main shopping/looking out for giw and doing odd things for extra money while Tucker is living his dream.. remotely.. and anonymously.. but hey its the dream and the pay keeps them well afloat. Luckily they found a place that won't ask questions as long as they get the money.

Basically the Bats are keeping this group of teens employed while figuring out why they're on their own. Also while helping anonymously make their mystery employee (s) get better at their documentation by asking for information here and there without penalty. Its become a game, especially to Tim. XD

#long post #danny phantom #danny fenton #dpxdc #dp x dc #tucker foley #sam manson #team phantom in gotham #tim drake #dpxdc prompt

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nerdpoe · 7 months

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Tim is on a list for an Organ Donor; a...slightly experimental list, as it's very possible to live without a spleen, but he'd still like one back.

People can live without spleens, sure; but as a vigilante it's very difficult. Every little cut is an infection risk, and interplanetary work is nearly impossible for how immunocompromised he is.

So while spleen transfers aren't super common, and are still technically in the testing phases, he signs himself up for a donation if one that's compatible with him comes his way.

It does; a John Doe that just dropped dead has a spleen that matches his blood type and flesh type and HLA.

It's perfect!

He feels bad for the guy, a kid two years younger than him, but he takes the spleen.

His body actually takes to it pretty well!

Phenomenally well, even!

Which, of course, is when everything goes to shit.

He starts going intangible. He gets random bouts of hiccups where he loses the ability to obey gravity. He starts going temporarily invisible when he sneezes.

On the plus side, he hasn't gotten sick at all. In fact, he's healing scarily fast.

He's not dumb.

He traces it to the spleen, and concludes that John Doe must have been a meta or cursed.

Danny, meanwhile, wakes up from his nap in the morgue and missing a spleen. He can go to Frostbite and get another one, but he has to find the dude who apparently had a Halfa's spleen experimentally shoved inside him.

#dpxdc #dcxdp #dp x dc #dc x dp #story prompt #phanfic

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deadsetobsessions · 3 months

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Tim had forgotten, in his one man (and the admittedly liberal usage of hired guns) crusade at everything that had hurt his family, that he was technically a child. A time traveling 21 year old Tim Drake in his younger body, sure, but he’s still a nine year old child.

Tim was violently, unpleasantly reminded of this as he opened his front door to… Gotham Primary’s truancy officer.

Oh shit. He still had to go to school. Tim scrambled for an excuse.

“Hello, Timothy. Are your parents home?”

“Uh- no, sir. Only my nanny. I’ve been really,” think, Timothy, think! Are you Red Robin for nothing? “really sick. She went out for some medicine.”

Tim knew what the officer saw as he looked down at him, a pale, drawn little boy who looked like a sickly Victorian child. He has no idea that Tim had the beginnings of lean muscles and strong grip strength underneath his baggy clothes.

“I see. I’ll have to talk to your nanny, then. We need to be informed of when you’re ill, Timothy.”

“Oh. She-” shit, shit, shit! “Doesn’t speak English.” Was that racist? That felt racist. Gods, he probably sounds like a snobby classist elite. “I’ll let my mom know to email you, sir?”

The truancy officer sighed. By Tim’s lucky stars, he agreed. The man pulled out a singular paper from his plastic folder, clearly used to this kind of thing, especially from the elites of Gotham, and said, “Email the school. And have her sign this note, please.”

Tim nodded seriously. Like hell he would.

When the officer was gone, Tim closed the gate immediately. He had forgotten to close it after getting back home from stalking the Bats last night. Well, Bat, singular, because Jason was still benched.

Tim sighed, grabbing a pen to fluidly forge Janet Drake’s signature on his paper about truancy and proper procedures and what not. Then, he moved to the computer, easily stealing his mother’s credentials, emailing the school about his sick leave, and their decision to have him home schooled.

He’d miss Ives, but honestly, Tim needed the free time. Plus, maybe this way, he’ll graduate high school this time around. He drafted another email to the counselor, asking them what kind of curriculum and tests he needed to pass to obtain future degrees and what not.

He gets an email back, with all of the testing required and the steps “Young Timothy” should take in order to succeed in the rest of his academic career. Tim would like to point out he’s nine, and that this was pretentious. Helpful, sure, but pretentious all the same.

“That’s what people don’t mention about time traveling. It’s all fun and games until you get hit with the mundane and tedious things.” Tim muttered, setting up his appointments for testing. He’ll have to find someone to drive him to the tests…

His mind turned to his neighbors… hm. That’s a possibility.

Tim wiped all traces of his activities from his mother’s email, doing a quick and hidden bit of rerouting to get any educational emails regarding him sent to his own inbox.

Tim swigged a mouthful of coffee and continued on his merry way.

His new goal?

Find Cassandra Cain.

#Tim drake #Timothy drake #Batman #red Robin #time traveling tim drake #time travel fix it #scheming tim drake #Tim drake vs truancy officer #listen I went to a private school #they legit called me ‘young’ in an email to my mother #Tim drake vs the education system #Tim Drake and his mortal enemy: school #tim: I will never finish high school

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incorrectbatfam · 7 months

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If the batfam had tiktok what would they post? What would go the most viral?

Dick does duets where he remixes people who have bad takes. His most viewed one is turning Lex Luthor's corporate monologue into a dubstep track with beat drops every time Superman is mentioned. Equally popular is his mashup of Bruce's yawning with a Sam Smith song.

Jason makes cooking videos. The recipes are normal, but the voiceovers like, "today I'm making a realistic animal-themed vegan bento box 'cause I wanna torment my brother." His most popular video is of him shit-talking Batman while making a pot roast, but it gets deleted because he didn't say "unalive."

Tim does behind-the-scenes videos of his photoshoots where he makes it seem like a complex process with dimmed lights and glitter falling from a ceiling fan, then it cuts to a blurry iPhone pic of a pissed-off Jason with sparkly hair chasing him down a dark hallway.

Damian's is a mix of animal videos, art tutorials, Cheese Viking speedruns, and classical covers of anime intros. But his most popular one is recording his family's reaction to him saying the fuck-word for the first time. He also has a series where he asks people how babies are made to see whose response TikTok takes down first.

Duke posts subtle and wholesome pranks, like leaving Tooth Fairy money under the older batkids' pillows or gradually filling Kate's purse with Jolly Ranchers. His most popular series is when he slowly replaced Damian's furniture with increasingly smaller replicas until the 8th day when Damian finally notices.

Steph does a little bit of everything and often takes suggestions (re: dumb dares) from the comments. Her account started with her just sharing her favorite memes, but her most popular video is when she slept in a bathtub full of Mardi Gras necklaces after an audience poll.

Cass normally posts a mix of dance covers and sign language lessons, but occasionally there will be moments from her daily life that she captures at the right time. Her most viral video is at the grocery store when someone accidentally knocks a coconut onto the ground and she follows it as it rolls to the other end of the store.

Harper and Cullen do a lot of backyard science experiments where they take hypotheses from comments and test them out, like if they can cook steak with firecrackers or make a trampoline out of rubber bands. Their biggest project was turning an abandoned pool into a frog sanctuary.

Barbara keeps most of her daily videos private and her public ones are mainly book hauls, song recs, and computer tips. Her most popular video, even making news articles, is a video where she breaks down how planned obsolesce works and calling out big tech companies.

Bruce has a secret account that no one knows about. He doesn't post anything. He just lurks because he wants to be the first like and comment whenever his kids post.

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thenightwolf51 · 6 months

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What if Jack and Maddie Fenton were actually Jack and Janet Drake?

The Drakes are their actual identities but they created the Fentons as a why of letting loose, of getting to be their truest most unhinged selves and pursue their true passion without the eyes of high society Gotham judging them.

Whenever the Drakes are supposedly out of the country on archeological digs they are actually in a little no where town in the midwest.

The Drake wealth is perfectly capable of funding their experiments and prototypes and every now and then they do show up to a dig for a week or too, but the Fentons are who they truly are.

So of course Gotham never finds out about Janet's first pregnancy and little Jasmine is welcomed into the world as an Amity Park Fenton, not a Gotham Drake. Janet's second pregnancy however.

Well as i said, the Fentons are who they truly are at their most unhinged and unfiltered. And upon finding out that their having a set of identical twins, well, can you really blame them for passing up this perfect opportunity to test Nature vs. Nurture.

One boy would be a wealthy Drake raised as an only child in a hostile city, the other would be a Fenton raised with his older sister in a peaceful small town.

That's what they decide and thats what they do, and everything is as cannon goes. Tim doesn't know that his parents "archeological digs" are really an excuse to spend most of their time as the Fentons, and Danny and Jazz don't know that the longer "ghost conventions" are an excuse to handle Drake affairs and check on their unknown brother.

At least until things start to get complicated.

(Im not sure if Maddie fakes Janet's death or if she really dies, and if Jack's coma is fake or real and he lost his Fenton memories. Or maybe the death and coma dont happen at all and the truth comes out some other way like Danny finding the Nature vs. Nurture notes or a school trip to gotham or maybe Jazz desides to go to college in Gotham and it comes out that way somehow.

This obviously works best as a "bad parents Jack and maddie" though how bad they are can be entirely up to you. Maybe everything comes out sometime after a "reveal gone right" and Danny and Jazz think their parents are getting better only to be smacked in the face by the betrayal of "secret billionaire parents who essentially abandoned their brother"

Dont know but im tossing it to the void.

To me the most important scenes in this idea is Tim angst at the fact that his parents were never actually too busy to be there for him and had instead chosen no to be there, the somewhat bitter consolation of learning that even when their parents were physically there they still weren't there there for his siblings, and then some good ole slightly unhinged sibling bonding.

Maybe the measuring of ecto contamination and debate in if their parents presence did more damageto their health or less

They honestly might be tied on mental and physical scars. All three kids tend to come with headcanons about neglect and malnourishment)

@hdgnj @omnicrafts @im-totally-not-an-alien-2 @tathartiel @0mnicrex @ailithnight @little-pondhead

#dpxdc #dcxdp #Fenton Drake AU #in which jazz is the only one without a secret identity #makes sense since she's arguably the sanest #Jack Fenton is jack drake #maddie Fenton is janet drake #danny and tim are twins #twins au

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help-itrappedmyself · 2 months

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Dead On Main AU Part 4

Masterpost

Jason listens carefully to Jazz’s half of the conversation, but Jazz seems to be mostly listening. Jazz says he’s taking him to Nasty for dinner, which Jason can’t say he’s excited about. He doesn’t know if Nasty is supposed to be describing the food or the place. Either way it is not comforting that whatever Nasty is, it is somehow a better source of food than his soulmate’s house.

Eventually Jazz hands the phone back to him.

“Everything good?” Jason asks.

“Yeah, your dad, Dick, and Tim are going to be driving me over, but It’s a long drive so Jazz will get you dinner and then you can do whatever. I have a gaming system, and you’re welcome to use my bed. If you need help finding clothes, or really with anything, then Jazz will help you.”

“Got it.” Long drive with B, Dick, and Tim. They’re all going to interrogate him immediately. While he’s trapped in a box with them for hours. “Hey, my family is really nosy and they will pry and they have no emotional cues so they will not know when to stop. Just… Tell them if they’re bothering you, and you don’t have to answer anything you don’t want to.” Jason doesn’t know who will be worse in this scenario. Bruce is going to interrogate him for literally everything, Dick is probably going to be all relationships and feelings, Tim is a nice in-between which just means he’ll probably support any and all interrogating.

“Same goes for you. Jazz is studying to be a psychologist, and my entire family forgets that we’re not all test subjects for whatever they’re working on. Mom and Dad with their gadgets, and Jazz with her… studying and analyzing you. There are no boundaries.”

“Oh, I’m familiar with that concept.” Jason chuckled.

“Well, given the circumstances I’d say if we can survive each other’s families that’s probably a pretty good sign.”

Kid is probably right. Fate and everything.

Jazz goes out to clear a path to the door, making sure there are no weapons to run into. When she gets back she leads Jason out, but when they get to the ground floor Jason is grabbed.

“Happy Birthday Dann-o!” The person holding him is tall. Very tall compared to Danny, and taller than Jason in his regular body. He has black hair and it looks like he's wearing a jumpsuit. After squeezing to the point where Jason couldn't breath for a second Jazz gets the man to put him down.

“Dad, this isn't Danny right now.”

“What do you mean princess, of course it is!”

A woman comes around the corner to stand next to the man, she is also in a jumpsuit but she has Jazz’s red hair.

“Guys, it's his sixteenth birthday.” So Danny's parents remember his birthday but not how old he is? Could be that they’ve forgotten the significance of a person’s sixteenth birthday, but given it should be an important day in a child’s life, they should have remembered.

“We know it's his birthday dear.” The woman comes over to give Jason a hug as well, but this one is less painful. And she's tall too, Jason is not used to feeling this short anymore.

“Mom, Dad, this is Jason. Danny’s soulmate.” The both of them just blink for a second. Jason, this is Drs. Jack and Maddie Fenton, Danny’s parents.”

“Nice to meet you both.” Jason gets out.

“Well, this is wonderful!” Dr. Fenton-Maddie says. “Figures Danny would be the younger one. Are you going to be here for dinner?”

Jason glances over at Jazz.

“No, you told us that you would be busy, so we already made plans.” Jazz sidesteps the invitation. Jason couldn’t tell if that was true or a lie to get him out of the situation. Would they tell their son that they were too busy to have dinner with him on his birthday? He wants to think the answer is no. “Shame Danny will be missing out, but we’ll save his presents for him.”

“Alright, well you kids have fun then!” Maddie and Jack left as quickly as they came, rambling about something that Jason could not understand.

“They didn’t want to know where Danny is? Who he’s with? Where we’re going? Anything?” Jason turned to Jazz who had a pinched look on her face.

“Neither of us get up to much trouble, they’ve trusted us for a while now.”

“Trust him to be magically transported who-knows-where?” Jason is almost stupefied by the utter lack of regard for Danny’s well-being. He is insulted on his soulmate’s behalf. “He could be in another country for all they know! They didn’t even ask!”

Jazz nods. “Best not to think about it. Everything is turning out alright anyways. Now come on, let’s get dinner.”

Jason is seething, but doesn’t think it will do much good to argue with her here so he decides to calm down. He startles a little when he realizes how easy it is to calm down in this body. Just decide to, and then move on. None of the lingering churning in his gut or fog in his mind.

He frowns as he follows Jazz out the door, hoping that Danny’s not having too hard a time in his body.

#dcxdp #dpxdc #my writing #fanfiction #red hood #danny phantom #soulmate au

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dcxdpdabbles · 4 months

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There are so many fics out there where Danny is either adopted by or the biological son of Bruce. In many of these he might have an existential crisis but other wise he is fine and happy to be part of the BatFam. Where are the ones where he fights against this just doesn't want to connect with Bruce of the rest of the family.

One: Bruce is a billionaire and Danny has had some bad experience with Vlad trying to adopt/get him as a son. So even if Bruce is one of "the good ones" Danny does't like billionaires.

Two: Danny for the most part grew up in a mostly normal family and home, with two Parents and a sibling. Most of the BatFam were only children and parents are dead or came from dysfunctional homes. I think Duke is the only one who really had a normal childhood.

Three: The Fenton family is pretty openly affectionate with each other and are pretty normal emotionally. Danny has a great relationship with all of them (Danny went evil in the timeline where they all died). Most of the Batfam is emotionally constipated.

Four: Danny is used to his boundaries being respected. I don't think that the Batfam is great at that. With Bruce needing to know everything, Tim's stalking tendencies, Barbra's hacking, just to name the obvious.

Danny knew that he was adopted into the Fentons. His parents had never hidden it from him, but they never treated him as anything besides their child.

He had come into their lives one day when one of Maddie's old high school friends had called, bawling that she had gotten pregnant and that her husband wasn't the father. He had discovered the truth and thrown her out, leaving her pregnant and alone on the streets of Gotham.

Maddie had been furious at the affair- she hated disloyalty- but had decided to help her only for the baby's sake.

She had driven over multiple state lines back to her home city to pick up the friend only to find out she had taken her life and left her newborn son to Maddie. While Maddie had been able to escape the hellhole that was Gotham, Rebecca never got the chance, not with her average intelligence.

In high school, the two were as close as sisters until Rebecca fell into the whisky bottles her father carelessly left around. She blossomed into a beautiful woman upon their graduation- more so than Maddie-, turning from a sweet homebody into someone who got into exclusive parties and powerful men.

Maddie had slowly drifted away from her, so far away at college, and Rebecca fell further and further into the party scene. It was a surprise that she settled down for marriage and Maddie truly believed that she had been happy with her husband.

That's why Danny was such a surprise. Maddie did not know who Danny's biological father was, but she did not care. Not after they placed the sobbing infant into her arms, and she realized that she was his mother now.

She immediately phoned Jack to tell him what had happened, and he told Jazz she was a big sister before the call ended. They told him the story about when he started to learn his colors. Not with her taking her life, of course; that was when Danny turned fourteen. This was only a few days before Danny revealed he was Phantom to them.

They were first shocked, but then they became supportive. Phantom now had two proud ghost hunters following him, shooting photos instead of guns.

It was embarrassing, but it was also nice of them.

And that was that. Danny is a Fenton, adopted, but a child of Maddie and Jack Fenton all the same.

He never gave his biological parents a thought. In fact, he all but forgot about them until Sam convinced him to take an ancestry test. He had allowed her to swipe his mouth, package his DNA, and send it off to see where his people came from, completely forgetting that he would not match with Jazz, who had done the same thing a month prior.

His results were shocking, to say the least.

Somehow, someway, Rebecca Silver had been in the system of DNA samples, and they had matched him to her alongside his biological father.

Bruce Wayne. Rebecca had an affair with Bruce Wayne, arguably one of the wealthiest men in the country, and they had sent him a message to let him know he matched with his son.

An eccentric billionaire has just been told that Danny was his. He knew that song and dance well, and it was never fun to dance to. Danny could only stare at the results with dread as Sam apologized profoundly.

"Maybe he won't see it." Tucker tried. "I mean, Wayne is probably so busy with rich people stuff he doesn't have time to even look at his emails. Especially ones that will come in spam since it's comersolized."

"Yeah, Maybe" Danny doesn't think he's that lucky.

A month later, the Fenton's home phone rings. His parents are working on a new invention on the dinning room table, Danny is stretched out in front of the TV watching a mindless cartoon and Jazz is crocheting in the love chair.

It's a typical Tuesday night where everyone is doing their own thing but close enough to each other that they can call it family time. Jazz is the closest to the house phone so she picks it up with a cheerful "Fenton house, this is Jasmine."

Her smile slowly slips away as all the blood drains from her face. Alarmed by her reaction, Danny sits up. "Jazz? What's wrong?"

His words have his parents' heads snapping up, zoning in on their daughter's rapidly growing destress. Yes, they get distracted often with their work, but the Fentons have always been loving parents.

They quickly spring into action.

"Jazzy-pants?" His dad says, walking up to her and taking the phone from her slack hand. He covers the speaking end of it, not paying attention to the call as his mom hugs his sister. "What's the matter?"

"It's... Bruce Wayne's lawyer," Jazz says faintly. "He's calling about Danny. He said that Mr. Wayne has been attempting to take Danny back and that they are going to take us to court soon."

The room goes dead quiet, and Danny snorts. "He can't do that without a letter or something. Come on Jazz, it's obviously a prank."

Someone at school likely found out and thought it would be funny to make "the biggest loser of Casper High" Danny Fenton, think a billionaire wanted him as a son. Honestly, he wouldn't put it past the A-listers.

He laughs to show how stupid this prank is, but neither of his parents joins him. Instead, his mother closes her eyes and whispers, "We received his court papers weeks ago. We've been trying to get a lawyer."

What.

She pushes Jazz into his dad's arms, where his sister is slowly panicking. His dad tries to soothe her as his mom opens the drawer under the TV, pulling out three orange envelopes. She looks remorseful as she hands them to Danny. "We didn't want you to worry. I'm sorry we didn't tell you sooner. Vlad said he would help, but he wasn't sure what he could do against such a powerful man"

And there, in overly complicated terms, is clear as day. Bruce Wayne wanted full custody of Danny Fenton and was willing to take the Fentons to court to get it done.

The man- who has never so much as met Danny, much less have a right to say what happens to him- was accusing his parents of child abuse and child neglect! He not only was trying to take Danny away but Jazz as well!

Where did this man get the audacity!?

"I don't want to go with him!" He shouts rage, making his eyes glow green. "I don't even know him!"

"I know, sweetie. I won't let him take you" His mom says, yanking him into a protective hug, and he realizes that her shirt is getting wet with his tears. Tears that fall just like the woman who raised him. "Everything will be alright."

It won't be, he knows, but he won't tell her that. He just lets his mother hold him, and when his sister and father crash into the hug a second later, he holds them just as tight.

He's not sure how they will win against Bruce Wayne, but Danny will fight his biological father every step of the way. He will not be his son.

______________________________________________________________

Bruce stares at the photo of Danny Fenton- his son. His boy, whom he wasn't aware was alive until a month ago- and the reports from concerned teachers and whatever information Barbra could pull from his classmate's social media.

Dramatically dropping grades.

Clear signs of sleepless nights.

Flinches whenever his parents pull out "ghost hunting" gear.

Strange bruises and cuts along his arms and legs.

His small stature is no longer growing properly like his peers.

It all pointed to one thing. The Fentons were abusing his son and Bruce would bet the sister was suffering from the same treatment if her own grade dropping, sleepless eyes, and desperate race to adulthood were any indication.

Bruce laces his hands, resting his chin on them as the Batcomputer slowly flips through various reports being quickly dismissed by incompetent social workers who all claim it was Ghost Hunter related and not a cause for concern.

Those same social workers all seemed to have gotten quite generous donations from one Vlad Masters, a well-known family friend of the Fentons.

He hates corruption that allows children to be hurt, more so when it;'s his own children.

"When do we go retrieve Brother?" Damian asks, green eyes narrowing in rage as the reports scroll slowly. Ever since he found out Danny is a blood sibling, all Damian has been talking about is getting his elder brother home. "I am displeased with how long it's been, Father."

"Soon," Bruce promises, aware the rest of his children gather around him. They don't speak, but he feels their protective rage at what Danny has gone through, and he knows they will use every last bit of their training to get Danny home. "Either through the courts or in person. Danny will be with us come summer."

"Good," grunts Jason. "I'll have a little chat with his adoptive scumbags when we get him."

"I'll help," Dick tacks on.

"I'll make it look like an accident," Tim says, voice leveled but eyes blazing as the reports get to the neglect section. He has personal issues about that.

Bruce has never been so proud. "Court date is set for three weeks. They can't weasel their way out of it this time."

Don't worry son, he thinks to Danny, I'm going to save you.

#dcxdpdabbles #dc x dp crossover #Rescue Mission Au #misunderstanding #TW: mention of suicide #Off screen but there #Danny is just ghost fighting #But Bruce thinks his son is being abused #Tw: Assumed child abuse #Danny will not be a wayne #The Waynes think he needs a hero not that he is a hero

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