#for his adaptation of Initiation of course...

[neoflect]

sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production

my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!

with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.

sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.

just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)

wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.

the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!

which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing.  i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)

in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.

okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here

musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.

the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.

if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.

i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain

#⚰️ #jjba tag for blacklisting purposes but i dont want this in the main tag

[mahuhumaling]

JATP Season 2 Wishlist

that i wrote in my notes app back in:

and realized i never posted it here? tbf i'm rarely on tumblr. but because i really miss them rn i want to share my ✨ brainrot ✨ that i had back when i thought they were getting a renewal.

Carrie Wilson

she was my biggest flaw in Season 1. I wish her "redemption arc" is fleshed out more in Season 2; give her either more context & backstory to validate her reason for unnecessarily antagonizing Julie, or screentime to properly address how she's just projecting an emotion completely different into bitterness and anger into Julie's recovery

show particularly her earlier dynamic w/ Flynn and Julie? Maybe as Flynn calls her out, we'd get flashback glimpses prior to Rose's death (maybe even Double Trouble temporarily being Triple Threat 👉🏽👈🏽)

for some reason i'm picturing a scene where she's in her dance studio (she has one in their mansion, of course) practicing some of her Dirty Candy routine when she keeps messing up and not in the right mindset to keep dancing. i feel like the best (maybe easiest but whatever) way to guide the audience into her artist mind is to make her be a perfectionist. in frustration, she blows up for a minute before slumping onto the ground and reminisces her fun times with Julie & Flynn

also when you have her develop, please don't make her lose her femininity and the bubblegum pop music, it's great

Old Songs Resurfacing

it'll prove how detailed & thorough you are as a screenwriter if you pay off the songs mentioned in Season 1 in passing to be actual songs in Season 2

Unreleased: Get Lost, Long Weekend, Crooked Teeth, My Name is Luke, and if that riff from the scene in EP. 5 that spurred on the Bobby reveal isn't from one of these songs, add that too

Demo Album: Late Last Night, Lakeside Reflection, In Your Starlight

Willex

imagine your queer couple gets to have their first kiss first than your het main couple, not only will that settle Madi & Charlie's statements about being uncomfortable in doing a kissing scene and maintaining the priority of Juke's emotional over physical relationship, it would also make an powerful statement

Reggie's Character Arc

i know that he initially had an arc that involved a romance with Flynn but because of the ages of who they casted, they scrapped it and didn't have time to rewrite the scripts for him as filming neared, so they have time to adapt to how jeremy portrayed him for season 2: a lovable dork who craves familial love

since there's a possibility that lifers can now see the boys, maybe some found family trope for Reggie and Ray Molina?

he has pretty much formed a parasocial relationship with him at this point

so why not instead of a love interest, Reggie can have his character arc develop & we see his family before thru flashbacks and paralleling those in the current times because he sees Ray as a father figure

picture this: it's raining, Bobby opens the garage door to the sound of knocking, the boys find Reggie soaking wet and out of breath when he tries to say he doesn't know where else to go then the boys immediately figure out another fight in the Peters household happened. Reggie tries to talk again when Alex (because even though they're the airhead-sarcastic duo, they know they love each other) runs up to hug him and tells the other he doesn't have to say anything

cut to a freshly showered Reggie, quietly watching tv with Bobby, Luke, and Alex in the garage, eating whatever

also a solo acoustic country song, pls. just to make him happy

The Aftermath of the Deaths

for both the boys and Rose

we get parallels about how Bobby dealt with trauma and grief to Julie

like, the reason why the clothes are still in there (are to have costume changes for the boys) is because Bobby immediately moved out of the house (therefore also the garage) and left the clothes there because he couldn't bear to burn it, or visit the boys' houses to break the news to their families and return the clothes, or donate it somewhere so he just...left it. it would make for a more solid reason (for costume changes) and an emotional context as to how Bobby really tried to forget them because it was "easier."

it would also make sense why Carrie and Julie ended up friends. Rose probably was there for Bobby when they discovered what happened at the alleyway, so they stayed friends over the years and had their respective families but still kept in touch, (bonus points if absolutely nothing romantic happened between them! yay to normalizing platonic male-female relationships) and why Rose would immediately think of Bobby's three late bandmates to send for Julie when she was on her deathbed

Bobby never really "moved on" (because grief is a really complex thing). it's showed that he has a therapist and everything, and this could definitely have some aftereffects on his daughter. Carrie growing up seeing her father be this amazing rockstar but a negligent father and only showing love in ways she doesn't need (like riches and fame and connections to the music industry) because he's actually a really lonely man on the inside and no one can see that except for Bobby's spouse and Carrie. it'd explain why Carrie is spoiled, and other negative character traits that Carrie has on the surface

it's even why Bobby changed his name to Trevor: 1) Bobby is so closely associated to Sunset Curve and it's an absolute pain to be reminded of that every day, 2) it's a stage name and artists really do get that

More Worldbuilding

they already had some pretty creative concepts/ideas in the first season, so why not expand/expound on them a bit more

the instruments are attached to their souls that's why the boys at first can only touch them, like how Willie's skateboard and helmet are attached to him

which is why when they attach themselves to the world of the present, they gather up energy and focus on touching tangible things like the picture frame

this may follow the logic toward the end where they are finally able to touch Julie because she has become attached to their souls. emotionally.

More Creative Collaboration

i believe in the principle that when a story is finally released/published/told to the world, the world shares it. this is also visible in film/tv where when the scripts are finished and actors receive them, the story becomes part of theirs to work on. which means that they have some sort of autonomy over their characters' motivations, a chance to be heard of their ideas and pitches, and why some certain scenes wouldn't work, etc etc. it doesn't just become the director's story nor the screenwriters'.

the actors' ideas such as Perfect Harmony and their solos from Nothing to Lose are great because they let them in. they took risks, and it paid off incredibly well. more of that please. have them be a part of the writing process, (also the story), but never forget what made the music production great in the first place. be coherent and don't be like others that let too many hands work on one piece—it will lose its sound, its identity.

Julie Knowing

that Nick is possessed by Caleb. ohmygOD. hear me out.

the same S1 ending will play somewhere in 2x01, but it will be revealed that Julie was watching through the window the entire time and when she opens the door to receive the flowers, that last look she gives him is actually her scheming.

determined to get Nick back, imagine The Promised Neverland's level of mindgames Julie could play with Caleb because we already know our girl's smart

Free Willie Willie's Freedom

since the boys feel indebted to Willie's help, they insist on helping him too with getting rid of Caleb's stamp

maybe through his connection with Alex? or maybe Willie's family or friends who are still lifers (which is unlikely but either way). he needs to be saved !!

Song Sequences Ideas

juke counter melody duet like Rini's "Even When/The Best Part," Shane & Mitchie's "Wouldn't Change a Thing," or dodie & Jon Cozart's "a love song/a non love song"

emotional carrie ballad paired with lyrical hiphop choreo

willex song - i absolutely have no idea where this could go directionally but maybe alex on an acoustic guitar with a really soft sweet tune

reprises of S1 songs but in the complete opposite of their original style (the fandom's lonelier All Eyes on Me version, i see u)

nick guitar solo - just because Sacha actually plays, idk how it'd fit in to the plot yet but hey

Nothing to Lose (Reprise) - back in the '90s, a producer manipulates Bobby to sign a record deal to become a star but on one condition: disassociate himself with Sunset Curve, to which he first declines until he slowly gets persuaded. (sort of like Todrick Hall's So Lucky to Be You meets Lyn Lapid's Producer Man)

"So how about it, Bobby Shaw? Do we have a deal?"

"Trevor."

"I'm sorry?"

"Call me Trevor Wilson."

i'm pretty sure someone made an animatic with this idea too but i cannot for the life of me find it !!

7. Season 2 starts the same way as Season 1 does before the opening song plays

Black screen that reads a text "Hollywood 1995"

a pan down to the Orpheum's overhead sign that reads "SUNSET CURVE SOLD OUT"

cut to the interior with Rose finishing up her cleaning when a stage manager calls out: "Sunset Curve!" to which Bobby abruptly stops his pacing back and forth to look up. he and Rose look at each other. music swells until...

cut to him running onto the alleyway, "are they still not finished eating? those gluttons are dead to me i swear—" he cuts off his own words when he sees the boys getting dragged onto stretchers. but we, the audience, don't see it. just a close up of bobby as the ambulance lights reflects his face. rose comes up behind him, still clutching their t-shirt.

[i honestly have no idea if Bobby should get on stage because it just proves Luke's theory of The Orpheum's opening bands eventually becoming big & successful so it'll explain the Trevor Wilson fame even though at first he only did it for the boys, or if he shouldn't because according to the article Julie googled he ran away immediately after they were pronounced in the scene] but either way, this is how the opening starts.

then it progresses to Rose and Bobby respectively having children so they could parallel each other blah blah

8. Julie plays a simple song on the piano while the guys watch her in awe

Storytelling through Props

let's dive deep into Rose's luggage/suitcase and use the props to head for Julie's emotional attachment with them

they already did it with the wardrobe: Rose wears the black leather vest in the pilot while Julie wears the same thing in EP 6

add depth to the characters' relationships like us finding out Julie's multilayered necklace is actually a gift from Carrie or something

SOYON ANN YOU'RE A GIFT FROM GOD. Bobby's necklace is present in both young and old!him

**Rose in flashback scenes should be wearing clothes we've already seen Julie in Season 1 just for greater effect.

The Bobby Conflict

definitely needs to be brought up again by Season 2; they only discarded somewhere in the middle because more pressing matters like the boys' existence blipping away was pushed to the forefront of the story

however, The Bobby Conflict changes. it'll be cleared up that he was offered a record deal as a solo artist by a manipulative producer. and given that the poor boy is only 17 (too, maybe), he agrees. what he doesn't know is the contract's fine print: giving up Sunset Curve's royalties

that information clears it up to the audience and the band, so the conflict becomes this: Bobby's Survivor's Guilt. god wouldn't that be so good tackling that in a kids'/family show.

#julie and the phantoms #jatp #julie molina #reggie peters #luke patterson #alex mercer #carrie wilson #bobby wilson #trevor wilson #willie #bobby shaw #ray molina #carlos molina #rose molina #flynn taylor #uranus

[tinyclowndancer]

Now that you're in my bed In the dark chamber of my head I flip you over until you bend This winding road

#anxious for TGA hungry listening to This Road on a loop and still obsessed with Ilkka's silhouette and moves #I also got into my head that Zane found a way to snatch Alan's footage for ''artistic purposes'' and only Sam can convince me otherwise #for his adaptation of Initiation of course... #tw: zane's special surprise #tw: flashing #Ilkka Villi #Alan Wake #Alan Wake 2 #Remedy Entertainment #tinyclowntent #🎮 #📌

[theneighborhoodwatch]

dude i soo agree with what you're saying about twitter

have you seen those tweets that just- Blatantly ignore that Welcome Home is an actual project and call it "just some guys OCs", because THAT is genuinely what I find the most rage inducing out of everything on twitter. (The rest is frustrating too of course, but the devaluing of Clowns work makes me... very upset.)

IT'S VERY STRANGE I AGREE.... i can only assume that the statement was Originally something along the lines of "hey, this website is just the prologue - a big chunk of welcome home is still in development, so try to be reasonable with your expectations and give clown some time and space to do his thing" eventually mutated into "um ACTUALLY he just made the site to show off his ocs and if you even THINK of making fanwork based off of them you're a DIRTY FANDOM POISONED FREAK who is RUINING CLOWN'S LIFE" as it got passed around from site to site, in much the same way that "hey, i can't stop anyone from being attracted to/making NSFW works of my characters, but i would really appreciate it if you kept it private until i think of a tag you can put them in" (which for some reason people were Still incapable of following - i didn't forget) got turned into "if you even LOOK at a puppet with sexual intent i can and will kill you on clown's behalf."

#anonymous #ask #soapboxing #incidentally this is part of the reason i left my old WH discord in the hands of the mods #bc i felt like i was contributing to that mindset if not falling into it myself and i felt So shitty about it lmao #of course i was also in the throes of a nervous breakdown thanks to a bad prescription at the time so #who knows how reliable my memory is #anyways. this might sound kinda presumptuous on my behalf but #man i really don't like how people talk about clown like he's either a child or dead #bro is a grown man with three degrees and counting #and all things considered he adapted to the sudden popularity pretty well after his initial hiatus announcement #it's gonna be okay bitches

[marivanilla05]

Erased AU sketches

#dcmk #erased au #shinran #ran mouri #kudo shinichi #sonoko suzuki #kogoro mouri #yes they tag along on kogoro's cases #it happened coincidentally and ran realized it would help with finding people sonoko was searching for #shinichi tags along bc of course he does #kogoro: do your parents know what you're doing? #shinichi: what they don’t know won't hurt them. #shinichi does suspect that ran is hiding something but can't piece together what it is #he is a smart kid but after all he's still a kid and the truth is too outlandish for it to cross his mind #he feels like there's something strange about how she acts but sice he doesn’t know what he can't successfully confront her #ran on the other hand thought that sonoko was the one she should be worried about since she knew her back then #she quickly finds out that shinichi is the bigger threat because of how perceptive he is #she initially thought that he had time travelled like her but she later finds out that that isn't the case #sonoko learns to adapt to her best friend's new hobby #and to tolerate shinichi

[bywandandsword]

I'm listening to the Red Dragon audiobook, and the one thing I take issue with is that the narrator gives every other southerner an accent, but not Will Graham. None of the adaptations give him an accent. The man grew up poor in rural Louisiana and spent the first part of his career in New Orleans! He's gonna have some sort of accent!

He can be brilliant profiler that Hannibal is interested in or in love with and be a southerner with a southern accent, I promise!

#LetWillBeSouthern2023 #I know in the beginning of the book it says Will has a tendency to mimic other people's speech patterns in conversation #I do the same thing but it doesn't erase your accent or account for this lack of accent when he's alone or thinking #I don't think it's intentional in all the adaptations but I do think it's the underlying bias in media #that southern accents denote being poor uneducated or stupid #which is of course ridiculous and needs to be challenged #and answer me this dear reader; #would it not have been all the more entertaining to watch Hannibal and Will interact if Will was accented? #Will drawling out verbal parries to Hannibal in his posh Lithuanian accent #And the parallel of Will sounding different than all of his colleagues further marking him as an outsider #a difference that only gets starker when he's scared or impaired or deep in concentration #(Hannibal also is marked this way but his accent garners more respect or regard than Will's) #(the first impression of Will as a hick being added to the list of reasons why some of his colleagues dismiss him initially) #Also also! In the book Will comments that because he grew up poor he has a 'half-buried grudge' against the wealthy #and that resentment could certainly be used as a factor in his initial distrust of Hannibal #I'm just saying there's a ton that can be done with this and all the adaptations miss the opportunity! #Sword speaks #Will Graham #Hannibal #Hannibal Lector #Red Dragon

[cogentranting]

The reason why Lewis and Tolkien succeeded where so many authors fail is that they believed in and weren’t afraid of showing Goodness

#and truth and beauty #but those are included in Goodness #there's a longer version of this post that exists only in my mind which includes thoughts on gawain and the green knight and #the way that the lotr movies adapt aragorn and frodo and faramir #and the changes made to the 2nd and 3rd disney narnia movies (one of which i think is still good but in a different way #and one of which i do NOT think is good) #and also something about failed superman adaptations #and of course some implications that a certain fantasy author who also writes with the initials r.r. as part of his name is a coward #and a fool #but i can't fully tease out those thoughts right now

[verystressedcollegestudent]

if there's one thing i hate more than slackers in group projects its goddamn hypocrites

#this guy did jack shit for two full weeks when we're building the damn prototype #but STILL brought up the fact that most of our team blew off a report till the last minute in the beginning of march #*prototypes don't work* “sEe tHis iS wHy wE nEedEd tO hAvE a cOnvErsaTioN aBouT MS3” #like hon you lost the rights to the “y'all need to contribute more” argument the moment you left me hanging for 2-3 FUCKING WEEKS #like excuuuuuse me you been prioritizing extra curriculars all week get off your high horse stop lecturing everyone else about contribution #he made maybe 3 contributions? maybe? #first he 3D modeled an adapter and sent it to someone else to print (couldn't even do THAT himself smh) #then he sent the gc a sketch of an idea i roughly proposed literally the NIGHT BEFORE as his own contribution (that I ENDED UP BUILDING #then he...screwed on a few pipe fittings and called it a project :) #would be a LOT less pissed if he didn't show up to One Thing outside weekly team meetings/class #then apologize for slacking off BUT then launch into a FUCKING SPEECH ABOUT HOW HIM BEING HERE PROVES HIS COMMITTMENT #all because he DOESN'T LIKE GETTING UP EARLY. like sir. sir i am rIGHT FUCKING HERE. i was up till 4-5am working on this stfu #we've been building for three weeks and he's come into work on stuff wo me there ONCE for an HOUR #for context id spent about fifteen hours in the shop alone working on the fucking thing that WEEK #like im trying to be understanding ik tech week is hell #but i took “stepping back” as “i only have a few hours here and there to be in the shop and will do the writeups” #NOT “won't show up outside meetings AND we're splitting slides and writeups 80/20” #like id been in the lab all fuckin day and notice we have an assignment due (missed a SINGLE meeting due to exam) #and i ask him if theres anything i can do (and im thinking like look it over maybe add a spec or two) #and this fucker has the AUDACITY to ask me to write the full four paragraph summary cause he #*checks notes* copy-pasted some specs from milestone 3 so of COURSE its only fair that despite the fact I've been in the lab ALL DAY #that i write the four fuckin paragraphs too #course we're troubleshooting and he's like “did you clean the pump? did you disassemble it and rinse it?” like yes??? #i did EVERYTHING i could think of before i even bothered texting you cause i know you're fucking useless #and then he raises fifteen different concerns which while valid would have been NICE TO HEAR WHEN I SENT YOU MY INITIAL DESIGNS #y'know BEFORE i spent over fifteen hours of my free time building this damn thing #with slackers i just pick up the work and move on with my life this idiot is trying to gaslight me into thinking that he contributed fairly #when i heard “i need to step back due to play stuff” i thought we'd be splitting it like 65:35 NOT FUCKING 95:5 #and now hes probably going to give ME a poor peer review because I've been passive aggressive with him in the few meetings he showed up to #like i got shit going on too? how the fuck does he expect me to respond to being abandoned to do this shit myself

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

#dune #dune part two #dune part 2 #chani kynes #paul atreides #adaptation #dune spoilers

[1shirt2shirtredshirtdeadshirt]

Sexism in TOS: Worst Offender, or Progressive in Retrospect in Comparison?

I see a lot of folks claim that TOS was the most sexist of the Star Trek shows by a landslide -- and while I agree that it definitely suffered from the sexism of the times, I also have other perspectives to share to give some food for thought.

I am of course not insinuating that TOS isn't sexist -- it is, but I have to ask folks to consider the breadth and depth of Berman's sexism in his run and ask yourself: Was Gene Roddenberry genuinely more sexist in his storytelling and delivery than Rick Berman?

I'm not telling you to feel one way or the other, but all I ask is that you hear me out and consider some perspectives and make your own balanced assessments. Nobody is obligated to share my opinion, but it means a lot just to have folks hear it and see their thoughts on the subject. So here is what I was originally responding to:

Someone's response to this photo:

"Devil's advocate. This was a part of the popular form of cardio during the production time of TNG. Yes, it was heavily sexualised by men, but so is literally every other way women work out. Men have been caught taking pictures of women while trying to do dead lifts, running on tracks and working on sled machines. They post them online to share too. The fact is, there is no way a woman can be shown working out without it going there. And yeah,t hat includes the combat forms of workout they do in Star Trek. Just look at how Dax dresses when she spars with Worf. Yes, they're dating, but still, same goes when 7 does and any other female.

Aerobics routines like this were made dirty and cringy. This was what women wore then by and large. This is how the workout was done. We make it cringy."

My response to them:

"I respect your take, but I disagree on a few fronts.

The miniskirt was chosen by the TOS female cast, not the male cast, specifically requested by Grace LW and affirmed by Nichelle and Majel who would go on to vehemently defend the miniskirt over the years as comfortable and embraced by them.

Grace said it was comfortable and seen as a symbol of female sexual empowerment during the 60s and thought it would be a progressive garment (and turns out that it was, as it was later adapted and worn by male crew as a skant on TNG) -- FYI those were designed by a gay man and Gene approved them.

This was also supposed to be Spock's TMP outfit:

Literally lingerie.

We saw both Uhura (who saves Kirk in from Marlena Mirror Mirror) and Yeoman Landon (the first to initiate combat with a classic Kirk-esque kick to help the Captain being attacked in The Apple) carry out their combat training in their Starfleet uniforms without ever being made to change into any ridiculous workout gear.

In fact, I'd argue Jim Kirk was sexualized even more than the ladies of the week on the show and I saw his naked body more than anyone else's on a fairly regular basis. He wore red yoga tights while topless in Charlie X while the women wore full length gymnastic suits that covered their entire body. If anything, it went out of its way to avoid sexualizing women practicing fitness in those scenes and instead focused on Kirk.

Gene confessed that he asked to have Shatner filmed in suggestive/provocative ways to "give something to the ladies", so he -- as he said -- liked to "film him walking away" or have him conveniently busting out of his shirts in just about every episode as it were, because Shatner apparently had great assets. LOL

Gene made an effort to at least sexualize both if he was going to sexualize one, and he carried that attitude forward in wanting the m/m and f/f scenes in the background on Risa for TNG. He also insisted that the men and women wear skimpy outfits on THAT TNG planet. You know the one. LOL I mean the dudes even had on less than the women:

Gene also gave permission to K/S shippers to have their conventions back in the 70s when he was asked for permission. Gene and Nimoy felt with all the skimpy outfits they had the ladies wear, why not let the ladies and gay men have their fun, too? It's how we ended up with moments like this:

Yes, those are two people dressed up as Kirk and Spock's penises doing interpretive dance. Gene didn't give two damns. LOL

In my eyes, that was a very progressive take on Gene's part for the 60s. It was actually PARAMOUNT STUDIOS who had the big problem with K/S stories and vehemently tried to shut them down. Gene literally hired slash authors on his payroll and even had several slash stories/writers published in his official Star Trek books (The New Voyages & The New Voyages II).

I feel I saw Uhura and women in TOS engaged in more physical combat/altercations defending themselves that Troi or Bev were shown holding their own.

In fact, Kirk used to get furious when someone would "dress up" his female crew members without their consent (Trelane episode, Shore Leave episode) because like his male crew members, he wanted them to be treated professionally and to also have his male crew act professionally.

Berman brought some of his own personal biases into Star Trek that in some ways regressed it. While TOS had blatant sexism and was called on it time and again, that show was made in the 60s -- a solid 21 years before TNG. We as a modern audience understood why some of it was cringe/sexist due to the time period -- look at any other media coming out in the 60s and Star Trek was miles ahead of what other shows were doing.

Compare that to Berman who was churning sexist stuff out when women like Starbuck and Scully were simultaneously on screen on other programs airing, and we had already had Sigourney Weaver and other strong women in Holywood playing respectful roles.

In my eyes, there was no need of the sexism seen in TNG but especially VOY and ENT. There was no excuse for it when other shows were writing women far better and a number of those weren't even set in the future like Trek was, making it age even faster due to having those dated perspectives frequently highlighted.

In the Center Seat documentary as well as "The Fifty Year Mission" book you will find cast members, writers and other studio alumni who attest to this. Some discussions from "The Fifty Year Mission":

"First, Berman was supposed to have been a real sleaze ball . . . According to Terry Farrel, he would go on constantly about how her breasts weren't big enough, how she should do something about it, and how his secretary was a good example to follow as she had huge breasts. She even had to have fittings to get larger bras, and that was all done at his behest.

Later Berman and Braga developed a name for Jeri Ryan's character prior Seven of Nine. They originally called the character "perineum" which if you look it up it is the area between the anus and the scrotum. Later they floated the name "6 of 9". I mean, what does it tell you about where these two were coming from in the development of this character if they had names like that put forward in all seriousness for her?"

Gene Roddenberry also had some of his own more progressive ideas for TNG cut or watered down by Berman. Roddenberry agreed TNG should have homosexual relationships and representation at a con in the 80s and insisted on it in a meeting with his writers -- something Berman later would not honor. Gene wanted the AIDS episode, showing m/m and f/f in the Riza scenes -- these were some of Roddenberry's requests to include in TNG that Berman later stonewalled.

Berman's era was sadly dated by his own misogynist bias, IMO, to the point that it can somewhat hurt the shows he worked on through his cringe egoism and blatant disrespect toward his female cast.

There is a reason why Gene could keep female actresses working with him and Berman had a revolving door of women that he couldn't seem to keep working for him -- he was abhorrent to women, on and off set. Gene wasn't perfect at all, he had a lot of issues himself -- but Berman was a whole other level. Just look at what he did to poor Jolene Blalock, Marina Sirtis and his toxic commenting on her body weight which exacerbated her struggles with eating disorders, or how he treated and talked to Terry Farrell.

Anyway, just some food for thought. I'm not saying anyone is wrong regarding a take like that, but there are a variety of ways to look at this. Gene Roddenberry isn't a saint by any means, but it definitely bothers me how folks will tote the Berman era as if it were the lesser of two evils or the more progressive depiction of women when I felt there were far more concerning portrayals of women in his era with far less justification.

(P.S: I don't event want to go near the sheer amount of "creepy old dude/villain preys on innocent/naïve/scared young woman or little girl" stories there were in Berman's era, either. But that's a whole other can of worms I can write about in a part 2.)

#star trek #star trek tos #star trek tng #star trek voy #star trek ent #star trek ds9 was the one show that went above and beyond #1shirt2shirtredshirtdeadshirt #oc #octrekmeta #octrek #gene roddenberry #rick berman #brannon braga #kirk #spock #uhura #rand #nichelle nichols #majel barrett #grace lee whitney #tos #tng #voy #ent #marina sirtis #jolene blalock #terry farrell

[mostlysignssomeportents]

Autoenshittification

Forget F1: the only car race that matters now is the race to turn your car into a digital extraction machine, a high-speed inkjet printer on wheels, stealing your private data as it picks your pocket. Your car’s digital infrastructure is a costly, dangerous nightmare — but for automakers in pursuit of postcapitalist utopia, it’s a dream they can’t give up on.

Your car is stuffed full of microchips, a fact the world came to appreciate after the pandemic struck and auto production ground to a halt due to chip shortages. Of course, that wasn’t the whole story: when the pandemic started, the automakers panicked and canceled their chip orders, only to immediately regret that decision and place new orders.

But it was too late: semiconductor production had taken a serious body-blow, and when Big Car placed its new chip orders, it went to the back of a long, slow-moving line. It was a catastrophic bungle: microchips are so integral to car production that a car is basically a computer network on wheels that you stick your fragile human body into and pray.

The car manufacturers got so desperate for chips that they started buying up washing machines for the microchips in them, extracting the chips and discarding the washing machines like some absurdo-dystopian cyberpunk walnut-shelling machine:

https://www.autoevolution.com/news/desperate-times-companies-buy-washing-machines-just-to-rip-out-the-chips-187033.html

These digital systems are a huge problem for the car companies. They are the underlying cause of a precipitous decline in car quality. From touch-based digital door-locks to networked sensors and cameras, every digital system in your car is a source of endless repair nightmares, costly recalls and cybersecurity vulnerabilities:

https://www.reuters.com/business/autos-transportation/quality-new-vehicles-us-declining-more-tech-use-study-shows-2023-06-22/

What’s more, drivers hate all the digital bullshit, from the janky touchscreens to the shitty, wildly insecure apps. Digital systems are drivers’ most significant point of dissatisfaction with the automakers’ products:

https://www.theverge.com/23801545/car-infotainment-customer-satisifaction-survey-jd-power

Even the automakers sorta-kinda admit that this is a problem. Back in 2020 when Massachusetts was having a Right-to-Repair ballot initiative, Big Car ran these unfuckingbelievable scare ads that basically said, “Your car spies on you so comprehensively that giving anyone else access to its systems will let murderers stalk you to your home and kill you:

https://pluralistic.net/2020/09/03/rip-david-graeber/#rolling-surveillance-platforms

But even amid all the complaining about cars getting stuck in the Internet of Shit, there’s still not much discussion of why the car-makers are making their products less attractive, less reliable, less safe, and less resilient by stuffing them full of microchips. Are car execs just the latest generation of rubes who’ve been suckered by Silicon Valley bullshit and convinced that apps are a magic path to profitability?

Nope. Car execs are sophisticated businesspeople, and they’re surfing capitalism’s latest — and last — hot trend: dismantling capitalism itself.

Now, leftists have been predicting the death of capitalism since The Communist Manifesto, but even Marx and Engels warned us not to get too frisky: capitalism, they wrote, is endlessly creative, constantly reinventing itself, re-emerging from each crisis in a new form that is perfectly adapted to the post-crisis reality:

https://www.nytimes.com/2022/10/31/books/review/a-spectre-haunting-china-mieville.html

But capitalism has finally run out of gas. In his forthcoming book, Techno Feudalism: What Killed Capitalism, Yanis Varoufakis proposes that capitalism has died — but it wasn’t replaced by socialism. Rather, capitalism has given way to feudalism:

https://www.penguin.co.uk/books/451795/technofeudalism-by-varoufakis-yanis/9781847927279

Under capitalism, capital is the prime mover. The people who own and mobilize capital — the capitalists — organize the economy and take the lion’s share of its returns. But it wasn’t always this way: for hundreds of years, European civilization was dominated by rents, not markets.

A “rent” is income that you get from owning something that other people need to produce value. Think of renting out a house you own: not only do you get paid when someone pays you to live there, you also get the benefit of rising property values, which are the result of the work that all the other homeowners, business owners, and residents do to make the neighborhood more valuable.

The first capitalists hated rent. They wanted to replace the “passive income” that landowners got from taxing their serfs’ harvest with active income from enclosing those lands and grazing sheep in order to get wool to feed to the new textile mills. They wanted active income — and lots of it.

Capitalist philosophers railed against rent. The “free market” of Adam Smith wasn’t a market that was free from regulation — it was a market free from rents. The reason Smith railed against monopolists is because he (correctly) understood that once a monopoly emerged, it would become a chokepoint through which a rentier could cream off the profits he considered the capitalist’s due:

https://locusmag.com/2021/03/cory-doctorow-free-markets/

Today, we live in a rentier’s paradise. People don’t aspire to create value — they aspire to capture it. In Survival of the Richest, Doug Rushkoff calls this “going meta”: don’t provide a service, just figure out a way to interpose yourself between the provider and the customer:

https://pluralistic.net/2022/09/13/collapse-porn/#collapse-porn

Don’t drive a cab, create Uber and extract value from every driver and rider. Better still: don’t found Uber, invest in Uber options and extract value from the people who invest in Uber. Even better, invest in derivatives of Uber options and extract value from people extracting value from people investing in Uber, who extract value from drivers and riders. Go meta.

This is your brain on the four-hour-work-week, passive income mind-virus. In Techno Feudalism, Varoufakis deftly describes how the new “Cloud Capital” has created a new generation of rentiers, and how they have become the richest, most powerful people in human history.

Shopping at Amazon is like visiting a bustling city center full of stores — but each of those stores’ owners has to pay the majority of every sale to a feudal landlord, Emperor Jeff Bezos, who also decides which goods they can sell and where they must appear on the shelves. Amazon is full of capitalists, but it is not a capitalist enterprise. It’s a feudal one:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

This is the reason that automakers are willing to enshittify their products so comprehensively: they were one of the first industries to decouple rents from profits. Recall that the reason that Big Car needed billions in bailouts in 2008 is that they’d reinvented themselves as loan-sharks who incidentally made cars, lending money to car-buyers and then “securitizing” the loans so they could be traded in the capital markets.

Even though this strategy brought the car companies to the brink of ruin, it paid off in the long run. The car makers got billions in public money, paid their execs massive bonuses, gave billions to shareholders in buybacks and dividends, smashed their unions, fucked their pensioned workers, and shipped jobs anywhere they could pollute and murder their workforce with impunity.

Car companies are on the forefront of postcapitalism, and they understand that digital is the key to rent-extraction. Remember when BMW announced that it was going to rent you the seatwarmer in your own fucking car?

https://pluralistic.net/2020/07/02/big-river/#beemers

Not to be outdone, Mercedes announced that they were going to rent you your car’s accelerator pedal, charging an extra $1200/year to unlock a fully functional acceleration curve:

https://www.theverge.com/2022/11/23/23474969/mercedes-car-subscription-faster-acceleration-feature-price

This is the urinary tract infection business model: without digitization, all your car’s value flowed in a healthy stream. But once the car-makers add semiconductors, each one of those features comes out in a painful, burning dribble, with every button on that fakakta touchscreen wired directly into your credit-card.

But it’s just for starters. Computers are malleable. The only computer we know how to make is the Turing Complete Von Neumann Machine, which can run every program we know how to write. Once they add networked computers to your car, the Car Lords can endlessly twiddle the knobs on the back end, finding new ways to extract value from you:

https://doctorow.medium.com/twiddler-1b5c9690cce6

That means that your car can track your every movement, and sell your location data to anyone and everyone, from marketers to bounty-hunters looking to collect fees for tracking down people who travel out of state for abortions to cops to foreign spies:

https://www.vice.com/en/article/n7enex/tool-shows-if-car-selling-data-privacy4cars-vehicle-privacy-report

Digitization supercharges financialization. It lets car-makers offer subprime auto-loans to desperate, poor people and then killswitch their cars if they miss a payment:

https://www.youtube.com/watch?v=4U2eDJnwz_s

Subprime lending for cars would be a terrible business without computers, but digitization makes it a great source of feudal rents. Car dealers can originate loans to people with teaser rates that quickly blow up into payments the dealer knows their customer can’t afford. Then they repo the car and sell it to another desperate person, and another, and another:

https://pluralistic.net/2022/07/27/boricua/#looking-for-the-joke-with-a-microscope

Digitization also opens up more exotic options. Some subprime cars have secondary control systems wired into their entertainment system: miss a payment and your car radio flips to full volume and bellows an unstoppable, unmutable stream of threats. Tesla does one better: your car will lock and immobilize itself, then blare its horn and back out of its parking spot when the repo man arrives:

https://tiremeetsroad.com/2021/03/18/tesla-allegedly-remotely-unlocks-model-3-owners-car-uses-smart-summon-to-help-repo-agent/

Digital feudalism hasn’t stopped innovating — it’s just stopped innovating good things. The digital device is an endless source of sadistic novelties, like the cellphones that disable your most-used app the first day you’re late on a payment, then work their way down the other apps you rely on for every day you’re late:

https://restofworld.org/2021/loans-that-hijack-your-phone-are-coming-to-india/

Usurers have always relied on this kind of imaginative intimidation. The loan-shark’s arm-breaker knows you’re never going to get off the hook; his goal is in intimidating you into paying his boss first, liquidating your house and your kid’s college fund and your wedding ring before you default and he throws you off a building.

Thanks to the malleability of computerized systems, digital arm-breakers have an endless array of options they can deploy to motivate you into paying them first, no matter what it costs you:

https://pluralistic.net/2021/04/02/innovation-unlocks-markets/#digital-arm-breakers

Car-makers are trailblazers in imaginative rent-extraction. Take VIN-locking: this is the practice of adding cheap microchips to engine components that communicate with the car’s overall network. After a new part is installed in your car, your car’s computer does a complex cryptographic handshake with the part that requires an unlock code provided by an authorized technician. If the code isn’t entered, the car refuses to use that part.

VIN-locking has exploded in popularity. It’s in your iPhone, preventing you from using refurb or third-party replacement parts:

https://doctorow.medium.com/apples-cement-overshoes-329856288d13

It’s in fuckin’ ventilators, which was a nightmare during lockdown as hospital techs nursed their precious ventilators along by swapping parts from dead systems into serviceable ones:

https://www.vice.com/en/article/3azv9b/why-repair-techs-are-hacking-ventilators-with-diy-dongles-from-poland

And of course, it’s in tractors, along with other forms of remote killswitch. Remember that feelgood story about John Deere bricking the looted Ukrainian tractors whose snitch-chips showed they’d been relocated to Russia?

https://doctorow.medium.com/about-those-kill-switched-ukrainian-tractors-bc93f471b9c8

That wasn’t a happy story — it was a cautionary tale. After all, John Deere now controls the majority of the world’s agricultural future, and they’ve boobytrapped those ubiquitous tractors with killswitches that can be activated by anyone who hacks, takes over, or suborns Deere or its dealerships.

Control over repair isn’t limited to gouging customers on parts and service. When a company gets to decide whether your device can be fixed, it can fuck you over in all kinds of ways. Back in 2019, Tim Apple told his shareholders to expect lower revenues because people were opting to fix their phones rather than replace them:

https://www.apple.com/newsroom/2019/01/letter-from-tim-cook-to-apple-investors/

By usurping your right to decide who fixes your phone, Apple gets to decide whether you can fix it, or whether you must replace it. Problem solved — and not just for Apple, but for car makers, tractor makers, ventilator makers and more. Apple leads on this, even ahead of Big Car, pioneering a “recycling” program that sees trade-in phones shredded so they can’t possibly be diverted from an e-waste dump and mined for parts:

https://www.vice.com/en/article/yp73jw/apple-recycling-iphones-macbooks

John Deere isn’t sleeping on this. They’ve come up with a valuable treasure they extract when they win the Right-to-Repair: Deere singles out farmers who complain about its policies and refuses to repair their tractors, stranding them with six-figure, two-ton paperweight:

https://pluralistic.net/2022/05/31/dealers-choice/#be-a-shame-if-something-were-to-happen-to-it

The repair wars are just a skirmish in a vast, invisible fight that’s been waged for decades: the War On General-Purpose Computing, where tech companies use the law to make it illegal for you to reconfigure your devices so they serve you, rather than their shareholders:

https://memex.craphound.com/2012/01/10/lockdown-the-coming-war-on-general-purpose-computing/

The force behind this army is vast and grows larger every day. General purpose computers are antithetical to technofeudalism — all the rents extracted by technofeudalists would go away if others (tinkereres, co-ops, even capitalists!) were allowed to reconfigure our devices so they serve us.

You’ve probably noticed the skirmishes with inkjet printer makers, who can only force you to buy their ink at 20,000% markups if they can stop you from deciding how your printer is configured:

https://pluralistic.net/2022/08/07/inky-wretches/#epson-salty But we’re also fighting against insulin pump makers, who want to turn people with diabetes into walking inkjet printers:

https://pluralistic.net/2022/06/10/loopers/#hp-ification

And companies that make powered wheelchairs:

https://pluralistic.net/2022/06/08/chair-ish/#r2r

These companies start with people who have the least agency and social power and wreck their lives, then work their way up the privilege gradient, coming for everyone else. It’s called the “shitty technology adoption curve”:

https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust

Technofeudalism is the public-private-partnership from hell, emerging from a combination of state and private action. On the one hand, bailing out bankers and big business (rather than workers) after the 2008 crash and the covid lockdown decoupled income from profits. Companies spent billions more than they earned were still wildly profitable, thanks to those public funds.

But there’s also a policy dimension here. Some of those rentiers’ billions were mobilized to both deconstruct antitrust law (allowing bigger and bigger companies and cartels) and to expand “IP” law, turning “IP” into a toolsuite for controlling the conduct of a firm’s competitors, critics and customers:

https://locusmag.com/2020/09/cory-doctorow-ip/

IP is key to understanding the rise of technofeudalism. The same malleability that allows companies to “twiddle” the knobs on their services and keep us on the hook as they reel us in would hypothetically allow us to countertwiddle, seizing the means of computation:

https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men

The thing that stands between you and an alternative app store, an interoperable social media network that you can escape to while continuing to message the friends you left behind, or a car that anyone can fix or unlock features for is IP, not technology. Under capitalism, that technology would already exist, because capitalists have no loyalty to one another and view each other’s margins as their own opportunities.

But under technofeudalism, control comes from rents (owning things), not profits (selling things). The capitalist who wants to participate in your iPhone’s “ecosystem” has to make apps and submit them to Apple, along with 30% of their lifetime revenues — they don’t get to sell you jailbreaking kit that lets you choose their app store.

Rent-seeking technology has a holy grail: control over “ring zero” — the ability to compel you to configure your computer to a feudalist’s specifications, and to verify that you haven’t altered your computer after it came into your possession:

https://pluralistic.net/2022/01/30/ring-minus-one/#drm-political-economy

For more than two decades, various would-be feudal lords and their court sorcerers have been pitching ways of doing this, of varying degrees of outlandishness.

At core, here’s what they envision: inside your computer, they will nest another computer, one that is designed to run a very simple set of programs, none of which can be altered once it leaves the factory. This computer — either a whole separate chip called a “Trusted Platform Module” or a region of your main processor called a secure enclave — can tally observations about your computer: which operating system, modules and programs it’s running.

Then it can cryptographically “sign” these observations, proving that they were made by a secure chip and not by something you could have modified. Then you can send this signed “attestation” to someone else, who can use it to determine how your computer is configured and thus whether to trust it. This is called “remote attestation.”

There are some cool things you can do with remote attestation: for example, two strangers playing a networked video game together can use attestations to make sure neither is running any cheat modules. Or you could require your cloud computing provider to use attestations that they aren’t stealing your data from the server you’re renting. Or if you suspect that your computer has been infected with malware, you can connect to someone else and send them an attestation that they can use to figure out whether you should trust it.

Today, there’s a cool remote attestation technology called “PrivacyPass” that replaces CAPTCHAs by having you prove to your own device that you are a human. When a server wants to make sure you’re a person, it sends a random number to your device, which signs that number along with its promise that it is acting on behalf of a human being, and sends it back. CAPTCHAs are all kinds of bad — bad for accessibility and privacy — and this is really great.

But the billions that have been thrown at remote attestation over the decades is only incidentally about solving CAPTCHAs or verifying your cloud server. The holy grail here is being able to make sure that you’re not running an ad-blocker. It’s being able to remotely verify that you haven’t disabled the bossware your employer requires. It’s the power to block someone from opening an Office365 doc with LibreOffice. It’s your boss’s ability to ensure that you haven’t modified your messaging client to disable disappearing messages before he sends you an auto-destructing memo ordering you to break the law.

And there’s a new remote attestation technology making the rounds: Google’s Web Environment Integrity, which will leverage Google’s dominance over browsers to allow websites to block users who run ad-blockers:

https://github.com/RupertBenWiser/Web-Environment-Integrity

There’s plenty else WEI can do (it would make detecting ad-fraud much easier), but for every legitimate use, there are a hundred ways this could be abused. It’s a technology purpose-built to allow rent extraction by stripping us of our right to technological self-determination.

Releasing a technology like this into a world where companies are willing to make their products less reliable, less attractive, less safe and less resilient in pursuit of rents is incredibly reckless and shortsighted. You want unauthorized bread? This is how you get Unauthorized Bread:

https://arstechnica.com/gaming/2020/01/unauthorized-bread-a-near-future-tale-of-refugees-and-sinister-iot-appliances/amp/

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

[Image ID: The interior of a luxury car. There is a dagger protruding from the steering wheel. The entertainment console has been replaced by the text 'You wouldn't download a car,' in MPAA scare-ad font. Outside of the windscreen looms the Matrix waterfall effect. Visible in the rear- and side-view mirror is the driver: the figure from Munch's 'Scream.' The screen behind the steering-wheel has been replaced by the menacing red eye of HAL9000 from Stanley Kubrick's '2001: A Space Odyssey.']

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

#pluralistic #shitty technology adoption curve #unauthorized bread #automotive #arm-breakers #cars #big car #right to repair #rent-seeking #digital feudalism #neofeudalism #drm #wei #remote attestation #private access tokens #yannis varoufakis #web environment integrity #paternalism #war on general purpose computing #competitive compatibility #google #enshittification #interoperability #adversarial interoperability #comcom #the internet con #postcapitalism #ring zero #care #med-tech

[thealogie]

picture this. you're michael sheen, beloved queer-friendly welsh actor and recent twilight saga vampire. you want your favorite book to become a tv show, and you want to be the lead. so what do you do? you befriend the author. he wines and dines you, you become a confidant in the scriptwriting phase. and in the process of the GO script you decide you don't want to be crowley, actually, you want to be aziraphale. you put in the work for months to influence the author to the same conclusion. so when neil gaiman comes to you one day saying, "i know you joined on to be crowley... but how would you feel about playing aziraphale?" you say, what a novel idea! i was feeling the same way, i just didn't want to say anything! let's do it.

you're michael sheen, the lead in the adaptation of your favorite book. you meet david tennant as your leading man, a rising star (and vocal fan of yours) you've had a few vague interactions with in the past. on set you immediately find the closest friend you have ever and will ever find in your life, and you know this. the romance you have in your (yes, your) show is ambiguous, but you're michael sheen. you think that romance needs to be explicit. so what do you do? you become a nightmare on set. you get really hands-on; you make costume choices, you make story decisions, you tell your author friend at the very end of filming: aziraphale is in love with crowley and realizes it in 1941. now go do it again.

so the author goes and does it again. you get a season 2. you get 1941 part 2. you're michael sheen, and you are the lead of the adaptation of your favorite book, and the romance you littered into the character you built from the ground up has become unambiguous. everything goes according to plan. but, you see, you have a problem: the author you have baby trapped is acting a FIEND on twitter and tumblr. he's saying everything he can to imply aziraphale and crowley aren't sexually attracted to each other. he's getting a bit too bold with his character assumptions, is all i'm saying. so here's what you're going to do: you play it up with your pal david tennant. you made a show with him during lockdown. you're going to depict your lives as even more intertwined and homoerotically codependent as previously possible. you grow even closer. your wives become best friends, too, because how could they not? this has been the plan since the beginning, too. your lockdown show ends. it wasn't enough.

so you, michael sheen, of course you put in the work. if david tennant's there, you're damn sure you're there physically, spiritually, biblically, in whatever capacity you can be. it's not hard. david tennant is a big fan of yours, after all, so he MAKES SURE you're always in the conversation. you have him wrapped around your little finger, this lovely little boy, and so you know what you do next? you become neighbors. you make your directorial debut casting your best friend's wife watching her husband and male neighbor initiate sex with each other. you play into the swinging rumors (that you, michael sheen, had started). you create a narrative that you and david tennant are two homoerotic besties, and is there more going on in the background there? any deeper conspiracy? who really knows, but what you do know is that the world is talking about it.

and you, michael sheen, your entire acting career has led to this moment, your gay quips, your oscar wilde sex scene (and the interviews following), all of your queer roles, EVERYTHING has brought us to this conclusion. you have created the lab perfect conditions where season 3 must have an explicit gay sex scene. i'm sorry neil, my hands are tied! the people are clamoring for me and david tennant to have sex-- i mean aziraphale and crowley to have sex, the public decided this all on their own! i really don't think you have much choice. but of course, i would never deign to tell an author how to practice his veritable craft. i concede to whatever version of series 3 you create, and i will happy to bring this beloved character to his deserved ending.

and why do you say this? because you're michael sheen. you're just an actor who incidentally stumbled his way into leading the queer romance adaptation of your favorite book that wasn't a romance, and you just read the script the way that it was given to you. and if series 3 means an explicit sex scene between you and your best friend david tennant, then what a lovely coincidence that you had absolutely no part in making happen. because what power do you really have?

This is my favorite book I’ve read so far this year. A rare occasion where the author pulls off use of the second person pov. I really felt like I was a beloved welsh actor crossed with Machiavelli when I read this

#michael sheen

[jasonswhitetuftofhair]

“Come at me, Baby”

Characters/Pairings : Jason Todd (Red Hood) x female!reader.

Synopsis : Jason and Reader spar and after training things get steamy filthy.

Content Warnings : SMUT. Slow burn. Poor writing. Lots of plot. Training/Sparring (reader learns combat). Curse words. Pet names. Overstimulation. Multiple orgasms. Protected sex. Size kink (barely noticeable). Oral (fem rec.). Fingering. Dry humping. Use of object as toy (Jason uses a muscle massage gun on you). Vaginal intercourse. Light bondage (Jason ties your hands w/ resistance bands). Reader insert (sorry). Aftercare.

Fandom : DC, Batman.

Word Count : 5202

Author’s Notes : First fic I’ve written. Like ever. Also, this is a repost; I originally posted this for the first time in October 23’ but I deleted it in December 23’ due to insecurity.

This week had been tiring. Multiple meetings, a lab breakout scare, a few late night patrols all on top of studying the material you’d been given had started to add up. All you wanted was to retire for the night, go to your room and take a nice, relaxing, long, hot bath. Gorge yourself with junk food and put your show on, and then sleep like the dead. But no, tonight called for an evening training session with your training instructor.

Jason. Jason Todd. Before you had entered the gym, you weren't sure if you would be up to train tonight. But watching him enter the double doors with his hot-as-hell all black tactical pants, skin tight athletic t-shirt and combat boot ensemble quickly made you reconsider. As if it was hard.

Ever since Bruce had finally gotten Jason to accept his proposal of conducting training sessions with everybody, you’ve been feeling like a sitting duck. You had been trying to hide your feelings from the older vigilante for a while now. A while as in since you first arrived at the manor. Nearly eight months had you been stumbling around whenever he was near, barely making eye contact and feeling like an idiot because of him. And you had been succeeding, too! Barely, but still. He didn't know anything and now with your new arrangement, how could he not pick up on the vibes you were sending out? It was only a matter of time before your feelings were compromised and you were left heartbroken and feeling like a fool, your friendship with him long gone.

It wasn't so bad, though. You had always been good at adapting and Jason wasn't necessarily bad on the eyes. It was kind of fun, too. His little dry humored remarks, shared inside jokes and just…him, made him good company. After all, he was your friend. You haven't known him long, but it still felt like you’ve known him forever. But that was the problem. Your friendship with him was too much of a treasure to have it be risked just because of a little crush. You’d rather be plagued by the overwhelming melancholy of your predicament than not have him at all. If the only way you could allow yourself to indulge in the feel of his hands on your body was when he was training you in combat, then that was something you were okay with settling for.

“Earth to Y/N. Um hellooooo, you there?” Jason’s equally teasing and concerned words pulled you from your trance you hadn't even realized you’d fallen into.

Your embarrassment quickly appeared on your face and didn't go unnoticed by him. “Yes! Sorry, I’m here.” Having been snapped out of your thoughts, you noticed that Jason had you held against him mid-air. You threw a punch at him, but he of course dodged it so you did what you first thought next. You tried to kick him in his side but he quickly grabbed your ankle and gently but strongly twisted it so that your body changed direction. Before you could lose balance and fall he grabbed your other thigh and caught your body against his, holding you to him. You didn't react at all, though, and his initial thought was that he crossed a line he didn't know of and did something to upset you. He called your name and you didn't answer the first time so he paused the lesson and brought you back to him.

He was a little worried, honestly. He knew you to be like this, often catching you staring off into space and likely daydreaming or stuck in deep thought. It was your expression, though. The mild sorrow, a little bit of adoration shining in those pretty eyes he loved so much, too.

“You sure? We can take a break if you need it,” he offers, gently smiling at you, “is everything okay? I didn't hurt you, did I?” he asks worriedly. Gazing into his eyes, your heart almost swells up. He looks so genuine, like it would hurt him if he hurt you and you let yourself pretend it's for other reasons. “Yes, I’m fine, promise. Just have a headache s’all.” It's enough to relax him just the slightest but he doesn't believe you. Your body language is just not convincing enough. He finally puts you down and lets his eyes skim all over you. He tells himself it's to check for signs of discontent or injury, but he knows he can't lie to himself. Youre just too fucking beautiful. He shakes himself out of it before the blood rushes south and gets back to the lesson.

“So. You really need to get out of the habit of kicking. It can't be your first instinct, sweetheart. You're exposing an entire limb to the enemy and you're not skilled enough yet to counter whatever it is they plan on doing. I know it's hard, but you need to really start implementing your upper body strength,” he explains to you, occasionally letting his fingers linger on your skin when showing you what the enemy could potentially do to you. You truly appreciate how gentle and accommodating he is when it comes to teaching you. You’ve seen him train with the others and sometimes his harsh tone is enough to make you jump even when his words are directed to someone else. He’s been so patient with you and the thought of him going out of his way to train your aversion-to-fighting self makes your heart flutter. You nod along with him, letting him know you haven't gone off to La La Land again.

“Alright. Come at me, honey,” he orders while positioning himself in the default defense stance. Legs strong, but ready to move. Arms by his side ready to catch and balance. Core strong and taut, chest puffed. Eyes on you, just as he likes it. He finds it adorable how clueless your little expression is. Eyes wandering all over the place, arms trying to find a good way to support yourself and legs waddling to their correct position. Like a baby deer learning how to walk. He hears your little words of encouragement to yourself and watches your eyes, watching the gears turn in your brain. While his focus is stuck on your pretty face, he doesn't notice your left hand curling behind you while you spin yourself around, pressing your back to his front. He grunts and catches your right hand before it can land around his bicep. You quickly move your feet backward and jump behind him, putting all your strength into kicking his back hamstring, but he’s already several steps ahead of you. He turns around before your foot can land and grabs your ankle, destabilizing your legs and grabbing your wrists, holding them tight in his right hand.

This of course leads his mind to other things, things that would involve this very position. You curl your leg around his stretched leg and twist your body around, landing you on top of him. Your legs straddling his abdomen and palms resting on his waist. He doesn't mind at all, though and senses a pause in your movement. He notices your tired expression, your flushed face and neck, the sweat on your hairline, neck and brow. You jump, as if just now realizing the position you had him in. You move to sit next to him and he moves into a sitting position, no longer back to floor. You flash him a cheeky grin, happy with yourself for winning this time.

“Did I do good?” you ask him excitedly and he chuckles, your pretty little smile having caused his heart to skip a beat. ‘Did I do good?’. That phrase would be on repeat in his brain for a little while, he could tell. The way you seeked his approval caused his groin to stir and he stood up, quick to distract himself.

“You did. I’m proud, that was much better. We’re gonna focus on your upper torso, now, okay?” He guides you to stand and places his hands on either sides of your shoulders, guiding you to stand in front of him. “I'm gonna throw at you, and you're going to block them.” He playfully wiggles his fist in front of you and you grab onto it giggling. Oh how he adores that sound. He sneakily aims and his fist appears next to your collarbone, you move your body out of the way. He does it again, this time it comes next to your left shoulder. You grab his wrist with both hands and block it. He doesn't miss the way you needed both hands to wrap around his wrist. He moves again, fist to the right of your face. Your eyes widen and he shushes you and you relax. You both know he wouldn't make a move to successfully cause you harm.

This goes on and on for what seems like forever. Your stamina has dwindled down a while ago and he can tell how tired you are. He thinks about cutting training early, but for his own selfish reasons he decides against it. He doesn't want your time together to end. Still, you're barely putting in any effort and you're certainly not trying to hide it from your instructor. His eyes haven't left you since the session began and he was very pleased with all the intel he’s received. Your short, panted breaths. The way your cheeks and neck flushed with that pretty shade of pink that suited you so well. Your wide eyes, how they seemed to sparkle under the annoyingly bright lights of the gym. How they seemed to water whenever he stared into them for too long. Your wobbling lip whenever you got a little too into it. How you went out of your way to put both of your hands on him, regardless of if it was beneficial or not. The way you didn't even move out of the way of his punches anymore. You just watched the muscles of his arms flex and wished they were around you instead.

“You gotta put in some more effort for me, princess. I know you can do it,” he tells you, cooing at the way you whine at him, silently wishing he would end training early. He chuckles. “C’mon, block em’, sweetheart.” You roll your eyes and try to muster up whatever strength left in your exhausted body. Your hands meet his and successfully block a hit. He doesn't forget how you rolled your eyes, though. What he wouldn't do to have you bent over his lap for that. He finishes with the punches and leads you to the equipment.

He stands you in front of the power rack looking thing, gripping your waist and holding you up, waiting for you to grab onto the handles on top. “Chin-ups. Fifteen of em’,” he tells you and you groan. He knows you hate chin ups. “Tsk, tsk. C’mon, princess. Don't make it twenty. These help with your shoulder and bicep strength. Use an underhand grip, palms facing you.” You sigh and get into position, starting what he told you to do. You made sure to be as dramatic as possible, though; you were too tired to keep the brat in you at bay. Jason, on the other hand, doesnt try to hide the way he is blatantly staring at your ass, thighs and waist. He burns the image in his mind and moves closer to you, holding onto your waist to make you feel secure.

You huff and sigh out, hoping he’ll give into you. Throughout the entirety of the session, his hands have been on you. His breath has been on your neck. The feel of his body on yours. Him in your proximity. It was frustrating. Having him so close, but far away. Little did you know he felt the same. His hands move to rub encouraging circles into your hips and you whimper out loud, to your embarrassment. He doesn't even try to hide his smirk, though. Once the exercises are done, he holds onto you, purposefully moving his big hands to rest on your ass, bringing you down. You’re done with his teasing and turn around, pressing your palms flat to his chest and keeping him at bay. You signal with your eyes that you’re not in the mood for the teasing and he coos, holding your face between his two hands. “Is there something you want, baby?” you whine and cry out for him trying to hide your face into his chest but he only lifts your chin back up so he can see you. “Come on, sweetheart, if you want something you have to ask for it.” “hmph! I want you to stop teasing me, Jason!” He smiles wickedly and lets you go. “Training is over,” he states simply and you sigh contentedly, walking to the locker room.

Before you can open it, though, Jason’s hand wraps around your wrist and you turn to him. “You didn't actually think I was done with you, did you?” he asks but doesn't wait for an answer. He opens the door to the locker room and guides you into it before locking the door. In an instant you're pressed against the door, cold wood on your back, and Jason’s mouth on yours. It's not much of a fight for dominance, his tongue having beat yours instantly. It feels heavenly. Not just the feel of his tongue in your mouth, tasting yours, but finally all this pent up tension leaving your body. You sigh into the kiss, Jason’s hand comes up behind your neck to grab the hair at the base and you mewl against him.

You were losing oxygen and his kisses traveled from your lips, to your chin, to your jaw, the sweet spot on your neck. His big hands wrapped tightly around your waist and the feel of his open-mouthed kisses on your neck has your jaw slack and breathing uneven. He smiles at the way you look like a puppy with your open mouth and panting, practically drooling.

“This okay, sweetheart?”

You were practically soaking through your panties by now and the tenderness of his words and low pitch of his voice certainly wasn't helping. You nod a yes and throw your head back at the feel of his harsh sucking on your neck and collarbone. He growls and spanks your bottom, “I need words, Y/N,” he commands and you whine out loud yet again. “Yes! Please, need you, Jason,” you tell him and that’s all he needs to hear.

Carrying the two of you, he picks you up and holds you against him. Your legs wrapped against his waist and he sits down on a bench, you still on his lap. His kisses don't stop and the feel is euphoric. His hands haven't stopped roaming your body. The feel of his big hands groping at your soft, supple flesh through the clothing separating you from him combined with just…him, was damn near enough to make you go crazy. You were tugging at his hair and pressing your face against the crook of his neck, desperate to smell his pheromones and your soft lips pressing kisses of your own against his neck had him hard against you already. When you felt his hardness against your tummy you gasped and tugged on his hair a tad bit harder and he moaned against you. Little curses left his mouth and you were seeing stars. Nothing had barely even happened and you were already this close to being admitted into Arkham Asylum.

Suddenly his hands paused their movements and his tone became one of seriousness. He grabbed your chin and forced your face towards his. Your pretty little glossed over eyes shining up into his had his breath hitch and for a split second he forgot what he needed to do. He could see the curiosity on your face, your teeth tugging your lower lip and he had to avert his eyes.

“Fuck, Y/N. I need to tell you something. I-I like you, Y/N. And not just in a friendship way. I understand—” he started but you cut him off, lurching towards him even more and grabbing his head between your hands, kissing him with a force you didn't know you could possess. He could feel you smile into the kiss and he let you have control this time. Not for long, though. He grabbed your hair into his fist and you gasped. “I-I like you, too, Jason. Have for a while now,” you mumbled against him and he grabbed your plump bottom with both hands, bringing your body flush with his. This only fueled the fire, though; his rock hard cock straining against his pants feeling your core against him had him clenching his jaw and closing his eyes, trying to control himself a little bit.

“I like you a lot, Jason. A lot a lot,” you whimpered against his lips and he smiled. You could see the genuinity in his eyes and the softness in his smile. He placed a gentle kiss against your forehead and then one on your nose and finally one on your lips. “I'm glad, sweetheart. Very glad,” and with that he grabbed your hips and shifted your legs a little bit. He forcedly rocked your clothed cunt against his hardness and your eyes closed, head tossed back. It was almost too much, too fucking much. You had been teased all night long and with all this foreplay you weren't sure if you would last. You tried to paw his hands off of your hips and stop your movement, but you just weren't strong enough. His devilish grin staring up at you, his pretty girl, had you whining and grow the ache in your pussy. “Stop, ‘s too much, stop, please, Jay,” you begged against him and all he could do was smile. “Stop? You want me to stop? But I’m not even doing anything, baby,” he teased. He knew he was teasing the damnit out of you. Even as you begged for mercy, there you were, still riding his clothed dick. You couldn't help but follow his lead though, your hips couldn't help but relish in the feeling of his hands tight on them, guiding you back and forth. Even if you wanted to you weren't sure if you could stop. God, it felt so good. Nothing you had ever felt like before. His hands on your hips and his mouth abusing your sensitive skin. The hardness of him grinding directly onto your clit. It was all so amazing.

He could tell you were close. He’s never had you before but he already knew all your tells. Your panting and labored breaths. The way you couldn't keep your eyes open. The stuttering of your hip movement. How you tried to get closer to him, even though you were flush to him. Gasps and whimpers leaving your mouth. Your hands tried to paw his hands away yet again. Think you’d learn the first time. His mouth went right back to sucking marks into your skin and he cooed at you. “C’mon, babygirl. You can do it. I know you need it, sweetheart. Just let go and cum for me,” he softly commanded. Hips following his words, your pace quickened and he ground you down onto him. His own hips jerked up and his cock spanked your core. Within moments the climax unraveled and you let out a screech. The white hot bliss greeted you and the power of your orgasm could be felt in every nerve ending of your body. You shook for a good thirty seconds and your vision went blurry. You slumped against him tiredly and he chuckled. His soothing hands rubbing circles into your back and sweet nothings helped calm you down and your high rode out. You lazily started unbuckling his belt and he grabbed your wrists, stopping you. Oh how you liked the feel of his hands grabbing you like that. “Tsk, tsk, Princess. ‘M not done with you yet.”

In an instant he was untying your shoe laces, kicking them off your feet and forcing your pants down to your ankles. His hands ripped your panties off and you were exposed. The brisk air was biting against your wet cunt and you gasped slightly. He raised you up against the lockers and wrapped your legs around his head, hands planted firmly on your ass holding you midair. The smell of your arousal and the previous orgasm dripping everywhere had him painfully hard. “Tell me if it's too much, baby, and I’ll stop, okay?” You whispered a ‘yes’ and he finally satiated his desire to have your cunt in his mouth. His mouth went straight for your clit and you shrieked at the feeling. His light little sucks on the nub had you rolling your eyes back and jerking your hips. Continuous moans leaving your mouth only encouraging him. He licked a stripe straight up and down the length of your pussy and his own moans left him. You tasted fucking delicious. Like everything he had imagined. All those times he imagined how you’d feel and he was finally fucking seeing for himself. He felt like a kid on goddamn Christmas, his hands tightening his grip on your ass. You were sure there’d be handprints in the morning. His thumb went to rub rough circles on your little bundle of nerves while he thrust his tongue in and out of your weeping hole. You started to cry out for him, hands pushing against his head and fingers gripping his hair attempting to pull him off of your pussy. Absolute the fuck not. He looked to his right and to his luck there was a set of resistance training bands hanging from a hook. He smirked and looked up at your fucked out face and he chuckled to himself. Holding you up with one hand, he reached to his side and grabbed a cable band. You watched his movement and saw what he was doing and your eyes widened. The kinky bitch. “C’mon, princess. Give em to me. Since you don't know how to keep your hands to yourself, I have to take em away from you,” he teased playfully condescending. He tied your hands together behind your back with the workout gear and he hummed satisfied with himself before resuming his meal. He was fucking merciless with his tongue and you soon learned your crush was a borderline sadist. His mouth wrapped around your clit and his sucks were harsh and unforgiving. Like a man starved, he ate you like you were the last source of hope for his soul. His finger started fucking you, too. He started with one but your drenched hole quickly accommodated for more. Soon enough you were on the brink of another orgasm and he forced it from you roughly. “Again, sweetness. You can cum again, cant you? Give me another.”

The orgasm brought tears to your eyes and you wouldn't stop shaking. Your thighs were quaking around his head and your back arched off of the cool metal of the lockers you were propped against. Toes curling, head thrown back, continuous moans and screams leaving your lips. Your second climax of the night arrived and you screamed into the locker room, little sobs leaving your ruined body. He let you ride out your orgasm against his tongue until he was fully content and gently brought you down, placing one last kiss against your lower body. He sucked his fingers that were just shoved inside you, not breaking eye contact with your tired eyes. He placed his forehead against your own and wiped away your tears.

“You okay, baby? Was that too much?” he asked worriedly. He didnt want to fuck up his first time with you and feared he lost control of himself. You smiled tiredly against him and shook your head lightly. “‘M okay, promise. Jus’ need you, Jason.” He smiled and shuffled you towards the mirror and sinks. He took off his shirt and laid it on the edge of one of the sinks he was about to bend you over. You realized it was for your comfort and smiled up at him, feeling your heart swell up. Even when he was about to absolutely obliterate your cunt, he still managed to be a gentleman. He unbuckled his pants and finally his cock sprung up. He sighed, finally feeling relief. He watched you stare at his size through the mirror, seeing your eyes widen and your teeth tug on your lip. He lightly guided you into the position he wanted you in and you sighed contently, feeling comforted by the thought you would finally be fucked by him. Watching him pull a condom out of nowhere and rip it open with his teeth had you on the edge of your seat. He sheathed himself with it and made sure everything was ready. “Ya’ ready for me, sweetheart?” he asked while lining his tip up with your entrance, smearing your wetness all around his head. You gasped and shouted a little “yes” and he chuckled, sinking in. Even with two orgasms loosening your little cunt up for him, he was still a little much to adjust to. Both of your heads tossed back in sync and you closed your eyes, sighing for him. You worked your hips against him, wanting to feel more. He grunted and grabbed you by your hair, bringing your head up to look in the mirror. “Keep your eyes up here, baby.”

Once you were fully adjusted to his size, he slid almost all the way out and then re-entered your warm, wet heat. It felt so good. He set a pace and it was so heavenly. You could cry with how good it felt. You both needed this, needed this release for all the pent up frustrations in your lives. Sounds of flesh smacking against flesh and his grunts and your little sighs filled the room and the smell of sex was heavy in the air. His hands were on either side of your hips and his eyes met yours in the mirror. It was fucking exotic. Seeing your eyes perfectly, watching the pleasure unravel on your face. Pleasure he was giving you. His pace quickened a hair and you gasped. Your hips moved backwards against him, in time with his thrusts. You felt him deeper and the perfect rhythm of his cock repeatedly hitting that spot inside you almost hypnotized you. He smirked a little bit as he watched your fucked out face in the mirror. No thoughts, head empty. It was clear only pleasure was what you felt.

You didn't even notice him reaching above the both of you and retrieving something from the cabinet. Only when you heard the familiar buzzing noise did you wake up from the transe you were in and see what he had in the mirror. A muscle massage gun. For a moment you were a little confused, why was he hurt? Then you felt the big spherical head of the gun against your clit and your eyes rolled to the back of your head for the umpth time that night. He smiled and cooed at you from above. Yeah, he was definitely a sadist. He angled the gun a little bit to the left, wanting to overstimulate your abused little button. His thrusts hadnt ended and it was too fucking much. His pace was faster and harder and deeper now and had you both moaning up a storm. Your hands were finding themselves gripped onto the sink counter and you were struggling to keep your eyes open and in the mirror. He moved the massage gun setting higher and kept it firm against you. Your thighs were shaking and you were glad you were being held against the sink by him. You weren't sure you would be able to keep yourself up if you weren't.

“C’mon, pretty girl. Give me one more, please. I know you can. Cum for me, sweetheart.” You closed your eyes, feeling bliss about to erupt in you again. He quickly corrected you, though. His hand not being used to hold the machine to your clit came up to your throat, squeezing lightly on the sides. Not enough to cause genuine pain or prevent oxygen into your blood, just enough to give you that lightheadedness and in an instant you came on his cock. Your final orgasm was so intense and pleasurable—not surprisingly—and it lasted nearly thirty seconds. He removed the massage gun and returned both hands to your waist. His brutal thrusts as he chased his own orgasm helped you ride it all out. That blissful feeling that lasted longer than your orgasm did. All the stress leaving your body. Finally his sputtering hips stilled as he emptied his hot load into the condom and you whined, half wishing he was emptying himself into your wet little cunt instead. One day.

You both sighed and felt content again. You were sated and had finally gotten what you wanted. His loving palm rubbing circles into your lower belly, soothing you. He peppered light kisses on your skin and slowly slid out of your heat. He turned you around and kissed your forehead. All this loving kissing of his was making you wanna cry, it felt so good. Not just to be fucked right by him, but to have him, too. He was yours, now. And you were finally his. He grabbed your face between his palms and gazed lovingly into your eyes. “You okay, baby? Was that good? I didn't hurt you did I?” You smiled softly and nodded, “Yes, Jay. I'm perfect. You were amazing,” you reassured him with a blush.

He picked you up and sat you on the edge of the counter and got a washcloth from a basket, wetting it under the sink. He wiped the sweat and cum off your body and gave a kiss to each spot after it was clean. He helped dress you and by the time he was carrying you making his way to your room in the manor it was late. He opened your door and locked it behind him, leading you both to your attached bathroom. He undressed you again and turned on the shower. He lightly coaxed you in, seeing as you were so drowsy from all the night’s activities. He undressed himself and got in, lathering your body wash on a loofah and cleaning you. He wanted to make sure his baby was clean and cozy and content. When he was done washing you, he washed himself and enjoyed smelling like you a little too much. He carried you out of the shower and dried you off, clothing you in jammies and then put on some clothes you had stolen from him a while back.

He held you in his arms and you two cuddled each other all night long. You were his now and he couldn't be happier.

#jason todd smut #damian wayne x reader #damian wayne smut #dick grayson smut #jason todd #jason todd x reader #jason todd x you #jason todd x y/n #jason todd fanfiction #smut #fanfic #fanfiction #batman #red hood #red hood smut #red hood x reader #red hood x you #red hood x y/n #red hood dc #dick grayson #damian wayne #bruce wayne #tim drake #batfam #batboys #dick grayson x reader #damian wayne x y/n #damian al ghul #batman smut #dc comics

[etheries1015]

Obey me x twisted wonderland crossover where MC goes to twisted wonderland from obey me but has their full range of magical powers

Only problem is, they can't really use it.

How would MC feel, hearing over and over about their useless state, when they are infact a rather powerful sorcerer?

pt 2 as requested: Here

Magic in twisted wonderland is managed and flows through mage stones, whilst in obey me magic is by a persons inner nature, and seems to be contained/managed via a wand of some sort (until you become mastered at it, like solomon, who still uses a wand!) Of course there are sigils and and other mediums to be used, however for this scenario, they are dulled thoroughly due to the 1) cut off between worlds and 2) The inability to adapt to a different worlds principles of magic.

Blot just isn't a thing in obey me, MC obviously doesn't have the ability to accumulate blot, so their type of magic is just incompatable with twisted wonderland. So imagine how goddamn frustrating it is when everyone likes to remind MC how magicless they are? And they really don't believe you when you tell them you're actually the apprentice of the most powerful sorcerer in humanity, and can control 7 of the most dangerous demons from your world.

"MC has about as much magical talent as a box of crayons," Ace snorts. He wouldn't be saying that if you just had the power to curse his mouth shut.

"You have no real merits to offer me, not to mention you cannot even use magic," Azul pointed out. If only you could summon leviathan and have him send lotan octavinelles way. They would be sobbing at your feet begging for forgiveness!

And Vil. "You're just about as polished as a sack of half priced potatos!" ...If Asmodeus were there to hear that comment. Vil would get a very analytical lecture about every tiny flaw and detail in his life. Vil would be shattered by the end of it, his pride and what he thought was beauty down the drain.

Crowley laughing at you to your face when you tried to tell him about devildom and where you wish to return. You? A magicless human? Hilarious. Crowley has been through his fair share of "demons" and dark magic, and he definitely did not believe you fit a "summoner of terrifying beings" vibe. If only Satan was there, then Crowley would really understand what it was like to fear something, and regret poking fun at you and taking your concerns so lightly. "If you had the ability to summon powerful demons , how come you are still here?" He mocked you. Of course you had tried, however with the problem being the connection between two completely separate dimensions causing a drift in your attempts to summon any of the brothers, It was nearly impossible. Sigils just did not carry the same amount of magic in twisted wonderland as it did back home.

It wasn't until you held one of the wishing stars (from the "make a wish" event) that anybody began to believe...no, consider your "ridiculous" stories. You held the star to your chest and made your wish of wanting to return home, to which it glowed so bright and cracked. Everyone stared at you as your star shattered, only someone with high concentrations of magic could cause something like this to happen. Since it wasn't powered via mage stone or the need of blot accumulation, your natural traces magic had managed to break the wishing star. Something only someone with a huge pool of magical ability could accomplish, if even.

"I have been trying to tell you guys" you growled, picking up the shattered pieces. Getting over the initial shock of the entire situation, they quickly dismissed it as a faulty star and writing off the strange phenomenon. There is just no way someone such as yourself could possibly hold such great traces of magic that you actually shattered the star, right? They all looked down at you, saw you so much differently, and treated you as such. You didnt belong at that school, and they made it clear. Well.... No matter.

Wait until they realize you finally had managed to successfully contact Lucifer, and they were actively working on your safe return.

And wait until they feel his power when he hears how poorly his little sheep had been treated.

~~~~~

Check out my masterlist for more of my works~

#Obey me #Obey me shall we date #Obey me MC #twisted wonderland mc #twisted wonderland #obey me fanfic #Obey me X Twisted wonderland #obey me x twst #Obey me mammon #obey me asmodeus #obey me leviathan #obey me satam #obey me lucifer #azul ashengrotto #crowley twisted wonderland #vil shoenheit #ace twisted wonderland #solomon obey me #twisted wonderland x reader #obey me x reader #Obey me fanfiction #Twisted wonderland fanfiction #twst #twst fanfic #twst x reader #twst yuu #yuu #obey me mc #lucifer obey me #obey me brothers

[just-null-cult]

IS THIS DAY 7 OF ASKING FOR UR NORITOSHI'S HAND IN MARRIAGE???

i lost count

congratulations on your new marriage!!

Noritoshi will absolutely accept your marriage proposal, no hesitation, but hes a man of order. Marriage is the greatest promise that comes with a bunch of unsaid rules. A perfect opportunity he can take advantage of and use to love you till his heart's content. (spoiler, he's insatiable)

You'll accept them all though right? Of course you will! The security and stability of you finally being his is what gets Noritoshi's heart beating impossibly fast. As for the requirement, don't worry about your answer. He'll keep it for both of you. You already accepted all his terms and conditions by proposing to him first.

Usually to any other form of affection, Noritoshi would fumble in a desperate attempt to sputter out a response, but this time it's different. He's been thinking about this moment since he fell for you. Initially, yes, you caught him off guard, he never assumed you'd be the one to propose first. Regardless, he's willing to adapt to get things back on track.

He's ecstatic but has to be quick on his feet. He wants all of you for forever, and wants you to know that. Wants you to accept that. You're going to be married after all so might as well continue your new life together with honesty! Not like you can escape from it. You're in too deep.

#noritoshi #kamo noritoshi #noritoshi kamo #noritoshi x reader #kamo noritoshi x reader #noritoshi kamo x reader #yandere noritoshi #yandere kamo noritoshi #yandere noritoshi kamo #jjk #jujutsu kaisen #suiana #marry me! #say yes or ill shoot #just kidding this is an illusion of choice. #surprise!! hes actually just obsessed and took this opportunity to have you completely! #i love me some yanderes.. and tsunderes... and just noritoshi in general bro

[descendant-of-truth]

Sooo has anyone else noticed that Chaos Sonic seems to know things about Sonic that he logically shouldn't?

He constantly brings up Sonic's failures, describes him as looking "sad and pathetic" and being "tragic" when Sonic doesn't even look upset, and seems to have inherited chili dogs as his favorite food to boot.

But the Chaos Council doesn't know about Sonic's biggest failures. They don't know that he feels sad about anything, or that he likes chili dogs. Not even Nine knows these things in detail, and even if he did, we're not given any indication that he told the Council anything after giving them the initial idea for Chaos Sonic by accident.

And yet, he takes every opportunity to poke at Sonic's insecurities, even targeting his friends and blaming him for getting them hurt.

How does he know Sonic well enough to make these kinds of targeted remarks? I like that he can, it leads to a lot more interesting interactions than if he couldn't, but what's the in-universe explanation?

Well, Sonic absorbed some of the Prism's energy when it shattered, and Chaos Sonic was created mostly with the energy from the shards. While this could give them a sort of mental connection, it doesn't seem to go both ways, and I have a slightly more specific theory for how it all works.

That being: I think the Prism itself knows Sonic. Which is kind of a bold claim, I think, but hear me out.

First of all, the energy that's in Sonic's body (once tempered with Nine's tech of course) adapts his gloves and shoes to his environment in ways that'll protect him. New Yoke doesn't require anything special, but the Boscage Maze has tall trees that are difficult to climb, so it gives him retractable claws. No Place is filled with water, and Sonic can't swim, so he gets hover shoes to keep him afloat even if he falls in.

That's a suspicious amount of intent going on there, isn't it? And they appear the instant Sonic enters a new world, so he doesn't even encounter the obstacles his clothes are protecting him from before getting them. It's like the energy already knows what the world is like and what Sonic's capabilities are.

Secondly, Shadow reacts physically to the giant sparkly specter of Tails that shows up in the void, which tells me that those are all Actual Things that the Prism conjured up.

And that's. kind of weird, right? I just assumed these were symbolic of memories flashing through Sonic's head, but I guess they're also flashing through space itself, which I will admit did get a laugh out of me the first time I watched it

(They might not be "memories" exactly since we never flashback to when these lines were originally said, but they're certainly Something that came from Sonic's head so my point still stands)

Finally, when the Chaos Council uses the Prism energy to make the Giant Eggman, it specifically takes the form of the original. That didn't come from Mister Doctor's imagination - that's how Sonic remembers Eggman.

Not to mention, they keep hammering home how uniquely linked Sonic is to the Prism, so why not have it be the other way around? I'm not saying that the Paradox Prism has to have any kind of sentience for this theory to work (in fact I'd be surprised if it did), but it could be acting as a sort of container for data on Sonic, just like how Sonic is a container for its power.

And if that's the case, then it explains how Chaos Sonic knew so much; he's tapped into that very data bank from the get-go. It also complicates the question of how to restore the Prism a bit, because yeah Sonic might have to put his energy back into it, but does the Prism have to give anything back to him in return?

Regardless of the answer, I'm really looking forward to learning more about how the Paradox Prism works (and also any potential future Chaos Sonic appearances because I loved every moment he was on screen)

#sonic the hedgehog #sonic prime #sonic prime spoilers #chaos sonic #analysis #meta #*deconstructs the lore of the whole show to explain why Chaos Sonic likes chili dogs* another day well spent