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#his love for billy is gonna kill him; seeing him act like the villain is killing him already
your-zipper-is-down · 4 months
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This is my BillyTella (100th loop) song for the ages, cause I love angst 💕
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chronic-boogara · 2 years
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𝚒 𝚠𝚊𝚜 𝚖𝚎𝚊𝚗𝚝 𝚝𝚘 𝚋𝚎 𝚢𝚘𝚞𝚛𝚜. 𝚠𝚎 𝚠𝚎𝚛𝚎 𝚖𝚎𝚊𝚗𝚝 𝚝𝚘 𝚋𝚎 𝚘𝚗𝚎➜
part one of the woobification of slasher villains! and who better than to start with stu macher my favorite ghost face :) and i just KNOW there’s gonna be people seeing these and getting in my ass bc they “killed people” and all..and to that i’d like to say it was a movie babes. relax
stu is not really the jealous type but when he sees you walking out with the new guy everyones been talking about he can’t help but feel a little dejected.
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(pretty much just fluff ? no real warnings)
stu watched nervously from his spot on the bench as y/n exited school ,the new boy right beside her smiling and laughing. she was over 15 minutes later than usual. they always met at the same time every day. and stu did not like breaking such habits
looking closer he realized that he in fact recognized him from his geometry course. he rarely attended class so he was not sure of his name but if his memory serves him correctly his name was todd.
he was the charming type. he played on the football team and used the fact he was still new to this school as a way to lure girls into his trap. the type steal your girl right from under your nose just to fuck her and dump her like trash. or at least that’s what sydney had told him. he wouldn’t be too shocked if she was right.
as the two approached hw found himself studying the boys face. he didn’t see what was so special about him. sure he was six foot tall and was pure muscle with handsome face to match. and his raven black hair framed his face perfectly so what ? todd wasn’t anything special
his knee was bouncing uncontrollably by now. he wished he could run over and take you into his arms. show that stupid jock who she belongs to.
oh how he wanted to see blood pouring out of his throat,watching the look in his victims eyes as he ripped his innards from the gaping hole in his abdomen. the agony shining in his eyes.
but he knew if he acted upon his thoughts he’d come across as some sort of crazy person , which he was but y/n didn’t need to know that yet.
her gaze fell upon him and she quicky waved goodbye , making her way in his direction.
“ill see you tomorrow tony” she smiled and waved. stu felt a pang in his heart.
“i should have known you’d be out before me since you cut all day” she laughed ,sitting down next to him , laying her head on his shoulder. “i really do wish you would start coming to class…i miss seeing you in the halls”.
“mmhm” he nodded trying to keep his words in his mouth. it was physically hurting him at this point. he wanted- no he needed to express all these pent up feelings for her.
“don’t “mhm”me. you have to graduate so we can leave this town and explore the world together like we planned. we’ll be free like birds or something dumb like that”.
he just nodded , avoiding eye contact. the voices were screaming at him.
“okay ill ask. what’s wro-“.
“y/n say you’re mine…please i just-i just need to hear it”
her smiled faded for a moment as if she was unsure of what to say. “that was sudden…but yes i am yours stu. i always have been , you know that. whats yo with you today ? what’s got you so on edge”?
he didn’t realize he was holding his breath till he let out a deep sigh of relief. “i’m sorry y/n. i worry about losing you sometimes”. he basically just lied through his teeth. he LOVED her. he needed her to live,she was basically his oxygen at this point. stu wasn’t ready to admit it but his love turning into an obsession.
“stu you’re such a dummy sometimes. you know i would never choose tony over you. i like you and you only. i promise”. she said with a smile gently placing a kiss on his forehead.
“you have no idea y/n…i needed to hear that”. He wrapped his arm around you. “Wanna go over to Billy’s and watch a movie”?
she nodded , happy that her boyfriend was acting normal again. she wasn’t ready to say it out loud but the feelings she harbored towards him were strong. any time before stu didn’t matter.
“yeah! that sounds like fun”.
i love this man sm my GOD i’m gonna start writing for him more.
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nykiara · 6 months
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Ok so this is what I would do for The Scream Franchise.. along the way it just got sloppy and this is what I would have done to make it better. #Scream
So for Scream 1996. I wouldn’t change anything. It was hip, fresh and inventive.
Scream 2, 1997 I’d change the killers motive. Debbie would become this helpless meek woman that just wanted revenge and Mickey lured her into range. But he gets tired of her in the final act and he kills her. Then he reveals his name is Roman and that he’s her half brother.
Scream 3 2000. Cotton still dies. Everyone lives in Hollywood now. Sidney got a early start on book writing and has a therapist she sees often. Also for the voice changer it should only be for Gale or Dewey. Then the killer switch voice.The killer isn’t after the actors of stab. Stab 3 is still happening but the killer is targeting people from Woodsboro and close to Sid, Gale and Dewey. So one actor can be gales new camera guy, Parker can be Dewey’s new girls whose a lawyer and so on. But these characters will know the legacy characters personally. And the killer for Scream 3 will take more measure to frame Gale as the actual killer.. they’d be dating a bit. He won’t be successful but the killer for scream 3 should have been the director! Romans dad. He started all of this from Maureen being in Hollywood. Got excited when billy and Stu started killing. Became mad when Sid killed his bastard kid you get it. He had a motive.
Scream 4 literally added nothing to the franchise. You can literally take it out of the universe and it wouldn’t affect anyone’s timeline. None of the main peoples lives changed from it. So we’re just gonna pretend like it didn’t happen.
So for the next film a mixture of scream 4,5. I’m not sure if I’d bring Sid back. Gale and Dewey broke up and she got pregnant by the killer in scream 3. Tara will be her daughter. Sidney’s niece Jill is like a sister to Tara. Jill dated Vince. But once her mom found out who she was dating made her leave town. But now back for Tara. Can’t use her Sids clout so she has a podcast. Love that the killer is back. gives ppl reason to listen to her. Wes has a huge crush on Tara and he feels like he’s the only one that cares. Wes became inpatient with Tara. She could have been so famous and success victim bc of who her father is and he wanted to live through her. But since she doesn’t want to be a victim he’ll make her the villain in his world. Sheltered boys gone bad. He actually used to be babysat by Vince. The same Vince Macher who was put in foster care with a different name after his parents left him. Still dealing with that hurt, dreams of Stu also. Wes gets caught midway through in the film and explains how he only wanted to be apart of rewriting history. As the children must pay for the sins of the parents. Gale gets the Chad Scream 5 treatment. But his final kill was Dewey but not before got one shot through the neck. Then the actual third act happens, Jill , Tara against Vince they found out he’s the killer and mastermind. He was filled with hurt rage and anger and knew that his life would be different if he had a good family. But he feels like it was taken bc of Tara’s family.
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antigonewinchester · 7 months
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Would you say more about it not being foreshadowing? I don't necessarily think it's what the writers intended I moreso saw it as the writers were so incompetent that it was accidentally really poetic. Feel free to ignore ofc
I'd be happy to rant explain!
The argument I’ve seen in fandom is that Becky’s conversations with Chuck about his writing in 15x04 are meta-commentaries on episode 15x19 and/or 15x20, with Becky acting as the “fan” voice pointing out how horrible Chuck’s stories are, and by implication, how horrible the last two episodes of the real show also are. For an example of this framing, see this chapter in a longer “Chuck Won” essay, which argues the 15x04 meta commentary was also intended to show Chuck wasn’t defeated in 15x19 and still controlled the story in 15x20.
I’ve got three major problems with this reading.
First, it ignores how in context, Becky & Chuck’s conversations are commenting on what’s happening in 15x04 itself (an idea I first saw on the fan Supernatural Wiki, as the final point under "Minutiae," although I have a slightly expanded take on it).
Mid-way through the ep, Sam & Dean are caught by the parents and held at gunpoint. Then we see Becky looking at Chuck’s first draft:
BECKY Okay. If I had to give one note… the jeopardy, Chuck. It’s feeling a little… thin? Low stakes? It’s fun to hear the boys’ voices, but a story is only as good as its villain, and these villains are just not feeling very… dangerous? Not to mention, there’s no classic rock. No one even mentions Cas. The climax is a little stale. Boys tied up again while we get the villain’s monologue, which, frankly, isn’t one of your best. A little originality wouldn’t… [She looks up at him and gets scared. CHUCK scowls at her.] …hurt. CHUCK You want jeopardy? You want danger? [CHUCK moves around the desk.] Move! [BECKY gets up from the chair and he sits down. He starts typing.] I’ll give you danger.
After having dealt with an army of ghosts from Hell, a vampire in a small town is pretty low stakes; Sam & Dean never mention Cas in this ep; there's no classic rock songs; and it seems like a pretty typical vampire story, about an vampire dad attacking teenage girls.
But then we get the twist: it isn't the father, but the son, Billy, who’s the vampire. He accidentally killed his girlfriend, is killing his friend Tori, and knows he won’t be able to control his bloodlust in the future, as much as he wants to. Despite the protests of his parents, Billy goes with Sam and Dean knowing they’ll kill him, choosing his own death over hurting anyone else. We then get Becky and Chuck talking about Chuck’s second draft:
BECKY B-But it’s so… dark. CHUCK But great, right? I can see it now… “Supernatural: The End”. And the cover is just a gravestone that says “Winchester”. The fans are gonna love it. Well? BECKY It’s awful! Horrible. It’s hopeless. [BECKY gets up from the chair and walks around the desk to CHUCK.] You can’t do this to the fans. What you did to Dean? What you did to Sam? CHUCK There, see? It’s making you feel something. That’s good, right? BECKY No!
We’ve just seen Billy, a 17-year-old who doesn’t want to be a monster but was been made into one, get decapitated—no cure, no redemption, just death. What is that if not a dark, horrible ending?
Second, I don’t see the supposed connections between Becky’s commentaries in 15x04 and the plots of 15x19 & 15x20.
Does Becky’s first critique (low stakes, not very dangerous villain, no classic rock, no mention of Cas, climax stale & unoriginal) reflect what happens in 15x19? No. Sam & Dean (and Jack) are fighting to save the world, so not exactly low stakes, and Chuck has just zapped away everyone on else on Earth, which I’d say makes him pretty dangerous & powerful. “Running on Empty” might not a great classic rock song, but it does fall within the classic rock label. Cas is mentioned multiple times in the ep, twice by Jack and once by Dean. The climax could be described as stale or unoriginal, but that’s subjective (and I’ve seen people who’ve liked it).
Does Becky’s second critique (dark, awful, horrible, hopeless, terrible things have happened to Sam & Dean) reflect 15x20? Also no. Yes, Dean does die. But he goes to Heaven, and not the crappy, relieve-your-best-moments-forever Heaven, but one where he can actually be with the people he loves, as we see with Bobby (and implied with Mary & John being “over yonder”). Yes, Sam is devastated when Dean dies. But Sam then keeps living—he gets married, has a son of his own, and when he dies, also goes to Heaven. Chuck describes his cover as a picture of a gravestone (and only one gravestone). Contrast that image against the final visual of the show. While they’re both images of death, a lone gravestone compared to Sam & Dean together in Heaven are not the same. The first could be described as dark or hopeless, but at worst you could call the second bittersweet.
Third, the focus on Becky’s critiques as meta-commentary misses the character set up for Sam at the end of 15x04, and how this pays off in 15x20, both in terms of Sam’s ending as a character and for the show thematically as a whole.
At the end of 15x04, Sam & Dean have one of their patented episode-ending-conversations about their feelings.
DEAN Well, that was an interesting one. SAM Yeah. What Henry did… we’d have done the same thing. For Jack. If we had the chance. DEAN Yeah. Yeah, we would. Look, man, I get it. I get it. We have lost way, way too much. And it’s hard not to feel like just… cashing out. I felt like that. After Chuck, back at the crypt. But you know what brought me back? You did. By sayin’ that what we do still matters. I mean, that’s why I wanted to drag us out here. That’s why I wanted to… to work a case, to save lives, you know? ‘Cause it is… it’s a… it’s crap job. We do the ugly thing so that people can live happy. SAM Yeah. Yeah. Lucky them. DEAN Yeah, lucky them. But it doesn’t change a thing. You know what I mean? We still do the job. But we don’t do it for us. We do it for Jack, for mom, for Rowena. We owe it to anybody who has ever given a damn about us to keep putting one foot in front of the other. No matter what. And hey, man, like you said, now that Chuck’s gone, we’re finally on our own. We are finally free to… move on, you know? SAM I don’t know. Uh… I-I don’t know if I can move on. You know, I-I-I… I can’t forget about any of them. Dean, I still think about Jessica. I… I can’t just let that go. DEAN No, man, that’s not what I’m talking about. SAM I know, I know, I know. I’m sorry. I know. But… but what I’m saying is that I don’t feel free. What we’ve done, what we’ve lost, right now, that is what I’m feeling, and… and sometimes it’s… it’s like I-I-I can’t even breathe. But maybe tomorrow. You know, maybe I’ll… I’ll feel better in the morning. DEAN And what if you don’t? SAM I don’t know.
Dean is framed as the hunter, who copes with his losses by throwing himself into the job. After Dean got shaken by Chuck, Sam reminded him that hunting still matters, and that they could still save and protect people, still kill the things that go bump in the night. Now that Sam is feeling shaken, Dean tries to remind Sam that they have to keep living for the people they’ve lost, no matter what, to pull him out of his funk. But for Sam, hunting doesn’t seem to be enough. He’s still weighed down and depressed by all they’ve faced and everyone they’ve lost—even Jessica, who died 15 years ago in real life terms and decades ago for Sam in-universe.
This conversation in 15x04 is similar to Sam & Dean’s conversation in 15x20 at the pie festival:
DEAN [Looking at SAM] What? What's wrong? SAM Nothing. I'm fine. DEAN No, come on. I know that face. That's, uh… That Sad Sam face. SAM I'm not Sad Sam. I'm just… I'm thinking about Cass, you know? Jack. If they could be here. DEAN Yeah. Yeah, no. I think about 'em, too. You know what? That pain's not gonna go away. Right? But if we don't keep living, then all that sacrifice is gonna be for nothing. So, quit being a friggin' Eeyore, huh? Come on. [DEAN motions to the slices of pie in the box.] Get into this! SAM Yeah, you're right.
Once again, Sam is caught up in the loses they’ve faced, most recently in Cas’s sacrifice and Jack becoming God and leaving them. Dean consoles him and says, like in 15x04, that they have to keep living, even if it hurts.
And then Sam faces the biggest loss of all—Dean’s death. And in the face that loss, Sam keeps carrying on: he marries, raises Dean II well, and when he finally dies, old and grey, he’s reunited with Dean and everyone else in Heaven once again.
The meta writer of that Chuck Won meta, and a lot of the fandom, make the assumption that Sam & Dean’s deaths in S15 are something bad. But death, and the inevitability of death, has always been a part of SPN. The show started out with Mary’s death, John’s intense grief, and the pain and suffering John caused Sam & Dean by dragging them on his hunting revenge quest. The show ended with Dean’s death and Sam accepting it, living a normal, non-hunting life, and with the implication that his son Dean II lived a normal life too. If after Dean's first permanent death in 3x16, Sam became revenge-obsessed out of grief, now Sam has learned to accept death, despite everyone & everything he's lost and how deep his grief runs. Or compared to Sam in season 1, who immediately dived back into hunting after Jessica's death, Sam in season 15 is framed as having matured and grown, and so he handles his loss in a much healthier way.
(I haven't talked much about Dean's arc, and I suspect something that disturbs people is the feelings of narrative 'inevitability' around Dean's death. If 15x20 echoes 3x16, where Dean died not because of how the story unfolded but because of the writer's strike cutting the season short, why does Dean still die in 15x20? Why wasn't Sam able to save him? Answering these questions is a whole 'nother can of fish, but my short answer is that Sam saving Dean didn't fit w/ how the writers saw Sam and Dean's narrative roles/boxes, and they weren't willing to imagine a different story for the bros. This idea is actually something I'm trying to work through in my Utena vs. SPN essay, so I'll have more to say about it at some point in the future.)
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S3 Is Billy’s Superhero Origin Story - Not The END Of His Story
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If you’ve been following my meta, you’ll know I’m in the middle of a discussion of Billy as the mythological “god-king” who dies and lives again. Well, in my next post, I was going to compare him to the three brother-gods of Greek mythology (Zeus, Poseidon, Hades). However, I need to bring up an important point first.
Stranger Things has already raised Billy to “god” status. 
The show is about superheroes - El, Kali, and others like them - facing off against the forces of evil. And superheroes are often modern-day gods with god-like powers. A few are lifted directly from ancient mythology (Thor, Loki, etc). Sometimes, if they aren’t full-fledged gods, they have gods for parents, making them demigods (such as Wonder Woman, who’s the daughter of Zeus in the recent movies).
In S3, Billy becomes a superhero. By becoming a superhero, he becomes a demigod. And, as I’ll explain, the Duffers have already tied that to his resurrection.
>>Explore the definition of “demigod,” and we run headlong into Billy.
When we look up “demigod,” Google comes back with this:
a being with partial or lesser divine status, such as a minor deity, the offspring of a god and a mortal, or a mortal raised to divine rank.
If we look up lists of demigods in mythology, we get some interesting results, like the Greco-Roman Hercules. Hercules was known for his incredible strength (!!), as well for performing The Twelve Labors of Hercules. Among these are slaying the Nine-Headed Hydra and the Nemean Lion.
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Oh look it’s Hercules vs. the Hydra/Lion. I’d say Lion because killing it was the first labor of Hercules. Also the Mind Flayer doesn’t have nine symbolic heads yet, that’s probably coming in a future season
Because of his association with the Nemean Lion, Hercules is often depicted in ancient art as wearing a lion skin:
In Roman works of art and in Renaissance and post-Renaissance art, Hercules can be identified by his attributes, the lion skin and the gnarled club (his favorite weapon); in mosaic he is shown tanned bronze...
Gosh. Where have I seen that before?
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Damn. A quick Google search about demigods, and we’re already knocking on Billy’s door. I haven’t even talked about him as a superhero yet ;_;
>>Superheroes could be considered modern demigods.
Like I said in the intro, superheroes often embody the “demigod” archetype. They’re gifted with powers that put them a cut above the average human. Some even have explicitly divine origins. This gives them a striking similarity to the demigods of old myths, such as Perseus, Achilles, and our favorite lion-killer, Hercules.
Isn’t it weird how Billy looks like Perseus and Achilles and Hercules though
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>>Billy’s S3 storyline mimics a superhero origin story.
Peter Parker gets bitten by a radioactive spider and becomes Spiderman. Eddie Brock is possessed by an alien symbiote and becomes Venom. Billy Hargrove is possessed by an interdimensional monster and becomes... well, Billy Hargrove, but with the added bonuses of superstrength and super-healing.
One article I read has a line about Eddie Brock in The Amazing Spider-Man (1988) that I find especially eerie:
The symbiote enhances Brock's strength and endurance, and since the guy was already addicted to working out, the result is almost equal to Spider-Man in raw power.
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Hi there, Billy. How ya’ doin today.
The same article points out that, over his 40-year history, Venom has slowly morphed from a villain to an anti-hero. Look up the definition of anti-hero and you get this:
The term anti-hero has been provided to those who act as superheroes for some time and villains for another. It is not a surprise that fans usually like anti-heroes more due to their rebellious nature...
Oh look. It’s Billy’s trajectory from S2 (villain) to S3 (a villain who becomes an anti-hero). But I’m sure that’s a total accident. Wanna bet he’ll go from “anti-hero” to straight up “hero” in future seasons
But it gets better...
>>The Duffers have already told us S3 is Billy’s superhero origin (!) story.
In the first scene of S3 Ep 4, Max and El are hanging out in Max’s room. Max shows El two comic books and asks, “Which one?” 
I don’t know about you, but that bit always gave me a weird vibe. It’s just one of those things that seems... purposeful... like it has a hidden meaning. So, following my instincts, I took a closer look at the scene.
Y’all.
Y’all.
Look at the comic books.
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On one side, we have Wonder Woman. On the other side, we have the Green Lantern. Framed this way, they’re presented to us as dueling opposites. or a superhero dream team, but that’s for future seasons
Wonder Woman is El. The scene tells us this by having El ask about her. She’s drawn to her, sees herself in her.
The Green Lantern is Billy. In S3, he’s the opposing force to El’s Wonder Woman. Also, Green Lanterns draw their power from the aid of magic rings.
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Huh. Interesting.
If you need more evidence, just juxtapose the comic book shot with this shot from Heather’s house:
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Would you look at that. Max is in the middle, with Wonder Woman El on the left and the Green Lantern Billy on the right.
Furthermore, the Heather’s house shot happens at the end of Ep 3. In the very first scene of the next episode, we get the comic book shot. The juxtaposition in time suggests they’re linked.
Now look again at the Green Lantern comic book.
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Origin issue.
Origin issue.
ORIGIN. ISSUE.
Are y’all seeing this.
Not only is Billy a superhero on par with El, he’s also coming back to kick ass. S3 was his origin story, not the end of it. The Duffers are telling us so.
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The death and resurrection plotline shouldn’t surprise us. Superheroes die and come back all the time. Just check out this list of superheroes who have done exactly that. Batman, Captain America, Spiderman, Superman... seriously, it’s old hat by now. (The list notably includes Jean Grey, who I consider El’s X-Men alter ego. Kinda makes me think she’s gonna die and rise again too)
It makes sense that superheroes can cheat death. Like I explained, superheroes are basically demigods - humans who are more than human. 
What better way to show you’re more than human... than to beat the one enemy common to all humans everywhere?
»»————- ✼ ————-««
P.S. Billy’s superhero status probably explains why he gets an El-and-Kali-style nosebleed in S2 ;) FORESHADOWING, BABY
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Oh and I love the idea of Superhero Billy SO MUCH that I made a music video about it...
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»»————- ✼ ————-««
The “Billy Is Alive” Meta Series
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bondsmagii · 3 years
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so a while back I was talking about extensive blacklists and somebody messaged to see if I wanted screenshots of a very impressive blacklist from an old Discord server they were in. of course, I did. here are the aforementioned screenshots as promised -- naturally the person wishes to remain anonymous, but here’s what they said:
hello, t'was i who was your Long Blacklist anon. here's what i have, or at least what i have scraped from the sides of my massive screenshots folder
to note: in the first image, in the section "TSS specific", the Remus mentioned is one of the characters in the show that the server is about,  whether he's secondary or main is up for debate. like. a WHOLE CHARACTER
some of these are understandable honestly, i don't mind a lot of this, but i had forgotten "y'all" was on here and. i'm sure that was probably said about 500 times in there because. how do you. IT'S Y'ALL
I gotta admit that I was not expecting this to be so wild. I had no idea an entire regional accent would be on here; nor could I have anticipated the fact that the whole of Ohio State University would be a banned topic, but there you go.
full transcription under the cut, for which you owe me, because this is long.
USER SPECIFIC
Recording <@!412026064970186753>’s voice without permission
Pet names directed at @‘beat drop’ A Jumbo Jellyfish
Referring to @rrationality in the feminine, “kiddo” directed at by anyone but Patton
“Tinker bell” or the phrase “I just want you to succeed” directed at @Groundhog badger
Deleting messages from @JEYKSHK without informing first
“Kitten” directed at @jelly 
“Know-it-all” directed at @The Rat God Summons Thee, asking to roleplay, people fighting in earshot, interacting while under the influence of any substances
Patronising and/or directing “cute” nicknames (smol, baby, dear, etc.) at @arson, overly aggressive conpliments (heart spamming, etc.)
“Princess”/“Champ”/“Sweetheart”/“Buddy” directed at @Silverquill (She/Her)
“Sweetie”/“honey”/“babe” and other pet names directed at @let airam see fuck without permission
“Hun”/“love” directed at @Ren 
“you’re acting like ___” and “very nice” directed at @probably activism, venting privately without warning/asking
“Dumb”/“stupid”/“idiot”, etc. directed at @blurryeyesinbewilderment 
“Selfish”/“worthless” directed at @Safira 
Calling attention to/making fun of the typos of @one of the best ppl here tbh
Referring to @It ya boy idk in the feminine, mocking
Referring to @I’m gonna shine like the sun as a hypochondriac
Referring to @Currently Committing Tax Fraud as argumentative
TSS SPECIFIC [translator’s note: this is an abbreviation for The S*nders Sides-- the fandom the server is about. I censor this because I do not care for him and do not wish to type his accursed name.]
Any discussion (including mentions), images, gifs and links involving Remus, and ships where he is included
The phrase “have you ever thought about killing your brother?” [translator’s note: this entire phrase was blacked out behind censor bars.]
Unsympathetic portrayals of the Sides (being villainous, abusive, (passive) aggressive, restrictive, etc.)
Ships involving the Sides and Sleep
Romantic Prinxiety
Intruality
Romantic logicality 
Snitties (tumblr post)
CenThomas (tumblr post)
TOPICS
Tangerines
Depersonalisation and depersonification
Divorce
Being controlled/your actions not being your own (including mind control)
Bullying (in a non-joking context)
Burning buildings and house fires
Belittling serious issues
Zombies
Existential issues (such as questioning reality)
Claustrophobic (small) spaces
Being patronised
Puppets
Bad parental relationships
Narcissistic people
Ohio State University
Annesia/mind-wiping
Bernie Sanders (US Politician)
Hell (discussion of)
Anesthesia
Fasting (for religious reasons or otherwise)
Unhappy endings
Power outages
Directing “stupid” at another person
Southern or Texan accents
Cringe culture
Spiders
Heights
The concept of pure nothingness
POC being stereotypes as promiscuous
Conflating age regression with age play [translator’s note: ‘age play’ was blacked out behind censor bars.]
Condiments (ketchup, mustard, etc.)
Malevolent of morbid supernatural entities
Food dicourse
Roanoke (the historical colony)
Self-depreciation
Heated discussions
Major character death
Hanahaki disease
Ants (the insect)
Eye lip eye (sequence of emojis)
Realistic-looking teeth on non-human things
Teeth in any place but a mouth
Human trafficking
Worms
OTHER MEDIA
The son “Sing me to sleep” by Alan Walker
Creepypasta (all forms)
The song “Hide and seek” by SeeU
Don’t Hug Me I’m Scared (webseries)
The song “Last christmas” by Wham!
Heathers (movie and musical)
The song “Empty” by boyinaband
The song “You should see me in a Crown” by Billie Eilish
The Momo challenge
Stephen King’s It (book and movies)
The song “Bury a friend” by Billie Eilish
Undertale and Delta Rune (video games)
The song “Wish you were gay” by Billie Eilish
The song “Ocean eyes” by Billie Eilish
Sora from Kingdom Hearts (video games)
Scooby Doo on Zombie Island (movie)
Onward (movie)
WORDS/NAMES/PHRASES
The word “senpai”
The name “Cryptid”
“I see the light”/“I’m going into the light”/“Light at the end of the tunnel”
“A beautiful mind”
“Babe” in a romantic context
“Baby” and “sweetiepie” as pet names
The name “Tristan”
The name “Ana”
The name “Jamie”
The name “William/Will”
“Make yourself useful”
“Y’all”
“Agere” (as a shortform of age regression)
SOUNDS AND VISUALS
Fife music (fife and drum corps)
Loud noises
Spiders and insects
Trypophobic images
“Distant shore” and “It’s all over isn’t it” from Steven Universe
Homestuck (all forms)
Crying while laughing
High saturation/bright images/eyes strain
51 notes · View notes
stxn-the-mxn · 5 years
Text
Supergirl || Freddy Freeman X Reader
Request: Could you write something where the reader is the daughter of Superman and meets Freddy and he starts crushing on her really hard and she crushes on him hard too and eventually Superman and Shazam get them together? - Anon
A/N: This is literally 23k+ words pls read
Warnings: Shazam spoilers
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***
Y/N Kent was the new student at Fawcett Central School. Her father had decided that she needed an actual education and not just hero training, and she had been on board until her dad set out the rules.
No powers. No cheating. No this, no that.
Was he trying to kill her? She’d never survive school at this rate. She was no longer looking forward to the first day of school. But unfortunately, Monday rolled around, as it did every week.
***
“Dad, why are you setting so many rules? It’s just school…” You said through mouthfuls of toast, and your dad sighed for the millionth time that morning.
“Y/N, it’s a public school. With regular people. It’s a place for learning, and hanging up the cape for six hours.”
You dropped your toast straight onto the butter knife, which rocketed it towards your dad. Naturally, he caught it without even looking away from his newspaper, which he still chose to read for some reason.
“It goes for six hours?” He nodded, and you collapsed backwards in your chair. Six hours… legally, they can’t make you do that, could they?
“And those six hours start soon, so you better head off.”
You slung your back over your shoulder, looking both ways before speeding to school. People probably saw, but they were also probably used to it, what with the Justice League and everything. 
You came to a stop in an alleyway across the road from the school, where no one would see you. Walking out, you saw a group of six kids standing in a line.
“Big school. 2,000 students. You might think ‘wow, so many strangers’ but not if you think of each of them as possible future friends, then it’s ‘wow, so many friends’!” The shortest girl said as you all crossed the road.
The young girl kept talking, saying something about the principal. Someone in that group must be new too. Walking into the school, you felt a tad overwhelmed by everything. Security guards checked all the bags as you entered the halls, and you began to panic.
Had you left some alien thing in there? Were you about to expose yourself on your first day? Would everyone figure out who you are? Would that affect your dad? Would th-
“Excuse me?” 
A boy, about your age, looked at you with concern etched on his face. His eyes were trained on your face, examining it. Was this a regular occurrence? Would I have to deal with this daily? Why did I not mind this boy staring at me?
“You’re new here, right? I haven’t seen you around before, so I figured.”
You passed the security guard your bag, forgetting all your thoughts as the boy talked to you.
“You seem scared. Don’t be. It’s just a new school.” He smiled, and you felt like you would melt on the spot. Who was this perfect boy? He picked up his bag, giving you a small goodbye before walking off to the girl who had been talking before.
You noted that he had a crutch. A disability, most likely.
Maybe school wouldn’t be so bad. 
***
By the time lunch rolled around, you had discovered that school was definitely bad.
Classes were boring, teachers were aggravating and some kids just weren’t fun. 
Stepping into the cafeteria, you were overwhelmed by the smell of it all. Was any of this legal? You grabbed a tray, copying everyone else and stood in line for food. A small tap sound from behind you made you aware of the boy from this morning standing behind you.
As you were pushed out of the line, you faced all the tables of kids, not exactly knowing what to do. 
“Follow me.” Crutch boy - you still didn’t have a name - led you to a table where another boy was already sitting.
“Flight or invisibility?” He said, and the boy with the red hoodie looked up, annoyance on his face.
“If you could have one superpower, what would you pick?” No one had time to respond before he kept talking. “Everybody chooses flight! You know why?”
Red hoodie - once again, you still didn’t have a name - spoke up, a shit-eating grin on his face.
“So they can fly away from this conversation?” You chuckled, thinking about the times you’d do just that when you and your dad argued.
“No, ‘cause heroes fly! Who doesn’t want people to think they’re a hero, right?” This kid was trying to get some kind of point across, but you weren’t sure what exactly that point was.
“But-But invisibility? No way. I mean, that’s pervy! Spying around on people who don’t even know you’re there. Sneaking around everywhere.” Red hoodie stood up, leaving the table, storming away. Crutchie’s voice grew louder.
“It’s a total villain power, right?” The whole cafeteria stared at crutchie as he picked up his crutch and went after hoodie.
You stood in silence, everyone’s eyes moving to you. Crutchie turned around, gesturing for you to follow him again, so you did.
“Then they did this study, and this is a real thing. They asked people the same question, you know, what power would you want? But this time, they made it so that the answers were anonymous.”
Shit, this was actually really interesting… 
“And-And most people, since they knew that it was secret, said invisibility. And I think that’s ‘cause most people don’t feel like heroes on the inside, deep down.”
You had followed hoodie and crutchie down the hall to the boys' bathroom, hoodie trying to escape this conversation.
“You’re gonna run away. I mean, you stole my Superman bullet.” Your head shot up at the mention of a Superman bullet. If he lost it, you could always get him a new one…
“Dude, I get it, I get it. You’ve been screwed over way too many times. You don’t trust anyone,”
You stood by crutchie’s side awkwardly, feeling like you weren’t meant to be hearing this.
“But that’s the thing about invisibility. You end up all by yourself.” You kept your eyes focused on anything that wasn't crutchie or hoodie. This seemed like a personal conversation.
“I didn’t steal your dumb bullet.”
Hoodie slammed the bathroom door behind him, leaving you and crutchie outside.
“Sorry about that. Billy’s just like that.”
So that was Billy. You still didn’t know who crutchie was, though. He didn’t seem like he was planning on introducing himself, so you took that job for him.
“I’m Y/N.” You stuck out your hand out of instinct. That’s what your dad always told you to do. Crutchie shook it gently, giving you a confused smile.
“I’m Freddy.” Crut- Freddy said. 
“Look, we still have ten minutes of lunch left. You wanna discuss superheroes over some shitty cafeteria food?”
You watched his jaw drop before it changed into a smile. He held out his hand, which you happily took, leading you back to the cafeteria.
“So, who’s your favourite superhero?” He questioned before you’d even sat down.
“How about we say it at the same time? Like on the count of three?”
You watched as his smile widened, yours automatically doing the same. He counted up from one, taking pauses in between, at the times when he started laughing a bit.
He reached three, both of you yelling a bit louder than intended.
“Superman!”
“Superman!”
He let out an odd, yet adorable, laugh, which made you giggle too.
“God, you’re literally the best person I’ve ever met.”
Your mind wandered back to the conversation earlier, and the stolen bullet.
“Hey, if you want, I could get you another Superman bullet.”
Once again, Freddy’s jaw hit the ground. Jesus, could you be any more amazing?
“Wait, really? How?”
“My dad, uh, he knows Superman.”
Nice save Y/N. 
“Holy shit! Have you met him?”
You were in deep shit now.
“Oh, yeah, a few times…”
***
The bell rang, and students piled out of their classrooms, in a mad dash to get home. You waited for Freddy, who happened to be in your current class, to finish talking with the teacher about the mark he’d gotten on a report.
“Freds, we should probably go.” 
You’d started using the nickname at lunch after a small game of Superhero Would You Rather. When asked if he’d rather have his childhood nickname as his superhero name or have his least favourite person pick his superhero name, he had decided that Freds would be a better name than anything the Breyers would come up with.
“Yeah, yeah, I’m coming.” The teacher sent him off with a wave. 
You walked outside with him, neither person noticing your incredibly close proximity. He walked over to the group of kids from this morning. His friends, maybe. He greeted them all, apologising for holding them up.
“No, actually we’re waiting for Billy. Did you see him insi- oh, hello.” 
Four pairs of eyes met you, and you tried not to freak out.
“Oh, guys! This is Y/N. She’s my new best friend. Y/N, this is Darla, Mary, Eugene and Pedro.” Freddy smiled proudly, acting as if he’d just won an award for something.
“Well, Y/N, it’s lovely to meet you.” The tallest girl, Mary, said, her voice incredibly sweet.
“Not to be so forward, but would you like to come over for dinner tonight?” Freddy spluttered out, his smile not faltering.
You smiled too, nodding in acceptance. From behind the group, you saw Billy coming down the stairs.
“Hey, how was it today?” The same girl asked, but got no response.
“That good, huh?” You joked, Billy sending a small glare your way, which surprised you. You hadn’t done anything to him.
The whole group headed to cross the road, only for a car to come speeding down the street, headed straight in your direction. Fuck, you couldn’t get hit by a car. Not here. If you did, everyone would find out your little secret.
Freddy noticed the car and immediately pushed you away, allowing himself to be rammed into.
“Freddy!” You screamed as he was knocked to the ground, his crutch being tossed aside. Two boys jumped out of the car, laughing.
“What the hell is wrong with you?” You yelled, gearing up to punch the two unless they had some reasonable excuse, which was impossible.
They picked Freddy up off the ground, shoving him against the car. 
“No way that’s gonna buff out.” One of the boys said, shoving Freddy again.
“You gonna pay for that?” 
“For the dent you made almost hitting me? Yeah, sure, um, do you guys take these?”
He held up his two middle fingers, making you snicker louder than intended. Your laughter ceased as they threw Freddy to the ground.
“What’s so funny, new kid?”
You stepped forward, not listening to Freddy’s yells for you to stay back.
“New kid? That’s the best you’ve got? Jeez, at least try to be creative.”
You hands curled into fists, trying your hardest to not just obliterate them right there.
“Aww, do you need your fake family to stand up for you?”
You were seething by this point, but you knew that if you did anything, you were absolutely screwed. All you could do was watch, hoping for some assistance. The boys kept taunting Freddy, kicking him as you all yelled for them to stop.
“What are you gonna do? Go home and cry to mommy? Oh, yeah, you don’t have a mommy.” 
That was the last straw. Just as you reared back to punch the dickwads, they were hit over the head by Freddy’s crutch. Billy threw the crutch over to you, and you caught it with ease.
“Man, sorry about that. That wasn’t fair, but then again, guys don’t play fair, so.”
As Billy took off, the boys in pursuit, you kneeled beside Freddy, easing him onto his feet. Handing him his crutch, he ignored it at first, leaning against you in a hug/physically support kinda situation.
“You’re still coming over tonight, right?”
“Jeez, Freds, you could’ve died and that’s what you’re worried about?”
He shrugged, smiling sheepishly.
“Yeah, I’m coming over tonight.”
***
Slamming open the door to your home, you ran in yelling about your day. Your dad was at the dining room table, reading some book he’d recently bought. You skidded to a halt, slamming your hands onto the table, causing a chunk of wood to break off.
Your dad raised an eyebrow, as you chuckled nervously, chucking the wood into a trashcan full of other wood pieces. Your end of the table grew smaller constantly.
“Sorry. Anyway! I made a new friend at school!” Your dad smiled, finding your excitement extremely infectious.
“And! And! He invited me over to his house for dinner!” Clark couldn’t say no to you, especially not when you’d been so adamant about not enjoying school earlier.
“Well, since we won’t be able to have our daily conversation over dinner, we might as well have it now.” You sat down, bouncing your leg extremely quickly.
“So, how did you meet?”
“Uh, he just helped me get over my first-day nerves. And we sat together at lunch, talking about superheroes. He absolutely loves superheroes! You’re his favourite, by the way.” You smiled, leaning on your hand.
“And then after school, these kids almost hit me with a car, but he jumped in front of me… they beat him up.” You trailed off, feeling tears spring to your eyes. “They, uh, they beat him up ‘cause he has a disability. And something about a ‘fake family’.” Your father leaned over, wiping away your tears.
“Oh, uh, it’s getting close to dinner time. I should head out.”
“Maybe get changed first. Dress up for your new best friend.” He winked, as you lit up red. 
“Dad, seriously? I really can’t do anything with you around.” You tried to act seriously, but your dad kept winking with different eyes, and you walked away, sighing as you tried to hold in laughter.
You hated that he was right. You also hated that you were going to be late because you were trying so hard to look nice. Why were you trying to look so nice? Were you trying to impress his family? Maybe. Yeah, that was it. Impress his family.
“Y/N, you’re aware of the time, right?”
You were out the door without a response.
***
Freddy paced in his room, as fast a pace as he could manage, panicking. Billy hadn’t come home, Y/N was coming over and everything was in utter chaos.
The doorbell rang, and Freddy wished that he was able to run down and get the door for you, but he was still getting down the stairs as Darla swung the door open. 
“Y/N!” She immediately pulled you into a hug which you happily accepted.
“Darla, I wasn’t expecting to see you.” 
Freddy slapped his forehead. God, you were about to be so confused. He didn’t explain the whole ‘group home’ situation. He wanted to explain everything, but Eugene had already appeared at the door.
“Eugene?”
Freddy moved as quickly as possible but still wasn’t able to beat Mary to the door. He saw your eyes darting around the room, your eyebrows furrowing more and more.
“What’s next, Pedro?”
Said boy, upon hearing his name, poked his head around the corner.
“Okay, I’m very confused.”
“Y/N! Follow me!” Freddy called from the stairs, and you walked through the crowd of kids, stopping to hug Darla.
“Welcome to my home. Sorry about that, I should’ve said I lived in a group home. I’m a foster kid, by the way.” He looked down, as if ashamed.
“Freds, if you think I’m gonna judge you for being a foster kid, you’re dumber than I thought.” You laughed by at the end, making Freddy laugh softly too.
Looking up, you saw a Batarang on a shelf. Walking over, you admired it, examining it closely.
“Yeah, that’s my Batarang. It’s a replica, obviously, but it’s really sharp. Like ‘could definitely kill you’ level sharp.”
You gave him a jokingly concerned look.
“I’d show you my Superman bullet, but, yknow…”
“Hey, as I said, I can get you a new one.” Placing a hand on his back in comfort, you felt him tense under your touch. You pulled away, afraid you were being too forward with the boy you’d met that morning.
“Hey, what happened to Billy?” 
“Oh, he probably ran away. I wouldn't be surprised.” He shrugged, going to sit down at his desk. You chose to sit on the bed, being careful not to hit your head.
You sat in silence for a while, both of your minds racing. Freddy thought about you, and how he actually had a girl, who wasn’t his family, talking to him. A pretty girl, none the less. You thought about Freddy, your first-ever friend. In less than 24 hours, he had quickly become the second most important person in your life.
He moved from the chair to beside you, sitting close to you, but with enough distance that it wasn’t awkward or uncomfortable.
“Yknow, I don’t think I’ve ever met someone who likes superheroes as much as you.” You broke the silence, glancing over at him through the hair that fell around your face.
“I could say the same about you. I was amazed when you said you liked them. And we both think Superman is the best, which makes it even better.”
He was utterly adorable. The way he rambled, stumbling over words as his mind worked faster than his mouth, never ceased to make you smile. You hadn’t even known him for 12 hours, but there was already something there.
“Dinner!”
Freddy glanced over at you and took this as another opportunity to continue the little trend you’d started. He stood up, smirking slightly, and held out his hand.
“Follow me, again?”
“You’re a dork, Freddy.” You laughed, immediately placing your hand in his.
***
“Freddy, could you do the dishes, please?” Rosa gestured to the kitchen, and Freddy huffed, making his way to the sink.
“If you want, Mrs Vasquez, I could help him with the dishes.” You offered, Rosa smiling warmly, thanking you for your offer.
You walked into the kitchen, seeing Freddy at the sink, collecting the dish soap and sponges. 
“Need any help?” He turned his head, nodding slowly. He handed you a towel, mentally telling you to dry the dishes after he’d cleaned them.
You could hear Rosa and Victor in the other room, talking about Billy. Rosa was on the phone, talking to someone about Billy. She mentioned something about him running away 23 times.
Freddy was also listening in, unaware he was splashing soapy water everywhere. 
“You know guys, I’m happy to look for Billy. More than happy.” He splashed soap onto your nose, and you blew it off. He was yelling back into the living room but eventually gave up and turned back to the dishes. “But no, you gotta wash the dishes, that’s what’s more important. What are you gonna do, Freddy? Run after him? Hahaha. Very funny.” 
You placed your hand on his wrist, and his eyes flicked up to yours. His tense expression softened, and his dishwashing pace slowed. Neither of you broke the eye contact, finding no actual reason to.
A slam on the window made you yelp, clutching Freddy’s wrist tighter. He screamed, clinging onto your arm. The man at the window held up a sign, saying not to scream. Both of you had done so anyway.
“No, no! I said don’t scream!” 
Freddy ignored his request, screaming out for Victor.
“It’s me! It’s Billy! It’s Billy!” The man whisper-yelled, trying to stop Freddy, who continued to yell out for Victor. 
“You asked me ‘flight or invisibility?’. I thought it was stupid but now I look like this and I need your help! Meet me back here after lights out?”
Holy shit. It was Billy.
As Victor entered the room, Billy ducked back behind the wall.
“‘Sup, bud? You alright?” Victor said, and Freddy froze, thinking of a lie.
“Sorry, Victor, we’re just a bit distraught about Billy.” You spoke quickly, trying to sound truthful.
“Yeah, yeah. I’m just… I’m really sad. Because Billy’s gone.” Freddy spoke, far less convincing than you. “And, you know, maybe it’s my fault. Maybe I did it. Uh, you know, maybe I-I snore.”
“Hey, hey, hey. Not your fault, son, all right?” Victor pulled him into a hug, Freddy standing awkwardly still, as you stood beside them, eyes darting to the window. “We’ll find him, ‘kay?”
“You don’t snore that bad. But you kinda smell.” Victor left the kitchen, as you tried not to laugh. Freddy gave you a “haha very funny” look, before turning back to the sink.
***
“Hi, Dad, uh, I’m gonna be home a little late tonight.” Freddy watched you talk on the phone, making sure no one woke up or caught you sneaking around.
“No, yeah, I understand. I just figured you wouldn’t mind. No, I’m not going out this late. Just, the family decided to watch a movie and wondered if I wanted to stay.” Freddy was impressed at how easily you lied to your dad.
“Yes, thanks, dad. I’ll be home later. Goodnight, love you.”
You hung up, turning around to meet Freddy. With a raise of your eyebrows, you held out your hand. Freddy giggled like a little schoolboy, grabbing your hand. You snuck down the stairs, helping Freddy to miss the bum step.
He unlocked the door, pushing it open incredibly slowly to avoid it making any noise, closing it in the same fashion. He brought you round to the back of the house, seeing Maybe-Billy ahead of you, looking in a car mirror.
Freddy charged over, as fast as he could charge.
“Hey, stop right there! How do we know you’re not a supervillain using telepathic abilities to make us believe that you’re Billy?” He held up his phone, 911 pre-dialled. “All I have to do is press dial on this thing.”
“No, no, no I have proof! I have proof, here. Look, I lied okay.” He grabbed his backpack, ripping it open accidentally. “I took your bullet.” 
He pulled out the bullet, in its plastic bag, only for it to slip out. You lunged forward, catching it just in time. Everyone breathed a sigh of relief, Freddy and Billy worried about the bullet while you were more concerned about them noticing your reflexes.
“That was close. Nice catch.” 
“Guys, you know it’s me. And I know we’re not close friends or anything, but you guys are the only people I know that know anything about this caped crusaders stuff.”
“That’s Batman.” You and Freddy muttered in sync, leaving Billy extremely confused.
“What?”
“Forget it. Can I?” Freddy gestured to the glowing lightning on Billy’s chest. Billy nodded, and Freddy moved closer, outstretching his hand towards the suit. The lightning substance had some kind of elasticity to it, as it reached out to meet Freddy’s fingertips.
Freddy let out some kind of shriek or joy, which made you giggle lightly. He truly was a dork. He continued to play with the lightning, as you decided to try as well. The feeling was strange and sent a tingle down your spine, but you kinda liked it.
“Oh my god…” You whispered, a smile growing on your face.
“It’s crazy, right?” 
“What are your superpowers?” Freddy piped up, and you eyed Billy excitedly.
“Superpowers? Dude, I don’t even know how to pee in this thing?”
“Oh, that’s far too much information, Billy.” You said in disgust.
“Okay, c-can you fly?” Freddy suggested.
“Freds, he just got his powers and you think he’s able to fly already? Flying is difficult.” You said, not even realising what you said. The boys looked your way confused but didn’t question it.
Not even a minute later did Freddy have his phone out to keep video evidence of this. 
“Okay, let’s do this,” Billy said, preparing for his first flying attempt. “How do we do this?”
How the hell did he end up getting superpowers?
“Just, um, just like, Superman it.” Freddy imitated the sound of Superman flying, and you raised an eyebrow. Dork. “Obviously, you have to jump. Come on.”
“How is any of that obvious?”
“Try, uh, to believe you can fly. I know it sounds stupid but, I did this deep dive into the pyramid studies of superpowers and, uh, in 6 out of 10 cases, belief is the key.” 
You looked down, embarrassed by your rambling. Unfortunately, by looking down, you missed Freddy’s lovestruck gaze and Billy’s knowing look.
“Belief, belief, belief. Okay, okay. I believe I can fly?” Billy questioned his own words, which really didn’t help the belief part.
“No, yeah, I believe I can fly.” Billy ran towards a nearby car, leaping onto the hood. “I believe I can fly.”
He came crashing to the ground, and not in a graceful manner whatsoever. Billy looked at you and Freddy, both of you busy crying from laughter at his descent.
“D-did you believe?” You struggled out between the laughter. You found yourself struggling to breathe, laughter still pouring out. Freddy noticed the pain in your eyes as your chest and throat clogged with giggles.
“Woah, you okay, Y/N?” He said wiping away the stray tears escaping from your eyes. He had stopped laughing some time ago, but after he had heard your laughter, which sounded beautiful to him, he hadn’t wanted to stop you.
But now you were basically choking on laughter. Freddy flicked your arm, quite hard, and you stopped laughing, instead having to fake a yelp of pain. Blending in with humans was hard.
“Thanks, but also, ow.” You rubbed the spot he hit, hoping to at least come across as hurt. They seemed to believe, luckily.
“Oh, you wanna try invisibility?” Freddy suggested, still holding his phone out. Wait, did that mean he had video evidence of you actually dying from laughter?
“How do I do…?” Billy looked at you and Freddy for help.
“You… Forget it, you know.” Freddy sighed, deciding to give up on the whole ‘believing’ thing.
Billy stood still, eyes closed, possibly believing he was invisible. Freddy nudged you, before whispering something about tricking Billy. You were definitely on board.
“Oh my god! It worked!” You yelled, and Billy snapped his head up.
“Where’d you go?” Freddy looked bewildered. He was surprisingly very convincing.
“I’m right here, you can’t see me?” Billy had a stupid look on his face, not knowing you could see everything.
“I’m invisible!”
Billy danced around, looking like a complete idiot. You were trying everything to not burst out laughing again, but it was very difficult, considering how much of a fool he looked like.
“Hey! Nice outfit, dipshit!” A random passerby called out, breaking Billy’s gleeful jig. He looked at you and Freddy, and you both cracked up again.
“W-we may have been testing invisibility and super-intelligence at the same time.” Freddy wheezed out, his phone shaking from the laughter that reverberated through his entire body.
“Freeman, Kent, I’m gonna come over there and beat you two.”
Billy pointed angrily at the two of you, a spark of lightning exploding from his fingertip, hitting an electricity box on a pole. It sparked and exploded, and since you were right beneath the pole, Freddy pulled you into him to get you away from the sparks.
“Are you alright?” Freddy asked, dropping his phone to place his hand on your face. He had genuine worry in his eyes, his eyebrows furrowed softly.
“Yeah, yeah, I’m good.” You mumbled, not even noticing yourself lean into his hand. He did notice, as did Billy, and while Billy stifled obvious schoolboy giggles, Freddy was an alarming shade of red.
After a few seconds, he pulled his hand away and you tried not to whimper at the loss of his warmth. A small whine escaped, but it was quiet enough to go unnoticed. 
Freddy picked up his phone, which was still recording, and checked for cracks, of which there was none. He sighed in relief and turned back to Billy.
“The lightning emblem! It was staring us in the face the whole time. Literally!” He exclaimed, both his and Billy’s face lighting up with excitement.
You spotted a metal climbing frame at a nearby park. Metal conducts electricity. Could Billy do something to it?
“Hey, guys? You wanna try that electricity business on that thing?”
Billy and Freddy shared similar expressions, probably of weird and possibly dangerous ideas forming in their minds. 
Billy walked faster than everyone, mainly because you stayed behind him to talk with Freddy, though you would’ve been able to keep pace with Billy.
“This is insane, right?” Freddy exclaimed though you shushed him, as you were passing by homes. “We know an actual superhero now!”
If only you knew, Freds. If only you knew.
“I know, it’s kinda strange. You think he’ll be good at it?”
“With some training, maybe. Maybe Robin level, but nowhere near Superman.”
“No, no one can compete with Superman.” You smiled.
“Well, maybe Batm-”
“I’m gonna have to stop you there.” You giggled. Freddy chuckled too, agreeing that his statement was a bit far-fetched.
Up ahead of you, you could see Billy messing with the metal climbing frame. His electricity was surging through it. The metal was a conductor after all. He looked impressed with himself for actually controlling his powers.
After another minute or two, you and Freddy reached Billy, in awe of what he had done. You stayed back, still a bit worried that something could go wrong, and your invulnerability would show through and then there’d be a shit ton of explaining to do.
“Billy, we gotta give you a lightning themed superhero name now.”
A screech resounded in your ears, and you had to fight the urge to scream in pain. Unlike your dad, you hadn’t fully controlled your superhuman hearing. So distant sounds were extremely loud, and it hurt. A lot.
Freddy gestured in the direction of the scream, telling Billy to go be a hero. It wasn’t getting through to him, though.
“Jeez, Billy, you kinda suck at being a hero.” You said, pushing him in the direction of the scream.
“Oh, right!” He started to run in the right direction but suddenly shot across the park, crashing into a figure.
“Hyperspeed, check!” Freddy cheered.
You groaned, massaging your temples. It was painful, not being able to just give Billy real superhero advice that you had gotten from your dad.
You heard the interaction, trying not to scream. Billy was utterly useless. You were so caught up being frustrated with Billy that you didn’t notice Freddy walking over to join Billy. When you did notice has wasn’t by your side, you looked around for him.
Jogging after him, you got to his side pretty quickly.
“I’m sorry, who are you?” The woman with Bill asked, concern on her face.
“His name,” Freddy approached them all, a smile on his face “is Thundercrack. Hero to the people. With the power and speed of lightning all in one.”
You were about ready to ditch the boys, just out of pure frustration. 
“Dude that sounds like a butt thing.” 
“Mr Philadelphia.”
“That’s a cream cheese thing, dude!”
You hit your head against a tree repeatedly, not realising it was splintering until it toppled over in your direction. It was about to land on you when someone stopped it. It didn’t take a genius to figure out it was Billy.
“Are you alright?”
“Yeah, I’m fine.” You walked back to Freddy’s side. Freddy’s eyes were wide with concern as he hugged you quickly. He didn’t need words to convey his worry for you.
“Uh, as I was saying,” Freddy started again, “Powerboy, cause he’s got all the powers. Cause sometimes, pepper spray can’t protect against evil.”
“Powerboy, do you know these children?”
“Like, like a teeny little bit. I don’t really know-” Freddy smacked him in the chest. “Yeah, they’re like, my managers. They’re like miniature managers.” 
“Yeah, we’re his managers.” Freddy nodded, and you once again sighed in disappointment. This was difficult work, and you were unsure when you became a babysitter.
“Powerboy’s not gonna work either, okay? So work on something else…”
“Hey, hey, hey...”
“Electricity manipulation, hyperspeed, super strength! Dude, you’re stacked!” Freddy had that giddy look on his face again, that you couldn’t help but love. “You’re as cool as Superman!”
“Almost.” You corrected, in sync with Freddy. 
Looking into his eyes, everything seemed to go in slow motion for a second. Was that normal, or some time-stopping ability you were yet to discover? You made a mental note to ask your dad later about it.
You were thrown back into a regular pace by the woman Billy was “protecting” shoving cash into your hands.
“I didn’t see you or what’s happened here. I don’t wanna know, just don’t hurt me.” The woman jogged away, leaving the three of you behind.
You looked at the money in your hands, Freddy glancing over to look at it too.
“Holy shit… we just made 73 bucks!” He took it out of your hands, but not in a rude snatching way, as he gave you an apologetic look afterwards. 
“73 bucks?” Billy gaped at the money, and an idea flashed through his mind.
“Guys? It’s late. You should go home…” You said, but the boys didn’t listen, too busy awing over the money. “Guys?”
Billy muttered something about having an idea, and just like that, they were walking away, leaving you behind. You contemplated leaving them behind and going home, but when Freddy turned around, and everything went slow again, you had to grab his outstretched hand once again.
***
“I’d like to purchase some of your finest beer, please,” Billy told the woman working the counter, in quite an over-the-top voice. You and Freddy stood behind Billy, hidden by his wide figure.
As he walked away, you and Freddy met the eyes of the cashier, and with an awkward moment of silent eye contact, walked back to join Billy at the fridges. You kept glancing back at the counter, suddenly nervous for some reason.
Something didn’t feel right.
“I don’t know about this…” You muttered, hearing Freddy hum in agreement.
“I mean, we don’t have a fake ID.” He continued your thought perfectly. Maybe he was the one with the superpowers.
“Guys, would you two relax? Look at me, I am the fake ID.”
A terrifying thought crossed your mind. Was Billy gonna take this seriously? Or would he abuse these new powers for his own personal gain? 
The doorbell jingled, and all of a sudden there was shouting from behind you. Spinning around, you saw two men in ski masks with guns. You let out a surprised yelp, alerting the two robbers to your presence.
Their guns pointed towards you before their eyes even reached the three of you. Freddy stood to Billy’s side, while you were directly in front of him. No one has time to think before a gun is fired.
The bullet zooms towards you, and at the last second, Freddy pulled your arm extremely hard, the bullet just grazing your arm as you collapsed onto him. The bullet hit Billy in the torso, right where you had just been.
The bullet clattered to the ground, as the three of you breathed heavily. You and Billy had just almost died, and your entire weight was on top of Freddy. 
“Bullet immunity.” You gasped, as the bullet rolled next to you. You got off Freddy, wildly aware of your red face, and his very similar one.
“Y-you have bullet immunity!” Freddy exclaimed as you helped him up, handing him his crutch. He pulled out his phone, opening the camera.
“I’m bulletproof.”
“Today is December 8th and this is video proof of authenticity.” That damn smile was back. That damn smile that you couldn’t help but replicate. “Shoot him again.”
“Freddy, what the hell?” You expected Billy to argue with Freddy, and avoid getting shot again. But no, he encouraged it, inviting the robbers to shoot him in the chest. And they did, each bullet like the last. 
You watched as Freddy shoved them in his pocket, and when he noticed you staring, he murmured something about memorabilia.
“W-w-w-wait!” Everyone faced Freddy, who still had his camera out. “We don’t know if the suit is bulletproof, or if you are. Shoot him in the face.”
You sighed into your hands, walking away from the group of idiots. You walked down another aisle, listening to the gunshots ringing. Dumbasses, the lot of them. You tuned out everything, simply pacing up and down the aisle.
The smash of glass hurls you back into reality, as you watch the robbers land outside on the pavement. Freddy joins you, a familiar concern on his face.
“You almost got shot…” He places his hand where the bullet grazed, his panic and worry blinding him from the fact that his hand was very close to your waist. 
You were very much aware of his hand but tried to ignore the warm feeling it brought.
“Yeah, I’ve had a bit of a shitty night, huh?” A sudden boost of confidence struck you. “Luckily, I’ve had two heroes to look after me.”
Freddy turned a light shade of red, nervously giggling. Billy appeared behind him, a smirk on his face and beers in his hands. 
“You two done being gross? I got the beers.” 
You happily took a beer, needing one after tonight. Your dad wouldn’t care. You couldn't get drunk, anyway.
“Sorry about your window! But you’re welcome for not getting robbed!” 
Freddy and Billy took a sip of their beers, immediately spitting them out. You, however, kept drinking yours. Their eyes widened as you chugged the whole bottle in a minute.
“Damn, alright.” Billy chuckled, as Freddy just watched you with amazement.
“You guys aren’t gonna drink those, are you?”
“No, not at all. Tasted like vomit.”
Billy headed back inside, buying some regular junk food, using up the rest of the $73.
“Yknow, habanero jerky, if you eat enough of it, could burn a hole in your stomach,” Freddy said, earning a disgusted noise from you. “Probably not you, though. Probably got stomach superpowers.”
You snorted softly. Stomach superpowers? Weird. You glanced at your phone, noticing the time. It was late. Very late.
“Shit, I’m sorry guys, I have to head home.” You sighed. “I wish I could stay later, but my dad wants me home now. It is a school night, after all.”
Freddy and Billy shared similar, sad expressions, though Freddy’s looked sadder. You awkwardly hugged Billy’s giant form, not noticing Freddy’s glare on the tall boy-man. 
And then, you moved to hug Freddy. It was much tighter than the one you gave Billy. You didn’t want to let go, and something told you he didn’t want to either. As you did pull away, you pressed a kiss to his cheek.
“I’ll see you tomorrow.” You smiled, walking away from the boys, a stupid smile forming on your face. 
A similar smile appeared on Freddy’s face, as he placed a hand on his cheek. Billy nudged his shoulder, as they watched you leave.
“You’re whipped, Freeman, absolutely whipped.”
“Yeah,” Freddy grew extremely flustered, “Yeah I am.”
***
You rushed home, almost slamming through the door in excitement. Your dad flicked on the hall lights, making you freeze in your tracks.
“Uh, hi dad! I just got lost finding the bathroom.” You didn’t even try to sound convincing. 
“You are aware of the time, right?” He leaned in the doorway, pointing at the clock on the wall. It read 12pm.
“Yeah, uh, the movie was long.” Your dad raised his eyebrow, and you sighed. “No, uh, one of the kids, Billy, just got superpowers. Freddy and I were helping him out.”
“He got superpowers?” You dad asked, curiosity splashing across his face. “Overnight?”
“Yeah, basically. And since Freddy and I know the most about heroes, we had to help him get used to it.” You walked into the living room and sat your dad down. “Let me tell you everything.”
And so, you did. You explained everything; the lightning and sparks, and how Freddy had pulled you out of the way. The woman, and the tree, and how Freddy had comforted you after it had almost crushed you. The service station, the robbers and how Freddy had pulled you out of the way of a bullet.
You were about to tell him about Billy being bulletproof when your dad cut you off.
“You talk about Freddy a lot.” He smirked and your eyes widened. Talking about Freddy a lot hadn’t been intentional, but he was just always there. He was your first friend, and he liked the things you liked, and he talked to you and he was adorable and sweet and kind and h-
“Do you like Freddy?”
You froze. Did you like Freddy? With everything you’ve said in the past few minutes, all signs pointed to yes.
“I… I think I do. But I only met him today. Is that too soon?” You fell into a panicked ramble, every thought about Freddy spilling out into a chaotic sentence that didn’t make sense to anyone but you.
“Okay, okay, calm down. It’s okay to like people early on. Ever heard of ‘love at first sight’?”
“Dad! It’s not ‘love at first sight’.” You argued though something told you that maybe, just maybe, that was exactly what it was. Was ‘like at first sight’ a thing. Love seemed too strong at this point.
“You wanna talk about it?” Your dad placed a hand on your shoulder, as small tears slowly slipped out of your eyes. Why were you crying? This situation didn’t warrant tears. You weren’t sad, or angry or anything. You were just overwhelmed.
Overwhelmed. 
There were far too many emotions swirling in your head. Good and bad. You couldn’t do this right now. You hadn’t known Freddy Freeman for a day, and yet you were undoubtedly head over heels for him, but you weren’t ready to admit that to anyone.
“I… I’m tired. I’m gonna go to bed.”
You ran out of the room without a second thought.
***
Arriving at school, you instantly spotted Freddy and his family across the street. They were hard to miss, in a good way, of course. After last night, you were conflicted about whether to avoid Freddy or be around him, but unfortunately for you, your mouth moved faster than your brain.
“Freddy, wait up!”
He spun around, smiling brightly as he locked eyes with you. It was then that you noticed that Billy wasn’t there. Odd. but he did technically run away yesterday, so maybe he didn’t go with Freddy last night.
“H-Hey, Y/N!” He stumbled over his words, earning small giggles and chuckles from his family as they headed up to school without him.
“So, you have first period with me and Billy, right?” He asked, very clearly planning something. Freddy, you now discovered, always looked like he was up to something. 
“Um, maybe? Do you have science first, with Ms White?” He nodded, his smile still there. “Well, then I guess we have first period together. Why?”
“You’ll see. Just stick with me and Billy.” You raised an eyebrow at the mention of Billy, who was still a no-show. “Yeah, no, he’ll be here. He had something he needed to do first.”
As if on cue, a loud crash caused you to jump out of your skin. Spinning around, you saw the same boys who had beaten up Freddy staring at their destroyed truck.
“I’m gonna assume that’s what he needed to do.” 
“Yeah. Come with me, I wanna rub it in a little more.” 
Walking over to the boys, you both examined the destruction. The car was absolutely destroyed, and there was absolutely no way it could be restored. Freddy wandered over to the boys, a smirk on his face.
“You know guys… I don’t think that’s gonna buff out.”
You subtly high-fived him as you walked away from the car, but as your hands met, he intertwined your fingers. From the way he kept walking, he hadn’t even acknowledged what he’d done, and from the way your mind was racing, you really didn’t mind.
You entered the school building, passing through security easily and heading over to your locker. Freddy’s locker was across the hall from yours, so while you did, unfortunately, have to let go of Freddy’s hand, you easily kept your conversation going across the hall.
When you went across to join him, the conversation topic quickly switched to Billy and his new superhero alter-ego. You wished you had the confidence to reach over and hold his hand, but luckily for you, Freddy instinctively did it for you. 
“So, last night, when we went home, we found out how he can switch between forms.” He whispered excitedly, his voice rising every now and again as his excitement grew, but a soft hand squeeze from you was enough to quiet him down.
Out of the corner of your eye, you saw a flash of red and brown darting towards you and Freddy.
“Morning, Billy.” You said as Billy caught up to you, eyes instantly darting to you and Freddy’s interlocked hands. He raised an eyebrow, directing it specifically at you, and you really didn’t have an explanation.
“Nice job with the Breyers car.” 
The school bell rang, and as everyone else moved off to class, the two boys pushed you into a storage room to hide. You tried your best to ignore the lack of distance between you and Freddy.
You looked up, meeting Freddy’s eyes. His face was as red as yours felt. As awkward as you both felt being so close to each other, you couldn’t look away from him. Without even noticing, you shuffled closer to him.
“Coast is clear, let’s go.” Billy stepped outside, scanning up and down the hallway. He went to leave, but upon not hearing the sound of Freddy’s crutch hitting the ground, he looked back into the closet, seeing you and Freddy.
“Guys? Guys! Seriously, can you do this some other time?” He groaned, causing Freddy to whip his head around, still blushing. Billy chuckled, and Freddy gave Billy a look that screamed ‘we don’t speak a word of this’.
As Billy headed for the front door of the school, you still stood frozen in place. Freddy had been so fucking close to you. Your heart had been racing, your mind screaming and all the emotions from last night had almost come tumbling out.
“Y/N? You okay?” You reached for his hand, even though he hadn’t reached out as he usually did. He happily accepted your hand in his, feeling a familiar warmth as your hand slid perfectly into his.
Billy had been watching over his shoulder, finding a certain enjoyment in the pure awkwardness of the whole situation between his- his friends. As you and Freddy walked down the hall, hand-in-hand, Billy caught the soft smile on Freddy’s face. 
“Absolutely whipped.” He muttered to himself.
***
You sat on an empty oil barrel, watching as Billy used his lightning powers to blow up his school books. Freddy was throwing the books, both of them quite enjoying themselves. You didn’t know what to think.
Billy was a superhero now, and sure, he was still figuring out his abilities, but he didn’t show any signs of wanting to be an actual hero.
You had hoped that Freddy would teach him what actual heroes did, and yet he was encouraging Billy. You couldn't hate them, though. Billy was your friend, and Freddy was- well, he was something special.
“Hey, Freds?” 
Freddy dropped the English book he was holding, jumping at your voice which he hadn’t heard since the three of you had found the abandoned warehouse. He had been surprised that you didn’t want to participate but didn’t question it, afraid that if he was nosey he would lose any chance of actually getting you to like him.
“Y-yeah? What’s up?”
“I was just wondering if we were gonna spend the whole day exploding things? Why not test out some other skills?” You suggested, hoping to actually get something done today, and not have wasted a day that you could’ve spent actually learning something at school.
“Well, yeah, we could. What do you have in mind?”
“You’ve got your camera with you, right?” Freddy nodded, and your idea fell into place.
You brought the boys over to another part of the warehouse, pulling an empty notebook out of your bag.
“Freds, can you set up your camera, please?” He happily obliged, as you scribbled out a warning message onto the notebook. Freddy finished setting up the camera and started recording. You held up the sign in front of the lense.
A few seconds later, you flicked it over to reveal the page reading ‘Super Strenght Test 1’. 
“Right, super strength test, go!” Freddy informed Billy as you moved the page away, only to reveal Billy doing some weird dance-thing. You gave him a death stare, careful not to trigger your heat vision accidentally. 
Billy noticed your glare, and he was surprisingly intimidated.
“Oh.” He walked over to a stone pillar, rearing his arm back to punch it, and as his fist collided with the stone, it cracked and crumbled, leaving Billy and Freddy wide-eyed, while you simply watched on, impressed.
“Right, well, how about we test flight next?” You pointed to the old skate ramp outside, the boys’ faces lighting up.
***
The next few days continued much the same, with you writing down what test you were doing and making notes of Billy’s attempts, Freddy recording it all, sometimes helping Billy with the tests and Billy just trying not to die as you put him through all these tasks.
Your dad was yet to find out about you skipping school, though you knew he wouldn’t be too mad, especially if he knew what you were doing.
Billy had failed most of the tests, only succeding in hyperspeed and super strength currently. Freddy had pulled out the weirdest tests, like time-reversal and telepathy, while you stuck with the more classic superhero ones. He couldn’t teleport, but he was immune to fire, as you and Freddy found out the hard way. 
At the end of the day, you always found yourself at Freddy’s house, uploading the videos of Billy on YouTube. With each video, the superhero name changed, your personal favourite being ZAP-tain AMERICA. 
During these days of “superhero training” you found it difficult to stay out of the Superman-related conversations. Freddy often compared Billy to your father, and recently, you were discovering a new-found struggle of lying and keeping secrets from Freddy.
You told your dad everything, so he was up to date on Billy’s situation, often giving you tips that you always had to say you “read online” to keep from being suspicious. He still didn’t know you were skipping school, thinking that this training was the reason you were always home late.
In reality, you were home late because you didn’t want to leave Freddy’s home. You liked it there, and you liked his family, and yeah, you definitely liked him.
***
This morning, after you’d obviously ditched school, you once again found yourself discussing Superman.
“More powerful than a locomotive.” You nodded, agreeing with Freddy
“Locomotive? What are you, an old prospector?” Billy teased, as you thwacked him in the chest.
“He can leap tall buildings in a single bound.” You stated, gesturing to a massive office building in the city. It was a way away, but Billy hoisted you and Freddy over his shoulders and just ran.
Freddy looked dizzy when he was set down, so you rushed to steady him. He thanked you, that adorable smile returning. You smiled back, as Freddy fumbled for his camcorder. He almost dropped it, and you went to catch it, before realising he had added a wrist strap onto it.
“Right, so, single bound, ‘kay?” You turned to Billy, before looking at the giant building. Maybe you should’ve picked a smaller one.
Billy prepared to jump, and as he left the ground, he went flying into one of the windows. You gasped, hearing the screams from inside. You hit the recording button on the camera, stopping it in a rushed panic.
“Let’s edit that one before posting it.”
A few minutes later, Billy came out of the building, looking quite embarrassed.
“What’s up, Bill?” You giggled at his expression.
“I had to take the elevator.” He mumbled under his breath, but you heard it anyway. You laughed loudly, Freddy looking extremely confused. You whispered what Billy had told you, and Freddy lost it.
“Oh, yeah, yeah very funny.” Billy glared at the two of you, who were clinging to each other in an uncontrollable fit of giggles.
“You two are useless. I’m hungry, let’s get food.” Billy started walking towards a nearby shopping strip. As your fit of giggles ended, you trailed behind Billy, your hand in Freddy’s once again. It was a force of habit, now.
As per usual, you and Freddy wandered a tiny bit back from Billy, discussing whatever came to mind.
“Your phone’s charged.” Electricity came out of Billy’s fingers, hitting passerby’s phones. He kept doing it, some people looking impressed, while others looked weirded out. 
You caught up with Billy, both of you stopping for Freddy. Freddy had his typical expression on, which meant he was either planning something or that something was just on his mind.
“You know what? You really need, like, a mic-drop catchphrase after you do something cool.”
You sighed. A catchphrase? You loved Freddy dearly, but sometimes his ideas weren't exactly that good.
“I’ve been thinking about that,” Of course Billy had been. Billy and Freddy were two halves of a whole idiot.  “I was thinking, what about, what about this? ‘That’s why you don’t mess with electricity.’.”
You snorted. That was truly, utterly terrible. Freddy seemed to agree, considering his raised eyebrow, and humoured smile.
“Catchphrases, obviously, aren’t one of your superpowers.”
“Your phone’s charged,” Billy said, again, striking one man’s phone which sparked and exploded, and the man was most certainly not impressed.
“You need to stop doing that.” You patted Billy on the back, making Freddy laugh.
Billy, however, wasn’t laughing, a suspicious expression on his face. You went to ask what he was planning, but he picked you and flung you over his shoulder, hyperspeeding his way out of the shopping mall, leaving Freddy behind.
“Billy? Y/N? You’re coming back, right? Guys?”
***
After that day, you found yourself being pushed aside in Freddy and Billy’s escapades. Everything became less about training Billy to properly control his powers and use them for good, and more about just figuring out what they could get away with.
Billy claimed that everything was helping him become a better superhero, but you weren’t sure how a strip club, lair, and video games helped with that. Freddy didn’t agree nor deny with what Billy said, and you honestly felt a little upset about that.
You would have thought that Freddy, of all people, would take this at least somewhat serious, considering his love for superheroes. Even your argument that Superman wouldn’t abuse his abilities like this had no effect on the boys.
So that evening, after uploading all the videos Freddy had taken while the boys played video games, you packed up your stuff to leave.
“I’ll see you guys at school, hopefully.”
They didn’t notice, too wrapped up in their game. You couldn’t ignore the tears that rapidly fell from your eyes. Going down the stairs, you were met by Rosa and Victor, who were still hanging up Christmas decorations.
You really loved Rosa and Victor, and you hoped they liked you too, considering how often you were around. It would be awkward if they didn’t like you.
“Hey, Y/N, are you alright?” Rosa asked, and in a split second of confusion, you forgot about the tears streaming down your face.
“Uh, I just hit my elbow on a table edge. Yknow how much that hurts, haha.” You could tell that they didn’t believe you. “Uh, Freddy and Billy were ignoring me. It’s stupid, don’t worry.” You spoke quickly, trying to pass it off as nothing, but the crack in your voice said otherwise.
Rosa brought you over to the living room, inviting you to sit down. She sat beside you, while Victor sat across, both looking at you with concern in their eyes.
“They’re ignoring you?” Rosa placed a hand on your knee, in a comforting manner. God, she was the best mother on this planet. 
You nodded, not speaking in fear of your voice breaking again. You wondered if you were stupid, being so broken over two boys, who you’d only known for a week, ignoring you.
“Just know that they don’t hate you, especially not Freddy.” You looked at Victor in surprise. What did that mean? “You’re all he talks about, ever. Not even Darla gets to speak at the dinner table now.” He chuckled, while you flushed.
“H-he talks about me?” You wiped away some tears, a small smile forming. Freddy talked about you. All the time. Rosa and Victor nodded, smiles on their faces too.
“He really likes you, Y/N. Billy does too, but nowhere near as much as Freddy does. We honestly can’t thank you enough for bringing them closer.” Rosa hugged you, Victor piling on top.
“Thank you, so much. But, uh, I should head home. My dad will start to worry.” 
They nodded, walking you to the front door. As you opened the door, a creak from the stairs alerted you to Freddy’s presence. He came down to the door, hugging you tightly.
“See you at school tomorrow.” He whispered, kissing your cheek quickly. You were frozen as Freddy gave you a final hug and went back upstairs. You had forgotten that Rosa and Victor were there until Victor whispered a “told you so”.
“Heh, um, well, I’ll probably see you tomorrow?” You smiled, hand instinctively going to your cheek.
“And probably more days after that.” Rosa giggled. 
With a smile, you left the Vasquezes home, now looking forward to tomorrow. 
When you arrived home, you didn’t even notice your dad in the kitchen. He definitely noticed you, and the stupid smile on your face, and the way you were humming to yourself. It didn’t take a genius to know what was going on.
“What did I say about love at first sight?” He said, to no one but himself.
***
Walking the school halls, all you heard were whispers about Philadelphia’s newest superhero. Thanks to the videos you and Freddy had taken, Billy- you were yet to decide on a superhero name- was quickly gaining popularity.
It seemed as though everyone only had superheroes on their mind. Obviously, that included your little trio of friends. It was somewhat nice, being the talk of the town, even if no one knew you were the talk of the town.
“Hey, yknow, you guys gotta wonder who’s filming those, right?” You looked curiously at Freddy, as did other students. A wave of worry crashed over you, something feeling off. “I mean, that’s bravery in and of itself.” 
“I mean, is it, though?” Billy commented, and then you knew that something was definitely not gonna go well today, so you kept your mouth shut.
“Yeah. I’d argue maybe even more brave.” 
“Holding a camera?” 
“Staring in the face of danger?” You felt the urge to make some comment about how neither of them had faced any real danger before, but you knew that would simply lead to a neverending run of questions, curious ones from Billy and concerned ones from Freddy.
You blocked their bickering out as best as you could, but the second the Breyer brother approached, you got ready to punch either of them if needed. They grabbed Freddy’s shirt, and you stepped closer to him, protectively.
“Hey, Freeman.”
“I-I wouldn’t do that if I were you.” Freddy glanced at the fist around his shirt, before looking back at Burke.
“What? Is your bestie gonna hit us with a wheelchair this time?” Brett raised an eyebrow, mocking Billy. Your teeth clenched together. 
“No, maybe not him, but I have another best friend.” Shit. You could see where this was going.
The brothers turned to you, half of your body covering the side of Freddy.
“Oh, so you need your girlfriend to protect you, too?” They mocked, using stupid sing-songy voices. You flipped them off, glaring.
“She’s not my gir- No. My other best friend. Who might hunt you down and destroy both of you.” You really wished Freddy could shut his mouth every once in a while.
“Okay, Freddy.” You and Billy both whispered, attempting to drag Freddy away from the Breyers, but to no avail, Freddy stood his ground.
“You may have heard of him… Uh, uh, The Human Power Storm. Frequency Flinger, Sir Zaps-A-Lot. Yeah. He’s a man of many names.” You sighed. Neither you nor Billy looked impressed in the slightest. Freddy was wonderful, but sometimes he really needed to know when to stop.
“You know the Red Cyclone?” The Breyers, understandably, didn’t believe Freddy in the slightest. I mean, why would you? “You? My ass you do.”
“Oh, we’re a lot closer than you think. Maybe even at this very moment.” 
“Prove it.”
Oh no. Oh god no. It would’ve been a great time for you or Billy to jump in and shut Freddy up, but both of you knew how suspicious that sounded.
“I will, tomorrow. Tomorrow he’s gonna come to lunch.” You stared at Freddy, wide-eyed. This was not happening. “And… Right, right, Billy?”
Billy looked petrified, eyes darting between Brett, Burke, Freddy and you. Both your faces held concern and just a hint of fear.
“Oh, yeah, and then Superman’s gonna be bringing us dessert, right?” Freddy’s eyes immediately landed on you, and for once you didn’t fluster at this.
“Yeah, Y/N here knows Superman. Right, Y/N?” 
Everyone's eyes fell to you, including the highly skeptical eyes of the Breyers. If there was any time to be frozen with fear, this was not the time you expected. With a sharp inhale, you nodded quickly, as to get it over and done with.
The bell rang, and finally, the crowd of students disappeared. It felt stupid, but you wanted to cry. The Breyers remained in front of you, and you had never felt so intimidated.
“Tomorrow at lunch. You’ll see.”
“And when they don’t show,” Shit, they were including Superman in this? “Then we’ll kick both of your asses.”
Your hand found Freddy’s, squeezing it tightly out of fear and pressure. What were you meant to do now? Freddy started walking, Billy following quickly behind.
“So, wait, my identity's a secret so no one I know can get hurt. Except when it makes you look cool, then it’s all good.”
In a common occurrence from the past few days, you insisted on keeping your mouth shut, instead choosing to focus on the feeling of Freddy’s hand against yours.
“Billy, it’s not like they’re supervillains-”
“They’re close enough.” You murmured.
“They're just super douchebags.” 
“So you’re breaking your own rule? Got it.” 
You were amazed that no one had figured out Billy’s identity, considering the volume at which the two boys spoke. For someone determined to keep a secret, Billy was awfully loud.
“This thing is as much mine as it is yours.” You couldn't even find it in you to argue that; 1) no, it really wasn’t and 2) why didn’t he include you.
“Starting to think you think it’s all your thing.” Billy stormed into his classroom, Freddy hopelessly calling after him. When he gave up on Billy, he turned to you, a desperate look on his face.
“Y/N? Do you want to stay for dinner tonight?”
***
“All hands on deck,” Victor called, everyone besides Billy putting their hand in the centre of the table. You hesitated, until Freddy placed his other hand on yours, bringing it up to meet the others.
“Thank you for this family. Thank you for this day. Thank you for this food. Sorry Billy’s hand’s on vacay.”
You absolutely adored the Vasquezes and their crazy family that all perfectly worked together. Everyone’s hands dropped, grabbing cutlery and eating.
“Big news in Philly. Got a costumed hero. He’s doing good.” You smiled at the mention of Billy until you saw the looks on Freddy and Billy’s faces.
“Yeah, but is he, though?” Eugene piped up, everyone immediately intrigued by his comment.
“Ooh! Controversy, into it. Share with us your perspective, Eugene.” 
This was sure to be an interesting dinner.
“Just saying, he’s what? Charging people’s phones? So what? I can charge a phone with a plug.” You smiled at Eugene. That was an extremely valid point. Billy was, in no offence to him, kinda useless right now.
“Preach. Pedro, any thoughts?”
“Costume’s stupid.” You giggled, fully agreeing. It did look kinda dorky. Everyone else laughed along too, except Billy, which was even funnier to you. “Big white cape like he’s getting married or something.” You burst out into giggles, remembering when you had told Billy exactly that.
As you giggled, you didn’t notice Freddy’s hand on top of yours, or the smitten gaze he had. Everyone else, however, most definitely did.
“What if he didn’t get to pick his costume?” Billy finally spoke up, drawing everyone’s eyes to him. “Ever think about that?”
“You’re a specialist Freddy, and I’ve heard that you are too, Y/N. What do you two think?” Rosa prompted you and Freddy.
“Yeah, guys, let’s manage to see the positive.” Billy eyed you both warily, and as you went to speak, Freddy immediately cut you off.
“Okay, well, I think it looks likes he doesn’t have gratitude for what he’s been given.”
You wished Freddy had telepathy, just so you could tell him to not make this personal. But alas, he had no such ability.
“Very specific. All right. Y/N, what were you going to s-”
“Maybe to the superhero, gratitude doesn’t mean having to be clingy.” Bill retorted.
“Clingy? Wow, interesting take.” 
You didn’t want to be overdramatic, but you were sure you had never been more stressed in your entire life. 
“You know, maybe sometimes a superhero just wants a little me-time.”
Shit, they were making it personal. You kicked Billy under the table, only getting a glare in return.
“You know, me-time could also be construed as pushing away his family.”
You could feel the confused gazes burning into you like lasers. This had to be the most suspicious conversation ever.
“Family. Is that what they are now?” 
You hid your face in your hands, sighing in annoyance. Why did you ever think that this would be a nice, normal dinner with your friends and their family, especially after school today?
“It’s a classic symptom of “Superhero Syndrome”. Coined by German psychologist Heinrich Von German-Something, where superpowers become an all-consuming narcotic.”
Billy immediately got up from the table, and you watched with a fearful look in your eyes as the chaos came to an upsetting end.
“Son, we’re still eating dinner.” Victor tried to call Billy back, but it was useless at this point.
“What he needs is a sidekick,” Freddy called after the boy, and then everything clicked. 
“Name one cool sidekick.” Billy stormed up the stairs, leaving the rest of the family sitting awkwardly. You didn’t realise how nervous you looked until you felt Freddy’s fingers tracing small circles on your leg. The action was calming, and you shuffled closer to him.
“Darla, why are you so quiet over there, baby? You’re never at a loss for words.”
From the way in which Darla glanced at Freddy, Billy’s empty chair and you, you realised that Darla knew a lot more than you thought. 
“I’m eating.” The small girl mumbled through food, just to get her point across.
Once dinner wrapped up, Freddy went to head upstairs, until you reminded him that Billy was up there, and that didn’t seem like a good idea right now. Instead, you took him out to the front porch, sitting on the steps, gazing up at the sky.
“It’s beautiful up there.” You mumbled as Freddy sat beside you. For a while, the two of you sat in silence, just gazing at the sky and the few stars you could see. The night sky always reminded you of the first flying lessons you had with your dad, back when you first started developing your powers.
“Yknow, I’ve always wanted to fly.” Freddy broke the silence. “It probably sounds stupid, but flying sure sounds better than walking, especially with this stupid thing.” He chucks his crutch to the ground, both of you wincing at the sound of it hitting the ground.
You don’t speak, not because you’re ignoring him, you just don’t know what to say.
“This… This was a bad night for you to come over. I’m sorry it went like that.”
“It’s fine. I’m sure there’ll be plenty of other dinners for me to join in.” You didn’t notice the impact of your words, but for Freddy, the idea of you coming to more dinners was like getting hit with a ton of bricks.
Freddy instinctively moved closer to you, which was no longer a big deal to either of you, but this time Freddy was trying a something else. He moved ever so slightly closer, and you finally realised what was happening.
You moved closer too, your heart practically running a marathon. The moment seemed perfect, and for a while, it was. He was about a centimetre away from you now, and that distance was only getting smaller.
“Freddy!” He jumped away quickly as the front door swung open. Rosa smiled sweetly, not realising what had just been happening. “Could you walk Y/N home, please?”
***
By lunch the next day, you were still thinking about last night. You had almost kissed Freddy Freeman. Twice. The first time, Rosa had stopped you just in time, asking if Freddy could walk you home.
The second had been outside your home. He had just dropped you off and thought that would be his chance. Unfortunately, your dad had other plans, swinging the door open, also not aware of what had been going on. He had thanked Freddy for walking you home, and you looked forward to the day when Freddy realised he had just met his idol.
They were the only thoughts that clouded your mind as you sat with Freddy at the lunch table, a massive crowd waiting for Billy and apparently Superman to appear.
You were unfortunately skeptical about Billy showing up, especially after what Freddy told you about this morning. Billy had walked to school with Freddy, and then immediately ditched. Freddy didn’t want to believe it, but he didn’t think Billy would show either.
You looked worriedly at Freddy, knowing that there was no chance Billy would show. The Breyers were staring you two down, and you were getting very nervous with all the eyes on you.
“I’ll just call him. I’ll just make sure.” He got out his phone, holding it up to his ear. “It’s ringing.” 
Freddy was not a good liar in any way, shape or form. Not one single person here believed him. You knew that if you didn’t know the truth, you wouldn’t believe him.
“Red Cyclone, hey! Hey, what’s going on?” He paused for belief. Of which there was none. “Oh, that’s crazy! Yeah, it’s Freddy, by the way. Yeah, it’s crazy! Great story.” Someone from behind you snatched his phone away and you knew you were screwed.
“He’s not talking to anyone.” The crowd laughed and booed, and you immediately lived in fear of what the Breyers were gonna do.
“I was! I was! We’re friends. I know him, I do!” The crowd dissipated. “I know him! I know him! Uh, yeah.”
The Breyers laughed at your humiliation, and you latched onto Freddy in fear. You were royally screwed now.
“Shit.” You muttered in unison, giving each other frightened glances.
The Breyers dragged you out to the back of the school, to the alleyway between the school building and the hall.
Brett dragged Freddy aside, while Burke grabbed onto your shirt. Out of the corner of your eye, you saw Brett carrying Freddy by his underwear, and when you looked back, Burke’s fist collided with your face. It didn’t hurt, nor did it leave much of a bruise, so you simply let him at it.
Better to let him get it all out now.
You did, however, get in one good punch on Burke’s face.
“Eat shit and die, Kent,” Burke yelled, punching you again.
“Eat shit and live, Breyer.”
Once the boys let you be, you rushed to help Freddy back to his feet. He looked like he was in a lot of pain, so you tried to act like you were hurt too, just to make him feel better.
“Are you alright? Burke packs a pretty mean punch…” Freddy’s hand traced where he had seen Burke punch you.
“Nothing I can’t handle.” You grinned, which made Freddy smile too. His smile, however, quickly turned to a grimace.
“We need to find Billy,” Freddy grumbled, not just annoyance, but anger in his voice. As if on cue, you spotted a spark of lightning in the distance. You spun Freddy around so he could see the sparks too.
“Found him.” 
***
Freddy marched up to Billy, who was performing some stupid show in front of a crowd of people. What a surprise. Billy was abusing his powers. He even had a box laid out for money. Why, of all people, did Billy get to have superpowers?
“Hey. Hey!” Freddy pushed the crowds out of the way, anger seeping through his words.
“Hey, young man!” Freddy kicked Billy’s speaker, causing the music to stop. “Whoa, whoa, whoa, whoa! What are you doing? I’m in the middle of a show right now. How can I help you?”
You scoffed, rolling your eyes. Was Billy really this much of an idiot?
“We just wanted to say thank you for showing up to lunch today.” From the look on Billy’s face, he had just recalled his plans. “Yeah, I got a little something called a, uh, suitcase wedgie, right? I don’t know if you’ve ever heard of it, but it’s when someone grabs your underwear like that,” Freddy acts out his words as he goes, the crowd all with their phones out, “and holds you like a suitcase and walks you down the hallway.”
You scrunched up your nose imagining how painful that would be.
“And this was my underwear.” He throws the stretched out fabric in Billy’s direction, though it doesn’t go anywhere near him. 
“Gross.”
You stepped in line with Freddy, looking up at Billy in disappointment. 
“You said you’d come.” You uttered sadly.
“You said I would come!” You jumped at the outburst, grabbing Freddy’s wrist in shock. “I never said I was… I’m a superhero, dude!” 
You very quickly went from being disappointed to just angry.
“Yeah? Well, you’re acting real heroic.” You spat out. “How much people paying you today?” The venom lacing your words was thick, even Freddy looked at you in surprise.
“Listen, I have serious responsibilities now, okay?”
“Oh yeah, very se-”
“But that’s cool because I can carry that burden with my… hands! Lightning with my hands!” 
One strike of lightning struck much further away than you anticipated, hitting a distant bridge. It hit a wheel on a bus, and the bus came crashing off the side of the bridge. You gasped, catching Billy’s attention. He looked at the accident, before hyperspeeding away.
“We’ll just walk, I guess?” You asked, turning around to see Freddy already walking in Billy’s direction. 
The walk was long and tiring, and probably not good for Freddy in the slightest. You could see the whole situation unfolding, sighing as Billy did all the wrong things. What you wouldn’t give to go be better than him.
Reaching Billy, you saw a news reporter leaving, but there were still news cameras everywhere.
“Guys! Did you see that?”
“Yeah. You electrocuted a bus and almost killed these people.” Freddy stated, but it clearly wasn’t getting through to Billy.
“And then I caught it! Guys, I caught a bus with my bare hands! I caught a bus like people catch fly balls!” If it was any other day, you’d be impressed, and proud of Billy for using his power for good, but today you weren’t happy, and neither was Freddy. “Like, who does that? I do that!”
“Billy! You do nothing.” Freddy cut him off. “You take selfies and make people pay you.” You placed a hand on Freddy’s shoulder in comfort. “You know, forget it. I can’t really talk to you when you look like this.”
You and Freddy turned to leave, Freddy’s hand finding yours instantly. 
“You just wish it was you.”
You both froze, turning back around to face Billy. 
“No shit! You think? I would kill to have what you have.” You felt tears welling in your eyes. You had figured out why Freddy was so angry not too long ago. “Because everything I do is, like, some desperate attempt to get people to notice me. To not feel sorry for me.” He glanced over at you, seeing the tears on your cheeks. 
“I mean, look at me! Look at me. Do you even see me? ‘Cause most people don’t. ‘Cause they don’t want to. And now you don’t either. I mean, you think this is who you are? I mean, Billy, you’re 14 and now you’re no better than the Breyers.”
You could hear Freddy choking up, so you stepped in to help him.
“All this power, and all you did was turn into a show-off and a bully.” Your voice cracked, tears heavily flowing now. Freddy took your hand again, his one source of comfort, leaving Billy alone.
“Whatever, kid! I do what I want! And I’m like mid-20s probably! Maybe even, like, 30.”
You and Freddy didn’t turn back, storming away from the asshole you had once considered a friend. 
You were a fair distance away when you heard the sound of glass shattering from behind you. Judging from the height of the broken window, there was only one person it could be.
“Billy?” Freddy questioned, as said boy flew- wait flew?- towards you.
“Guys! I need your help!”
“You can fly?” Freddy exclaimed, his smile coming back. Billy was about to respond when another figure flew from the building, grabbing Billy and sending him to the ground. The concrete where they hit broke as easily as the glass, and you immediately went to inspect it.
Freddy joined you, staring into the open floor.
“Who’s the other guy?”
There was no response, but you and Freddy had the same thought.
“Supervillain.”
Screams could be heard in front of you, and you looked up to see swarms of people running out of a nearby shopping mall. That’s where they had to be. Why else would people act like that?
“Freds, this way.”
Freddy made his best attempt to run, only tripping a few times. Eventually, you made it into the mall, seeing the heard of people running in a panic. Billy was nowhere to be seen.
“Billy?” Freddy called out. “Billy?”
“Billy, where are you?” You joined in, yelling, searching for any sign of Billy.
So far, nothing. Freddy called out a few more times, but you had stopped, seeing the bald man scanning the mall. That was him. The supervillain. It took a few more seconds for you to register that the supervillain was flying towards you.
He grabbed both you and Freddy, slamming the two of you up against some lockers. Your heart was beating at an irregular pace. How did your dad do this?
“Billy. Where is he?” The bald man asked, and you tried your best to stay calm. Freddy was not doing well in the calm department.
“Supervillain…” He said quietly, his eye wide with fear. This was the sort of shit you see on TV and in comics, not everyday life. “Supervillain! Supervillain!” 
His screams were useless. No one was coming to your rescue. 
“Worse. Much worse.”
You didn’t want to cry, but there was a high probability you would.
“Radioactive anthromorph?” Freddy asked. “Psychic energy manipulator? I won’t let you read my mind. My mind is blank. You can’t get in.”
“I don’t need to read your mind.” He slammed both of you against the lockers again, making you whimper in fear. “Because you are going to tell me. Where is he?”
As hard as you tried, you couldn’t find Freddy’s hand.
***
You found yourself outside Freddy’s home, still being held by the supervillain. Fear was rushing through your veins, and guilt, knowing that if you were able to use your powers, you could’ve easily stopped this.
The supervillain rang the doorbell, and the door was immediately swung open, Darla only seeing Freddy at first. He was shoved inside, you pushed in next, hitting into a wall. You hissed in pain and caught Freddy’s concerned glance.
“How quaint.” Mr Supervillain said, glancing around the room. Everyone’s faces held similar expressions of terror. “Actually, I take that back. What a shithole.”
You were grabbed by the supervillain again, and he scanned you up and down, his brow furrowing. Shit, did he figure you out? He threw you back with the other kids, and you stumbled backwards into Freddy.
Freddy dug in his pocket, hoping to find his phone, but an ominous chuckle from Mr Supervillain gave you a good idea of where Freddy’s phone actually was. He pulled out the familiar black phone, dangling it mockingly in your face.
You were all shoved onto the couch, ordered to stay like you were dogs. Mr Supervillain unlocked the phone, his eye glowing. When did he have hacking as a power? You all watched him, too scared to look away.
A sudden pressure on your hand made you look down, seeing a familiar hand in yours. It had only been an hour, but it felt like much longer since you had had Freddy’s comfort. You moved closer to him, shaking with pure terror. 
“F-Freddy?” He looked down at you, and you didn’t have to say anything for him to pull you in closer. You had Freddy, but you wanted Billy here too. You wanted protection and safety and the knowledge that you’d be alright. You wanted your dad.
The familiar sound of a phone ringing startled you, and whoever was on the other side quickly picked up.
“Freddy, you were right. I’m so sorry I yelled at you.” You heard Billy through the phone, and both panic and relief set in. 
“Come home, Billy. Come home.” Mr Supervillain spoke, eyeing you all evilly. You shuddered under his gaze, holding Freddy tighter.
“Billy! Supervillain! Supervillain!” Freddy yelled, hoping to be heard through the phone. The call abruptly ended, Mr Supervillain stalking around the house once more. He picked up a Christmas wreath on a door, throwing it to the ground.
“Who are you? What do you want?” Mary asked, Darla clinging to her jacket.
What do I want? I want...” The lights flickered, and the sounds of rumbling thunder could be heard from outside. You saw the golden glow outside the frosted window, knowing who was on the other side of that door. “That.”
Eugene whispered a quiet “Whoa” from beside you as Billy landed outside. 
“Kick his ass, Billy!” All five of you turned to Pedro in surprise. You had never heard him speak that loudly.
Mr Supervillain pointed his hand at you all, a cloud of dust and smoke billowing out, the face of a monster forming in the cloud.
“No, no, no, this isn’t real. This isn’t happening.” You repeated your mantra to yourself, only stopping as Billy pushed some hair out of your eyes. You looked up at him, as he leaned close and whispered in your ear.
“Don’t look at that. Just focus on me.”
And you did. You gazed at Freddy, studying his face. For a while, you managed to forget about your surroundings. Not fully- how could you forget about the monster snarling and growling at you?- but enough for Freddy to be the main thought circling your mind.
“Let them go and I’ll come inside,” Billy yelled.
“Oh, first you come inside, and then maybe I’ll let them go.”
Billy did as told, storming towards the house. As he did, Mr Supervillain pulled the monster cloud away from you, and you relaxed a little. You were still on edge, but noticeably less so. Billy opened the door, fully entering the house.
“Good boy.” Mr Supervillain walked towards Billy, a smirk on his face. “Cause that’s all you are, isn’t it? How old are you?”
Billy stared the supervillain down, taking into account his glowing blue eye.
“Basically 15.” Mr Supervillain grabbed Billy’s face, humming in disdain.
“When I was a child, the old man told me I wasn’t good enough,” From beside you, you heard a faint whisper of “Evil monologue.” from Freddy. “Yet here you are, a coward. Run from me and the wizard chooses you? You’re not a hero.”
You almost yelled that he was more of a hero than Mr Supervillain would ever be, but the sudden feeling of Eugene clinging to your coat stopped you from going anywhere.
“But I’m gonna give you the opportunity to be one.” Mr Supervillain continued. “Give me the power of the champion.”
“No, don’t do it, Billy!” Freddy yelled, regaining the attention of both Billy and Mr Supervillain. The supervillain walked towards the couch, all six of you tensing up. You jumped slightly as a beam of lightning, not dissimilar from Billy’s, shot out from his hand.
It hit a door, seven rows of repeating images appearing, and an ominous glow from beneath it, as well as smoke that most certainly didn’t give you a good vibe. It opened itself, revealing what looked like a cavern of some sorts. 
“Give me the power and I’ll let them go.”
“Billy, no! You can’t do that!” You found your voice, yelling at your friend. From beside Freddy, Darla stood up, running to Billy. Mary followed behind her, calling for Darla not to go over there.
“Don’t go, Billy!” She pleaded over and over again, hugging the tall boy-man. You felt tears prick at your eyes, huddling your face in Freddy’s side more, so as to not see anything that could unfold.
“No, I have to.” Billy stumbled out, and you looked up, seeing Mary trying to pull Darla away. This was all too much. “It’s what a good brother would do. Right?” 
Billy walked towards the open door, Mr Supervillain not far behind.
“Billy,” Freddy said, trying with any hope to get Billy to stay. His attempts were useless, as Billy entered the door. You all watched on hopelessly, but the still-open door gave you and Freddy an idea.
“Freddy, we have to go help him.” You said, quickly forgetting how afraid you had been just a few minutes ago. You heard scuffling behind you, spinning around to see everyone gone. “Guys?”
“Y/N!” Freddy’s voice called from upstairs. “Get a weapon!”
You looked around, spotting the open kitchen door. You ran in, grabbing a small, but a sharp, knife and running back out to join the others. They all had their own weapons, but you glanced wearily at Pedro’s.
“Pedro, is that a lamp?” You asked, and he looked between you and the lamp.
“It’s an ugly one.” He stated, and you saw no reason to argue.
“Well, let’s go get your brother back.” 
You stepped through the door, glancing around everywhere. You marvelled at the beautifully terrifying cave surrounding you. It seemed to go one forever.
“Well, Y/N, where do we go now?” Mary asked, still holding onto Darla.
A familiar yelp of pain echoed through the cavern, followed by the voice of Mr Supervillain. It didn’t seem like much to go off, but you had some help. You pointed forwards, knowing exactly where to go. 
“There.”  
The cavern tunnels opened up into a strange temple-like place. You pushed everyone behind some rocks, blocking them from sight. You couldn’t have them getting hurt. You watched on, as the supervillain continued to speak, telling Billy of his past.
Billy started to push himself off the ground.
“I get it. I get what that’s like. Feeling like you’re all alone in the world.” Mr Supervillain demanded Billy to stand. “Feeling like there’s that one thing, if you could just find it. Then you’d finally be good enough.”
Billy stood, Mr Supervillain holding out some staff-thing.
“The champion’s name. Say it.”
Your leg bounced in anticipation, as the same dust clouds swarmed around the supervillain like earlier, except this time they formed seven full monsters. They surrounded Billy, snarling and baring their teeth.
Each one was horrifying, towering over Billy. Their mangled faces sent shivers down your spine, yet you couldn’t look away from them. Their glowing red eyes seemed to speak, digging into the deepest corners of your mind.
“Look, no offence, mister, but I don’t think those things have your best interest at heart,” Billy argued, and as you stared intensely at the scene unfolding, you missed Freddy’s call for everyone to follow him.
But his hand back in yours, pulling you with the group was enough to get your attention. The monsters spoke, their gravelly voices haunting. They spoke to the supervillain, telling him of his actions. 
“Don’t listen to this child.”
“Take the staff.”
“Hold it and say the champion’s name.”
They were using him. This wasn’t a team effort for them. These monsters had simply taken another victim for their own personal gain. From what Billy said next, it seemed he had realised what was going on too.
“They’re using you. You have to see that, that they are using you.” He said as you and the five others gathered in the centre of the room. Freddy poised himself, replica Batarang in hand. 
He looked at you for confirmation, and you nodded. He threw the Batarang as hard as he could, and everyone watched as it soared through the air. As he threw it, you handed him your knife, so he’d still have some protection. You could fight without a weapon, he couldn’t.
“Say your name.” Mr Supervillain said, just as the Batarang came in contact with his head. It clattered to the ground, Mr Supervillain, the monsters and Billy all turning to face you.
“His name…” Freddy smirked, as you all got into a fighting position. “Is Captain Sparklefingers.” You finished.
“And we’re gonna keep throwing things at your big, fat, ugly-eyed head until you let our brother go,” Darla said, and you were amazed by the young girl’s bravery.
The monsters were taken back into the supervillain's body, taking quite a dramatic exit. He moved towards your little group, each of you taking a few steps back in fear. Out of the corner of your eyes, you saw Billy reaching for the discarded Batarang.
You drew your eyes away from Billy, scared to give away his plan. Sparks erupted as he picked up the Batarang, and even more flew as he stabbed it into Mr Supervillain’s shoulder. Billy flung the supervillain into the rock wall, hopefully knocking him out for a bit.
“Boy, am I glad I didn’t sell that Batarang.”
Now wasn’t the time to be mad about Billy trying to sell Freddy’s stuff, but you’d grill him later about it. Billy came down the stairs, looking back at the supervillain every now and again, juts checking he was still out.
“Pedro, is that a lamp?” You let out a soft snort at the question you had asked earlier. Pedro sighed, muttering the same answer he had given you earlier.
“Come on, come on, come on.” Billy pushed you all to start running, and you did, not wanting to be there when Mr Supervillain came to. “Guys, I appreciate the thought, I really do, but I don’t think your weapons are gonna help. I mean, Y/N, you don’t even have a weapon.”
“Don’t need one.” You shrugged, Billy giving you a skeptical look. 
As you turned the corner, you all stopped, one singular thought in everyone’s minds. Eugene was the one to voice the collective thoughts.
“The door was right here.”
“Billy, how do we get outta here?” Mary asked, but everyone knew that it was unlikely that Billy had any idea.
“What, you think I know? I don’t know!” He rushed over his words, as he so often did.
“This way!” Darla pointed at a tunnel through the caves.
“Go, go, go. Follow Darla. Good job Darla. Go, go, go!” You all ran through the cave, waiting to find some kind of exit. Or at least something that wasn’t a tunnel. Unfortunately, it just seemed like tunnels.
“How long are these tunnels?” You groaned as you turned yet another corner into yet another long strip of rocks.
“Hey, Y/N?” Freddy spoke up, completely out of breath. This was unfair for him, having to run so much. “I’m sorry I dragged you into all this.”
You looked at him, bewildered. His eyes were downcast, staring at his feet as you both strayed behind the group. You lifted his chin up, looking into his gorgeous brown eyes.
“You didn’t drag me into this. I chose to come along, and up til now, it’s been pretty fun.”
He would’ve kissed you right then and there if it weren’t for Billy’s frantic screams for you to catch up, and the looming knowledge or the supervillain finding you. So you simply took his hand, as you so often did and ran as fast as Freddy could bear.
“Pedro, Pedro, come on.” You heard Billy up ahead, growing more frantic with each second. He turned around, seeing you and Freddy up the back of the group. “Freddy? Freddy, keep up. Darla, stay in front. We gotta hurry.” 
The tunnel ended, and you found yourselves on a bridge, stretching across a frighteningly deep chasm. You tried not to look down, but your curiosity overpowered your sensibility, as you glanced into the neverending pit.
Any wrong move and you could be falling down there. Great, well at least it was a motivator and not just a giant pit of doom. Past the bridge, there were simply more rocky passageways.
“Would it have hurt,” You complained. “To put up a signpost, maybe?”
Pedro, Darla and Eugene stopped, scanning their eyes over the room. As you moved closer, you saw that it was filled with doors. So many doors, it could have beaten the scene from Monsters Inc.
One of these has to be a way out, right?” Mary asked, and everyone’s eyes trailed upwards, even more doors coming into view.
“Yeah, I would hope so.” 
Eugene opened a door, and you peered inside. Three alligators in suits sat at a table, seemingly playing cards. Their heads snapped towards the open door, charging forwards. Eugene slammed the door in time, shaking his head.
“Not this one.”
Pedro opened the next one, revealing a misty view. A shadow moved forward, and as it broke through the fog, you saw a strange-looking creature. It reminded you of something out of ‘The Mist’, a book you had read earlier this year. It snapped suddenly, lunging at Pedro, who slammed the door on it. It kept writhing until Pedro finally got it inside.
You opened a door, seeing nothing but a forest inside until a giant eight-legged creature descended from the treetops. It’s eight beady eyes glared into your soul and you found yourself frozen in fear. The spider snapped its fangs, scuttling forwards. You felt like you could cry, almost screaming until someone closed the door on it.
“Y/N? Are you alright?” You nodded, only barely registering Freddy’s voice. 
“Okay, no more doors. Nobody open any more doors.” Billy announced, watching Freddy shaking you away from you fearful state.
When Freddy did bring you back, he sighed in relief.
“Jeez, let’s keep you away from doors, huh?” You smiled, thankful for Freddy and everything he ever did for you. You moved back to the group, standing exceptionally close.
“Come on, Billy. What are we gonna do?” Darla cried.
“Darla, I don’t know.”
“Yes, you do. Just think. How’d you get out last time?”  Everyone’s voices were filled with panic, fear and nervousness, the sound of rocks breaking alerting you to a certain supervillain’s nearing presence.
“Uh, last time, I thought about the subway, and I was on the subway.”
“Okay. then, Billy, look, think about the subway.” Freddy babbled. “Think about any place except for here, okay?”
“What is this, The Wizard of Oz?” You said, trying to bring a bit of light into the situation. Only Freddy laughed, and it was more of a short sound than a laugh. Everyone was far too on edge right now.
You saw the moving glow of the staff from down the tunnel. You didn’t have much time now. If Billy didn’t think of someplace soon, you’d all be dead. Or injured, at the very least. Either way, it didn’t end well for you and the Vasquezes.
“Billy? Any time now…” Your eyes darted between Billy and Mr Supervillain, panic rising like a volcano, waiting to explode. The lightning symbol on Billy’s chest glowed brighter, but so did the light emanating from the staff held by the supervillain.
Your eyes remained on Mr Supervillain as he shot his hand out, a beam of light coming straight for you. If Billy didn’t get you out of there soon, you were all dead meat. To everyone’s relief, your cave surroundings disappeared just as the lightning was about to hit you.
When regained your bearings, your jaw dropped at your surroundings. Mary frantically covered Darla’s eyes, while you did the same to Eugene. In the midst of the chaos, you lost Freddy in the crowd. Billy’s height helped to navigate the exit, and as much as you tried to focus on the red and white in front of you, the noises coming from left and right were heavily distracting.
You pushed open the doors, feeling relieved to be out of there. It was crowded, and sweaty and sticky and you hated it. None of you were particularly impressed with Billy right now.
“Why are you covering my eyes?” Darla asked, Eugene nodding in agreement.
“Really? This is the first place you think of? Wow!” Mary rolled her eyes.
“You’re welcome!” Billy had a point. At least you weren’t dead.
“Why can’t I see what’s inside?” Darla asked again, Eugene nodding again.
“You two are not old enough.” You and Mary said, only taking your hands off their eyes once the door had properly shut.
“Old enough to know that was great music.” Darla smiled, and you couldn’t help but smile at the girl’s innocence.
“Not my thing,” Pedro muttered softly, and you suppressed a slight chuckle. You looked around, realising a certain blue jacket-wearing boy was missing.
“Where’s Freddy?” 
As if on cue, the strip club door swung open again, Freddy stumbling out, saying something about “Siracha”. You raised an eyebrow, but hearing Freddy wish them a “holly, jolly Christmas” made you laugh.
“Freddy! What are you doing?” Billy yelled as Freddy rejoined the group.
“Uh, n-nice people.” 
“Nice people? Come on.” You marched over to Freddy, grabbing his arm gently.
“Is that glitter? They have glitter! Can I get glitter?” You had to commend Darla for always finding a positive, even when they were all being chased by an evil supervillain. 
“No, not from them.”
A sudden crack of thunder had you all turning around to look back at where you came from, seeing a flash of lighting, much like Billy’s. Mr Supervillain was back on your trails. He burst out of the roof, a plume of smoke billowing from the building.
“Shit.” You muttered. 
“Go, go go. Everybody, go!” Billy pushed everyone to start running, but you simply looked worriedly at Freddy, who was trailing.
“Freddy, Freddy, Freddy!” Billy rushed behind him. “One, two three. Up, up. Up we go.” He picked up Freddy, bridal style, hyperspeeding ahead of everyone. You all kept running, not looking back at the supervillain, in fear of being spotted.
You all ran into an alleyway, the Christmas Village just across the road. Glancing around, you did a headcount, finding exactly six others, thank god.
“Alright, all people accounted for, let’s move.” You spoke, mainly to yourself. As long as you could count the six heads, you knew that you hadn’t lost anyone. Six heads. Just six. Six. Wait, zero?
Everyone else had run into the carnival, leaving you in the alleyway. Your eyes darted around, searching for Billy’s towering figure. In the distance, you spotted a familiar white cape in the distance and ran in that direction.
Billy was being surrounded by people with their phones, all taking photos and videos f him. You pushed through the crowd, only getting hit a few times. One person’s phone connected with your nose, and you yelped in surprise.
“Y/N?” Freddy’s voice sounded from inside the circle. He could recognize you just from you exclaiming out of pain? You couldn’t tell if that was a good thing or not. Right now, it was very good as he fought his way through the crowd to drag you with him.
“Shazam!” 
A lightning strike hit the ground, and soon Billy’s tall alter-ego was gone, replaced by his regular self, who was refreshing to see amidst all the chaos. You pulled Billy into a quick hug, finally finding a chance to.
The crowd murmured about the sudden disappearance of “Powerboy” and you and the Vasquezes made your way out of the crowd, hiding behind one of the booths. You thought you had a moment to rest until you realised that Mr Supervillian would have seen the transformation lightning. Your cover was blown.
“Champion!”
“Shit.” You muttered as the seven of you watched the supervillain fly over the top of the carnival
“You don’t deserve that name. Hiding behind innocent people who will now die. Because deep down you’re still just a scared, little boy.” You all shared very similar glances at the mention of people dying. Fuck, where was your dad when you needed him?
The crowd of carnival-goers was silent, simply watching Mr Supervillain above them. Then, all at once, all hell broke loose. People were running everywhere to get away from the ensuing battle. Mr Supervillain began his destructive descend upon the carnival, blowing boots up and striking the Ferris wheel.
It sparked, shifting to the side. You could see everyone on the ride, panicked and fearful. You even felt bad for the Breyers. Even they didn’t deserve to die. The wheel was collapsing, and none of you could do anything. Except for-
“Well, you guys wanted me to be a hero.”
“You kidding? Okay, no. Old guy’s up there, harbouring multiple spiritual entities.” Freddy rambled, tripping over his words.
“Plus, he has the same powers as you.” You added, “And, no offence, but I mean, he knows what he’s doing.”
“Plus, I mean, you’re one of my best friends I don’t want you to die.” Freddy finished, muttering the last part nervously, his eyes moving between you and Billy.
“If a superhero can’t save his family, he’s not much of a hero.” As panicked as you were, a smile spread across your face at Billy’s words. You were well aware of Billy’s familial struggles, having been both Freddy and Billy’s go-to person to talk about problems they had.
“That was a decent catchphrase,” Freddy said, making you both smile and smack him in the chest at the same time.
“Shazam!” And just like that, your big red friend was back, ready to destroy whoever dared to mess with his family and friends, in your case. He jumped into flight, seeming to have already perfected a skill he gained that morning.
You felt useless, watching Billy do all the work as you simply stood with the others. You should have been up there, by his side, kicking evil ass with your friend. But then again, Billy could protect all of Philadelphia, you just needed to protect his family.
You all watched the fight intensely, trying not to alert anyone to your whereabouts. Billy seemed to be winning, from what you could see. He sent the supervillain hurtling to the ground, a resounding thud echoing throughout the empty carnival.
Billy flew down, landing across from where you were all huddled.
“Or try that again!” He looked to you all for approval, only receiving an ‘eh, sure’ from Freddy and a ‘never say that again’ from you.
“Billy, look out!” Freddy yelled, having seen Mr Supervillain preparing for his next move. Billy ducked just in time, but you and Freddy both felt that his move was not over yet.
“Laser eyes! Guys, he’s got laser eyes! Too bad your aim sucks balls!” 
You were about to tell him that, no they weren’t laser eyes, when the wooden planks behind him exploded, revealing one of those damn monsters again. It lifted up Billy, throwing him with ease.
You all watched on in fear as Billy landed in a nearby carnival game booth, Mr Supervillain stalking over to him.
“That’s his power matrix.” You said, watching both his glowing staff and glowing eye.
“His what-what?” Eugene looked at you in bewilderment.
“When the demon guys leave his eye, he loses his powers,” Freddy explained, you simply nodding along with what he said. “That’s why the Batarang hurt him.”
“Hey!” Mary suddenly shouts, you all turning to stare wide-eyed at her. “Over here!”
“Wait, what are you doing?” Concern and confusion are etched onto Freddy’s face, but realisation flashes across yours.
“Divide and conquer.” You said, Mary confirming your statement. “If we separate the monsters from the eye, he’s just an old man.”
“Gather the mutts” Mr Supervillain unleashes the monsters, and you all take off running. Mary and Darla are leading, while you help Freddy at the back of the pack.
Freddy is snatched away from you, and you speed up, yelling at yourself to not look back and keep running. You hear Pedro and Eugene yelping, knowing they got taken to. You speed ahead of Darla and Mary, only to hear the sounds of them screaming for each other as one more monster takes away your last two friends.
It’s just you, running as fast as you can. As fast as you can without using hyperspeed. You hide in a ring toss booth, hoping that the monster didn’t see your tumble in. Your breathing is heavy and ragged, but when the coast is all clear, you make a run for it.
Turning the corner, you see Mr Supervillain holding Billy, and not superhero Billy, but regular Billy, down into ice water. He’s not transforming, so you figure he isn’t able to. You look around for anything to help with, seeing a gun from some shooting gallery game lying discarded beside you.
You pick it up, aiming it towards the supervillain.
“Hey!” He turns to face you and the barrel of the gun. You fire, sending the bullet hurtling towards him. You suspect he’ll catch it, and it won’t do anything, but maybe it’ll distract him just long enough for Billy to transform.
And that’s exactly what happens. He perfectly catches the bullet, which was level with his eyes. You can sense the monster behind you, and now it’s too late to stop it. Just as it reaches out to grab you, you see Billy’s head leaving the water. You sigh in relief, happy that your plan at least worked out for him.
“Shazam!”
The lightning strike sends Mr Supervillain flying backwards, but he catches himself, properly flying to the open tent where you and your friends are held captive. Billy rises from the shattered ice, seeing all of you held kidnapped.
You’re struggling against the arms of your captor, as are your friends, but the monsters are stubborn, and they’re not planning on letting go anytime soon. Mr Supervillain stands at the centre of it all, awaiting Billy’s first move.
“Nice trick. Catchy. One simple word. I have a better trick. Four words.” You all stare at the supervillain, fear, stress and now pain on everyone’s faces. You can’t look away from Freddy and his face contorted in pain, and you find him doing the same.
“Kill the special one.” 
Everyone’s eyes flick to Billy, expecting a monster to go after him. What they aren’t expecting, however, is for the monster holding you captive to growl, bearing its teeth, poised and ready to kill you with no hesitation.
There are screams of protest, and the monster nears. You can’t tell if you’re breathing properly, but your guess is no. The loudest screams are from Freddy, who you can tell is crying from just his voice.
“Don’t hurt her!” He screams, only to be cut off by the monster holding him tighter, his words turning to hisses of pain.
Your head is in the mouth of the monster, and by now you’ve given up fighting. If this is how it ends, so be it. There could be worse ways to go out.
“Stop!” Billy yells, and you let out a breath you were unaware you were holding in. the monster puts you down, and all you want is to be by Freddy’s side. Billy comes closer to the tent, Mr Supervillain smirking as if he’d achieved something. As he walked closer, the monsters held on tighter, taunting and tormenting Billy.
“Billy, there’s one more demon guy in his eyes! You gotta just rip it out of his face hole.” Freddy yelled, before having a monster hand clamp over his mouth. He fought against the monster but to no avail.
“It’s where he gets his power!” Mary finished. The monsters moved in, surrounding Billy, all of you still held tightly in their many, many arms.
“Reach for it. I dare you.” Mr Supervillain taunted, as Billy knelt to the ground before him. “Wise decision. Hands on the staff.”
“Billy, don’t do this. Billy!” Freddy protested, but once again, no one listened to his pleas. You all joined in his plea, begging Billy to not do as told. 
Billy ignored you all, doing as he was told, wrapping his hand around the glowing staff. As he did, the monsters dissolved, leaving all of you to gather yourselves. Freddy stumbled right over to you. You caught him in a hug, feeling the exact level of comfort you both needed after that.
“He called you special. Why?” Freddy’s hands found your face, holding it softly as if he was scared to hurt you in any way.
“You saying I’m not special, Freeman? I’m a little offended.” Now did not seem the time for jokes, but hey, wasn’t that the perfect time to pull one out?
“You are so special, Y/N, but I need to know what he me-” He was cut off by Billy grabbing the staff, and slamming it into Mr Supervillain. He went flying backwards, buying you all some time.
“All hands on deck.” 
You knew what Billy was doing. He had told you exactly how he got turned into his superhero self, so you stayed behind when everyone else held onto the staff. They all waited for you to join, but you didn’t move.
“Y/N? All hands on deck. That includes you.” Freddy smiled, but you just shook your head. He tilted his head in confusion, going to pull you over as Billy said something about running out of time.
“Y/N, come on.”
“I think I’ll be fine on my own.” You smiled, knowing that finally, the time had come.
“Freddy, come on, we gotta do this now.”
They all grabbed the staff, waiting for Billy’s next instruction. Freddy and Billy kept looking back at you, as you kept an eye on Mr Supervillain in the back.
“Say my name.” 
At the same time, all five of this Vasquezes yelled out the same thing.
“Billy!”
You laughed softly, having had a feeling that that would happen.
“No, not my name. Say the name I say to turn into this guy.” You saw the realisation on their faces, as they all got ready to yell again.
“Shazam!”
The most powerful lightning strike you’d ever seen came crashing down, and for once, you didn’t have to run or hide from the sparks. It felt nice finally being able to be yourself. Once the light died down, you saw that the five kids and teens had been replaced with five adults.
Freddy’s crutch fell to the ground, and your excitement grew wilder. You stood beside Billy, seeing the five identical lightning-shaped glows coming through the fog. Your smile widened as they emerged, buzzing with happiness. This was probably the best-worst day of your life.
Pedro stood in green, Darla in purple, Eugene in grey, Mary in red and Freddy, your Freddy, down the end in blue.
You watched as they all gawked at themselves, impressed by their superhero counterparts. You were kinda jealous that you didn’t get a cool adult transformation, but that had been your choice so you wouldn’t say anything.
“Guys,” Freddy said, and when you looked at him, you saw that his feet weren’t on the ground. “What’s happening?” He kept moving upwards slowly, and something clicked in your mind. “I can fly!”
You giggled at his excitement, unable to forget your current thought. Freddy said something, back when Billy first became a hero. Belief was the key. Freddy had always believed he could fly.
Even in a grown-up body, his excited laughter was still as dorky as it was usually. You were so distracted by Freddy and his everything, that no one noticed Mr Supervillain rising from the floor.
“Guys. check out these guns.” Pedro said, and everyone looked at them grinning in shock and surprise, Darla even leaning over to poke said ‘guns’.
“Hey, Y/N, are you sure you’ll be fine without superpowers?” Freddy asked, to which you just smiled and shook your head.
“No, I’ll be fine without your superpowers, specifically.” You explained, leaving them as confused as they were before. 
“No. It’s not possible.” You all turned to see Mr Supervillain, rising from the ground.
“Gee-whiz mister,” You had to hold yourself back from laughing at Billy’s childish words coming from his grown-up body, “Sorry I took your cane. You want it back?” Billy snapped it in half, and you couldn’t stop smiling like an idiot.
“Guys, I don’t believe in violence, but I think we should kick this guy’s butt, like, really hard,” Darla said, everyone getting ready to fight. Freddy floated in the corner, holding up two middle fingers at the supervillain.
Mr Supervillain shot out his lightning at Darla, sending her flying backwards. The blast set the booth alight, but you watched Darla speed away from it. She ran back over to you all, stumbling a bit, but you steadied her.
“Guys, I think I can move really…” She sped her way inbetween Mary and Freddy, “fast.”
“Hyperspeed! Check!” Freddy pointed excitedly.
Mr Supervillain sent out the monsters again, and for once you weren’t scared of them. You eyed one up and down, searching for where you thought would be it’s weaker spots. All hell was about to properly break loose.
“Billy! The eye!”
Mr Supervillain lunged at Billy, sending them both up and out of the tent. It was just the six of you now, against six monsters. Perfectly balanced. 
“Look out!” Eugene spun around just in time, as a monster lunged for him. Lightning strikes sparked from his fingers, sending the monster flying backwards. He looked down as his electrified hands, as did everyone.
He accidentally set off another spark, hitting exactly where Darla was. She was, once again, flung backwards, but ran around to where Eugene was.
“You almost exploded me.”
Another monster appeared behind Pedro, and he put out his arm to defend himself. He hadn’t been expecting to catch the monster's arm and hold it away from himself. He threw the arm down, punching the monsters, as it soared backwards.
You and Freddy held similar expressions of unadulterated joy and excitement. Sure, Philadelphia could be destroyed by a supervillain and actual demons, but you were superheroes!
You saw a monster sneaking up behind Freddy, and without thinking, set your heat vision in action. You burned the monster, not stopping until it had run away to deal with its injuries. Everyone watched you, slacked jaws.
“What? I said I didn’t need your superpowers.” You said nonchalantly, though your mind was screaming about how good of a reveal that was.
“Y/N, you have superpowers? Oh my god, you have superpowers!” he went to lift you up to his level, but you simply floated your own way up. “Holy shit, you can fly, too!”
“Freddy, you’re flying right now, don’t be too impressed.”
“Yeah, but you can fly without having to say the word!” You had never seen Freddy geek out as much as he was right now. He was questioning everything you could do but didn’t ask how you got your powers. You told him everything you could do, and you felt that if he wasn’t losing his mind, he might have made the connection he needed to make.
The monsters didn’t seem to get hurt easily, as they kept coming back to attack you again. Mary got tangled up in the branch-like hands of one but threw it off her. You were busy helping Darla with an exceptionally big one when you heard Freddy from beside you.
“Dude, I’ve studied the fighting techniques of every single superhero. What do you got?” The monster you were fighting had scurried off to fight someone else, so you kept a watchful eye on Freddy.
The monster flicked its long claws out before they grew and sharpened even more.
“Well, that’s terrifying.” The monster prepared to lunge for Freddy, but he started running away from it. He took to the sky, the monster, unfortunately, having wings and following him. You wanted to go after him and help, but Eugene was having some problems and he would’ve needed more help.
“Eugene! Zap him over here!” You called, gaining Eugene’s attention. He zapped the monster, and as it flew towards you, you readied yourself to punch the ugly thing. You did, sending it soaring, ripping a hole in the tent.
You had to stand on your toes to high-five the now very tall boy. You used your arctic breath to freeze on of the monsters temporarily, allowing Pedro to weaken it more. The sound of whooping caught your attention, looking over to see Freddy flying through the carnival, the winged beast not far behind.
The monster crashed into the Ferris wheel, and it was then that you remembered that there were still people on the wheel. The impact from the monster caused the wheel to bend more, sitting at a terrifying slant.
“Oh my gosh, those people!”
You watched as one woman fell out of the side of her chair, clinging on for dear life. You wanted to go save them, but you couldn’t. You didn’t have anything masking your identity, and the Breyers were up there. 
The woman fell, and Darla ran to catch her. As the woman landed in her arms, you sighed in relief, before pinning around to punch the beast sneaking up behind you. Looking back, the wheel was still bending under its own weight.
“Pedro! Try and hold it up!” You instructed, said boy doing exactly that. And he did it well. The wheel was no longer collapsing, perfectly held in place by Pedro. You once again sighed, only for it to be revoked when you saw a four-armed monster on top of the wheel.
“Shit.” You didn’t really have anyone else to send out after the monsters. Did you risk the reveal of your identity? Your thoughts were whisked away by Darla cartwheeling in to save the day. She grabbed the two citizens, taking them safely to the ground, as Freddy flew past, still battling the flying beast.
“You’re not gonna believe this,” You used your enhanced hearing to listen in on him, only half paying attention to the monster you were fighting. “but you’re actually the first villain I've ever fought. It’s, like, kind of a huge deal for me.”
The monster growled, sending Freddy off flying again. You turned your full attention to fighting a beast, punching it a few more time, successfully knocking it out. Your mind drifted to Billy, wondering how his epic showdown was going. Hopefully, he was winning.
You watched Darla save a screaming Santa Claus, running him to safety, as Eugene electrocuted the monster, yelling out some Street Fighter reference while doing so. The monster you had just been fighting rose, targeting Pedro next.
You could see the conflict on his face, as the monster charged. You had to help, so you lunged onto the monsters back, punching it repeatedly. It simply flung you off its back, and slammed you against a wooden wall. You felt dizzy, trying to stand up, only to fall back down.
You saw Pedro getting tossed aside, same as you had been, and watched as the beast pulled the Ferris wheel down. The support beam snapped, while the other one continued to bend, the monster still pulling it as hard as it could. It continued to tip over, at a much more rapid rate now.
It seemed that everyone besides the Breyers had been saved, and you could hear them screaming. You were about to risk everything and save them when a blue streak pulled them from their seat. The wheel hit the ground, all people finally off the ride.
From above you, you could hear the Breyers screaming, while Freddy had an amused expression on his face.
“Is he giving us suitcase wedgies?”
You giggled softly, busy finishing off another monster fight with Mary. Freddy finally got his comeuppance with the Breyers. He landed, harsher than the other times, just to get the last laugh. You rolled your eyes at his childishness, before flying up to meet him.
“Nice going, hotshot.” You smiled, earning one back. 
“Yeah, I really showed those monsters what I’ve got.” He grinned proudly, his cape flapping in the wind. He looked happier than he ever had.
“I know, the Breyers were really screaming.” You giggled. Freddy suddenly dove down, swooping you up into his arms, which only made you giggle more. He flew back down to meet the others, and it seemed that the monsters had backed off for a bit.
“M’lady,” He said, placing you softly on the ground. You floated back up, pecking him on the cheek before touching the floor again.
“My hero.” You said, in an overly-dramatic and mocking tone. That sent you both into a fit of giggles, the other four watching with amused looks.
“This is nice, but maybe do it when you both look the same age,” Eugene commented, which made you and Freddy glow a bright red. “It’s just a little weird.”
The other nodded, and you smiled at the ground bashfully. No one noticed the monsters charging at you again. 
Two of them latched onto Eugene, who kicked and punched as hard as he could but couldn’t shake them off. Mary swooped in to kick the one that Pedro hadn’t seen, sending it hurling out of the tent, landing near two more of the creatures.
Mary and Darla went to take care of those three, while one more came after you, Pedro and Freddy. It was easy enough to keep one down with the three of you, so you ran to help Darla, who’s hyperspeed wasn’t doing much right now.
You went to land a hit on its ugly face when it dissolved right in front of you. Turning around, you saw Billy reaching in to rip our Mr Supervillain’s eye. You all watched as the glowing blue orb was torn from the socket, the demon entities being sucked back inside.
Eventually, the orb was fully removed, and the supervillain collapsed to the floor. Billy held the glowing orb in his hand, staring at it.
“Here’s the thing about power. What good’s power, if you got nobody to share it with?” 
All five of your friends landed behind Billy- Freddy had insisted on carrying you bridal-syle, and who were you to deny him his fun- looking at the defeated man before you. 
“Ta-da!” Billy exclaimed, presenting the evil orb to you all.
“That’s disgusting,” Pedro stated, and you had to agree with him.
“Fatality.” Eugene once again referenced Street Fighter and laughed in amazement of himself. “I got the voice.” He smiled, everyone smiling in approval too.
“What’s that?” Your heads snapped in Billy’s direction, the laughter ceasing quickly. Billy was staring at the orb, bringing it closer to himself. “I can have anything I’ve ever wanted?”
“Billy.” You said, your eyebrows furrowing. What was he doing? Realisation dawned on everyone, protests coming from every person.
“No, no, no!”
“Stop it!”
“Don’t look at that!”
The orb was at eye level now. Was Billy really about to do exactly what Mr Supervillain had done? He couldn’t be that stupid, could he?
“Billy don’t do it!” Freddy yelled, and you all jumped as Billy suddenly pulled the orb away from him. You groaned, rolling your eyes.
“That wasn’t funny, Billy.” You walked up to him and punched him in the shoulder. He yelped in pain, grabbing his shoulder. You walked back beside Freddy, happy with yourself.
“Jeez, you pack a mean punch.” It was then that the six of you realised that Billy didn’t know you had superpowers yet. Well, he’d find out eventually. “You got super-strength or something?”
“Actually, yeah, she does,” Freddy announced, the others nodding in agreement.
“Well, anyway, we can talk more about that later. You really think I’m gonna put a demon ball in my head? That’s disgusting,”
There was a debate between the seven of you as to whether Billy’s joke had indeed been funny or not. The consensus said no, except Eugene.
“Uh… Guys.” Mary said, regaining everyone’s attention.
You all looked to see a crowd of people walking your way. You ducked behind Freddy and Pedro, jumping down to hide in the fallen Ferris wheel, both of them looking at you strangely.
“No disguise. No secret identity.” You whispered, Freddy immediately nodding and making sure to cover up your entire figure while you hid, along with Pedro. 
The crowd clapped and cheered, while you all just stood awkwardly. Darla waved to the people, in her energetic little kid manner. 
“Alright, we did it!” Billy cheered, his family moving to line up with him. You wanted to be up there, but you’d have to wait until you got a costume and an alter-ego for that. “Hey, alright, yeah! We did it! We did it!”
The crowd cheered louder and louder, more people coming to applaud the heroes. You smiled from below the Ferris wheel, picturing Freddy’s face as all his dreams come true.
“Hey, you guys are all safe. There’s no more danger anymore.”
Your friends still stood awkwardly, not really knowing what to do, besides Freddy who was completely owning this moment. He was truly in his element. 
Eventually, the crowd died down, people leaving to go home after that night’s adventures. You floated up to join everyone else, who were still on a high from everything that had happened in just an hour.
“They all really love you guys.” You mused, earning happy smiles from everyone.
“They’ll love you, too, once we get you a costume,” You smiled softly at Freddy, his compliment meaning a lot to you, “I mean, how could someone not love you.” He rushed out his words, mumbling them quietly.
If he had been in his normal teenage body, you would’ve kissed him right there.
“Oh, guys, what do we do with this?” Billy gestured to the orb.
“Put it back where it came from, I guess.” You shrugged, not really having any other idea. “Which would be the temple cave thing. You transported us out of there, can you get us back in?”
Billy gave you his typical “I don’t know” face before it switched to one of concentration. He focused on taking you all back to the temple. Nothing seemed to happen, so you thought of something else.
“What if you all try?”
You watched them all concentrate on teleportation. You thought you might as well try too, closing your eyes tightly. When you opened them again, the bright lights and skyline of the city were gone, replaced by the rock walls of the temple.
“You guys can teleport!” You said, in a very Freddy-like manner.
Billy held the orb, looking for where it went. His eyes darted wildly, but Freddy’s locked on to something, Terminator-style.
“The pedestal, over there.”
“You sure this is gonna work?” Billy asked, placing the orb over the pedestal. A weird cage thing solidified around it, holding it floating in place.
“Told ya,” Freddy announced, as seven plumes of smoke left the orb. The plumes rebuilt broken statues of the monsters you had fought, each one even as terrifying in stone as they were in real life.
You just hoped they remained as stone for many years to come.
“You guys know what this place is, right?” Freddy asked, and you nodded in excitement. He had whispered it to you earlier, and you had to try very hard not to geek out.
“A dark, haunted cave with demon statues,” Darla said, and she wasn’t wrong.
“Well, yes, but also…” You and Freddy looked over at Billy, who looked at you weirdly. You saw the confusion being replaced by realisation, and then excitement.
“Lair! We got a lair!”
No one else was anywhere near as excited as you, Billy and Freddy were, but that didn’t matter.
“We got a lair.” Freddy smiled stupidly, giggling to himself.
“What’s a lair?” 
***
That night, after Freddy had flown you home, even though you insisted you’d be fine on your own, you had told your dad every single detail of the events that had just occurred. 
Two hours after your return, your dad knew everything. Billy skipping school, going with Freddy to find him, the bus, the argument, the supervillain, getting kidnapped briefly, the monsters, the temple, and the final battle.
He had listened intensely, saving his questions for the end of your story. When you wrapped up your story with Freddy bringing you home, your dad opened his mouth to start his questions.
“Are you hurt?” Head shake no.
“Did any of them get hurt?” Head shake no, again.
“So they know about your powers?” Head nod yes.
“And Freddy brought you home?” Head nod yes.
“And you’re together now?” Head nod y- wait, what?
Your jaw dropped open, as your dad didn’t try to hide his laughter. You burned red, fiddling with your hands. Your dad either maintained boundaries or never had them, and there was no in-between. 
“W-We’re not together. Sure, I like him and I think mayb-” You looked down, not only because you were saying too much, but because you felt your phone buzzing in your pocket.
You saw Billy’s contact, looking at it in confusion, but you picked up the call.
“Billy? What’s up?” You saw your dad listening in.
“I need your help with something. You said the other day that your dad knows Superman.” Once again, your comment has landed you in deep shit.
“Uh, yeah, what about it?”
“Can you get him to come to school for lunch tomorrow?” Your eyes darted up to your dad, who could hear the entire conversation.
“I’ll, uh, see… what are you planning?”
“I thought you’d want to help me surprise Freddy.” Now that Freddy was in the picture, you couldn’t back out.
“Oh, yeah I’ll see if I can get him immediately.”
“Thank you so much, Freddy will be thrilled. See ya tomorrow.” He hung up, and you looked sheepishly at your dad.
“So, uh, abo-”
“I’m going.” You blinked a few times as if that would confirm that you heard your dad correctly. “Look, I want to meet this Freddy you keep talking about. Make sure he’s good enough for my baby daughter.”
“Fine, just be gentle with Freddy. I don’t want him running away from me.”
“He’s in love, he won’t go running.” Your dad smirked, seeing how flustered you got. You stood up from the couch, heading out into the hallways, but not before turning back around, trying not to laugh at your dad’s childish actions.
“I’m going to bed before you embarrass me more.”
***
Freddy walked through the cafeteria, trying to find a table with some empty seats. He spotted one up near the back and redirected his path. Sitting down at the table, it wasn’t long before everyone at the table got up and left.
Freddy acted like he didn’t care, but deep down, he felt a pang of sadness. He hadn’t seen you since before school, and he already missed you. He wasn’t ashamed to say that maybe he might be in love with you.
“What are you doing?” The annoying voice of Brett Breyer came from beside him. “Waiting for your imaginary BFF to show up?” Burke went to grab a chip from Freddy’s plate when his hand was swatted away by yours.
“No, just waiting for me.” You sat down at the table, moving your chair closer to Freddy’s. The brothers walked away to a different table, not before Burke knocked Freddy in the head with his elbow. You gave them both middle fingers, much like Freddy had done when they almost ran him over. 
“Sorry, I'm late. I got caught up in class,” You lied, “Teacher wanted to talk to me about a paper we had to write.”
“All good things, I suppose?” Freddy smiled, leaning on his hand. 
“Yeah, yeah. She said it was an outstanding piece of writing.” You kept lying, only feeling a pang of slight guilt.
“Well, yeah, duh. You’re smart enough to go to MIT or Harvard or something.” You went an alarming shade of red. Freddy always knew the right thing to say, even when you were blatantly lying to him. “Just, don’t go there without me.”
“I’d never dream of it, Freeman.”
Your little moment was interrupted by four trays hitting the table, and four people sitting in chairs. Freddy looked at his siblings in confusion.
“What are you guys doing here?” 
“Well, we’re having lunch with you,” Mary said, as if it were the most obvious thing in the world.
“But you guys have different lunch periods.” 
“Well, we made a very special arrangement.” They all nodded in agreement. You tried to look past their not so great acting and lying skills.
Freddy’s eyes moved to his little sister.
“Darla, what’s going on?”
“Why are you asking me?” She asked, innocently, though she suffered from Freddy’s issue of always looking slightly suspicious.
“Freddy Freeman.” You all hid your smiles as Billy walked into the cafeteria. You heard a wave of silence pass across the entire room. Freddy covered his face in surprise and embarrassment. “This guy taught me everything I know about being a dope superhero. True story. You should get some pointers from him.”
Billy sat down on the seat besides Freddy, really laying his acting on thick. “What’s going on, my best bud in the whole world? Hey, Y/N, you’re here too! And also new kids that I’m meeting for the first time but seem very cool.”
You let out a short string of giggles, only continuing when you saw the dumbfounded looks on the Breyers faces. 
“Uh… I invited another friend. I hope that’s okay.”
You couldn’t keep the smile off your face as you saw your dad walk in, red cape and all. Every single person in the room gasped, pointing at the man that just walked through the door. As your dad approached the table, Freddy turned his head away from Billy, noticing the shadow.
He looked up, letting out an adorable yelp of shock as his idol stands beside him. You move a seat over, letting your dad sit down. Freddy seemed to be frozen in shock, only his eyes moving. You had a stupid look of affection on your face, so utterly in love with this dork.
Freddy suddenly broke out of his frozen state, a sudden tsunami of questions spilling out. He barely left any time for your dad to speak. Your dad glanced down, seeing your gaze on Freddy and the lovestruck expression on your face.
The bell rang, and Freddy sighed, going to grab his crutch and go to class. Billy held out an arm to stop him, and Freddy looked at his brother in surprise.
 “We got special permission to miss the last lessons of class, we just have to stay in here.” You explained, “But they only let the two of us stay. Apparently any more than that, and it would be way harder to explain.”
Freddy said goodbye to his sibling, your dad also wishing them farewell. Once they were gone, your dad dropped his proper superhero facade, but not completely.
“So, Freddy,” You smiled at Freddy’s gasp of shock at hearing his name coming from his idol’s mouth, “I hear that you’re some new, hotshot superhero, alongside Billy here.” Freddy nodded along, wondering if Billy had told Superman everything.
“Well, if you need any tips, I’ll make sure to get back to you.”
“Sure, dad, you can’t even message me back and I’m your own kid.” You snorted, not realising what you had said. Freddy and Billy stared at you wide-eyed. “What? Did I say som- Oh. well, haha, surprise?”
You looked to your dad for help, but he was looking at the clock on the wall.
“Well, my time is up, I have work. See you after school, Y/N. Have fun explaining. It was great to meet you, boys. Freddy, you have permission to date her.”
And with that comment that left you and Freddy a burning red, your dad ran out of the school building. Billy went to speak but just ran out with no words.
You turned to the curly-haired boy, who was staring at the door in which your dad had run out of.
“Freddy, I’m s-”
“I’m in love with you.”
“W-what?”
Freddy grabbed your face, practically smashing his lips against yours. It was extremely messy and chaotic, and neither of you knew what you were doing, but it was perfect. You pulled apart eventually, both of you giggling like preschoolers.
“I’m in love with you, too.”
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unwiltingblossom · 3 years
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15x19 is just....just hilariously bad. It’s a hot mess of garbage and lost potential.
Let’s just say there’s one and only one way to salvage this story, and it’s that the entire story is just another Swan Song, and this haphazard ending was written by Chuck to give the boys a sense of closure and freedom that’s impossible for them to ever have from the moment they realized who Chuck was.
It’s literally that bad. it can only be excused by Chuck being a lazy hack in-universe to pander to Dean and Sam. Rushing the end of Castiel’s arc in like two minutes, with zero emotional payoff unless you’re deeply, deeply invested in Destiel and desperate for any crumb of it. Luci reappearing for five minutes and acting totally out of character before dying basically instantly right in front of Jack to conveniently charge him up, then Chuck killing Michael for literally no reason whatsoever (Michael did exactly what he wrote him to do) right in front of Jack, Chuck deciding just not to kill Jack because...........................................because, and also deciding to beat, but not kill, the Winchesters, and the most anticlimactic defeat of Chuck possible.
What was the point of him combining with Amara? Nothing, there’s no payoff, it’s just a way to write her out. For no reason in particular she vibes with Jack even though Jack betrayed and tried to murder her while Chuck did nothing against her. She has an entire arc about being an inseparable pair with Chuck, brother and sister from the dawn of time that no one else can understand, a bond that even the imprisonment couldn’t break, and then she’s like ‘ah yes, the ally of the person who betrayed and tried to kill me - who tried to do the same - the son of the angel who betrayed me and tried to seal me away, I like this guy and will go be with him and “harmonize” instead of staying with the brother that I love, or protecting him from this.’
What has changed between pre-season 11 (or really pre-season 14) and now? Has their god figure changed tactics at all? Literally no. Not even a little. Every part of Jack’s limp wristed speech just added up to ‘absentee dad who doesn’t come and help people because he doesn’t want to be a helicopter dad’. The current writers just balled up their fists and shook them at the sky angry about  a Chuck who literally just didn’t exist, and hurled insults at him for doing things that their new replacement is also planning on doing.
Dean and Sam aren’t even off the hamster wheel, they’re just now on Jack’s! Which is better, because they’re on the good side of their world’s god--wait, they were that already before season 15, oops. Chuck was literally personally indebted to them! Amara was in love with Dean! Nothing has changed!
But even if that’s the ending they wanted for some demented reason, the execution is awful, possibly the worst! Not only did Chuck and Amara’s abilities and personality become inconsistent with previous seasons, they became inconsistent with a few episodes before.
In the end what was Chuck’s personality?
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Whatever you were about to think was wrong unless your answer was “Nothing, he didn’t have a personality, he reacted only as the plot required him to at the time with no rhyme, reason, or internal consistency.”
One moment Chuck is railing at the Winchesters for ‘not obeying’, the next he’s punishing someone for obeying him or saying that the only thing that interests him is how the Winchesters surprise him. One moment he refuses the white flag for literally no reason, the next one he’s demanding they give up. One moment he needs Amara to Great Reset and has completely lost interest in the Winchesters, the next he’s given up on the hard reset and only cares about the Winchesters again. One moment he revives his most rebellious son because he knows that son is obsessively devoted to him, the next he’s killing his most loyal son for reluctantly rebelling (exactly according to a previous plan). One moment he says ‘now Jack dies’ the next he goes out of his way to just not kill Jack for no reason. Does he want a fitting death for the Winchesters or not? He sure doesn’t know the answer to that!
Chuck was not a person, not even an entity. He was a formless, personality-devoid plot object pushed around the map to give the Winchesters something to react to and try to ‘defeat’. Billy was far more the arc villain - even Empty - than Chuck, and her ending was utterly anticlimactic and unsatisfying.
He acted exactly as necessary to get the very specific ending they picked, and nothing more. Every time up until the final conflict whenever he saw Jack he’d immediately kill Jack unless Jack was literally just dying in front of him. Every time he was irritated with someone and wanted them gone through the season, he would wave his hand and they’d vanish to ‘somewhere else’, implied to be very far away. Suddenly this one time, he instead sent Jack a very short distance away, so as to ensure he’d be close enough to absorb Michael’s power when Chuck SMITED him, not killed him in some normal way.
Shall we look at the very specific chain of insane events that had to happen to make this result?
- Chuck erases all of living existence except Michael, the Winchesters, Castiel, and Jack - the last of which he has zero interest in and very much wants dead.
- Chuck, instead of going to the bunker himself because he knows full well there’s literally nothing, nothing, that can kill him with Amara’s power (and also instead of just instantly resetting like he wanted to do with Amara), revives Satan and sends him to the bunker to make a new Death so that she can read Death’s book.
- The combined cleverness of him and the longest lived villain in the series due to his tenacity and cleverness don’t decide to peacefully take the new Death away for ‘security’ and kill her where the Winchesters (and Michael) can’t see, and instead instantly murder her in front of everyone before she can say how the end happens
- Chuck, despite making a point TWO EPISODES AGO about how he’s literally omniscient, and so though he can’t read the book that doesn’t mean it can actually be used against him, suddenly forgets that only Death can read the book. All of the time in the universe and he’s never learned this???? Even the Winchesters knew!
- Chuck evidently infused him with the power to insta-kill Death....somehow, but this power is not on display at any other point, especially not the crucial next moment:
- The most tenacious and sneaky villain on the show then slowly makes his way around the bunker with a fellow archangel who wants to kill him present, then lingers and offers to let a son he hates (and Chuck dislikes) that he believes is currently powerless to come with him. He then is unprepared for the very same trick that Gabriel tried to use on him 10 season before and failed back then with the phrase ‘I taught you all the tricks you know’, and gets immediately ganked by Michael with no fight at all
- Chuck LITERALLY WAS THE ONE TO GIVE THE WINCHESTERS THAT ARCHANGEL BLADE AND WROTE IT SO THAT THEY WERE THE ONES WHO KILLED HIM WITH IT THE LAST TIME. HE COULD NOT HAVE NOT KNOWN THEY HAD IT!!!!
- Dean and Sam then discuss their plan to trick the omniscient Chuck between each other and Jack. Chuck somehow doesn’t know this, even though it was established in the past that the warding doesn’t actually work against Chuck and Amara and he has literally nowhere else to be looking in the multiverse except at them
- Jack absorbs the power of an archangel, making him the third most powerful being in the universe currently, as all other archangels other than Michael are dead and Death is dead, and there is NO OTHER POWER ANYWHERE WHATSOEVER to hide him in, yet is undetected by Michael or Chuckmara
- Chuck appears when they attempt to do some BS to kill him, even though he would know full well that just wouldn’t work, and decides in that one specific moment, even though he doesn’t care one whit about Jack, not to go ahead and just delete Jack since he’s gonna do that in a minute anyway, he also doesn’t send Jack ‘away’ like he has with literally everyone else, nor does he control Jack and turn Jack on the boys. Nope. Just slap him vaguely to the side
- Rather than deal with Michael after the Winchesters, Chuck decides he hates his most loving and loyal son who has never once done anything wrong against him, and sought to do his will even when he was gone, even when Michael was stuck in the cage unjustly. He goes ahead and murders Michael for something he wrote as a trap for the Winchesters and doesn’t even wait to deal with Jack and the Winchesters first to do it
- CHUCK. SHURLEY. UNDERESTIMATED THE WINCHESTERS. THE ONE WHO WROTE THEM TO BE THE WAY THEY ARE. THE ONE WHO WROTE “AM I THE ONLY ONE WHO DOESN’T UNDERESTIMATE THE WINCHESTERS?!” FOR CROWLEY TO SAY.
- Chuck didn’t notice Jack absorbing the power of Michael LITERALLY RIGHT NEXT TO HIM, making Jack nearly Chuck’s power by absorbing the two most powerful archangels and literally leaving him THE ONLY FLAME OF POWER IN ALL OF EXISTENCE BESIDES CHUCK. STANDING RIGHT. NEXT. TO. HIM.
- Seriously, the energy of Michael didn’t dissipate, it sucked right into Jack, still in his peripheral vision. Chuck the omniscient!
- Chuck then decides, unlike every other time he faced the Winchesters or anything he wanted dead, no he won’t smite or erase the Winchesters or make them face some poetic fate, he’ll punch them down. But not once and obliterate them, oh no. Over and over so he can “leak god power” that he then doesn’t notice is being drained into Jack
- He literally does not notice a being as powerful or more powerful than him standing behind him. OMNISCIENT CHUCK.
- Rather than take the power back, flee, or do anything with his power or eons of experience (like transfer his consciousness to Jack along with the power), he stands there and immediately is drained
THIS is the path that had to happen, with no deviations, for the Winchesters not to just die.
And on top of that garbage plotline of perfect coincidences we’re expected to believe wasn’t written to happen in-universe, the execution is the saddest and most pathetic wet fart of a finale ever.
There’s been 15 seasons, and conveniently we can compare three different ‘true’ endings in the process. Let’s do that, shall we?
Ending 1 - Swan Song. Build up: 5 seasons
The other endings didn’t get the benefit of five seasons of build up, so we won’t factor in the first 2 or 3 seasons just to be fair, and only count the beginning of the apocalypse arc.
Primary villain: Satan, with the backdrop of demons and the corrupted faction of angels. Their personalities are well defined and compelling. Their behavior makes sense and are consistent, and draw you in to be invested in what happens, especially the eventual heelface turn of Castiel.
Stakes: Humanity, but far more importantly, the supporting cast whom you grew to know and love over the years, even including Castiel.
Over the apocalypse arc, we see the boys struggle against impossible odds and what appears to be fate, raging against the dying of the light because they cannot accept that the future can really hold the end of everything. They despair, they grow, Dean - a staunch atheist - prays to god for the first time ever. Slowly but surely they lose ground, with every attempted victory only resulting in more failure. Ellen and Jo who survived an early season fake out and became beloved characters end up fighting and dying in a long, drawn out sacrifice scene that matters, leaving the people behind shattered. Bobby is crippled. Sam and Dean both give up and almost give in.
In the end, the final confrontation still happens, Castiel finally makes a stand for the sake of humanity and free will and he dies for it. Only the love that Dean and Sam have for each other, the lifetime as brothers and their fierce bond of family, finally saves the day. And it only happens at the cost of sacrificing Sam and Adam’s lives, forcing Dean to live for them.
The final battle takes all episode, it’s dramatic and it’s emotional both good and bad.
Ending 2 - Alpha and Omega. Build up: 3 seasons
The arc with Amara once again was a long build up of the Winchesters constantly trying to make things better and only making things worse, but where Sam was the vessel and thus had the personal connection to the villain in the first arc, Dean was the vessel exploring the darkness and thus had the personal connection to Amara in this arc.
Primary villain - Amara, the bitter and angry sister of Chuck who doesn’t understand human morality but has a personal connection to Dean.
Stakes: Existence itself, but also far more importantly, the supporting cast built up from the last checkpoint.
The crushing hopelessness of fighting a being with ultimate power filled the arc, and Dean’s attempt to reason with Amara failed not because she was insane, but because her understanding of existence was simply different and incompatible. Donatello their prophet has his soul devoured by Amara and Metatron is killed in a diversion, but overall there’s not as much sacrifice because it wouldn’t have done any good anyway. However, it has its Ellen and Jo moment in the form of the hopelessness of the Croatoan episode. The city converted, the Winchesters helpless, Sam infected and slowly turning, while Chuck has given up and plans to die with the world. 
And honestly, that moment when Chuck begins to sing, when the amulet after so many years finally begins to glow and the clouds part, everything isn’t fixed yet but somehow it’s all alright because “Dad is finally here” is such a beautiful moment.
Many before have commented on it, but Chuck’s song and the moment he heals everyone is iconic and beautiful, as is the moment when the play sings ‘Wayward Son’ while Chuck watches in the bleachers with a smile. Things also get desperate, as Chuck nearly dies even after they get everything together as allies - even including the last arc villain - they put together something that will only maybe work so that at the very least, existence can continue.
Once again, the boys and everyone get together to fight the inevitable and impossible simply because they believe humanity deserves to continue to exist, and it’s the love of family - this time between Chuck and Amara, who truly, no matter the eons of rivalry and resentment and bitterness, don’t want to see each other hurt - that puts aside the end. The inevitable fade is prevented because of love and family (and isn’t that the point?) and even Chuck as a father redeems himself, taking the anger from Dean, Sam, and his own son and finally makes peace with them as well.
In the same way Chuck brought back Castiel stronger as a gift, Amara brings back Mary younger as a gift, and just as in season 5, they leave with the promise that Dean and Sam can handle things from here. Chuck even says "The Earth will be fine without me. It’s got you and Sam.” before he leaves.
The final episode isn’t a battle, but the solution takes all episode, and the ending is somewhat bittersweet, though more positive emotional than negative.
‘Ending’ 3 - Inherit the Earth. Build up: one season
They didn’t have much choice about this, because Jensen sprang ‘I quit’ on them, and they evidently didn’t want Jack to be the final villain, so the arc they were in the middle of had to be terminated (and the Michael arc ended at an awkward place so they couldn’t have just ended it at the end of s14 instead)
Still, the season of buildup....just isn’t. Most episodes have nothing to do with the inevitable impending doom, and rather than hopelessness, the Winchesters mostly live in a delusion that despite utterly failing to defeat Amara, somehow they can beat Chuck with less power. This conflict is fueled by sheer rage on both sides, as Dean has up and decided he hates that someone is controlling his life and thinks he gets a say, and is willing to endanger the entire world for his grudge against Chuck - even though this was something resolved back in s11 (the resolution with Satan was also completely undone by these writers instantly but that’s another matter)
Primary villain: Chuck, with an aside of Billie and The Empty - unfortunately this Chuck has no connection to the previous Chuck (or even himself episode to episode), Billie has always been extremely bland and doesn’t really accomplish anything through the season, and the Empty is totally unexplored and wholly exists to say “BE QUIET” and provide fanservice because it’s using Meg’s actress to do so. It has no personality beyond wanting to be left alone and getting vindictive if it’s not. It also can’t impact anything because it’s barred from Earth and nothing significant in the plot happens elsewhere this season.
Stakes: Humanity, and also some side characters you don’t really know or care about
Let’s talk about those, because it’s the biggest failing in the execution of this whole plot and why the ending has no oomph and doesn’t matter even if Chuck had a coherent personality and the ending had made sense.
Bobby is not Our Bobby, and despite bringing him back, the writers utterly failed to explore him or bring him into things, even in this final arc. There’s been no chance to bond with this Bobby. Even his ‘romance’ with Mary was offscreen and he had little more than grunting to say about her death.  We’ve also had our chains thoroughly jerked around by Bobby since season 6. Emotionally we’re dead to Bobby, and the writers seem to have assumed this by token returning him and then shipping him on a bus immediately (or maybe the writers suck, because they do this to Mary most of the time too and there’s no reason for people to be bored of her)
Charlie is not Our Charlie, and we’ve already seen her die (pointlessly). Once again, the writers utterly failed to explore her, even more than Bobby, and no one can point out anything that makes her any different from the original except that she has no connection to the boys. She’s also been shipped off and removed multiple times, so viewers are well acquainted with her being gone. She does nothing in the final plot to make people remember her or be invested.
Does Garth even die on screen??? Have we even seen him since the antiMichael arc? Oh right, he’s in the joke episode where he gives Dean fillings. You know who doesn’t even die on screen? Jody. She also has no role in the season. She doesn’t even appear in reality, only alternate versions of reality! Instead, Donna appears! Just long enough so she can die on screen painlessly in a plot twist about Billie. Presumably Donatello dies, but, y’know, it’s offscreen.
More importantly, none of these people who die are involved in actually helping to fight Chuck. They help the Winchesters a little in their cameos, but they’re not involved in a desperate fight for survival, putting it all on the line even though they know it’s hopeless, because humanity deserves to exist and no matter how impossible, they have to fight.
Three people of importance die or ‘die’.
Amara, who as mentioned is just written out of the show for no conceivable reason
Rowena, is the only person with an impactful sacrifice done to fight Chuck, no matter how hopeless it is. Unfortunately, it’s somewhat rushed, and Sam is over it pretty quick....because Rowena becomes Queen of Hell, completely undermining her death and really just giving the Winchesters an upgrade, because she’s even more reliable than Crowley in there (they proceed to never call on her)
And then there’s Castiel.
His death is rushed and hot garbage, as mentioned. He’s not dying to fight Chuck, or for something he believes in. It’s not a long and emotional or heartbreaking scene. It’s a useless and stupid one that only happens because Dean is an idiot, with the fakest suspense of Billie just open palm smacking on a door for a stupidly extended amount of time, just so they could fulfill an ‘oopsie’ plot hook they’d planned for far in the future with the Empty.
And the worst part? After undermining Castiel being one of the brothers and everything he’s ever done with ‘it’s not that I loved humanity and did what I believed was right, even in the face of adversity and those around me telling me it was wrong, it’s that I loved you and confessing this even though it’s 100% unrequited and we’re surrounded by doom and I know things are hopeless I’m completely happy, at peace, and have forgotten Empty’s promise (oops, forgot about that qualification, didn’t you?)’
After all that, Dean, Sam, and Jack aren’t even really broken up about it. Dean is sad for like five seconds and then they move on back to angry at chuck mode. Jack lost his actual dad, Sam and Dean lost their brother - forever this time - and they’re like ‘eh, we moved on from losing mom again and losing dad again, this is nothing’.
There’s no impact to this sacrifice whatsoever. Especially because in the very next episode we see that if you have Chuck’s power you can just yoink out someone from the Empty, and that very episode they already said that the Empty can’t go where Chuck doesn’t want him. That is to say: Jack can just rescue him now and there’s nothing the Empty can do about it.
And as for the conclusion?
What saves the day? Is it love? Does Amara’s appeal to Chuck as his sister work? Do the Winchesters swallow their pride and go to Chuck to plead with him to see reason and remember his love for his creation? Does the love Michael have for his father reach him? Do the love Dean, Sam, or Jack have for each other matter, overcoming the impossible to choose love, freedom, and family like always?
Nope.
They win because Chuck is angry and hateful and full of hubris, so he makes a billion mistakes in a row, allowing himself to snatch defeat from the jaws of victory. And is there a lesson about love in the end, something about freedom or family or forgiveness?
Nope.
They leave Chuck groveling as a human (like that’s different from how he’s been for eons, happily so), Jack fixed everything (except Castiel and all the angels and heaven and all the monsters and serial killers and cannibals)  and then gives a speech about how he is everything and is in everything but not Dean and Sam’s car because the only way to be good at his job is to go do the thing Chuck was doing and Dean raged at him about.
And it happens in a few seconds.
Completely anticlimactic. There’s no climax. There’s no build up. There’s no satisfaction or emotional payoff. There’s no closure that makes you say ‘yes, this could be the end and I would be completely satisfied’ except that they didn’t include the last second sequel hooks that were in s5 and 11 because they knew there’d be more seasons.
Also looping back to the logistical side of things again
There is no ‘godforce’, there’s no ‘grace but it’s divine’
Chuck and Amara are power
You can’t just ‘drain’ them of it, you can’t steal their power and leave a husk, because there’s no husk. They’re not inhabiting someone like angels or demons do. They are that power. Why do they have that power? Because they do, Because they are, they have that power in their world.
If you could somehow ‘steal’ the power you’d be stealing the ‘essence’. Just like with Amara moving to Jack, Chuck would move to Jack, and suddenly it wouldn’t be Jack anymore, because a human mind and soul can’t overcome him (see: he writes them)
Also, consider the sheer staggering amount of NERF!!!!!!!
Chuck + Amara, that’s Chuck doubled in power
is now canonically the power of “One human soul + two powerful archangels + a few punches worth of power”. That means by their reckoning, Chuck alone is only a punch or two stronger than Michael. 
think about that compared to what Death said to Castiel with all of purgatory in him.
And this
This is why I say
The only way to correct this episode is to reveal in the end of this next wrap up episode that it was all written by Chuck, for Dean and Sam. The only fix to this is to make it so the bad writing is just typical Chuck being a ham-fisted writer who is ultimately just doing what’s best for humanity and especially his two favorites: giving them closure, someone to let out their rage and hatred on, and true ‘free will’, by once again removing himself from the equation and letting them live their lives without him.
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kainetestament · 3 years
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WandaVision Theory
Good Day Everyone, my 1st post for the year 2021.
I was unable to post anything back then (because Tumblr is not letting me post images), and now I am posting for possible theories for WandaVision, and this is as of Episode 7. Please be reminded that this post contains spoilers, so if you don’t wanna read them, you have been warned and you can go back. Also,  I’m gonna skipped on some references as those has been tackled by others already (such has Malcolm in the Middle, Kick-ass, etc), I will focus only on Marvel related franchise, character behaviors and sentence phrasing interpretations.
For those who hasn’t seen it yet, we can simplify that WandaVision is a Online Drama / Sitcom style series by Disney and Marvel Studios that stars both Wanda Maximoff and the Vision. Wanda and the Vision are trapped in the world of sitcom and is being broadcasted to S.W.O.R.D temporary base. So far, Episode 1 takes back in 1950′s sitcom, episode 2 is 1960′s, Episode 3 is 1970′s, Episode 4 is current reality, Episode 5 is 1980′s and Episode 6 is 1990′s, and now its the current era (based on the console game the kids are playing which looks like a Wii).
But before we jump to that, lets talk about first the "WandaVision Plot Leaked" which was first published in 4chan and someone reposted it on reddit (I dont have the name so I'm sorry).  Of course when I first read it, I was also skeptical about it, but at the same time, lets give it the benifit of the doubt and lets see which one will come true and which one is not.
I just numbered and bolded them for easier read, and added ❀ for my side comments about the "plot leak". Also, I'll refer to X-Men Pietro as PETER (because that's how he's called in that world), and ATJ as Pietro.
1. Wanda is a SWORD agent after Endgame which you might already know includes Darcy, Jimmy Woo and Monica Rambeau.
❀ No conclusive information yet, though not impossible because we saw in Episode 5 Wanda stormed into S.W.O.R.D HQ, looking angry and took Vision's body. Hayward said in his comment that its a highly sensitive material and Vision's body location considered a top secret. It's impossible to get this information unless she has an access to it or at least someone she knows has.
2. Woo was recruited from FBI to SWORD to keep check on superpowered beings after Sokovia Accords lost influence.
❀Agent Woo is indeed working in partnership with S.W.O.R.D as of the moment, but he is still wearing his "FBI" vest, indicating he’s still with FBI and is just working alongside with SWORD because he was with Monica and witnessed her disappeared.
3. Wanda was sent to investigate as a SWORD agent..but she was also a part of the team to keep check on her.
4. Wanda as of now is placed in a real illusion. The sitcom world she sees is real with real people of the town – but one can't see so from the outside.
❀ This is true, this is the current event going on in the series.
5. Wanda came in contact with Mysterio who allowed her to gain Vision back and live a peaceful life – based on sitcoms she used to watch as a kid.
❀Mysterio, a lot of people commenting ill about him (for this post – and was thinking it could probably be a typo for Mephisto), but if we look at the timeline, Spiderman Far From Home is set 8months after the blip reversal, WandaVision however, is 3weeks to a month after the blip was reversed. In Episode 4, Hayward mentioned "It's been 3 weeks, and you're first to report" to Monica, and if we go back, the huge TV screens (just after the Marvel Intro) in SWORD's HQ lounge captions the news with "Globe Celebrations Continues" "The Blip Brings Back Loved Ones" indicating the blip just reversed.
6. Mephisto will stay close to the couple and keep watch over them (he is in the rabbit currently). His plan is to obtain Wanda's kids in the hopes they'll be powerful sorcerers he can control. He deems Wanda too dangerous to control in the long run.
❀Agness is INDEED keeping a rabbit and has been seen in Episode 2 and current Episode 7. But whether that is Mephisto or not is not yet conclusive.
7. Sword is trying to maintain contact with Wanda who is lost in her subconscious. Whenever she realizes it, she rejects it.
❀This happened in Episode 4 when Agent Woo and Darcy tried to contact Wanda from the outside the HEX using the radio.
8. The entire show isn't gonna be a sitcom as marketed. We'll see Wanda fighting Sword near the end until Woo manage to make her realize that she's lying to herself.
❀Still inconclusive if Agent Woo will really do that but she already confronted the SWORD in Episode 5, Hayward is indeed planning the attack.
9. The couple will face numerous villains in the final episodes – the ones who were manipulating them...!
10. Kathryn Hahn's Agnes is Agatha Harkness. She was a witch who was given away by her son (I'm not sure if her son will appear onscreen or not) and was burnt alive.
❀It is finally revealed in Episode 7 that Agness is indeed Agatha Harkness, but we will probably find out if she was sold off by his son in the next upcoming episode.
11. She too made a deal with Mephisto who allowed her to live. She befriended Wanda for her children but will become an actual friend to her.
12. However by the end she will be possessed by Nightmare who'd take advantage of Wanda's powers to break open the Multiversal seal – which will of course carry forward to DS2.
13. Dottie will be revealed to be Clea.
14. Grim Reaper will act as Ralph – Agatha's "husband" who Vision would go against in the climax.
15. Sword has a special device which was implanted on Wanda before she was sent. Essentially the events going on are being translated by her subconscious as a sitcom which can be seen by Sword agents (like Darcy) who are confused about what's happening with Wanda.
❀Still inconclusive but not impossible considering Darcy is the WandaVision sitcom.
16. Monica managed to enter Wanda's town while she was asleep in a helicopter. Sword will again try to break in. ❀Half wrong, half right - Monica sent a drone helicopter inside the HEX and Wanda first felt its presence as shown in Episode 2 (after the Marvel intro) when Wanda was still asleep (she heard noises), and in Episode 4, Monica came close to the HEX after her drone disappeared and got sucked inside of the HEX.
17. Monica would try to help Wanda realize the truth after getting her conscious back, but Wanda will get pissed off when she says her Vision isn't real and will throw her away from the town (to the outside world) using her powers.
❀Half wrong, half right - Monica is indeed making Wanda realize the truth and this occurred on Episode 7. In Episode 3, Wanda did sent Monica out of the HEX calling her an outsider when she commented that Pietro was killed by Ultron, not because Vision is dead.
18. Quicksilver will return! And I know it sounds stupid, but Evan Peters is playing him. Aaron will appear in a couple of episodes.
❀Indeed, Peter (Even Peters) of X-Men Universe showed up at the end of Episode 5 and is present the whole Episode 6, and Pietro (Aaron Taylor-Johnson) did appear in flashbacks (so far).
19. Wanda slowly starts remembering a few people of the outside world (including her brother). She is trying to figure out if she had a sibling herself, finding it weird why she wouldn't remember him.
❀Inconclusive - so far, it is projected that Wanda is in a state of denial. Though other than Vision, not a single one of the Avengers are mentioned here by her.
20. Meanwhile her subconscious starts to associate powers of the heroes she has known to random civilians of town.
21. She has twins Billy and Tommy who also have powers. One of them has superspeed and she remembers her brother (but not fully).
❀True - Wanda now have twins and Tommy is shown to have super speed, as shown in Episode 6 and Billy having telepathy, clairvoyance and telekinesis, similar to her mom’s power
22. There's one more. Vision will feel a bit weird none of the kids look like him. So they'd create a daughter based off Vision (Viv).
23. Quicksilver returns played by Aaron. However the presence of a real dead dude starts breaking the illusion. ❀Yet to happen but, makes one wonder how he'll get back to life.
24. Grim Reaper (Ralph) will be revealed and he befriends Quicksilver. He'll get him written out of the show and Quicksilver gets recast to Evan Peters.
25. The only one who finds it off is Viv. She is confused why Quicksilver doesn't look the former one. She tries to make others realize that. But they think she hates her uncle.
26. There will be a rerun of all the sitcom episodes. Wanda will break out from her illusion midway in the show to her actual living room in her subconscious.
❀I'm not sure of the rerun as its yet to happen, and I'm not sure if this break out of her illusion is the one that happened on current Episode 7 where Wanda fixed the couch and the TV.
27. Vision here is nothing but a puppet. At this point Wanda realizes the entire illusion but she gets heartbroken realizing her children weren't real.
❀It is already implied that Vision is indeed a puppet. Wanda realizing everything is an illusion is yet to happen.
28. She flips the channels to find her children again and decides to enter the sitcom-y world once again.
29. Darcy will end up there too and she will reveal Vision the entire truth (having watched all the sitcom episodes and analyzed what causes the changes).
❀Exactly as shown in Episode 7.
30. Wanda will be unwilling to leave her world even after her fight against the Sword stops.
31. Mephisto will take control of Quicksilver's body. Agatha will turn on him.
32. Wanda will try to send Quickie back to his universe in the end with Agatha's help but Nightmare will use it as an opportunity to seize control of Agatha.
33. The Nightmare part will only be revealed to the audience (not Wanda herself). Story carries over.
34. There are flashbacks of Wanda's life. A lot of which are seen by Darcy who tries to understand the extent of her trauma.
35. Yes Aaron will appear in flashbacks. Wanda will be shown a lot of these in the final episodes where she'd also find how the Mind Stone just unlocked her innate powers.
❀He did
36. Evan Peters will tell how in his universe Mutants are pretty common (just a tease).
❀ If this is true, then its only Peter will be the only mutant to appear in the series.
37. The ads in the show are all related to her trauma. There will be ads about Pietro's death, Lagos explosion and even a vacuum cleaner based on Thanos.
❀ The Ads - somehow true, related to her trauma. The first commercial with the oven possibly be a reference to Age of Ultron where commented Pietro and Wanda commented that when they were 10y.o, a bomb shell fell into their house but did not detonate, they were staring at it for 2 days because they were trapped and waiting for help while thinking every shift on bricks will set if off. Episode 2 has the Strucker watch referencing also to Age of Ultron where Strucker experimented on them using Loki’s scepter. Episode 3 is about escaping reality with the Hydra Soap (with the shape of the Tesseract), Episode 5 with Lagos Paper Towel representing her messed in Captain America Civil War when she tried to save Cap, Episode 6 with the animation of Yo-Magic with a Shark talking using a caption "If you're hungry, eat Yo-Magic", and lastly Episode 7 with Nexus medicine that promotes killing when you are depressed.
38. The couple in each of the ads is her parents who are acting as stand-ins for events based off her trauma.
❀Yes, that is the speculation.
39. Vision will help Wanda accept the reality and move on. He gives her his farewell and fights Grim Reaper, hoping to destroy the dome after sacrificing his life.
40. Wanda saves Vision in a scene which mirrors Age of Ultron. He will return back to real world along with their children, Agatha, Quickie and rest of the town/Sword.
41. Wanda is happy Vision is alive and sings a song to him, but it turns out he is effectively rebooted after the fight. Unable to bring his memories back, Sword leaves with Vision.
42. Her children are also hidden by Nightmare-Agatha. Wanda gets torn and tries to move on, unaware to her Nightmare is opening up the Multiverse for unknown reasons.
I will end this first here as the post is getting longer, and will continue with the part 2 and will discuss it further.
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WandaVision series review part 3.
You'd think I'd have learnt my lesson now--save the damn draft before you switch tabs to find the tags you want to add. But I haven't. Clearly.
The last two weeks I've posted parts 1 and 2 of my WandaVision review, because, even though by the time this goes up, WandaVision will have ended nearly a month ago, it's still all I can think about. Part 1 contained my initial thoughts and episodes 1-3 breakdown; part 2 contained episodes 4-6 breakdown, and this part will contain my episodes 6-9 breakdown and my final thoughts.
Episode Seven: ‘Breaking the Fourth Wall’ This episode was released on February 19th, with a runtime of still 37 minutes, following a 2000s-style sitcom format heavily influenced by Modern Family. 
Cue the recap, and we open to Wanda waking up in an empty bed. We then cut to an interview-style scene which I assume is based off Modern Family or another sitcom, like the interviews intermingled with reality TV, but there’s nothing to really pick apart; it’s just entertaining. The twins then run into Wanda’s bedroom and tell her their ‘game is freaking out’, and we see their controllers change over and over with that scarlet-TV texture. Billy comments that his head is noisy, an echo of the power shown in episode six, similar to Wanda’s own.
Interview-Wanda then says as punishment for expanding the borders, she plans on taking ‘a quarantine-style stay-cation’, which, written probably in 2019, did not age well. She goes downstairs to make milk, and it transforms between a carton and a bottle. These object shifts may be implying as Wanda expands the borders, she loses more and more control of even the things right beside her--the Hex is falling apart.
Cut to Hayward and SWORD setting up a new camp beside the new border of the Hex, but further back than before, likely to give them more time to move if it happens again.
Vision then wakes up in the circus the original SWORD camp was turned into, and, looking like his synthezoid self, is assumed to be a clown. He then sees Darcy, dressed as an escape artist, but she doesn’t remember him, clearly under Wanda’s control.
Wanda asks the twins if they’ve seen Vision, they ask if she wants them to look for him, and she replies, ‘If he doesn’t want to be here, there’s nothing I can do about it.’ It seems like she’s trying to defer her guilt at what she’s down to the townspeople. The twins then ask about Pietro--’Do not believe anything that man said. He is not your uncle.’ We saw Wanda blast him into a haystack towards the end of the last episode, but now he’s simply vanished. Wanda then laughs that she has none of the answers they expect her to, and makes some nihilistic comments. She uses her magic to open the door to a knock, and enter Agnes, who takes the kids next door to give Wanda some alone time. The furniture then begins to shift into pieces from the other decades, but Wanda fixes it.
Cut to Jimmy and Monica in a military vehicle they stole in the last episode, and Jimmy explains in Darcy’s hacking, she found a secret project called Cataract, to bring Vision back online--to fix the Vision. But it failed, until Wanda brought him back, which was why Hayward was so focused on Vision over Wanda in the Hex. They then meet some non-SWORD military people, who unveil a higher-grade vehicle, presumably for Monica to attempt to safely re-enter the Hex.
God, I love seeing Darcy in this show. She was the only good thing about the first two Thor movies. So Vision zaps Darcy, and she wakes up. They steal a circus vehicle--a transformed SWORD vehicle--and Vision asks her some questions about the Hex she doesn’t actually know the answers to.
The tension really builds in this episode, simply as it cuts between characters in much shorter intervals than in previous ones. We watch a montage of things in Wanda’s house shifting, then cut to an interview, where she explains that she doesn’t know what’s happening. Then, the person behind the camera asks, ‘Do you think maybe this is what you deserve?’ The voice doesn’t sound familiar, but knowing who the interviewer is, I can hear it. Wanda questions this because the interviewer isn’t supposed to talk, then cut to this episode’s advert.
This is for a drug called Nexus--’A unique anti-depressant that works to anchor you back to your reality. Or the reality of your choice.’ ‘Nexus. Because the world doesn’t revolve around you. Or does it?’ As someone who hasn’t actually read any comics, this information is very second-hand, but a Nexus Being in the comics is a powerful being with the power to alter reality and time--essentially in possession of the Infinity Stones’ powers without possessing the Stones themselves. This brings with it the implication that is what Wanda is--more than just a girl who got powers from the Mind Stone, but Nexus Beings aren’t elaborated on in the rest of the show.
Cut to Agnes and the twins; Billy says he likes it there, because Agnes’s mind is quiet, which is compared to Wanda. I want to explain the implications of this, but I’ve been trying to only spoil things as I get to them, so I’m going to keep my mouth shut, or rather... what’s the keyboard equivalent? God knows. Anyway, Agnes tells them not to worry about Wanda, because ‘she’s supermom’, which, you know, is a fun superhero thing.
Cut back to Monica, who prepares some kind of suit to re-enter the Hex. She gets in, and drives toward the barrier, but when the wheels meet it, they fail to pass, and begin to drive up the barrier, flipping Monica onto her back. The vehicle begins to rewrite itself and break apart; Monica manages to clamber out of a trapdoor in the roof. Jimmy prepares a medical thing, and the barrier spits out the vehicle. Monica turns back, drops her helmet, and plunges into the barrier, and presses through. Her body warps, we hear echoes of Captain Marvel, we hear Carol’s quote about Maria being given the toughest kid, and her body reforms, her eyes light up blue, and she passes all the way through, eyes still glowing, and we see a shots of her warped vision, almost as though she can see energy or EM radiation.
Darcy tries to explain why Wanda killed Vision to him, and though the road is empty, a traffic light is red. As it turns green, roadworkers approach, impeding them and preventing Vision from returning to central Westview. 
Monica enters Wanda’s house, who threatens her, and lifts her telekinetically out onto the street, where she is watched by the neighbours. Wanda drops Monica to the ground, but she pulls a superhero landing, with blue lights for effect--her DNA has been rewritten by the Hex’s borders for the third time, and it’s clearly unlocked something. Wanda continues to threaten her, and Monica says to do it--’Don’t let [Hayward] make you the villain,’ to which Wanda replies, ‘Maybe I already am.’ Which is fair, but then villains never think they’re the bad guys.
Agnes watches them from a window. Monica tries to talk Wanda down, then Agnes comes outside, tells Monica to leave, and takes her inside. The people haven’t questioned Wanda’s magic, or Monica’s apparent new powers, which merely shows the extent of Wanda’s control. It’s also interesting that Monica didn’t fall under her control again when she re-entered the Hex.
Cut to Vision and Darcy, the roadworks clear away, but someone with a stop sign and a queue of crossing children continue to block their way. Vision phases through the van’s roof, and flies away.
Wanda notices the kids’ show on Agnes’s TV, and the half-eaten food on the coffee table, and realises the twins are missing. She asks, and Agnes tells her they’re probably in the basement, where Wanda then obviously goes. The basement walls are covered in branches, made of stone, and there is no reply when Wanda calls for the twins. She then enters an ancient chamber, walls engraved with runes, and a spellbook on the side.
Agnes comes downstairs, stroking Senor Scratchy, the rabbit Wanda and Vision used in their magic act way back in episode two, and says, ‘You didn’t think you were the only magical girl in town, did you?’ Agnes shuts the door with a twist of her hand and some purple sparks.
‘The name’s Agatha Harkness. Lovely to finally meet you, dear.’
Purple fogs Wanda’s eyes, and cue the best moment in the entire series: Agatha All Along. This musical number essentially shows that Agatha has been behind everything that’s gone wrong for Wanda, aside from SWORD, obviously, and is such a good song. Go listen to it. Now. Immediately. Go. 
We see her screw up the magic show, send Pietro to the door, and we see her sitting behind the interview camera.
‘And I killed Sparky, too.’ Insert maniacal laughter, and cue the credits.
We sit through to the split between the animated credits and typical black and white scrolling ones, and this episode has an mid-credits scene. I checked for one the first few episodes, then gave up, and I can’t remember what it was that made me find this one, if it was just letting the credits play, or feeling the odd urge to check, or what.
We watch Monica try to find a way into Agatha’s house. She pulls open basement doors, then--’Snooper’s gonna snoop.’ Fake Pietro stands behind her, dressed in a beanie, hair no longer mostly white as per Quicksilver’s design.
This is my second-favourite episode overall, first being episode 8, and contains the biggest switch since episode 4. We meet the big bad, since Marvel is literally incapable of writing a story in which the climax isn’t between the hero and a villain with their exact same powers. (WandaVision takes this to the extreme, but that would be a spoiler.)
Episode Eight: ‘Previously On’ Released February 26th, Marvel blessed us with an episode 46 minutes long! At last! This was the second episode to completely break the sitcom format (first being episode 4, obviously), which leaves us in 2000s-themed Westview, but without a laugh track or any other sitcom elements.
We open with a recap, including Jimmy Woo’s explanation of Wanda and Pietro’s origins pre-Avengers from what I believe was episode 5. Or was it 4? Probably 4, because it was really soon after Hayward was introduced, in episode 4. Yes. Let’s go with that. 
This episode opens in Salem, Massachusetts, 1693, and we watch Agatha dragged to and magically tied to a stake, to be killed for betraying her coven of witches, by practising dark magic, but she denies it. She then relents and admits it, begs for help to control it, but the witches blast some kind of blue magic at her, which Agatha turns violet, and absorbs, killing the witches wielding it. The witch she calls mother, who also seems to be the leader of the coven, blasts her with magic after the others are dead, and as she does so, a kind of crown of the same blue light glows around her head (something I would neither notice nor question if I had not yet watched the series the whole way through). Agatha absorbs her magic and kills her, too. She steals a necklace from her mother, flies away, and we cut back to present.
Wanda tries to penetrate Agatha’s mind, but she tells her her thoughts were never available--a repeat of Billy calling her mind ‘quiet’ in episode 7, but I’m not actually sure the point of this, aside from limiting information available to both Wanda and the audience. Wanda’s Sokovian accent also returns in this scene. She tries to use her magic, but Agnes puts her in magical binds and explains that the runes in the walls mean ‘only the witch who cast the runes can use her magic’. Agatha also explains how she possessed fake Pietro--Fietro--not so she could control his mind, but so she could see through his eyes and ears.
Agatha questions how Wanda cast so many spells to control so many people, so many objects and locations all at once, when she had no magical training, which confuses Wanda because she doesn’t use incantations the way Agatha does; her magic is more through willpower and intention. 
Agatha then brings Wanda through a door, in an attempt to comprehend how she did it, and it leads them to an old, one-room living space in Sokovia--Wanda’s childhood, before her parents died. They prepare for a TV night, and their father invites young Wanda to pick, showing her a box containing various sitcoms--Bewitched, Malcolm in the Middle, I love Lucy, Who’s the Boss?, The Addams Family etc.--many of which acted as the basis for episodes of WandaVision, but she chooses The Dick Van Dyke Show. This love of sitcoms, the ideation in comparison to the Cold War outside, is where Wanda’s subconscious choice of making Westview into one--her version of a paradise for herself and Vision.
Then a bomb goes off outside, killing their parents and leaving Wanda and Pietro in rubble. A bomb lands before them, Stark Industries written on the side, but their television is behind it, and Dick Van Dyke still plays. 
Cut back to present Wanda and Agatha; Wanda says the bomb was defective, but they were trapped for two days, and Agatha implies it not going off was Wanda’s doing, believing her to be a witch like herself.
They move onto a HYDRA testing chamber, where teenage volunteer-Wanda stands near the sceptre from The Avengers, the one Thanos gave to Loki, the one containing the Mind Stone. She moves toward it, and the sceptre’s blue orb breaks from the handle; floats towards her. She touches it, and it bursts, revealing the yellow Mind Stone inside, and letting out a kind of wind blast. In the light, Wanda sees a silhouette reminiscent of the original Scarlet Witch design.
They take Wanda to isolation, and we watch some scientist replay the tape from the testing chamber, but in the footage, the orb doesn’t move; she moves to the room’s centre, then it cuts to her lying on the ground.
Agatha concludes that the Mind Stone amplified a dormant power, and they move to a memory of the Avengers compound post-Avengers: Age of Ultron. Past-Wanda is grieving for Pietro, Vision enters her room, and she invites him to sit. They discuss the comedy on her TV, then he asks if she wants to talk about her grief, and she describes it as ‘this wave washing over [her], again and again. It knocks [her] down, and when [she tries] to stand up, it just comes for [her] again.’ Vision tries to reassure her, then says the thing that everyone’s been quoting but hit me hard: ‘But what is grief, if not love persevering?’
Agatha asks present-Wanda what happened when there was no-one there to pull her back from the dark, and when Wanda refuses, she presses. They shift into the SWORD compound, where past-Wanda approaches the desk demanding to be given Vision’s body post-Avengers: Endgame. This is the point from the CCTV Hayward showed Monica, Darcy, and Jimmy, claiming Wanda stole Vision’s body.
The receptionist calls somebody, and sends her down the hall, and I can’t help but notice that in her grief, in her hoodie and jeans, her hair is perfectly curled. She goes to Hayward’s office, who takes her into a windowed chamber, beneath which she can see mechanics/engineers doing something to Vision’s body, colour faded and parts broken up. The eyes in his severed head are white, and Wanda is upset, but Hayward questions why she wants to bury him, when she has the power to ‘bring [her] soulmate back online.’ But Wanda says she can’t do it, like when she refused to bring back Sparky, and Hayward tells her his materials are too valuable to just be buried, but offers her the chance to say goodbye. He tells her Vision isn’t hers, and she shatters the glass; lowers herself into the room.
Hayward calls off the guards who raise their guns at her. She lifts her power to his head, where the mind stone was: ‘I can’t feel you,’ reminiscent of the I just feel you, in Avengers: Infinity War, when the Stone bothered him in the night in Scotland. And she leaves, without the body, proving to the audience that Hayward is a liar.
Wanda drives to Westview, real Westview, where she watches the people go about their regular lives, but they seem sad. They all seem sad. She drives to a plot, the outline of a house marked by a concrete foundation, holding a piece of paper from an envelope in the car. She unfolds it to find a plan for the house: To grow old in. -V. Wanda breaks down in what is presumably the plot she turned into their house in the Hex, and her power explodes from her, in huge gusts we’ve never seen. The house forms itself, then it goes further, transforming the town and turning it to monochrome in preparation for WandaVision episode one.
Streams of power turn gold in the air, and form the silhouette of a body, which solidifies into Vision, black and white Vision, dressed in 50s clothes. Wanda remains in colour, in her regular clothes, then she turns to monochrome, to her 50s outfit, and Vision greets her. And despite the seriousness of this scene I can’t get over the damn bullet bra. 
And the pair sit down to watch the television, then the surroundings shift, and we see present-Wanda in her 2000s living room, but in a set, with empty seats for a live audience before her. Agatha claps from them, then vanishes. We hear the twins yell, and Wanda comes outside to find Agatha magically garrotting them, dressed in full-witchy attire.
Agatha describes Wanda as ‘a being capable of spontaneous creation’, calls it chaos magic--’And that makes you the Scarlet Witch.’ I feel like I ought to say roll credits, only that’s not even the name of the show. Before WandaVision’s title was officially announced, I remember seeing speculation that it would simply be called Vision and the Scarlet Witch, like Falcon and the Winter Soldier. 
The credits roll, and, halfway through, we cut to Hayward and SWORD outside the Hex. Hayward goes into a tent, describes all their hard work at something, ‘but all we needed was a little energy directly from the source;’ and we’re shown the missile Wanda dragged out of the Hex in episode 5, glowing red. Someone flips a switch, and we watch lights turn on in a glass chamber, containing Vision, rendered in pure white, who wakes up. Another Vision, made from the original, and yet before this episode, due to the constant thing about twins, people were speculating there were two Wandas. Wrong character, right idea.
This is my favourite episode in the show: it’s magical, and it makes everything make so much more sense. We see that the Hex’s creation was an accident, but Wanda was ‘making it up as [she went] along,’ like the theme song in, I believe, episode 5. I just love origin stories.
Episode Nine: ‘The Series Finale’ This finale was released on March 5th, with a grand total of 49 minutes of runtime, and, epic as it was, I found it to be rather disappointing, following a fairly typical Marvel formula, compared to the originality of the rest of the series. Granted, parts of this episode in particular were shot in 2020, so they didn’t quite go as planned, but still. The CGI is excellent though.
We open to exactly where we left off; Wanda frees the twins and sends them inside, then sends a blast at Agatha, who absorbs it-- ‘I take power from the undeserving. It’s kinda my thing’--and Wanda’s hand begins to blacken. Agatha offers her Westview in return for her magic, which Wanda obviously doesn’t accept. White Vision lands behind her, and she goes to him, confused. He places his hands on her face, but presses, trying to crack her skull, and it becomes clear he is doing Hayward’s bidding.
In sweeps Wanda’s Westview-Vision (who we’ll call Red Vision) and blasts White Vision away. The two swoop off together for their own fight, Wanda flies after Agatha, and we see Monica locked in a messy living room with Fietro, where she has presumably been since the end of episode 7.
The Visions fight each other, in that classic Marvel way of pitting the hero against a villain with an identical skillset (I’m looking at you, Iron Man, The Incredible Hulk, and basically every other movie. Seriously, Marvel needs to make more villains like Loki, instead of introducing them at the start of a film and having them somehow taken out of the equation by the end). It’s a cool sequence, as they phase through each other and plummet up and down. I love flying sequences.
At SWORD, Jimmy calls out Hayward, saying he won’t be able to cover this out, but Hayward says Wanda stopped her show, so there’s no evidence, and there’ll only be one Vision by the end, who people will assume Wanda resurrected. But Jimmy says he has called some friends from Quantico--whatever that is--to expose Hayward, who handcuffs him, but Jimmy is a magician, so he frees himself and actually calls somebody to apprehend Hayward.
Wanda arrives in the town square, to no sign of Agatha, and is then blasted to the ground by her from behind. Agatha summons a book we saw in her basement: ‘The Scarlet Witch is not born, she is formed. She has no coven, no need for incantation. [Her] power exceeds that of the Sorcerer Supreme’--Doctor Strange--’It’s [her] destiny to destroy the world.’ But Wanda denies that she is a witch. Agatha casts a spell on Dottie from episode 2, apparently bringing her back to consciousness. She tells Wanda her name is Sarah, and begs her to let her bring her daughter out of her room. Wanda accuses Agatha, who replies, ‘She’s your meat puppet. I just cut her strings.’ I just love that line, for some reason.
Agatha casts another spell, and everyone in the square returns to their senses, approaches and surrounds Wanda. 
Monica finds a document in the room with Fietro, that says his name is Ralph Bohner. This was incredibly unsatisfying to me--it’s interesting that Fietro is actually the Ralph Agnes constantly mentioned, but nothing else comes of this, and, as of the end of the series, Pietro and his changed face are simply an elaborate boner joke. I wish his face had some kind of relevance as of now, but it may become relevant in Doctor Strange in the Multiverse of Madness, because that’s obviously where we’re really going to delve into the multiverse, and it features Wanda, so it would make sense.
Monica pins down Ralph and tears a string of beads from his neck, which glowed purple; the thing allowing Agatha to control him.
In the twins’ room, Billy has a vision (heh) of what is happening with Wanda, and they run outside.
The people around Wanda bombard her with their real stories, their real problems. ‘When you let us sleep, we have your nightmares.’ She yells that she’s kept these people safe, but they beg to be freed, and the noise builds, until Wanda screams, with a burst of power that toes ropes around their necks, suffocating them, but she stops it. Mrs Hart begs her, ‘If you won’t let us go, just let us die.’ Agatha taunts her that heroes don’t torture people, and she sends out a blast of power, that highlights the Hex’s border crimson, and it begins to break apart. She tells them all to leave now.
His white counterpart blasts Red vision to the ground, near Wanda but he begins to break apart. The twins arrive, and begin to break apart, tied to the Hex. It looks weirdly like a LEGO advert, but Wanda recloses to Hex to save them. You know, what? I’m still not sure why it’s hexagonal. I wouldn’t question it being round, or quadrilateral, but hexagonal seems too intentional.
Agatha blasts the family with magic, and Wanda shields them, but Agatha absorbs the power. SWORD vehicles roll into the square, hayward in one, having apparently managed to cross the border before Wanda closed it again. White Vision rolls into the scene and slams Red Vision through the walls of and into a library, and Red stops White attacking him by explaining that he is not the true Vision, because he’s just Wanda’s version.
Wanda flies up, again after Agatha, while the twins use their powers to take away SWORD’s guns, and Hayward comes out with a pistol, which he fires at them, but Monica, having freed herself from Ralph, blocks the bullets. They ripple through her body, and pass through, but fall to the ground as her eyes glow orange. As Hayward drives back, then revs up to apparently run them over, Darcy, in the circus van, slams his vehicle into the side of a building.
We cut to the Vision’s pondering the Ship of Theseus--a philosophical thought experiment. If the Ship of Theseus has one of its planks replaced, it remains the Ship of Theseus. But, if all the planks are replaced over time, is it still the same ship? And what if the old planks are reassembled into another ship; which is then the true ship? This is a metaphor for the two Vision’s--White being the reassembly of the old planks, and Red being the replaced.
Red Vision proposes that the true ship is the one touched by Theseus himself, with the wear and tear, suggesting White Vision is the true one, because he has the memories Red doesn’t; the one touched by Wanda. White Vision claims he does not have the memories, but Red tells him his data banks are not so easily wiped--they’re there, just withheld. White allows Red to do his zappy thing, and the memories of everything Vision went through pre-WandaVision comes back to him. White says he is the true Vision, and flies away through the roof.
Meanwhile, Wanda sneaks up behind Agnes and does the nightmare-mind thing she did to the Avengers at the beginning of Avengers: Age of Ultron, sending her mind to the stake at the opening of episode 8. The desiccated witches rise, but instead turn on Wanda, calling her a witch, again, and again. The witches wrest Wanda onto the stake instead, but a red crown, like the blue on Agatha’s mother in episode 8, materialises on her head, formed of the same light as her magic. It’s really jarring at this point that she’s still in a hoodie and sweatpants.
Wanda blasts away the other witches, and they emerge from the nightmare, back to Westview. She and Agatha rise, blast magic at one another, and Wanda’s hands blacken further as Agatha absorbs more and more. She sends a blast at one of Westview’s walls, and a spot ripples in the middle of each. 
Wanda’s face seems to age, like the witches of Agatha’s coven, and Agatha absorbs streams of magic, until Wanda has none left. She gives her some depressing lecture, then tries to blast Wanda out of the sky, but it doesn’t work. Her hands begin to blacken, and Wanda’s face youthens, then the camera pans to reveal runes on Westview’s walls, like those in the basement, now disabling Agatha’s magic. Little confused how Wanda stayed flying when Agatha took her power, and how Agatha now stays flying.
The red crown reappears on Wanda’s head, her eyes glow, she reabsorbs her power from Agatha, and, as she does, she changes. Her hair comes down, and she becomes the silhouette she saw in the Mind Stone at HYDRA, finally getting a Scarlet Witch costume, and it is epic. 
They return to the ground, and Wanda uses her powers to put Agatha under the control she had the other residents under, to turn her into the Nosy Neighbour once and for all. Wanda leaves Agatha alive, so she could return in future instalments,.
Wanda, Red Vision, and the twins return to their home, and the Hex’s border contracts, until it covers only their street. They put the boys to bed, and Vision begins, ‘Your mother and I...’, and, when I first watched this, I really thought he was going to say ‘...are getting a divorce,’ but he simply finishes, ‘...are very proud of you both.’
Wanda says that ‘a family is forever,’ clearly already in mourning for the children she’s about to lose. They finish up, the border continues contracting, and Wanda turns off the lamps in the living room, though Vision turns one on, to say goodbye. As the border progresses towards them, Vision asks what he is, and says some literal and romantic crap; they kiss, talk a little, and he breaks apart as the border reaches them, and the house returns to the empty plot it once was.
Wanda is left standing exactly how she was before she formed the Hex, same hair, same clothes, puts up her hood, and walks into town. where the people glare as she approaches Monica, who says, ‘They’ll never know what you sacrificed for them.’  They have a classic series-wrap-up conversation, then Wanda shifts into her Scarlet Witch outfit, and flies away.
Mid-credits scene; we see Jimmy just after the debrief, Hayward is put in handcuffs, and Monica is called into the theatre, where she meets someone wearing a police badge, who shifts into a skrull. The skrull says a friend of Monica’s mother’s would like to meet with her, presumably Talos, and when Monica asks where, she just points up. 
And an end-credits scene opens in a pan shot, zooming to a cabin by a lake in the woods, where Wanda, dressed in sweats, sits on the porch with a mug. We follow her inside as the kettle whistles, but the camera continues into the bedroom, where her astral form sits, dressed as the Scarlet Witch, with the Darkhold, the book Agatha had. When we see Doctor Strange astral-project, his body falls unconscious, and this truly proves the Scarlet Witch is more powerful than the Sorcerer Supreme, as aforementioned.
This series really solidified my love for Wanda and Vision--Wanda, who I liked before, but mostly because of her powers than her character, which lacked development, and Vision, who I kinda hated because of his moral-high-ground bullshit, but who I now love--brought back fan favourites Darcy Lewis and Jimmy Woo, and set up Monica’s future plotlines. In truth, I liked Agatha better before she went full-witch mode, but she was an enjoyable villain. Hayward, on the other hand, was someone easy to hate, but not to such a level it was fun to hate him.
Every episode kept me on my feet, and every week I screamed I couldn’t wait for another. Part of my love for this was because we’d had no MCU content since July 2019, with Spider-Man: Far From Home, but it was just such excellent storytelling. Though the climax was a little disappointing, it was still more entertaining than most action sequences, where things happen so quickly I just zone out, and the visuals were incredible. I loved the sitcoms, and the differentiation at the end. Episode 4 was the perfect time to finally give us some form of explanation.
Basically, watch this damn show. Though I’d be surprised if you got this far without watching it. Watch it, make everyone else watch it, and, writers, take notes. The best stories are the ones with excellent characters and an excellent plot, and WandaVision mastered it.
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I saw you call yourself a teen wolf slut so with that in mind who is your favorite/least favorite teen wolf character and why👀😏
Gasp!
You...ooh this is so hard!!
Teen Wolf is actually my favorite show of all time so...I can't help myself I'm doing top 3 favorites and top 3 least IN NO PARTICULAR ORDER i can't choose between my 3 loves-
Okay, here we go! Hope this is to your liking anon!
Favorites:
Stiles Stillinski(but especially Void):
Ohhh Stiles. Dylan O'Brien is still my favorite actor of all time to this day for this role. The one actor I follow and watch every movie he's in. What a genius. I'm serious.
His body language? Spot on. Expressions? Memorable as heck. Line delivery? Amazing. Acting ability? Astronomical.
Normal Stiles already had such a fucking RANGE; from sarcastic and funny to depressed to excitable to hateful. Ugh. Brilliant. And then Void came in and it was like something in him literally snapped. I've still never seen anything like it. He looks so...so at home in his role as Void. Part of what makes him unnerving as shit in my opinion.
Truly masterful.
...and yet another one to owe my fear kink to after Scream and Billy Loomis. Blame him for Void being in Tainting Purity. Important to note that although his name is Void and he uses Dylan O'Brien as a face claim he actually isn't the one from the show. He's still his own character. I just...had to use Dylan because he was so perfect. 😅
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Allison Argent:
I made the tough decision to replace Aidens spot on this list with my girl. She's...so me it hurts. Her monologue about not wanting to weak is still something I'll go watch when I feel lost. All the female characters of this show helped shape a lil piece of who I am but she had the biggest relatability at first and damn did it stick. Right to the very end. 😭
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Issac Lahey:
So...Issac was a BIG self comfort for me. Nearly every character in this show can and is that for me but him especially shhh. Isaac's story deeply touched me with his father. I went through some stuff as you guys may have seen earlier today although not physical or half as intense as Issacs. It still served as this reminder that I wasn't alone.
And seeing him develop connections, slowly open up, fight through his trauma to create HIS family?
Damn. That shit got me.
Also; I may have been desperate to be ler'd and/or absolutely reamed by him and Aiden since that one scene in the track field. Curse my love of Bully/Bullied but sign me tf up- give me a protective, friend Issac which Aiden picks up on and then wants her for himself. Competition endues until eventual threesome at Readers behest.
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Least Favorite(This kinda turned into a second fave list whoops-)
Little note that I find something to like in nearly every character so even the people here have good in some regard!
Gerard:
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Ah Gerard. There from the beginning there to the end. What a crafty son of a gun...lucky for us Scott was craftier and had his friends to back him up hn?
His first use with the Kanima was probably my favorite but he was just...so evil ugh. And not in the good way. It was between him and Monroe and he won out since he was around so much longer.
Peter:
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...Peter is that guy everyone hates to love but does anyway XD. His dry sarcasm and banter with Stiles are iconic- BUT his morals are grey as shitttttt. And he's selfish as Hell. Which I mean, fair. But still.
Theo:
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Okay I needed to get my evil sadist baby on the list somehow okay-!? I fear him and I love that he makes me scared and feeds my filthy fear kink gonna be honest. Was in love from the very first twist scene with his "parents". Need to be wrecked by him and Void yesterday!
...maybe I have a lil bit of a villain threesome need with this show whoops 🤷‍♀️
Honorable mention to Ducalion because Gideon Emery is another fave of mine(him, Cody(Theo) and Tyler(Derek) actually just worked together on FF7 remake fun fact. I screamed and was so proud they all killed it!) And his ark was AMAZING. That ending with Scott? PLEASE.
Same to Ethan, and more begrudgingly Jackson. Didn't really earn it thanks to the lack of screen time but I'll give it to 'im cause of Ethan and that iconic scene from the last season as well as their chemistry.
Let's see...oh Derek and Lydia of course. Scott as well as Melissa. Gods, Chris too...too many good characters like I said 🤣.
...Also Danny. My baby boy deserved better. Much as I loved my 2nd gay baby Corey Danny was the OG and we never got any explanation for why he knew about supes. I headcanon that he's a Seer personally!
Okay this got super long! Hope you like it dear anon like I said it's my fave show so fee free to ask anything you like! I have tons of fandoms guys so chat me up about Miraculous Ladybug, Undertale, Xenoblade Chronicles 1 and 2(haven't finished 1 yet but have 2), Scream(horror in general), and Final Fantasy, Kingdom Hearts and Zelda games! Oh and The World Ends With You of course!
Okay have a great day y'all gonna doze but I'll answer everything when I'm back up at 7!
I'm looking forward to lots of asks hopefully~
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Amias Meeting The Wagners
A/N: Dolly forgive me if I got his character wrong I get insecure writing others ocs. But hope you guys like it! This is pretty messy, it was written quickly in the span of like 3 days
Amias belongs to @silverdecepticon93 @dollyreblogs
“Sawyer! What in God’s name is taking so long?” Anja banged her fist on the bathroom door.
“You know, for claiming to be a good Catholic girl, you sure say the Lords name in vain a lot.” Sawyer snapped at his sister as he focused on his hair in the mirror.
“Oh, shut up! Can you hurry, I have to get ready too, you know?” Anja huffed in annoyance.
Sawyer rolled his eyes and opened the door, rushing past his sister and teleporting to his bedroom. He collapsed onto the silk sheets, staring at the ceiling. He took a few deep breaths, trying to regain his composure.
His boyfriend was coming over to meet his family for the first time, and to say he was nervous was a total understatement. He knew his Vater wouldn’t approve, as soon as he mentioned the name ‘Potenza’ he had scowled. He knew Anja despised Midas, but she had agreed to ‘act civil’ (though Sawyer knew that condescending tone anywhere, she would definetly not act civil).
His fur stood on end when he heard the doorbell ring, and he teleported downstairs. Unfortunately, Tommy beat him to it (curse speedsters), and opened the door.
“SAWYER YOUR BOY-oh, there you are.” Tommy noticed his half brother behind him and shoved more of his pop tart into his mouth, getting crumbs on the marble floor.
“Must you?” Sawyer sighed in disapproval.
“I must.” Tommy grinned, more crumbs falling from his mouth. Sawyer couldn’t believe Tommy was already embarrassing him, and making a mess on the floor he had just cleaned. He shoved him aside and opened the door all the way to face his boyfriend.
“Hi, Amias.” Sawyer smiled up at him.
“Ciao, mio caro.” Amias smirked back as he stepped inside and peered around. “Lovely home.”
“Thanks-“
“Is he here?” Luna and Cerise poked their heads around the corner in timid curiosity of the new stranger.
“Oh my god, are you Amias? I have heard so much about you.” TJ waltzed in from the kitchen when she overheard Tommy yelling at the top of his lungs. She grabbed Amias’ gloved hand and shook it firmly, grinning at him. “You’re Italian, right? I love your food.”
“Oh my god.” Sawyer pinched the bridge of his nose as his older sister continued rapidly shaking poor Amias’ hand. He shooed her off of him, and she went back to the kitchen.
“Don’t say the Lords name in vain.” He heard the mocking tone of his sister somewhere behind him.
“Anja, please...”
“Hi, Anja.” Amias grinned cockily at her, already knowing she disliked him.
“Hi, jerk face.” She sneered down at him from the top of the stair case.
“Anja! Tommy! Come help set the table!” Their mother called from the kitchen. Anja teleported out and Tommy zoomed away, leaving Amias and Sawyer alone in the foyer.
“They seem...spirited.” Amias chuckled.
“You haven’t seen anything.” Sawyer grumbled.
“I deal with chaotic idiots on a daily basis, I think I can handle one dinner with your family.” Amias shrugged his coat off and hung it on the rack.
“Whatever you say.” Sawyer shrugged, and led him to the large dining room. Anja shoved Amias as she passed him to set down the plates, glaring at him as she did so. Sawyer narrowed his eyes at her in warning, which she didn’t care too much about.
“Hello, Amias.” Sawyers mother walked in, setting down a bowl of mizeria before shaking his hand. “I’m Wanda.”
“Lovely to meet you, ma’am.” Amias said politely.
“You boys sit.” She gestured to the chairs, before leaning towards Sawyer. “Your father is in a good mood, I made sure of it.”
“Mulțumesc, mamă.” Sawyer kissed her on the cheek quickly, before sitting down next to Amias, who had already made himself at home. Cerise walked in, which made Sawyer feel on edge, because she could bite or yell at any moment. He tensed up as she sat in the seat next to Amias, and glared at him when he glanced at her.
“Do you want to see my collection of bird heads?” She asked after a few moments of silence. Sawyer groaned and slumped in his seat, now officially embarrassed.
“Um...no thank you.” Amias stared down at the small child.
“Okay.” She nodded casually, as if she hadn’t asked the bird owner if he wanted to see a box of decapitated bird heads (which she unfortunately did actually own).
Amias looked at Sawyer and raised an eyebrow in questioning.
“Ignore her.” Sawyer mumbled. “Trust me.”
“She doesn’t actually have bird heads, right?” Amias whispered.
“...sure.”
“Oh god, did Cerise ask you if you wanted to see her box of eyelids?” Sawyers uncle, Pietro asked when he walked in and saw the mix of horror and confusion on both boys faces.
“Unchiule!” Sawyer groaned in even further embarrassment. Amias’ jaw dropped slightly and he moved his chair slightly closer to Sawyer when Cerise grinned up at him.
Everyone finally entered the dining room, setting down dishes of food and glasses of beverages, having their own conversations as they filled their plates. Anja sat across from Sawyer, though her judgmental gaze was fixated on Amias. Sawyer kicked her under the table to tell her to stop, but that only made her more angry and kick back, accidentally hitting Amias instead. Sawyer grimaced when Amias winced in surprise and shock of the small girls strength.
“Anja, cut it out!” Sawyer hissed at her.
“I didn’t do anything.” She shrugged, looking away as if she was innocent.
“So Amias, Sawyer says you’re from Italy?” Kurt asked, despite his clear distaste for the boy. Sawyer was thankful he was at least trying to make nice with him, unlike his dead sister.
Amias went on a ramble about Italy, which Sawyer has heard just about a million times, but he still found himself listening. Dinner went smoothly after that, TJ asking question after question, and Cerise thankfully didn’t ask Amias if he wanted to see anymore dead animal collections.
Once everyone finished dinner Pietro, Wanda and Kurt cleaned the table and began doing all the dishes, so Sawyer tried to escape with Amias upstairs, but his siblings wouldn’t allow that to happen and bombarded Amias with even more questions.
“I don’t get it, why are you dating him?” Luna asked Amias.
“Because I-“
“Yeah, don’t you know he snores?” TJ asked.
“I do not!” Sawyer snapped at her. He in fact, did not snore, that was actually Tommy, but TJ didn’t believe him.
“You so do.” TJ scoffed.
“Yeah, why do you have to date MY brother? Go find someone else.” Anja said.
“Well-“
“You’re a villain right?” Cerise asked.
“Yeah I-“
“Cool. Have you killed people? How many?” She grinned.
“I don’t-“
“Aren’t you friends with a bunch of heroes though? I’ve seen it on the news.” Billy asked.
“I suppose-“
“I like your outfit, is it designer?” Tommy asked. “You know those shoes will give you back pain in 40 years?”
“I don’t think that’s-“
“Oh they will. Trust me. Ask anyone who actually knows fashion.” Tommy said snobbily.
“I’m quite sure I know fashion.” Amias huffed.
“I don’t think so.” Tommy mumbled.
“Okay-“ Amias stood up to fight him, but Sawyer tugged him down. He glared at Tommy, who snickered and sped up the stairs. The tension was broken when Anja brought in a tray of tea, everyone thanking her. Then she “accidentally knocked over” a glass and it spilt on Amias’ shirt. His white shirt.
“Oh, whoops.” She winced, sarcasm dripping in her voice. “Oh gosh, I’m sorry. Was that expensive?”
“It was.” Amias said, pushing down any anger.
“That’s it.” Sawyer grabbed his sister and teleported outside to the balcony. “Anja! What the hell?”
“It was an accident!”
“Clearly it wasn’t!” Sawyer gestured inside, where their mother had cleaned the shirt with magic.
“Oh, what’s gonna happen? He’s gonna melt? It’s just tea.” Anja put her hands on her hips and rolled her eyes.
“You said you would act civil! That wasn’t civil! You’ve been a total asshole all night!”
“Look, I just don’t see why you have to date him! He’s bad! He’s a villain! He turns people to gold! What if one day he turns you to gold? Then you’re dead!”
“He’s not going to!”
“And how do you know that?”
“Because he loves me!” Sawyer glared at her. She exhaled sharply in frustration, looking through the windowed doors at Amias, now awkwardly chatting with Cerise.
“Look, I’m just worried.” Anja sighed. “I don’t even trust our own mother because she’s a villain. I’m starting to not trust you either.”
“What?” Sawyer stared at her.
“You’ve been doing some bad stuff, no one knows what side you’re on!”
“I’m on my side.”
“That’s not a side.” She huffed. “One day you’re helping me and the girls save people from being robbed, the next you’re the one robbing! Why? You don’t need to, we have plenty of money.”
“I don’t know.” Sawyer looked at the ground, not having the courage to look her in the eye.
“Well you should really figure it out.” She mumbled. “I’ll go apologize, okay? I’ll stop.”
“Thank you.” He sighed.
“I love you, you idiot.” She grinned, playfully punching his arm.
“I love you too, you moron.” Sawyer smacked her lightly across the head, messing up her curls.
They went back inside, Anja saying a very quick apology to Amias before excusing herself to help in the kitchen. Sawyer finally got Amias away from his siblings, stepping out into the porch and shutting the door, making sure they weren’t listening in.
“So?” Sawyer grinned awkwardly. “What’d you think?”
“That Cerise is quite obsessed with dead things. She just told me about a haunted doll she owns.” Amias chuckled.
“Yeah, we’re getting her checked out.” Sawyer nodded.
“But seriously, they were great.” Amias reassured him. “It was fun not being able to get out a full sentence all night.”
“Yeah, everyone around here always has to have their two cents in.”
“Hey, it adds a little drama. Like Tommy trying to tell me I have no fashion sense.”
“He has no room to talk, he wears crocs.”
Both of them shuddered at the very idea of crocs. Both boys spun around when a twig snapped, and Sawyer grabbed a baseball bat that had been lying in the rose bush. They saw Tim Drake behind them, going towards the side of the mansion.
“Tim? What are you doing here?” Sawyer asked, lowering the bat as they stood up straight.
“Um...nothing?” Tim said.
“You would think for being a super spy, you’d be better at sneaking around.” Amias grimaced at him.
“You’re sneaking in to see Anja, aren’t you?” Sawyer raised the bar again.
“What? No.” He shook his head quickly. “I Uh...I came by to say...that Uh...”
“That’s what I thought. I am so telling dad! Bye Amias!” Sawyer grinned, turned and kissed Amias on the cheek, then ran inside. “Dad! Guess what?”
Amias turned back to Tim, glaring at him.
“Screw you, man! That was supposed to be a romantic moment!”
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mittensmorgul · 4 years
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Plastic fantastic
I've put off doing this long enough, and spent the intervening days reading everyone else's interpretations, so there's gonna be a lot in here, but also a lot that I've probably not focused on too heavily because other folks have already said the things better than I could've. So this is just a recap of the things I personally feel are most significant and thematically cool going forward. It's... a lot... :'D
15.04 was infused with an element of surreality. Which I ended up referring to throughout this post as “plastic.” Hence the title. But this got super long, so here have a cut. :’D
Right from the THEN segment, we're reminded of Cas. Rowena's sacrifice, Cas's own suffering at Chuck's hands, and how this has affected Sam and Dean-- Sam miserable for having done what they had to do (right?) in sacrificing Rowena, and Dean PISSED but feeling like this was the only way to free them from what he sees as Chuck being a "fanboy" of them. It shifts directly into BECKY, who was described previously as a "fangirl" and involved in a supremely unhealthy relationship with both Chuck AND Sam (even if it was completely one-sided and creepy with Sam). And then shifts to Chuck being told-off by Amara in 15.02, in essentially a recap of all the best insults and condemnations she could fling at him... because he deserved it honestly, I mean HE LOCKED HER AWAY FROM THE DAWN OF CREATION TO SUFFER ALONE WHILE HE DID HIS THING TO MAKE HIMSELF FEEL BIG.
Okay, sorry, I just really hate that guy and his hypocrisy sometimes (read: all the time).
Right. Where were we. At the beginning.
Gunfight in the bunker, with the Danger Lights activated. I've been waiting for this scene since we got BTS photos of Jensen all battered and ragged with the beard. This... isn't real. It's not SPN universe real anyway. Since the SPPT promo came out, I have been eager to see this episode just for this scene. I guessed it was a vision Sam was having/receiving because of the Equalizer Wound, the beginning of his glimpses into "Chuck's writing process." Is this an AU that Chuck actively created? Is it just the sort of thing Chuck daydreams about? Or in the style of Supernatural episodes past, is this some sort of window into the ending Chuck wants/intends to write for them, which obviously would be something they absolutely could not let stand?
Like Dean’s nightmare he awoke from in 10.09 where he saw himself slaughtering a room full of people at the beginning of the episode, which became reality by the end of the episode? Is Chuck’s horrific ending that Becky hated what we actually saw play out in Sam’s nightmare? The show has invited us to consider that as at least a possibility. Or, to at least assume Chuck’s horrifying ending was at least that awful.
There's so much in this scene that doesn't match up with what any of us might imagine Sam would even consider a nightmare of his own mind's creation, you know? And yet it's SAM who is plagued by these incongruous nightmares that don't even really connect up with things that are relevant to the things currently on his mind, you know? After recent events, one would think the things that would plague Sam's nightmares would be the loss of Jack, or his role in Rowena's apparent death and his guilt/depression over it, or even the fight against the ghostpocalypse and the people who lost their lives as a result of that. Instead, he's having "nightmares" about having gone full Boy King of Hell demon blood addict, which hasn't been a pressing personal fear of his for more than a decade. He's even talked specifically about how he's made his peace with that entire time in his life, such as his talk with Magda in 12.04. NOT coincidentally also written by Davy Perez.
That's because... this is NOT Sam's "nightmare." Why would Sam "dream" about Dean's regular gun having the power to spark out demons? Why would he "dream" about BENNY being a human (and alive!) ally of Dean's that Sam had sent his own army of demons to destroy? Why would Sam dream that his demonic-self would hunt down and kill his loved ones (Bobby! Jody! and nobody else mentioned! as if this was some weird time-travelling situation combined with Benny's human presence!), and then in the end hunt down and murder Dean in cold blood? This wasn't Sam-As-Lucifer (though I believe we will be seeing that particular nightmare in next week's episode), but SAM. HIMSELF. Turned into the demon he always feared he was "destined" to become before they learned how to tear up the story and make their own choices about their destiny.
The problem now is that they actually believe that Chuck has gone, and they're on their own now. Sam believes that this must be his own nightmare, and therefore he's just stuck with it, as his own mind and memories and fears come back to torment him. He's lost his power to fight against it, like Dean's lost his power to fight against his current experience. It's as if the only power Chuck retains over them is in the fact that they BELIEVE he's gone, you know? Magic's power is in the belief of the caster, Rowena has recently reminded us with her own life. And I think that's exactly what's leaving Sam and Dean so completely vulnerable to manipulation by Chuck, in ways they've never before been vulnerable to it. Because they've both staked their entire futures on the fact that they so firmly believe they're free of Chuck's story.
Sam is just... so confused by this nightmare, he can't even make sense of it at all. And the sleep deprivation isn't probably helping.
I think we've all covered the Meat Man conversation already, as well as all the Dean vs Food stuff, so I'll only add that commentary in here if I think of something I haven't already said on the subject.
Dean calls out Sam's assertion that he's fine, directly telling him "No, you're not," and expressing his understanding of what he's going through.
And here come the cheerleaders. And doesn't this (as I believe many of us have already said over the last two weeks) just smack of Sam's "fake case" Gadreel had him trapped researching inside his own mind in 9,10? Crowley had to convince Sam that what he was trapped inside wasn't real, that he was possessed by an angel who was forcing him to experience these things. And obviously the God Wound isn't direct possession, and I don't doubt that this is a real case, but how much of this case might have been "arranged" by Chuck, or how much of Sam's perception right now may be clouded or colored because of the effects of that Wound?
Not only that, but Dean is also a participant in this entire odd case, and he doesn't even HAVE a wound connecting him directly to Chuck, you know? But his judgment seems to be equally clouded by something, as well... I'm gonna call it Intense Denial. Dean is basing his entire life right now on the presumption that Chuck has stopped interfering in their lives, when I think the exact opposite is true. I think Chuck is now focused on them more directly and more intensely than he ever has been before, and their obliviousness to that fact is only strengthening his hold on them, and amplifying his power over them.
But back to the current point in the episode:
Sam interviews the vice principal of the school, and the girl who was killed was in the drama club, debate team, cheerleading, campus ministry, you name it. That's... an awful lot of potential friends, so Sam asks about BEST friends, and we're directed to Veronica "and the girls." Veronica is singled out, which makes her speech to the empty room later even more interesting...
This episode relies on a lot of the elements of the case they're investigating to seem rather... plastic. And Veronica stood out as one of these elements. She could've just been "one of the girls," but she was identified specifically here, and it's like that designation itself somehow altered reality just a little bit. Heck I think I'm gonna need to put this line of thought on hold until we get to the speech scene. Remind me to come back to this.. >.>
The Whitmans interrupt (oh those crazy parents from 1.08, at it in a completely different role), seemingly uncaring of the dead girl and demanding their son's future not be ruined by postponing the lacrosse game. (OH THE IRONY) Sam rightly calls them out on framing it as "the end of the world" if he doesn't get into his first choice college. These parents have already been established to be Those Kinds of Parents who will do anything for precious little Billy to get whatever he wants in the world. They'd probaly strangle kittens on live TV if it would guarantee their son's future, you know? We haven't even seen the full extent of what they were willing to do for their son, and they already feel like cartoonish villain types.
I need to take another aside here to talk about the boy’s name. BILLY. Which, considering how we left things in 14.20, we’ve all been wondering about what Billie is up to in the Empty, right? This boy that will, by the end of this episode, become a literal stand-in for Jack on a cosmic scale? Is called Billy. Just... consider that.
I can already hear Becky critiquing Chuck's Monster of the Week here... and in turn parts of the fandom cynically saying that this is the complaint on MotW episodes forever-- that they're boring or unimportant or skippable because the monsters are predictable and boring, and just... NO. YOU HAVE OFFICIALLY MISSED THE POINT.
I think the general assumption is that the case we watch Sam and Dean solve is being directly affected by Chuck's simple act of typing it out. In exactly the same way we believed Metatron influenced the events of s9 by the simple act of typing it out. Could he control the thoughts of the people he wrote about? Not exactly. Could he manipulate the situation via the power of the angel tablet-- the direct word of God-- to influence the scenario and events in improbable ways? Yes, I absolutely think he can. And I'll continue discussing this as we go along.
But we return to Dean leaning against the car eating pretzels. I've already written about his constant eating and drinking in this episode, but PRETZELS?! That's a new one for Dean. It's usually jerky, or chips, or candy, or... all sorts of other things. Where did he even get the pretzels from?
He'd apparently been at the morgue examining the body, and found a vampire tooth. So this case that seemed NOTHING like a vampire case based on how the body was found, suddenly there's irrefutable evidence that it's a vampire instead. Almost as if the facts of the case have shifted somehow, rather improbably and inexplicably. Just as inexplicably as Dean finding the beaver mascot riding a scooter "awesome."
The second girl to be abducted calls out Veronica as being "so fake" in her grief over Susie's death. And yet, improbably, after a long cheer practice, she's the only one alone in the school parking lot late at night. Where's the rest of the cheer team? The coach? Anyone? How was she there all alone? Yet she was, because the case needed her to be.
It's plastic.
Like the little square of crime scene tape left unattended in the woods. Weird, right? That after the scene was cleared and the original investigators left, it was still left there around an empty patch of dirt. And Sam and Dean... are just... standing there at the edge of the woods, boxed in by yellow crime scene tape and orange cones while they have their conversation about the fact the police have no idea what could've done this, and Sam laments the fact that it's THEIR job. THEY deal with the truth and carry the weight, while everyone else gets to go back to their blissfully unaware lives.
Dean busts out the flask while the two of them stand there in their own personal crime scene box, like their lives are the crime here. They ARE the victims of a cosmic crime. And the corpse of what their lives could've been, of what Sam had always thought he'd want of his own life, to live in a little town like this and just be NORMAL, is what they'll find on the autopsy here. And Sam is just beginning to realize he can't identify with those sorts of people at all.
And then we jump right from Sam lamenting the lost white picket fence to Becky's house-- where the front railing is white pickets, where she's built a real life for herself. Yet even something about it seems... off... just a little bit. That older kid seems way older than 7, which I assume would be the oldest any of her kids could be based on when we last saw her in canon, before she began to recover from her obsession and begin building a true happy life for herself. Heck maybe I'm talking myself into a problem that doesn't exist, and he's supposed to be just a really big 6-year-old, but okay. Or maybe he's adopted, or the kid of her husband from a previous relationship. GAH This is so not relevant to anything, why can't I let it go... >.>
Regardless, she clearly loves her family, and is invested in her life with them. Her husband is a man who truly appreciates and loves her in return. I'm really happy for her. Her husband at one point says, "Where would I be without you," and she jokingly replies "Covered in puke." And it's the same sort of cute exchange we saw between Sam and Jess in the pilot, where he asked, "What would I do without you?" and she jokingly replied, "Crash and burn." And considering that Sam himself will mention Jessica at the end of the episode, it seems worth pointing out the thematic similarity they're trying to set up here.
I wonder how much Becky has told her husband about the reality of the Supernatural books she's built her business and hobbies around, or her own part in the events of the books? More than Sam ever told Jess about the reality of his life? At this point, I'm gonna be glad her husband didn't end up pinned to the ceiling on fire.
Becky waves goodbye to her family as they leave for a day of fun, and Chuck waves back at her. He's inserted himself into her life again, and it's freaking creepy.
Chuck says he "wanted" to see her, and corrects himself to "needed." And here we have the laying out of the classic “NEED VS WANT” conundrum we’ve been yelling about for literal years. Funny that Chuck has it all wrong himself, you know? Becky makes herself clear that she neither wants nor needs him. He's not welcome there at all, and yet he presses on, past her assertion that his problems aren't her problem. I've already written a little bit about what Chuck apparently wanted from Becky, and what he actually got from her, so I'll try not to repeat myself, but to say that Becky was far kinder to him than he deserved.
So we learn about the second cheerleader's kidnapping, Dean makes an uncharacteristically flippant comment in front of the Vice Principal (somebody has a fetish), and kinda... blinks in shock at himself before professionally affirming they'll look into it and turning and walking away. Like he can't quite believe he actually said that. Which is weird, right? Because this is the sort of thing Dean has made flippant and kinda gross comments on in the past, right? But even when he's made comments about which cheerleaders are legal (4.13), or suggestive comments about even college students, he's rarely done so this blatantly directly TO the school principal, you know? This was... odd... like everything is just slightly out of sync.
I'm fascinated by the tiny models of Supernatural things that Chuck is prodding at in Becky's house. The first thing we see is Lil Levi's gas station. The only time we have EVER seen this gas station was in 10.03, when Hannah and Cas stopped there for gas, and yet Becky has the Impala parked by the pump, and what looks like a yellow classic car of some sort on the other side, hidden by the pumps so it's impossible to really see it there.
(I swear I will replace these Mittens Quality Screencaps™ as soon as HotN properly caps the episode... apologies for the photos of my tv in the meantime)
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It was Cas's pimpmobile we've actually seen at this location in canon. And this was the gas station where Cas was losing his grace, desperately trying to get to Dean in time to save him, and Hannah kept getting them lost. He calls her out over her feelings-- dangerous temptations-- clouding her judgment and getting in the way. They're attacked by Adina, and Crowley arrives just in time to save them both from her, stealing her grace and force-feeding it to Cas, enabling him to power up again and save Dean. Aah, callbacks! And I mean, it might just be a visual callback to the fact that Jensen also directed that episode (and that gas station was named after his nephew), but it's still a reference that brings an awful lot of baggage with it, regardless of what prompted its appearance in miniature in Becky's house. Not to mention, this reference happened LONG after Chuck had supposedly stopped writing about the Winchesters' lives. And yet... Becky seems to know this reference, which had nothing to do with Sam and Dean and everything to do with Cas.
The second model we see looks incredibly like (or at least should all be having us THINKING of) the Carver crypt from the first three episodes of s15. And that's... super creepy, right? What is this building? Why did Becky have a model of it at all? This happened DAYS ago in canon.
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And the third is Singer Salvage yard, with the Impala parked out front. How long has it been since we've seen it? In an episode that opened on Sam's "nightmare" that involved him strung out on demon blood having just killed Bobby and Jody in Sioux Falls? Interesting that Chuck expressed fascination with that particular model in this episode, isn't it?
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He asks if Becky is still obsessed with his work, and she corrects him. She's obsessed with HER work. She'd essentially dismissed Chuck as the creator of Supernatural, and relegated him to the role of Recorder Of Events, as a prophet. It wasn't actually HIS story. But what she's made of it, what she's made her life's work, IS HER OWN CREATION, based on the same reality she believed that Chuck had been nothing more than a conduit for. And OUCH for a guy like Chuck to not even get credit for any of it now, because of the lie he'd told to insert himself into his own creation. It's incredible to me. He wants nothing more than recognition as the creator, as the writer, and Becky's far more interested in her OWN stories about the same characters. She saw herself as more than Chuck’s equal as a writer, she saw herself as his superior. He just recorded, she CREATES. She dismissed everything Chuck was most interested in, and writes the characters all having achieved a measure of peace and happiness, the same as she has. And Chuck... hates it. :'D
Remember, this is the guy who invented monsters before he invented anything else. Leviathans were his first creation, even before the archangels. But they had a nasty habit of eating everything else he tried to create, so he grudgingly locked them in Purgatory, and moved on to the next thing. And he's had a lot of similar failures over the years... like the original hellhound that Lucifer stole away (and that Sam killed in 12.15). Seems like this has always been the story Chuck wanted to tell, because he's always only ever had his original drama with Amara as a source for his creation. He's... obsessed... with his version of events, no matter how many times he's confronted with reality, he weasels out of personal responsibility for everything. Like he does in this scene with Becky, letting her believe he's just a poor dude who wants to keep writing and lost his writing mojo because his prophet powers dried up.
This is probably the first Becky's heard Chuck had a sister, who Chuck only explains rejected him because she "sucks." And... Chuck... you're leaving out the horrific things you've done to her as an explanation of why she refused to help you. He's still hiding behind the “super cute” Chuck Facade. And nothing he says is an out and out lie, but it's entirely a manipulation, a complete reframing of the cosmic scale of what's happened into something he expects Becky to be able to offer him sympathy over. And she's just not having it. And again, good for her.
Chuck admitting that he's lost and hates himself at least engages Becky enough to try something to get him moving forward (again, still thinking he's just a guy who's lost everything). And tells him if writing makes him happy, then he should write.
Meanwhile Dean's incongruously eating a hot dog (WHERE IS HE GETTING ALL THIS FOOD?!) and interviewing a beaver. Sam questions why, and Dean's not only gotten information about the case (mascots have access to cheerleaders), but information about the kid inside the suit (he's a smart kid, got a full ride to IU). Dean's been unusually productive while chewing that hot dog, apparently. But he’s basically a caricature of himself during this case, like he’s trying to wear a suit he hasn’t worn in 15 years, and is finding it really ill-fitting. (it’s probably all the snacks he’s eating, honestly)
Veronica hands Billy a black wristband printed SUSIEFOREVER, which... is probably how Billy's feeling at the moment (hello, she was his girlfriend and he accidentally killed her... this is gonna haunt him forever). Veronica (who we've already been told by the latest girl to disappear is "so fake" in her grief over Susie's death) seems to be coming on to Billy, or at least making her interest in him known. And we DON'T know how all of this will resolve yet, but there's an awful lot going on in this scene. Did Veronica actually kill Susie? Is she the vampire and is that the reason for this OTT "so fake" grief on her part? Did Billy's "anything for my kid" mother who interrupts the scene actually kill her and Billy know something about it? Why is everyone acting so... weird?
Because we're back to the plasticity of this entire case again. What's actually killing cheerleaders? What's really going on here? If this entire case is Chuck's machination, because he wrote it down, and therefore subtly affected the situation, is that why everything seems just slightly off? Slightly malleable, as if Chuck is only working out the details of the case as he's writing it all down?
Billy leaves with his mom, and Veronica is left in a dimly lit gym filled with empty chairs and programs for the memorial service. She's practicing her speech to this huge empty room, speaking into a microphone. And as she talks, she edits her speech.
We've seen Chuck do this. in 4.18, he had Dean push the doorbell with determination, and then went back and edited it to read "with forceful determination." Just before the doorbell rang, and it was a forcefully determined Dean doing the ringing... So Veronica's self-edit here seems almost like a Chuck self-edit.
Remember how I mentioned way back toward the beginning of this mess how Sam asked the VP for a clarification on who Susie's "BEST" friends were, and Veronica was singled out among a group of her close friends? And now Veronica stands alone not only as the sole person in the room here talking to empty chairs, but as the one with apparent motive to kill Susie, who's been accused of expressing a lot of over-the-top melodramatic "so fake" grief. And... she edits her relationship with Susie on the fly:
Veronica: We are here to celebrate the life of my friend Susie. No. *clears throat* *takes a breath* We are here to celebrate the life of my best friend Susie. My best friend Susie who I miss like... *sigh* like she was a part of me. And in many ways she's still a part of me. She'll always be a part of all of us. Susie Martin was as rare as a ghost orchid and as unique as a snowflake. So beautiful inside and out. But as Robert Frost tells us, nothing gold can stay. And that's what Susie was. Pure gold.
And during this entire speech, to the empty room, the music in the background is ominous, looming, tense. The musical cue is telling us to doubt her performance here, with the high strings picking up the tension just as she comes to a close and Dean shows up with his slow clap. I mean, it was a pretty OTT speech, delivered with an intensity that literally does feel rehearsed. Stilted. Plastic. Everything in the case so far has pointed the arrow at her being the monster. The framing of the narrative would support it if it had been true, but the background of the entire case feels exactly as Becky has described it. What if THIS was the original ending to the case that Becky had voiced her complaints about, as if THIS is the story that Chuck would've written.
But that's such weaksauce. MotW episodes are nothing if not thematically consistent. Vampires are about revenge cases, and this case is a very specifically pointed bit of revenge, of Chuck against the Winchesters. They ruined the last story he tried to tell, and the fact this started out looking like something OTHER than a vampire case (possibly a ghoul, based on the parallel to 9.10, and a dismembered body), and then seemingly remolded itself INTO a vampire case halfway through... it feels like that first fang Dean found at the morgue was Chuck sinking his teeth into their lives.
And Veronica, no matter how the case had painted her to this point, was completely innocent. A bit plastic, because she's a victim of this reality bend as much as Sam and Dean are, because the real monster of this case is Chuck-- only Sam and Dean don't have any idea yet.
Dean calls her on her fake emotions, and they directly accuse her of killing her friend. And get the proof that she was innocent because she HAS BRACES, which she's apparently self-conscious about, but it proved she wasn't a vampire. *SIGH*
Plastic.
So Sam and Dean look for video evidence from surveillance cam footage, which the police had apparently already looked at and found nothing, but now they find a car driving past immediately after the second girl's abduction. Did the police not see it? Or is this another bit of plastic?
Meanwhile back at Billy's house, his parents refuse to even hear him say Susie's name, and suspicion immediately shifts to their entire family. Billy's father washes blood off his hands, and nobody seems to find this strange. Are they all monsters? Did one of them slip up? What the heckeroo is actually going on here? Whatever it is, it feels like they're all complicit, and Billy seems to be having reservations. Except they've also got the latest victim tied up and blindfolded in their storage room. So... they're definitely guilty of something. But we're only halfway through the episode at this point, so there's clearly more to the story.
Chuck tells Becky he can't see what Sam and Dean are doing anymore, as he conveniently scratches at his left shoulder where his wound connecting him to Sam is. Which is wild, right? Because what little we know about the Equalizer gun was that it fired INTENT. And that it affects the person shot and the shooter identically. So what was Sam's intent when he shot Chuck? Dean had just told Chuck to "Go to Hell," but Sam didn't say anything out loud when he shot Chuck. Was his intent "stop fucking with our lives" or more vaguely grief-filled "go to hell" or something more? Because whatever intention Sam shot at Chuck seems to have directly caused both Chuck's loss of power AND his inability to see directly into their lives now. And after having watched the Sam and Dean show for their entire lives, Chuck is PISSED about not being able to see what they're up to.
And I wonder, incidentally, if this will be the same factor that's causing problems for the Winchesters, too... that Sam may have inadvertently severed whatever protective force had made their lives as hunters as... implausibly unproblematic as they've always been, you know? I think we'll be seeing that develop more in the next episode, but we saw hints of it happening in this episode too (like with Dean's comment about the killer having a cheerleader fetish). But regardless, I think this is why Sam is suffering these grief-fueled nightmares, his inability to breathe, and his general current mental state. He’s suffering from the same intent he’d fired at Chuck. Only it hit Chuck with a case of writer’s block, while it hit Sam with something he’s been unable to truly define or explain. Yet.
Becky tells Chuck to write about the Winchesters if he loves their story so much, because that's what SHE does. Her stories don't have to be based in reality for her to enjoy them, but Chuck's only metaphorically a writer. He doesn't just want to make up tales, he wants to literally create reality. During Becky's entire pep talk, Chuck's holding a little figurine of Sam pointing a gun, and ain't that just on the nose? She plucks Sam out of Chuck’s hands and puts him back on the mantle (and I admit to at first thinking it was the Cas doll from 5.06, because Dean did the same thing with Cas, putting him up on the mantle like that), but Chuck still expresses doubt in his ability to actually write.
And here's where the most incongruous stuff in the entire episode begins happening-- the family dynamics of a killer family. It's still unclear who the monster is among them, but like Dean, we are leaning toward the father. The thing is, none of it's actually plausible. That's the beauty of this entire case. It's plastic.
How did this single kid out of this entire town get turned by a vampire, and his parents just... completely accepted what happened immediately without question? How did they KNOW what to do for their son in this circumstance? They went out and killed animals for their blood for him. Where did they learn to do this for him? And then how could they so casually just... kidnap a whole human being just to feed their son? Why not go back to feeding him animal blood like he'd done before? They didn't see anything wrong with any of this, either. DID THESE PEOPLE NOT HAVE QUESTIONS?!
And what of the vampire that made him? Did that vampire just... turn him and run? Did he give the kid a pamphlet explaining vampire life to him or something? It's just utterly baffling that this whole family just... incorporated this development into their lives as if it was all an entirely normal thing to accept about their kid. The dad KIDNAPPED A WHOLE ENTIRE HUMAN BEING for him on his own initiative, the mom was ready to shoot Sam and Dean for interfering in their plans. LIKE HOW IS ANY OF THIS NORMAL?!
And perhaps most bizarre of all, Sam and Dean didn't see anything wrong with it in reflection later that night. But I'll get to that when we get there. Heck this note-writing thing is really hard when I already know everything that's gonna happen. I have enough trouble staying on point without the benefit of foresight. :'D
So these parents are insistent that they're doing all of this, sacrificing all of this, just for him. And when he tells them he doesn't want them to, they just beg him to tell them what he wants from them. And he's just so frustrated because they aren't listening to him. Like they don't even care about him despite professing they're doing all of this so he can be happy. And he's just... profoundly not happy.
So the father, when Sam and Dean show up, still thinks they're going to ARREST him. Which is a weird thing for a suspected vampire to believe, and he's horrified when Dean pulls out a machete instead of handcuffs. This is a totally shocking development for him, and yet he STILL holds it together enough to bargain for his wife and son's lives. And the wife is profoundly confused by this, and our suspicions shift to her. But that's still... not quite right. She's prepared to literally shoot what she believes to be two FBI agents to save her son, again, as if all of this was entirely normal. As if this is what normal people are willing to do for their monster children.
I've already written a bunch about Becky's critique of Chuck's writing, and how poorly Chuck takes her notes. Chuck... is really out of touch with fanfic culture. Becky's reading this story as if it was fic, not reality. She kudos'ed and commented, and expected Chuck to just accept that and move on, because that's how fic culture works. But he demanded a beta read level critique, and Becky gave it. And he shouldn't have asked for it if he didn't actually want it.
And here comes the revenge that justifies the Vampire Plot. Chuck... is the vampire. he's the monster that doomed Billy for no reason. Who drove the parents to such extreme lengths to protect their child. Because that's how CHUCK saw what TFW had done to protect Jack. He saw it as just that outrageous and unfounded, even though it was in no way the same. We just witnessed Chuck's critique of TFW's actions in 14.20, and it was scathing, mocking, and vindictive.
Plastic.
But I also suspect that Becky wasn't reading ~this case~ exactly, because she complained that Sam and Dean were tied up (they were never once tied up in this episode), and she complained about the villain monologue being stale (Dean does most of the monologuing here, and it's Sam who figures out what's actually going on). Just one more bit of plastic.
But Chuck somehow managed (even if he couldn't see it) to put Jack's 14.20 realizations about himself into Billy's mouth. As if Chuck's story had already been written, and through some power of its own it was brought into reality via these previously innocent people. The story itself is more powerful than the author.
Like Jack, Billy has been trying to accept responsibility for his actions. He couldn't control himself, he didn't know it would happen, but he's dangerous and needs to be stopped. And Billy's speech isn't a "villain monologue," but a painful confession of everything he'd done. So what story was Becky reading?
Sam angrily judges the parents' actions, and Dean expresses his shock that the father would've just let him cut off his head to save his son. And is taken aback at the comment that he must not have kids, if he doesn't think he wouldn't have done the same for his own child.
And Dean's like... well, no I wouldn't have done the same for my own child. It's a super messed up situation that I'd really been trying not to think too hard about, thanks. It's been less than a week and here you go bringing up the worst day of our lives, so thanks for that... but they carry on. The mother says they just wanted him to have a normal life, and that's something Jack never would've had regardless because of what he was. But he had *a* life, with the Winchesters. If Jack had been a vampire, they wouldn't have gone out hunting and kidnapping teenage girls for him to eat, you know? But they were willing to raid heaven and shout down God for Jack. But context matters. And this hastily assembled vampire family ready to play revenge/victim for Chuck's story lacked all context. They were plastic.
It's Billy who ends up dictating how his parents are to handle everything, calm as can be. And his parents finally listen to him. And he sacrifices himself to the Winchesters. And they just... go along with it, take him out to the woods, and Dean kills the boy kneeling at his feet, accepting his fate as he's clearly crying, while Sam watches on. It's what Chuck had wanted in 14.20, and Dean had refused to give him. And now this entire situation has been Dean, manipulated into providing that demanded sacrifice, one way or another. And the most interesting bit of it? Chuck... couldn't even see it playing out. He missed the whole show that played out in Chuck Puppet Theater despite the fact. Like whatever he actually wrote was irrelevant, because his intent is somehow still connecting through to the Winchesters in pantomime.
And Sam and Dean's reactions to all of this are also just weirdly plastic.
I've already written about Chuck and Becky enough I think, but Chuck's moved on from "Writers lie," to "I can do anything, I'm a writer." With some of the worst villain monologue we've ever gotten, with "There, see, it's making you feel something! That's good, right?" While Becky is outraged and heartbroken over Chuck's ending. The only thing I need to say about whatever Chuck's planned ending is, is that if the series ends the way CHUCK wants it to, it'll go down as the biggest intentional betrayal of a fandom in the history of television. The show has stated to us in this episode that Chuck is the final boss big bad, and that he cannot be allowed to win. He can't have the final word in this story.
In *our* world, the current writers have officially called out a good number of sins of their past and exposed them via Chuck. They wrote the Leviathans being a personal favorite of Chuck's despite being pretty universally hated by fandom... well... they're looking for redemption for themselves in s15. THEY can't allow the story to end horribly. They've staked their current writing cred on it, as well as the entire history of 15 years of building TFW into the heroes. Sure, they've joked that not all fans will be happy with the ending, but in serious comments they've also promised a "real" ending and not some advanced level deus ex machina that wipes everything clean, either. That's a lot to deliver, and Chuck's suggested ending of the Winchesters horrifically dead doesn't deliver any of it.
So... back to the denouement of the episode. To the Impala! The least plastic thing in the entire episode. But it's pretty plastic.
Sam suggests that what Henry did for his son, was something they would've done for Jack, given the chance. And no, he's not talking about kidnapping teenage girls to feed him, he's talking about offering himself as a sacrifice in his son's place. Because Dean literally did do that. He was willing to sacrifice himself to kill Jack before he could kill again. It's what Chuck had presented as the ONLY way to stop Jack from destroying the world, with the examples of Jack having accidentally killed Mary, and then the whole of society crumbling because Jack told everyone to stop lying. But Sam? He wasn't willing to sacrifice both of them. And then he learned the truth from Chuck, about the manipulations that forced them all to this point, how Chuck probably did have the power to make everything right, restore Jack's soul, everything... but he didn't want to because it was more entertaining for him to watch them act out his plots instead. He WANTED that drama, that horrible sacrifice. He ENJOYED it.
But given the choice, I think Sam and Dean both would've traded places with Jack. We actually *saw* Cas literally exchange himself for Jack in 14.08. But Chuck wasn't satisfied with that trade. He wanted more from them, and they decided they were done playing on his stage.
There's a bit of incongruity in the speech Dean gives Sam about his current state, as well. He's usually so much better at reading Sam, yet he's comparing Sam's current mental state to his own back in the crypt, after Chuck. And just... no? This is not it at all? When he told Sam he's felt like cashing in, *we* think of 13.05, where he literally DID think of cashing in, you know? That feels far more similar to how Sam's feeling right now than to Dean's ANGER and "we need a plan!" bossiness from the crypt after Chuck. It's jarring as a comparison, because IT'S THE WRONG THING ENTIRELY.
But it's wrong, because it's the glaring omission of Cas that's already been lampshaded in the episode. That Dean's current blind spot here is shining a violently bright light on what SHOULD be said. Just like the end of 13.05 when we all yelled "HELLO, DEAN" at the television when Cas didn't say the line to him. We've been talking FOR YEARS about how this show uses narrative negative space like this, how it expects us to shout HEY WHAT ABOUT CAS?! at the screen, or to see that even this driving scene in the dark, in the car, is a perfect inverse mirror of that scene in 13.05, where Sam had spent that entire episode feeding his favorite junk food that he criticized Dean for in this episode, Dean and dragging him out on a case in the hopes of making him feel like himself again and... that's what Dean's telling Sam he wanted to work this case for now, to show Sam exactly what Sam had tried (and failed spectacularly) to show Dean in 13.05.
Dean even quotes some of Cas's last words to him before he left, that he should "move on."
But they needed to walk around the giant Cas-shaped hole in the narrative. And they needed to do it this incongruously. And that's exactly why it works.
And it's why Sam CAN'T move on. He doesn't feel free. I've already written a bit about this, and how it's directly tied to Sam's wound, and what it's probably doing to him. And what IS it doing to him? Chuck wobbles his head side to side, and the Sam and Dean bobbleheads on the desk beside him follow suit.
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slasherscream · 5 years
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Oh lord that last ask with the horror movie actress was so good, is it possible to ask for a continuation, if not thats all good. Also huge fan of your work!
A/N: thank you!! if it’s a continuation you want it’s a continuation you’ll get (glad you liked it enough to ask tbh cause it’s a fun one to write). here’s a link back to part one if you missed it.
     billy loomis x reader x stu macher ft. fem!reader who is a horror movie star …. part two
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                                                     ——————– 
The very first thing Billy and Stu do once they leave school that day is go and do some research on you. How did they not know who you are? They know Randy wasn’t joking because of #1. your intense reaction and #2. they bullied him for a little more information.
Billy’s first assumption since he (the self-proclaimed master of the horror genre) doesn’t know anything about you is to assume you’re either a very shitty actress or been in really shitty movies. He’s mean so he’s leaning more towards you being a really shitty actress.
Stu’s kinda just excited to have met a “super hot babe” who is famous. Although the horror movie part of that is what double peaked his interest. 
They stop by the video store and Randy’s on shift. Sure enough there are a couple of your movies in stock and he obviously hands them over (even though he wanted to binge them all tonight… #Poor Randy).
They get their snacks and head to Stu’s house ready to be judgmental assholes of course. Billy’s probably already imagining killing you because one of the movie covers is super lame and if this is a total waste of his time someone is gonna pay for it. Stu is the type to watch crappy movies on purpose, however, so he’s fucking ready for anything.
They. Are. So. Fucking. Shocked.
Billy eat your fucking heart out. 
The first movie they pick is super shitty. It’s the very first one where you’re not a kid actually (yeah you’re a regular pro and have been in the game that long) but you        you’re a shining fucking star in it. Everything else about it is shit. The aesthetic. The score. The other actors. The villain. But you’re incredible. Its one saving grace.
If it had been anyone else’s debut movie it would’ve ended their career before it began. Instead it made you shine even brighter.
Every movie they watch after that gets better and better. You’re clearly now able to pick and choose your projects and you’re picking the cream of the fucking crop. 
In almost every movie you’re the final girl, the star of the show, and they absolutely think you deserve it. They’ve never been so into a movie marathon in their fucking lives. Excited screams. Cheering! Actually rooting for you and not whatever monster or deranged killer is after you. 
Then they get to the very last movie you made. It’s recent. Came out within the year, actually, and they both realize the reason they missed it coming out (and all its stellar reviews as it’s your most popular one yet) is because they’d just begun plotting the ghostface killings at the time. They were busy okay!
And yes they did have a small, totally pointless argument over whose fault it is that they missed out on all your fucking movies.
stu: how did you not see these, man? i thought you watched cult classics too!billy: shut the fuck up she’s baCK ON SCREEN - 
They lose their fucking minds when they read the summary for this movie. Because this time Hollywood’s favorite “fresh-blood sweetheart of horror” isn’t playing the helpless heroine. This time she’s the fucking killer. 
Stu physically screams out loud because he knows it’s about to go down and Billy is playing it cool even though “I’m the only other person here, Billy who the fuck are you pretending for?”
Stu won’t stop fucking hitting Billy’s shoulder like an excited teenage girl watching Twilight for the first time. You’re his fucking Edward Cullen and Jacob Black combined. He’s going to pass out if he gets any more excited and if Billy has a bruise on his arm he’s gonna “beat the shit out of you, Stu, swear to god-”
The look on your face during the movie sometimes when you’re covered in the blood of your victims from head-to-toe? Billy has fucking chills. He’s never been more in love or turned on in his life. He’s not ever gonna get scared by a horror movie at this point but if he was         yours would be the one to scare him. Holy fUCK he’s in love.
Every-time you get a brutal kill in Stu starts screaming, “That’s our girl! That’s our fucking girl!” He has already made up his mind on this subject, clearly.
There’s popcorn everywhere because Stu keeps spilling the bowl but Billy isn’t making him make anymore because neither of them are fucking eating at this point let’s get real. They’re fucking transfixed. 
When it’s all over           and that includes watching behind the scenes shit and the gag reels for every fucking movie           they turn to each other and they just start grinning.
Killing the horror movie actress that just moved to town? Ugh, that would be so predictable! Cliche, really! Do they look unoriginal to you? 
hONESTLY they and by that I mean Billy can’t even lie to themselves about why they’re not gonna kill or hurt you. This is love at first fucking scream, baby!
If there was a song playing during this fucking moment it’d be “One Way Or Another” because they’re definitely gonna fucking get ya’. 
The next day you walk into school and it’s a fucking circus. Someone heard Randy of course and now everyone wants to get close to the Hollywood Actress among them. You can see your dreams of a little normalcy slipping down the drain and even though everyone is being oooooh so nice to you (including people who before the reveal had been acting like you hadn’t existed or even been mean to you) you feel close to tears with frustration.
Then you’re yanked into an empty classroom by two sets of hands. You’re about to lose your fucking mind honestly and you turn around swinging your heavy ass math book without a second thought. You’re out for blood.
“Whoa! Put down the weapon of mass destruction, babe!” Stu, you recognize him and do stop swinging because you know these two are friends of Tatum and Sidney. 
As soon as you stop swinging the anger fades too and you’re left with nothing but that bitter feeling of disappointment. You start crying right then and there and it’s a special kind of humiliation. At least you can experience the shame of crying at school like a normal girl.
Both the boys are panicking although Billy is better at hiding it. He’s not even putting on a sympathetic face when he puts an arm around you, he’s actually very upset that you’re upset,  “What’s wrong?”
“It’s nothing! It’s dumb! I’m dumb!” Your attempted brush off does not make them go away like you wanted.
In fact now Stu is pulling your hands away from your face and staring down at you like a kicked puppy. He doesn’t let go of your hands and you don’t pull them away. As much as he’s a stranger you don’t have many friends and you do actually want comfort, “You’re not dumb. Why are you crying? If you’re crying over something it can’t be dumb!”
“I’m gonna sound like such a spoiled brat.”
“Try us.” Goes Billy wearing the most intense stare he’s ever had in his life (and that’s saying something).
“It’s just that …. It’s just that I moved all the way out here to get away from all the bullshit! I just wanted to try being normal for awhile! Go to school! Have normal friends! Be a normal teen! And now because of one dumb kid that’s all gone down the drain!" 
More waterworks are happening even as Stu’s trying frantically to wipe them away while absolutely refusing to let go of your hands.
They both kinda wanna kill Randy now since he’s kinda the reason you’re crying. But if he hadn’t been such a spaz they wouldn’t know how fucking incredible you are so they kinda owe him at the moment. The dork lives to see another day, they guess.
What’s really important to them right now is you, and making you feel better as soon as possible. You’re really breaking their hearts here. 
"Why don’t we get out of here?” Billy suggests smoothly, never one to waste time or a good opportunity. 
“What?” The tears come to a slow and it’s only now you start taking note of just how much these two strange boys are touching you. Billy is behind you, one arm around your waist and the other wrapped around your shoulders. Stu is leaning all the way over you both like some sort of benevolent, concerned giant with his hands still holding onto yours tightly. 
“Why don’t we get out of here! Great idea, Billy!” Stu crows with excitement. 
“Oh I see — lemme guess, the two of you want to spend some ’alone time’ with the big shot Hollywood actress, huh?” Your tone is harsh enough that it’d make weaker men cower. Billy and Stu are the type to rise to a challenge. 
“More like you seem to be good friends of Sidney and Tatum      ” Billy starts,
“      and any friend of theirs is a friend of ours!” Stu finishes, “They’d kill us if they knew we let you run around school crying your pretty, little eyes out.”
“It’s really not because I’m famous     ?” Your voice is so small and insecure it makes them frown. 
“What’s your name again? I forgot it.” Billy jokes and it actually startles a snort out of you even as you slide your way out of their arms.
You take a breath and wipe your face, hoping to make yourself a little bit presentable at least. Finally you turn to them and nod, “You know what? Yeah      yeah then, let’s get the hell out of here.”
You don’t have to tell them twice. They each grab a hand and practically drag you out of the building, you go along easily, laughing your head off all the way. Just the fact that he’s hearing your laughter without it being filtered through a television screen is enough to make Stu laugh too. Billy’s joy is more reserved but the smile on his face is undeniable and much softer than usual. 
This is gonna be the start of something beautiful. They’ll make sure of it.
                                                     ——————–
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ouchmaster6000 · 4 years
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What are some characters you would give anything to see in a room together? What do you imagine them doing?
Oh, wow this is a tough one.
Hmmm....
I'd love to see the interactions between characters in any "serious" supernatural, sci fi or fantasy setting interacting with one where all the monsters are goofy, friendly, or not particularly intimidating.
Like like the Doctor, the Enterprise, or Mulder and Scully having a run in with Invader Zim, the planet express crew or space dandy
Or a D&D / Pathfinder adventuring party ending up in the Monster Musume world where Lamias, Harpies and other monsters are all friendly and living with humans
Or Sam and Dean Winchester or the Scooby Gang from Buffy the Vampire Slayer meeting the cast of Rosario + Vampire, High School DxD, Iruma-kun, Disgaea, or even Billy and Mandy or Nightmare Before Christmas, and having to come to terms with just how different demons, vampires, and undead are in those worlds.
(seeing the protagonists of the latter meeting the villains of the former could also be an interesting, albeit alot darker specticle to see.)
As for far more specific characters I think it'd be funny to see Batman and his rogues gallery interacting with the villains from Digimon Adventure and 02, simply due to how similar some of them are.
Joker being enraged Piemon "stole his act", trying to kill him, realizing hes out of his depth when this literal monster clown can summon swords out of nowhere and turn people into keychains, and needing Batman to save him.
Pinocchimon thinking Scarface is an honest to god living dummy, and not just Arnie's split personality, and thinking he's found a kindred spirit, and when Scarface breaks during a fight, he's enraged when his first real friend is "murdered".
(Arnie of course is jealous that "Scarface" prefers Pinocchimon over him, and his goons are justifiably terrified the trigger happy marionette is gonna eventually kill all of them.)
Scarecrow would be both resentful and worshipful of Vamdemon, seeing him as a "master of fear" who can control winged creatures of the night in a way he only wishes he could.
Harley Quinn and Mummymon would probably be best friends, as goofy likable sidekicks who were in love with villains who didn't respect them.
Ironically though, I can also see Ivy getting along MUCH better with Arachnemon than the Joker and simply finding Mummymon annoying.
Finally, though these characters aren't similar in anyway, I can picture Batman encountering Etemon running around gotham, thinking he's another crazy eccentric asshole in a costume, and very slowly coming terms with the fact he's fighting an actual monkey monster with rock and roll themed superpowers, what the fuck?
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lightofthemoonglow · 4 years
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some thoughts on scream (in particular roman bridger)
It recently all came together for me why Roman Bridger, the Ghostface of Scream 3 and apparently the puppetmaster of the whole series, is not very sympathetic, especially when compared to Billy, who he has a few things in common with. 
Note that I haven’t read the script for Scream 3 and am going off what was shown on screen. 
First: being given up for adoption is not being abandoned. It just isn’t. Just throwing that out there. if you were put up for adoption because you were literally thrown in the trash or because you were about to be (like me!), that’s different than being handed over at birth or shortly after. In that case, there was a plan and some care involved. It’s sort of like littering vs properly throwing out refuse. Obviously babies aren’t garbage, no matter what my birth father says. 
Second: Roman didn’t mention a hard life. Of course having it easy doesn’t mean you’re exempt from things like depression, anxiety, etc...But it seems like he grew up privileged, which kind of makes him seem even pettier. There was no mention of him growing up in the system or having been given to a bad family that abused him. He’s at most 30 and has a good job in fucking Hollywood. A lot of shit had to go right for him, even if he did kill everyone in his way. 
I watch a lot of Lifetime movies. And Roman’s backstory is a common backstory for villains. But the thing is that the villains in Lifetime movies have something that is without a doubt sad about their past. Maybe they were in group homes for most of their youth, their foster families sucked, their adoptive parents were bad people, they had to struggle while their birth family prospered, they were in an abusive relationship with someone who promised to rescue them from their bad circumstances. Roman didn’t even mentioned being bullied for being adopted. 
Honestly, he comes off as kind of entitled and a bit whiny. But in a way that I understand on a very personal level. However, as my maternal grandparents were the ones who raised me, I couldn’t escape my birth mother and up until adolescence, I waited for her to want to be my mom. My parents, the ones who raised me, are amazing people. But there is something about having all that stuff about moms and their bonds with their kids shoved down your throat while your birth mother, who lives with you when she’s isn’t on an adventure fueled by mania and/or NRE, barely seems to remember that she gave birth at all. Roman seems to have grown up in a fine home and comes across more like a Nice Guy than an abandoned child. 
Third:  “You're gonna pay for the life you stole from me Sid. For the mother, and for the family, and for the stardom, and for, goddammit, everything you had that should've been mine!" 
Literally that’s all. I don’t need to add anything to that. 
Four:  Maureen was raped and her giving up Roman was a reaction to that, not to him. She seemed to have done all the right things with him. They don’t make it clear when Roman found out about how he came to be, but even if he found out after her death, he still didn’t have to do what he did in his movie. 
By the time the third movie rolls around, he’s somewhere between 27-30 years old. Old enough to be able to reflect and maybe realize that it wasn’t about him and that maybe he shouldn’t kill all of those people. And even when he went to find Maureen, he was at least 22.  
Again, personal feelings are coloring my thoughts here. I’m a living reminder of my birth mother’s abusive ex-husband and all that he put her through. And that did effect me growing up. Of course, I acted out and did things I’m not proud of when I was younger. But by the time I was the age Roman would have been when he went to see his mother, I knew that it wasn’t about me. Yet again, I have had a lot of therapy. 
Did Roman go to therapy? He could totally afford it.
Why I Feel Bad for Billy
Billy knew his mother. She raised him and he thought she loved him. He loved her. They apparently had a normal parent/child relationship until she ran off. She was mad at his father and I can see Billy thinking that his mom had lumped him in with his dad, who is a bastard man. 
Basically, Billy was actually abandoned and then found out that his dad was cheating with his girlfriend’s mom. Roman had no relationship with Maureen. But Billy and Debbie were a family. 
(Obviously i am not condoning his actions but I understand Billy more because it is similar to my own life story.)
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