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c-e-d-dreamer · 2 days

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Top Shelf Love: Prologue

A/N: So, if you know me, you know that I love hockey. But if there's one thing I don't love, it's hockey romances because they are always so inaccurate that it's take you out of the story SO QUICK! Like what do you mean the captain of this NCAA D1 team is undrafted? What do you mean she magically has access to an NHL locker-room in the middle of a game? So this is my response to that! A super self-indulgent Nessian Hockey AU. For additional hockey context: Cassian is a defenseman for the NY Rangers; Rhys is a center for the Montreal Canadiens; Az is a winger for the Nashville Predators; and Lucien is a winger for the Toronto Maple Leafs. Anyways! Hope everyone enjoys this prologue and this absolute meet-ugly! Happy final day of @nestaarcheronweek

Read on AO3 // Chapter Masterlist // Next Part

Nesta

Nesta sighs softly, tilting her head back against the leather of the seat. Almost instantly, she scrunches her nose, the stale scent of cigarettes, of sweat and previous occupants, flooding her senses. Eager for a distraction, she peers out the window instead. The skyscrapers loom like shadowed giants on either side of the road, a cascade of colorful lights spilling from their windows and reflecting off the wet roads, the puddles from the earlier rain. Throngs of bodies move along the sidewalks, neither the late hour or the dark clouds still clinging above deterring them clearly.

The city that never sleeps indeed.

The cab jerks to a stop along the curb, the driver not even bothering to turn around and say anything to her, merely tapping the fare display. With a roll of her eyes, Nesta fishes her wallet out of her purse to pay before finally slipping out of the cab. At least the driver pulls her suitcase from the trunk, setting it on the sidewalk beside her.

“Nesta! You finally made it!”

It takes everything within Nesta to swallow back down another sigh, takes all her willpower to force at least a hint of a smile to tug across her face. She can feel her earlier annoyance still simmering just beneath her skin, can still feel the exhaustion weighing down her bones. She’d give anything to be back in her own bed right now, anything to slip beneath her pile of blankets and curl up with a good book, but she’s here for Feyre, here to celebrate her baby sister.

So Nesta rolls her shoulders and plasters on an even wider smile before she turns around. But she should have known better, should have known that despite the physical distance between them, there’s no fooling her sisters. From the way Feyre raises an eyebrow, her lips twitching up in the barest hint of an unimpressed smirk, it’s clear she sees straight through Nesta.

“Sorry,” Nesta winces, her shoulders drooping already. “Journey from hell.”

“Sounds like you need a drink,” Elain offers with an easy smile, stepping forward and taking the handle of Nesta’s suitcase.

“Or five,” Feyre adds with a chuckle.

Nesta rolls her eyes, but she doesn’t exactly disagree. A stiff drink definitely sounds appealing after the nightmare of the day she’s had.

“I saw online that a lot of flights were just straight canceled, so I think you’re lucky to have made it at all,” Elain comments, leading the way along the sidewalk.

“I don’t know that I’d call a six hour delay lucky,” Nesta grumbles, practically shuddering at the memory of being stuck sitting and waiting in an airport for so long.

Nesta follows her sisters inside the building, but they take the elevator down, rather than up, Elain leading the way toward a black SUV. She tells her sisters more about the horrible journey as they walk. About the surprisingly long line at security. About the storms in the midwest and the delays and havoc they wreaked on all flights. About the child that seemed determined to scream for the entire five hour flight.

Once Nesta’s bags are securely locked away in Elain’s car, they return to the elevator and take it all the way up to the eighteenth floor, the doors opening with a soft ding. There’s no stopping the way Nesta’s jaw slackens as she takes it all in. A large centerpiece extends from the floor and fans out into the ceiling, the lights embedded within it casting the entire bar and its occupants in glittering golds. Live music seems to be coming from somewhere, twining and molding with the laughter, the conversations, filling the space.

But it’s the windows that really draw Nesta’s attention. Floor to ceiling windows seem to line every wall, offering a truly panoramic view of all of New York City and the Hudson. It’s a picture perfect view of the twinkling lights and night sky through the rain droplets still clinging to the panes.

“Wow,” Nesta breathes, taking it all in. “This place is definitely nicer than I was expecting.”

“If you think this is nice, you should see their venue.”

It takes a few moments for Elain’s words to register, but then Nesta is snapping her head toward Feyre. “You have a venue already? Does that mean you’ve picked a date?”

“Yes,” Feyre answers, unable to bite back her grin. “Next summer. July specifically, after Rhys’s season has ended.”

“Don’t you think it’s a bit optimistic to think he’ll still be playing through June?”

“Elain!” Feyre exclaims, reaching out to smack the middle Archeron in the arm. “I can’t believe you just said that.”

“What?” Elain shrugs innocently. “It’s true. I mean what’s their current record again?”

“Because the Leafs do so well when they choke every year?”

“At least they make the playoffs.”

Nesta snorts softly at her sisters’ bickering. “Since when did you become a sports fan anyways, Elain?”

“I guess Lucien’s been filling her with more than just his dick.”

“Feyre!” Elain squeaks out, her cheeks flooding with a blush.

“Darling,” a deep voice practically purrs, interrupting them. “There you are. I was wondering where my beautiful fiancée got off to.”

“Rhys, this is my oldest sister, Nesta,” Feyre offers, sidling up against Rhys’s side, her fiancé’s arm settling over her shoulders with comfortable ease.

“A pleasure to meet you at last,” Rhys greets, holding up the glass in his free hand in a mock cheers. The gesture is a bit sloppy, some of the amber liquid in the glass sloshing over the rim and spilling across his fingers, and Nesta realizes there’s a haze to his violet eyes.

“It’s an open bar,” Feyre mouths, clearly reading Nesta’s expression.

“You don’t have a drink in your hand,” Rhys suddenly says, as though he’s only just realized. “We need to fix that immediately.”

Rhys turns on his heel, pushing his way through the various guests gathered to celebrate him and Feyre without a care. Nesta rolls her eyes, but Feyre has a wide, soft smile on her face as she watches him go, eyes practically sparking with fondness. It’s clear this is the man that makes her youngest sister happy, so she can’t fault him too much.

“He’s right, you know. You do need a drink still,” Feyre says, looping her arm through Nesta’s.

Feyre leads the way toward the bar built around the large centerpiece. She leans over and gets the attention of one of the bartenders with ease, ordering what she tells Nesta is the couple's signature cocktail. It seems to be some sort of margarita, a deep blue in color with edible glitter that looks almost like stars swirling through the liquid.

“So…” Feyre starts, taking a sip of her own drink.

“So…?” Nesta echoes, although she has a strong suspicion she already knows where this conversation is going. She knows that expression on her sister’s face all too well.

“Rhys’s brothers are here tonight.”

“And you need to stop being such a busybody.”

Feyre sighs, turning so her hip leans against the bar, facing Nesta fully. “Why? I’m an excellent matchmaker. Just ask Elain…” Feyre looks over her shoulder, but frowns, turning in a full circle with her eyebrows pinched low. “Wait. Where did Elain go?”

“She and Lucien probably found some dark corner to fuck like the bunnies they are,” Nesta answers dryly. It’s certainly the trend with those two, vanishing for a few hours before appearing again with slightly mussed clothes and hair, pink often clinging to the apples of Elain’s cheeks and a wide, shit eating grin plastered across Lucien’s face.

“That just proves my point! At least tell me you stalked his Instagram or something.”

“Emerie and Gwyn did.”

Her best friends had been trying to convince her to get back out there for a month now. Even with how much time has passed since everything happened, it still feels strange. Of course, that hasn’t stopped Emerie from dragging her out to bars for trivia nights and karaoke as if they’re the best places to meet someone new. It hasn’t stopped Gwyn from trying to tempt her to start a dating profile on at least one of the plethora of app options.

It hasn’t stopped either of them from hyping her up after they spent so long helping Nesta to piece together the shattered fragments of herself, of her life, back together. It’s why Nesta loves them, why she doesn’t know what she’d do without them.

But when Feyre had suggested setting Nesta up with Rhys’s adopted brother, practically raving over the phone about what a good fit the two of them would be together, it had been like blood in the water for Emerie and Gwyn. Nesta had barely hung up with her sister by the time Gwyn had tracked down his social medias and had them displayed on the television ‘for the best viewing experience.’

Cassian Valdarez.

Any other emotions aside, Nesta can admit he’s attractive, that much was clear from the photos and videos on his Instagram. With his dark, curly hair tumbling down to his shoulders, his bright hazel eyes. He had been grinning widely in most of the photos, golden skin of his cheeks stretched and crinkles popping beside his eyes. But even the one where his lips were tugged up in a lopsided, cocksure smirk had Nesta staring.

Nesta had done a lot of staring.

Staring at the photo of him in sunglasses and shirtless, lounging casually on some sort of boat, wide shoulders and swirling lines of ink on full display. The photo of him in a locker room, dressed only from the waist down, showing off the tantalizing lines of his abs, his v-lines. The Reel of him working out, chest heaving and skin glistening, biceps bulging with every lift of the weights. The reel of him stick handling with just gloves, in a tank and shorts, the muscles and veins of his forearms working with each flick of his wrist.

“Okay, and?” Feyre’s voice draws Nesta back to the present.

“And what?”

“And what did Gwyn and Emerie think?”

Nesta sighs softly, fiddling with the stem of her glass. “I mean, they said I should go for it.”

“Ha!” Feyre exclaims, loud enough to draw the attention of a few others up at the bar. “See? I’m right. A perfect match.”

“Feyre, don’t you think—”

“Feyre, darling, I keep losing you.” Rhys slips into the space behind Feyre, wrapping an arm around her waist. He dips his head enough to press his lips to her neck before raising his gaze to peer at Nesta over Feyre’s shoulder. “Sorry. Do you mind if I steal my fiancée away for a moment?”

“Not at all,” Nesta assures him, but it’s Feyre’s gaze she meets. “I’ll be fine.”

Feyre and Rhys vanish into the crowds hand and hand, and Nesta settles at the bar, sipping her drink. Her eyes flit around, but she truly doesn’t know anyone here outside of her sisters. And despite her earlier words to Feyre, all the people, all the sounds and the lights, are starting to grate against her nerves, prickling and dragging along her skin like nails. Even downing the remains of her drink doesn’t seem to help, the alcohol only weighing heavy in her gut.

Leaving her now empty glass on the bartop, Nesta spins on her heel and stalks toward one of the walls of windows. She glances around at the different tables set up, the booths that line the windows and offer the perfect seats for the views beyond. Maybe she can find a dark corner to hide in for a few hours, or maybe, if she’s lucky, Elain and Lucien will decide they want to leave early to continue whatever they’ve started in an actual bed.

“Looking for me, sweetheart?”

The deep voice has a shiver skittering up Nesta’s spine, warm breath fanning across her ear. She spins around and comes face to face with a pair of hazel eyes, a cocksure smirk she’s only seen in photo-form before. Cassian Valdarez, in the flesh. He doesn’t even bother for subtly as his gaze rakes over her, and Nesta has to swallow hard as she tracks the way he licks his lips.

“And what if I wasn’t?” Nesta dares to ask, raising her chin.

Cassian chuckles, stepping closer into her space. “I think we both know you were looking for me. Why wouldn’t you be?”

Cassian’s hand reaches up in the space between them, snagging one of the stray strands of Nesta’s hair and twisting it around his fingers. Those same fingers skate down her neck, across her collarbones, leaving a trail of goosebumps in their wake. His touch traces over her shoulder and down her arm before finally closing around her wrist, Nesta’s breath hitching at the warm of his hand, the size of it, and she can do nothing but follow along as he tugs her toward one of the booths by the windows.

He lets go long enough to fall back against the cushions, for Nesta to settle beside him, but then his hands are right back on her. This time, his palm slides against the skin above her knee, fingers teasing along the hem of her dress. His other arm stretches along the back of the booth, all but curling around her shoulders as he leans into her.

“You look gorgeous in this dress, you know.”

“But let me guess, it would look better on your bedroom floor?”

“You said it, not me, but I don’t disagree.”

Nesta snorts quietly, tempted to tell him that it was wrinkled when she yanked it out of her suitcase before she awkwardly changed into it in the airport bathroom. But she never gets the chance to. Cassian lifts his hand until his fingers curl around her jaw, tilting her chin up enough that he can slot their lips firmly together.

The kiss takes Nesta by surprise, but it doesn’t take her long to respond. She moves her lips against his, Cassian’s grip on her chin holding her exactly where he wants her. When his tongue slips into her mouth, she moans softly, fisting a hand into the front of his shirt to keep herself steady and to keep him close.

Cassian pulls back just enough that he can murmur, “Do you want to get out of here?”

“Right now?” Nesta blurts out before she can stop herself. She’s certainly not opposed to the idea, but with tonight being the first time they’re meeting, she thought he might want to get to know her more first. What exactly did Feyre tell him about her?

“You know what they say. No time like the present.”

“I should probably tell my sister I’m leaving then.”

Cassian’s eyes seem to glint, even beneath the low light of the bar. “Is your sister here? Does she want to join?”

Nesta is sure that she must have misheard him. “What?”

“It could be fun. Two sisters, one hockey player,” Cassian says easily, even daring to wink at her. “Wouldn’t be the first time.”

Nesta can do nothing but gape at him, her mind reeling with this turn in conversation, but then it hits her like a ton of bricks. “You don’t know who I am.”

Cassian chuckles again, that cocksure smirk of his never slipping for a moment. “Am I supposed to know who you are?”

“Do you even know my name?” Nesta snaps, pulling further away from him.

“Oh, come on. Don’t be like that, sweetheart. All that really matters is you knowing my name so you can scream it tonight.”

“You didn’t even want to ask for it before you kissed me? You don’t even want to ask for it now?”

“Look. We both know what you came here for, what you puck bunnies are always looking for, and trust me, sweetheart. I am more than happy to give it,” Cassian offers, the way his eyes dance over her frame again nothing short of a leer. It stokes the anger flaring in Nesta’s veins higher, until it burns bright and hot.

“Wow,” Nesta scoffs, pushing up to her feet. “Fuck you.”

Nesta doesn’t even wait to hear whatever sputtering response he might give before she turns on her heel and stalks away from Cassian, pushing through bodies to put as much distance between them as she can. She’s never felt more stupid, can’t believe that she allowed Feyre to convince her that Cassian was some great guy, that the two of them would be some perfect match.

She can’t believe that she had started to believe her sister’s words, that that damned hope had started to bloom and put down roots in the gaps between her ribs.

Because of course. Of course, Cassian is just like every other guy, only thinking with the head between his legs without a single care for what happens once the sun rises. He’s exactly what Nesta expects from a professional athlete, cocky and sure of himself, expecting every girl to fall at his feet ready to worship him and suck his dick.

She finds Elain and Lucien in one of the other booths near the opposite side of windows. Elain has her legs draped across Lucien’s lap, giggling around the straw of her drink. Lucien seems to be smirking through whatever story he’s telling, his arm stretched across the back of the booth, fingers toying aimlessly with the soft brown curls of Elain’s hair.

“Can we go?” Nesta interrupts, looking between the two.

Elain blinks a few times, but then she starts nodding her head. “Of course. You’ve already had such a long day.”

Elain pushes up and to her feet, wobbling just slightly in her heels, but Lucien is there right behind her, his hands spanning across her waist to steady her. She smiles over her shoulder up at him before turning her attention to her purse, rooting around with a frown.

“Wait. Where are the keys?”

“I have them, my love,” Lucien answers, holding up the keys dangling from his fingers. He turns his attention to Nesta, offering her a wink. “Don’t worry. She’s not driving.”

Lucien slides his hand into Elain’s, leading all three of them through the party and back toward the elevators. Nesta keeps her head down as she follows behind her sister and brother-in-law, and she certainly doesn’t bother to look back. Besides, it’s not like anyone is watching her. She’s quite confident a certain hockey player has already found some other poor, unsuspecting girl to capture his attention.

And as they take the elevators all the way down to the parking garage and back to the car, she vows to herself that she’ll never think of Cassian Valdarez ever again.

—

Taglist (let me know if you’d like to be added or removed): @moodymelanist @nesquik-arccheron @sv0430 @talkfantasytome @bookstantrash @eirini-thaleia @ubigaia @fromthelibraryofemilyj @luivagr-blog @lifeisntafantasy @superspiritfestival @hiimheresworld @marigold-morelli @sweet-pea1 @emeriethevalkyriegirl @pyxxie @dustjacketmusings @hallway5 @dongjunma @glowing-stick-generation @melonsfantasyworld @lady-nestas @goddess-aelin @melphss @theladystardust @a-trifling-matter @blueunoias @kookskoocie @wolfnesta @blurredlamplight @hereforthenessian @skaixo @jmoonjones @burningsnowleopard @whyisaravenlike-awritingdesk @ofduskanddreams @rarephloxes @thelovelymadone @books-books-books4ever @tenaciousdiplomatloverprune @that-little-red-head @readergalaxy @thesnugglingduck @kale-theteaqueen @tarquindaddy @superflurry @bri-loves-sunflowers @lady-winter-sunrise @witch-and-her-witcher @fieldofdaisiies

#NestaWeek2024 #nessian #nesta archeron #cassian #acotar #acosf #nessian fanfiction #nessian fic #nesta x cassian #hockey cassian #top shelf love #my fic

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wenellyb · 3 days

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Random thoughts on Bucktommy and Buddie

Please bare in mind that I'm only sharing my personal opinion and that I'm always open to discuss.

The discussions I've had over the past couples of weeks have been very interesting and I wanted to add my 2 cents.

Before season 7 episode:

I'm a causal viewer of 911 and I'm also on Tumblr so of course, I know Buddie, but I've never really shipped it... I can understand the appeal and I think the ship has potential but I never felt like the writers ever intended to go there. And I'm not a big fan of non-canon ships.

If they had gotten together, however, I think that I would have enjoyed it.

What has always bothered me was the behavior of some Buddie shippers who would complain about queerbaiting on the show, when there were already several Queers characters in it and one character (Hen), who's part of the main cast. I always got a weird feeling that those shippers didn't care about Queer characters if they weren't White. There is also a spinoff of the show, 911 Lone star with Queer characters who are also part of the main cast.

To me, the fact that Buck and Eddie never got together was a writing decision, not queerbaiting or anything like that... the writers had decided this wasn't the way to go for Buck and Eddie's chatacters, because if they had wanted to write a storyline between them, they could have.

I've seen a lot of people being happy about Buck being confirmed as Bi, and I get it. But to me, it was confirmed he was bi in the 911/911 Lone Star crossover when TK told Buck he had a boyfriend after Buck asked him out. I was just waiting for a storyline to confirm it. Obviously, I always thought the storyline would involve Eddie, but I was wrong.

After Season 7 Episode 4:

I follow some 911 accounts so I knew something was happening before the episode aired and I saw a preview of Buck seemingly being jealous of Eddie leaving with Tommy and I thought... this is it, this is where the writers are going to confirm Buddie. Buck will realize his jealous and realize he has feeling for Eddie or something like that.

I was very curious so I tuned in for that episode and imagine my surprise when I realized at the end, that the jealousy wasn't about who we thought and all this time the writers had been planning a storyline with Tommy.

So to me, it doesn't look like the writers are planning a Buddie storyline. Otherwise they would have prepared it gradually after the Buck and TK's discussion.

That doesn't mean it won't change in the future, writers and showrunners can change but I have never noticed them introducing a storyline that could lead to a Buddie relationship.

Everytime I see a post "proving" Buddie, it's always showing something friends or best friends do (hugging, being affectionnate), even Eddie making Buck Chris' legal guardian is something a best friend could do.

I'm not saying that they couldn't be romantic in another context, but there hasn't been any indication that the writers are planning a romantic plot for Buck and Eddie.

The writers decided to go there with Buck and Tommy. They're treating their story like a romcom, with the kiss, the hearteyes and everything. Buck is obviously into Tommy and being ready to tell the world about him.

That's the storyline the writers have decided to give us and it's a very nice one.

I know a lot of people are expecting Tommy and Buck to be temporary but to me that's wishful thinking. It wouldn't make sense to have Buck invite Tommy to his sister's wedding just for them to break up a few episodes later. If a breakup is what the writers had in mind, they would just set up another normal date.

Shipping goggles are ok, I have other ships for which I have shipping goggles on and for which I'm not very objective.

What's not ok is trying to ruin the fun of Bucktommy shippers who are trying to enjoy this beautiful storyline but can't go in the tags without seeing a post about the ship's impeding break up.

#bucktommy #evan buckley #tommy kinard #eddie diaz #buddie #911 spoilers #always open to discuss this as long as you're not urde #rude*

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am-i-the-asshole-official · 3 days

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WIBTA for calling my dad delusional? 🌊🌊🌊🌊🌊🌊🌊 so I can find it later

So, for context, I (17x) have a schizophrenia-adjacent mental illness. On top of this, I am very interested in psychology and the like, specifically clinical and developmental. My hobbies include going online and looking through random medical documents just for the hell of it. That being said, one of my top rules I have in my mental folder is to never reality-check someone experiencing a delusion unless they specifically have given consent before, as this can cause them to spiral into a mental health crisis that at best can be extremely distressing and at worst lethal. With that out of the way, this is why I'm considering calling my dad delusional. He (42m) is VERY traditional and sort of 'just stop being mentally ill' about everything regarding clinical psychology. This is not exclusive at all to depression and anxiety.

He caught me talking to my mother about causes of delusions and how to handle them, and overheard me saying that you shouldn't encourage nor reality-check the delusion, as both can make things worse. His response was to immediately get mad at me and tell me not to 'coddle delusional people.'

Now, on top of being traditional, my dad is a major conspiracy theorist. I mean, he's anti-vaxx, a flat-earther, and believes the government is a bunch of baby eating lizards from the hollow moon kind of conspiracy theorist. I have until now been doing my best to avoid discussing these things with him, as he is stubborn about these beliefs to the point of me wondering if he too is experiencing/experiences delusional beliefs. But knowing his attitude towards others with delusional beliefs (including, unknowingly, me), I am tempted to just straight up start calling him delusional if he starts rambling about it with me. So, WIBTA?

#aita #am i the asshole

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becauseimanicequeen · 2 days

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Don't Ask Me for QL Recommendations Because My Taste is BAD

Bad as in TRASHY.

For your own good, don't ask me for recommendations.

I'm writing this because I've gotten some asks lately for QL recommendations and I wanted to spare you the pain.

If you still don't trust me (because to be fair, why would you? I'm just a random weirdo on the internet), let me tell you how bad my taste is so you'll know why I'm doing you a great favor by sparing you the pain.

(I also watch, and rewatch, series/films for ridiculous reasons, yet another reason not to listen to me. I’ll come back to this in a minute.)

Let's start with a brief rewind to a couple of decades ago (because it matters in this context).

The first queer content of any kind I can remember watching was Xena: The Warrior Princess in the late 90s and early 00s (I was a child/pre-teen at the time). It was such a pivotal point for me, which is why I remember it vividly. Not only was Lucy Lawless (the actress playing Xena) the most beautiful human being I had ever seen at that point, Xena was also queer and I loved her.

The series, though? It’s bad.

It’s over-the-top, contains ridiculous humor, face-palm-worthy fight scenes, etc., etc. (But, it was also the 90s, so it was quality television at the time, no matter what anyone else says.) It was so bad that it was ridiculously entertaining. I would watch it today (if I could find it anywhere…). That’s how bad my taste is (or how attached I am to bad shit).

That’s when the groundwork for my bad taste was laid. I blame THANK Xena: The Warrior Princess for it.

Then there was a huge skip until July last year when I found the Asian QL world, because I had no idea it even existed (I’m from Europe, btw).

(My personal story is that I fell into the queer/gay film world before the QL world, and the queer films I could find were made and released very sporadically. But ever since I found the treasure trove of Asian QL series in July 2023, I’ve watched 291 series/films as of right now.)

The reason I fell into the Asian QL world was thanks to a Short on YouTube with the main characters from Roommates of Poongduck 304 kissing. (Want to know what convinced me to watch it? One of them was wearing blue and the other pink, two of my favorite colors. Yep, that’s the reason. Told you it would be ridiculous.)

Since then, I’ve been exploring this rabbit hole and loving every second of all the bad shit that’s out there (there’s some great shit too, and some great things that aren’t shit at all, but they’re not really my taste because my taste is trashy, remember?).

I quickly noticed what my taste was pulling me towards and, in some cases, the trashier it was, the more I liked it.

(I’m talking about fiction here. I’m mature enough to be able to separate fiction from reality. Just because I enjoy watching a series/film that depicts a problematic topic, and sometimes do it in a problematic way, doesn’t mean I condone it in real life. I’m just putting this here as a disclaimer because people on the internet are easily offended nowadays. And I honestly don’t have time to respond to people who are venting their anger after purposefully misinterpreting what I’ve said, unless there’s a very valid reason, which there usually isn’t.)

So, what are some of my favorites that I absolutely do not recommend you watch?

Unless you want to watch trash, then, have at it. Just don't say I didn't warn you.

(Btw, if you like any of these, I apologize for calling your taste bad and trashy. But, if you like any of these, I think you already know your taste is bad. Also, if you like any of these, hey, bestie!)

Let’s start with the less extreme ones so I don’t scare you away from the start. After that, they’re in no particular order.

(With the issues/TW section for each series/film I include possible trigger warnings, taboo topics, what viewers/commenters have brought up as problematic, my possible issues with the writing, etc. I won’t list everything (because some of them would have looong lists) but I’m including some of the major ones.)

Kiseki: Dear to Me (Taiwan)

Issues/TW: Dubious consent, age gap, “adoptive” brothers becoming lovers, etc.

Both couples in this series have their own set of issues. Ai Di and Chen Yi are the “adoptive” brothers who become lovers while Ze Rui and Zong Yi have an age gap (I can’t remember how big of an age gap but I think it was close to 10-ish years).

(Before I move on there’s one thing you should know about me… I was born into a family with a varying degree of age gaps within marriages, from 2 to 23 years. Even though we’ve talked about the bigger age gaps occasionally, it’s never been an issue. I don’t mind age gaps as long as they’re legal. Does that mean I would hook up with someone in their late teens or early twenties? No. I would rather hook up with someone who has a fully developed brain, which science suggests doesn’t happen until somewhere in the mid-to-late-twenties. But it does mean that age gaps (as long as they’re legal) aren’t something I’ll be bothered by or judgemental of.)

Kiseki: Dear to Me is one of my favorite series because:

It’s from Taiwan, and the Taiwanese QLs are generally great at dealing with more difficult and taboo topics.

Ai Di is the feistiest, most colorful, and pettiest bitch and I love him with my entire ice-cold heart.

Chen Yi looks amazing in black.

The neon lights (because I’m a slut for that).

Also, the kissing (from both couples) is great.

You know, I did say that these would be series/films I absolutely do not recommend you watch. But I’ll actually recommend this one. Watch it. It’s great.

Unknown (Taiwan)

Issues/TW: Age gap, “adoptive” brothers becoming lovers, etc.

This is another one I’ll actually recommend you watch because it’s great.

The main couple (Qian and Yuan) are the “adoptive” brothers becoming lovers while the age gap is most prominent between San Pang (Qian’s business partner) and Lili (Qian’s younger sister). There’s also the fact that San Pang is part of their chosen family and has seen Lili grow up and stuff. So, if that bothers you, then don’t watch it.

The biggest reasons I would personally recommend it to those I know aren’t particularly bothered by taboo topics are because:

The yearning is palpable (and I love shit like that).

Qian would move heaven and earth for his family.

The great story.

The even more amazing acting.

Some moments made me bawl (and since I'm an ice queen, I get obsessed with shit that shatters my ice and makes me cry).

I know I said my taste is trashy… but I would actually give myself a gold star for loving this one.

Now, back to the real trash…

Love in the Air (Thailand)

Issues/TW: Dubious consent, SA, rape, MAME, etc.

Everyone and their aunt (or however the saying goes in English) seem to have an issue with MAME (the original creator of LITA and several other trashy BLs) and for good reason. (I would say that she improved a lot with Wedding Plan, which is the least problematic thing I’ve watched from her and it’s the latest series of hers, as of right now.) If she’s grown, remains to be seen. But it doesn’t change the fact that LITA has some issues.

Honestly, I just watch this for the visuals, as in the motorcycles and the neon lights. That’s it. That’s the reason.

I mean, if you look at the whole first sex scene between Sky and Prapai, you get what I mean with the neon lights. It’s divine. (I recently rewatched LITA for this very reason. A waste of time, you say? Not when you’re a slut for neon lights.)

Don’t watch this though! Just enjoy this gif instead…

I just saved you 13-ish hours of your life. You’re welcome.

TharnType and TharnType 2: 7 Years of Love (Thailand)

Issues/TW: Dubious consent, homophobia, domestic violence, MAME, etc.

Don’t watch this. This is bad. As in, really bad. And all the issues are in the main couple’s relationship.

But, since my taste is really bad, I rewatched this recently for horny reasons (it’s Mew, after all, and he’s got me in a chokehold for some reason). It’s still as bad as I remembered it, but I would still rewatch it for Mew’s sake (and because Techno is ridiculous throughout both seasons, which means I love him).

To be fair there are other, a lot spicier, series that I watch more often for horny reasons (yes, some of them are in this post because they’re trashy too), but none of them include Mew. And since I have to get my dose of Mew from time to time, I return to TharnType (especially the second season).

Big Dragon (Thailand)

Issues/TW: Dubious consent, blackmail, etc.

This isn’t that problematic in my opinion, but there is definitely a drug-induced sexcapade that’s taped and used for blackmail for a while. And that's how the series starts.

I recently did a rewatch of this and it was still bad (in a good way) and I loved every second of it.

What I love about this series are:

The visuals. The set designs are beautiful (especially Yai’s home and the bar, before he demolishes it). As a visual artist, this is speaking to my soul.

The chemistry between Yai and Mangkorn.

Pong and Park. Two idiots I love with my whole ice-cold heart.

And the title track because it’s addictive as hell to listen to.

Also, the sex (which my horny ass needs). Let's not forget the sex. Those scenes were also visually stunning, which made me love them even more.

Honestly, I'll kneel and bow down to this shit because it's that great.

Don’t trust my judgment, though, because my taste is trashy.

Only Friends (Thailand)

Issues/TW: Manipulation, stalking, promiscuity, etc.

This series is messy in terms of intrigue (especially from Boston and then Boeing’s part). The ending had some issues. The sex isn’t everyone’s cup of tea, either. I, on the other hand, would drink a whole pot of this.

Overall, I loved this trash. Mainly because of:

How visually stunning it is.

Sand. He’s a hardworking, good person. He’s also a proud bi!

How they depicted and handled Ray’s addiction and recovery. (I know some watchers were upset that the focus of the series landed on Sand and Ray towards the end while neglecting the other characters, which is a valid point. However, setting that aside, the way they portrayed Ray’s addiction and then his road to recovery in the last couple of episodes was realistic, and I loved it.)

The promiscuity, because I loved it and the mess it created.

Boston being a slutty asshole. The more of a slutty asshole he was, the more I loved him. (I know, it’s a me-problem.)

Boeing coming in and kissing (almost) everyone.

It’s trashy, it’s messy, and I love it!

But, I don’t recommend it to anyone.

My Beautiful Man 1, 2, and 3 Eternal (Japan)

Issues/TW: Dubious consent, obsession, bullying, lack of (or no real) communication, etc.

I love this series (2 seasons + 1 film), but I honestly don’t see it as particularly problematic. But I know others will disagree with me, so here it is on my list of trashy QLs.

I don’t mind Hira’s obsession because I know Kiyoi is just as whipped for Hira (even though he doesn’t know how to communicate it to Hira at first, especially in a way that Hira understands). Would I be okay with someone’s obsession and stalking in real life? Of course not. But, as I mentioned before, I’m mature enough to separate fiction from reality.

Also, I love miscommunicating characters, especially when the misunderstandings they create bring out all the emotions (angst, hurt, anger, sadness, embarrassment, etc.) and even the flight response. I especially love miscommunicating characters when they learn to communicate throughout the series/film. And this series is especially delicious on the miscommunicating part.

But, it’s also problematic, apparently. So, don’t watch it.

The End of the World With You (Japan)

Issues/TW: Blackmail, biphobia, cheating, etc.

I’ll be honest and say that I’ve only watched this series three times. And that’s because the biphobia is fucking annoying. In this series, the bi character is depicted as a cheater (which is common in QLs, btw). It’s an exasperating stereotype. Cheating has nothing to do with your sexuality and everything to do with who you are as a person.

(I mean, you can be a proud bi like Payu in LITA or Sand in OF. They have eyes only for one person as soon as they’re pursuing or dating someone. Give me more bi characters like this, please.)

We could discuss how cheating can be used as characterization in certain stories. But not in this one. Here, they’re basically using Ritsu’s bisexuality as the reason he’s cheating (since he’s sleeping with Masumi while having a thing going on with a girl, and then sleeping with a girl when he has a thing with Masumi), which is why it’s bothering me in this series.

If I’m going to tell you why I like this series, however, it’s for 2 reasons:

It’s about getting a second chance, a topic I love.

The sex (laser-focused horny Ritsu is my favorite Ritsu).

Check Out (Thailand)

Issues/TW: Biphobia, cheating, lazy writing, etc.

(It should be mentioned that I’ve read some comments about some issues involving the company behind this series. I haven’t dug deeper into this so I don’t really know if there’s any substance to the comments I’ve read (like official statements from the company or the other people involved, etc.). But I’m putting this out there in case this might be a potential issue for you (even though I’ve already told you that I don’t recommend you watch any of these because they’re all trashy).)

When I first checked this out at the beginning of this year, this series seemed to have created a storm of bad comments and reviews on MDL since it first came out. So, obviously, I needed to watch it because my taste is trashy.

And, you know what? I loved it!

Besides having the bi character depicted as a cheater (again, the use of this biphobic stereotype is so fucking annoying) and the sporadic clunky and stale scenes, I loved this series because:

It’s about second chances. As I mentioned before, I love that topic.

Best (the actor playing Daonuea) is the best in this series. There’s just something about him that grabs my attention every time. He has me in a similarly tight chokehold as Mew.

There’s sex (and my horny ass needs it).

But, it’s also trash, so don’t watch it.

Pit Babe (Thailand)

Issues/TW: Domestic violence, non-consensual, SA, age gap, etc.

This became popular. Really popular. I saw people comment about it everywhere. And usually, when stuff becomes popular, it’s more than likely reduced to trash quality by the general public. So, obviously, I had to watch it.

Did I end up loving it? Yes.

Honestly, the biggest issue this series had for me was the whole omegaverse thing (this was a new thing for me because I don’t come from an erotic fiction background, my head was rather stuck in fantasy fiction). And, from my limited understanding of this, they didn’t seem to fully commit to the omegaverse thing in Pit Babe, which was unfortunate.

The racing was also so-so for me, which hurt my soul because I usually love racing (cars, mcs, boats, etc.).

What I did like, however, was:

The chemistry between Pete and Kenta (and I’m so sad I only got crumbs of this).

Pavel (the actor playing Babe). I would watch and listen to him recite product placement scripts for toothpaste all day long.

The sex, especially the scene with Babe and Charlie in ep. 9 (even though it was mixed with clips from the racing) and Jeff and Alan’s scene in ep. 13 (because it was sensual, if we ignore the music).

The neon lights (have I mentioned that I’m a slut for neon lights?). I mean, just look at this:

I can watch that pinkish light all day long, even though Babe and Charlie are trying to distract me. (Especially Pavel!)

Dead Friend Forever (Thailand)

Issues/TW: Grooming, bullying, suicide & suicide attempts, etc.

Besides the issues listed above, this also suffered from lazy writing at the end. BUT, I fucking loved DFF anyway.

I never expected to love this series because it’s just a bunch of teenagers stuck at a house in the woods. How interesting could that be? Turns out, very.

DFF wasn’t perfect (perfection doesn’t exist anyway), but what I loved about it was:

The morally ambiguous characters.

The revenge plot.

The poetic justice.

The questioning of what was real vs hallucination.

The visually stunning shots.

The mask!

And Tan’s mask!

The beheading scene.

I could go on, but you get the point. I just love this piece of trash.

But, please, don’t watch it. You will suffer from brain rot. Trust me.

I, however, am currently rewatching this because I choose the brain rot. And my taste is trashy, remember? Or, perhaps I just love watching chaos unfold…

HIStory 3: Make Our Days Count (Taiwan)

Issues/TW: Dubious consent, age gap, tragic ending, etc.

Everyone and their aunt and even their dog have an issue with the ending of this one. And it’s understandable.

I don’t necessarily like or dislike the ending. Obviously, the bury your gays trope is tragic in itself, and, tragically, it’s still being used. That’s why I couldn’t find myself liking the ending, even though I don’t mind tragic endings. (Romeo and Juliet is one of my favorite classics, which people tend to forget is a tragedy and not a romance, btw, but I digress…)

At the same time, though, this series made me cry for a whole episode before tragedy struck because I could feel it. And you have no idea how obsessed I get about shit that makes me cry (since I’m an ice queen).

(Another side note: one of my favorite BLs is Once Again, which made me bawl throughout the whole series. It’s not on this list because it’s neither trashy nor bad, but it’s still one of my favorites because it broke me in the best ways. But, anyway…)

The best part of this series from beginning to end was the other couple, at least for me. This couple is the one with the age gap (which, again, doesn’t bother me) and I fucking love them! One, because Wilson Liu (the actor playing Bo Xiang) is such a gem. Second, because their first time was such a spur-of-the-moment thing fueled by a desire that went from 0-100kph in less time than a Ferrari would. And I loved it (just as much as the squeezing of boobs from behind, which, for some reason, appeals to me).

Also, the twins are so pretty it’s annoying.

Do I recommend it, though? No, because I don’t have time to respond to the clap back I’ll get when you come to the end.

HIStory 4: Close to You (Taiwan)

Issues/TW: Dubious consent, SA, obsession, age gap, stepbrothers becoming lovers, etc.

This one has some problems (especially the relationship between Yong Jie and Xing Si), but I love both the series and its problems (yes, I’m trash). You could say that I’m as obsessed with this series as Yong Jie is with Xing Si. Would I get this series drunk and fuck the living daylights out of it? No. But I would watch it once every 3 months or so. Oh, wait… I already do that. Because I’m trash.

What do I love so much about this series (other than what I mentioned above):

It’s from Taiwan.

Li Cheng is ridiculous, which is exactly why I love him.

Every time I rewatch it, it gets funnier.

The chemistry between Li Cheng and Teng Teng is amazing.

As well as the chemistry between Yong Jie and Xing Si.

The kissing is just as amazing.

The main fujoshi girl, Mei Fang, is so cute I can’t handle her.

And the bathroom scene! In that lighting! It’s iconic!

I don’t care what anyone else says. This is fucking gold to me. But, then again, my taste is trash. So, don’t listen to me.

KinnPorsche (Thailand)

Issues/TW: Dubious consent, SA, torture, Stockholm syndrome-ish, etc.

This is some next-level trash, and I fucking love it.

Two of the major relationships in this series (Kinn & Porsche and Vegas & Pete) are problematic at some point. Especially Vegas and Pete who have this whole captor/captive, torture, BDSM-ish type relationship. Of course, I love Vegas and Pete because my taste is super trashy (yes, it’s a me-problem, but I don’t force my taste on other people, so, for the love of all that is holy, don’t watch this!).

Other reasons I love this series and rewatch it from time to time:

It’s visually stunning! The cinematography is amazing. As I mentioned before, I’m a visual artist, so this is a very valid reason for me to watch it again and again. And again.

The neon lights.

The whole mafia thing.

The sex (because my horny ass needs it).

Playboyy (Thailand)

Issues/TW: SA, homophobia, suicide, etc.

I was debating whether or not to add this to my list solely based on the ending. However, up until that point, I really liked it.

The fact that every episode starts with a whole ass list of trigger warnings tells me this is my shit. And it was.

At times, it was so bad that it was good (until the ending, which was just so bad it was bad). The things I liked were:

The mystery.

Win (who played Nuth). His acting was great.

The chemistry between Nuth and Phop.

The tattooed daddy that’s Aob and his chemistry with Puen (there’s also an age gap here, btw, but as I’ve mentioned before, it’s fine by me as long as it’s legal).

The weird ass sex scenes (and the underwear).

And the not so weird ass sex scenes (like the ones between Aob and Puen and the ones between Nuth and Phop).

But, this series is trashy. Keep as far away from it as possible. If you still decide to dip in, don’t say I didn’t warn you.

Red Wine in the Dark Night (Thailand)

Issues/TW: Obsession, blood, human blood bags, etc.

This is a queer film that’s BL-ish with some dark themes. Mainly, it’s about how far Wine would go to help the person he’s fallen for (or become attached to).

What I loved about this film was:

Fluke (who plays Wine). He’s such a great actor and I love him in everything he does.

Wine who is so desperate to love someone and be loved that he ends up doing some weird shit.

The darker and sadder vibe, which I love.

Irresistible Love 1 and Irresistible Love 2 (China)

(This is also called Uncontrolled Love.)

Issues/TW: Obsession, homophobia, codependency, adoptive brothers becoming lovers, etc.

This is another queer film (in two parts) that is more BL-ish than the films I’m getting into below.

This depicts a weird relationship dynamic between Xie Yan and Shu Nian where Shu Nian was basically adopted into the family to become Xie Yan’s friend/babysitter/lackey. This is some weird ass shit, and I love weird ass shit so I really enjoyed this rare, uncensored, gem from China.

But, it’s also trashy. So, don’t watch it.

The next couple of films I’ll mention are (obviously) trashy, but also complex and deep (which is why I love them).

One Summer Night (South Korea)

Issues/TW: Obsession, dependency, oppression, etc.

This is a low-budget film from 2016 (so, production-wise, it’s definitely nothing like the usual stuff from South Korea you can watch on Netflix), but I love it.

It’s gritty, it’s raw, it’s explicit (an emphasis on explicit because you’ll see dicks), it deals with being a North Korean defector but ending up in an impoverished situation in South Korea, and it ends with a dubious ending you can interpret in different ways.

This is definitely not for the general QL viewers who watch QLs for the cutesy stuff.

And it's trashy. So, don’t watch it.

Dangerous Drugs of Sex (Japan)

Issues/TW: All the trigger warnings! Seriously. I feel like it’s better to say that so you’ll look up the TWs for yourself (if you choose to watch this, which I'm asking you not to) rather than me mentioning a few and forgetting others.

With this film, what others see are all the trigger warnings (and, yes, I see them too, they’re fucking obvious). However, I can see beyond that and watch it for what it is at the core: Two characters dealing with incredible grief.

Grief is a topic that often affects me and I can relate to it because I’ve had to deal with a lot of grief in my relatively short life. Watching a film like this where grief pushes the characters to their very limits will (often) get a special place in my heart, especially if done well. And it’s done very well in this film.

Do I condone the characters’ behaviors? No (especially not Yoden Ryoji’s). But I do understand that grief can send you over the edge (and in some cases throw you off the edge) because I’ve experienced it. I do understand that grief can cause you to make horrible decisions because I’ve done it (though, not this extreme). I do understand that grief can be self-destructive because I’ve been there. This film shows it all. That’s why I love it so much.

Do I recommend you watch this, tough? No. Don’t do it. This is not for everyone. It’s definitely not for those who watch QLs for the cutesy stuff.

But it is for me because I love trash. Especially good trash. And this is the best trash I’ve ever seen when it comes to gay films.

Anything by Scud Cheng

Lastly, I want to mention any film by Scud Cheng because…

And I’m an artist so art means everything to me.

Cheng is a screenwriter and director from Hong Kong. His films, the ones I’ve seen, are gritty, nude, and real. They are more on the art side than the others I’ve listed above, which is why they have a special place in my heart.

They’re also deep and explore themes like introspection (are we doing things because we believe they’re the right thing to do, or because external forces have “brainwashed” us to believe they’re the normal thing to do?), the porn industry and how it exploits young and queer men, death, politics, and love, to name a few.

These are not for the average QL watcher. They’re not for the faint of heart. They’re not for those who want an entertaining watch.

These films require multiple viewings. I’ve watched some once, some twice, and some more times, and I still find new themes and meanings woven into the stories. So, they’re complex and deep.

But, don’t watch them because I know you’ll come at me later. So, to spare us both the time and energy it would take to argue about this shit, just don’t watch any of it.

Now, if you still want to ask me for recommendations after all that, don't tell me I didn't warn you!

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anangelcanonlygosofar · 2 days

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Why Did So Many People Hate Aziraphale?

When the ending of Season 2 happened the majority of the fandom lost their collective shit. They went utterly bananas. A main theme that I kept coming across was the strange and insulting sentiment that Aziraphale "rejected Crowley" or that Aziraphale "chose heaven over Crowley" or that Aziraphale "Was an arse for leaving Cowley", etc.

When I finally got around to rewatching Season 1 of Good Omens and then watched Season 2 of Good Omens and finally saw some context for the ending, I was/am even more baffled as to why people were so cruel to Aziraphale.

Why had they failed to hear what Aziraphale said to Crowley? Why hadn't anyone taken a moment to realize that Aziraphale respected Crowley's choice to not return to Heaven with him? Why did the collective fandom just completely ignore the WORDS, ACTIONS, and EMOTIONAL RESPONSES that Aziraphale expressed in the heartbreaking finale?

Maybe it was the simple fact they just couldn't cope with what they saw. Maybe the fandom needed someone to blame other than Neil Gaiman himself. Or maybe, the fandom just failed to take a moment to carefully comb through and observe the small, tiny details that are far more important than the big, dramatic moments that fill up the runtime.

However, what I noticed most is the total disregard for Aziraphale's lines in the last scene between Crowley and Aziraphale in season 2 episode 6. So this is where I'll Start.

HE WORDS:

Some of his dialogue was/are as follows:

"He said I could appoint you to be an angel. You could come back to Heaven and... and everything, like the old times. Only, even nicer."

"But Heaven...well, it's the side of truth, of light, of good"

"Come with me...to heaven. I'll run it, you can be my second in command. We can make a difference"

"Crowley, come back, to heaven! Work with me! We can be together! Angels..doing good!"

"I...I need You!"

"I...I forgive you"

Do these lines of dialogue give any indication that he rejected Crowley, or chose Heaven over Crowley, or that Aziraphales was being an arse?

No, they do not. These lines of dialogue clearly show that Aziraphale WANTS to be with Crowley so they BOTH can be angels DOING GOOD and MAKING A DIFFERENCE. Aziraphale wanted Crowley to be redeemed so that he could join Aziraphale in Heaven and be on the side of TRUTH, LIGHT, and GOOD.

Aziraphale didn't want to leave Earth WITHOUT Crowley, however, he was forced to because Crowley rejected AZIRAPHALE'S offer to come back to heaven. So instead of forcing Crowley to come back to Heaven with him, even after the awkward kiss, Aziraphale decided to let him go and sacrificed his happiness to SAVE THE WORLD FROM HEAVEN!!!!

It was not easy for Aziraphale to leave Crowley or even Earth or even his bookshop. HE sacrificed EVERYTHING so he could fix heaven's broken system and stop God and the Angels and Metatron from repeatedly trying to destroy the Earth just to win a dick-measuring contest with hell.

Aziraphale doesn't like war. He despises war due to witnessing the rebellion in heaven AND watching the humans go to war and kill each other repeatedly for over 6,000 YEARS. What Aziraphale did was something nobody will ever be able to understand until they find themselves in Aziraphale's shoes.

It's not easy being an angel, who has been forced to "bear witness" and "not intervene in human affairs" because doing so will go against God's "Great Plan" which may or may not be a part of God's "Ineffable Plan".

Aziraphale cannot stand by and let Heaven destroy all life on Earth. Of course, he knows that Heaven isn't all truth, light, or good. He knows Heaven is broken and needs to be reformed. He knows that Crowley is right about Heaven being toxic. Just because he knows that Heaven is toxic and not as truthful, enlightened, or good doesn't mean he's not somewhat in denial.

It's not easy being trapped and suffocated by a cult-like institution whose sole purpose is to keep you from leaving the said institution. It's not easy watching humans committing atrocity after atrocity, and not being able to stop it. It's not easy watching God kill innocent people and children just because they can't get along.

Aziraphale has struggled to figure out what, "doing the right thing" is and how far he's willing to go along Heaven's/God's plans of destruction until he just can't anymore. All Aziraphale has had to keep him going along with Heaven's/God's plans is his faith that Heaven/God knows what they're doing and that complete destruction and devastation will never truly come to pass. Only to find out later that Heaven and God don't necessarily see eye to eye and that God themselves are super unreachable, even in a time of crisis.

Aziraphale has done EVERYTHING he was told and more and it still wasn't enough to keep another armageddon from happening. Since he can't completely stop it on earth, he HAS to return to heaven and find a way to stop it from happening from there, which may prove fruitful and pointless.

What most fans didn't register or realize is the fact that Aziraphale chose to return to heaven for very UNSELFISH reasons. A part of him knew Crowley might say no to returning to heaven with him, so he decided that if that was the case, then he would let Crowley go, so that he, Aziraphale, could fix heaven and permanently SAVE THE WORLD... something he CANNOT do if he stayed on Earth.

Why is this so hard for some fans to see and/or consider? Why is this something only a few fans actually talk about? Why was there so much Aziraphale hate when there shouldn't have been?

It's not Aziraphale's fault that he couldn't stay with Crowley. It's HEAVEN'S fault that Crowley and Aziraphale can't be together because they (Heaven) are too war-minded and emotionally stunted to realize how many innocent people will die just because they want to measure dicks with Hell.

HIS ACTIONS:

The second thing I noticed happened a lot was the initial total disregard for Azirphale's body language and/or actions during the last scene of Crowley and Aziraphale in the final episode of Good Omen Season 2.

Throughout the scene, we see Aziraphale exhibit the following nonverbal cues:

---initial happiness

---confusion

---Distress

---Anxiousness

---restless hand movements

---pacing back and forth

---sadly looking around the bookshop

--etc.

These nonverbal cues show us that Aziraphale went from being extremely happy to an emotional wreck, especially after the awkward kiss.

Aziraphale excitedly told Crowley about his promotion expecting Crowley to be happy for him (Aziraphale), only for Crowley to grow irritable and angry. Which confused Aziraphale and slightly angered him, yet he still somewhat understood Crowley's response.

As the scene goes on you can tell that Aziraphale is desperately trying to keep Crowley from leaving at first, but relents after the awkward kiss and fully accepts he lost Crowley for now.

Aziraphale really wanted Crowley to say "yes", however, it did not pan out that way. So Aziraphale just gradually quieted down, shorted his verbal communication, and tried his best NOT to have a complete emotional breakdown in front of Crowley.

Not once did Azirphale exhibit any controlling behaviors or actions. When Aziraphale and Crowley came to an impasse and Crowley ultimately left, Aziraphale didn't even go after Crowley. He let Crowley go because going back to heaven to fix it and stop the second Armageddon was more important than fixing his relationship with Crowley, and because Aziraphale knew that when everything calmed down, and the 2nd coming was adverted, and there were no more threats then maybe he would be able to have a proper long talk with Crowley and explain why he did what he did and said what he said.

HIS EMOTIONAL RESPONSES:

Some fans also didn't really register how many emotional responses Aziraphale had in the last scene with Crowley in the season 2 finale.

Aziraphale went from ecstatic and happy to confused and slightly angry, to confused, overwhelmed, and heartbroken.

He started the scene excited and ecstatic about his job promotion and he was nearly exploding with joy when he initially told Crowley the "good" news. Only to become confused and a little angry that Crowley didn't seem happy for him and flat-out yelled at him.

At first, Aziraphale is stubborn and confused at Crowley's response to the supposed good news, yet he still listens to Crowley who eventually can somewhat incoherently say that he loves Aziraphale and wants to be an us.

As the scene progresses Azirapale starts to restlessly fidget, heavily breath, and frantically look around as he realizes that the conversation is south faster than the sinking of the Titanic. You can see on his face that he's trying to understand what Crowley is trying to say however, he just can piece it together that well.

Aziraphale understands that Crowley does indeed truly love him. However, Aziraphale also realizes that he too loves Crowley in return and is now getting increasingly overwhelmed to the point that he can't form coherent words.

During the awkward kiss scene, you can see that Aziraphale slightly and very briefly goes to hold/caress Crowley's shoulder right before the rough parting between him and Crowley. At this point, Aziraphale is confused as to why the kiss happened, is overwhelmed by the fact he kind of liked and wanted another one but it simply wasn't the right time, and is heartbroken that he has to leave Crowley, but he doesn't know for how long.

CONCLUSION:

Throughout the entire scene, Azirphale actually struggles with Crowley's disappointment and anger in response to Aziraphale's job promotion, with the idea of leaving Crowley and returning to heaven alone, and with how the hell he is supposed to cope, let alone function without Crowley to talk to.

Nowhere in the scene does it suggest that the decision to return to heaven was easy or simple for Aziraphale. He struggled like bitch and was still left for heaven heartbroken and without Crowley.

Yes, the ending was sad, but there shouldn't have been Aziraphale hate in the first place.

So I leave you with this:

So why the fuck was there so much Aziraphale hate?

#Don'tBlameAziraphale #Aziraphale #good omens 2 #good omens theories #good omens thoughts #good omens tv #good omens #BlameHeaven #Heaven #Hell #LeaveAziraphaleAlone

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bymarara · 7 hours

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Will and the Boys Don't Cry.

Remember the picture when we were first shown Will on his birthday? In case anyone hasn't noticed, there were headphones in the picture and let's think, who else was wearing headphones and under what circumstances? Uh, Max! Max wore them so that she wouldn't fall under the full influence of Vecna and become his victim, music helped her so called survival.

Now let's get to why Will carries them around. I have two suggestions.

Everyone on the team has headphones now just in case Vecna decides to face someone.

Will is scared. Will himself realizes that he can feel Vecna's presence, in addition he will probably hear him, his voice and his thoughts, which will be very frightening to Byers. Because of the fear, he may choose his favorite song and walk around with headphones on at all times, so that if anything happens, he won't be influenced by Vekna and Vekna won't take over Will's mind. I also think that there will be a similar situation as with Lumax, that Mike will have to turn on these headphones in case of anything, I think Will will warn him alone about it all, thus trusting Mike.

Now something I've been thinking about very, very hard. Most people, and I think or thought that Will's song would be “Should I Stay or Should I Go”, but if you notice the details, you can see the poster in Will's room! “Boys don't cry”, this song references Will in a lot of ways, and if it's in season 5 in his headphones, it will be very symbolic, and will show the meaning of everything we've seen.

Let's take Max as an example. She has “Running Up That Hill” in her headphones. The lines from the song literally refer to what Max is feeling and it also shows how she feels about Billy and how she regrets what happened at the end of season 3 and how she would take it all back. The chorus from her song, literally speaks to Max's morale and what she wants. -And if I only could, I'd make a deal with God, And I'd get him to swap our places, Be running up that road, Be running up that hill, Be running up that building. If I only could, oh These lines literally refer to the fact that if Max had known what would happen, she would not have stood still, but would have tried to help her half-brother. She would have been ready even for the same death as her brother, as long as he did not die. Also, there are very interesting lines like.

“You don't want to hurt me,but see how deep the bullet lies.” which refers to their relationship while Billy was alive. The guy hurt his sister, which she hasn't forgotten, and that deep down inside of her, she wished him dead inside of her, which she now regrets.

What about Will? I know most people have already figured this out, but for those who haven't and don't know the context - this song is about the inner thoughts that guys have when they're going through an unpleasant/transitional moment in their lives. It's also popular in the LGBT+ community. Let's go through the parts that I find most interesting and start from the beginning. -I would say I'm sorry, If I thought that it would change your mind. But I know that this time, I have said too much. Somehow it reminds me a lot of Will helping Mike with his relationship with Al, while ignoring his feelings and even confessing his feelings while hiding under his sisters name. Also, I think there's a season five reference here. I mean, Will could talk about the painting and the speech, but not say what he meant about his feelings! And the lines “I would say I'm sorry if I thought that it would change your mind.” show that Mike could have left with some anger and it left a mark on Will and that he can't even apologize now, and that apologizing won't change anything. (Yes, I know I sound creepy, please.) Now let's get to the chorus. -I tried to laugh about it,

Cover it all up with lies. I tried to laugh about it, Hiding the tears in my eyes. Cause boys don't cry. Boys don't cry. Sounds like Will's confession to Mike to me. He's not showing his real feelings, he's hiding everything under the “Al” mask. and underneath the mask, he keeps his feelings hidden, not showing them. He himself, quietly crying, quietly suffering, realizing for himself that his feelings will never be reciprocated, that he will have to live with it and come to terms with it, and he buries it all by himself and tries to cope with it all by himself. -I would tell you, That I loved you, If I thought that you would stay. But I know that it's no use, That you've already, Gone away… Again he says that he has buried all his hopes and feelings, he sees Mike pulling away from him and as if he is walking away from him, so talking about feelings, about declarations of love is useless in his opinion. Literally the whole song shows Will, shows a guy who in his opinion has already missed his chance, he realizes that he can't change anything and hides himself and his feelings only deeper into himself.

I hope that Will will have this song in season 5, but I will also say that there is a possibility that in case of anything, Mike can play this song, so much in this song refers to Mike.

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dropthedemiurge · 3 days

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Second part of my translation comments (and half meta) for Gray Shelter [Episode 5], you can find the first post here!

"You gave the choice/decision to me, didn't you? (reference to the earlier scene)" "So your decision is to give me some money and tell me to get out of your sight?"

꺼져 is quite a rude word, like 'get the hell away from me', Yoondae is clearly pissed rephrasing/interpreting Soohyuk's intentions, he's using informal tone too

"Because I live like this? Because I idle/fool around here and there without doing anything, not able to get myself together (cannot get a grip on myself and my life)? Because you still see me as a child?!" "Yes. That's why I'm confused. Because it doesn't matter who is by your side (anyone will do), right?" "And (what's the problem)? You can be by my side. Why is everything so complicated for you? Just... (in softest pleading voice) ...Watch me. I will live like all the other people. Then it'll all be good (it's solved), no? You can watch over me while being by my side. Mmhm? Don't care about the situation, once again I'm telling you, just look only right at me."

I actually really like the usage of 'focus on me' in all the sentences because the translator keeps the leitmotif and it works in all contexts, the entire conversation was translated nicely. Even "- What's the most difficult thing about me and this situation for you? - That I'm your home (the place you return to now)."

I just gave you more literal translation... idk, for fun xD Maybe you'll catch more nuances that I tried to put in here. It's just devastating. Soohyuk sees and feels that Yoondae is clinging to him like to a lifeline, and he doesn't want to be one, he's got enough of people burdening him, his life is hard enough.

He tried to think simply like Yoondae and just live in the moment, give in to his impulses as well, but he just can't. He's sinking on his own and he can't chain himself to another person because even if he's a safe place for Yoondae, he won't be able to save him in this situation, it means they'll both drown. Yoondae has to find his own ground to stand on, he has to get a grip and find a new home on his own so he won't circle his entire life and attention on Soohyuk. Only then it'll work.

"If I find another home, can I call you? You won't avoid me then?"

They don't kiss here – they can't. It won't work. But such short distance is a promise, it's a possible future happy ending hanging between them both like a life vest and a heavy rock.

I'm not sure he means it as 'we get together again'. More like

"If we meet again, will we become okay?"

Like, they agreed it won't work out now, they need some time, and Yoondae now will be holding onto that hope that Soohyuk might accept him and his feelings once Yoondae finds his own home, his own meaning in life. But he's still afraid it won't happen, that's why he needs to hear some affirmation. Will things between them become alright (and the fact that he doesn't really say 'better' or 'good', he uses 괜찮다 - fine, alright, okay and asks if they will be able to even reach that). Which means they both know their relationship is less than 'okay' now.

And in a very Gray Shelter melancholic satisfying-unsatisfying way, Soohyuk only replies: "It'd at least be better than now."

That's the only thing Yoondae is left with. This, and a daring request to pretend he didn't steal that goodbye kiss.

And we're getting a time skip which starts on a sound of a ringing telephone. ("If I find another home, can I call you? ) And surprisingly, it doesn't seem that Yoondae is the one calling this time, as he wanted to. It seems like Yoondae accepted the call but he wasn't holding it or answering, yet Soohyuk called him and invited him for a dinner and is waiting for the answer. Now, the decision is up to Yoondae.

There is a calendar on the wall but I honestly didn't track if there were any other calendars in the show so we can tell how long was the time skip.

"Alright. I'll be waiting."

To be honest, in the ending I wished they showed at least one scene of Yoongdae coming home in a work-like uniform or doing something to indicate he started sorting his life out before that call came through. Because even though the ending is hopeful – they lived separately for some time, Yoondae has his own place, Soohyuk is reaching out to spend time with him now and they both agreed their next meeting will be more hopeful – but will it be enough? Was the problem actually solved?

We all should think that yes, but I wish the ending supported it a little bit more confidently. After such a rollercoaster of emotions and complicated situation, I want to see them heading towards the truly happy ending Т_т (give me the second season!)

In any case, the acting is great and the melancholic atmosphere for a BL was so unusual, I loved the edgy dialogues and emotionally raw writing. For such a short story, Gray Shelter certainly will go under many people's radar but it still touched my soul.

And, well, now I understand the title. Soohyuk is a shelter, he shouldn't be a home. Shelter is a place they seek temporarily comfort in when they have nowhere else to go. And it's not a bright happy couple place, and it's not an abusive family house either, gray is neither black nor white. It's something in between, and it's up to Soohyuk and Yoondae to try and build an actual equal bond, have a place to return to and person to eat dinner with.

#gray shelter #gray current #gray shelter comments #dropthemeta #korean bl #kbl #soohyuk x yoondae #kdrama #bl series

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shakingparadigm · 1 day

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Musing out loud in your inbox, so pay me no mind, but I really think that Ivan's primary emotion in round 6 wasn't love, but resentment. Something along the lines of, "My life never mattered to you, so my death shouldn't matter to you either, even though this means so much to me." His first, final, and only "fuck you, dude," the kind you can only give to someone you genuinely care for. Ivan has always been waiting on the sidelines and behind-the-scenes to everything in his own life, passively observing it all, and I think round 6 was meant to be him finally taking active control of his own life, doing something just for him, selfishly, no matter the cost or consequence. So, the first emotion he blatantly expresses in the round is resentment, and then he is shot, and only then does he get his light back as if "oh, no, the love is still there, it didn't go anywhere." And then he smiles.

his first, final, and only "fuck you, dude" 😭

This interpretation is really interesting in the way that it hit me in the chest with how I kind of related to it (no context).

I think the "my life didn't matter to you, so my death shouldn't, either" sentiment was very present in Ivan's mind during that moment. Viewing this scene as one fueled by that specific flavor of resentment is actually one of the most unique interpretations I've heard so far. Not sure that I agree with it, but I resonate with it in some weird personal way. In Ivan's situation, certainly the feelings of resentment would be there. We're only human, after all. Some people can't help but feel it deep inside. I don't think his resentment overpowered his love, though.

"the love is still there, it didn't go anywhere." what if i shriveled like a raisin

#alnst #alien stage #alien stage ivan #alien stage round 6 #asks

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vidavalor · 21 hours

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Hello! Would you like a chocolate chip cookie? And if you have an opinion on it can you share why you think that Aziraphale never calls Crowley by his first name when it's really romantic? Thank you!

Thank you for the cookie and the ask. *noms* They're both delicious.

Aziraphale explained in 1941 in what situations he'd be willing to deviate from his normal, fond use of "Crowley" and give Crowley's (very romantic-- Aziraphale loved it) first name a go:

To get used to something is to grow accustomed to it. That's the surface layer of Aziraphale's response to Crowley in 1941 but the innuendo is that he's telling Crowley he's willing to "get used to" Crowley's new first name-- meaning, that Aziraphale is willing to call Crowley "Anthony" in bed.

It's also a bit more romantic a line if you factor in some of the etymology of 'use'/'used' as well as look at how Aziraphale's use of it also connects to wordplay with several other words (brook and bad) and in other scenes in the series (1827 and 2008) as well. More on that under the cut.

Used: from the Latin usus (yes, 2x us-- cute, huh? ) and the Old French us (the French just kinda decided one 'us' was enough to describe what 'us' is, apparently.) It developed from there, predominantly through Old French, into user and the concept of to use. So, long story short, the idea of using something is derived from the concept of 'us' as being a group of more than one person, which adds a bit more of a sense of romance to using the word 'use' in a sexually euphemistic sort of way (at least it does in the context of 'use' being used by two word nerds lol).

To use: original meanings, many of which are still, well, used... to frequent, to practice, to make use of, to enjoy, to apply, to consume. The word replaced the Old English verb brucan in this way. Brucan meant to brook something, which is an old-fashioned way of meaning all of these: to eat with someone; to use; to possess; to endure (to last); to cohabit with; to need; to enjoy.

We heard Aziraphale throw 'brook' into a sentence to Crowley in S2 in 1827, still thinking he had enough time to be flirting with Crowley while discussing the morally right position to take but Crowley felt Wee Morag dying in the process. Maybe not the most cheery example of Ineffable Husbands flirt but it ties linguistically to 'used' and shows a history of Aziraphale using the two words as innuendo:

Used might seem on the surface to be a slightly vulgar way to refer to sex but its etymology, as we can see here, is more romantic and also ties to the food theme of Crowley and Aziraphale's language as well.

The words-within-words of Ineffable Husbands Speak is the first rule of it-- and also the (pardon the bird pun) cardinal rule of language in the show, in general. This is off of the first shot of the show being the word 'war' being shown to us as within the word 'warning'. The word that lives inside used is us.

Crowley is using (ha, unintentional pun, sorry) us/used as recently as in 2.06, even if Muriel has no idea what it means. Crowley doesn't trust that the Inspector Constable isn't going to report to Heaven what they see in the bookshop once they leave so he is actually speaking aloud an intention to take Aziraphale to boozy breakfast in an effort to hide the fact that he's actually thinks they're in massive trouble and need to work out a plan. Everything he's saying, though, as with a lot of what he says to Muriel in general, is in his and Aziraphale's language, mostly for Crowley's own amusement, so this bit below is as much Ineffable Husbands Speak as "extremely alcoholic breakfast at The Ritz" is:

"When Aziraphale does come back, I think we need a little us time."

Us Time = Muriel, that's when all house guests need to get gone because Antony and Cleopatra need to use the fuck out of each other...

...but going back to brook for a second?

We looked at brook as a verb, right? What it means to brook? But the common way we use the word brook now is in its other meaning as a noun-- a brook is a stream. It's a body of water and it houses fish. If you've seen any other post I've made about Ineffable Husbands Speak, you've probably seen that we can see that fish and everything nautical/the sea/ships/etc. is rooted in Aziraphale's oysters innuendo in Rome when they started sleeping together. They use references to fish as euphemistic for the sexual experience and, in particular, orgasm. The sea as sexual metaphor isn't exactly new (those "crashing waves" are in many a book lol) but Crowley & Aziraphale have turned basically anything related to the sea into sexual innuendo across several scenes.

If there's a pun to be had, Crowley & Aziraphale have found it, and one of the more amusing ones is a word where fish/the sea crosses into Heaven/Hell-related words-- and that's in damned. To be damned is to have been cast to Hell but within damned is the word dam. A dam is a natural or manmade barrier that exists to stop or redirect the movement of a body of water. As Ineffable Husbands Speak innuendo, being damned would then seem to be at least one of, if not both of the following: to be to be restrained in bed (something which several different scenes suggest Crowley periodically enjoys) and/or a reference to repeatedly stopping prior to an orgasm aka edging (also something which the language in several scenes suggest is an Ineffable Husbands favorite past time.) More than likely, it's probably the two combined.

From here, go to the innuendo that ends the 2008 minisode in 1.01, when Aziraphale says: "Well, I'll be damned" and Crowley replies, with a wink:

😂😉 Bonus etymology because it adds something to Crowley's above flirt:

Bad: From the Old German baeddel, which meant hermaphroditic, a word that's a bit outdated in our modern use of language but which is of historical relevance to being intersex and is rooted in the Greek god Hermaphroditus-- the intersex child of Hermes and Aphrodite, the goddess of erotic love. (It's Aphrodite who is the root of the word aphrodisiac and who was frequently depicted in art on the shell of a scallop or an oyster.)

Hermaphroditus was one of the Erotes, which were the ancient Greek gods of love and sex. When they're referred to in Roman art and literature, the Erotes are called "Cupids." In the 18th century, a French novelist popularized a rebranding of sort of Asmodeus as a Cupid-like figure and Crowley didn't exactly deny that he's Asmodeus when Aziraphale suggested so in the Golgotha scene. There is also the Cupid statue in the bookshop-- seen in the same scene in S1 where Crowley flirts with Aziraphale by using "bad" and "used." (It's visible in the earlier part of the scene, when Crowley is still drunk and walking around.) The Cupid sculpture is angled so that it is aiming its arrow at Aziraphale's desk. 💘

There is also that, in 'Demon's Guide to Angelic Beings Who Walk the Earth' (the book Furfur has in 1941), Furfur has written a note to remind himself not to trust Crowley because, among other reasons: "his hair is bad!" The joke is that Furfur doesn't know just how true that is (or see the irony because Furfur's hair is also a pompadour of sorts lol.) Crowley's hair is always in a variation on the pompadour-- a hairstyle throughout history, worn by everyone from society ladies to Elvis. Crowley is bad, indeed, and it adds a bit of self-referential-ness to the "it's not so bad when you get used to it" wordplay that suggests Aziraphale's own history with being damned-- even though he's still an angel in 2008. 😉

#ineffable husbands #aziracrow #good omens #crowley #aziraphale #good omens 2 #good omens meta #crowley x aziraphale #ineffable husbands speak #etymology

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soupdeewoop · 18 hours

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why (in my mind) down bad is Remus Lupin's song

[Verse 1]

Did you really beam me up In a cloud of sparkling dust i like to think that this part is when like (based on atyd) when Dumbledore comes and enrolls remus at hogwarts, and takes him to this place that is so new and sparkling to him.

Just to do experiments on? Tell me I was the chosen one so this is also about Dumbledore. i mean if you've been in the fandom long enough we know that Dumbledore isn't exactly a great person like he's deemed to be. i like how this line includes "chosen one" bc harry (obviously). it just goes to show how Dumbledore has done the same bads things for two generations of people.

Showed me that this world is bigger than us Then sent me back where I came from going back to atyd (i haven't finished atyd and not everything i say here is gonna be about it btw), remus being exposed to hogwarts and being (somewhat) happy i what i connect this line to. he came from a place of loneliness, to hogwarts, and then the war, and back to not having anyone around.

[Pre-Chorus]

For a moment, I knew cosmic love hogwarts. the marauders. sirius. yeah.

[Chorus]

Now I'm down bad, cryin' at the gym lol fuck my man probably doesn't go the gym but it does make sense for him to cry at the most random places yk? he's lost the people he loves

Everything comes out teenage petulance i feel like a lot of people would definitely become petty and like "ugh whatever" kinda attitude. after losing so many people, i mean, is there even a point to even think rationally? it might not be correct, but does it matter?

"Fuck it if I can't have him" "I might just die, it would make no difference" remus has felt this way throughout so much, i mean, should we be supreised? cause i think not. i feel like the "him" is sirius, cause he did have him back but then he DIED, so remus is just like "wtf wtf wtf why cant i just HAVE HIM you gave him to me BACK! ykw, i might just die it would make no difference"

Down bad, wakin' up in blood Starin' at the sky, come back and pick me up I'm sorry but he is a werewolf sadly. he wakes up in blood. ALONE THO. it makes sense for him to stare at the sky (maybe looking it the sirius start mayhaps?) and being like "PICK ME UP PLEASE"

Fuck it if I can't have us I might just not get up, I might stay

[Post-Chorus]

Down bad Fuck it if I can't have him Down bad Fuck it if I can't have him i (don't like) to think how he would just be on the floor after his transformation, down bad on the floor, "fuck it if i cant have him here next to me, helping me" "i could just stay here, there's no point in getting up"

[Verse 2]

Did you take all my old clothes Just to leave me here, naked and alone i mean, sirius stealing moonys sweaters and clothes is one of my favorite things, but in this context, he dint only steal that. he stole everything. his clothes, his sense of belonging, his whole fucking soul basically. and then he left him forever.

In a field in my same old town That somehow seems so hollow now? i mean this town can literally mean HIS TOWN or maybe even hogwarts? imagine how bad it must have been for him when he went to hogwarts as a teacher, the hallowness in his heart there without everybody he's known and loved for years.

They'll say I'm nuts if I talk about The existence of you um well sirius is in azkabhan. yeah.

[Pre-Chorus]

For a moment, I was heavenstruck he was heavenstruck, sirius was moonystruck

[Chorus]

Now I'm down bad, cryin' at the gym (Cryin' at the gym) Everything comes out teenage petulance "Fuck it if I can't have him" (Fuck it if I can't have him) "I might just die, it would make no difference" Down bad, wakin' up in blood (Wakin' up in blood) Starin' at the sky, come back and pick me up Fuck it if I can't have us I might just not get up, I might stay

[Post-Chorus]

Down bad (Like I lost my twin) i like how this one says "like i lost my twin" cause i feel like wolfstar are soulmates argue to the fucking wall. in my mind they're not opposite but not exactly the same. kinda like two sides on the same coin yk?

Fuck it if I can't have him (Down bad) Down bad (Wavin' at the ship) Fuck it if I can't have him

[Bridge]

I loved your hostile takeovers Encounters closer and closer after sirius escaping, maybe they did try to get back together? their encounters, where sirus gets "closer and closer". slowly but surely.

All your indecent exposures How dare you say that it's— their "indecent exposures" being at hogwarts. the love and affection. maybe sometimes being indecently exposed (sorry james [not sorry] peter)

I'll build you a fort on some planet Where they can all understand it remus would. he would whisk them both away to somewhere where no one can find them both.

How dare you think it's romantic Leaving me safe and stranded now, back to the petulance. obviously he knows this isn't sirus's fault, but sometimes pettiness takes over.

'Cause fuck it, I was in love So fuck you if I can't have us 'Cause fuck it, I was in love let him be. my man was in love with sirius black. his soulmate. he can be upset.

[Chorus]

Now I'm down bad, cryin' at the gym (Cryin' at the gym) Everything comes out teenage petulance "Fuck it if I can't have him" (Can't have him) "I might just die, it would make no difference" Down bad, wakin' up in blood (Wakin' up in blood) Starin' at the sky, come back and pick me up Fuck it if I can't have us I might just not get up, I might stay

[Post-Chorus]

Down bad (Like I lost my twin) Fuck it if I can't have him (I'm down bad) Down bad (Wavin' at the ship) Fuck it if I can't have him

[Outro]

Like I lost my twin Fuck it if I can't have him Down bad (Wavin' at the ship) Fuck it if I can't have him

and yeah. that why this song is so remus coded.

#soup talks about marauders era peeps #taylor swift #marauders #ttpd #the tortured poets department #remus lupin #ts ttpd #sirius black #down bad #remus x sirius #remus loves sirius #the marauders #marauders era #james potter

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