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#i'm not sure i did this justice
hansama · 8 months
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I tried to sketch Papyrus in both my art style and @skull-otaku xD
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little-pup-pip · 5 months
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hihi fren! can i have a primary color board, lots of red n yellow, with an 80's theme? thankie!!! oh and add dinosaurs plz!!
Here you go!!
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wishmkr-j · 8 months
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[Splatoon 3] THE GIRLS ARE FIGHTINGGGG
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prince-liest · 2 months
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Hi! About your staticradio series (which is PHENOMENAL omg😍) - I know you said Vox is kinda falling in love while Al will remain aro. Which is awesome, we love to see rep! But I'm wondering if they will end up as QPPs (who fuck, lol)? Or it'll strictly be FWBs? Gah it's diffifult to describe it bc labels are so subjective and often too limiting, but I guess what I'm asking is whether they'll have an emotional relationship too, however it might look with their orientations? Will Al in particular have any soft feels for Vox & be fond of their unique bond? Even if Vox is in love with him when Al himself isn't? (I worry that would scare Al away😭) An intimate emotional closeness regardless of the specifics?
Thank you so much!! I've been enjoying writing it enormously so it always brings me a lot of joy that other folks are, too. >:D Just a heads up, this post has turned a little long because it got me talking about Alastor and the way he handles his feelings vs his ego in general.
First: I think the answer to this depends fully on how you personally define a queerplatonic partnership! I don't think Alastor would ever go for, like, a committed relationship with Vox in any form, but I also don't think that this would necessarily be a sad state of affairs for Vox, who I obviously write as poly as fuck with his toxic yaoi husband. Maybe it's because I'm aro af, but I feel like from Vox's end, "Yeah, I get to fuck around with the guy I'm obsessed with and he's not, like, nice, but I think I Stockholmed him into giving a shit about me!" is not actually a state of affairs he'd dislike! Especially since it's got that shiny "I'm special!" vibe in the sense that Nobody Else Gets To Get This Far With Alastor.
As for Alastor's side of things...
I think that so much of their dynamic dynamic isn't just set by Alastor being aroace, it's also set by him being a fucking sadist and a narcissist, HAHA. Like, he is very much in the middle of developing feelings about Vox, which (if my favorite interpretation of his little breakdown in the finale is correct) is also where his character arc is heading with regards to the hotel crew in canon, too, but his friendship-and-trust arc is slowburn as all hell and not entirely linear.
Part of the fun in writing Alastor is the process of qualifying all of his feelings with his sense of superiority in a way that is protective of his ego. He is freely and openly fond of people when that fondness doesn't expose any kind of emotional vulnerability in him. For example: He feels a condescending but genuine fondness for Niffty and Mimzy, whom he protects, and that's safe! He's quirky friends with Rosy, who is a benevolent semi-equal who uplifts his ego, and that's safe! He... may or may not have started caring enough about the hotel crew to have put himself at risk for them, and that is not only dangerous to his physical well-being but also massively humiliating, which is arguably worse to someone like Alastor.
He has SO many ego-prioritizing defense mechanisms and it's fun for me to pay attention to because I, too, am someone whose cardinal sin is probably pride. Anything is permissible only as long as it can be framed in a way that doesn't insult his ego.
Anyway, the point is: I don't think "soft feels and fondness for their unique bond" is on the list of ways that Alastor is able to find himself feeling about someone like Vox. The whole reason their whole situation in 666: Live on Air! started is thanks to Alastor's awareness and amusement at how obsessed Vox is with him. He sees himself as above Vox, and knowing that Vox is more emotionally invested than he is is part of the appeal. It's just gone from (derogatory) to (fond). (Which is, guess what? Safe!)
(It also means realizing that Vox is falling madly in love or whatever just nets a reaction somewhere in the region of, "Wait, is that significantly different from what you were already doing?", lol, because the only thing that's changed is the flavor of feeling, not the level of exposed emotional underbelly that he thinks Vox is showing him.)
TL;DR: He likes Vox like a cat likes a favorite mouse.
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tarisilmarwen · 8 months
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"Thrawn only joined the Empire to help the Chiss!"
Okay sure but have any of you bothered to self-examine why Thrawn chose to join the Empire instead of, say, the Republic, when that was still around? Or why he didn't chose to throw in with the Rebellion, put his tactical mind to use helping them overthrow the Empire quicker?
Could it be... perhaps... that maybe he values the Empire's military strength... more than he cares about the authoritarian tyranny with which it oppresses its own people?
Is it possible that he thinks the Empire's main problem is that it isn't effective enough, too much politicking getting in the way of sound strategy, but if he's around (and in charge) he can guide things so that those annoying little wrinkles (AKA the pockets of discontent and rebellion and fully justified anger at their rights and freedoms being trampled on) are all smoothed out and the overall Imperial machine is better, more in control of its assets, a stronger more unified bulwark against the outergalactic threat of the Grysk or the Vong or whatever.
Is it perhaps just a bit self-centered of him to only care about the Empire's ability to service his own goals and desires and be apathetic (at best) to the way it makes people suffer daily under its inherent systems? The Twi'leks and Wookies being constantly kidnapped and sold into slavery? The careless industrialization of arboreal worlds? The socialization and absorption of all private industry, forcing everyone to work through and with the Empire if they want to work at all? The systematic persecution of anyone remotely Force Sensitive? Is it not the mark of some kind of soul rot to be aware of all of that and go, "Yeah, but I don't care, they have the bigger guns, which is what I need."?
Maybe... just maybe... Thrawn has some Machiavellian tendencies and opinions and maybe this just might... make him not entirely a good person?
And maybe y'all should think about that before you come back and whine about his portrayal as a villain, as if all he has to do is explain to people that he did everything for a good reason and he gets an automatic narrative pardon for all of the shit he did while Grand Admiral that still needs to be addressed and answered for.
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yuseirra · 3 months
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Delight lies beneath Colors of life that's excellent Though pictures fade away Beauty will remain the same
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tgd-sideblog · 9 months
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this is how the finale of aa 2-4 went, forreal
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fearandhatred · 2 months
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oh hi. this did not in fact take only an hour to write but hey it's done! any support is so so appreciated <3
also thread of me lowkey liveblogging myself (not) writing this lmaoo
Summary:
A fun little side perk of being a demon is that Crowley only gets to see the world in shades of grey. That is, until that world is touched by one particular angel.
They say that it's not the fall that hurts, it's the landing. That's a partial truth, at least for him. The landing did hurt—his bones had shattered almost methodically, travelling through his legs and up his spine like a shiver; the whiplash from his head hitting the ground had felt like an explosion of guts in his mouth. But the fall had hurt, too. Because the wind had cut into his useless wings like knives, his skin and grace peeling away under the friction, and he had been looking right up at the multicoloured and unreachable expanse of sky just to see it fade from his eyes into dull greys. And that was that. For the indiscriminate time afterwards, he and all the other demons wandered Hell's corridors like strays, lost and trying to adjust to a new life where hope looked just as bleak as despair. They wore all black, because the identifiability of that darkest shade meant that they wouldn't have to worry about clashing colours. An inconsequential problem, maybe, almost laughable in its insignificance, but it was the one piece of self-dignity they could still control. Back then, that was everything.
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porunareff · 2 years
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Stone Ocean Ch.91 // anime vs manga
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nwluxx · 1 year
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I seriously miss kyuubi cloak Naruto!! I wanted to imagine an older Naruto still struggling with his relationship with Kurama, where the nine-tails chakra seeps out when Naruto feels rage.
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shehsart · 1 year
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Bnha really went like here's some absolutely insane adults who were traumatized in their childhoods and they will be saved by the future generation of children they could have become
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uncanny-tranny · 5 months
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I think a lot of people don't support punitive justice on a governmental level (good), but they don't understand why punitive justice is overarchingly a bad thing, so they still operate with the idea that it's still the Best Option, but only when they can wield it.
Of course, there is a difference between a government having access to punitive justice and individuals or a small community having access to it, but the mindset is still strikingly similar. I've seen it time and time again where one's desire to destroy after even a small slight outweighs anything else, and that's alarming, actually. Yes, it's understandable, but I still don't think it is a healthy impulse or knee-jerk reaction for every minor affront.
#politics#i'm sure i talked about this before but it still strikes me as important#how exactly will everybody be helped by using the absolute extremes of 'justice'?#and because people only know punitive extreme forms of 'justice' that seems to be the only frame of reference they have...#...so when somebody proposes other methods of justice it is seen not unlike abuse or assault apologia or something extreme...#...because the nuance isn't there to recognize levels of severity in an action where punitive justice isn't going to work#and i'd argue that people are generally more invested in the perpetrator/s of abuse rather than the victims/survivors left in their wake#so people frame the discussion as Protecting Victims as a Class but really#ARE you helping us? and if so - what are you doing beyond going After Our Abuser/s?#people think it helps us to Go After The Abuser/s. much less do they think about *us* as people and what we need i think.#maybe its selfish of me but i know my abuser will never face any repercussions beyond people judging them slightly for what they did to me..#...so me personally i would rather people take their fury with my abuser (in my real life) and maybe invest it in myself and others...#...maybe hell will be waiting with open arms for them when they die. but i'm still going through hell because of them so i feel it's even#maybe i've just ~given up~ but i want to help people rather than immediately going After People#not everything CAN be solved with an eye for an eye. not everything SHOULD.
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upperranktwo · 2 years
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☆Anya Forger | Telepath☆
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spotaus · 1 month
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Hey. So. @oodlesndoodles and @mylackofgrammaristerrifying I did a lil smth! Really no context behind this one, I just got mildly inspired-
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fictionadventurer · 4 months
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After very little research into the other writings of Laura Ingalls Wilder and Rose Wilder Lane, my hypothesis about the Little House authorship question is that the writing is mostly Rose's, but the heart is Laura's.
In Laura's newspaper columns, the parts that sound most like Little House mostly come from the extracts she shares from Rose's letters (incidentally, it's kind of adorable how proud she is of Rose: "My daughter's in France!", "My daughter's in Albania!", etc.) The prose of Old Home Town, Rose's inspired-by-my-childhood-home novel, has some of the same concise descriptive prose that I've come to associate with the Little House style (I could hear passages in the voice of the Little House audiobook narrator).
Yet the Little House soul is all over Laura's columns. She's fascinated by the simple tasks of life, believes in home and family and hard work, believes in holding onto the goodness of childhood and looking forward with hope toward the future. There's an optimism, almost a romanticism, about life. The children's series that bears her name clearly comes from the same woman.
Rose, by contrast, is much more pessimistic. When writing about childhood, she's almost cynical about the life of a small town. She highlights the dark stories underlying the wholesome exterior, is extremely sensitive to the pitfalls of the social scene around her. Part of the difference is that Rose is writing for adults, but there does seem to be an essential difference in the personality behind the pen, despite the stylistic similarities to Little House.
(At the risk of pop psychoanalyzing people long dead, Rose seems much more neurotic and introverted and sensitive than her mother. In her writings and in the books about her childhood in Missouri, she comes across as child of a fairly comfortable modern life, with all the modern anxieties, in contrast to a woman who grew up starving on the prairie and knows that there are much worse things to endure than small-town gossip).
It's not much of a thesis, but I'm just fascinated by the fact that the Little House series can share so many stylistic similarities with Rose's writings, yet feel so much more like Laura.
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revasserium · 11 months
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118 with daichi? ::
reqs are open :)
118. the power of goodbye
daichi; 2,349 words; teeth-rotting fluff u__u 4 times you say goodbye, and 1 time you say hello instead "what was it like to lose him? asked sorrow. there was a long pause before i responded: it was like hearing every goodbye ever said to me -- said all at once" -- lang leav, love and misadventure
01. “bye! see you next week!”
you’re waving at him, standing on your tiptoes, your other hand caught in your mother’s palm as daichi waves back just as furiously. you are both seven years old and somehow, both your mothers had thought to sign you up for after school art lessons.
“see you!” daichi sighs as he turns back to peer up at his mom, frowning slightly, “mom… i don’t think i’m very good at drawing…”
“ah? but dai-chan, i thought you liked coming to art classes? you’re always so excited!”
daichi furrows his brows as he and his mom start on their slow trek home, up two blocks, turning right onto the main street where daichi knows he’ll pass by the convenience store he likes with the iced milk pops.
“i… i like coming here cause i like my friends! but…” he kicks at the ground, a half-crumpled picture clutched in his other hand. his mother laughs lightly, taking the picture and smoothing it out with her hands.
“mah… as long as you’re having a good time, i think that’s all that matters.”
daichi pouts, pressing his lips, because yes… he supposes having fun is… well, fun, but being good at something is fun too!
he thinks about how your eyes glitter whenever the teacher hands out a fresh, new piece of paper, how eager you are to grab at the crayons and markers, how your tongue gets stuck between your teeth when you’re scribbling color across a page, like you could take the whole world and put right there on the shiny, white surface. sometimes, he thinks you can.
he wonders if he’ll ever find something that makes him feel like that.
“do you still want to come back next week then?
daichi starts, looking up at his mom with wide eyes.
“of course i do! i wouldn’t miss it for the world!”
02. “so… practice, right?” you ask, your hands laced behind your back as daichi shrugs, laughing, scratching at the back of his neck.
“yeah… but i’ll see you after your traditional arts club right?” he pauses at the end of the hallway that leads towards the volleyball gym. you teeter on the balls of your feet, your hair in twin pigtails near the nape of your neck. once, daichi had felt the urge to tug on them constantly, back when the pair of you were still in elementary school, but now that he’s in middle school, he’s decided that it’s high time at like the grown up that he is.
so he settles for a shy smile as you nod and wave at him, jogging off back towards the school’s main building.
“see you!” you shout, even as you disappear from around a corner and he’s left with his hand aloft, blinking after you.
“sawamura? what’re you staring at?” ikejiri blinks as he peers around the doors to the gym.
“oh! nothing — coming!” daichi blushes as he hurries to join ikejiri, casting one last look over his shoulder at the place where you’d been standing.
03. the summer sun blows itself out over the flat of the horizon, the july air sticky with humidity and the lingering taste of possibilities.
“so… where are you going next year?”
you turn your head to look at him, your hair done up in two neat plaits, the ends pinned to the sides of your head so as to keep them from tickling your neck. he tugs lightly on one of the loops; you let your head lilt to one side, offering no resistance as he pulls his hand back.
daichi casts his eyes up at the dying light of a fading sky and grins.
“karasuno! remember when we saw them on tv the other day?”
“oh yeah! they’re the team that went to nationals in tokyo, right?”
“yep! and… i wanna go there one day!”
daichi catches himself, feeling a blush work its way into his cheeks as he looks back down at his hands, resting over the worn old volleyball in his lap.
“don’t worry, you will.”
your voice is a splash of cold water, and he finds himself shivering. he looks up to meet your eyes, and he almost doesn’t want to ask. he doesn’t want to know —
“so… where are you going?”
you purse your lips.
“mom said her job’s moving her to tokyo so…” you shrug, “probably somewhere there…”
and then, painfully, startlingly, you laugh.
daichi’s head jerks up at the sound.
“but when you make it to nationals, then… you’ll be there too!”
he blinks at the smile on your face, too bright for the darkness of the oncoming night.
“r-right! so, i’ll see you then!”
he lets out a laugh too, though it sounds a bit too loud, a bit too forced. you smile nodding.
“i’ll see you then.”
it takes daichi half the walk home to realize that you hadn’t said “if” but “when”.
04. [daichi]: dont stay up too late studying! college entrance exams aren’t till next year!!
[you]: easy for u to say (¬_¬)… u’ll just get a sports scholarship or something…
[daichi]:… p sure im not but okay
[you]: p sure national-leveled athletes get scholarships bUt oKaY
[daichi]: p sure we haven’t made it to nationals yet
[daichi]: go to sleep.
[you]: no, u („• ֊ •„)
[you]: did u fall asleep
[daichi]: (-_-) zzZ
[you]: okies gnight! (─‿‿─)♡
daichi stares at the heart at the end of your message for way too long and tries not to read too much into it.
he stays up all night reading into it anyway.
05. “so… she’s gonna be here. at nationals. to watch you.”
“yes suga. that’s what i said.”
“okay but i wanna make sure you know what you said because from what you said, it sounds like she’s super into you and you’re just refusing to —”
“it’s not like that! w-we’re just old friends —!”
“ah… i know it might not be my place to say this but… it does sound like she might be interested…”
“ha! see? even asahi says so!”
“wha — when did this become a group discussion?!”
“huh? what are you guys talkin’ bout over here? is it that girl daichi-san’s always texting?”
“nishinoya! don’t say that so loudly! and — i’m not always texting her —”
“wait!!! are we finally meeting daichi-san’s mystery girlfriend?”
“tanaka! shut up! and she’s not —”
“daichi?”
daichi freezes and the next moment, several things happen all at once — suga gasps, tanaka stops dead in his tracks, asahi nearly bowls him over, and nishinoya smacks straight into asahi’s back, sending all of them toppling forward like a series of badly placed dominos and it’s all daichi can do to sidestep the mess before they drag him down as well.
but there you are, standing feet from him, watching all this unfold with that same amused smile on your face, with the same bright, sharp eyes he’d always remembered, and god — you look so similar and yet so… so different.
two and a half years has never looked so good, he thinks, as he swallows hard and tries to find something to say.
finally, he settles on, “h-hey! long… long time…”
you laugh, and it’s all he can do not to melt into the sound. because that — that hasn’t changed one bit — the sound still warm and sweet as a spring morning. it shakes through him, breaks him open like the sun over a cracking dawn — he takes a deep, steadying breath.
“yeah, no kidding! but…” you trail off as you take a few steps closer, your eyes flickering over his face, lingering on the broadness of his shoulders, the straightness of his spine, “kinda feels like no time’s passed at all, hm?”
daichi can’t help it — he blushes, clearing his throat as he averts his eyes.
behind him, suga is muttering something and he hears the distinct sounds of the rest of the team being shooed away and for once, he’s thankful that suga pulls his weight as vice captain when it really, really matters.
“i mean, two years is a long time,” he says, feeling suddenly too young and too old all at once, his stomach roiling inside him. he thought he’d have mastered nerves by now; he’s faced down mountains that no one had ever thought they’d summit but somehow… this… this is different.
“it is… you look good,” you say, grinning as you take another few steps forward, as if testing the waters, pushing the line of demarcation closer, and then ever closer. he doesn’t step back though it takes almost everything inside him to hold his ground.
“wow, you’re taller,” you laugh, looking up at him, now close enough for him to touch — reaching out a palm from the top of your head to just below his chin, “much taller…”
your voice is softer, then, like a sigh, a whisper, an admission of sorts. and it’s only then that daichi notices he’s not the only one blushing.
he coughs, swallows, flexes his fingers and forces himself to speak.
“y-you look different too — i mean, good different! you’re… uh — your hair is — longer and —”
daichi fights down the urge to curse, to turn around and run, to lay down on the ground right then and there and pray for the earth to carve itself open so he can fall into it’s dark, unending depths —
you blink, a slow, teasing smile spreading across your lips and daichi finds himself caught, as a thread on a chain-link fence, he looks at you and laughs, helpless, shaking his head.
“sorry… it’s just…” he casts about for words he isn’t quite sure he has. you shake your head, grinning.
“no, it’s fine — i know… it’s a little weird, isn’t it? i mean, two years is a really long time.”
“yeah but… like you said, somehow, it doesn’t really feel like… any time’s passed at all.”
daichi finds his hand reaching up before he can stop himself, almost like second nature, his fingers grazing the ends of your hair, now skimming halfway down your chest, twisted in a loose braid over one of your shoulders.
“it really did get longer but i cut it recently — you should’ve seen it before —” you laugh, looking down at where his fingers are still outstretched, reaching up your own hand to tug at the freshly trimmed ends.
“so… do you uhm — you still do art, right?” daichi asks, tucking both his hands into his pockets.
“yeah! and… you finally made it to nationals. congrats!” you wave an arm around the pair of you, and for a second, daichi had almost forgotten where the two of you were, standing in the bustling entrance hall of one of tokyo’s largest gymnasiums, all bright lights and excited voices.
“yeah — i guess i finally did… took us a while, but… we made it.”
you smile.
“i knew you would.”
daichi chuckles, letting his shoulder shrug up as all the awkwardness falls away between the pair of you, the years falling away day by day, month by month, until it’s just him and you and an entire future of the bright unknown, laid out at your feet.
“yeah, you never did doubt us… even when i did.”
you open your mouth, but someone’s voice cuts through the fray.
“daichi! we gotta go warm up!”
daichi jumps as suga waves at him from down the entire hall, looking both apologetic and exasperated.
“ah — sorry —” daichi turns back to you, his heart halfway to his throat as you nod, the pair of you suddenly tossed back into the present, like a movie caught in fast forward, the frames scrambling to catch up to the here and now.
“no! no — it’s okay! go! i’ll —”
“i’ll text you — see you after, okay? i mean, i don’t know how long — or if you had plans —”
“i don’t! text me — i’ll be here —”
“okay! good! that’s… that’s good!”
“daichi! c’mon, seriously!”
“sorry suga! i’ll be right there —” daichi turns back to you, caught between a frenetic panic and excitement, “i’ll… see you later, yeah?”
you nod, a blush high on your cheeks, nodding, “yeah! good luck! i’ll be watching.”
daichi opens his mouth, wonders if he should say something else, but suga is yelling for him again, and then there’s something warm pressed to his cheek. before he can think, you’re pulling away, your lashes dark and fluttering, your breath hot against his skin.
and then, you’re pressing a hand to his chest, pushing him into motion.
“for… for good luck. now, go!”
“y-yeah — uh — bye!”
you laugh, waving, pressing your lips together as you watch him stumbling rather blankly towards where the rest of his team is waiting for him.
“see you later!”
daichi raises a hand to the place on his cheek where your lips had been, feeling as if you’d smacked him across the face, in all the best of ways.
he looks stares down at his hand, and then back up at you, standing there, still waving.
“don’t — don’t go anywhere, okay?”
you laugh, nodding, now shooing him off proper as he reaches his team and suga starts to drag him bodily from the hall. daichi can’t help looking over his shoulder one more time before you disappear into the crowd, but he finds you immediately, standing on tip-toe, waving furiously at him.
“i won’t! i’ll be right here!"
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