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#like the story. the themes. the characters
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No, Shipping Zutara Is Not Supporting Amatonormativity (Please Use Some Fucking Braincells For Once)
- a treatise by a severely pissed off aroace zutara shipper
since words don’t mean anything anymore (if they ever did on the esteemed piss-on-the-poor website), let’s start with a definition.
amatonormativity: the set of social assumptions that everyone prospers with a romantic relationship, thereby positioning marriage as a universal goal of adult life. amatonormativity forms the basis of several institutional structures that are built to cater to romantic bonds over all others, also manifesting in social pressure on individuals to find a romantic partner by pushing the false narrative that those who do not experience romance are automatically lonely, unhappy and unfulfilled. it is usually characterized by the prioritization of romantic love over other forms of love, particularly platonic.
the anti-zutara argument based on this is as follows: wanting zutara to happen is amatonormative because it a) devalues zuko and katara’s platonic bond b) pushes the idea that men and women can’t be friends and c) doesn’t align with the themes of the show, as romantic love was never the point of atla.
i would like to take the time today to tell you that this is some fucking bullshit, for the following reasons:
one, this may come as a shock to some of you, but zutara shippers did not invent the concept of romantic love in avatar: the last airbender. you are more than welcome to criticize the pairings of suki/sokka, katara/aang, mai/zuko, yue/sokka, jin/zuko, jet/katara, and even kanna/pakku for perpetuating amatonormativity through their unnecessary romantic subplots. and if you don’t have anything to say about any of those pairings, then here’s a word for you: hypocrite.
zk shippers are not introducing the taint of romantic love into some kind of wholesome platonic utopia where it never existed. when we say zutara should have been canon, it is a statement that ends with the implicit instead of kat.aang and mai.ko tacked on at the back because if we were going to get a romantic relationship anyway, it might as well have been one that was well-developed, narratively impactful, and thematically relevant.
two, saying zutara is amatonormative is fucking rich when the main “romance” of atla is a three season long struggle to get out of the friendzone. aang’s desire to be in a romantic relationship with katara is one of his primary motivations throughout the show, and not once does either he or the narrative ever entertain the thought that just being katara’s friend might be enough. to the contrary, aang’s crush and the potential of its reciprocation is a fundamental part of how the story gets its audience to invest in both his character and the kat.aang relationship. they want you to want him to get the girl, and that’s the driving force of the ship’s development from start to finish.
you can see the influence of this in the way people defend why kat.aang had to happen: “aang would be crushed!” “it would break aang’s heart!” “aang deserves to be happy!” and that in and of itself is more amatonormative than any version of romantic zutara, as if this idea that aang is somehow doomed to a life of misery and loneliness just because he can’t be with the girl he likes isn’t inherently based on the assumption that platonic love can’t be as meaningful and satisfying as romantic love.
three, let’s be so fucking fr: a show written by cishet men in the early 2000s was not “subverting amatonormativity” by not making zutara happen, especially not when they went for the fucking olympic gold of romantic cliches — the hero gets the girl trope — instead. otherwise, why did the entire show end with an uncomfortably long liplock? if romance would’ve devalued zuko and katara’s platonic bond, then what the everloving fuck happened to their friendship in the comics and the legend of korra?
it is blatantly false to say that zutara shippers are the ones devaluing their platonic bond when the creators did it first. they evidently don’t view zutara’s platonic bond as equal to kat.aang’s romantic one, judging by their treatment of both relationships in the comics and LOK and the fact that they talked about kat.aang “winning” the ship war in the first place. because if the two relationships were of equivalent standing, why would there be a winner and a loser at all?
amatonormativity is baked into the DNA of atla, and while some people choose to reject this framework entirely (zk friendship >>> ka romance anyday), it is also not wrong for zk shippers to be annoyed at the treatment zutara received within the context of said framework. since the creators clearly thought a romantic relationship was better than a platonic one, they could at least have picked the couple that actually made sense instead of adding insult to injury by making that romance kat.aang. it is not amatonormative to acknowledge that zutara was not afforded the distinction it should have been in the eyes of those who wrote it, because it’s obvious that the decision to keep zuko and katara’s relationship platonic wasn’t to respect their friendship, but to position them as inferior to kat.aang.
four, detractors of romantic zutara often argue that their platonic relationship is inherently better & i’ve discussed before why that isn’t the case, but i also hate this argument because it’s perpetuating the very thing that aromantic people are trying to get rid of in the first place: the hierarchization of love. it is not the “gotcha!” you think it is to genuinely state that platonic love is better than romantic love, because it’s still buying into the idea that there’s some kind of order to categorizing human relationships. the solution to amatonormativity isn’t changing what form of love gets to be at the top of the list — it’s doing away with the hierarchy entirely.
i ship zuko and katara because canon already gave me their friendship. i already know what their platonic relationship looks like and that gives me more room for imagination in developing their romantic one because it’s a place canon didn’t go.
at the end of the day, friendship and romance are just different avenues of exploring intimacy. neither is inherently more valuable than the other, and neither is inherently more problematic. and if you truly believe in dismantling amatonormative beliefs, you would recognize that making a distinction between the two is only perpetuating the problem, not challenging it.
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aethon-recs · 2 days
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2024 Update to Tomarrymort Longfic Recs — 8 additional fics
I wanted to add 8 lovely new longfics that have been published since the last time I put together this rec list — 6 more for the Intermediate reads list and 2 more for Advanced. Hopefully you’ll find something within these additional 950k words of absolutely brilliant Tomarrymort fic to sink your teeth into and enjoy:
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Longfic rec list collection:
Tomarrymort Beginner reads are the fics I would use to introduce someone to the ship and help them get a baseline for the variety, themes, and tropes that best represent our ship;
Intermediate reads are for readers that are already familiar/sold on the ship, and are looking for fics that explore interesting new facets of the Tomarrymort dynamic; 
Advanced reads comprise challenging works of some nature, whether the writing features more complex subject matter and/or pushes the boundaries of what’s possible in a piece of fanfic.
Please enjoy these 8 additions to the list, all of which are either completed or still updating as of 2024!
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Intermediate Longfic Recs
A Light That Never Goes Out by @kippipies (M, 80k, WIP)
Setting: Non-Magical AU Premise: If Harry is the target of a dangerous crime lord called Voldemort and his gang of Death Eaters in a modern mafia AU. Why I rec it: This is a delightful, high-energy caper of a fic in which Harry is a scrappy low-time criminal who accidentally crosses crime boss Voldemort. Naturally, Voldemort sets his sights on getting revenge, but Harry slips through his fingers at the last minute each time. The action scenes in this fic are incredibly dynamic and super fun — I felt like I was watching an action movie at each confrontation between Harry and Voldemort.
And the Living Will Envy the Dead by @k-s-morgan (M, 81k, WIP)
Setting: Time Travel (1940s) Premise: If Harry were flung back in time to Tom’s sixth year and almost immediately reveals he is Tom’s horcrux, setting off a chain reaction of obsession and control.  Why I rec it: An intricately crafted character study of Tom and how he gained control over the rest of Slytherin House by the time Harry meets him at the start of sixth year. Harry’s arrival throws Tom’s plans off-kilter, especially once Harry reveals he was Tom’s horcrux in another timeline. This leads Tom to believe the other version of him had somehow loved Harry, and shows him that it’s possible to form such a connection with Harry here if he wants, despite how dark, cruel, and violent he turned out and how little he cares for others. 
By Any Means by @corpium (E, 74k, WIP)
Setting: Alternate Universe Premise: If Harry has a younger brother Evan who is the Boy-Who-Lived, yet Harry’s overprotective actions towards Evan end up attracting the attention of Voldemort directly onto himself. Why I rec it: This is a really engaging and fast-paced adaptation of canon events if Harry were born 2 years earlier and his younger brother were the one that the prophecy applied to. The relationship between Harry and Evan is really sweet, as they share the burden of growing up at the Dursleys and all the adventures that Harry underwent in canon. There’s also such a fascinating exploration of magic as Harry gradually becomes more powerful as a result of all the trials that he’s put through, eventually becoming powerful enough to attract the attention of Voldemort. 
Pledged by @moontearpensfic (E, 118k, WIP)
Setting: Alternate Universe Premise: If Harry and Tom are best friends that enter together into a Hunger Games-crossed-with-Triwizard Tournament in their seventh year.  Why I rec it: This fic depicts co-dependency to such an intense degree between Harry and Tom. Not only are they inseparable best friends throughout their time at Hogwarts, they also perform a cooperative magic ritual that binds their magic to each other permanently, and allows them to share thoughts and feelings with each other across a mental link. There’s also an intriguing mystery at the heart of this story, as Harry and Tom try to figure out the origins of the Triwizard-style tournament that they enter into in their seventh year. 
Revolution of Configured Stars by @tollingreminiscentbells (E, 153k, WIP)
Setting: Voldemort Wins AU Premise: If Harry was raised in a pureblood family in a universe where Voldemort wins, and ends up attracting the attention of Voldemort in his seventh year at Hogwarts.  Why I rec it: This is such an intricate, incredibly thoughtful depiction of a society where Voldemort won and Harry was raised as a ward of a pureblood family. By the time it’s Harry’s seventh year, he’s a budding Arithmancy scholar who wants to explore whether it’s possible to choose the optimal timeline via arithmantic calculations, which catches the attention of Voldemort. Voldemort and Harry’s relationship unfolds in such a steamy way, and they truly feel like equals who hold each other in high regard, as Voldemort reveals that they have been inextricably linked by fate, whether or not he ended up trying to kill Harry as a baby in this particular timeline. 
the stars, my destination by @milkandmoon-ao3 (M, 15k, WIP)
Setting: Time Travel (Marauders Era) Premise: If Harry is sent back in time as an infant and adopted into the Potter family, growing up and attending Hogwarts alongside James.  Why I rec it: There is a dearth of Harrymort fics set in Marauders Era so it is such a delight to read about Harry’s friendships and rivalries with Marauders Era characters, like being best friends with Regulus and Quidditch rivals with James. As Harry starts his sixth year, the First Wizarding War heats up in the background and begins spilling into their life at Hogwarts as many of their classmates are recruited to fight on either side of it. All the while that he has to keep secret the strange mental connection that he’s had with the Dark Lord all his life. 
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Advanced Longfic Recs
Hearthstone Abbey (Series) by @ramabear (E, 152k, WIP series)
Setting: Soulmate AU Premise: If second year Harry is plucked away from his canon universe by Voldemort from another universe who is his soulmate. Why I rec it: I wholly melted at all the ways Voldemort takes care of Harry in this fic, better treatment than Harry’s ever gotten in his entire life, and Harry is so lovable and adorable in turn. Voldemort has established himself as a religious figurehead/cult leader in the alternate universe, and it was very interesting to read about his alternate path to power. The soft grooming in this fic was so so delicious, ramping up in intensity as the fic progresses; Voldemort completely dotes on Harry and their dynamic is so sweet and tender, a very nice counterbalance to the sinister and predatory tones that underlie their relationship.
if we were lovers by @reggieblk (E, 277k, complete)
Setting: Non-Magical AU Premise: If Harry and Tom meet in a prestigious drama programme and fall for each other against a backdrop of high stakes threatre productions.  Why I rec it: The character work is so rich and detailed in this coming-of-age story in a modern AU setting. It’s clear there was so much thought that went into all the character interactions here, not only between Harry and Tom, but also the ensemble cast of characters who inject so much heart and humor into this story as well. I love the way that @reggieblk cleverly weaves in elements from Shakespeare’s plays and uses the theatre backdrop to depict how the love story between Harry and Tom unfolds — their developing relationship feels, at the same time, both very immersive and cozy, as well as highly fraught with tension. (As a bonus, there is an absolutely amazing original play in the interlude chapter that was written specifically for this fic!)
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earlgodwin · 24 hours
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"There is that final embrace that I think helps with letting [Juan] go in a way. His brother has been the one who drove Cesare to become what he is now, and I think Cesare is building walls around his heart. You do get colder and less sentimental when you take that path. He has to go on and he can't mourn him forever, especially since he's responsible for his death. He's not making excuses for what he is anymore, and what he wants to be. He ultimately feels that it's the right thing for himself. It's something that he focused on and I think he can control his mind into having no second thoughts. And that's the only way you can rule in that era, really." — FRANÇOIS ARNAUD
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gojoath · 3 days
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ಣ ˖ ࣪࿐ྂ YOU SAID FOREVER, OKKOTSU YŪTA
yūta’s never been one to back down easily. especially not after you told him you’d be together forever. soulmates. you can’t expect him to just let you go.
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summary. fem reader. yandere yūta. ex-boyfriend yūta. obsession. manipulation. stalking. yandere themes. dubcon. exhibitonism. dry humping / grinding. breath play - he puts his hand over your mouth. alcohol mention. previous fwb mention (not yūta). aged up characters. wc, 4.9k.
note. repost, the first yandere yūta fic i posted :)
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this was not your preferred way to get over a failed relationship.
you grumble to yourself as you rest in the kitchen of the party your friend maki dragged you to— you know she meant well, opting to get you out of the house rather than letting you sit alone feeling sorry for yourself. but honestly, at this point you don’t know what you’d prefer.
the atmosphere in here is buzzing, full of intoxicated bodies with red plastic cups in their hands and loud music blasting through the halls of the house. the liquid in your own cup is a little questionably coloured— something maki had mixed, although bartending was never her strong suit— but you still grit your teeth before bringing it up to your lips and knocking it back anyway.
the concoction hits your taste buds immediately and you try not to gag as you swallow it quickly— feeling the burn set fire to your throat. you cringe at the drink, but honestly you need to loosen up somehow.
it’s not that you were heartbroken over your situationship, he had simply been something to pass the time. he was handsome enough, a good fuck and a decent guy— he helped you forget, which was really the main focus and reason behind spending so much time in his presence. but you still think it’s annoying that he just disappeared without a trace, not even shooting a quick text like hey, thanks for sucking my dick so many times, it’s been fun. 
you find yourself rolling your eyes again, before you’re pulling your phone out of your back pocket to check the notifications, huffing when it comes up empty apart from a few instagram story updates and spam emails.
now you’re alone, you’re only stuck with the memories you try hard to swallow down, they still sting a little— ache across your chest and you find yourself shaking your head side to side like it’ll rid you of them, even just for a few hours.
“hey, quit feeling sorry for yourself! you gonna mope around all night?” you’re thankfully snapped from your own thoughts when maki wraps her arm around your shoulder, letting a fair amount of her weight lean on top of you until you’re both stumbling slightly. but she manages to steady you as she sends you a frown.
“i am not moping.”
“you’re totally moping.” your bestfriend sighs before she takes another swig of the drink that’s currently swaying a little too much in her other hand, and you’re glad that she’s atleast strong enough to keep you both upright despite being the one about to take you down.
“loosen up a bit, relax~ he’s just a guy.” she tries again, but you can’t help the way your body seems to stiffen with her statement, she feels it too,
“it’s not about the guy.” but still you’re quick to reply, brushing it off as you let your eyes roll slowly over the crowd of people shoved around the kitchen island. a lot of them pre-occupying themselves with different things such as raiding the fridge, setting up beer pong and—
“it’s not about that guy, but it’s about a guy.” maki’s words are matter a fact and you know she’s right despite the way you wish she wasn’t. it’s not about your failed situationship but the one that came before that, the one you’re trying to forget. you shoot your bestfriend a glare, and she pulls her arm back from its place over you before she’s squeezing at your shoulder, sending you a reassuring grin as she backs off.
“gotcha, let me grab you another drink. stay put.” she knows you better than anyone.
it only takes a few minutes before you begin to finally feel the affects of your last drink, you’re not quite where you want to be yet but you feel a little hazy— a little softer as you let yourself float around the room in your own blissful trance.
although you can’t help but feel like someone’s eyes are on you, feeling goosebumps burst along your skin every so often— like when you almost bump into someone or you’re helped by a stranger when you stumble. their hands will be on your skin to steady you but your gut is screaming for you to look over your shoulder, but there’s never anyone there when you do— not paying enough attention to you atleast.
maybe the alcohol is just making you paranoid. 
you find yourself fading in and out of conversations, not really absorbing any information as you sway from your place between panda and inumaki. they’re talking about something you can barely make out, a little too enthusiastically as your eyes scan the room again— wondering where the hell maki is with your other drink.
inumaki moves slightly, waving at someone from across the room and you can’t help the way your gaze follows the movement— blinking slowly until you feel something twist in your gut. you catch a glance at a familiar looking figure, hair pushed back into a relaxed sort of style and a gaze that feels like it cuts through you.
it can’t be, right?
you don’t cast it a second glance to check when it makes you stumble back, because you already find yourself pushing your way out of the room as it suddenly becomes a little harder to breathe.
it’s warm and stuffy, sweaty bodies cramped together in the hallway but you’re drowsy and most likely hallucinatingat this point, atleast that’s what you’ve convinced yourself as you round the corner. you’d make your way to the bathroom, but when you see a considerable amount of people already queued up and looking like they’ve been waiting too long already, you opt to push your way into the backyard instead.
you're thankful for the decision, when you finally push your way into the dimly lit garden— sighing when you feel the cool air roll over your shoulders in waves and it has you taking in a deep inhale.
it’s quieter out here, the music is more of a faint sound that only fades even more as you take a few steps deeper onto the grass— letting yourself bask in the glow from the moon and the fresh air. the backyard wasn’t big, it was only littered with a few plant pots and a single bench— there was a corner to the side that led to the gate and the back entrance to the house, and plot of grass in the middle.
but it was small enough for people to very rarely want to come out here, especially at a party and you’re pretty sure the smokers have opted for out the front when you hear the faint chatter of voices over the fence.
you like this though. another slow breeze pushes through you and despite the haze of your mind, you let your head fall back as you sway with it, letting your eyes rest closed. you almost forget about the whole reason you were seeking the outdoors in the first place,
almost, because it’s only a few beats later when your peaceful alone time is interrupted by the soft sound of the back door closing behind you. your eyes are suddenly wide open despite the way you don’t dare to look behind you just yet.
you find yourself listening, intently— hoping that maybe it was just that same breeze that was to blame for it. maybe some drunk party-goer stumbled into it and didn’t realise you were out here, it was dark after all. yeah, you were just being paranoid. so you let yourself exhale the breath you didn’t even realise you were holding before you perk up and go to turn again.
“you’ve been avoiding me.” the words are low, but they take a soft sort of lull that makes your movements halt mid turn. your eyes are wide and something familiar to a shiver seems to race it’s way down your spine before you’re easing your head in the direction of the sound.
“you know why that is, okkotsu.” your words come out a little harsher than you intend them to, and you watch the way your ex boyfriend picks up on that too as he shuffles on his feet. his brows furrow and he bites on the inside of his cheek as he looks away from your gaze.
okkotsu yuuta was your ex boyfriend and the reason you were even in that stupid situationship in the first place. he was overbearing and protective, to the point where you couldn’t even go on a study date with a classmate without him bumping into your boyfriend in the library and suddenly they’re requesting a new project partner. everyplace you ever went to without him, he always seemed to end up there anyway.
although if you asked him, he would deny that you guys were broken up in the first place. he would always rather say that you just needed some space, you just needed a little time to relax but you’ll come back to him because you said you were soulmates afterall. why wouldn’t you? 
which is why, yes you’d been trying to avoid yuuta— tryingbecause he always still managed to find his way to every, single party you attended anyway, insisting that he was there for you, because he’s your date. you’d been avoiding this confrontation since the last one, and the one before that. you’d changed your phone number, but he knew your schedule, he knew the places you visited on your days off and the places he could find you because he knew you.
“baby, please don’t call me that.” his voice is tender as he takes a careful step into your space but he stops immediately when you meet him with a step back.
“i thought you’d be happy to see me. i’m here for you.” yuuta speaks again but he emphasises the way he says it’s all for you. like you’re making him act this way, it’s yourfault. you take another step away from him as you frown, opting to walk around the side of the house as you head towards the gate— you weren’t doing this right now. not tonight when you don’t have a clear mind.
you hear him call out a don’t leave as you retreat away from him, but it was always unnerving how quickly he seemed to move— feeling his hand wrap tightly around your wrist before your back is almost slammed against the brick wall of the house and he’s looming over you.
you hiss at the slight, sharp sting of pain you feel up your body at the impact and you hear yuuta gasp at the sound before his hands are reaching over you with a “sorry. i didn’t want you to leave me again.” but you’re quick to slap away his other hand when it reaches for your face aswell, earning you a pitiful, puppy eyed look.
“i’m not doing this tonight.” you try to argue, trying to shake his grip off your wrist but it’s tight, and you feel suddenly too warm underneath his stare as his lidded gaze crawls over your features. he leans into you, his free arm that’s now just resting in the air between you opting to rest against the wall instead as he keeps you caged beneath him. he’s close enough for you to smell the faint, familiar scent of his cologne.
“is it because of that guy?” yuuta asks, softly, like he’s sympathising with you— like it’s a touchy topic that he doesn’t want to bring up but it’s a question that fills you with unease when you finally find it in yourself to lift your eyes to meet his.
“what?” your words come out slowly, hesitantly and the dark haired male over you looks away as your gaze narrows, “how do you know about that?”
“hey, it’s fine. i don’t blame you.” a soft reply, like a lover consoling another— like he’s about to wrap you in his embrace and keep you there, but the smile he’s wearing is a little too happy for the subject. his eyes close with the close lipped grin as his hand squeezes around your wrist. like a reassurance— a reminder that he’s got you there. you can’t go anywhere else.
“you’re safe now. i got rid of him, we can be together again.” yuuta hums, like he’s being careful with his words— although he can still hear the way your breathing picks up. maybe if he leaned in a little closer he’d be able to hear your heartbeat, he wonders if it beats for only him. would you let him have it if he asked? he lets his hand against the wall fall slightly, resting on your arm as he strokes at the skin but the stare you’re giving him now is cold as he tries to soothe you with his touch.
“it was you?” your words are deliberately harsher now, sharper as you try to pull yourself from his touch but despite his appearance he was stronger than you’d expect. he doesn’t have any trouble holding you there as he tries to shush you, casting a few quick looks over to the gate to make sure you’ve not caught the attention of the people on the other end. it’s quieter now than it was when you first came out.
“he was in the way of our love.” this was okkotsu yuuta. he still remembers how upset he felt seeing you with that other guy, laughing and smiling so prettily when it’s only supposed to be for him. it was your fault. it wasn’t hard, he didn’t have to hurt him too much before he decided to give you up— to give you back, you deserve someone better than that. someone who would give up his life to keep you, and you have him for that already. you don’t need anyoneelse.
although he still had to teach him the consequences of touching what’s his. he’d do it as many times as he had to. they don’t stand a chance against him.
“i’m all yours remember. all of me. that means you belong to me too, doesn’t it? we’ll be together forever.” it’s unnerving how honest yuuta’s words sound, there’s no waver to them and his dark, lidded gaze is sharp as it holds yours. “you promised.” he brings your hand up to his cheek as he presses your fingertips into his skin, leaning into the touch but your fingers don’t stroke softly like they usually do. they’re rigged, stiff while your hand falls limp in his hold. you stare at him, and it makes him shift uncomfortably opposite you as he takes a loud swallow.
you can’t deny you feel scared, bile turning in your gut as you begin to blink a little more with your exhales but he picks up on that.
“i missed you.” yuuta tries again as his hands squeeze at your skin— his fingers around your wrist loosen slightly, but only so he can try to intertwine them with your own. he presses his chest into yours, pushing you harder against the brick behind you and you try to push yourself back against him as you huff.
“yuuta, stop it! are you crazy?” you try to argue because you’re mad at him, try to push against his chest but you can already feel the way his lips are grazing along your jawline, nibbling at the skin. his fingertips cold as they push underneath the hem of your shirt to touch your bare skin.
“sorry, it’s been so.. so long.” you shudder as yuuta breathes his words along the nerves in your neck next, fidgeting beneath him as he knocks your legs apart with one of his— pressing his hips into the space that’s left behind after, before they’re grinding into yours.
you’re breathing deep but yuuta’s panting into you like a dog as he ruts you into the brick behind you, it almost hurts with how it grazes along the bare skin he reveals. his hands are everywhere and you feel too hot for your skin, feeling the same bile rise in your throat as your eyes squeeze closed.
“please.” he gasps again, but the soft, pathetic little plea is cut off by the slam of the back door as you watch it illuminate the light around the corner. you feel the tension in your shoulders relax as you hear maki call for you, seeing what you would assume is her shadow fall out of the doorway a few moments later. it’s almost too eager, the way your arm shakes free to reach out, just as your mouth drops open to call back.
but just as your lips part, you feel the hard press of yuuta’s palm across your mouth— so fast and precise it almost knocks the air out of you as your head whips towards him.
“please. don’t.” he grits and you’re pretty sure if his hips weren’t pressing you into the wall right now your legs would’ve buckled entirely with the way they’re trembling. there was a few instances where he got like this, it was like a switch flipped and some dark aura that he kept wrapped away inside of him pushed its way to the surface. his lidded gaze feels like it cuts through you and you can barely breathe with how tight his grip on your mouth is as the veins in his hands bulge.
you feel yuuta press into you again, and you can feel how hard he is through the fabric of his slacks— accompanied by the flush of his cheeks as he suddenly avoids your gaze. he trembles over you, quietly grazing the blunt head of his cock between your legs but your eyes are still on the shadow of your bestfriend as she calls out another time.
your fingertips tremble as they reach out but your ex-boyfriend is quick to take them back in his own before you let them drop by your side again. your vision blurs with tears as you hear maki spit out a slurred curse before stomping back into the house, slamming the door closed just as loudly again before you’re wrapped back up in the shadows like you were before.
you feel lightheaded as yuuta’s fingers dip almost painfully into your skin, accompanied by the way you’re only left to breathe out of your nose right now because his palm is still tight over your lips. you try to speak, but it’s lost behind his grip and he’s so flushed and needy, he can barely hear you as he rolls his hips into yours once more— pulling a soft, dreamy whine from his lips that you cant deny makes something twist in your gut.
“i’m.. im sorry, ive just missed you.” he shivers over you as his thighs tremble at the feeling of your hips sliding along his. the look he gives you is lidded and dazed, clouded with lust as he pulls your hips up towards him, and you can’t help the whimper that would slip from your lips as he angles himself against your clit. you’re suddenly thankful that the sound goes lost behind his palm instead.
it’s insane the way yuuta moves you, dragging you along his own body as he takes control of you— making your body clap almost painfully against the wall behind you both. but you can’t deny how pretty he looks with his lower lip sucked between his teeth, his dark bangs falling slightly over his gaze as he blinks up at you.
his movements are messy and eager, like he’s trying to prove how much he’s missed you— how much he’s lovesyou in his movements. like all of those threats were acceptable, he really was just looking out for you and with every graze of his shaft along your clothed clit you consider forgetting about them entirely.
you did love him afterall, the chemistry was there— it’s evident in the way the feeling of yuuta’s body against yours is making the space where you both take a breath spin. maybe that’s why you’d been avoiding him, because you know you’d go crawling back as soon as you felt his touch, as soon as you heard his soft pants fall from his lips. that’s the reason, right? 
your mind and willpower melting away with every quick shockwave of pleasure his thrusts send through you.
“shhhh, i know what you need. i always do, i’ve got you.” his lips trail spit along your cheeks as he drools against you, whimpering against your skin and it’s almost instinct the way your arms finally relax— instead easing their way to his chest to twist at the fabric of his shirt.
yuuta gives you a look as he inspects you, slowing down his needy grinds to a slow, seamless crawl— like he’s making sure you’re not trying to trick him before he finally releases his palm from your mouth. your lips part as you take a much needed breath, but your gaze is lidded and blown when it meets his, and suddenly his palms are resting on your cheeks as he pulls you in for a kiss.
“b-baby,” he gasps as he grabs at you, tongue pressing past the seal of your lips to graze against your own— messy and lewd, like a sweet little welcome home as his hips ruthlessly rut into yours. the push of your mouth makes him whine, his palms clammy against your skin as he drinks up every sinful swirl of your hips you offer him.
you’ve become so lost in your pleasure, your fingers move to twist in his hair and you feel yuuta moan softly at the sting before his jaw tightens. his hips continuing to move in sync with yours as a low, slurred praise pours from his lips like honey. he feels so lost in the familiar, silky grind of your clothed pussy. “feel—feels so good.”
“all mine.” follows after before he curses under his breath and you can barely hear him with the ringing in your ears. he’s rutting into you almost too desperately, you can almost feel every detail of his cock through the thin fabric separating you both as he mumbles messily against your lips, insanity intertwining with his lust. “you belong to me.”
“yuuta~ah!” you moan, so prettily that it makes yuuta’s pace stutter before he’s grabbing at your thigh to hike it up higher, to perfect the angle so you can feel him rub right between your clothed folds. he can almost feel you, his mind swirling with the thought of finally sinking into your warm pussy again— finally claiming back what’s his after you kept it from him for so long.
“i love you.” his mind and senses blur as he pushes love confessions between your lips, promises and threats that go unheard as you lose yourself in the pleasure between your thighs. “don’t leave me again. i won’t let you.” he gasps again, and you know he’s close when he pulls away to nuzzle into the crook of your neck.
the press of your panties against you feels damp and if it wasn’t for yuuta holding you upright you’d have collapsed entirely as you hold onto him for stability. your breathing is ragged but you’re just as fucked out as he is, trying to meet each of his needy thrusts with mindless little humps of your own as you both near your orgasms.
“t-tell me, please.” your ex boyfriend trembles as your body claps against his, desperate hands clawing at your bare skin as you feel the shaft of his cock throb against you— begging just as much as he is with every breathless plea he buries into your throat. “please, i need it. i’m gonna—“
“i love you, yuuta.” you moan, it’s whispery and choked off just as he angles his hips exactly where you need him too, and it’s enough to have yuuta curling over you as the words ring true in his ears. it’s instantaneous the way his orgasm feels like it rips through him, his hips jerking and twitching into you as he babbles out slurred and whimpered thank yous, and his fingernails dig so tight into your skin you’re sure they’ll bruise.
he continues to roll his hips into yours, prolonging his blissful state because you’re whimpering his name, grabbing at him as you chase your own high— grinding into the mess he’s made in his pants and it only takes a few more presses onto your puffy clit before you’re going rigid.
your lips part, but yuuta’s quick to meet them with his own as he swallows up your moans— keeping them for himself as he holds you steady through your orgasm. your high hits you so hard and good your toes almost ache with how tight they curl, insides begging to be filled as you pull at the man infront of you’s dark roots and he whines into your mouth.
it’s greedy, the way you both ride out your highs until you’re a mess of limbs and agonised moans. your kiss is prolonged until it’s lewd and messy, pulling away with a string of drool despite the way your still ex boyfriends grip is as tight on you as it was when you started. he won’t let you get away from him again.
although with your dwindling pleasure and lust, you realise the weight of what you just did when you feel yuuta’s eyes on you— gazing down at you all fatuous and adoring. you clear your throat slightly as you try to move, feeling the ache in your spine from where you’ve been pressed against the hard surface but he’s quick to let his hands graze up the skin— smoothing out the area like it’ll help at all.
although the touch makes you shudder more than anything. 
“i have to go change. let’s go.” yuuta mumbles softly before his hand is intertwining with yours again, and you’re so aware of how tight his hold on you is that you know you’d have no chance to shrug him off. your lips part again, like you’re going to object and he looks at you— something a little dark twisting in his expression and it’s enough for you to suddenly forget how to speak.
another beat and he leans into press a kiss to your forehead, a whisper of a smile on his features before he’s pressing another to your lips after and sending you a soft, kind smile.
“i won’t let you leave me again.” and the confession makes your body betray you— maybe as a means of survival as you take a step in his direction on shaky legs to follow behind him,
“okay.”
love was like a curse afterall.
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© gojoath. please do not copy any of my layouts or writing and translate or repost onto any other sites.
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carlyraejepsans · 2 days
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Papyrus is so weird in comparison to the rest of the cast, like a prominent theme of Undertale is how the past can hold people back and the necessity of accepting it and understanding that it should not define your present and leave you stagnant.
Toriel and her inability to protect Asriel and the children who pass through her doors, Sans and his mysterious past that he can never return to, Undyne and the pain of monsters and the monster history that she embodies more than any other character, Alphys and the determination experiments that haunt her, Mettaton and his past identity that he runs away from, Asgore and the choices he made in grief, and most importantly, Flowey/Asriel and the self he can never really go back to.
Papyrus is literally the ONLY main cast member with no relationship to the past that is holding him back in some way. Like, all of the main issues this guy faces within the narrative (his popularity and not being a member of the Royal Guard) are all issues relating to his present state, and theres no real sense that they cause him to stagnate. He's written in such a vastly different way than every other character, down to him being the only character that literally cannot kill you (the game crashes if you do). Truly insane individual.
extremely well said. although, i think he fits more with the rest of the cast if you parse undertale's story as one about self imposed narratives, as well as past mistakes as a cause of stagnation.
toriel denounced all monsterkind as violent opportunists and forced herself to suffer isolation and grief, alone, as a sense of failed duty towards asriel.
undyne did likewise, denouncing humans rather than monsters as unredeamable murderers and turning herself into a hero. she handles all of the waterfall area alone, she strengthens her resolve thinking about how much people count on her, and never confesses her feelings to alphys because she doesn't want to burden her with them in case she dies in battle
asgore and alphys, their own parallels as well, are both haunted by their past mistakes and have convinced themselves that living a lie is better than facing the truth of the damage you caused
sans lost his home and friends and is aware of the anomaly: this caused him to take up a "play the cards i'm given" attitude where he passively rolls with every punch that the current timeline throws at him, without letting himself strive for anything more than what small solace he has.
mettaton is also haunted (lol) by his past. he's also decided that, in order for his dreams to be achieved, he HAS to sacrifice the personal connections he holds dear, and that that sacrifice is one he is willing to make (first napstablook, then alphys, then the entire underground when he gains a chance to go to the surface for himself)
papyrus... well, like you said, he distinctly lacks the element of the Past to drag him back from personal development, but like the rest of the cast he DOES have the accompanying self imposed narrative with the same effect. papyrus is lonely! but he's also come to the conclusion that what would fill that loneliness is fame and a vague notion of "popularity". this leads him to not realize the value of his friendship with undyne and keep other people at arms' lenght.
still, i agree with you. his lacking a character defining past (especially in light of how much his brother's still clearly affects him) is a very peculiar writing choice. it's one of the main reasons why i think he's some kind of amnesiac
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aroacehanzawa · 1 day
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whats ur beef?
My favourite manga lost the plot so now i cope by being a hater 👍
#long answer is i have beef with the direction that the bsd manga has taken#it only superficially resembles the beloved mystery and character-driven detective agency story with atsushi as the main character#i'm dissatisfied with major developments like killing off fyodor and reviving him and pulling this#PSYCH his ability wasn't what you thought it was. with zero foreshadowing or buildup#because the manga has become full of marvel-movie type plot twists that serve little to no coherent narrative purpose except shock factor#it cheapens the story and it cheapens the development of characters and it cheapens the reader's experience#because we can't speculate and we can't draw connections and parallels and engage with the story on a deeper level#what connections there exist (for example between manga and anime) are shoehorned in after the popularity of the anime and#specific characters (e.g. fyodor who was shoehorned into untold origins in the anime) and mostly the characters who bring in money#i.e. fyodor and dazai and chuuya and their relationships especially soukoku. all this at the expense of characters like atsushi or#the majority of the female cast. who have been MIA for god knows how long and who were barely given frame each in the anime's finale#bsd treatment of its female characters has been subpar shounen level at best and now they're completely sidelined#as with most of the original cast and the original themes of the story. in fact i struggle to identify a coherent overarching theme#for the current arc. other than military action scifi movie go brrrr#compared to early arcs where each chapter had a meaningful message to say about the importance of living and what it means to stay alive and#keep going and why we are fighting to keep important people in our lives and to keep ourselves alive#and what it means to belong somewhere and what it means to be good or bad and how your place of belonging affects that#as a long term reader i just feel betrayed and disappointed. by how a story with complex and vibrant characters has become another#generic cashgrab shounen. and i mourn for the lost potential it had and everything the series has build up#only to have plot points abandoned at a whim.#so that's why i'm a hater now 👍#i know a lot of my bsd mutuals are still big fans of bsd so i try not to be obnoxious about it and mainly keep it comedic#like i don't actually hate the manga. because it's so important to me. and i respect the creators of the manga and anime#but it's frustrating to watch a train wreck in real time. and it's my blog i can hate what i want 😔#sorry if there are typos i wrote all this on mobile and can't edit the tags. i didn't wanna put any of this in the main post
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lynaferns · 3 days
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The Forest On The Other Side
Chapter 1: I want to go home.
Ver. [ENGLISH / SPANISH]
A girl gets lost in the forest and finds a misterious gate in the middle of nowhere. At the other side she meets a... very peculiar individual who seems to only want to befriend her and play. Everything seems fine. Until night falls and someone else joins to play...
Again, I appreciate feedback about the english adaptation. English is not my first lenguage and I still mess up sometimes.
This is in some way a more "joyful" story than BIOMáquina, still with its dark themes. I wrote this a year ago. By this I mean I forced myself to get it written down and ended up hating it and burning myself out. A couple of weeks ago I decided to reread it and I though it was pretty ok actually, so I edited it a bit to make it flow better. It used to be written more as a script for the comic I wanted to draw buuuut that didn't happen (cough stressed myself out cough forced myself cough don't force yourself to make content out of a hobby, a hobby is supposed to be for your own fun). I'm not completely satisfied with the final draft but I think is good enough for my first ever fic written.
I originally planned to make it a Y/N thing but that didn't last long. But I keeped the original idea of the first person POV. The Y/N stories I've read has always some narrator telling you what you do insert you in the story. I thought of making the MC the narrator, this way the reader can insert themselves like it's their story or they can read it as if someone else is telling them a story. This is also a bit limiting, since the narration is also the MCs thought process and sometimes I may skip details MC couldn't have seen.
AU, Magical forest, DCA centered, Sun fnaf, Moon fnaf, Elves Sun & Moon, OC, Selfinsert, Character & OC, platonic, friendship, slowburn (kind of), Moon is agresive at first, Moon is also a bit of a gremlin, Protective Sun (I think), OC is a potty mouth, Female Main Character, First person, Angst.
The first post where I showed this AU and my first sketches ideas.
Tumblr archive with all of the art, ideas and anwsered asks.
Youtube Playlist which I'm pretty proud of how it turned out :] It's in a specific order but you can put it on mix.
Note: even though I try to keep things light some things may be triggering for some readers.
CW: Anxiety, Suicide ideation, Implied death, Choking, Non sexual abuse.
Wordcount: 9,700 (It's not rounded, that's literally the number Word tells me it's at lol)
Welp.
Here we are again, in the old village house (yey...). Well, 'I am', my family won't arrive to settle in for another week. They brought me here beforehand a few days ago for organizational reasons. They took a quick look inside before they left to see the state of the house, if it needed any repairs and such, and they headed back to the city. While they finish preparing everything, I take care of the house and text them messages about anything that may be needed for when they return.
We haven't been here in years, the house needs some repairs, and I'm sorry for the spiders, but it could use a deep cleaning. We can't do a deep cleaning but I have been cleaning what I can these last few days, at least so that it looks decent... at first glance.
Well, it's not like anyone is coming to visit.
It's a quiet town, until the kids from the town next door come to make a racket with their bikes. They play in our field, scare away the cats and throw cans around. They are assholes.
Anyways, the people in the village are nice. The adults I mean, the kids I used to play with, I don't get along with them anymore. Some of them aren't kids anymore, we have grown up and are going down different paths. But those who are still kids... they're still interested in the only older kid in the town who listened to them and let them do whatever they wanted, to a certain extent.
I don't want them to come looking for me to go out and play. I've been avoiding them by saying that I'm busy cleaning the house and getting it ready for when my family arrives, but I feel like interacting with them less and less. That's why I'm going out to the woods behind the house to get lost for a while, as always. The kids don't go near the forest so they won't bother me there.
There is an area for tourism and hiking but not many people come, some police cars border the forest from time to time but they never go inside. The reports of missing people in this forest have been coming in for decades, only some lost children have returned but there is no trace of any of the adults who disappeared along with the rest of the children. The areas marked with signs are safe but you can't go out of bounds unless you want to disappear with those people.
And I, who right now am alone and with no one to notice my absence if I go missing, am going to head straight to the forest. Don't you think, I don't want to disappear, I just don't like people and I usually go into the forest but I don't go too far away. As long as I see my house in the distance, I know how to return.
I grab my bag with my sketchbook and pencil case, in case I feel like drawing (probably won't) and step out to the back porch. The outer sliding metal door that protects the inner one is rusty and difficult to open. It would be better to oil it but I don't know when it will be done, considering that the broken railing has had a wooden board tied to it for years. I already sent my mother a message talking about it.
I enter the forest and start walking around. It's hot, of course, it's early summer, but it's quite noticeable after being in the cool inside the brick and stone house. That's the good thing about coming here in summer, the houses are made to stay cold inside and it's great, sometimes I even need to wear a jacket. But outside I'm dying, the trees don't provide enough shade. In fact, some trees are missing. I used to have my routes memorized but time has passed and some paths have changed, some have disappeared and others have formed. I admit that it makes me a little sad... I began to walk absorbed in my thoughts not paying attention to where I was going.
I'm walking away, I should go back. I'm not going to draw anything here anyway, and it's hotter outside than inside so I'm gonna to turn around-
I hear screams and laughter in the distance, the sound of the voices produces me an immediate disgust. It's those kids from the next door village. They must have come to 'investigate' about the disappearances or maybe they don't care and they just came to be idiots-
They're getting closer.
I don't want them to see me. God. Don't let them see me. Anyone but them. They're getting closser. Don't let them see me. I can't go back home now. They're cutting me off. Of all the people who could have found me. It had to be them. No, please. Don't let them see me. I have to go further into the forest, I can't let them see me. They're getting closer. Don't let them see me. I want to leave. I want to leave. I'm getting too far. I want to leave. I don't see my house. I want to leave. I don't see the village. I want to leave. I don't see the kids.
...
...
...
Where am I?
Fuck.
Where am I?
I want to leave.
I want to leave.
I want to leave.
I want to leave.
Now I'm wandering through the forest. I don't want to go back. I want to get out of here. Even though I'm walking in a straight line I feel like I'm going around in circles, and I'm not going to get out of here now. Great. I'm lost. Now what? People who get lost in this forest don't return, no one has returned except for some children.
...
I'm going to disappear.
...
For now I keep walking until something happens. Maybe there's an animal that kills people who get lost, or maybe it's a group of kidnappers, or maybe I should stop giving myself anxiety and focus on getting out of here. Maybe if I find a field or road, or even the tourist area, I'll be able to get out of here and return bordering the fores-
...
There is... colorful graffitis on the trees. Someone has painted eyes, hands, stars and more on the bark of the trees...
What's this?
I don't know where I've come to, I didn't know this was here, in the middle of nowhere in the forest. The trees have red leaves like in autumn even though summer has just started... The first thing I thought was 'climate change's fault' but there is something that stands out in the middle of this entire flat area and it is disturbing me.
In the center there is a kind of circular gate made of stones supported by roots.
Okay, maybe it doesn't sound aaaaas disturbing as, I don't know, a totem with a human figure being impaled or something, but it's giving me a bad vibe. What is this place? Who built a stone arch in the middle of everything and why?
A bird appears flying from behind me and goes through the gate, but nothing comes out on the other side... wait what? how? The bird has crossed the gate, and disappeared behind the stone arch? ...I had to imagine it, it's not possible that that happened. I approach the arch but not before picking up a rock from the ground and throwing it to the other side of the gate.
It's still there.
For some reason the thought of going through the gate makes me uncomfortable, so I go around it.
...
...And the rock? It's not there.
I go back and look from inside the portal.
The rock is there.
...
I look from outside. The rock is not there. I repeat this multiple times. Rock. No rock. Rock. No rock. Rock. No rock... What?
Alright, this is weird, this is VERY weird.
Even though it is clear that this isn't normal, I have to go back, pick up a fallen branch from the ground and pass it through the portal. This time I don't throw it, I've grabbed a branch long enough to see it peek out from the other side of the arch.
...
Welp.
I should be seeing not only the branch, but also my hand sticking out of the side, but I'M NOT SEEING IT. OKAY. OK. ALRIGHT. IT'S CONFIRMED. THIS IS WEIRD.
I'm asleep, right? Or unconscious. I must have passed out from exhaustion from endlessly wandering through the woods and I'm delirious or something. No, wait, it can't be, in my dreams I'm not this aware of what's around me. Where am I?
A breeze begins to pass through the gate. It's getting stronger but not enough to push me. The leaves rise from the ground and float towards the portal, none slipping outside, all entering through the stone arch. Suddenly the breeze that had become wind stops. The leaves fall to the ground.
...
I look back for a moment, as if there was something behind me that could help me make a decision. Grabbing with both hands my bag strap I look back at the portal again. Okay. Alright. This is possibly the death of me. I'm going to cross. I'm going to go to the other side. I'm just one step away from crossing. I wrinkle my face and narrow my eyes before taking the last step.
...
Nothing has happened. Everything seems the same. However, I know it's not the same... Or at least it doesn't feel the same!
Well, I've already crossed. I'm gonna... keep walking, I guess, even though this is scaring me and I don't know if I'll know how to go back. For now I'm moving forward. The red leaves have disappeared several meters ago. It's starting to look like a normal forest, except for the multicolored drawings and handprints that I keep seeing on the trees. In fact, it seems like the trees are taller with every step I take. So high that I can barely see the top. I almost tripped while looking up. Whether this is the same forest I come from, I no longer know.
This was a bad idea. I just hope to find something that'll help me know where I am, a sign or the road if possible.
*cling*
...?
I hit something with my foot. There is a ball attached to a small chain on the ground. Oh, no, wait. *cling diring ding* It's a rusty bell, I think. It doesn't have the typical cross-shaped hole or slot, rather it has several holes in a pattern. It looks like it can be opened.
There's nothing inside.
?
There's nothing? But I could have sworn it had rang. I close it again and shake it.
*...*
Nothing.
I'm going to put it in the bag, it's totally a good idea. I'll think about it later, for now I'm moving on.
I've been walking for a while now and throughout this time I had a constant chill on the back of my neck, as if someone had their eyes on me.
*din dirring* I hear a soft tinkling in the distance.
Okay, I'm not alone, awesome, what do I do now? Do I say hi and risk the potential danger finding me? Do I ignore the sound of bells and keep moving? It's very possible that whatever made that sound is watching me right now...
“Hello?” Still nervous, I try to say hello looking around “...” “Is someone there? H-hello?”
“-HEEEEELLO!”
“AAAAAH-!” I cover my mouth with my hands as I turn to look at what the hell has greeted me back. I take a few steps back while I look at the figure of earthy and sunny tones who responded, he seems as surprised as I am, I think (with the scream I made, normal), at least it looks like he's surprised. He wears a two toned wooden mask... it looks like a sun, with a crescent moon on its right... It gives the impression of two faces merged into one... Damn, he is tall, he's almost doubles my size. He appears to have two skin tones dividing him in half, his right side being the lighter and the left darker, especially the arm, which also has a light-colored tattoo of lines representing a sun symbol that covers from the shoulder to the pectoral and to the middle of the bicep. The right arm is covered by a long fingerless glove that reaches to the shoulder and is tied around the chest. He's wearing baggy pants with leaves coming out of the waist and legs, some... cloth boots? with a long toe bending sharply and curving in a geometric swirl with a bell at the tips, a bag hangs from the waistband of his pants and falls below his hips. His chest and neck are tied by ropes decorated with hanging stones, metals and crystals, he wears a pendant that ends in a carved symbol of a crescent moon with rays. Some of the 'sunrays' on his mask have ropes tied between them holding them in place and some metal dangling. Some red ribbons along with bells hang from his wrists.
“um... Helloooooo.” He greets again, this time he lowers his tone of voice. I manage to react, I turn around and walk away. “¡ah- eh- Wait!” Nope, I'm not going to wait and see what he does with me, I'm leaving. “He-! Hey!” Nope. I quicken my pace and try to get lost among the trees, changing direction every time he appears in my vision angle. “Human? Human-! FRIEND. Can I call you friend?!” Nope, nope, nopnop, nop, nop, nope. “Friend! Hey!” God, no, god, god, no, why are you following me? “Look, I know what you're trying to look for...! And believe me, you're not going to find it~!” How are you still following me? Where do you come from? “Hey! Listen! Why don't we do something else besides running in circles!?” Noooooooooo... “There are TONS of other activities we could do! Like... HOLY MOLY, look at this stick! Do you like sticks!?” Leave me aloneee... “You aren't looking at it! Okay, alright, you don't like sticks, erm... what might be of interest to you...” If I don't look at it it doesn't exist. “Could you help me a little here?” I want to leave... “Look, no matter how much you wander around, you won't find the portal-!”
“STOP—! STOP FOLLOWING ME! LEAVE ME ALONE!” The sudden scream startles him again, making him jump in place. He stands completely still looking at me. I'm leaving before he gets angry.
“B-but I- ...okay.” I thought I heard him say before I left him behind.
It seems that this time he's not following me, finally... Although I'm not calm, he could still be following me and simply not be in sight. Anyway, I think I'm coming back? I hope I am. I want to find that portal as soon as possible and go back to the house- what the fu-? “WHY?”
He's there. Right where I left him. Sitting on a rock. Waiting. “...! I haven't moved from the spot!”
“Yeah- but- WHY?”
“Because I knew you were going to come back here!”
“...What?”
“Is what I was trying to tell you! You can't leave! No matter how hard you try to find the portal, it won't appear before you!” The Sunman exclaimed.
“…” I'm just about to turn around. In fact, I'm already turning around.
“N-No, wait! Please don't go!” I stop in my track and look back at him. He gets off the rock he was sitting on but remains squatting, almost at my height, a little below. I move back, keeping my distance. He puts his hands up. “Look, I'm not doing anything! I won't chase you! Just- ...don't go.”
“…”
“L-look, listen, there's no way it's going to show up! Well, not to you at least. But even if you find it back, it won't work! It only works when it wants to work.”
“...” Let's imagine that I trust what he says “Ok... and when does it want to be working?”
“...” “No idea!”
“...”
“...”
I'm about to collapse on the spot. At least he doesn't seem hostile, for now. “...” “Okay... Good... Great...” “...” “FanTAS-tic.”
“...” “You don't seem like it.”
*ಠ_ಠ* I could only look to the side in frustration in response to that. I looked back at him with concern showing on my face and grabbing the strap of my bag with both hands. “And... what... do you plan to do with me?”
He took his hand to the chin of his mask and with the other he held his elbow in a comical thoughtful pose. “MmmmnnDUN know! What do you plan to do?” He asked so nonchalantly. He ended up sitting on the ground crossing his legs. “You have a good while until the portal opens again...!”
“...”
“...”
“...”
He started swaying. The silence has become uncomfortable for a while now, but I can't organize myself on what to say, and I don't know if I trust him. I don't even know if he's human, although something tells me he's not.
“You could wait here.” He suggested, breaking me out of my thoughts. “Or anywhere else, if you want. I would recommend somewhere high like the treetops (for no particular reason)! If you're going to wait... But wouldn't that be really boring?” There was something in his tone of voice... “Being there... at the top of a tree... waiting... alone... with no friends to hang out with (can I call you a friend?). Aaall on your own until the portal opens again.” He looks aside for a moment “...” And back at me again. “With no one to be with you.” He repeats the head motion “...” “alone...” Wow... I wonder what he's implying, ahem. “Wouldn't you want to have someone...? ...Someone...keeping you company?” Yeah, yeah...
“...” I guess... “I-I guess I wouldn't want to be alon-?”
He rises to his knees. “That's what I thought! Do you want me to accompany you? Only if you want! But can I?” He clasped his hands together as if asking a favor.
“um...”
“Can I?Can I?Can I?Can I?Can I?Can I?Can I?” He approaches, dragging his knees on the ground.
I'm starting to miss personal space. “Okay! Okay, alright...”
“REALLY?” He started hopping and jumping around me. “OH, ohoho hO! Great! Oh, there are TONS of things we could do! Like... Like...!” He moves faster, doing bigger and bigger flips and jumps, it almost seems that he is very light, as if the breeze of air lifted him. “We could paint and decorate trees! Or we can also paint on rocks! Or paint leaves! Or paint us! Oh! We can tell stories! I'm very good at making shadows and puppets.” He moves from place to place with each sentence he says. “We can also play something!” It's moving so fast all I can see is the wind and the leaves it stirs up as it moves. “Anything! Whatever you want!” Finally he stopped in front of me half crouched. “What do ya say?! Hmm! Friend!?”
“Don't... call me like that.” Makes me feel awkward.
“Oh...why not-? Oh true, true! How silly, I don't know your name! What do you call yourself, potential friend?”
“...”
“...” “Aren't... you gonna tell me your name?”
I twist the bag strap “Depends...” I must say I'm a little skeptical about this. “Are there any consequences for telling you my name?”
“...Consequences...?”
“Like... I don't know... Mmm-by telling you my name I become your possession and cannot regain my freedom until... certain conditions are met...”
“...”
“...”
“Why- how-? Where did you get that from!?” It did sound a bit stupid when I said it out loud.
“I dunno- that's what they say in old children's stories about elves and fairies!” I just hope the embarrassment isn't showing on my face.
“Really?” I could feel his deadpan expression behind the mask.
I shrugged.
“...” “Okay... Oh, what if I tell you my name first? Will you tell me yours? It's only fair, I'm Sun!”
“...”
“Can I know your name now?” He asked expectantly.
“...How do I know you're not trying to trick me?”
“...” I must be driving him crazy with this “The only thing I can do with your name is treasure it in my memory.” He put his hands together as if he was carefully holding something and brought them to the forehead of the mask. I gave him a distrustful look. It doesn't seem like it made him desist “Please?”
I grip at my worn out bag strap “...” “ Fern...” I ended up murmuring.
“Hmm? Fern? OH, I like it!” “Sounds like FRIEND.” He emphasized the last word by making a gesture like jazz hands, leaning to the side and moving his head closer to me.
“Yeah... I think you are missing a couple of letters.”
He straightened his posture again. “Nope, I don't think so!”
“You're still not my friend.”
“Oooowwwwwnnnnnggghhh” He lowers his head dramatically until it practically touches the ground “nnnnnnngggghh, alright!” And cartwheels to stand up again “So... what will it be?”
“Hm?”
He straightened his posture and puts his arms on his hips “We have plenty of time, ya? What do you wanna to do?”
“I don't know, what do you want to do-?” Bad mistake.
“Come with me!”
“aaAAAAA-!” Before I knew it, he had grabbed my arm and I was being dragged through the woods. We visited several places and he offered me an activity to do in each of them.
Sun took me to a place where the trees were full of colorful paint “We practice painting on the trees here!” He said.
“Ah.” That explains the crossed out lines and the repeated imperfect shapes. By the look of it is also where he tests the quality of the paint.
“Do you want us to paint something!?”
“Not really...”
“Oh, would you prefer it to be on a rock?”
“Nah.”
“...And in star leaves-?”
“I don't want to paint, Sun.”
“Oh... Well, I can show you more places!”
“OkayyEEEEEE-” And I'm being dragged away again.
He brought me to another area of the forest, the ground here seemed more leveled. Not a single tree was straight, all of them were twisted and even seemed to be hollow. “How about playing something!? Like hide and seek-! No, wait, I can’t let you out of my sight.” He mumbled at the end “And chase?! We can climb a tree and see who reaches the top first! We have a place full of vines and it's perfect for swinging- and jumping from one tree to another-!”
“I don't... really want to move a lot…” With the way he runs without getting tired and me, who doesn't exercise... he would let me dead.
“Oh... well, theeen-”
We arrived at a place full of vegetation and humidity. Sun seemed quite excited... “This place is full of insects! We can look for cool bugs!”
“Mmmmmnoooo... I don't want to.” I had to tell him, trying to show as little disinterest as I could.
“You don't like them?” He sounded a little disappointed hearing my reaction.
“No, I do like them, some of them, but I don't like to touch them.” And I'm terrified of them flying into my face.
“Oh, well, it's okay!” He said brushing it off and we moved on to the next stop.
“I know that bird!” He stopped us on the way to point at a robin high up on a branch.
“ah.” I said as I removed leaves from my hair and clothes, and checked that I still had my glasses.
“He's a little rascal!”
“...” I think the bird is making us the equivalent of 'mooning'.
“Look fish-! Oh, they're gone…” The noise must have scared them away “We can go find more places to look at them if you want!”
“...” “...no, pass...”
“…”
“Look at this stick!” Sun had suddenly sprinted past me, picked up something from the ground, and came back just as fast, showing me the stick as if it were a sword.
“oh.” It's a cool stick, must admit it.
“Do you want to look for more sticks!?”
“No...”
“oh...” He looked at the ground in disappointment.
“Why would we go looking for sticks? There are all over the ground.” Specifically, in this area the ground was all sticks. We are literally just stepping on sticks right now. I don't see the ground.
“Variety!” Sun said pointing at the ground with both hands. A branch is heard falling in the distance.
“That's a deer!” He pointed at the deer passing nearby. The deer stopped to look at us.
“Yeah, I see.”
“We call 'em Adoquín!”
“...Why is it called Adoquí-?”
*THUMP!*
“…”
The deer smacked itself against a tree when trying to run away. It stands still for a minute, processing the hit, looks at a side and then the other, then runs off again but this time avoiding the tree.
Another *thump!* is heard in the distance.
“...” Alright.
“Do you wannaaaa look for pine cones? There will be some fallen around here. Oh! We can also look for mushrooms!”
I keep saying no to everything he suggests and it doesn't look like he's going to run out of ideas to pass the time. In fact, he's very insistent that we do something. I guess at some point I'll have to say yes to something. “...” “...okay...”
“Hmm?! Okay? Okay to what?” His exaggerated surprise offends me but I don't blame him.
“To... I don't know, pine cones?”
“...You don't look very convinced.”
“…”
“…”
“…”
“OKAY! On the hunt for pine cones then!” I startle a little at the sudden shout. He makes a pose pointing in a direction, as if he were leading an expedition.
He takes me through the forest looking for pine cones. We aren't finding many, especially me who's not paying any interest. He tries encouraging me to put more effort into it but I keep looking at my boots.
We passed near a shingle river. I find a pebble at my feet and bend down to pick it up and take a better look. It's like a bluish gray, it has some reddish lines in the shape of waves, it feels good to the touch.
I hear the soft tinkling of a bell and feel a shadow fall beside me. “You like pebbles?” Sun is crouched next to me with his arms full of pine cones.
“…” I nod.
We go down to the river and spend some time collecting pebbles with curious shapes or small details of colors, lines, spots, etc. He comes over to show me one every time he finds weird shapes.
“…”
*rin* This time he's hunched over resting his hands on his knees. “You look… a little down.”
“…”
“Hey... we can do something else if you're tired of the pebbles.”
“...” I drop the pebbles I was looking at on the ground.
“...” He turns his gaze from me to the sky. It hasn't gotten late enough to be getting dark, but it's been a while between the walks we've taken (dragging me from here to there), looking for pine cones and then pebbles in the river. He looks back at me. “Oh, I know! Can I take you to one last place? A better place than the ones I've shown you!”
“…” I got up from the ground and waited for him to start leading to follow him.
We enter the increasingly thick forest. The trees are taller and bigger, in fact, I start to see platforms and bridges lying between the trees, I even see small shanties in them.
“Wait here!” He takes a run and jumps onto one of the trees with bridges. He takes three steps running up the tree, with a jump he pushes himself off and climbs with agility until he reaches the platform and climbs on it. “Just a moment!” It can't be seen from here but I can faintly hear some squeaks. I have no idea of what he's doin-
*rush*
“........eh?”
A rope.
A rope has fallen. At the level of my head.
“.......”
What?
He said he knew a better place.
No. It can't be this.
“Is it at a good height?! Can you reach it?!” He says...
It can't be.
A better place.
He can't be referring to this.
A better place.
A better place. A better place. A better place. A better place.
“Can you put your foot in?!”
“..........” For some reason what he said throws me off. “WAT-?”
“Can you put your foot in the loop and hold on to the rope so I can pull you up!?”
“..............”
“You can't climb trees, can you?! ...or you can?"
… “...” Oh “....It's...It's too high!”
“Okay!” Squeaks are heard and the rope descends to the ground.
I put my foot into the rope as he told me and hold on to it. “O-okay...!”
“Are you ready!?”
“Yes!”
“Okay!”
He begins to pull up the rope (which doesn't tighten around my foot as it supports my weight) and helps me up to the platform. (That's what it was for, obviously, what else would he want? I'm such an...) “Come on!” He says cheerfully, as always, and takes me over the bridges. “You seem tense... Don't tell me you're afraid of heights!”
“S-something like that... it's nothing.” He tilts his head at that but he says nothing. I have an unpleasant sensation in my throat.
We arrived at a high place with a view of waterfalls, I can't see above the trees. We sat on one of the bridges, resting our arms on the rope that serves as a railing and letting our legs hang off the bridge. I've thought about taking out the sketchbook to draw... but I don't really feel like it right now, so I just quietly observe the landscape. It is a better place, yeah.
I feel watched. I turn to look at him ...Of course he was looking at me. I don't even know whether to say something or keep quiet. ...I decide... not to say anything and look to the front.
“You... aren't very talkative, huh.”
“…”
“Not that it's a bad thing! Many people who have come here weren't very talkative at first either.” More people...
“...” “I have… nothing to talk about.” I don't want to talk.
“...” “Well, I do.”
“…”
“If it's okay with you, of course.” He laughed. Although something tells me that he is going to talk anyway.
“…”
“...” “What brings you to the forest?”
“...” Really? “I got lost.”
“Yeah, I already know!” He says between laughs “But what made you get lost?”
“...” “There was a group of kids I didn't want to get close to and I decided to go into the woods to lose them.” He makes a 'hum' sound and looks at me expectantly waiting for me to continue “And... I ended up getting myself lost...”
“...” “Only that?”
“...” “Well, yeah.” What do you mean 'oNlY tHaT'?
“...Mmm...” He places his hand on the chin of the mask.
“...” “What?”
“Nothing!” “...” “You know? You're the first human to visit the forest in a loooong time. For several cycles now…”
“Cycles?”
“Mhm” He nods.
“...What are cycles?”
Sun points to the sky “The turns that the Moon makes in the sky!” He emphasizes by rotating his arm in the air. It's pointing right at the Moon that's visible in the sky.
“Oh...” He uses the lunar cycles to know what day he's in, makes sense. “...” “So no one has been here in a while.”
“That's what I said! Well no, but yes!”
“A-and so the humans who came are still here? Have they been here all this time?”
“Yeah...! Well, no!” He paused. “They're gone!”
“What do you mean they're-?” He didn't let me finish the question.
“They are gone! They 'left'!” It sounded like he had given this answer many times already.
“What do you mean they left-?”
“They 'left'!”
“...” “...You mean...they disappear-?”
“Nope!” “...” “Something like that!” “…” “Mmmore or less…” He hesitated between one answer and another.
It seemed worthless to ask about the missing people. “...okay.” “Can I ask you-?”
“You can ask me anything!” A hint of nervousness escaped his tone.
“...okay. What is this forest?”
“My home! And the home of many other animals.”
“...” “Alright, and... how many are you...? How many of you live here? I mean. You have taken me everywhere and we haven't seen anyone of your…” I make a pointing gesture, spinning my hand around in the air. He can't be human, it doesn't look like he is. “...” “Honestly, I don't know what you are.”
“...” “There's only me... And someone else!” He looks away, as if trying to hide something.
“Oh... and who's that someone?”
“Oh! N-no, don't worry! He’s… just a friend… But it’s not important that you meet him or anything!” He brushes it off making a gesture with his hand. “Uh-um- How about we talk about you!? huh? What things do you like? Earlier, since you said no to everything, I thought you didn't like ANYTHING!” He continued talking without letting me respond. “I didn't know what to do if I ran out of ideas. I started to worry! But at least you're not one of those who spend all day shouting and threatening with a weapon in hand, ahaha...” He let out a nervous laugh.
“Um-”
“Well, you ran away screaming, yes.” He began to gesticulate widely as he complained “Like everyone-! No, not like everyone, some don't run, but those who, apart from running and screaming, attack you...! I mean...!” Something tells me he wasn't going to shut up and I was already half listening. “First they throw rocks at my head, then they insult me and run away. And I have to run after them because I can't just leave a human running around alone! No! I can't! Not in this forest! Anything could happen to them! But they never let me warn them!” He sounded tired. “And when I get them to stop running away from me, they throw things at me again and yell before demanding me to tell them where are they and how to get out of here, and when I explain it, they yell at me even more and accuse me of lying!” He turns to look at me with his hands pointing to his chest. “What reason would I have to lie?!” I don't know if he hasn't noticed or if he's ignoring the deapan I responded with. “UGH! I don't know what to do with those! But anyhow... I'm so glad we found something to do in the end!
“eh?” I snap out of my thoughts. It seems that now he is directing the conversation to me.
“The pebbles!” He sits turning his body towards me, leaving one single leg hanging from the bridge and the other resting on it. He takes out of his pocket some of the pebbles that he had been collecting with me. “I don't know why I assumed you wouldn't want to look for rocks. Maybe because you didn't want to paint them before... You left them back in the river in the end tho, I thought you would keep some.”
“Ah... I don't know. I didn't think I could take them with me.”
“You can keep some of mine!”
“No, it's okay.”
“You sure?”
“Yes.”
“You suuuuure??” He insist.
“Yeees.”
He puts a pebble very close to my face “Suuuuuuuure?” Each 'u' sounding higher than the last.
“...” I push the pebble away from my face “Yeeeees.”
“mmmh... Okay! But I hope you don't regret it later when you don't have a cool rock like these and think 'Oh man, I could have a cool rock right now!'.” After a bad impression of me, he keeps the rocks in his pants. “So... Besides pebbles, what else do you like? Mm? I haven't been able to deduce much from today.”
“Don't know.”
“What do you mean you don't know!? Oh! Is it a secret?” He approaches and starts to whisper, putting his hands to the mask's mouth “I won't tell anyone, promise.”
“No. I don't know.” I looked to the side. “I can't think of anything... so suddenly.”
“ooow...” He slumps a little over the railing, looking sad.
“…” I hesitate whether to say something or not “...Drawing...”
“Mmm?!” He no longer seems sad.
“And listening to music, I guess.” “It's... all I do... most of the time.”
“Really!? Oh! I also like drawing! And music! But is that really all you do all day? Don't you do other kinds of things? Like reading! Or writting. Don't you go out for a walk or play with your friends?” I wrinkle my face at that last bit and he tilts his head in confusion.
“I don't go out.” “I have comics, but I rarely read.”
“Comics?”
“Um... They are stories but instead of narrating what happens there are drawings and only what the characters say is written.”
“...It's a book with drawings?”
“Yeah, but with a lot of drawings on each page, from start to finish.”
“WOAH.” He sounded perplexed. “That's drawing A LOT.”
“Yeah, it is.”
“Ahh, I'd love to see what they look like.” He rested his arm on the railing to hold his head in his hand “Too bad I can't…”
“I didn't bring them anyway.”
“Do you normally carry them around?”
“No, it's just that I didn't bring them to the village with me, I left them at home.”
“...” “Oh!” It seems that something has clicked on him. “You are not from the village.”
“No, I'm from a more urban area. My family used to come to the village every year in the summer, but we stopped coming. Now it seems that we are trying to get back into the habit.” I sighed.
“Why did you stop coming?”
“...That's personal.”
“Oh... okay.” He let a minute of awkward silence pass. “Hey, I can bring some books that I have at home! I think you might be interes-!” He looks away from me to the sunset behind us, the sun is almost gone. “-ted...” I look at the sunset too and then at him with confusion. “...” “...oh...oh-OH, Oh-no!” He stands up abruptly causing the bridge to shake slightly. What could have he seen? “We have to move!” He extends a hand to help me up. “We have to start moving!”
I get up in a hurry on my own, ignoring his hand. “O-okay, to where?”
“Come, run!” Once again he grabs me by the arm and leads me over the bridges between the trees until we reach a tree hut. It's small and dark, it looks like a small shelter. He opens the door and enters “You'll spend the night here, stay inside, do not go out, try to hide well and don't open the windows or doors, okay? Here, there are some blankets. I'll come back later.”
“Wait wait wait! What? What do you mean you'll come back later? What's happening? Why do I have to hide-!?”
“Sssh-ssh-sh” He grabs me and covers my hand with his, his left hand resting on the back of my right hand. He begins to speak in a calmer tone, with a voice that I had not heard him use until now. “It's okay, nothing happens. I have to go, I'll come back, but I can't stay now. You hide, try to rest, I'll be back, I promise.”
“...” I take my hand away from his. “Okay.” “I'll stay, but don't take too long.” Please, I don't want to be here alone.
“Yes. I'll be back.” He affirmed one last time. I watch him run away and disappear among the trees and undergrowth. I enter the small shelter to inspect it.
*TAP TAP TAP* *PLOK* *TAP TAP FOOSSSH! *
…? A noise comes from behind me. I turn around and there's a pebble on the floor.
Okay.
I take out my phones flashlight to see better inside the house. There are what appear to be some trunks, small cabinets, and a trapdoor in the floor, It seems that there are corners and blind spots for the windows where the little moonlight that enters through the cracks cannot reach. It's freezing cold and I haven't brought my jacket. I leave the bag on the floor against the wall, I cover myself with the blanket and curl up in a ball in the most hidden corner I can find. I'm tired, I want to sleep, but I can't close my eyes.
It's been a few hours now.
I can't sleep, I simply can't.
It doesn't look like he's coming back.
*creek*
…?
*rin*
*tap tap, creek*
Sun?
“S-...” I pause before saying a word, I have the feeling I shouldn't speak. I remain silent and wait.
*tap, tap, tap, creeeeeek, tap*
*rin dirrin*
If it were Sun he would have already let me know it is him. That or he's playing a prank on me which isn't funny, but I'd better stay silent. From the shadow I look at the windows. I notice movement through the cracks, something has just passed through the wall next to me.
*dirriring dirring*
I cover myself more with the blanket, back against the wall, I stay as still as I can, I leave a gap between the blankets and the floor to see. A red glow sneaks through the cracks in the window and scans the room.
The glow is gone.
*tap, tap, rin, tap, dirring, tap, tap*
It's on the roof.
*tap, tap, tap...*
It moves again.
*rin *
It sounded on the other side of the wall.
“nghehe...”
It laughed. Why did it laugh? Whatever is on the other side of the wall just let out a laugh that made the hairs on the back of my neck and all over my back rise.
Oh no.
Oh no no no no no no no no.
I have to move. I have to get out of here. I can't stay here.
*creeek*
It came from the door. It's trying to get in.
*rin*
The trapdoor.
*rin dirring*
Where was the trapdoor?
*creek creeeek*
I crawl across the floor making the minimum noise, carefully feeling the floor, looking for the edge of the door.
*tap tap ring dirring*
…!
I found it. I open it carefully. It's too high. I'm at a very high altitude, I don't know if I'll be able to go down.
*rin, creeek...*
Fuck it. I slip through the gap quietly, closing it slowly, but that doesn't stop the door from creaking. I cling to the bark of the tree-
I left my bag. If it comes in and see it it'll know for sure that I have been there-
It doesn't matter now. I have to focus on getting down from the tree without killing myself. My fingers hurt and I can't put my foot down properly because of the soles of my boots. I feel like I'm going to slip at any moment. Somehow I make it to the ground. Still attached to the tree, I look up at the house. I don't see it-
A shadow appears from behind the tree. I press myself against the tree and hold my breath. It's looking for something. When he doesn't seem to look I move to a nearby tree, he moves to another tree, I move to the next, and the next, and the next. We continue like this until I start to get further and further away from him. When I think I've lost him I start running. I hide behind a tree to catch my breath.
I slowly peek out from behind the tree.
*rin*
It sounded above me.
I don't look up, I run.
“nnghehee...” He laughs.
He gives me a few seconds advantage before coming after me. The chase begins.
I run forward as much as I can, I hear his footsteps behind me but I don't look back, there's no time for that. I hear him laughing like a madman as he moves from left to right, from one tree to another, crawling on the ground, trying to confuse me, waiting for me to make the slightest mistake to catch me.
“Ah-” I trip. As soon as I fall to the ground I get up, ripping my stockings and scraping my knees, falling again, my nerves not letting me stand up.
“Nnhehehhehe...” Asshole. He has stopped running, he approaches by walking. I try to keep as much distance as my hands and legs allow me to move. I search desperately with my hand for something on the ground to throw. Finally my hand finds something.
I throw a rock at him “AGH!”
The rock passes by him, flying one or two meters away from him. He hasn't even moved, he didn't move a single muscle to avoid it, he just watches me still from where he is. I hear the nearby *pof* of the rock falling to the ground.
“...”
“...”
I get up and run. He grabs my leg and I fall to the ground again. He won't let me get up, every time I try he throws me to the ground. I struggle, I kick, but I don't break free from his grip. He never stops laughing, he is enjoying this. He drags me closer to him, no matter how much I twists, he doesn't let go. “ACKH-!...Hhhh-hh...-hh-h...” He grabs me by the neck, red pupils stared at me, I'm looking straight into his crescent moon mask (or waning, I don't know. Do you think I care right now?). He raises his free hand and his veins begin to glow a platinum color that extends to his fingertips. The hand approaches my face, I don't know what it's going to do to me, I'm scared, I don't want to look. I close my eyes, cover my face with my hands. I wait.
…?
Nothing's happening. It stopped. Why?
“Mun, nïe.” I hear Sun's voice. I open my hands a little to see what's going on. Indeed, it is Sun, several meters away from us... He looks exhausted. The one with the moon mask stares at him for a moment, until he decides to look at me again while bringing his glowing veiny hand closer. “¡Mun!” The Moonman looks at Sun again “Fehreh.” He seems to speak another language, I don't understand what he says.
“...” “Nïe” For the first time I hear him say something else besides laughing. Even though I can't understand him.
“Fïer pehgïer.” Sun responds.
“...” Moonman remains silent again.
“Bïelïe óubseh góuh...” Sun continues.
“Móu txehb móunsuvïe.” The Moon responds.
“Lïe bóu ¿Sóundïe mïesugïeb fehreh nïe txehtehrlïe?”
The air feels tense. Probably because of the hand grabbing my neck.
“¿Zkaóu fuóunbehb txehtóur tkaehnvïe nïe bóueh mehb zkaóu ïesreh rehuh óunsóurrehveh óun leh suóurreh?” Longest sentence I've heard him say so far.
“...” “Fïer óubseh góuh.” “...” “Vóuyehmóu óuntehrdehrmóu vóu óulleh” Sun takes a step forward “Nïe suóunóu fïer zkaóu ehtehkehr ehbu” Another step forward “Nïe sóunóumïeb fïer zkaóu txehtóurlóub... óubsïe” Another step “Óullïeb bïelïe óubsehn... fóurvuvïeb.”
“...” There's no response from the moon man.
“Behkehb tïemïe óub óubïe.”
“...”
The hand that grabbed my neck now grabs my shirt and yanks it. I grab his wrist as he pulls me to my feet and drags me to Sun, making me stumble. He throws me against him. Sun catches me before I fall over.
“Ska óubpkaóurhïe óub óun gehnïe.” The moon says something as he walks past. Sun puts a hand on his shoulder before letting him go, there's a pause between the two. The Moonman disappears into the trees. Wind and leaves are heard passing by.
He's gone. I feel dizzy. I fall down.
A faint light begins to seep through the cracks, illuminating enough to wake me up and make me open my eyes, I look around. I see my bag propped against the wall. I'm at the shelter where Sun left me.
My body aches, I have a hard time keeping my eyes open, it feels like I've been sleeping on the hard floor. No, wait, there are some blankets underneath me... It's still too hard to sleep well, either that or as I said, it shouldn't help me at all that everything hurts. After a while of staring at the ceiling I try to sit up. I emphasize trying. With every slight effort a pained moan escapes me.
“Oof...” Hurts.
*creek, tap tap tap tap*
Those wood creaks bring back bad memories from last night (which by the way, I'm alive, wow, I just realized), I can't help but cringe at every noise, I hear footsteps approaching, I try to move but the stinging pain prevents me from it.
*creek... *
The door opens.
Triangular shapes appear through the door followed by orange earth tones. “…Oh…!” “Early bird!” Thank god it's Sun and not the other one, or something worse “I didn't expect you up this early!” He says laughingly.
“ah?”
“How are you feeling?” He walks in. When he sets foot inside I lean back, towards the wall. “...” I don't really know why I did that. Sun stands at the door showing confusion with his usual head tilt. “...Arrr...re you okay, Fern?”
“...” I became tense suddenly. I really don't know still if I can trust him? He hasn't done anything to me yet but that doesn't mean that I can trust him. I don't know if he plans to do something with me like whatever that other one, the moon one, was going to do last night. “...ehh...hhh...h...” I can't get a word out, I'm afraid to ask.
“Mm?”
“...” I don't know what to say to him. My eyes go somewhere else.
He enters further into the house, ignoring that I keep my distance from him, leaves a bag he was carrying on the floor and begins to open the windows, letting in the little light of the dawn that is just beginning. He kneels on the floor in front of me with the bag. “Are you hungry?” He opens the bag and takes out an apple “Do you like apples?”
“...”
“No?”
“...”
“Um... I also brought berries... (It's what I had on hand coming here) There are... different types, you can choose” He brings the bag closer to me. I move further away. “uhhh...”
“...” I want to leave.
“You don't like them either...?”
“...” I don't want to eat. I want to leave.
“...”
“*snif... *”
“u-um...!”
“...*snif* *sob*...” I started crying out of nowhere.
“Ahhh...! D-do- don't cry! Ah-I-Um- Ca-can go find other things you might like-!”
I felt ashamed for crying and I put my hands to my face trying to wipe away the tears, but they wouldn't stop coming. “*hic, sniff, snif *” I looked away in an attempt to cover my face. I ended up looking at the floor, letting my hair act as a curtain.
“I can go in a moment!” Sun was already getting up.
“...w-want to leave...” I managed to get a murmur out.
“...W-what? Um...”
“...” *hic, hic *
“O-okay, um... If you aren't hungry... -we can do something else- uh- we can go look for rocks like yesterday in the river!”
“...” I don't want to do anything “...want to leave...”
“O-or we can do something else! Ah-bah-b-b-b- W-won't you like to go draw??! Somewhere, some landscape?! Wherever you want! We can draw together! If you prefer we can look for animals instead of landscapes!”
“...leave...want to...go... *hic, snif *”
“¡D-don't n- uh! ¡L-let's... um- let's not- uh!” He no longer knew how to order his words “H-hey, ¿Why don't we go to-?” He extends his hand towards my arm.
“I want to go home...”
He stops before touching me and removes his hand. “...” “...home?” There is a pause. He remains silent and unmoving. He finally speaks “Do you want…?” His tone became more serious.
“...”
“...to... go see the portal?” I look up slightly, I can't see through the tears and the fogged lenses of my glasses.
“...” I nod my head.
We didn't walk far until the red began to become visible. He brought me back to the portal. The same plain of red leaves and stone arch in the center of it all, as yesterday.
Sun has been quiet the entire time.
He advances towards the portal and stands facing it. He turns. “Come.” He extends his hand towards me. “You can pass through.”
“...”
I advance towards the portal. I stop before crossing. If it doesn't take me back home, what do I do? I don't want to stay.
A breeze begins to come out of the portal. The breeze turns to wind, the leaves rise, they pass through us. It's the same thing that happened yesterday when I went to cross. I turn to face Sun. Motionless, he looks back at me, the leaves pause in the air for a second as if time has stopped, the wind changes. From where the wind and leaves came now they come in, they push me towards the portal. I finally cross it.
Am I in the forest I know? I turn to look at Sun who stayed behind in the portal. “...Sun?” He's not there. I look around. He's not here. I've already crossed the portal, he must have left.
I notice a sudden draft pass by me. It's soft, like someone walking past you. I turn towards the forest, I have to start moving, I don't want to be here another minute.
...The air current that I noticed has lifted some leaves, they reach the trees, between them the wind does something strange, it forms a transparent silhouette. It looks like Sun, I can barely see him but I could swear it's him. The wind figure raises its hand and makes a gesture, it wants me to follow it. When I approach it turns around and walks into the forest, leaving a trail of leaves behind it. I follow the trail of the air current. Sometimes it stops to look at me, making sure I'm still following it. The red-leafed trees and the paintings disappear from view the farther we go. We crossed the forest until we arrived at the entrance of the town, near my house. There is no one on the street. If I walked into the house and pretended nothing had happened, officially no one would have noticed my absence.
I'm not one hundred percent sure if the wind figure that guided me is Sun or not, but I should at least thank him for bringing me back.
The air current has dissipated before I turn around. I look around, there's no one.
I enter the house, go up to my room and throw the bag on the floor. I go to the bathroom to wash. …I feel something strange in my hands but I couldn't say what. Doesn't matter. I change my clothes and get into bed, the tiredness of the previous night makes my body succumb immediately and I fall asleep instantly.
“ah...!” I wake up with my lungs begging for air. I need a moment to calm my breathing. I look at the clock without lifting my head from the pillow.
It is 12 midday. I rub my eyes and from my eyes I move to my face. I'm still tired. My body still aches. I stare at the ceiling.
My bag. I reach out to pick it up from the floor, making strange positions so as not to get out of bed.
I open it and search in the pockets. The bell. I put the bell to my ear. “...” I shake it.
*rin, diring diring*
“...”
I open it.
It's empty.
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i-heart-hxh · 2 days
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What if gon and killua and all the subtext r queerbait??do u think they might be
I've answered this kind of thing before, but why not do a refresher? I keep this image on my desktop for when someone doubts Togashi's intentions.
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This was well before HxH was created, before even Yu Yu Hakusho was created. Note that he says he wanted to create this gay, crossdressing manga based on his own "personal interest" and that he grew "deeply attached" to it.
Togashi has noted himself to be a fan of Patalliro!, a BL series written by Mineo Maya--one of the few male BL authors, and Patalliro! was the first BL series to be adapted to anime. He has stated that Hiei's hair was inspired by a character from Patalliro!
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Togashi has discussed enjoying putting "shojo manga elements" in his work as well. This can, and likely does, refer at least in part to all the gay subtext.
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He put Sensui and Itsuki in Yu Yu Hakusho, who somewhat ambiguously seem to be in a romantic relationship. See this line:
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He's even said Itsuki is one of his favorite characters in Yu Yu Hakusho.
He's also married to the Naoko Takeuchi, the creator of Sailor Moon, who famously has also included lesbian relationships in her manga.
Looking at how multifaceted and fully integrated into the characters themselves/the story the "hints" of romantic feelings between Gon and Killua are, I have trouble believing Togashi would just be doing this out of "queerbaiting," which is a complex topic in the first place when it comes to anime and manga, because the culture in Japan is different and the anime/manga industries have a long complicated history with queer themes.
He's grown up in a fairly conservative culture that has changed only gradually, and he has been working in decades in the most mainstream manga publication out there, which I'm certain has rules around what he can and can't portray (though the degree to which he's bound by those rules at this point is unknown). It makes sense, therefore, that he's accustomed to using subtext and ambiguity rather than portraying gay relationships in a way that is 100% undeniably canon. He's not writing for BL publications, after all.
To me, the romantic aspect of Gon and Killua's relationship feels very genuine and heartfelt. It's built into who the characters are and how they're set up as characters in the first place (like Killua's birthday, for instance), and what they mean to each other is one of the main emotional cores of the series. The way he weaves this concept into the series in many, many different ways has emotional weight and meaning. It does not feel at all like something he casually added as fanservice or for the hell of it as an afterthought. I think it's left ambiguous on purpose, but the repeated and sometimes quite blatant hints are there for those who want to connect the dots.
As time has gone by and I've read more of Togashi's own words and discussions of his influences as well as considering just how much queer subtext exists in the series (and not just with Gon and Killua by any means--Alluka, LeoPika, HisoIllu, PariGing, etc.) AND in his other series as well, it's only made me more and more certain that he includes all this stuff with full intention, and coming at least in a large part from his own personal desire to include these elements.
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antiquarianfics · 2 days
Text
Taken pt. 10
If Bucky Barnes could time travel, he would go back to that morning. He would hold you a little tighter in his arms, and he would kiss you a little deeper. He would pull your daughter in between the two of you, letting her giggle as loudly as she wants whilst her parents kiss her cheeks and tickle her belly. If Bucky Barnes could time travel, he would have told you not to go to the park—to go anywhere else. But Bucky Barnes can’t time travel, and his wife and daughter are gone.
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a/n: sorry for the hiatus. here’s this. it’s not proofed. yay!
warnings: swearing, blackmail, mention of murder, themes of conspiracy, canon typical violence.
note: I do not own the character Bucky Barnes or any other Marvel affiliated characters. Any and all characters are a work of fiction and any likeness to real persons is wholly unintentional.
You do not have permission to copy, translate, or repost my work; however, feel free to like, comment, and reblog.
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previous part | series masterlist | next part
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“Well, my targets are gone,” you sigh, glancing down the hallway you had seen Steve run. You click your tongue and return your focus to Bucky, shaking your head slightly.
“Sorry, honey,” you say, knocking him out.
Bucky comes to with a groan, sitting up from his position on the floor, a hand holding his head. He blinks a couple of times, scanning the room for any sign of you. You’re nowhere to be found. Shaking his head, he pulls himself off the ground, and starts heading to the meetup spot he and Steve had agreed on months ago in case Becca had to be taken somewhere safe.
As Bucky travels, he replays the conversation he’d had with you. Why the hell would you bring up a Greek myth? He struggles to make any sense of it, but then his brain picks out a particular part of your story:
“Orpheus didn’t get a second chance to save Eurydice. Zeus killed Orpheus because he was afraid Orpheus would tell the humans all the secrets of the Underworld. Some versions say that the Muses kept his head, though, to sing songs forever. They managed to hear his voice even after he died.”
“Why are you telling me this?”
“Don’t turn around, James.”
Your warning—“Don’t turn around, James”— was certainly a code. After all, if you had struck a deal with Frost, and if you were working with HYDRA, then you were probably being watched, listened to. You couldn’t speak freely. But why Orpheus and Eurydice? Why that story?
“Don’t turn around, James.”
Orpheus turned around… Why is that important?
“Don’t turn around, James.”
“This has to be a metaphor for us,” Bucky thinks. “Does she mean I’m Orpheus, then? Eurydice was trapped in the Underworld… Y/N is trapped by HYDRA… Does she mean to stop looking for her? Or does she mean to trust she has a plan? That she knows what she’s doing?”
Zeus killed Orpheus because he was afraid he would tell all the secrets of the Underworld.
Then, it clicked. Bucky isn’t sure exactly what it is that changed how he interpreted your story, but, suddenly, everything made sense:
1. Chance one to save Y/N: Russia. I didn’t save her. I only saved Becca. She is saying I don’t get another chance to try for her.
2. Y/N is picking off people Frost is afraid will come between him and HYDRA. Right now, I’m not apart of that list. Proof: She let me go. If I attempt a second rescue, she will have no choice; they will tell her to take me out. Besides that, they will certainly threaten Becca, and we agreed when she was born that Becca always comes first.
3. The muses kept his head? They won’t kill me. She doesn’t want me to come after her because they will just capture me. She won’t give me up, but she’s more likely to slip up if it comes to me. A slip up is more likely to lead to… They’ll wipe me. She doesn’t want me to come after her because they’ll wipe me if they capture me.
Bucky sighs as he arrives at the rendezvous he and Steve had agreed on. He feels a little better now that he understands more of what you were saying, but he still feels like there is a piece of the puzzle missing.
The team goes into hiding. You had revealed a lot about the dangers of HYRDA’s plans, but they still know so little. The team knew you had targets—important targets—that you were being forced to eliminate. They discerned the targets were people HYDRA feel are threats against their mission, but they still don’t have a definite list.
“We’re sitting ducks!” Tony shouts angrily into the room.
“Stark,” Fury says gravely, “watch it.”
“I’m sorry, but we are. We have no new intel. HYDRA is AWOL. The world is looking at us to do something, and we’ve got nothing.”
“Buck,” Steve says, “did Y/N say anything else that might give us a clue as to who she’s after?”
Bucky sighs, thinking back over the whole interaction from the moment you got there to the moment you knocked him out. It was as he replayed your conversation on the roof that it clicked: the missing puzzle piece. Bucky meets Steve’s eyes.
“She told me who she’s after.”
“Well?” Tony questions impatiently. “Who?”
“When I met her on the roof,” Bucky says, “Y/N told me she was marking 3 names off her list. That means her next three targets were in the Compound.”
“FRIDAY,” Tony says, “get me a list of every person who was in the Compound at the time of the break in.” FRIDAY responds in the affirmative.
“Then,” Bucky continues, “she asked me…” Bucky trails off as he tries to remember how exactly you worded the question. “She asked me: ‘You’re not all that close to Captain America, are you?’
“I thought it was weird how she worded that. I’ve known Steve longer than anyone, and it was weird she called him ‘Captain America.’ But that was her clue. HYDRA has no problem with Steve Rogers—”
“But Captain America has been ruining their plans since the ‘40s,” Steve says, arms crossed as he puts together what Bucky is saying. Bucky nods.
“So the other two targets have to have been in the Compound at the time of the attack, and they have to be people that have significantly messed with HYDRA somehow,” Sam thinks aloud.
Bucky thought. Who else could HYDRA consider a threat to their cause? Who else has been foiling HYDRA’s plans time after time? Bucky scanned the room, eyes carefully considering each person. It could be any of the Avengers, he thought, but then you would likely have more than 3 targets. His eyes settle on Fury. Bingo.
“Fury’s a target.”
All eyes are on Bucky.
“How you figure?” Someone asks. Bucky doesn’t clock who, his mind still attempting to fit puzzle pieces together.
“Captain America is an obvious choice. It can’t be another Avenger because you’ve done equal damage to their cause. It’s not me because they don’t want me dead—I’m valuable to them. But Fury? Fury created the Avengers. Fury is the leader. He’s also the director of SHIELD: HYDRA’s number 1 obstacle. It makes sense.”
Fury hums in agreement. “Rogers and I make the most sense. We still have a third target to identify, though.”
Bucky nods in acknowledgment, but his eyes settle on Coulson beside Fury.
“Coulson.”
Coulson’s eyebrows shoot up in surprise, as if he never would have expected he could be so important to Bucky. He swallows and composes himself, and when he speaks, he is calm, confident.
“I do make sense. My team and I have given HYDRA a real headache, and, like Fury, I’m the leader.”
With a list of targets that the team was agreed upon and confident in, it was time for a plan. They’d been idle too long. The plan is simply to get you back first, stop HYDRA second, but the way Bucky see is it, you are crucial to Frost’s plan. If they get you, Frost will be scrambling.
“Okay, team,” Steve says into a huddle. “Stick to the plan. The tip we sent out says I’ll be on a solo recon mission, so they’ll be waiting. Y/N will be waiting.
The goal is to get Y/N and bring her home.”
“And we’re sure she’s not just going to kill you?” Sam asks, facetiously. Bucky scowls.
“We have to hope that she really is just playing HYDRA’s game to stay alive,” Steve says solemnly.
“Any sign of her?” Natasha asks into the coms.
“No,” Clint says.
“Redwing and I got nothing,” Sam says.
The coms go silent as the team waits. Steve carefully walks through the hallways of the abandoned HYDRA facility. He’s careful—he half expects you to step out of nowhere and shoot at him.
He turns the corner into what appears to be the facility’s security room. Computer monitors line the walls, each showing different hallways or facility entrances. The room is bland and dark except for the monitors and the light emitting from them.
Steve’s eyes take in the security footage, the room, and the woman sitting in a large desk chair in front of the monitors, legs propped up on the desk the security equipment rests on.
“Y/N?” Steve asks.
“You found her?” Bucky asks quickly, heartbeat picking up. He had been ordered to stay behind in the quinnjet, but if Steve found you, he’s leaving.
“Hi, Cap,” you say pleasantly. “Been a while.”
“You tried to kill me a week ago.”
You frown. “You still mad about that?”
Steve scoffs. “Y/N, what’s going on?”
“What’s going on, Captain America,” a third voice chimes in, “is the fall of the Avengers, of SHIELD, and the rise of HYDRA.”
“Frost,” Steve says, presuming he’s meeting the “mastermind” behind the whole endeavor.
“Captain Rogers,” Frost says with an over animated grin. “A pleasure!”
Steve turns back to you, ignoring Frost’s greeting. “You missed.”
“I won’t miss this time,” you say, the corner of your mouth twitching.
“I don’t doubt it,” Steve replies. “I’ve never known you to miss. Best sniper on the team.”
“Steven,” you say, an edge to your voice that confuses Steve. He opens his mouth to answer, but the sound of a gun cocking beats him to it.
Behind Steve, and then behind Frost, stands Bucky; he has a gun to Frost’s head. It’s clear that Bucky had snuck up on him.
“Well! Isn’t it nice of you to join us, Sergeant Barnes,” Frost says. “I just love a little family reunion. Tell me, how is the Mini Asset? Hmm?”
Still holding the gun to Frost’s head with his right hand, Bucky’s left hand goes around Frost’s throat.
“Watch it.”
“Buck, we need him alive,” Steve warns. Bucky releases Frost’s neck. However, in the small amount of time that this interaction took place, Frost had, unbeknownst to the three of you, snuck something out of his pocket.
“Well, this has been fun. I’m sure we will meet again soon,” Frost’s tone is sardonic. “Just know, Captain Rogers, Sergeant Barnes, that you may have gotten your little bitch back today, but this is far from over. HYDRA will rise again. SHIELD will fall.”
Then, Frost throws what he had pulled from his pocket to the ground and smoke quickly billows up into the room, filling your lungs and making you cough. You hear footsteps—Frost running. He must have taken Bucky by surprise, too.
When the smoke clears, you face your husband and run into his arms for the first time since being kidnapped.
After being rescued from Frost, Bucky and the team take you back to the Avengers’ makeshift headquarters. They (with profuse apologies) blindfold you on the way so that you’re not able to leak any information if you have actually turned against them, or accidentally give something away if HYDRA is watching somehow.
“I’m sorry, Doll. Y’know I trust you with my life, but we gotta be sure,” Bucky says. You rest your hand on his and squeeze.
“It’s fine. I understand.”
Upon your arrival to the HQ, you’re taken to an interrogation room where Fury and Coulson ask you about the kidnap, the torture, the deal you struck, HYDRA’s plans, and everything else up to your rescue. They hook you up to a lie detector machine, even, and ask you if you are working with HYDRA, if you had gone dirty.
“I promise I only did what I had to survive and to keep my daughter alive. I had to do what HYDRA asked. They’re everywhere. They’re within SHIELD, even. I didn’t know who could hurt her,” you swore.
When Fury and Coulson are finally finished interrogating you, they tell you they think you have a chance of being acquitted. You were a prisoner of war, and, surely, the U.S. government would see that. However, until then, you were in SHIELD’s custody and to be locked up. You agree without protest.
As you’re walking out of the interrogation room, hands cuffed in front of you, you see Bucky holding a sleeping Becca in his arms waiting for you. Your eyes widen.
“What is she doing here?” You panic.
Bucky frowns. “I thought you might want to see her. She misses you.”
“Bucky, if she sees me right now, what will she think? I’m handcuffed. The last time she…” You trail off. “I don’t want to see her. Just… put her to bed. Give her a kiss for me. Tell her I love her. Don’t bring her by my cell.”
Bucky says nothing as a couple SHIELD agents lead you away.
It takes 2 months for you to be acquitted. You stay locked up in a SHIELD cell, refusing to see your daughter, barely speaking to anyone for 2 months. When you are finally acquitted, it is because a private grand jury hears your testimony, Becca’s testimony, the Avengers’, security and personnel from the White House there the night you assassinated the president, and the families of the deceased. The ordeal is heart wrenching. You are sentenced to a year of probation (including not going on missions as an Avenger) and weekly court mandates therapy, but you are free.
When the judge tells you, “Mrs. Y/N L/N-Barnes, you’re a free woman,” you let out a sob and feel yourself yanked into a firm chest that you’d recognize anywhere: Bucky.
“You’re okay, sweetheart. You’re coming home.”
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@just-henny @jasminocano @browneyedgirl22-blog @barnesboo1967 @matchat3a @unkasworld @qwertyb2577 @raajali3 @yoruse @iilsenewman @alysianc @fairytalegirlofurdreams @marvelxlevram @casa-boiardi @buckybraneslover111 @hhiggs @smolracoon25 @questionableratatouille00 @heytheredemonsitsyourgirl @thearieunhinged @sebastianstansource @middaystarlight @talesofadragon @killerwendigo @ozwriterchick @kandis-mom
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not-too-many-eyes · 2 days
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I think Eagle is a really interesting character since her story has a lot of fun nuances I think.
She’s established very quickly from design alone to be a very much be a dillgent good girl scout, She acts responsibly, when you first meet her she says that she’ll do everything to be the best, she calls Vertin “commander.” Very much emulating soldiers and the millatary here.
The Dreams do some more exploration of this idea. With how Eagle was rejected from the boy scouts, and how in both her and in the voicelines she want’s to prove that girls can do it just as well as the boys.
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Instructor: I’m sorry, kid. I’m touched by your persistence, but we only want boys.
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Instructor: The training of the boy scouts is going to be very harsh. There’s no way a girl like you can make it through.
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Instructor: Even if you strain every strength to keep up, we won’t take you in.
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Eagle: I will prove I can do better than the boys.
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Eagle: I will prove that girls are also qualified for the scouts.
But this scene exists alongside the Rest of The Game which is very interested in exploring and and dissecting this sort of millataristic view of the world. This exists alongside how her father dissapeared when he was serving in the milltary. This exists alongside Click. This exists alongside Sonneto. Her interview even discusses this a bit:
Pandora Wilson: Now that you've joined Lorentz, do you have any new plans in life?
Eagle: I... I'd like to excel in what I'm doing now.
Pandora Wilson: ...Maybe you can try and relax first, just like the other children do.
Ultimately she’s doing all of this to chase her father, even if she ends up in the same spot where she dissapeared or if she deprives herself from the relaxation and fun that children her age be having. What that Instructor said isn’t just “she isn’t strong enough to be a girl scout” it’s “she’s not strong enough to see her father again.”
This also interacts with the games themes of progressing into the future vs retreating into the past.
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Eagle: I like photos very much. It’s the Arcane Skill that allows people to “never fade.”
Eagle, Hobby: All the soldiers were collecting badges, so was father, wasn't he? When I collect enough badges, I will give him all of them.
The chasing of a past to the point that it leads to self-destruction or sadness. Not as heavily present as it is in other characters but still something that Eagle’s story is discussing. And yet even in the dream they acknowledge that her being a girl scout is different from her seeing her father again. It’s just one means to that end. I really like it.
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mintmoth · 3 days
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Hey mintmoth,
quick question if someone were to use the concept from the series of little comics where the housewardens are just getting turned into babies because of a potion mistake to make a fanfic would you get upset?
The idea for the comics actually comes from the commissioner of the comics, @verticalsea !
However, I do know that potion mistakes are a pretty common theme behind a lot of fics and ideas people have had! I've seen other people joke about or make art of characters accidentally turning into babies or simpler things like changing their hair color- I've even written a pair of mini fics with Kalim/Jamil turning into animals on accident lmao
So I'd say if it's just the same basic concept you should be more than fine, but if you're wanting to follow the same story beats (ie Ace accidentally changing Kalim, then accidentally dumping the remaining potion on Azul, etc) I'd recommend sending an ask to VerticalSea to double check for permission there!
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deception-united · 2 days
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Let's talk about story structure.
Fabricating the narrative structure of your story can be difficult, and it can be helpful to use already known and well-established story structures as a sort of blueprint to guide you along the way. Before we delve into a few of the more popular ones, however, what exactly does this term entail?
Story structure refers to the framework or organization of a narrative. It is typically divided into key elements such as exposition, rising action, climax, falling action, and resolution, and serves as the skeleton upon which the plot, characters, and themes are built. It provides a roadmap of sorts for the progression of events and emotional arcs within a story.
Freytag's Pyramid:
Also known as a five-act structure, this is pretty much your standard story structure that you likely learned in English class at some point. It looks something like this:
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Exposition: Introduces the characters, setting, and basic situation of the story.
Inciting Incident: The event that sets the main conflict of the story in motion, often disrupting the status quo for the protagonist.
Rising Action: Series of events that build tension and escalate the conflict, leading toward the story's climax.
Climax: The highest point of tension or the turning point in the story, where the conflict reaches its peak and the outcome is decided.
Falling Action: Events that occur as a result of the climax, leading towards the resolution and tying up loose ends.
Resolution (or Denouement): The final outcome of the story, where the conflict is resolved, and any remaining questions or conflicts are addressed, providing closure for the audience.
Though the overuse of this story structure may be seen as a downside, it's used so much for a reason. Its intuitive structure provides a reliable framework for writers to build upon, ensuring clear progression and emotional resonance in their stories and drawing everything to a resolution that is satisfactory for the readers.
The Fichtean Curve:
The Fichtean Curve is characterised by a gradual rise in tension and conflict, leading to a climactic peak, followed by a swift resolution. It emphasises the building of suspense and intensity throughout the narrative, following a pattern of escalating crises leading to a climax representing the peak of the protagonist's struggle, then a swift resolution.
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Initial Crisis: The story begins with a significant event or problem that immediately grabs the audience's attention, setting the plot in motion.
Escalating Crises: Additional challenges or complications arise, intensifying the protagonist's struggles and increasing the stakes.
Climax: The tension reaches its peak as the protagonist confronts the central obstacle or makes a crucial decision.
Swift Resolution: Following the climax, conflicts are rapidly resolved, often with a sudden shift or revelation, bringing closure to the narrative. Note that all loose ends may not be tied by the end, and that's completely fine as long as it works in your story—leaving some room for speculation or suspense can be intriguing.
The Hero’s Journey:
The Hero's Journey follows a protagonist through a transformative adventure. It outlines their journey from ordinary life into the unknown, encountering challenges, allies, and adversaries along the way, ultimately leading to personal growth and a return to the familiar world with newfound wisdom or treasures.
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Call to Adventure: The hero receives a summons or challenge that disrupts their ordinary life.
Refusal of the Call: Initially, the hero may resist or hesitate in accepting the adventure.
Meeting the Mentor: The hero encounters a wise mentor who provides guidance and assistance.
Crossing the Threshold: The hero leaves their familiar world and enters the unknown, facing the challenges of the journey.
Trials and Tests: Along the journey, the hero faces various obstacles and adversaries that test their skills and resolve.
Approach to the Inmost Cave: The hero approaches the central conflict or their deepest fears.
The Ordeal: The hero faces their greatest challenge, often confronting the main antagonist or undergoing a significant transformation.
Reward: After overcoming the ordeal, the hero receives a reward, such as treasure, knowledge, or inner growth.
The Road Back: The hero begins the journey back to their ordinary world, encountering final obstacles or confrontations.
Resurrection: The hero faces one final test or ordeal that solidifies their transformation.
Return with the Elixir: The hero returns to the ordinary world, bringing back the lessons learned or treasures gained to benefit themselves or others.
Exploring these different story structures reveals the intricate paths characters traverse in their journeys. Each framework provides a blueprint for crafting engaging narratives that captivate audiences. Understanding these underlying structures can help gain an array of tools to create unforgettable tales that resonate with audiences of all kind.
Happy writing! Hope this was helpful ❤
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citricconnor · 2 days
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Hello! I finally got back to my nega!AU and drew some new stuff! Today's particularly about nega!Magica.
Here's her ref! (And a more flattering drawing with an early design as well, I know the final ref drawing looks a little odd):
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My idea on developing her was to have this kind of cool guardian fairy witch character, and I think that I was able to pull that off pretty well with the design! She's themed after light and the Sun, being a very bright and kind person that uses her magic for good deeds only.
Magica's still stuck in the shadow realm (light realm?) at the start of the story in this AU. Since the start of working on the AU I've decided to keep everything almost the same for the timeline apart from the characters’ personalities and motivations, so this Magica is a good person that actually likes Lena and cares for her, despite the situation of being stuck out of the physical world.
The one thing that I thought of that could be a good form of conflict for her character was the idea of her maybe being too much of a helicopter parent(?), and trying to control way too much of Lena's actions, even if she's well meaning.
Lena here is still a creation of Magica, but she's treated much differently than the canon Lena. I'd say that nega!Magica sees her much more like her actual kid, and in the end a savior for her rather than just a tool.
If you have any thoughts or questions please do tell! I'm really happy about this AU and I hope I can keep developing it :)
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1dcommunityficrecs · 2 days
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Exes To Lovers Rec List!
It is no longer Gonna Be May, it in fact is May, and with it another community-recommended theme list. We have, for your perusal and pleasure, 11 exes-to-lovers fics. We've got short and sweet, we've got long and complicated, we've got angsty working through their problems and we've got comfortably rediscovering the new versions each other years later.
I am so excited to dig into these, and I hope you are too! As always, show your love to these awesome authors by dropping a kudos, leaving a comment, and reblogging the fic posts. I'll be announcing the next category as soon as I decide what it is!
Empty Skies by Green_feelings (134048, Explicit, Harry Styles/Louis Tomlinson) – fic post
Harry and Louis fell in love as teenagers. Then Louis left and became a pop star...
Reccer says: Greenfeelings has a golden pen. She knows how to handle pining and emotions... And she always comes up with sublime stories...
And What If I Were You by jacaranda_bloom (109959, Explicit, Harry Styles/Louis Tomlinson) – fic post
For Louis, will losing his sight give him the clarity to realise what is right in front of him? For Harry, will losing the love of his life give him the strength to finally open his heart?
Reccer says: This fic had moments of such devastation that I cried, and moments of humor that had me laughing. So much emotion packed into this fic! An all time favorite and a must read!
Bitter Ends Turn Sweet by allwaswell16 (30000, Explicit, Harry Styles/Louis Tomlinson) – fic post
It had been four years since Harry first heard the song his ex wrote about him and far longer since they broke up. He forgave Louis long ago, and now his life was focused on his career, his family, and especially his son, Max. But Louis was back in Chicago, after all this time, and he’s not an easy man to ignore.
Reccer says: Every time I hear the song Chicago I think of this fic. They are inextricably linked forever for me. The fic is that memorable.
Pathema Proteleia by persephoneflouwers (53399, Mature, Harry Styles/Louis Tomlinson) – fic post Warnings: Graphic Despictions of Violence
A few years ago, Omega Prince Harry left his husband and mate Alpha Louis without any apparent reason. When enemies of the Royalty make an attempt on his life and threaten to hurt Omegas, Louis has to ask the Prince for help.
Reccer says: I love the author's writing, their rather baroque style, the way they set the scene for their story and build their characters.
Halfway Home by Itsmotivatingcara (100000, Explicit, Harry Styles/Louis Tomlinson) Warnings: Blood, murder, violence, animal death, violence
Harry and Louis were childhood friends.They used to hang out at Louis' grandpa's ranch in South Dakota every summer. As they got older, their friendship turned into something more. But life happened, and they went their separate ways. Fast forward ten years, Louis now runs a wildlife refuge, and Harry comes back since louis’ grand dad included him in his will. ButThere's a mysterious hunter lurking around, making things way more intense than just old flames reigniting.
Reccer says: Not only it is basically enemies to friends to exes to lovers while it has mystery, thriller and crime theme as well. Literally everything a good fic should have
Mine Would Be You by crinkle-eyed-boo (KimmieRocks) (114698, Explicit, Harry Styles/Louis Tomlinson) – fic post
Louis returns to New York City 5 years after leaving the love of his life behind.
Reccer says: The flashback scenes showing how their relationship originally dissolved are absolutely gut-wrenching. Beautiful writing, made me cry like twice?? There’s also art in each chapter!
i was yours (i wish you were mine) by staybeautiful (56000, Explicit, Harry Styles/Louis Tomlinson) – fic post Warnings: alcohol/recreational drug use, implied/referenced underage sex
Ten years ago Harry dropped his best friend and high school boyfriend off at the train station and never saw him again. A chance meeting outside a bar has them tumbling head first into a summer of music, milkshakes, and maybe each other.
Reccer says: It’s precious, so well written!!! Heartbreaking, heartwarming, heart-mending. I loved how easily they fall back into love, their past closeness is so potent upon running into each other again. it’s so clear how well they knew each other.
I Still Think About You All the Time by NoLogicOnlyStyles (47000, Explicit, Harry Styles/Louis Tomlinson ) – fic post
Eight months after their devastating breakup, a series of unfortunate events force Harry and Louis back into each other's orbit again. But can you be just friends with someone you've never not loved?
I Can Build Your Heart A Home by LiveLaughLoveLarry (10252, Teen, Harry Styles/Louis Tomlinson) – fic post
Two years after (kinda) breaking up, Harry and Louis are both back in town for Christmas. Niall meddles a little, there's some awkwardness and a lot of Christmas fluff.
Reccer says: I loved the dynamic between Harry and Louis and how the context of their past relationship was explained. Also I love a good Exes to Lovers fic and a good Christmas fic and this was both combined.
Finally, You and I (Collide) by lululawrence (14455, Not Rated, Zayn Malik/Louis Tomlinson) – fic post
Funny how Louis could sum up everything he’d had with Zayn so easily. Ex. Or the five times Louis was accidentally wooed by cookies and the one time he was purposefully wooed by brownies.
Reccer says: It is completely self indulgent as Sus wrote it for me, but it's perfectly angsty and gooey at the same time because of all the cookie recipes
The Falling Series by we_are_the_same (4053, Teen, Harry Styles/Louis Tomlinson)
Louis and Harry divide their belongings after their breakup
Reccer says: It's very angsty but hopeful at the same time
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carlyraejepsans · 2 days
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Hi! Since ur a ut expert in my mind i was curious - do you think the story of undertale could ever be successfully adapted into a different medium? I remember back in 2016 some people i talked to REALLY wanted a ut movie, but i feel like the story would fit better into a tv show. But to change the format would be to change some of the meta narrative elements, which while would be hard, i still think could be possible. Anyways, do you have any thoughts?
i don't think any UT related anything aside from additional extracanonical character content (see, the grillby's special comic from the newsletter) would ever be adaptable to a non-interactive medium. undertale is so intrinsecally a videogame story that anything short of that would fail it, both in story execution as in themes wait. wait hang on.
actually no scrap that, the ONLY good undertale adaptation would be as an afternoon live reading circle to a bunch of kindergardeners. you have them pick one in the group as The Fallen Human and then you tell them the story making up voices for each character and asking them what they should do at certain choices and you get other teachers to play other characters and every now and then interrupt the story with physical puzzles and challanges to substitute the gameplay. also you should have a speaker for music in the appropriate areas. and possibly a real guitar for "Undertale" when you reach new home
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ghostsandmermaids · 3 days
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Fandom Manifesto: Hello From The Hallowoods
(Originally written for the Fandomanifesto community on Pillowfort.)
Here's a (mostly spoiler-free) fandom manifesto for my favorite podcast, Hello From The Hallowoods. (Please try to keep the comments on this post spoiler-free as well.)
What is a fandom manifesto?
Inspired by ship manifestos, a fandom manifesto is an essay meant to introduce people to a fandom and promote it by explaining its appeal. It's a really fun tradition that I would love to keep going.
What is Hello From The Hallowoods?
Darker than your dreams, and farther North than you remember, there is a forest where life and death meet…
Hello From The Hallowoods is a queer horror podcast written and produced by William A. Wellman (they/them). This is the official description (taken from Spotify):
Come walk between the black pines! In this award-winning queer fiction podcast, a cosmic narrator follows the increasingly connected residents of the forest at the end of the world. It's a bittersweet story that explores queer identity, horror genre tropes, and finding hope in humanity's last moments.
It's set in a forest in northern Canada (the Hallowoods) in a post-apocalyptic world plagued by the black rains. The story follows the inhabitants of the Hallowoods—only some of whom are alive and human—as their lives become increasingly interconnected. 
The podcast is narrated by Nikignik (he/they), also known as One Hundred Eyes in the Dark, an eldritch god who speaks directly to the listener via their nightmares. He begins to tell these stories because he's grieving his partner, another god called Marolmar (he/him), and humans were the last thing Marolmar created. Over time, Nikignik changes from a more passive narrator to an active character in the story.
There are a lot of characters, including but not limited to:
a nonbinary Frankenstein's creature piercing together their identity
a trans ghost dealing with his occultist father
an invisible man finding love at first sight
a genderfluid storm witch trying to prove themself
a retired rockstar and her punk butch lesbian daughter
a floral-suit-wearing demon on a celestial audit of earth
a starwolf on a mission to kill said demon
a killer robot skull and his pet dead seagull
an unkindness of ravens (yes, they are one character)
… and many, many more.
How scary is it?
It's a horror podcast, so there are some scary moments, but for me, the story feels very comforting and bittersweet as it explores horror tropes in a really unique way. According to the website:
It's been described as a show that helps you sleep easier, rather than one that keeps you up at night.
The story also explores themes like religious trauma, isolation, death, grief, and queerphobia, so please check the content warnings at the end of each episode description or at the start of each episode transcript. Transcripts are available on the website.
Why should I listen to it?
If the description above didn't convince you, here are some more reasons why you should listen to Hello From The Hallowoods. 
There is so much content! I often complain about books being almost always standalones or duologies lately and TV seasons only being 8-10 episodes. If I really like something, I want to spend as much time with it as possible!
With HFTH, I don't have that problem because there is so much to listen to! There are currently (almost) 150 episodes available (plus a few live shows and bonus episodes), and new episodes come out every Wednesday. There are also weekly 100-word bonus stories on Patreon, and a tie-in novel called One Hundred Eyes In The Dark is currently in the works, so if you're looking for a story you can get really invested in (or if you're angry that all your favorite shows have been canceled), HFTH is perfect for you!
There are so many queer characters, disabled characters, and characters of color! If you're looking for a really diverse show, you will love HFTH. (I cried when I heard a character describe herself as aromantic.) But even aside from the diversity, the characters are just amazing. I mean, "What if Frankenstein's creature got love and support and was an absolute cinnamon roll?" is the perfect character concept. The villains are also really compelling and well-written. 
It's a great introduction to podcasts, especially for book lovers, because it often feels like a very immersive audiobook! The voice acting and music are incredible, and even though there are a lot of characters, you can tell them apart very easily by their voices. If you like fantasy and horror books, this could be your introduction to the world of audio dramas. 
That being said, if you have listened to other horror podcasts before, you will still love this one! It sometimes reminds me of Welcome To Night Vale, but the setting and characters are very unique, and the writing is so, so beautiful. 
It's also a great introduction to horror! I used to avoid horror media because I get scared very easily, but horror podcasts (and especially Hello From The Hallowoods) made me discover how much I actually enjoy horror. HFTH explores horror tropes in such a kind, unique, and hopeful way, and as sappy as that sounds, listening to it makes the horrors of everyday life a little easier to deal with. 
If you like Malevolent (another really great horror podcast), Harlan Guthrie has a guest role in HFTH! You might also recognize Mx. Wellman's voice from other podcasts like WOE.BEGONE, The Silt Verses or Old Gods of Appalachia. 
The fandom is amazing! Everyone is so kind and talented, and we always have a lot of fun theorizing about what will happen next. There's even a fan-run Discord server!
We also have a fan wiki, and in addition to the official information, we also have a "fun gender" for each character. Here are some of my favorites:
Tumblr Sexyman (Official)
Eye-Affiliated Podcast Host
Deer that will fuck you up
Whatever the hell was going on with the guy from Shape Of Water
Nightmare Personality
Hot Topic Goth
Dilf Automobile
How do I listen to it?
You can listen to Hello From The Hallowoods on the podcatcher of your choice. Here are some suggestions from the Hallowoods website:
Spotify
Apple Podcasts
Podbean
YouTube
Google Podcasts
It's not an anthology, so please listen to it from the beginning to see how the different characters and plot threads come together. 
The show is entirely ad-free and sponsor-free, so if you like it and want to financially support it, please consider joining the show’s Patreon.
And that's it! There are many things I didn't include for spoiler reasons, but this should give you a basic idea of what HFTH is about and why I love it so much. 
I hope I convinced you to listen to Hello From The Hallowoods, and maybe you will love it as much as I do!
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