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#rr :: characters
irlplasticlamb · 5 months
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but, our stories aren’t over yet.
prints + merch + commission info
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donnatroyyyy · 2 months
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Jason Todd’s death storyline was perfectly executed because they killed him figuratively (killed his innocence) before actually killing him. It’s a tragedy because he died in two separate ways. And the reason his resurrection is just as much a tragedy is because only one of the things killed can be brought back and it wasn’t the thing that made Jason who he is (his innocence and kindness).
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fromtheseventhhell · 3 months
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"Arya stans are so delusional"
The delusional Arya stan in question:
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v4mppunkk · 1 year
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“To all the Nicos, Wills, Pipers, and everyone in between: this is for you.
May you shine as bright as the sun and the stars.”
— The Sun and The Star; dedication page
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ofswordsandpens · 7 months
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imagine writing this. imagine writing percy increasingly losing himself to his anger and his resentment, sympathizing with Luke, spiraling, being immensely powerful, burning away at his mortality, and not knowing how to deal with any of it. Desperate for help and the one time he breaks down enough to try and get it (Jason) his worst thoughts and perceptions of himself are inadvertently affirmed. He never talks about it to Annabeth. He never talks about it to his mom. Oh but everyone is aware of it. Aware of his anger. Afraid of his anger. Concerned for him and by him. They give each other looks, worried, because they recognize what a danger he could be — to himself, to others, to the gods. But no one says anything, at least not to Percy. No one helps him. No one intervenes. They don't know how to, it seems. (Or maybe they're afraid to). And so they all pretend everything is fine. Percy pretends, bottling it all up inside until the pressure gets too great and that anger boils over and he loses it all over again. He's so desperate for normalcy that he'll take anything, believes in all of the sweet, sugar-spun tales of New Rome and looks away from the rotting underside. He lets himself believe that once he's there the gods will have to leave him alone, because he's done with it all, he's retired (and the gods always keep their promises don't they?).
Imagine writing what is arguably the well-plotted, compelling, and tragic beginnings of a fallen hero arc for percy and none of it being intentional.
RR's penchant for Percy to be explosively angry and scarily powerful, alongside characterizing him as jaded and resentful and desperate, mixed with his refusal to write any in-depth emotional resolution to any time Percy snaps has created an enthralling narrative of a hero just about to fall from grace. and it's all seemingly an accident.
Oh, and another, amazing, unintentional coincidence? if you're taking RR's word that Percy is still 17, that's also the age Luke was when he failed his quest, marking the beginning of his fall as a hero. Like. The narrative parallels are all there. And without any meaning for them to be.
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latinoperce · 3 months
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rick riordan you became the thing you swore so much to destroy. why change some of these things in the show??? the thing im most angry about is that the changes are either purely nonsensical or just done poorly
theyve completely eliminated the books sense of urgency, like theres no stakes on anything. you can miss the deadline and everythings fixed with a little talk with zeus. you recognize medusa and crusty and the lotus hotel right out of the gate, and obviously the only conclusion is that kronos is behind everything even though hes supposed to be locked in the deepest part of tartarus and youre a 12yo who just got thrown into this life and is just learning that monsters are real. fights are over in 30 seconds and theres no injuries or consequences except for an off screen comment on how you lost your bag or maybe a new stain on your shirt. theyre 12 but also they know everything there is to know about the greek myths.
in the books they learn and realize things as they go! its the experiences that change percy and grover and annabeth and things are supposed to be HARD because theyre kids!!! and they were sent on a mission they shouldnt have been sent on, but they get through it with each other and with a sense of comedy because theyre fucking kids! yea theyre gonna almost die and then say hello to gladiola the pink poodle, and play hacky sack on the bus stop, and stuff themselves with cheeseburgers every chance they get bc kids arent supposed all knowing and mature all the time
you cant promise a faithful adaptation of a book and then change the basic things that made the book be loved in the first place
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Happy Birthday Grandpa!!
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guys there's a happy george photo with rainbows and stuff captioned something like hbd germ but i couldn't find it :( send me if you have it
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aroaceleovaldez · 3 months
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im really not a fan of Rick's recent trend of recycling bits of his writing that got a good reaction the first time and acting as if that's a valid substitute for. actually bothering to write something original a second time around. It's clearly just there as a callback and nothing more.
It's "Nico's rage exploded" and "Percy's rage exploded" with the exact same paragraph formatting. It's CoTG having titles like "My Singing Makes Things Worse, and Everyone Is Totally Shocked" (reference to TLO, when Percy says he thinks his singing would cause an avalanche) or "Pretty Much the Best Good-Night Kiss Ever" (reference to TLO "Pretty much the best underwater kiss of all time") or any other number of near word-for-word references to the first series. It's Nico calling Percy "seaweed brain" in Un Natale Mezzosangue (when Percy says in TTC that anybody but Annabeth calling him that is a major offense). It's Nico and Will falling into Tartarus in TSATS word-for-word referencing Percy and Annabeth in House of Hades, despite it not making any sense for their characters (and otherwise being written as Percabeth 2™). It's the show making huge changes but keeping random "fan-favorite references" (mostly overusing "seaweed brain" and "wise girl" and emphasizing percabeth) only because they're popular in-jokes and considering that a faithful enough adaptation to market it heavily as such. It's lazy writing.
And it's a disservice to the series and to the audience, because it clearly shows Rick doesn't have original ideas anymore (though given all his writing is heavily derivative to begin with, it begs the question how much was original in the first place and how much he has difficulty when he doesn't have a structured mythological plot to work from) and that there is an expectation that the audience will just sit down and accept that behavior hook-line-and-sinker. Everything recently is clearly such lip-service to the audience, either in retcons that are overt speaking-to-camera acknowledgements of things he's been criticized on or wink-wink-nudge-nudges of community in-jokes that have no business in the actual text (see: over-use of ship names in canon). Especially since Rick tends to be about 5 years behind on the fandom uptake. It's just so disappointing to see.
#pjo#riordanverse#tsats crit#pjo tv crit#rr crit#< OH BOY A TRIPLE#MCGA's reference to Jason's concussions in the chapter titles is on thin ice but can stay for now#callbacks can work! in-jokes and references can work! see: Percy's dam joke in Son of Neptune#or Percy in the musical making the joke about his singing causing an avalanche as a reference to TLO#or any other number of references in the musical#but you need to know when they belong and when they ABSOLUTELY DO NOT#and when it's a fun nod and when it just feels like you're copying your own homework#a great example actually - i was recently reading an *excellent* fic by @vivitalks#and in it Jason uses the phrase ''you knock me out'' as a fun nod to Jason's ''you're a knock-out'' in TLH#that's a good little reference! that's how you do it!#a character who has already used one phrase uses a similar phrase. because theyre the type of person to say that phrase.#that's already been established. and it highlights something about their character that they return to that phrase#in that fic it highlights that Jason is a total dork especially when it comes to romance#Percy's ''dam'' joke reference in SoN works because it's only used once very briefly and it's very quickly brushed by#and it's literally Percy making a reference to his own past and acknowledging that he's doing that. it's his own in-joke! that's reasonable#it's not reasonable to expect FOUR DIFFERENT PEOPLE to have the EXACT SAME REACTION to FALLING INTO SUPERHELL#especially when they're established to all be EXTREMELY DIFFERENT CHARACTERS with DIFFERENT DYNAMICS#long post //
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arrowheadedbitch · 8 months
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So, how did you become Robin?
Dick: My parents died
Jason: I stile the wheels off the batmobile
Tim: I don't wanna say manipulation, but... Manipulation
Damian: MURDER
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paintb0x · 2 months
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another one bloodraven design
(commission from twitter)
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ruegarding · 3 months
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fatal flaws in hoo being treated as something each character can overcome easily one time instead of inherent character traits that are constantly looming over the narrative is my villain origin story
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mzminola · 1 year
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Bruce sets up an elaborate mindfuck for Tim's birthday in an attempt to make Tim less trusting of even allies, giving him a mental breakdown. Bruce claims this will make Tim a better vigilante.
Tim, upon figuring it out, throws his Robin uniform literally in Bruce's face, cussing him out (like, actually censored swears, which Tim usually doesn't use), and quits. He talks with Steph about how messed up it was, and she empathizes out of her own messed up experiences with Bruce.
An unclear but short time later, probably a few days, Tim un-quits and states to Bruce that he doesn't expect an apology (not because it's unnecessary, but because he knows Bruce).
~
Stephanie returns from presumed death, finds Bruce, and accepts his orders to not reveal herself to everyone else & to take extreme actions to, once again in Bruce's estimate, make Tim a better vigilante.
This includes running around town in her original costume so Tim thinks his dead friend has a copycat, hiring people to attack him, working with a bomber, and even after knocking all that off, not sharing pertinent information about it with Tim, resulting in Tim being caught in an explosion.
Tim yells at Stephanie and says "Don't let me catch you wearing [the Spoiler] costume ever again." When she tracks him down a little later, he refuses to speak with her.
An unclear amount of time later, probably a few months, Tim is willing to work with Stephanie to stop a supervillain plot.
~
Some fans treat Tim's word-choice in the confrontation with Steph as him trying to control her. As him thinking he's got the authority to decide who can and cannot operate as a vigilante, at least in Gotham.
But. Like. One, aside from this one conversation, he takes no actions to stop her. He doesn't steal her gear (like Bruce sometimes steals people's uniform), he doesn't go and tell other people to stop working with her, he doesn't even go snitch to her mom.
Tim just. Tells the friend who got him very badly hurt while mindfucking him that he doesn't want to see her in the field again.
Two, it's a pretty dang similar response to when Bruce mindfucked him in the first example. Tim is the one who insists Batman needs a Robin. And here he is depriving Batman of Robin.
Yet if I tried to claim "Tim quitting Robin is his attempt to control Batman, is Tim acting like he has authority to stop Bruce from being a vigilante" you'd laugh in my face. Because that is a huge leap to make, with convoluted logic, and isn't supported by the rest of the text.
Bruce & Stephanie both screw Tim up really badly.
He confronts them and says he's breaking ties.
Then after a little distance, he goes right back to working with them.
And some people think this is...controlling? Don't get me wrong, Tim has some controlling tendencies, they all do, but it's usually teaming up with Alfred to stop Bruce patrolling while injured, and lying his ass off to everyone so he can do what he wants.
This? Is not that.
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glove23 · 4 months
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whoever thinks this adaption is good and accurate is an idiot. the pacing is bad the acting is bad the script is bad the transitions are horrible the changes they have made to the story are confusing and don't make sense and I feel sorry for anyone who is watching this show with no prior pjo experience bc it's absolutely nonsensical. why did they make gabes abuse less noticable, why are they villainizing grover, why did they make annabeth a mean stalker, why are there just random scenes that make absolutely zero sense
I don't understand why it's so hard to take a book and make it into a TV show when you literally have the guidelines right there. his dark materials did it (for the most part) the last of us did it from a video game. why can't they do it for pjo, why do we only get shit adaptions
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I think the fact that Apollo doesn’t blame Meg for anything that happens with Nero is so telling about his character(even pre ToA)
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asoiafpolls · 20 days
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fromtheseventhhell · 4 months
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"It's powerful, it's visceral, it's dark, it's like a Shakespearean tragedy. There’s no Arya — a character everybody's going to love. They're all flawed. They're all human. They do good things. They do bad things. They're driven by lust for power, jealousy, old wounds — just like human beings. Just like I wrote them."
Seeing people debate which grey characters can still be considered "morally good" and somehow Arya never makes the list, so it's the perfect time to bring back this quote from George which shows exactly how he views her character 🫶🏾
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