#something something personal growth and overcoming fears. maybe that's part of why i love this job.

[hylianengineer]

*asks about job*

Anon you are my favorite.

Okay, so, I'm a laboratory and field technician in a soil and water science lab.

I love my job so goddamn much. I get to work with fancy machines like the gas chromatograph and spectrometer! (The spectrometer is actually really boring but shhh.) I get to go outside and watch birds while I collect water samples! I am getting paid for this! I get to learn data processing and engineering and wilderness safety precautions and how to explain complex science to people whose careers are Not This.

Also, research labs are chaos and I delight in it. Okay maybe not ALL research labs, I'm informed the chemistry department does not look like this. BUT this is an environmental science lab. It is full is bizarre, deeply nerdy, deeply passionate people. Who do things like eat baked potatoes like apples, improvise experimental setups with mason jars and duct tape, and nickname every instrument either a human name or a Pixar reference. I love them so much I have no words.

Crazy and fun things I've done for this job:

Freezer jenga followed by freezer tetris (had to take all the things out of a the freezer, put them in coolers to keep them cold, defrost the freezer, and put them back in except organized this time. I was delighted by this for no logical reason, my boss thought I was nuts).

Okay you know in scifi movies where they have some weird mystery substance and they put it in a box with gloves attatched so they can work with it without actually touching it? I've done that! Not because of hazardous substances, we just needed to put stuff in jars without exposing it to oxygen. But still! It was cool!

Shopping trip to get food for like half a dozen people for three days (I had weird dreams about being overwhelmed with tortilla chips afterwards, this doesn't sound that crazy but I promise you it felt like it).

Taped plastic tubing to 200+ funels until the boxes we were storing them in overflowed and there was no longer floorspace to walk (AFTER cutting the plastic tubing into 200+ equally sized pieces and stuffing it with ion exchange resin, which is like evil microplastic sand. Between all those things, this took WEEKS. It got really boring).

Dissolved like 10kg of KCl (KCl my behated, its very harmless but hell to get off glassware) in water to make 80 LITERS OF KCL SOLUTION (that's over 20 pounds of solid KCl and over 20 gallons of solution! My coworker and I were sort of laughing hysterically over this entire process because come on! 80 liters! For reference most lab protocols need like, a liter or less of whatever solution.) Fun fact about solid KCl, it tends to stick together into a giant brick. We were chiseling at it with scoops, spoons, whatever was on hand (i really wanted to attack it with a screwdriver but it would introduce dirt into the chemicals so i couldn't) and eventually we got so frustrated we went outside and dropped the thing off a second floor balcony. After wrapping it in like 3 layers of plastic bags because we knew at least one bag was gonna break. This did not actually help much but it was very cathartic.

There was a project once where we had to take sealed mason jars and replace all the air in them with nitrogen gas. Repeatedly. For over a hundred jars. My PI (principle invesitgator, means the scientist in charge of a project and usually a lab) is good at building things, so of course he assembled this manifold thing so we could pump nitrogen through a dozen jars at once. Which was great, except it involved two dozen needles, half of them attatched to flexible plastic tubing so they'd kinda bounce around when you pulled them out of the jars. It looked like a very stabby centipede-slash-octopus monster. Impressively, we only stabbed ourselves a couple times each with this thing (and changed the needles of course, we are aware of the risks of transmitting blood diseases).

Actually one of the craziest things about this job in my opinion is how many fucking needles we work with. You see, we study atmospheric gases. And to do that, we need to transfer gases between sealed containers, which means needles and septa (the rubber things they put on vials so you can poke needles through them). So. Many. Needles. Did you know you can only use a needle four times before it gets too dull? It's extremely noticeable as you're using them - not as they get dull, but when you discard an old needle and get out a new one it is a huge difference. I don't know why I find this so fascinating, but working with needles is honestly so fun. I feel like a mad scientist or something. Also, for the first couple months I kept poking myself on accident so I was just walking around with these pinpricks and papercut looking wounds. It felt a bit like a badge of honor, somehow, like a rite of passage for working in the gas lab. Another thing about needles, if you get scratched with one horizontally instead of stabbed, they look like papercuts. It's weird. Also weird is how good you get after a while at not stabbing yourself.

I think I like working with needles because they're something that used to make me nervous. Not horribly, but I have more than typical anxiety and I get nervous about everything. And yet I am now totally chill about needles, because I work with them all the time. It's... freeing I guess. Maybe empowering, even. I am scared of so many things, but I am not scared of this. Ditto large quantities of acid, once you've had to work with dozens of liters of the stuff you stop being scared of it - this was for the same project as the KCl and yes it was equally ridiculous. Dilute acid, thankfully, but to make dilute acid you have to mix the really concentrated stuff with water. It does not come as dilute acid, that would be too easy. So we spent multiple days in a row diluting acid and soaking things in it, there were plastic boxes full of the stuff on every available counter space with handmade warning labels, it was A Thing™️.

Anyways, I'm a person who's scared of everything, except weird stuff like hydrochloric acid, needles, and wasps. I can blame all three of those things on this job, which I love dearly. I love to learn new things, pretend I'm in a scifi movie, be surrounded by crazy people (affectionate), and apparently overcome my numerous fears. You absolutely did not sign up for this big puddle of feelings, anon, but thank you for inspiring it nevertheless.

#something something personal growth and overcoming fears. maybe that's part of why i love this job. #the wasp thing is because i have a field site at a bridge that's basically got wasp nests all over the underside #the wasps like to watch me work #i am genuinely having personal realizations while answering this ask #thank you anon sorry this got out of control i hope my exploits amuse you #some of it i think you just had to be there #also if anyone recognizes these stories shh you didn't see anything #my coworkers had better not see this it would be so embarassing #hylian rambles #hylian does science #anon #asks #thanks anon! #needles tw #i promise proper safety protocols were being followed in all of these stories #the acid involved so. much. ppe.

[punkpandapatrixk]

What's subconsciously stunting your growth?

[Back to Masterlist] [Part 1] [Part 3]

Pile 1 - The Dormant Swan

Knight of Wands, 5 of Wands Rx

Priestess of Ambition & Gold Historian (Raphael Holinshed)

Uhh... you're afraid your ambitions might alienate people? See, you're a big dreamer. You have goals and aspirations that most other people you know can't even begin to dare to dream. Does that make sense? You may be coming from a place/environment/culture/society in which people just want to be ordinary. But you're different. Ultra different. And you want to thrive in your uniqueness.

But the problem is that nobody gets you, or they even discourage you from dreaming too big. You always have this looming feeling that if you stay true to yourself, everybody else is gonna leave you. They're gonna hate you or see you as a freak or something. For whatever personal reason, you're SO fearful of that, and so you try to hold back. You want to appease other people's small ego.

But you're dying inside because you know you could have a more colourful, dazzling life full of excitement and achievements. There's a saying that goes something like, 'People who are highly talented are often haunted by their own potentials,' or something like that. This seems to apply to your psyche.

The tragedy here, I see, is that you actually don't need to be told this. You're SO smart and actually have a STRONG personality. So, why you're so afraid to flaunt your unique individuality in the first place is a mystery you need to solve yourself. I'm seeing there's a family history at play here. Maybe you grew up seeing another family member getting ostracised for being different. That family member probably didn't end up having a great life themselves. So... yeah... but...

'If you end up with a boring miserable life because you listened to your mom, your dad, your teacher, your priest, or some guy on television telling you how to do your shit, then you deserve it.' — Frank Zappa

Small advice for awakening🔻💛

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Pile 2 - The Doormat

4 of Pentacles, 5 of Pentacles

Priestess of Clarity & Green Historian (Herodotus)

Your most debilitating fear is abandonment. Being forgotten. Not meaning anything to anybody else's life. I think you've lived a life so devoid of love and you crave attention and affection. So much so, that just the idea of not being important enough to anybody makes you infuriatingly sad. There's just so much sadness here. I think you grew up with horrible parents who didn't even know how to love one another, let alone you.

Because of that, you somehow became rather obsessed with the idea of being a good person. You are totally giving, accommodating, you try to be there for just about anybody, because you know how horrible it feels to be ignored—to be made to feel insignificant. But if you notice hard enough, other people are probably gonna be alright even if you're not there. Then, when you realise this, you feel stupid. -This pile is so sad, BRB crying for you.-

Do you know how you're stunting your growth? By allowing yourself to be seen as a doormat by everybody else. It's super sad to say this but, this world is lacking sympathy most of the time, so people like you who try too hard to be nice, polite and helpful are often seen as a weakling. The fact that your kindness comes from a place of neediness isn't helping, either. People can smell other people's sense of inferiority, you know. They're gonna take advantage of that and make your life miserable, just because they think you're allowing that to happen. Do you get it?

What you need right now are very long periods of making peace with your past. It's not gonna be easy for most people, but it is possible. You have so much potential for healing, so you need only to have faith that you can overcome this fear of being a nobody. Since this is a general reading, I can't pinpoint exactly what the future holds for you, but I'm seeing a great potential for most people attracted to this pile to become some sort of a healer/inspiration/motivator for other people someday.

Someday, you're going to have fans who love you dearly and they're gonna say right to your face how thankful they are for your stories.

Small advice for healing now🔻💙

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Pile 3 - The Dreadful Genius

7 of Pentacles, 6 of Wands Rx

Priestess of Fertility & Red Astrologer (William Lilly)

You are most afraid of never amounting to anything in this world. This is quite a messy energy as it encompasses a lot of different fears pooled into one consciousness. But overall, the foundation of these fears is an un-nurtured creative genius. Whether or not you are already aware of this, you're a massively creative person. But maybe your environment isn't very nurturing of your kind of talent.

Just for example, many kids in Asia will suffer from this debilitating lack of direction because many Asian parents are narrow-minded enough with their approved career options. Whereas European kids won't relate as much. But this is just an example and you could simply be coming from any environment or family situation that isn't very approving of creative pursuits.

But you? You probably look up to legendary authors like Hemingway, or iconic Old Hollywood starlets, or maybe Japanese rock stars or K-Pop idols, etc., as your compass of inspiration. They're such unique people who push the boundaries of their respective societies. But for lack of nurture, or maybe for the fact you come from outside those cultures, you feel like you could never achieve this great dream of yours. Whatever it may be.

What I'm seeing here is that you don't much want fame itself, but rather, you want your hard work to be appreciated and earn you a comfortable living. That would be real success for you. I'm not seeing you as anyone ambitiously greedy for wealth nor recognition, but you do have an earnest heart that values a passionate pursuit of self-expression.

Small advice for changing your direction🔻💗

If you ask me, you really should just go for it. Even if you do something small every day, even if it doesn't look exactly like how you'd envision your life to go, small steps every single day will get you there eventually. Don't use logic, man. You've got to believe in miracles!

Access full reading + cards on Patreon🌸

☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.

Feel free to support me on Patreon if you love this kind of content🍑I create stories and tarot readings that calm the mind & heal from within🍒

[Back to Masterlist] [Part 1] [Part 3]

#Punk Panda Pick A Pic #pick a card #tarot pick a card #pick a pile #pick a card reading #pac reading #tarot pac #pac #future spouse #tarot future spouse #intuitive readings #free tarot readings #tarot readings #tarotblr #tarot community #free readings #general tarot reading #mental illness #mental breakdown #mental health #mental health support #mental wellbeing #spirituality #spiritual healing #witchythings #tarot witch #pagan witch #witchcore #witchyvibes #witch aesthetic

[itsatoyboat]

i finished true colors and i’m having a lot of thoughts that i NEED to talk about.

(if this is gonna be long idk, i apologize for your eyeballs)

1. i honestly didn’t like alex at all when i saw the trailer, i was thinking “hmm idk about this one” but as soon as i started to play the game i fell so in love with her, she is so freaking smart and funny, she genuinely cares about the people around her and her story it’s very different from the other characters from LIS anthology. i truly enjoyed seeing alex’s development throughout the game especially her realizing that her powers can actually help the people around her and not harm anyone, the way she controls it after her conversation with gabe was such an awesome upgrade from the alex who was so ashamed of her power to alex superwoman. i liked how the game explored her emotions and her mind about the past, the mine part where alex was struggling to feel everything she felt in those days and then embracing everything was one of my favorite parts. it shows a lot of growth.

2. this game has AMAZING CHARACTERS, every single one of the characters was well written, they had life, they had problems, they had their own emotions with private stuff that was going on in their lives and you could actually talk to them and meet their “layers”. mac for an example was an asshole but i couldn’t pretend i didn’t felt his concern and fear around typhon, the way he was terrified about everyone hating him, he was scared for his life and being very paranoid, i was concerned about him and the game giving you the choice to speak to him or leaving him was a tricking decision cause you could leave him alone suffering or try to help him out, maybe saving his life and this is a lot but he’s alive. the game makes him real and that’s what makes me INSANE about the characters. i know, i’m talking about a game where you’re supposed to feel the characters’ feelings but that could possibly go wrong as well if the characters were shallow and poorly explored and that’s not the case with true colors. they had purpose.

3. alex’s power it’s probably my favorite power. the choices in this game was way harder than the first two games, the craziest thing is you can choose if you want to take someone else’s feeling so they can stop feeling that way, saving them from themselves making alex suffer instead and that's selfish. don’t get me wrong, i’m not calling alex a selfish person but taking someone else’s feeling doesn’t make anything better, you’re taking their right to heal, to be alive and that is so fucking awesome. you have this power to help someone, to “take their pain away” and you will learn that people need to feel what they are supposed to feel so they can move forward cause if we don’t, we are never going to learn. we see that charlotte is pretty angry about gabe’s death, she blames everyone but mostly ethan, she is miserable. alex can choose between taking charlotte’s anger or leave her. if alex takes charlotte’s anger, charlotte is left completely empty, she doesn’t feel anything and when i say anything it’s anything. she is left emotionless and bitter, she doesn’t pass through her way of mourning for gabe and she doesn’t have alex’s back when alex confronts jed. if alex leave charlotte to her anger we have a nice moment between them on the festival, talking about what happened and charlotte gets alex’s back on the black lantern and that’s what i mean from being selfish, if we take someone else’s feelings we are being unfair to them, we are choosing for them and people are supposed to feel, heal in their own time or overcome. by taking charlotte’s anger we deprived her from healing, we are not helping her, we are just making an natural process even more difficult and slower. alex being able to hear what someone is thinking and enter that person’s world from what they are feeling at that moment it’s the best detail for me, everything changes, we get to see the world through that person’s eyes, we can understand them but we decide what to do with that, we can be selfish or actually help. of course, we can take pike’s situation for an example also, if we take his fear we can help him overcome typhon and we get to expose jed but pike’s fear was necessary to take and charlotte was not necessary, pike at least had the pendrive with the recorded calls on it so we had a chance for things to get better.

4. chapter 5 was an amazing ending. finding out the truth about typhon, jed was never a hero, alex confronting her past, the confrontation and seeing who was going to be on your side, alex’s final conversation with gabe and the end, it was better than i thought it could be. i truly loved seeing alex’s past, even with everything that went down she turned to be a good person who wanted to be loved (her passion for music being the thing that helped her connected to me in a lot of levels, that creep cover though i screamed so hard when she started to sing). the mine part was absolutely insane not just alex surviving that fall discovering that gabe was looking for his dad for so long, jed knowing it and all of this time his dad actually died because of jed, alex finding the truth by taking her mom’s necklace back from what was left of that accident it’s so heartbreaking, the confrontation was crazy, i thought no one was going to believe alex because jed was so loved by everyone there it would be so easy to doubt alex and just be on jed’s side which was what ryan did but it’s understandable, jed was his dad, his hero. alex’s speech on jed exposing him after everything was one of the best monologues on that game and man this game had AMAZING dialogues and monologues, everything felt so real and beautiful, the best part of it it’s to forgive jed that’s where alex break him, he regrets everything even more cause when we find out the truth. we find out why jed never enjoyed talking about being the hero of haven springs. at the end jed wasn’t entirely a bad person cause when we forgive him he gives back alex her dad’s jacket talking about how he wanted to give it to gabe but couldn’t, that’s something that made me love even more the characters even jed that was the “villain”, which i don’t think he is. what he did was terrible and he knew that, he tried to pretend nothing happened when alex started to talk but at the end he broke, that always haunted him and that’s the difference between him and jefferson who was actually the villain in life is strange he wasn’t forced to do those things, he killed rachel, he killed chloe, he manipulated nathan, he was going to kill max and if max didn't stopped him on the arcadia bay ending he would kill even more students at blackwell.

5. alex and steph relationship was the purest thing on this game, it was smooth, it was organic, it wasn’t something out of the blue, steph liked alex since the beginning. the plan to pick someone to flirt with diane and get her pendrive i chose ryan and afterwards steph started to feel something, she was so upset that alex used to think ryan was “hotter than her” (i only chose ryan cause i didn’t want to see steph flirting with diane but i saw the scene where we pick steph and omg i should’ve chosen steph cause that scene it’s hilarious), steph was happier around alex, every time she had an opportunity to flirt with alex she took it. seeing their love grow through the chapters was beautiful, i know we can choose ryan over steph but i don’t believe ryan liked alex the way steph did, you can literally see that no matter what alex did steph was going to support her and look at her with so much love and respect and that’s why i think alex and steph’s relationship it’s so pure and right. also they looked so good playing together it’s so cute that they have the same passion for music and THAT LARP SCENE FOR GOD’S SAKE MY HEART MELTED!

6. this part is exclusively to talk about LARP and the fight scenes, it reminded me so much of final fantasy it was so COOL, well thought and so fun. it was awesome to see everyone taking care of ethan and doing their best to make him happy.

7. talking about ethan, this game opened a conversation in my head about charlotte and ethan, i started to think a lot about what charlotte said about ethan how she felt happier when gabe was around and now she was stuck with only ethan again, it made me think that maybe charlotte didn’t want to have a child or if she didn’t had ethan she could have gabe again. that could open a conversation about women who didn’t want to become a mom but it doesn’t mean that charlotte would hurt ethan which makes total sense to decide to leave her alone and not take her anger, she would never hurt ethan. it was again another tricking decision cause we get concerned about ethan when charlotte starts to talk but we know deep down she cares so much about her son, she does everything for him.

life is strange true colors became my favorite life is strange, the story it’s different and great, it’s literally finding the truth about everything, when we understand people’s feelings we discover the truth about them and situations, we understand everything. this game actually made me cry harder and think so much even more than the first one and boy i love the first one so badly. it talks a lot about empathy and how we react to people’s emotions, your choices in this game are way harder than messing with time or moving things with your mind, it’s choices about things that could happen in real life eventually and that is what makes this game so important to me, it’s real.

and also it's the first life is strange to have happy endings like.. ok big steps for my non depression finally

#life is strange #life is strange true colors #alex chen #gabe chen #max caulfield #chloe price #square enix #game #games #gaming #god i wrote so much #steph gingrich #life is strange 2 #life is strange before the storm #ryan lucan

[modernmagdalene]

Saint and Crystal Associations Part 2

Once again, I’m posting this as a potential resource for other Christian witches or Christian mystics (whatever you call yourself). These are my own personal associations, not official associations of any Christian denominations, so if they don’t feel right for you feel free to use different crystals with different saints. Thanks and enjoy.

Saint Francis of Assisi --> Amber

Francis is best associated with Amber. While not technically a crystal it still is used in a lot of crystal magic. Francis is a very complex saint who helps with a lot of different things: voluntary poverty, helping the poor, antiwar, and oneness with nature. Amber is very old and connected deeply to the earth. It helps with grounding, clarity, patience, wisdom, dissolves negativity, eliminates fear, and balances emotions. All things Francis needed to leave his life of privilege behind and follow God. I think it represents much of who Francis is and can help support the same virtues that Francis represents. 

Saint Brigid --> Opal

St. Brigid would be associated with Opal. Brigid is a saint that is very connected to the goddess Brigid. Their stories are extremely intertwined that you can’t really talk about without the other. Both are connected to fire, love, and hope and that’s all things Opal is connected with as well. I also personally tend to associate Opal with the divine feminine and Brigid connection to a goddess makes that work as well.

Saint Julian of Norwich --> Moonstone

Julian of Norwich I said in a comment that I associated with Lapis Lazuli but then relaized I was already using that crystal with St. Perpetua and Felicity. So I did some more research and decided that Moonstone would work really well for Saint Julian of Norwich. Moonstone is obviously associated with Lunar magick and the moon is also regularly associated with femimine energy. Which works wonders with St. Julian who often depicted God as femimine. One of the things that made her contraversal. St. Julian of Norwich had visions and was a prolific writer. Moonstone helps those seeking wisdom and strengthens psychic abilities. St. Julian of Norwich is also a known cat lover so have moonstone carved into the shape of a cat is even better. 

Saint Mary MacKillop --> Obsidian

(Trigger Warning Mentions of sexual abuse in this.)

Mary MacKillop is the first saint of Australia and one of my favorites! Mary MacKillop reported a priest who was abusing children and not longer after a friend of this priest used his connections to get her excommunicated. Her excommunication was eventually lifted. I have always admired her strength and resilience. That’s why I chose obsidian for her. Obsidian shines a light on the negativity and clears it away, helping us to choose the path leading towards light and love. It is also a protective stone as it used to be used for weapons. If you need to fight the devil obsidian is up there with tourmaline as an excellent crystal to clean house.     

Saint Raphael the Archangel --> Ametrine

St. Raphael the Archangel is another favorite of mine. If you use a Protestant Bible you might not have read about him. Raphael is featured in the Book of Tobit which is only in Catholic and Orthodox Bibles. The Book of Tobit is an epic love story between Tobias and Sarah that also features thievery, exile, and fights with demons. Where Michael and Gabriel tend to appear to humans briefly then leave. Raphael, disguised as a human, travels with Tobias throughout the whole book. Raphael is most associated with healing and I connect him to the crystal ametrine. Ametrine is associated with healing, harmony, strength, balancing physical and spiritual life, and aids in contacting spirit guides. This works with Raphael’s connections to healing. Furthermore, Raphael’s role guiding Tobit and being a spiritual being working on earth makes ametrine perfect in helping to connect with him. Use this stone and ask him to help find balance in your practice and assist you with finding spiritual guides.

Saint Rita --> Smoky Quartz

St. Rita is the patron saint of impossible tasks. She is someone I rely on when I really need to overcome an obstacle or problem in my life. She is also prayed to when someone has a deadly illness or serious problem helping with things that seem impossible to deal with is just her jam. Because of this I associate her most with smoky quartz. This crystal is super powerful and is a great grounding and balancing stone. It absorbs negative energy like a sponge (because of this it should be cleansed often-ish use your best judgement). It’s so useful and can even cleanse other crystals. It keeps all the negativity away from you which is something that one really needs when dealing with impossible situations.

Saint Mary Magdalene --> Celestite

Mary Magdalene is one of my favorite witchy women in the Bible. She wasn’t scared away like the other disciples when Christ was crucified, she was the first to preach about the resurrection, and was active in preaching and teaching others about Christ. One of my favorite stories about her comes from the Orthodox tradition where she was preaching to Emperor Tiberius Caesar about Christ and turned an egg red to prove to the emperor that Christ’s story and power was true. I associate Mary Magdalene most with Celestite. Celestite raises spiritual vibrations, promotes spiritual growth, and aides in communication with the spiritual realm. This crystal also boosts self-worth and self-expression, all things Mary Magdalene had in abundance. Mary Magdalene also seems to be the most connected to the spiritual world out of all the apostles (with the exception of maybe John) so this crystal is perfect for her.

Saint Joan of Arc --> Bloodstone 

St. Joan is a warrior and protector. I also consider her a trans and/or genderfluid saint who will naturally protect trans and genderfluid peoples. Because of this I associate her most with bloodstone. Bloodstone promotes justice and strength, it is also good for healing and renewal, but bloodstone is probably best known for boosting spells and banishing spirits. Or as I prefer to use it, boosting protection spells and banishing TERFs.

Saint Francis de Sales --> Kyanite

St. Francis de Sales is one of my favorite saints purely because he is the patron saint of writers and I am someone who greatly enjoys writing. Kyanite is the crystal I use with this saint. It promotes creativity and also dispels negativity aka those negative thoughts that tell you that you can’t write. It’s also supposed to sharpen your focus which can be especially helpful with writing or any creative work, especially if you are easily distracted like me.

Saint Anthony of Padua --> Amazonite

St. Anthony was one of my grandmother’s favorite saints and probably the saint I use the most in day to day life. He is the patron saint of lost items. He was a devout priest and taught students from a book of psalms. He once tried to preach to people who refused to listen to him. He instead decided to preach to the fish who all started to gather near the shore to listen to him. When people saw this they decided they should listen too. So you know when in doubt preach to fish I guess. Anyway, I associate St. Anthony with amazonite. Amazonite helps sharpen the mind, aids communication and promotes good luck all of which are great attributes for learning and teaching, finding lost items (that’s the good luck bit), and aiding communication could help you talk to people or fish, your call. 

Saint Valentine --> Rose Quartz 

St. Valentine did a lot but he is most associated today with marrying couples in the Christian church during the height of Roman persecution. So naturally I associate him with rose quartz, a crystal that promotes love and fertility, dispels loneliness, opens the heart to compassion, and even strengthens faith. The perfect stone for this romantic saint. 

Saint Scholastica --> Citrine 

St. Scholastica was the twin sister of St. Benedict, and was the founder of the women’s benedictine order. As someone who went to a benedictine college I have a fondness for her. If you are a storm witch in particular I think this might be the saint for you. At one point Benedict and his monks visit Scholastica and her nuns. Scholastica didn’t think she would live long enough to see her brother again after this meeting so begged him to stay the night, but Benedict didn’t want to spend the night outside his monastery and told her he couldn’t. So Scholastica prayed and a massive thunderstorm suddenly came making it unsafe for Benedict and his monks to travel. And here is my favorite bit:

“Realizing what had happened, Benedict reproached her: "What have you done, my sister?” Scholastica answered simply, "I asked a favor of you, and you refused to listen to me. So I asked my God, and He, more generous than you, granted my request.” Once again Scholastica’s pleas won the favor she was seeking.” 

With Scholastica I associate the crystal citrine. Citrine is all about manifesting change, protection, creativity, and success all things she needed to live the life she did.

Saint Dymphna --> Blue Lace Agate

St. Dymphna is one of my favorite saints and she is one I utilize often. She is most associated with mental and emotional illnesses. If you are a spoonie witch this is the saint for you. Because of this I associate her most with Blue Lace Agate, which helps people express themselves (helpful when going to therapy or a doctor) and also helps with dealing with any sorts of fears or anxiety. (Reminder: That utilizing this saint and crystal is meant as a prayerful way to ask for help dealing with mental and emotional illness. It is not a replacement for therapy or meds.)

St. Sara-la-Kali --> Jasper

St. Sara-la-Kali is the patroness of the Romani people. She is said to have helped the Three Marys of the Bible arrive safely in Gaul after she had a vision of them arriving. She used her dress as a raft and helped the women get to shore despite the tumultuous waves. She was also extremely generous and often collected alms for the poor. I associate her most with jasper. A crystal native to Romania it aids in peace and wisdom and also is particularly helpful during times of transition by providing stability and protection. It also supports perseverance and acceptance, something we definitely need Sara's help with right now.

#christian witch #catholic witch #christian mysticism #crystals #saints #crystal witch #witchcraft

[aphrostarot]

Confronting Past Life Pick a Pile

What wounds do you carry from a past life and how can you begin to mend your soul?

Please remember that this is a general reading and some things may not apply to you. Don't force it to fit. I offer paid readings on my page if you would like a personal reading. Prices are listed there. Please message me or email me if you are interested!

Pile One (Sodalite):

Who were you in a relevant past life?

Queen of Pentacles:

You were a very sensual and loving person in a past life. Over the course of your life, you were an extremely hard worker and accumulated great success. Having enough money enabled you to surround yourself with the things you loved, including nature and animals. The people in your life knew they could count on you to help them when they needed it, especially when it came to financial support.

What is something unresolved from that life?

Three of Pentacles:

In this lifetime you may have been a celebrity, and as a result of your success, you were the subject of jealousy from many people. These people tried spreading lies about the way you earned your success. Since they wanted what you had and saw how humble you were, they hated you for it, so they made up rumors about you as a result. You really tried to spread love rather than hate, especially when it came to these people. You thought you could teach people to be nice and not to be hateful. You tried to achieve this with all your might, but it was not possible, unfortunately.

You may have been an earth sign, Virgo, Taurus, or Capricorn, in your past life or in this life.

You could also have an Aquarius North Node.

How does it affect you in this life?

Five of Pentacles:

You really struggle in this lifetime to accumulate success and wealth. Despite your efforts, you still struggle to make enough money to support yourself and those you love. Success does not come as easily to you in this lifetime.

Why do you need to complete that unresolved issue?

Strength:

With your current struggles, you also have trouble having the strength to deal with the issues. You are capable of getting through the difficulties you are facing, but you lack the confidence in yourself to do so. This issue of a lack of confidence must be resolved so that you can channel your inner strength to begin accumulating more wealth and success.

How can you complete that unresolved issue?

Justice:

For some, you may feel you need to cheat the system to get what you desire. The appearance of this card alerts you to the fact that you shouldn't go forward with that. To resolve the issues you are facing, you need to be fair. In addition, you should not second-guess your success. To me, it feels as though all the negativity you couldn't overcome in the past life is affecting you now, making you feel unworthy of success, or incapable of being successful. Do not fall into the trap of not believing in yourself. It is essential that you let go of your fears if you are to overcome these challenges.

What is an important lesson you need to fully understand?

King of Wands:

The lack of confidence prevents you from pursuing your desires, and as a consequence, you lack the drive and passion to do so. The lesson you need to learn is that you need passion and drive to succeed. Your success in your past life was easy and you didn't have to work hard for it, but in this lifetime you must learn to work hard for what you want.

What is an energy/characteristic that you should channel from that life?

The Devil:

In your current life, you need to tap into the strong-willed nature you had in your past life. You never let anything bring you down in the past and you struggle to do this in this current life. Your strong-willed nature will help you overcome your struggles of accumulating success and allow you to become confident in yourself.

Channeled Messages from Guides:

“You are our answered prayer.”

“Magic exists in the form of energy. What is your energy creating today? How does it make you feel?”

Letters:

R

X

I

E

Q

Blank - whatever you feel fits.

Pile Two (Green Aventurine Moon):

Who were you in a relevant past life?

Seven of Wands:

You were very altruistic in this past life. Fighting against oppression. You stood your ground and were an ally to people who needed someone on their side. You were very courageous and determined in your convictions. It seems to me that you took part in many protests. Perhaps you formed groups that fought for people who were being mistreated.

What is something unresolved from that life?

Ten of Wands:

In your past life, you worked very hard to achieve your goal, but it seems like you never succeeded. Your hard work did not pay off in that lifetime. Many of you may have given up when nothing seemed to be happening and your work was ineffective.

How does it affect you in this life?

King of Wands:

There was so much passion in that past life, but all your hard work didn't pay off. Therefore, in this lifetime, you carry that sadness of not achieving what you set your heart on. Since your soul still hasn't healed from your past wounds, you lack the passion to pursue your desires. This wound also leaves you lacking confidence in pursuing your goals.

It's possible that you were a Fire sign in that life or this life, Aries, Leo, or Sagittarius.

Why do you need to complete that unresolved issue?

Ten of Swords:

This soul wound is causing a great deal of destruction in your life. You lack the confidence and passion to pursue your desires, and this affects all areas of your life, including romance, career, school, and health. It seems that every time you try to follow your dreams, you self-sabotage, and things crumble around you, leaving you wondering why you did that. This is your soul wound that still needs to be healed.

How can you complete that unresolved issue?

Knight of Wands:

Find your passion and enthusiasm in this life. Seek out activities that bring out your more enthusiastic side. Bring passion back into your life by discovering new things.

Six of Cups:

Additionally, you could try doing things you were passionate about in your past life. Maybe you should join a group that works to combat oppression. Make your voice heard and stand up for what you believe in.

What is an important lesson you need to fully understand?

The Magician:

Willpower is the key to The Magician's success. They set their intentions and then follow through on them. This is your lesson for this lifetime. You need to start setting and achieving goals. Do not give up like you did in the past.

What is an energy/characteristic that you should channel from that life?

King of Pentacles:

It is the King of Pentacles who pursues their goals until the very end. They do not worry about losing out on anything, as they are very confident and secure within themselves. This is how you were in the past, and this is what you need to channel in this life in order to heal.

Channeled Messages from Guides:

“Take charge of your schedule during this busy time and honestly assess your underlying reasons for being busy.”

“Times of heightened emotions and sensitivity call for extra self-care and gentleness.”

Letters:

I

I

A

K

V

E

Pile Three (Rose Quartz):

Who were you in a relevant past life?

The Devil (reversed):

In a past life, you struggled with addictions, and most of your life was devoted to freeing yourself from those addictions. For most of your life, you were becoming self-aware, understanding your purpose and how you can be healthy.

The Moon (reversed):

You felt pretty unhappy in your past life too, feeling very anxious. It was this that pushed you to break free from addictions and fears, along with your negativity.

What is something unresolved from that life?

The World (reversed):

In your pursuit to be free of these things, it seems that you didn't fully succeed. Though you were successful in letting go of those addictions and fears, you still struggled to feel complete and happy. The whole focus of your life seemed to be on becoming healthy, and once you reached your goal, you didn't know what to do with your life. You had no clue what your passions were, and what made you happy.

How does it affect you in this life?

Eight of Pentacles:

The drive and passion you need to excel at your career or hobbies are lacking in this lifetime. You really struggle to maintain a job or hobby long enough to become good at it. Because of your soul wounds, you have difficulty sticking with one thing for a long period of time.

Why do you need to complete that unresolved issue?

The Lovers:

You are really struggling to fall in love not only with others and things but also with yourself because of this wound. Due to your fear of commitment, you struggle to maintain one thing in your life, so you don't really know what makes you happy. You don't know how to love yourself. You need to heal from this wound in order to begin to love yourself and others.

How can you complete that unresolved issue?

Four of Swords:

You need to slow down and rest. Stop jumping from one thing to another. Put an end to not letting yourself get comfortable. It is okay to devote a lot of time and energy to one passion. It doesn't mean you're missing out on life, as long as it makes you happy. You need rest to heal.

What is an important lesson you need to fully understand?

The Empress:

In this lifetime you need to understand that by not staying in place for a long period of time you are running from your growth. Also, what you're running from is your abundant future. If you genuinely want to feel happy and secure in your life, you must learn to stick with one thing and stick with it until the very end. Your life will be filled with abundance if you do this.

What is an energy/characteristic that you should channel from that life?

Queen of Pentacles:

The Queen of Pentacles is very loving and warm. Their hard work has made them very successful in life. In your past life, you stuck with your journey of being healthy and free from negativity. You need to channel that hard work and warmth in this lifetime. This is what will help you.

Channeled Messages from Guides:

“Are you ready? Are you sure? There is no turning back now.”

“Unlock the magick within.”

Letters:

H

E

T

O

E

O

Pile Four (Goldstone Star):

Who were you in a relevant past life?

Knight of Swords:

You were very socially adept in your past life. It was your quick wit and charm that really attracted others to you. Your lack of humility was made worse by your inflated sense of self-importance, which also gave you the ability to lead well. Despite your lack of patience, your aggressive side made you successful.

What is something unresolved from that life?

Ten of Wands:

Your life's goal was to be in a position of power because you knew you would be a great leader. However, you never reached your goal. Although you came close to achieving your end goal, you fell short. Some of you may have been in politics.

How does it affect you in this life?

The Hanged Man:

Every time you feel as though you are doing well, it seems as though you have to make some sacrifices to keep that success, and these sacrifices are either too difficult to make or they never work. Therefore, you are unable to achieve success.

Ten of Swords:

It seems impossible for you to achieve success as well as a leadership position in this lifetime. It seems that nothing you do pays off and life constantly throws disaster after disaster your way. It seems that everything comes tumbling down whenever you start feeling good about your situation.

Why do you need to complete that unresolved issue?

Knight of Cups:

You struggle to remain optimistic in life as a result of all the negative experiences you have had. Romance and charm don't seem like a part of your nature, you don't have the time or energy for them. You have dealt with disaster after disaster and have no energy or desire to be a romantic, optimistic person.

How can you complete that unresolved issue?

Two of Cups:

Allow yourself to be romanced. You've been running away from this part of yourself for a long time now because you don't want to get your hopes up. You can heal yourself by being romantic with yourself and allowing others to romance you. You need to fall in love and experience true love in order to heal the wounds from your past life.

What is an important lesson you need to fully understand?

Five of Swords:

You have felt defeated almost all of your life in this lifetime and do not understand why you are being treated unfairly. As part of your lessons for this lifetime, you are to feel defeated and let that defeat direct you towards success because you never allowed that to happen in your past life. In the past, you gave up when faced with defeat, but in this lifetime you must persevere.

Ace of Cups:

Because you considered pure love to be beneath you in your previous life, you never experienced it. Your pursuit of success drove you. This life lesson is about learning to love innocently and purely. Do not run away from those emotions, but rather let them wash over you.

What is an energy/characteristic that you should channel from that life?

Queen of Swords:

Naturally, the Queen of Swords is a quick thinker and pretty smart. Every situation they encounter is viewed lucidly by them. In the past, you were like this, and this is how you should be now. Your success in this life will be further enhanced if you channel this energy.

Channeled Messages from Guides:

“Abundance, love, and wealth are coming your way.”

“The worse is now behind you and you are surmounting any previous challenges.”

Letters:

L

E

R

U

N

I

Though tips are not required, they are very much appreciated. Thank you! Venmo: @ aphrostarot Paypal: paypal/aphrostarot

#pick a pile #pick a card #pick a crystal #tarot readings #oracle readings #divination #spirituality #astrology #aries #taurus #gemini #cancer #leo #virgo #libra #scorpio #sagittarius #capricorn #aquarius #pisces

[marshmallowprotection]

This is a silly question but what’s the context of that message?

“Do you think Saeran found greatness without Ray?” In the AE?

I know how the chat went but that sentence always confused me so I didn’t understand it😭 I can be a little dense sometimes

Oh, they're having a philosophical discussion about love and what love is. Everyone is expressing what it means to be able to use the power of love as a benefit and strength to your personal growth. In the context of this conversation, what you mean by this statement and what is meant to be understood by it is simple once you have understood that this is about overcoming your demons with heart and compassion. This is about learning how to be stronger because you are loved and you love others.

A part of breaking free from fear and trauma in Mystic Messenger comes with understanding that you are worthy of love and kindness. This is the case for every single Route in the game. Fear blinds us to our strengths. We forget ourselves and hesitate when we are afraid to fly. Sometimes we stay in place instead of moving forward because we are afraid of change. Even if that change could save our lives and help us heal.

So, in this context, by saying Ray and Suit Saeran were afraid of breaking free of Mint Eye for so long, you're saying that that fear consumed them until you were able to come into their lives. Ray personally dreamed of keeping you at Mint Eye because he was afraid of the outside world.

He wanted to put you in a tower where his Rapunzel was safe and so was he, too. In many ways, you were both the prince/ss trapped in a tower but the tower was supposed to keep you from ever being hurt again. Ray's internal debate goes on during his time on the Route. You see him question if he wants to leave. He starts to put you first and fight against the cult manipulation for your safety. It's why he gets punished and ripped away from you in the first place. He put you in the way first instead of Mint Eye. He started to believe that maybe he could live outside if you were with him. But, failed in the end because Rika punished him to the brink of death.

Suit Saeran was just as afraid of the outside world. He feared that the world would destroy him if he didn't hit first. He was afraid of going outside and lashed out to protect himself. He held himself back in the darkness and didn't even try to open himself up like Ray did little by little. He refused it. He denied it. He fought it... not because he'd hated everything... because he was afraid that everyone was going to hurt him. He was just as afraid as Ray was, but you'd never know that because of how he hid... at least, until his apology. So, by us saying that Ray was afraid or Suit Saeran was afraid—

What we mean is that fear and insecurities can blind us to our real strength. Love is powerful and can save us if we allow ourselves to believe we are also worthy of the love we give to others. Once you learn that you can be loved just as you love others, you can be very strong. It's something that I've learned personally recently, and I've got Saeran Choi to thank.

#character analysis #ask #mod kait #anon #mystic messenger #mysme #mysticmessenger #ge saeran #saeray #saeran choi #choi saeran #suit saeran #ray choi #choi ray #saeran mystic messenger #mystic messenger saeran #saeran mm #mm saeran #mysme saeran #saeran mysme #ray mysme #mysme ray #mystic messenger ray #ray mm #ray mystic messenger

[mindmeltonabun-blog]

Doom At Your Service: Analysis & Theories for EPs 7-8

Welcome back to another edition of analyses and theories time with me! I’m going to try and keep this post as short and as simple as possible. In case I don’t, I apologize in advance! Also, sorry if this post is filled with grammar mistakes and confusing syntax...I'm writing/editing this late at night and my ADHD meds have lost their effectiveness.

Anyways Eps 7-8 was pretty awesome and I’m glad that a bunch of my previous theories had come true! For those who wonder how I come up with some of these theories, I just look at everything whether it be big or small. I also try to look for connections and patterns. At the same time, I try to understand the motivations of characters and what is the big picture the writer is trying to paint. Once you're able to do all of that then you can predict where the story is going. This is how for the most part I was able to predict the events and endings of shows like TOTNT and TKEM. Anyhow, let’s get down to analyzing and theorizing! Turn on those thinking caps!

What the Rock Balancing Structure Represents

Rock balancing is a form of art that involves a person placing a combination of rocks in an arrangement. To achieve balance of the rocks, one must be very patient and compassionate. In its completion, the structure represents that while things may appear impossible, they are actually possible. So what seems impossible, but can actually be possible? Hmmm probably Myul Mang learning what it means to be human and ending up becoming human. Notice that both the rock art is next to the plant and the story of Pinocchio? It's saying saying that the impossible can be possible. It's possible for Myul Mang to be able to learn what it means to be a human so that the impossible can happen...he can "grow" up to becoming a real human.

The whole rock balancing structure could also signify that in order to grow, one must overcome one's deepest fears. I don't know about you all, but stacking rocks is a scary thing especially since at any moment the whole thing could fall over. Anyways, if you remembered, Myul Mang had been searching everywhere for Dong Kyung and feeling like one of his worst fears (Dong Kyung not existing) had came true. It's only when he goes to Dora's hospital room and sees both the Pinocchio book and rock structure that he got Dora's lesson. And that's why afterwards you didn't see Myul Mang going on another search for Dong Kyung somewhere else.

A brief digression. I’ve seen multiple people theorizing that the plant and the butterfly represent Dong Kyung and Myul Mang respectively. To them I say, did you just completely miss the part where Dora says the plant is Myul Mang? Myul Mang is both the butterfly and the plant. For those who still don’t see that, let me break it down.

First, what do butterflies symbolize? They symbolize metamorphosis, death, and rebirth. Myul Mang is not a literal butterfly, but he will eventually be one in a metaphorical sense. If anything, Myul Mang right now is like a caterpillar on the verge of entering the cocoon stage that is followed by a reemergence as a butterfly aka human. You can also look at it this way, Pinocchio is a butterfly too. Why? Well, look at what happens to Pinocchio. He is reborn as a real boy after having gone through metamorphosis (puppet -> real boy).

Now let’s examine the plant symbolism. What do plants represent in DAYS? They represent humans. What is Dora growing? A human Myul Mang..DUH!! Sorry, but I didn’t think it was that hard of a concept to grasp especially since Dora has already explicitly said what she is growing in that one scene. For Myul Mang to grow up to become a "good" human, he needs to learn to think about others, forgive himself, be compassionate (not only towards himself, but others as well), love others, etc. Other things Myul Mang would probably need to learn is how to love his fate or amor fati (loving your fate means loving it all, not just the good parts, but the bad parts too; loving it so much so that you would never want to change anything about it and would gladly relive your life the way it was over and over again for all of eternity).

I don’t think the "plant" will fully "blossom" until Myul Mang sacrifices himself to save Dong Kyung for the sole reason that he loves her (in contrast to sacrificing himself for his own personal gain). Therefore, that's probably the final lesson -- how to be completely selfless.

Dora just wants her son to grow up to be a "good" plant (human) so she doesn't have to end up pulling him out aka end him before he even becomes human! Okay???

Sorry if what I've just said was confusing. What I meant to say is that Myul Mang's personal growth is reflective in the plant's growth. The more he learns of what it means to be a "good" human, the more the plant will grow until it blossoms into a beautiful flower (a real human).

If we want to connect the idea of personal growth to the story of Pinocchio, we see that Pinocchio's growth occurs only after he experiences pain (physical and emotional) and love. From these experiences, he learns what it means to be a "good" boy and is rewarded by the Fairy transforming him into a real boy.

One Wish or Wishes?

In my previous post, I had briefly touched upon how I think Dong Kyung is going to wish for brain cancer to be cured. Though I still think this, I nevertheless want to explore some of the other possibilities of what her wish could be.

Potential Wishes:

1) Myul Mang to Become Human

2) More Wishes

3) Contract to be Voided

4) No One Remembering Her After She Dies

For #1, Dong Kyung wishes Myul Mang to become human, but then she still dies from her untreated brain cancer…so nope. For #2 and #3, are these wishes even allowed? I would like to point out some flaws of the writer. Maybe it’s not so much a flaw, but an annoyance I have with the writer of DAYS. What one can or cannot wish for is not explicitly stated. Due to this, it is somewhat difficult for me to accurately predict what Dong Kyung will wish for. It’s like trying to detect a substance without being given its upper and lower limits or range of detection (sorry for the science related analogy) ! For #4, I guess this one could be probable, but there is just too much evidence pointing to Myul Mang's death. After exploring each of the possibilities, I'm still left thinking that Dong Kyung's one wish will be to cure her cancer.

Anyways, even if Dong Kyung wishes for her brain cancer to be cured, it’s not really a happy ending since Myul Mang still dies. Is there any other way for Dong Kyung to make another wish so that she can save Myul Mang? I think there is and it comes in the form of the “gift” that Dora gave Dong Kyung. In my previous post, I had theorized that the marble may have a larger purpose than just being a symbol of how the fate of the world is Dong Kyung hands. I believe now that the marble’s larger purpose is that it is a type of wish fulfilling stone. Why? Because we know fantasy dramas typically make references to mythology. In this case, the writer of DAYS is probably referencing Hindu mythology.

In Hindu mythology there are 3 main gods:

1) Brahma: The Creator

2) Vishnu: The Preserver

3) Shiva: The Destroyer (Sounds like Myul Mang right? Also, the love story between Shiva and Parvati is somewhat similar to that of Myul Mang and Dong Kyung’s love story.)

Dora is the equivalent to the god Vishnu in Hindu mythology. Vishnu is often depicted wearing a “Cintamani”, a type of wish fulling stone analogous to the Philosopher’s Stone (hint hint…transforms something from one form into another…immortal -> human) in Western mythology. Given this, the marble/Cintamani in Dong Kyung's possession could be the key to Myul Mang’s rebirth.

Some might ask, “Well why can’t Dora just use it to wish for her son to be reborn as a human?”. Well, remember that both Dora and Myul Mang are slaves to the wishes of humans. They themselves cannot fulfil their own wishes or desires. Meaning, even though Dora and Myul Mang can wish for something to happen, they cannot carry it out unless humans wish it too. Also, as I mentioned previously, deities in kdramas never just give humans gift because they’re being nice. Rather, they give gifts to humans so that humans can help them accomplish their overall goals/wishes.

So putting it all together, do you see where I’m going with this? Dora has the same wish as Dong Kyung which is for Myul Mang to live, but Dora is unable to execute her goals/wishes unless Dong Kyung wishes it too. Dora knows that Dong Kyung will probably use her one wish to cure her brain cancer. At the same time, this leaves her son, Myul Mang, to die. Therefore, Dora gives Dong Kyung the wish fulfilling marble with the intention that Dong Kyung will use it to wish for her son, Myul Mang, to be reborn as a human. With Dora/Dong Kyung’s wish, Myul Mang will be free from his cursed life as an immortal and be reborn to be able to live happily with Dong Kyung.

Side note, the rebirth of Myul Mang into a human can either be dependent on Myul Mang's personal growth or it can be dependent on this wish fulfilling stone or both! I'm leaning more towards his personal growth as being the catalyst for his rebirth, but who knows! It very well could be that the marble has a role to play in his rebirth.

Is Dong Kyung Going To Be An Immortal?

No…no…and NO!!

Some might ask why don’t I think this? Well, for a bunch of reasons. I’ll admit I used to think that it would be very romantic for a human to become immortal so that they can be with their immortal lover forever. However, the more I thought about it, I came to the realization the notion of forever is not romantic nor beautiful. At its core, the concept of eternity is quite terrifying and ugly. And if you haven’t realized already, the writer of DAYS has been making multiple arguments against immortality. For anything to have meaning, it must have an end. In this sense, the end is beautiful.

To get my point across, I want you to try and think about some things. What keeps life meaningful? Experiences? People? Well, imagine doing something you love for a year. Now imagine doing it for trillions or zillions of years. Experiences no matter how good they are at first will eventually become tedious if you do it for long enough. For example, eating your favorite dish may be good for a while, but not for zillions of years. At one point or another, you ultimately lose your desire to want to eat it or eat entirely for that matter.

Now surely getting to know people and loving them can keep your life meaningful right? Well, how many times do you think you could handle knowing and loving people who eventually disappear? Eventually, you grow tired of crying and mourning over dead loved ones that you become numb. Now imagine being Dong Kyung. She would have to witness her family, their family, and so forth dying over and over again for all of eternity. Doesn’t that seem tortuous? Sure, one could argue that at least she has Myul Mang with her, but do you really think her love for him could sustain her forever? The relationship between Myul Mang and his mother, Dora, is a prime example of how a loving relationship could turn sour over a great deal of time. The gift of immorality Dora bestowed on Myul Mang became a curse instead of a blessing. So why would Myul Mang want to give Dong Kyung something that was basically a curse for him? As for Dora, she probably wouldn’t want to give Dong Kyung the same gift after seeing what it did to her son.

If you continue to think that Dong Kyung will become an immortal being, did you really smell what the writer of DAYS was cooking or did you just smell what you were cooking?

The Bad Case of the Riddles

From what I have been reading on multiple platforms now, it would seem that a lot of people are rather confused about a lot of things. It’s understandable! Throughout the show, the writer has presented some complex philosophical concepts that may be difficult for some viewers to grasp. To further add to the confusion, the characters at times do speak in what appears to be riddles. This I believe may be one of the major flaws of the writer. She has to consider that her audience are probably people who have never read any philosophical works before. Most viewers aren’t here to decipher cryptic messages or see how they’re connected to some major philosophical concepts such as eternal recurrence, existentialism, nihilism, amor fati, etc. Most are here to shut off their tired brain and enjoy some good fantasy romance! I know I’m totally one of those people!

Needless to say, I did find myself in a debate of whether I should discuss some philosophical concepts referenced in the show as to help you all gain a better sense of understanding. However, I concluded that it would take too much of my time to do so. Additionally, despite my best efforts to use the simplest of words, I found that whatever I had already written may have still been confusing to the everyday reader. Anyways, if there are any particular scenes or dialogue you all want to me go over, please feel free to use the ask button and I’ll do my best to try and answer them!

Whats Going to Happen Next?

Probably more filler type stuff aka more bs. It's common in kdramas for characters to go back and forth on their initial decision of whatever. Dong Kyung is going to break up with Myul Mang because she loves him and doesn't want him to die. And before the breakup, she's going to give him some good memories to remember her by. Following this, she's going to try and love herself so that she's the one that ends up dying and her wish is going to be for everyone to forget her? Okay......Zzzzzzz!! Idk... Dora is probably going to intervene somehow to get Dong Kyung and Myul Mang back together again.

Other Random Thoughts

What I think would be interesting to learn about is the connection between Dong Kyung's parents death and Dora past self's death. It wasn't just all a coincidence that they both died on the same day. Who knows... maybe Dong Kyung was meant to be in the car that day with her parents, but Dora's past self sacrificed herself to change Dong Kyung's fate.

Also, I still don't think Dong Kyung is going to die, I mean you got her brother praying to the deities that she lives!

Okay, I'm done. I wrote this in Microsoft Word and it was 5 pages long. My brain is dead. There's probably something I should've gone over or elaborated more about, but oh well. Thanks for reading this disjointed post!

#doom at your service #doomatyourservice #myulmang #myul mang #tak dong kyung #takdongkyung #park bo young #parkboyoung #seo in guk #seoinguk #pinocchio #DAYS #theories #my brain is melting

[girlofprey7]

Why Apritello works/doesn’t work:

a short analysis and essay about April and Donatello’s overall dynamic and development in the 2012 show.

Apritello as a pairing is a pretty damn controversial topic in the TMNT 2012 fandom, and with good reason. Some fans may dislike or be against April because of her apparent rudeness or ungrateful nature towards everyone’s favourite brainy turtle, and Donatello may be thrown under the bus for his questionable and quote on quote ‘creepy’ behaviour towards April in the earlier seasons. Because of these observations, it has lead many fans to believe that relationship is unhealthy, toxic, and even going as far to call it emotionally abusive.

Today, we’re going to be looking at WHY fans may come to that conclusion, while also trying to look at the positive and promising sides of their relationship, in order to work out if their relationship works or not. We’ll be going through the moments where both sides have shown signs of toxicity, as well as signs of respect, trust, and love.

Also I just wanna say that this is my personal opinion, and though I am trying to fully consider all points from both sides of the argument, if you don’t agree with my overall thoughts, that’s perfectly fine. Just please keep your anti posts out of the Apritello tag where us fans can’t see them.

First we’ll be starting off With the Crusher himself, Donatello.

Let’s look at his examples of his toxic behaviour first:

He did follow her around New York in Target:April O’Neil. I may love Donnie, but I’m not going to deny that this decision was wrong, nor am I going to make excuses for him. He should have given April time to come to terms with herself, instead of following her and pushing her further over the edge. This was not a good thing to do, and while I wouldnt call it whole heartedly toxic, it was highly disrespectful of April’s space.

He tried to close up on her face when he was watching her with Metal head on the roof top. This is also highly disrespectful of April’s space, and could also be considered quote on quote ‘creepy’. There’s not much to say about this scene since it was pretty short, but all I can say is that he didn’t attempt to do it again after April called him out, though it still wasn’t respectful of him to do.

He got really jealous whenever April got remotely close to Casey, or when Casey got close to April. This is only in season 2 and maybe early 3 as far as I can see, but Donnie really didn’t do well whenever Casey was around April. He tried to pull them apart aggressively from hugging in Chinatown ghost story, and would constantly childishly fight and bicker with him for April’s attention. This is definitely an example of possessive nature, but I wouldn’t call it controlling nature as well, as he never outright insulted her or judged her for hanging out with Casey, he just bickered and fought with him.

Ok, so currently that’s all the So called toxic behaviour I can think of that was in the show, but maybe I’ll be able to find more examples that people use once I watch more of the series again.

Now, let’s move on to April’s purely Toxic behaviour in the relationship:

She stopped any chances of Donnie communicating his feelings or their relationship to him. The main example being in the invasion when she silenced his confession, while nervously saying that it just makes things hurt more. While her motivation behind this behaviour is still up for debate, I won’t deny that she should have tried to listen to what he had to say first, as well as try to communicate her own emotions better with him too. This is an example of miscommunication, and bad communication between a pair.

She would often get annoyed at him when he tried to help her or protect her, like in the Kraang conspiracy when he told he he’d protect her in the fight, and she responded with, ‘protect yourself,’ in a frustrated tone. She could have told Donnie that she didn’t need his help and that she could take care of herself politely, but she made a bad choice with her words and tone. This is an example of lashing out, without thinking of the partners feelings first. But this not completely count as emotional abuse.

She yelled at him, blaming him for losing her Crystal in Bats in the Belfry. This WAS partially caused by the fact the Crystal was controlling part of her emotions and actions, but it was still a hurtful thing to do to Donnie, who was trying to be patient with her throughout. This is an example of ungratefulness towards your partner, as well as lashing out and not considering their feelings first. Again, this is a bad thing to do either way, but I’ll have to look at her other instances in order to determine whether it’s truly emotional abuse.

(I don’t know whether her not actually outright telling either Casey or Donnie how she felt should be considered totally toxic behaviour or not, so I’m just gonna leave it as a half point for her lack of responsibility with the triangle.)

She doesn’t always appreciate him, or show her appreciation when he does something nice for her. This may be connected to number 2, in which when he would attempt to protect her or help her with something, she would sometimes respond in a stubborn and annoyed manner, not being fully appreciative of his help.

Ok, so again, this is all the so called toxic behaviour that fans usually seem to bring up while talking about The relationship, but this is also all the instances I remember her displaying in the series, but if I think of any more examples that people use I’ll add them.

(Also the claim that she may have been making mixed messages is connected to number one if you were wondering.)

Now before we move on, I just want to say something real quick. I love Apritello. Yeah it’s got it’s flaws, but I mostly blame the writers for that, and not the actual characters themselves. Hell, even with the problems I think it was pretty well written for an action show overall.

Also, I’m not trying to decipher which one of the pair had the most toxic behaviour, or who was the problem in their relationship, since both April AND Donnie have done things that I don’t agree with. I’m just trying to figure out whether the good on both sides, outweighs the bad on both sides.

So now, we’ll be looking at the pairs examples of respect/support/love/and trust.

Starting with Donnie:

When he comforted April when she was infected with the gas in Fungus Humungous, he never tried to take advantage of her fearful state, and instead just wanted to make sure she was Ok. This is an example of respect and support towards a partner, and not attempting to further your chances of being with them. Though Donnie still has his undeniable love for her (yes and at this point I’m pretty sure it passed crush territory), he is still able to treat her as a friend and comfort her without the motivation of getting with her.

When he followed April in mutagen man, though it was undeniably a bad thing to do, when April chewed him out for it and said without hesitation, ‘I never want to see you again,’ he felt guilty and remorse for it, and stopped doing it after that. He didn’t follow her again, knowing she needed space after the incident with her dad. This is what separates him from being a stalker. A true stalker would know what they’re doing is wrong, feel absolutely no remorse or guilt for it, and continue doing it even when he is told to stop. Donnie felt guilty and bad about it, even though he didn’t necessarily know what he was doing could be considered wrong, and stopped doing it. This is why he isn’t a stalker, and also shows his respect for April’s space and feelings.

When he gave April a music box in A foot too big, (yeah you knew I was gonna talk about this episode eventually) she acted uncomfortable with his forward ness, as well as the fact that he said nothing the whole time and the box was another obvious ploy to start something between them, showed by the picture of him inside, as well as the heart on the front. After living with big foot, he realised his actions were uncomfortable to her, once again felt guilty and remorse for it, and apologised to her at the end of the episode. He respected what she felt, and was willing to sacrifice his happiness for her. He stopped his behaviour after that and became more chilled and subtle with his crush. Sure he still bickers with Casey like the episode after, but I think that’s just their dynamic/relationship more than it is them fighting for April. My point is, he improved as a person because of HER.

He trusts April to make her own choices and shape her own path and goals in life. An abusive or toxic partner wouldn’t approve of your goals or chosen path, and would instead attempt to steer you away from them in order to change who you are. Donnie however supported April on becoming a kunoiche, and becoming a capable fighter like him and his brothers. He wasn’t at all threatened by her improved growth or skill, nor did he feel the need to put her down or make her weaker just to make himself feel more important. Hell, he even laughed with pure happiness when she took out Tigerclaw with that badass kick, showing that he loves what she’s become, and loves the path she’s made for herself.

He always allows HER to make the moves of affection, and never forcibly kisses her or hugs her without knowing she’s ok with it first. Again, this shows he respects her personal space as well as her wants in the relationship.

He knows when she’s gone too far, and though he does call her out on it, he still does it respectfully. Like the arc with the Aeon crystal and was acting out. He knew the Crystal was making her act that way, and wanted to help her overcome it instead of pretending that it wasn’t a problem. I have more to say on this particular point later, but I’ll wait till I find more prominent examples.

In the Gauntlet, when she broke down after her dad got captured for (I think) the second time, when she went to him for comfort, he comforted her and promised her that they’d get him back. Just like with the first example, he wasn’t trying to take advantage of her state to get with her or anything, he just wanted to be there for her, and make sure she was ok. Not as a romantic, but a friend.

He helped calm her down when she was mad at Shinigami after being beaten, telling her to not let her get to her, therefore calming her down. This is a sign of support of the others feelings and trying to make them feel better.

(This is more of a good thing on both sides as well as just something I find funny and endearing) they both bicker with one another in a banter sort of way. Remember the ‘bait doesn’t talk back’ and the ‘real kunoiche on our side?’ . He may be crushing on her, but that still doesn’t mean he’s not gonna blurt sassy facts at her and bicker with her. He still aknowledges that she has flaws, but as we’ve constantly seen, he still loves her flaws and all.

He apologised and took responsibility for his mistake with the transmitter at the end of eyes of the chimera, trying to make April feel better by even bringing her a hot beverage after the fiasco. This is a sign of looking out for the other and owning up to your mistake that may have hurt them.

Now let’s move onto April:

She apologised to Donnie personally for holding the grudge, and thanked him for sticking by her even when she was mad at him. She wasn’t thanking him for following her or anything like people may think, just thanking him for still being patient and kind with her. Also, while she was holding the grudge, she remembered what he had told her in Target, ‘some things are just beyond our control’. Which may have had a partial role in helping her come to her senses again.

She ALWAYS calls Donnie whenever she’s in trouble or in danger. I’ve seen this labelled off as codependency or her taking advantage of his feelings, but I see it much differently. In my opinion, this shows how much trust she has in him to save her, and help her whenever she needs it.

It was her memories of Donnie that helped her break the control of the Crystal. Donnie unconsciously motivated her be strong enough to defeat Za Naron and break her corruption. She broke through it, and became better, because of him.

She tried her best to get through to him TWICE in the Dream beavers episode. She was gentle and careful with him all the while (well apart from when she was slapping him to wake up, but that was when she was desperate). She was almost always seen by his side, and was close to panicking when he stopped breathing. And as soon as she found out he was Ok, she kissed him. Not for gratitude, not because she needed to make him feel better, but because she was happy he was ok.

When Donnie got injured in Monkey Brains, she told the guys off for teasing him, and was the only one to help nurse him back to health, being gentle and kind with him throughout.

She calls him out on his behaviour when she knows he’s doing something wrong. A lot of people see it as a bad thing when she tells him off for his poor decisions and behaviour, but I see it as a thing their relationship needs. A toxic relationship would most likely have both partnered not aknowledging the bad things that either one has done, and pretending it didn’t happen, or just be uncertain with telling them off. April doesn’t do this with Donnie. She aknowledges when he’s doing something bad, and call him out for it. In Target, she did t sugar coat it or stay silent about Donnie following her. She told him that he was doing something wrong, regardless of his intentions, and that he had to stop and respect that she needed to be alone right now. And like I said, he backed off and never did it again. And again, he improved, because of her.

She got mad at Casey for laughing at Donnie when he was stung badly on Dreggs planet, and was the one to help him back to the ship to be healed. When she knew he was ok, she kissed him again like in In Dreams, simply because she was happy he was Ok.

In Of rats and men, when Donnie told her that they had this covered, she responded with, ‘you always do,’ while smiling warmly, and with him smiling back. Romantic or not, this again shows the amount of respect and trust they have for each other. April instead of insisting she help or stubbornly barge back in, simply showed a sign of trust with him, knowing that had faith in him, and his brothers. This scene alone just shows the trust they have in their friendship, romantic or not, and that’s one of the things that makes them work in my opinion.

In the end of eyes of the Chimera, when Donnie apologised to April for using the transmitter on her, she wasn’t upset with him at at all. She’s said she was glad that Donnie used the transmitter on her because it allowed her to access her powers and learn to use them more. She tried to see Donnies mistake in a positive light, and appreciated him for his help nevertheless. This is an example of appreciation towards a partner, and aknowledging that their intentions are good and seeing them in a positive light instead of being disappointed with them.

For my final words, I just want to put in what the most common definition of an abusive/toxic relationship is.

In my definition, it is any relationship between people who don’t support eachother, where there’s constant conflict, and one often seeks to undermine the other, where there’s competition and disrespect, and most importantly, degrade and become worse as people just by being with one another.

And as far as I can see within the examples I’ve listed, both Donnie and April support each other throughout everything bad that happens to them, any conflicts that befall them they manage to get through, and have never purposely sought to undermine or hurt the other.

I want you to look at that last sentence again, and ask yourself: did April and Donnie grow as people or become better with overcoming their problems by being with one another? Because in my opinion, that’s how you really separate a toxic relationship from a good one.

So as for the question, are Donnie and April toxic or healthy?

Well, in my opinion, they DO work together, and their relationship is NOT abusive or toxic in any way shape or form. Both Donnie and April, though they had their flaws in the beginning, unconsciously and consciously helped eachother become better versions of themselves by being there for eachother throughout the series, as I have illustrated with the majority of my points.

And that my friends, is pretty damn FAR from abusive. In fact, that’s pretty much the complete OPPOSITE of abusive.

#tmnt 2012 #analysis #tmnt 2012 april #tmnt leonardo #tmnt apritello #healthy relationships #toxic relationship #reblogs are greatly appreciated!!

[erenenthusiast]

Pt.2 (© u/lemmesay1stupidthing on reddit)

Brief explanation:

Isayama once said that Mikasa is a character who 'expresses herself via actions and facial expressions quite a lot. I sometimes feel that that's why a lot of her personal story gets overlooked - because she's not loud about it, and nor is anyone else. She's one of the most reticent characters in the manga and, more importantly, deliberately written that way. It's intentional on Isayama's part for Mikasa to mostly 'express herself via actions and facial expressions', and so, as difficult as it might be to follow, that's mostly how her personal journey is told.

Mikasa’s flaw

In a 2016 interview, Isayama said: 'Mikasa's growth probably involves separation from Eren'. People generally stop at that and go from there - they either believe that Mikasa can't grow as a person unless Eren stops being important to her, or that a Mikasa who isn't separated from Eren (emotionally, mentally, or physically) is inherently a flawed character. Isayama's explanation of the 'separation' he means is never usually discussed, even though he actually does go on to clarify it: 'Mikasa's growth probably involves separation from Eren. By separation, I mean she might be able to return to that ordinary girl that she used to be in childhood'. If the all-important 'separation' for her growth is about Mikasa returning to the 'ordinary girl she used to be, it's worth asking what isn't ordinary about the girl Mikasa became, and when that change happened. And once that 'non-ordinary' quality about Mikasa becomes apparent, it can be identified as Mikasa's flaw; the deficiency in her character that we can expect her to overcome.

Mikasa loving someone or wanting to protect them isn't in itself a flaw. It's a fairly ordinary, reasonable thing, and it's something plenty of other characters already display in the story: Franz wants to protect Hanna; Ymir, Historia, Eren, Mikasa; Kenny, Uri; Levi, Erwin, and so on ad infinitum. There's a reason that Mikasa's love for and general protectiveness towards Eren never changes. It's because it's not something she was ever meant to 'grow past or 'get over'. It was never her flaw.

The flaw is her fear.

Mikasa's overprotectiveness of Eren is what isn't 'ordinary, because it's connected to her deep, abiding fear of loss. Her desire to constantly stay by him is pitiful because, above all else, it represents her fear and her mistrust of the world. And it's why her 'separation' from him is about more than Mikasa's Fear.

This fear Mikasa has for Eren begins at a very particular point in the story which we build up to from here:

Mikasa and Eren's first significant spat is over his wanting to join the SC. She thinks it's too dangerous, and her fear is understandable. Our first view of the SC's return is cuts and blood and gore, and we - and Mikasa - watch a mother receive the paltry remains of her son:

Cuts and blood and gore are already how Mikasa lost one family:

And it's what Eren puts himself in danger of by going out into the world with the SC. Mikasa is afraid of losing him to the violence of the world, and she sees that fear reflected in Carla.

Mikasa has already seen how Moses' mother lost her son. And if, like Moses, Eren goes beyond the Walls with the SC, Carla might also eventually find herself holding nothing of her son but a single hand. So Mikasa makes her a promise:

But it wasn't Eren she needed to worry about after all.

This is the point at which Mikasa's fear begins.

Because all she has left from the carnage is Eren, Mikasa will never let happen to him what happened to her parents and to Carla. She is his protector. That is a role that she's chosen, and, to some extent, been given. This protection is built on her love for Eren, but also powerfully informed by her fear of the world; the world which hurts, maims, and kills people. The result of this fear is Mikasa's inability to trust anyone or anything with Eren, not even himself. She believes that she is the only one who can stop bad things from happening to Eren; that if she's not there, he will die.

So when Mikasa is pushed into a situation where she thinks Eren will be in danger, she prioritises Eren. Other considerations are pushed aside in favour of her one true goal: making sure she's there to keep him alive. But in the world of the SC, Mikasa is challenged on that immediately. Not just by Eren, but also by what happens in Trost. Mikasa saves innocent citizens from Reeves' greed and cruelty, and from titans.

Mikasa being confronted with things that are more important than always being with Eren happens fairly often to her. She also pretty consistently allows space for these 'other things, sometimes to her own surprise. The first time she's made to realise this about herself is in the Female Titan arc, when Levi points out that maybe she had 'selfish desires' for which she wanted to kill Annie.

That whole incident with Levi in Chapter 30 is significant for Mikasa's development in a few different ways.

1. When Levi says they'll focus on one objective and that won't include outright killing Annie, Mikasa's one objection is: 'How many of our comrades has she murdered?' Mikasa has no problem being straightforward with Levi. If her first and only consideration was Eren, she'd voice it. She'd even get away with it, because they all need Eren at this point. But instead, she reveals that she has a separate, personal desire: avenging their dead. Mikasa wants to kill Annie for her own reasons.

2. Levi states that their goal is to retrieve Eren. He gives himself the main role of 'slash[ing] away' at the titan, meaning that he will be the one to actually save Eren, who is in the titan's mouth. And he gives Mikasa the job of distracting Annie. Mikasa accepts a secondary role in a plan that is specifically to rescue Eren.

3. And when she does break from the plan, it's not so she can go and get Eren herself. Mikasa risks the objective of the mission - and Levi, and Eren - by going in for the kill. Mikasa risks the plan to save Eren by acting on her own desire to kill Annie.

Two important shifts take place here for Mikasa. One, she entrusts Eren to someone else, as demonstrated by her action of allowing Levi to take the lead. Two, her focus stops being, even for a short while, Eren - as confirmed by her facial expression when Levi challenges her on it, because she doesn't seem to immediately realise she's even capable of that:

The objective was: Forget killing the Titan. Rescue Eren. And Mikasa, for no matter how short a time, lost sight of that.

The fearful, overprotective aspect of Mikasa's relationship with Eren is beginning to change, because her relationship with the rest of her world is beginning to change. With his rescue of Eren in the forest, Levi proves to Mikasa that other people are just as capable of protecting Eren as she is. And if she happens to take her mind off Eren for a bit, it doesn't mean he'll die.

This is where the 'separation' begins. Mikasa starts to accept distance between herself and Eren; the distance of being able to trust others with him, of not needing to constantly be with him and personally oversee his safety. And it leads to this watershed moment in the Uprising arc:

Mikasa. Whilst Eren has been kidnapped. And all they know is that he's inside a coffin with some random undertaker at some random inn. Maybe.

In Chapter 4, Mikasa couldn't handle Eren being in a different part of the city from her during a mission because of how afraid she was that he'd die without her. In Chapter 30, she let Levi take the lead on getting Eren back, and was shocked when she realised that, even for an instant, she'd prioritised something else over him. In Chapter 57, Eren's been kidnapped, no one's been certain for two days about where he is or what's happening to him, and Mikasa is, well, as pictured above.

The debilitating fear that used to tie Mikasa to Eren is gone for good. She's finally let Eren go, and discovered that it doesn't mean she'll lose him.

Mikasa's separation from Eren = her beginning to trust the rest of the world not to stab him in the chest, almost behead him, or eat him alive whilst she's not there. It's good for her because it means she stops being so terrified that she'll lose Eren, not because it means she'll stop loving him or wanting him to be safe.

My perspective on Mikasa is that she's not a very obvious character when it comes to development, and so she sometimes appears static. And because so much of her drive is Eren, a lot of fans look to her relationship with Eren to change for proof that she's somehow developed. But Mikasa's obstacle, her personal flaw, isn't Eren himself, and never has been. Her flaw has always been her deep and debilitating fear about losing the people she loves - Eren and Armin - and her inability to put trust on them. But with the series proceeding it changes. It's good for her because it means she stops being so terrified that she'll lose Eren, not because it means she'll stop loving him or wanting him to be safe. And she reached that point of separation a long time ago in the manga.

#mikasa #aot #attack on titan #snk #eren #mikasa ackerman #eremika

[asherlockstudy]

Rhett and Link’s problems with the Enneagram

I have now watched both Enneagram EBs and the second one actually set my gears to work (So Anon here it comes! I promise it was spontaneous).

After listening to Link and mostly Rhett talk about the Enneagram again and again, I realised I have a problem but I can not place its exact root. There is either something fundamentally wrong with the Enneagram itself or maybe it’s Rhett and consequently Link who talk about it in a way that made me feel a little uncomfortable.

My problem and cause of concern was that everything that was said during the two podcasts had a clear negative tone to it. I will have to bring in myself to it to give you an example so bear with me for a paragraph. I did the test and I am a 5 (Investigator - Observer, something like that) which suits me rather well, especially since it agrees perfectly with my Myers-Briggs INTP type. The results said I was a 5w6 (essentially an emotionless analytical robot) which is definitely wrong as I am clearly a 5w4 (a sad mess who analyses the world and searches pointlessly for the true meanings in life and wants to come up with the ultimate all-encompassing philosophy). I mean, OK, they are not described exactly like that but trust me, that’s the point. But despite all the flaws associated with it, especially in the fields of socialising and tremendous procrastination due to an insane fear of failure, I am actually very much in touch with it. I revel in analysing, in trying to see the bigger picture, to make up my own theory about life and the world. It gives me fuel to go on, it fills me with excitement, it gives me a purpose.

Now, what I kept hearing from Rhett and Link are the things they would hope to run away from. I can’t seem to remember a single positive thing they said about their personalities. All traits they mentioned ( which were all pretty one-dimensional for both I dare say) were presented in the context of torturing them and having to confront them. With these insights in their personalities and the spiritual deconstructions earlier, their old (surprising back then) statement that they are “fundamentally sad people” makes more and more sense. Some of their traits, like Link’s care for perfection to the smallest detail and his moral concerns could have been neutral or positive but, no, they are almost all given as clear negatives or at least as things that have an emotional toll on them.

This gives me the impression that Link and especially Rhett have found comfort in studying the Enneagram and try to find an explanation for what they are like, to feel part of a group, represented in their misery. In short, they focus on the analysis of the flaws of their personalities as a part of who they are and avoid dealing with the root that caused said flaws. Link is more self aware while Rhett still struggles to reach the root of it, which is his childhood. Not that he doesn’t know it but he can’t just deal with the people and the situations that impacted him enough to make him a three. For instance, Rhett seems to believe that he is a natural three that his parents made manifest even more strongly. It could be the case or the threeness we observe in him is the direct product of his parents’ constant judgement. By keeping chanting he needs to “be” instead of “do”, I am not sure Rhett will achieve much. Honestly, the one impactful step he needs to take is to stop caring about what his father thinks and I am sorry to say he is still not near achieving this. Especially when I take into account how scared he was during his videocall with his dad in GMM and how relieved he looked after the call was over without drama. In short, my problem with their take in the Enneagram is that it seems that Three is Rhett’s pack of unresolved issues rather than his complete personality type.

Furthermore, Rhett speaks knowingly about all numbers / personality types which proves he consumes passionately all Enneagram information that is available. For a man of his level of active lifestyle, hectic schedule and impatience, this shows that he indeed seeks comfort in finding a detailed description and an explanation for his personality, for the way he feels and acts. What does this mean? Well, that he does not like the way he feels about himself a lot. Not only that, but he is actually in a search of self. At this point, he is no longer cryptic about it but it is more serious than he lets on. He tries to make sense of himself and he tries desperately to find something in himself to love. I hope there are people in his life who let him know that he is worthy of their love, friendship and appreciation even though he is so deep inside his head that even the affectionate feedback can only help so much. Rhett will start finding some peace only if he takes the one step I mentioned above.

And then it seems that Link’s personality type is also exclusively a byproduct of his childhood and is aggravated by his relationship with Rhett. Link’s perfectionism doesn’t cause him enthusiasm - he just dreads the disturbance of his supposedly perfectly stable world. In all honesty, Link doesn’t strike me as an ambitious person. Link would just love to have his dear routine and a loyal person to share it with. Link needs stability and companionship. He is fine with just one person as long as this person contributes to the stability of their bond. Who that one person is in Link’s life is another story…

Link doesn’t care that much about the creative process and, frankly, he doesn’t care all that much about the comedy. Link cares to keep the environment Rhett and he work stable and safe. For Link, judgement from the audience is not as alarming as Rhett’s frustration because of it. Link cares to ensure that Rhett’s idea will be successful enough to keep working and to keep working together. So Link’s entire self-identification as a one seems to stem from his fear of abandonment and worthlessness only. Link fears he has not much to contribute to Mythical and he tries to counteract that by becoming the ultimate source of management and control. Because if he didn’t even manage the company, then what would Rhett need him for? Hence, Link’s obsession for control is a consequence of his fear, he doesn’t necessarily love to be in control for the sake of it. This is proven by his plane example, which shows that he finally relaxes when he does NOT need to be in control.

Link has been working hard most of his life to ensure his position next to Rhett. This brings even more insight in his resentment for Rhett that explodes from time to time. Link resents Rhett because he tries so hard to be always by his side but due to Rhett’s opportunitism, he can’t tell whether Rhett wants his companionship or he simply needs it for their brand. Even worse, Link dreads that the reason Rhett is his friend is because Link feeds his ego with his loyalty and admiration, because he takes Link for granted and not because he loves Link for who he is.

“Do you care for me or do you revel in the fact that I care for you?”

Now, I can’t get inside Rhett’s head but I doubt he uses people. I believe his genuine care for Link can be found in the weirdest examples - those from which Rhett has nothing to gain i.e getting frustrated when Link doesn’t enjoy food as much. Yes, this is a sign of love. Rhett enjoys food so much that he wants to share that enjoyment with Link. He can’t realise Link’s tongue works differently - he thinks Link is missing out and it frustrates him. Another silly example is Rhett buying Apocalypse equipment for a clearly disinterested Link and probably never getting its money’s worth back. This is important to Rhett for some reason and he is concerned enough to protect careless Link as well despite having no personal gain from it.

The truth is that these two men feed off each other; Rhett keeps Link attached to him to always feel worthy and Link keeps Rhett attached to him to always feel safe. However, the fact that Rhett is almost his entire source of safety and that Link is Rhett’s biggest calibrator of worth is indicative of the levels of love and need. Nevertheless, Rhett and Link are not independent people. They were constantly in search of support from one another and they lost themselves in the process of satisfying others or being safe. This is something they are realising only now.

Link’s fear of abandonment is so big that it frequently leads him to an almost paranoid behaviour. It is crazy that he felt left out when Rhett communicated with the audience during a podcast whose key purpose is to… communicate with the audience. His fear here has two sides: 1) that Rhett didn’t consider him an equally important business partner so he preferred to speak directly to the audience and 2) that Rhett isn’t emotionally invested in him in order to open up to him. And by saying he can deceive people if he needs, Rhett doesn’t help Link overcome his huge insecurities. This is why Link begs Rhett to talk to him about his feelings more. He does not understand whether Rhett loves him or uses him. The notion that Rhett doesn’t truly love or appreciate him is one of his biggest fears in life.

As for Rhett, it is certainly huge growth that he starts opening up and being vulnerable to a few thousand strangers yet it all still derives from his need to be accepted by said strangers as I am afraid that the late disproportionate criticism he gets for silly stuff on Twitter and Tumblr surely don’t help him deal with his issues, no matter how hard he tries. Therefore, Rhett is trapped in a vicious circle. Besides, Rhett was overly sensitive to be hurt when Link stated the obvious; that he was being vulnerable in hopes to be understood and accepted, because that was clearly what Rhett was openly doing. However, having someone discussing openly his vulnerability immediately made Rhett retreat back to his shell because no matter how hard he tries, Rhett hasn’t managed to separate vulnerability from weakness in his mind yet.

Long story short, Rhett and Link might be Three and One respectively but I am not sure they have a good understanding of themselves anyway. They may have figured out their types correctly but they certainly narrow their entire sense of being to their unresolved issues and phobias. They entirely lack a sense of self-worth and they probably have not realised the extent of the traumas in their youth. In the Enneagram language, the nine personality types have nine levels of development. I believe Rhett and Link are either in the average levels or the mildest unhealthy level. They are certainly not in the healthy top three levels.

Their obsession with the Ennegram helps only superficially but they seem to have based an illogically huge part of their self exploration on it. The Enneagram might offer some insight but won’t offer the resolutions they long for and badly need in order to find some relief. The ones that come when you confront your environment instead of overanalysing yourself and beating yourself up because of it.

#Rhett and link #ear biscuits #Rhett McLaughlin #link Neal #Enneagram #randl #r&l #mythical

[buzzykrueger]

The double loss of a childhood - a not-so-brief analysis through Gon and Kite

WARNING: MAJOR CHIMERA ANT ARC SPOILERS //

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First of all, this is kinda messy because I was writing and power went off </3. I wouldn’t even call it a meta, more of a psychological analysis. 

It's so complex the way Togashi works through symbolisms. Gon and Killua had to let go of their childhood and childish behaviors. Had to make challenging choices. While two of the few grown ups who cared about them and gave proper attention to their relationship, are the perfect imagery of children: new Kite and Bisky.

These two are the greatest and overall positive influences within Gon and Killua lives in terms of adult Hunters, always looking out for the boys. Both of them are experienced, opposing the appearance of a child.

The irony is that, while Bisky and post-CAA Kite look like children (Kite is a child now, to be honest), Gon and Killua are, actually, real children facing painful and forced coming of age, enduring conflicts that even adults can fail to cope with properly - and this has been acknowledged by Knov and Shoot, also two experienced Hunters that got mesmerized by how those two kids could still fight, despite everything they saw and been through. 

Anyways, Gon and Killua got their emotional development and their lack of experience put under extreme conditions, forcing them to break their dynamic without proper thinking, basically facing the war, the complexity of morals and relationships like adults.

That said, I’ll won’t be deeply working some points that I’m assuming you are all familiar with, like Gon’s reaction because Kite has been the fuel of his search for approval and being valued, or like how difficult it is for Gon not to handle things alone. 

First of all, Kite is indeed Gon’s fuel for his journey. For the first time, someone cared to tell him the truth about Ging, and made him feel a little bit important. Noticed. Someone stayed by his side, for a short moment, and gave him a reason.

And if you take into account that he died two times before Gon’s eyes, it makes everything more shocking for the kid.

“Huh, what do you mean?”

Pitou has killed the physical adult Kite, but the rebirth itself “killed” the father figure imagery that Gon saw in Kite. Resembling now a girl of similar age as Gon's, Kite can not be kept as a replacement for the mentor and father Gon didn't have. And this is a heavy loss, because it took Gon’s goal away from him.

It's also a very smart and symbolic way to end this desperate journey around the urge of becoming deserving of proud, especially from Kite, the one who gave his life a purpose. Because Gon has stated, back in chapter 7, that “Kite seemed to be prouder of him (Ging) than he was of himself”, so he wants to walk the same steps as his biological father to make someone proud of him the same way. He can't project his goals around others anymore - and like the Koala Man said, the heart must be fed, or you’ll end up doing the same things again and never getting satisfied with the outcome. What you seek must be found in yourself.

But what Kite sees, in this chapter called Repentance (337) is that Gon is probably not ready for the amount of reflection waiting for him. Kite then sees no good in weighting his shoulders any more. The moment where he asks Gon “sorry about what?” is important, because it’s where Kite and the readers get to understand that Gon needs a break before realizing it.

Kite, then, avoid this subject. Gon is not ready.

Instead of throwing the truth about what was the real issue here, Kite first gives Gon craved the most: he praises him for being able to defeat a stronger enemy that Kite himself could not. 

The boy’s reaction, though, it’s not what we would’ve expect from Gon.

Gon shows no trace of excitement over the fact he has accomplished his first goal - he was able to impress Kite. But, why is this so important? Because this is a breaking point for his journey. Gon doesn’t feel like he cares about this anymore. If Kite is not the same, he shouldn’t be either. If being approved doesn’t mean the same, meeting Ging is pointless. His past self has died, alongside with Kite  - figuratively and directly speaking.

The troubled boy acknowledges that "if it wasn't for Killua (name separated from the rest ‘cause he has his special spot) and everybody else, I wouldn't be here". This means a lot for Gon’s development and grief, because the moments where he feels he’s messed up or must redeem himself, he doesn’t mind getting hurt or overcoming fear in order to handle “his mess” all alone. If he proves himself and protect the ones he loves, he will do it. But he needed help, and this is something he doesn’t feel proud of. 

That’s when Kite shifts the engine once more. 

It’s useless to make Gon feel better addressing old desires. Like Kite himself, Gon also got a second chance. They are both letting go from their past. 

With a sweet tone, Kite breaks the cycle of the strong father figure: it's the same for him. Kite, the major inspiration for Gon, says that he didn't make it alone, too - and that doesn't make him less strong. He can’t be this parental figure anymore, maybe he didn’t even know he was. The only thing he knows, is that there are different types of strength. They are not weak for having friends and needing help.

With this, Kite closes the curtains. A strong and admirable Hunter, that wasn’t any less powerful for needing help. Gon shouldn’t be ashamed of this kind of strength: the power of making others wanting to be with him. Something that could not coexist with following Ging steps - Gon must belong to himself and separate him from others’ expectations.

That’s the final act of the mentor Kite, where he dies as a projection. Funny is, this moment with Kite holds some good parallels with the next chapter, where Killua and Gon part ways. Though I don’t think they’ve meant 100% the same, there are some hints that Killua also kept the soil fertile for Gon - but this is yet to be addressed in a future post.

Back to the story, Kite’s not a parent, not even an grown man anymore. He pushes Gon forward to meet Ging, because that’s the one thing that will end this cycle, definitively. No one to look up to, to pursue admiration from, and getting blind from fear of being weak and left behind. He must face change. This desire to be approved even if it costs his life has reached an end. This part of his journey must be accomplished - and left behind.

Gon can now center his journey around developing his self-esteem, thoughts on himself after knowing his own worth. He has a lot to make up for with Killua, but he had been forgiven. The soil is fertile once again, the seed of self forgiveness can grow. He can come up with a goal that centers around love with proper growth and responsibility, without others having to make up for self-esteem he lacks. He’s a traumatized child, that probably never put much thought on how lonely and scared he felt before he acted, and his coping mechanisms mimics his lack of experience.

He can now be free of the thought that, if he sacrifices this "undeserving being" he is on his mind, people will choose not to leave. Because giving up on his life wasn’t the right way to let them feel safe around him. They’ve left anyway. Everyone thanked him and look like they’re not mad, and he has found his father, but why things still look... unsatisfying? What meaning Ging even holds for him, still?

Losing his first goal is like losing his past self, and his childhood. Gon can’t walk backwards, though he comes back to Whale Island, things are not the same anymore, just like him. Losing the imagery and the person Kite is a twist of cycle, losing the urge of meeting Ging is cutting ties with this past self and this mad search for his own value in wrong sources, and now he has to understand what he wants and can do the way he is.

He must figure it out on his own, how he can grow from this and how to fix things before he finds a new goal. He has found something more important than the thing he was once hunting. Or better saying, someone. Someone that should’ve, yes, shared his feelings instead of creating distance - but he knows this certain someone left him with a smile because he cared. Killua will never overbear him, but can’t be the one to analyze everything for him anymore.

Gon has been forced to slow down and think, because in loneliness, there’s no one to impress. There, is where his identity will be found.

When you care about yourself, you learn how to take care of others. True, changing hurts. Losing childhood hurts. Losing strong beliefs and having to reconstruct yourself is a process. Bereaving children mostly don’t get proper attention because their anger, isolation and dismissive attitudes are often scolded than embraced, because they’re expected to endure loss like adults.

The dead don’t come back to life. Last minute, saved by the most important person in his life. But changing is the only inevitable thing while living. Kite was that important, but he must go away from the responsibility Gon has, unconsciously, put him through. Now, his journey consists of a blank page, waiting to be written once again with this new self, in order to learn how to fix his relationship with the one he loves the most. Killua wasn’t planned to exist in Gon’s life. They didn’t expect to run into each other, but as soon as they did, they’ve slowly changed their goals. Things seem off right now, but there is no room for replacements or masks. 

Gon might have not noticed, but his goal wasn’t the same already. Meeting Ging brings not the same feeling anymore, especially because Killua was the first thing running Gon’s mind when thinking about this meeting, a major indicative that Killua was, already, his top priority over his father - and maybe he never put a second thought on that, the way Gon is single-minded.

But now there is room for a lot of thinking, and there’s something we must remember, an optimistic hint that I’m saving its analysis for the separation meta:

“Gon is not the type to break a promise twice”, Killua has once said. 

#gon #kite #gon freccss #hunter x hunter #hxh #meta #??? not quite tho

[nerdgenie]

Okay, so I've only ready ABC's books, but here's like a quick review comparison type thing:

Favorite internal thoughts (when they realized they were falling in love) - Anthony. All those sparing a lot of thoughts for Kate during Pall Mall, his chest suddenly feeling hollow, craving her company and dreaming about her even when she's in his arms and death is starting to show a frightening face. I mean, wow, that boy is in love.

Favorite first time - Anthony. I have not read all the books, but I will die on this hill: Kate and Anthony's first time is the best out of all the books lol. I mean "I can't believe she's arguing with me on our wedding night" "Are you ticklish?" "I’m going to have to tie you to the bloody bed and have my way with you a hundred different ways" (there's more to this than just that but tie.you.to.the.bloody.bed) "It's never been this good" "Are we done yet?" -like this whole thing was sweet and cute and angsty and sexy and Anthony and Kate's personalities and banter were never lost throughout the entire thing.

Favorite proposal - Colin. Pen had no idea what was going on. Poor dear. Felicity is the winner in that proposal. Also, why does Felicity not exist in live action? She's kinda the best Featherington. (I like her more that Pen, okay? Don't @ me) Benedict's was cool, but I would have liked for him to emphasize that he'd wanted to marry Sophie waaay before he found out she was highborn. Yes, he did say that he realized he'd marry Sophie regardless but it was too close to the identity reveal like it became a throwaway line or something. If only he declared that he's proposing to Sophie before the reveal, I would have appreciated it more. Anthony's is best chaotic proposal.

Favorite Mama Bridgerton moment - Benedict. Mama B was the queen in that police station.

Favorite epilogue - Anthony. I'm trying spread the love around but I clearly have a favorite. First epilogue was character development full circle and 2nd epilogue was just Anthony and Kate being incredibly chaotic. She tried to seduce him to get the Mallet of Death only for him to leave her there turned on and her boobs hanging out. He also threatened to tie her to a bed. Again. The other epilogues didn't even completely focus on the couples. Also, full disclosure may or may not have remembered them all. Benedict drew Sophie, right? Was that an epilogue or a fic I read because that was beautiful too.

Ickiest moment - Anthony and Benedict with a tie. That library moment went from funny to icky in a flash. Anthony felt bad and apologized after, and he was always respectful after so we'll forgive him. People can learn and grow. Benedict asking Sophie to be his mistress and pursuing her in his family home with his family around and where she works despite Sophie saying no several times over is just too icky for me. Okay, so Sophie didn't fight too hard against him and they are in love but still. I could never get behind that whole thing. I guess we can forgive Benedict because the society he grew up in was different from ours now, and he did eventually decide to marry Sophie even if she wasn't highborn (also, see notes under fave proposal). Benedict also gets some leeway because h was always saving a part of himself (hence mistress not marriage) for Masked Sophie, so romantic, I guess? It only worked because Masked Sophie and actual Sophie were the same person otherwise it would have made this ickier. I just felt it took Benedict too long to realize that he's in love Sophie and let go of the fantasy. And it wasn't emphasized enough in the book that I was able to forgive all the ickiness. So maybe Benedict, not a tie, afterall

Favorite character growth - Anthony. And Kate. The way they were able to overcome their fears and become better people because of and for one another is just too beautiful. I know, I know. I have a favorite.

Favorite horny moment - Anthony. How to save the tea service was funny, okay?

I give up. Favorite everything - Anthony and Kate.

#i dont intent any Benedict hate #i love Benedict #i just wish some things were written differently #although i love him in all the other book #bridgerton #anthony bridgerton #kate sheffield #kathony

[septembercfawkes]

What to Do When You Want to Quit Writing

We've all had it. That dreadful thought that passes through the mind: Maybe I should quit.

It's often depressing.

And discouraging.

And to be totally honest? Completely normal!

So I wanted to do a post talking about it today. But before I get too far into this, I need to explain some things. There is a difference between "passing thoughts" and "intentional thoughts." Passing thoughts are what they sound like, thoughts that just enter your head, don't carry a lot of weight, don't really take much root, and pass right through your mind. All of us have passing thoughts. When people ask others things like, "Did you ever think of giving up?" and the person replies "No," it's a little misleading. The reality is, all of us, all of us have passing thoughts about quitting. The thought will just naturally come to mind when you are struggling. How can you really go years without it ever crossing your mind? You can't, because inside, you know it's an option. When someone says they never thought of giving up, what they really mean is, they never thought seriously about giving up. It was never an intentional thought. All of us will have passing thoughts of doubt and quitting. I know I do! Most of us will probably even have serious thoughts of quitting.  And really, that's not necessarily a bad thing. Doubt and skepticism are super important parts of the human mind. They keep us safe, alive, and grounded. They help us learn to discern better and to think more critically. They even help us to grow. I mean, if you never experience doubt and skepticism, then there is a good chance that something is . . . wrong. (But, hey, I'm not a therapist or anything!)   And in reality, this is sometimes more of a spectrum than an either-or situation, because there are different levels of seriousness.

Step 1: Evaluate Why

When you want to quit, one of the most important things to do (in my opinion) is to evaluate why you want to quit.

There is something that led you to feel this way.

Because if things were going great, you probably wouldn't be considering it an option.  

Rather than throw in the towel, examine how you got here, emotionally.

It helps if you can be specific, rather than vague.

For example, "Writing is hard!" is a little vague. But, "I can't for the life of me find the right turning point for this scene!" is more specific.

When you are specific, it's easier to discern what's really going on, and what to do about it. Reasons for feeling this way are probably infinite, and sometimes indirect.  

Some direct reasons may be:

- Writer's block, you can't figure out what to write next - An underdeveloped skill is making writing difficult (you need to learn how to write better dialogue, write better theme, write better middles, etc.) - You don't like the direction your story has taken - You realize your draft needs a lot of revision

Some reasons may be slightly more removed:

- Your work isn't getting picked up by agents or editors, so you're getting discouraged - You're getting negative reviews, and can't face one more - Few people read your work anyway, so why continue? - You don't believe in yourself as a writer

Some reasons may be more indirect

- Money is tight, and you can't afford to keep investing in a skill that hasn't made you much income - Your loved ones complain you spend too much time writing and not enough time with them - Priorities have shifted--you now need to spend more time and effort being a caretaker - You fear this will turn out to be a waste of your time on this planet.

And some may not even be negative

- You've discovered you're more interested in pursuing a different skill - You've realized you are satisfied, or "satiated," when it comes to writing - You've had an amazing opportunity come up that competes with your writing time - You want to spend more time with your family

Looking over this list, I'm sure you can glean why evaluation is important. Some of these situations require wildly different approaches.

If you don't know how you got to this point, it's going to be harder to figure out what to do about it.

Step 2: Accept Your Feelings

Some may argue this should be step one (hey, again, I'm not a therapist!), but I've made it step two because when you know why you are feeling what you are feeling, it's easier to more fully accept it.

One of the worst things you can probably do (I'd imagine), is to sit and stew and be upset with yourself as a human being--and doubly so if you don't even take time to evaluate the situation.

And often, I find, for me these days, if I stop and evaluate first, it suddenly becomes obvious why I feel the way I do. Because frankly, almost anyone would feel the same way in the same situation.

For example, last week I was struggling with an underdeveloped skill that I have. Once I realized that's why writing had become so difficult, it made complete sense why I was feeling somewhat frustrated.

Most people would probably feel the same way. Often we feel like quitting because we've hit something difficult, kept struggling with it, and began internalizing failure.

This happens to just about everyone.

But these negative feelings and struggles are often a normal sign of growth.

(Or at least, growth opportunity.) In fact, what often looks like failure, is actually the building block of success.

Just as doubt and skepticism aren't inherently bad, neither are negative feelings.

Some negative feelings can help refine our progress as human beings. Again, if you never feel negative emotions then . . . chances are, there might be something . . . wrong . . . maybe.

Let's look at some other examples.

Oh, you've submitted this manuscript a hundred times and have gotten no requests? Yup, it's totally normal to feel at least a bit sad or frustrated or doubtful. That's allowed.

Oh, you're afraid pursuing writing might turn out to be a waste of your life? Join the club. Loads of other writers feel the same way.

Oh, you want to pursue something else, like the culinary arts? Cool, that's okay.

(Though, I do feel there is a difference between moving on and quitting, but I want to acknowledge that some reasons for quitting are more positive.)

Often, it seems, we actually end up beating ourselves up if we don't just accept how we feel. If we accept it, there's no need to get angry with ourselves or others about it. Because it's allowed to exist. It's accepted.

Step 3: Consider What to Do

Once you know how you got to this point, and have accepted it, you can start looking at what to do about it.

If you don't evaluate and accept, you're more likely to make the wrong decisions (in my opinion). So do those things first.

When considering what to do, try to be specific again.

Think of it as making a plan.  For example, last week, when I realized writing was extra difficult, I was tempted to just "try harder." But when I stopped and evaluated, I realized I hadn't fully developed the skill I was trying to use, that I needed to use.

So I decided to go online and read articles and buy writing books to help me develop that skill.

If I hadn't paused, evaluated, accepted, and planned, I may have just been trying harder and harder and getting more and more frustrated (losing more and more patience, and wanting to quit more and more).

If your manuscript isn't getting picked up by an agent or editor, maybe you can consider hiring a freelance editor, doing another draft, or going to conferences to pitch to someone in person.  

What you can do will largely depend on what the problem is, of course. But here are some options that might come up:

- Take a break (sometimes we just need some space!) - Work on a different project - Learn what causes writer's block and how to overcome it - Take a writing workshop on a skill you need - Join a writers' group - Look into building up confidence and self-esteem - Find ways to pinch pennies - Set aside designated time for writing and designated time for family - Brainstorm how you might fit in both writing and the culinary arts - Decide to write for yourself - Try a different writing approach

Step 4: Why do You Write?

For some situations, those three steps will be enough to keep going. For others? Not so much.

Before you quit completely, take some time and consider why you started writing in the first place. 

How has the writing experience changed for you? Can you pinpoint why it changed? For many, they begin writing out of pleasure--it's fun! And creative!

But as you work to become a better and better writer, or even perhaps, a more professional writer, the journey often gets more and more difficult. There is so much to learn. And so much to master. And so much time to put in!  And at times, it can totally suck out all the fun.   Why are you writing?

Can you replicate how things used to be?

Also, there is no sin in writing strictly for fun. And there is nothing wrong with writing for a hobby.

Consider if you'd be happier only writing for yourself. Maybe you were trying to be a professional writer when you really are more of a hobbyist. Writing as a hobby is amazing in its own way. The problem is, a lot of other people don't see it as a worthwhile hobby, often because they don't understand the benefits of it. But if writing makes you happy, then chances are you do. You don't need others' permission. It's okay to write for yourself, and it's okay to write for fun. Just as it's okay to play basketball at the local rec center, or play D&D, or go fishing, or bake pastries, or knit. You don't need to be professional. You don't even need to be a professional to enjoy the community, writing conferences, or writing groups. Do what you want and what you think is fun. That's okay. It's your life. There are a lot of other benefits of writing besides completing a great story. Writing helps you develop other skills too. 

Or maybe it's not as fun anymore, because you've found something you like better. You know what? That's great. Isn't it great when we are at a place in our lives where we get to pick between two positive things?

Or has the writing experience changed because you've changed? Maybe you just don't like it anymore. That's fine. Everyone changes from time to time.

Revisiting why you started writing to begin with and where you are at now can help put things into perspective. 

Step 5: Quit or Move Forward

Ultimately, whether you quit or move forward is your decision.

And really, make sure it's your decision. Not your mom's. Not your grandma's. Not Joe's (who lives down the street). Not your nibling's.

This is your decision.

Quitting is allowed.

And persevering is allowed.

And there is also something in between called "taking a break"--also allowed. (Years-long breaks? Also allowed.)

Changing your interests, priorities, or direction? Spoiler: Allowed.

Maybe after evaluating, accepting, considering options, and recalling why you wrote in the first place, you realize you'd genuinely be more satisfied in life if you quit.

It doesn't mean it was a waste--because as I said earlier, writing helps you develop others skills. And remember, it's healthy to have some fun in your life. Besides, growing as a person is more valuable than growing in a specific skill--and growing in any skill is an opportunity to grow personally.

On the other hand, if you truly want to keep writing, good news: You can!  Almost every journey in life includes hardships.  I find it's

worth keeping in mind that there will always be struggles in life. Some of these we choose and some choose us. When you have a choice, choose the struggles that are worth it to you. You can't escape negative feelings in this life. Life isn't about avoiding negative feelings. It's about choosing to pursue the things that are worth those negative feelings.

I like to think of perseverance as a muscle. I find the more I exercise it, the stronger it gets. And the things that used to send me spinning into lots of legitimate doubts, don't so much anymore. I believe as you practice perseverance, you'll get stronger too.

When I'm struggling with making a decision, I often ask myself these questions: Who do I want to be? And where do I want to go?

Level of difficulty isn't a direct factor.

Negative feelings are natural. Will you quit or persevere? It's up to you!

#writing tips #writing tips and tricks #writeblr #writing help #writing advice

[pebblysand]

It’s me again! You gave such a thorough reply that I wanted to first say thank you and second elaborate on devastating and maybe also expound on why i love castles so much.

So honestly what i most appreciate in post-dh hp fanfics is the exploration of what happens after the war- particularly the trauma and healing process. I’ll be frank in that I’m probably projecting my own mental health issues but that’s neither here nor there.

Castles strikes me as particularly interesting and unique because it delves into Ginny’s trauma from the war as much as Harry’s. Very often in other post-dh fics we see that Ginny is the stable one, she is Harry’s anchor, they show her understanding and forgiving him without question. Which I understand and love but your fic sheds a new light on other possibilities. When I say devastating i mean the internal turmoil, the truth that recovery and healing and growth are agonizing processes. (This is me projecting again, that last three years have been A Lot). And i really appreciate that, personally and narratively. The ordeal of healing and healing alongside people you love and at the same time hurting and being hurt by those same people, and the harsh reality that none of this is linear is something that I just find so compelling in your writing.

Man that’s the most coherent I’ve been in a review in AGES - not just feral screaming. Needless to say, I am very very excited for your update and I will literally wait however long it takes, because you can’t rush genius.

Aw thank you so much for your kind words. I'm glad this fic is resonating with you. This is going to be long, so buckle up under the cut.

Thanks again for what you've said, I truly appreciate it. Without blowing my own horn too much, I will say that castles does seem to "speak" in that way to a lot of people in terms of trauma and healing, which as a writer is immensely flattering. I think as authors, all we ever want to do (or at least all I've ever wanted to do) is to write things that are faithful to human emotions and human experiences (as Sally Rooney puts it, we want to write books about "people"). When we get that right that's honestly the most rewarding thing in the world.

To tell you the truth, though, I never really set out to write about that. To give you a little bit of backstory on Castles, it's a story that's been more of less brewing in my head since I was 14 years old, which is when DH came out. I remember sitting there at the end of it and even then I couldn't stop thinking about the 'what now?' question. Obviously there is the epilogue (and I will come back to that in a bit) but I always had a question mark drawn on the direct aftermath of the battle. I think most HP fans have their own little corner of obsession, right? Like, some people are obsessed with Marauders, some with Next-Gen, some with the Death Eater side of the fight. The Post-War world has always been mine.

I believe that the reason for that, as much as I hate to admit it, is that as humans, when something bad happens to us, we have a very easy way out: death. I'm obviously not trying to encourage anyone out here to kill themselves and if anyone who reads this is having thoughts along this line, please seek help, but the truth of the matter is that in the human experience, death is always a possibility. We could choose it, embrace it, and end our own suffering. Yet, like Harry at the end of DH, most of us don't. For the most part, we tend to hang onto to life. Because, truth be told, it's full and wonderful and deserves to be lived, despite the fact that, objectively speaking, it's bloody hard. And, as a writer, that's the space I want to be in. I want to understand and describe why we make that choice, every day, to get up and carry on, rather than giving up. I find that absolutely fascinating. I'm not a writer for the sensational stuff (some people do that much better than me), I want to write the quiet and the silence and the dirt and the blood that's dried and the grief and the powering through and the not giving up. To me, choosing life despite trauma is the epitome of bravery which, as a Gryffindor, is probably the character trait I value most in people.

Obviously, from a narrative perspective, this interest of mine lands itself to a post-war exploration very well. There's an old interview of JKR where she says she insisted on the epilogue being included at the end of book seven (even though she knew it was going to piss people off) because she wanted to show that they made it through. That, as I put it in Castles, 'They lived, for better or for worse.' And, in that interview, she talks more specifically about soldiers and PTSD, and says that 'getting over that kind of war, that's the hard part.' I remember watching that interview and thinking: yes, exactly. And, that's the thing about the epilogue. It's not so much about the content of it, the who-ends-up-with-who rather than the symbolism of it. It's not only about the fact that they fought in a war and won it, it's about the fact that they fought another war afterwards, a quiet one with the world they were trying to rebuild, along with rebuilding themselves, and they won that one, too. It's about showing that bravery isn't always this sparkling, flashy thing. It's also overcoming the silences and the grief and the struggles and making it to the other side.

And, so, yeah, I suppose that leads me to write about trauma. Although that isn't the initial endeavour, it's certainly part of it. And as you pointed out yourself, that road is full of ups and downs because "living" is fucking fantastic, but it's also fucking hard. I find the phrasing you used about Ginny typically being the "stable" one in other fics particularly interesting. I'd never thought about it that way, but I see what you mean. And, the thing with Castles is: none of them (and I mean H & G but also Ron, Hermione - hell even Kingsley) are particularly stable or unstable. To me, they just are. They exist and they live and they try to put one foot in front of the next the best way they can, with very little sense of plan or strategy. They sort of make do, which to me is the only realistic way I can envision the post-war world. They're kids who've just lived through the apocalypse. It's unrealistic to me that any of them would hold all of the answers, or even come close to having their shit together.

To me, it was and is very important to show all sides of that spectrum. Although they likely all wouldn't have suffered from acute PTSD, they would certainly all have struggled with something. Not everyone deals with everything the same way, and I want to show feelings of guilt, and bravery, and confusion, and fear, and determination which are all as unique as the individuals who experience them. I also wanted to show that not everything has a clear-cut explanation for it. For example, when Ginny breaks up with Harry in chap3, she says some truly horrible things. But, what she does say is also the one percent of everything that lies under the surface. She says she breaks up with him for Reason A but it's actually Reason A. 1, A.2, B, C, D, etc. Because, truth be told, that is what happens in life. People rarely give you a neat little list of all the reasons they do something, especially if, again, they've just lived through something huge. Often, you only truly find out the real reasons for people's actions months later, and often, that's because they themselves don't even know, haven't made sense of it in their heads. So, of course, I think it's incredibly important to write all of them as going through something, because to me anything else would be deeply unrealistic.

And, truth be told, I've thought about this extensively every time I've re-read the books in the past. Throughout the years, I started countless drafts on this topic, which I often gave up and left unfinished, until now. I think what motivated me this time is honestly the pandemic. I re-read the books during the first lockdown, then set out to find The Perfect Fanfiction which would deal with all of that. I'd never been in the Potter fandom before and thought to myself: 'there's like a million fics in that fandom, someone must have written this.' And, to this day, I still sort of believe that? Like, I've had a lot of comments in the past year telling me that they like or dislike Castles because it has a unique "tone" and a unique "mood" as well as themes but I'm always like "really? someone else must have written this," haha. But, despite spending a lot of time looking, I never found it so I suppose that's when I decided to write it, haha.

And, here we are, lol.

#am i trying to procrastinate writing by giving long answers? #maybe?

[nyomjoon]

why Kou is the best character in Ao Haru Ride

Why Kou is the best character in Ao Haru Ride & the most deserving of a fangirl club

to preface, the main girl (futaba) and main guy (kou) had crushes on each other in middle school, which would’ve progressed when kou invited her out to see her at a place near a clock. however, kou did not show up because one of their classmates questioned futaba on whether she fancied kou, and she was extremely introverted and replied that she hated boys - which she did. but, she had felt differently for kou since he was more gentle and less brutish than the other guys who were really the epitome of pubescent boys. so i see the appeal to kou. upon hearing this, kou decided not to show up in fear that she would not reciprocate his feelings. alas, she was left waiting in the cold for most of the night, and would not hear from him till highschool because he moved away due to his parents’ divorce. he also changes his last name from tanaka to mabuchi (this is significant). 

edit: it has been brought to my attention that kou hadn’t shown up bc it was his parents divorce that day. i might’ve missed this detail but i assume when he tells futaba it’s not at the beginning so rlly mayb it’s another element to the ~character development~

I

When reminiscing, i only remember Kou to be the nonchalant, token tsundere, yeah he doesn’t care about you or your feelings. and upon surface level i found it to be so annoying, because he was the guy who left futaba out of his own fear. she was owed an explanation because despite it being middleschool, i too, would’ve been traumatised if the boy i liked had stood me up and not to mention leave school without a word to any of this classmates. i can side with futaba because i am also an introvert and it plucks a lot of courage to be able to ask someone out in the first place. however, that being said - being an asshole straight off the bat can only mean that there’s room or character development which to my little 12 year old self - failed to realise. 

II

when kou moved middle schools, he struggled to find his group of friends, which in hindsight would probably be difficult for anyone who was going through what he had - his parents splitting. however, he meets ms. narumi, who initially we are grateful that she was able to help kou break out of his shell and develop friendships at school albeit he wasn’t besties with anyone. despite this, i will never forgive what she does later. as i’ve mentioned earlier, when kou enters highschool he becomes an asshole. this is because he experiences his mother dying and as anyone would be, he became bitter. he was more closed off than before and upon this revelation, we begin to sympathise for kou. because losing a loved one is as depressing as it comes and we begin to understand that with his parents divorce there was no one else there for his mother except for him. his older brother, given the split, had stayed with his father and so to satisfy his mother kou spent all his middle school years studying, with a realisation too late that he had made no better memories with his late mother. 

consequent to his loss, we accept that his “asshole” personality is justified and he had become a man full of regret. during highschool, he moved back in with his father however, avoided spending time with his family at all costs. he’s revealed to be hanging around a group of friends to merely ‘waste time’ and really, he doesn’t enjoy anything in life. yet, ms. futaba, is persistent in nature and still has feelings for him so attempts to develop a friendship because of their previous relationship. much to his dismay, he still harbours remnants of his crush for her, however, he cannot and refuses to acknowledge it - he does this by not saying it aloud but he’s written her name in a notebook and despite the knowledge of its existence he does not tear or throw it away. 

III

as futaba and kou’s relationship develop even further - she convinces him to stop seeing the friends and instead he has better friends at school who are all in this event committee or something like that. however, as the story progresses, narumi comes back and asks kou to help her because shes moved to the same town and has also experienced the death of a parent - which also happened after her parents divorced. knowing what that feels like, he felt obligated to help her out. i’m not sure if he intended to be an anchor for her, but this situation turned out to be very manipulative - because narumi was purposefully trying to hold down kou and drag him away from his character development, because as you would assume, futaba & co. are the steps towards moving on from his bitterness, regret and anger, and narumi tries her best to pull him away from it which inherently just inhibited his growth. 

kou isn’t aware of this manipulation, because despite being an asshole prior he sympathises with narumi - which, really shows how kind hearted he is. he goes even further with his generosity by rejecting futaba, because even if they had dated, he still could not leave narumi because he felt as it was his duty to help her overcome her own adversities, which would’ve made futaba uncomfortable. it was/is in fact not his duty to help her overcome her trauma because as we all know it’s part of her own journey, and by helping her, he is still being tied to the past and he himself cannot overcome his trauma. 

IV

because he had rejected futaba, she decides to move on and although it does not happen immediately, she starts dating this other guy who in my opinion (which is completely objective btw) is so pushy and forward and he’s just a rat. because she starts to date this dude, kou realises that he still likes her, and depsite seeing them together he is unable to move on, or get rid of his feelings for her. now normally, this would be a bit problematic, however, because i hated kikuchi (futaba’s new bf) i don’t care. so, what i enjoyed about this particular bit of his transformation is that he was able to preserve the good things of his childhood which was fundamentally, memories of futaba and the times he spent with her. so when kou has his final talk with narumi - he lets himself out of that toxic environment, which is probably step five of his character development. and he goes back to the town he lived in when his mum died. he takes futaba with him to override the horrible memories that he had made - ones that reminded him of his parents divorce and his mum’s death. his logic behind this method was because when he was in the infirmary he was able to overcome his hate of the disinfectant smell because he was with futaba. 

he also reconciled with his mother’s passing by visiting her grave and letting her know that he is finally able to move on. 

another bit i wanted to mention, because it was so chivalrous of kou - basically, futaba got mugged and her bag had a strap that meant a lot to her. and so she tried chasing him, however, she got lost because she kicked the guy in the face and tried to run away. eventually, kou found her and she was really shocked and she actually had a fever so he had to carry her all the way to her hotel room. and then she mentioned that she lost her bag and really needed it. so, he left the hotel room and retrieved it and during his absence was when all the friends gathered in her room. when he comes back, he’s found the bag and throws it at her boyfriend which is funny because it shows how useless the boyfriend is lol. 

V

after this, he does not give up trying to chase after futaba, because she’s been such a pivotal element to his life - which we can all see. his hard work does not go in vain, they do end up together which is very pleasing. but the final bit to his reform is his last name change. as you can imagine, the initial change from tanaka to mabuchi was probably something that was traumatic but then when he changes it back to tanaka he’s able to move on from his bitterness from his mother’s death. not to mention, he was very adamant on futaba to stop calling him tanaka but its pretty significant that he was able to overcome his personal struggles. 

im too hungry so i can’t think anymore, if any of u read the manga add to the list!!1!!!111!!!!!

#ao haru ride #character study #kou mabuchi #anime #futaba yoshioka #shoujo manga #romance #pls be light on the criticism i’m v sensitive

[neuxue]

Wheel of Time liveblogging: Towers of Midnight ch 10

An Asha’man contemplates personhood and Perrin finally has a meeting.

Chapter 10: After the Taint

Back to Perrin, who’s talking with Elyas and Grady and walking through camp and still not meeting Galad. His last chapter seemed like the last few moments before such a meeting, but I guess we’re drawing this out a bit more?

Ah, a fallen statue with a sword. Well, now I know generally where we are in the timeline, at least. That’s the statue Rand mentioned to Nynaeve (when he told her to dream on my behalf, Nynaeve; and yes, that still hurts).

Perrin’s second-guessing all his life choices—okay, in fairness, mostly just his recent strategic choices—and Elyas, voice of reason, is making the very good point that you can’t actually anticipate every eventuality. Or, as Lan might say, “You can never know everything, and part of what you know is always wrong. Perhaps even the most important part. A portion of wisdom lies in knowing that.”

Lan may not be there, but I’m glad Perrin has both Elyas and Tam with him. Both of them are good… not just grounding influences but I guess… steadying ones. They’re people who have gone through quite a lot of Life Experience, not all of it pleasant, and have emerged from it with a clear sense of who they are, and how they fit into the world around them. And Perrin needs people like that with him now; Rand needs people who help remind him he’s human, Mat needs his Greek chorus, and Perrin needs… people who have found that kind of balance within themselves, to show him it’s possible. Elyas, who has found his balance between man and wolf. Tam, the farmer and soldier, and neither of those lessening the other. In a way, I think they’re both not unlike the sort of person Perrin himself might be when he’s older.

I suppose what I’m getting at here is, it’s good for Perrin to have some role models.

Ugh, apparently the Two Rivers people are still judging Perrin for that time they think he slept with Berelain. Don’t slutshame the wolfboy, people; for all you know he has an open marriage!

…Okay anyone who’s met Faile could likely guess that’s not the case. But they should know better than to trust so much to rumour, especially when they know Perrin. Unfortunately, though, people are people. Also, you know, Wheel Of Absolutely No Communication and all that. Sigh.

Perrin wants to sneak into the Whitecloaks’ camp for a rescue mission, and Grady just wants to go Dumai’s Wells on their asses. Not…sure either of those is exactly a great solution here, boys. Have you considered talking? Oh, wait, no, forgot what series I’m reading.

He hated the idea of letting the Asha’man loose with impunity. The scent of burned flesh in the air, the earth ripped apart and broken. The scents of Dumai’s Wells. However, he couldn’t afford another distraction like Malden. If there were no other choice, he’d give the order.

And now he knows how Rand felt, when he did give that order.

Still, this could be taken as a small moment of growth for Perrin, to acknowledge—hating the idea but not letting it drag him fully into a crisis of self-hatred—that he could do this, will do this if he has to. That this is an option available to him, and that if it is necessary, he’ll do it. And being able to do that not in the moment (the way he sort of did with the Shaido prisoners, for example), and not in that desperate single-minded focus on finding Faile, but as a simple evaluation of the options available to him, in anticipation of what might be needed for this next task.

Still, for all their sakes, let’s hope it doesn’t come to that.

Not yet, though. There are no coincidences with ta’veren. The wolves, the Whitecloaks. Things he had been outrunning for some time were returning to hunt him.

Wow that sounds almost like self-awareness! And lack of denial! Again, to Perrin’s credit, he’s been alright at that for a little while now, but it’s still a big enough achievement that I’ll celebrate it whenever it happens with these boys.

But yes, Perrin. It’s the endgame of an epic fantasy series; there are no coincidences here.

The Whitecloaks had haunted him since his early days out of the Two Rivers. Dealing with them had never been simple.

It felt like the time had come. Time to make an end to his troubles with them, one way or another.

That, basically. Coming full circle and getting closure to an arc and all that fun stuff.

Which is another reason why this shouldn’t end in violence, perhaps. Because that’s what started all of this: Perrin fought the Whitecloaks, and killed two of them (and then several more, with Gaul, for old times’ sake), and had to Deal With That, both in his own mind acknowledging himself as a killer and with the consequences of it. And at every stage of this he’s been in conflict with the Whitecloaks. Fighting them directly, or at odds with them in the Two Rivers.

(They make such a good point of conflict for him too, especially when you set the Tuatha’an on the other side, because together they kind of represent an extreme version of some of the sides of Perrin’s own conflict within himself. The Tuatha’an as an extreme version of his wish for peace and his fear of the violence he carries within himself; the Whitecloaks as an extreme version of a determination to do the right thing.)

But now the Whitecloaks are being set up for a kind of redemption via Galad, and Perrin’s arc is drawing to a close for the endgame, and so it would fit both sides for this long-running conflict, which challenges the fundamentals of who they are, to come to a close not in violence but in alliance. To recognise in each other something to be admired rather than only something to be feared or hated. To see points of similarity rather than just irreconcilable difference. Because to do so would also, I think, mean accepting some of those things in themselves, so that they can all move forwards.

And on the subject of alliance where once was enmity, the Asha’man and Aes Sedai with Perrin have figured out linking. Well, Neald has, and Grady seems keen to get on board. Cooperation! Overcoming millennia-long barriers! Being stronger together!

“Light! It’s wonderful. We should have done this months ago.”

Or centuries, but it’s all relative, right?

I do love, though, that at almost every turn, once this kind of cooperation happens, it’s seen by those involved as something positive, treated with this kind of joyous amazement. Like Nynaeve’s first time as part of a circle, or this, or affirmations of friendship, or those moments when characters finally decide to be open or honest with one another. It’s almost always rewarded; it takes a hell of a lot of work and time and pain to get there, but once they do, it’s something good.

“I was wondering if I might…” [Grady] seemed hesitant. “Well, if I might have leave to slip over to the Black Tower for an afternoon, to see my family.”

Oh. Oh man. Okay I think I see where this is going. (The importance of having family, to keep him grounded, as Rand recognised so long ago when he first started gathering men who could channel, before he all but lost sight of his own anchors. And the taint is gone now so it’s safe, or at least safer…).

Also, please let Grady or someone go to the Black Tower because I need a Black Tower interlude. It has been far too long and there have been far too few in the first place. What is happening there. I need to know. Because of reasons.

Damn it Perrin let him go see his family! I mean okay fair, there’s a clear threat ahead and a possible threat behind so tactically yeah, not a great time. And he does agree to let Grady go at some point soon.

“You never worried about this before, Grady,” Perrin said. “Has something changed?”

“Everything,” Grady said softly. Perrin got a whiff of his scent. Hopeful. “It changed a few weeks back. But of course you don’t know. Nobody knows. Fager and I weren’t certain at first, and we weren’t sure if we should tell anyone for fear of sounding delusional.”

“Know what?”

“My Lord, the taint. It’s gone.”

And with it, the certain death sentence they’ve all been living under. It does change everything: once, they were weapons, because that was all they could hope to be in their brief time of power before madness. Once, all they could do in the end was die for this cause. Now, there’s a chance they can live for it. Can let themselves be more than weapons again, can hope for something more.

In its own way it’s yet another version of Rand’s realisation on Dragonmount, for all that this comes earlier chronologically (and for all that we’ve seen it happen already for some of the characters who were closer to the cleansing). This idea that there might be more to the future than death, more to give than a last stand and despair, more to be than a weapon.

The timing of this does seem kind of weird, given that the cleansing was several books ago now, and the explanation that they were waiting to be sure… eh, I suppose no one ever tells anyone anything in this series so it doesn’t strain suspension of disbelief too far. I suppose it just feels weird because everything about Perrin’s chapters up until now has felt like a building up of tension before his inevitable meeting with Galad, and this feels like a kind of random digression.

Not an unimportant one—this is lovely, and fits well in terms of where we are in the overall story in the sense of realisation of hope once thought lost—but just… somewhat oddly placed.

“Seems the sort of thing Rand might have been about,” Perrin said.

Which might just be the most chill reaction to hearing about the cleansing of saidin we’ve seen from anyone. Oh, a miracle? The removal of a three-thousand-year-old evil that has gradually destroyed so much of society and thrown the world out of balance? Yeah, that sounds like something Rand would do, cool, fair enough.

It probably helps that Perrin himself can’t channel, so all of this would feel a bit more… abstract, maybe? Which might make it easier to accept than it would be for someone to whom this is an integral part of their lives. Still, it makes me laugh.

“When I joined the Lord Dragon, I knew what would happen to me. A few more years and I’d be gone. Might as well spend them fighting. The Lord Dragon told me I was a soldier, and a soldier can’t leave his duty. So I haven’t asked to go back before now. You needed me.”

“That’s changed?”

“My Lord, the taint is gone. I’m not going to go mad. That means… well, I’ve always had a reason to fight. But now I’ve got a reason to live, too.”

This, exactly. The difference between having something to die for and having something to live for; dying for a cause and living for one. It’s adjacent to Rand’s own why do you fight question and realisation, but it’s also the realisation that there is something more than death ahead.

There’s a kind of honour, certainly, in knowing he’s going to die and deciding to at least make that death worth something—give that brief time before madness to some kind of cause, use this power that damns him to serve some goal. But now that’s not the only choice. Now he can decide to fight, still, but also to live, and to hope for something else; to be a soldier, yes, but not merely a weapon.

It’s one of those shifts in perspective that from one angle looks so slight but that actually means everything, that changes everything.

And again, while the specific timing in this chapter is a little weird, it otherwise is such a fitting realisation; sure, it’s technically before Dragonmount, but narratively it’s during this time when this kind of shifting perspective is spreading across the world from its epicentre: the mountain where hope first seemed to die and now at last has been restored. This realisation that there’s more than just a dark inevitability to the future; that instead there are choices and things to live for and possibilities and second chances.

(There’s one rather prominent character who still has yet to come to his own version of this realisation, but he’s riding towards it now, unless I am very much mistaken).

That was what Perrin had sensed in the Asha’man all along, the reason they held themselves apart, often seeming so sombre. Everyone else fought for life. The Asha’man… they’d fought to die.

That’s how Rand feels, Perrin thought.

Indeed. And almost surprisingly perceptive of Perrin; for a while in the middle he sort of… didn’t quite allow himself to see Rand’s despair and sadness. But he’s absolutely right, in this.

And he touches on another key part of this change, in that thought of the Asha’man holding themselves apart. Not quite letting themselves be part of the world in the same way as others, not allowing themselves connections and friendships and anchors; turning themselves to weapons (or, in Rand’s case, to steel, to cuendillar). Which then leads to a kind of apathy or despair, to no longer having anything to live for, because they allow themselves nothing, because they don’t allow themselves to be people. But now they can, and so Grady is reaching back out to those things that mattered, back when he was a person and not a weapon (like the veins of gold). Drawing on them once more to pull himself back, to let himself be himself again.

I suppose in a way this ties into where Perrin is in his own story as well, now that he has found Faile and come out of the other side of that single-minded despair in which nothing else mattered. Because he, too, is finding his footing again after that. Finding some kind of purpose. It’s not like-for-like, but it all ties together.

Grady laughed. It felt odd, but good, to hear that from the man.

Laughter and tears.

Oh, are we actually going to get the meeting with Galad now?

“There is a stranger riding along the road towards camp. He flies a flag of peace, but he wears the clothing of these Children of the Light.”

FINALLY.

Oh good Tam is here. Tam is a good person to have around when everything’s likely to go to shit.

Ah it’s Dain Bornhald rather than Galad. That’s… not exactly ideal. He and Perrin didn’t precisely part on the best of terms. Or meet on the best of terms. Or ever interact on anything but the worst of terms, really.

Anyway Bornhald opens by calling Perrin a criminal so we’re off to a great start.

“It is you. The Light has delivered you to us.”

“Unless it has also delivered you an army three or four times the size of the one you have now,” Perrin called, “then I doubt very much that it will matter.”

I’m always here for Perrin’s backtalk, of course, but I’m pretty sure an outright threat isn’t going to help this situation any. Then again, it was more or less a lost cause as soon as Bornhald showed up, given I don’t think anything but a severe concussion and possibly amnesia is going to change his opinion of Perrin, so.

Perrin’s attempting something vaguely resembling diplomacy, in that he’s basically saying ‘why don’t we just ignore each other until we’re out of sight’, but Bornhald’s not so keen on that option. Unsurprisingly.

“But I will leave that for the Lord Captain Commander to explain. He wishes to see you for himself.”

YES. FINALLY.

Though Perrin’s not so keen on walking into what could very likely be a trap, and Tam’s thinking much the same thing… but hey, he’s ta’veren; what could possibly go wrong? When has knowing they’re walking into a trap ever gone anything but perfectly well for any of these characters? (Don’t answer that).

“Burn me, Tam. I have to at least try before attacking them.”

That’s… a fair point, at least given Perrin’s own sense of honour and morality. It’s part of his ongoing conflict with the Whitecloaks as well, really: at none of their encounters has he actually wanted to kill them, or to attack first. He’s not out hunting them, and while he does sort of bear a grudge against them now, it wasn’t always that way. It’s just that there’s quite a lot of bad blood there, and even in the early days things went south quickly, and so it inevitably ended in bloodshed.

The six of them broke away from camp, and blessedly, Faile didn’t seem to have heard what was happening. Perrin would bring her if there was a longer parley or discussion, but he intended this trip to be quick, and he needed to be able to move without worrying about her.

Kind of a shame, given that she could be an asset in a discussion or negotiation. But at least he knows that well enough to be thinking of bringing her along if there’s going to be extended talking, I suppose. Would Galad know her? Maybe not on sight, but I’d imagine he might know her name, and certainly would know her father’s… that could help. Or not; who knows.

HI GALAD.

The tall man had fine features and short, dark hair. Most women would probably call him handsome. He smelled… better than the other Whitecloaks.

This description is just trying way too hard to emphasise the ‘no homo’ that it pretty much runs screaming in the other direction, and I’m laughing.

“Goldeneyes,” the man said. “So it is true.”

“You’re the Lord Captain Commander?” Perrin asked.

“I am.”

Oh, of course we’re doing this without Perrin ever getting his name. Of course. I can’t quite decide if that strains my suspension of disbelief or not, but either way: ARGH. Then again, Perrin’s never actually met Galad and doesn’t know that Maighdin is Morgase, and barely even knows Elayne, so knowing Galad’s identity might not actually help him all that much.

“What will it take for you to release the people of mine you’re holding?”

“My men tell me they tried such an exchange once,” the Whitecloak leader said. “And that you deceived them and betrayed them.”

Well, yes, they would say that. But Galad, you of all people should know that there are probably more sides to that particular story, especially given you’re not getting it from an unbiased source.

Galad keeps listing out Perrin’s alleged crimes, some of which could be argued to be true (killing Whitecloaks); some of which are bullshit (leading Trollocs to attack his own village), but none of which he has any actual evidence for, beyond the word of his own men. Their word against Perrin’s, and it seems like Galad should also know that just because he’s the Lord Captain Commander now, and trying to drag this organisation kicking and screaming into some kind of redemption, doesn’t mean everyone in it is suddenly noble and honourable and not lying outright to him.

Or even that they’re mistaken. That, as is so often the case, there’s just more to the story. That maybe the people whose information he’s relying on didn’t know everything that was actually happening. Which is closer to the truth, really; Bornhald genuinely believes Perrin is evil, and so everything else gets filtered through that lens of confirmation bias.

“I want a more formal parley, where we can sit down and discuss. Not something improvised like this.”

“I doubt that will be needed,” the Whitecloak leader said. “I am not here to bargain. I merely wanted to see you for myself. You wish your people freed? Meet my army on the field of battle. Do this, and I will release the captives, regardless of the outcome.”

I am a little surprised Galad outright refuses Perrin’s request to sit down and talk about this like adults. Because sure, he’s seen Perrin now, but what information does that tell him? It’s a perfectly reasonable request, and nothing Perrin’s said to him has been particularly unreasonable, and again, Galad should know better than to just take as absolute truth everything he’s been told.

Then again, Bornhald told him the truth about Valda and Morgase, so maybe that’s earned him Galad’s trust? Still, it seems odd that he wouldn’t give Perrin some kind of chance—a trial, or a conversation—to defend himself, before challenging him to a battle, where so many more people could die.

I just don’t get Galad sometimes, but what else is new.

“Your force will face ours under the Light,” the Whitecloak leader said. “Those are our terms.”

So you’re just going to sentence some of your own people to death in order to determine this, rather than… talk? Sure. Okay. Trial by combat by proxy; why the hell not.

I’m still guessing it’s not actually going to come to that, somehow, though I can’t quite see how. Unless Galad sees Morgase. That’s the only thing I can think of that could potentially stop this from turning into the mess it’s currently heading for.

He could take the Whitecloak leader captive right here, with barely a thought.

Perrin was tempted. But they had come under the Whitecloak’s oath of safety. He would not break the peace.

That’s some rather weird logic, if you’re intending to then meet him on the field of battle. Capture one person, and the cost is breaking an oath of peace. Keep that oath of peace, and the cost is, very probably, the lives of some of the people following you.

I mean okay, I get it, truce flags should be honoured because otherwise Bad Things Happen, but… eh. Like with a lot of the ‘rules’ of warfare, sometimes thinking about it too hard gets a bit weird.

***

Oh we get a Galad POV now, so maybe his thinking will make more sense. Though admittedly I don’t hold out a great deal of hope for that, because again, Galad’s thought process just baffles me sometimes.

Those golden eyes were unsettling. He had discounted Byar’s insistence that this man was not merely a Darkfriend, but Shadowspawn. However, looking into those eyes, Galad was no longer certain he could dismiss those claims.

Come on, Galad, did no one ever teach you not to judge people by their appearance?

Like, on the one hand… okay, people he trusts have told him some pretty terrible thing about this guy, and he does have (apparently) unsettling eyes, and he didn’t deny any of the accusations Galad listed out. And confirmation bias, again, is a strong thing. It does make sense that he would be wary of Perrin, and expect him to be an enemy, to potentially be evil, and to see that at least his physical description matches what he was told so maybe the rest does, too.

It’s just frustrating.

“They would not have harmed me,” Galad said.

So you’ll believe he’s a monster, but also that you were safe?

To be fair, his reasoning for why he was safe does make sense, more or less, given what he knows and (mostly) what he assumes.

“If he is as you and Child Byar say, then he worries greatly about his image. He didn’t lead Trollocs against the Two Rivers directly. He pretended to defend them.” Such a man would act with subtlety. Galad had been safe.

Well, it makes sense if you partially discard Occam’s Razor and also fail to account for the possibility that he’s not as Bornhald and Child Byar say. Then again, if that’s true, then Galad was also safe, because Perrin’s not a monster or a threat.

Alright, fine, Galad, I’ll give you that one.

Those eyes… they were almost a condemnation by themselves.

Seriously, people, what is it with determining a person’s morality by their eye colour? You live in a world with literal magic! Sometimes weird shit happens!

And Aybara had reacted to the mention of the murdered Whitecloaks, stiffening. Beyond that, there was the talk his people gave of him in alliance with the Seanchan and having with him men who could channel.

Again, I can just about see where Galad’s coming from, and how he’s putting the pieces together, but I wish he’d stop for just a moment to consider that maybe there’s more to the story. But then, he’s hardly the only person in this series to come to not-entirely-accurate conclusions based on flawed or incomplete information. They’re all just working with what they have, and sometimes what they have is wrong, but… well, if I gave Lan’s a portion of wisdom quote to Perrin earlier, I suppose it’s only fair I grant Galad the same courtesy now. He doesn’t have perfect evidence that what he’s been told is right, but it paints a compelling enough picture, and he doesn’t have much evidence to the contrary, either.

Better to defeat this Aybara now, than to wait and face him at the Last Battle. As quickly as that, he made his decision. The right decision. They would fight.

Morgase, get over here; we need you.  

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