Balancing Boulder in Finland – Someone call Wile E. Coyote
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tag yourself i’m heavy metal cat
(pics taken by me from my emily the strange book)
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question.
and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost.
Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half."
All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
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💀Cause I’m the World Ender, Baby🔥
Final version! Wanted to make one with more evergreen text for… poster purposes….
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A Melancholy Gem
Started out as a doodle when I was sad, then continued to render stuff out until we got to here.
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What Happened at Wyvern Rock? (2020, I think) feels like a companion to Other Magic. Perhaps that’s just because I bought them at the same time as part of the same collection. Perhaps because they are both illustrated with lovely woodcuts (though with very different styles). But I think thematically, too. Where Other Magick imports folk magic to RPGs, the stated intention of Wyvern Rock is to bring Strangeness to D&D.
Drew Meger defines Strangeness as an experience or encounter that seems to challenge or defy our underlying understanding of the real world. That seems a touch broad to me, but in practice, Meger is essentially talking about the specific sense of strangeness attached to UFO sightings, cryptids and the fog of mystical and quasi-scientific oddness that tends to surround both. UFOs and Grey Aliens and the Moth Man are concepts that feel very much rooted in the 20th century, but in a weird way, they work extremely well in the context of D&D.
The zine is mostly interested in the Greys and in portraying these aliens and building adventures around them, I can’t help but be reminded of Delta Green, where they, and the Fungi from Yuggoth that control them, work in a similar way. I would not have thought that recontextualizing alien abduction folkore into D&D would work so well, but then I was kind of dubious about Call of Cthulhu meets X-Files, and I love that game now, so really, what do I know?
The main zine is accompanied by a bit of fiction called On Tattered Wings. It’s a fun little bit of cryptids meet D&D cotton candy with some fantastic art. I love Meger’s fusion of UFOs, Lovecraftiana and D&D imagery generally, but it really comes together for me in the fiction zine.
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