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#then it tells me nothing about who they are and what they're capable of or care about
suncaptor · 4 months
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Also I just think it's fundamentally ableist to assume whether or not someone is a child or not and deserves to be infantilised based on their degree of neurodevelopmental capability to do things such as walk or talk. to be real.
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I am not the asshole, and I think this whole thing is stupid, but I was promised that if I sent my side of things to this blog I could pick the hotel for our honeymoon, and I am marrying a man who once tried to take me BACKPACKING of all things, so this ask has become a necessity. In light of that:
AITA (I'm NOT) for planning the seating for our wedding in a logical way?
I got engaged in June, apparently in part because of my partner writing in to this blog (I don't know how to find or link to his posts, but I'm the man who got the cat to bite him, if that rings any bells?). At any rate, for the past ten weeks, I've been in the beginning stages of planning our wedding with my fiance, whom I have been secretly attempting to remove from the planning process as much as possible. I have ALREADY been given a list of his must-haves, and I AM incorporating as many of them as our budget allows. This has NOTHING to do with the emotional side of the event, and EVERYTHING to do with the fact that this is an idiot with no real planning experience or taste who thinks he knows more than me.
For the most part, this has worked very well. I'm the one who's been collating all the contact information for things, so I just replaced all the emails for the tacky companies with false addresses, responded to his inquiries as the companies to say the date was already booked or the price was outside our budget, and let him filter his way to the ones I DO like on his own. I also made a fuss about being "willing to compromise" on the few things he's picked I'm completely fine with in the hopes I can use it to make him compromise later, and have been humming portions of the songs I want on the playlist in the hopes he'll think he came up with the idea to include them himself.
None of this is the real problem. The PROBLEM is that he is deliberately ruining my seating chart, by moving our horrible friend's seat when I'm not looking.
The man in question dated both of us at one point in our VERY early 20s (both ended BADLY), is generally the messiest person we know, and will almost certainly get sloppy drunk and try to make a speech IF he does make an appearance. I'm banking on the fact that he won't, because he's also ridiculously wealthy, and will almost certainly send us some very lavish gift in lieu of coming.
He is SUPPOSED to be sitting beside my fiances aunt, at the same table as his grandmother, his work friend, and her girlfriend, because all four of these women are stone cold terrors who I believe are more than capable of keeping him in line on the slim chance he does come. My fiance INSISTS they won't be able to have any fun if they're running interference all night, and keeps moving him to sit at the head table instead. You know, where WE are. I finally caught him switching the label magnets on my planning board last night, and confronted him.
I tried leveraging how much I've been compromising already, that he's almost certainly going to RSVP no, and that I shouldn't have to deal with him on our big night. My fiance said he knew about all the fake emailing and such, and told me, and I QUOTE: "Look, the mind game shit was hot when it was just about the colour scheme or whatever, but I actually care about this. So you can suffer with everybody else, or you can do the normal thing and not invite a guy you hate to our wedding, you weirdo."
I said that if I did that, it would take out half his groomsmen, he called me an asshole and said I should go explain this to "literally any rational adult" so they could tell me I was in the wrong, and now here we are.
Would you recommend calling my fiance's bluff, since he doesn't want the man sitting near us either? Or should I focus on ensuring he'll turn down the invitation no matter what, so the matter of where he WON'T be sitting can be a moot point?
What are these acronyms?
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The update
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reidmotif · 9 months
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Behind Closed Doors
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Summary: Reader and Spencer are known to be a "tame" couple at work. They get fed up and decide to change how people see them.
Request: Reader and Spencer (in an established public relationship) where they don't do any PDA and you can hardly tell they're a couple. Reader and Spencer get offended, and decide to fool around to get caught.
Couple: Spencer Reid/Fem!Reader
Category: Smut
Content Warning: Reader POV, established relationship, semi-rough sex, dirty talk, heavy making-out, unprotected sex, semi-public sex
Word Count: 4.8k
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Dating Spencer Reid, in a word, could honestly be described as a dream. 
When I’d started a career at the BAU, the last thing on my mind was dating, let alone dating my coworker, but Spencer Reid had subtly woven himself into the corners of my heart with his idiosyncrasies and musings, all without my awareness- and when he'd asked me out? Saying ‘yes’ was the easiest thing I’d ever done my entire life. 
He was ridiculously old-fashioned, and I loved it. He insisted on dinner dates and opening doors for me at any possible opportunity, and I was happy to let it happen. He was a gentleman at every turn, and made me feel special in ways no one had before. If I wasn’t already hopelessly infatuated with the man prior to our relationship, I certainly was now.
A year of dating, a year of loving Spencer Reid, and I honestly couldn’t see my life without him. We’d grown our lives around each other in little ways at first, and it resulted in us being tangled up in the sweetest way imaginable. 
And while my memory isn’t as capable as my boyfriend’s, I can recall in perfect clarity about how fucking good he is in bed. It shouldn’t have surprised me like it had the first time we had sex, but when he had me pinned down to his mattress, pounding into me unlike anyone before him, touching me whilst whispering dirty nothings in my ear, I knew I was a goner. It was simply another facet of Spencer Reid that further cemented my enduring captivation to the man. 
Of course, there were rules when it came to our relationship, considering that even for a blissfully happy couple, we still worked together. Spencer loved having his hands on me, whether it was innocent or not, but when it came to the BAU and public displays of affection, there was a mutual understanding between the two of us that some things were simply kept private. 
Which is why as we stood in the bullpen, side-by-side, we exchanged horrified looks when the surprise seminar that morning was about “inappropriate workplace relationships”. To our knowledge, we’d always kept the romance to a minimum in the office, stealing a kiss here and there when no one was around, or a squeeze of the hand, but nothing beyond that. However, as the moderator for the training began, we both sighed a breath of collective relief as she brought up some suspiciously specific scenarios, realizing today’s seminar was not in fact about us, but rather our coworkers, known for their raunchy telephone escapades, two of our coworkers who were most definitely not in a relationship. 
As we trickled out of the room, exchanging giggles about the very awkward display we were made to watch just now, a very mortified Penelope Garcia approached us.
“Who blabbed?” She asked, adorably frantic as Spencer and I simply smiled and shrugged. 
“Wasn’t us.” Spencer said, a bit and gesturing to me and him. He put his hand on my shoulder and I instantly felt relaxed with the comforting weight of him on me. I gave my own chuckle, naturally bringing my hand up to touch Spencer’s as I responded to Penelope. 
“I mean, you and Derek aren’t exactly quiet about what you do over the phone.” I said, a little mischievously. “I mean remember when Strauss picked up and-”  I started, only to be met with Penelope placing a distressed finger over my lips, hurrying to silence me before I finished my sentence. 
“Shh! I thought we promised to never speak of that godforsaken incident ever again!” Penelope whisper-shrieked, only to be met with my grin. 
“My bad.” I say, while trying to soothe Penelope. I then got a little serious, moving from Spencer’s subtle touch to get closer to her.  “It’s not that bad, Pen. I’m sure everyone will forget in due time.” I said, in my most assuring tone. Unfortunately, Penelope didn’t seem very swayed. 
Derek walked to where we were standing and chatting,  coming to protectively wrap his arm around a very miserable looking Penelope. 
“Did I just hear you say ‘it isn’t that bad’?” Derek said, using air quotes for his imitation of me, laughing as he pulled Penelope closer to him. He continued, “Because from where I was, you and boy genius looked pretty worried for a second.” 
Spencer answered a little defensively, “I mean, obviously.” He replied. “We’re the only ones in the BAU in a public relationship and it’s a surprise seminar on inappropriate relationships, why wouldn’t we think it’s about us?” He explained, raising an eyebrow and tilting his head a little. 
“Because you two don’t even look like a couple!” Penelope said, still sorrowful from her unexpected callout. “Of course it’d never be about you two!” 
“What?” I say, now matching Spencer’s defensive tone from before. “It totally could be about us! And we do look like a couple.” I say, crossing my arms and standing beside him now. 
“Sorry pretty girl.” Derek speaks up, “But Penelope is right. I don’t even think I’ve seen the two of you hold hands or kiss around any of us.” 
Spencer sputtered a little at that, “Obviously! We’re at the workplace!” He says, in a higher pitched tone, fortifying his stance against Derek’s allegations. "It's common to not show PDA in professional settings."
“True love waits for nothing, Einstein.” Derek teases, and then he laughs again. “Pipe down, Reid. I’m only joking.” Spencer seemed  to retract his opposing stance reluctantly, but then Derek added, “You and (Y/N) shouldn’t worry about being appropriate in the workplace, you know? You’re both more than proper when you're in or out of here.” He said, winking, speaking with a knowing tone. 
Spencer groaned at that, but before he could retort and deny Derek’s assessment of our relationship, Derek whisked Penelope away, presumably to console her further over today’s events, leaving me and Spencer just standing there. He looked a little on edge, and I placed a hand over his shoulder, squeezing it softly. I could instantly sense the words, on some level, had gotten to him, and wanted to nip his self-doubt and nervous spiral in the bud before it could even begin. 
“You know he was just joking, right?” I say, speaking gently. 
“I know.” Spencer responded, a little bitterly. “I just.” He stopped, taking a breath before continuing. “I just hate that’s how they see us, you know?” He says, frowning. 
“Well, trust me, Spence.” I say, in an attempt to cheer him up. “This relationship has been anything but proper from the moment we’ve been together.” I say this with a small smirk, hoping he’d catch onto the scandalous undertones of my words, which he did. 
He smiled a little, before murmuring, “Thanks.” I smiled back, and let my hand drop from his shoulder again. 
“C’mon, we got a case.” I say, and he dutifully followed me into the round-table room, the previous interaction with Derek seemingly wiped away from his mind for the rest of the day. 
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It wasn’t until a few days later, in the comfort of Spencer’s apartment, (which was honestly ours, at this point) where he spoke up about the incident again. He was lazily playing with my hair as I was sprawled on his couch, my eyes closed with my head in his lap, a documentary of Spencer’s choosing playing in the background. Truthfully, I was more focused on his fingers lightly trailing over my scalp, the sensation lulling me into a state of deep relaxation and serenity, rather than the droning voice of the narrator, until his voice broke my thoughts. 
“I just don’t know why Derek would say that.” He remarked, out of nowhere. 
“Say what, baby?” I say, opening my eyes slightly. I tried to remember if we’d mentioned Derek at all tonight, and when my memory came up short, I squinted, trying to think, “What are we talking about, again?” I attempted to actually look at him from my lower angle, reading his expression for any clues. 
“You know.” He says, continuing to play with the silky strands of my loose hair, “The thing about us being a boring couple.” 
Memories of the interaction came to mind, and I nodded and let out a noise of realization. “Ah, yeah. From the sexual harassment seminar.” I closed my eyes again, and laid back in his lap. “What about it, love?” 
“It didn’t bother you?” Spencer commented, and I opened my eyes yet again, to see the face of a man who clearly hadn’t brushed off the comment like I thought he had, days ago. 
“I mean, not really, baby.” I say, carefully, trying to not offend him. “But it’s okay if you felt bothered- but I really do think Derek didn’t mean anything by it.” I say, moving out of his lap so I could better see his face. 
“Yeah, I guess.” He says, quirking his mouth to the side.  “I just hate that they think we’re boring or-” 
“Even though we both know we definitely aren’t?” I say, laughing a bit. 
“Exactly.” He responds, with a little bit of a smile. “I just wish we could somehow, I don’t know. Stick it to them? Does that sound petty?” He says, chuckling now, and rubbing the back of his neck in slight embarrassment. 
“Not at all.” I say, quickly. “But it’s not like we can just, you know, start sucking face in the bullpen.” I joke, with a giggle. 
“That we cannot.” He replies, his mood seemingly a little more uplifted from when we began our conversation. “Still.” He says, pursing his lips. 
An idea came to my mind, and I grinned a little at the thought of it. I wanted to make my boyfriend feel better, to let him know at the very least nothing about him bored me in the slightest. 
“Spence.. what if we did anyway?” I say, coming closer to him with an excited lilt in my words. 
“Make out in front of all of our colleagues?” Spencer replies, with a chuckle. “(Y/N), I love you, but no way.”  He says, immediately shutting me down, but I shook my head. 
“No, like more than that.” I respond, quickly, as the gears in my head begin to turn. “What if we like.. pretend to have sex in a closet, let them think they know what’s going on in there, and walk out, totally unscathed.” I continue, a playful glint in my eyes.
It sounded absolutely crazy, but I could tell he was definitely considering it, especially susceptible to an idea like this one after what had happened a few days ago. 
“But we wouldn’t actually be having sex- right?” Spencer says, cautiously. “Just… pretending?” He adds, adorably, biting his lip. 
“Yeah.” I respond, instantly, soothing his worries. “Trust me, having sex in a closet in a federal building seems like a pretty solid fantasy, but I’m okay with leaving that to our imaginations for now.” I say, smiling a little wildly. “So is that you agreeing to it?” I question, looking at him eagerly. 
“I guess it is.” He says, the look on his face now matching the enthusiasm on my own, and he leaned over to plant a soft kiss on my lips. I immediately melted into him, moving to straddle his lap, smiling into each press of his lips against mine. His hands went to my hips, a broken moan escaping him as I felt myself move against a fast-forming bulge underneath me. He breathlessly pulled back, licking his lips. 
“Mm." He said, breathing a little heavier now. "What would you say to a practice round for our pretend session tomorrow- you know, just to get it right?” He murmurs, feeling his cocky grin against my lips. 
“Do you even have to ask?” I retort, smirking. 
My words barely left my mouth before he flipped me onto the couch, leaving me giggling delightfully and sighing with pleasure, as I felt him start a trail of wet, hot kisses down my neck, eliciting soft moans and whimpers that only spurred him on to do more to me. 
I closed my eyes with a dazed grin on my face as he continued his actions, knowing he’d take care of me tonight.  Spencer Reid, without a doubt,  was definitely the best boyfriend I’d ever had. 
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That morning in his apartment, Spencer was all smiles, even more touchy than he was normally if that was possible. He languidly wrapped his arms around my waist as I brushed my teeth, placing little kisses on the back of my neck as I tried not to laugh with toothpaste in my mouth.  
“Someone’s happy today.” I spoke, or at least attempted to speak, whilst he  attacked any exposed skin of mine with his soft lips. 
“Mm.” He grumbled deeply behind me, never once letting up on the task he’d delegated to himself: to somehow kiss every inch of my body before we even left the apartment.
“Maybe I’m excited about what we’ll be doing today.” He replies, clearly very satisfied with what we’d decided the previous night. 
There was a closet in Quantico, just off the hallways. It wasn’t an active hallway bustling with people, but oftentimes agents would come and go through there, and we both decided it provided just enough privacy so that people wouldn’t actually try to come into the closet- but open enough that at least one or two people were bound to hear us, and hopefully ease any concerns anyone had about Spencer and I being a “proper” couple. 
I giggled. “You know Spence.” I move away a little to spit my toothpaste out and rinse my mouth. “You’re a bit more of an exhibitionist than I pegged you for.” I said, a giggle in my voice. 
He wrapped me up in his arms, bringing me as close as he possibly could. “Sure I am.” He mumbled in a sarcastic tone, kissing the top of my head. 
I smile, speaking into his chest, trying to hold back my laughter.  “I don’t hear you denying it.”
“Shhh.” He said, before letting me go with a smile on his face. “We’re not even actually having sex in the closet. It doesn’t count.” He called out, biting his lip with a boyish smile, the type that made me want to jump his bones here and now.
“Whatever you say!” I respond, with a sing-song voice, flashing him a grin before going to get changed for work. 
Throughout the day, I could see Spencer just itching to carry out our plan. He kept making those eyes at me and I’d shake my head, silently communicating that now wasn’t the time. I could see him grumble and lean back in his desk chair, barely able to focus on his work. I giggled at the thought. My genius boyfriend, unable to do simple tasks because the idea of faking sex to get back at our coworkers rendered him stupid. 
As Emily would say, “An IQ of 187 slashed to 60.” 
Finally, after lunch, and less eyes were on either of us, I subtly caught his gaze, tilting my head in the general direction of the closet, and he nearly leapt from his seat. I silently thanked the Gods above that he didn’t draw anyone’s attention, what with how eager he was acting, as we quietly made our way towards the closet. As soon as we were out of the bullpen, and the long, empty hallways of the BAU, he laughed as he unexpectedly stole a long, passionate kiss from me, his lips pressing against mine insistently. I pulled away after a few seconds, thrilled. 
“What was that for?” I ask, with a dazed grin on my face as he continues to walk me to the place of our imminent rendezvous, nearly dragging me there by a firm grip of his hand in mine. 
“I can’t kiss my girlfriend?” Spencer retorts, smugly. 
“Oh, you can kiss her.” I responded eagerly. “I am not complaining whatsoever. Just curious." I said, squeezing his hand lovingly.
He quickly pressed his lips against mine one more, so quickly I wasn’t sure if I’d imagined it. "I'm just excited, I think." He responded. There was a puerile smile on his face, as he led me further and further away from any of our colleagues and towards our final destination. 
As he opened the closet door, he shot me one final look.
“You’re actually okay with this, right?” He asks, surprisingly soft, a stark contrast to his previously excited nature. 
“Second thoughts?” I respond, raising an eyebrow.
“No, no.” He said, laughing. “I just want to be certain that you’re good with this.” He implores, rubbing his thumb over my knuckles absentmindedly. He gave a sigh, biting his lip.  “I know you’re doing this for me and I-” 
I immediately silence him through interruption. “Spencer. I want to do this.” I said, softly. “Please.” I add, conveying that while, yes, this was for him in some roundabout way, pretending like I wasn’t absolutely exhilarated at what we were about to do would be a gross misrepresentation of the situation. 
He seemed to relax at that, grinning a little bit. He let out a little breath of air. 
“Come on.” I urged. “Don’t you wanna make sure the team never calls us dull again?” I said, smirking and egging him on the best I could. 
He nearly shoved me into the closet as he opened the door, with a laugh. “Okay. Let’s do this.”
He placed me in front of him, and we stood face to face in the cramped space. I could feel his breath on me, hear the beat of his heart and I knew that there was no part of me that was hesitant about this. On the other hand, Spencer seemed a bit.. confused. His smile faded, before he knit his eyebrows together. I watched him bite his lip, before pressing them together in a straight line. 
“How do you fake sex in a closet?” He paused. “Do we just.. moan?” He said, tentatively, looking to me for direction.
I decided to just go for it, giving an almost pornographic moan. “Oh, yeah! Right there, oh!-” 
He quickly clamped a hand over my mouth. “(Y/N), what the-” 
I removed his hand with a giggle. “Come on." I urged. "Be loud, it’s what’ll work.” I say, grinning, before letting out a higher pitched moan, attempting to recreate what I normally sounded like during sex. “Yes, Spencer! Please! Please!” I moaned, closing my eyes and really getting into what we were attempting to recreate. 
I could feel Spencer watching me, and heard him breathe before moaning out himself. “Yeah, you like that, you whore?” He groaned out, a little flatly, but groaned out convincingly, nonetheless and I could tell he was enjoying himself. 
“Yes! Yes!” I nearly screamed out. “Fuck, you feel so good.” I moaned, in an exaggerated manner. “More, please!” I said, trying to beg just as much as I did when Spencer was actually fucking me. 
We continued this back and forth for a minute or two, and I grinned internally. Anyone who happened to walk past the closet would’ve definitely heard our faked passion, and to be honest, I was into it. Having people know how well Spencer treated me, it made my heart jump, and I could feel myself clenching around nothing at the thought. My eyes were shut, as to immerse myself in the fantasy more, and my moans only got louder, pitchier, more desperate with every passing second. 
It wasn’t a few moments later that I realized that I was the only one making noise, Spencer going quiet, and I noticed the absence of his soft breathing that was there previously. I opened my eyes, to find an incredibly wide-eyed, embarrassed Spencer, looking right at me. 
“Shit, I’m sorry (Y/N).” He said, awkwardly shuffling. “I didn’t think- it’s just- your moans sound so good and-” 
I knit my brows in confusion at his words before my eyes trailed down, revealing the strained fabric of his slacks, his cock tenting inside them at an alarming rate. His eyes met mine as I scanned them back up to look at him, and he stifled a groan. “Fuck.” He murmured. 
“Look, you can just leave.” He said, a little defeated. “It’s fine. I’ll figure it out. I can't go out like this." He said this while already moving away from the door, motioning for me to leave. 
My lips parted as I shook my head. “No.” I whispered, stepping even closer. “Fuck me. Let me help you." I murmur, placing both my hands on his shoulders and rubbing them soothingly, before starting to kiss his neck sweetly, with feather-light touches.  
Spencer rolled his eyes. “(Y/N). Don’t tease me right now. Especially right now.” He whined out, craning his neck as I planted soft kisses on the skin. The rest of his body leaned into me, desperately seeking the relief my touch brought him. 
When I began sucking at a particularly sensitive spot of his, I earned a throaty moan from him, his head thrown back, and his hands grabbing my waist and pressing our bodies flush together. 
"I'm not teasing." I mumble against him. "I want you."
“Fuck. I’m serious. I’m this close to just-” He spoke, his voice low, but I didn’t want him to be logical about this. I wanted this now. I  interrupted his words with a deep, long kiss.
It seemed to work, his lips crashing into mine, over and over again, like this would be the last time we could ever savor the taste of the other again. As grabbed my face, lips moving ferociously over mine, his grip shifted so he could pin me up against the wall. I moaned into his mouth as his hands trailed down, squeezing the fat of my hip unexpectedly, and he used it as an opportunity to slip his tongue in, lazily exploring my mouth with his own. When we finally pulled back for air, I whispered against his lips. 
“Do it. Please.” I croaked, already grabbing the fabric of his shirt. “Please, fuck me Spencer. Use me. I need you right now.” I wanted to sound as desperate as I felt, the heat between my legs growing unbearable at this point, my clit already wildly throbbing with need. 
“We’re in a closet. Someone could catch us." He quietly groaned out, but I could see the restraint leaving his body with every moment he looked at me. He looked wrecked already, hair strown about messily, his lips red and swollen, chest moving up and down. The only sounds in the closet at this point were my pants and his heavy breathing to accompany it. He took another look at me, my eyes blown out and pleading for him, and it seemed like every barrier in his body suddenly broke.
With no warning,  he spun me around so my back would be towards him, pushing me up against the wall as he hurriedly worked away the button of my jeans.  I could feel myself getting wetter and wetter with anticipation, and when he worked my underwear down my legs, I could sense that I was already dripping, even though he'd barely touched me.  
He seemed to be doing the same undressing to himself, working at his slacks with his deft fingers, and I whimpered when I felt his heavy cock slot between me, the head of his tip running through my folds. I could feel how needy I was for him in this moment, and he seemed to enjoy the sight of my legs spreading just for him. He leaned over to let his finger trail over my slit, collecting some of my arousal on my finger. My thighs immediately quivered at the sensation, a loud moan escaping my lips. 
I felt him grab the back of my skull, forcing me to bare my face to hip. 
“Open.” He commanded, and my mouth hung open, almost as if I was under a spill. He roughly shoved his finger into my mouth, and I understood, closing my lips around them, swirling my tongue around his digits, praying that he’d fuck me soon. 
“Good girl.” He said, smoothly, and I nearly fell over from how weak he was rendering me, but a steady grip on my hair kept me upright. When his finger was sufficiently cleaned, he removed it and kissed me once more, smashing his lips aggresively into mine. I kissed him back, but in that moment, there was really only one thing I wanted. 
“Spencer, please.” I panted in between his never ending kisses. “I need you inside me.” I moaned, trying to convey the enormity of my desire for him. He chuckled at my pleads, pulling my hair so I’d be forced to look ahead of me instead. The anticipation absolutely killed me, and I brokenly moaned again, about to beg once more before he suddenly thrust into me, eliciting a yelp from my lips, which I immediately swallowed down as he began to jut his hips against mine. 
“That’s it. Go on, take it.” He whispered, roughly. “You were made for this, weren’t you?” He questioned, cruelly. “This is what you wanted, isn’t it?” He goaded, going harder and harder with every word he uttered to me in the closet, my desperate attempts to stop my whimpers not being received well by him. 
“What’s wrong, baby?” He sneered, continuing to buck against me. “Didn’t you want the whole team to know what a whore you are for me?” 
I tried to keep my restraint, a low mewl escaping my lips, but that seemed to incentivize him to go even faster, the sounds of our skin slapping against each other filling the room, the smell of sex overtaking every one of my senses. 
“Come on, baby. I wanna hear you.” He then groaned once more, and I could feel how bad he wanted this, how badly he wanted me. The thought made me clench around him, which elicited another moan from his mouth. “I want everyone to hear you.” 
It was like a dam broke through me, and in an instant I was moaning, louder than I had that whole time in the closet, my noises marked by a carnal desire for this, for him. 
“Please, oh god. Spencer- I need to cum, please.” I begged, my mouth hanging open as he fucked me dumb. 
He chuckled at my loss of prudence, rewarding me accordingly. He moved his fingers down to where we were joined, beginning to rub fast, tight circles around my clit. 
“Go on, then.” He murmured. His hips never once wavered, and I could feel his grip on my hips, so tight I was sure there'd be bruises tomorrow. “Come for me.” 
I did, nearly toppling down as waves of my orgasm hit me, convulsing in his arms as I registered the feeling of him continuing to slam against me. I braced myself on the wall, letting him take me the way he wanted, and I could hear his broken moans and whimpers echo throughout the closet.
"Fuck. You're so good." He groaned out, and I let out a low whine at that, which transformed into a sob as he bottomed out in me, making me feel so full. In an instant, I could feel warmth flooding my deepest point, his hips beginning to slow down and still entirely. He pulled out of me, still panting. 
“Holy shit.” He murmured, still panting, watching as the evidence of what we’d just done dripped down my thigh. He helped me out of my bent over position as I smiled at him, dazed. 
“Holy shit, indeed.” My voice came out hoarse, scratched up from how loud I’d been screaming for him. 
“Remind me why we don’t do this again?” He said, grinning and breathless. 
“Something about professionalism?” I offered, still absolutely fucked out as I tried to regain some semblance in my appearance. One look at Spencer and I, and it wouldn’t take long to figure out exactly what we’d been doing. 
“Yeah, somehow after that, I don’t really care about professionalism.” He said, before pulling me into one last, idle kiss. He felt safe, and it felt so good to be with him like this. 
“Good.” I murmured, when our lips finally separated. “Because I don’t think I’d be able to survive if we only did this once.” I said, giggling. 
“Wanna go again?” He offered, raising an eyebrow and running a hand through his hair. 
Let’s just say that the closet became a frequent spot of ours after that. And with how loud I was screaming his name every single time? It’s safe to assume everyone else knew about it too. 
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EDIT: read part 2 (where they get caught!) here!
sorry about the wait this time around! i try to keep my fics within a week of each other, but i've got some life commitments to attend to now. (unfortunate). i hope you guys enjoyed this though!! <3 likes, reblogs, comments, are all greatly appreciated. thank you for all your support<3
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
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My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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selarina · 5 months
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continuation to this
so, that night gojo satoru leaves with no jacket and half a broken heart and for the first time since he was 12 years old, he takes a sip of alcohol as he slouches against his home bar.
it's bitter, and it tastes a bit too much like soy sauce for his liking but he sips and sips until he sees the engraved "S.G" inscription at the bottom of his glass.
"hello, husband," a voice comes from behind him, interrupting his sob fest.
and for a moment, for dumb little moment, he thinks it's you. the voice sounds nothing like you though, it's far too high-pitched, but he's dreamt of this far too much for him to imagine someone else calling him husband.
aya tsukino materialises next to him, and seats herself on a seat beside him. she moves with a certain a quiet sleekness that he barely caught her moving from behind him. or maybe, he's finally out of it. "excited for the wedding, then?" she deadpans as she pours herself a drink.
"thrilled," he parrots back, merely a barren echo of emotions.
there's more truth in this room than there's been in your shared room for weeks. because it's simple really— gojo doesn't want to marry her, and aya couldn't care less as long as she got the money his family had.
before they had even exchanged any words, it was clear that they had this silent agreement that the two of them had little to do with love and everything to do with societal expectations and status.
as gojo attempts to take another sip from his empty company, he can't help but replay the events of the evening in his mind. your anger, and the way you stood up for the love you believed in. it'll haunt him for the rest of his life.
he wonders if you'll genuinely come to understand that he did have you in mind when he left you. he doesn't want you to be a mistress, a dirty little secret. he's seen how it broke his mother apart. how could he wish the same fate upon you knowing how his mother's life ended?
you're strong, and he believes you will persist and he will see at the end of his life sleeping grey and old in his bed as he stares at the way the sunlight hits your laugh lines.
but he also remembers the way you cried in secret. he never brought it up, he never brings it up. he was just waiting for the day you'd be comfortable enough to cry in front of him but for now, he settles for meaningless presents he brings afterwards to wipe off the blue from your face.
he places his glass down with a clink, and he hears a resembling clink from aya. "i'll ask you this only once, gojo satoru," she speaks up. "do you want this marriage?"
"i never wanted this marriage," his reply is immediate.
"of course not," she says. "i meant, do you still want to go through with this?"
he doesn't respond. the both of them know the answer to that, it's written all too clearly on his soppy little face.
"what if i don't," he finally speaks. "what about your money? your status?"
"my money..." she feigns to ponder. "as someone who's always sought out money, i can tell you one thing about it. money, it comes and it goes. i'll find another way as i always do," she says. "i will be fine."
"your father—"
"—is a terrible man, who will go on his pissy campaign against me but i hope it's not presumptuous of me to expect you to come to defence when needed. you know, for all the trouble?"
he chuckles with no mirth. seems trouble is all he's capable of causing the past few days. "of course," he responds.
aya smiles, she supposes there's one benefit of having the strongest sorcerer as her ex-fiancé. she stands up, as she pulls her coat snug against her body as she prepares to leave. "besides, you're not the only rich high-status man in town, you know?"
"well, they're not all me," he replies. his smug demeanour returning to him like it's breathing a new life into him.
"wow, a bonus too," she chuckles.
"and who was that handsome man with you on friday? blonde, glasses, chiselled like a—"
"nanami kento," he replies with a grin.
"nanami kento. is he rich?"
"not as rich as you," he replies. it's true. he's rich, he worked on wall street after all and nanami is a smart man, he has so much in his savings account, it's enough to feed an entire nuclear family. why he saves up is something that's beyond gojo.
"well, he's handsome. tell mr. kento i said hello," she smiles facetiously.
"tsk, fine." he grins again. "get out of here."
-
it's been a week since you heard about the wedding falling apart. and since, you've been hearing about it daily, almost hourly if you're being honest. after all, you're at the centre of it. it only makes sense.
there's a whole slew of narratives running around, cheating, money laundering, even murder. but the most popular one was about how aya was the rosaline to your romeo and juliet. gojo's as romeo as he comes — handsome, influential and maybe a bit endearingly dumb but you fail to see how you're juliet. she was rich, influential, beautiful — everything you've been starkly reminded that you are not.
but everyone's talking about the romance of it all and you haven't heard from gojo himself so it's strange to take their words to mind or heart. you ignore them, forming a ready-made response sheet in your head to every possible question you encounter across the week. they become white noise, as you go through your day like a pre-programmed robot.
but that changes on a hot, dusty afternoon as you're sitting in a cafe, awaiting a man you were advised against seeing, and he's late. of course, he's fucking late. he broke up with you and he has the audac—
he walks in. he looks exhausted, lankier than usual, and there's a cruel part of you that likes it. to know he looks as miserable as you've been seeing. there's the other, familiar part of you that wants to run your fingers against his sensitive eyes as you feed him with the warmth of the diner's food.
but you do neither, you neither smile nor frown. you sit in place as you wait for him to come and sit opposite you.
"hey," his voice sounds gravelly. "i'm sorry i'm late."
"nothing i'm not used to," you reply with a glare as you cross your arms.
his hands reach for the menu as he plays with the edges of the paper. he always orders the same breakfast meal from this place. he must be nervous.
"i... i wanted to talk to you," he starts. "i want you back."
"excuse me? you can't just—"
"i'm willing to do anything. anything. if you want to take it slow, i understand. if you want to take your time, i understand. if you want me to get down on my knees and beg, i understa—"
"do it."
his eyes widen, you can tell — even though the black glasses are blocking his eyes, you can tell. it only lasts for a split second, because you blink with contempt and he's beside you. on his knees, as he stares up at you. he barely stares up at you — he's so tall, he's almost eye-to-eye with you. but even so he hunches his back, makes himself small.
"i'm sorry," he says again, as he takes off his glasses placing it onto the table in front of you. his eyes are alarmingly blood-red, and it takes every muscle in your body to hold back from running your fingers over his. "like i said, i'll do anything. just pleas— take me back."
you stare, and he stares back at you. you're too lost in the way he looks at you — at your mercy — that you miss the strange and baffled looks from people around you. and when you finally do, your cheeks flush with heat.
"okay," you say. " please, get up now."
"no, let me— let me stay," he says. pleads. "just let me stay until you take me back."
"fine," you sigh, as if there was any real objection from your side. "get up now."
"really?" his blood-red eyes gleam, you could almost see a tinge of the vibrant blue coming back to life.
"yes," you groan as your hand grip his elbow. "i was willing to be your fucking mistress. did you really thin— i would say— mmpph"
and just like that he's up, sliding next to you on your seat, as he kisses you. you're ashamed to admit that your first thought was the idea of getting kicked out for public indecency but your second thought was about how you think you could stay like this forever. despite the public gawking at you through mean and baffled stares.
"i'm serious about doing whatever it takes," he says, sincerity laced in his voice. "you shouldn't let me get away with this lightly."
you smile. "I hope you mean it," you reply. "and i won't. i’ll make you work for it, just a little."
he nods with a smile, "anything. i'll make it up to you."
"you have to do the chicken dance," you say, seriously and firmly.
"what?"
"you have to do the chicken dance. right now in the middle of the diner and i'm taking a video," you pull out your phone. "and... i'm sending it to nobara."
his eyes widen, almost like he's feeling actual fear. "not nobara," he gasps. "but she's so mean, baby."
"well, you said anything."
he sighs. gojo looks around the crowded diner, his tall frame rigid and tense. he glances at you, then at your phone, and finally resigns himself to the absurd request.
"fine," he mutters, standing up from the seat as he begins flapping his arms and doing a clumsy version of the chicken dance in the middle of the diner.
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bokutosbiceps · 6 months
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bodyguard boyfriend
eustass kid/monkey d luffy/roronoa zoro/trafalgar d water law/vinsmoke sanji x gn!reader | fluff | ~900 words
warnings: some suggestive/18+ themes but nothing explicit, cursing
a/n: okay, this was heavily inspired by @pileofmush because she wrote such a beautiful match up for me + zoro that i started to think about how some of my fav boys would be protective over their s/o !! this is more comedic than romantic but i had such a good time writing it :3
18+ MDNI
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eustass kid isn't afraid to straight up tell someone to fuck off. he’ll sneer at them through gritted teeth as he stands behind you, keeping a protective hand on the small of your back. if that alone is not enough to send anyone in a twenty foot vicinity scurrying away, he'll approach whoever has their eyes set on you.
“what the fuck do you think you're looking at?” kid will cross his arms and make himself look bigger, which really isn't necessary with his nearly seven foot frame. “get lost, you piece of shit, or i'll make you regret it.”
if this person isn't stupid, they'll immediately obey and never show their face around you again.
you're always oblivious to others’ attention, though, since kid takes care of it so quickly.
“where'd you go?” you’d ask, looking over your shoulder as kid returned to you.
“nowhere, doll, nothin’ to worry about.” he’d say gruffly before assuming his rightful place next to you and draping an arm over your shoulders.
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monkey d luffy doesn't ever get jealous! he doesn't mind if you talk to other people who may or may not be attractive to you, and he doesn't mind if people blatantly hit on you. it's not like he’d ever really pick up on the fact that someone's flirting with you, anyway.
there are times when he becomes protective, though, and that is if someone is harassing you relentlessly, despite your attempts to free yourself from the situation. 
he’ll place himself between you and the assailant, his arms outstretched as he herds you behind him. all he has to do is glare at them, and the cheerful boy who'd been by your side is quickly replaced by your strong and capable boyfriend, who’d fight the gods themselves to keep you safe and sound.
“leave ‘em alone.” he'd say lowly, and that's the only thing he’d have to do. afterwards, he'd wrap his limbs all the way around you and rub his cheek against yours, speaking to you in a soft voice but with a huge grin on his face to try and cheer you up.
“you doin’ okay? i got rid of ‘em for ya. you'll never hafta worry about ‘em again!”
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roronoa zoro is hyper aware of all of his surroundings. every time you're in public, he notices anyone and everyone who happens to even look in your direction. you'd never know it, though, since he's always good at keeping his cool and aloof in most situations.
“i don’ like the way that person is lookin’ atcha.” zoro would grunt, keeping one hand on his swords and the other wrapped around your waist, fingers pressing into your skin.
“ro, there's no one looking at me. calm down.” you'd say with a chuckle. “be my boyfriend, not my guard dog.”
he'd narrow his eyes at you, a very subtle frown grazing his lips, but he'd comply nonetheless. you're right, after all, there's nothing to worry about. 
so he'd just resort to being glued to your backside, hands on your hips and head on a swivel, glaring daggers at this person until they slink away. once they're gone, he'd smirk and huff a satisfied chuckle, letting himself relax as he rests his head in the crook of your neck and closes his eyes. yeah, he's not too worried about it.
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trafalgar d water law doesn't typically get jealous. if he does, he'll hold it in his heart and let it weigh heavy on his chest and just send death wishes to whoever is taking your attention away at the moment. it's very easy for him to get you out of these situations, though. he doesn't really want to deal with conflict, he's too tired for that shit. so he has a very simple solution.
he’ll approach you and the unwelcome stranger, sighing and taking his hands out of his pockets.
“room.” law raises his hand, sending a devious smirk from underneath his cap toward the stranger. “shambles.”
and then the stranger would be gone, simple as that.
you'd turn to law with an exasperated look. “you just can't help yourself can you?”
he would just exhale a chuckle and pull you close with one arm, not saying a word.
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vinsmoke sanji becomes aggressively aware immediately after anyone of the opposite sex expresses even the most minute amount of interest in you. it could be a smile that looks just a little to friendly or a glance that lasts a little too long, he's on it.
he won't let you notice, though. he'll keep his loving and cheerful demeanor, speaking to you in a sweet voice and continuing to call you by your pet name whenever you speak to him. but he's going to be stalking around you, blocking the pursuer’s line of sight with his body while keeping his hands on your hips.
“i’ll be right back, darling!” he’d tilt your chin up to place a sweet kiss to your lips before quickly approaching the stranger and grabbing them by their collar, dragging them out of the area. 
he wouldn't physically harm them, but he'd shove them against a wall and threaten the fuck out of them. “if you ever so much as look at my precious y/n-chan again, i will personally deliver you to hell.”
then he'd be off, running back to your arms with such zest and sweet excitement!
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taglist: @kingofthe-egirls @chopperwithouthishat @usoppsstar + mush but she's already tagged lolol
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dreamchasernina · 2 months
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The live action writers hate Aang
I have given myself a lot of time to think about the live action, and reached the conclusion that the writers hate Aang. I dare you to read read this and tell me I'm wrong.
Let me start this by asking you a question? What's the most badass scene Aang has in the first season of the OG show? No matter what you answer is, I know for sure, that scene doesn't exist in the live action. Aang does absolutely nothing to prove the audience he is the right person to be the Avatar, he learns absolutely nothing throughout the show, he doesn't need to look into himself and change his way of thinking. Nothing. Most of the fundamental lessons Aang learns throughout the first season are gone.
The first mistake Aang does in the OG is staying at Kyoshi island too long, letting the attention go to his head, getting too comfortable. He realises he brought destruction to the island and tries to fix his mistakes by jumping onto the Unagi to help the village. That's how he learned the responsibly he holds as the Avatar and finds a unique way to help the village. Well that doesn't exist in the LA. Instead, Kyoshi takes over Aang's body to fight the whole fire nation for him. Aang, himself, does literally nothing.
The spirit world. In the OG show Aang is forced to face his Avatar duty for the first time by trying to save the village that's beeing attacked by Hei Bai. This is his first test as the Avatar and he fails. Not only that, he loses his friend. So Aang has to figure out himself how to get Sokka back from Hei Bai. He figures out who her bai is, himself, understands why Hei Bai is angry and gives him hope, the way Katara gave him hope. So we see that even though Aang failed at first, he kept trying and was smart and compassionate enough to realise what the problem is and solve it. This does not exist in the LA. Aang sees Hei bai in the spirit world, within a second realises who he is and just gives him the Acorn, without having to face him at all!
Another reason I'm convinced the writers hate Aang is the way all the avatars + Bumi treat Aang. Everyone is mad at him for disappearing for 100 years. And look, I get that, you can be mad at him if he ran away from his duties...but he never did! He went to clear his head on Appa and got caught in the storm. And if he hadn't run away he'd be dead, so why are you all so mad at him?! Bumi being mad at Aang could make sense, because in the OG show Aang did spend a significant amount on time of goofing around before he finds out about the comet. But here, it makes no sense! Bumi is mad for no reason. As soon as Aang got out go the ice he took his duty seriously, so please, make it make sense! And the show just glosses over the fact that if Aang hadn't run away he would be dead with the rest of the air benders. Instead of letting Aang feel guilty himself, which he does in the OG show, they just get these characters to hate on him, because they're incapable of making their characters have any emotional depth.
Aang doesn't learn water bending. At all. And there is no logical reason for that. I guess they thought it wasn't that important but please explain to me how you want to make Aang more serious and focused on the Avatar duties but not make him learn water bending? The literal next step Aang has to take to becoming the Avatar?? That is the only clear goal Aang has from the second episode of the show - to find a master and learn waterbending! Make it make sense!
Taking away Aang's talk with Koh. So I assume if most people didn't answer my question above with the Koi fish, they probably said Aang's journey into the spirit world and his meeting with Koh. In the OG show, Aang has to find a way to figure out how to save the water tribe. He does so by going into the spirit world and talking to Koh the face stealer. So Aang had to talk to Koh showing zero emotions so he doesn't have his face stolen. That scene is so creepy and so badass and shows that Aang is really capable, even though he is a kid, he is facing the creepy ass spirit and is doing an excellent job. So when Aang finds out who the moon and the ocean spirits are, it feels deserved, it feels like an accomplishment. In the live action he doesn't have to show zero emotions because Koh is not stealing faces, he's just stealing random people for whatever reason. Koh tells him exactly what to do, bring me a MacGuffin so I can release your friends, Aang just goes to see Roku, no problem, no obstacles to overcome, brings the Macguffin to Koh and he just releases his friends. Wow, really shows us how resourceful Aang is by making him...get an object and give it back to Koh...
And the very last point that I absolutely hated in the show. When Aang goes into the Avatar state and becomes the giant koi fish and wipes everyone out, the live action show goes out of its way to emphasise that that is not Aang in there. Aang is gone. The Koi fish is just rage. and that's that. Taking away ANY agency Aang ever had. Look, I know in the OG show Aang is not in control of the Avatar state either, but we know that's still Aang in there, that's his power he's showcasing. He might not be in control but that's him doing it all, being all powerful. But in the live action, they tell us Aang is gone, that's just his body the spirit is using. Plus Aang does no watebending himself, no gestures like the original where you can see aang in the sphere water bending, controlling the giant Koi fish, showing us how far he's come as a water bender. But in the LA he's just in the sphere...doing nothing because he never learned water bending so of course that's not him doing all this cool shit.
I am so angry over all of this. This is you MAIN PROTAGONIST. and you made him nothing but a vessel to progress the plot. You gave him no character, no growth, no struggles, no power! So no, you cannot convince me, at this point, that the writers of the live action don't hate Aang. Probably as much as they hate Katara.
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linkspooky · 7 months
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I WANT YOU TO UNDERSTAND ME
It's not surprising to me that Gojo's dying monologue he spent more time talking about his fight with Sukuna than any of his students. Gojo's priority from the beginning isn't to save Megumi but to fight all-out against a strong opponent, the line is: ""The Absolute Strong. The loneliness that follows. The one who will teach you about love is..."
This fight is basically the climax of Gojo's identity crisis which has been a long running issue for him throughout the manga. He's simultaneously a self-confident individualist with an overpowering sense of "ego" and a person with little idea of who he is outside of the role in society that was given to him. Gojo went into the fight looking for someone capable of understanding him, the fight is about Gojo seeking an answer to who he is, that's why he fights and that's why he loses.
Gojo is Not Normal
Nanami's statement is misinterpreted I think.
"You live for Jujutsu. You don't wield it to protect something. You use it solely for the sake of satisfying yourself."
A lot of people took this to mean that Goo didn't care about anyone but himself, even though Gojo directly contradicts this earlier.
"I love everyone and don't feel lonely snow, but somewhere along the way there was a line I drew, not as a human but as a living creature."
He states he does love other people, if only from afar, he just doesn't understand them. Gojo can't make other people his reason to fight, because he only understands himself. He only sees himself. He can only fight for what's inside himself.
"You can make a flower bloom, you can admire it, but you can't tell that flower 'I want you to understand me'
Gojo's students are the flowers. Itadori, Fushiguro and Nobara are all named after flowers. He's raising them up to be as strong as him, he's fond of them, but he doesn't think they relate to him because he exists in a different category of other people.
A lot of people want Gojo to be a more traditional caring mentor figure like Kakashi or Aizawa they're missing what's really interesting about his character. When Nanami says "Gojo only cares about being the strongest" it's true because his entire character is written around the statement "I am the strongest". He is conceptually about what it is like to be the strongest man in existence. That is the character concept, and Gojo's entire identity crisis revolves around that he's built up his personality around being the strongest at Jujutsu and nothing else.
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Gojo can only fight for his own ego and self satisfaction as Nanami says, because he has nothing else, he has no identity outside of that.
However, before I get into why I want to point out that Gojo is not normal. It's not because someone on his power level is fundamentally incapable of relating to other people, but Gojo himself...is not right in the head. He's making an active decision to choose not to empathize with people whatsoever, it's not just that it's hard to understand him, it's that they can't understand him.
Gojo talks about his students like they're members of another species. They're flowers. They can't relate to him on a human level because he's something other than human. A friend had an interesting reading on why specifically it's flowers Gojo chose for his metaphor.
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Plants are less sentient than insects, they don't contemplate anything they are just taken care of by their gardener and grow towards the sun. That's how differently he sees himself from others.
I wanted to include this take from @kaibutsushidousha as well.
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Gojo's not from the planet mars he's a human who has human emotions and human psychology like everyone else, so that's simply not true, but Gojo believes it is and that belief influences how he interacts with everyone.
Gojo can't see himself reflected back in other people for some reasons that aren't his fault and some reasons that are. Gojo has been from birth, treated as different from everyone around him, not for anything he really did but because he was born with a really strong jujutsu ability. He's a literal chosen one. He always seen as the six eyes user, the strongest, before he was seen as a person. His entire life has been defined entirely by the abilities he was born with, he was born to be a Jujutsu Sorcerer so of course that's what he builds his entire identity around.
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Not only is he told that he's categorically different from others, but he also believes it. We know little about his early childhood besides Gege's statements that he was spoiled, but we do see later on in childhood there are people who are willing to treat Gojo normally despite the position he has as the strongest. This is when it starts being Gojo's fault that he continues to see himself as different from other people.
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Shoko, Gojo's closest confidante in his schooldays after Geto's days basically tells him that. She's been with him for years and yet he still has the audacity to act like he's all alone in the world. Even when people try to treat Gojo normally and relate to him on a personal level, Gojo actively ignores their presence in his life like he did Shoko because he's not only been told he's different from other people because he's stronger, but he believes it and he's built his entire world view around it.
This is why the only person that Gojo ever let in was Geto, because Gojo believed that Geto was someone who could stand on top with others. THe only person who could believe the strongest, or teach them about love was someone equally as strong. Gojo just happening to meet another sorcerer who was special class as a teenager not only allowed him to have a friend, but fit perfectly into his narrative that he was separate from others and only someone as strong as him could understand. There are people like Shoko and Nanami who treat Gojo normally despite the fact he's the strongest, but Geto was the only one Gojo met in because he met the qualifiaction of being someone equally as strong.
This isn't really the case for Geto. Geto comes to see weak people as inferior yes in the sense he sees Non-Jujutsu Sorcerers as inferior, but Geto is capable of making connections to other Jujutsu Sorcerer. Geto has his family, he has Nanako and Mimiko and the rest of his followers who he all cares about equally. Geto met all of them and chose to relate to them, he even tells Gojo after killing his biological parents that he's choosing who his real family is now.
"It wouldn't be fair if I made an exception for my parents, now would it? Besides my family now consists of more than just them."
Geto demonstrates someone as powerful as Geto can make a choice to relate to other people. It's shown in the way that Geto treats Nanako and Mimiko, he is their father and he raised them as his daughters. Compared to how Megumi is just a student to Gojo. Gojo's only invested in making Megumi into a strong Jujutsu Sorcerer, because Gojo doesn't fathom connecting to someone weaker than him. He's only their to raise up a strong sorcerer, whereas Geto who's capable of connecting with people in other ways is raising up Nanako and Mimiko and they're connected as parent and child.
Geto and Gojo are similiar in a lot of ways, same level of strength comapred to the rest of humanity, same god complex (and yes it is a god coplex, there's a reason the two people Gojo relates to are Geto who has constant religious imagery associated with him and Sukuna who's literally satan) and yet Geto shows someone roughly Gojo's power level can make connections to others Gojo just chooses not to.
This is where I'm stealing from a friend's post a bit. @theanimepsychologist points out that Geto notices the beginnings of Gojo's identity complex soon after it started with Toji.
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I always thought of the panel above as Geto being jealous of Gojo surpassing him in strength but, in retrospect, I think Geto’s disappointment had more to do with Gojo’s sense of self over-identifying with the title “the strongest” and how that made him harder to relate to, which is one of the main themes in this chapter. I’ll come back to this in a sec. But first… Quick depth psych segway. I think I’ve said this before, but it bears repeating again that an overwhelming sense of self is all ego. There’s nothing wrong with ego per se. The problem is that an over-identification with ego means inherent separateness because, as an organ of the psyche, the ego sense of self is what gives us a separate identity from the collective.
Geto notices that Gojo is drawing a line between himself and other people, and pulling away because of that because people in the second category of weak can't possibly understand the strong and he's reacting to it. Geto is also the only person to underline to Gojo himself that he's unsure about his own identity.
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Gojo knows he's the strongest, but he doesn't know anything about himself besides that, or even what being the strongest entails in his relation to other people. He's never constructed an identity outside of it in part because he's never had to, nobody has ever challenged him for his title as the strongest, and he also fits jujutsu society's mould perfectly. He's perfect at what he does, why would he need to change? Why would a person who reached enlightenment at seventeen need to reflect upon himself or figure out who he is? You can't really become more enlightened.
The other reason he's never constructed an identity is he's never interacted with anyone on equal terms. Metaphorically Gojo exists in a vacuum of human interaction. How appropriate is it in a way that he was sealed in a box where time didn't move completely alone for who knows how long, because that's kind of just how Gojo sees himself in relation to the rest of the world.
As Psycho points out an unregulated ego results in an inherent separateness from the collective. People don't exist in a vacuum however. We wouldn't know who we are if we were entirely alone. We are defined just as much as ourselves, as we are by our interaction with others.
Ich and Du, translated as I and Thou is a book by philosopher Martin Buber. His two main porositions is that we may address existence in two ways:
The attitude of the "I" towards "it" towards an object that is separate in itself, which we either use or experience.
The attitude of "I" towards "Thou" in a relationship in which the other is not separated by discrete bounds.
I -> It is the world of sensations. If I am looking at a chair, I say "This is a chair. This chair is an eyesore." I am seeing the chair. I don't relate to the chair.
I -> Thou can be used to refer to a relationship between human beings. You don't experience the human being., you can only relate to them and what that relationship means to you. He goes on further to say that love requires a subject -> subject relationship. To love someone means you have to relate to them as if they are another being, you can't love an object.
He's a philosopher to put forward that it's human's connections with each other and their ability to relate to each other that brings meaning to life. Gojo in Buber's terms is only experiencing the world around him, not relating to it. How appropriate of someone with the six-eyes, an ability that gives him sight far better than anyone else to see himself as only an observer to the outside world, like a floating pair of eyes.
The choice that Gojo makes not to relate to other human beings on an equal level, not only isolates him, it affects his sense of self. People cannot exist within a background. Gojo's like a vampire who can't see his own reflection. ? It's all because of this caveat that Gojo himself has set up that no one can possibly relate to him unless they were equally as powerful as him that he can't see himself in others. He can't see himself in others, he can't find anyone to help him understand himself, and therefore his identity crisis goes unresolved.
Twitter user @ det_critics pointed this out that the question: "Take away his strength and what is he?" isn't one Gojo has an answer for, and one he's actively been running from.
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As I said Gojo literally doesn't have a reflection, we see that in story when the prison realm opens its eye and it's just a void where Gojo's face is supposed to be. Gojo choosing not to think of himself as the strongest is also a choice not to think about who he'd be if he wasn't. A question he evades over and over again by telling himself that he can't be understood by people who are weak b/c he categorically exists on a different plane of reality.
When he does look for an answer it's telling just how not normal Gojo is in who he chooses to empathize with: which is Sukuna.
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This is who Gojo as chosen to be the only other person besides Gojo he felt he could relate to. The same person who monologues about weak people like this.
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The same person who monologues that weak people shouldn't even be alive, they should be culled. Sukuna sees weak people as insects. Gojo sees them as plants.
The first person that Gojo relates to as a subject rather than an object Geto is cut short, the next person he relates to as a subject is Sukuna of all people. He chooses to see himself in Sukuna, because Sukuna validates that incorrect idea Gojo has that someone as powerful as him could never possibly be understood by other people. After all, Sukuna the strongest sorcerer of all time isn't even really human anymore, he's a curse a calamity. For Gojo who doesn't see himself as relatable to other human beings this is validation of that mistaken notion.
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It's also telling of how much Gojo's own identity issues have warped him that he finds a curse personally relatable, and even pitiable because it's lonely. Sukuna, who's main problem is that he's bored because a life of killing people is unfulfilling and it's turned him into an adrenline junkie. This is who Gojo's personally chosen to relate to because they both only see the world in the category of "the strong" and "the weak."
Gojo's viewpoint of other people is mistaken for several reasons, but one interesting one was pointed out for me by Psycho. He refers to his students as flowers, but they're lotus flowers. Lotus flowers mean many things, but they're seen as symbols of purity because they rise up from the mud. Gojo is only looking at the flowers, not the mud they rise from .
"No mud, no lotus. The mud is what makes us who we are, and no one can 100% understand what wading through the mud feels like. I think people see oh shiny lotus, the outcome of wading through the mud but they overlook the self because we live in an outcome oriented society.
Gojo is someone who doesn't see the mud and therefore doesn't relate to the personal struggles of others. Which sabotages a lot of his personal relationships. Which like, to bring Megumi into this, Megumi is proof that Gojo IS NOT NORMAL.
Megumi is the kind of special genius that Gojo is, he's born with the strongest technique one capable of killing Gojo, but he doesn't become a special class at seventeen like Gojo, nor is he interested in doing that because Megumi is an entirely different person with differnt personal struggles than Gojo. He has all the raw potenital that Gojo does, but they have wildly different upbringings. Gojo was primed for success by being the spoiled child of his clan, while Megumi is an abandoned child. It proves again Gojo's maxim of people who have that much power are inhuman and don't follow human psychology is wrong because Megumi has all the potential to be as strong as Gojo, but he's just a normal kid. Megumi is still wading through the mud and Gojo doesn't see that.
GOJO IS NORMAL
Jujutsu Kaisen seems to be following Buber's logic on how identity is defined by the interactions we have with other people, because there was a period in Gojo's life where he did create an identity outside of being a sorcerer and that's when he was Geto's friend.
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In the afterlife we even see him regressing to that previous state of being. There was a period for three years in his life that Gojo was something besides being the strongest, and that was when he was Geto's friend too. If Jujutsu Kaisen is about how identity and meaning are both constructed from the interactions we have with other people (subject -> subject) interactions then it's telling that Gojo reverts to his seventeen year old self because that was the first and only time in his life he was capable of relating to another person, and acted like a fully developed person outside of the role of sorcerer he was born to play.
If identities are constructed though that means they're not inherent. Gojo is not inherently the strongest, just as he's not inherently different from other people. This is different from what Gojo's been told his entire life. He was born the strongest. It's inherent to his identity, a fundamental part of who he is. Therefore people who are strong are inherently different from those who are weak, it's something internally different about them which makes it impossible for Gojo to comprehend the motivations of weak people.
Rather than just strong and weak being constructed categories. Gojo's the strongest at Jujutsu but if you took him outside of Jujutsu and asked him to work any other job he'd no longer be the strongest. He's only the strongest as long as he remains in his fish bowl that is Jujutsu Society. However, Gojo believes differently, he believes being the strongest is what he is, it's something inside of him, and something that makes him fundamentally different from others. This is the line that Gojo has been told due to being born with the six-eyes and this is what Gojo has bought.
This is also what his ability the limitless symbolizes, no one in this world can touch him or reach him, he exists somewhere else. However, the limitless can be breached and Gojo has been shown before there are others capable of touching him.
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Toji is the first and only living human being to challenge him, until Sukuna comes along. However, Toji does arguably more in story than just give Gojo a good fight. Toji full on traumatized him, soemthing which Gojo refuses to acknowledge. Toji is the beginning of the end of Geto's friendship, the death of Amanai Riko sends Geto on a spiral for an entire years, and drives a wedge between Geto and Gojo's friendship when Geto self isolates and Gojo doesn't know what's wrong with his friend.
Gojo also experiences what it's like to be defeated for the first time in his life, and his response is to perfect the limitless so he runs it constantly all the time. Remember, before that he was exhausting it doing it for three days in a row, and when Geto told him to take a break Gojo reassured him he wasn't worried because he knew Geto had his back. Gojo was someone who could let down the limitless before that, but afterwards Gojo always insists on fighting alone with his shields up all the time. All to deny that feeling of vulnerability that Toji inflicted on him for the first time in his life, something he remembers years later, you know like trauma.
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There are times when Gojo is reminded that it's possible he's the same as anyone else, he can experience human weakness. Geto's fall is another time, one post says it's particularly challenging for Gojo to comprehend why Geto would defect because he saw Gojo and himself as above others and therefore immune to human weakness.
gojou 100% has a god complex and thats why getous downfall hit him harder than anyone else. he saw himself and getou as above everyone else and exempt from ‘regular’ peoples flaws, he never thought either of them could be led astray and when getou finally snaps hes bewildered that something like that could ever happen to either of them. hes not just heartbroken over his best friend becoming an enemy, hes thrown for a loop because getou, the one person he thinks of as just as above everyone else and incapable of failing as he is, could ever do something wrong, could ever be wrong. hes finally put into a position where he has to face the fact that hes just as capable of screwing up as anyone else and he can’t make sense of it. gojous hesitance in killing getou isn’t just a byproduct of their friendship, it’s also him realizing that it could have easily been him on the other side of the conflict, which breaks the illusion of him being better than everyone for a second. and like that’s still not enough for him to reject this idea, personally i think that his comment about him and getou being 'the strongest’ in volume 0 is indicative of the fact that despite everything he still hasn’t grown out of this delusion.
Gojo has trauma, because he's a human being with human psychology. He makes mistakes, he has terrible past regrets like his friendship with Geto gone wrong, but he doesn't acknowledge those things because as stated above Gojo thinks he's immune to having regular people flaws. Gojo seeing himself in another category from regular human beings also allows himself to deny an vulnerability, because the strongest isn't supposed to have weaknesses. Seeing yourself as too distant to ever be touched by others also means they can never hurt you, emotionally or otherwise, an extreme form of the hedgehog's dilemna which is explored an Neon Gengesis Evangelion, an existentialist piece Gege takes obvious inspiration from.
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The fact that he avoids other human beings, not because he's fundamentally incapable of understanding them but because he's distancing himself from human feelings like loss, pain, suffering these weaknesses that are part of the human experience just proves he's the same as everyone else. If he wasn't capable of feeling those things he wouldn't avoid it, he wouldn't spend ten years mourning Suguru but not killing him directly until he was forced to on December 24th, he wouldn't be trapped by the box because seeing Geto alive made him have a three minute long trauma flashback.
Gojo is a normal human, with normal human emotions and human psychology, albeit twisted from the power he was born with and his unique viewpoint of the world but he doesn't believe that he is. He uses that as an excuse not to interact with others and because of this his identity suffers. Gojo is someone defined by how limited he is in the story despite having limited power.
Gojo fails as much in the story as he succeeds. As my friend @justapanda put it.
"But, it loos like being strong isn't enough..." Another point could also be made here that, regardless of being the strongest at this point, Gojo was incapable of stopping his closest friend from straying down a dark path, which is perhaps Gojo’s greatest failing in the series. This failure also comes back to bite him much later on as Kenjaku’s ace in the hole to finally checkmate Gojo involved surprising him with the now possessed body of Geto, which distracted Gojo long enough for him to be successfully sealed by the prison realm. Once again, the vast amount of power that Gojo had attained turned out to be completely useless in preventing his own sealing, which has now placed him in an inactive role for over half of Jujutsu Kaisen’s duration. Earlier in the story, Gojo once said: “Ironic, isn’t it? Given everything, but unable to do anything.” when referring to the function of his own domain. This was another intentional use of foreshadowing to describe the dilemma that Gojo was inevitably going to face himself. Satoru Gojo is no limitless man, for no one man is without his limits." Another point could also be made here that, regardless of being the strongest at this point, Gojo was incapable of stopping his closest friend from straying down a dark path, which is perhaps Gojo’s greatest failing in the series. This failure also comes back to bite him much later on as Kenjaku’s ace in the hole to finally checkmate Gojo involved surprising him with the now possessed body of Geto, which distracted Gojo long enough for him to be successfully sealed by the prison realm. Once again, the vast amount of power that Gojo had attained turned out to be completely useless in preventing his own sealing, which has now placed him in an inactive role for over half of Jujutsu Kaisen’s duration. Earlier in the story, Gojo once said: “Ironic, isn’t it? Given everything, but unable to do anything.” when referring to the function of his own domain. This was another intentional use of foreshadowing to describe the dilemma that Gojo was inevitably going to face himself. Satoru Gojo is no limitless man, for no one man is without his limits.
Gojo has moments where he brushes up against the idea that he's not capable of doing everything, that he has faults and fails like every other human being. However, that feeling never really lasts for long. He always tends to double down on his belief that he's the strongest rather than facing his faults because that's where he's comfortable. Gojo can't see himself reflected in other people and therefore is not capable of reflecting and critically evaluating his faults. Not only that but avoiding looking too critically at those losses, he also stops himself from feeling the pain of those losses and denies that vulnerability.
Gojo exists on another plane from other human beings, and therefore why would he experience human sadness and pain? All he feels is a vague sense of loneliness and unfulfillment because he's been so alienated from his own emotions and in Gojo's mind that's better than struggling with weakness. Who would deliberately choose to be just like everyone else when you can be special? Why get close to others when the hedgehog's spines are just going to stab you? However, people form connections because of their weaknesses. Humans cooperate with each other because they are a social species. All of society exists because people divide labor and help each other out. Even Gojo can't say there's no point in his life where he was weak, because he was cared for as a child and raised in a family. He didn't come out of the womb a fully formed individual. The darwinian survival of the fittest, and the black and white strong vs. weak way that Gojo sees the world just doesn't exist, especially in modern society. There's nothing wrong with individualism, but the extreme end of individualism is wrong because no one exists in this world alone you share it with everyone else.
Gojo doesn't even see that though, because he's not living in the same world as everyone else. In his mind the limitless makes it so he basically exists on another plane of reality, but again the limitless can be breached.
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Detective critics basically said that Gojo's delusion was always a false one, he always existed in the same world as everyone else, he simply deluded himself into believing otherwise. There are reasons for this, his upbringing, trauma and not wanting to face the pain of that trauma, but it's still a choice he made. Gojo didn't want to live for other people, he didn't want to relate for them, so he lived for himself pursuing his own strength. Ironically, it reflects Toji's own decision to take pride in neither himself or others and live only for the sake of showing that the Jujutsu World that rejected him was wrong.
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Toji chose to live a life where he only lived to fight and prove he was stronger than the sorcerers who rejected him. He chose it over his own son Megumi, abandoning him in order to continue his lifestyle as a mercenary. He even chose it over continuing to live because he stayed and fought against Gojo to prove he was stronger than the pinnacle of Jujutsu. Toji lives for strength, and he is someone even Gojo respected the strength of, but what else does he have?
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Toji's identity is unstable, he doesn't really live for any purpose, he kills people then blows the money gambling, he jumps from women to women to mooch off of them, he's also mentally unstable as well he shoots a little girl in the back of the head and feels nothing. The instability comes from his isolation, Toji is rejected by everyone the same way that Gojo is lauded by everyone. But Toji goes on step further in that he fails to construct any identity outside of being rejected and his entire life is spent rejecting the people who rejected him. Why does Toji want to be strong, he doesn't know. Purpose is something you have to construct for yourself, because there's no inherent meaning to life. Identity is something that's constructed by both yourself and your interactions with others because people aren't born inherently one thing or the other.
Gojo and Toji just refuse to do this, and only focus on themselves and the goal of being stronger. In Gojo's case I'd argue he doesn't fight for other people because he doesn't feel that connection with other people or rather he doesn't let himself. Hedgehog's dilemna to the extreme. Gojo only fighting for himself isn't Nanami calling him a selfish person who doesn't care about others, it's sad because Gojo never found any other reason to fight or meaning to his life but by getting stronger for its own sake.
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Gojo only fights for the sake of satisfying himself, but here's the clincher, he's unsatisfied. Not only did he fail in his goal of giving Sukuna the fight of his life, because he knew Sukuna was holding back on him, but also admits to Geto that what would have really been satisfying is if Geto was there with him to pat him on the back.
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He's failed on both fronts, he's failed at being the strongest and he's failed at making a connection to the people in his life. Gojo and Toji die in pretty much the same way, they die standing up in the middle of battle, but their last thoughts aren't of disappointment that they lost but their loved ones.
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They spent their entire lives believing they were stronger and therefore different than others, and fighting to satisfy their ego and what does it amount to? Toji lived a life of hedonism and then died abandoning the one person he genuinely loved. Gojo has failed his stated goal of revolutionizing Jujutsu Society and dies before he can see whether or not his dream of a reset Jujutsu World will even come to fruition.
They belived they were someone stronger and therefore inherently better, and are put in their place when someone stronger comes along. They die just like all the other mortals. They believed they were alone so they died alone. It's sad and it goes to show how destructive being "the strongest" was to Gojo's identity in the end. Gojo thinks he's Sukuna but Gojo doesn't want to be Sukuna, because Sukuna's alone, and unlike Gojo you could make the point that Sukuna's not a human being who has human emotions because he's a curse. If Gojo was truly someone who could understand Sukuna he would have been truly alone the same way Sukuna is, and that's not what he wanted.
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It's too bad Gojo never thought seriously about what he wanted, and therefore learned his lesson too late. He was always looking for someone he could relate to, except for in the people who were right in front of him.
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homunculus-argument · 8 months
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The ancient Romans didn't really care that much about distinguishing legends from historical records, a cool story is a cool story regardless of how much truth there is to it. Anyway, this one guy, named Gaius Mucius Cordus, later given the cognomen Scaevola - "left-handed", because ancient Romans weren't all that familiar with steel, and "balls of steel" was not an available option. Anyway the story goes that as a young soldier, he sneaked into an enemy' camp to assassinate their king. The attempt failed and he was captured. Looking death in the eye, he figured that the best course of action would be to survive by sheer audacity.
So he looked the king he just failed to assassinate in the eyes, told him that yeah I came here to kill you, and you can kill me now but you better get just as lucky every single time, because there's like 300 guys beside me who volunteered for this mission. And then he stuck his entire right arm into a pyre that was within reach, standing perfectly still in place while letting his hand burn, solidly keeping eye contact with the Etruscan king the entire time, just as a way of going "this is what I am capable of doing. This is what I can and will do to myself just to flex on you. The fuck do you think you could do that would harm me."
And the king was sufficiently freaked out by this and decided to just go alright, fair enough, you win this one, by all means please do fuck off, seriously just get the fuck out of my camp. So Mucius was freed and allowed to return to Rome, alive and unharmed if one does not count the collateral damage of one sword arm. And the Etruscan king came to the conclusion that whatever the fuck the Romans have going on, he wants nothing to do with that, and sent ambassadors to Rome to negotiate peace.
Anyway, that's also vaguely how I feel every time I see a tumblr user whose screen name is something like "autistic-faggot". I'm gay myself and have nothing but respect for people on the spectrum, but if all I know about this person is that this isn't just what they're braced to be called, but what the have specifically chosen to name themselves, and how they prefer to be addressed, you can't tell them shit that would even make them blink.
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ddejavvu · 9 months
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Hi!! So I saw your post for Anakin request and I thought of one. Remember that scene where Anakin and Obi wan go in a club? So I was thinking that scene with Reader and Anakin seeing Reader getting hit on and his being a little jelly. Reader gotta remind him that its him that she wants
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Debilitating Desire - Anakin Skywalker x Reader (18+)
Summary: Anakin doesn't handle jealousy well. When a sleazy patron of a bar you're investigating decides he's got the right to touch you, and Anakin can't react because your relationship is a secret, he has to save his outburst for later. Unfortunately, he's only able to make it a few steps down the street before he decides he needs you, right here, right now.
Contents/Warnings: jedi!reader, fem!reader, smut (minors dni), p in v, rough sex, biting, overstimulation, semi-public sex (they're in an alleyway), jealousy, reader gets grabbed by the wrist by a creepy guy </3, lots and lots of messy kisses, anakin's a little possessive but is anyone surprised
WC: 5.2K / navigation / inbox / send me anakin requests!
feedback is greatly appreciated! comment, reblog, talk in the tags, send me a message, tell me what you think!
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Scouting information from bartenders is next to impossible, but scouting it from their patrons is much easier. Loose-lipped drunks are your targets tonight, and you reconvene with Anakin to corroborate information after gathering intel.
"Okay, I've got a Twi'lek male," You start, and Anakin shakes his head.
"No, no, one of the men I talked to said he was Neimoidian."
"Someone else said Rodian," You groan, "Anakin, maybe we should be asking people who aren't drunk."
"Look around," The man before you scoffs, gesturing to the bar full of nothing but reeling, wobbly drunks, "No one here is sober but him."
"He doesn't have a translator on hand," You drawl, looking at the Ithorian bartender who purposefully 'forgets' his translator whenever someone tries questioning him, "And we don't either."
"We're not getting anywhere," Anakin concludes, a sour scowl on his face as he reaches for your waist to lead you out. "No one's sober, so let's just go, and-"
"I'm sober." A raspy, near-hoarse voice comes from a table nearby, and a hand catches your wrist. Your instinct is to reel back but you don't, even when Anakin's hand tries prying you away with its gloved grip on your waist.
It's a human speaking to you, as far as you can tell, and he's leaning back into the shadowy corner of the bar that he'd been occupying. You're not sure for how long, but if he knows anything about the incident you're trying to gather intel on, you'd like to hear it.
"How long have you been here, sir?" You question, tensing slightly when the man's hand stays firm around your wrist.
"Couple hours," He looks smug, knowing he's holding prized information from two Jedi, "Something you'd like to ask me?"
"You've been here for a couple hours and you're sober?" Anakin questions, pressing you harder into his side in his futile attempt to casually tear you away from the man, "I don't believe that."
"I can hold my liquor," The man boasts, voice far more harsh when addressing Anakin than yourself, "Among other things."
Anakin's had enough. He grabs your hand, stealing it away from the seedy man's grasp and scoffing something unintelligible at him. But you yank him back, a tense smile on your face as you tilt your head towards him urgently.
"I'd like to find out what he knows," You speak forcefully, leaving no room for argument even if Anakin is especially good at creating them.
He scowls at you with an intensity that would normally excite you, though you're not sure you're capable of any feeling other than creeped in the bar you're standing in now.
"You're welcome to go back to the transport if you'd like," You narrow your eyes at Anakin, and the man in the booth leans back smugly at the offer, "But I'm going to do my job."
"Yes, boy," The man disregards Anakin's hands clenching at his sides, "Go back to your ship. You're not needed."
"I'm fine here," Anakin snaps, and the second you sit down across from the man, his hands are on your shoulders as he stands behind you. He grips them tight but the gloved hand clenches just a little more into your skin, and the firm grip grounds you, keeping your voice steady when you speak.
"If you've been here for a couple of hours, you probably witnessed an unfortunate incident a little while ago, didn't you? A fight?"
"There's lots of fights here," The man hums, pretending to think on it, "Can you be more specific?"
"The victim had seven blaster wounds," Anakin seethes, hands only tightening in their grip on your shoulders, "You happen to hear seven blasts?"
"Eight." You mutter, pointing at a singed hole in the wall, "One missed."
"Ah, blaster fight," The man in front of you strokes a hand thoughtfully along his stubbled jaw, "Yeah, 'think I can remember something like that. Some incentive might help jog me a bit, though."
You're not sure whether he means money or sex, but you can't rule either out with the way he's staring. You'd have expected the modest Jedi robes you're wearing to deter any wandering eyes but evidently, some people can't be discouraged.
"We don't have any incentive to offer," You narrow your eyes at him, and Anakin takes over.
"Unless by incentive you mean your life. Tell us what you saw, or you'll envy the target of those blasts."
Your annoyance boils just beneath your skin at Anakin's threats, but you know he won't listen to your urgings to be more careful with his word choice. This man doesn't exactly seem like he'd file a formal complaint with the Jedi Council, but if word ever got around that Anakin was threatening unnecessary violence, you're sure it wouldn't go over well.
Despite Anakin's words having been nothing but a bluff, the man changes his tune when he notices the saber clipped to Anakin's belt, your own hidden beneath the edge of the table. He straightens in his seat, sighing in annoyance, "It was two Neimoidians. Dressed real fancy, stood out like sore thumbs in this place. They cornered some unlucky human over there," He points to the corner of the bar where the singe mark hangs over the cheap decor, "She tried to run, but a Rodian shot her down."
"One Rodian?" You ask, and the man nods.
"Hell of a shot." The man muses with a gnarled grin, and that only makes you more worried. Hell of a shot but he'd fired eight? Clearly they wanted this human - who you have good reason to believe was an undercover informant working against the Separatists - dead.
"The shooter and the Neimoidians were working together?" Anakin confirms, receiving another nod from the man opposite you.
"Thank you," You stand, and to your delight, Anakin's hands snake down your back, the strong, gloved one finding your waist again like a magnet.
"I'm here most nights," The man calls out before you can leave, and you turn to glance at him in disdain as he props his feet up onto the dingy table, "Love to see 'ya off duty, sweetheart."
"Go," Anakin spits against your ear, grip on your waist turning harsh. Your breath hitches and you let Anakin practically push you out of the bar and onto the streets, teeming with civilians until you duck into an alleyway three blocks down from the door.
You're immediately backed up against the wall of the building behind you, but you're too fired up to care as you glare at Anakin, "Don't start with me. Threatening him, Anakin? What if Obi-Wan found out?"
"Obi-Wan is going to be too busy tracking down those Neimoidians to care how we got it out of the guy," Anakin scoffs and the exasperated breath hits your face. His expression only darkens further at the mention of the older man, "That's not the point. Did you see the way he was looking at you?"
"That doesn't matter," You assure Anakin with a soft sigh, but from the distasteful curl of his lips into a hard sneer, it does matter. He's standing tall in front of you with ragged, angry breaths coming from his chest, brows furrowed and jaw clenched as he tries containing his upset. It's not aimed at you, of course, but it's a sight nevertheless. He's all sharp features and tense muscles, rage brewing inside of him that's sure to spill over if you don't turn down the heat in time.
"Men like that are creeps," You dismiss, but Anakin is much less eager to let the situation go, still pressing you against the wall of the dingy alleyway, "Women don't talk to him unless he pays them to, is it any surprise he was forward when I approached him for free?"
"But you gave him no indication-" Anakin gushes, poorly-contained rage grating at his rough voice, "I don't understand. I don't understand how I'm supposed to be yours, how you're supposed to be mine, if people like him think you're theirs for the taking."
"It doesn't matter what he thinks, he can't have me, Anakin." You assure him. You know it's hard for him, being secretive about your relationship. Anakin is highly devoted, to his work, to his training, but most of all to you, and to have to stuff that down whenever you're not alone grates on his nerves.
Your answer doesn't seem to persuade him, so you brace your hand against his rapidly rising and falling chest, "He can't have me because I'm yours, Anakin."
Whatever hateful haze has clouded over his eyes clears like fog as he blinks at your words, probably muscling down hot tears of frustration. He surges forwards to kiss you, and it's hard to be upset that you're pressed against a dirty wall when Anakin's mouth is on your own.
His kisses are fervent and desperate, lips relentlessly catching your own between them. They're sloppy as his hands find your waist like there's magnets in your blood, his palms oppositely charged.
"I want you," He pleads, voice rough and ragged, "I want you all the time. I wanted to take your hand in there. I wanted to take more than your hand," He pants, speaking against your lips that have grown dewy from his saliva. "I wanted to grab your jaw-" He mimics the action, gloved hand clenching at your chin, "And- and kiss you, and bend you right over his table and take you."
"Right in his face," Anakin grunts, and you feel his cock beginning to stiffen through the layers of his robes as he presses himself to you. "Right in his fucking face, angel, I wanted to have you."
"You have me now," You breathe, equally as lustful as you press sticky kiss after sticky kiss to Anakin's tense jawline, "Ani, you have me now, and you have me forever."
"Forever," He groans, and you can see his eyes dilate at the thought. He's perpetually breathless as he chooses to spend his oxygen by kissing you once more. It's all heavy pants and strings of drool, appropriate for the dark, damp alleyway you're hidden in; a dirty fuck for a dirty place.
"Anakin," You moan, your pussy pulsing as his tongue smooths over your top lip, "I need you, here-" Your words muffle as Anakin licks flat over your lips, practically drinking the words out of your mouth, "-here and now. I know it's dirty, but I- I need it. I need you. Please?"
"Say it again," He orders, kissing you so that you can't.
You have to speak while he's still dragging his thick, wet tongue over yours, "I need you."
"More," He presses, his nose now nudging at your cheek as he tilts his head, granting himself only deeper access to your warm mouth.
"I need you," You vow, words garbled as he never backs away from your mouth, "Anakin, I need you."
"You have me," He groans, reveling in the pleasure that your words bring him. His hips roll compulsively against yours, grating through the many layers of robes you're both clad in like he can't stop them if he tries. "And I have you. Angel, I've got you, come here."
He says it like you're trying to leave, like you're not smashed flat between him and a wall. But you try anyways, slinging your hand around his neck to drag him in closer.
Anakin was focused on undoing your belt, but when you pull him close with your arm wrapped behind his neck he pauses, eyes closing as he knocks his forehead against yours.
"Ani-"
"He touched you," Anakin remembers, reaching up to take your wrist in his hand. He holds it delicately, bringing it between your faces to kiss the soft skin against the inside, "He grabbed you. He touched you right here," He peppers more soft kisses against your wrist, "Did he hurt you?"
"No," You hum softly, lips still slick with Anakin's spit, "It was just creepy, that's all. It didn't hurt."
"I'm sorry. I love you," He tells the skin of your wrist, and your hand naturally fits against his cheek, your fingertips ghosting over his ear.
"I love you," You repeat him, and his eyes flit back to your own.
"I love you." He rushes in for another kiss, this one just as desperate as the last. His tongue probes freely through your mouth, he's always been good with it, and your cunt clenches around nothing as Anakin's hands slide back to your waist. This time he lets you sling both of your arms around his neck, shuddering into the kiss when your nails scrape up the baby hairs at the base of his neck.
"Fuck," He groans against your mouth, fingers tugging more desperately now on the belt that he's so accustomed to putting on and taking off. Finally he undoes the buckle, letting it slide down to your ankles. You feel dirty as you hear the clatter of your saber against the ground; you're getting stripped and fucked in a dingy alleyway. But It releases the waistband of your pants, and shame gives way to pleasure as Anakin pries eagerly at the clasp.
"Touch me," You beg, and he's one step ahead of you. His hand presses flat to your belly as he snakes it down your pants, his warm skin pressed flush to your slit as he cups your needy cunt. You feel slick gathered in your pussy, and you're sure if he slips two fingers inside, it'll gush over his digits.
"You're warm," He murmurs, and you're not sure whether he means the spit he's lapping from your mouth, or the way your cunt bleeds heat against his palm. Either way, you know he likes it as his hips buck into your own again, pressing his hand further against your pussy.
"Ani," You feel his bulge through the layers of clothing he's sporting, still dragging him impossibly further with your arms around his neck, practically smashing his face into yours. "Ani, I need you inside, please?"
"I'll take care of you," He promises, kissing sweetly across your jaw, and down to your neck, "Angel, I want you to touch me."
"Hm?" Your brain is dazed, comprehending little as Anakin rolls his palm against your clit.
"Use this hand," He reaches for the one that the man inside had grabbed, "Use this hand, angel, and touch me with it. Get me hard, use the hand he touched."
"Okay," You breathe, scrambling for his belt and letting him help you with the hand that's not down your pants. A part of you is worried someone will see the two of you, but halfway disrobed and shrouded in shadow, you're not recognizable as Jedi, nor are these streets ever free from filth; you blend right in.
When Anakin's belt is undone he lets it fall just like your own had, and you gratefully slip your hands beneath the tunic it had been holding down. You have easy access to his pants now, and slipping your hand inside like he's doing to you means you're met with a half-hard dick.
"You're leaking," You observe, as precum oozes from the head of his cock. You smear it around the tip with your thumb, and his hips jerk into your hand. It's an awkward angle that you're at, stroking his dick while he cups your pussy in the palm of his hand, but it's apparently not uncomfortable to him, because with each pump of your fingers around the length of his cock, it hardens in your grip.
"Oh- fuck, get it- get it messy," He pants, straining as he tries not to cum right then and there at the sight of his pre smeared over your hand.
It's hard not to get it messy. His sticky precum oozes from the head of his dick like a steady stream, beads and beads of the stuff smeared away by your hand to help lubricate the measured strokes you're pumping over his dick.
Your fingers are soon tacky with precum, and his dick makes obscene squelching noises as you run your fist down it. He's panting as his palm grinds hard against your clit, and your hips snap into his hands, moving your entire body forwards. It means your fist slides roughly, sharply straight down to the base of his cock, and he bites back a hiss at the slight pain you've inflicted upon him.
"Now," He breathes rough and ragged, "I need you now. Maker, I'm gonna fucking-" He cuts himself off with a grunt, the hand that's cupping your wet heat flipping and twisting to yank the waistband of your pants down. It catches you by surprise, and the tantalizingly small amount of friction you'd been able to gain while grinding against his palm is gone, leaving the cool air of Coruscant's dingy lower levels to shock you.
"Put it in," He orders, his head downturned, forehead pressed against your own, "Baby, put- get me inside of you, I need-to-be-inside-of-you- there y'go."
You use your fist to line up his cock with your needy entrance, his hips more than willing to close the distance to make it easier for you. You don't get a second to adjust to the heavenly feeling of his tip brushing against your folds before he's jackhammering into you, chest now pressed tightly to your own as he slams you once more against the wall.
You let out a garbled scream as you're instantly full, the pace Anakin sets absolutely merciless on your sloppy cunt. You're well wet enough to provide lubrication for his lengthy cock, but just because you're wet doesn't mean you're ready, and the sensation of him bypassing any cautious thrusts and heading right into jackrabbit territory is one that has you crying out.
"Scream," Anakin hisses, his teeth digging harshly into your plush bottom lip. He licks over the stinging bite mark seconds later, the wet muscle sweeping over your own, "Scream as loud as you can, angel. I want him to hear. Tell him," He pulls away from your mouth only to wrestle your face to the side, his gloved hand gripping tight at your jaw.
"Tell him," Anakin urges, kissing and licking sticky stripes up your neck, "Tell that miserable old creep who makes you scream. Tell him who you love, tell him who fucks you into the wall."
"A- Ani-" You try, but it's not good enough for the man still relentlessly pounding his hips against yours. His free hand is gripping the pliant flesh of your ass with a force that surely means your chub is spilling through his fingers, and he uses the grip to hike your leg up, giving him a better angle to destroy your drooling cunt from.
"Louder. Say it louder." Anakin demands, forcing your jaw open with his hand, "Tell him!"
It's terribly difficult to power through the rather attention-grabbing sensation of Anakin's rock-hard cock bullying your wet cunt. He's rougher than he needs to be, balls slapping hard against the flesh of your ass that he's got in his hold.
But you have to try, and with an embarrassingly loud, desperate pitch to your voice, you scream, "Anakin!"
The second his name comes spilling from your lips in a wanton cry he manhandles your face back towards him, jamming his lips over your own.
"Maker," He growls, "You're so fucking perfect. I tell you to scream my name and you do it," He revels in your obedience, tongue licking a hot, wet stripe over your mouth. He holds it open with his fingers pinched into your cheeks but he doesn't venture inside, merely flattening his tongue over your stinging, swollen lips to leave a drooly residue behind. Only once you've been marked does he delve his tongue between your lips, licking at your own like it's his last meal.
"You're so good for me," His words slur together in their intensity, voice thick and raw with obsession, "Nngh, you're so-" You reach down, barely able to coordinate enough brainpower to take his balls into your hand, massaging them as best you can while his hips piston in and out of you at record pace, "-you're so good to me, Angel. More, give me- more, I want more." He begs, the words spilling over your tongue. He grabs tighter at the flesh of your ass, surely bruising the skin and leaving you sore tomorrow.
"Ah! Anakin," You cry, the feeling of his tongue lapping at your own and swapping spit until there's pools of it around your teeth sending a pulse of electricity straight to your core that makes it throb. Anakin feels your cunt convulse, only pushing his tongue further into your mouth. He's a presence; every part of his body is touching every part of your body. He's all-consuming, he's an enigma, he's yours.
Anakin fucks you harder and faster than ever before. All of his strength training must have done wonders because you can't fathom how he's able to generate that much power this fast, but his hips ram into you while his gloved hand releases your ass to pinch at your clit. He abuses the sensitive bud, pinching and rolling it between his fingers to coax more convulsions out of your sticky cunt.
It works.
The pressure that Anakin presses around your clit lights a live wire of hot, heavy arousal that trails up your spine, heat flowing from where Anakin is still latched onto your shoulder right down to your throbbing core. All of a sudden it's too much, everything is too much, and you feel your orgasm hit you like a speeder, knocking the breath out of your lungs as white hot pleasure burns at your cunt. It's a sensation that splatters firework-worthy bliss from your head to your toes, and your thighs tremble as Anakin fucks you through what might be the most intense, violent orgasm of your life.
"Anakin!" You scream.
Everything he does is rough, from the way his teeth nip at your lips, to the way he's trying to suck your tongue down his throat, to the way his fingers bully your puffy clit, to the way the head of his cock pounds into you with enough force to bruise. It's rough, it's messy, it's aggressive, and it's wonderful. You've never felt such pure jealousy radiating off of Anakin before, and you think it's because you've never been able to indulge him so soon after his jealousy blooms. If he's wary of someone in the temple you have to wait until nightfall to fuck, and if the incident occurs any time before dinner he's more mellow when he finally has you. But now it's fresh, now the brand of raging jealousy is still sizzling against his brain, and he's pumping all of the residual heat straight into you.
"Kriff," He grunts, nearly biting the tip of your tongue as he tries latching onto your lower lip, "Cum. Fuck yeah, angel- angel cum for me, cum- aagh! Cum on my dick," He demands, and you couldn't deny his request if you tried. Your pussy clenches wildly around his cock, convulsing with the force of your orgasm and you claw at his back, regretful that you hadn't stripped off his shirt so that you could scratch up his skin.
All too soon the effects of Anakin's pacing and strength flip a switch, and you're twitching in overstimulation added to your bliss. There's a distinct stinging sensation that's now alongside - and possibly contributing to - your residual ecstasy. The ache is a product of Anakin's sharp thrusts, but his movements are getting sloppy, and all the while he spills obscenities in drool over your tongue.
"You're mine. Gonna fucking cum in you, gonna make you mine, gonna- aah!" He rambles, words and spit alike spilling hastily from his mouth and into your own as he struggles to keep himself steady. He's jackhammering into you so fast that you think he could knock you right through the wall if he tried. You're plastered against it, head thrown back and chest heaving as you try not to collapse under the intense amount of sensation you're receiving.
"Ani," You grip at his biceps, dragging one hand up his left arm and digging your nails into his scalp, "Ani- cum, please cum! Please," You whimper, not sure if you're begging because you need the delicious sensation of his release painting your insides, or because you might pass out if your cunt gets fucked by Anakin's stupidly big cock much more than it has been already, "Please cum!"
"You want me to cum?" He asks, a dreadful rasp to his voice as he ravages your mouth. He bites at your tongue, latches on with his teeth like a wild animal and digs them into the squirming muscle until your saliva runs hot, "You want me to cum in you, angel? You want me to fill you up- stuff you 'til you're leaking?"
"Yes," You moan, one hand still clutching his arm while the other tugs at the base of his curls, "Yes, fuck Anakin, please, I need you to give me your cum! I need your cum, please!"
"You need my cum," He revels, a growl lacing the edge of his voice that sends perpetual shivers down your spine, "You fucking need me. Wish that creep could see you now. Fucked stupid, begging for my cum. Beg for it again, baby. Beg for my cum."
"I need it!" You cry, desperate as you yank tighter at his hair, "Anakin, please, I need it!"
All of a sudden he's no longer invading your mouth, his own latching tightly to your shoulder as he sinks his teeth into you.
"Take it," He grunts gruffly against your skin as he latches onto it, dick finally twitching before spurting hot, thick globs of cum into your spent cunt. Nothing is more gratifying than the feeling of Anakin biting at your shoulder while his hips fuck his cum relentlessly into you, and you're sure you'll be sore all over tomorrow morning. He's letting out the filthiest, most obscene string of grunts against your shoulder as his teeth barely avoid breaking your skin, and though your limbs shake with overstimulation your body doesn't move because it's in his strong grip.
The feeling of him cumming inside of you is like a second orgasm of your own. It's not really a release for you, you haven't cum twice, but Anakin's warm cum flooding your core and squelching as he jerks his hips through his climax feels almost as satisfying as if you were the one cumming. His grunts and growls slowly fade as he comes down from his monumental orgasm, and when he unlocks his jaw from around your shoulder, he leaves behind a ring of teeth marks and a sheen of drool on your skin.
"Kriff," He pants, chest heaving and dick softening as he slumps against you. You're not ready for his added weight, but the little strength he has left is used to hold you upright, so you don't flatten beneath his frame.
"Are you okay?" He hums, lips moving lazily against your neck. They're still wet with spit, and you feel the stuff cooling on your skin.
"I'm okay," You decide, "But- but I don't think I can walk, Ani."
You feel him smile, hear him huff out a laugh even though his eyes are drooping, "I'm sorry. I- It's like I couldn't control myself," He admits, breath fanning warm and wet against your neck, "Not after seeing him grab you."
"I know," You stroke a gentle hand through his sweaty curls, happy to be close to him now that your veins aren't pumping lust through your entire system.
"If Obi-Wan asks," Anakin straightens up, his limbs surprisingly strong for how aggressively he'd fucked you, "You got shoved around by a nasty patron, okay? We'll say they caught you by surprise when you were trying to talk to the bartender."
"Okay." You nod, letting him do all of the work in retrieving your belts from the ground and securing yours around your waist. He hooks his own tightly, his saber thankfully unharmed from being dropped.
"Come here," He holds his arms out, but you barely move to help him scoop you up. He does the lifting on his own, letting you sling your spent arms around his neck and laze your head against his shoulder.
Anakin makes it out of the alleyway, but when he should turn left towards your speeder, he veers right.
"Anakin," You frown, lifting your head wearily to see him approaching the bar again, "Anakin, our speeder's the other way."
"I want you to talk to him," His voice is firm, not much of its honey-sweetness left that had been there after you'd fucked in the dingy alleyway, "I want you to stand there, while I hold you up, and I want you to inform him he'll be questioned by the Jedi Council about what he saw. I want you to lie to him while my cum drips down your legs, angel." He murmurs, his words impossibly filthy even for the setting you're in, "Can you do that?"
"He won't be examined by the Council," Your hazy brain struggles to keep up, "What do you mean?"
"Lie to him." Anakin repeats, eyes slightly darker than they usually are, "Make him afraid while your pussy leaks my cum."
"Okay," You nod willingly, letting Anakin brace your feet on the ground with one of your arms slung over his shoulder to lead you into the bar. Your legs are shaky, you look a mess, but you could be perceived as someone coming away from a nasty fight, so you hold your head high and try to control your thoughts.
"There," Anakin murmurs, spotting the old man where he's already watching you from the corner, "Do it, angel."
Anakin leads you over, stopping short in front of the man's table so that he can't touch you again. He looks pleased at your return, albeit confused as to why you're a mess.
"The Jedi Council wants to speak with you," You recite obediently as the man's eyes widen slightly in apprehension. You can already feel the slow trickle of Anakin's thick cum leaking down your thighs now that you're upright, and it almost distracts you from what you're saying. "They want to know your role in the fight, and what you observed if that's truly all you did. They suspect that you might be working against the Republic, and-"
"I'm not talking to the Jedi Council," The man's face curls into a sneer and his voice is gruff, but not pleasantly so, like Anakin's. He stands from his seat rather uncoordinatedly and bolts for the door, surely expecting you to chase after him. But you don't, you couldn't if you tried, and Anakin gathers you back into his arms.
"Good." He hums, resisting the urge to kiss your forehead for fear of outing your relations, 'You did good, angel. I'm proud of you."
"We'll have to sneak into the temple without interception," You plan as your head rests once more on Anakin's shoulder. He navigates the crowded bar perfectly with you in his arms, and this time he turns towards your speeder like he's supposed to. "Obi-Wan will be waiting for us, but you can tell him to gather the Council, that way we'll have time to clean up."
"Oh, no." Anakin's chuckle is dark as he lowers you into the seat of your speeder. He kisses at your forehead, strokes away a bead of sweat at your hairline, "No, angel. You'll speak to the Council the same way you spoke to that lowlife. With my cum dripping down your thighs."
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islayhawkin · 4 months
Text
Let me take care of you
Newt x f!reader (clint x jeff mentioned- if you don't ship it just ignore it lol)
2,8k
Summery: newt accidentally overhears you talking about liking him but he thinks you were talking about minho
Request: Hello can you do a newt x fem!reader when the reader is a medjack and talk about (I forget if it’s Clint or Jeff) how she is love with him but she didn’t realize he was behind her ? Please
Misunderstandings; hurt/comfort, angst
A/N: okay this escalated pretty quick into angst whoops
Can be read as a part 2 of 'let me help you'
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It was a usual morning in the glade. The runners were getting ready to start their rounds. Alby started to wake everyone up and frypan made breakfest ready.
You and jeff on the other hand were already in the med-hut to check up on a slicer who almost got his arm chopped off yesterday. Jeff held his fingers to the boys neck.
"He's still alive."
You hummed in relief.
"Lost much blood?"
You collected the things to change the bandage on the young boys arm.
"Nah seems pretty good."
You handed jeff a container of warmed up water and a cloth. "Thanks" jeff muttered as he began removing the blood soaked bandage from the arm. You sat down next to the bed and gave jeff a helping hand whenever he needed.
"How are things with clint?" You gave Jeff a teasing grin. Jeff sighed.
"There are no 'things' between me and clint." But he gave up long ago to deny it convincingly in front of you.
"You looked shucking cute cuddled up yesterday evening." You grinned as you took the dirty cloth and water bowl from him.
Jeff scoffed. "Oh yeah what about you lovebirds then? I'm pretty sure you two were the ones cuddled up. Half the glade was probably jealous." He took the new bandage from your hand. A blush coated your cheeks but you smiled softly at the memory. "Yeah we were quite close yesterday."
You realised that the boy jeff was currently treating was still fast asleep. "Nothing wakes him up does it?" You pointed to him.
Jeff chuckled. "He sleeps like a rock. But don't try to distract me. I'm telling you, you need to ask him out."
"Because you're the expert in that?" You raised your brow.
Jeff rolled his eyes and sat down too after finishing the bandage. "No. Because it is so clearly obvious to everyone. Do you know why the boys don't try anything anymore with you?"
You blinked confused. "No...?" "Newt threatens them. They're afraid they'll be banished or beaten to a pulp if they try something with you."
You were speachless for a moment. "What...? No newt doesn't do that... I know he's protective. That's why they set up the rules but he never uses violence."
"Well he does when you are involved. You remember how gally was brought in with a bashed in face? That was newt. Gally, as gally is, apperently said a lot of disrespectful stuff about you which he could not tolerate."
Your heart beat a bit faster. Newt did this for you? You knew newt avoided violence and stuck to order as much as he was capable off. And that he completely neglected these believes as soon as you were involved was weirdly...sweet.
"So I'm telling you- he cares about you very deeply. Almost concerningly so. And everyone of the boys is aware how you two look at eachother."
You couldn't contain your bright smile. "I never knew that. That is very sweet." You sighed dreamily. "He's just so adorable."
Jeff laughed quietly. "I tell you he's beaten someone up and you call him adorable?"
You glare at him with a pout. "You know that's not what I mean. He's just- so handsome. Even when his hair is touseled of sweat at the end of the day. I don't know how he does it. I could listen to his voice all day too. Every time I see him I just want to squeeze him out of excitment."
"I'm sure he is." Jeff muttered with a grin.
"He always looks out for everyone and rather neglects his own needs than others. I'd rather he wouldn't but I like that about him. He also has everything in control. I mean alby is the leader but he's the leader in the background. He always notices when something is wrong and asks about it. When he laughs he has these really cute crinkles on his nose. Sorry I'm rambling."
Jeff leaned forward. "Then do something about it. Honestly in the eyes of everyone you're already-"
Newt cleared his throat as he stood awkwardly in the doorway of the med-hut. He had walked in a minute ago and heard you talking about someone. At first he thought you might actually be talking about him but his self-consciousness told him you were probably talking about minho. You two always were so close. Minho was a phisical guy. He was muscular. Had great humor. Of course newt understood why you'd fall for minho. After all it was his best friend. But it still stung. A lot.
Newt didn't mean to eavesdrop but he couldn't really find a good moment to interrupt until he couldn't stand hearing more.
His face showed a friendly expression but his eyes wouldn't meet your face.
You on the other hand were turning around to look at newt with wide eyes. You didn't know how long he stood there. How much he heard. If he even heard anything so you tried to slow your heartbeat and act normally.
Jeff glanced between you two as if he was watching a very interesting story unfold before his eyes.
"I uh. I need to get some supplies for the runners. They're about to start. But maybe you'd like to bring it yourself to minho?"His eyes were lowered to the ground.
"Yes of course. No problem." You hastily stood up and collected the small supplies for the runners. As soon as you finished speaking newt was already gone again.
You stilled as you realised this and turned to jeff with wide eyes. "Do you think he heard?"
"He heard something."
"Why did he storm off then?"
Jeff raised his shoulders. "You should probably go talk to him."
***
You did try and talk to him but after the encounter Newts behavior changed. He clearly tried to avoid you. He was a lot more in his room. Even locked up so alby couldn't get in to sleep. He almost worked aggressively hard as a track-hoe. Not stopping to work at dinner time and starting to work before the others were even up.
The others noticed too of course. Newt was the glue after all. Without Newts full help the glade got into a more chaotic state. Alby needed to scream around a lot more. He even seemed to be angry at newt for acting this way.
He didn't come to the med-hut anymore. Neither for his limp nor to pick you up for sleep.
For you and frankly everybody else it was a unreasonable change of behavior. You knew the things he overheard in the med-hut were the trigger for this but you could not fathom why he'd be so distraught because of it.
But to Newt it was perfectly reasonable. You were in love with minho and the latter obviously in love with you. The whole glade seemed to be. You were the only girl. What chance did he have.Newt saw it clearly. You always were with minho. Sometimes even disapearing with him into the woods. He didn't even want to think about what you did. You always kissed minhos cheek. Hugged him a lot. Minho always flirted with you.
And it was even worse that minho was his best friend. He loved minho dearly. They've been through everything together. And he couldn't bare the thought of losing you both when you two were so close.
This reaction to the pain he felt in his chest may have seemed overdramatic to a outsider but to newt it wasn't only about 'not getting a chance with you'. It made him realise that the love he felt for you, the hope you gave him, was all in his head. He needed your love. Desperately. And he didn't know how to cope without it again.
This worried you. A lot.The behavior reminded you of the time after his incident. How you first got to know him after waking up in the glade. He seemed broken then and he did now.It made you realise that nothing really changed about newt. He was still that small kid that you first met.
What worried you even more was his self-harming behavior. Not taking any consideration about the state of his body.
He didn't stop working even when alby told him to. Sometimes he didn't show up for dinner because of it. You always took a extra ration from frypan and brought it up to his room.
You knocked softly on the locked wooden door. "Newt?" There was no answer. "Newt I brought you dinner. You need to eat something."
Silence.
You almost layed the plate down in front of the door again when the door opened a bit.
Newt couldn't help but take that glimpse of your care.
You gave him a smile. "Hey." You held the plate out in front of you. "Here. You missed dinner."
Newt took the plate from your hands hesitantely and scratched the back of his head awkwardly. "Thanks."
Before he could close the door again you held the door open with your foot. "Newt what's wrong? I know I've been asking this constantly the last few days but I worry about you. The whole glade does. You're not acting like yourself." Your voice was soft.
He shrugged carelessly. "Maybe I just have my period." He tried to joke. You were glad he attempted a joke again. But you also knew it was his way of distracting of the matter at hand.
You gave him a look. "We both know that is not the reason."
Newt sighed. "There is nothing wrong. I'd like to sleep."
You scanned his face desperate for a answer. "Is all this about what you heard me talking about?"
Newt froze up. "I never heard anythin'. Good night." He closed the door and locked it. He leaned his back against the door and took deep breaths. Blinking away tears.The situation didn't stop him from defending you though. On the contrary. He got more angry. More irretable. The usual calm and collected newt was overcome with a more emotional one.
Minho and alby gave you a explicit instruction to get throught to him at breakfast table that morning.
And you were determined to do so today. This has been going on for a few days too long for your liking. When you made your way over to the gardens in search of him the sign you were met with made a stabbing pain in your heart. Newt was working in the garden as usual. Pulling vegatables out, getting new fertilizer, sowing new ones. You normally loved watching him work. But today the pain was evident on his face. His limp finally catching up with the pressure he was constantly putting on it. You saw him stumble a few times but he pushed through obviously.
Until he just...collapsed. His leg gave out under him. You could see him staying layed on the ground. His face on the earth. Exhausted. Suddenly his lanky frame you oh so loved looked a bit too skinny for your liking.
You hurriedly made your way over to him. When he noticed you he tried to scramble up fastly which only made his limp buckle under his weight again. He cursed under his breath.You kneeled down beside him and gripped his arm and a hand around his waist. "Shuck newt. What are you doing..."
"I'm fine. I'm fi-" he struggled to get up again with the few strength he had left.
You pulled him down against you by the waist again. "Stop it." There was a plea in your voice. "Stop it newt. You're hurting yourself."
He still struggled against your hold. "Let go. There is nothing...wrong" his voice cracked.
You didn't let him go. He turned his head away from you as a tear rolled down his cheek and he started to shake slightly.
Everything hurt him. His body. His mind. Only your soft touch gave him comfort.
"Shh." You turned his head to you gently. He didn't meet your eye but you could see in them the pain he was in. You wiped the tear away with your thumb.
"Come on. I'll take care of you." You stroked a dirty strand of hair out of his face and helped him stand up. A lot of his weight leaned on you as you led him into the med-hut. Clint looked up startled when he saw you carry a half limp newt in.
"Out." You ordered him but added a thankful smile.
Clint nodded with a glance at newt and scrambled out of the hut. Newt let himself fall down onto a bed. You took a blanket and tucked him into it, started to boil water on the fire and pushed another pillow under his head.
"I will be right back. Don't go anywhere." Newt watched how you gave him a sweet smile and made your way outside again.You came back with a bowl of food and a bottle of water, shut the door to the med-hut to build as much privacy as possible.
You sat yourself down on the side of his bed and showed him your loot. "What do you want?" A loving smile thrown his way.
"Carrot" he cracked out.
You put the rest of the food aside and handed him the carrot. He moved up to rest his back against the wall and hesitantely began to eat the carrot under your careful watch. The silence engulfed the room for a while only the cracks of the carrot being heard.
You made a heating pad with the boiling water meanwhile and pulled the leg of newts trousers up to gently lay the warm pad onto his throbbing knee.
You did what you always did. Care for him. Take care of him. He had missed this terribly. But he hadn't forgotten what had happened.
He looked at you a long moment. Watched your every move. He felt like he hadn't been able to look at you proberly for way too long. "Do you-" he swallowed. "Do you like my voice too?" His voice was timid. He wasn't sure why he chose that detail to ask.
"What?" You ask perplexed and looked up at his face.
"Nevermind" his voice was still raw.
"Of course I like your voice. How do you come to that question?"
Newt didn't know how to answer that question so he stayed silent.
You sighed and slid nearer to him on the bed. "Newt what's wrong? Please tell me. You are in a horrible condition. I'm worried. Everyone is worried."
"I- heard you. The other day. Talking about minho. You should give him a go if you feel that way about him."
You blinked. To you his talk was making none sense at all.
"but uh-" he swallowed. "Can I still come to you if you...?"
You frowned. "I'm not sure what you're talking about newt. Of course you can come to me. Always. You know that. But what has this to do with minho-?" The words now registered completely in your brain. "You think I was talking about Minho?"
Newt looked away painfully. "Yes I suppose it was obvious for a while..."
You shook your head in realisation. "Newt."
His eyes snapped up to yours. "I wasn't talking about minho. I was talking about you."
Newt thought he hadn't heard right. "W-what?"
"Yes. I mean minho is great. I love him too. But he's not you."
"You like all that about...me ?"
"Of course. You are...amazing." You laughed quietly.
Newt was speechless.
Your heart was beating a lot more faster than normally but you tried to ignore it. Taking a deep breath. "May I...lay with you?" You whispered.
He never wanted- needed anything more. But his brain was in freeze and he could only nod his head.
You cautiously layed down next to him and crawled your body under the blanket too. You were very clode to eachother. You could feel the presence of his body next to you. He felt himself relax in the presense of your body next to him. Your small breath tickling his cheek.
You decided to let your instincts take over and slid your hand around his waist gingerly. Newts body tensed up and he sucked in a small breath at the sudden contact.
"Thank you." He breathed out. His body relaxing again.
"For what?" You whispered.
"Loving me. Pulling me out. Caring for me. Without you I'd probably would have taken another go at that jump long ago." His self humor shone through.
You smiled but lightly squeezed him. "Don't joke about that. I'm glad you feel that way. Thank you too."
"For what?" He retorted my own question back.
"Being you. Looking out for me. I heard the boys were threatened by you?"
A blush formed on his cheeks. "Yeah they were saying disrespectful stuff and I can't let them wander around thinking they can try whatever they want with you."
You smiled. "Always holding the order up."
"It's my job." You looked at his big brown eyes.
"Please don't punish yourself like this again. Don't shut yourself off like this. I'm not sure why you're punishing yourself. You don't have to tell me. But I don't want you to do it. Please? At least talk to me."
"I'll try."
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yourhighness6 · 17 days
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Is Katara "Motherly"? - The Discourse
The whole "is Katara motherly" discourse is a little annoying to me because for one thing its impossible to deny that in canon she acted motherly towards Aang, Sokka, and Toph, with Sokka even saying at one point when he thought of his mother Katara's was the face that came to mind.
But the other problem is that this fits into the shows themes so perfectly of children being thrust into adulthood and enormous amounts of responsibility too easily because of war and the subsequent (or end goals of) genocide, cultural genocide, and colonization. Katara's motherly characteristics are of the show's own making, they're right there in the text and their there for a reason, and although they weren't given enough attention as they should have been, there is no doubt that this is treated as, not exactly a tragedy, but as something bad and debilitating to Katara and her teenagerlike need to goof around with her friends.
But for whatever reason, the fandom seems to think that this characterization is fan made. Katara is supposedly forced into a motherly role by the fandom, particularly the zutara fandom, when in reality it is the show that does this to her. And the whole idea of momtara and dadko is that Katara doesn't have to be the mom anymore. She doesn't have to be the one solely responsible for the chores and the cooking and the emotional labor. She has a partner, and equal, who is willing to put forth the time and energy to assist her in what she feels obligated to do, and to tell her to go sit down sometimes before she burns herself out.
Could the other kids besides Zuko do this? Of course. But as we've already established, everyone in the gaang besides Suki shoves Katara into a motherlike role. Is this their fault? It's hard to say. Toph at least has a heart-to-heart with Katara about it, and Sokka's idea of her as a mother largely stems from trauma.
But my significant problem with Katara's motherly traits comes with the fact that there is no real closure to that arc in the "Runaway". Toph and Katara talk mostly about Toph's parents, and Toph tells Katara that she thinks she is capable of having fun. But other than that, there's nothing. The boys don't have to come to terms with the fact that Katara does not want to be seen (solely) as motherly or put in that position. Instead, the show gives us a few colorful explosions and subtlety implies that it is a little bit Katara's fault that she is seen that way. But again, that's not the fault of the zutara fandom or a reason the trope of momtara and dadko is problematic. It seeks to acknowledge these character traits in Katara, which a lot of kat@angers refuse to do, and give her a way to work past the trauma that caused them and help her adjust to a more healthy amount of stress and pressure on herself for a kid her age.
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Also don't think anyone has said this (thats a joke) but like, art styles aside:
The animation, expressions, movement, everything of ATSV is IMPECCABLE.
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Like insanely, ridiculously, almost mind bogglingly good.
[This is a MEDIUM length post]
The main strength is the Emotion -
In terms of animation, the range of emotions Miguel is capable of expressing is like... crazy good. Gwen's emotions ARE UNSPEAKABLY IMPRESSIVE.
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LIKE...ANIMATING HER FUCKING BREATHING???? AND BLINKS!! AS AN EMOTIONAL CUE. HELLO???!!
And the movie hinges on this - almost every scene has an emotional cue that HAS to hit. Whether is Jess's looks of hesitation or Peter B.'s looks of horror.
And this may seem like the most ridiculous comparison ever made but like...
The Bee Movie and Across the Spider-Verse came out FIFTEEN YEARS APART.
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THE BEE MOVIE...THIS MONSTRASITY that has plagued humankind - was made less than two decades from THIS:
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The fact that we progressed that far as a society (pun intended) in that short of a time will never not baffle me.
I genuinely cannot name any other animated movie that:
Has multiple styles throughout the duration
Can seamlessly change styles without the viewer immediately noticing (like Gwen returning to her universe)
Show two or more animation styles on screen at the same time (and no, Roger Rabbit and Space Jam don't count - that's half live action lol)
Just off the top of my head - ATSV shows up to three styles in one scene: I'm mainly thinking of the scene that shows Hobie (customized - style 1), Peter B. (standard - style 2), and Miguel (a light stylized - style 3).
It can be brought to four if you want to count Miles/Gwen, though their style isn't visible.
I can think of a couple scenes that genuinely blew me away in terms of animation -
One being Rio's 'What-EVER?!' because of the little stance correction and head bob she does, because it's such a natural thing to do. And it adds so much to an already perfect line.
It's something someone would genuinely do IRL without even noticing.
Another I LOVE is Pavitr and Hobie roughhousing.
Like, I can't yell about these five seconds of animation more.
It's SO fluid it looks like Motion-Capture and I left the theatre googling is any Mo-Cap was used in the movie (and from what I can tell - no, it's all original animation).
The way Pavitr falls to the side and bumps them - This not only being a natural reaction to Hobie and his weight, but it also LOOKS natural. So much so you can see it affect Hobie's model too. The movement has kinetic energy on both models -
Which is AMAZING CONSIDERING THEY'RE ANIMATED ON LIKE FOUR DIFFERENT TIMES.
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In this shot alone, there's the guitar, vest, AND Hobie, all of which have their own animation rules. Plus the outline on his guitar AND him. And then there PAVI too, who's running at a higher frame rate, touching and interacting with Hobie.
So much so that Hobie's model nearly wraps himself around Pavi. Pavi's hair is moving, Hobie's guitar is moving, there's movement in the background - and it looks GREAT.
PLUS THE CAMERA IS MOVING AND GOSTLING. IT'S NOT A STATIC SHOT. The models and camera are moving AS IF THEY'RE REAL when they're not.
That's - My..I CAN EVEN COMPUTE THAT.
But by far, I think the range of expression used on Miguel is like... Chef's kiss.
(of course I was gonna trick you into reading another post about Miguel. Uh-huh that's what's about to happen)
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Like... are you kidding me?
NAH DEADASS ARE YOU KIDDING ME?????
The whole later half of the movie hinges on Miguel looking buckwild crazy insane and they NAIL that. And like-
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Oh my god what the actual fuck
?????????????????????????? I........ I have nothing to add. After that picture......Nah... LMAOOO
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(left: actual photo of Moche watching this happen)
But Anyway chile, This movie is like.. genuinely a modern marvel.
If Marvel gave Tim Gunn 4 billion dollars and five years, whatever live-action rendition he would have made would not even compare to ATSV on any conceivable level - that's how good it is so jot that down.
And like...don't even get me started on Hobie..his design..his representation...girl I will start crying in this Arby's do not play with me
I just felt that needed to be said.
you get what I'm saying yall know what I mean iight coo
Here's a picture of Hobie to cleanse your palette.
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Bye.
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halsteadlover · 1 month
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𝐏𝐫𝐨𝐭𝐞𝐜𝐭𝐢𝐧𝐠 𝐘𝐨𝐮
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• Pairing: Jay Halstead x Fem!Reader.
• Requested by @hart-kinsella: Maybe him and mc are working undercover (but they're married in real life) and a guy tries too hard with her (takes her by the arm and invades her personal space as well as trying to flirt with her with words) and then Jay tells him that and punches him. They could be at a club like that one episode when he and Hailey (and Kevin, maybe? I don't remember exactly) were undercover - unfortunately I don't recall which season it was.
• Warnings: mention of drugs, violence.
• Word count: 1543.
• A/N: I know this is not my best work and I apologize 😭 but I managed to quickly write it so I can post something ❤️ and tell me why I stayed for half an hour staring at the wall to think about a title and I ended up with this one 😭 btw love you all and thank you always for your support
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It was no secret Jay sometimes hated undercover missions. Especially if you were involved.
He couldn’t help it. He knew you were an amazing cop, one of the best he ever worked with, capable of defending yourself in any circumstances but since you were also his wife, he couldn’t help but worry about you.
And this case was no different.
You and Jay were undercover due to a drug trafficking case, him as a potential buyer interested in purchasing the drugs, you as his work partner who had set up the connection with Joshua Ryder, the criminal suspected of being the gang’s leader.
Jay was on the verge of losing his mind, not being able to stay still and acting like nothing was happening.
You were both in a club, sitting in a VIP room while you talked with Ryder and convince him to make a deal with you. The rest of the team were instead in some fake company’s vans listening to your conversations in real time.
However, things started to go wrong when Jay noticed one of the traffickers approaching you in a way he didn’t like at all.
“Are you here to do business or watch her like a hawk?” the gang leader had insisted for the umpteenth time while for the umpteenth time Jay directed his gaze towards you who continued to giggle with fake enthusiasm with one of Ryder’s henchmen.
You were uncomfortable, as with any mission that involved getting close to another man other than your husband. You knew it was your job, that you had a duty to fulfill and your private life had to stay out of it but sometimes it wasn’t that easy.
“You sure you don’t want anything to drink, sugar?” Asked the man who insistently continued to hit on you. You didn’t even know his name – or care to know – but you smiled anyway with fake naivety, slightly shaking your head.
You quickly glanced at Jay who was sitting in front of you, noticing he was busy talking to Ryder, but his gaze met yours for a moment. It was brief but in that simple look you understood he too had noticed that guy’s insistence. Jay had his arms crossed over his chest, breathing heavy, his jaw clenched as he saw how this man insisted on getting closer to you.
He was disgusting, he smelled of alcohol from miles away, and you had to repress the urge to vomit and the instinct to punch his ugly face.
The man approached further, sliding on the sofa towards you and you moved back, trying to create further distance but without making it obvious and making him suspicious.
“You know, my boss is quite jealous of his employees, you shouldn’t be so close to me,” you falsely giggled but he didn’t seem to get the hint, in fact, it seemed to amuse him even more.
“We’re all one big family here darling, what’s mine is someone else’s and what’s someone else’s is mine…” He rested an arm on the back of the sofa behind your shoulders and although he hadn’t even touched you, you felt your skin crawl and the urgent need to throw yourself into an acid bath. “If you want to do business with us your boss will have to learn how to share… Especially with such a beautiful and gracious girl like you.”
The desire to kick him in the balls was intense and you wondered what kind of woman would really fall for these words.
Jay was on the verge of losing his mind.
He was trying.
He was really trying but it was so fucking hard to stay still and not react when that son of a bitch was being a creep with his wife. Ryder was talking to him about something he didn’t even care about, but he couldn’t pay attention and process a single word, too focused on you.
He couldn’t help but glance at you every now and then, running a hand on his jaw in frustration and starting to fidget on the spot as he saw the man getting closer and closer to you and invading your personal space, like touching your hair or caress your shoulder.
It wasn’t jealousy, he could never be jealous of a filthy man like him but he deeply hated not being able to do anything to keep you safe without ruining the whole mission. He hated seeing you so tense and uncomfortable although from the way your hands were balled into fists in your lap, he knew you too were itching to punch him.
He hated having to pretend you were simply his work partner and not his wife.
But he swore he saw red when that man’s clammy hand rested on your face and your eyes widened at the contact as your entire body froze in place.
Fuck the mission and these motherfuckers too.
Jay lost control.
That slimy hand on you had driven him crazy and before he knew it, he had stood up and grabbed the man’s hand with his, punching him in the face with all the strength in his body. He didn’t catch the gasp that escaped you and he didn’t even care he had just ruined any chance of doing ‘business’ with Ryder along with the possibility of framing him. While his fist hit that bastard again and again, all he could do was think of those hands on you.
“That’s my fucking wife you motherfucker!” Jay screamed in his face, holding him by the collar of his shirt as the man spat out blood, struggling to keep up with the fury of the undercover detective. “Let me catch you again putting a hand on her or even just looking her way, I’ll enjoy breaking your fingers one by one before throwing you in jail.”
Everything was now chaos.
The team, who in the meantime had witnessed everything through your hidden cameras, burst in when they realized the situation had now worsened to the point of no return. You tried to pull Jay away from the man, but it was totally useless, not when he was so furious that your strength was no match for his.
Ryder was fuming when he realized you were cops and you had tried to frame him, swearing he’d make you pay dearly while Kevin handcuffed him along with the rest of his goons.
“Baby,” you called back but Jay didn’t look at you right away. You stood outside the club under Voight’s orders, a hand on his bicep and caressing him as you tried to get his attention. You were alone in a little corner, waiting for your boss for his inevitable fury.
“You okay?” He asked, his voice low but finally focusing his gaze on you.
You let out a laugh trying to diffuse the tension, you hated seeing him so furious. “You are ask me if I’m okay? I’m not the one who just punched a guy.”
He sighed, tearing his eyes away from you as he ran his hands over his face with frustration. Your heart clenched at the sight of his red and bruised knuckles. “I wish I had killed him to be honest.”
“Jay I don’t want you to get hurt because of me,” you replied, taking his hands in yours and leaving a kiss on the back of them, smiling when you saw his hard features start to soften at the gesture. “I could’ve handled him, I wouldn’t have let him go any further.”
“I know you could baby, you’re amazing,” he softy spoke, tucking a strand of your hair behind your ear. He took a step towards you, closing the distance enough you had to slightly lift your head up to look into his eyes. “But there’s no way on earth that I would have sat there and watched while that son of a bitch put his hands on you.”
He cupped your face with his hands, his thumbs caressing your heated cheeks. “No one gets to put a hand on you, much less against your will. You’re my wife, I’m the only bastard who can touch you and I will gladly kill anyone who dares to do it instead of me, am I clear?”
You let out a breath, almost on the verge of passing out right there and now in his arms. “God baby I want to suck your dick so bad right now. I love when you get so protective of me, it’s so hot.”
Jay burst out laughing, his stomach clenching in anticipation knowing you would stand by your words. He pulled you into a hug and you rested your head on his chest as you wrapped your arms around him. “I’ll always keep you safe, I won’t let anyone touch a single hair of your head, I hope you know it. God knows I would set the city on fire to protect you.”
“I know baby, I love you so damn much it’s insane,” you deeply inhaled the smell of his cologne, leaving a kiss on his shirt coated chest. “But I hope it’s worth it because Voight is coming and I think he’s ready to take us both out,” you continued when you broke away from the hug and saw your boss coming up behind Jay, a furious look on his face.
“Oh yeah, it’ll always be worth it, especially for the amazing blowjob you’ll give me later.”
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oncloudten · 1 year
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you inhale deeply, lightly patting your wound with a washcloth. there really shouldn't be any reason for mindy's voice to be ringing over in your head "be careful with him." she'd told you before you left to go back to your boyfriend's dorm, seeing as your apartment had turned into a crime scene. the drive there had been in complete silence, save for ethan occasionally checking in on you. it's been silent between the two of you since you'd seen him, truthfully.
it's silly, really. to even think about it. especially considering the implications of what it would mean to you. to your relationship. shrugging off whatever ill-intended thoughts that swarm your mind, you glance towards your boyfriend. and yet you can't help the worry and suspicion that settles like a weight in your chest.
ethan must have noticed the way you're staring at him, because the next thing he says takes you by surprise. "why are you looking at me like that?" he asks quietly. "do you think i'm the killer, too?"
you can't prevent the underlying tone of worry in your voice when you finally muster up the courage to reply, you don't even know what you've said until you hear the sound of your own voice ringing back in your ears. "i don't know what to think," you say, your voice barely above a whisper. "it's just- it's... you keep disappearing every time something happens. where were you, e? i needed you with me. and you weren't there. i was stabbed- i lost anika. my best friend died infront of me and you weren't there."
ethan's face is a mask of cold anger, though the softness you've been familiar to for the past year still glimmering in his eyes. "i told you angel, i was at econ. and i'm telling you again, i didn't do it. you have to believe me."
"after everything that's happened... after last year with sam- i'm just not sure what to think anymore. with everything that they're saying... i just-" you pause, cutting yourself off. this isn't even a conversation you want to be having right now.
a long beat passes before ethan speaks up. "they? who is they? mindy? anika? tara? i'm so tired of being accused of being the killer. what's to say those bitches aren't the killers themselves? huh?" although he keeps his composure, his tone is laced with venom. you've never heard him talk like this before.
"i just feel like i don't even know who you are anymore." you whisper, letting go of what you had held back from saying a moment before.
"that's a shame," he says, leaning in closer to you. his tone completely different, it's as if something had shifted in him within a few seconds. "because i feel like i know you better than anyone. in fact, i know everything about you. your fears, your desires, your weaknesses...all of it."
"that's...unsettling," you say, pulling away from him.
"oh, come on," a grin spreads over his face, his tone dripping with implication. "don't tell me you don't find it a little bit exciting. the idea that someone knows you so intimately, someone who's willing to do anything to be with you..." he trails off, his eyes darkening. "it's kind of romantic, don't you think?"
"no, it's not," you say, voice shaking. "it's sick. i don't like the way you're talking to me, ethan. you're scaring me."
"am i?" ethan says in a low scoff, barely audible. "you should be scared, sweetheart. you have no idea what i'm capable of."
you can barely register what he's saying. is this some sick twisted game to him? is he being his usual sarcastic self? surely not- not after what you just went through. your mind is drowning in endless vivid images of your boyfriend brutally murdering innocent people, your friends, your loved ones. this is the man who you've spent every sleepless night with for a year now, the man who you've devoted yourself to in every way possible, and in his own words, a man who knows you so intimately- in ways which you don't even know yourself. "what are you going to do?"
"nothing, as long as you behave." a twisted smile spreads across his face as he eyes your wound, his voice so low. "though that says otherwise, hmm?" he laughs. he actually laughs. "believe me, i never meant for it to happen, princess. but you just had to try and protect anika, and i thought you were mindy- god how i wish it had been that bitch. though i figure she got her warning."
you can't speak. it's as if every fiber of your being has shut down. ethan reaches out to tuck a piece of hair behind your ear, and you let him. you know you should be screaming, shoving him away, running even. but you don't do any of those things. instead, you stare at your boyfriend as he towers over you, accepting the fact that any second now he'd make a move to hurt you. but ethan let's out a soft chuckle when he takes in the expression plastered over your face. "oh my sweet dumb thing. i love you, remember? i'd never hurt you. don't worry, baby. i'd sooner die before i let anything happen to you ever again."
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luffyrose · 1 year
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We're back with another dc x dp, coming to you this time on my phone while hang in off the back of my couch. Is blood rushing to my head? Yes.
Either way, I had a random thought about how personally as a child, I was a little monkey, like if my parents had actually had the thought to put me in gymnastics I would probably be a menace to society. And so my thought was, what if Danny was like that too?
Danny had always been very hyper, like, bounce of the walls, "WHAT ARE YOU DOING ON THE FRIDGE-" kind of hyper. When he started to climb, hang, flip, and just about break something just to have some fun, Jazz finally tried to get their parents to sign him up for gymnastics.
They didn't.
Both had been very happy at the idea, but when it came down to it, they just forgot. And one time without actually paying attention to the two, said gymnastics was for girls, ultimately shattering Danny's budding hobby. Jazz of course didn't just let that dream go, instead finding anything she could to let him learn on his own, at the very least, she made sure he was capable enough to pick it up in his teenage years should he finally get a chance to take classes.
That didn't end up happened either.
He'd died, become Phantom, accidentally become Crown Prince of the Infinite realms, and now had to deal with superheroes realizing that something was up in Amity. More specifically, a credible news reporter finally came to the town and settled the real or not debate in one swift "WTF IS THAT-" upon seeing a giant robot hunter thing(it was Skulker).
Along with all that, his parents, or more specifically his mother, was finally noticing something was wrong. Almost two years after he died, she finally took a second to look at him, and was disturbed. So Danny, being optimistic as he can be, tries to tell them, which goes horribly wrong and ends in a lab explosion and Danny 'stuck' in the Ghost Zone. Really Jazz blew the portal up after reaching her own breaking point and immediately called CPS on her parents since Danny was never gonna come back to them.
Danny all ouchy, there goes my parents because the two destroyed their blood bond by intentionally aiming to harm him instead of the weird loophole they'd been in before. Clockwork being Clockwork yeets him over to Gotham, giving Jazz a note about it.
Over in Gotham, he's actually thrown right from a portal in the aky hurdling down toward one of the city's rogues. Whoever it is, the Batfam are like "wtf-" at the clearly confused child that suspiciously looks like they're one of the Waynes, and so they just take him back. Doesn't help that they're worried since he just got thrown from who knows where and definitely did not take that fall well- also doesn't help that he's clearly bleeding and severely injured.
Danny, after Alfred forces him to rest from injuries, is so hyper. His hyperness had gone into his vigilantism, so now with nothing to deter it, he was going crazy and he felt so stiff.
Cue one of the sibkings walking in to find the kid hanging dangerously off something and just going "hi". Dick has a new favorite(not really he still loves all his siblings the same...maybe Damian and new kid are a smidge higher, but they're younger so it doesn't count).
When he takes the kid to the gym in their house, he is literally running around and getting onto everything. Now Dick has accidentally acquired little acrobatic brother that he's determined to help out with getting better.
Best part, Danny doesn't even realize the others are like "welp he's family now" and is just thinking they're very nice for being rich. He doesn't trust Bruce too much though, sure rich people's mids could be chill(take Sam for example) but parents themselves were iffy.
No one knows how to react to the truth bombs he randomly drops without even realizing it either.
Dick, watching Danny haning upside down from a bar for the last like 10 minutes: whatcha doin buddy?
Danny: thinking about my parents.
Damian, who's also been watching the whole tome but would never admit it: Your parents?
Danny, yeeting himself off the bar with no sense of self preservation: yeah, they told me they'd sign me up for gymnastics. Never did. Claimed it was only for girls. Although I think that was the same day our oven came alive on accident and almost set me on fire so...they were pretty distracted.
Dick, staring in actual horror for many reasons: What?!
Damian, also horrified but not showing it as much: Your oven came alive...?
Danny, who still isn't paying attention and already having forgotten what he said: how do you do that thing you showed me earlier?
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