The second peak corresponds with my interview with WEOC on Twitter Spaces for their Writers for Change series. This is a space where we "leave some gems, take some gems" as Allison puts it, helping each other learn about writing processes that help us grow as writers. Attendees from this segment heard about my work and actively found this piece to read it.
#WritersForChange #WEOC
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The second peak corresponds with my interview with WEOC on Twitter Spaces for their Writers for Change series. This is a space where we "leave some gems, take some gems" as Allison puts it, helping each other learn about writing processes that help us grow as writers. Attendees from this segment heard about my work and actively found this piece to read it.
#WritersForChange #WEOC
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Steve tries to stay quiet while he gets ready for work, but Eddie hears him. He keeps his eyes closed and just listens- to Steve grumbling to himself when his hair doesn’t sit quite right, who starts to hum and whisper some catchy song. Eddie turns his sleepy gaze onto Steve as he shuffles around their room- watching quietly as he slips on his clothes, his shoes, a simple chain with Eddie’s ring around his neck. A warm, affectionate smile breaks across his face. Before he leaves, Steve glances at what he expects to be a sleeping Eddie, but instead, he’s met with a rasped, ‘Hey.’ Eddie sits himself up, stretches his arm across Steve’s side of the bed, and reaches, fingers wiggling. Steve crosses the room to cradle his face.
Their foreheads press, noses bump, and Steve brushes his fingers across scars and dimples.
He breathes a quiet,
‘Sorry, I didn’t mean to wake you.’
Eddie huffs a tired laugh,
‘You know I never mind.’
Because, yeah.
Every morning Steve tries to stay quiet while he gets ready for work, but Eddie always hears him.
( another one from the poll | WIP )
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KIM KITSURAGI - “Is that. My kineema.”
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
uhhh bonus stuff? sorry i have swap au brainworms pfttt
(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)
also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes
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I was explaining this to someone earlier and I don't think I've seen enough people talk about it, but the kids getting four pearls instead of three was actually a really great writing choice. Did anything change? No. Did we all know one of them was gonna break/get lost? Yes absolutely. However, the fourth pearl wasn't about the story. It was about Poseidon. It was about him also being desperate to save the woman he loves. Watch him and Sally in ep 7 and tell me he wouldn't try his hardest to save her too?? It's such a significant insight into him that paired with the scenes we've gotten this episode, tell us so much about him and his relationship with Sally that we don't get to figure out until later in the books.
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The second peak corresponds with my interview with WEOC on Twitter Spaces for their Writers for Change series. This is a space where we "leave some gems, take some gems" as Allison puts it, helping each other learn about writing processes that help us grow as writers. Attendees from this segment heard about my work and actively found this piece to read it.
#WritersForChange #WEOC
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Poets, prophets, and reformers are all picture-makers — and this ability is the secret of their power and of their achievements. They see what ought to be by the reflection of what is, and endeavor to remove the contradiction.
Frederick Douglass, "Pictures and Progress (1864-65)"
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Things you might not realize are affecting your ao3 readership:
Putting unrelated fics into one compilation instead of series or collections
Not tagging your fics/“haha I’m so bad at tagging!”
Tagging all of the ships in a fandom instead of the relevant ones to the story
“This is my first fic ever”/ “I’m really not a good writer” / “sorry if this is crap”
Summaries that say “sorry don’t think I will update much” or “might be abandoned idk”
Tagging “r@pe” or “unaliving” etc instead of the actual tag so people can filter/exclude
NOT tagging major, relevant tags or kinks without using the “creator chose not to use archive warnings” option
Telling people how bad your writing is and how you hate it so much and how they shouldn’t even be reading your fic (self deprecation)
Weird punctuation: not starting new quotes or descriptions on a new line, and/or putting extremely long blocks of text on the page without a break
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