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clownwritesfanfic · 2 days

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I Could Be A Good Mother, and I Wanna Be Your Wife

Katsuki Bakugou x Fem!Reader

Summary: Class 1A is given the surprise task of caring for baby dolls. Everyone is randomly paired up in two’s, and it’s just your luck that you get your crush as a partner.

Warnings: Bakugou may be a little ooc but I don’t care

Genre: Fluff

Word Count: 6,512

Disclaimer: Reader is kept as diverse as possible but wears a skirt, uses the girls locker room, has long enough hair to run fingers through, calls herself ‘mother’, being able to birth a child, and was originally written with a fem aligned person in mind. This is safe for poc, and plus size readers. The majority of the fic is also safe for trans women readers but the bonus at the end is not. (Y/N) is used only once.

Important info before you read‼️

This fic was written originally with an OC of mine in mind, however, most people don’t read Canon x OC and while I normally wouldn’t care and wrote one anyway, I am very proud of this and want as many people to read it as possible and hopefully enjoy it. So with that in mind, I took out any describing factors and her name but I did keep some of her backstory and her quirk. If that bothers you, you can move on but I hope you read it anyway because I’m very proud of this.

Also, there is another OC of mine in this story, Usagi. She’s not integral to the plot and has no speaking roles. I had to add her to keep the class even, otherwise someone would’ve been a single parent.

Any feedback is very welcome and appreciated!

Title is inspired by ‘not a lot, just forever’ by Adrianna Lenker but the fic is unrelated.

———————————————————————

It was a Monday, a few weeks after the majority of Class 1A got their provisional hero licenses when Midnight and Recovery Girl entered the classroom. Aizawa had taken it upon himself to snuggle up in his yellow sleeping bag and take a nap after introducing the two women, leaving them to explain what today’s class is.

The students expected Midnight, considering she had taught a few of their classes before, but there were murmurs of why the school nurse was there.

“Listen up boys and girls! We have a very special and unique class for today!” Midnight announced as she raised her hand in the air, her leather whip clutched in her hand, catching the attention of everyone (who was awake) in the room.

“Today isn’t about hero work or everyday schoolwork. This lesson is special, it will help you all later in your lives if you choose this path. The path being….PARENTHOOD!” She exclaimed while striking an enthusiastic pose.

“Wait, what?!” “Seriously?” “What do you mean?!” A series of voices could be heard throughout the classroom.

“Settle down!” Midnight got the attention of the students. “This lesson is the most important lesson anyone can learn. Whether you want to become a parent or not, learning how to care for babies and children is a vital and selfless aspect of life.”

There were a couple hushed protests among the class but Recovery Girl talked over them. “You will have one week to care for these babies.” She explained as she pulled out eleven baby dolls of various genders and races. “These dolls are specially made for things like this. These babies will cry, make noises, “sleep”, “eat”, and soil its diaper like a real baby. They’re also able to record and grade you based on how quickly you can figure out and resolve its problem. And be careful what you say around it and how you say things. They can detect anger and verbal abuse which will drastically affect your score. Now…any questions?”

A bunch of hands were instantly raised. But that didn’t matter since Bakugou stood up and slammed his hands onto his desk and yelled. “WHAT THE HELL DO WE HAVE TO RAISE SOME DUMB BABIES FOR?! THIS IS THE HERO COURSE NOT A NURSEY COURSE!”

“Sit down.” Midnight said sternly. She took over the conversation. “While this lesson isn’t exactly meant to play into your hero work, this knowledge can be beneficial out in the field. For example, in some rescue operations, it can take hours for a child to be reunited with their family. Most of the time, medics will take the child and work with police to try and reunite them with their parents, but there are times where a hero must step in and care for and comfort the child. With older children around three to five years old, they’re easier to calm down. You can talk to them and explain the situation and reassure them. But babies and younger children are harder to console in high stress situations. If you learn these things now, you won’t be stressed if you ever get caught in a situation where you’re in charge of a small child. A lot of heroes are inexperienced with child care unless they are a parent themselves or have young family members. Think of this as getting ahead of a problem before it even starts. Make sense?”

Bakugou grumbled and sat back down.

“Eeeee This is going to be fun! We get to take care of cute babies!” Ashido squealed.

“I don’t think it will be that fun, Mina. Babies are a lot of hard work and dedication.” Asui chimed in, a finger lifted up to her lips. She had two younger siblings, so she knew a thing or two about raising kids.

“Correct you are, child.” Recovery Girl said. “The infant stage is one of the toughest stages of child rearing since they can’t communicate their needs and wants with words. It’s a lot of guessing and paying attention to their body language. However, these dolls do not move so you will have to rely on audio cues to guess what the child needs.”

Midnight spoke up. “You will be split up into groups of two all determined by a random draw. Because there are more boys than girls in this class, some of you will end up in a same sex partnership. You do not have to act as a real couple so don’t freak out if you’re partnered with someone you don’t have romantic feelings for. What’s important is teamwork on taking care of the baby. You are in charge of the child for the rest of this week, including the weekend. You may chose to either take turns or to split responsibility evenly. You will be given all the supplies you will need, if you end up needing more, Recovery Girl will help you. At the end of the week you will return the dolls and we will tally up the scores and see which couple has the lowest score. The lowest score is the winner since each mistake is marked based on how severe of a mistake it was. The higher the score, the worse you did. Any more questions?”

Iida quickly raised his hand. Midnight gestured for him to speak. He stood up and loudly asked “If we are to have the baby all day for the rest of the week, what do we do with it while training? You can’t expect us to take the baby with us! That’s highly dangerous and immoral and I would expect better from such a prestigious school!”

“Yes, you’re right. We don’t expect you to keep the doll with you while training. That’s why each of you will have to figure something out. One of you will have to sit out of training unless you can find a better option. Leaving the child in your dorm and hoping for the best is not an option and neither is bringing it to training and leaving it off to the side. It’s like real life. One of the parents has to stay home and care for the child. Sometimes they will get a babysitter but that is not an option for you since the scores need to come from you and your partner only for you to pass. If you really want to train that day, you’ll either have to talk it through with your partner, or train later in the day during your free time.” Midnight answered.

“Thank you very much for clearing this up.” Iida said, bowing deeply before taking his seat.

Midnight clapped her hands. “Alright! With everything out of the way, let’s draw for your partners.” She held up a blue plastic box. “In this box is twenty-two coloured tokens. There are eleven pairs. Each one of you will reach into this box and pull out one token, when everyone has a token, you will be given time to find the person with the same colour token. They will be your partner for the rest of the week. You may not switch partners. Each colour is already assigned to a baby as well, so you don’t get to chose that either.” As she finished explaining she walked around the room letting everyone reach in and pull out a token. When the box was empty she returned to the front and allowed the class to find their partners.

Midoriya and Uraraka had the yellow tokens, Shouji and Asui had the purple tokens, Mina and Kirishima had the red tokens, Kaminari and Jirou had the orange tokens, Hagakure and Yayorozu had the light blue tokens, Sero and Mineta had the black tokens, Usagi and Tokoyami had the dark blue tokens, Todoroki and Ojiro had the pink tokens, Iida and Aoyama had the green tokens, and Satou and Kouda had the white tokens.

You looked down at your brown coloured token and looked back up to scan the room. All your classmates were already paired up and either happily talking about how it would be to raise a baby together or complaining about their partner. You could faintly hear Mineta crying about not being paired up with a girl. You look across the room at Bakugou who was still sat at his desk, glaring at his token.

Upon closer look, you could see that it was the same colour as yours. You sighed, already accepting that you’ll basically be a single parent as you can’t imagine he’d want anything to do with this. You reluctantly stood up and made your way across the classroom to him.

“Um…hey. Looks like we have the same colour. Guess we’re partners for the week.” You said, gently.

“I can fucking see that. I’m not blind, dumbass.” He retorted.

Ah, it seems he’s decided to take on the verbally abusive and absent father route already. You’ll have to do your best to make sure you get a low enough score. You’ve never taken care of a baby before. You had baby dolls as a kid but they’ve never graded you before. This was a whole new challenge and you could feel the anxiety pooling in your stomach.

“Right…well. We should talk about how we want to do this.” You started. “I think we should take turns each day. I could take it today and you take it tomorrow and repeat. I know you probably don’t want to skip a day of training so I can take it during training even on your days. There’s not much really for me to train anyway so I can afford to lose a week of it.” You let out a weak laugh.

Bakugou growled. “Do whatever you want but don’t be stupid. You can train on the days I have it. Don’t stop your training over some dumb doll.”

“But…you would be stopping yours if you-“ You get cut off by the blonde.

“I’m already the best in this whole class! Missing a few days of training isn’t going to do anything. Besides, you’re weak and you need to be at your strongest so I can beat you and prove that I’m the best in this entire school!” He yelled. You think that was a compliment albeit he put it weirdly.

“Ha…yeah…okay.” You replied. Just then the bell rang and everyone started to put their stuff away. You went over to your desk to do the same.

“Please return your tokens to the box! And before you leave, pick up your baby with the matching colour onesie and the bag of necessities. You have the rest of the day to yourselves.” Said Midnight.

You slung your bag onto your back and walked to the front of the room and dropped your token back into the box. You waited for your classmates to fizzle out a bit so you could get your baby. The dolls were all lined up in car seats. You found the one wearing a brown onesie, a girl with blonde hair. You chuckled to yourself at the resemblance to your partner.

You grabbed the handle of the car seat and went to grab the big duffel bag next to it when someone grabbed it before you. You look over to see Bakugou standing over you, glaring off to the side.

“Move it.” He gruffed out as he slung the bag over his shoulder.

You left the classroom with Bakugou trailing behind you, still scowling. You turn around and start walking backwards to face him and hold out the car seat so he could see the doll nestled inside.

“Look. She looks like you.” You giggled. He glanced down at the blonde doll and huffed.

“Watch where you’re going, idiot.” He grumbled. You rolled your eyes and turned back around and followed your classmates to the dorms.

———————————————————————

Back in the dorms, everyone was changed out of their school uniforms and gathered in the common room with their new kids. Everyone of course…except for Bakugou, who very grumpily went to his room after dropping the bag of things off at your room.

You had went through the bag and found loads of diapers, clothing, a carrier that strapped to your chest, bottles, a pacifier, and some baby toys. You weren’t exactly sure why you would need toys, considering the baby isn’t actually real, but you guessed you’d find out the reason sooner or later.

You decided to change her out of her boring brown onesie so you picked out a cute outfit from the ones provided. You undid the buckles holding the baby in the car seat (why it came in a car seat when you don’t even know how to drive a car, you will not know) and gently and carefully lifted the little girl out of the seat, making sure to support her head.

As you laid her on the ground and started to undress her, she started making cooing noises.

“Oh! Hello….you must be awake now I guess.” You spoke to the baby as she cooed in reply. “Ha…I guess you are kinda cute.” You felt as if you were talking to yourself.

When your new daughter was dressed, you decided to go to the common room since you thought everyone would be there, and right you were. As you went down the hallway you could hear the excited chatter of your classmates getting louder. When you were in sight, Mina noticed you and waved you over.

“Hey! Come over here! We’re all showing off our babies!” She excitedly exclaimed. As you walked over, Kirishima stood up from his spot beside Mina and offered the space to you. You thanked him as you sat down and readjusted your baby in your arms.

“Course! What kinda man would I be if I didn’t offer a seat to a lady with a baby!” He replied. Ever so chivalrous, he is.

“Ha! That rhymed.” Kaminari pointed out.

“Awww you got a girl? How lucky!” Mina squealed. “Kirishima and I got a boy. We named him Kenji.” You looked down at her lap where the doll was laid on its back.

“You named it?” You asked.

“Well yeah! We can’t just keep calling him “it” and “the baby”.” She explained as if it was obvious.

Iida then chimed in, his baby tucked securely in one of his arms. “Yes, I suppose it would be beneficial to name the child. This is supposed to be taken seriously and we can not leave a child unnamed!”

There were murmurs of agreement throughout the room as everyone talked with their partners on what they should name their baby. You looked down to the small blonde doll in your arms that let out another coo and softly smiled.

“Riki…” You thought to yourself. “I’ll call you Riki.”

———————————————————————

“Riki?” Bakugou gawked. “You gave it a name?”

Bakugou was helping with making dinner, well, it was more like he forced everyone to let him do most of it because “no one was doing it right”. You were stood out of the way but within talking distance, your newly named baby in one arm and holding a bottle up to her mouth as she “ate”.

“First off, she’s a she not an “it”. Secondly, everyone in the class named their baby. We have to take this seriously and I’m not going to call her an “it” the whole week. Besides…I thought Riki would be a good name. It means “strong”….and since she kinda looks like you, I figured you’d want your kid to be strong like you so…” You trailed off looking down at the doll in your arms. “We can change it though if you really don’t like it.”

Bakugou huffs. “No…call it-…..call her whatever you want.” He continues to cook in silence. There’s a faint blush on his cheeks. You smile softly at him. Maybe you won’t have to do this alone after all.

———————————————————————

The first day goes by smoothly. You had a bit of a learning curve with changing the diaper but you managed after help from Yayorozu. Who knew she’d be so good at something like that?

You had just settled down into bed after putting Riki to “sleep” and were scrolling on your phone. It was about 10pm, most people were still awake but you knew the person you wanted to talk to most more than likely wasn’t. He went to bed at 8:30pm every night, even on weekends.

You stared at your screen open on Bakugou’s blank private messages page. UA made an app for the students to contact each other and teachers with. It worked like a regular texting app, every class had their own group chat and you could private message each other, even students from other classes. All of them were accessible to staff if needed though.

You didn’t know if you should even bother asking him if he’s still going to take Riki tomorrow. Plus you didn’t want to wake him up. You were about to turn your phone off when you got a message from Mina. You open up her message and see a picture of Kirishima with his hair down, asleep on one of the couches in the common room with their baby on his chest. You laughed quietly to yourself and responded with a cute reaction meme. You thought they would make an interesting pair for this project.

You turned off your phone and plugged it in to charge and set it on your bedside table. You got comfortable in bed and closed your eyes. It would take you a while to fall asleep so you started to let your mind wander. You realized that tomorrow Bakugou will miss out on training if he takes the baby. He already told you earlier today in class not to worry about it and to focus on your own training…but you genuinely couldn’t think on how training would benefit you.

Your quirk has always been more of a supporting quirk rather than one that could do well in a fight one on one. Your quirk is called Cheer, by speaking words of encouragement to someone, you can make your target stronger both physically and emotionally. The reverse also works, if you berate someone it makes them weaker. You can use it on more than one person but its effects get weaker the more people you use it in at once. There’s also a major weakness to your quirk. Anytime you berate someone, you gain confidence, but when you encourage someone, it takes away your confidence. Because of this you feel inferior to everyone else in your class. Even Mineta has a more useful quirk in combat than you do. You’re basically forced to sit on the sidelines and watch people fight. It helps in rescue operations but you still wished you could fight like everyone else. You only managed to get into the hero course because you racked up enough rescue points and got lucky with a three pointer.

It’s ironic that someone with an inferiority complex got paired up with someone with a superiority complex. It’s even more ironic that you managed to gain a crush on the bastard too.

———————————————————————

It was now Tuesday morning and Bakugou was sat in his room staring at the doll in its car seat.

You had entered the common room already dressed in your uniform with Riki in the seat. Hero training was the first class that morning so anyone who was in charge of their baby that day stayed behind and would join everyone later for normal classes. Your tie wasn’t done yet and your skirt was pulled up a little too high, showing off more thigh than you usually do, as you were in a rush since Riki wouldn’t stop crying and you couldn’t figure out why. She had finally managed to settle down when you gave her the included pacifier.

You weren’t much of a breakfast eater, especially if you were training in the morning so you didn’t go to the kitchen. You noticed Bakugou sat on one of the couches drinking something out of a mug. He was wearing a simple black tank top and sweatpants.

“Oh Bakugou! There you are. I’m guessing since you’re not in uniform you’re still taking Riki today.” You sat the car seat on the floor near him and started doing your tie. You knew you were just going to have to take it off soon to change into your hero costume but you still wanted to show up looking like you at least tried. “So I figured out that she makes different noises depending on what she wants. Most of the time she just wants to be held or given a pacifier so she makes really whiny sounds that almost sound like a cry. She was just crying now and the only thing that made her stop was the pacifier so she might start up again soon. I made a smaller bag of her things like diapers and her bottle just so you’re not carrying a big ass duffel bag later.” You were almost rivalling Midoriya with how fast you were muttering, you didn’t mean to but you didn’t want to be late and you kept fumbling with your tie.

As you were smoothing out your front, you felt a pair of hands grab the bottom of your skirt and start to pull down. You shrieked and smacked the hands away and turned around to see (to the best of your ability) Hagakure behind you.

“Oh my god, Hagakure! I had no idea who was behind me! You scared me thinking it was Mineta pulling at my skirt.” You laughed and grabbed onto the girls arms.

“Ahhh I’m sorry! I just noticed your skirt was up a lot higher than normal and you almost showed off a bit too much.” The invisible girl explained as you fixed your skirt. “Come on, we got to get to class!”

“Right, yeah, I’m coming.” You responded as Hagakure held your hand. You quickly turned to Bakugou again who once again had a faint blush dusting his cheeks. “You sure you’ll be okay? I know it’s only for an hour before I see you again so if you want to pawn her off to me next class then that’s fine.”

“Tch…how incompetent do you think I am? Of course I can take care of some stupid doll for an hour!” He barked back at you.

You felt Hagakure pulling you towards the front door. “Ok, well…see you later then!” You said as you finally took off with your friend, leaving Bakugou and a few others scattered around the common room.

“Heyyy, Bakugou! You get stuck on babysitting duty too?” Kaminari taunted, his baby settled in a carrier strapped to his chest.

Bakugou growled. “It’s not babysitting when it’s your own kid you idiot. And you look dumb with that thing on.” He stood up and grabbed the handle of the car seat and went off to his room. He could hear Kaminari complaining as he left.

Now here he was, in his room having a staring match with a doll. He wasn’t sure what to do for an hour, let along with a baby. He glanced up at some math homework left on his desk and decided to finish it up so he was ahead of everyone else in class. Ten minutes past when his concentration was interrupted by whining. He looked over at the car seat that was faced away from him at this angle and sighed. He reached over and turned it around.

“Jesus. She didn’t mention how fucking annoying it would be.” He muttered to himself as he undid the straps and lifted the baby out. “What the hell is your problem, huh?” He asked, surprisingly not as loud as he normally would. He thought maybe she was hungry and remembered you said something about a small bag with her bottle in it. He looked around but couldn’t find it. In fact, he didn’t remember seeing any bag with the baby anyway. He grumbled as he picked up his phone and opened up the messaging app and sent you a private message.

In the locker rooms you heard your phone buzz and decided to look at it as you were changing. You saw a notification from Bakugou and quickly opened it.

Katsuki Bakugou: hey, dumbass. she’s crying but I can’t find that bag you were talking about

You winced as you remembered that you never actually grabbed the bag in your rush to get downstairs.

You: damn I must have forgotten it in my room, sorry. feel free to go and grab it. my room code is 6678 it should be on my desk. you know which floor I’m on right?

Bakugou scoffed.

Katsuki Bakugou: yes I know. I’m not stupid.

You: never said you were <3 have fun lol

You didn’t realize you sent the heart. It was muscle memory from texting with your friends, but it sent Bakugou for a loop.

After he had quickly made his way to the second floor and grabbed the bag you mentioned, he went back to his room where he had left the baby on his bed. Her whining had turned into crying by now.

“Alright, Alright! I got your damn stuff.” Bakugou sat on the floor and settled the doll into his arm. He removed the pacifier and held the bottle up to its mouth. He felt relieved when the crying stopped. “This is fucking ridiculous.” He thought out loud.

He rested his back on his bed and started to drift off in to thought. Why did you send that heart? Did you mean to do it? Was it a reflex? Were you making fun of him? No…that couldn’t be right. You were one of the few that took him seriously. Sure you teased him sometimes, but not as much as the others. He thought back to a time where he accidentally overheard something he probably shouldn’t have that still made his heart feel weird.

———————————————————————

Bakugou was making his way to the kitchen to get something to drink. He could hear you and the other girls of Class 1A giggling and talking about random shit.

He was going to ignore the group when something made him stop in his tracks right before he would be seen.

“Sooo, who do you like?” Mina asked with a teasing voice.

“Who, me?” You asked as Mina nodded. All eyes were on you and you felt yourself blush. “Well…I guess I kinda have a thing for Bakugou…” You answered shyly, playing with the hem of your shirt.

“What?!” “Wait, Bakugou?!” “Really?” The girls cried out in unison.

“Why is that so shocking? You guys seriously don’t think he’s at least a little bit attractive?” You inquired.

Bakugou stiffened at the confession and he felt his heartbeat speed up. You…had a crush on him? Someone actually was interested in him romantically?

“You don’t think all his yelling and name calling is a turn off?” Uraraka asked.

“Hm…not really. Sure he says some mean stuff but…he doesn’t actually mean it.” You reasoned.

“I don’t know…he always seems to be serious about it. I mean he doesn’t even know our names.” Jirou huffed.

“Yes he does!” You laughed. “He’s not stupid. He’s a lot smarter than I think any of you give him credit for.”

“He is in the top our class academic wise as well as hero wise.” Yayorozu chimes in.

“Exactly. Have none of you realized that a lot of his plans actually work? He may seem like he’s rushing into things but it’s obvious he’s put clear thought into his plans. And the fact that he can make one up that quickly is impressive. He’s also more compassionate than you’d think.” You said, leaning back on the couch.

“Well I think you’re wrong with that.” Tsu replied.

“Because you guys are only seeing the surface level. You’re not reading in between the lines. For example, remember when we just moved into the dorms, the talk Mr. Aizawa had with us outside?” They nodded. “When Mr. Aizawa left, you could feel the uncomfortable tension in the class at being reminded of what happened. Bakugou grabbed Kaminari and made him go all dumb because he knew it would make everyone laugh. And it did! The tension was gone instantly! Bakugou really does care, he just doesn’t know how to show it like other people. And remember the school festival? He totally could’ve refused to play the drums but he did it anyway! That’s what I like about him. He’s not a cold hearted asshole, he just wants you to think he is. I use to be like that too.” You trailed off, looking ashamed.

“Wait. YOU were an asshole?” Mina prodded.

You sighed and nodded. “Yeah, back when I first got my quirk. I realized that putting other people down gave me a lot of confidence. I went on a power trip and started bullying everyone. I started to realize that the “friends” that I did have were only my “friends” so they could escape my words. Made me feel like shit when I found out. Now I hate using my quirk like that unless absolutely necessary. But yeah….I see through Bakugou’s walls and I guess it just made me fall for him.” You changed the subject.

“Wow…you’re whipped for him, aren’t you?” Mina teased.

“Yeah, yeah, whatever. Just don’t tell him that. I don’t need him on my ass about it.” You blushed and waved her off.

“You sure you don’t want him on your ass?” Mina teased again.

“OH SHUT UP!” You threw a pillow at her as the girls laughed.

———————————————————————

Bakugou had zoned out at that memory. He hadn’t meant to eavesdrop, it’s your fault for being so damn loud and talking about him in the first place! It’s been a few weeks since that and it’s still fresh in his mind. Did he like you back? He wasn’t sure. On one hand he was pissed at how you managed to figure him out so easily, but on the other hand…he felt comforted knowing someone understood him and didn’t make fun of him for it. He will admit that you weren’t that bad looking or as stupid as everyone else. He did wish you would see the potential you had with your quirk, though. He could feel his cheeks start to heat up and he scoffed, snapping out of his thoughts and looking back down at the doll in his arms.

“I guess…she’s not so bad…” He said softly to Riki.

———————————————————————

Training had finished and you and the rest of your classmates were on your way to your next class.

Upon entering the classroom you noticed everyone that had skipped out on training standing around, babies either in their arms, strapped to their chest, or in the car seat. Bakugou was sat in his spot, chin in his hand looking out the window to his left.

You had a few minutes to spare before class started so you walked up to your partner. “Hey! How’d it go? Was she fussy?” You asked as you squatted down to see Riki, who was in her car seat on the floor next to his desk.

“Tch, no. I told you I know what I’m doing.” He grumbled.

“I’m pretty sure none of us know what we’re doing but it’s nice to know that you’re taking this seriously.” You replied standing back up.

“HA? YOU THINK I WOULD’NT? YOU THINK I’M NOT CAPABLE OF THIS?” He yelled as he let off small explosions.

“Course not. I did kinda think you would end up leaving most of this to me though. But it’s nice that you’re playing along.” You smiled sincerely.

Iida started ushering everyone to their assigned seats as class was about to begin. You patted Bakugou on his shoulder and left to your seat near the back of the class.

He clenched his fists and glared down at his desk, he could feel his heartbeat going wild again.

———————————————————————

A few days had passed and it was now Friday night and you were at your wits end.

It was your day with Riki and she had been crying non stop for thirty minutes now. You were pacing your room with her in your arms as the doll “sobbed” louder and louder with each agonizing minute. You had no idea what was wrong; you tried feeding her, changing her diaper, holding her, giving her a pacifier, you even tried the toys that they provided but nothing was working!

You were close to tears yourself as you thought about how this would affect your grade and how pissed Bakugou would be if you ruined it. The whole week went by just fine, it never took this long for her to settle down. You had gotten lucky with the baby you were given as she was so easy to care for, but this moment right now was proving difficult.

Feeling like you had no other choice, you left your room with your still wailing daughter in your arms and quickly made your way up to Bakugou’s room.

You knocked on his door while still trying to shush Riki. When Bakugou opened the door, he looked like he had just woken up which made you start ranting.

“Bakugou, fuck, I’m so sorry to bother you right now I know you like to go to bed early but she’s been crying like this for like thirty minutes now and I’ve tried everything but she just won’t stop crying and I don’t know what to do and I’m probably gonna make us fail cause I can’t get her to fucking stop and I just…” You panted “…can you please help me?” You nearly whined.

“Give her to me.” Bakugou reached out as you transferred her into his arms. He walked away with the crying doll, leaving his door open. You decided that was an invitation so you slipped into his room and gently closed the door behind you. You watched as Bakugou gently bounced the doll in his arms and started petting its blonde head.

You stared in awe as Riki started to finally quiet down until she was silent. You breathed out a sigh of relief but tears started to quickly gather in your eyes. Bakugou had opened his balcony door and stepped outside to the cool air. You ran a hand through your messy hair and followed them out onto the balcony. The not quite freezing but cold air nipping at your skin. It felt nice as you didn’t even notice that you were sweating from the stress. You bent over and rested your elbows on the railing and placed your head in your hands, trying to hold back your tears.

“She had been crying for so long…I tried everything but nothing worked. But the minute you have her she finally stops. What the hell am I doing wrong? Why am I such a bad mother?” You muttered more to yourself but your partner could hear you anyways.

A minute of silence went by as you tried to not let your tears fall when Bakugou finally spoke up, surprising gently. “Don’t beat yourself up over something you barely know how to handle.”

He leaned his back against the railing next to you. His arm barely grazing against your shoulder, his way of trying to comfort you. You sniffed and dropped your arms from your head and looked forward out into the dark courtyard.

“She’s been perfect this entire week. Nothing I couldn’t handle…but she just had to act like a total brat tonight.” You sighed.

“Hey.” Bakugou said sternly. “Don’t call our daughter a brat…that’s my line.”

You laughed at that, completely overlooking the fact that you called the doll “our daughter”. Bakugou softly smiled at your laugh, also not realizing exactly what he said. But her certainly felt his heart flutter as he looked down at the baby in his arms.

Bakugou decided he’d take her for the rest of the night so you could get some sleep. It was his turn tomorrow anyway.

———————————————————————

Monday had come by quickly, thus, ending the project. Recovery Girl had collected the dolls, and you couldn’t lie, you felt a little sad at the fact that you won’t have Riki around anymore. The class waited in anticipation to see whose grade was the lowest.

When the results came in, Midnight stood at the front of the class once again and started to call out the grades.

“Coming in last place is Sero and Mineta with a sixty-five.” Mineta started screaming about how unfair it was and that they got a faulty doll. “Todoroki and Ojiro have a score of thirty-four, Kaminari and Jirou have a thirty, Iida and Aoyama a twenty-seven, Usagi and Tokoyami with twenty-five, Shouji and Asui with twenty-one, Hagakure and Yayorozu with twenty, Mina and Kirishima with an eighteen, Satou and Kouda with a fifteen, Bakugou and (Y/N) with a score of eight, and lastly, coming in first place with the best score is Midoriya and Uraraka with a three! Good work everyone. I hope you all learned some valuable lessons from this experience!” Midnight finished.

There were high fives and cheers coming from the people with the lower scores and talks of what they could’ve done better from the people with higher marks.

You stared down at your desk smiling. Eight wasn’t so bad, right? Much better than what Mineta got.

At the front of the class, Bakugou has turned his head back to look at you and softly smiled to himself when he saw your relief. He turned back around to look down at his hands as he played with his pen. He could hear Midoriya and Uraraka being congratulated for the lowest score and for once in his life….he didn’t mind coming in second.

———————————————————————

Bonus:

Twelve years later, Bakugou had established himself as the number two hero with his own agency. You worked along side him as his number one sidekick. You both grew a lot since high school and grew closer from the experience. You managed to get rid of your inferiority complex and become more comfortable with using your quirk against villains rather than standing by and cheering on the heroes. You can also hold your own in combat pretty well now and you have a slew of support items to help.

But instead of kicking ass on the street you were laid out on a hospital bed after the longest 7 hours of your life. You were sweaty and exhausted, but it was all worth it as you looked at the little bundle in your arms. A head of blonde hair was peaking out of the blanket.

“What should we name her?” You whispered to the person leaning over you with their hand on your head and looking lovingly down at the newborn.

“…..Riki.” Bakugou said softly.

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bodyhopper-files · 1 day

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Happy to see me?

My older brother's body stood in front of me, but it wasn't him; it was the body-thief. He grinned mischievously as he ran his hands up and down my brother's torso.

"Happy to see me?" he teased in my brother's voice. "I know I'm happy to be wearing this handsome face again."

"Don't worry," the impostor said. "I won't be in him long. Just a day or two..."

But I knew he was lying. The body-hopper always stayed longer than expected.

"Though, I must admit," he continued, running his fingers through my brother's dark chest hair. "Your brother's body is one of my favorites. I've been a soldier, a statesman, a farmer...the possibilities are endless."

He then leaned in closer, whispering as if sharing a secret. "But your brother's body is especially suited to my tastes. The way it responds to certain stimuli."

He stepped back casually while circling a bare nipple with his finger, letting it linger there for a moment before giving it a soft pinch and moaning with pleasure in my brother's voice.

"It's like discovering a whole new world," he said with a smirk.

As if in a trance, he continued to explore my brother's body, moving his hands down to the waistband of his gym shorts and slowly revealing more skin. His hand slipped inside, brushing against my brother's thick, pulsing erection.

"There's nothing quite like experiencing the pleasure of another person firsthand," he mused with a throaty mix of his own unearthly tones and my brother's voice.

As he began to masturbate, I felt a surge of arousal course through my body. The body-thief seemed to sense it too.

"You know what I'm thinking, little bro?" he said, effortlessly switching in and out of my brother's persona as he stroked himself. "It's time for you to experience some pleasure too."

I knew the role play routine all too well, so I played along. "Alirght, big bro," I replied. "But after this time, you have to stay out of him for a full year!"

The body-hopper seemed to consider my offer before agreeing, but deep down I knew it was just another one of his lies. The truth was, I never knew when he was inhabiting my big brother's body, and secretly I enjoyed the thrill of not knowing.

----- ----- -----

With an AI Illustration by @bodyhopper-files

#male transformation #possession #body hop #body hopper #male tf #body possession #body theft #ai image

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demidokuriya · 2 days

Text

Maybe it's just my speculation, but it seems to me that AFO has a soft spot for a certain type of person.

That moment when Mineta talks AFO out of stealing Tokoyami's quirk always struck me as very strange. AFO really had no reason to pass up the opportunity to steal a powerful quirk, but he looked into Mineta's tear-stained eyes, while also remembering Jirou's tear-stained face, and suddenly changed his mind. We don't know what AFO was thinking at that moment. All we see is a meaningful "…", after which he leaves, because "every precious second counts now".

Although, to be honest, it seems to me that this whole situation looked like he was looking for an excuse for himself not to steal Tokoyami's quirk. He pretended that he just didn't have time to get a quirk, but I think that's bullshit. AFO is definitely fast enough to steal multiple people's Quirks in a matter of seconds. He had already done something similar when Eri's quirk first started affecting him.

He definitely could have taken Tokoyami's quirk, but he decided not to.

I suspect that the students reminded him of Yoichi when he was still a child: a weakling with tear-stained eyes. The reminder of his brother made him feel uncomfortable, so he hurried away.

Maybe this weakness for people who remind him of Yoichi will play a role in the near future. After all, Izuku has a lot in common with Yoichi: Izuku is small and weak/worthless (according to AFO), but more importantly, Izuku is very stubborn and he is hopelessly kind, just like Yoichi. Izuku, like Yoichi, is a gentle person, but he has strong moral principles that he will stand up for if he has to. They have similar personalities, and I think Izuku is really very similar to little Yoichi.

I don't expect AFO to get redemption or anything like that. Unlike Tomura, who was manipulated from his birth, AFO committed evil knowingly and deliberately. AFO is the real villain and after everything he's done, he doesn't deserve to be forgiven. However, I believe that until AFO accepts his brother's death and admits that he regrets the way he treated him, he will not leave Japan alone. Even now that AFO has accepted that Yoichi's death has left a hole in his soul, he still views his brother's death as a tool for achieving power. "It is tragedy that makes people stronger" is what he said.

But at the same time, AFO spent nearly a century trying to bring back his dead brother, only to lose him again, this time perhaps for good. Regardless of what AFO says, this is indeed a major blow to him. And as long as this wound bleeds, he will be a threat to heroic society. Someone needs to help him heal this wound so he can leave.

I'm guessing that Yoichi might return at some point to talk to his brother one last time, but I'm not sure how that could happen considering Eri's quirk failed to return OFA to Izuku.

Even if Yoichi doesn't end up coming back, I think Izuku will still make an attempt to talk to AFO to help him. Whether this attempt will be successful or not.

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toomanystoriessolittletime · 2 days

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into you

Summary: After almost giving up the hope to become a big actor you get offered the leading role in a period drama, leaving you to spend three months in Scotland with your male co star Dieter Bravo and maybe falling in love with him.

Pairing: Dieter Bravo x fem. reader

Wordcount: 2.247

Rating: T

Warnings: fluff, falling in love, implied smut, kissing, really cheesy movie lines I made up, confessions of feelings, reader is in her late thirties, Dieter playing the piano

A/N: Another one for @undercoverpena April showers challenge! What's better than a Pedro character in period clothing in the rain? Making out with him hehe

follow @toomanystoriessolittletime-fics and turn on notifications to get notified when I post new fics

You couldn’t sleep.

The moon was shining hrough the window of your hotel room, an old castle in the middle of nowhere somewhere in Scotland.

You had come here almost three months ago, having gotten the first big job of your career, the lead role in a period drama. The first lead role you ever got. The first big job you ever got.

For years you dreamed of being a big movie star.

Much like every young person who came to LA.

Which had been almost twenty years ago. You had been about to quit trying for that one big role that would finally grant your your big success last year.

By now well in your thirties (the forties getting closer and closer), not having any major success apart from some multi episode secondary character on some netflix shows in the latest years, you gave up hope that you would make it.

Sometimes the residuals you got from playing Chandler Bing’s awkward girlfriend for two episodes almost twenty years ago on friends had been the only way to pay your rent.

You were looking into going back to school when your agent called you, talking you into going to this last audition. It had been as a favour to them that you agreed, the contracts between you and the agency already canceled towards the end of the month.

They had always believed in you and you hated saying no to them because of that reason.

Maybe it was you having nothing to lose that left you going into the audition and blowing them all away. Not that you thought you did until your agent called you not even twenty minutes after you went out of the audition, asking you to come back to read opposite the male lead.

Still you didn’t let yourself getting your hopes up, walking back into the office building, back into the room you had been in before, now with an additional face smiling warmly at you.

You didn’t know that in the next two hours your whole life would change.

Not just because they offered you the job.

No, It was the day you met Dieter Bravo.

Of course you knew who Dieter Bravo was.

You had admired him since he starred in the high school drama series you definitely did not tape every episode from when you were in your teens.

And there had been no posters of him in your room growing up, nope.

But like almost every teen crush, it faded over the years.

You grew up, and he did too. You knew he had won an Oscar some years back, you saw the movie in the cinema back then.

He had made headlines after that, naming him the next big thing.

But lately the only headlines you remembered of him had been of his drug escapades and dating life.

So you had been a little reserved when you first met, hoping he would be professional enough throughout the audition.

Hope you shouldn’t have had, because Dieter had turned out to be professional in every single way.

Now, after spending almost two months with him, playing opposite of him, acting that you were in love with him, you found yourself wishing he would be a little less professional.

Groaning you sat yourself up in your bed, clicking the lamp on the bedside table on, reaching for your phone.

2:43 am.

Taking a deep breath and releasing a long sigh as you exhaled you let your head fall back.

In twenty four hours you would be on a plane back to the states, already on your way to shoot your next movie, your career seemingly finally starting off now that you were starring in a movie with Dieter Bravo.

You should be beyond happy.

Everything you dreamed off finally seemed to come true. You had three jobs lined up that would pay more than you had made in the last ten years combined.

Yet the thought of waking up every morning and not getting to spend the day with Dieter made it all bittersweet.

You had spent a lot of time together since getting to Scotland to shoot this movie. Not only on set, but apart from it too. He had been here before, shooting another movie and invited you out some times, showing you around. You had dinner together almost every night be it in an restaurant he wanted to show you or in the hotel. You got to know the man behind the persona you learned he put on for the public for and over the last weeks you had found yourself falling for him.

Your fingers cam up to brush over your lips, the lips he had kissed.

More than once.

In front of the camera.

But before you went to bed tonight, he walked you to your room and he had kissed you good night. Without cameras rolling. Without people around. Just you and him. His warm hand on your cheek, your back pushed against your hotel room door as he towered over you, his other hand resting on the door behind you.

You were out of breath when he parted from your lips, wishing you a good night, leaving you watching after him with your lips parted, your brain still trying to process that he had just kissed you, as he went down the hallway until he disappeared into his room.

You were too giddy to sleep, getting an old sweatshirt on before you grabbed your hotel key and walked out of your room, hoping he was as sleepless as you were and downstairs where you had found him often during your stay.

You could hear the faint sound of a piano as you entered the lobby, the night manager giving you a small smile as you walked past, following the sound.

In the far back corner of the lobby was a piano where you found Dieter playing a melody you did not recognise.

You had found him here before, in the beginning when you could not sleep because you were too nervous to fuck this big chance you got up.

He told you that his art supplies hadn’t been shipped yet, and that he usually painted when he couldn’t sleep.

And so instead he played.

And you listened, sitting next to him until you both almost fell asleep, before he walked you to your room, only to be up some hours later to shoot a movie where his character denied to be in love with your character, pushing your character away until a big dramatic scene where you would finally admit your feelings to each other.

Sitting down on the seat next to him as he played now, you let your head fall against his shoulder, hearing him inhale as he continued to play.

His lips brushed against your temple and you closed your eyes, just listening to his song.

When he finished you looked up at him, his eyes were already on you, an unreadable expression on his face.

„Couldn’t sleep?“ he asked.

You hummed in agreement.

„Too many thoughts in my head,“ you whispered and he nodded. One of his arms came to wrap around your back, pulling you closer against his side.

„You wanna talk about those thoughts?“ he asked and you chuckled.

„Don’t wanna fuck the big scene up tomorrow, well today,“ you said and he gave you a small smile.

„If someone is gonna fuck up it’s me. You make me keep forgetting my lines,“ he winked and you felt your cheeks growing warm, remembering the many occasions Dieter had seemingly spaced out during some scenes, looking at you with an expression you couldn’t place.

„What do you mean?“ You asked, and he sucked his bottom lip in, before he shrugged and there it was again, that expression in his face, his eyes big as he looked at you.

„I can’t stop looking at you. You’re so talented and beautiful and kind and so damn intelligent. Sexy….,“ he winked „You just blow me away and it’s like my brain stops working when I look at you sometimes. I never really felt like this before…“ he whispered and you blinked at him.

„What I am trying to say is, I like spending time with you. I like talking to you. I like kissing you, touching you,“ he grinned and you huffed.

„Especially when it’s just the two of us. Last week when the director called cut when we were in bed….“ He closed his eyes, shaking his head.

You had rushed off after finishing the scene with him, having to take care of the ache between your legs in the bathroom after spending almost six hours in bed with him, shooting numerous sex scenes.

„I wish we had been alone,“ he whispered his face getting closer to yours, his lips brushing over yours.

„Dieter,“ you whispered, his hand coming up to cup your cheek, his lips pressing against yours and you shivered.

„Yeah?“ He asked.

„We are alone now,“ you whispered and he nodded, before he kissed you again, deeply.

„Would you like to have sex with me?“ He whispered and your lips twitched into a grin which he mirrored before he kissed you again.

„Take me to your room, Dieter,“ you said, giggling when you found yourself pulled in the direction of the elevators in the next moment.

„This is madness,“ you shook your head, the rain coming down on you without mercy, drenching your many layers of clothes.

„Why? Why is it madness that I have fallen for you?“ Dieter asked, in character, his white shirt clinging to his chest.

You huffed a laugh, your character in denial about the feelings not only she had, but he had too.

„Because we are both engaged. And not to each other. We have to end this. I have to….“ You shook your head, closing your eyes, before you looked up at him. Dieter having closed the distance between the two of you, but not close enough to touch. The raindrops where running down his nose, his hair clinging to his face.

He looked like a wet dream straight out of a Jane Austen novel.

„All these times we spend in each others arms, they don’t mean anything to you?“ He asked.

„It was a mistake. It shouldn’t have happened,“ you said, Dieter’s character seeing right through your lie.

„Do you love me?“ He asked and you did not have to play the small smile that sneaked to your lips for only a moment before you fought it down.

„It doesn’t matter,“ you said, turning away from him, but his hand wrapped around your wrist, stopping you before you could go.

„It matters to me. ,“ he whispered, broken, and the tone of his voice made you want to cry.

The rain continued to fall as you gave the camera time to capture both of your faces.

„Of course I love you,“ you finally said, looking at him over your shoulder.

„Then stay,“ he pleaded. You began to shake your head, when he pulled you against his chest, one of his hands on your cheek, brushing your hair that stuck to your face to the side, his eyes gazing deeply into yours.

„Stay and allow yourself to be happy,“ he said, almost begging.

„Stay here and let me love you,“ he let his forehead fall against yours and your eyes dropped close, pictures of the night he had spend with you filling your mind, the way his forehead had rested against yours as he filled you over and over and…

You opened your eyes and Dieter’s lip twitched for a second, having caught your unintended pause.

„What about our families?“ you asked, „What about my sister? She’s in your house getting ready to marry you today,“ you asked.

„They will understand. They have to. And if they don’t, I’ll take you away where we can live our life without the judgement of others. You’ll never have to worry for money.I love you, please be with me,“ his nose brushed against yours.

You felt his other hand on your lower back and you gasped.

„Then take me away,“ you whispered, feeling his smile against your lips as he finally kissed you, your arms wrapping around his broad back, fingertips brushing over his drenched clothes as he deepened the kiss.

The first thing you realised when Dieter parted from your lips was that the rain had stopped and that it was quiet around you. Too quiet.

Looking at Dieter he gave you a sheepish smile before you looked around, finding the crew around you looking at the both of you, Dieter’s PA holding two robes in his arms, giving you a wide smile.

„You gonna listen when I call cut now?“ The director teased with a wide grin and you let your head fall against Dieter’s chest, mortified, but he just chuckled, before he helped you get into the robe his PA had brought over.

„We’ll meet in an hour for the wedding scene, do not be late,“ the director reminded everyone, giving you and Dieter a longer look, and you nodded. Dieter grabbed your hand, and you looked at him.

„Can’t wait to marry you,“ he winked and kissed you again, before you both were rushed off from the set to get ready.

And you did actually get married.

Seven months later.

On a beach.

In the rain.

Without any interruptions.

#undercoveraprilshowerschallenge #my fic #Dieter Bravo #Dieter Bravo x fem. reader #Pedro Pascal #fanfiction #fanfic #fan fiction #pedro pascal characters #dieter bravo fanfic

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crystallilytarot · 8 hours

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MDNI 18+post

Choose an earring! Your sex life after marriage.

(if you don't want to get married, but want a long term relationship, this can still have some messages for you)

Pile 1

I feel some of you maybe will wait until marriage. Or if not, than your sex life will be more adventorous maybe after marriage. One person here feels a little more traditional when it comes to sex. The other can be a little more passionate, maybe even more experienced, but they are very patient, they will be gentle and understanding with everything. One person can travel a lot, but when you meet again, your night will be very passionate. You can travel together a lot too. If you want to have kids, that period of your life won't be a lot of sex, when the kids are very young. But it's understandable, and after you will be passionate with each other again. If you don't want kids, than it's about the traveling, you can be a little lonely that times, maybe you will move with your partner a few times too, life can be busy, but after that you will find each other again. Chemistry works very well between you two. Even if you don't want kids, a little pregnancy or breeding kink can be here, or something to do with your juices. Definitely intense orgasms.

Pile 2

You will be even more kinkier probably after marriage. It's very free, playful, you want to try everything. Dominant and submissive roles can be switched, if you want to try that. Someone can be a little bratty though, and the other person feels more dominant, or more like to be in control. I think one of you is a little older than the other. You can play fight with each other, can be a little jealous sex too. I think it's more like a roleplay, not real. A little bondage, blindfolds. Some sexy lingerie, can be clothes for roleplay too. Sexting during the day, you will go full crazy about it. I think you will travel together a lot, maybe doing it in the nature, camping, a picnic, I think you will do it a looooot. Except of course, there are some busy times in every people's life, but you both are creative, and like to do it. You will like each other's body always. And don't worry, love is here too, not just lust.

Pile 3

Oral is very important here. I think even if you don't have time to a full session, you can still do some oral to each other. A good morning oral can happen. Someone likes cowgirl position very much. Roles can be switched, or can be that sometimes you will do some harder things, sometimes it's more gentle. Some of you can have a little pain kink, or just like to do it a little rough. Your partner feels very responsible, they will go slowly with everything new, and if you are not in the mood or anything, they will understand it. I think a little bondage can be here too, or something like that, maybe shibari, maybe something like a hard kink. But I think it's more like experimenting, trying something new from time to time. Your partner seems like they are okay with some love making too, but if you will go rough that night, that will be wild.

#18+ tarot #tarot #pick a card #free tarot #pick a pile #tarot community

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acapelladitty · 7 hours

Text

NSFW Alphabet: Cooper Howard

Summary: A full NSFW alphabet for Cooper Howard/The Ghoul from Fallout (2024).

Fic Masterlist

Link to AO3

A = Aftercare (what they’re like after sex)

Pretends that he's not needing anything after sex but actually loves it when his partner wraps themselves around him like a second skin. Won't ever admit to it, but the way his arm snakes around to pull them even closer is hint enough to his real desires.

B = Body part (their favorite body part of theirs and also their partner’s)

Likes his hands because they're quick and dexterous, and can justbas easily gut a gulper as they can seek out and tease a clit. Not much pride in his own appearance aside from that. He's also a tit man and the pillowy softness of them is so opposed to his own body that he only enjoys them more, usually with his mouth as much as his hands.

C = Cum (anything to do with cum, basically)

Sterile as all fuck, he can do what he wants with his cum and it makes no difference. Enjoys the taste and likes oral because of it. He does love for his partner to hold onto his cum though, either by swallowing or by pushing it back up their holes with his fingers. They earned it so they're going to keep it.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Has experimented with his new abilities as a Ghoul in some interesting and intense ways. Usually pushing the edge of pleasure and pain as he tests his own limits. His leathered skin is less sensitive than most so he's spent some of his more boring nights doing things to himself that would have a normal man in fucking hysterics.

E = Experience (how experienced are they? do they know what they’re doing?)

He knows his way around a hole that's for sure. He slept with one or two folks before Barb but he was pretty monogamous after that despite the sleaze of his acting career. He and Barb did share a very healthy, vibrant sex life and he was eager to experience new things with her but nothing too outside of the 'vanilla' realm.

F = Favorite position (this goes without saying)

Seated with his partner riding his lap like any good cowgirl should. The close skin-to-skin contact, plus the easy access to their chest, makes it a firm favourite as he's generous with his tongue and teeth. Plus, it lets him enjoy their facial expressions and hold some eye contact as he drinks in their pleasure.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Never 'goofy' is a daft sense but isn't above using filthy talk and double entendres while cracking a wicked smirk. Lots of word play around his status as both a cowboy and a monster and he likes to remind his partner of BOTH of those facets of his personality.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Look at the poor cunt 😭 he's a great big baldy bastard with nary a pube on him. The only hair he has are the follicles that fall off the folk he occasionally scalps.

I = Intimacy (how are they during the moment? the romantic aspect)

Surprisingly romantic given how gruff and generally detached he is, but only with a romantic partner. A random fuck gets a casual pump and dump while sex with a partner has some meaning for him and he likes to feel his partner close and ensure that they have a good time with him.

J = Jack off (masturbation headcanon)

Not at the top of his priority list in the grand scheme of things. If he's feeling horny then he'll deal with it and leave the mess splattered on the ground where it fell.

K = Kink (one or more of their kinks)

Roleplay is a kink of his and he would be at his happiest role-playing a very traditional "cowboy saves a damsel and she's looking to repay the favour" type scene. His most 'out there' kinks include a mild touch of erotic cannibalism, ropework, and dom/sub dynamics relating to discipline and cnc.

L = Location (favorite places to do the do)

Strong enough to make any vertical surface a viable spot for a fuck, there are very few areas that Cooper can't turn into a good spot for sex. His preference is for a bed though because he can be a lazy fucker when it suits him but that's an indulgence he's very rarely afforded.

M = Motivation (what turns them on, gets them going)

Very easily motivated if he can sense his partner is down for a rough tumble in the sheets. All he needs is a WHIFF of a chance of hole and he'll be rubbing himself across you like a cat in heat. Hand straight to the groin like it was magnetic.

N = No (something they wouldn’t do, turn offs)

Sharing his partner? Oh no. He'd fucking kill any third party before they could do anything too untoward. He's jealous as hell and volatile with it as he claims so little in the shithole that is the wastelands. Will threaten to tie his partner up and leave them for the raiders and beasts but that's just a horny threat.

O = Oral (preference in giving or receiving, skill, etc.)

One leftover from his previous life is his love of giving oral. His wife loved it and he loved receiving it in equal measure. However, with things as they are, he'd rather get his rocks off in warm hole when the opportunity and time arose.

P = Pace (are they fast and rough? slow and sensual? etc.)

Normally? Fast and rough. However, in the quieter moments when the sun hangs low and he feels relaxed enough to enjoy some time with his partner, he takes great pleasure in some slow and sensual sex.

Q = Quickie (their opinions on quickies, how often, etc.)

Due to his circumstances, quickies are often the only option for some hole so if he and his partner are frisky then it's as and when the potential arises.

R = Risk (are they game to experiment? do they take risks? etc.)

I think choosing to fuck someone in the wastelands automatically qualifies as a considerable risk. But, yes. He's fond of risk and it's something that he'll continue to push and push until he's satisfied.

S = Stamina (how many rounds can they go for? how long do they last?)

Ridiculous stamina. The kind of stamina that will have smoke pouring from your hole if he's not careful lol. As a ghoul, his skin is slightly desensitised so he can go for longer but usually only lasts one good round.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Not really a big fan of toys (finds his cock and mouth MORE than capable thank you VERY much) but will use easy-to-access objects like his lasso and knife for some kinky play.

U = Unfair (how much they like to tease)

Only teases when it's a game he's playing. Most of the time, he's looking for some quick, rough action that he and his partner can enjoy in their limited, quieter moments. In terms of vocal teasing? He's very quick to spout off with some sleazy promises and demands.

V = Volume (how loud they are, what sounds they make, etc.)

Tries to be very controlled but does have a tendency to grunt and growl a lot which makes him more animalistic than vocal in terms of his speech when he's fucking someone.

W = Wild card (a random headcanon for the character)

Cooper would like to eat a little bit of his partner if they were willing and had the bit going spare. Most of his meals are a necessity but to have a willing offering would be quite erotic and a big deal for him.

X = X-ray (let’s see what’s going on under those clothes)

His cock is the same shade as the rest of his skin but with a slightly deeper tone in his cockhead. Very average length but on the girthier side with a slight lean to the right when he's fully erect. No pubes, obviously.

Y = Yearning (how high is their sex drive?)

Makes a lot of inappropriate comments and touches which would have you believing that he's constantly looking for some tail. That's only true because he tends to be hornier in high-stress situations which, unfortunately, is most of the time.

Z = Zzz (how quickly they fall asleep afterwards)

He doesn't sleep much and there's something possessive in him that makes him happier watching over his fucked-out partner as they sleep rather than sleeping himself.

#top shagger lads lmaoooo #cooper howard #fallout #fallout 2024 #fallout amazon #cooper howard x reader #the ghoul #fallout ghoul #ghoul x reader #walton goggins

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stromer · 2 days

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I also don’t like talking about him either when I’m up here, but those don’t go in without him.

+++

#THOSE DON't GO IN WITHOUT HIM!!!! BOESER DID THE WORK BUT MILLER PLAYED A CRUCIAL ROLE IN MOLDING HIM TO BE WHAT HE NEEDED!!!#we are so back... canucks are being put on panels together and making each other giggle ..... i used to PRAY for times like this #brock boeser #jt miller #i love that jt just Coach Talks his way thru interviews like thank you rick jr for sharing your wise knowledge with the rest of us #i do NOT want to hype you up or talk about you in any capacity but here is a play by play of how i couldn't have scored w/o you #<- and i've been helping you with that since 2020 when you bitched and moaned that you got moved to be a net presence on pp1 #brock's shifty eyes are also something that can be so personal btw #i just needed this entire bit here for safekeeping . for me personally

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livhowlett · 12 hours

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Everyone talks about The Bentley alot. About their personality, what role they'll play in S3, ect.

But I haven't seen anyone mention The Bookshop.

And I hope The Bookshop will be left alone in S3

She got burnt down in S1

And in S2 she got invaded

AND her owner left

In S3, I want Crowley and Muriel take good care of her, and nothing bad to happens. Poor Bookshop needs a break!

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slugtranslation-hypmic · 1 day

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I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)

Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.

It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.

Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.

That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.

It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.

Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.

Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.

Wrong Ways to Be a Man

Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.

Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."

(TDD chapter 10)

This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.

However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.

(BB/MTC+ chapter 6)

This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.

Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.

We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."

(DH/BAT chapter 4)

However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.

In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.

(BB/MTC+ chapter 25)

Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.

The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.

Right Ways to Be a Man...Are Infinite!

But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.

Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)

Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.

(DoD chapter 1)

Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.

This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.

(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)

It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.

(DoD volume 4 bonus comic)

Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!

In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.

Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.

There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.

(FP/M+ September 2022 oneshot)

Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.

Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)

All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.

Right Ways to Be a Woman...Are Just as Infinite!

But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.

The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)

Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.

What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.

To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.

(FP/M+ chapter 4)

(FP/M+ chapter 14)

In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.

But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.

(BB/MTC+ chapter 12)

Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.

We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.

(BB/MTC+ chapter 4)

Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.

Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.

(FP/M+ chapter 4)

The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!

The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.

As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.

Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.

(BB/MTC+ chapter 16)

Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.

Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.

Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.

It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.

Intersection with LGBT+ Topics

Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.

Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)

The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.

The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.

With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.

(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")

While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.

Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.

In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.

All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.

TL;DR: Oh no, my rapidly approaching deadline. :)

#not a translation #analysis asks

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