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#He has one of the first (?) books on autism as well

copperbadge · 2 months

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So the ADHD Handbook post struck a chord with a lot of people...

I don't think I have it in me to write the book I suggested, mainly because most of what I want to write about is variable by situation. I can't actually offer a magic formula for getting a good assessment, all I would be able to do is say "Here are the warning signs, here's my personal story, shit's just rough". Which I could do but it'd be basically an entire book of "shrug emoji". The best possible way would probably be to offer it as a workbook, like "Here is a page for you to record every communication with the clinic doing your testing. Here is a page for you to write down possible other approaches to getting your medication if the pharmacy is out." etc.

I do think I might write it as a novel of some kind. Possibly even a novel about someone writing a handbook, I haven't decided. I had a dream last night about the book, in which I saw a woman watching a revolution taking place in the distance, thinking, "This is not what I intended when I set out to write a self-help book." Baller way to start a novel, honestly.

Anyway there were several suggestions for books in the notes, so I thought I'd compile those here. I have read none of these, so I can't vouch for their contents, but I'm including what my readers said about them.

@blogquantumreality linked to How To ADHD by Jessica McCabe, who is a well-known ADHD youtuber (I haven't found her videos super helpful but they're also not aimed at me). @knitsinweirdplaces added "The last section of the How to ADHD book is literally called 'how to change the world' and exactly points out we can advocate for a more disability friendly world that traumatizes ADHDer less in the first place. It's the only book I've read that hits the balance of 'your brain has immutable challenges' and 'these strats may help' right. Bonus, it is inclusive of people who use adhd meds and those who don't/can't."

@theindefinitearticle mentioned "I read how to keep house while drowning recently and it's been much more practical for me in terms of actual usable advice." This book has also come up numerous times during National Clean Your Home Month as a helpful guide to cleaning.

@buginateacup said "The year I met my brain is the only one I've read that actually felt like it was making useful suggestions for living with ADHD."

@cabloom said "iampayingattention on Instagram wrote How Not To Fit In."

@grison-in-space said "Do you have any idea how over the top excited I was when I found I Overcame My Autism and All I Got Was This Lousy Anxiety Disorder?"

@doubleminorforroughing wrote "Please read Devon Price. He wants to tear it all down and I love it." I will add that I don't think I've read Laziness Does Not Exist but I have read Price's shortform work extensively and I think he's been very influential in rethinking how we frame laziness and productivity in relation to both work and neurodivergence, so I can second the recommendation.

#sam has adhd #adhd #thebibliosphere #incase you want the follow up

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weeb-polls-with-pip · 5 months

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Autistic Anime Girls Finale

SUBMISSION PROPAGANDA:

Asa -

"one of the first things that shows up when you search up 'asa mitaka' on google is 'autistic' which is a good start.

some notable traits is applying herself to rules when it's not needed, when she waited to walk the street at a red light even when there was absolutely no cars, she doesn't fit in well with her peers, notoriously awkward (and a bit of a klutz), she doesn't seem to have an acknowledgment of her own tone or volume when talking to people (she feels okay just yelling out loud to her devil hallucination in public..), and of course.. her idea of a date is setting up a timed-out plan, with her telling many sea creature facts without pause. she does NOT wanna deviate from this plan. She very much bores her date, but she thought it would win him over instantly.

all in all Asa is a very relatable character to a lot of autistic people, especially autistic girls and autistic teenagers. a lot of her character and arc is centered around social isolation and trying to connect with people, and how that also interacts with self worth. personally i think she should win."

Izutsumi -

"Izutsumi is a picky eater and she has sensory touch issues as well plus as a catgirl she automatically gets autism because all cats have autism by human standards."

Richeh -

"her life's purpose is to live her life according to her own rules, regardless of society's rules that don't make sense to her. and she does that by wholeheartedly embracing her special interests of making delicate magic of crystally stuff and shiny ribbons! she's also prone to making lil puns with her name and the names of the other witches in her atelier, and nobody really gets them aside from the people in her found family <3

also (CONTAINS SPOILERS) her brother once told her that he loved her magic just as it was and that he hoped she never stopped making it and being herself (paraphrased cuz i don't remember the actual quote!) and she took that literally to mean that she shouldn't make magic that wasn't the kind of magic that was hers- i.e. shiny, small, ornate, and detailed magic. Being forced to change how she made her magic in order to "do things the proper way" during her original apprenticeship caused her intense distress, and she'd often refuse to do so and would instead think up her own magic to solve problems instead of doing things by the book. Doing that subjected her to harassment and abuse from her original professor, leading to her eventually needing to leave her 'traditional' witch apprenticeship and get her apprenticeship done at Qifrey's atelier, a place far removed from the main witch cities that accommodates her and allows her to grow the way she wants to."

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deaddovedecadence · 3 months

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How each member of the batfam would deal with you having a category five autism event

Alfred

“can I touch you?”

very careful to take your answers into your account, only asks yes or no questions and if you’re nonverbal, has you hold up fingers so that he can safely deal get answers out of you about your needs and wants.

if you are non responsive he’lll probably put something in your hands to help you ground, cover you with a weighted blanket or just sit with you until you can communicate somehow

Bruce

panicky

He has tim so he knows how to handle low support needs autism but if you’re higher on the support needs then he might have bits and pieces of trouble.

Gives you a whiteboard or takes you somewhere that you can get it all out without hurting yourself, and if you try he holds whatever your using whether it’s a body part or your entire body, still

Dick

weighted blankets everywhere

he’s very touchy so if you’re someone who needs to be held to calm down then honestly he’s the best. Warm and holds you tight and helps you slowly come down from the sheer blinding feeling that a meltdown is

Jason Todd

Sits near you

Jason isn’t the type of person to do anything without your permission during a meltdown because he knows, has some street kids who remind him so much of you that it hurts. he knows what they’ve been through and doesn’t want to put you through that

if you’re up for stimulation he’d read a comfort book to you or put on comfort tv to help you calm down.

Cassandra Cain

she can read your body language so well that there’s no need to communicate in typical means

finds it concerning if your meltdown involve accidental self harm or purposeful so she will hold you still

again great if you’re touchy when you’re melting down and will wrap herself around you even if you’re bigger then she is

Tim Drake

has a plan

he talked you first day in the manor to help make sure that if you melted down or freaked out he’d be able to help you because bruce did the same thing for him

best meltdown person because he gets it like almost no one else

Duke Thomas

changes the lights for you

because of duke’s powers he has the ability to change lights if it’s the lights, and uses their shadows to help muffle sounds

can make it so that you have a dark silent space to just exist until you feel up to the real world again

Damian Wayne

dick junior

doesn’t touch you but smothers you in weighted cooling blankets so that you don’t get too upset about anything

honestly you’re how they figure out damian is also autistic

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filmmakerdreamst · 4 months

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P.J.Hogan's 'Peter Pan' is still an underrated masterpiece 20 years later

Peter Pan is a live-action fantasy adventure film directed by P. J. Hogan that reimagines the classic story of Peter and Wendy. The screenplay was written by P. J. Hogan and Michael Goldenberg and was released in cinemas in December 2003. The screenplay is based on the 1904 play Peter Pan, or The Boy Who Wouldn’t Grow Upand the classic novel Peter Pan by J.M.Barrie, which was originally published under the title Peter and Wendy.

The film tells the story of a young Edwardian girl, Wendy Darling (Rachel Hurd-Wood) and her two younger brothers John and Michael. On the night she is told she must grow up, a wild, fairy-like boy called Peter Pan (Jeremy Sumpter) flies into her room with his high-maintenance fairy Tinkerbell. When he learns that she tells stories, he whisks Wendy and her two brothers away to a magical Island called Neverland — where you supposedly don’t “grow up” — so that she can mother his henchmen, the Lost Boys. There she fights pirates led by the evil Captain Hook (Jason Isaacs), meets mermaids, dances with fairies, falls in love and grows up.

I have strong family connections tied to Peter and Wendy and J.M.Barrie. My great, great uncle Nico was one of the sons of Sylvia Llewelyn Davies'. He and his other brothers "the Lost Boys" were adopted by J.M.Barrie; which ultimately inspired him to write Peter Pan. Nico’s daughter Laura — my cousin — who I met for the first time a few years ago, told me that she was flown to Australia for the filming of P.J. Hogan’s Peter Pan because she was J.M.Barrie’s goddaughter. She told me that she was thrilled with the cast, especially Jason Isaacs, who played Captain Hook and Mr Darling. She also mentioned that Jeremy Sumpter, who played Peter Pan, was a lovely boy. However, she said she was very surprised and sad that the film wasn’t a big success as she really liked what they did with the story. I have loved the fairytale of Peter Pan from a young age, and learning that I am literally part of the family that inspired the story was very exciting and I’ve only begun to internalise it more as I’ve grown older.

When I was in my mid-twenties, I was diagnosed with a high level of Autism. One of my main symptoms was labelled “ageless”, which in simple terms means that one half of me is still a child that I can’t mentally leave behind. I can’t do many things that most adults can do, such as pay bills, drive a car, look after my own well being etc. I flap my hands when I get excited. I bounce. I sometimes speak in a baby voice. I overcommit to things I enjoy. I admit that it was hard to come to terms with the diagnosis when I first received it. But over time, I’ve come to believe that the two can coexist in a healthy way. I believe that I am an adult who is able to develop and grow while still carrying the child within me, and that this is not seen as a bad thing. I think Peter and Wendy can be seen as a reflection of that.

I was first introduced to P.J. Hogan’s Peter Pan a few years after it was released (I was maybe nine or ten years old), and I absolutely loved it. It wasn’t only one of my favourite film adaptations, but one of my favourite movies of all time. What surprised me most about the film at that age was how dark and gruesome it was, and full of this underlying sexual tension that I hadn’t expected at all from Peter Pan. Even today, this film still has a special place in my heart. It is made with so much passion and love for the original text that I can automatically put myself back into the story. After watching the film again as an adult, I almost immediately opened my copy of Peter and Wendy and started reading. I would even go so far as to say that I prefer the film to the book. However, part of me wishes that the age rating had been set much higher, as the dark and gruesome moments were some of the strongest parts of the film adaptation. This is possibly why some critics and viewers had difficulty categorising the film at the time.

However, I often consider P.J.Hogan’s Peter Pan to be the same equivalent as Joe Wright’s Pride and Prejudice. (which came out a few years later in 2005, starring Keira Knightley and Matthew Macfadyen). The film moves at the same dreamlike pace. It is light, dark, colourful and deeply romantic.

I also often prefer P.J.Hogan’s Peter Pan to the 1953 Disney Animation of the same name, even though it’s the version I grew up with and liked. I find it much less straightforward and innocent. Also, the 2003 film is much closer to the original source material, which I loved reading as a teenager, and to J.M.Barrie’s original vision. The film manages to reflect the same intellectual subtext and depth of the novel while retaining the whimsy and magic.

Magical Realism

Peter Pan was a perfect blend of fantasy and realism. A lot of media these days focus too much on “realism” and make their sets and CGI look bland and washed out. It’s a common myth these days that no one likes whimsy anymore; it’s somehow seen as too childish. As a result, much of the magic of fantasy is lost. But in this Peter Pan, a lot of colour was used in the set design and cinematography. Everything was so brightly and colourfully lit. Most fantasy films these days, including the new live-action adaptation of Peter Pan and Wendy on Disney+, are all so gloomy and dark. You almost have to light up the screen to make out the actors’ facial expressions or what’s happening in the scene. But this film understands that a viewer who watches fantasy wants to be swept away, but also wants a certain amount of believability. Although the film contained a good amount of darkness, it did not shy away from being cartoonish either (which I think was partly inspired by the Disney animation), i.e. characters blushing or bouncing on the clouds.

The design of Neverland was breathtaking. I think the CGI, although criticised by some, made the island and creatures look more dreamy and fairytale-like. It was a good combination of CGI for the landscapes and real backdrops for the jungle, so there was enough magic and believability to transport the viewer into the story. A bright colour palette was used for the landscapes, while down-to-earth colours such as browns and greens were used on the ground, such as in “The Lost Boys Hide” under the tree, to give a sense of realism. The costume department also reflected this, from the majestic reds and blacks of the pirates, to the earthly colours of blue and red for the Native Americans, to the natural greens and browns of the Lost boys. I noticed that the colours in Neverland were used as a contrast to the Edwardian London back home, which is realistic but dull compared to the island.

One aspect I liked was that the lighting on Neverland always changed depending on the mood of the scene- unlike the naturalistic lighting on Earth. It was almost as if the island was a living being. For example, when there was a fight on the ship, the lighting was red. When Peter took Wendy to the mermaids, who were scary and frightening, the lighting was dark and blue. This created a surrealistic atmosphere, almost like a fever dream or a kind of nightmare.

Sometimes the environment changed depending on Peter Pan’s mood in the respective scene. I particularly liked how Peter Pan influenced the weather on Neverland. Just his mere presence when he flew to the island changed the entire atmosphere in an instant. His feelings also determined whether it was summer or winter. In other words, its suggested in the film that the longer he has been there, the more the island has become a part of him, so that he can no longer leave it. It’s almost as if the island has transformed him into a magical being.

The exuberant musical score by James Newton Howard: I’ll never forget that. I think that was one of the first movies I saw where I actively noticed the music because it was so brilliant. Even today, the “Flying” soundtrack still gives me goosebumps. It perfectly encapsulates the whimsy, joy and imagination of Peter and Wendy. I loved that there were always different variations. One of my favourite pieces from the movie is ‘Fairy Dance’, which starts off cheerfully and moves up and down depending on the characters’ conflict/what they’re saying in the scene.

Cast

The cast of this film adaptation was magnificent. The look of all the actors not only matched the book description, but also the mood, especially with the Darling family. One of the standouts was Olivia Williams as Mrs Darling. She captured the gentleness of the character perfectly. I also loved the new addition of Aunt Millicent, played by Lynn Redgrave. She fitted into the story so well that I was surprised not to find her in the novel. She had the perfect amount of ridiculousness and hilarity that suited J.M.Barrie’s style.

One particular member of the cast we can probably all agree on that was perfect, was Jason Isaacs, who played both Wendy’s father Mr Darling and Captain Hook. He was certainly a star in this film for sure. I just can not think of anyone who could play him better, especially in a live-action film adaptation. He was particularly good in the role of Captain Hook. When I first saw the film as a child, I did not know that Captain Hook and Mr Darling were played by the same person until my dad pointed it out to me because he was so good. I loved how they portrayed Wendy’s dad as shy and reserved, as opposed to Captain Hook who was flamboyant and sinister. Mirror versions of each other in different realities — that’s a common theme throughout the film. As Captain Hook, Jason Isaacs perfectly captured the essence of viciousness, deviousness and brutality that was necessary for the character. But also the deep loneliness and frustration behind it all. I have seen a quote that was supposedly cut from the film (and never should have been) that provides so much context for his hatred of Peter Pan:

“Imagine a lion in a cage and into that cage flies a butterfly. If the lion was free, it would pay no heed to such creature. But the lion is not free…and so the butterfly drives him slowly insane.” — Captain Hook

They did a really good job of showing how Peter Pan and Captain Hook are mirror images of each other. Peter Pan is a child who secretly wants to be an adult, while Captain Hook is an adult who secretly wants to be a child. Both fight each other for different reasons, but the goal is the same. For example, there is a great scene towards the end where Captain Hook uses his wits to defeat Peter in a fight. Here it becomes clear that there is deep symbolism for the inevitability of adulthood and the loss of childhood. Jason Isaacs really showed off his acting talent here. I liked that he wasn’t portrayed as a “dumb villain”, which he easily could have been.

There were also some great performances among the adults. Most notable was Richard Briers as the ‘pirate’’ Smee. But the child actors, especially the lost boys, really held the movie together. Their solid performances made it so believable that the island was ruled by children. I loved Theodore Chester as Slightly. He was very charming and funny in that role.

Another member of the cast I thought was brilliant was Carsen Grey, an indigenous actress of Haida descent, who played Princess Tiger Lily. I liked that they let her speak her ancestral language, Mohican, in this film. Although this film came out in the early 2000s, it is the only version of Peter and Wendy in which Native Americans are neither erased nor white-washed even though the representation is far from great. Considering how they’re treated in the novel, it’s perhaps for the best overall that they limited some of their scenes. However, I liked how firey she was in this adaptation and not the damsel in distress she was portrayed as in the Disney animation. I think it was a wise decision to cut the infatuation she had with Peter Pan, as it was really just one line in the book that would have added unnecessary drama, and all in all, it would have fallen short if all the female characters were jealous of each other.

They also downplayed Tinkerbell’s jealousy in this regard, portraying it more as her trying to protect Peter Pan’s youth from romantic advances, as hinted at in the novel, and also being sad that Wendy is attracting all of Peter Pan’s attention. Ludivine Sagnier has, in my opinion, succeeded well in making Tinkerbell equally repulsive and endearing, as befits the character.

Wendy Darling

Rachel Hurd-Wood was the perfect cast for the role of Wendy Darling.I was actually surprised to learn that this was her first film role ever, because she was a natural. She effortlessly possessed the same caring nature and charm that makes Wendy so endearing. She is exactly how I imagine the character when I read the story. When people talk about Peter and Wendy, they always mention Tinkerbell, Pan or Hook, but personally I am always drawn to Wendy. She is the real heroine of the story. After all, she was the main reason for Peter to bring her and her brothers to Neverland.

What always amazes me about Wendy’s role in the story is the fact that Wendy literally doesn’t spend much time being a “child” in the time she spends in Neverland. When she’s not escaping death at the hands of mermaids or pirates, she acts as a mother to the ‘lost boys’ and her brothers. She asks herself what she really wants from life. In comparison, she was allowed to behave more like a child at home in Edwardian London. Neverland is not a place where you never grow up. It’s the place where she chooses to grow up. Many people have described Neverland as a manifestation of Wendy’s subconscious as a result of trauma, and I’ve never found that to be more true in this adaptation.

One of the reasons why I think P.J. Hogan’s Peter Pan is the best adaptation of the novel is the fact that the film revolves around Wendy’s coming of age. I loved that they expanded on her love of storytelling and also gave her a tomboyish streak. Instead of just being on the sidelines, she’s able to get involved and fight pirates while retaining many of her feminine traits such as her maternal instincts and romantic feelings for Peter. She makes mistakes and sometimes gets dragged into things she knows she shouldn’t do. But in the end, she triumphs.

In many film adaptations of Peter and Wendy that I have seen, Wendy is either only present in passing or not at all. Characters like Peter Pan, Captain Hook and Tinkerbell always take centre stage, which I think is a strange decision as they are part of Wendy’s story and not the other way around. Peter Pan is meant to metaphorically represent the childhood she does not want to give up (which is why the character is always played by a woman in the original play, as he is a mirror image of Wendy). And Captain Hook (J.M.Barrie also wanted him to be played by the same actor as Mr Darling) represents the dark side of her father, or rather what she imagines adulthood to be. This is particularly emphasised in this film adaptation because he is an important factor in her being told to grow up. The father, the concept of adulthood, and Peter Pan, her childhood, are at constant war with each other.

“You’re not supposed to be like Peter, who kept every good and bad aspect of being a child and can’t tell right from wrong. You’re not supposed to be Hook, either. He let go of everything childish and loving about him and became bitter and evil..You’re supposed to fall in the middle, to hold onto the things about childhood that make it beautiful — the wonder, the imagination, the innocence — while still growing up and learning morality and responsibility. You’re not supposed to be Hook. You’re not supposed to be Peter Pan. You’re supposed to be Wendy Darling.” — @maybe-this-time

The 2023 film Peter Pan and Wendy took a different approach, by making Wendy a kind of powerhouse who always saved the day and outshone Peter Pan overall. In my opinion, the 2003 film adaptation emphasised very well that Wendy really is the yin and yang. She's allowed to be romantic, be rescued by others and at the same time determine her own destiny and stand up for herself. Because that’s what her journey in the adaptation is all about. She is pressured by all the adults in her life to grow up. She allows herself to be seduced with the prospect of an eternal childhood by Peter Pan. Then she realises that it is not self-fulfilling. She is tempted by Captain Hook with the concept of adulthood. And finally, she finds a balance between these two extremes on her own terms. By the end of the film, Wendy has made her peace with growing up while still remaining a child at heart. That requires a certain mental strength that we should all strive for.

Peter Pan and Wendy Darling

In most adaptations of Peter and Wendy, such as Hook and Syfy’s Neverland, the focus is on the title character Peter. In the more recent film adaptation Peter Pan and Wendy, the focus is on Wendy. This film adaptation of Peter and Wendy, on the other hand, sticks more closely to the original source material, as the story focuses on Peter and Wendy’s relationship. This is perhaps the reason why I always hesitate when I watch other adaptations, because these two characters are supposed to go together. It’s definitely a relationship that can be portrayed in all sorts of ways because they are symbolically the same person.

Although there is no romance between Peter and Wendy in either the original novel or the play, Wendy quickly develops romantic feelings for Peter which, as a prepubescent child, he does not consciously reciprocate as he has no concept of love other than that of a mother’s. Although Peter cares deeply for her, he ultimately only longs for her to be the maternal figure that is missing in his life. One could go into the symbolism that Peter and Wendy are one and the same, and that this is an expression of Wendy learning to love herself. But in a literal sense, J.M.Barrie had unintentionally created this very strong potential between the two characters. And I personally feel if your'e going to make an adaptation of Peter and Wendy that potential needs to be explored in some way, even if it’s not necessarily romantic.

Hogan recognised this potential and developed the romantic elements, e.g. ‘the “thimble” from the novel, into a very real and tangible plot. In other adaptations, Peter and Wendy’s relationship is rather one-sided. But in P.J. Hogan’s film adaptation, however, it is not at all. Over the course of the film, Peter and Wendy fall deeply in love with each other.

Rachel Hurd-Wood and Jeremy Sumpter had a remarkable on-screen chemistry for young actors, which helped give the adaptation its own identity. Whenever they interacted on screen as Peter and Wendy, it was — like the glittering pixie dust of Tinkerbell — simply magical. The off-screen chemistry between the two definitely helped make the romance so believable as well. When I was younger, I didn’t like romantic subplots in family films. I personally found that they clogged up the main plot because the “romance” tended to be very one-dimensional- but Peter and Wendy in the 2003 film version were simply enchanting.

In the original novel, J.M.Barrie alludes to the possibility of a romance between the two. In the film adaptation, they go all out. Their love story was written so beautifully and profoundly, while staying true to the original text and J.M.Barrie’s themes. This made the conflict hinted at in the novel of “staying in Neverland with Peter or growing up on Earth with Wendy” even more poignant and relevant, because in reality there was only ever one option. They couldn’t find a way to have both. That made the ending even more “heartbreaking” for me as a child, because even though they had the chance to be happy together, she couldn’t give up on growing up to stay. And he couldn’t give up being a child to leave, even though it was a natural progression for him.

Peter Pan

Jeremy Sumpter delivered a fantastic performance as Peter Pan. Not only did he perfectly match the illustrations, but he also managed to perfectly capture the essence of the charismatic, mischievous little boy from the novel. What’s more, of all the versions I have seen so far, he is by far the most accurate, right down to the clothes made of skeleton leaves, the dirty fingernails, the feral mannerisms, the traumatised soul behind the charm and the downright creepy insinuations. By today’s standards, you could almost take Peter Pan for a grown man who consciously decides not to behave like this.

However, when I watch the film again as an adult, I can now understand why he has reservations about growing up in Edwardian England and would rather remain a “child” in Neverland forever. As Peter says in the film, “Would they send me to school? And then to an office?” I feel like most of us today have so many choices as we get older, but back then it was much more limited. The choices were very restricted in that “heterosexist” environment. You could only be a certain thing, and it was much harder to hold on to the pleasures of life. I can now also understand the initial reactions of Michael and John to Peter: He must have seemed scandalous to people at the time. His bright colours, his inappropriate clothing and his behaviour are repulsive to the boys, but Wendy is immediately fascinated and attracted. I think it was a deliberate choice that he is the only character with an American accent to set him apart from the rest of the cast; to emphasise the wildness of the character and his non-conformity to the people of Edwardian London.

Another small aspect I liked was the suggestion that the Lost Boys, although they lived with Peter and obeyed his commands, lived in constant fear of him and did not worship him as in other adaptations. (A fear that is justified as Peter tries to kill them more than once in the film). What the 2003 film adaptation captured perfectly about Peter's character was: how terrible of a person he really is. Peter Pan is a hero when he goes on adventures and fights pirates. You could argue — via the quote “Leave Hook to me” (which Peter says to her in the film) — that Peter is Wendy’s split self who can fight her father (Captain Hook) for her, just like antibodies do with germs when we can’t handle them ourselves.

However, when it comes to understanding emotions, caring about others, even his henchmen, the Lost Boys, and doing anything that inconveniences him, Peter Pan is possibly as bad as Captain Hook. This makes Wendy’s decision to leave him all the more powerful. Although she was initially seduced by his adventurous life, she soon realises that his “life” of joy and adventure is not fulfilling at all. Because in reality, there is no real joy. There is no real adventure. In reality, his life is empty because it is not earned. In addition, she realises that she is gradually losing her memory of the outside world, including her parents - a sign that she is “slowly awakening from the dream”. This leads Wendy to realise that she wants more than what he can give her in Neverland (e.g. romantic love) and decides to leave. Being alive means feeling, accepting and growing. However, as long as Peter remains a boy, he can never truly be alive. Peter Pan conveyed this important message, whereas earlier film adaptations, including the Disney animation, did not.

One of the reasons why good adaptations of Peter and Wendy are so hard to come by, especially in this day and age, is not only because they adapt a performative story that exists in layers of subtext. They also work with a protagonist who doesn’t change. Who doesn’t develop in any way, neither negatively nor positively. Not even just physically, but also mentally. (Even Eli from Let the Right One In, the child vampire, changes in the course of the story). At the end of day, Peter Pan is ultimately there to serve someone else’s story. It works in a fairy tale format. But it doesn’t usually translate very well to the screen because it often leads to one-dimensional storytelling. Even if it seems so natural, it doesn’t come naturally.

However, this adaptation allows Peter Pan to grow. The writers expanded on the small aspect from the book, which is the moment when Wendy enters Peter’s life; he begins to feel emotions. Not just love. But anger. Fear. Sadness. Pain. Disgust. And above all: self-awareness. Almost like a version of puberty in condensed time, as if the change suddenly caught up with his body. When Wendy brings this up, Peter immediately rejects it out of fear. I think most of us can all relate to this when we were in the midst of growing into a young adult. We experience feelings that are scary and new, that we can’t yet fully understand or even want to. For Peter Pan, falling in love is exactly what he is afraid of: growing up and no longer being a child. This adds to an interesting conflict that arises between the two when she asks him to leave with her.

“The thing about Peter Pan is, he’s a coward. Had the chance of a lifetime and he bottled it. Just fucked off back to Neverland. All alone, forever he was, by his own hand. Poor old Wendy, she had to grow old without him.” — Skins, 6x07 “Alo”

In the original novel, the reason Wendy can’t take Peter Pan with her (apart from the fact that he refuses to grow up) is the same reason Lyra in His Dark Materials can’t take Pan — the animal manifestation of her soul — on the boat to the land of the dead. She has to split in order to grow up and leave a part of herself behind. She can’t keep both in order to move on. But that does not mean I always agree with the ending either. In which Peter remains a child and takes Wendy’s future descendants to Neverland and back to look after him. It leaves an icky aftertaste, but at least it fits in with the story J.M. Barrie wanted to tell.

Even though the adaptation conveys the same message, that Peter Pan is the manifestation of Wendy’s youth, even to the end. In this version of Peter Pan, that is no longer the case. By the end of the film, the way he holds himself is different. The way he looks wistfully through the open window and solemnly says, “To live would be an awfully big adventure,” : a sign of self-awareness, while Wendy happily reunites with her family. So much so that Tinkerbell has to pull him by the hair to stop him from joining them and reconsidering his decision. Peter is now old enough to know that he loves Wendy. Maybe he’s also mature enough to know what he’s missing, but he knows he can’t have her the way he wants, so he does the most selfless thing he’s ever done in the whole film by letting her go.

There is no such conflict at the end of the 1953 Disney animated film. Peter Pan is described by Wendy as “wonderful”. In reality, everyone else gets their happy ending, except him, because he deliberately chooses not to. Peter Pan very much turns himself into a tragic figure because he is afraid of the most natural thing in the world. He is afraid of life. And I feel like this version of the story knew that and expressed it strongly, which makes me conflicted now as an adult. I’ve seen endings like this before, where two people fall in love but do not end up together because they grow apart or they are both interested in different things, and it’s very important to reach those points in different ways. It very much reflects real life and is also reminiscent of first love. How that love never really fades. It reminds you of simple times, even when you’ve grown up and moved on. That a part of you is still at that age when you look back on it. These endings happen because people grow — which Peter Pan does not.

“Peter in the books lives in oblivious tragedy. He may suspect that he’s not fully happy, but he tends to forget about it… yet this Peter doesn’t… Wendy leaving him and growing up to be a wife of another man is his unhappy thought…It’s the loss of innocence since Peter could not forget this…It’s the process of growing up…all but confirms that Peter’s character arc in the film is one of accepting the fact he too must grow up to be happy.” — @rex-shadao

And I think that’s the real reason why his character is both the strongest and the weakest part of the adaptation. The writers didn’t make it clear enough that Peter Pan forgets in their version of the character. In the novel, Peter Pan forgets everything automatically, which is why he can exist in this limbo of childhood and not go mad. However, as mentioned earlier, this version of Peter Pan is old enough to remember and, more importantly, to feel. Even though he is the closest to J.M. Barrie’s original vision, unlike his counterpart in the book, he is capable of evolving. That’s why the ending sometimes feels strange to me as an adult.

It was hard to say why I had a strange feeling at first, but I realised that a lot of my mixed feelings stemmed from having seen the film adaptation fresh after reading the novel. Since Peter Pan fully reciprocates Wendy’s love in this version, he ends up being a different character than in the book, which is why I now disagree with them keeping the original ending instead of having him grow up with Wendy. It would symbolise that childhood can co-exist with adulthood, that you don’t have to leave a part of yourself behind. That you can be your true and complete self if you find the balance between the two extremes.

The original ending still works however, in all its bittersweetness. I know what it means and understand what it stands for. Wendy basically says goodbye to her childhood and promises never to forget it. There’s a reason it made such an impression on me when I was younger. It could just be because I’m trying to pick up all the pieces of my broken heart from the floor. But personally, as an adult, I just find it weaker compared to the novel. Sometimes I like to imagine an ending to this version of the story where Peter Pan comes back, having quickly realised that he has outgrown Neverland, but doesn’t meet Wendy again until they are both much older, at a time when Wendy is coming to terms with womanhood and the idea of marriage. Or she even meets his real earth counterpart (if we were to delve into the psychology of Neverland being Wendy’s dream). And their relationship is subjected to the natural test of time and growth.

Peter Pan is an almost perfect adaptation. It matches the humour, the tone and the vision of J.M.Barrie. But I can certainly understand why the film didn’t do so well at the box office. In the month it was released, there was an unfair amount of competition, namely the film Lord of the Rings — The Return of the King. And as an adult, I can now understand why it’s not the film people think of or remember when it comes to Peter Pan adaptations. And it’s not just because it doesn’t fit the elfish, jolly trickster persona that Disney has created.

The film adaptation suffers more from what it doesn’t do — such as maintaining a stable tone and consistent editing — than from what it does. It’s one of those films that would have benefited from being much longer. That way, the inconsistent tone and some of the rushed parts of the adaptation would be much more balanced. It feels like it was missing an extra twenty minutes. For example, the film is narrated by an older version of Wendy, but without the deleted ending where it becomes properly clear that it’s her telling the story to tie everything together, the ending feels a little abrupt. Say what you will about Tim Burton’s adaptation of the Series of Unfortunate Events, but the audience could see where the film’s narration was coming from the whole time. I think if they knew the alternate ending wasn’t going to work (that scene is a classic example of something working well in the novel but not in the film), they should have removed the narrator altogether with the deleted ending and adjusted the film accordingly. They should have extended some scenes so that parts of the film weren’t rushed, such as the introduction, and the story would have been left more up to interpretation as there was no voiceover throughout.

Despite its weaknesses, P.J.Hogan’s Peter Pan is still an underrated masterpiece 20 years later. It is an irresistible film that captivates and warms the heart. The film adaptation has certainly stood the test of time, staying true to the original while adding its own flavour to the story. It is full of magic, wonder and heart. It was clearly made by people who loved the origins of the story and explored where they came from, while also digging deep into the text to reshape the character arcs in a fresh and meaningful way. They succeed in capturing J.M.Barrie’s original message, which is that growing up is a natural progression of life, but that doesn’t mean leaving childhood behind entirely. That it is important to maintain a healthy balance between the two: Taking responsibility while appreciating the joys of life. From the vibrant colour palette to the goosebump-inducing music to the solid performances and gorgeous chemistry between Jeremy Sumpter and Rachel Hurd-Wood, my love for this adaptation will never end, no matter how old I am.

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penny-anna · 1 month

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i have other things to do but here we gooooo owl house fic recs:

Autism to Autism Communication by Polyhexian

"I understand sarcasm," Hunter said, sounding offended. He crossed his arms. "You didn't do the voice thing." Darius stared at him. "The what?" Hunter put his arms in the air and gave his hands a sarcastic little wave. "I GuEsS I'LL hAvE tO sToP cOmInG oVeR, tHeN," he said in the most over the top and comical parody of sarcasm that Darius had ever heard in his life.

everything by this author is great & this one is a joy and a delight!!

Extant Species by Polyhexian

She'd been called a monster more times than she could count, but she knew what a real monster looked like.

i'd happily rec a bunch of polyhexian's stuff but this lil vee & hunter fic was a highlight. especially enjoy the part where hunter's advising her on how best to go about murdering him. love that for them both!!

Owlet by Polyhexian

"Eda!" Hunter yelled as he shouldered open the door and Hooty cooed and rambled at him, "I need help with my potions homewooooooaaaat the HELL is that?!" Luz looked up from where she was sitting on the couch and reading what appeared to be a romance novel about werewolves. "What is what?" "That!" he yelled, pointing at the hulking behemoth curled up in the middle of the room in a massive pile of blankets, pillows, and stuffed animals. "Is that the owl beast?!"

& 1 more!! short n sweet n cute

With Clay and Star Scraps by SiryyGray

Hunter decided to do some research into Grimwalkers. First discovery: Grimwalkers were outlawed in every city under every rule as far back as the history books go. Second discovery: Grimwalkers have no natural means of death. Third discovery: there’s a caveat to that second one.

some absolutely brutal grimwalker content. SPOILERS: hunter can't outlive belos.

Intrusion by rayrock

'He drops something in. It moves and writhes, but it is clearly exhausted. “Eat,” is all he says, voice barely above a whisper. But it is a demand nonetheless, intimidating enough to send shivers down her spine. She hisses in protest once more. He tucks the notepad and pen into his cloak and pulls out a staff. It unfolds and glows a bright red. He does not say anything more. He is nearly always silent when she sees him.' Or: Vee and the Golden Guard’s relationship is complicated, but it is there

some more vee & hunter content for you

just a little bit left by prodigalDaughter

The first time Darius had seen the new Guard unmasked, the fury and betrayal had risen in him like floodwater, bubbling and steaming out of creeks and sewers. Creed had never told him he had a son. —— Hunter has discovered what he is, but he’s not the only one who has to grapple with assumptions made about his origins.

hey remember the other day when i was talking about 'what if darius thought hunter was the previous golden guard's son'! well here u go someone wrote that fic

Wild and Wandering Cries by PorcelanaRota

So his uncle goes flying into the wall directly above him and he is unable to dodge. And his uncle, who is now more palisman curse slime than he is flesh and blood, splatters on the wall, on the ground, on him. Hunter’s been in hundreds of life-or-death situations. He’s felt real and true and visceral fear that sank into his bones and marinated into terror more times than not. Still, nothing has ever left him so shocked and horrified and just flat-out scared that time has actually stopped.

belos splash zone? belos splash zone.

mistakes (the thrilling saga, in high definition) by quynnyah

"This," Amity says, "is not normal human behavior." (Or: Amity and Hunter volunteer to help Camila on a grocery trip. It goes about as well as expected.)

some banging amity & hunter in the human realm stuff for u

Notched by angelcloves

Belos removes the ear tag from his newest Grimwalker.

tiny wee fic giving a backstory for Hunter's notched ear. i rotate this concept in my brain all the time. absolutely twisted.

There is no open window, but the floors still creep by theprincessofdenial

On Tuesday, they eat Chinese. On Wednesday, Camila once again doesn’t have the time to cook, so pizza it is. On Thursday, she wants to make a proper dinner but there’s a hold up at the clinic, Luz knocks over a shelf, Willow has a wardrobe emergency, and then Amity’s cat goes missing. And Hunter beats Gus up so badly the boy ends up bleeding, so there’s also that.

hgnnnh i would rec this entire series if i could (it's 14 fics totally 200k total). its all so chewy i want to get my teeth into it and rrrrrrrrrr. ANYWAY this is my no 1 fav i've been back and re-read it about 7 times. love the Camila Noceda POV; the way it captures the chaos of all 6 kids in the house and makes it feel so real & vivid; the absolutely brutal Hunter characterisation. if ur a Hunter fan go read this right away.

Distance by theprincessofdenial

For the first minute, they all just stand there in silence and watch the airship slowly disappear beyond the horizon. Even though they’re supposed to react quickly, the cold still comes as a shock. It takes some time for the reality to settle in and for them to realize how useless everything they have brought is going to be when their marrow freezes. Hunter hears some of the Scouts inhaling sharply after they approach the ledge and look down. They turn around, unsure where to start, and they shuffle their feet in the snow (terrible decision, really, this way their boots are going to get wet even quicker). Hunter’s the first one to break the silence, and oh, he does it with style. He has been rehearsing that line for a week. “See you at the bottom, suckers!” he exclaims as he pulls out the staff and disappears in a flash of red light. (or: The Obligatory "Leave Everyone at the Top of the Mountain and See Who Makes It Back to the Bottom Alive" Fic. With a splash of Steve)

2nd rec from this series. exactly what it says on tin. *banging pots together* you like whump come get your whump i ADORE what this author does w Hunter. also Steve is there (whump for Steve!!)

A Potter's Field by theprincessofdenial

The view from the staircase is, well, not stunning, that’s definitely not the word. It’s just that “view” is supposed to be accompanied by “stunning,” and Luz can feel her brain coming to a screeching halt and refusing to process what they’re seeing. It's skeletons. Come on, they both knew it was going to be skeletons. The entire Isles know at this point. (Or: despite what the stories would have you believe, in the aftermath, there are things to deal with. Those things include ruined infrastructure, electing new leaders, and prosecuting those responsible for the old regime. And apparently, also Grimwalker mass graves.)

& third and final. unbelievably chewy post-canon fic. lets get into the reconstruction of the isles in full detail. goes hard as hell. will sit in my brain for a long time i think. cannot rec this enough.

and rats all for now!! i got a bunch more stuff in my 'marked for later' so watch this space

#the owl house #fic recs #the owl house fic recs

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fbfh · 6 months

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Hey! Then in hoo it is mentioned that Leo has dealt with a lot of bullies and horrible people since Esperanza died, I could ask for something like him and his s/o going to do something normal like shopping and end up running into one of these people And they keep making fun of Leo so his s/o defends him and comforts him or something like that(sorry if it seems confusing, English is not my first language haha)

first of all your english is great babes!! not confusing at all <33

ah yes. the bitchy girls. the asshole mean girls who have a fucking superpower for sniffing out adhd and autism and other neurodivergent traits like fucking blood hounds. the devils in lululemon leggings and nike sneakers who worship the ground hailey bieber walks on and keep their marc jacobs tote bags full of knives to stab anyone and everyone in the back with the moment the see an opportunity to.

those girls.

Leo's been able to avoid them for a while. Drew was the worst at camp, but she was a watered down version of them - Leo realized at some point that Drew adopting those traits was her own way of dealing with shit, and the more time she spent at camp since Piper became head of cabin, the more chilled out she's gotten.

There were barely any mean girls at MIT, none he had trouble avoiding at least. But now he's here, back in the real world, shopping for groceries for your little apartment you have together. And in the real world, fresh out of nursing school, is Emily. The exact same Emily from the school he went to before camp half blood. At 15, Leo went through a lot of shit. School was hell, his foster family was so bad he ran away enough to be sent to the wilderness school, and he was at one of the lowest points of his entire life.

You don't know who she is, but from the look on Leo's face, the sudden, sharp drop in his energy, the way he starts picking at his hands and gets all jittery. He hopes he can get away with it, hopes she won't even recognize him.

"Oh my god... Leo Valdez?"

you grimace at her voice, the way she mispronounces his last name, and your hackles rise. She looks at you in shock, seeming to hold back a laugh.

"Wait, is he your boyfriend?"

She says it like it's some joke, like this whole thing is hilarious.

"He used to be so awkward!" she giggles, "Wow, you look exactly the same."

Leo can read you like a book, and he knows you are SO pissed off for him.

"Yeah," You say with an equally sarcastic smile, "I had no idea you guys were the same age, you look so much older. I never would have known you guys were in the same class."

She blanches a little, and you double down.

"Leo actually just graduated top of his class at MIT. He has, like, a dozen job offers already." You smile at him proudly. "So how about you, are you... doing anything?"

"Mhm." She nods, the humor suddenly gone. "Nursing school. I just started."

"Oh," you nod, glancing over at Leo and sharing a subtle look with him, "well, we better get going, we have some open houses to get to."

As you walk away, still close enough for her to hear, you mutter to Leo, stifling a smile.

"Wow. The mean girl to nursing school pipeline is real." You chuckle, "And like, she does know it's not 2016 anymore, right? Cause her eyebrows don't seem to..."

He's so surprised that after an interaction with her, after all these years, he actually feels... okay. Outside the shithole of high school, with you by his side, she doesn't seem nearly as intimidating as she had. He's not sure how you got him to realize that so quickly, but he realizes that there's nothing that feels that intimidating when you're by his side. And you're right, her eyebrows are just as awful as her personality.

#drabbles #leo valdez #leo valdez drabbles #leo valdez x reader #heroes of olympus #heroes of olympus x reader #heroes of olympus drabbles #no shade to anyone who does/still likes 2016 makeup and eyebrows /gen #and no shade to anyone in nursing school /gen #just using some small town mean girl archtypes yk #anyway yeah #once you break down that facade #leo is SO unthreatened #and he is forever grateful to you

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gabessquishytum · 5 months

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You know what concept doesn’t get explored enough in Dreamling fic? Dream teaching Hob how to read. Like, I’ve seen one or two off mentions of it in canon adjacent fic, but nothing that really gives focus to that idea, y’know? And while I think it would be fun in canon, I’m gonna go au real quick.

So Hob as one of those kids unfortunately left behind. Probably a combination of living in poverty and his undiagnosed adhd. And he’s definitely way too embarrassed by this to actually ask anyone to teach him. So now he’s an adult who doesn’t know much more than his own name and his numbers. And while that probably wouldn’t be enough for most people to get by, what Hob DOES have are people skills. His ability to charm people and talk around them let’s him get through life well enough.

Then there’s Dream, mister wet cat himself. If he’s not an Author™️ then he’s definitely a voracious reader. But he has a personality of a damp paper bag. Like, even he has to admit his lack of social skills is actively hindering his life and relationships at this point. Probably add some autism for ✨flavor✨

But Dream does have moments where he’s too observant for his own good. Which is how he clocks that Hob avoids reading like the plague. (I’m envisioning Hob as a bartender at the pub Dream goes to to try and learn human behavior. But idk if he could avoid reading with that job.)

So Dream corners Hob and proposes a trade off: Dream will teach him how to read and Hob will teach him some social skills. Once Hob realizes he’s not being threatened (seriously, Dream really sucks at this talking to people thing) he hesitantly agrees. At least it’s less embarrassing if Dream also needs to be taught something? And it would be rather helpful…

Obviously during the course of their lessons they fall in love 🥰

This means so much to me!!!! I love it. The idea of Hob hiding the fact that he can't read is so heartbreaking but actually so real and its way more common than people imagine.

I also love the idea of Hob + Dream = One Normal Functioning Adult. That's my favourite thing, when they're each other's missing puzzle piece <3

I figure that Hob might have picked up a few words from around the environment of the bar. Like, each tap has a label on and he knows exactly which is which and he can technically read "Guiness" and "Wherry" and a few others, but they're not the most useful words. Anyways, Dream gets the idea that he'll keep using things around the pub to teach Hob to read: menus, newspapers, posters for old gigs, crisp packets. It's a good way for Hob to build confidence before Dream presents him with an actual book.

And similarly Hob uses the bar as a place to teach Dream about social skills. He coaches him through identifying body language and expressions, quizzing Dream on how he thought each customer might be feeling. Then he encourages three way conversations between him, Dream and regular customers. He gives Dream topics to focus on and gives him safe ways to get out of an interaction that he's not vibing with.

By the time Hob stumbles his way through his first novel, Dream is able to talk to a stranger about the weather without any issues. And they're both mutually crushing on each other so hard!! It only seems fitting that the pub which has been such a cornerstone for their friendship and some pretty awesome personal milestones, is also the place where they have their first date.

Hob reads love sonnets to Dream in a hushed undertone. And it's like the whole building sighs happily at the sights of them together <3

#acedragontype #the sandman #dreamling

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luc1fersducky · 2 months

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Lucifer Morningstar with an autistic reader (GN)

a/n: hai 🫶 keeping you all fed while i write some smutty smut for you horny little sinners 🫣 but honestly i may just be self projecting here cos my autism is quite an important thing in my life

~ SO.. we all heard the news of this man being canonically autistic, right..? we all saw viv confirm it?

so like... hear me out.. his new partner being autistic does just fall hand in hand because youre both just so understanding of each other.. and imagine if his partner hasn't been understood enough 🥹 our boy is straight on the case!

~ TEXTURES ARE SUCH A BIG DEBATE IN THIS HOUSE. like, you found a blanket in the store thats not only weighted, but this beautiful red colour and such a soft texture, and you FREAKED OUT over it. immediately running to show him with a massive smile on your face and jumping about so eagerly to show him.

While he's offended at first that he can't keep you wrapped up in his wings (this is a topic we'll discuss later in this.), he's heading STRAIGHT to but it for you.

There's a texture either of you don't like? it's gone within hours. Carpet's rubbing along your feet as you walk in all the wrong ways? you bet he's calling somebody to replace it with a more suitable texture.

~ THIS ALSO GOES FOR FOODS. as an autistic person with safe foods, i will 100% NOT be happy if im out of my safe food on a bad day.

So when you're having dinner, for example, and a particular food's got that metally taste that you just can't stand, he can tell simply by the look of discomfort

so he's INSTANTLY getting those safe foods on standby, distracting you as best as he can from the icky parts. poor baby's got to make sure his angel's not going through all of this alone like he most likely has for years :(

(one of his safe foods is 100% pancakes, not up for debate. like this is made for breakfast ON THE DAILY, or a midnight snack after a meltdown)

~ speaking of meltdowns, this sweetheart is a star with them.. whether it be a sensory overload, or an emotion going into overdrive. he's clueless at first sometimes, he can't help that he was half asleep!!

but once he's given it a minute of prolonged eye contact, he's very quickly spotted the signs. He's getting all the comfort objects and foods you can think off, and if the wings comfort you; you're 100% getting wrapped in them like a wing burrito!

If it was the noises possibly overwhelming you, I can imagine that the wings would DEFINITELY be an excellent alternative for ear defenders as well as a comfort object, the fluff easily relaxing you.

and if you struggle to sleep after said meltdown, he's softly lulling you to sleep with sweet little whisper songs, as to not overwhelm you with the noises more (even with the wings). what a gentle boy he is 🥹🫶

~ MY FAVOURITE PART. THE SPECIAL INTERESTS. have you seen this man?? those ducks are 100% his, and he is 100% going on rant after rant about them

and you are 100% more than happy listening to him as he drags you into the interest too (MUTUAL SPECIAL INTEREST YES.)

but if you have a singular special interest, he is going to sit there and put every little thing into it as much as he can!!! upset? hes bought you little merch for it. rambling on about how he'd enjoy it too and should watch it? he's booked out a whole day to watch it with you, all snuggled up.

~~~

might do a part 2 u never know

ducky signing out!! 🍎

#hazbin lucifer #lucifersducky #hazbin hotel #lucifer #hazbin hotel lucifer #lucifer x reader #lucifer morningstar #autistic reader

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what-shitfuckery-is-this-ew · 4 months

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A Critique of Riordan's: Neurodivergency

tldr: Rick made ADHD and dyslexia superpowers in the books which fit the time he wrote the books, but it's not accepted now cause it diminishes neurodivergent struggle. At the same time he made autism coded characters the 'annoying' ones and had a very racist thing of having the only neurotypical be Frank.

He tried to fix it in the show. It worked for about 3 seconds.

TW: Ableism, Autism speaks mention, r slur, anti-schizo stuff.

This paragraph is useless so don't read if you don't want to: Sitting in my drafts are 3 different 'A critique of Riordan's' posts i made as i tried to redo my full critique of the Riordanverse with a little more positive feedback and a little less Rick Riordan is the devil spawn. I have decided to not do it in order because because i watched the show and i noticed some things which were iffy and others which were great. So yeah neurodivergency first. Enjoy and think Critically.

Books

Research and Diversity

The books were written in the early 2000s for Rick's son who has ADHD and dyslexia

As a result, it takes on a very "your ADHD and dyslexia is a superpower" message which were popular during the time, but we recognise now has delegitimised neurodivergent struggles

Also as a result, the books were very focused on his son's symptoms, and represented ADHD as a monolith which quickly turned into stereotypes (e.g jumpy, impatient and fast reflexes becoming the connecting feature of half-bloods)

It got so unresearched that at one point he said:

He also talks about coffee in a similar way, despite sugar and coffee not making us more hyperactive and instead making us sleepy. Unless all the scientists and people with ADHD are wrong i really don't know this works.

and also said this: "Leo was extremely ADHD even by demigod standards" Like what

But the worst part about the PJO books was that the neurodivergency was limited to the first book. Percy's ADHD and dyslexia magically vanish and honestly it's only really brought back up in HOO every now and then (not very well might i add)

Ways he could have improved:

He could have given other characters, like Annabeth, more diverse symptoms of ADHD. It wasn't that hard, For Annabeth recognise that she as a 'gifted kid' is more likely to have undiagnosed and so have to face the issues related to being undiagnosed and/or being both a gifted kid and having ADHD, and then also give her more symptoms common to girls like being really chatty or frequently daydreaming.

Continuing having ADHD (and dyslexia) as constant parts of the novels rather than throwaway lines. Build it into the characters actions and persona rather than add it on like an accessory

Research. Never stop researching. Always reach out to people with the disorders and ask them to help. Writing is nothing without research.

Get sensitivity readers

Grammar

This is really minor, but he keeps say ____ was ADHD, and like gramattically that's a no. I am not a disorder i am a person with a disorder . Note for autism, the prefered grammer is Autistic person (aka turn into adjective and describe, something we can't do with ADHD)

Nico and Leo

Making Leo and Nico the 2 characters who were annoying and unlikeable (to everyone else not to fans) was really weird cause these 2 characters were the autistic coded ones.

NOTE: I did see a post explaining it better in the past, and i will link it when/if i find it again.

Tyson and the R Slur

I genuinely think he tried to make the r-slur scene show that it was bad, but the way Percy reacted to it wasn't quite right. Especially for childrens books these things need to be really clear. So it was good to make a bad bully character who was hated say it, but he could have made it better by skipping Percy saying "He’s not r*tarded" and go straight to "I had to try really, really hard not to punch Sloan the face."

The scene was ok, it could have been better, but again these were written in the 2000s, we have to acknowledge that.

Percy and School

Now this is interesting because this is more recent. Percy tried really hard in school and was smart, it was part of his characterisation. But he never did well in school, because that's how his disability affected him (especially since it was the American school system which we all know is shit and even more shit for people with learning disabilities).

The problem stems from TSATS, where Percy is made out to skip school, and not try at all (feeds into people with ADHD do bad cause they don't try/are lazy)

credits to @aroaceleovaldez

Racism: Frank Zhang

Frank Zhang the only Asian member of the 7 has no form of neurodivergency, despite the rest of them all having. It must be a just coincidence that there's a stereotype that asians are really smart and good at maths and the fact that the rest of the Romans have dyscalculia/s.

It's not weird at all that the character instead has lactose intolerance, which is really common in East Asia unlike dyslexia, ADHD or dyscalculia, which has such a low rate of diagnosis because there is a large stigma behind the disorders and because white people don't think Asians can have learning disabilities/s. No not weird at all that the dude is described with symptoms of dyspraxia but Rick refuses to recognise he is not neurotypical/s

I'm stepping out of sarcasm speak to remind you that Asians with learning disabilities are significantly less likely to get diagnosed with anything because:

because their parents won't let them until they have no other choice (glares at my parents) because there's a massive stigma behind intellectual/learning/development disorders in these communities

When we do try to get diagnosed our claims are diminished because of racist stereotypes and the belief that booksmarts/giftedness = no learning disability. It means most psychologists and psychiatrists (who are usually white) think that all Asians are smart so they don't ever have any form of neurodivergency and we're left to struggle.

Schizo Rep

Octavian. Villain. Schizo. Again.

Do i even need to explain this?

Show

Not actually a specific disorder - Percy just has a learning disability

Interestly Percy's dyslexia is just never talked about, And even his ADHD is never mentioned by name. He's got a random learning disorder which isn't specified. At first i assumed it was still ADHD cause the books, but watching more, you realise they aren't actually focusing on what learning disorder he has and what he has to deal with as a result of that. It's just a generic learning disorder.

Which is weird because learning disorders are all different and we all face different things, even with the same disorder. So placing all learning disorders in the same group? not good. Don't know what i expected from disney, but it wasn't this.

Autism Speaks

So the show tried to acknowledge that Percy was constantly told he was special and heroic when he really wanted to have help for his issues and for people to recognise that he has problems and those are bad. It also represented less stereotypical adhd symptoms (though whether that's because the disorder is no longer adhd or whether they wanted more inattentive symptoms to be present, we'll never know)

but then it went ahead and used a broken puzzle metaphor for his neurodivergency?

Puzzle piece metaphors when talking about any form of neurodivergency are a no go because the creators of the metaphor literally want Autistic people dead.

I DON'T GIVE A SHIT THAT HE DOESN'T HAVE AUTISM, WE ARE NOT ALLIES TO THE AUTISM COMMUNITY IF WE USE THE LANGUAGE AUTISM SPEAKS CREATED

Not only that but a broken puzzle is not a good way to represent us anyways because NEURODIVERGENTS AREN'T BROKEN.

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braimin · 2 months

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Law has the autism rizz, but that's nothing compared to Zoro's autism And ADHD rizz. Bro is unstoppable, Sanji took one look at this sword obsessed weirdo and went like "alright fine whatever I'll love this bitch for the rest of my fucking life"

Bestie you are correct ✨

Law will like, hear about the stuff you like and will be able to recite crazy shit that's somehow connected to it right off the top of his head. When he makes eye contact it's like you're the only person he's seeing (which is really because no one told him it's okay to look away when you talk to someone so he take eye contact very literally lol). He's the type to be vaugely unsettling when you first meet him and then when you get to know him he's got a very nice vibe to him. Also Law surprisingly has game when he hits on people, like he could really pull some hotties if he wanted to lol. (He doesn't, he hates people.)

Zoro, like Law, is wholly uninterested in most people. But I feel like Zoro's rizz is really niche, it takes a specific type of person to really get into him. Sanji is, unfortunately, one of those people. Which really just means he's a morosexual. Because Zoro is somehow simultaneously one of the smartest and dumbest people alive. He's so reckless he's borderline suicidal and yet he's one of their best strategists, he has never picked up a book in the entire time he's been with the crew and yet he is their human calculator.

Sanji has found himself on more than one occasion saying stuff like 'That's so fucking stupid, tell me more.' There's just something about the way Zoro says dumb shit. And it's always after saying the most profound and wise things.

He's also the perfect amount of bouncing off the walls kind of feral, like Law is, for the most part, a fairly monotone guy (unless he's around Luffy and Kid). But Zoro is ready to fight or fuck at the drop of a hat. When they first met Sanji saw him go crazy for a fight with a man who was so obviously out of his league, then almost die over it and was like 'Uh oh why was that attractive?' Every time he sees that feral smile before a fight it's like the 'oh no, he's hot!' meme plays in his head on repeat.

He's mostly hyper fixated on his swords but after spending so much time with Sanji, Zoro has accidentally learned a bunch of shit about food and the kitchen so he's incredibly helpful when it comes to shopping and cleaning. Because Zoro knows all his systems and follows them to a T (He complains every step of the way though and that pisses Sanji off.) He fits really well in his kitchen, Sanji has almost forgotten what it felt like to not have him there and he's not entirely sure he could go back to how it was before.

So yeah, Sanji goes from 'Damn, why am I into this little weirdo?' to 'Fuck, I'm in love with this freak aren't I?'

#zosan #sanji #zoro #one piece #poor Law really never stood a chance #Sanji on a regular basis: He's so stupid I can't *not* fuck him #Sanji has a bunch of things in the galley that have to be done in a Very specific way #Zoro is the only one who knows exactly how to do them #Sanji is the only other person allowed to clean and sharpen Zoro's swords #he knows what an honor that is and is very prideful of that fact #he also takes really good care of his fourth sword #if you know what i mean

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sbk-zgvlt · 5 months

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Guys. I finally finished book 4.

Sebek doesnt go home for winter break, deciding to stay with Yuu and Grim in Ramshackle (He feels left out by Dia 3 and decides to stay back, not willing to put himself through more heartbreak) (Yuu and Grim dont question him when he appears in front of their dorm with a luggage bag)

Sebek wanted to see Dia 3 off when they leave through the Magic Mirror only to get there with Adeuce Yuu and Grim and find out they leave without bidding him goodbye

Adeuce's opinion on Dia 3 are slowly souring

Bump into Jamil and the rest of Scarabia!! Decide to help them with cooking. Idc about that theory that the culinary crucible cards that have their bows not properly done r bad cooks SEBEK CAN COOK AND I STAND BY THIS !!!

heads up! Sebeks previous interactions with Jamil (namely the ceromonial robes vignette) has already skewered his personal opinion on him, so he doesnt get suspicious of him until its too late

Something something about how easy it is for Sebek to love admire and respect someone something something about how he lets it blind him to peoples faults sometimes

SEBEK LOVES IT IN SCARABIA OMGG ITS SO WARM. Those green flames in Diasomnia heat JACKSHIT smh

The carpet likes messing around with Sebek and Yuu has to stop him from trying to set it aflame/lh

When they take to the skies, Yuu takes the time to look at Sebek and Grim and just be. Insanely glad that theyre with them (AUGHHH THEY MAKE ME SICKKK)

Kalim's "mood swings" do NOT mix well with Sebek "autism" Zigvolt. Works well in Jamil's favor because Yuu gets upset on both Sebek and Grim's behalf

The whole thing with Yuu unable to say no because of Jamil's UM and Sebek and Grim scolding them, but the former admits that it leaves a sour taste in his mouth if they leave Jamil without helping for some reason

Try to escape and FAIL spectacularly. Try to call the headmage, and Grim eventually tells Yuu to message Adeuce. Sebek messages Jack ("Why do you even have his number in the first place 🤨" "It is none of your concern, human!")

Sebek stops Grim from trying to dig their way out with a spoon, knowing it would be fruitless, and makes him rest

They have the talk with Jamil and the other dorm students !! When Jamil mentions why exactly he needs to be compliant to all of Kalim's wishes, Yuu whispers about how that sounds like someone they know. Sebek tries to ask them what they mean but Yuu says its nothing

Sebek criticizes the Al-Asims and Jamil is surprised by how passionate he is about the topic (Yuu tries their best not to call Sebek a hypocrite with how he's been excusing all of his Wakasama's actions that are CLEARLY hurting him) (Malleus sneezes in Briar Valley)

Jamil also finds out that technically Sebek is a servant as well, although it was by his own will. He questions how Sebek could so easily dedicate his whole life to someone just like that. Yuu agrees, mentioning how his Wakasama doesnt even seem to give him the time of day, which doesnt help

THEY ESCAPE WITH THE HELP OF THE CARPET 🔥🔥🔥 and crash into Octavinelle

Skipping a lot of chapters over here since nothing really changes drastically. Sebek goes with Floyd, Yuu, Grim and Azul to distract Jamil. He plays a board game with Yuu :3

Skipping again, they find out about Jamil's whole scheme and Sebek is CRUSHED to find out that someone he looks up to is actually a bad guy. Jamil once again ignores the teeny tiny guilt he feels upon seeing Sebek's distressed face

Something something about being the one praised for once something something about how Sebek freely gives his love and praise to anyone he believes deserves it and how Jamil feels appreciated even though he wont admit it

OVERBLOT GRAHHHHHH

Flings them to the edge of the desert, Sebek holds onto Yuu and Grim so he would be the one to get the brunt of injuries upon impact. It doesnt help that its cold

OASIS MAKER 🗣️🔥🔥🔥 Sebek uses his crocodile form to carry Yuu and Grim (Yuu was against it because WHAT THE FUCK SEBEK YOURE INJURED)

Fighting Jamil! Sebek connects with Jamil, servant to servant and all that shit, saying that what he's doing wont change a thing. Starts off insulting him ("SEBEK YOURE NOT HELPING???") before going "Will you really let yourself stoop so low and let them take the last laugh!?"

"You have talent and skill that could make others envious, and you're using them for what? Stealing some title? If it was truly yours to begin with, then prove it! Do you really want to become housewarden through such underhanded tactics?" "I truly admire you, Viper, so don't tell me that I placed my faith in someone so imprudent!"

Jamil scolds him, saying that Sebek of all people should understand why Jamil's doing this in the first place. Tells him that he can help him as well, offering his hand. Sebek doesn't take it

He gets in a bit of a funk after that, not being able to understand why Sebek is just okay with being a servant all his life, getting more aggressive with his attacks while the others try to push him back. He still has his hand stretched out towards Sebek, screaming about how he should understand

Azul tells them theyre running out of time, and Jamils going to be too consumed by his blot for any of them to snap him out of it. Against his better judgment, Sebek grabs Jamil's hand, Yuu barely holding onto Sebek's jacket when they tried to pull him back

FLASHBACK!!! Sebek and Yuu finally acknowledge each others existence when they watch the memories play out. When nearing the end, Yuu asks Sebek why he cares so much about this "Wakasama" when its clear that they dont care for him. Sebek doesnt answer

BACK TO THE REAL WORLD!!! Azul tries to convince Jamil to transfer to Octavinelle, and after some thinking decides to extend the invitation towards Sebek. Sebek immediately refuses. Yuu retorts and says the only dorm Sebek is ever transferring to is Ramshackle. (They look at each other like 🤨)

Jamil tells Sebek that he still doesn't understand why Sebek would want to serve someone his whole life. Sebek tells him that he doesn't need him to understand since it's his own decision anyway. Jamil contemplates on his answer

PARTY!!!! Adeuce and Jack FINALLY arrive and fuss over Yuu Sebek and Grim, still not admitting that they were worried

Yuu realizes that Sebek still didnt answer the question. When they ask Sebek about what happened in the memory Sebek feigns obliviousness

Finally back at Ramshackle,,, the ghosts are RELIEVED to see them again. They usher Sebek into the house, noticing how Sebek is SHIVERING

Before Yuu gets in as well, Lilia pops up, saying that they have something to give them. After he gives them the postcard and disappears, Sebek goes out to shout at Yuu to come inside

Yuu shows him the card and Sebek's face FALLS (YOU SEND YUU A POSTCARD BUT NOT. SEBEK. OKAY I SEE HOW IT IS !!!)

Yuu tries to ask him whats wrong, but Sebek says that its getting too cold outside and heads in. Yuu stares at the postcard like it just killed their entire family

"M.D." has a #1 hater and it's YUU 🗣️🔥🔥🔥

EDIT: I FORGOT TO MENTION FUCKKKK Sebek picks the stone up before Grim does, intending to throw it away only to become curious as to why Grim likes them so much. He pockets it instead

AUHUGHUG FINALLY DONE 😭😭😭 im goign to try and finish book 5 next !!

#twisted wonderland #twst #sebek zigvolt #twst sebek #sebek twisted wonderland #twst sebek zigvolt #my asks!#twst yuu #the crocodile cat and yuu #twst grim

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aroaceleovaldez · 3 months

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random question but i came across a post of yours where you talked about how mark oshiro sort of erased an aspect of nico's ADHD by making a joke about how he only liked mythomagic cards because he's gay and there are hot guys on the cards, and then TSATS also seemed to really downplay the themes of neurodivergence in the series. and it made me wonder if you have any thoughts on how the show has portrayed the demigods' ADHD and dyslexia so far? i've seen some people say that the show also downplayed it a lot, and i'm inclined to agree... which feels really weird considering that rick's own son's neurodivergence was specifically a major inspiration for him writing the series. but if i recall correctly a lot of scenes showcasing that in the first book were taken out of the show.

Oh absolutely, a lot of scenes and general discussion about adhd/dyslexia were removed in the show (and some of the disability-coding in general - i appreciate the change they made with making Chiron disabled based on his mythos rather than just using a wheelchair as a disguise, but i wish they had kept Grover's crutches in a similar manner honestly) - I've made a couple of posts discussing it: here, here, and this reblog is relevant to my opinions about the matter. There's probably some other stuff in my pjo tv crit tag.

I think the main sentiment i have regarding it - which i've seen a couple of other people mention as well - is how much the show ignores or outright removes and downplays Percy's personal struggles with his disabilities to instead emphasize Sally's experiences instead, particularly in manners of her taking out her stress on Percy - which alongside being completely antithetical to Sally's role in the books, is pretty ableist and why I continually compare show!Sally to Autism Speaks Parents. Autism Speaks tends to make an emphasis on the struggles of the parents of autistic children rather than treating autistic individuals like a person experiencing their own struggles. One of the major points of Sally's character (and later Paul) in the books is that she's an incredibly accommodating parent and works hard to make sure Percy is supported when he's struggling with his disabilities, because he's not been able to find that accommodation elsewhere. That's part of why Sally is such a great mom in particular, and is intentionally supposed to directly contrast Annabeth's home life struggles with her parents having difficulty navigating how to provide that same level of accommodation to help support her (and how Annabeth finds that accommodation at CHB instead, because that's the metaphor that CHB is supposed to represent - an appropriately accommodating system they can rely on, and then exploring how that's still a flawed system and looking at how disabled kids/demigods fall through the cracks and how to change the system to better support them).

The show also almost completely ignores Percy's ADHD/dyslexia experiences in general after the first episode. I was honestly really happy with, in the first episode, how clearly Percy's poor experiences in the American education system, particularly relating to his neurodivergence, have informed his reaction to situations such as people trying to tell him he's a demigod in coded language. It was essentially the perfect update to something i've discussed in the past here, about how the original "all demigods have adhd/dyslexia because it's secretly SUPERPOWERS" thing was presented as the basis for the series and why that teaching/parenting style fell out of favor. We see Percy in e1 acknowledge how dismissive of his struggles it is to constantly just be told he's "special" - and we even get explicit acknowledgement of how that description is used aggressively and for ostracization (from Nancy), which is extremely true to the experiences of kids who grew up with that teaching/parenting structure. But then we get to episode 2 and... all the acknowledgement of ADHD/dyslexia/etc is gone. We get at most a one-off acknowledgement from Luke that demigods are all neurodivergent and that's it. Pretty much nothing else for the entire rest of the season, save for flashback scenes that only emphasize Sally's experiences, not acknowledge Percy's. No further acknowledgement of Percy's dyslexia, or Annabeth's, or anything about their ADHD, or even Percy's completely removed PTSD (which we know for sure because of both writer commentary [see: that second post i linked about the LA Times article] and Percy's total lack of reaction to Mr. D). Nothing.

It was extremely disheartening to say the least, having such a strong start and it evaporating completely, and I fully agree with you.

#pjo #percy jackson #riordanverse #pjo tv #pjo tv crit #adhd #Anonymous #ask #long post //#ask to tag

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3d-wifey · 4 months

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TBOSAS was a great movie and an even greater miss---here's why:

The problem here is no fault of the movie. It's not that it isn't a good adaptation or that it cut out too many important scenes. The casting was amazing, the acting phenomenal, the writing and plot translated immaculately into the screenplay format, and the ending was tragically beautiful. All of those boxes are ticked. The problem lies with one thing: Coriolanus Snow.

To understand what I mean, I'll bring the main trilogy to the stand. All of the books were written in first person from Katniss's pov. There were things that we as the audience don't know because Katniss doesn't know them and vise versa all do to her inner monologue. But there are also things we as the audience do know that Katniss doesn't because she's an unreliable narrator. She often misreads people because, whether she'll admit it or not, she's highly suspicious of those that aren't obviously weaker than her and is quick to judge in general. Her biases and black and white moral standpoint can be attributed to her environment, ptsd, and, though not confirmed, Autism (source: I'm actually Dr. Autism) or bpd. So, in this case, she's unreliable, but we understand it's not malicious and it was translated well in the movie (i.e. her thinking Peeta wanted her dead, her thinking Peeta is only acting like he's in love with her, her misconceptions about Finnick.)

Coriolanus Snow on the, other hand, is an entirely different case. He's a bad person at the start of the book and that isn't up for debate. His thoughts about Lucy Gray should make you angry, let alone about people who knew and cared for him for years (Tigris and Sejanus). He is also an unreliable narrator, but in a completely different sense than him. While hers is founded in ignorance and defensiveness, his is built in paranoia and narcissism. He's obsessive, possessive, demeaning to any and everyone, and thinks he's owed more than he is and hates anyone that has what he doesn't. We get all this through his inner thoughts as well (him hating the very idea of Lucy Grey being with anyone before him and likening her to a whore---implying she's slept with peacekeepers, wanting to own her in the literal sense of the word hating Sejanus for having basic human empathy, hating looking down on the Plinths who have been nothing but kind to him, so on and so forth). I say he's bad because, though he hasn't done any of the horrible things he thinks about or acts on them is because he didn't have the power or social standing to back them, something he has plenty of as a president. All this to say, the movie lacks that insight into the character that we gain with Katniss. Enough that people that have only watched the movie genuinely believe he was a nice person drove to the brink or thought there was a little gray area in regards to his morality. Enough that people that think the actor is hot will say they like "Coryo" not Snow, or some people send hate mail to the author because they think she tried to humanize him/excuse his behavior, the exact opposite of the point of the book. I don't fault the movie too harshly for this too harshly. Other than having a voice over, they could do very little to convey his every horrid thought. And because of this and Tom's phenomenal acting, Snow was able to manipulate the audience just like everyone else he fucked over.

Snow is a narcissist who can't wrap his mind around people genuinely being kind while having no ulterior motives, because he would never do that from the kindness of his heart. He thinks everyone is trying to back stab him and want to turn on him and are out to get him or are trying to embarrass him because that is what he would do if he was in their position. Unlike Katniss, he can read people and he can act his ass off, but unlike Katniss, he can't see the best in people because he doesn't want to/it doesn't benefit him. He had many opportunities to do the right thing or the kind thing and actively chose not to.

He, more than anyone in the Capitol, even more than Sajanus, should know what the Districts go through. He grew up poor, starved, and was forced to grow up too soon. He knows what it means to have nothing, be starved, and go into the arena and almost be killed. Yet, he looks down on them and sends children who were younger than him when he went into the arena, to their deaths because it benefits him.

He's a horrible person. He's always been bad, but he strove to be worse. I'm not saying the movie wasn't able to portray this in it's own way, but since it's not as obvious and in your face if you're too focused on how cute you think his face is, you can miss it. You'll find reasons to justify his actions just like he does and, ironically, become like his inner monologue where he continuously made himself the victim in almost every scenario.

Again, great movie! Fantastic even, my I beg of you, read a book. Or watch a youtube essay about it.

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justjasper · 4 months

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do you have any domestic moreid headcanons?

Pre-Relationship

They become fast friends, they hang out a lot, they call each other at odd hours.

Reid gets Morgan into Star Trek by making him watch Deep Space Nine. Morgan would fight god for Captain Sisko.

They fall into bed sometime in season 1, and keep doing so on and off for years while their feelings brew.

Reid wakes up alive after the events of Amplification with Morgan by his bedside, and they have a conversation full off feelings. They become "official" here.

Newly Established

They can both cook; Reid looked after his mother and went to college young, Morgan's dad cooked, and Morgan followed his example.

Nobody proposes moving in together officially, Reid just spends less and less time at his apartment until the lease runs out. He mentions it to Morgan quite matter of factly, and Morgan shrugs, smiles, pulls his pretty boy in for a kiss. "Most of your books are here already."

A morning where they don't have to work goes like this: Morgan gets up early to go for a run with Clooney. By the time he's back, Reid is making is making them breakfast. They eat, and then shower together.

Morgan has a decent vinyl collection and likes to listen to them on chill evenings. Reid is a musical sponge, and if he gets a chance when they're on cases, will seek out record shops for something interesting or rare.

Their favourite takeout is Thai. Reid is one of those "white guy with spice tolerance" outliers.

Well Established

It takes some time for them to switch to using first names in private, Morgan takes significantly longer. It's not a problem, they've known and loved each other a long time with these names. Neither of them shorten each other's names.

Clooney is a K9 dropout, and highly trainable, and Reid teaches him a lot of silly tricks. He likes to show Clooney magic tricks.

One of the properties Morgan buys has a decrepid grand piano in it. He gets it restored for Reid, who's dabble with learning on and off. He plays the piano every day.

Morgan thinks Reid doesn't really believe in marriage as an institution, and is okay with that, they don't have to get married, even if they could. Reid proposes to Morgan one morning in shower.

Reid never gets an official autism dignosis, wanting the plausible deniability while working for the goverment. They talk about it. Morgan starts packing a weighted blanket in his go-bag for him (people often ask why his go back is so heavy).

The Future

They get married once it's legal, a simple ceremony but all their important people are there.

When they leave the BAU it's a joint decision. They're both ready for a new adventure, with less actual threat of bodily harm.

Morgan goes into property full time, flipping houses and rent-to-buying them to local people/families, instead of selling them to landlord who will end up pushing locals out of the area.

Reid goes into research/lecturing.

They move to Chicago to be closer to family. They move Diana to be close them them too.

As Reid gets older, he has to use a cane more. His migranes are mostly under control, but eventually he experiences migralepsy (migraine seizures). The dog they get after Clooney passes becomes Reid's service dog.

The Future (with kid)

Reid carries (he's trans). It's an unplanned pregnancy, but they go for it. Reid is terrible at being pregnant.

They have a daughter they name Sam after Morgan's dad (bc I chose this fanon name years before CM bothered to give Morgan's dad a canon name and I am sticking with it out of spite).

Morgan's sisters teach Reid to do Sam's hair.

Morgan is very involved when sam becomes a Girl Scout, and coaches her softball team.

Reid teaches her piano. They read together every day.

They struggle not to intefer when she's a teen and it becomes apparent the girl she keeps bringing home is her first crush.

They both try so hard to be present, devoted dads that they can can fall into helicopter parent tendencies.

#moreid #headcanon #derek morgan #spencer reid #my fic #not really but

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thelien-art · 1 year

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Some of my favorite Autistic Elvers for Autism awareness month

Autistic headcannons below cut

Turgon:

He lines up everything according to color, from his buildings to his food to his books (especially his sketchbooks), repeats most of the things he says at least one time, will go into an eight hour rant about how amazing architecture is if anyone asks a question that just touched it. He has secured routes in his house and other places he is at a lot and is determined to walk precisely there. You can usually see what his route is if there´s a carpet where he walks as it´s usually worn down to almost look like footprints.

He doesn´t handle change well and usually shows his stress and dislike for a situation with silence and glaring.

Caranthir:

He will have a breakdown if something in his plans changes or something unexpected happens, he also cares a lot about how the clothes he wears feel, not necessarily how it looks, and will deny eating something if he doesn't like the texture or color of it. He does math, weavers, and embroidery in his free time.

He likes Maedhros the most as he´s the most understanding of his brothers and doesn´t always ask why he´s reacting differently than others to some situations and when he was smaller and there where too much noise Maedhros would hold his hands over his ears for him so he could stim in peace, and if he ran away from a situation Maedhros would always come check on him, not necessarily talk just be there if needed.

People sometimes calls him cold or cruel as he isn´t good at finding out how other people feel or care, this is unintentional, he does want to care he just finds it hard, if he hasn´t met you yet he really could care less about you and when he hates someone, he goes full on.

Also when Caranthir gets happy he gets really happy and feels the need to tell everyone about it and why, no matter if it´s simply a servant or a good friend or brother.

He needs everything to be precise and when eating he has rules, like how to cut an apple in the same way each time, cut all the food out in the same sizes before he'll even try it eat it, the same way he needs to put on clothes in a specific order.

Maeglin:

He always wears gloves as he doesn´t like the feeling of most surfaces, he knows all there is to know about stones, minerals, and crystals. Sensitive to sound but especially light, Rog makes him a pair of sunglasses when they´re done being wary of each other.

Like Caranthir when he gets happy he does it on another level, although he doesn´t feel the need to tell it to everyone like Moryo does, but a few trusted ones should know.

Maeglin also feels the need to do almost everything in a specific order. He also has to think about every movement of his body himself so it´s not instinct reaching for a glass but taking the energy to get a glass fill it etc, which of course leaves him sometimes using more energy than he has and becoming extremely tired.

Lindir:

He has a whole wall in his room dedicated to flutes, harps, and insects. Everything is bug themed. His social skill is very poor and sometimes he will leave mid in a conversation, just turning around with no explanation, he also goes into small episodes sometimes where he refuses to talk for a few days, that´s mostly triggered if something stressful happens.

Lindir, like Maeglin, has to think about every movement of his body himself so it´s not instinct reaching for a glass but taking the energy to get a glass fill it etc, which makes him tired.

Elrond:

Like Caranthir he can have a breakdown if something doesn´t go as planned or if something comes up he´s unprepared for, he has problems forming longer sentences, unless it´s something he´s interested in and will stare the person he talks with deep into the eyes while fidgeting something, unintentional creepy.

Maedhros once gave him a small yellow sack filled with sand to fidget with, it breaks somewhere in the second age and he has a big breakdown, Gil-galad makes him a new one, first of blue which Elrond won't use, and later one of a jaffa orange he does use.

He won't wear anything that´s not yellow or orange toned and had a lot of breakdowns when he was smaller if the clothes, and sometimes bedding, weren't the right color or if someone pulled his hair away from his face as he used it to stim. He fills Rivendell with as much brown, orange, yellow, and red as he can get away with.

He is highly fascinated by any living organism, be it animal or plant. He does tend to sometimes, unintentionally, hurt people emotional as he finds it hard to feel with other people. He gets easily distracted.

Elrond, like Caranthir and Maeglin, gets hyper happy when he´s happy and would like to tell everyone he likes why he´s happy.

Like Lindir he goes into periods where he doesn´t speak, although there needs to be something more triggering happening than there would with Lindir. Like the third kinslaying or Ereinion´s dead.

Elrond feels the same as Maeglin and Lindir when having to move his body/do something wich means using a lot of energi and being some of the reason he´s tired a lot of the time.

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