#a lot of people that do not like to consider events from anne's perspective | Explore Tumblr Posts and Blogs

borkthemork · 3 years

Text

The Wu Whereabouts Theory

Now that people are getting hyped for the month countdown toward Amphibia Season Three’s release, I am going to be talking about a theory my friend and I talked about over the past few months, and it’s time to buckle up because we’re going to be tackling this theory from a production, character design, and semantics perspective.

And why these specific factors? Because the theory revolves around these three characters.

And why I believe all of them are related in some way.

Now, you might ask yourself: Bork, how in the hell are these characters related? The old woman character doesn’t seem to have any semblance of features relating to Marcy. What about the dad, are you going to explain the dad? Are you pulling my leg?

And to that, we’re going to have to start small. I’ll first explain why the character on the right seems to be an important character to the story, how all these characters can be connected through deliberate design/semblance, and then I am going to hit it out of the park with the probability from a logical perspective with what the intro and past Marcy interactions seem to give us on why everyone is where they’re currently at.

Especially where Marcy’s father is currently located.

This theory is very, and I mean, very long, so hang on to your seats as we dive into my thoughts about where Season Three might lead us.

And credit goes to @CynDavilaChase on Twitter because she made me realize the probability of this theory in the first place.

And with that, let us begin!

Section One - Who’s This Woman?

With animated introductions, I think one of the big things I noticed with Amphibia Season Three’s intro is that it’s heavily serialized. Compared to Amphibia’s introduction with Seasons One and Two, there are a lot of animated scenes found in the sequence where the story is already being told in a narrative.

You get shots of Anne being introduced to her house, you get new important characters introduced in a lot, there appears to be insight into future events such as Anne getting a moped while being chased by government agents or the massive monkey robot chasing her through the alleyways.

A lot of the intro is prioritized over its serialized format, and that means the characters seen and animated in the foreground have to be important characters or else the studio is basically wasting time focusing on a background character that will never be seen again.

Of course, you get some sliding shots like with the construction workers or the beach scene with the beach-goers but that’s only for a second and they’re not truly the forefront.

But during the shots between 0:29 and 0:49, the sequences we see include a lot of what appears to be important scenes with important characters that will play some role in the story itself.

There are no parts in the sequence where background characters are put in the foreground. Each bit of the animation needs to count, it needs to tell a story of what’s to come and what the audience can anticipate to see.

Now that begs the question:

Why is a supposed random background character in the foreground?

We got some reason as to why the engineer lady looks important since she was in a shot full of important or supporting characters, but why her??

Sure, one could argue this shot could just be indicative of Andrias’s invasion, but there are numerous other ways to show that there’s an invasion without putting too much animation effort on one background character, especially from a composition perspective.

Pardon the messiness, I had to do this quick, but look at how all three ladies are lined up.

The far left grandma, when following from her head to the the front lady’s creates a line that not only creates a sense of direction for our eyes to follow but follows the more significant and foreground character of all three. Look at how the dragonflies occupy most of the top of the frame while the two older women stay in the marketplace’s form, and how this leaves the younger woman to be abruptly placed in the open — creating a visual that this character in particular is more important than the rest in the shot.

Check the way the characters move their eyes when the scene happens too: the background characters quickly look to the right, then the woman out in the open then directs her eyesight to the skyline, where all the dragonflies are flitting by.

Now, I’m not a storyboard artist or composer, I could be wrong on how the crew created this scene all together, but regardless it is still so odd to put emphasis on a background character in the front and then just leave it at that.

She has to be important in some way, and this is where I want to talk about character design.

Section Two - All Related or Am I Just Racist?

When it comes to character design we need to talk about how the character designers make sure to give Anne some form of semblance to her parents, and in this case, she looks a lot like her mother.

They got the bushy hair, the same skin tone, eyebrows, etc. And with her dad you could even see that Anne got her fluffy bangs from him specifically. Only one shared genetic trait, however.

This is deliberate, we know that for sure, and that is why I need to make this very clear as we transition to the similarities found in Marcy and the theorized characters, and why I believe they’re related in design. Mainly because the concept of race and appearance could be quite a debacle and I wanted to make sure that all of you know I am not assuming things out of naivety, and if I am, feel free to get my ass.

Other than that, let’s look at them again.

And here I shall compile the appearance stuff that each character seems to have.

With these three characters they seem to connect to one another with one genetic trait, but if one looks closely, there comes the question of the older lady (who I will just call Marcy’s mom at this point) and why she’s vastly different to Marcy when it comes to skin tone, hair color, and hell — if we look between Marcy and the engineer — why these two characters have vastly different hairstyles compared to the woman.

Even though I could give speculation and some doubt to the engineer and Marcy’s mom being related, and on first glance I couldn’t do the same with Marcy and her mom either, but then I did some digging and realized something. I can connect Marcy and her potential mom in one way — hair design.

Marcy and her mom both share the same poofy hair, it’s just that one is more short and the other is allowed to grow out in a nice little nest.

Don’t believe me?

They got the same floofy bangs with that specific hair line.

And when Marcy was little, Marcy appeared to need a hair tie because her hair was growing out, and it looked like this.

If we consider that what Marcy’s hair tie is holding up might be her bangs — bangs that might cover her eyesight from how floofy it is — then if you removed the hair tie then she and the woman would have a very similar looking design hair-wise.

Even with these hair similarities, however, there is still inquiry as to why Marcy is vastly different compared to her mother when it comes to skin and hair color, and here is where I go into some speculation to piece all of it together:

Marcy actually carries the appearance of her dad more than her mom.

Her dad has olive skin and black, straight hair, while her mother harbors tan skin and floofy, brown hair.

It’s this one piece of speculation that basically slides everything into place, but regardless it’s still speculation and one that I cannot confirm or even argue much about due to the nature of genetics and the limited info we have. But with this piece set in place, we could start to create the argument that maybe, just maybe, these characters are related.

But if they are, why do we only see Marcy’s mom and her supposed sister and not her dad?

Why do we get no indication of Marcy having a sister until Season Three?

How do we put all of this together?

Section Three - Distance and Finance

I rewatched True Colors numerous times when it came to understanding and interpreting what I could with the limited Marcy-centric flashback we had. I even went through episodes such as Maddie and Marcy, New Wartwood, and a lot of other episodes just to fit everything into place. And I think I have a good indication as to why this family is the way that it is.

First off, we’re going to be talking about Marcy’s dad and his new job out of state.

California is a very expensive state. And as someone who lives in California, the housing crisis and the ability to even stay in a house/dorm without sweating over the idea of being bankrupt is a very real thing.

So it is a curious thing that one of the reasons that the Wus had to leave came out to moving out-of-state due to a new job offer, one that infers a lot more money and probably a more stable living environment.

You could even hear the dad saying “Marcy, you have to understand!” when Marcy runs out, meaning that there’s probably a good reason as to why the parents believe that the move is essential, and I am banking on the idea of money for a number of reasons.

One, living in Los Angeles is expensive as hell.

Two, the coping mechanisms Marcy has makes sense if finance is the main comeuppance.

Three, the background art.

And four, why this girl has straight A’s and a PSAT book.

We already covered number one, but let’s take a look at what I mean about coping mechanisms.

Marcy Wu’s many flaws come from what looks to be the fear of being alone, and the fear of being seen as unvaluable and worthless; that if Marcy doesn’t prove herself lovable and essential to the people around her then she gets anxious and will do anything in her powers to make the people around her like her or stay with her.

She will omit information, move along objectives through passive and indirect persuasion, allow people to assert their will over her because they said so and, most importantly, does all of this because she fears the consequences when she gets outed or rocks the boat. Because rocking the boat means people will get mad at her, and she appears to try to avoid that situation of vulnerability like the plague until it all culminated into True Colors.

She is terrified of getting hurt. She is terrified, specifically, of consequences — punishment through stress, frustration, the people she loves looking at her differently because of the mistakes she’s made, etc.

Why do I say this? It’s because if we look into Marcy Wu with her pre-Amphibia self, a lot of these fears could be placed into that middle school scenario very well. Marcy Wu plays videogames and loves fiction because it is a form of escapism or happiness away from stress; she has this intense curiosity to basically anything of interest and uses that to thrive with getting straight A’s and an overall very solid record, but there’s still a probability that high expectations or making the people around her love her comes through said status of being the smart one (after all, she prides on her intellect, and sees it as essential to basically surviving the day to day).

Look at Marcy’s flashback in True Colors. She’s a middle schooler but is studying for the PSAT, which is mainly held in High School, and I’m no expert but I don’t think you read that stuff for fun or at least study it that early.

And I find it interesting that that’s the first shot we get of Marcy before we dive into her parents’ argument — education, studying, the expectation of high scores.

And then when you remember that Marcy is the least athletic of the girls, the thrift shop’s street she retreats to away from her parents is not that faraway from her neighborhood.

And this street, is messy as all hell. And with the revised background art for this area, nothing about the place changes but instead gets emphasized through more shots of how rundown it all looks!

The fact there’s a bail bonds building behind Mar-mar also doesn’t reassure me in the slightest.

So here’s where we are: Studying, getting good grades, a serious financial situation, lives near a rundown section of the city, high expectations, and the evaluation of one’s worth through intellect and academia.

What we are witnessing is a nuanced family situation. If we go by the assumption that the three girls’ lives are not only vastly different in personality but upbringing, then on an income scale, Anne would be middle income, Sasha would be high income, and Marcy is low income.

Her family’s struggling to be stable in a city that they can’t afford to live in, there’s a very high emphasis on good grades and education in the household, and the situation is so bad that her dad would take the proposal of a higher-paying job out of state than finding a similar job out in the city.

However, in this household’s struggle to have a better life, the parents had to focus on their children getting better living than them, and this means Marcy had to live in an environment where the biggest source of reward and praise is through intellect, academics, the approval of the parents.

And I could probably assume that this focus on finance also lead to very rough patches where Marcy was unable to be encouraged over stuff she loves like C&C or videogames, since the level of attention is low compared to the amount of happiness and pride her parents get when she gets an A+.

Especially when we consider that in the dialogue we hear from Mr. and Mrs. Wu, her dad is more assertive while her mom appears to care but doesn’t seem to go against her husband’s tone, so a lot of the probable issues might’ve come from Marcy wanting her dad’s approval and her mother never standing up for her when he became frustrated.

That would make a lot of context with Andrias even worse in retrospect, because that means the moment a male adult figure decided to care about her and give attention to what she loved, then Marcy fell for it hook, line, and sinker.

And could you blame her?

Now, let’s finally get a glimpse on one other character I’ve been neglecting in this essay.

This gal! Because if Marcy and her are somehow related, then we need to question why she was never mentioned or why she wasn’t involved in the conversation between Marcy and her parents.

I’ve done a massive theory post about this already, but the biggest probability comes in the design itself, since if Marcy’s sister went through trade school to be a mechanic/engineer then there’s a high probability she’s in her mid-Twenties. And if we consider that Marcy is 13, then Marcy would’ve been born when her sister was 12 or 13, and ultimately leave the household when she turned 18.

This means Marcy would’ve gone on with less contact from her sister for 6 years, and that’s a lot for a developing child.

It’s not improbable for Marcy to have lost contact with her big sister, or at least had lesser time to meet up with her due to work, college, or her own adult life now that she’s out of the house.

After all, in Maddie and Marcy, I find it very interesting that out of the advice Marcy could’ve given to Maddie about siblings, Marcy tells her that even though Maddie is the older sibling and is allowed to have her own life she suggests that maybe she should make some time for her sisters occasionally. Almost as if this was a ditto moment for her, that she understands but also had a good example of a sister who made time whenever she had the chance.

On more speculation terms, it would be cute to think that the reason Marcy has so much fire and spirit toward her fiction and love for games is because of her sister. After all, Marcy harbors the same interest toward engineering and robotics, it wouldn’t be a stretch in the imagination that perhaps her sister encouraged her to keep on going with what she felt passionate for regardless of their parents’ lack of response, to basically be unapologetic of what she loves, and this mantra kept her going for a lot of her life even when her sis went for trade school.

But let’s go on a side note here. I find it quite interesting that the character design of Marcy’s sis is also very telling, because not only does it tell a supposed story about who she was in the aftermath of graduation, but we could find a way to also put the theme of income and finance into her story as well.

Let’s be real these two are partners in all the way — from mechanics to engineers to straight up girlfriends, these two basically have their own business going on and I find it interesting that none of them just go with robotics or mechanics as a full-time thing, it’s mainly two jobs rolled up into one.

Why is that? There is some speculation that maybe they’re specialists and work in a very science-related area, but it seems highly likely that their main jobs are being car mechanics by day and robotic expert nerds by night. After all, the city can be hecked with money so I wouldn’t be surprised if they did two jobs at once to keep the lights on. I could also see them doing freelancing to repair or experiment with engineering projects since they take more money than actually makes in most cases.

Overall, money plays a big part with the family, and culminates to what I like to call a Massive Shitfest TM when they get alerted over the girls’ disappearances.

Section Four - Massive Shitfest Boogaloo and Where They Are Now~

In the aftermath of their teleport to Amphibia, I wouldn’t be surprised if the Wus had a big argument over Marcy and what should be done in the aftermath. Really, the family still needs to take that job because of finance, people are blaming each other over who pushed her to the brink, and then you have Marcy’s sister — who was probably out of the loop but probably knows how it was in the household — getting added into the mess of what just happened and adding her grief into the mix.

It is a blunder, terrifying and could break apart a family if I’m being honest. but what comes through is this:

People have now become stubborn in the Wu household, and no one is going to back down.

And what I mean is that Mrs. Wu, devastated by what happened ever since the argument in True Colors, will stay in Los Angeles out of grief and a supposed hope that Marcy would return. While Mr. Wu, determined to keep the finance going and keeping everyone stable and safe, abides by Mrs. Wu and decides to go out of state regardless, bringing back a flow of money to keep the Wu household stable through the aftermath.

It would make sense as to why Marcy’s mom is present in the intro but not any suspecting candidates for the dad.

Or how we see that there’s two older ladies with her in the intro. They might actually be close relatives who moved into the household out of the obligation to comfort Mrs. Wu but to also keep her company throughout this dark time in her life.

After all, when one loses a child, a lot of prior relations start to unravel as the status quo changes, and we are definitely going to see Anne confront the Wus and Waybrights when it comes to upbringing and home life.

But really, it is all up in the air. With Season Three around the corner, I am excited to see what the story has in store for us when it comes to the deep-diving into Marcy’s home life. She might’ve had a nuanced family life. She might’ve had abusive parents, perhaps no sister at all but a lot of relatives who grieved for her.

But with this theory out to the public, thank you all for reading along with this massive beast of a post, and I hope we get to see Marcy out of the aloe vera sauce very soon!

#amphibia #marcy wu #amphibia analysis #amphibia season three #amphibia theory #bork speaks #THIS IS SO FUCKING LONG

438 notes · View notes

i-want-my-iwtv · 3 years

Note

If Anne R. decided to publish another VC book in the future, how would you like it to be? What topics would you like to see explored? What's your ideal ending to the saga? L̶e̶t̶'̶s̶ ̶i̶m̶a̶g̶i̶n̶e̶ ̶s̶h̶e̶ ̶w̶o̶u̶l̶d̶n̶'̶t̶ ̶s̶c̶r̶e̶w̶ ̶i̶t̶ ̶u̶p̶ ̶t̶h̶i̶s̶ ̶t̶i̶m̶e̶

This is interesting, and possibly some very well-wrapped bait. The question about what we want to see in canon is usually framed the other way around, in the form of a statement about what we’re disliking about canon. I’ve seen so many salty posts and hot takes that criticize the series for lacking in many ways, and I can’t remember a time when I’ve had any interest to write one of those myself or engage in them.

Those statements are often about the issue of representation in published fiction, whether it be LGBT+, POC, etc., “[Author name]’s long history of discussing X but not depicting X in canon” is itself an accusation (deserved or not); that [Author] should do something about it, now! Representation is a nuanced issue, essays have been written on it by people more educated on it than I am, and out of respect, I’m not going to discuss this further publicly. For more on this topic, I would recommend @olderthannetfic.

>If Anne R. decided to publish another VC book in the future, how would you like it to be?

Fanworks have fed me so well over the years that there’s not much Anne herself could give me that I can’t find elsewhere. If she can’t or doesn’t want to make the content I want, I’ll write it myself or see if someone else is writing/has written it.

I would say that my favorite fanfics, fanart, and the parts of VC canon (which are all basically sequels of IWTV in some shape or form) that I’ve enjoyed have all landed somewhere in the sweet spot briefly described below.

From “Star Wars - How To Kill A Franchise,” by The Closer Look:

“Imagine exploring the elements from an original story in the sequel like a gradient. On the left, you’ve got ‘Not enough change,’ in the middle you’ve got that ‘Sweet spot’ where they’re different but it feels like a natural development in their character... In a perfect sequel, everything carried over from the original story should be in that Goldilocks zone where they’re still the same characters... but they’ve been developed in natural, interesting ways that allows for entertaining new directions in the follow-up story.”

Then there’s further to the right... ‘For the love of God stop!’ Which is where we use the phrase “jumped the shark,” “Moments labeled as "jumping the shark" are considered indications that writers have exhausted their focus, that the show has strayed irretrievably from an older and better formula...”

>What topics would you like to see explored?

A return to the sweet spot, some ideas would be:

The hypothetical book she might have written thirty years ago as a follow up to QOTD instead of TOBT.

A story, any story, from Louis's POV where he has more perspective in the wake of TVL and QOTD. That last scene of QOTD with Lestat and Louis flying together and so on... Lestat wondered what it had done to Louis to finally learn all these secrets, after being told for so long they didn't exist. Currently, Louis is characterized primarily by his obvious top-level traits, which get exaggerated and turned into the entire depiction, which is so flat, and he has so much more to offer.

Discussions about the consequences of Merrick, and how that’s changed the way Louis sees things and navigates his existence, whether he and Lestat have the intimacy they were unable to achieve from the end of QOTD to Merrick.

I would prefer that certain characters that had died were allowed to stay dead, and could be talked about and mourned.

The exception being - I’d be open to a Nicolas return! He died off-screen after all.

>What's your ideal ending to the saga?

Ultimately, every problematic thing can't be addressed and tidied up. All of the vampires in VC have killed tens of thousands of people. There's no reparation for that. It's weird to try to apply any kind of human-standard morality to them, because you start from "First of all, they're all mostly-unrepentant killers."

While it would count as possibly Too much change, I think it could be intriguing to make all the vampires mortal and human again; they age together; now that their lives are finite they realize they need to sort out their shit, they get therapy and learn to communicate, and resolve all their many and varied interpersonal problems.

I’m ready to see what Christopher does with it when he takes over. I haven’t read his writing myself, but I’ve been told it’s good, so we’ll see. Maybe he has the Ricean spark✨

>L̶e̶t̶'̶s̶ ̶i̶m̶a̶g̶i̶n̶e̶ ̶s̶h̶e̶ ̶w̶o̶u̶l̶d̶n̶'̶t̶ ̶s̶c̶r̶e̶w̶ ̶i̶t̶ ̶u̶p̶ ̶t̶h̶i̶s̶ ̶t̶i̶m̶e̶

You know, over the years, especially when there was more of a sense of humor and people could get away with hyperbole, I’ve made it publicly known that some of the books were not my cup of tea, but there are fans who come to the series from every one of the books. They don’t have the same calibration as I do, IWTV may not be the original material at all for them! One could argue that any of these books could exist as standalones, because AR never promised us a forge weld to them all, 40+ yrs and 10+ books later. It’s not delamination of the stories splitting off from each other and conflicting accounts of events (”unreliable narrators”) if the intention wasn’t a fused weld.

In some respect, AR has reflected, she often asks her FB followers what they like about certain books/characters/etc. and I think she does read those responses... and while I wouldn’t say she admitted she “screwed it up,” she has said the Mayfair/VC crossovers “did not age well,” even though she is proud of them:

So I think AR’s point is that she tried a direction, and now that years have passed, she decided that it wasn’t worth pursuing further, and it will impact her choices in future books (in this case, not to do more crossovers). I think it takes a lot of guts for her to post that publicly, and it gives me hope that whatever she writes next, I think she’s trying to capture her older and better formula.

But just because she made us a magnificent cake once, I don’t expect her to make anything like it for us again, ever, and it gives me peace of mind not to expect her to.

#ask #anon #iwantmyiwtv has opinions #screencap #fb #anne rice #advice #on writing #The Closer Look #star wars #long post

25 notes · View notes

phoenixtakaramono · 3 years

Note

Hi! :) I was reading your post about SQH in TUT and it got me thinking. Since this version also wrote SVSSS, when he transmigrates does he realize his "dream" was real? Also, you hinted that he recognizes SY as the same person who transmigrated into SQQ, so now I'm wondering if he tells SY that, and how SY would react to learning he's the protagonist of SVSSS in another universe. I just love thinking about how meta this could potentially get, haha.

Can't wait to find out more! Keep up the good work!

(Follow-Up Post to: Part I, Part II)

@the-legend-of-chel 👏👏👏 Luv, good to see you in my Asks! I’m glad to hear that you’re looking forward to finding out more in The Untold Tale! And thanks for your support and encouragement. 💖

(TUT ch1 - Excerpt)

You’re right. There is a lot of meta potential with older!Airplane Shooting Towards the Sky being the MXTX equivalent in this AU—or, rather, I like to imagine him growing up to be the Stephen King equivalent of modern day China with a prolific portfolio of written works (novels and short stories, and extras). In canon, he churned out a great number of words per chapter and in a speedy amount of time! Do you guys know how miraculous that is, as a writer? I envy him so much! To be able to churn out that much content in a short amount of time, and in a scheduled regimen, is amazing! That’s basically my angle having written this into the prologue of TUT. That’s partially the reason why I wrote ch1. I liked the idea of paying homage to SVSSS and saying that it’s an actual book series in TUT universe that Airplane wrote (as funny as the idea would be, I wasn’t about to let SY be the one to write it, lol, for intellectual property reasons since the PIDW characters belong to Airplane, which would necessitate SY changing names and character appearances if he published what we know as irl SVSSS, so the best I can give SY is saying he wrote his own PIDW fanfic which basically launched his novelist career because he’d realized, hey, I actually have a knack for writing and the ever so spiteful I feel like practically every writer has had this thought before: fine, if I don’t see what I want to read, then I’ll write it myself!)

(TUT ch1 - Excerpt)

We’re approaching TUT spoiler territory so skip below if you don’t wish to be spoiled.

TUT (Meta) Spoilers

I personally love meta. If I’m to be writing a lovestory to SVSSS, there will be attempts at meta thrown into TUT. And this is one of them:

Airplane did “dream” about canon SVSSS. He basically “dreamt” about his favorite black powder fan, Peerless Cucumber

changing events of Airplane’s biggest regret Proud Immortal Demon Way. (As a writer, it embarrasses me to read my old writing. So I imagine it could be the same for Airplane.) As an author, Airplane recognized what he dreamt had potential to be a commercial success as a danmei transmigration story so basically every time he woke up, he would write pieces of what he remembers in a dream journal when the memory was fresh in his brain. It also allowed Airplane the opportunity to show his readers through the perspective of SY! Shen Qingqiu what Airplane had originally wanted to write, but integrated in a way that blends seamlessly into the reading experience. He would’ve thought it was a bit weird and strange that his brain dreamt about his past critic—whom he’d considered a small celebrity in the PIDW forums back then—aka his anti-fan-turned-accomplished-novelist in the writing industry, so he felt embarrassed that his unconscious brain must have thought very highly of the man.

So Airplane omitted any mention of Peerless Cucumber from the final draft of SVSSS (if he mentioned both “Shen Yuan” and “Peerless Cucumber,” then even SY would be like, Hey, wait one moment....). This detail will be included in a later chapter, but did you know the name “Shen Yuan” has come up in other works? Let’s ignore the variations on the Chinese written characters for the name “Shen Yuan.” There was the evil older brother character Shen Yuan from The Rebirth of the Malicious Empress of Military Lineage, a side character named Shen Yuan from a C-drama (I think he was an old minister?), and there’s even an irl visual artist named Shen Yuan. Shen Yuan (Shen Garden) is also a famous romantic garden in Shaoxing, known for the love story between Lu You and Tang Wan.

(Shen Yuan Garden - Trip Advisor Review)

Basically “Shen Yuan” in itself is not a particularly uncommon name in China (imo I would not say it’s super popular either). So when SY saw his name mentioned once or twice in Airplane’s SVSSS—aka rebooted PIDW—during his read-through, he was like, Huh, what a strange coincidence. And then dismissed it as circumstantial and thought nothing of seeing his name come up in a cutsleeve novel as the new protagonist, haha. It’s like a book written by Anne Rice; one of the titles coincidentally has the same name as mine. Now, obviously the book and main character is not based or inspired by me; I just coincidentally share the same name. If I see books which have characters with my same first name, generally I like to read them and sometimes even collect them for my bookshelves. Because there’s something just so fun and interesting about seeing your own name in a fictional piece of work.

There’s also meta joke potential about Airplane dreaming of himself being transmigrated into the cannon fodder Shang Qinghua and seeing the romantic miscommunications between the younger version of himself (his self-insert essentially) and the fictional Mobei jūn character. I can certainly say seeing such dreams would make Airplane question his sexuality and awaken something dormant in him, haha. He’d realize he might not be not as straight as he thought he was, if his brain was capable of dreaming of SY!SQQ being crushed on by LBH, and SQH being crushed on by MBJ and essentially following MBJ around calling him “my king” this and “my king” that. He’ll be sweating bullets when he meets this world’s version of MBJ, because Airplane will definitely remember how the younger Self-Insert version of himself acted toward MBJ in the SVSSS world. (It’s the classic “Just because I dreamed about it happening doesn’t mean it’ll happen here, right? ...Right? Cucumber brother, you’re a fortuneteller! Please check our eight characters for me! I have to know my marriage compatibility with Mobei jūn!”)

In a later chapter, there will be the reveal where Airplane tells Shen Yuan that he “dreamt” of a universe where a younger version of Shen Yuan—having choked on mantou (馒头) (paying homage to the donghua) or just being transmigrated in general after raging at a younger ASTTS’s writing (paying homage to the books)—transmigrated into the Shen Qingqiu we know from SVSSS who married Bing mèi. Because I think it will be hilarious when TUT’s SY finds out about the true source of Airplane’s inspiration, and he’ll naturally freak out over the fact that this is the very same Bing gē from Airplane’s Bing-gē vs Bing-mèi extra and that he’s essentially somehow stumbled on the same path as the alternative younger SY!SQQ “from Airplane’s imagination.” I will leave this open to interpretation if this does show up (it’s just an idea I’m playing with) but I might hint that there might be a higher power at play which allowed Airplane a peek into another universe—which manifested as his dreams.

I very much like this dynamic (we might see this exchange, verbatim, in a future chapter in TUT):

SY/ LBH —> He gave him a disdainful gaze.

Airplane cried inwardly at the oppression and the feeling of being wronged.

Haha, none of this is really Airplane’s fault^ though. It’s a fun parallel and if I’m still motivated when we get to the wedding and consummation chapter, we might see an epilogue where SY and Bing gē from TUT meets SY!SQQ and Bing mèi maybe. Because I think it’ll be funny with the two LBHs getting into a shouting/ fighting match about who has the “superior Shen Yuan” while the two SYs just shake their heads at their silly husbands (and potentially TUT’s SY, as the older party, can impart his fortunetelling wisdom and advice to SY!SQQ).

Personally I can’t wait when we get to those chapters, because I know it’ll be entertaining to write, haha. Personally TUT is a fun project because there’s just so much meta potential that can be incorporated and I have a lot of fun imagining the scenarios.

*Note: like always, keep in mind that these are just my current thoughts. Details are subject to change; things aren’t considered official until they show up in the final draft on AO3. :)

The Novelists’ First Impressions

The first impression SY and Airplane will have of each other will be fun. Because in their perspective, written in my notes it’s essentially like:

(Airplane seeing SY):

His first reaction was shock. Shock because the mere mortal he used to be could not conceive so much charisma being emitted by this guy.

This is definitely a man who had put all of his stats into CHARISMA.

(SY seeing Airplane):

He's suspiciously good looking in ways that normal people are not.

Ah, the Cucumberplane friendship in TUT is going to be so much fun. Not only are these two older souls who transmigrated (both are mid-aged in this universe), they’re both accomplished novelists in their own right in the writing industry. Which means with these two being celestial beings, there’s so many clichés we can playfully poke fun at.

It also makes me laugh because imagine being SY, and seeing a guy (mortal!Airplane) who exudes the same energy as these two imperial princes GIFs:

#svsss #人渣反派自救系统 #shang qinghua #moshang #shen yuan #bingyuan #binggeyuan #the untold tale #phoenixtakaramono #ask #the-legend-of-chel #phoenix talks #reply #replied #answered #I’m almost done photobashing older SY #so there’s gonna be additional visual context #for how he appears in TUT (my headcanon at least)

52 notes · View notes

hunflowers · 4 years

Text

Lake George

A/N: This is a little extra for my fic Skating Lessons! And she’s part of @helladirections’s Summer Feeling Challenge! So, I’m doing the boat ride challenge and i’d say she’s hella cute :D enjoy! *nose boops*

Going on a vacation together is a big step in a relationship.

At least in Harry’s mind it is, considering this was going to be the first time Y/N was going to join him and Abby for the annual Lake George trip.

End of June, early July, Harry, Abby, Harry’s mum and sister, and a few of Harry’s friends go on a week long getaway to Lake George in upstate New York. Of course this year Y/N would be tagging along because she’s Harry’s girlfriend.

And Harry is fucking nervous.

Y/N hasn’t met any of his friends really and he’s worried how she’ll think of them. Because he knows his friends take a little getting used to, to actually enjoy their company. But, she was insistent — if he was okay with it — she join, so she can feel like less of an outsider in his life.

Plus, Abby really wanted her there. And once Abby wants something, it’s hard for Harry to say no. His daughter is just too adorable and too innocent to deny her anything. Which, can be bad, but he doesn’t really have to worry about Abby turning out spoiled or anything because even as a five year old, she’s pretty humble.

She was insistent, saying she wanted Y/N to join so there’s more girls, and so she could be around someone she actually enjoyed. Though Nana and Aunt Gemma were a close second.

Harry was quick to make Y/N feel not pressured to go no matter how much Abby begged, because he knew she wanted to take things at her own pace. Y/N didn’t meet his mum or sister until four months after they made it official and was quite intimidated about the idea of assimilating into his social life.

Y/N never liked to think of herself as a shy person, and she’s slowly -- ever since Harry has been in her life -- becoming more open to people instead of closing herself off like she used to. “Do y’think they’re gonna like me?” was her main concern the entire plane ride over to New York, and then in the train to the lake, and then when they checked into their hotel.

“Baby, ask me one more time and m’gonna throw you in that lake,” Harry jerked his head to the window that overlooked the vast lake, a warning tone with a hint of humor etched across his face.

Y/N rolled her eyes, smacking him in the shoulder, 1) because he knew her lack of swimming skills and 2) because he hasn’t really provided her with an answer to ease her social anxiety. “Jerk, I’m just nervous.” She looked to Abby in her arms, rocking the little girl a little as she snoozed on her shoulder.

Harry set down their bags on the floor by the bed, before walking over to the extra cot and opening it up for Abby to sleep on. When it was finally set up, Harry walked over to his lovely girls, taking his daughter from Y/N’s arms and gently laying her down on the makeshift bed. He kissed her forehead after tucking her in before walking back over to his girlfriend who opened her suitcase to pull out her own pajamas to sleep in.

By the time they got to the lake it was about ten o’clock, plus jetlag was seeping through their systems and they couldn’t wait to knock out before their busy week ahead of them.

Harry wrapped his arms around her waist, resting his chin on her shoulder as she stood upright against his chest, sighing into the feeling of him pressed against her, her eyes shutting slightly as the exhaustion took over her body.

Into her ear, he mumbles, “They’re gonna love you. I’m worried if y’g’na love ‘em.”

“If they make you happy, m’sure I will,” she hummed back, turning her head slightly so she could plant a soft kiss to his cheek. At the contact, Harry turned his head so they were face to face, just so he could secure a kiss on the lips.

“C’mon let’s get to bed,” he patted her bottom, leaving one last kiss to her shoulder.

❊ ❊

Y/N never should’ve agreed to coming.

Or, never should’ve agreed to getting on the boat for a little ‘fun.’

She was perfectly tanning on the little beach, reading a new book she brought with her until Harry and co. get back from their little adventure. It was going to be a perfect bonding time for her and Anne and Gemma, but no, nothing was ever that easy.

Abby and her sweet little face could convince the most stubborn of people to do anything, and that’s the only reason she agreed to leaving the safe space that is land. Did Harry in his tiny, white swim shorts have any influence? Hardly. Though, she found it difficult to look away from. Especially when they boarded the floating trap and he removed his t-shirt.

But, Y/N was so beyond nervous of falling overboard and drowning, even in the life jacket that Harry secured to her body. She hardly let her eyes wander out to the water surrounding them, getting nauseous at the sight of the vast lake and thought of all bad things that could happen.

She wasn’t even nervous about his friends anymore. They all get along pretty well, which is amazing. And that leaves more room for her to be anxious about the boat ride.

Harry sat by her side the majority of the time, except for when it was his turn to take a ride out on the water for a little wake-boarding. Surprising to Y/N, he managed to stay balanced and pull off a few tricks here and there, except for when he completely wiped out by the end of his turn. Her initial instinct was to fear for his life when he dropped down in the water, a loud gasp escaping her throat as he sunk away from her line of vision. But, when his head popped back out of the blue and a smile was adorning his face, she felt just a little bit better.

When he came back onto the boat and sat back next to her, Y/N couldn’t help but pull him into her arms, and mutter “Had me worried for a second,” into his ear, causing him to squeeze her in return. Of course after ogling his wet skin and how tight his tiny, white shorts clung to his thighs.

“Can’t get rid of me that easily, darling.” And then he smooshed her cheeks which puckered her lips, and kissed her briefly. “D’ya wanna go for a ride?”

Y/N let out a loud laugh at this, “Thanks, but I’ll pass.”

“How about tubing?” He pointed as one large raft was being set up now at the back of the boat. “All you gotta do is sit, and hope for the best.”

Y/N looked at him with a deadpan expression, blinking a couple of times. “You want to torture me don’t you?”

“Come on with me! If we wipe out, we do it as a team. Y’know, because we’re a team,” he smiled cheekily, batting his eyelashes the best he could at her. It isn’t hard to determine where Abby learned that from.

Everyone started to gang up on Y/N, telling her just how fun it’ll be, saying she’s wearing a life jacket and has no reason to fear. And Harry will always save her if anything goes wrong.

It’ll be fun, they said.

You won’t regret it, they said.

But, when her and Harry flipped over on a particularly rough turn, she did in fact, regret it. And it wasn’t fun.

She’ll admit that the moment her body collapsed onto the water, and her life vest kept her afloat, she wasn’t as terrified as she thought she’d be. That doesn’t make her any less right that she was perfectly fine with staying on the boat and watching everyone else enjoy the little adventure.

When Harry popped back up out of the water, he was laughing his head off, pushing his floppy hair off of his forehead. Y/N splashed him, flipping him off as he continued laughing, waiting for the boat to come back around to pick them up.

“See, y’survived, baby. Knew you would,” he grinned, earning another splash from her as he swam over to her.

Abby was a giggling mess when she saw the state of Y/N and Harry, pointing her finger at the two of them as she recounted the events from her own perspective. There were a lot of hand gestures involved in between laughs, and in return, Harry jokingly picked up his daughter and held her over the water upside down.

This just made Abby squeal and laugh harder, no ounce of fear of being dropped anywhere in sight.

Y/N was envious, because Abby wasn’t even wearing a life jacket of her own and she seemed to be completely fine with dropping into the water -- not that Harry actually would.

After all of the more adventurous of the festivities, they all relaxed with the last couple of hours of rented boat time. And though Y/N shouldn’t exactly be drinking while out on the water, to submerge this underlying fear of hers, she needed to drink to forget about it.

And, well, she did feel a little more relaxed after she got a bit of vodka in her system.

“So, Y/N, is H treatin’ ya well?” Niall, one of Harry’s friends asked, finishing off what seemed to be his third beer in an hour. It was impressive, and how he doesn’t even slightly fazed by the alcohol is even more impressive.

Taking a sip of her own drink, she nodded her head. “Very well. Nicest person I’ve ever met, honestly.”

“I know Abs is crazy ‘bout you. When Harry was first telling me about you, t’first thing he mentioned was how Abby was absolutely in awe of you. That’s the deal breaker for him, his daughter,” he gestured in the direction of where Harry and Abby had ventured off to.

They were both in the water, Abby on his back as he swam around. Harry sometimes ducked on the water, taking Abby with him, both of them popping back up and laughing as she tightened her hold on him. The sight of them two always warmed Y/N’s heart, and each time she saw their bond, it made her determined to stay in their lives for however long they’ll have her.

She loves watching them together and seeing how happy they are when they’re together. They’re best friends and Y/N can’t imagine either of them ruining the pure relationship they have together. And the love they radiate between each other is one that is unmatched, and Y/N wishes she loved someone like they loved each other.

Then it dawns on her.

“Niall, I think I’m in love with Harry.”

At the L-bomb, Niall couldn’t help but spit out the beer that was about to travel down his throat all over the deck of the boat, coating the area in front of him in the sticky substance. His eyes widened as his mouth dropped open into a wide smile, “Holy shit.”

❊ ❊

“Nana, you gotta come with us t’mo’row! It was so much fun!” Abby squealed as she was lifted off the ground, one hand in Anne’s and one in Harry’s as they swung her between the two of them.

Y/N trailed behind them, watching the three of them interact in a loving manner. Ever since her little epiphany from earlier, she hasn’t really spoken to Harry, and not in a bad way, but in a I don’t know how to cope with myself right now kind of silence.

They’ve been together a total of eight months, and the L-word hadn’t ever really crossed over Y/N’s mind. She supposes it’s because she still has this underlying fear that he’ll up and leave her because he’s so far out of her league, but as days pass on and she gets to know this man more and more each day, she can’t imagine herself never wanting to be apart of his life anymore.

Seeing him with Abby makes her yearn for a life like that with him, with kids of their own, married, bound to grow old together. And to get to that point, she has to admit to him and herself, that she really loves him.

Like, loves love him.

Harry noticed her silence about an hour ago after they docked the boat and went to dinner. He was confused as to why she had grown silent and he worried she was mad at him for pushing her to go tubing with him, but he also knows her well enough that, that isn’t something she could stay mad at. He also knows her well enough to know not to push her in a public setting, and that she’ll talk when she’s ready.

That’s why he suggests Abby stays with his mum and sister for the night so they could watch a movie or two together and catch up a bit since it’d been a little while since they spent a decent amount of time together. Though, Anne and Gemma knew he just wanted some alone time with Y/N because they also noticed her quiet attitude compared to the start of the day.

When they all departed, and Y/N and Harry headed to their room, he wrapped his arm around her shoulders, pulling her close and kissing the top of her head -- his signature move to console her. “You okay?”

Y/N looked up to him, and nodded her head. “M’fine. Just had some things on my mind.”

“Like what?” He hummed, inserting the key to their room and waiting for the little green light on the handle before pushing open the door.

“Just... things,” she shrugged, mentally slapping herself in the face. She hated how nervous this newfound thought has made her, and she feels like she’s been thrown back to step one when it comes to being open around Harry.

He rose one eyebrow in response, “Uh, right. Do y’want to shower first?” He changed the subject, throwing his thumb over his shoulder in the direction of the ensuite bathroom.

“No, no, you can go first,” she waved him off, kicking off her sandals and gathering her disgusting hair into a ponytail to get it out of her face.

Harry opened his mouth to say something else but he quickly shut it, deciding this was a conversation that needed to be had when he felt less sticky. Though, he zoomed as fast as he could in the shower because the anxious gut feeling over what’s wrong was eating him alive.

When he came out of the bathroom in just his towel, he ruffled the ends of his hair quickly before pushing them up and out of his face. He was quick to notice Y/N was looking at her phone, a small smile complementing her face as she looked at whatever was on it. And his curiosity got the best of him as he wondered, “What’re you smiling at?”

Y/N looked up from her phone, the smile still nestled into her skin as she showed him the contents of her happiness. “I forgot I took these before.”

They were photos of him from the boat, a captain’s hat on his head that he had found in a little compartment under one of the benches. They were some of her newfound favorite photos of him.

Which only further solidified her love for this man.

That guy in the photos is her boyfriend, and the man she loves,

It’s crazy.

“Hey, I look pretty good,” he grins, flicking his nonexistent long hair over his shoulder.

Y/N hums back, bringing the phone back around to her eyesight, still staring at the photos she took. She also got a few of Abby that are absolutely precious. And all she wishes is that she gets to stay in this girls life for the rest of her life.

“Y/N,” Harry called, knocking her out of her lovestruck trance, making her snap her eyes to him as he sat on the edge of the bed, looking at her a little worrisome. “Are y’sure you’re okay?”

“I’m fine, H. Honest.”

He gave her a pointed look at that, basically saying c’mon I know you better than that. “Was it m’friends? I know they can be a little... much, tha’s what I’ve been trying to warn you about.”

“No! No, I loved them, they were really great,” she spoke quickly, getting up from the armchair she was on, and standing in front of him.

“Is it because I pushed you into going on the boat today?”

“No--”

“I know I shouldn’t have, I’m really sorry--”

“Harry!” Y/N finally snapped, bringing her hands up to his cheeks and smooshing them together so he could stop talking for just one second.

“I’m in love with you.”

Silence loomed over them as Harry’s jaw fell slack and his eyebrows scrunched together. Y/N smiled down at him sheepishly, her hands moving down to his shoulders, tears swelling in her eyes as she really took in what she just said to him. She felt like a weight had been lifted off of her shoulders, her mind finally relaxing and taking its own deep breath as the truth was finally set free.

It felt like an eternity as they kept staring at one another, but Y/N didn’t mind. She could spend forever looking at him and never once would she get bored.

Her left hand came up to caress the underside of his jaw, her thumb grazing over the bit of stubble that sat on his face. To break the silence, she said it again, “I love you.”

“You love me?” He finally breathed, hands coming up to her hips and pulling her down to straddle his lap.

Y/N brought her arms up to wrap around his shoulders, a bigger smile than before worming its way up her face. “So much.”

“Holy shit,” and then he kissed her. He pulled her face quick against his, locking their lips in a passionate embrace fueled by love.

“You have no idea how long I’ve been waiting to hear you say that,” he broke them apart, cupping her face in his hands as he kisses her cheeks, her nose, then her forehead.

“I fucking love you, Y/N.”

And then the tears swelled in her eyes again at his confession. She sat back just a little bit as her eyes bounced back and forth between his, now letting his truth dawn on her.

Before she could say anything else, he continued, “I’ve loved you for a while now. But, I wanted you to say it first. I knew if I did, you would’ve spiraled into a sea of darkness in that mind of yours. Needed you to say it first, needed you to do it without any pressure of saying it back.”

Fuck, she loves him so much.

And now the tears cascaded down her cheeks as she pulled him back to her in a heated kiss. They fell back against the mattress, Harry’s hands firm on her hips as they rocked back and forth with one another.

It was refreshing stepping into a new part of their relationship that has yet to be explored. It excited them both; To be able to love each other with no fears getting in the way. They were developing and evolving together and fuck, they love each other.

“I really wanna have sex,” Y/N muttered against his lips, pecking his soft lips once more. “But I really need to shower first.”

“V’got a solution,” he smiled, quickly sitting up and standing up with her legs wrapped around his hips. It was clear to say he was heading to the bathroom again, his intentions straightforward — and Y/N’s heart and lower region throbbed at the thought.

“M’gonna need another shower after we’re done anyway.”

#lmk what you thought!!!! :D #harry styles blurb #harry styles soft #harry styles one shot #harry styles au #harry styles x y/n #harry styles x reader #harry styles fanfic #harry styles writing #harry styles

388 notes · View notes

akechicrimes · 4 years

Text

so i wanted to talk about why i really like the way royal portrays the interactions between haru, futaba, and akechi.

in royal, insofar as i can see, haru is treats akechi with a sort of kindly polite working relationship. i actually cannot determine whether or not that’s because it’s akechi, or if it’s just because he’s a boy. her relationships with girls tend to be focused on spreading positivity and being kind, while she doesnt seem to be anything less than formal and shy with the boys--except mona, of course, but that’s a little different because he’s a talking cat.

futaba, on the other hand, seems to treat him like a potential traitor for comedic effect, which i can’t imagine she’d be doing if she thought he was going to betray them for real. (we already know what futaba did when she knew akechi was going to betray them, which was put everything on lockdown and bug his phone.) on the other hand, people do tend to make jokes about things that worry them, so akechi’s betrayal does seem to be on her mind either way.

haru is, notably, the first person to advocate for bringing akechi on the team, seconded by futaba. both of them cite the fact that they need the manpower, and both of them seem to be of the opinion that if he betrays them again, they’ll just squash him like they did the first time.

which is a very notable difference from the direction fandom interpreted that relationship. and i like the way that fandom interpreted haru and futaba as potentially never forgiving akechi for what he did, but i do think there’s a lot of merit in royal’s take.

in royal, haru and futaba’s concern seems to be primarily that he’ll backstab them again. specifically, when they’re discussing akechi joining the PT a second time, both of them reference akechi’s betrayal rather than necessarily his murders.

for some reason, the issues with wakaba and okumura aren’t even on the table. even when futaba and haru talk about losing their parents a second time in their third-tier awakenings, they talk generally about losing someone they love, like they’d died of illness, or an accident, or natural causes--like it was something unfortunate for which nobody is really to blame.

to be fair, it seems that they’ve already blamed someone: shido, who’s in jail. the situation has been resolved. they’ve done what they can to hold the people accountable to task. futaba at one point specifically says that shido is the one who killed her mother. i don’t think haru gets as far as saying “shido killed my father,” but considering the way she behaves in royal, i’m going to wager she’s on a similar page.

the stance here seems to be that although akechi may have really truly and outrageously fucked up, the deaths of wakaba and okumura are still ultimately shido’s fault. shido was the one who ordered those hits, for one. for two, shido’s the person who created and masterminded the entire government conspiracy that eventually led to both wakaba and okumura being silenced for what they know. and, considering that okumura was the one ordering literal assassinations of his business rivals to grow his own business through his connection with shido’s conspiracy, and that okumura was assassinated because shido’s conspiracy cut him loose, we should also be fair and add that okumura’s death was partly his own fault anyway.

so, from what i can see, the attitude isn’t necessarily that haru and futaba have completely forgotten that akechi is technically the person who shot and killed their parents. but they’re also very aware that the situation was more complicated than that, that shido is primarily responsible, that akechi was a victim in his own ways, and, at the end of the day, they kind of do need him to get back to reality.

the vibe is almost like, sort of like the p5 fandom, the PT don’t really know what to do with akechi. he’s not outright a villain. he’s not one of the PT. they’re sympathetic, although understanding that he’s done terrible things. what’re you supposed to do with that?

i think, in particular, this is reflective of a very interesting dynamic that’s widespread across royal: everyone in royal seems to be much more forgiving of akechi than akechi is.

forgiving might be a too strong of a word, but at the very least, the phantom thieves’ treatment of akechi is almost hilariously understated considering what he’s done. they sometimes rib him in mementos, but not really any more seriously than they rib, say, ryuji. there’s several mementos dialogues where people make small talk with him--nothing super personal, but general platitudes that you’d exchange with someone you don’t know extremely well, like talking about your health and good sleep. they’re notably wary of him as a potential threat on several occasions, but obviously not so wary that ann won’t cheerily talk to him about thrift-shopping.

as uncomfortable as i imagine those group dynamics must be, from an outside perspective it’s fucking hilarious because akechi is literally just the awkward villain-turned-friend that sometimes they invite out to parties but he just stands there awkwardly in the corner because nobody knows what to fucking do with him, least of all akechi himself.

but from a more serious perspective, i do think that again, there’s a bigger issue at play.

saying “akechi is not the one who killed okumura, it was shido” erases the fact that akechi was--apparently--willingly involved in the operation. i think royal makes it clear that he had mixed feelings on it, and wanted to back out of it on several instances (see: his confidant with akira where he hints at bad things to come, and warns akira not to proceed), but in the end, he did still go along with it. he sure did walk into that interrogation room and make the conscious decision to shoot joker in the head. in the end, even if it wasn’t enough to refuse shido’s orders, akechi still did have some measure of agency.

in order to respect that akechi did have agency in the situation, that means he needs to be held accountable for his piece of it, which means that he feels he needs to be held accountable and tried before the law.

so, any amount of apparent forgiveness from the phantom thieves--particularly from haru and futaba--would seem like they’re ignoring that he was (or at least felt like) a willing participant in shido’s conspiracy.

(i would go into a further discussion about how in royal, akechi seems to hold agency as a good purely in and of itself. agency should not be given up under any circumstance, even if the rewards for doing so are immense. it doesn’t matter if maruki is solving worldwide problems with his gigantic dreamworld palace, what matters is that it’s removing free will and the ability to make your own decisions for your own life. akechi holds that nothing is worth losing your agency--nothing, not even a perfect happy end. it means a lot to him. enough that he’d insist on it, even if it means that this means insisting that he should be held accountable for all his bad decisions and murders.)

that, in turn, probably explains a lot about akechi’s insistence on returning to reality, his insistence on going to trial and being held accountable in joker’s stead, his stand-off-ish behavior with the rest of the phantom thieves. haru’s and futaba’s and the phantom thieves’ general willingness to shift the blame onto shido goes against akechi’s own insistence on himself as a meaningful actor in his own life.

...in any event. with that analysis of royal’s character interactions out of the way, i sort of do want to address the fact that some people are unhappy that royal did not address wakaba’s and okumura’s deaths more, or centralize haru and futaba’s losses in royal’s narrative. i’ve seen 1000 takes and 1000 fanfics in which futaba and haru hold akechi accountable for their parents’ deaths and do not forgive him for it. akechi is, quite literally, the person who pulled the trigger on both of their parents, so it’s fair. and i’ve seen a lot of fanfics and fans who’ve built up haru’s and futaba’s entire characterizations on their inability to forgive akechi.

i’ve seen discourse saying that “even if it’s not really akechi’s fault that okumura died, haru’s feelings are still valid.” which is also true, of course. she did grieve over her father, and in some universes, haru would not come to the conclusion that shido is primarily to blame. i think there’s a really compelling story in which haru knows logically that her father died because of his own mistakes, flirted with a government-wide killing ring and got hiimself killed for it, and she knows that it’s shido who killed okumura, but she still cannot find it in herself to really forgive akechi. it’s a very good and cool angle that i personally like a lot.

i like those stories too, is what i’m saying. it’s not the route that royal went with, clearly. but i sort of wanted to throw my hat in the ring about why i think that the interactions between haru, futaba, akechi, and the general PT in royal are also interesting in their own right.

EDIT: literally JUST saw this really good compilation post of haru and akechi’s mementos dialogue!!!

#mine #meta

292 notes · View notes

jadelotusflower · 3 years

Text

Roundup - September 2021

This month: Saving Fish From Drowning, Alice in Wonderland/Through the Looking Glass, Anne Boleyn, Cruella, The Chair

Reading

Saving Fish from Drowning (Amy Tan) - I've always enjoyed Tan's work (particularly The Joy Luck Club, both the book and film) - Fish is somewhat of a departure, following a group of American tourists in Myanmar, narrated by their recently deceased friend Bibi Chen. The novel begins with a preface in which Tan explains she drew inspiration for the novel based on real events chronicled by a San Franciscan psychic's "automatic writing" channeling Chen's spirit (in truth a complete invention on Tan’s part, both literary device and metaphor).

Bibi is a compelling narrator, full of wry commentary of her friends as they bumble their way through their trip, the tone of the novel quite light despite some of the dark subject matter around the political situation in Myanmar (the novel was written in 2005 and set several years earlier) and the nature of intervention - the title referring to fisherman who "save fish from drowning" by netting them. It was at times difficult to keep track of all twelve (!) of the main characters and who was who outside of the few who get the most attention of the narrative.

An interesting read, about the stories we tell ourselves and others, and the fictions we believe for comfort and hope.

Alice's Adventures in Wonderland/Through the Looking Glass and what Alice found there (Lewis Carroll) - I've been making more of an effort to work on my novel lately, which makes some reference to these works so thought it was due for a re-read. It seems impossible to consider these separate novels given how conflated they have become in pop culture - even the Disney film takes elements from both - they act as either a duology, or alternatively a single story told in two parts.

I personally much prefer Looking Glass, perhaps because I imprinted on the 1985 miniseries as a child (which adapts both novels, but we only had the second part on tape) - best known for it's celebrity cameos in silly costumes - including Sammy Davis Jnr, Donald O'Connor, Ringo Starr, and Carol Channing, among others, and the danger of the Jabberwocky as a manifestation of Alice's fears quite a nice idea that isn't found in the original text.

Perhaps Looking Glass, while remaining absurdist, is more cohesive than Wonderland with the chess motif and central motive for Alice to reach the Eighth Square and become a queen. I do however find the constant poetry tedious, and wonder whether both Wonderland and Looking Glass are better remembered for the concepts rather than the actual text.

Watching

Anne Boleyn (episodes 1-3) - I didn't think we needed another film/show about Anne, but I was always going to watch it. This series relies upon familiarity with history as it begins with Anne's final, doomed pregnancy - opening with the haunting words “Anne is the most powerful woman in England - she has just five months to live.”

There's nothing especially new here; rather a mood and character piece as Anne's isolation and desperation grows. It is of course built around the central, compelling performance of Jodie Turner-Smith, in every single scene and not afraid to shy away from Anne's sharper edges while remaining profoundly sympathetic, surrounded by a court of whispers, her existence on a knife's edge. We know only what Anne knows, and we see the smaller, heartbreaking moments usually passed over in other adaptations - in her grief following the stillbirth, Anne sits up in bed almost catatonic, milk leaking from her breasts, her attempt to walk back the infamous “dead man's shoes” comment, and the long days of her imprisonment.

Then there’s the beautiful costumes - in a court of dark furs, Anne wears bold primary colours and velvets that catch the light, that them become more subdued prints once she is in the Tower.

The other notable feature is the casting - described as "identity conscious" rather than colour-blind, representative of the othering of Anne and her relatives. Another standout is Thalissa Teixeira as Anne's cousin Madge Shelton, fleshed out as her confidant and the only one who remains true to her. It's a fresh perspective and a worthwhile watch, particularly for Turner-Smith's performance.

Cruella (dir. Craig Gillespie) - Spoilers. I wasn’t planning on bothering with this, but my sister wanted to watch it and I’d been told by several people that it was actually quite good. Look, I'm not saying they lied, I just think they were able to look past things that I was not.

Because actually, the core story has potential and the film has enjoyable elements (notably Emma Thompson), but simply falters every time they try and shoehorn references to the source material, and there are some truly egregious attempts - Roger is the Baroness’s lawyer for some reason? And writes the familiar Cruella De Vil song about how awful she is when she's just given him a puppy?

It doesn’t work as a prequel, or villain origin story, or even a reboot, since Cruella’s character journey is over by the end of the film (I have no idea what the purported sequel is going to be about) - in fact "Cruella" is just a persona Stone's Estella adopts (complete with a terrible affected accent), and there is no conceivable way for her to become the wannabe puppy murderer we know from the book or any of the film adaptations. Oh, and Pongo and Perdita are siblings! Well done, Disney. Slow clap for you.

Also, with a runtime of 2 hours 16 minutes it is Interminable and the whole thing is saddled with a terrible, unnecessary voiceover. Seriously, they should show this in film class to demonstrate when v/o hinders not helps.

They were likely going for a Maleficent-style re-imagining, but where that succeeded (somewhat) in a completely new retelling right down to a different ending to the source material, this wants to have it's cake and eat it too - it wants to have the Cruella aesthetic (the car, the hair, Hell Hall, the camp accent) but doesn't ever let her be a villain, or even the beginnings of a villain, but that's that's reason she's so memorable in the first place. It puts all the pieces in place for the story we know, and yet that story simply cannot happen with this version of Cruella.

In the end, it's a story of a fundamentally decent person who maybe goes a bit overboard in retaliating to bullies, and swindles a sociopath to reclaim what's rightfully hers. Cruella De Vil! I just couldn't get over this fundamental misapplication of the source material.

In many ways, it almost feels as if this was pitched as a sequel, with Cruella in the Baroness role. It would have fit a lot better with the aesthetic, the time period, and the concept of punk disruption of classic fashion. Or, it was a completely unrelated story of a plucky orphan who rises in the fashion world, that at some point was grafted onto the Dalmatians property. Either one would have worked better, frankly.

I am probably being overly harsh. If you switch off your brain and enjoy the clothes it’s fine. But honestly, if you want your live action Cruella fix, just watch the Glenn Close version, because it is superior in every way.

The Chair (season 1) - I watched this for Sandra Oh, and I was not disappointed, because I got to watch Sandra Oh. On the other hand...it's not that I didn't like it, I just...wish it had been better?

The story revolves around Ji-Yoon Kim, the first woman (let alone woman of colour) to become Chair of English at a "minor Ivy" university, as she tries to juggle the clash of old style academia and new, raise her daughter as a single mother, and deal with a series of controversies caused by one of her professors (and love interest). It's the latter I feel sucked up way too much time and was ultimately unsatisfying - particularly the end, which was played like a moral victory but really rubbed me the wrong way. If this gets a season 2, I hope they dump Jay Duplass' fuckup sadsack because hoo boy, am I sick of that kind of male character.

But Sandra Oh is wonderful.

Writing

The Lady of the Lake - chapter 5 posted, 4215 words (10,261)

Against the Dying of the Light 1954 words (11,976)

Here I Go Again - 414 words (12,948)

Novel - 1039 words (1484)

Total this month: 7,622

Total this year: 48,435

#roundup #reading watching writing #september roundup

2 notes · View notes

emerald-studies · 4 years

Text

Diverse Perspectives | Discussion 1

****Whew, Tumblr deleted this entire post that was in my queue, so if there are mistakes in the transcript, sorry. I still highly, highly, suggest you read as you listen. I’ve added resources so you know what we reference in this discussion.*****

[ It is required to participate and watch/read these discussions, in order to follow me. Participate or get tf out. We aren’t performative in my lil’ area on Tumblr.

This discussion isn’t representative of an entire population or meant to be super professional. It’s to share different perspectives and also is an opportunity for me to practice what I preach: intersectionality. If you’d like to participate in this series please send me a pm or an ask and I’ll get back to you ASAP. We can do a written, audio, or video interview.]

To open this series, I interviewed Rachel, (AKA @reality-wont-ruin-my-life / @emmettisapowerbottom) for her perspective as a Jewish woman.

youtube

Transcript:

I recommend you read while you listen, I’ve made some clarifications because my ADD brain is shitty when I try to speak words.

(it has also been slightly edited for clarity)

Faith: OK, thank you for doing this with me, so I just want your perspective because you are a Jewish woman.

Rachel: Yes.

F: And I feel ... we don't talk about anti-Semitism enough in the right spaces.

R: Yeah.

F: I think we talk about it ... in history and then, ... it's not even called...I don't even remember it being called anti-Semitism, it was being ... framed as ... with this thing of the past that is around. So, first question for you is,

Do you believe that by learning about the Holocaust in such an apathetic bland setting, which is a classroom, we are being told anti-Semitism is a thing of the past?

R: Um, I think it has less to do with where we learn, because I do think it's really important to learn about ... the history, but I think the way it's taught is really where the issue comes is that they kind of teach it as this one event that's kind of a standalone thing instead of saying ..., hey, this is a historical pattern. So a lot of people seem to think antisemitism started with the Holocaust when there's thousands of years of history of it before that. And then they think it ended when the US joined the war, which the US didn't even join the war to help the Jews. That's a complete lie. So I think it's important that it's taught. But the way it's taught is, you know, you read The Diary of Anne Frank and you look at a few power points. And everyone stares at the Jewish kid ... us ... to--

F: Omg not to make it about me, but I remember watching ... a Jackie Robinson film and (also) learning about slavery in seventh grade. I was ... the only black person in the room. And they're always ... this *looks behind* it's just ... what? (are you looking at?)

R: I think every kind of minority group has that experience where the class talks about something and just ..., you know, everyone's staring at you.

F: Yeah. So, yeah, I agree with you. ..., context matters and I think ... even the pattern or how even the Holocaust even happened, ... it shouldn’t have happened and we're told we're learning about this, so it doesn't happen again, but what are these teachers telling us? They're not telling us what was the process of basically convincing a whole population that it's OK to kill, mass kill, people? So I feel ... it's not really seen in that context. I mean, at least I went to many different schools and, you know, different history classes. And it never really seemed ... it was deeper, ... it was more of ..., you know, this is your homework is about the Holocaust. It's ... this shouldn't be ... it shouldn't be ... that. I don't know how to explain it ... this is more than just ... a piece of paper that we fill out.

R: Definitely, yeah, I think people kind of get lost in that and think it's just this one unit instead of ..., you know. It decimated ... a third of the world's Jewish population and 90 percent of the Romani population.

F: Yeah, and it, I think that also isn't talked about because I did a whole presentation on, ... the experiments that took place and they took, ...disabled people or differently abled, whatever you prefer...and then I know, ..., multiple minority groups were put in those camps. So I also think it's interesting that I mean, .... I don't know how to explain it, I think by making it just about the Jewish population, it's ... “better” for people. People ... they can put it in a box, right, ... this won't affect me if it happened today. But, you know, if you have a family member that's a part of this group or part of the LGBTQ+ ... they were affected. So it's ... this* isn't just .... A certain people's problem. (*The Holocaust)

R: But at the same time, I feel ... especially when learning about and teachers tend to take her Jewishness out of it so that people can relate to it, ... she was a Jewish woman ......don't.

F: Yeah, it's ... you can humanize someone by just seeing them as human, you don't need to make them ... you don't need to make them fit, you know? Um, do you think the Internet has helped or hurt the Jewish community in terms of information and accessibility to the general public?

R: I say a mix of both because for me personally, ... growing up, I really separated myself from my Judaism at home. I was ..., oh, I don't you know, I think this is something you want to do as kids. It's ... you do your bar mitzvah and then you're just ... gone for awhile and finding ... Jewish people on the Internet really helped me reclaim my connection with my family. And now I study it ... it's my college degree... is Judaic studies and the history. But I've found that it's been really helpful for me finding ... Jewish people on the Internet, but at the same time...... conspiracy theories are a huge thing on the Internet, and so many of them are based on anti Semitism without people even realizing. So I think it's the spread of information and the ability to scapegoat groups from the Internet hurts Jews a lot, but it also really helpful for us in finding community within ... Jewish people.

F: Yeah, ... yeah, I can definitely see that because, I mean, I think that's...I've only ever heard the “pro” of social media is meeting people, like-minded people or different people, which I mean, thank you, Tumblr, because of this... but that's the only pro I've ever heard, is just meeting people. So I just think it's interesting that ..., ... there are all these negative things, you know, ... anti vaxxers..Flat earthers, ... “climate change isn't real”. It's just .... At least we get to meet each other? Look on the bright side, I guess.

R: Oh, yeah. You know, take the good with the bad or whatever. I have, but not to the extent some other people have, because I don't really have ... the stereotypical Jewish, which is ridiculous because you come in every color and everything. And also, I do want to say I don't speak for every Jew, every experience, ... I'm an upper class white woman living in Oregon. So, you know, I have a very different perspective than say and also I'm a certain branch of Judaism citizen. So I have a different perspective from ... a Black Orthodox Jew from New York, it’s going to be a very different lifestyle. So I haven't had death threats anything. I just...a lot of middle school and high school was ... when people would find out I was Jewish. ... Can I say, ... a Holocaust joke.?

F: Ugh

R: No, know, that's ... everyone when you're a kid, that's their first reaction. When you say things ..., oh, now I can make this joke about ovens and ..., please don't do that.

F: Oh, my God, that's so awful. I don't know why they do that.

R: And then all of a choir director once was ..., Oh ... because I got this solo in this piece that was about Anne Frank. She's ..., Oh, yeah, she even looks ... Anne Frank. I was ..., this was on the radio.

F: That's that's not OK. Oh my gosh. It's .... Look, look, she's not ... this, ... she was gorgeous, obviously, I think everyone's gorgeous, but ... she ... I've seen, ..., her eyes on people (edit: I meant she has common features, like everyone else) ... she's not. Yeah, her features are....Oh, my gosh...., it's just because--

R: the things that are considered stereotypical Jewish features are largely Middle Eastern features, ... it's thick hair, ... kind of bushy eyebrows, the nose with the bump, curly, dark, untamed hair.

F: Yeah, and that's just ... such a large (edit: large population), stereotypes are never really accurate. they're based on something dark, ... really dark. It's ... if you actually look into stereotypes on certain groups, it always has a dark origin. So many people have...ugh I’m not just going to even...

*Rachel’s video cuts out*

F: Ok next question:

Why do you think people of color are able to be anti-Semitic or kinda just hold anti Semitic beliefs, consciously or subconsciously?

R: I think a lot of it is the perception that being Jewish is inherently tied to having power, and so a lot of communities look at it as punching up, when that’s not the reality of the situation, so I think when... this goes for every other group I think that because that’s the kinda the stereotypical argument for why people don't like Jews is “Oh, well we control the world so other people were super wealthy we’re super rich so people can say, oh I can hate this group because they’re above me, so I’m punching up.”

F: Mhmmm

R: But you know there are Black Jews, there are disabled Jews, there’s...all these intersections. There’s plenty of poor Jews. So there’s this idea that just because you’re Jewish you’re rich and powerful.

F: Hmm. That’s a really good way to look at that, because you know I kinda do see how that falls into the “Eat the rich” or whatever. Um...and I recently learned, is it true, I probably should’ve researched this before, but is the illuminati Semitic? ... the idea of an illuminati?

R: The concept is, largely because of who they claim are in it. They are largely Jewish people. And also, it’s the same thing with the “lizard conspiracy/the lizard people”, which I was explaining this to my Mom...actually let me find the message...I think his name is David Icke? But he’s the creator of the “lizard conspiracy” and he also is a Holocaust denier who simultaneously believes that Jews funded the Holocaust to get ... attention….

F: *scoffs in disgust and utter confusion*

R: ...and to get people to pity them. And so a lot of people with go after Soros or the Rothschilds and say ... “oh they’re a part of the illuminati, they’re lizard people who are controlling the world.” and so, no, the concept of this elite group that runs the world and many of the people you’re putting in it are Jewish people.

F: Hmmm, oh ok.

R: Also throughout history, this goes way before the Holocaust, this has been going on for 2,000 years but ... Jews have been accused of running the-Jews--with the lizards they’ll say “Oh they’ll eat your kids” or they’ll do this thing. So Jews have been accused of this thing called blood libel, which is ... sacrificing Christian children and drinking their blood. Which never happened, there’s no documented cases of this, but we---there were large mass murders of Jewish people in the middle ages and also for stealing communion wafers. They would say that we would steal them and ...….stab them to ... to try and kill Jesus. Which sounds...... I think when we learned that we all laughed uncomfortably...but no you don’t understand, thousands of Jews were murdered for this….this isn’t a funny thing. And so it's this idea of ... this secret...Jewish society that’s gonna kill your kids, steal all the wealth and even--they’ll try to, David Icke, again, I don’t know if I’m pronouncing his name right, I’m sorry. But--

F: Who cares (if you’re pronouncing his name right) honestly?

R: It’s not anti-Semitic because these Jews who I’m accusing aren’t really human...but yes they are.

F: Yeah

R: These are Jewish people.

F:... any group of people are people...so he’s trying to say Jewish people are alien, so it doesn’t count?

R: Pretty much.

F: *wtf confusion laugh*

R: So I think a lot of times the people who spread the conspiracies don’t know….the prices of it. Once you learn, you dig a little deeper, you can see the issue that comes from it.

F: Do you think um that in that sense that memes can be hurtful--or harmful because of ... you know the illuminati meme. So people don’t know that the concept of the illuminati is essentially anti-Semitic, so do you think ... meme culture is contributing to ignorance?

R: I think yeah to some extent, because when it gets widespread enough you know? It becomes normalized and then when someone tries to speak about it and says, “Hey this thing is problematic” they’ll be ... “Oh no it’s just a joke, you’re taking it too seriously, it has nothing to do with that.” Well, if you look back, ... it does and historically these kinds of “jokes” have led to groups being persecuted. It’s just a matter of if someone tells you something is problematic, don’t brush it off.

F: And I would ... to point out that I made a joke about Mark Zuckerberg being a robot lizard in response to um...him uh trying to buy Native lands and I was like “What?”(when someone said it was Semitic) honestly my brain doesn’t even go to---I don’t research who people are. I don’t know why I didn’t know he was Jewish, I didn’t know. And then I went to I forgot what website I went to, I went through all the stereotypes of Jewish people and I didn’t see anything about “lizard”, but it was ...I was trying to find a way to excuse myself...but if someone tells you its wrong, it’s wrong.

R: And I think it’s about being willing to learn and listen ..., I made those jokes. I didn’t realize until earlier this year what the basis of it all was. So I’ve made plenty of jokes about the illuminati and lizard people….and then started reading things by other Jewish people and I was ... “Oh! I never thought about that.” I didn’t connect the dots and put that all together.

F: Yeah and especially with ... jokes ... they’re so modern, memes are so modern, so when we’re told about anti-semitism being framed as a past thing, we do this. So when we use jokes and stuff--I mean non-Jewish people, I think when we use jokes in general, honestly, about any group, we don’t think “Ok what’s the context of this? What’s the history behind this?” Because---BEYONCE friggin’ singing about the illuminati....

R: *laughs*

F: I mean she was kinda ... dragging it, but the jokes get that big. So I feel ...---I don’t know. I want to publicly apologize for calling Mark Zuckerberg a robot lizard because I thought that was a meme and not based in anti-Semitic language.

R: We’ve all done that so many times.

F: I was talking about how he’s ... a robot and acts weird, so it’s completely on me.

What do you want people to know about your culture?

R: Um, that it’s not a monolith. There’s this ongoing joke in the Jewish community that if you have two Jewish people in a room you’ll have three different opinions.

F: *laughs*

R: So we all practice differently, we all have a different relationship with religion and spirituality and that the big thing is that we’re not this all powerful group. I think it confuses people that Judaism isn’t...first off Judeo-Christian is not real we’re not--Judaism and christianity are very different so I get annoyed when they’re lumped together. “Judeo-Christian values” ... no we have completely different values and beliefs.

F: Yeah

R: I think it really confuses people when I tell them that I don’t believe in God but I still consider myself very Jewish, because it’s so intrinsically tied as this just religious concept but because of the persecution that Jewish communities have faced, it’s taken on this double role as an ethnicity and a religion. So ..., I’m a white person, there’s no way that I’m not white but I’m also a Jewish white person so it's kinda a different path, a different history. And I still have this connection with my Judaism, while at the same time, you know, I haven’t been to synagogue since I was 13, so I don’t believe in higher powers and stuff, at least at this point in my life. That could change, but I think it’s such a part of who we are and there’s that generational trauma that Jews are born with--or at least biological because you’re still just as Jewish if you convert to Judaism, I think there’s also this idea, Oh! My cat just came in...

I think there’s also this idea that when you’re controlling the world you're trying to make everyone like you. But Jews don’t proselytize, Jews aren’t trying to make other people Jewish. Which is very different than the way some other religions operate, where it’s going out and trying to get everyone to agree with you so you can save their soul or whatever...

F: Mhm

R: Also when it comes to--this is less for Judaism, this is for every group, ya know I was talking about um The BLM protests and using dark humor. In my experience at least, I think the groups that are affected can use dark humor about it. So ..., Black people can make jokes about police brutality, I can’t make jokes about police brutality because it’s not affecting me personally, so I feel ... Jewish people, we wanna make Jew jokes between ourselves, that’s fine, but when other people make jokes ... ok now it’s uncomfortable because of that power imbalance, ‘cause you haven’t faced a holocaust or gone through these things I’ve gone through as a Jewish person, and I haven’t gone through these other things. So I think when people make a joke “Oh I have a dark sense of humor, I like to use dark humor to cope” well it’s not ... your trauma to cope with. I think that’s with every group that’s gone through something...there’s certain dark humor that you can’t use.

F: Yeah that’s such a good way to put it because ... you may be coping with other things but it’s not the thing you’re talking about, so why do you need to cope with the jokes about that? I’ve heard, anti-Semitic jokes and I’m ... “What the-” *leans back* from ... non- Jewish people and….who is that for? How is that make you feel better as a human? I was like: “Why are you doing this? Shut up.”

R: Yeah.

F: They know it’s wrong...it’s like the “edgy” 4chan type of thing ... *~I’m so edgy~* No your’e not. Personally, I think you’re weak if you can’t come up with a joke that doesn’t hurt a group of people

R: Oh yeah. Oh and then another thing I’d ... people to realize about Judaism is for one….the issue of Judaism and anti-Semitism is separate from the issue of Israel/Palestine and anti-Zionism and also not every Jew has the same opinion on it and we’re not all experts on the Israeli-Palestinian conflict, so you don’t need to derail every discussion with “Oh what are your thoughts on Palestine? Do you support Palestine? Do you support Israel?” Because it’s so separate, and such a complex issue. You know because I was born Jewish doesn’t mean that I automatically have this innate knowledge of the entire conflict. It can kinda be used as a way to derail people when talking about anti-Semitism we face, ya know you’ll--I’ve seen this a lot on TikTok where people will make videos talking about things they face and a lot of the comments are “Free Palestine”...well they didn’t mention Palestine, we don’t know their views on Palestine. Just ‘cause you’re Jewish that doesn’t make you a Zionist, just---I’m sure people who have Palestinian heritage doesn’t make you anti-Zionist, ya know? They're separate issues and people ... to lump them into one…..and if someone says that anti-Zionism is treading into Semitism, then we should listen to them because they’re two separate things and you can protest in Israel and not be falling into anti-Semitic tropes.

F: Right, that’s such a complex subject. I would never ask someone straight up: “Who’s side are you on?!” because it’s so, so complex. I remember I tried to dedicate a whole day to just researching, “Ok what’s going on?” and it’s just ... so much information it’s just hard because I don’t even want to speak on it because it has nothing to do with me, so I was just trying to get--I remember when it was on the news a lot, right? I’m like trying to understand what you guys are saying, so I like to do background researching and oh my gosh, I can’t imagine summing up your opinion in one sentence about that or why you chose this side and not that. It’s so varied.

R: Ya know I’m still learning about it, I don’t know that much about it so ya know when I try to talk about this Jewish thing they’ll be ... “Oh! What are your thoughts on the Israeli-Palestinian conflict?” I’m just ... *raises hands up* “I don’t know, I need time to learn more”

F: Yeah it’s like *looks at phone* “hold on a sec (while I research more on the Israeli-Palestinian conflict and get back to ya)”

How do you see yourself in your country?

R: Um...it’s complicated because I’m from a privileged family in a privileged area so I know I have intrinsic power in this country, Judaism is easier to hide than other things. You can’t look at me and know I’m Jewish whereas you could look at a Black person and know they’re Black, you could look at a Muslim wearing a headscarf and know they’re Muslim. So it’s much easier to get away with things, I’m not going to be profiled until I open my mouth and say something about my Judaism, but at the same time, there is that fear because we’ve seen it before, Jews in Germany weren’t identifiable by looking at them but it’s on their birth certificate and they started rounding up. So I do get that little pang of panic every time I see “Jewish cemetery desecrated” or “Swastikas drawn on synagogue”...last time I went to synagogue was after the Tree of Life shooting, I went in solidarity and there was ... armed guards outside and it was so scary thinking about “Oh my God there could be a bomb threat, there could be a shooter.” and there’s this idea where I know I have privilege and I know I’m in a position of power but at the same time, ... I know that I have to be ready to flee if something happens, because every few generations of Jews have had to do that, for thousands of years now. So it’s all complex intertwined identity, where-so I call myself “Conditionally white”, I benefit so much from white privilege and everything except my Judaism is white, white, white but then there’s at the same time, I wasn’t considered white under the defining whatever, where you write down your race, in the eyes of the US until ... the 50s. They had white and Jewish as two separate ethnicities or races. It’s such a weird place to be.

F: Yeah and of course, I know you say you are/look white so you have all this privilege and stuff but at the same time, being scared of sharing a part of you that’s...an average white person doesn’t have to be scared of ... saying “Oh I believe this” and then if you feel the fear of sharing that, just in general or fear of a hate crime, that is very valid. And I think sometimes we forget that.

R: It’s interesting sometimes hearing people talk about Judaism. They think of it as this “Oh taking over the world, there’s gotta be a lot of them” it’s ... well, there’s 14 million of us in the world right now, about a third are in Israel, the US has 1.5 million. Compared to that, probably half the world's population is Christian. There's 1 or 2 billion Muslims, we’re a very small group comparatively.

F: I do think the illuminati thing perpetuates that so much, subconsciously or unconsciously….although it’s supposed to be a “smaller group” or whatever but still they make it ... this huge thing kinda framed like Scientology. It’s so weird that people don’t--I’ve heard many Christians claim that “I’m scared to say I’m Christian” and it's just ... that’s so valid for you and I’m not disregarding your experience...the historical context behind it, even people who are Muslim and all these hate crimes...I don’t think I’ve ever seen a hate crime against a Catholic church...

R: Not in a very long time and when it has been, it’s usually between Christian sects.

F: Yeah, that too, infighting. I dunno where I was going with that. *laughs* but I know what you mean by blowing up this population to be a “threat”. I think that happens with any group that someone disagrees with like the “liberals” “antifa” they blow it up to huge populations, ... “Oh my gosh we’re being invaded!” I’m surprised that more people haven’t seen with, you know the steps to genocide, that’s one of the things (steps), it’s making this group of people a “threat” that’s “invading” a space...I’m surprised that people don’t see that about any group but especially about the Jewish community, AGAIN! That’s not the first time! It’s just constant, there’s no breaks!

R: Yeah that’s most of Jewish history since other major religions came in….you know we haven’t been in power since Christianity came in.

What’s the biggest misconception bout your community?

R: Um, I’d say probably getting back to that rich/powerful thing. Just the, ya know that and the Israeli-Palestinian conflict thing. Those are the two things I hear the most and also Holocaust deniers..which I don’t know why there are so many but there are like or the people who say “Oh yeah it happened but it’s not as bad as they make it seem.”.

F: Sooo stupid. I just can’t imagine denying any sort of crime against humanity, .. I can’t even talk about it, it makes me so pissed.

Do you feel like there is adequate representation of your community in the media?

R: Um I think we definitely have more representation than other groups...but I find it to be kind of more one track or stereotypical so it doesn’t show ... the breadth of the Jewish community. The only show about Jews is Unorthodox and that kinda portrays Orthodox Judaism in a not great light. But I think there’s a lot more Jewish….you know they used to say “Jews control Hollywood” because a lot of actors and directors were Jewish and it’s ... “Well, maybe we’re just creative?”

F: *laughing*

R: So theres a lot of famous Jews and I guess a lot of Hollywood producers are Jewish but I think when it comes to actual characters, we don’t see practicing Jews that aren’t relying on stereotypes. But I don’t think the media is particularly targeted harmful to Jews the way it’s targeted other communities.

F: What do you think about the movies about the Holocaust that come out every year? And I’m not saying anything against them, I’m just curious what your take on that is because it’s interesting that I see a lot of these movies come out right? But in school it’s a day lesson, but the media keeps on talking about it. Do you appreciate that? Do you wish the content was better?

*both laugh*

R: I think some are better done than others. I prefer, my area of study is the Holocaust, so I have to submerse myself in all that stuff because that’s what my thesis is going to be on, it’s frustrating sometimes to see the fictionalized stories pushed over the real ones, especially the ones that have Christian charac---Boy in the Striped Pajamas made sob when I first watched it. Then I watched it again and I realized you’re only side because the little Christian kid dies.

F: *gasps in awe/mind blown* Ugh you gotta put that somewhere and share it because that’s such a good point!

R: And then there's, there was drama about some of the Holocaust books and they were ... hey “this isn’t a real story this didn’t happen but your pushing it as a real story”. So I….there’s so many real life tragedies that sometimes it seems a little weird that you create your fake characters about it. But at the same time, I do enjoy Holocaust movies ... I do consume content but there does seem ... a weird disproportionate obsession with it. I’ve said this to my family, I don’t really trust non-Jews who are super into WW2. ... there’s something about it, why are you so into it? “... I think it’s cool how that could happen, it’s cool to think about how….” I don’t really trust your motives, there’s something off to me. I think when it’s their personality is ... WW2! Holocaust!...Why are you so invested in this?

F: Oh my gosh yeah. Do you think there could be more movies about real people in real stories? ... I’ll look at “Is this movie true” (On google) ... The Boy in the Striped Pajamas So (I looked up) “Is this true” and it said, “Ummm no.” and it’s like... OK but wouldn’t it be more impactful to have real stories that are told?

R: I think so to some extent but I also don’t think they should do it without permission and sometimes there isn’t someone’s permission to ask.

F: Right.

R: But you don’t want those stories to die, you know if there’s a family left and this story is important and you don’t want it to get lost in the books but you know, so much has already been taken from the Jewish community...you have to weigh whether or not it’s worth it to contribute to that to get a story out there.

Do you think some directors and writers choose to make a story about the Holocaust as Oscar bait?

R: Probably. I think tragedies tend to do well in the awards circuit and I think tragedies about white people especially tend to do well. So I think if you...have this event, something that everyone knows about, everyone knows about the Holocaust, and they go “Ok well they’re not going to turn down this story about this kid in the Holocaust”. I don’t know every director's intention, there could be some who want to get the story out there. But I do think it’s easier to get something about a major historical event.

Do you feel that Jewish people are put in a box, only being seen as victims?

R: I’d say it’s usually the opposite. I’d feel ... both sides of the political spectrum put Jewish people in this box of “oppressor”.

F: Mhmmm

R: You see it because it’s one of those groups that gets hit on both sides. Where ... a lot of people say “Oh yeah well in the Holocaust you were all the victims.” which doesn’t annoy me because you’ll see these people say “They just willingly got on the carts to drive to camps and no one fought back.” well, no there were militias there were uprisings. They weren't just happily getting on these buses and not fighting for their lives. So I do think there’s a lot of victimization when it comes to the Holocaust, but a lot of people say “That was in the past, now no one’s attacking the Jews, no one’s doing anything so they’re taking advantage of us”. So I think in a historical context Jews are placed in a box of victimhood but in a modern context, it’s flipped.

F: Hm. How do you see left v. right, can you explain how you’ve seen each group take hits at the Jewish community?

R: Yeah

F: Kinda ... just a few points for people to watch and look out for?

R: The right is pretty much what you’d expect, neo-Nazis, swastikas, SS tattoos which is not fun, I don’t like seeing those. You see these white supremacists and I think on the left, they think all the Jews in that group are included in the white supremacy, when we’re explicitly excluded, we are not considered white by white supremacist standards. But you see the left use Steven Miller and Jared Kushner who, you know, they’re Jewish, they’re also terrible people but they happen to be Jewish...and them being terrible doesn't make them not Jewish but you see people like that...from the left we see a lot more of the anti-semitism coming out kinda disguised by anti-Zionism.

F: Mhmm

R: Again, I think there are perfectly valid reasons to be anti-Zionist. Another issue I have that the left like to do, which sometimes is valid and sometimes isn’t, is comparing things to the Holocaust.

F: Mhmm

R: Sometimes I think that’s…..can compare something, especially if Jewish people are saying that “Hey, these are things that we were seeing happening in Nazi Germany that we’re seeing now.” I remember getting really upset when I was seeing vegans compare animal farming to the Holocaust and ... yeah I have a lot of issues with the meat industry but don’t conflate those two things ‘cause its basically saying Jewish people are cattle. That’s how it comes out to the Jewish people.

F: Yeah I just looked up, I just wanted to make sure, yeah I have definitely heard that in the vegan community and it does bother me, um...I um feel like genocide is a better way to put it because it’s a mass killing of a population, the Holocaust-

R: Yeah the Holocaust is tied to a specific event.

F: Yeah, so I have also seen a video of a Holocaust survivor who went vegan, who compared it to the Holocaust, but I think that is his right.

R: Yeah when you are affected. If someone is from a group and critiquing a way a group is handling something, ok I’ll listen to your side of this but when it’s an outsider, I’m not sure you have a say in that.

F: No, and even the way the Holocaust happened, the steps to the Holocaust didn’t happen to animals, the animals weren’t stereotyped, they weren’t vilified. I don’t think it’s accurate.

R: At the same time I don’t think it’s just comparing everything to the Holocaust, just listen to Jewish people when we start saying, “Hey, this is looking eerily similar.”. I remember in 2015/16 I remember saying, “Hey when you look at his platform,” I’m sure we all know who he is--

*laughs*

R: “he has pretty much the textbook definition of fascism.” “Oh no, he doesn’t have this one step, it’s fine.” And then he’ll pass that step and it’s like, “Hey guys, I told you we’ve seen this before….these are the 14 steps and we’re at like 12 now.”

F: Yeah and you’ve studied it so you’d think that people would listen to you.

R: Yeah I started learning about the Holocaust, probably ... first grade in Hebrew school. Ya know ... I’ve seen all these pict---also if people could not just share these Holocaust pictures, constantly without any warning, ... those are photos that are traumatic to a lot of us. Now, I’m used to seeing them again because it’s what I study but you see people, they’ll share things, when they’re comparing to the Holocaust, they’ll put like a Holocaust photo...you know those are people ... that I know. Those are my Grandparent’s friends, those are the parents of one of my teachers. I feel like people forget, they lump it into the numbers “Oh yeah 6 million Jews died”, but yeah each of those 6 million was a person. So when you post a photos, piles of dead bodies, those are people.

F: I don’t agree with that either, even our presentations we would do about the Holocaust, it didn’t feel right seeing these people put behind a title.

R: I feel like people get swept up by the numbers that they forget it’s people. It’s real people who went through this. And it’s sad because we’re getting to that time because the last of the Holocaust survivors are reaching the end of their lifespan, so it’s gonna be harder and harder to have people come in and tell you firsthand, which helps to humanize it.

F: Yeah and especially the deniers, what going to happen when these people--and thank goodness they survived, hopefully they have a peaceful passing, but once they’re gone they’re going to be like “Oh no one has been there….”

R: So another thing, I went to a racist white high school. We had a lot of issues, we had 3 Black people at my school and we had issues with graffiti slurs against the Black people, so they brought in a Holocaust survivor to talk about tolerance, but it was very propaganda. So this Holocaust survivor came in and talked about how they befriended one of the nazi guards and I was like “This is not the story that we need to be sharing…

F: Wh-what?

R:... this nazi guard and this Jewish person became friend like that’s not how it is for the 99.9% of them. Don’t use it as your propaganda for tolerance saying “Yeah the victims and the ones who are hurting them should just like this person should just forget about what happened to them and just be friends with them.” So I think it’s just used as propaganda a lot instead of letting it stand as the story it is.

F: Or even “taking the high road”. Just like pretending you love everybody, “I love the people who did this to my family, my community”

R: It makes the people who don’t (take the high road) seem like they’re being irrational...hey I don’t like Nazis, I support punching Nazis then like “Hey you need to preach tolerance.” no they murdered people I know.

F: Yeah I’ve even, I’ve only seen one Nazi-Nazi in Nevada in person, it’s just ......he was wearing a Deutschland shirt, it’s just so crazy how--I made a post about this, and he just looked so weak, that always stuck with me. He looked so weak and insecure, and I’m like you should feel that way because there are so many groups of people who are stronger with their bonds with each other, like the Jewish community or any community, that you should feel weak because you just want to be an angsty little white boy. Side note: he looked me in the eyes and I looked at him back and he left. So….

*laughs*

F: That was only a fraction of what you feel. I feel ... we’re so desensitized to swastikas, I mean I haven’t seen one as graffiti, but the image, I feel we are too desensitized to that.

R: Oh yeah I get frustrated with people who say “We need to reclaim the swastika”.

F: *Laughs* “Noo”

R: I get you wanna reclaim if but it’s too far gone. It’s traumatizing for the Jewish community, I get it used to be the symbol of peace…

F: Right

R: But it’s just not what that is anymore.

F: I mean that’s why it was taken, I’m sure you’ve studied this, but that’s why Hitler got people to jump on board because it’s this pretty picture of this “peaceful future”. So taking it back would almost be like...that’s where it started and look at where we are...

R: I personally haven’t come across Jews who want to reclaim it, it’s non-Jews. And there might be Jews who want to, I don’t know every Jew on Earth but the ones I’ve interacted with are all uncomfortable seeing swastikas. And you know when I see those photos of swastikas on this Jewish cemetery destroying the grave, it’s ... I can’t help picture that with my Grandparent’s graves, ... oh what if this was where my family was buried.

F: Yeah in my hometown there was a lot of that going around, just everywhere, it’s just disgusting. The fact that non-Jewish people suggested reclaiming that? That’s just disgusting and inappropriate. You don’t have a right to-- for anyone watching, you don’t have a right to go up to a Jewish person and say “No but I wanna do this” no, that’s not right, if it doesn’t apply to you, don’t speak on it. Or try to reclaim anything. I’m done with reclaiming things. When you said “non-Jewish people” I thought that you were talking about your Jewish friends who thought “You know maybe we could take it back…”

R: No.

F: Deadass

R: No all the Jewish people I know don’t like seeing swastikas and have no interest in seeing them in our lives.

F: Like understandably, it’s not even crazy! I wouldn’t. Ugh.

What would you like to see more of from allies?

R: Um, I think more listening, I like this kind of stuff, just having a conversation. Just not speaking for us and just amplifying our voices. And again, not conflating Judaism and Christianity. Not being like “Oh our Judeo-Christian values” Jews aren’t good because they’re related to this Christian thing, no it’s our own thing, it’s very different religion. And even if what the Jewish person is saying something you don’t agree with, just listen at least and say your side, you know we’re not a monolith. We aren’t one person with one mind. We aren’t going to agree on everything, and you know if someone said that something you said was anti-Semitic, don’t get defensive, let them explain why and try and be better. Because we’re not going around saying every single thing is anti-Semitic.

F: Of course, you have a reason

R: Call out celebrities when they promote dangerous things.

F: Yeah like dangerous ideas. I would like to personally work on what things are inherently anti-Semitic and have been popularized so I know and can share that info.

R: And also for the stuff I’ve seen recently, when people seem to be calling out anti-Semitism they call it out a lot more strongly with Black people and that’s a problem. Black people can be anti-Semitic, we saw that with Nick Canon, we saw that with Luis Farakesh, (Edit: She meant Louis Farrakhan)

F: Ice cube

R: We’ve seen Black celebrities say anti-Semitic things and also white celebrities so don’t just call it out when it’s just Black people. I’ve been following some Black dudes on twitter who are saying “Hey this makes me really uncomfortable. Why are you going so hard against this person and not against this person?”

F: Yeah I guess I never thought about that with the Nick Canon thing. That was a mess.

R: Yeah and what he said was completely wrong.

F: I heard so many different versions of what he said, ... “Black people are beautiful” but wait no that’s not what he said

*laughs*

F: I do think um my question about POC people being anti-Semitic was based on Ice Cube, honestly. That shocked me, I was shocked, my jaw fell when he posted an anti-semitic image, not a swastika. How can you want support and then do this? So...

R: I think it’s the idea that they’re punching up.

F: Yeah, I’m glad you mentioned looking for how people react to a POC being anti-Semitic V. a white person because I can’t even recall the last time I heard a white person like be called out, or dragged/cancelled as much as Nick Canon.

R: Yeah you’ll see it with the right-wing politicians, they’ll get called out, but you don’t see it from the moderates or left wing celebrities, even though they’re also out there saying things.

F: Like anyone can be anti-Semitic anyone can be racist and I think that’s why I want to share your perspective to help a little bit, because even your friends and family can be saying stuff like this, it’s important to not let it slip through (and think) “Oh they didn’t mean that”...address it. I hope this helps in some way. Thanks for letting me interview you

R: Thanks for wanting to interview me.

F: No problem. I’m gonna stop this and then we can talk a lil’ privately. Byeeee

R: Bye.

Let’s have a discussion! Did you learn anything new from this conversation?

Let me know here.

To close out each post, I’d like to write a lil’ paragraph about the person I talk with:

Rachel is kind and expresses her thoughts skillfully. Her resilience is deeply apparent because she’s able to study the horrific history of her people and still stay sane. That is a feat I could never, ever, live up to. Reliving pain takes such a huge amount of strength and power. Rachel’s kind words (and others’ from in the egg gang ;) ) really helped me when I was in a dark spot. I’m blessed that you took the time to talk with my wacky self. I hope we continue to be friends and I also hope you know that I’m always here for you, Rachel, as you were there for me.

You are a treasure.

-Faithxx

#intersectionality #jewish community #discussionswithfaith #twilight

52 notes · View notes

deliciousscaloppine · 3 years

Text

Hot Takes Galore: A brief overview of fandom backlashes that influenced fanfiction writing traditions as I have personally experienced them:

In today’s segment I am going to talk about copyright infringement.

First let me preface this by saying I have only ever been in 3 fandoms, starting from 2008 and I have never been terribly active - like this blog has been the most active I’ve ever been in any fandom ever. I am not going to talk about particular fandom dramas because I am pretty clueless about that. What I am going to talk about is that friction between “reality” and online spaces that brought about changes that are still in effect today in the way fanfiction is written and perceived.

In 2008 as I was entering, nearly every piece of fanfiction had a disclaimer about the author not owning the characters, which were the property of Corporate Entity X, or Author Y, and also not profiting from the work in any shape or form. At the time getting money from writing fanfiction was a gigantic taboo, and almost no one did it, or advertised that they did.

But as I understand through convention culture printed writing did circulate in exchange for money (zines), and at least in Japan one could sell doujinshis (self-published stories and comics, often within the framework of another work) in certain events. Although this was largely considered “illegal” under copyright laws, and artists could be persecuted or blacklisted from entering the industry if discovered. That’s also why fanartists often to this day may screen where and when their work is viewed, and move to take down reposts, or call others to protest if artworks are circulated without permission outside of the artist’s page.

Older fandom people also hated authors that moved against fanfiction, a big case being Anne Rice, the vampire lady everyone - including me - copies when writing about vampires. And now I am going to talk a little about that.

Usually, writers, just sit somewhere cosy and write, and often they have no idea, absolutely no idea, on how to manage their writing properties - usually a lawyer does that, and lawyers want A Lot Of Money (A brief brush with justice and lawyers over a civil dispute I won, cost me 1000 euros out of nowhere, in a single day, and no I couldn’t avoid it because I was the accused one, so I had to appear with some representation).

So sometimes, quite often, it’s a lawyer that activates a writer or other artist to move against “smaller” copyright infringements, in order to make bank. And if one suffers such a case, they should make it as apparent as possible to the other party that they have no money, and the pressure will go away immediately. But even MORE OFTEN a small copyright infringement, may lead to a sequence of bigger ones, and ultimately the de facto loss of rights from one’s writing properties, and of course revenue.

And for a lot of published authors, they just don’t know for how long they can publish things - publishing houses that have them signed can close, book sales can drop, tastes change, personal problems, and anything else may mean that they could find themselves without a source of income at any point in the future, while they are aging and becoming more and more irrelevant.

A very famous case currently, is that of Alan Dean Foster, the writer who has done some novelizations for movies like Star Wars and Alien, and is no longer receiving revenue from that - while his wife is hospitalized and their family needs the income - because Disney absorbed the company that had signed the contract with him, and chose to not honor the previous contract. To make them pay he will have to go into a huge legal battle with a corporate giant, which he cannot afford. But they still absorb income from these novelizations.

But how does fanfiction tie into that, and Anne Rice’s case (which if memory serves right, also went through a series of personal problems, including her husband’s death during that time).

So for a lot of writers, fanfiction may be that tiny breach that may threaten their rights in the future from tresspases of distribution networks. Meaning, people write vampire fanfiction based on Anne Rice’s work? What if another publishing house used the template of her works (historical settings, bleeding orifices, religious themes, homosexuality and sexual trauma etc) and produced a royalty free series of such works with a team of professional writers that do not own the work - who often have less rights, like not owning the characters, or the storylines, participating in a very small scale, so their payment goes down etc)

And in this way EVERYONE SUFFERS. Big Name Published Author fades into obscurity and goes into poverty and payroll writers are horrifically abused.

A lot of hobbyists, and hobbyist writers whose sole dream is to be published in some shape or form, do not really care, and do not concern themselves with the legal aspect of creation, or the technical skill that it takes to produce writing on a consistent basis, which can only happen if you’ve got your basic needs covered. So they might see this type of backlash as inherently privileged.

But it’s not really a privilege, there has been a global recession in basic working rights for everyone, and lovers of fiction don’t have to condone, of course, attacks against them, but they need to put that kind of backlash in perspective. Someone did write the content you enjoy, THEY ARE NOT DEAD YET, and may have opinions on how it should be managed, especially when it pertains to their livelihood.

It’s a delicate balance that we all must keep in order to keep corporate regulations out of it.

For instance with the recent danmei explosion The Untamed brought forth, Ao3 was banned in China. Now a lot of you might know that this was caused by some real person fic involving the actor Xiao Zhan, which led to a whole other level of drama. But make no mistake this was a political act to protect the interests of the domestic publishing industry as it prepares to do an international opening that will bring in several billions from foreign markets.

Because Ao3 has been expanding as a platform globally it brings about changes, and in many cases steals readers away from traditional publishing, so it becomes unacceptable economically for a bunch of hobbyists to influence tastes, market mores, and create sensationalism around certain properties out of literally the blue. This is not a good thing for a lot of corporate thinking, they set the product and we are supposed to buy it. We are not supposed to go, it would look greater with a bunch of anal, and then put forth a million words altering the character of the intellectual property.

Why you ask? Again, because another publishing industry might choose to imitate the style of danmei fanfics and produce works that hijack readership, or lead to breach of contracts, making an unsafe environment for workers in this industry (Xiao Zhan’s case.)

Nowadays I see more and more fanfic authors coming out of their shell to ask money for writing in the form of donations, patronage and commissions, as fandom involvement is also becoming vastly monetized. The market of conventions coming into social media platforms. A strange more exists still in which while “legally wrong”, as long as money is not asked on the publishing platform (Ao3), it may not count as copyright infringement. But fanfic authors, may still be treated with hostility for this, for not “deserving” to profit from someone else’s properties, or even worse for “stealing” readership.

For instance a recent argument I have seen from lgbtq authors, is that they remain unsupported by fandom spaces, who often proclaim themselves as lgbtq or lgbtq friendly (something that is not true), but at the same time they are not looking for published lgbtq stories, or authors, or even treat these with open hostility, or a lot of bias.

Fandom is not comprised from “readers” in the traditional sense, definitely not friends of literature, and it’s free, no one really has to pay anything to read a published fanfic. So it’s a pretty loose demographic with no set characteristics, and no interest in investing time and money in something for long. It’s an online social activity and not a readers’ movement, highly influenced by peer pressure and branding. It’s basically a gigantic group of people who don’t really do anything for no one, and may develop a parasitic connection to intellectual properties (I am sorry peers, it’s the truth).

And it’s perhaps the biggest counterculture scene at the moment in the developed world. To this day it treats even its own authors with tremendous suspicion, disregard and dismissal, meaning that even if someone can get some money and recognition locally through writing fanfic they are on thin fucking ice at all times for all the reasons but mostly attracting unnecessary attention to themselves and subsequently the scene. A pattern that we will see is endemic to all forms of fandom backlashes.

So to this day in contrast with fanart, fan writers may not be compensated for their troubles, but may also be ousted from their domestic professional spaces for writing fanfic that may infringe on their intellectual property.

The thing is, for me, that fandom culture can become incredibly supportive of corporate practices that harm actual people (writers, they are people too) but when they realize that the same corporate practices may be used against them, it’s too late to realize that it’s not a lottery of who wins by crying more, and by the time that happens, a corporation or industry who has used them to do its dark bidding, can stop catering to them because ultimately they have become again irrelevant once a well defined demographic of readers and viewers has been secured.

So if you are going to do counterculture, at least do it right. Be respectful of the writers/authors of the content you consume and mindful of their troubles, do not generate public strife that brings in political regulation in favor of corporate interests. Become interested in writing culture, support your fanfic authors with lasting engagement in their work, even if it escapes the narrow confines of a certain fandom. It’s simple. Eat, live, pray, fuck, or something.

#fandom history?

7 notes · View notes

rocknrollpanda · 4 years

Text

Pride & Prejudice fic recs Part 1

A hit, a very palpable hit by Shem words: 149357

Mr Bennet’s family is larger than just Mr Collins (thank heavens). One of his sisters, Clara, who has been distant for some ten years, re-emerges into his life demanding the company of one his daughters. Both Mr and Mrs Bennet consider Kitty expendable so it is she who is dispatched right in the middle of the most exciting period of her life, after all how often does a regiment of soldiers visit Merton? But Clara’s presence will effect more than just Kitty.

Personal addition: It’s one of my favorites ❤️. So this is almost a double recommendation. Also listen to me people the OMC Lord Ashbourne is MAGICAL! MUST read! One of the best fics in the whole fandom!

The Brighton Effect by Shem words: 74644

Kitty's chance to go to Brighton with Lydia may just change everyone's fate.

Part 1 of a series.

Personal addition: Another favorite ❤️, double recommended. It’s a different story but Lord Ashbourne is still one of the characters, therefor yet another MUST read!

The Pemberley Effect by Shem words: 56463

This is a companion/side-along piece to the Brighton Effect.

I wanted to tell the story of Lizzy and Darcy but I found it difficult from a strict Kitty POV (and there are only so many times you can have Kitty lurking in bushes to eavesdrop. I will note which chapters correspond in the Brighton Effect. This chapter corresponds with Chapter Nine.

Lizzy returns from a pleasant and illuminating Derbyshire visit to discover just how close her family came to ruin while she was away.

Marry in Haste: Version 1 by DaniellaHarwood words: 55418

Elizabeth Bennet marries an earl two years before Bingley lets Netherfield. Now widowed, wealthy and a peer of the realm, she has been abused by her love, a shadow of her former self. With Ramsgate in his mind, Darcy seeks to restore her to liveliness, and her love.

Personal addition: Another favorite ❤️, double recommended. It is absolutely amazing! This is a MUST read!

Till You Or Jane Return by DaniellaHarwood words: 51783

A part reworking of Pride & Prejudice. Jane accompanies Elizabeth to Lambton with Gardiners, with interesting results, while Lydia is refused permission to go to Brighton.

Luck Changes the Game by LaCorelli words: 49453

Bad luck, good luck. Sometimes it's just a matter of perspective. George Wickham has a bad day and his entrance into Meryton changes the course of events.

The Other Bingley by LissaMU words: 43451

Remember all the confusion about how many sisters Bingley had? This is what might have happened if he'd had one more.

Personal addition: Another favorite ❤️, double recommended.

Neither Duty Nor Honour by buckbeakbabie words: 41338

Fitzwilliam Darcy was four and twenty when he married Anne de Bourgh. In doing so, he fulfilled his duty to his family. Life with Anne was comfortable, if not joyous. However, a year into their marriage she died fulfilling what she saw as her duty - bearing him a child.

Fitzwilliam Darcy was eight and twenty when he accompanied his oldest friend to Hertfordshire with his sister and daughter. It was widely known that he had no intention of marrying again. His duty was, after all, already fulfilled. But that firmly held conviction will not hold long against the charms of one Elizabeth Bennet.

Personal addition: Another favorite ❤️, double recommended.

Changes and Charity by kmairif words: 37623

Charlotte Collins' life has changed dramatically in the years since her marriage. But now that she is free, what does the future hold? Must a pregnant widow of little fortune be automatically in search of a husband?

Personal addition: It was nice to read something Charlotte-centric

Sister dearest or a nudge in the right direction by headless_nic words: 30302

Caroline Bingley is determined to become Mrs Fitzwilliam Darcy, and in her feat to fix him as her husband she would stop at nothing. When Elizabeth Bennet stays at Netherfield and nurses her sick sister Jane, it becomes increasingly clear that Mr Darcy is falling for the lively Hertfordshire lady and her fine eyes. At last Caroline decides it is time to take action, and engaging her sister to help her, she attempts to compromise the man. But with her increasingly ruthless and selfish behaviour she soon upsets her sister, and Mrs Hurst, fed up with Caroline’s antics, does some scheming of her own, the results of which are rather unexpected. But sometimes all one needs is a nudge in the right direction and so a happily ever after is inevitable – for more than one couple.

Personal addition: I didn’t know whether to strangle Caroline or laugh at her. She has some crazy ideas.

An Earlier Understanding by LissaMU words: 29034

Darcy confronts Elizabeth about her snide comments during their dance at the Netherfield Ball. How will this change their relationship and the lives of those around them?

Like a Sister by tealitful words: 28651

Because I can't get enough of the "Elizabeth meets Georgiana before Darcy" trope.

Just to be clear: written while tipsy and never edited. No plans to edit either! I'm afraid grammar mistakes, misused titles, and omitted words are here to stay.

In Praise of Her Conceited Independence by MorticiaYouSpokeFrench words: 25096

A daring rescue at Ramsgate changes the course of events for our dear couple.

Wallflower by Madmoome words: 22507

It is universally known that a wallflower born in the shadow of 4 sisters, must be in want of a social life. (Mary Bennet gets a life)

Personal addition: Another favorite ❤️, double recommended.

Pride and shattered dreams by Resurgam2 words: 14755

Two universes collided, when Elizabeth left Derbyshire before she could talk to Mr. Darcy. He didn't know that her sister Lydia had run off with Wickham. He could not help.

Lydia Bennet returned to her uncle's house as an unmarried woman. Now the Bennets have to make up for their past mistakes. Now Bingley and Darcy must suffer the loss of all chance of happiness.

Will Mr. Darcy learn his lesson? Will their universe come together again?

Mr. Bennet Travels Through Time by AMarguerite words: 14079

Exactly what it says on the tin. Mr. Bennet is actually a time-traveler from the 1990s, who ends up in Regency England and profoundly hates it. Featuring: quite a lot of fake science, some real history of science, and rather a lot of jokes about Uranus.

Unpleasant Scenes Might Arise by DaniellaHarwood words: 13372

When George Wickham decides to attend the Netherfield Ball, it does not work to his advantage.

#pride and prejudice #p&p #p&p 2005 #p&p 1995 #fic recs #ao3 #ao3 fic #fanfiction #elizabeth bennet #jane bennet #kitty bennet #mary bennet #lidia bennet #fitzwilliam darcy #charles bingley #elizabeth x darcy #jane austen #jane x bingley

76 notes · View notes

ashenpages · 3 years

Text

Current Fic Ideas & Emoji Voting Key

Quick disclaimer that I’m a romance writer in all aspects of the term, so most of my fics will contain mature content. Engage at your own risk, you know the rules, you’re responsible for curating your own experience of the internet, blah blah blah. This post serves as a current mock up of fic ideas I’m either actively working on or considering working on next. You can drop me an ask about any of them, or just vote via the emoji combo I’ve assigned them.

Voting lets me know you’re excited about an idea and makes it more likely I’ll actually work on it. You can vote anytime, there’re no deadlines or winner announcements, just me gauging your interest by what I see in my ask box most often.

You can also ask me about the original stuff I’m working on currently. The current WIPs are Medusa centric and the emoji for them is: 🐍

- Lupin: 🤑🤠💍 These are all oneshot ideas, between 5-15K each. If you want to vote for a specific idea, send me the emojis and the number of the idea.

Lupin, Jigen, and Goemon always play rock-paper-scissors after a big heist to decide who’ll give the group a striptease, and who will get showered with money. Based on a piece of fanart that is basically this sequence of events in a 4koma (except in their version Jigen loses and in mine, it’s Goemon). (written, just needs editing)

Zenigata cuffs Lupin four times, and Lupin steals his heart. Very NSFW conclusion. Zenigata is the most caring lover you’ll ever find. Lupin is as thirsty as usual and twice as intense. (written, just needs editing)

Jigen protects Lupin from poison darts during a treasure hunt in an Aztec temple, and Lupin nurses him back to help--forcibly, since Jigen is a horrible patient. Born from my desire to spoil Jigen and talk about what ridiculous domestic husbands these two are. (WIP)

Born from the idea that Goemon and Zenigata probably couldn’t be an item, my brain decided to come up with how I could write for them. Goemon’s teaching an ikebana class as part of his training, and Zenigata shows up as a student on forced recreational leave for his health from the ICPO. Zenigata wins the samurai’s heart through flowers. But what happens when Lupin and Jigen find out? (Only good sexy things, I promise. These beans are in a healthy polycule--be gay, do crimes)

Trans!Lupin and Trans!Jigen premise: Jigen cares for Lupin after the master thief has top surgery, since Jigen has Been There and Done That. Caring, sweet, and a little sexy. Lupin is a much better patient than Jigen.

- Sonic Vampire Novelist Coffee Shop AU: 📚☕💐

Shadow is an immortal vampire who has seen the world change for the worse too many times. These days it feels like he only lives for his coffee dates with Rouge, another immortal who loves each new era they encounter, warts and all. He has to admit that the book series she got him into speaks to him, at least. If someone in this era can understand him without meeting him, it can’t all be bad. But he hardly expected the goofy blue barista at the new coffee place to understand him the way those books do.

This is a novel length romcom romp with some big feelings about what it means to watch as things change, grow, and die. Expect lots of Big gothic feelings from this one, emotionally charged kissing, and overly-adoring sex. But also expect shenanigans from everyone in the coffee shop, which include Rouge, Amy, Tails, Knuckles, Cream, and more.

- Sonic Blazamy: 💖🌸💎

Amy Rose has been in love with Sonic for a while.

Or has she?

When the Sonic, Tails, Knuckles, Shadow, and Silver are trapped as the fuel sources for Doctor Eggman’s newest evil scheme, Amy teams up with Blaze, Rouge, and Cream to save them. With Sonic out of the picture and Amy fulfilling his role, was she ever really in love with him? Or did she just want to be like him?

This is a novel length epic romance with lots of competent women and lots of romantic Blazamy content. Expect flowery hopes and dreams, badass self-actualization, and glancing hand touches that give way to cuddly and sweet sex.

- Persona 5: 🗡🍛☕

After bringing down the Metaverse twice, Ryuji didn’t think graduating high school and figuring out what to do with his life would be so hard. Akira’s back in town, and the gang’s more-or-less all in Tokyo, but everyone else seems to have a plan while Ryuji just floats. How’s he supposed to change the world when he’s not a phantom thief anymore?

This is a novel length fic that addresses how powerless one can feel being just one person in the face of all the corrupted systems and bigotry the world has to offer. It’s about holding on to what you believe in, working through the doubt, and fighting your way to a better tomorrow with the power you do have. The whole gang is queer, featured relationships being Mako x Ann, Ryuji x Akira, Futaba & Yusuke as platonic life partners. Akira is polyamorous and omnisexual, Futaba’s asexual and aromantic while Yusuke is demisexual and very romantic, Makoto’s a lesbian, Ann and Ryuji are bi, and Haru’s pansexual, demisexual, and aromantic. They’re one giant band of queer Phantom Thieves, and even if they’re not really doing the Metaverse thing anymore, they’re still gonna save the world!

Also, I’m gonna make Makoto not a cop. That super didn’t age well. Zenkichi and his boss can work on making them better/abolishing them for other better organizations.

- Hades Game: ❤️‍🔥💀

Oneshot. I just really need to elaborate on the threesome you can have with them in-game, okay? Healthy and canon poly relationships are so few and far between, so often I have to do a ton of groundwork to explain why it’s working in the fic, but NOT WITH THESE KIDS!

Get ready for Meg helping Zag and Than be better at expressing their feelings, lots of kissing, and probably pegging.

- Castlevania Animation Trevor/Sypha/Alucard: 🧛🏰🛌

Castlevania gave Alucard a threesome last season, and I just really need S4 to give me him being taken care of by his partners. They’re probably not going to give it to me, so I’ll need to do it myself. This is just an everybody loves Alucard oneshot, with the gang’s signature banter (to an extent), Sypha being sexy, and Trever being remarkably sincere. This fic is gonna feel like that Ann Hathaway picture with Trevor kissing Alucard and Sypha holding the end of Trevor’s whip while she leans her head on Alucard’s shoulder adoringly.

- Devil May Cry Nico/Lady/Trish: 💋✨😈

Nico’s gay, okay? Like really, really gay. And Lady’s bi and not into men who make her pay bills, but very into women who make amazing guns for her and demonesses with hearts who fight by her side. Trish is ace, but loves people and is pretty attached to Lady at this point. Plus it’s cute when Lady blushes and says nice things like they’re insults. I don’t have super solid ideas for them yet, and I envision these more like a polycule where Lady’s with Nico and with Trish but they’re not with each other more than seeing it as a threesome, but who knows what might happen. This is probably 1-2 oneshots depending on ideas, but might turn into a series of oneshots if people are interested (or I can’t control myself and inspiration strikes).

- Post FMA:B Blind Roy & No Alchemy Ed: 👀👑🙏

This is actually an old novel-length fic I wrote ages ago and didn’t post that didn’t turn out well because I was new to writing sex when I first wrote it. The plot is good, and is all about Roy learning to work with his blindness to reclaim his ambition of being Fuhrer and changing the system to something that actually cares for its people. He and Ed reconnect, fall into bed, and both set about working through their respective traumas about being “useless” having lost their sight/alchemy. They go to Xing as an ambassadorial party to offer Amestris’s collaboration on Al and May’s Alkahestry experiments--and uncover a plot that might threaten both kingdoms.

- Age of Calamity continuity Mipha x Revali: 🦚🐟💘

The first time Revali noticed Mipha, it was in the heat of battle. She stole his mark, taking them down with a flurry of quick blows from her spear. Violence rained from her like water--and then she healed him on her way to her next battle. No questions, no conditions, just pure kindness. The usual need to measure himself against those around him was quiet in her wake. And Revali couldn’t understand it. But how to get to know more about her? A fish and bird may fall in love, but where would they live?

This fic could be a oneshot or novel length depending on how far down the hole I fall. I need it to cover time, but it could be done in linked vignettes or with actually covering events in detail. I may elect to do a oneshot just to get it done and out of my system faster. So much fic to write, so little time.

Expect trans!Revali, polyamorous Zoras, scary competent Mipha, songbird Revali, love confessions that are made up entirely of berating Link for not loving Mipha the way she wants him to, and breaking these characters a little outside of their assigned roles in BotW and Age of Calamity. Background Link x Zelda, and Urbosa x Zelda’s Mom.

- Epic desert romance about Urbosa and Zelda’s mom: 🏜🏝⚡

I just think Urbosa should kiss women and Zelda’s mom should get more development and maybe a name or something. Also, lightning imagery/metaphors/play.

It also went way over my head that Riju wasn’t Urbosa’s daughter the first time I played BotW, so now I want to write about the Gerudo queen who refused to produce an heir. The Gerudo are fascinating and have a very interesting cutlure, but I think it could be examined from a nonbinary perspective that rejected pregnancy and wanting to find a husband. Not in like a hateful way, but in a way that examines if that’s really right for everyone. There’s that shop in town that sells Voe armor, after all. Maybe finding a husband and having children isn’t something you have to do if you don’t want to. And Urbosa really doesn’t want to.

#sonic the hedgehog #Lupin III #persona 5 #Devil May Cry #Hades Game #Castlevania #fma #Breath of the Wild #age of calamity

3 notes · View notes

pluviophile-bookworm · 4 years

Text

AWAE 1x7 rewatch: thoughts and reactions

The time has come at last to rewatch the season 1 finale of Anne with an E. This one, as far as I can remember, was extraordinarily eventful, so we’re in for a long, bumpy ride. Let’s take off with no further rambling.

I like the parallel between the two simultaneous conversations in the cold open - the girls on one side, and Anne and... Moody of all people on the other. Funnily enough, both conversations are about Anne, and yet they’re so substantially different. Anne tells Moody about Christmas (or the lack thereof, to be painfully precise) at the orphanage, and at the other table Josie is gossiping about the Cuthberts being poor now. Of course, Anne is not deaf, and is certainly not immune to hearing nasty things about her family, so she calls Josie out on it.

“It’s only true, you’re poor.” Well, yes, but it’s not nice to state the truth in such a rude way. Josie is just being nasty. I know she gets at least a bit better at the very end of season 3, but this doesn’t excuse her behaviour right here and now. And fuelling Anne’s insecurity about whether the Cuthberts will keep her or not is just the cherry on top of her nasty sundae of gossiping and taunting.

Being a choir kid myself, I really enjoy the beginning of this performance of Angels We Have Heard On High, and I chuckle to myself at the funny reality of Moody being the token boy in the choir of girls. This is more common than one might imagine.

The beautiful song can’t be enjoyed for too long, though, as Anne almost has a panic attack and runs off in the middle of the chorus, and Diana, good friend that she is, follows her out.

I’m missing something here. What exactly happened to make the Cuthberts need a bank loan all of a sudden? I mean, the bank did show up at the end of last episode, but... what am I missing?

It’s heartwarming how Marilla is now more concerned about Anne’s future than anyone else’s. She’s a mother already. This is beautiful, even though it comes up amid a bad situation.

It is a rare occurrence that Matthew should raise his voice, and that makes it all the more effective at attracting the attention and making himself heard. But it’s kind of scary, too - you know, when the quiet person raises his voice, you know things are getting serious.

That was some ending to the cold open - believe me, with how bad the current reality is, I do not need Matthew collapsing to the ground. I mean, I know full well he will be fine, but it still makes my heart skip a couple beats.

There, Anne has raised the sensitive subject - and Marilla reassures her, just as Diana did earlier, that she’s a Cuthbert for life now. For richer or for poorer, in sickness and in health... ok, I’m turning into Anne here. This is not a marriage. But it’s a family, and they are going to get through this together.

This is one thing I like about Rachel Lynde - she can be a bit rude and insensitive at times, but she knows when it’s time to stop - for the most part, of course. But leave it to Marilla to let her pride turn away any offers of help, lest it should be perceived as charity. It’s ok to accept help, you know.

“We can’t keep Jerry on”. See, this is the difference between Anne and Jerry, at the moment at least. She is a part of the family, someone to be provided for and looked after; he is still not. As much as I hate saying it, he is a farmhand who gets paid to do a certain job and when they can no longer pay him, they need to lay him off. But that will change, of course, I know it well. And soon enough.

Anne’s willingness to give her beautiful puff-sleeved dress says quite a lot considering how long she had dreamed of such a dress and the fact that it is the only valuable object she possesses. It almost just breaks my heart to see her and Marilla let go of so much. But that’s just me, I get attached to objects easily and it hurts me to see even people in fiction give away or break or lose their possessions in any way. That’s an issue for me to resolve, not to discuss here.

Even though I know Marilla said they were going to lay Jerry off, the fact that he’s accompanying Anne to Charlottetown makes me think of something - this trip is exactly when their sibling-like bond was formed, and it’s extra special just for that reason. I have, of course, forgotten some (read: most) details, so it might be misinformed of me to assume, but I think after this journey Jerry would stay with the Cuthberts even if they can’t pay him anymore.

When Jerry tells Anne that it’s ok to ask for help sometimes - just what I said about Marilla’s pride earlier - it dawns on me how similar Anne and Marilla actually are, even if it isn’t shown very explicitly. They both refuse to admit they need help, and in fact stubbornly refuse it. Like mother, like daughter, even though they’ve been a family only for a short time.

If someone looked at Anne and Jerry right now, it wouldn’t be too far off to assume they are siblings - bickering, annoying each other partly-on-purpose... If anyone ever asks me to prove Jerry and Anne are honorary siblings, this trip to Charlottetown will be my supporting argument. This and the moment in season 3 where Jerry tells Anne about Diana.

Jerry singing cheerfully while Anne is all like “This is an Important Journey™” makes me think this boy will teach Anne not to take herself so seriously all the time. Considering their relationship in later seasons, I can say that, at least the way I see it, he actually did teach her that by showing her an almost parallel- universe perspective of what her life could have been like. I mean, they’re perfect foils, those two - both kids with difficult childhoods who have had to grow up too fast and work from a young age, but so different in every other aspect: Anne is an only child and an orphan, Jerry comes from a large family that is still united and happy despite their poverty; Anne gets to receive an education and strive towards larger goals, Jerry is denied this opportunity because he needs to help support his family; Anne ends up with the Cuthberts by mistake, a girl instead of the boy they wanted, but gets to stay and be raised as the daughter they could never have had; Jerry could have easily been the boy the Cuthberts originally asked for (and judging by Matthew’s comments in the last episode of season 3, he goes on to become exactly that), hired to help with their farm work. I could go on and on, but this is not what we’re here for. Either way, I just wanted to say how very glad I am that Moira took this one-mention character from the book and made him into his own character, a foil for Anne and an important agent in the story. Anyone who has been following me for a while will know how important Jerry is for me - and I didn’t even remember his book counterpart existed at all. But now, let’s get on with the episode.

Anne selling her “if-these-were-ordinary” items is sure to be interesting... I remember it being so, but not the particulars, It’s been a while. Let’s hear.

Ah, sure, Anne uses her talent for storytelling to sell every single thing so well. She could be an excellent saleswoman. Also, is this the brooch that got Anne chased out of Green Gables on her first day? That’s an important one.

I have to say all Cuthberts are lucky that Anne went on this trip alone with Jerry. Had Marilla been there, Anne would never have managed to pull all of this off.

“Everyone will be moved to generosity”, alright, but do you, Rachel, think Marilla will accept it? Charity, I mean. I don’t really think so.

What are these scoundrels doing to my precious Jerry? They almost just killed him for so little as they were able to take from him. Jerks.

Ah, and who should appear out of nowhere but Gilbert Blythe... I remember this next part being interesting.

I see Anne has realised she was insensitive about Gilbert’s father, and I see Gilbert is preparing to travel, just as his father wanted him to. This is nice. Meaningful. A more mature conversation than these two usually have.

Wait, are those two... the same odious creatures who beat up my poor Jerry... they’re... Nate and- Dunlop, was it? Those two who live at Green Gables in season 2, with the gold rush and all that. I remember now. It had escaped me when I was watching season 2 for the first time that their debut was actually here, in the season 1 finale. See, this is what rewatches are for. Also, those two are dirty miscreants and I hate them. Just wanted to get that one out of my system.

T-R-U-C-E - an important word for Shirbert at this stage. But what is with the sudden mention of Moody out of nowhere? This is almost like that time in the third season when they were discussing the Take Notice board and Anne was like “Ruby...”, and I was like *facepalm*. Hey, Moody and Ruby... I see now. Or is there anything to see here?

Maybe I’m overthinking it. Let’s move on now.

You know, I’ve always wondered why exactly Jerry reacted the way he did here... but now, thinking it over once again, I know why - he has just been beaten up and robbed in a ditch, how do you reckon he’s going to react when he sees Anne, whom he was specifically sent here to accompany and take care of (not that she needs to be taken care of, but she sure could use some help sometimes), talking to a guy he doesn’t know? For all he knew, something terrible might have been about to happen to her. I’m just impressed he was ready to throw down after what those... ugh, my vocabulary is failing me - did to him just minutes ago.

Poor thing, he won’t stop apologising even though he’s badly hurt. And of course he wouldn’t like the city after what happened to him. Who would.

I usually do not condone moment-wreckers, but this here was an awkward silence at best, and all Jerry did was break it - and make me smile in the process. And that makes up for everything.

Ruffians - that’s a good word, pretty much the one I was looking for a minute ago, thanks, Miss Josephine. That’s what they are, the wretched rogues... hey, my vocabulary of elegant insults is back. I hope I won’t need it much, though.

No, Matthew, I won’t have you talking like that either. What would some money be to Anne and Marilla if you are gone? No consolation, that’s for sure. See, this is one of very few reasons I’ve kind of made my peace with the show’s cancellation - that Matthew survived the whole show’s run safe and sound. And Ruby as well. But still, #renewannewithane

Yes, very well said, thank you, Marilla. Anne would never chose something material over Matthew.

Oh, this one - another moment of Anne and Jerry looking positively like siblings. And it’s golden, too. Poor dear Jerry can’t sleep in a bed of his own because, well, he’s never had one, so he crawls into Anne’s. My own little brother has only ever done something of the kind once and I will never forget that night. It was uncomfortable at first, since we, unlike Jerry, aren’t used to sharing a bed, but it was definitely lovely overall. This is beautiful.

Ah, of course, I’d forgotten this one - of course Aunt Jo fixes everything and will not take no for an answer. She pays for Jerry to keep on working at Green Gables - even though, remembering what those two... uh, hoodlums are going to keep doing to him in season 2, I might have preferred that he be away from there for a while. But then, you know, Anne couldn’t have taught him to read, and that’s important - both for him as a person and for the plot of season 3.

No, Matthew, what do you think you are doing? It was a bad idea - for my own sake - to watch this at night. As someone who has had suicidal thoughts for my own reasons, I know how Matthew feels, and I want him to stop feeling that way. But of course, I know things will work out. Eventually.

I see Anne has learnt a lesson about accepting help, accepting love. And she talks Marilla into it. This is good.

Of course, once again Anne’s rough childhood has given her a means to dealing with a situation. She’s selling her services now. And she’s happy to do it. And she’s realised that although they’re poor in money right now, they’re rich in something much more valuable now.

I’m not going to lie, Angels We Have Heard On High brought a tear or two to my eyes. Things are looking up.

Although, if they knew who the boarders really are, they wouldn’t have been so happy. Not at all. But that’s another story for another time.

Oh, they’re there already... things are about to... get interesting, to say the least. I can’t wait to get into season 2 soon.

To sum up this last episode of season 1: the Cuthberts are poor; Matthew is ill; Green Gables is at stake; Anne and Jerry take off for Charlottetown to do their part in trying to save it; the Cuthberts do not accept charity; valuable lessons about accepting help and love; Jerry takes a hit from two... boarders at Green Gables, is that what we call them now?; Anne and Gilbert spell T-R-U-C-E; Anne and Jerry become siblings; Aunt Jo saves the day; Matthew thinks about taking his own life, gets over it just in time; the Cuthberts are rich, though not in money; things are looking up, but thugs are in the house.

#awae #anne with an e #renew anne with an e #jnk watches awae #anne shirley cuthbert #gilbert blythe #diana barry #jerry baynard #ruby gillis #moody spurgeon #marilla cuthbert #matthew cuthbert #josephine barry #aunt josephine #aunt josephine barry #awae 1x7

21 notes · View notes

lceylee0826 · 3 years

Text

Animal Experience Station

Tells more about the research and development process of this project.

Project Description：

We inhabit the same world as animals, but humans all too often dominate their lives and impact their wellbeing immensely. Through daily observation as a city dweller, I noticed that there is far too much cruelty to animals surrounding us.

I hope that this project enables young urbal dwellers to experience the world of animals on a more intuitive level and through doing so create a new form of empathetic emotional bond with them. Whether one is the participant, or merely an onlooker, the project seeks to reduce the sense of 'otherness' that people often place on animals, as well as initiating re-consider the relation between human and animal, continuing a discourse within the field of non-anthropocentric design.

Process video https://youtu.be/tyBySdBgzs0

Inspiration：

I once saw chefs in restaurants making live octopus into dishes in front of diners and even let the diners ‘torture’ the live octopus and eat it. This restaurant in Shanghai is also very famous for this feature.

But this actually reminds me more of the performance death of animals.Humans and animals share this earth, but often treat them like this. :(

Due to this, I do some research on animal performance death in China. The truth is, this kind of news can be seen everywhere, such as hitting a sheep to death in front of diners, or eating live seafood live on a video app.

Though these news，I still remember that once I saw a live fish used as a video material in a shooting scene and was left and ‘tortured’ to death by people.

Also，I drew inspiration of two documentary. ‘Dominion’ By Chris Delforce

‘Racing Extinction’ By Louie Psihoyos

These two documentaries are very real about the harm that humans have caused to farmed animals and endangered animal. The ‘Racing Exhibition’ even predicted that ‘In the next 100 years, 50% of species will disappear. The biggest reason is because of human behavior.’

It leded me to think if we swap the position what will we feel? In that cases ,will we have a better understanding of them and emphasis with them？

In addition to second-hand research, I also conducted some first-hand research. I asked others if they would be able to empathize with animals, and the results showed that people are more inclined to empathize with pets or animals that are close in daily life (pigs/sheep). This instead reminds me of those wild animals, those animals that we rarely come into contact with.

Then，I went to Shanghai Wild Animal Zoo, where people can interact with wild animals and feed them. Now days a lot of urban residents will go here.

However， through observation, I found that as a urbal dwellers, I can only interact with these animals through cages and glass. This phenomenon gave me a deeper thinking about the relationship between urban residents and wild animals.

I also want to use this project to let people know the status of these animals.

Due to this thinking, I decide to do more research about the relationship between human and animal that I want to discuss.

Research

‘Tiger Penis Project’ By Kuang-Yi Ku

https://www.tigerpenisproject.com

I truly think this artist brought tradition Chinese views into the speculative design scene and proposed the use of emerging biotechnology to make artificial animal parts for traditional Chinese medicine. This new hybrid medicine combines Chinese and Western medicine with technology, prevents further destruction of animals and traditional culture, and provides more possibilities for the coexistence of human society and the natural environment.

‘I want delivery a dolphin’ By Ai Hasegawa

https://www.dezeen.com/2013/11/18/i-wanna-deliver-a-dolphin-synthetic-biology-concept-humans-giving-birth-to-food-by-ai-hasegawa/

‘This project approaches the problem of human reproduction in an age of overcrowding, overdevelopment and environmental crisis,’ Hasegawa said. "With potential food shortages and a population of nearly seven billion people, would a woman consider incubating and giving birth to an endangered species such as a shark, tuna or dolphin?"

This speculative and experimental design gives me a deeper thinking about the relationship between humans and animals. I also want to create a special experience to connect humans and animals. This is also about the field of non-anthropocentric design.

‘The School of Looking’ By Denis Connolly and Anne Cleary

http://www.connolly-cleary.com/Home/helmets.html

I was inspired by these artists, who mixed machine, human and animal experience together through a series of helmet designs, not only providing participant with an experience but also creating an interesting experience for on lookers.

Drawing upon this, I imagined a way of bringing people into the world of animals with a playful focus.

Through ‘Design events: on explorations of a nonanthropocentric framework in desig‘ By Li Jönsson, I found the helmet is a special form of speculative design，It's also a form of combining design and audience closer.

‘Song of the Machine’ By SuperfIux

https://superflux.in/index.php/work/song-of-the-machine/#

SuperfIux created a new type of retinal prosthesis, helping the blind to reconnect with the world. The device, in conjunction with an optogenetic retinal process, enables blind people to gain light sensitivity and therefore gain a field of vision.

My design proposal was influenced further through this work. I intend to design a wearable device that could alter our field of vision and create optical experiences which allow people to see the world through the eyes of animals.

‘Simulation is an important mechanism for empathy. Simulation is an ancient function of the human nervous system, which is of great significance in social life and individual development.’

From ‘Embodied simulation phenomena and neural mechanisms in empathy’, Chinese Journal of Clinical Psychology, Sun Yabin, Wang Jinyan, Luo Fei.

The above quote led me to consider whether simulation could be a design tool to connect humans and animals.

Additionally, a TED talk titled ‘How Virtual Reality Can Create the Ultimate Empathy Machine’ By Chris Milk made me reflect on the use of VR as a 'machine' to create simulation and change people's perspectives.

https://www.ted.com/talks/chris_milk_how_virtual_reality_can_create_the_ultimate_empathy_machine

Sorry for the unclear picture quality:(((((

Through this research, I decided to create a simulation visual experience for my audience to help them observe the world of animals and create a connection, with the aim of generating a deeper sense of empathy among humans for the lives on animals.

Though 134 questionnaires, I discovered that people were intensely interested in entering the world of animals. Also，after screening my survey results, I decided on the octopus, eagle, and snake as the animals I wanted to simulate the field of vision of, not only because people are curious about their vision, but also because these three animals represent the species that often be hunted from the ocean, land and the sky.

In addition，these three animals are also suffering some harm caused by humans. For example, in China we will regard snakes as important and drink liquor that made by snake. We do eat octopus raw and treat it as a pleasure. We did have some news about eagles being hunted and killed and they are on the verge of extinction.

‘RGB’ By Carnovsky

https://www.carnovsky.com/RGB.htm

The designer allows visitors to see different graphics through different colors of lighting, thus creating a visual space with a strong sense of experience.The space and the lighting have enhanced the experience.It also led me to think that use different color to change the audience visual experience.

Concept

Through all the research, I have finalized my concept. I am going to build a experience station that contain a series of wearable devices and enviroment to simulate the animal experience. Aiming to allow young urban residents to re-consider the relationship between human and animal, and pay attention to the current state of animals, finally empathize with them through a mixed experience.

Process of Helmets

The octopus can change the shape of its pupil to receive different colors of light.Theoretical source: https://octolab.tv/octopus- vision/

In the beginning, I did not deliberately decide on the shape of the helmet. I pay more attention to how to realize the conversion of visual functions, and I hope I can improve it later.

I even want people to simulate the living conditions of these animals before wearing my helmet, but later I hope that people will wear helmets to communicate and walk in this city in an playful way，I think the project seeks to reduce the sense of 'otherness' that people often place on animals, as well as initiating re-consider the relation between human and animal.

Lenses material：The lens is laser cut and spray-painted on the basis of colored acrylic to simulate the shape and color of the octopus pupil.

The angle of view of the eagle can focus and magnify a very small object with a light red color. Theoretical source:’Vision In Birds’ By Graham R Martin and Daniel Osorio

I tested the effects of magnifying glasses with different magnifications, and I finally chose a 15x magnifying glass, which does not make people feel dizzy but has a magnifying effect.

Lenses material: magnifying glass and translucent paper.

Snakes have very weak eyesight, but they can simulate images through heat sensing and through sensitive other senses.Theoretical source: ‘The Infrared ’Vision’ of Snakes’ By Eric A. Newman and Peter Hartline

Lenses material：At the beginning, I used simple graphics to experience the effects of VR, and the colors were generated according to the visual effects of thermal induction. Finally there will be a dynamic image of a snake in the VR glasses.

User Feedback

I tested these three helmets and got feedback from users and observers.

From the observers point of view, these helmets lack the feeling of three animals, and I need to add some texture and color to them.

From the user’s point of view, the helmet should be more ergonomic, and the use of lenses and helmets will not give people a sufficient sense of experience.

Because the visual effects of these three animals are quite special, I need some other products or environments to watch them in order to provide a better experience. Finally, I decided to make a series of posters.

Process of Poster and Logo

When designing the posters, I used the three primary colors of light (Red/Green/Blue) as the basis and designed patterns based on the visual characteristics of the three animals.

I also left short words on the poster in the form of a diary. For example, when visitors wear the octopus helmet, they can see different words by changing different lenses.

When visitors wear the eagle helmet, they need to use a magnifying glass to see the smaller words.

The snake poster itself has no information. But when visitors put on the snake's helmet, they can see a dynamic video with VR

Video link:https://youtu.be/tBUssmG6YjA

My helmet is mainly based on visual functions and has a role of changing perspectives. So the logo is based on the elements of ’eye’ and ’transition’.

I do some sketches and confirmed the final effect of logo

Second Prototype

Since the materials used in the previous helmet were not stiff enough, I remade it with corrugated paper.

Due to the limitation of the material, I used a better colored spray paint to decorate the helmet, but the finished product was not refined enough, so this became the second model. I pair these prototypes with posters to test the user experience, which will help me when I make the final outcome.

Process of final outcome

I re-adjusted the structure and decoration, using the three primary colors to redesign the color and pattern of the helmet. The pattern is processed in the simplest way according to the lines on the animal body, and the final outcome is performed by laser cutting.

Experience Space, September 5, 2020, Shanghai

You Can See More In Process Video, THX!

User feedback:

1. The helmet is not easy for the user to wear with its current structure, so it needs to be considered more. 2. It would be interesting to get people to interact with each other when they have a helmet on, and it could be good to develop this into a performance and walk out onto the street to get more feedback. 3. More interactive devices can be designed, not just visuals, but other senses could also be incorporated. Currently, the experience of the animal is not strong enough.

Self-refIection:

1. The experience space could be set outdoors, allowing the audience to experience the animals' preferred habitats. 2. AR/VR and other technologies can be used to enhance the visual experience of different animals. So as to give the experiencer a more real experience. 3. Considering the scope and effect of communication, a visual branding system can be designed to integrate the helmet with the packaging and website.

Bibliography:

1. ’The Elements of User Experience: User-Centered Design for the Web and Beyond’ By Garrett, J. 2. ’The VR Book: Human-Centered Design for Virtual Reality’ By Jerald, J 3. ’Cities, Semantics & Approaches to ‘WILD’ By Amartya Deb 4. ’Games As Speculative Design:Allowing Players To Consider Alternate Presents And Plausible Futures’ By Paul Coulton

1 note · View note

storywriting · 4 years

Text

Anemone, An Enemy, Anemone, An Enemy Anemone, Anne, Nemo, and Another Me

[ So.......Anemone huh? Here’s some loose thoughts after a first viewing, including my takes of H1-Evo #1 and how my opinion has evolved now that this film is in the mix. I’ve seen it through with the JP audio exactly one time and I do wonder if my opinion on this film will change at all on a second viewing or when I get around to the dub. It’s less about plot details and more about review and general discussion type stuff, doesn’t delve heavy into theorizing just yet. That’s a trip for a different post. Cut because long as fuck even though literally nobody asked. ]

Hi Evolution #1, starring our main man Renton “Only a Miniscule Few Braincells Above Himbo” Thurston, hit me in weird ways which I think is true for most everybody I’ve seen talking about it. Part of my problem with it honestly was that I came into things with the misconception that Hi-Evolution would be a reboot of sorts. A somewhat faithful retelling of the original story with new insight into things we didn’t get to see much of. I don’t know why this is the impression I had other than screencaps and stuff, but if you only watch the first Hi Evo movie you definitely could continue to think that once it’s over. When I thought it would be an encapsulation of the original series, I had intended to use the film to introduce @himbologythestudyofhimbo to the story. She has long known it to be one one of my most favorite anime franchises and I thought a film would be a good way to gauge whether she might find it interesting enough to hit 50 episodes with me.

Ha. Haha. That didn’t work.

I hadn’t seen Hi-Evo when I was like “hey wanna watch this?” so that’s my own fault. I had seen screenshots and thought it looked gorgeous, but that was about it. I was imagining something akin to the Berserk trilogy of movies, mostly faithful to the original story with some new tidbits of information thrown in for old fans.

And again, you could be forgiven for seeing the first Hi-Evo movie and still thinking that’s what you’re in for. It is mostly compliant to the original canon and the parts that aren’t compliant are pretty wishy washy about saying so. Unfortunately what I found out really quickly is that that it’s not at all a good entry point for new fans, and that really disappointed me. I’ve been hoping for years for something to get more young blood in this fandom, BUT ANYWAY--

The whole play forward/play back thing really hinders the flow of the film, as much as I understand the point of it, especially with the Anemone film for more context. Skipping around the timeline harms new viewers in particular. It’s challenging to understand the timeline and flow of events because everything is presented out of order and without context. Sure, the first Hi-Evolution covers a ton of major story beats surrounding Renton’s personal development, but the non-chronological presentation coupled with the utter lack of lead up to key moments from the original series robs this movie of carrying any emotional weight. Who is Renton? What’s the deal with him and wheelchair girl? Are these people his parents or not? Why do we care about this Eureka girl who has been on screen in Renton’s presence for a cumulative 30 seconds. Wait a minute what’s this ship? Where did he leave from again? I thought he had a home and parents? Who are these people and why do I care?

Put bluntly this movie sucks if you can’t answer these questions going in, and even if you can you may feel a bit cheated by it. As much as I feel the need to talk about how the film is inaccessible for new fans, these films clearly are not for new fans. They function to remind you of events of the original story and then play off of those events with the new content. Even as an established fan, Hi-Evo #1 feels very watered down on its own, but it’s not on its own anymore is it? So let’s finally talk about Anemone.

What becomes clear about these movies is that they are not divided by chronology, but by character. The first movie was about Renton which is why we saw so so little of everybody else even when that robbed the story of needed context and worked to the story’s detriment. I’m telling myself the reason titular character Eureka was not on screen demonstrating her relationship to the world and to Renton despite it most likely being a central element is because they shoved her scenes into Hi-Evolution 3: Eureka, which will not be released for another year or so.

I do feel a bit more forgiving toward these movies now that I understand the format they’re going for, but I think most of my previous criticisms still stand despite that. The character focused presentation may be a deliberate creative decision, but that doesn’t make it an ideal storytelling mechanism. THAT SAID, while a character centric format really harms well developed characters like Renton, it does loads and loads of good for a character like Anemone whose screen time was always hindered by her role as accessory to Renton and Eureka’s story. We don’t get that constant stream of unfiltered perspective from her or really any secondary character, so it’s very interesting to see the world filtered purely through her eyes. I honestly found myself significantly more interested in all the new Anemone content than I ever could have been over watered-down, abbreviated rehashing of Renton’s character arc. I’m much more excited for the last film than I was with just the context of the first Hi-Evolution movie.

Speaking of which, very early on in the Anemone film, the viewer is clued into the fact that this is most certainly AU content, something that was less clear about the first movie. Eureka Seven as a franchise has really been in the 24/7 AU zone for like 10 years, which I think is cool but I also find a little disappointing. I like AU content well enough, but I also think they had a rich world already in the original series and I feel like there are a few more rich veins to explore further in the original world without necessarily needing to wrap it up in a convoluted alternate universe. Not to say I’m against like the AU stuff or anything, I’m okay with it existing, I just want a little more variety in the stuff that’s coming out. Keep up with the AU stuff if you guys wanna but I wouldn’t say no to more backstory and lore, you know? If they’re gonna pander to old fans instead of attracting new ones, they may as well hit me where it hurts. But I digress. Hi Evolution#2: Anemone’s AUness is pretty central to the story it wants to tell, so it has my full attention there.

Alternate universe characterization is something I’ve had both complaints and praise for in the past, and I’m happy to say that in the case of Anemone I have mostly praise. It’s nice to get a glimpse of an Anemone who isn’t like....as unhinged as her original incarnation. She’s well adjusted comparably, which makes her a decently reliable narrator. While she loses some of the edge that people are drawn to about her, she maintains most of the underlying personality traits you would expect of even the earliest incarnation of Anemone. This is an Anemone who had the opportunity to be socialized. You can relate to her and appreciate her feelings more easily than the Anemone viewers are most familiar with. This is an Anemone with hardships, but she hasn’t been pushed to the same extremes as her PoP counterpart. Likely due to the pretty direct narration and background, there’s also a lot more substance to her than PFoR Anemone in my opinion. It’s not really a chore to like her and take interest in her. She feels very natural in most instances. She’s a real breath of fresh air for fans who love Anemone and wanted to see her living with a healthier mindset and some better outcomes. Good on you, Anemone. Four for you, Anemone.

Most of the other characters--Dominic, the scientists, background people, Anemone’s father, new crew members, etc--are all about what you’d expect from either their previous incarnations or the archetypes they’re filling. None of the new characters or secondary characters are particularly developed, but I don’t really consider that a huge fault of it. I wouldn’t expect a 2 hour movie to meander the way a 50 episode anime can, but in times like this when I am with very few developed characters, I am forcefully reminded of what an asset and a strength the original’s depth and breadth of character writing is.

And then there’s Eureka. I expect her to be polarizing in the reviews, assuming at least some people didn’t straight up hate her in it. Everybody may have just hated it, idk.

As I said earlier alternate universe characterization is something I’ve had both complaints and praise for in the past, often both at the same time. What often comes about is characterization that I don’t necessarily like, but because the character has lived a different life I can’t really say that characterization is wrong. I feel that pull in this film quite a bit. Wrathful Eureka is boring to me. Conceptually, it just is. But does that make it bad?

Man, idk, I guess not. I didn’t like it, but I’ll defend it to a degree. In the original story Eureka was born into violence and conditioned to perpetuate violence early in life. The original Eureka Seven has a dense messaging about propaganda and information and the ways in which society conditions people of all kinds. Eureka is a docile character in the original but more and more as we learn about her, we realize that this tendency toward gentleness isn’t just a cutesy character trait of hers. It’s a choice that she’s making on a daily basis, even when more forceful options would be easier or make more sense to her. It’s a choice that has come about from a collection of experiences. Eureka becomes pacifistic because she develops her own ideals about the world. She comes to conclusions about what things make her a good or bad person and she makes the decision to be the person she wants to be. There’s weight to it. That’s something that always really drawn me to her as a character. It’s very easy to blow up in the face of something horrible. It’s much harder to keep a cool head and exercise mercy. I just don’t find the Eureka of this world all that compelling.

That said, I don’t necessarily think this read of her is wrong or even impossible. In fact, I think if this read had 50 episodes of development and justification behind it, I might even come to appreciate it. Certainly if anything could drive her to this, it would be losing Renton, so it’s not exactly out of left field for the character given the circumstances she’s in. I feel somewhat similarly about PFoR Eureka. Only somewhat. Eureka in general is a character who would probably be much more in touch with her anger if she had been raised any other way than she was. Even in the original series Eureka has a passive aggressive streak. She’s probably very fortunate that more productive methods of expressing her feelings were accessible to her before any natural tendency toward aggression was. Angrier more volatile reads of Eureka aren’t wrong or even uninteresting necessarily, but to me a lot of her charm is wrapped up in the reasons she works so hard not to be that type of character.

I also think that subversion and role reversal can be an interesting in AU stuff, so I don’t really fault them for using it here. In contrast to our typical unhinged Anemone, Eureka gets to be the one teetering on the edge so that Anemone can shine and show a little more humanity than she typically gets to. I think that’s honestly okay. I want to see Anemone have her day to be the hero. That’s something I’m okay with sacrificing a little of my preferred characterization for. I see a lot of value in a portrayal that allowed Eureka and Anemone to bond and more directly learn together. I think a lot of fans, myself included, wonder about a reality where Eureka and Anemone could have been sources of support for one another rather than pitted against one another.

That isn’t to say that I’m automatically okay with chopping up the writing in arbitrary ways, though. The thing about the reversals and subversions in Hi-Evo #2 is that they’re consistent. Compare to something like Pocketful of Rainbows and you’ll see what I mean. In that movie Renton, for some unclear reason, is the one who can understand Nirvash even though that writing decision doesn’t really serve the story in any meaningful way because Eureka is still the one who isn’t human and still is wanted by the military for....being whatever unclear thing she is in that film. Renton is no longer childish and is in fact the patient one in the story while Eureka is the one with a stubborn attitude and defined temper. Renton is made out to be more of a coward so that he has something to grow from, except for all the many many times he isn’t cowardly pretty much immediately, and the only flimsy defense of this concept that is that he was afraid of adults with guns when he was a literal child. Meanwhile, Eureka in this film is a much more brash character than we’re used to. Unlike Original Eureka, this one doesn’t want to be led or take orders anymore. She’s a loose canon who takes matters into her own hands except for all the times she cries for Renton to save her both before and after she’s teetering on her own Independence Event Horizon. There are a lot of creative decisions in that film that just plain don’t make sense to me because the writing doesn’t commit to them at all and tends to flounder around between them. I could barely make it through that film because I felt like it was contradicting itself every 5 minutes. It feels less like a new exploration of old characters and more like a bunch of ideas the writing team couldn’t agree on and slapped together anyway. If it wasn’t unclear, I don’t like Pocketful of Rainbows very much.

By contrast, any subversions or reversals in Hi-Evolution 2 fell earned enough. The writing choices are for the most part played straight and well justified. The choices are interesting. Unlike literally anything about the lore of Pocketful of Rainbows, I want to know more about Hi-Evolution. I want to understand what Anemone’s mission is and about Silver Box. I want to know why Dewey is so different from the Dewey I know. As much as I complained about Eureka’s characterization, the portrayal is decently justified by the writing. Eureka believes she killed Renton and seems to be privy to other realities where she turned out much happier. She has good enough reasons to be bitter in this iteration.

This film has honestly made me way more forgiving of Hi-Evo #1 and given me a lot of reason to take interest in what the last film might be. I’m going to reserve any big overarching judgement until that comes out in 6000 years, but I’m getting the sense that it might be New Order adjacent, in that Renton and Eureka will have to find one another and possibly revisit places that will be nostalgic for fans.I wouldn’t complain if this becomes the flagship verse wherein Eureka and Anemone form a meaningful friendship because they’ve been denied that opportunity in basically every other telling that exists so far.

Also big thank god the last film will be hand drawn because, I hate to be that guy but the GC looked like shitgarbage. I’ve become very forgiving of CG and Mocap recently but I just really disliked it in this film. Animation is a medium I know a lot about, I know compositing is a tricky job, I respect the work put into it, but...oof. I do wonder if that was a stylistic choice or more of an “oh shit the budget is disappearing” choice.

My final word on Eureka Seven Hi Evolution #2 is that....I didn’t hate it. I didn’t love it either but I had a nice enough time watching it. I’m realizing I’m having trouble landing in one particular spot on Hi Evolution #2 because I expect the next film will effect how I judge this one in the same way that this film has affected how I judged the first one. If you’re an Eureka Seven fan who is on the fence about the Hi-Evolution trilogy, I’d say give it a watch. You’ll still love your favorite characters even if they’re a little different than you’d hoped. If you’re still feeling iffy maybe wait a year until the last one comes out and binge them all at once. I suspect the experience might be improved that way. Definitely don’t go in expecting the story you already know, though. Doing that set me up for failure here.

Honorable mention for the fansubber who kept translating 勘 as very rude words describing the penis for some reason? That really enhanced my experience.

#;Eureka Seven Commentary #long post #please tumblr mobile load the cut don't hurt these people #∘⡊ ☾ ˚⊹To Be Continued⊹ — 「 OOC 」#;Hi Evolution Commentary #Hi Evolution Spoilers

4 notes · View notes

thecoroutfitters · 5 years

Link

Written by R. Ann Parris on The Prepper Journal.

Many aspects of the Modern Minuteman toolbox apply to preparedness in general, however personal and small-scale or widespread and earth shaking our pet disasters may be. As with overall preparedness, our exact situation and our expectations of disaster scenarios affects what we prioritize for our finite time and attention.

Last time, I concentrated on an “early/now” frame for prioritizing a handful of commonly recommended skills. This time, I’m actually taking the “at all” perspective, be it amped-up community watches, riot control, or some NWO-EROL situation we’re gearing up to oppose.

As always, opposing opinions are welcome. The more perspectives available, the better everyone is able to make their own decisions.

Gauge Community Climate

Absolutely and emphatically, yes.

Heaven help me, I recently found myself agreeing with Nancy Pelosi. A group of students approached her in her office to express their displeasure in her lack of support for an AOC environmental bill. Her reply was essentially that stupid to waste time on something with absolutely zero chance of passing.

That was a fair enough point on its own, and speaks directly to taking the pulse of a population.

Even more so was a nugget that made fewer news sites in the following days: The belief that trying to push too-extreme an agenda – however much she personally might agree with it – was worse than doing nothing at all. It would only further ruffle feathers, making things harder to achieve the next time around.

I’m no more fan of politicians than the next, but the ability to accurately predict and read the masses is something that we do need to be aware of if we have any interest whatsoever in being a citizen soldier.

What the community will stand and what they won’t is the bedrock of insurgency and resistance movements.

What they will and won’t stand in good times, versus crux moments and tragedy, historically makes or breaks those movements, as well as the hold over a community by a commanding force – whether that’s a large, visible government with policing agents and military, or the behind-the-scenes types large and small.

It applies to anticipating and either preventing or responding to something like a riot or demonstration, as well as guerrilla actions against occupations and undermining strongholds of loyalists for either/any faction.

Large scale, long-term or single-event short-term, we have to be able to gauge the mood of the mob and the climate of our communities, and our reactions have to come from a complete tool set – not just picking today’s hammer.

If we can’t, our chances of success are downright nil.

Denial & Disruption

Most emphatically, yes.

Riot control on sidewalks or countering the jackboot takeover, we want to be able to deny our enemy intel and assets, and disrupt their way of doing business (and ability to relax).

That can take all sorts of forms – and has, throughout history.

Interdiction and harassment take so many forms, it really rates its own set of articles even to nutshell the tactics and techniques employed by insurgency and resistance in guerrilla operations, community and large-force counters to guerilla operations, and even law enforcement and IT deterrents large and small, and internal policing by law enforcement and militaries and even lowly little small-business operations, as well as force-on-force operations from pre-tech eras to modern times.

On the larger scales, it involves all sorts of supply and travel disruptions, misinformation/counter-intel, harassing fire, false flags, etc.

Many of those can also be applied on the smallest of scales – even interpersonal conflict and self-defense situations – employing different techniques to the same theories, or adapting techniques to fit conditions.

Again, though, we really want to mind the effects on and reactions of our internal and closest-ties allies (family, coworkers, partners), the near neighbors, and the community at large, as well as our opposition and the reactions of their varying rings of influence.

Wilderness & Military Camp Setup

Yes, absolutely – anywhere.

Site development and placement of elements – modern or long past – have a lot of aspects that apply to preparedness in general, even “just” getting through a hurricane and “just” setting up our homes for everyday functional efficiency and security.

The same aspects keep them relevant to a modern minuteman intending to defend storefronts or residential communities from riots as well as the prepper who anticipates infantry-like service defending freedom.

Positioning for ready communication, rapid responses, protection of key elements, LOS, external observation points, latrines/sanitation, deployment outside the wire and-or green zones, individual safety and incoming-fire cover, fire safety, supply distribution, and awareness of known effective ranges by position and armament all factor in.

They apply equally to both the able-bodied foot soldier and to the physically limited watchman or rear-echelon non-combatant, whatever the situation, however big or small the location.

*Think that one through, and consider our daily nothing-wrong lifestyles – It really does resonate everywhere, from where our smoke detectors and fire extinguishers are, to aggravations or eases when we grocery shop, bathe dogs, do laundry, file and maintain paperwork, coordinate with family and coworkers, get to and from our chores and recreations, etc. We don’t have to be totally paranoid or OCD to start seeing typical trends in non-prepper, non-minuteman sources for safety/protection and efficiency.

Camo & Concealment

Meh.

Really, it’s situationally dependent.

For most of the scenarios we can list off, from protecting our corner of Baltimore or Koreatown to taking our turn as the insurgents – or countering them, or splinter cells of a larger force – unless you’re a sniper operating from the woods, mostly, “meh” leaning “well, nah”.

Flip side: Oh hell yeah, because camo and concealment isn’t always green and tan splotches of paint or fabric.

Camo and concealment is a suit or slacks and a briefcase in a courthouse, yoga pants and a light bag at the park, a “normal” passenger vehicle instead of an off-road rock-climbing mudder or Humvee on the average street, high-vis vests with dirty pants on a road crew with their bucket or tool box/bag, and scuffed up boots on a farm hand.

That camo and concealment extends to mixing up travel patterns to avoid breaking foliage and creating “deer trails”, being able to slip out of a location without observation, and presenting the appearance of following habitual movements and activities while deviating from the norm.

It’s also developing the control to watch our mouths and non-verbals rather than fight every battle that comes our way and picking every hill as our hill to die on. (Return to Nancy Pelosi above to make that an even uglier pill to swallow.)

And, yeah, in a few situations, it’s being able to become a rock on the hill or another tuft of brush, but unless we’re evading birds or sniper hunters, mostly breaking up our outlines isn’t too hard and doesn’t always require paint or cammies.

Hand-to-Hand Combat

Yes and no.

Don’t get me wrong. Self-defense capabilities are great to have, period. It’s not like this world has ever been totally safe, or like it’s getting any crazier.

However you want to apply it, keep in mind how often we see 2-5 cops or foreign militias trying to wrestle a bad guy into cuffs or move them after arrest, and weigh how much training and daily practice they get, versus our ability to invest time and money into training.

Our expectations of the bad guy we’ll be encountering, and how we’re deploying also factor in pretty hugely.

If we’re countering a significant force, whether it’s widespread jackboots and organized invaders or forces that have the benefit of protective gear, our chances of success are much lower.

Similarly, our chances against servicemen from one of the nations that focus significant continuing training time on some pretty gnarly martial arts, knife work, and batons … not so hot.

There are exploits for hand-to-hand combat even against somebody wearing body armor groin to neck, face shields and helmets, and knee pads. We just have to be realistic about whether we’re going to personally stand a chance with our available investment capabilities, or if we want to focus instead on something else.

Learn some basics that fit your physical condition for everyday encounters, but don’t break the bank on this one.

Instead, for minuteman purposes develop awareness, de-escalation, and evasion skills as well as Gray Man presentation.

Also work reflex drills, ankle-knee lateral and start-stop strength (or chair skills), and balance exercises – especially for people who are limited in some way by age, injury, or genetic luck of the draw.

Urban or rural, footing can be iffy. The better able we are to compensate for shifting terrain, curbs, bumps, and slips, and the better able we are to change direction on a dime, the better chance we stand of staying in the fight, whatever the scenario we imagine.

Modern Minuteman Skillsets

Most likely, the term “Modern Minuteman” brings a certain image to our heads. And, most likely, any 2-20 of us would describe very different images – particularly as the most likely and most common potential for a modern minuteman to deploy.

Because we have very different situations and needs, with very different scenarios in mind and very different capabilities due to our physical shape and local environment, the skills we are most likely to need are going to vary.

Some, though, are pretty universal. We can sometimes assign a value across the board, regardless of situation or scenario.

With any luck, somebody disagrees with these, or the matrix I apply at large, and presents points for discussion.

If not and until then, go find somebody who thinks “bah, PC community-pulse nonsense” or “moron, every soldier should fight with sticks”. Weigh the argument presented for those situations, and decide what does actually make sense for you. It’s only having multiple perspectives that really lets us prioritize, whether we’re picking out groceries or putting together our minuteman to-do list.

Be sure to check out The Prepper Journal Store and follow The Prepper Journal on Facebook!

The post Modern Minuteman – Yes-No-Maybe Skillsets Vol. 2 appeared first on The Prepper Journal.

from The Prepper Journal Don't forget to visit the store and pick up some gear at The COR Outfitters. How prepared are you for emergencies? #SurvivalFirestarter #SurvivalBugOutBackpack #PrepperSurvivalPack #SHTFGear #SHTFBag

#SHTF #TEOTWAWKI #MARTIALLAW #BUGOUT #PREPPERBAG #USAF #USSOCOM #ARMY #NAVY #SurvivalFirestarter #Sur

8 notes · View notes

it-will-not-last-the-night · 5 years

Text

Blegh

In terms of Persona 5 I’d been riding high mostly since P5D. I’d been positive mostly over it because P5D and fan-generated content had been lovely overall and really engaging and enjoyable. It had helped me forget that the main game itself seriously does upset me at times and I have a less than ideal opinion of it.

*Sigh*

Now I’m starting to feel like that again. Both announcements of today have left brought back to mind some of my biggest problems with Persona 5 and the way Atlus writes in general. What are they? A bit of a lesson then in me;

For myself there are three events in Persona 5 that I really REALLY just consider outright despicable. In no order they are; 1) Two homosexual adult males being negatively stereotyped as child molesters targeting Ryuji 2) Ryuji’s friends responding to one of the greatest acts of selflessness in the entire story by physically abusing Ryuji and 3) The Valentine’s Day event making Canon that Akira/Ren is horrible, Sojiro is horrible and that Atlus thinks all the girls are vapid idiots.

‘Magical Valentine’ raises an issue I’ve always had but makes it even more forceful. You see in the game the Valentine’s Event is only ‘optionally’ canon. You can play a canonical run-through and not have it occur. So you can, legitimately, without needing headcanon or fanon, just have your own canon playthrough in which the girls are not vapid idiots. The anime however, now, makes it that, for the Animation, it is canon that Akira/Ren is an awful person and that the girls are vapid idiots. Oh and that Sojiro is just literally the worst like...like he is scum in this event. As bas as Akira/Ren is (and he’s bad in this version!) the bigger problem I think a LOT of people forget about the Valentine’s Harem Route is that it literally casts Sojiro as a Guardian of Futaba who would lie to conceal her boyfriend’s infidelities...even when said infidelities LITERALLY CAUSE FUTABA TO CRY!

So the animation is now making it canon that; 1) Akira/Ren sees no reason he has to be honest or forthright with any females in his life 2) Sojiro holds such low regard for his daughter he will aide Akira/Ren in an ongoing deception and emotional manipulation of her RIGHT AFTER SHE OVERCAME A SUICIDAL PHASE OF HER LIFE and 3) That Ann, Makoto, Futaba, Haru, Takemi, Kawakami, Ohya, Hifumi and Chihaya all fall in love with the exact same person and are literally when confronted with incontervertible evidence of his infedilities not only tricked into instantly accepting that them all bringing him chocolate on Valentine’s Day was a ‘misunderstanding’ but, in the case of the Phantom Thieves members, this has so little impact on them that mere days later they have no reaction.

AKA the ending Valentine’s Harem Route basically says: “Akira/Ren successfully cheated on all the girls in his life, and is free to continue to do so since they are so stupid that they could be convinced to assume it was a ‘misunderstanding’ even under the most blatantly false of pretext,” the ending basically gives carte blanche to say that Akira/Ren will probably keep cheating on the women in his life because, well, they’re so stupid that even if they all end up right in front of him, confessing their love for him to each other’s faces...they somehow think this was a ‘misunderstanding’?

That’s gonna be canon now for the animation. Not ‘optional’ canon, just...just outright canon. Literally everything in the Canon is soured now. Did you like Ren’s bond with Ann in the foregoing episodes? Well bad news; Ren literally is willing to commit to an intimate relationship with her and then emotionally cheat on her with several different women at once. Did you like how Ren played a pivotal role in building Futaba’s character and helping her grow out of her emotional turmoil? Well sucks for you cause Ren is literally willing to lie to this girl’s face and tell her he loves her whilst carrying on behind her back with numerous other women.

It sort of goes without saying that this kinda wrecks P5A completely since, canonically, Akira/Ren is now just an irredeemable asshole and the female characters are reduced to stock harem-style idiot love interests with basically 0 individuality because everyone has to love the Protagonist (self-insert!).

But when you think about it even in the original game...this was a problem. Sure you could choose not to do it...but you could also choose to do it. This means, technically, as far as Atlus’ writing is concerned, canonically Akira/Ren has it in him to be a complete asshole with no respect for women or his friends...and the females in the game are all vapid idiots. That’s technically canon since that’s required for the Valentine’s Route to work.

Oh, also, that Sojiro is the worst. The worst.

The Valentine’s Harem Event, like the Ryuji abusing event post Shido’s Palace. does irrevocable damage to the characters and the content itself, kinda ruining it since for it to be canon...well it means the characters are terrible people or stupid. Why I sort of have to choose to ignore them to actually like the story.

Of course what does all this writing have in common? It’s a JOKE! Haha! Ryuji’s being abused, isn’t this funny? Haha! The girls are all vapid idiots and Joker’s such a chick magnet they have no varying tastes in partner at all! Haha! Gay men want to force Ryuji to undress for them!

Isn’t this funny? I mean, no, of course not. In almost all these cases the ‘humour’ is...someone suffering. A common retort I then see is; it’s not canon, its just for a joke.

But the problem is it is, all, strictly canon. I could definitely understand if these things were packaged as clear ‘not canon’ events.

Here’s an example; the Blazblue game series has ‘joke’ endings which are explicitly not canon but usually feature bizarre or ‘funny’ scenes. One of said scenes is a reoccuring bit in which the protagonist Ragna is made to wear glasses that causes the female cast to all fall in love with him. Putting aside the fact for the moment that, to me, this still isn’t funny since its treating the Mind Rape of the entire female cast as a ‘joke’ the fact remains that it is, however, not canon. The creators make sure that nothing that happens here technically infringes on or diminished the canon character content by making it explicitly non-canon.

Persona 5, both the game and now the Animation, take no such efforts. There are no efforts to make clear that Ryuji being beaten up is a ‘comedic non-canon overreaction’ or that Akira/Ren being a womanizing prick and Sojiro being the WORST are just ‘comedic non-canon skits’ all these are played as explicitly, irrefutably, canon. That is how the characters are, as far as Atlus is concerned. That is their opinions, their beliefs etc.

Is it weird that P5 Dancing has the best, most wholesome, most healthy characterization of the entire Persona 5 Franchise? I suppose maybe the mangas are good to, I must admit I’ve never read any of them since from what I can tell Ryuji is basically ignored in all of them in favour of focus on the girls.

Atlus has a writing problem and that problem is centered I fear on a simple fact; the protagonist is a self-insert who is assumed to be a self-insert for a very specific formula; a young male who sees female characters as things he wishes to collect for himself and wants to feel adored by. Almost all of the major writing problems stem from this; Girls seem exploited or turned into vapid haremettes? Well, obviously, gotta appeal to that ‘chick magnet’ fantasy. Homosexuality is cast as negative or frightning? Well, obviously, the fantasy being appealed to is explicitly heterosexual in nature, everything else is ‘icky’. Other males seem to constantly be the butt of a joke or consistently shown up compared to the protagonist? Naturally since the fantasy is about making the player feel like ‘the man’ and all other men are simply lame by comparison so that the girls will only love the protagonist (the self-insert).

What really bums me out about all of this is that Atlus can write such amazing scenes as Ryuji’s ‘the place I belong is next to you,’ but then in that same game or anime have the Valentine’s Event and the Ship scene. I imagine in part this is due to it being a game first, story second, so they feel there are ‘beats’ that need to be there (the loser must be made fun of, the protagonist must get all the girls) even if, from a storyboarding point of view...it just makes the characters look A) Very inconsistent in personality and attitude (Ren’s infamous standing up for a stranger being assaulted but then instantly refusing to step in to help Ryuji in Shinjuku) or B) Like massive asshats (The entire Valentine’s Event from Ren and Sojiro’s perspectives.

It is just...its sad. I want to like this story because there is legitimately good characters and writing but...in the name of appealing to the lowest common denominator it gets weighted down by stuff which is explicitly canon and makes the characters awful.

It really makes it tough to like it at times.

*Sigh*

At the end of the day I don’t know how to handle this. Accepting its canon makes a lot of people awful or stupid. Headcanoning it away is fine but...then I gotta accept I don’t like Persona 5 per say, I like what I, or other fans, create from Persona 5.

Also can we please just be able to date Ryuji. Please Atlus. We don’t need another female character to be another fangirl for Joker, to be another vapid idiot who can be duped by the WORST Sojiro, please Atlus, please. Please. There are ENOUGH love interests Atlus, please try perhaps instead stop treating women like little toys for a protagonist to effortlessly collect and dupe.

Watching all the Persona 5 Girls (sans Sae) in the Valentine’s Event is painful. They are characters I like, many of them have good writing...and then they are reduced to props to make a player feel “Oh yeah! Such a chick magnet! They all want me! Women are simply a commodity by which I inflate my own sense of self-worth since having multiple of them attracted to me and betrayed by me makes me feel as if this is a positive development and not a negative one!”

And I do mean that seriously. Look at most content or statements around the Valentine’s Event. They frame it positively. The ‘harem’ ending, Joker is such a ‘chick magnet’ and so ‘alpha’ etc. etc.

Terrible emotional betrayal? Deep seated trust issues? Sojiro treating his own daughter like garbage? Ignored because ‘Joker is a PLAYER! WOOO!” And this is overall seen as a positive development.

By now I’ve rambled on ridiculously long but if I must have a conclusion it is thus; Please give us a Female Protagonist who can date the other boys and stop selling this sexist approach where non-protagonist males and all females serve the same purpose; inflating the ego of the player character.

#persona 5 #p5 #persona 5 the animation #p5a #akira kusuru #kusuru akira #ren amamiya #amamiya ren #joker #phantom thieves of heart #phantom thieves #sojiro sakura #sakura sojiro #sojiro

25 notes · View notes