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#because i was going over symbolism a while ago
tibli · 3 months
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Beloved Husk
Here I stand in her scorched remains.
This is not the first time, nor will it be the last, and her vacant body has acclimated to my presence.
No longer do her damp, wooly tissues squelch beneath my feet-
they have long since dried out, compressed into a single mass of dull, cotton-candy pink.
In some places, her flesh has completely burned away, leaving nothing behind but blackened, splintering bone. There is no ink in the world rich enough to match the soot that clings to her skeleton.
Sun rays filter through her blown, empty eye sockets, and the daylight is no less beautiful for its thoughtless transgression.
How dare you illuminate her suffering so callously! You have made her into a spectacle- a cadaver to be prodded and studied, rather than a soul to be mourned.
My cheeks are wet, but I can't be sure if it's from grief, or the ever-present haze of smoke. The cause doesn't matter- I am weeping all the same.
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macfrog · 9 months
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ride it, cowgirl cowboy like me chapter ten
hey dudes. anyone up for some dbf? i seriously can't thank you guys enough for all the love y'all show this series. blows my mind every time. i have been super excited for this chapter for a WHILE. might be my fave so far. who knows. you can grab chapters 1-9 on my masterlist and also my ao3 if ur feeling fancy. love u all sm!!!!!! ✨💘💫
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pairing: dbf!joel x fem!reader
summary: joel picks you up from a girls’ night. you’ve plans for when you get home
warnings: 18+ (minors dni!!!) reader isn't an astrology girlie (sorry), more pining beCAUSE, alcohol consumption + a mention of the devil’s lettuce, very quick bit of unwanted touching, even quicker bit of protective joel, soft!joel, softdom!joel, one tiny mention of daddy, protected piv sex this time (feeling conservative slutty max will return), reader rides him into the sunset, age gap (reader is 23, joel is 48), cursing
word count: 6.7k
series masterlist | main masterlist | playlist
You lazily drag yourself over and over Joel’s dick, each stroke drawing you nearer and nearer to your high. When your body starts to falter, you feel him shift, and open your eyes to see him leaning over to the nightstand. His fingers grip the rim of the black cowgirl hat you’d worn that night. He lies back, flat against the mattress, and reaches up, placing the hat on top of your head. You smile. Joel speaks in a low, gentle, but commanding whisper. “There you go, cowgirl. Show me how it’s done.”
You never believed much in the power of the universe. Astrology, moons, manifestation. Whatever. None of it ever really meant much to you. You knew your star sign, knew which cool little symbol resembled you, and that was about it. Everything past that was…confusing and, frankly, a little overwhelming.
However.
If the universe were to send you a sign, one huge, fluorescent, multi-colored, in-your-face sign, that it was on your side…this weekend might just be it.
Your dad’s downstairs, finishing up packing for his work trip. His departure is imminent. Sarah’s been in Nashville since last night. A series of texts she sent you at 3AM riddled with spelling errors and heart emojis tell you she’s been having a pretty good time so far.
You are Joel are…alone. All by yourselves. For a whole…twenty hours.
Can’t have it all, I guess.
Your eyes skim down the texts you sent him this morning, texts he is yet to reply to.
You: Merry Christmas!!!
You took his non-reply for confusion – he is almost fifty, maybe he doesn’t get the joke? It’s a pretty lame joke, anyways. Very lame. If your thumb hovers over the send button before you press it, it’s probably not that great a joke. And your thumb had most definitely hovered. So, you’d followed it up.
You: As in, today’s the day
You: I don’t mean it’s actually Christmas
You: I mean like, happy ‘we’re finally gonna be alone again’ day
You: Never mind
“Hello?” Anna’s voice cuts through your train of thought. “Are you even listening to me?”
You drop your phone, shaking your head clear of Joel. “Yep. Sorry. Just didn’t catch that last part. You froze.”
The image of her on your – pretty fucking dusty – laptop screen rolls its eyes, knowing you’re lying. “I don’t know whether to go with the pink or the black boots,” she says.
“Ain’t your dress yellow?”
Her head falls into her hands. She throws herself down onto her bed and slides her laptop closer. “That was, like, ten minutes ago. I’m goin’ with the pink strappy one now.”
“Pink does say rodeo.”
“Fuck you,” she snaps through a giggle. “Remind me what you’re wearin’, again.”
“Black hat, black boots, black dress.”
“You’re so boring.”
“Thanks. Really looking forward to our night out.”
Anna snorts and then stands back up, strides over to her closet and resumes rummaging. “Black jacket, too?” she calls over her shoulder.
“Uhuh,” you reply, glancing back down to your phone. “Although – it has rhinestones. And tassels. Not so boring after all, huh?”
Anna’s silence drags your eyes from the text thread back to your laptop screen. She’s frozen in place, twisted around with a dress in her hands, jaw on the floor. “Show it to me. Now.”
“Hold on,” you roll over and off your bed, your shoulder stiff from the position you’d been lying in, “I think I left it downstairs.”
“Tell your dad I say hey!”
You pad down the carpeted stairs in your socks, toward the sunlit hallway.
“Dad, have you seen my– Oh, fuck.”
As you round the corner at the bottom of the stairs, glancing over your left shoulder to the front door, your chest knocks into something hard. Steady. Strong.
Something you recognize the feel of before you’ve given him a proper look.
“Mind your step, baby,” Joel says, and your heart leaps.
“What the fuck are you doin’ here?” you whisper, peering around his body to look for your dad.
“He’s out front,” Joel tells you, then takes your shoulder and reels you in against his chest. “’m just here to help ‘im with his GPS.”
He plants a kiss on the top of your head and gives you a squeeze. Your head rests safely on his chest, arms link at his back. If you didn’t have plans tonight, and if your dad wasn’t, like, ten feet from you guys right now, you’d never let him go. Just follow him around, vice grip around his waist, surrounded by the smell and feel of him.
Not that that means anything. You’d do other stuff, too. You’re not…you know.
Your dad’s voice streams in through the open door and Joel releases you.
“It ain’t for workin’, Joel, I’m about to throw it at the f– Hey, kiddo.”
“Hey. What’s the matter with your GPS?”
You lean in to the tiny device in his hands. Joel’s elbow comes up to rest on your shoulder.
“Just won’t connect to the car. Every time I plug it in, it just…” He lifts his hands, screen loose in his fingers, and hands you a bewildered look.
You look at him, expressionless. “Why don’t you just use your phone?”
“Because I paid almost a hundred bucks for this thing, and I’ll be damned if I’m– Alright,” he stops himself, eyes shutting in exasperation, “I already explained this to him. I ain’t justifyin’ myself to the two of you.”
Joel’s laughing behind his hand, pretending to scratch his nose when your dad stalks off to the kitchen and throws the device down, snatching the instructions off the table.
The pair of you follow, both still trying to swallow your laughter. Joel wanders around the table and sits down beside your dad, fumbling with the screen. You dive into the coat closet at the bottom of the stairs and fish out your bejeweled, tasseled jacket.
“You lookin’ forward to your girls’ night?” Joel asks, eyes flitting up and down the leather jacket in your hands.
“Mhm,” you reply, opening your mouth to continue when your dad butts in.
“S’posed to be a girls’ night, but that boy Sam’s crashin’ it, ain’t he?”
“Well, we asked him.” You shrug. “It’s his night off.”
Your dad scoffs, shaking his head to Joel, who looks up to you with a confused expression. “’s the big deal with that?”
“Oh, wise up, Miller. He’s only goin’ ‘cause of…” He wags a finger in your direction, and a smirk peels across Joel’s lips.
“Is he, now?”
“Uhuh,” your dad replies, intense stare still on the instructions in front of him. “Makes no damn sense. I plugged it in using the cable they gave me in the box. Stupid thing…”
You shake your head to Joel, who’s still looking at you, bemused. He knows you and Sam are just friends. Also knows your dad is the most oblivious theorist to walk the planet. Just aiming his gun at the wrong target, is all.
“I’m gonna let you two get back to…that,” you say, turning to head back upstairs. “Anna says hi, by the way.”
Your dad’s eyebrows rise once, his eyes never lifting from his GPS. “Hi, Anna.”
“Hey, Anna,” Joel echoes, smirk on his lips.
“Not to you,” you throw back, hopping up the first step. You hear his chuckle as you disappear.
----------
Anna’s reaction to your jacket in person matches that over Facetime: a deafening squeal. A squeal which she repeats almost every damn time she sees you throughout the night.
“So – fucking – cute!” she exclaims for the fifth time, fingers dancing through the tassels. “And it goes so well with your hat.”
You sip on your cocktail, nodding enthusiastically, pushing your eyebrows up underneath the brim of the black cowgirl hat on your head. Trying to match her energy. Your mind’s elsewhere.
Joel texted you a few hours ago. Told you to have a good night, said something about Sam, but you were stood right next to the dude, so you quickly locked your phone and slipped it back into your clutch.
Now, standing with your back against the wall of Franks, watching Sam play pool with Eve, you feel safe enough to read over the message.
Joel: Have fun baby. Be safe. Tell Sam good luck from me.
You squint at the screen, pulling it away from your face and leaning back in to read it over. Good luck? The fuck does he mean –
You: Good luck??
He replies almost instantly.
Joel: Yeah. Good luck winning you over. Took me, what, a week?
Oh, fuck off. You roll your eyes and throw your phone facedown onto the table where Anna and Kara sit, about twenty minutes deep into a conversation you missed the beginning of.
Your attention turns to the room before you – brick-walled, metal dome lightshades hanging over each pool table. Glass-paneled door to your left leading back through to the main bar. For being a tiny bar on a backstreet, Frank’s is pretty lively. There are bodies everywhere, bumping by each other, drunken arms slung over shoulders, hips swaying with the soft rock song blasting from out front.
You imagine your dad here with Joel, maybe Hank and Bill, too. Playing pool, beer bottles resting on the felt while they take their shot. Or sat on the rooftop, sipping on a whiskey. Talking about you and Sarah. What does Joel say about you when you’re not around?
And what does he want to say, but can’t, ‘cause it’s your dad? What does he think, and bite back when it bubbles to the surface?
Your straw gargles, slurping up the last few sips of your drink. You lean over to Anna and Kara, holding your empty glass up.
“Another?”
They both shake their heads, and you nod, turning on your own back to the bar.
You squeeze between two older women, both dressed smart and sharp. One of them – clutching a Manhattan – shifts out of the way as you pass.
“…one more conversation with him about squash,” she tells her companion, “and I am gonna blow my brains out…”
You edge over to the bar and slot into a free space, propping your elbows up on the wood. One of Sam’s coworkers – her name escapes you – notices you and shuffles over, smiling sweetly.
“How you doin’?” she asks, running a damp cloth inside a tumbler.
“Good,” you reply. “Could I just get a Bud, please?”
“Sure thing,” she says, and reaches behind to grab one. You slide her a note and she hands you change, and then you’re on your way back to the pool room.
As you slink by the two women, a weight knocks into your shoulder, almost sending your beer flying out of your hand.
“Sorry,” a rough voice sputters on your left, and you glance in its direction. Some broad dude in a tight t-shirt.
“’s fine,” you mumble, clutching your hat; a smell of weed choking your throat.
He passes by behind you, one hand lingering a little too long on your waist, and you saunter back over to Anna and Kara.
“That dude stinks, right?” Anna whispers behind a cupped hand, and you snort.
“He smells like he’s having a good night.”
“We’re talking about Romeo and Juliet over there. We’re basically third, fourth, and fifth wheeling,” Kara says, nodding over to Sam and Eve, who’re finished their game of pool and have now graduated to darts.
“I don’t…think that’s a thing.”
“Eve asked me if Sam was single earlier,” Anna says, lifting her straw to her red lips.
“What?” Kara spits out, choking on her drink. “Eve has a boyfriend!”
Anna giggles. “He’s kinda an ass, anyway. Look at them, they’re so sweet.”
“You say sweet, I hear morally wrong.”
“Who says it’s morally wrong?” you chirp, alcohol pushing the words over your lips before your brain’s had time to stop them. Your fingers clutch your phone, still laying on the table where you left it. “You?”
“Uh, it’s cheating, dude. What if Nick found out?”
“’s not that big a deal,” you reply, phone screen lighting your face in a blue hue, “they’re just having fun.”
Anna points to you, lifting her glass. “Here’s to havin’ fun, I guess.”
Kara lifts her own reluctantly and they clink, but you’re distracted. Already typing a message to Joel. Bored. Drunk. Morally wrong.
You: What you doing?
Joel: Watching TV. What you doing?
You: What ya watvhin ?
Joel: None of your business. Go get another drink. Looks like you’re not drunk enough.
You lift your head with a giggle, almost ready to turn your phone around to Anna and Kara and say, look what the dude I’m sleeping with just text me. And then, thankfully, your good sense kicks in and you bring the screen closer to your chest.
You: Kinda bored. Wanna come home now please
Bored, horny. It all means the same.
Joel says he’ll be at Frank’s in twenty minutes. You rest your chin on your palm and watch as Sam cheers Eve for hitting bullseye.
“I think they’re cute,” you whisper.
Anna and Kara are already preoccupied, taking photos of one another across the table. Kara leans into you and you smile, flash blinding your hazy eyes for a few minutes afterward. A few more pictures, couple boomerangs of your glasses cheersing, and then your phone’s vibrating.
Joel: Outside. No rush.
That last part is where he’s wrong. There most definitely is a rush, and it’s in the form of the heat that starts to pool between your legs.
“Alright,” you shimmy off your barstool and stretch your back. “My ride’s here.”
“What?” Anna almost screams, her hand slapping down on the table. “You’re leavin’?”
You nod. “Sorry, babe.”
“Don’t babe me, traitor. It’s, like, midnight.”
“Uh, it’s, like, almost 2AM. I’m tired. I don’t know how y’all do it.”
She sighs, conceding, and agrees to walk with you to the front door. Kara and Eve stop off by the bar to grab another drink. Sam holds the door open for you and Anna and you’re hit by a wave of cold night air, instantly cooling your hot, sweaty skin.
“Is that…Mr. Miller?” Anna asks, mouth falling wide open.
You glance down the street and notice his black truck, parked up by the curb. “Mhm,” you reply, “my dad’s out of town, so he’s picking me up.”
“Can he take me home, too?”
Sam snickers. “Wow, Anna. That’s just…Wow.”
She shrugs, lips closing around her straw as she stares at Joel’s truck. Something inside you lurches at the idea of Joel sitting there, his eyes glued on you, watching everything you do, everyone around you. And then again at the thought of Anna and her doting gaze on him.
“Alright, I guess that’s my cue to skip.”
Anna pouts. “One more drink?”
“I’m good, thanks,” you scoff, patting her head affectionately. I got business to attend to.
You give her a quick kiss on the cheek and Sam wraps an arm around your shoulder, giving it a squeeze before you’re wandering off toward Joel’s truck.
“Hey.” Something – someone – hooks around your elbow, and you turn back. It’s that same guy who stank of weed.
“Hi,” you reply, as sweet as you can, but trying to loosen his grip.
“Saw you inside, you out with friends?”
“Mhm. I’m just leavin’, my–”
“Few of us are headed upstairs. You wanna come?”
You glare at him a few seconds, before yanking your arm from his grasp. “Nah, no thanks. I’m leaving. Have a good night.”
You stagger off, feeling his eyes on you as you go. Joel’s truck headlights switch on, dazzling your eyes, and you quickly click around to the passenger side, throwing yourself in beside him.
Joel doesn’t say hey, doesn’t squeeze your thigh, doesn’t even look at you when you settle into the seat. Just asks –
“Who’s that kid?”
“Uh…not sure. Bumped into ‘im in the bar.”
“He give you trouble?”
“No,” you lean over the console, pulling your seatbelt over your body, and flash him a tipsy grin, “thought that was my job. Givin’ trouble.”
Joel doesn’t reply. Doesn’t take his scowl off the dude outside Frank’s, either. Your eyes meander across to his hand, locked in a tight fist around the wheel. Your smile drops.
“Joel. It’s fine. Can we go?”
When you lift a hand to the crook of his elbow and he feels your warmth on his skin, he tears his gaze away and it lands on you. Soft, gentle. His lip isn’t curled anymore. His brows lift.
His eyes watch your lips as you whisper the words to him.
“Want you to take me home.”
“’s go, pretty girl.”
----------
Joel refuses, no matter how many times you ask, how hard you bat your eyelashes, how many promises you make, to stop by a drive thru.
“Please?” you ask one last time before he’s pulling in to his neighborhood.
He shakes his head. “Look at that, we’re already home.”
“I ain’t takin’ no for an answer, Miller, not until the engine’s off. We’re still driving.”
He doesn’t reply. Just pulls up in his drive, cuts the engine, and looks at you. Shrugs. “Oops.”
“Fuck you,” you groan, sliding down in your seat. “I’m starvin’.”
“Make you a big breakfast in the mornin’, how’s that sound?”
“Wanted a Big Mac, but whatever.”
Your fingers fumble for the door handle, clicking it open. You roll out of the truck and stroll around to meet Joel at the driver’s side. He snakes an arm around your shoulders, steadying you as you walk up his porch steps and into the house.
“I’m fine,” you murmur, glancing around his living room.
“Alright,” he says, tossing his keys and kicking his boots off.
Your eyes settle on the TV screen, paused. Probably around the time you text him. There’s a crowded hospital room onscreen, doctors in dark blue scrubs, all surrounding someone lying on a bed, someone who looks pretty familiar…
“Is that…fuckin’…Grey’s Anatomy…?”
Joel chuckles, peeling your jacket from your shoulders.
“That’s Meredith! When she–”
“She fell in the damn river,” Joel mutters, placing the tasseled leather over the back of his couch. “Derek had to go in after her. Intense stuff.”
“Right? I told you it was good!” You smack his arm. “I can’t believe you’re watchin’ it without me.”
“I ain’t watchin’ it,” he protests, “it was just on, ‘n I needed something to keep me awake. I’m still rooting for Meredith ‘n George.”
“We can watch it from the beginning.”
“Yeah?”
You nod, moving over to him. “And then I can be over here all the time, and you can make me all the grilled cheese I want, and we can lie in bed and…do stuff.” Your chin rests on his chest, flashing him a toothy grin. Hands swinging in his at your side.
Joel’s eyes narrow, but there’s a smirk on his lips. “You’re drunk.”
“I’m not drunk. I had a couple drinks. I’m not drunk.”
“H’many fingers am I holdin’ up?” Joel asks, raising his fist. You punch it away.
“Ha-ha,” you say tonelessly, and wander away from him.
“Baby,” he calls you from behind. Sure, you’re tipsy, and he can be a cocky asshole – especially when he has to take care of you, but that’s a sound you’ll never get tired of hearing. Baby. You’re his darlin’, his sweet girl.
You spin around, very nearly losing your footing, and he’s standing with an arm out, ready for you to take.
You smile dumbly. Meander over, and take his strong hand in both of yours, wrapping your fingers around two of his to let him reel you in against his body.
“C’mon,” he whispers, as you lean against his frame. “Let’s get you upstairs.”
You follow him up, knowing where he’s leading you. You’ve spent more time in there the last few weeks than you have your entire life.
His room is cool, not cold, but comfortable. It’s Joel all over; the muted colors, the décor, the smell that calms you as soon as you stumble over the threshold.
He sits you down on the edge of his bed and kneels, pulling your boots off one by one.
You giggle.
“You laughin’ at me?”
“You’re like my own personal tr…No, not trainer. Wait. Personal ch–”
“Chef?” he says, snorting. “Not chef. Try again, soberhead.”
“Oh, I dunno.” You throw your arms up as he sits your boots against the wall, then stands and takes your hat off.
“This,” he says, placing it on the nightstand at your side of the bed, “is very cute. I like it.”
“I’m cute, too, y’know,” you whisper, pouting.
He smiles, and leans down to give you a quick kiss on the lips, pointer finger under your chin.
“The cutest.”
“Ha!” you roar. Joel twists around you to undo the zipper at the back of your dress. “Joel Miller thinks I’m the cutest. Take that, Anna…”
He laughs. When he unzips you, he pulls the dress off your bare chest and down your legs. You don’t shy away, used to the idea now of him seeing you naked. Used to the idea of him seeing you in any vulnerable state; drunk, or naked, or in a sobbing mess on day two of your period.
You notice, even though you’re a tad dizzy with what alcohol is left in your system, that his eyes linger on your panties a moment before he turns and grabs a tee from a chair.
And something inside you ticks.
“Joel?”
He’s pulling the shirt over your head. It smells like him. Intoxicates you much more and much quicker than any drink you could order from Frank’s.
“Mhm?”
You feed both arms through the sleeves, swallowing the question you were about to ask. He’s standing up now, telling you to get into bed.
He walks over to his dresser and begins removing his own clothing. He only sleeps in boxershorts. Your eyes track him as he yanks his t-shirt up over his toned shoulders; fingers undo his belt, unzip his jeans. Everything is discarded to the side for now; he has something more pressing to attend to.
His best friend’s daughter, laying in his bed, a pool of wet forming in her panties.
He just doesn’t know it yet.
As he slips under the covers beside you, you pull off your underwear in one quick movement. Joel doesn’t seem to notice, or so you think; his arms immediately take hold of your waist and pull you against his body. You’ve gotten into the habit of sleeping pressed against his torso, his thigh between your legs. Joel settles comfortably with you draped over him, and lets out a deep sigh.
“Joel?” you whisper again into the darkness, growing braver.
“Hm?” he replies, starting to fall asleep.
You toss ideas over in your head. None of them good, you’re sure, but you’re getting desperate. How he can’t feel your damp core on his thigh, you’ve no idea.
But then, maybe he can? Joel doesn’t miss anything, especially not where you and your…arrangement are concerned. Can he feel you? Is he deliberately ignoring it?
Maybe he has something up his own sleeve?
“I��was just wondering…”
“Wondering what, darlin’?” His voice is muffled, spoken through unmoving lips. You glance up at his face. His eyes are closed.
You grow more desperate.
“…wondering what your body count is?”
You ask it as innocently as you can, your voice wavering on the words body count. It gets him, though, as his eyes blink open a few seconds after you say it.
“I ain’t tellin’ you that. Go to sleep.” He closes them again.
“I wanna know.”
He ignores you.
“Joel,” you moan.
He calls you by name now, and you’re not sure if you’re pissing him off or turning him on – or both.
“Go. To. Sleep.”
“I’m not tired, though. Not yet.”
In response, Joel lets go of his hold on you and rolls over without another word. It’d sting if you weren’t soaking wet right now, and didn’t have a strong hunch he was hardening under the sheets.
“Joooel…” you whine, sitting up on your elbow. No use.
You take hold of his shoulder and tug him back toward you, rolling him onto his back. Like a deadweight, he remains frozen.
“Ugh,” you groan, and drag yourself on top of him, knees either side of his waist, ass hovering. When you sit back onto him, your core lining up with his crotch, your suspicions are proven right.
He’s hard.
Not as hard as he can get, as you’d like him to be, as you’ve felt him before…but he’s hard.
“Joel…” you mewl into the darkness, starting to grind your bare center over his boxers. The friction feels good, so you apply more pressure.
“If you don’t stop that,” Joel’s voice finally grumbles, “I’ll be sleepin’ downstairs.”
“Sex in the living room sounds good to me.”
His eyes open. “We,” one hand comes up to point between the both of you, as if he doesn’t expect your sobering self to understand which pairing he means, “are not having sex. No sex tonight.”
You sigh, shoulders dropping dramatically.
“Huff all you want, baby, it is not happening.”
“Why?”
“Why? Because you’re a few drinks too deep and it’s three in the morning. I’m tired, it’s been a long night waitin’ for you, I–”
“So let me make it up to you. I ain’t even drunk anymore.”
“No?”
“Nuh-uh. Could count any number a’ fingers you put in front of me.”
“Funny.” He closes his eyes.
“Joel.” You drag your hips again. If anything, he’s harder than he was when you first sat down on him. “I had a few drinks, I’ve sobered up. C’mon…”
You bend your waist and lower yourself to align your lips with the side of his head, peppering the skin under his ear with soft kisses.
“I wanna ride you, daddy.”
This gets him. His eyes open again, staring up at the ceiling. His hands slowly come up to rest on your hips.
“Don’t– That’s low, even for you, kid.”
You giggle and straighten up. When your hands lightly trace down his chest, onto his midriff and follow the trail of hair to his boxers, he doesn’t stop you. Just watches from beneath hooded lids, tensing at each point your fingers touch.
You raise your eyebrows, watching his expression for any sign to stop, and it never comes. He remains in place when your fingertips hook around the waistband of his underwear, slowly pulling down.
Joel breathes in deep when you reveal the tip of his cock, springing up to rest on his lower stomach. You feel your core clench. If he’s not inside you in the next five minutes, you might scream.
Well, you’ll be screaming either way.
You look back into his eyes and tilt your jaw, asking for permission.
“Go on,” he whispers.
Your hands take him eagerly, pumping up and down his shaft, and his head falls back onto the pillow with pleasure.
“Uhuh,” you mumble, focusing on his solid dick, but desperate for more. You give him a gentle squeeze and a groan passes his lips, his grip tightening on your body.
You let go of him and grind your hips along his length, folds coating his shaft in your wetness. Joel’s humming, watching as you pull yourself up and down him.
Then, you lean forward, and your hands take hold of him again. You give him a couple more strokes, eliciting a deep groan, and then line his bare cock up at your entrance, practically foaming at the mouth to sink down on him already.
“Woah, woah,” Joel takes hold of your wrist, “slow down, cowgirl. I gotta get a condom.”
You huff as he leans over to his nightstand and opens the drawer. “Don’t want one, Joel, I’m on the pill.”
“No way, baby,” he says through a chuckle, silver wrapper in his fingers. “We already did that, one too many times.”
“So just pull out?”
“Nope.”
You sigh, frustrated.
Joel holds the packet out to you, smirk on his face like he doesn’t expect you to take it.
So, you do.
You steal it from him and tear the wrapper, fishing the rubber out between your two fingers. Pinching the top, you roll it down his shaft and pump up and down for good measure.
“Ready?” you ask, head tilted, cocky smile on your lips.
“Wait, wait,” he whispers, shoulders lifting off the mattress. He lifts the hem of your shirt, telling you, “Off,” before pulling it over your head, exposing your bare breasts.
He stares you down; legs wide open, straddling him, completely naked, nipples hardened, figure silhouetted against the slivers of light peeking through the shades from the streetlights outside. You’ve never felt so confident, mounted on top of Joel fucking Miller.
His eyes roll back and his head falls against the pillow. “Fuckin’ – knock yourself out, baby.”
You steady yourself with one hand on his chest, the other taking hold of his cock and guiding it to your entrance. You push his head through your folds a couple times, and Joel hisses at the feeling, before you sink down.
You stop after the tip the first time, but it draws the same reaction from you both. Joel groans even louder than before, and you moan as you push yourself back up.
Then, without warning, you sink the whole way down.
He’s so deep it brings tears to your eyes, so big that he’s stretching you out more than you thought possible, hitting all the right spots already before you’ve even begun.
Joel’s eyes are screwed shut, his grip on your hips digging into your skin so tight it almost hurts. His jaw is tight, holding back what you can only imagine are the neediest moans he could sound.
So, you decide to draw them from him.
You lean forward and begin bouncing, feeling his thickness pull out and push back into you, both hands on Joel’s chest now for balance. You’re whimpering, the burn of his cock stretching your tight cunt so good and borderline painful at the same time, but you don’t stop.
“Good girl, good fuckin’ girl,” Joel moans, opening his eyes to watch you ride his dick. “’attagirl, just like that.”
“Joel…” you cry, letting him bottom out each time, feeling his balls slam into your ass with each bounce.
“Yeah? You like that? Tell me, baby, use your words.”
“So – good – Joel – oh!” you shout.
“Such a good fuckin’ girl for me, huh?”
You fight against the urge to close your eyes; the pleasure between your legs and the knot beginning to tighten in your stomach are all you can see, hear, feel, but you want to watch him some more. You want to see what you do to him.
You lean forward even further, moving your hands to the pillow either side of his head, so you’re directly above him now. One of Joel’s hands comes to the back of your head, pulling you down until your foreheads are together, moans escaping your mouths only to be inhaled by the other.
Joel speaks to you quieter, through gritted teeth.
“Like ridin’ me, do ya? Like the way it feels?”
“Mhm,” you moan back, and he brings a hand down to slap your ass. You yelp. “Fuck…”
“You look so good, baby, so good. Such a fuckin’ whore for me, hm?”
Another stinging spank pulls a whine from you so filthy, so loud that you’re sure the neighbors will hear, even at this hour. Joel smirks back, resting his hand back on your hip, where he has a grip of you.
Then, he bucks his own hips, pushing into you deeper than before, so deep you see stars. Your mouth falls open in a silent moan, panting through the searing pain so good that you never want it to end.
“Joel – I’m gonna – fuck, I’m gonna cum!”
“That’s it, sweet girl, cum all over me. Let go, baby, I’m here.”
That does it. The coil snaps, your walls clench. Joel lets out a guttural moan as you throw your head back and ride him through your orgasm. He coos you through it, squeezing your hips, whispering, That’s my girl, doin’ so good, baby as your body rocks back and forth on his cock.
When you come back down to earth, your lids heavy and breathing staggered, you swear your body can’t take anymore. You feel so fucked out that you’re not sure you can sit up straight on top of Joel.
But he’s always been able to read your mind, and this is no different. He pulls himself up and into you, propped up with one strong hand on the mattress behind his back, the other wrapping around your waist. His cock is still buried deep inside you.
“Joel…” you whimper pathetically. “Can’t do it anymore…”
“That’s okay, baby, we’re gonna do this one together, alright? I got you. Can you do that for me? Just one more?”
You link your arms around his neck and lean into him; his strong form doesn’t shift, just takes on your weight and keeps the both of you upright as he starts to bounce you on his length again.
You’re overstimulated; your cunt swollen, fucked-out, drenched in cum, but Joel makes you feel so good that it’s impossible to let him stop. Your arms pull him in closer to your chest to steady yourself, and his groans echo in your ear.
“Good girl, that’s– that’s it, so fuckin’ tight for me, pretty girl.”
When it all becomes too much to take – Joel’s hand squeezing your waist, your clit rutting against the bottom of his stomach, his fucking cock buried so deep inside you that you swear you can feel him splitting you open – you push him back down onto the bed.
Once when you still lived in New York you read something in a Cosmo about spelling the word ‘coconut’ with your hips when riding a guy. You’d tried it a couple times with hookups, and it’d never done anything for you. They’d never done anything for you.
But here you are, nearing your second orgasm, on top of someone making such a mess of you that you brain can hardly compute to spell coconut, never mind your hips being able to round the shape of the word.
You lazily drag yourself over and over Joel’s dick, each stroke drawing you nearer and nearer to your high. When your body starts to falter, you feel him shift, and open your eyes to see him leaning over to the nightstand.
His fingers grip the rim of the black cowgirl hat you’d worn that night. He lies back, flat against the mattress, and reaches up, placing the hat on top of your head. You smile. Joel speaks in a low, gentle, but commanding whisper.
“There you go, cowgirl. Show me how it’s done.”
It’s all you need. It’s all it takes, by this point.
You brace yourself against his chest again, positioning yourself just right, and bounce on him until your vision starts to blur.
The noises slipping out of Joel’s mouth each time your bodies connect at the base of his cock push you closer and closer; every groan and whimper which passes his lips makes you sink your hips down even harder, pushing him deeper and deeper with every bounce.
“So – fuckin’ – big – inside me,” you slur, and Joel moans in response.
When he takes your hips in his hands again, you know he’s there. He’s just waiting for you to fall first.
You give in to him, feeling yourself close around his length, throwing your head back in pleasure as your second orgasm washes over you, igniting every inch of your body.
Joel’s groans meet yours as you lean forward again, slowly rolling your hips to coax him through his own orgasm. Watching him release, buried deep inside, he looks so good that you feel like you could cum again just at the sight.
You feel his cock start to go limp inside you and when he opens his eyes, panting, you smile sweetly at him.
“Fuck, darlin’.”
You giggle, hips still driving gently against his. “Good?”
“So good, baby, did so well. You’re gonna be the death of me,” he whispers with a trembling breath, taking your waist in both hands and giving it a tight squeeze. You roll to the side, letting his cock slip out of you, condom full of his seed.
You tumble onto the mattress beside him, both heaving, moaning messes. Your chests rise and fall in sync, fingers tangling and untangling by your sides.
Then Joel gets up, and wanders over to the bathroom, where you watch him through the open door as he pulls the filled rubber from his soft dick. He bins it, then runs a facecloth under the faucet, dabbing it across his own forehead as he makes his way back over to you.
You can’t hide your grin as you watch his naked form approach; tan lines where his t-shirt must end, dark hair decorating his arms, legs, chest, the base of his cock. He sits at the edge of the bed, arm outstretched with the flannel in hand.
You go to take it from him, but he doesn’t loosen his grip. Just pats it over your face gently, soft gaze on yours, your fingers intertwined around his wrist. Your eyes fall closed, the cold cloth a relief against your warm, sweaty skin.
“Feel nice?” he whispers.
You nod in response. Your chest swells at how soft he’s being, how tender. When he stands to throw the flannel back into the sink, you almost find yourself reaching out to hold him down.
He climbs over you, springing back down onto the mattress with a heaving sigh.
You prop yourself up and shimmy over, positioning yourself on top of Joel, chest-to-chest. He looks down and smirks, running a lazy hand across your cheek.
“You’re so good to me,” he mumbles.
You tilt your head with a smile and lay down on his chest. You can hear his heartrate slowly calming down. His fingers twist through your messy hair.
“I have no idea what you’re laced with,” he says, “but you got me.”
You smile. “Yeah?”
Joel nods. You shift positions, adjusting your aching hips safely between his thighs. “You hurtin’?” he asks.
You nod. “Mhm. But I like it. It’s you.”
Joel’s hands run through your hair and his fingertips trace your shoulders. His touch is so light it almost tickles. You turn your jaw and kiss the back of his hand.
“My dad gone, Sarah out, free house…” you mutter.
“Hm.”
“So, you invite your mistress over.” You lift your head, smirking at him.
Joel’s chest vibrates with laughter. “You ain’t my mistress.”
“Oh really? What am I, then?”
“I am not having this conversation at 4AM, kid. Ask me again tomorrow.”
You’d think of something to throw back at him, messing with him, but your entire body aches, and your heavy eyes are starting to fold closed with how sleepy you suddenly feel.
You pull Joel’s sheets over yourself, turning your back to him. Joel instantly follows suit, pulling up right behind you, your back tight to his chest, his thighs cupping the back of yours, then slipping one between your legs.
His arms lock around your torso under the sheets. Safe. Secure. Nothing can happen to you as long as he’s got you.
“Ten,” his voice mumbles against the back of your head.
You turn so your ear is pressed against his lips. “Huh?”
“Ten. That’s my number. Includin’ you.”
Oh.
He doesn’t ask to hear yours. You wouldn’t mind if he did, but he doesn’t. You don’t think he’s telling you to hear yours in exchange. He’s telling you because you asked. He’s telling you because, whether in attempt to turn him on or simply to know something about him that you didn’t before – something nobody else knows – it mattered to you.
He’s telling you because you matter to him.
You nuzzle back into him a little, a form of reply, and, as you start to fall asleep, you feel him place a gentle kiss to your ear.
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hellenicrisis · 4 months
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A Collection of Greek Keywords for Hellenic Pagans (kharis, miasma, etc.)
Kharis:
Kharis means 'grace' or 'favour' and it is in reference to the reciprocal nature of our relationships with the gods.
Liddell and Scott describe it as, "A grace or favour felt on the part of the doer but more frequently on the part of the receiver in the form or thankfulness and gratitude."
It essentially means a favour done in delight. This can be both the offering we give to the gods, and the favours and blessings the gods bestow upon us.
Kharis is both the action of offering and worshipping and also what is built between a worshipper and a god through the actions of offering and reverence. It can be used like this:
'Giving an offering to the gods is an example of kharis.'
Or:
'I have built up kharis with Apollo over the years.'
Khaire/khairete:
Khaire or khairete are words that mean 'hail', 'farewell', or 'blessings'.
It can be used to greet someone, either as hello or farewell (I use it at the end of some of my posts). It can also be used at the end of a prayer.
Khaire is used to address one person or god, and khairete is used to address a group.
Miasma:
Miasma means 'stain', 'pollution', 'defilement', or 'stain of guilt'.
It is a type of spiritual pollution that a person or a place can collect through either happenstance or deliberate action. It makes us spiritually unclean but there is no damnation involved in miasma and thus is not similar to sin. Sin is more comparable to agos, which is mentioned later.
We tend to collect miasma while going about day-to-day life, almost like getting our hands dirty while working. The stain it refers to is always one of a spiritual nature; miasma is a strictly spiritual concept.
It makes a person or place ritually impure, hence it is inappropriate to interact with the divine while in a miasmic state. The gods are said to reject the offerings of a miasmic person or to vacate a miasmic place until it is cleansed.
Human blood is also considered to be miasmic when spilled outside of battle, though this is not the case for menstrual blood (although I tend to avoid praying and doing rituals during that week anyway as I consider it to not be my cleanest state possible. I use this time to tend to my altar physically instead, cleaning it and reorganizing it).
Miasma is very common, everyone gets it, mostly due to plain daily life, though sometimes due to deliberate actions. Miasma can always be cleansed.
Sources of miasma include:
Death in the home - Pollutes the grieving and the home. People and home need to be cleansed before interacting with the gods or going to temple.
Birth - Because of the blood involved. Mother and baby are considered by traditional standards to be miasmic for three days postpartum and both are generally cleansed at five days postpartum.
Intercourse - Both parties are polluted by the act and must be cleansed before interacting with the gods or going to temple.
M*rder/m*nsl*ughter - This collects both miasma and agos. The m*rderer becomes miasmic, and a place can become miasmic if a m*rderer is free and unpunished there. This does not apply to blood spilled in battle.
There is a line in Hesiod's Works and Days that refers to the action of cleansing oneself of miasma before interacting with the gods. It reads, "Never pour a libation of sparkling wine to Zeus after dawn with unwashen hands, nor to others of the deathless gods."
Khernips:
Khernips means 'handwash', or 'lustral water'.
It is basically Hellenic holy water. It is used to purify ourselves of miasma before interacting with the gods.
It can be made by dropping burnt herbs or laurel leaves (bay leaves) in clean water, or by dropping a lit match in clean water. Simply washing our hands in plain water can work symbolically as well if done with the specific intention of purifying oneself.
Agos:
Agos means 'curse', 'pollution', or 'abomination'.
It can be considered as a step up to miasma and, while not quite the same, it could also be considered comparable to sin. It is brought about through deliberate actions and it is very difficult, if not impossible, to cleanse. Agos can also invoke the divine wrath of the gods, so it does involve a form of damnation
Some things that cause/invoke agos include:
Having intercourse inside a temple
Temple robbing
M*rder
Bloodshed inside a temple or on sacred grounds
Broken xenia
The refusal to properly bury a family member or a soldier (even an enemy soldier)
K*lling someone who is under the gods' protection
Offering human blood to the gods (due to its miasmic nature)
Agos is hardly as common as miasma, so it is not something the general practitioner should worry about.
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darkcircles4lyfe · 22 days
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it's a story about hands (reprise)
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Yeah, okay, today's the day.
I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.
Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.
Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.
I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that “fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.
The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.
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It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…
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…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.
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Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:
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Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.
Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:
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As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,
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…but what about the little boy inside Izuku? Who saves him?
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This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.
It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.
Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.
As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.
I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.
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palipunk · 4 months
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Hey there sorry to bother, but I’m very interested in traditional Palestinian tattoos but I can’t find any good sources or information on them. Do you have any recommendations? Thanks so much in advance ! I’m Palestinian, but was raised so distantly from our culture I’m hungry for more if you know what I mean ♥️🇵🇸
Not a bother!
I will be honest, there really aren't many resources online that go into detail about them. A lot of information about them just hasn't been recorded and they've faded away, as older generations of Palestinians die, their tattoos and their meanings have gone with them. A lot of the Palestinians still wearing these tattoos are older Bedouin women.
I uploaded this post a few years ago with some illustrations and I answered an ask about it with some links and discussed traditional tattooing practices in West Asia between Arabs, Kurds, Assyrians, and Yazidis (there are some overlapping symbols and meanings with the tattooing throughout the region). Tattooing in Palestine is hard to document because we've been forcefully exiled all over the world. A lot of Palestinian traditions, including tattooing, were uprooted with the destruction of Palestinian society during the Nakba. There are a few different terms for it, depending on what language or what dialect of Arabic you speak, but dag/deq/dakk/daqyit are all ones I've seen used.
I also have to say that many of the meanings within the tattoos were discussed either only between the tattooer and the client or were based on one's own community or tribe. Just for example: Some tattoos or combinations of markings can distinguish a person's tribe (this is something more common for tattooed Bedouin women) or village or it could be for health, protective, religious, or cosmetic reasons. My Great-Grandmother had them for cosmetic reasons, it was just something they did in her village according to my father - sometimes tattooing is regarded to be like jewelry.
The tattooing itself would be done with a needle and the ink would be made of ink or smoke residue (sometimes breastmilk was included) and then punctured into the skin. The few articles or books I've seen it referenced in have made note that the tattooers were usually Domari artisans.
He's in the second link but I will always highlight @siinlayth 's work on cataloging tattoos in West Asia, he's a bedouin artist and has spent lots of time putting this carrd together if you'd like to browse: https://southwestasiantattoos.carrd.co/#gallery
I'll just include some more images here:
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{I haven't posted about traditional tattooing in a while (none of this is directed at you butchorc) but the last time I uploaded stuff about tattooing in Palestine on my blog, I had people (who were not Palestinian in the slightest) reblogging it with tags saying it was for DND inspiration and putting information about our tattooing practices on their DND blogs for "character reference" - do not do this. Please treat our customs respectfully, this is a dying practice that we are trying to preserve- I will block anyone I see doing this.}
I hope this was at least a good starting point! I hope things go well for you and you can learn more about your culture, best wishes!
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haggishlyhagging · 9 months
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Mother says the doctor let her hemorrhage all through the night I was born. The pool of blood that splashed around her hips on the rubber sheet until morning is symbolic to me of the life she, and her mothers before her, have bled away for others—making vampires of their husbands and children and leaving their own inner selves anemic and ravaged.
Dad first saw her in the summer of 1923, galloping bareback over the Idaho plains in men's overalls, her hair whipping behind her. Because there were so few sons and so many daughters in the Howell family, Mom helped with the outdoor farm work. The labor was often so heavy and so almost impossibly hard that it made the small, slender girl weep as she did it. Despite that, Mom still preferred it to the work of the women in the house: the endless cooking and scrubbing, sewing, soapmaking, preserving. Just washing clothes was a superhuman feat, boiling water over an outdoor fire and stirring and wringing and hanging and ironing—a two-day chore that had to be done every week by all the women of the house.
Her mother, short and plump and silent, was the first one up in the morning to build the fire, put the bread in to bake, and prepare the huge breakfast, and the last one to bed at night. Mom says her mother was always tired and didn't talk much, but confided to her once that she only wanted to live to get her children grown and then to die. She got her wish. Mom's father, whom Mom idolized, lived through two more wives after her mother died.
Mom filed all this away in her unconscious.
Late one summer night, three years ago, in the kitchen of my house in Virginia where womanhood finally found and claimed me, for the first time my mother looked squarely at what it had meant in her life to be female. On the farm in Woodruff, she confided, the men came in from their work at dark, ate supper, sat around and talked a little, perhaps, and then went off to bed, while the women, who had been up in the morning before the men, wearily washed the dishes (without soap, so the water could be fed to the pigs) and got to bed an hour or two later. I asked her what she thought of her near-perfect father for behaving this way. Her eyes filled with tears and she whispered, "It wasn't fair."
Since that night she has regained some of her defenses against recognizing the blatant injustices of such a system, so when I've reminded her of what she told me that night, she's insisted that she hadn't remembered correctly, and that her father often had helped with the dishes and had not gone to bed leaving the womenfolk still hard at work. But I remember that night in my kitchen and the terrible things that were dawning upon both of us, and I know she remembers what was required of her as a girl. After a bonebreaking day in the fields, she was to drag her exhausted body and her screaming muscles about the kitchen to help the women with the supper and the washing up while the men were allowed—even expected and encouraged—to rest. And despite going to bed two hours later than the men, she had to arise earlier than they did the next morning to begin it all over again. There was no rest for the women—only endless drudgery until the children were reared, and then death.
-Sonia Johnson, From Housewife to Heretic
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strawb3rryscorpio · 7 months
Note
Could you just write like ANYTHING that’s Dominic x reader because there is a severe dom fic drought rn
𝐌𝐀𝐓𝐂𝐇𝐈𝐍𝐆 𝐓𝐀𝐓𝐓𝐎𝐎𝐒, dominic fike x reader
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𝐬𝐮𝐦𝐦𝐚𝐫𝐲: you and your boyfriend get matching tattoos 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: cursing, sexual jokes
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You and Dominic had been discussing matching tattoos for months now. You both loved the idea, but the only issue was that neither of you could agree on what your tattoo would be. That had been the case until earlier today when Dominic had finally compromised on getting cherries as your tattoos.
To you, cherries were simple yet symbolic of your relationship. Dominic liked the idea, but he argued that it should be something more corny. After hours of reasoning and many puppy eyes later, Dominic had finally accepted defeat to those damn cherries.
"Babe, what should I wear?" you questioned, looking at yourself in the mirror, trying to think of an outfit. "Nothing at all if it was up to me," he deadpanned, scrolling mindlessly through his phone.
"Dom, I'm being serious," you turned to glare at him as a wide smirk developed on his face, and he replied, "I am the most serious I've probably ever been." You rolled your eyes in response, walking into the closet in search of an outfit.
"How's this?" you said walking out after a few minutes. "Perfect," he eyed you for a second before looking back at his phone. No matter what outfit you put on, it was perfect to him, meaning he was zero help.
You turned to face the mirror, having to trust your own opinion in this situation. "Is it too booby?" you asked yourself, caressing the top of your tank top.
The look on his face told you he was thinking of another sly remark. "Nothing is ever too booby," you giggled and walked over to your dresser to grab your purse.
As you checked your phone before heading out, you heard the sound of one of Dominic's notorious dramatic sighs. "What're you so loud for?" you jokingly asked as you placed a pair of small gold hoops on your bare ears.
You heard Dominic walk over to you, placing his arms around your waist and nuzzling his head into the back of your neck.
"'Cuz I'm bored," he mumbled into your neck. "I've been watching Reddit confessions for like a million years." The buzz of his words on your neck sent a chill down your spine.
"It's not my fault you were ready two hours ago," you said, turning to face him, placing a soft kiss on his lips. "Plus, you love those Reddit confessions," you added, pulling away from the kiss.
The drive there was quick. You talked about everything from his new music to some gossip about your friends.
"Still set on those cherries?" he asked, pulling into the parking lot. "Yes, one hundred percent set," you smacked your glossy lips together as your last touch. "Then let's go!"
You two walked towards the building, hand in hand. "I'm nervous," you admitted. "Why? You'll be okay," Dominic replied, rubbing your back for reassurance. "And you should be perfectly fine since you got to pick the tattoo." He turned to you with a mischievous grin.
"I didn't pick it. We agreed on it," you stepped into the store as Dominic held the door open. "Yeah, yeah, whatever," he said before wrapping his arm around your shoulder as you made your way up to the counter.
"Hi, we're here for an appointment at four thirty," you greeted the lady at the counter. "Oh! A couples tattoo. That's fun!" She pulled out a waiver and some pens for you to sign.
"Yeah, we've been talking about it for a while, and we were both free today, so I was like, why not?" you explained as Dominic signed the waiver. "What are you guys planning on getting?" she questioned, as Dominic finished signing the papers and handed them to you.
"We're getting matching cherries," Dominic answered as you continued reading the waiver. "We had them for dessert on our first date." The lady's face softened at Dominic's reasoning. "Awe, that's beautiful," she replied softly, making you blush.
You turned your head towards Dominic before mumbling, "And you said it wasn't as corny." You finished signing the waiver and passed it back. "Okay, perfect! I'll have you guys set up in a couple of minutes," she announced before walking off into the back.
You and Dominic took a seat, and you laid your head on his shoulder. "Dom?" you mumbled, barely loud enough for him to hear you. "Yeah, love?" he looked down at you, ready to listen to whatever you had to say.
"If you really don't want to get the cherries, we can do something else. I don't mind, I promise," you admitted, immediately reading his face for a response.
He let out the slightest chuckle. "Babe, if I really didn't want those cherries, I would've been on your ass about it," he smiled, brushing his hands through your hair. "And plus, I'd get your face tatted on my cheek, so I have zero issues with this," he added, and a wide smile grew on your face.
"You're very corny, you know that?" you spoke after a few seconds of silence. "It's my specialty, really," he laughed and placed a kiss on your head.
"We're ready for you two!" the lady called out. You and Dominic stood up as he grabbed your hand. "Ready?" he asked as you started heading towards the tattoo chairs. "Readier than ever, babe!" you exclaimed.
You two sat in the chairs, still holding hands, as the tattoo artist introduced himself. You stared at Dominic as he made conversation, and you noticed a smile develop on your face. A smile that displayed nothing but love and commitment. And you thought to yourself, what is committing if not getting a matching tattoo?
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🪽h speaks: guys i’m not very happy with this it was kind of rushed but i was eager to post something. i hope you enjoy and thank you so much for 300 followers!! love you guys :)
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colleendoran · 1 year
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Neil Gaiman's CHIVALRY: From Illuminated Manuscripts to Comics
One of the many reasons I wanted to adapt Neil Gaiman's Chivalry into graphic novel form was to create a comic as a bridge and commentary re: comics and illuminated manuscripts.
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We're often told that the first comic book was Action Comics #1 featuring Superman, a collection of Superman comic strips that morphed into comic books as an art form.
Sequential art predates Action Comics #1.
Action Comics popularized sequential art book storytelling that had already appeared in other forms in fits and starts throughout history. Comic books didn't take off as a popular medium for several reasons, not least of which was the necessary printing process hadn't been invented yet and it's hard to popularize - and commercialize - something most people can never see. 
You find sequential art in cave paintings and in Egyptian hieroglyphics. I've read that comics (manga) were invented by the Japanese in 12th century scrolls.
And sequential art appears over and over again in Western art going back well over 1000 years, and in book form at least 1100 years ago.
The most obvious example of early sequential art in Western art - as a complete narrative in sequence - is the Bayeux Tapestry. 
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At 230 feet long, this embroidered length of cloth was likely commissioned around the year 1070 by Bishop Odo, brother of William the Conqueror. It depicts the Battle of Hastings in 1066 and the invasion of England by the Normans. (The tapestry was made in England, not in France, but it is called the Bayeux tapestry because that's where it is now.)
Imagine what a task it was to embroider this thing. Whew. And you thought it was hard learning Photoshop.
This work of art is important in the history of sequential narrative, but the Norman invasion is also important to the legend of King Arthur - and another important English legend - for reasons we'll get into later. 
It's complicated.
All this is why you see this art in the background of this page of Chivalry.
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Using the Romanesque art style of the tapestry in panel 1, I've added the Latin phrase "Rex Quondom, Rexque Futurus" - "The Once and Future King", the final words of Sir Thomas Malory's Le Morte d'Arthur as inscribed on King Arthur's tomb, and the title of T.H. White's famous Arthurian novel.  (EDIT) and it has been kindly pointed out to me that QUONDOM should be QUONDAM, which is hilarious and annoying and this is how history gets rewritten by accident.
My original intention was to draw this Bayeux Tapestry scene out and juxtapose it with shots of Galaad interacting with the children, but the two page sequence I imagined didn't really work as well in reality as it did in my head. 
Foremost among my concerns was that the tapestry reference might be too obscure for most readers. I wanted to weave the visual meta-text of Chivalry into the story (For further reading on this project and my use of visual meta-text, symbolism, and history in Neil Gaiman's Chivalry, go HERE. And HERE. And HERE. And Yet again HERE.) in such a way as it would enhance the experience for people who "got" the visual meaning, while not dragging things down for people who didn't. So I cut this scene down to one panel.
The tapestry is a complete, long form comic strip created over 1100 years before some people claim comics were invented. So, I loved being able to reference it here.
But even more interesting to me are the sequential art sequences that appear in illuminated manuscripts - comics in book form.
I once got into a rather vicious argument with an academic who insisted illuminated manuscripts were comics. I said no. She said yes. Then she insulted the lowly comic artist and blocked me on Facebook.
Whatever.
My point was not that you can't find sequential art in illuminated manuscripts. My point is that an illustrated book isn't de facto a comic. Most illuminated manuscripts are illustrated books. Some illuminated manuscripts contain sequential art.
Just because opera is music, that doesn't mean all music is opera.
Just because comics books are books that doesn't mean all books are comic books.
And just because some illuminated manuscripts contain sequential art, that doesn't mean all illuminated manuscripts are sequential art.
But one is.
Let me show you it.
One of the earliest examples of an illuminated manuscript with comic art is The Bible d'Etienne Harding which you can see in this really bad jpg here, sorry, best I could find.
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Created around the year 1109, property of a French Cistercian monk, it combines sequences like this with pages of text and illustration.
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Not a comic book IMHO, but an illuminated manuscript with sequences of text, illustration and sequential narrative.
It's no more a "comic book" than a newspaper is for having text, illustration, and comic strips in it.
IMHO, academic lady.
And here's a look at the Old English Hexateuch (hexateuch refers to the first 6 books of the Bible) which I think is far more visually complex and interesting work, and comes much closer to the illuminated manuscript as comic, but still intersperses large sequences of text and illustration with sequential storytelling sequences. So I don't consider it a comic, but a book with sequential work in it.
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Now this work below is a different matter. This is from the Holkham Bible Picture Book, circa about 1330.
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This thing is genius. It measures a little larger than a modern comic, around 8"x11", and almost every page of it is like this spread here. 231 pages of beautifully rendered art, with repeated use of banderoles - "speech scrolls"  (basically word balloons) -  and captions, and (mostly) real sequential art. I've never seen anything else that comes even close to it, and by all accounts, neither has anyone else. 
It may not be a modern comic book - but it's a comic book as far as I can tell. I don't think there's any other illuminated manuscript that is as complete, sophisticated, and innovative a sequential storytelling work.
If this were printed and seen by more people, the comic book medium would have taken off centuries earlier, IMHO. But it wasn't. It was tucked away in a monastery somewhere and few people ever saw it. It ended up being forgotten for centuries until it popped up again around 1816 when a banker sold it to an avid book collector, Thomas Coke, Earl of Leicester, who inherited Holkham Hall and its library and set about restoring and expanding it. 
The banker wrote, “a very curious MS. just brought here from the Continent. . . which I think one of the greatest curiosities I ever saw”.
Sequential art got invented over and over and over by one artist after another until one day centuries later, some teenaged boys found their newspaper strips gathered together in a cheap format, and suddenly comic books were popular and like new.
And then a lot of people who didn't seem to realize that books had had pictures in them for centuries got all up in arms about the harms of books with pictures in them.
I think it's funny that it is called the Holkham Bible Picture Book. There really was no "comic" art language when this work was created or when academics began to catalogue this sort of thing. Will they change the name now?
Who can say.
Anyway, another Holkham Bible Picture Book reference for you.
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Look familiar?
I referenced it in this scene in Chivalry.
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One of the fun things about the Holkham is that it opens with a discussion between a friar who has commissioned the work and the artist. The friar admonishes the artist to do a good job on the project because it will be shown to important people. And the artist responds, "Indeed, I certainly will and, if God lets me live, never will you see another such book."
He wasn't kidding.
You can see the entire manuscript HERE. 
Sponsored by my Patreon. Thank you.
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punksocks · 8 months
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Astrology Observations No.22: Lilith Edition Pt.2
*just based on my experiences only take what resonates
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-Lilith house could show why someone wants to possess and “tame” you :
In 1st you just exude Lilith energy and a lot of mascs see that as a challenge -a challenge they want to feel dominate over (a fool’s fallacy tbh); 2nd your physicality is striking and they want it all to themselves; 3rd your fierce intelligence and academic reputation; 4th your nurturing abilities and how you exude dark femininity but you could be someone who could take care of them; 5th you seem totally wild and carefree and you know how to have fun; 6th your health and your passionate work ethic that make you come across as unstoppable; 7th I thought of that lyric “I’m so indecisive/ you can’t cuff me but I’m wifey” a lot of people see you as someone that will balance them out perfectly; 8th your s*x appeal and how your raw energy seems totally intoxicating; 9th your worldly air and how no one can stop you from speaking your truth; 10th your polarizing but memorable and powerful impact in public- you give off boss babe energy in such an effortless way; 11th how you seem like you have a lot of haters or ride or die friends; 12th your addictive aura and otherworldly untamable energy.
-Lilith conjunct your Lilith in a sex symbols chart could make you feel inspired by their style/attitude - by sign or house placement (A BUNCH of femmes I look up to have Lilith conjunct MC too)
-Lilith in Libra is a strong feminist placement- it’s the way they strive for balance even when it can be seen as taboo (Alexandria Ocasio-Cortez has this placement and it’s conjunct her Sun, Mercury, Mars and MC !)
-Lilith in fire signs (Aries, Leo, Sagittarius) tend to be feminists too. (It’s the “there’s no man alive who can tell me what to do” principe in their attitude)
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-(light TW) in general I feel like Lilith harsh aspects, and like Lilith in hard signs (Scorpio, Capricorn, etc) and houses (8th, 12th) can make the native wary around men, usually after trusting the wrong one :/ (whatever happened was never your fault and that wrong one was just a a bad guy, I’m sorry)
-Hell I’ve had -dicey- experiences with -not so great guys- so I’ll also note that to a lesser degree it can apply to fixed Lilith signs (Scorpio, Leo, Aquarius, Taurus), and Lilith harshly aspecting 1st/7th/10th and maybe 4th.
-I totally almost got a sugar daddy a lifetime ago lol but I got afraid of getting human trafficked lol and ran off in the opposite direction Lilith square/opposition Asc bby (I’d guess Lilith conjunct, trine, and sextile Asc/2nd/10th would roll with this more easily if they wanted to)
-Said it an 18+ post, but it’s not an adults only observation imo - other girlies with fire/water Lilith placements have guys hit on them when they’re upset? (I used the example of like getting lost and heading to meet my family and an older guy tried to get me to go to his hotel room, but also more recently I -temporarily- lost my wallet and while I was searching in a panic not one but two guys hit on me :x like you’re not helping dude wtf)
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-the element/sign of your Lilith can reflect someone’s sort of shadow reactions to you
Lilith in Aries could make a lot of guys compete with you; Lilith in Taurus would have someone try to buy their way into intimacy with you/try to control your finances; Lilith in Gemini would make a lot of people jump to correct you/undermine your intelligence; Lilith in Cancer could have people force you to nurture them in a sort of motherly way; Lilith in Leo could make people compete with you for attention or at worst try to trick you into having kids; Lilith in Virgo could point to people trying to micromanage you and restrict your routines; Lilith in Libra could point to people trying to tarnish your beauty and throw you off balance/force you to balance them out; Lilith in Scorpio can be scary because it points to people trying to force themselves on you/s*xually dominate you or causing your trauma in general; Lilith in Sagittarius could point to people trying to restrict your freedom/force religion on you; Lilith in Capricorn could mean that people try to sabotage your work reputation/public image; Lilith in Aquarius could point to others trying to restrict your uniqueness and trying to dull your outstanding qualities; Lilith in Pisces can point to others trying to get you addicted to substances/attacking you with their negative energy.
(I have Lilith in Leo and now years after I settled down I’ve finally realized that a lot of guys that made jokes about having kids with me and getting me to skip birth control and running off an eloping …we’re not joking) (yikes, bullets dodged)
-Ok bc we live in a society I feel like the constant overarching theme with strong Lilith energy is less that it’s bad when a dude likes you and more that some guys get so into you that they’re obsessed and also hate you but will still do anything to trap you and when men don’t need any incentive to act out, that’s so scary. Like it’s power that cuts both ways.
Now, of my favorite pieces of obscure art as a Lilith girly :0 (Thank you for asking me about this @corvoidea!)
-Zola: a str*pper meets a potential best friend and the chick tries to highkey human traffic her, it’s insane and based off of a true story (the aesthetic and everything are so good too, it’s one of my favorite movies)
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-Sanctuary: this movie just came out this year but I love it so much?? It’s about a s*x worker whose main client wants to fire her because he’s about to inherit his dad’s company. And she fights back. Unexpected ending. Sort of a Lilith love story. Really funny through out.
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-Paprika: my favorite animated movie? Ever?? It’s about a scientist and her alter ego that moves in and out of dreams, solving people’s subconscious problems. Then the dream tech gets stolen and things go haywire. A visual marvel fr.
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-Cabaret: a movie musical about the cabaret scene in 30s Germany through a club singer trying to love to good life as things get darker all around her.
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-Chicago: Another great musical all about getting famous from m*rder because of the protagonist’s feminine ways. (so good, the music is just *chef’s kiss* and Queen Latifah is in it!)
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-Crazy Ex Girlfriend: a musical comedy tv show, it’s like a fun deconstruction of trying to live like you’re in a romcom. (So it’s really about mental health and all that, and it’s funny!)
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And some songs I love:
Girls is all about just vibing and embracing that divine feminine
I got really into feminist punk rock (aka Riot Grrrl) when I was like a tween finding out how I wanted to express myself, I always recommend Sleater Kinney and Bikini Kill. This song is like Madonna vs Wh*re and I love it :
-idek how to explain this song lol but it’s soooooo gooood
The singer from Bikini Kill started a different band that’s also so cool and punky:
Omg this song about dealing with a f*ck boy and bonding over it I love this song:
I love how Junglep*ssy says /Ain’t a damn thing A man think gonna drive me crazy/ (Google these lyrics they’re everything and the song is a vibe):
This is my song for when I was running around with dudes I thought were tolerable enough but not great lol, I literally played this song for my friends once in college and I was like Ah, yes my creed lol (I got nicer, it’s still a fun song) :
The lyrics: /I wanna hold a seance For every heart I’ve broken Put them all in a room And say “get over it”/ and the lyric /And when I first met you I wanted to kiss you And I I wanted to need you And now I’m forgetting why I tried/ (so good):
A song to describe some of the -weird behavior- I’ve caught lol, cathartic to hear tho:
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fushiglow · 7 months
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Gojō Satoru's rude awakening
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I'm refusing to let myself seriously entertain the possibility that Gojō can come back after chapter 236. However, that's because I'm trying to protect my future self from disappointment, not because I think it's implausible — and I really want to talk about this image!
A couple of days ago, @runabout-river shared an interesting theory about what might happen next for Gojō. The post itself is well worth a read, but it was the choice of the above image that really set my mind alight. This scene is fresh in our minds after the anime adaptation of Hidden Inventory, and timing is clearly never an accident with Gege Akutami. So, why is it relevant now?
We see Gojō giving himself over to his past, lost in his happy dreams of his youth, only for Megumi — Gojō's first student and a symbol of the future that he envisions — to bring him back to the present by telling Gojō, "You're the one who called us here, please don't go dozing off."
In other words, "You're the one who dragged us into all of this, don't go pretending this isn't reality just because it's nicer in the past."
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In my immediate reaction to 236, I said:
Gojō's dying bloody smile shows he's at least happy in his final moments. [...] Although, if Gojō actually is at peace in death, maybe that's the reason Gege will bring him back. He'll *never* let that man be happy, I swear.
It was just a joke, but seeing @runabout-river's post made me realise that Akutami has already set a precedent for 'punishing' Gojō for looking backwards. When he's dreaming about his past, Megumi scolds him and brings him back to the present. When he 'lets his mind wander' to his blue spring in Shibuya, he literally gets locked in a box where time doesn't pass, only to immediately find himself at the bottom of Japan's deepest ocean trench when his students bust him out to fix the problem he created.
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As a side note, in both of these moments, the anime adaptation played a melancholy version of Gojō's Limitless theme — the audio representation of Gojō's youth. I'll eat my hat if it doesn't play again when chapter 236 is eventually adapted (I shared some more insights into some of the easter eggs hidden in the season 2 score in my mini review of the Hidden Inventory soundtrack if you wanna read).
If Gojō dies here, looking backwards to his youth, then he's taking the easy way out and that's what I find hardest to swallow about 236. Gojō leaves what is potentially the most difficult conversation he'll ever have — telling Megumi the truth about his father — to Shōko. He leaves his students to deal with the fallout of his failure to cremate Getō's body. He's saddling the people he loves with the responsibilities he leaves behind, and that's not fair.
However, we won't know if that's what's happened for sure until the whole story is told. Gojō doesn't mention his students in this chapter, and lots of people were bewildered that he seems unconcerned about their safety in a world without him. While that could simply be explained by his faith that they've "got it from here", there's a chance that he genuinely didn't think about it and he's about to get a rude awakening as his punishment — hence, "I pray that this isn't just a delusion".
I would *adore* it if Shōko dragged him back to life kicking and screaming, hauling him away from his pleasant fantasy of youth to tell him, 'No, you and Getō don't get to leave me behind to pick up the pieces again'. Because isn't that Shōko as a character? The one who's left to pick up the pieces in their wake? The one to heal the wounds and lay the bodies to rest while everyone forgets she's even there?
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It would be the most character development she ever receives, and I'd love to see how Gojō and Shōko's dynamic changes when he's not the 'Strongest' anymore. So, in Shōko's own words:
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thewitcheslibrary · 15 days
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Types of divination
Please note: Not all of them are going to be here. I will be covering ones that Beginner witches can use and learn as a starting point! This also isnt a guide on how to do it, its is just some ideas and what they are.
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Tarot and cards-
People who are unfamiliar with divination may believe that reading Tarot cards means "predicting the future." However, most Tarot card readers will tell you that the cards are only a guideline, and the reader is simply interpreting the likely outcome based on the forces at work right now. Consider Tarot as a tool for self-awareness and contemplation, rather than "fortune telling." Here are some simple steps to get you started reading and utilising Tarot cards in your divinatory practice.
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Norse Runes-
According to Norse epic sagas, Odin created the Runes as a gift to humanity a long time ago. These sacred and holy symbols were originally etched in stone. Over time, they grew into a collection of sixteen letters, each with a metaphorical and divinatory significance. Learn how to create your own set of Runes and read what they say.
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Reading tea leaves-
People have utilised many different ways of divination from the beginning of time. One of the most recognised is the practice of reading tea leaves, often known as tasseography or tasseomancy. This divination method, while not as ancient as some of the other famous and well-known methods, appears to have originated in the 17th century.
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Pendulum reading-
A pendulum is one of the most basic and easy types of divination. It's as simple as asking and answering yes/no questions. Although pendulums may be purchased commercially for between $15 and $60, they are simple to create on your own. Most people use crystals or stones, but you may use any object with some weight to it. There are various methods to utilise a pendulum for divination, and you'd be amazed what you may learn from "yes" and "no" replies. The secret is to learn to ask the appropriate questions.
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Osteomancy-
For thousands of years, tribes throughout the world have used bones for divination, a practice known as osteomancy. While there are several approaches, the goal is usually the same: to predict the future using the signals revealed in the bones.
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Numerology-
Numerology is a discipline that many Pagan spiritual groups utilise. According to the basic concepts of numerology, numbers have a tremendous degree of spiritual and magical importance. Some numbers are more strong and powerful than others, and combinations of numbers can be created for magical purposes. In addition to magical correspondences, numerals have planetary importance.
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Intuition-
Intuition is the capacity to know things without being told. Many intuitives make outstanding Tarot card readers because their ability offers them an advantage when reading cards for clients. This is sometimes known as clairsentience. Of all psychic talents, intuition may be the most frequent.
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farfromstrange · 2 months
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Now That We Don't Talk | Frank Castle x F!Reader
BONUS FIC
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See this post for more information on my Valentine's Day Special & Follower Celebration, but these fics can be read separately!
Read Is It Over Now? for better clarity.
Pairing: Frank Castle x F!Reader (past Matt Murdock x F!Reader)
Summary: You go home with the guy from the bar, and he makes you forget about your ex.
Warnings: SMUT (18+ MINORS DNI), oral f!receiving, use of "attagirl", slight Dom!Frank, song references, unprotected p in v, dirty talk
Word Count: 2.9k
A/n: You wanted a part 2, so you're getting a part 2! Anyway, I don't write Frank often, so I hope it isn't too bad. It's also not as spicy as you probably expected, but I wanted this to fit the vibe of the previous fic (link above). You don't need to have read it to understand this, but it is highly recommended because some references might confuse you. Thank you all for taking part in this event!
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You believed that your life had ended when you lost him. He painted your world in the brightest colors, but by breaking your heart, he took them away. All that was left to see was a boring shade of gray in a sea of sadness. 
Matt told you from the start that being with him wouldn’t be easy. You were willing to try. He needed someone, and you wanted to be that someone to him. You accepted him unconditionally. 
In the end, giving everything wasn’t enough. He chose her over you, and the castle you two had built came crashing down on you while he stood idly by. 
You’re not a bitter person, you have never been, but he made you fall for him; he made you believe that there was hope for the future and that you would grow old together. He stole years of your life in which you were trying to save him from himself. In return, he took the best care of you, but that doesn’t matter much now that he has taken your heart and shattered it like a glass of red wine on a white cloth. 
When you left him, you thought the distance would kill you. You truly believed that this was the end of everything, not just your relationship with the man you thought was the one but yourself as well. “This isn’t what it looks like!” he said the day you found out the ugly truth.
“I trusted you,” you remember saying. You couldn’t even cry. The pain burned brighter than the sun, and it dried your eyes before they could even shed a tear.  
He argued with you that, “It was just a kiss,” but you not once believed him. 
“Are you sure about that? ‘Cause if I ask Elektra, I’m sure she will tell me the truth.”
“No.”
It was at that moment you lost all of your trust in him—in what could have been or should have been the two of you, forever—and it was also the moment that Matt realized he had lost you. 
You believed that he took everything you ever were that day because your life revolved around him, and only him. 
You remember him opening his mouth, having the audacity to apologize. “I’m sorry,” he said, begging you not to leave. 
“Fuck you!” you had never sworn at him until that day.
You still remember the way the necklace with his initial felt when you tore it off your neck and tossed it at his feet. He knew you better than anyone, and you felt like you finally belonged somewhere. That necklace was a symbol of your undying love, or so you thought, anyway. Now you know that he may have known you to some extent, but you didn’t matter enough for him not to climb into bed with his ex-girlfriend.
You couldn’t even look at the necklace. He told you, “This is a piece of my heart,” when he gave it to you on a snowy Christmas Day three years ago. You cherished it the same way you cherished his soul. He was broken, but he was your broken man. He was everything to you. 
Matt Murdock was your moon, your son, and your entire universe. It all seemed far away that you could ever feel about anyone this way again. 
You saw a future with him. Married, a house in the suburbs, and working with Foggy and Karen in their new law office after everything they’ve been through. You were a hopeful person back then.
Karen told you that he went to a party a couple of weeks after you separated. He didn’t look like himself. You wonder if he felt anxious, knowing his only source of comfort was no longer there. You wouldn’t know until you asked him, but you refused to answer his calls.
Part of you felt euphoric, knowing that he was broken too, but you also felt angry because he was the reason you found your heart beyond repair as he stepped on it like a burning cigarette, and in your mind, he had no right to feel this way.
You’re a fucking traitor, Matthew Murdock! I wish we’d never met.
“Another one for the lady,” a voice says beside you. 
Your empty glass of tequila disappears and a full one slides in its place. In your drunken haze, you see a head of brown hair, and his smirk makes you wonder if there’s more to him than he lets on. 
“Thank you,” you murmur, tipping your glass to the stranger. 
“Nah, don’t thank me.” He gets up from his seat and sits down on the empty bar stool next to you. “You look miserable,” he says.
“What if I am?”
“I’d tell you I know the feeling.”
You huff but offer the stranger your hand. You introduce yourself. 
He smiles. Your name rolls off his tongue effortlessly. “Frank,” he introduces himself in return. “Castle.”
“Nice to meet you,” you say. 
You thought nothing and no one could pull you out of the dark hole your breakup tossed you into. You believed yourself dead and long beyond the point of redemption. You accepted it. You swallowed in your misery, giving up on finding a new purpose in your life because the one great thing you had was no longer yours. He fell into a grave that he dug for himself, and he dragged your relationship down with him.
Looking into Frank’s eyes now though, you no longer feel like a corpse. And you realize that you are not dead, not at all—you are very much alive. 
The door almost breaks off its hinges when Frank shoves you into his apartment and back against it. The decision to come back to his place was fueled by a lot of alcohol and the way he looked at you. You were desperate to feel something other than the hollow ache that has consumed you every day for months. His eyes told you that he may be able to give you just what you need, no strings attached.
The way he kisses you breathes new life into your mangled soul. He swallows your mouth and your needy moans with his own, and his tongue forces itself down your throat as your teeth clash in a fight for dominance. You’re both tipsy, but he seems to know just what he’s doing.
His calloused fingers burn against your skin. In the back of your mind, Matt is still so present. His hands are the ones you can’t help but compare him to. 
The way he used to kiss you before fucking you into the mattress for hours on end, switching between tasting and fingering you until you were whimpering and begging him for release might have screwed you up forever. He told you one night that he wanted to ruin you for any other man. Back then, you both still believed that you would grow old together.
It is truly ironic how fast things change when you are truly happy and believe that nothing can burst your bubble.
Frank’s large hands brace against the door on either side of your head. His lips disappear from yours. “Who is he?” he asks, his voice rough like gravel.
You meet his eyes, unsure of what to say. Your mind is everywhere but here, and yet it is right with him. Whether it is alcohol or self-loathing, you’re not sure. 
“What?” you whisper.
“You’re trynna forget someone. Who is it?”
He is a lot more perceptive than you thought.
You swallow, blood rushing to your head. “I’m sorry, I didn’t–” you didn’t what? Think? You feel utterly pathetic.
Instead of throwing you out though, like you expected he would, he reaches out to caress your cheek. His eyes soften as they gaze at you. “Whoever he is, he obviously didn’t treat you right,” he says. “If you want to go, I’m not stoppin’ you, but if you wanna forget whoever is fuckin’ with your head, I’ll make damn sure you forget his name by the end of tonight.”
There is something excitingly terrifying about the look in his eyes. A shiver runs down your spine, and your thighs clench at the thought of feeling his hands somewhere other than your face. Somewhere other than your hips and thighs. His kisses knocked the air out of your lungs. You want more, you need more, but you don’t know if you can take it. Not him—even though you’re also not quite sure if you can take him—but also the offer he is presenting to you. As lucrative as it sounds, fuck, you are not over Matt. And you’re not sure if you can ever forget him.
You want to though. You have to. And you want to be thoroughly fucked into the next day and forget the name of the man that makes you so fucking angry.  
“Talk to me,” Frank coaxes your head toward him. “Do you wanna forget the useless bastard that made you feel this way?”
“Yes,” you manage a breathless whisper.
“Did he hurt you? Break your heart?”
You nod.
“You deserve better.” His grip tightens, and his hand slowly slides to your neck. “I’m not, but I’ll fuck you so hard, you’ll forget his name and scream mine loud enough for this fuckin’ city to know who’s making you feel good. ‘s that what you want, hm?”
He’s dangerous, but that has never turned you off, even when it should have.
And when you finally open your mouth and tell him, “Yes, please. Make me forget,” the switch inside of him flicks completely.
He takes his time to worship between your thighs. His tongue buried in your pussy, his lips sucking on your clit without mercy. He eats you out roughly but sensually, keeping you spread wide open for him with both of his hands and a force unmatched—like a five-course meal, and he has all the time in the world for you. 
You’re lost in the throes of pleasure. You want to buck your hips against his mouth because no matter what he does, you’re on fire and you just can’t get enough, but he is so powerful that you can’t fight him. He has you at his mercy, your body in his hands, and all the control in the world over you. 
You pull at his hair, moaning helplessly as he feasts on your pussy. You’re going mad, you’re sure. He’s doing this on purpose, driving you to the edge before stopping the wave. Frank waits until your orgasm is just far enough for you to last a little longer, kissing the inside of your thighs, and then he dives right back into your wet folds. He thrusts his tongue into your hole, licks up to your clit, and then sucks on the swollen bundle until your legs are shaking in his hands. 
“Jesus, Frank!” you moan out. A trail of sweat runs from your temple down to your breasts. 
Your hands search for something to hold onto, tangling in the sheets and the pillow behind your head before pulling at the fabric. You tried pulling at his hair, but he wouldn’t let you. 
“That’s right,” he growls. “Come for me.”
Your back arches off the mattress. His name leaves your lips in a desperate shout as your orgasm crashes into you. 
“Attagirl.”
Your brain is hulled into an endless fog, but Frank doesn’t stop. 
Soon, you’re on your stomach, gripping the headboard as he pounds into you from behind. He is long and thick, and with every thrust, he forces your face deeper into the pillows. Your eyes have rolled back into your head. He hits that spongy spot inside of you whenever he pleases, and the gurgled moans from the pit of your throat spur him on to speed up, change the angle and thrust even deeper. 
He pulls out all the way, thrusting back into you with full force until he is completely sheathed in your pussy. Your heat consumes him, and he sees red. But so do you. He has reduced you to a few incoherent thoughts, babbling his name in the wake of the drool that is dripping from the corner of your mouth. 
And when you come this time, it is pulled back straight against his chest with his fingers rubbing circles over your already abused clit. You come with a scream of his name, and nothing else matters but his cum in your cunt and the unbelievable depth of the feelings he is eliciting within you. 
You drop to the mattress like a wet towel, covered in his and your cum, and your sweat that has mingled with his. His smell lingers in the sheets as you bury your nose in it. He collapses on top of you. The crushing weight of him offers a sense of comfort that almost makes you cry. And he holds you as though you mean more to him than a One-Night stand he picked up to help forget a man who broke her heart. 
“What’d he do?” Frank asks into the silence later that night.
You are lying on his bed, covered by only his thin sheets. He’s sitting on the other side, nursing a glass of Bourbon. He held you, he cleaned you up, and he offered you some clothes, which you denied. He is kinder to you than you thought he would be, and it warms your heart in a way you can only deem utterly dangerous with how vulnerable you are. Broken people make dumb decisions, and you do not ever want to go through the same pain again. 
At least you know that you are still desired. That you’re not dead. Perhaps, there is still hope for a better future. You made Matt Murdock your life for the longest time, and maybe, as you realize now, that was a mistake. There is more to life than him, and you can live without him. That it took fucking a stranger after weeks of being miserable baffles you, but some things are just meant to happen. Maybe it was destiny, after all. 
You look at him when Frank repeats his question. “What’d the bastard do, hm?” he asks.
Where do you even start? 
When you last checked in on him through your mutual friends—you know it wasn’t the best choice, but you couldn’t help it—they told you that grew his beard, and he last had a haircut when you were still together. It suits him, apparently, but you couldn’t bring yourself to look at a picture of him.
Foggy told you that he isn’t taking home girls when they go to a bar, even though he could have all of them. He’s sad. He drowns himself at work and beats his fist bloody every night. The old you would have jumped up to help him. And it is true that you will probably always love him, in a way, but you refuse to crawl back to him.
The more you gave, the more he took, and at the first chance at getting a woman he claimed to no longer love when she came back into your lives, he took her. He couldn’t have wanted you as badly as he claimed if that was enough for him to flush years of loving each other and going through hell together down the drain, knowing it would break your heart into a million pieces. That is probably the worst part about all of it.
You take a deep breath. Frank is still staring at you intently, waiting for an answer. “He fucked his ex,” you finally confess. “Four years of being together and it still wasn’t enough.”
His grip tightens around his glass. “Want me to pay him a visit?”
You chuckle, but you know that he would. “No. But thank you.”
Matt was fading long before you left. Even if you did choose to forgive him, you couldn’t be his friend, so things are better the way they are now. You paid the ultimate price for sacrificing your heart to a man who had too many struggles to deal with himself.
In the silence, you find a little light. “At least I don’t have to pretend to like Jazz anymore,” you say. 
Frank takes another sip, asking, “Jazz?”
“Yeah, Jazz. He loves it. He…He’s special. Well, he was to me, anyway.”
“Special? Fuck, the guy did a number on you, huh?”
You scoff. “You have no idea.”
The only way back to your dignity is to learn how to be without him. You have to turn yourself back into a mystery and learn how to trust someone again before your fragile heart breaks again.
“You still talk?” Frank asks.
You shake your head. “No. It’s over now,” you say. “We don’t talk anymore.”
“Told ya. You deserve better.”
“Nah.” You reach for his glass, taking a sip of the bitter liquor that you used to despise. Looking up at him through hooded eyes, you stretch his leg toward him. 
You need to keep forgetting Matt’s name, no matter what it takes or the reminiscing will surely kill you.
“Right now,” you murmur with an irresistible smirk that makes him leap at you as soon as the words pass your lips, “I just need to forget he ever existed by screaming someone else’s name.” 
Frank captures your lips in a bruising kiss, leaving you speechless and breathless all the same. 
Matt chased you, he caught you, and then he lost you. And now that Frank has you, you never want to look back. 
Now that you don't talk.
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I don't have a tag list for Frank, so I'm just leaving this here.
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thornnii · 7 days
Note
Saw that you request open so: show!percy jackson x daughter of Eris!reader set just after battle of the labyrinth?
⎯ ☆ chaos in the rain
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genre: brief angst to fluff wordcount: 1.1k pairing: percy jackson x fem!reader tags: daughter of eris!reader (she/her pronouns), reader hiding out to avoid doing work to rebuild/repair camp after the battle against luke/kronos' army, set after the events of botl, established relationship, probably some inaccuracies summary: what started off as hiding from chores turns into a conversation about oranges notes: I AM SO SO SORRY FOR THE LONG WAIT!! I hope really hope you like this anon ♡♡
↳ return to masterlist
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camp was alive with activity after the battle between camp half-blood and luke, or rather kronos's, army. there was a fair amount of damage done to the camp and mr d and chiron had delegated jobs to fix the camp to the different cabins. [reader] sat with her feet dangling off the edge of the cliff by the netball court. technically she was meant to be helping the rest of the hermes cabin and the other unclaimed kids that she bunked with- not that she was unclaimed, she was claimed by her mother a while ago, but there was no cabin for eris at camp half-blood.
'it was like staring out over a beehive' [reader] concluded as she watched the rest of camp from her perch. she pulled her feet up to sit cross-legged before tugging her small satchel bag, filled with snacks she'd been storing up throughout the year, into her lap. it was odd, usually the girl would revel in chaos and destruction, but this time all she could feel was this weird hollowness that seemed to weigh her down as she munched on her stolen goodies. maybe it was because it wasn’t chaos by her hand, or that it had affected the people and the things she had grown to cherish. oh well, it wasn’t going to come to her now, maybe in hindsight whatever she was experiencing would be more obvious.
as [reader] ate and watched the activity of the camp below her a soft mist began to envelop camp half-blood. [reader]’s fellow campers stopped to look up at the sky, embracing the cold patter of rain compared to the humid air that still permeated the area post the violence it had just experienced. [reader] couldn’t imagine the immeasurable pain some campers may be feeling, losing a sibling in such a brutal way. with the negative thoughts swimming around her head, she reached for the golden apple keychain on her bag. a golden apple was one of eris's symbols and it always helped to calm [reader], to make her feel connected to her mother.
[reader] stiffened slightly at the almost indiscernible sound of light footsteps against the wet grass of the volleyball courts. almost as soon as her ears caught the sound, the rain that had been splashing down on her stopped. a small smile graced [reader]’s features. “hi percy.”
“how’d you know it was me?” she could hear the pout on his lips without even needing to turn around and see it.
“percy,” she finally turned around to face him, “there are only two children of poseidon at camp, and only you have been training to try and stop the rain. ever since you saw katara do it in avatar.” [reader] mumbled the last part. percy gave a laugh and landed a playful slap to [reader]’s shoulder as he sat down beside her. she just smiled.
[reader] pulled her hoodie closer around her. even though percy had created a small rainless bubble for them, the wind was still cold as it swept through camp. percy must’ve seen the chill run through [reader] as he pulled her closer to him, resting her head on top of his shoulder. “some agent of chaos you are.”
the two sat there for a while just watching their fellow demigods flitter about. the dark sky of the early morning began to be tinted with dusty pinks and vibrant oranges as the sun made its first peak over the horizon. it was a stupidly peaceful moment considering all that had just passed, but, nevertheless, it was welcomed.
the relationship between [reader] and percy had many raising their eyebrows, wondering how anyone could possibly feel stable with a child of eris. but percy accepted [reader]’s chaotic nature with open arms. and while [reader] encouraged percy to be more impulsive and reckless (than he already was), percy helped to ground [reader]. yin and yang.
“orange slice?” [reader] offered.
“got a blue one?” percy joked as he took the slice presented to him.
“if I find a blue orange, I promise I will get it for you.” [reader] grinned, placing a chaste kiss to the blond’s cheek.
“do think it’s actually possible to turn and orange blue?” percy’s eyebrows were now scrunched in thought as he genuinely considered his question. yet it fell on deaf ears. the sun was continuing to rise as it washed camp half-blood in its soft glow, but all [reader] could focus on was the way it illuminated percy’s features, how it made his eyes sparkle. it wasn’t until percy turned to face [reader] properly that she realised he was waiting for her to reply.
“sorry, what’d you say?” she blushed.
“I was wondering if a blue orange was actually possible.” percy repeated.
“I doubt it. besides you wouldn’t really be able to call it an orange anymore if it wasn’t orange.” [reader] grinned toothily at the absurdity of the question. “also I’d be kinda concerned about the taste.”
“what d’you mean ‘the taste’?”
“well aren’t you putting, like, food colouring or whatever in it to change the colour?”
percy shook his head, “no, I’m talking about a naturally occurring blue orange.”
[reader]’s eyebrows creased in further confusion. “I think naturally occurring is impossible, perc. it’s gonna have had to been changed magically or artificially or something, y’know. and even if you did find this infamous blue orange anyway, what would you call it?”
“a blue.” it was said with such confidence that it caught [reader] off-guard for a second. not that she was really sure why she should’ve been expecting anything else.
“a blurange.” she countered.
“blurange?” percy repeated, his previous confidence replaced with confusion.
“sure. if we are setting this in a world where blue oranges aren’t the norm then it makes sense to brand it as something that people already know, so you take ‘blue’ and ‘orange’ and smash ‘em together: ‘blurange’.” as [reader] explained her side of it percy couldn’t help but nod along. what she said made sense, but…
“but ‘blue’ is funny, cause it’s, like, ironic and shit.” percy crossed his arms and pouted like a toddler that had just been told ‘no’ to a new toy. it made [reader] smile at her boyfriend’s silliness. she gave him another quick kiss to the cheek which only seemed to cause his pout to deepen and her smile to widen.
“agree to disagree?” she held the final slice of orange out towards him like a peace offering.
percy took the slice, stuffing it in his mouth in one and muttering a muffled ‘agreed’.
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© thornnii.tumblr.com 2024
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rillils · 3 months
Text
STEVE & BUCKY'S LOVE STORY, UNABRIDGED SOMEWHAT ABRIDGED, part 2/3 (here is part 1)
picking up from where we left off:
some 65 years into the future, steve's plane is fished out of the ice, and they find him, frozen like a sexy hot-dayum popsicle, but still alive thanks to the same super serum that made him go from Smol to Lorge.
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steve is thus brought back into the world, but it's a world he no longer recognizes after all these years; a world where all the people he used to know and love are long dead, and his own face has been turned into a tool for propaganda over the years. obviously, he has a hard time adjusting, and he turns to fighting again, joining this group of kinda possibly superheroes, aka the avengers.
lots of exciting new things happen, sure; but steve is still pretty miserable. until one day, a mysterious masked assassin dressed in bondage gear (but not really), and sporting one very shiny metal arm (!!!!), is sent to kill steve's sort-of-boss. and then to kill steve himself. oh no!!
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in what is possibly the most gripping, most visually pleasing hand-to-hand fight sequence in the history of cinema,
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(NO BUT SERIOUSLY, all jokes aside, if you've never watched it then please do bc it's!!! *shrieks* so fucking good!!!)
a fight sequence which also happened to unlock both steve's and an entire fandom's competence kink with that little sexy knife-flipping trick alone -- i know you know what i'm talking about, don't you lie to me babes--
as i was saying, steve manages to knock the mask off of his opponent's face. and who do you think appears before him? can you guess??
DING DING DING!!! EXACTLY!!! IT'S HIS LONG-LOST BAE BUCKY! who apparently doesn't recognize him??
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confused and upset, steve fights to uncover the truth. turns out, the man is indeed the very same bucky he grew up with and loved. only, he didn't actually die in that tragic fall in the ravine; rather, due to the experiments performed on him while he was a war prisoner, he survived long enough to be found and captured by the enemy. who then proceeded to torture and brainwash him, using him as a tool for murder against his will, and literally putting him back in the freezer when they didn't need him.
which, as it happens, is how he stayed so young in the first place: he, uh, spent the better part of 70 years frozen. yeaaah, are the parallels paralleling or what, hmmmm?? preserved in ice like your mom's best lasagna from last week? plunging to a 'death' that isn't really a death? waking up in the future kinda screwed over? :D
ANYWAY
steve is even more devastated than before, now that he's learned that while he was asleep in the ocean, bucky was out there suffering. when he finally confronts bucky again (and it's fucking epic and also fucking heartbreaking, believe you me) steve is desperate to bring bucky, his bucky, back. knowing in his heart that his bae is still somewhere in there, no matter how deeply buried.
in the most critical moment(TM), steve chooses to stay behind, on a plane that's about to fucking blow up around them - just like bucky did for him all those years ago - because if he can't save bucky, then he'd rather die with him.
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only, bucky is scared and confused af at the moment, and he attacks steve, because 1) he has a mission after all, he's supposed to kill this guy dammit, and 2) wtf is even going on here??? who IS this man, WHY does he keep saying that they've known each other their whole lives?? and WHY does bucky feel like he's actually seen him somewhere else before?????
AND HERE IS THE PIVOTAL MOMENT OF ALL PIVOTAL MOMENTS: for the first time in his life, steve refuses to fight back. like he literally drops his shield out of the plane and into the river underneath, in a very powerful and symbolic gesture, signifying his surrender: he's not going to hurt bucky anymore, no matter what. THIS FUCKER LITERALLY LETS BUCKY BEAT HIM TO A PULP, WITHOUT EVEN TRYING TO DEFEND HIMSELF, 100% ready to let bucky kill him if that's what's gonna happen here, because that's still better than living in a world where bucky's gone - a world where bucky will look at him and only see a target, or a stranger at best.
and then!!!!
no this is like, this is THE most romantic shit, okay, like you could try to convince me that it isn't for the next hundred years and i wouldn't buy it, because. BECAUSE.
at the very last moment, steve finally manages to break through bucky's brainwashing, breaking the metaphorical spell bucky was under. and do you know how he does that? i ask you, do you know how steve does that, my love?
by repeating to bucky the very same words bucky offered him way back in the beginning, when he proposed asked steve to move in together. till death do us part the end of the line, baby. romeo could NEVER
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bucky, who was about to deal the fatal blow, freezes instantly, finally recognizing the man under him.
and when steve falls out of the plane, bucky jumps after him, instinctively saving his life instead.
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but bucky can't stay. confused, wounded, vulnerable, and only just beginning to remember who he used to be and what was done to him, he slips away and hides from steve - and from all the other people who might be looking for him, and probably want him dead. you think this is gonna stop steve, though?? now that he knows that bucky is still alive, and that he remembers him??? now that he knows that bucky's not lost to him forever?? AS IF!!
(to be continued in part 3)
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That comma
Or, connections my brain makes when I don't sleep well for over a week because of a cold - read at your own risk :)
"I went to one meeting ten years ago. They were wittering on about the Christmas lights and passed a resolution condemning the improper use of apostrophes on signs in windows." (Mr. Arnold, s2e5)
This line always makes me laugh because I get super twitchy about certain grammar and punctuation errors. But errors happen, and you can usually tell what someone meant vs. what they wrote, so you correct it in your mind based on what you presume they meant and move on because there are bigger things to worry about in the world. Right?
Maybe we shouldn't always be so quick to presume and move on, though. Sometimes, things are supposed to be written a certain way for a reason. That reason is important, so we're taught the right way to write that thing. We all learn how to do it, and it's generally not something we screw up because there are consequences for doing it wrong. Like an address, for example. Addresses tell something or someone where to go. Maybe to a pub called The Resurrectionist - that one's at 66 Goat Gate in Edinburgh, right? It said so on the record that Maggie gave Aziraphale:
The Resurrectionist
66, Goat Gate
Edinburgh
Except - there's this annoying little comma in there that I've been ignoring for months. Right after the 66. Exactly where it shouldn't be - not if you're writing a street address. So I'm going to stop ignoring it and ask a question.
Is this actually a street address? I'm not questioning that the pub is in Edinburgh - that's well-established. It's that middle line - 66, Goat Gate - that I'm not sure of anymore. I'm having trouble making excuses for that comma.
If it isn't a street address, then what is it? I'm not sure, and I don't know if we have all the information to figure it out. My sleep-deprived brain has come up with a couple of crazy questions and ideas though. Starting with - what if the Clue is actually multiple Clues? What if we've just been thinking about the pub, but that second line contains a separate clue or clues about Edinburgh, so that Aziraphale Knows Where [He's] Going? (see what I did there?)
These ideas do require an assumption that we shouldn't just take season 2 at face value, but they aren't tied to any specific theories like time loops, dreams, etc.
This post from onceuponathyme about references to the number 66 in the show and promo posters, and gallup24's comment that the press pass in Newspaperman!Aziraphale's hat also has the number 66 on it got me thinking about whether the "address" and the hat are meant to be connected. The references to the number 66 could be an easter egg - the Book of Revelations is the 66th book of the Bible. But is it an in-show clue, too? Is the 66 on Everyday single telling Aziraphale to wear it on his hat, maybe as a signal to someone? ("The clarinet, it makes beautiful music.")
Moving on to Goat Gate. It could still be the name of a road. I have two other ideas though:
We've already seen goats turned into crows. Gate is an old term that can mean road or street. Goat Gate = Crow Road? (I don't know that I love this, but I'll put it out there anyway.)
There's also the symbolism of goats tied to Hell, Satan, and Crowley in particular - drconstellation has a lovely meta about sheep vs goats, so I'm not going to go any farther into that. But I do want to stay on Crowley, and the second place we see Aziraphale - the cemetery.
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Not quite this, but I can find a gif for just about every other part of the scene except for the line I'm looking for. The one where after a bunch of hilarious noises, he says, "Do I sound like a goat?"
And then, a short while later...
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The ground opens up (a gate to Hell?), and Crowley disappears, pulled down to Hell. And then we get one continuous shot of Aziraphale turning around in that spot that starts in 1827 and ends in present day.
We still don't know exactly why Aziraphale went to the cemetery. Maybe "Goat Gate" is the clue that sent him there?
One final thing I noticed in that episode that feels a little off to me now - Crowley's reaction when Aziraphale calls and asks him if he remembers Mr. Dalrymple. "Oh yeah, not a doctor, a mister! Whatever happened to him?" It's surprisingly normal and relaxed, considering what happened at the end of the night, isn't it?
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r3starttt · 4 months
Note
Dress: you and Abby are good friends but you have secret crush on her. You go to a party together and you get buzzed but not drunk and start spilling your guts about your secret crush on her. Little do you know she's secretly been pining over you as well.
Zinnia
a/n: 🤓☝️ Zinnias symbolize endurance, lasting affection, and friendship.
Also, I changed things but the og idea is there I promise 🫠
Warnings: none I think, let me know if there’s any cause this is pure fluff and a bit of angst ig?
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Abby had broken up with his boyfriend some weeks ago. It’s not a secret how much you hated Owen since you meet him, so both of you were struggling right now.
Abby felt like shit and you didn’t know how to comfort her, you were happy she left him, but it broke your heart to se her like this, you’ve never seen her cry before, not even this mad.
You didn’t understand why Abby would be crying over such a dumb men like Owen. They met when they were younger, probably high school. When you met her she was already dating him and the more you knew about him, the more annoying you find him.
Abby knew, and would do anything so you wouldn’t be near him, however she never understood what was so wrong about him that made you hate him so much. And no, it wasn’t the fact that you’d meet Abby hoping she was into girls, or the fact that you loved her as more than a friend, not even that he was annoying itself.
You hated him because he would treat abby in the most disrespectful way a man could treat her girlfriend, because every time abby was with him she’d transform. Because you knew how much Abby liked him and how much he would take advantage of it.
And now your feelings were so confusing. You were glad they were over, but you hated the reason. You felt your heart sink when Abby got to your shared apartment crying as you’ve never seen before because she found out Owen was cheating on her.
You also hated how happy you were about this, because you knew how you had no chance with her so feeling positive about this was disgusting and shameful. But you couldn’t help it.
So when you two got invited to a friend’s party none of you hesitated, you needed to get drunk because you couldn’t take seeing her like this and you were definitely more overwhelmed than you should, and she needed to forget about her ex, at least for one day.
Once you were ready and you got out of your room you noticed Abby waiting for you in the living room, laying on a large couch. You glanced at her muscles on full display thanks to the blank tank top she had chosen tu wear, and her long toned legs resting on top of a small coffee table that was settled in the middle of the room.
“You’re ready?” she asked, moving her head slightly to look at you “Mhm” you nodded, signing a small yes.
You walked towards the door, grabbing a small purse that u usually took everywhere as you hear her standing from the couch. The sound of a leader jacket adjusting over her body and the tap of her shoes behind you.
Once you arrived to the party you were greeted by your friend, who went almost immediately towards Abby and tried to comfort her. She seemed uncomfortable, but that look on her face disappeared once she was offered a drink.
You decided to go straight to the kitchen of the house, you were determined to get as drunk as possible. Maybe that’ll make you forget about everything, at least for a long while.
The music was loud, making you feel the beat on your body and not letting you hear anything else than your own self. You kept on drinking, hoping the alcohol could make its effect on you, and it was.
That until you saw Abby, apparently alcohol doesn’t have any effect on the heart. You felt so desperate, maybe it was the alcohol, maybe it was the situation itself, but you couldn’t hold yourself from feeling the need of tasting every bit of her body, to press your lips on top of hers and her body, to make her scream your name and beg for more. And it was so cruel that you couldn’t.
She signed at you to come closer, she had got rid of her jacket and her muscles were basically shining at your sight. You walked towards her, feeling dizzy as the best of the music could be felt on your body.
“What?” You screamed at her so she could hear you properly. She put the beer she was holding on top of a counter near the two of you and just stared at you “Stop drinking, I’m the one that’s supposed to be taken care of don’t you think?” a cocky smile formed on her face, and so did on yours “sorry” your reply came out more like a small mumble than a word but she understood, she just chuckled.
You felt her hands grabbing yours and taking the red cup with alcohol in it away from your hands, yet before you could say anything she lead you to what seemed like the living room, helping you get on a couch. You noticed your friends sitting there as well.
You felt some weight besides you, there was no need to turn around to know who it was. Just by the strands of blonde hair and the feeling of a muscular arm touching yours you knew more than well that Abby was besides you.
“It’s not fair” you say out of nowhere, turning your body towards Abby “what’s not fair?” she asks in confusion “He never deserved you Abby, he’s such a dick. How dares he to treat you like that for years and then cheat on you after all you’ve done for him? fucking asshole” she just chuckles “fucking hate him so much” you let your body lay on the couch, placing both of your hands on top of your stomach and moving your head towards Abby’s.
“You’re way prettier than her” she furrows her eyebrows in response “why do I feel like your more mad than I am?” the sarcasm on her voice made you smile unconsciously “why did you even date him on a first place? He’s hideous” you feel how her arm hits yours softly “why do you hate him so much? he never treated you bad, did he?” You nodded your head as a no.
“I’m jealous of him, he’s been so fucking lucky having someone like you on his life” you felt the tears forming in your throat, it was painful “he also treated you like shit, he never took the chance to understand you, he never cared about you and it was painful to see you with him” just shut up, you thought to yourself.
She didn’t reply, and it made you feel nervous. You saw how she took a sip from her beer and placed it again in between her legs, you gulped silently and stood up, not being able to stand the awkward silence between both. She grabbed your wrist “I’m going for the last one, I promise” your eyes went immediately to her lips, it was painful how much you needed a taste of them. She let you go.
As you were in the kitchen drinking what you expected to be your last drink the same friend that had greeted you when you first entered the house spoke to you. You weren’t sure if it was the alcohol, the pain of your last talk with Abby or the music, but you just couldn’t understand a single thing she was saying, you were getting overwhelmed.
“Are you good?” your brain finally connected the words that seemed like murmurs “Why?” you replied in pure confusion. “You’ve been drinking nonstop” your eyes rolled impulsively as a chuckle came out of your mouth “I feel like shit, hopefully alcohol helps”.
She moved her hands to your shoulders, making you look at her “It’s Abby isn’t?” you felt like throwing up “What’re you talking about?” the beer in your hand was now being tasted, desperately “You like her, am I wrong?” Fuck.
“I won’t say anything, just…. you can talk to me if you want to” and so you did. The beer vibrating on your hand as you placed it top of the counter. “I first talked to her because I liked her. When she told me she had a boyfriend I was dumb enough to think I’ll do good if we stayed at friends” your friend just nodded.
“And then I was even more stupid to agree and move with her to the fucking apartment. I couldn’t take Owen, he wasn’t just annoying, he definitely knew I liked Abby and would do anything to make me suffer. He’d insist abby to take me with them, the fucking excuse being he was trying to be more close with me…. and abby believed every word of it” you felt the tears growing on your eyes “And now I’m so confused because I’m happy they broke up you know? but it’s fucking overwhelming to see her sad like this, it’s gross that I even feel happy, I should be supportive but I just don’t know what to do. I’m so pathetic, I don’t even have a chance with her, I feel like this whole situation has never been fair for us”
Before the tears could run all over your face you took another sip of your beer. You felt the knot of tears on your throat slowly disappearing. “I can’t stand looking at her and feeling so desperate, and I feel like I’m just…. cheating her too” your friend hugged you, and as she did you noticed Abby, just staring at you as she rested her body on the door frame.
She couldn’t have heard you right? Music was louder than your words, or that’s what it felt like in the moment.
Just as you pulled off from the caring embrace of your friend you left the beer on the counter, passing by your friend, almost as if you were running towards Abby. There was no need to explain anything.
Before you could say anything she apologized, a small sorry came out of her mouth. She moved her arm to the back of your neck, pulling you closer to her chest. You mover your arms around her waist, this is all you needed right now.
“You heard me didn’t you?” finally the alcohol was making its part because you didn’t felt ashamed, or maybe it was the mix of the drunkenness and her body holding you, whatever it was it didn’t matter “Why you never mentioned anything Mhm?” her voice was so smooth, so tender.
“It wouldn’t have changed anything” you murmured, loud enough for her to hear you “I’m sorry” you pulled away from her, staring at her eyes in search of any sign that let you know how Abby was feeling.
“Don’t be” his lips moved upwards slightly, and you were about to do the most dumb thing ever. If she had already heard anything why not kiss her before she actually freaks out.
So your lips press on hers before you even realize what you’re doing, and she doesn’t move. You try to pull away but her hands pull you closer, moving to the back of your neck and cupping your face softly.
The taste of your alcoholic saliva mixed with hers made you feel clouded, it tasted way better that you could ever imagine.
“It would’ve changed everything” she replied once she breaks the kiss. The look on her eyes was so different from what you’ve seen before and that definitely had some sort of effect on your body because whatever you were feeling now wasn’t because of the alcohol.
You were so close to her, to her face that you desired to look for so long, to her body that you dreamed of touching so many times before. It felt surreal. Her hands moved from your face to your waist, pressing it gently and making small circles on each side.
“Let’s go home mhm?” suddenly her voice sounded so husky, so genuine and desperate. You we’re gonna taste every inch of her body tonight, any explanation you needed about whatever was going on could wait.
“Fuck you” you did had to let her know you were fucking exploding in confusion though. She just rolled her eyes at you and pulled you for another kiss. Fucking dream you were living today.
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