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marriedtobigfoot · 1 year

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Robin is positive that Steve isn't straight. At first, she thought she was projecting. Maybe she just wanted to share another aspect of herself with her best friend, but no. She's very confident now. The way Steve acts sometimes makes it so obvious. He's listened to her talk about how scary it is, being a lesbian in a town like Hawkins, and he talks to her about it like he undertands, even if he doesn't realize it. She roped him into watching a movie with a gay couple in it, and Steve's eyes lit up seeing two men kiss on screen. He once cracked a joke about going on a date with a guy that sounded far too sincere to be a joke. She knows, deep in the depths of her very soul, that Steve is a little bit queer.

And she could prove it if she could just figure out what his type is

She's been doing research, real genuine research into what male celebrities are considered hot. Finding movies with said supposedly hot men and making Steve watch them with her. But there's nothing! No reaction, not even the slightest blush when Harrison Ford was sweaty and shirtless right before his eyes. It isn't until she gets him to watch Rocky Horror that she finally catches something. Tim Curry in all his fishnet-clad glory brings a flush to Steve's cheeks. One that gets even worse when the character dons a leather jacket halfway through. It isn't much, but it's enough.

She mentally tallys everything about Tim Curry in that movie. Dark eyes, curls, makeup, tights, and especially the leather. She tries not to get her hopes up too high, knows that Tim Curry was wearing feminine clothes and makeup in the movie, so maybe Steve was just thrown off and confused, but it's a start at least. She makes a new list of movies, and pays close attention to his reactions.

The real breakthroughs come with The Lost Boys and The Breakfast Club. Lost Boys had been planned, one of her choices designed to illicit a response from Steve. Lots of pretty boys, some with dark curly hair, some with big dark eyes, and quite a few wearing leather jackets. Steve had been interested, that was for sure, a lot more than he had in the other movies she'd shown him. The Breakfast Club was a surprise. It had been one of Steve's picks, and Robin hadn't even been paying close attention. But it was impossible to miss the way Steve's eyes shot to the screen every time John Bender was speaking.

So, Robin has an answer. Steve Harrington liked bad boys. Men with dark hair and dark eyes, clad in leather with attitude for miles. Not what she had been expecting, but she's delighted, to say the least.

The delight only grows when Eddie Munson comes into their lives, and she gets a front row seat to Steve Harrington's Big Gay Meltdown. Eddie ticks off all Steve's boxes. Dark curly hair, big brown doe eyes, leather and denim from head to toe, and he has the attitude. But he checks off other boxes too, ones Robin hadn't even realized existed. He checks off the 'great big nerd' box. Because when she thinks about it, yes. Steve surrounds himself with exclusively nerds. He checks off the 'good with kids' box effortlessly, to the point that Robin almost screams when she hears Steve telling Nancy about his six kids and a winnebago dream, because Eddie basically already has part-time custody of Steve's weird gaggle of gremlin children. He tickes off the 'queer as fuck' box too, if Robin's judgement is any good, and she was pretty sure it was. The bandana in his pocket seems like a pretty good sign, if the zines she had smuggled on a family trip to Indy were to be trusted.

Eddie Munson is perfect for Steve, in every way possible, Robin is sure of it. So needless to say, shes thrilled when Steve finally, FINALLY pulls her into the crappy little bathroom at Family Video and asks her how she realized she was gay. This is going to be the start of a beautiful little journey for them both, Robin is going to welcome it with open arms.

Part 2

#steddie #steve harrington #stranger things #eddie munson #stranger things 4 #Robin Buckley #Platonic Stobin #Robin is already wingmanning steve before he even realizes he likes men #And she certainly doesnt miss the way Eddie blushes when they watch Indiana Jones as a group #and Shirtless Harrison Ford is on screen #ficlet #steddie ficlet

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leverage-ot3 · 4 months

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notable moments from The Cross My Heart Job

leverage 4.09

(team comes down an escalator toward the main floor)

Sophie: Well, that trip was a complete disaster.

Hardison: It was a train wreck.

Eliot: No, it was a shipwreck. And you know how I know that? 'Cause I was in the wreck.

Hardison: Hey, man, I don't want to hear you complain. At least you don't have to fix th-the ear buds. You know what?

Eliot: Man, don't talk to me about the ear buds! I just fought three ex-Brazilian combat divers with spear-guns, underwater!

Hardison: I don't want to hear it. I don't want to hear it.

Eliot: You believe this? (taps Sophie’s arm)

Sophie: Ow, don't touch me. I am sunburnt everywhere. I hate playing the French heiress on the topless beach.

Parker: Oh, I don't know what you're complaining about. I didn't even get to see the emerald.

Hardison: Are you for real?

Eliot: Oh, my god, for the last time, it's not an emerald. All right? It's an island. It's the "Emerald of the Caribbean."

chaotic family on an escalator

- - - - -

Parker: The heart could be anywhere by now. They could have jumped in a taxi and driven off.

Sophie: No, no, we have to assume it's still in the airport, that they're planning to fly it out.

Parker: Why?

Eliot: 'Cause otherwise, we've already lost

- - - - -

Eliot: All right. They're in there. We're gonna need a distraction.

(Sophie takes off her pants and uses her long shirt like a dress, then shakes out her hair and pulls a pair of heels from her purse. Parker counts some cash)

Parker: All right, they told Linda to call from a pay phone for instructions once she made the drop.

Eliot (hands Parker money): Better hurry up, or they're gonna start getting suspicious.

Parker: It's a good thing we didn't stay on that island to see those emeralds.

Eliot: Parker, I just t...

(Sophie leans on Eliot to put on her shoes)

Eliot: You carry high heels in your purse?

Sophie: I always travel with heels. (takes Parker’s scarf and ties it around her waist) How's this? Distracting enough?

Parker: Hmm.

parker and eliot both look away, partially to give her privacy but partially to act as a wall so that other people won’t see her changing

notice the stark contrast between this scene and the other changing scene in this episode

- - - - -

(the clerk closes the doors. Inside, Eliot pulls the kidnapper between two tables while Parker talks to Tanya)

Paker: Yeah, that will work. We'll get you a little taser, carry it with you wherever you go-

parker and her tasers + being surprisingly good with kids

- - - - -

Nate (to Eliot): What do you got on this guy?

Eliot: He's not a professional. He has no combat training. Lousy Zanshin.

Parker: The what?

Eliot: He's a loc... It means "personal awareness." Thug for hire, but very well funded. (hands Nate tickets) Two first-class tickets, one for him and one for the girl, and that's how they got past security, and (hands gun to Nate) plastic gun. One or two shots in the barrel warps, but that's pretty much all you need, very pricey hardware.

Parker: Why would someone pay for that but not hire a professional?

Eliot: He doesn't want a professional. He wants a local so we can't trace him back to him.

- - - - -

(Eliot uses a cord to tie the kidnapper’s hands)

Eliot (to Sophie): Don't suppose you travel with handcuffs.

Sophie: No, not on this trip.

👀👀👀

- - - - -

Parker: Plus the ear buds are busted.

Hardison: And I burned our phones and our credit cards so we can't be traced.

Sophie: Most of our money went on bribing the waiter.

Eliot: We're operating in a secured area.

Parker: And my lock picks are checked.

Hardison: And airport wi-fi is a joke. Face it, we're practically naked.

- - - - -

(Eliot and Parker walk out of the Restaurant and part ways. Parker approaches a kiosk that sells computers and looks around, then crouches to look at the locks before walking away. Eliot approaches an electronic store before yelling catches his attention from a check in desk not far away)

Platinum Flyer: You guys! Hey! Platinum flyer over here. Come here. Somebody look at me.

Airline Clerk: Sir, please calm down.

Platinum Flyer: Ju... let me stop you right there, okay? I don't care what seats you have left, all right? Do you see this? (holds up a card) I am a vista Atlantic platinum flyer, all right? Is this card gold? No. Look at it. Is it silver? No.

(Eliot looks around, sees a magazine and picks it up)

Platinum Flyer: It's platinum, all right? So if you think that I am sitting back in coach with the rabble, you got another think coming, all right?

(Eliot puts the magazine over the Platinum Flyer’s briefcase as the man tries to drop his wallet into it)

Platinum Flyer: You can just forget it. I don't even want to talk to you anymore. Who's that? Thing one and thing two, come here. You guys. Hey!

(Eliot walks back to the electronics store and pulls the Platinum Flyer’s credit card from the wallet. He enters the store and grabs several packages of walkie talkies, then flags down a clerk)

Eliot: Yo, yo, yo. Come over here.

(Parker tries on various sunglasses, stealing a pair before walking away. She walks past again and steals a snow globe. On another pass she steals a bag. She returns to the computer kiosk and breaks the sunglasses to picks the locks, revealing an old style CRT monitor)

all this competence porn, it’s SO GOOD

- - - - -

(later Parker and Eliot take apart the walkie talkies at a table while Hardison uses an old computer at the bar with Sophie and Linda watching while Nate paces)

Nate: Hardison, come on.

Hardison: Look, man, this is like stone knives and bearskins, okay? Nobody's asking Eliot to fight a guy with a nerf sword.

Eliot: Damascus, 2002.

Hardison: Like you've been to Damascus.

domestic parker and eliot taking apart walkie talkies? eliot legit sword fighting with a nerf sword? amazing

- - - - -

(the clerk watches from behind them, amazed)

Hardison: Wh-what? Come on, man. Like you've never seen a man travel with a desktop before. Go.

LMAO

- - - - -

Nate: Right there! Right there. Him.

Sophie: Dean Chesney?

Nate: Dean Chesney, CEO of Vertronics defense contractor. I had my eye on him for quite a while, but he was never a high-priority target.

Hardison: Why not?

Nate: He was dying.

- - - - -

(Eliot sits down and his feet hit against the struggling kidnapper. Eliot kicks him in the head but he continues making muffled sounds)

Nate: Are you done?

(Eliot kicks the man again)

Eliot: Yeah

- - - - -

Hardison: After we get out of the public areas of the terminal, we work on level two. It's ground crew, tarmac access. It gets us from here to the private terminal.

Parker: How do we get that? Break Eliot's wrist?

Hardison: What? N-no, no. We just pick one up from where the ground crew left it.

[Locker Room]

Parker (opening combination lock): Yeah, this will keep my stuff safe, from a 6-year-old with the DTs.

(Parker opens the locker and removes a jacket. Eliot closes the locker and hits the lock on the one next to it, opening the lock. He pulls out a level 2 badge and hands it to Parker)

Eliot: That's two.

(Parker and Eliot begin to change clothes)

🔥🔥🔥 scene tho 🔥🔥🔥

also, notice how they start getting changed without turning around or anything, like hardison would have immediately turned around because that’s who he is. she literally immediately takes her shirt off without a care. he doesn’t even blink at it. eliot and parker have a very strong, nonverbal, physical bond because they’re similar entities. they understand each other on a deep level because of their pasts and there isn’t that type of need for modesty between them.

also they’re literally so close to each other when they’re doing this??? literally, personal space? they don’t know her

ALSO, eliot throws his shirt at the camera and idk it feels like he’s giving parker privacy from the “onlookers” (aka the camera) if you get what I’m saying,,,

- - - - -

Sophie: Well, we have to lure them out.

Parker: Oh, okay. Set Nate on fire?

Eliot: Settle down

she mouths “no” back at him and they have a silent exchange where she ends up smiling I love them

- - - - -

Hardison (pacing): Come on, Eliot. Come on, come on. Come on, man.

Announcer: Mr. Picard. Mr. Kirk Picard, please meet your party at door "E.

ELIOT KNOWS HOW TO GET HARDISONS ATTENTION. HE KNOWS TO MAKE A STAR TREK REFERENCE AND BAM HARDISON KNOWS WHATS UP. WHAT D O R K S

- - - - -

(Eliot gets into a cart that Parker is sitting in. She holds up the keys and hands them to him)

Parker: Let's ride

her SMILE and EXCITEMENT

- - - - -

Hardison: Excuse me. Uh, something's wrong with my pin. Can you reset it for me?

(Hardison hands the card to the guard, who scans it)

Guard: Can you confirm your old pin?

(the screen shows that the card belongs to a woman and the guard looks at Hardison in surprise)

Guard: Uh...

Hardison: What?

Guard: Wh—

Hardison: what? You got a, you got a problem? My little transformation? Go on, speak your mind. Yeah, I had some surgery, huh? A little nip, a little tuck, a little pop, okay? And now I am who I'm supposed to be. I used to be Francesca. Now my name is Frank!

Guard: Um...

(a second guard turns to look at Hardison)

Hardison: You got a problem? You... excu—excu—I didn't know this was the club. You all up in the mix, don't even know the flavor. What's your problem? (walks around the desk aggressively) You got a, you—everybody got a problem with this? Look, racism, sexism, anti-semitism? That's how you y'all want to play this? Cool. I thought it was a no-no in airport security, but I see y'all profilin' me right, left, and center, everywhere. You know what? Shame on you. Shame on your mama. Shame on your kids.

(Hardison glances at the monitor to see the pin number, then walks back around the desk)

Guard: I-it's fine. I-it's fine. I got no problem with anything. Uh, it-it looks like you used to, used to be a-a really pretty girl.

Hardison: Used to be?

Guard: A-and n-now you're a-a very handsome gentleman.

Hardison: You hitting on me?

Guard: C-can you confirm your old pin?

Hardison: It's 5135.

Guard: Uh. (scans the card) Okay, there. Try that.

Hardison: Thank you. (looks at second guard) You better re-adjust your peripherals.

Guard 2: Real smooth.

(Hardison returns to the card reader and scans the card, entering the pin)

Reader: Pin accepted.

Hardison: Don't care what anybody else says. Next time, I'm taking the train.

I can’t tell if this scene was transphobic or not ??? like, it could have been worse and he called out people who would be judgmental of his “transformation” ???

like there was like one other kinda transphobic thing they did in the show but I forget the episode

- - - - -

Nate: I know what you're gonna say.

Sophie: I think you should have a drink.

Nate: Okay, I didn't know what you were gonna say.

Sophie: Look, we don't like it when you drink, (pours him a drink) but we trust you when you do. We both knew this was gonna get personal. We need you to stay clear-headed. You let it get to you now, it's gonna go bad for all of us. Be very careful, Nate.

- - - - -

Nate: Sam would have been 13 this year. A teenager. Almost a man. I mean, you know, probably a big pain in the ass, but… Joshua Spin is getting out of that hospital bed.

(Sophie nods. Nate sighs and takes the drink, looking down at Sophie’s hand over his)

- - - - -

hardison’s GRIN when he sees all the computers in the tower 🥺

- - - - -

Parker: It took us 8 minutes to get there. It's gonna take us 8 minutes to get back. Wait. (goes around to the front of the cart)

Eliot: What are you doing? Wait. No way!

(Parker lies on the ground and reaches under the cart)

Eliot: Come on, Parker, we got to go! We got to get-- Let's go! What are you do-- Quit monkeying around under there!

(Parker stands up holding a piece of electronics)

Eliot: Did you just pull something out of the engine?

Parker: Yeah. Spark regulator, keeps the cart from going more than 25 miles an hour. Now we'll get there in 4 minutes.

(Eliot starts the cart and takes off quickly)

Parker: Hey! Whoa! Whoa! Yeah!

- - - - -

Nate: Last week on that island, you faked a volcanic eruption. How is this harder?

HE DID WHAT NOW

- - - - -

Nate: You just sell it to the tower.

Sophie: Massdot special?

Nate: Massdot special.

Linda: Massdot special?

Sophie: Yes! (takes Linda’s phone and makes a call)

[National Weather Service]

Rachael: National Weather Service. This is Rachel.

Sophie: Oh, thank God!

[Crab-a-Rama]

Sophie: I was just out walking my dogs, and I saw a tornado touch down!

(Nate pulls up pictures of tornadoes on the computer)

Rachael: Are you sure?

[National Weather Service]

Rachael: The current forecast don't indicate any severe-weather patterns.

Sophie: I'm sure.

[Crab-a-Rama]

Sophie: I took a photo of it with my phone. I'm sending it to you now.

(Nate sends a picture of a tornado to Rachael as he dials the phone)

[National Weather Service]

(Rachael looks at the picture in shock)

Rachael: Uh, please hold, ma'am. (places Sophie on hold and takes another call) National weather service. This is Rachel.

[Crab-a-Rama]

Nate: Are you asleep at the wheel? There's a tornado out here by the airport right now! A freaking tornado! Come on!

[National Weather Service]

Rachael: Bill. Bill!

Bill: What is it?

Rachael: We got calls here. I think we need to issue a tornado warning for the Cincinnati metropolitan area.

- - - - -

Chesney: --to make the top of the list. This is my only chance. I've planned for months. I have eight backup contingencies. I'm fighting for my life, Mr. Ford! What are you fighting for?

[Crab-a-Rama]

Nate: I am fighting for that 15-year-old boy that you're going to kill.

[Chesney’s Room]

Chesney: God helps those who help themselves.

Nate: And I help people who can't.

[Crab-a-Rama]

Nate: And God help you if anything should happen to that boy, because if he spends more than one second longer in that hospital than he needs to, I will make it my mission in life to end you.

[Chesney’s Room]

Nate: I will ruin you.

[Crab-a-Rama]

Nate: I will ruin your name. I will ruin your company. I will bring down everything you have ever touched. And when I am done, I will hunt you down--

[Chesney’s Room]

Nate: --and I will kill you myself.

[Crab-a-Rama]

(Nate hangs up the phone)

- - - - -

parker yells “yee haw” a lot and I love her for that

- - - - -

Pilot: Tower, field is in sight.

Program: We have you in sight. Clear to land on runway 1-8.

Hardison: Okay, flight 4-0-9. W-we have a visual. You are clear to land on runway 1-8.

Pilot: Roger. Clear to land.

(the airplane lands safely)

Pilot: Tower, we are down.

Hardison: Yes! Hell yeah! That's what I'm talking about.

Pilot: Say again, tower?

Hardison: I'm sorry. No, no, I'm sorry. It's cool. It's cool. It's cool. Celebrate with me. All right.

hardison managed to land an airplane with 300 people on it with nothing more than a computer and a flight simulator and we STAN our intelligent man

- - - - -

eliot was always standing next to hardison in all the extra scenes in this episode and we love to see it

- - - - -

(Eliot looks at Nate and Sophie, then nudges Hardison)

Eliot: Let's go.

(Eliot grabs Parker on the way down the hall, Hardison follows them)

his lil pat on hardison’s shoulder? how he places a guiding hand on parker’s arm, leading her away? we LOVE to see casual touches and casual intimacy between them

- - - - -

so hardison likes to assemble model helicopters in his spare time sometimes and nate assembles model ships in his ???

- - - - -

Chesney: So now what? You can't report me without exposing yourself. And what's to stop me from trying again?

[Leverage HQ]

Nate: I am. (hits remote to bring up information and a video feed on the monitors) I'm watching you. I'm watching your money, your people, your company. What have you got there, a pulse rate of 86?

[Chesney’s Room]

(Chesney looks around in alarm)

[Leverage HQ]

Nate: Oh, look at that.

[Chesney’s Room]

Nate: Just jumped up to 104. That can't be good for you.

[Leverage HQ]

Nate: Make your peace now, Chesney. (continues putting model together) Because if I see anything, anything I don't like...

[Chesney’s Room]

Chesney: Well, Mr. Ford it seems you've killed me after all.

[Leverage HQ]

Nate: Oh, I didn't kill you. God killed you. I just made sure it took. (hangs up)